My Spy (2020): Dumped Onto Amazon? No Kidding.

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“My Spy…” That is a name I have been waiting to say for the LONGEST TIME. Nevertheless, “My Spy” is directed by Peter Segal (Grudge Match, 50 First Dates) and stars Dave Bautista (Guardians of the Galaxy, Stuber), Chloe Coleman (Big Little Lies, Transparent), Kristen Schaal (Bob’s Burgers, Gravity Falls), Ken Jeong (The Masked Singer, The Hangover), and Parisa Fitz-Henley (Jessica Jones, Midnight, Texas). This film is about a CIA operative who is on a mission alongside a fanatic/newbie in Chicago, who is supposed watch over a particular family’s apartment, only to run into a nine year old girl who lives in said apartment. As this happens, the CIA operative is now at the mercy of this nine year old who can potentially affect the entire mission.

If you wonder why I started this review the way I just did, here’s some context. I have waited FOREVER to talk about “My Spy.” Not because I knew about it for a long time and was finally getting to see it. Not because I was looking forward to it. Hey, this is no “Star Wars.” Before the COVID-19 craze happened, prior to when it was announced that this film would be going straight to Amazon’s Prime Video after multiple delays in the United States, I was invited by STX Screenings, which is an outlet based on the studio responsible for this film, to see “My Spy” a couple towns away from me. So I got on a train. Remember trains? Those were so much fun. I headed on over, saw the movie, but I knew one thing was for sure. I could not talk about it. That is unless I turned Scene Before into an Australian outlet, because this film already released in Australia months ago. Without saying much about the film, I did not hate myself, but it didn’t feel buzzworthy.

By the way, THIS WAS IN JANUARY. And it’s not like I went to a big festival or something or a test screening. No! This was a finished product! This was a screening meant to promote the film, get people to think about it, and that sort of thing! It was a simple free screening that just so happened to take place on a Saturday in January at 10AM! They really wanted families for this thing, didn’t they?

But guess what? I’m a Prime member, so I took the opportunity to watch this film again. After all, a lot can change on a second viewing, and I did forgot a lot about this movie over the last five months.

Once again, I did not completely hate myself for watching “My Spy.” But to call it Shakespeare is laughable.

Oooh! Here’s a hashtag! #ThisAgedWell.

Now don’t think I’m nagging on Dave Bautista, I love his work and he often comes off as one of the most down to earth celebrities working today. He doesn’t let the attention and fame get to his head, and he seems like an all around fun guy. I also love his passion for the film industry, those involved in said industry, and unlike some people, he is not afraid to project his opinion beyond the stratosphere (even if sometimes it might not work out in his favor). And I’ve seen him do good work. I think Bautista was a good pick to play Drax in the Marvel Cinematic Universe. He had a solid screen presence during the beginning of “Blade Runner 2049” as Sapper. I even liked “Stuber!” It’s not a masterpiece, but… It has its moments. Well, Bautista’s performance in “Stuber” wasn’t his finest, but I liked the movie nevertheless. Here in “My Spy,” he looks the part from a physical standpoint, but the way the script translates onto the screen is weird at particular points where Bautista happens to speak.

Continuing on with what I just said, Dave Bautista DOES NOT give a career-damaging performance. At this point, I’m still excited to see him if there is a “Guardians of the Galaxy Vol. 3,” which is seemingly in development at this point, so I can’t wait to see where that goes. However, when it comes to how his character is written. It’s very hit or miss. And the same can be said for some other moments of the screenplay as well.

While I did end up buying the mother/daughter relationship between Parisa Fitz-Henley and Chloe Coleman, there are a couple utterances of their lines and interactions where they didn’t feel like real people. Yes, one of the core objectives of a film is to stretch the truth and reality to a certain point, but there are one or two moments where it breaks the barrier and goes a little too far. I bought into the characters, but this is nevertheless how I felt as I witnessed said characters on screen. I also think the chemistry between Dave Bautista and Chloe Coleman is admirable, which does kind of end up being the heart of the film, so I gotta give credit to the casting department where it is due. Although, it is not like I haven’t seen this type of chemistry done better in the past. This film kind of reminded me of “The Game Plan” starring Dwayne Johnson. You know, that movie where he unexpectedly meets his own daughter. Although, that movie handles something better that this seems confused with, its identity.

While I often criticize Disney for its unwillingness in regards to pushing boundaries, their movie, “The Game Plan,” at least feels consistent. It always feels family-friendly, it always comes off as somewhat warm yet exciting, it projects a sense of clean fun throughout. Here, it feels kind of weird. Did they make this movie for young teenagers who wanna hear people drop a couple bombs? Did they make this for kids? Families? The movie starts off with a strategically laid out action scene that almost glorifies violence, but later on we get this family drama that turns out to be the heart of the movie. It feels like a PG-13 action movie in one moment, but for almost the full remainder of the runtime, it feels PG at best. I am willing to bet, that if this movie was PG, it MAYBE could have gotten away with as much violence as there is. Maybe if it was just toned down or edited with slight differences, it would have gotten the PG rating. If they took out a few naughty words, it would have gotten a PG rating. Do I want this movie to be PG? No. If you ask me, I am always for the dark route whenever possible. But I want this movie to have a tone that works, but it almost fails when it comes to having its own identity. It feels like a conglomeration of ideas that are randomly placed together to waste a little more than an hour and a half.

“My Spy” is a technically competent film. When it comes to aspects like editing, camerawork, and music, “My Spy” works. It’s not the greatest movie ever made. Far from it in fact, but it is confusingly laid out and doesn’t feel like it really knows what it is. The movie also tries to be a comedy, and there are moments where the comedy does land, but it also comes off as a little traditional, like I’ve seen it before. Bautista has a couple well-executed comedic moments as the movie goes on, but if you have seen a lot of movies, it is probably not going to stick the landing as perfectly as one would hope.

For those of you who don’t watch a lot of animated movies, one of the cliches from that realm of film is that there is a dance sequence of some sort. Now, “My Spy” is not animated, but this does honestly nearly, not COMPLETELY, but nearly come off, as a movie meant for kids. Much like the typical animated fare, “My Spy” has a dance sequence, but I will say the way they handled it here was not exactly annoying. It wasn’t completely exciting or exhilarating, but it felt like it had a noticeable purpose compared to some other movies (I’m looking at YOU, “Uncle Drew”). For a movie like this, seeing a dance sequence that actually worked and didn’t make me want to rip my hair off was sort of delightful.

In all seriousness though, “My Spy” is probably going to end up being one of the more forgettable movies of 2020. How do I know that? Because as I mentioned, I already saw the film in January and a lot of it already faded. It feels disposable, slightly typical, and doesn’t really offer anything spicy to the table. I think Chloe Coleman, who plays the young girl in this film, has a bright future ahead of her, but if she becomes successful, I don’t think “My Spy” will be the film I will end up remembering her for most.

In the end, “My Spy” is probably going to be watched once and then quickly left in the dust. The only thing I can say at this point is that if you are bored and you pay for Amazon Prime, watching this movie won’t exactly kill you. If it’s a family movie night, you can do better, but you can also do a lot worse. Now I saw this movie twice, and that’s because I wanted to refresh my memory on what happened in the film and how it presents itself. Was it worth the second watch for those reasons? Sure. But if we’re talking about entertainment value, there are superior options out there. I like the people in the movie, but the movie itself, not as great. I’m going to give “My Spy” a 5/10.

Thanks for reading this review! It is almost the end of June, so that means that we are getting closer to the day I release my review for Tom Cruise’s “Minority Report.” This is the conclusion to Scene Before’s Tom Cruise Month, which has been fun for me personally, as I do enjoy Tom Cruise as a professional. I have not seen “Minority Report” yet, but I assure you that I do have even just the slightest anticipation to talk about it. If you want to see more great content like this from Scene Before, please give the blog a follow! If you have proper account credentials, give this post a like! Also, check out the official Scene Before Facebook page! I want to know, did you see “My Spy?” What did you think about it? Or, since it’s relevant… Did you ever see the 2007 movie “The Game Plan?” Tell me your thoughts on that! Let me know down below! Scene Before is your click to the flicks!

CHECK OUT MY TOM CRUISE MONTH REVIEWS SO FAR:

OBLIVION (2013)

ALL THE RIGHT MOVES (1983)

DAYS OF THUNDER (1990)

TOP GUN (1986)

TENET is Delayed Again: New Release Date: August 12th, 2020

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Hey guys! Welcome to the latest apocalypse-related update of 2020! A year so bad that it made fully regret ever giving “Cats” a negative review. That hour and fifty minute movie which really ended up feeling like an utter eternity was a blessing compared whatever the f*ck is going on right now! Remember how I posted this s*it down below just a couple weeks ago?

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

Guess what? That s*it’s outdated! Welcome to 2020! A one-way ticket to a dark room full of deadly lasers, accompanied with a bloody water tank with a giant shark that is about to eat you whole! WORST! YEAR! EVER! With that being said, I’m going to try my best… My absolute… Best. To avoid going ABSOLUTELY OVER THE TOP WITH THIS POST! Gah! I already failed! Let’s just do this!

Hey everyone, Jack Drees here! In case you’re reading this, I have somehow survived being disintegrated by tons of deadly lasers and a giant shark that was about to eat me. For all I know, maybe the shark thought I was pitching a terrible product, and said “I’m out.”

…Which reminds me, I gotta cross that shark-raid whistle thingy off the pitch list. Here we go.

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A couple weeks back, we have had an announcement that “Tenet” was getting a pushback, which I think at the time, could have arguably been the most shocking pushback for a film we’ve seen all year. “Tenet” was one of the few pictures to not move a muscle so far in 2020, so to see it gravitate towards a later, granted two weeks later, but later nevertheless, release date on the calendar is a little shocking. However, in my post talking about it, I mentioned there was probably a good reason, one of the notable pieces of news sticking out to me being the plan to rerelease 2010’s “Inception,” allowing for a perfect reason to recognize the film’s 10th anniversary. Not to mention, I thought it was just a damn fine consolation prize. “Inception” will be brought back to theaters around the same exact time it came out, it would be a good way to get audiences back into the theater, see how many people are willing to go to the theater, and as for me, I get to see one of my favorite movies on the big screen, which I did not get to do when I was younger. However, this week, it was announced that “Tenet” has been delayed once more. Time runs out? More like, we need more time to put out our movie.

Before we go any further, “Tenet” is not the only film moving in this case. “Inception” is in on this as well. “Inception” is now going to be taking up the July 31st release slot previously held by “Tenet.” As for “Tenet,” that film will be taking a spot in the middle of the second week of August, allowing it to come out on August 12th.

Let’s start with the good news. The good news, I can’t believe there is good news available in 2020… It’s not that big of a delay. That can be a sign of pure optimism from Warner Bros., Christopher Nolan, or both. While we don’t know where we’ll be in days or weeks from now, it does show that somebody somewhere is sticking to a commitment to put the movie out in theaters. Let’s face it. If I were to shoot a movie on the largest format possible, which Christopher Nolan did. Release it on the largest format possible, which is currently planned. You bet I, as a studio executive, would surely keep a promise to put this damn movie in the theater. I saw previews for this film on my TV, and it looks good on my TV. But why does it look so good? Because it gave me the urge to get off my ass, into my onmyassmobile, and head to a freaking movie theater to enjoy myself for hours!

Wait, that sounds very familiar…

“This film (Dunkirk) is what actually going to the theater is all about. Not renting a movie on DVD, not streaming it on Netflix, but getting off your ass, getting in your onmyassmobile, and heading straight to the movie theater.” –Top 10 BEST Movies of 2017

Nolan is all about the “get off your ass” mentality when it comes to releasing films, and that is part of why I will remain committed to checking out his work. I am all about the experience when it comes to moviegoing. There are very few feelings like entering a movie theater and seeing a movie in general, but when Nolan makes a movie, it’s almost guaranteed to be a ride. To see at the very least, the notion regarding this movie not losing sight of the theater experience delights me to no end.

Now, for the bad news… What if this is not the last delay? Because I feel like the factors determining whether or not we will get to see this movie in theaters as soon as possible have little to do with whether or not theaters are ready. In fact, the major chains including AMC, Regal, and Alamo Drafthouse, have all announced plans to open in July, with precautions in mind. Some of these include deep sanitizing of the auditoriums and often-touched spaces through advanced equipment and materials, allowing extra time to clean auditoriums, reduced capacities and spaced seating to encourage social distancing, and enforcing the use of masks. And yes, I’ll wear a mask, because I’ll happily allow my mask to possibly smell like popcorn. Just because they’re ready does not automatically equate to the public being ready. Am I ready to head back to the movie theater? I’ve been motivated to go pretty much as soon as everything shut down. Granted, knowing myself, I am a little biased. I would have risked my life during the pandemic to go see new movies because this was the routine for my blog. Go to the movies. See a new release. Review said new release. Repeat. Instead, I had to take a break, report whatever fresh hell was happening during the apocalypse to point where I wanted to smash my F*CKING BRAIN INTO SPIKES! Save myself some money so my family and I don’t go broke. Occasionally review a new movie if possible, and so on. I would not deny that there is at least some sort of craving from various demographics to live in some sense of normalcy at this point. Movie theaters are a part of that normalcy. But would the public automatically leap themselves back into theaters? That’s going to depend on who you ask. Some would definitely go back in a heartbeat, but if you scour social media, there are some that are hoping for more at-home releases and those sorts of things.

Not only that, but let’s also look at statistics. One of the biggest catalysts that likely caused this delay in the first place is the notion that New York had no plans to reopen theaters in phase 4, which supposedly starts in a couple weeks for a great portion of the state. New York is one of the biggest movie theater markets out there. They have a large moviegoing population and a ton of theaters to back them up. New York City has also been home to many big film events, including premieres. Although if I’m not mistaken, if “Tenet” releases on time, if Manhattan remains closed, the run could still work if many other theaters in the state as long they remain open in other areas. Speaking of which, New York, Massachusetts, Connecticut, and New Jersey, are trending pretty positive right now when it comes to handling the virus overall. This is as opposed to states like Florida, Texas, Arizona, and California, where the virus is proving to be a little more effective and deadly. Hospitals are filling up by the second, states are seeing record cases, and if they keep going up, who knows what’s gonna happen next? And besides, I just mentioned California, like New York, it is one of the biggest movie markets in the world. It’s where many red carpet events occur, the culture in various cities revolve around film, and it’s home to many historic venues. Plus, Los Angeles county is currently the most populous of the U.S. counties, if you don’t let them for example go see a movie in their local area, that’s potentially a lot of lost customers.

Not to get sidetracked, but I wonder if this means anything for the other big movies coming out soon like “Unhinged” and “Mulan.” Will they bump their dates somewhere else as well? Although Regal Cinemas, the second largest chain in the United States, is supposed to reopen the day that movie comes out, so I doubt they want to move as they have a sweet spot. As for “Mulan,” I feel like Disney could move it, but they also have a good spot should things turn around. They don’t have to worry much about what could be opening the week after, and a lot can happen in a month from now. As much as I would not be TOTALLY surprised if they put the movie on VOD eventually, I feel like from an executive standpoint, this is a movie that like “Tenet” is specifically made to be seen in a theater. Putting the film on VOD would be a sacrifice from one kind of perspective. Plus, based on what I’m hearing from people who have already seen the movie, it may have solid enough verdicts to avoid getting dumped onto Disney+ like “Artemis Fowl” did, which currently has a 10% on Rotten Tomatoes.

One thing I will point out, when it comes to this new release date, it presents a fairly interesting idea given by a Warner Bros. spokesperson.

“In this moment what we need to be is flexible, and we are not treating this as a traditional movie release. We are choosing to open the movie mid-week to allow audiences to discover the film in their own time, and we plan to play longer, over an extended play period far beyond the norm, to develop a very different yet successful release strategy.”

Before this delay, in fact, even before the first delay, what I thought was going to happen was that Warner Bros. was going to attempt to pull the throttle as far ahead as possible. What could have been done is that they’d release the movie, allowing it to play on virtually every available screen in the facility, say this is all happening in a multiplex, allowing for everybody to go see this one movie at practically anytime, with an outright guarantee for social distancing. Granted, with the current plans to bring throwback releases into the mix, that would now be impossible, but again, I’m talking about the past. Now I’m noticing a fairly slow approach that Warner Bros. seems to be taking. I don’t know how well it’ll work out. But if they keep it in theaters for a long enough time, there’s a solid chance that it could be profitable. It’s likely going to depend on word of mouth, positive reviews, and maybe even some hint of rewatchability. For all I know, it could also depend on cases. But this blog is being documented by someone who lives in the United States of America, where we are perhaps all brainwashed into thinking the economy is more “essential” than lives. Am I sick of staying home for the longest time? You betcha. I have gone through several periods of not even exiting my house doors. In fact, this entire post pretty much sums up my distaste with the fact that I’ve had to stay home. But if we all really get back outside, we need to understand that the world is not going to be pretty. We need masks (which I detest, but I understand why we need them). We need clean hands. We need to do our best to stay apart. If we want to have what we love in front of us at some point during 2020, we need to understand the meaning of sacrifice amongst ourselves. And how this even became a political issue here in the United States, I will never understand! Apparently in this country, science equals politics! It’s global warming all over again!

Just so you all know, if you didn’t already, I hate needles with a burning passion. This is the one time, I repeat, the one time in my life, where I want a vaccine for something! I don’t care if it kills me quicker than the virus, but I just want to have a sense of normalcy at this point. I’ve had it with all this! I just want to go see a movie! It’s the one place where I can feel like I’m at home, because I’ve been at my house for so long that it doesn’t even feel like a home anymore! I love my house, but with isolation and everything! It has basically become a prison with people who love and care about you, not to mention better food options! I need to get out at least once to cleanse my brain from whatever spasms it has at this point! Walking won’t do the trick! Am I overreacting? Most likely! But this is my life! Art is the quintessential element that makes me whole, and now I feel like that has been snatched away. I turn 21 in November, so I think I have picked the wrong time to supposedly “build my life.” I want safety for all. But I want to do things.

“Tenet,” please help me. I’m more excited for “Dune” to come out in December, but as of now, I don’t know if there has ever been a movie I wanted to see succeed more than “Tenet.” It’s from my favorite studio, my favorite director, and will be shown in my favorite format. And I surely hope this delay is the last one we get. For all I know, should things continue to trend positively in certain states, I can almost see Warner Bros. releasing the movie in states that are trending positive, then adding a phase 2 to areas that trend positive later. It’s like the government, but it’s all about a $200 million+ movie. “Tenet” HOPEFULLY, and I cannot stress that enough, releases in theaters August 12th, 2020. The film will be available in digital, various large formats including IMAX, 35mm, 70mm, and IMAX 70mm. And you bet I will be striving to catch an IMAX 70mm presentation should one pop up in my area, and given how I don’t live far from Providence, RI, and I do expect the movie to end up playing at their IMAX venue, I will probably make it to one of these shows whatever it takes.

Thanks for reading this incredibly emotional post! And by incredibly emotional, I mean a post where I turn into an absolute brat who simultaneously wants what’s best for society. How did we get here?! Do we even deserve to live at this point? Bring on the alien invasion! Bring on dinosaurs! Bring on giant asteroids! Bring on dogs and cats living together! Mass hysteria! What are we still doing here anywhere? It’s not like we’re… DOING ANYTHING! By the way, right now on Scene Before I am focusing on Tom Cruise Month here in June, which will conclude next week with my review for “Minority Report!” Until then, check out my review for “Top Gun,” a movie which had a sequel that was supposed to come out this exact week, but of course, COVID sucks. It really does. July is coming up, and I’m hoping for my sake at this point that I get to talk about at least one new movie. I’ve spent so much time talking about the past that the future looks mighty fine right now. This universe is punching me in the gut every day. Be sure to follow Scene Before if you want to see new content, and check out the blog’s official Facebook page! I want to know, what are your thoughts on the “Tenet” delay? Personally, I kinda saw it coming, but unlike the last one, this one hurt me a little more. I am more than likely overreacting, but as a guy who doesn’t really care if sports come back at this point, I at least want a movie. Or, here’s another question. Do you plan on going back to the movies anytime soon? Let me know down below! Scene Before is your click to the flicks!

Top Gun (1986): Jack Feels the Need. The Need For Scene!

TOM CRUISE MONTH POSTER

Hey everyone, Jack Drees here! The 1980s has brought us some of the most culturally important films of all time. “The Empire Strikes Back,” “Raiders of the Lost Ark” “Back to the Future,” “The Terminator,” “Ghostbusters,” “The Princess Bride,” “Predator,” “The Breakfast Club,” and much more! The 1980s is also the decade where Tom Cruise’s film career began. Some of his credits from the time include “Endless Love,” “The Outsiders,” and “Risky Business.” However, I’d be willing to make the argument that when it comes to all the films Tom Cruise did in the 1980s, the one that still reigns as the highest in terms of cultural importance is “Top Gun,” which was supposed to have a sequel come out this week, only to be delayed due to COVID-19. Whether or not that sequel will be worth the wait is a question we’ll have to answer in due time. However, let’s not completely focus on the future, because when it comes to 2020, anything can happen and some things may be better left unmentioned. Instead, let’s go back to a time where the biggest worry for some may have been getting a ticket to see the latest movie where men fly planes and play volleyball. Ladies and gentlemen, strap yourselves in. This is entry #4. Feel the need. The need for scene! This is…

TOM CRUISE MONTH

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“Top Gun” is directed by Tony Scott (Days of Thunder, Beverly Hills Cop II) and stars Tom Cruise (Risky Business, All the Right Moves), Kelly McGillis (Witness, Made in Heaven), Val Kilmer (The Doors, Batman Forever), Anthony Edwards (Revenge of the Nerds, It Takes Two), and Tom Skerritt (Alien, The Turning Point). The film is about a young Lieutenant who gets a chance to train alongside a fellow Radar Intercept Officer at the US Navy’s Fighter Weapons School in San Diego.

Prior to this review, I have only seen “Top Gun” one time. I bought a used Blu-ray Metalpak for the movie, mainly for the sake of having something cool on the collector’s shelf, but at the same time, I was intrigued enough to watch the movie a few weeks later when I had the time to waste. What I remember of that first experience is that I really enjoyed the soundtrack, the characters are well-performed by their respective actors, and there are a couple lines that stuck with me. I finally found out the meaning of “Talk to me Goose,” which I have heard in the past in a YouTube video, and the way it was delivered on screen felt satisfying. It also made the reference in 2018’s “Deadpool 2,” which I would end up watching and reviewing a year later, feel kinda classy.

On my second watch of the movie, the screen had my attention during just about every scene, likely suggesting that I was very intrigued by everything that was going on. All the characters are charming and likable, I think the main romance plot on the side was fun to watch as the two characters not only have great chemistry with each other, but where they stand outside of their connection plays a bit into the plot as well. Both Tom Cruise and Kelly McGillis make for a great couple in this movie and I have come to appreciate them a little more the second time around. Although oddly enough, it does come as a bit of a shock as I have read on IMDb that the two seemingly did not get along during filming.

While this is not one of the movies well-known for Tom Cruise “doing his own stunts,” I was a bit impressed with some of the scenes in this movie that have a bit of wide open space, if that phrase even makes any sense. It’s a little more complicated way of saying that I enjoyed just about any scene that involved jet-flying. Funny enough, even though we know that Tom Cruise is practically the Buster Keaton of today, during his filming of “Top Gun,” the only actor who apparently did not vomit inside a plane was Anthony Edwards, who by the way does an excellent job playing Goose. Sticking with the topic of solid chemistry, Maverick and Goose make for a pretty fun pair. I rooted for both characters for each second they were on screen, and it is no wonder how this exchange became a noteworthy reference in popular culture.

MAVERICK: I feel the need…

MAVERICKGOOSE: …the need for speed!

Now, I want to dive into something that is kind of a problem, but also a blessing in disguise for this film in particular. There is no threat. Now, with any other movie I’d probably be wondering wherever the heck the stakes could be. But here, it somehow works, at least for the most part. You may be wondering why I am bringing this up. Because when it comes to the characters and how they deal with every situation at hand, it more or less just makes for pure fun more than anything else. I mean, this is a movie that starts off with a pilot flipping the bird at somebody else while his plane is rotated upside down! It’s fun! It’s a movie with a glamorous volleyball scene that makes you wanna go to the beach, and I say that as someone who is not even a beach person! It’s freaking fun! It’s a movie about bros doing… well, doing what bros do! IT’S F*CKING FUN! At times, this movie feels as if it does not necessarily need to take itself all that too seriously. And that’s fine, I’ve seen a few movies where this sort of thing works. Granted, if you know me, I much prefer a serious vibe of a film as opposed to one that goes over the top and exaggerates itself to the tenth degree. However, when it comes to “Top Gun,” it’s a movie that tells its audience that it is here to just have a fun couple of hours. Things are about to get nuts, strap yourselves in, have a lovely flight. Pun may absolutely be intended.

However, the climax of this film, is where the tone almost seemingly gets in the… DANGER ZONE! SEE WHAT I DID THERE?! Aren’t I an evil genius?! I am the king of the world! C’mon, guys! It’s comedy!

I will say, I had no real problem with the film’s climax itself. It makes sense in terms of how the story builds itself up. In terms of how it is presented, how it is handled, it is structurally sound and of course, fun. But… is it really fun? Because it almost, I say ALMOST, comes out of nowhere. But at the same time it makes sense because in these characters’ lives, it is a moment that has practically been building up for them, but for a viewer like myself, it sort of almost gets to the point of feeling tacked on just for the sake of inserting some sort of stakes. Now, stakes are fine, but I will say, as a viewer it surely felt weird to see something which could potentially equal some sort of deep impact happen in a movie where almost everything else felt like “another Tuesday,” as some would probably call it. I will say, I did enjoy the climax, and it was in a word, “exciting.” But at the same time, it feels weird having it in the movie where everything prior to said climax felt kind of fun. But that’s really the charm of “Top Gun” when it comes down to it. After over thirty years of being in our spheres, it is still a “fun” movie that is watched by lots of people. There’s been rereleases, drive-in screenings, the flying sequences, despite being from the 1980s, hold up very well today. In fact they just came out with a 4K Blu-ray for the film! Maybe I’ll have to pick it up sometime soon! There’s a lot to love about “Top Gun,” even though technically speaking, it is not a masterpiece. It really is at its core, just fun. It’s nice to look at, and when it comes to characterization, it does its job fairly well.

Does this movie deserve a sequel that is coming out today? Well, it is the highest-grossing film of 1986, and as I mentioned, it is FUN! Why not? Although based on trailers that I am seeing for said sequel, I am wondering if they are going to take it in a slightly grittier direction. And if they do, I’m fine with that. Plus, Tom Cruise is probably one of the most admirable actors working today, so if I get to see him “do his own stunts” for sometime, it will give me something to witness for sure.

In the end, “Top Gun” holds up very well after over thirty years of its release. Technically speaking, it looks somewhat good for its time, maybe a bit ahead of its time as well. It is terrifically cast, even if everybody apparently did not get along. When it comes to the Scott brothers, I think Ridley Scott is overall the better filmmaker from what I have seen, but I really dig Tony Scott’s vision with this film. Granted, what he does with this film is almost a little Michael Bay-ish, and I think Michael Bay is a little too much of a style over substance type of director, but it works here because of how charming the film manages to come off. Don’t get me wrong, this film is not entirely Shakespeare, but I had fun with it. There’s that word again! I’m going to give “Top Gun” a 7/10.

Thanks for reading this review! By the way, I have one more review coming up in this epic extravaganza I like to call Tom Cruise Month. It’s a movie from the early 2000s, and it is Steven Spielberg’s “Minority Report.” Aside from “Oblivion,” it is the only film in this themed series that I have yet to watch. However, I am rather excited to watch what could potentially be a very enjoyable sci-fi story. Be sure to follow Scene Before if you want to be notified about this review when it is published, or check out my Facebook page and give it a like if you want to get such notifications through your Facebook account! I want to know, did you see “Top Gun?” What did you think about it? Or, what is your favorite dogfight in a movie? Let me know down below! Scene Before is your click to the flicks!

Days of Thunder (1990): Tom Cruise? More Like Tom Rush!

TOM CRUISE MONTH POSTER

Hey everyone, Jack Drees here! It is officially entry 3 to Tom Cruise Month! So far we have talked about a pretty good movie, along with a not so good movie. Today, we are going to talk about “Days of Thunder,” a film I have seen once in 2017 when it was available on Amazon Prime for free. Since then, I bought a Triple Feature Blu-ray set of Tom Cruise films which contains “The Firm,” which I have reviewed on this blog almost three years ago, “Collateral,” and “Days of Thunder,” which of course I watched once more to talk about today.

So without any further dilly-dallying, it is time for entry three! This is…

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TOM CRUISE MONTH

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“Days of Thunder” is directed by Tony Scott (Top Gun, Beverly Hills Cop II) and stars Tom Cruise (Risky Business, All the Right Moves), Robert Duvall (Apocalypse Now, The Godfather), Randy Quaid (Caddyshack II, National Lampoon’s Vacation), Nicole Kidman (Batman Forever, Moulin Rouge!), and Cary Elwes (Glory, The Princess Bride). The film is about a man who becomes a NASCAR driver, but even though he may talk a good game, Tom Cruise’s character of Cole Trickle is not exactly accustomed to being in a stock car. The story goes over his journey as a racer, as a part of a new team, while also allowing a certain rival to get in the way.

When it comes to my official ranking of Tom Cruise movies, I probably would have told you a few years back that “Days of Thunder” is somewhere in the middle of what I’ve seen. It’s not great, but it has one or two entertaining moments. I also kind of liked the music and I thought I heard some of the score somewhere else before watching this film (upon my watch for this review, that is not the case). It’s a little formulaic, but it doesn’t mean there is no fun to be had. Tom Cruise, per usual, is solid and gives a likable performance as a decent character.

Now, it is 2020, and it has been a week since I have officially last watched “Days of Thunder.” It’s still an alright hour and a half of material. However, upon my second watch, I felt that the first half of the movie, where all the buildup is happening, is definitely better than the second half. And I am not knocking on the second half, because it is still entertaining, but seeing Cole Trickle have to adapt to his team and the mechanics of NASCAR makes for delightful content. In fact, I also briefly mentioned his rivalry in the film, there’s a scene where the two rivals have to head to a dinner together, and in doing so they rent a couple cars and wreck the s*it out of them. I was amused with what was happening on screen in those moments. It was just plain fun. I think the chemistry between Tom Cruise’s Cole Trickle, alongside racing rival Rowdy Burns, played with excellence by Michael Rooker (Guardians of the Galaxy, JFK) makes for some of the better scenes in the movie. Aside from all the action that goes on behind the wheels for these two, there’s another scene where the two happen to be in wheelchairs and they are racing around the hospital. Not only did it do a solid job on getting into the lack of fondness towards the duo, but it did so while keeping me interested in everything that was going on.

I mentioned earlier that I really liked the music in this film, and having watched this film a second time, this really should come as no surprise. Because not only was it something that I was kind of looking forward to hearing, but I was paying attention to the opening credits, and I saw a name that I was particularly delighted to see pop up on my screen.

HANS. F*CKING. ZIMMER.

If you all had to ask me who I think the greatest film composer of all time is, I’d give you three names. John Williams, Danny Elfman, and Hans Zimmer. Maybe Alan Silvestri would be an honorable mention. For those of you who don’t know me or are new around here, Zimmer composed my favorite film score of all time, which was appropriately presented in one of my favorite films of all time, “Interstellar.” His relationship during his recent points in his career with Christopher Nolan allowed him to do that movie, “Inception,” “Dunkirk,” and the “Dark Knight” films. He’s also collaborated with composer Benjamin Wallfisch to work on “Blade Runner 2049,” he’s done a number of DreamWorks animations, “The Lion King,” “The Last Samuai,” and even though I have a couple problems with his score for “The Amazing Spider-Man 2,” its high moments make up for its faults. “Days of Thunder” is one of Zimmer’s earliest scores that I have heard, and it does match up with the skill and talent that I’ve seen from him today.

Keeping with the theme of Tom Cruise Month, I want to reference the previous film I reviewed, specifically “All the Right Moves.” In my review for that film, I mentioned that one of the main reasons I disliked that film was because even though it focuses on the main character’s struggles and downfalls, I felt as if there was little reason to actually root for him. He’s kind of a dick, he just feels like a horny jock who wants nothing more than to get into Lea Thompson’s pants, and when it comes to the film’s conclusion and what it has to do with the main character, it almost feels as if, without spoilers, there is no reason for me to root for him and say that he earned his fate. Despite the effort put into his portrayal from Tom Cruise himself, the character just didn’t stick the landing for me. Cole Trickle on the other hand, aside from having a somewhat likable name, kind of like Luke Skywalker or Johnny Utah or Taserface or Turd Ferguson (it’s a funny name, ha ha), has this swagger to him that makes him feel like someone only Cruise could portray and make as likable as he is. And when it comes to, once again, struggles and downfalls, Cole Trickle doesn’t come off as a big enough dick to make me not care about him whenever he screws up. Plus, when it comes to how this movie concludes, the ending feels earned and deserved, it does more than simply exist to take up screen time. It is a fate that feels satisfying and worthy of a thumbs up. Not one where I want to throw my popcorn at my 4K TV.

Aside from the first half of “Days of Thunder” being better than the second half, my other complaints with the film are that there are one or two scenes that maybe were a little unnecessary (even if they did entertain), and that there are some predictable moments. Other than that, “Days of Thunder” is a solid film. I do recommend it.

Before I go any further, I also want to point out that I also really liked Robert Duvall’s performance. I liked the stern portrayal of his character, which added some grit to the film overall, and it just goes to show that you can really get an impact from a mentor-type figure on screen.

In the end, “Days of Thunder” once again comes into the middle rankings of my Tom Cruise library of films that I have seen with him as part of the cast. Would I watch it again? Honestly, not anytime soon. I’d rather watch “The Last Samurai,” I’d rather watch “Oblivion,” I’d rather watch “Edge of Tomorrow.” But that’s just me. Even so, this film has its moments. The racing scenes are fun, and some of the non-racing stuff can make for some pure entertainment too. But I don’t think it will give the movie all that much replay value in the future. I’m going to give “Days of Thunder” a 7/10. Before I watched this movie for my review, I had given it a 6, but in reality, the problems it has are not particularly world-ending or overwhelming, they’re just faults that maybe need to be pointed out to separate what’s good from bad. At the same time though, Cruise has done better in his career compared to this film. This may be on the lower spectrum of a 7, but as of this review, it stands where it is.

Thanks for reading this review! Up next in Tom Cruise Month is going to be my review for “Top Gun,” another Tony Scott film, which if you ask me, is the main reason why I am doing this series to begin with. After all, we were supposed to get the sequel, AKA “Top Gun: Maverick,” on June 24th. But unfortunately, it has been delayed to December, which sucks because personally if it were coming out this summer, it would have been in my top 5, maybe even 3, most anticipated films of the season. But I will be looking forward to the film, should I get to see it this winter. As a substitution, expect a review for the original sometime this week. If you want to see this review and other great content, make sure you follow Scene Before either through an email or WordPress account! If you want another place to get access to my content, go like my Facebook page, which provides links to the posts I create once they’re published, and some side banter you don’t really get to see here on Flicknerd.com. It’s a good time! I want to know, did you see “Days of Thunder?” What did you think about it? Or, what is your favorite racing movie of all time? Let me know down below! Scene Before is your click to the flicks!

400TH POST SPECIAL! Blu-ray Collection Update!

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Hey everyone, Jack Drees here! If you like things that are predictable, sorry, this post is not for you. Although at the same time, this is a little unpredictable for me. Because as of now, Scene Before has 400 currently active posts. Why am I calling this predictable? Well, this 400th post special is going to be similar to other post specials, specifically where I show off my Blu-ray collection. My Blu-ray collection has sort of become a staple of my life, even in a time where physical media is less relevant compared to digital streaming.

You may ask, do I stream? Occasionally. I pay for Prime Video and HBO Max, I will watch something On Demand through my cable, and I’ve used Crackle a couple times. But for the most part, when I’m in control of my content, I’m usually using physical media. Is it more expensive? Sometimes. But it’s also more satisfying given how I am the owner of my content and I don’t have anybody corporate overlords potentially taking it away from me.

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Nevertheless, this year, I have decided to show you my latest updates to my collection, which without giving everything away, includes a bunch of the latest movies from 2019, some Steelbooks, and a good number of 4K Blu-rays. Have I seen all the movies? No. Some are still in the wrap, some have not been watched yet, and to be truthful, there are one or two I do not think I’ll be putting in my player anytime soon. Just because I own a movie doesn’t mean I like it. Maybe I watched the movie, found out through watching it that it was bad, never sold it, or I am a loyalist and have to pick it up for some reason (I’m looking at you, “Star Wars”).

Enjoy my all new and admittedly, utterly insane (you will find out why), Blu-ray collection video, featured on my YouTube channel!

All the Right Moves (1983): An Infinitely Wrong Movie

TOM CRUISE MONTH POSTER

Hey everyone, Jack Drees here! It is time for the second entry to the official Scene Before event, Tom Cruise Month! It is week 2 in this limited run of reviews, or as I like to call it, a cure to boredom. I love Tom Cruise, I sometimes forget how much I appreciate him as an actor, not just as a performer trying to encapsulate the heart and soul of the individuals he portrays on screen, but also how much he is willing to learn, how much he is willing to risk his own life just to entertain a modern audience. He’s this generation’s Buster Keaton if you ask me.

We are still early into Tom Cruise Month, and speaking of early, we are going to travel back to the 1980s, when the actor was just getting started, taking on films like “Endless Love,” “The Outsiders,” and “Risky Business.” But we are not going to talk about those films. I didn’t watch those a few days ago. Although, the thought of going back to watch “Risky Business” does intrigue me. Instead, we are going to dive into the 1983 flick “All the Right Moves.”

So let’s dive right–Wait… Tom! I didn’t mean that way! Ah, whatever, let’s start the review. This is a series I like to call…

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TOM CRUISE MONTH

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“All the Right Moves” is directed by Michael Chapman (Raging Bull, Taxi Driver) and stars Tom Cruise (The Outsiders, Risky Business), Craig T. Nelson, and Lea Thompson in a film about a teenage boy from a western Pennsylvania town looking for a football scholarship. The town is dominated by a steel manufacturing company, and it is kind of boring, but Cruise does have young Lea Thompson as a girlfriend, so that keeps life interesting. The movie follows Cruise as he has to deal with the pressure of a big football game, and the challenge of trying to get into a good school while living in a town that seems to be stuck in its own traditions that he may consider beneath him. Gotta be honest, and you’ll hear some explanation about this in the review. When it comes to the high school kid wanting a scholarship or a desire to get into a good school, this is a plot I think “Risky Business,” another Tom Cruise movie, did three times better than this piece of crap.

“All the Right Moves” came out in 1983, back when Tom Cruise was getting started, before Oprah Winfrey ever could have been concerned about getting her furniture ruined. I bought this movie in 2017, watched it once a little less than a year later, hated myself afterwards, and moved on with my life. I did not think I would watch it again, but I kept it in my collection because when it comes to what I’ve got in said collection, Tom Cruise is such a crucial part. I believe I have more Tom Cruise movies in my collection than I do for Criterions. That’s how much I am willing to embrace the dude. I don’t agree with his personal views in regards to Scientology. But I don’t let that get in the way from how much I respect him as a performer. Granted, a lot of his roles have gotten more complex and dangerous as time has passed, but even back in the 1980s, I can sense strong acting chops from Cruise himself.

So, I have the Blu-ray, so I took it from the collection, carefully inserted it into the player, it asked me if I wanted to resume from the last place I stopped because my 4K Blu-ray player apparently remembers s*it from 2018 and robots are taking over the world, said no, then I began watching the movie.

It still f*cking sucks. Plain and simple. I have not seen all of Tom Cruise’s work. Heavy hitters like “Vanilla Sky,” “Collateral,” and “Cocktail” are all titles I have not dived into as of yet. I fell asleep during the first few minutes of “Jerry Maguire,” but that was more or less because I was tired and not because the movie sucked. But if you ask me, if I had to pick a least favorite Tom Cruise movie of the ones I have seen, this would be it. Either this or “Mission: Impossible II,” which I have previously labeled in my review as “Impossible to Enjoy.”

I am being harsh on this movie, admittedly, so I will point out that I cannot overlook the things I liked about it. Tom Cruise is pretty good as the starring role, I like Craig T. Nelson as the coach, the performances all around are halfway decent. The cinematography and directing are both competent. But even though Tom Cruise plays the lead character well, I cannot say I related to him. Yes, I don’t play football. I don’t even like football! I think as a sport it is one of the most overrated concepts I have ever seen, even though I have watched the Super Bowl for the ads. Now, I understand that one of the big techniques when writing a likable main character is to have them be broken, they can’t be perfect. But there are certain times where Tom Cruise’s character of Stefen just comes off as a dick. I don’t know why. Just the way he talks, he feels more selfish than anything. And I understand that when it comes to storytelling, everything is typically supposed to come from the lead character’s perspective. But when your lead character is doing things that make them come off as a complete jackass, why should I care? I was able to defend him maybe once or twice, but there are so many other instances where a part of me died inside.

I mean, if you look at a similar movie starring Tom Cruise, specifically “Risky Business,” I felt for his character for just about every second of the movie. And whenever there was a fault that he made, it didn’t make me roll my eyes and wonder why I was rooting for him. His character, Joel, was relatable, and at times I kind of wanted to be him. I don’t think I’d want to be Stefen from “All the Right Moves,” even if I did get to date a young Lea Thompson in high school… If I were Joel I’d get Rebecca De Mornay so that’s a pretty fine alternative. By the way, the high school in this movie, at least from the perspective of young student characters we see inside, is unrealistically steamy. Maybe I’m saying this as someone who went in the 2010s, but still. It felt like something out of a stereotypical cheesy CW teen drama.

I don’t know, but the way this entire movie plays out feels incredibly stupid. Granted, it has some solid buildup and introduces you to the world in a well executed manner, but when it comes to building the characters, I don’t really like any of it. I understand want, but there’s want, then there’s a Veruca Salt impression. Maybe that’s a little too far, but without spoiling anything, some of the actions that Stefen takes in this movie almost feel unacceptable or inexcusable. If you want me to like you, don’t be a dick. Don’t go around doing s*it that makes you the scum of the earth, it’s that simple. I don’t care if you don’t like a person that much. JUST… Be polite. I get that girls… supposedly like bad boys, but holy s*it, if I dated this moron, I’d beat his ass before getting out of his sight.

Not even a gorgeous young Lea Thompson could save this mess! I mean, another compliment I could give is if you really want something sexy, this… is kinda serviceable. There’s one or two parts of the movie that at least could fulfill that. I mean, I wouldn’t recommend it as a date night movie. I think date night movies should have a little more substance, at least if you’re asking me, but ya know. Although I wouldn’t stop you from watching this with your mom, even though there is nudity.

One of the worst things about this movie is the ending. I will not go into it, and even though it is coherent, it is nevertheless cringeworthy to watch as a viewer because I’m looking at the main character. Did he earn his fate? Honestly, he didn’t. It was just given to him. I don’t even know how it adds up.

Honestly guys, if you want a solid story where Tom Cruise plays a teenage boy going about his daily life that feels raw, packs a total punch, and feels fun all around, go watch “Risky Business!” It came out in the same year, has a slightly similar concept, but is just about better in every single way from directing to writing to camerawork to emotion to music, just about everything in that movie is better, and apparently it came out before “All the Right Moves” did. And even though I gave some flack for “Risky Business” not keeping their original ending, which can be seen in the bonus features from their 2008 DVD/Blu-ray release, I consider it a near perfect movie. If I had to choose a favorite Tom Cruise movie, I would have to flip a coin between “Risky Business” and “Mission: Impossible: Fallout.” At least this movie’s short, I didn’t suffer for too long.

In the end, “All the Right Moves” is all kinds of wrong. There are a couple things I like about the movie, there were one or two dramatic points that had me looking at the screen. Although when it comes to characters, they start out fine, but become flat or annoying as the movie goes on. I was not bored by this movie, even though it may drag at later points, I just found this movie rather unwatchable. Tom Cruise shows a decent acting ability even for an earlier role. Not enough to make a good movie. One or two scenes are kinda attention-grabbing. Not enough to make a good movie. Lea Thompson looks like a goddess! Not enough to make a good movie. I don’t know if I’ll be watching “All the Right Moves” ever again. That is even if I do keep the Blu-ray for the rest of my life. I’m going to give “All the Right Moves” a 3/10. Thanks for reading this review! Next week I’m going to be reviewing “Days of Thunder.” Another Tom Cruise movie I have not watched in a long time. I’m personally curious to see if any of my opinions change, but that will have to be revealed in the future. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, make the right move, and check out the Scene Before Facebook page! Give it a like too! I want to know, did you see “All the Right Moves?” What did you think about it? Or, what is your favorite Lea Thompson movie? SPECIAL RULE: If you say any of the “Back to the Future” movies, I want a second choice if you have seen one. Admittedly, this is probably me just looking for a recommendation or two. Leave those picks down below and I will have a “Days of Thunder” review next week! Scene Before is your click to the flicks!

Oblivion (2013): Non-Cyberpunk 2077

TOM CRUISE MONTH POSTER

Hey everyone, Jack Drees here! Fun fact, ever since I have started my journey here on Scene Before since 2016, I have talked about 10 Tom Cruise movies. Granted, 60% of those films happen to be in the “Mission: Impossible” franchise, but still. I have talked about “The Last Samurai,” “Risky Business,” “The Firm,” “American Made,” and as recently suggested, all six of his “Mission: Impossible” movies. Over the years I have missed a few new releases of his that I had a chance to review while it was in the theater such as “Jack Reacher: Never Go Back” and “The Mummy,” but between life, a lack of motivation, and those kinds of weird-ass excuses, I have not gotten around to them.

So the question is, after all this time, will I finally get to these movies?! No! I will not!

Instead, I’m gonna focus on some other Tom Cruise films, one of which includes the 2013 post-apocalyptic science fiction flick “Oblivion.” This film, along with a few others are going to be reviewed in place of what could have been reviewed in June, “Top Gun: Maverick,” which was supposed to release at the end of the month. But, you know, coronavirus. It’s the talk of the town. While Tom Cruise felt the need for speed in 1986, things must have slowed down in 2020, which at this point is asking 2016 to hold a crapton of beers. Nevertheless, let’s stop dilly-dallying and start diving into the first review of…

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TOM CRUISE MONTH

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“Oblivion” is directed by Joseph Kosinski, who coincidentally is also helming the upcoming film “Top Gun: Maverick,” which like this movie, stars Tom Cruise. Aside from Tom Cruise, this movie stars Morgan Freeman (The Dark Knight, The Shawshank Redemption), Olga Kurylenko (Quantum of Solace, To the Wonder), Andrea Riseborough (Welcome to the Punch, Disconnect), Nikolaj Coster-Waldau (Game of Thrones, Mama), and Melissa Leo (Frozen River, The Fighter). This film takes place during post-apocalyptic times in the year 2077 and it follows Tom Cruise’s character of Jack Harper, who currently lives on Earth as a technician who is responsible for maintaining drones as remaining resources are extracted in order to complete a five-year mission. Once this mission is completed, Jack and his partner will join the rest of humanity on their new home, Titan, a moon near Saturn.

Going into “Oblivion” for this review, it was my first time watching it and I was relatively curious as to what it would contain. I figured from the title and Tom Cruise being put in the center that it would be somewhat blockbuster-esque. When it comes to Tom Cruise movies, it kind of sounded like an “Edge of Tomorrow” type of deal. After all that film is sci-fi and action based. Much like “Edge of Tomorrow,” “Oblivion” does have its moments of action, but it does not seem to commit as heavily to it. From what I remember of “Edge of Tomorrow,” the action in that film is almost nonstop. After all, the concept of “Edge of Tomorrow” completely warrants it. It’s “Groundhog Day,” but the same day over and over is in the middle of futuristic battle. “Edge of Tomorrow,” even though there are other things to like about it, shines mostly from its concept.

Similarly, the writing and story for “Oblivion” is not all that bad, but it is two of the main characters, at least to me, that give this movie its overall watchability. And even though Morgan Freeman is the second actor I mentioned when introducing this film, he is not the highlight, even though his voice is worthy enough of its own relaxation album. In fact, his character, is probably one of the few that I’ll probably forget as time goes on. But from the very beginning, Jack and his communications partner have terrific chemistry. This movie takes place in a post-apocalyptic 2077 and not only do the characters played by Cruise and Riseborough match the vibe of the time, but I was able to buy into the stakes regarding their partnership. Together, their goal as partners is to be an “effective team,” which plays heavily into how the movie unfolds. One of the things that I notice a lot about futuristic sci-fi, or maybe just sci-fi in general for some cases, is that compared to the world we live in today, there is some lack of emotion in certain spots. Even with the lack of emotion in place, there is still a sense of realized chemistry between Cruise and Riseborough. And when the dramatic moments do hit, I feel it. This movie is a post-apocalypse story first, but if I were to judge it as a relationship drama, I’d give it a thumbs up. Also, sidenote, I like how at the beginning of the film he travels in his ship with his personal bobblehead to keep him company. It’s like his own little hula girl you put on the dashboard of your car or something.

“Oblivion” came out in 2013, and when it comes to the effects in this film, they feel pretty clean despite being in this rather depressing environment, but that’s not a bad thing. It does add a little glamour to something that doesn’t have much life in it. Specifically, I’m talking about the world, not the movie. This is not me bashing on the movie. I mean, the drones look very well put together and even though we just saw a new “Sonic the Hedgehog” movie that came out this year, the drones in this movie look twice as detailed and polished. I like the drones from a sound perspective as well.

I will say, having watched this movie in 2020, it does feel a bit weird, because even though we are living in a time where things are getting back to normal, one of the major plot points of the movie involves Tom Cruise’s past. Without really diving into spoiler territory, the way “Oblivion” handles this is likable, and as of now, kind of relatable. The movie starts out with Tom Cruise in an industrialized New York City, and it goes into his emotions in terms of how much he longs for the good days of old to return. Back when we had toilet paper and less masks and gather–wait, I think this is the wrong timeline! From this moment, and a few others during the movie, I got a sense of who the character of Jack Harper really was. A guy who went about his daily life with his partner, appreciating one moment after the next, but he also wanted the past to return, back when the Earth had numerous fun activities.

And even though Jack Harper is… (sigh) a Yankees fan, I understood his character because he wanted activities like sports and those sorts of things to return. Although given the circumstances, bringing those back would be a near impossible task.

I also really like the character of Julia, played by Olga Kurylenko. As mentioned, this movie focuses a lot on Jack Harper’s past, and the same can be said for this character. The way this was handled was very well done and made for one of the better parts of the movie. If I am not mistaken, “Oblivion” is my introduction to Olga Kurylenko, so I would like to see what else is put on her resume in the future.

Now onto the negatives, the film honestly starts much better than it concludes. I think the best parts of the movie take place through exposition and buildup. Even though the climax is somewhat entertaining, it misses an oomph factor to take it up a couple notches. Once again, I will mention, as much I like Morgan Freeman, this is probably one of his roles that I will end up forgetting. Granted, per usual, he is charismatic, but compared to other characters in the film, he does not climb up the ladder for me.

In the end, I went into “Oblivion” thinking it was kind of going to start off as this big action extravaganza, like “Edge of Tomorrow,” but it turned out to be something somewhat smaller in scale, which I am fine with. The shots in this movie are very well done, I admire most of the characters, and when it comes to Joseph Kosinski as a director, seeing this film makes me somewhat faithful that he can pull off a “Top Gun” sequel. Although when it comes to his past work, “Tron: Legacy” is definitely worth your time. Would I watch “Oblivion” again? Sure I would. In fact, this might be one of those movies that might be better the second time. It may have one or two moments or things that I missed that could make for a relatively fun second go. As far as Tom Cruise movies go, not bad. I’m going to give “Oblivion” a 7/10.

Thanks for reading this review! This is the first installment to my Tom Cruise Month review series, I hope you enjoyed it, because I want to remind you that this is just the beginning. My next film in the series is going to be the 1983 flick “All the Right Moves…” I wish I’m doing something else, but here we are. That review is probably going to be up on Monday or Tuesday, depends on when I watch the movie. But next Friday is my current deadline. I wanted to get the post I’m doing right now up by this previous Tuesday, but between everything going on in the world, and I will admit, laziness, I was a little late on this. By the way, if you are reading this, happy June! …Or whatever time in the world it is, I lost track I don’t know how many centuries ago. If you want to see more content like this, please consider following Scene Before either with an email or WordPress account! Also, head on over to my Facebook page! WE HAVE TOILET PAPER! That’ll get everyone in, right? I want to know, did you see “Oblivion?” What did you think about it? Or, do you have any bobbleheads? List em’ down in the comments, I want to hear about them! Scene Before is your click to the flicks!

Scoob! (2020): Scooby-Don’t See This Movie

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“Scoob!” is directed by Tony Cervone (Back at the Barnyard, The Looney Tunes Show) and stars Will Forte (The Last Man on Earth, The LEGO Movie), Mark Wahlberg (Transformers: Age of Extinction, Ted), Jason Isaacs (Star Trek: Discovery, Star Wars: Rebels), Gina Rodriguez (Annihilation, Carmen Sandiego), Zac Efron (Neighbors, High School Musical), Amanda Seyfried (Mamma Mia!, First Reformed), Kiersey Clemons (Angie Tribeca, Transparent), Ken Jeong (The Masked Singer, The Hangover), Tracy Morgan (The Last O.G., Rio), Simon Cowell (The X Factor, America’s Got Talent), and Frank Welker (The Smurfs, DuckTales). This film is yet another addition to the “Scooby-Doo” franchise created by Hanna-Barbera, but this was a rare case for the franchise in which this was supposed to be a big theatrical movie.

…If only more theaters were open…

Now, it has premiered on streaming services and On Demand. Nevertheless, the film’s ideas themselves remain the same. “Scoob!” centers around the popularized gang of characters who split up as the vicious Dick Dastardly plans to unleash a “dogpocalypse” to the world and its people.

I saw the main trailer for this film and I was pretty indifferent about it. I had no strong feelings of excitement towards the movie itself, nor was I thinking it would be the worst thing I’d ever see. When it comes to children’s content, I was pretty sure that “Sonic the Hedgehog” was going to get on my nerves more, which didn’t turn out to be the case whatsoever as it might be my favorite movie of the year so far. But, judging this year’s resume of films, that really doesn’t say much as the highest score I have given to a film so far this year remains at a 7/10. Speaking of things that get on my nerves, “Scoob!” is a crime against humanity that has officially engulfed my brain in flames.

Let’s start out with the positives, and I’m not saying there are positives because I’m a nice guy, in fact, isolation is probably turning me into an entitled asshole, but nevertheless. The film is decently animated. A lot of the images are shiny and vibrant. Then again, it is 2020, and at this time, good animation is a requirement. Plus, I did rent the movie in 4K. The other thing I liked about the film, and while I wouldn’t call it some of the best material I have ever seen, are the introductory scenes. The way that Shaggy and Scooby-Doo meet is kind of nice to see. Granted, I saw it in the trailer, but the way it plays out in the movie makes for a somewhat entertaining scene. However, there is one moment in the scene that I probably consider to be a little too far-fetched. Even so, it’s still a delightful scene. I will also add that getting Iain Armitage to voice young Shaggy is a perfect casting choice. The first scenes of the film where Shaggy and Scooby grow up together make for good buildup while also focusing on the mysterious and spooky elements of the “Scooby-Doo” franchise. The way the gang meets and sticks together makes for a fun scene and montage and even though it did not seem to promise an absolute masterpiece, I did at least expect to be somewhat amused throughout the hour and a half runtime of this movie.

As soon as we get around the first scene with Simon Cowell playing himself, I lost any and all interest I could have possibly had with this film. Because as soon as the main course starts, this movie basically becomes the latest incarnation of *insert superhero title here*. “Scoob!” is essentially an attempt to turn the “Scooby-Doo” franchise into a superhero movie. Everyone at Warner Bros. must have been thinking, “Marvel’s popular. Our very own DC is popular. Scooby-Doo? Not cool enough.” I guess this is one reason why Warner Bros. thought it was okay to release this film in May and not October. The movie takes place during Halloween, geniuses!

As for the heroes in this movie, both super like Blue Falcon and Dee Dee Sykes and less than super such as Scooby and Shaggy, I basically rooted for none of them. Everybody felt stupid, underwhelming, and even though Scooby and Shaggy have probably never been a part of a superhero mission in their lives as this movie likely suggests, some of the things that go on in this movie make me think that they need to look The Official Encyclopedia of Predictable Superhero Movie Actions. That sort of thing does not exist, but goddammit I would buy it if it were out there! There are one or two moments in this movie that drove me so mad, both as a fan of superhero movies and as someone who wants the characters in “Scoob!” to be competently written. Now I do not mind predictable movies as long as the people behind the project can make it fun. I just talked about “Onward,” which I could think through, but the overall fun and emotion provided within the movie makes up for its predictability. But “Scoob!” reached a level of predictability that I did not only avoid expecting to see, but as far as how the characters handled it, it angered me to the moon and back. When a decent amount of your movie’s characters are morons, why should I root for them?!

As for the villain, Dick Dastardly, he kind of feels like a D-list Thanos. He’s heavy, he’s got kind of a punch-able face, and he might honestly be the best character in the movie. Keep in mind, compared to Thanos, he’s nothing. But I liked the way they handled his character because there was some depth to him. Granted, they tried to dive deep into some secondary superheroes who play a role in the plot, but I couldn’t even come close to rooting for them. There is a saying that a movie is only as good as its villain, but when the heroes turn me into a villain, then it probably doesn’t matter how much I liked the antagonist of “Scoob!.”

May I just remind everyone that four people are credited for the screenplay for “Scoob!?” How did we get here?! Also, three people worked on the story. When it comes to these bloody genius writers, some of their previous credits include “Playing with Fire,” “Norm of the North,” and “Alvin and the Chipmunks: The Road Chip” just to name a few.

I’m not lying when I suggest that this movie is basically trying to copy the success of a superhero film. There’s a big team trying to stop the bad guy, there’s a couple scenes with hi-tech gadgets and techno wizardry that develop the plot, and you know how I mentioned that Dick Dastardly is basically Thanos in this movie? Guess what his plot is? Trying to find a series of bones to complete his collection! We get it! “Avengers: Infinity War” is one of the most successful movies of all time! It happened! Just be “Scoob!!” Actually, you know what? I take that back. Don’t be “Scoob!,” “Scoob!” is terrible. Be a better movie.

To add on to the superhero craze, you know what Warner Bros. is planning on doing in the future? Well, if you look at the Wikipedia page for “Scoob!,” it suggests that “Scoob!” “is intended to be the first installment in a series of films set within a Hanna-Barbera shared cinematic universe.” F*cking hell.

If you have ever been remotely interested in the Marvel Cinematic Universe, you should be thankful that critics gave “Iron Man” positive reviews, otherwise the MCU probably wouldn’t even exist today. As far as I am aware, “Scoob!” is getting mixed verdicts across the board. Who knows what’ll happen there? But nevertheless, if I have to sit through a cinematic universe full of material as bad as this, I am officially no longer a movie person.

In a world full of superhero and comic book movies, “Scoob!” is like that kid trying to join the cool kids table saying, “Hey, I like Fortnite,” but everyone else thinks the kid is just trying to get attention. I will give a ton of credit to the animators behind “Scoob!,” because the film does look nice on a screen. Again, I watched it in 4K, the colors really stood out to me. The one thing I wish I could do right now as a movie-watcher is declare whether or not something is worth checking out in theaters. But, I can’t do that. So instead, I shall pose the question, is “Scoob!” worth renting for $19.99? As far as I’m concerned, that question earns a strong “no.” This film feels like a Marvel flick that doesn’t even know who its audience truly is. The film tries its hardest to “modernize” the “Scooby-Doo” property, which I honestly think was a big mistake. Well, at least they got Frank Welker to voice Scooby. There’s even a joke regarding the character of Fred Jones that involves him being compared to one of the Hemsworths! This film is infuriating and unbelievably forgettable! In the end, “Scoob!” is ninety-something minutes of “what the f*ck just happened?” and I’m going to give it a 3/10.

Thanks for reading this review! I usually don’t talk about movies that avoid a theatrical release, but as long as movies are not hitting theaters or as long as there are no theaters open to play them, I will be talking about movies that hit streaming or DVD early. There will likely have to be some sort of previous intention to have the film theatrically released, but that’s just what I currently have in mind. I just want to watch movies that are better than “Scoob!” at this point, that’s all I care about. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, be sure to check out my Facebook page, which will hopefully be updated with content involving much better movies in the future.

Also, movie theaters, PLEASE COME BACK.

I want to know, did you see “Scoob!?” What did you think about it? Or, what is your favorite Hanna-Barbera property? Let me know down below! Scene Before is your click to the flicks!

Onward (2020): Peter Parker and Peter Quill Cast Spells

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“Onward” is directed by Dan Scanlon and stars Tom Holland (Captain America: Civil War, Spies In Disguise) alongside Chris Pratt (Guardians of the Galaxy, Jurassic World) as two brothers. These two brothers live together in a magical realm, or more specifically, a magical realm that has increasingly evolved over the years due to advances in convenience and technology. Now that both brothers are of appropriate age, they are able to execute a magical spell that can help them bring back their father for one day. When they are only able to bring part of their father back to reality, the two brothers go on a quest together to figure out how they can get the rest of him back.

First and foremost. It’s good to be back. While we are not back to normal yet, and yes, NORMAL, I’m tired of whatever the “new normal” is supposed to be! It is still nice to talk about a movie that has come out this year without as much distraction towards the greater pain of reality. “Onward” was one of the last movies I saw in a theater before everything ground to a halt. The film started off with a somewhat underwhelming box office performance, perhaps likely due to COVID-19 taking effect, but I did see it opening weekend, so I feel glad to be one of the chosen people. While there were other movies I was looking forward to this year more, many of which I won’t get to see for awhile, “Onward” was definitely one that had my attention. For starters, it’s a Pixar movie. And Pixar, kind of like Marvel Studios or A24, is one of those distributors that always delivers a midas touch. Heck, I even like all the “Cars” movies! I’ll go as far to say that I really enjoyed “Cars 2!” If you want action, that’s a Pixar movie I’d recommend. So even though “Onward” was not my most anticipated film of 2020, it was one that I thought would be at the very least, solid. And that’s what it was. A solid movie. As much as I make fun of Disney for their business practices, which work for them even though I don’t fully support them, I will forever love Pixar, which might be the mega-corporation’s greatest asset in terms of quality. Over the years, a lot of their films have been well-written, conceptually creative, and of course, beautifully animated. Especially over recent years, even if one of their films was never in my top 5 from them, I would not deny the amount of work that must have been put into those films to make them family-friendly, while also trying to keep not just kids, but adults interested. Even though I was, and I hate to say it, disappointed, with their late 2017 film, “Coco,” it is some of the studio’s finer work in terms of color and animation detail. Even though “Toy Story 4” is probably the worst movie in the series, there is a shot of a cat in that movie that looked like something out of real life. For the record, I saw “Cats” later in the year that “Toy Story 4” came out and none of the cats from “Cats” hold a candle to that digitally animated feline! That’s how much I appreciate Pixar as a studio.

Once again, Pixar does not let me down from an animation standpoint. Everything fits its respective environment, it’s crisp, and the attention to detail is spot on. I saw this film in IMAX and the animated shots of this movie shine on the big screen. I cannot say that it is Pixar’s best technical work, but it is absolutely superb nevertheless. The film is now on Disney+, and I imagine that the film does look pretty good on Disney+, but since movie theaters are starting to reopen, if “Onward” is playing near you, take the opportunity to see it! Because even if the movie is not that great for you story-wise I imagine it will still be fun to look at. It is a film, kind of like recent Pixar entries, that I see holding up for years if you want a tech demo.

As for the screenplay, I think it is at times predictable, but that is also what makes it work in certain moments to deliver a satisfying story. There is conflict in just about every single moment, there’s a good amount of setup and payoff that is done effectively. The playaround and mashup between this fantastical, dungeons and dragons-like sort of environment and our modern lives is undoubtedly entertaining and creative. It makes for some fun scenes and ideas. In a way, it almost reminded me of Disney’s “Zootopia” which came out four years ago. That’s a really good movie by the way! Because that movie took a bunch of talking animals, put them in a world like ours, and while that film more or less was a satire on modern society, it was cool to see a blend of fantasy and reality put together to deliver a fun time.

As for Tom Holland and Chris Pratt, I think both characters are well-written, but when it comes to casting. That is where things begin to become questionable. Now, I will say, Tom Holland as the younger brother is definitely worth keeping. But when it comes to Chris Pratt, I like him as an actor, but I feel like he’s more closer to a father figure than an older brother in this film. That’s just the first impression I got from him. After all in real life, Tom Holland is 23 right now. As for Chris Pratt, he’s 40! Now I know you can get away with a lot more in animation in terms of details, actions, voices, personalities, but hearing Chris Pratt’s voice attached to someone perhaps close to my age is a little bit weird. I’m not saying it’s off-putting, it’s just weird. Both characters are great, serve the movie well, and have likable chemistry, but I just don’t think Chris Pratt was the right choice for the character of Barley Lightfoot. Nothing against him, I respect Pratt as an actor, he’s got decent talent, but I think he was a little bit miscast.

As for Tom Holland, I think his casting was perfect. He plays a teenage boy, and I am willing to bet that due to his marvelous (no pun intended) performance as Peter Parker, that there may be some worries down the road that he may be typecast. Because Holland’s still in his early twenties, and he has tons of charisma that can convince somebody he’s likely able to play an older teen for a while. But nevertheless, when it comes to this animated role, his voice completely fits the character. It’s in this tone that is almost in what I would call a “downer” mood, I just made that up on the spot! I don’t even know what I’d call it! But Holland’s pitch matches his lanky character to a high degree. I will also give props to Julia Louis-Dreyfus (Seinfeld, Veep) and Octavia Spencer (Hidden Figures, Ma) who also stood out for their fine performances, plus the solid casting on someone else’s part.

Funny thing is, going back to Pixar’s quality, I will admit that I have not checked out all their films yet. I own “The Good Dinosaur,” but I have yet to watch it. I also still need sit through “Monsters University” and “Brave.” When I was at university this semester, I had a screenwriting professor who saw “Onward” and he pointed out that when it comes to Pixar, it’s one of their inferior movies. He also went on to suggest that bad Pixar is better than a lot of movies. He’s got a point. From an animation standpoint, “Onward” is pristine. Story-wise, everything adds up, makes sense from beginning to end. Compared to some other notable animations or family movies that completely rely on immature fart jokes, “Onward” just tries to tell a needed story from beginning to end, which is usually what I go to movies for. And yes, the occasional visual spectacle of “Onward” is a much-desired and satisfying cherry on top of the sundae, but story must come first, which Pixar typically succeeds with, even in cases like this when it is not their finest work. Pixar was supposed to come out with another movie in June, specifically by the name of “Soul,” but that unfortunately has been delayed. Much like “Onward,” “Soul” is an idea that has not been tested out before by the studio. Going into these movies, I am always looking forward to where Pixar takes their characters and its creative concepts. When “Soul” comes out later this year, I will continue to anticipate attention to detail, but at the center, a dang good story.

In the end, “Onward” is a fun ride from start to finish. It is a movie that you can watch with your kids without really feeling the need to tune much of anything out. Pixar’s always had that intention and plan of execution in mind. I remember the first time I saw “Up” in the theater, and years later, my dad and I still remember the movie, and if I’m not mistaken, he’d probably watch it again if it were in front of him. Would I watch “Onward” again? Probably. Maybe not right away, but I can see the effort put into this film and that is something I totally respect. I’m going to give “Onward” a 7/10. Fun fact, a 7/10 is honestly a low score for the Pixar brand given their resume. So even though this is one of, and as weird as it is to say, Pixar’s worst movies, I think it is still worth your time. I’d probably rather watch this again than “Coco,” which, was good! But I expected a lot more from it. Maybe one of the downsides of that film is waiting until 2019 to watch this, whereas I watched “Onward” right away. But I could be sticking my feet into hazardous mud here.

Thanks for reading this review! Once again, it’s finally nice to talk about something that is not specifically about COVID-19! I wish I could do this more often. I don’t know if I’ll be doing a part 8 next week to my Movies and COVID-19: Behind the Scenes series, but I’ll have to find out what I’m doing, what kind of mood I’m in, and so on. But if I were to review a new movie, my next one is likely going to be for “The Way Back” starring Ben Affleck. I will say, given how it has been a couple months since I’ve seen that movie, I wonder how much of a challenge it’ll be for me to talk about the film in detail, but that question shall be answered as we cross that bridge. Maybe I’ll rent the movie if I need to watch it again, but I also don’t to waste $5 or $6 for the sake of wasting $5 or $6. These reviews typically regard my first impressions, and I had little intention on changing anything in regards to how I do my blog, but this pandemic did it for me. It took some control away from how I operate everything I do at Scene Before. Or, maybe I’ll soon do my review for “My Spy” which is about to debut on Prime Video. I am officially one of the few that has ever seen “My Spy” in a theater, which I feel pretty lucky for doing. But as of recently, the film changed plans, and instead of getting STX to release it in theaters, the plan is to get the film on Prime Video as an exclusive. Given how very few, if any, sources in the U.S. have even talked about or reviewed the film at this point, it might be necessary to hold that review off for a little bit longer. It’s a truth that is difficult to handle at this point, but what isn’t difficult to handle during a pandemic? If you want to see more great content from Scene Before, give the blog a follow either through an email or WordPress account! Like this post, share it with your friends, show some appreciation for the Movie Reviewing Moron! Also, instead of scrolling across some clickbait articles with misleading information about COVID-19, check out the Scene Before Facebook page and give it a like! I want to know, did you see “Onward?” What did you think about it? Or, what is your LEAST favorite Pixar movie? Why? Would you still consider it to be “enjoyable?” Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 7

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Hey everyone, Jack Drees here! It is now time for part 7 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As much as I want to continue to create informative content, I’m getting to the point where this series has become an annoyance. But I continue to do it anyway because historians can look back on this and remember it as a dire time for the film industry, which it really is. And those reviews I’ve been saving for months cannot go to waste. So Scene Before is STILL your place for the apocalypse! But who knows how much longer this will last? If I have to do more than twelve or thirteen, I might shove an aluminum soda can down my throat. In other news, I still know how to put on pants, I have not been going outside, and if I’m not back in the cinema by the end of July, I am going to throw all my DVDs and Blu-rays out the window like I’m a stubborn child!

And since we are still on a downward spiral, let’s get to the news of the world!

Starting in New York, we have news regarding what could be the United States’ most famous public transportation system, the MTA (Metropolitan Transportation Authority). Andrew Cuomo, governor of New York state, made a major change to the system. The MTA is known for having a 24/7 schedule, so they never stop running. However, under Cuomo’s order, the system will be shutting down from 1 AM to 5 AM. This is likely a financially responsible decision, as nightlife in New York is nonexistent at this point. Plus, ridership is down 90% as far as the system goes. With less money, there’s more of a willingness to engage in the system’s preservation. This is also part of an effort to properly disinfect MTA property and machines, making a safer and cleaner ride for customers.

While some states are going to have to wait a bit longer to reopen, some like Georgia and Texas have begun easing on restrictions. Another state that has announced some easing on restrictions is the New England state of New Hampshire. The state plans to partially reopen starting May 11th. Certain pieces of economic industry including golf courses, campgrounds, and hair salons are permitted to reopen. Outdoor dining is also permitted to take place. Strict guidelines are still in place however as there is still a tendency to keep people 6 feet apart. New Hampshire currently has over twenty-five hundred confirmed COVID-19 cases so far. That is more than neighboring states Maine and Vermont, but is significantly less than its other neighboring state, Massachusetts, which has over seventy thousand cases.

Let’s go over to the United Kingdom and talk about Prime Minister Boris Johnson. Previously diagnosed with COVID-19, Johnson spent time in intensive care and was monitored health-wise. As he gets back into his routine, he stated that doctors were ready to announce his death in an event that he refers to as a “death of Stalin’-type scenario.” Johnson told UK newspaper The Sun that he required “liters and liters of oxygen.” During hospitalization, the Prime Minister kept asking himself: “How am I going to get out of this?” In other news, Johnson and his wife recently named their newborn son Wilfred Lawrie Nicholas Johnson. The “Nicholas” in this full name is chosen in honor of a doctor who helped aid Johnson.

Before we dive into our main topics, here’s a conglomerate of news that I ought to share because it can be packaged into a little box. While most theaters in the United States seem to have a plan on opening back up in the summer, because nothing’s out until then, some theaters are already opening their doors. For example, in Rhode Island, the Rustic Tri-View Drive-In, located in North Smithfield, is now part of the state’s reopen plan according to Governor Gina Raimondo. As for non-drive ins, Texas has three Santikos theaters reopening with a $5 ticket deal. For the record, this is a third of the company’s locations. Honestly, while it is good news for business that these theaters are reopening, I think it is also good news for health that they are taking it slow. The major chains like AMC and Cinemark still plan on a July reopening, which I think is fine, because it builds up anticipation and there’s nothing really new playing until then. Outside the U.S., Norway is reopening its theaters starting May 7th, capping the limit at 50 people per screening. The movie theater to me is a place beyond the imagination. It’s also a place where I occasionally get to see masterpieces. These masterpieces often get awards, such as Oscars. Speaking of the Oscars, let’s talk about them!

THE ACADEMY CHANGES RULES FOR THE 93RD ANNUAL OSCARS

One of my favorite days of the year is Oscar Sunday. When this crisis first started, I was a little worried that would not even be able to see an Academy Awards show next year, much less get more movies that could potentially be nominated. After all, when you are a studio or crew and cannot come out with your movie, it’s kind of a struggle. However, The Academy may have something planned next year. One indicator of this is them announcing changes to their rules and layout. Most notably, the Academy is putting its traditional rule of its nominees needing to have a theatrical release on hold. Specifically, the rule that a movie must play in Los Angeles county cinemas for at least a week with daily screenings taking place at least thrice. So if you play your movie in cities such as Los Angeles, Burbank, Santa Monica, Long Beach, Glendale, Pasadena, Culver City, or anywhere else in Los Angeles county that may have a movie theater under certain requirements, it could potentially be nominated for an Academy Award. Due to the COVID-19 crisis, the Academy is making an exception for this year. The following quote is taken from The Academy’s website, oscars.org.

“Until further notice, and for the 93rd Awards year only, films that had a previously planned theatrical release but are initially made available on a commercial streaming or VOD service may qualify in the Best Picture, general entry and specialty categories for the 93rd Academy Awards under these provisions:

  1. The film must be made available on the secure Academy Screening Room member-only streaming site within 60 days of the film’s streaming or VOD release;
  2. The film must meet all other eligibility requirements.”

So this means that films like “Trolls: World Tour,” “Scoob!,” and “The King of Staten Island,” which are either already On Demand or will be dropping towards On Demand soon, are considered eligible for the Academy Awards. Films that barely even got a theatrical release like “Bloodshot” or “The Hunt” also qualify. I’m willing to imagine to some extent that this *may* count a film such as “The Lovebirds,” which was going to theatrically release this year and make a debut at South by Southwest. Although the festival was canceled and Paramount is no longer putting the film out in cinemas. But unlike films such as “Trolls: World Tour,” which is available on platforms including Prime Video, Google Play, Vudu, FandangoNOW, AMC Theatres On-Demand, iTunes, and cable outlets such as Xfinity and Fios, “The Lovebirds” is going straight to Netflix. Given how Netflix has made a major presence at the Academy Awards in past years, films like “The Lovebirds” could be considered eligible, but is the Academy only considering certain platforms? Are exclusive platform deals going to tie in somehow? What about “Artemis Fowl” on Disney+? That movie was supposed to come out this month, but unfortunately that’s not happening.

Also keeping fine print in mind, these rules pertain to films that were once planning on theatrically releasing. So films like Netflix’s “Extraction,” which was intended for a streaming platform, or HBO’s “Bad Education,” which went straight to television, will not qualify. This policy is also not permanent, as the Academy intends to make this only apply for this year’s ceremony, and anticipates an end date in the future when there is a sense of normalcy, not to mention when theaters re-open. However, the Academy is also planning on expanding qualifying theaters to U.S. areas including New York City, the San Francisco Bay Area, Atlanta, Chicago, and Miami. As one who lives fairly close to Boston, I am disappointed, but we can’t have everything, even if sports prove otherwise. By the way, I hate football. I said it.

PHYSICAL MEDIA (and other electronic) SALES GO UP

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Now I imagine some people will flat out not care about this, but to me, physical media is the best way to watch a movie at home. Because when you buy a movie on Prime Video for example, you don’t own it. Yes, you possess the film digitally, but if the service goes down, crashes, or the company behind it closes its doors forever, you’ll probably never be able to watch it again. With physical media, it is all up to you. Now it is not a surprise that we have had more time on our hands to go on Netflix and watch “Extraction,” to flock over to Disney+ and watch “Star Wars,” to jump on over to FandangoNOW and give “Trolls: World Tour” a rent. But what KIND OF surprises me, and I say kind of, is how much of a presence physical media has in this pandemic. According to recent statistics, DVD and Blu-ray players went up 27% during the pandemic. Keep in mind, this is a market that Samsung recently abandoned.

Another thing to keep in mind is that DVD and Blu-ray players, which went up by 27% is not the only winner here, in fact, the increase is not as big as other categories such as TV mounts (41%), printers (61%), and streaming players (67%). So rather than just being a great boost for physical media, it is also a great boost for tech. TVs have been doing well, and so have computers. As for where the actual total of sales for DVD and Blu-ray DISCS stand, that’s another question. Although, based on this quote from NPD’s Tom Baker, that type of electronic may be doing just fine.

“Sales are up as consumers stay at home and look for multiple forms of entertainment. These include DVDs and Blu-ray discs to entertain children while their parents are working, backup access devices if Internet access is challenged by streaming, or simply the consumers’ realization that they may need a physical disc player as an alternative to streaming and either they didn’t already have one or the one they do have needs an upgrade.”

Honestly, in a time like this, I think some people are going to want physical media. Sure, it involves getting up and putting in a disc, but one of the reasons why I am such an advocate for it is the technical side of it. Outlets like YouTube and Netflix have lowered the default quality of content to standard definition. With Blu-ray, the default quality is 1080p, or if you have a smaller setup, it’ll work in 720p. Yes, standard definition is the quality of DVD, which is 480p, but again, I’ll bring up the fact that you have control over your content. Netflix, or more specifically, Warnermedia, is not going to snatch “Friends” away whenever the year ends like they did months ago. If you don’t want it, just sell it and get some money back! Plus, you get all the bonus features which can help you pass the time. I just got the “Star Wars: The Rise of Skywalker” 4K Blu-ray last month, I still need to watch the bonus content! So I still have something to do! Also, what if the Internet goes down? You don’t need any Internet to watch a DVD! If I had to come up with any downsides, maybe it involves a little more activity, but since we refuse to go outside, it could be worth taking a couple steps to the collection and popping a disc in. Or, since places like Walmart sells them, there’s always a chance, given how grocery stores are becoming petri dishes right now, that other people touched the DVDs or Blu-rays and spread their germs, which may not be the most pleasant happening for a time like this. But of course, worst case scenario, you can always order these things online. Although I can also imagine that some people are buying these devices because they have smart capabilities as well, allowing them to contain apps like Netflix, YouTube, and Prime Video.

NO MORE KEANU DAY, BUT HERE’S MORE DELAYS!

One of the actors who arguably was the “winner” of 2019 is Keanu Reeves. His year in acting brought him success through films like “John Wick: Chapter 3 – Parabellum” and “Toy Story 4.” He did films like “Replicas,” which honestly sucked, but he also became a heavy hitting piece of promotion for the upcoming game “Cyberpunk 2077,” by making a surprise appearance at E3 last year. And honestly, this might have spawned my favorite slice of all the content that went viral on the Internet last year.

In fact this year, the Keanussance is likely going to continue. After all, he is making an appearance in the third “SpongeBob SquarePants” movie in a minor role. The movie by the way for those who don’t know is titled “The SpongeBob Movie: Sponge on the Run.” Speaking of known properties, Reeves is also going to be reuniting with Alex Winter to star in “Bill & Ted Face the Music.” Although, if you are a fan of one of Keanu Reeves’ most popular franchises, specifically “John Wick,” prepare to be disappointed. “John Wick: Chapter 4,” once scheduled to come out May 21st, 2021, will now be releasing May 27th, 2022, a full year later. Taking the spot of “John Wick” is the “Saw” reboot titled “Spiral,” which was supposed to be out May 15th of this year. Speaking of Lionsgate films, “The Hitman’s Wife’s Bodyguard,” which is a sequel to 2017’s “The Hitman’s Bodyguard,” will be hitting theaters August 20th, 2021, as opposed to its prior date of August 28th, 2020. An upcoming horror drama, “Antebellum,” is set to release August 21st, 2020, as opposed to its original date which has already passed, April 24th, 2020.

However, sticking with “John Wick: Chapter 4,” this delay is a particularly interesting one. Not just because it involves a meme-worthy actor and a hit action franchise, but this film was originally supposed to come out the same day as another Keanu Reeves movie. And it’s not some indie film made by a studio like A24 or Neon. It’s not, THANKFULLY, a sequel to “Replicas,” a film Reeves starred in that turned out to be one of the worst films of 2019. It’s “The Matrix 4.” Now if you asked me five years ago about the possibility of a “Matrix 4,” I’d probably toss the idea behind my head. There didn’t seem to be much place else that the story could go. But hey, everything’s getting a reboot and a remake now, so why not “The Matrix?” I honestly don’t know what to expect from it, but the fact that this is a reboot and not a remake pleases me. Nevertheless, both films prior to the delay of “John Wick: Chapter 4” were scheduled to come out May 21st, 2021. The Internet has often called this “Keanu Day.” I will say that the delay of “John Wick: Chapter 4” is both a good thing and a bad thing. It’s good because it avoids having the crew rush on making the film, but it’s also unfortunate because as a Keanu Reeves follower, I figured it would be fun to go to the theater and do a Keanu Reeves double feature. However, if more good news needs to be said, I should also point out it’s perhaps likely that these films, which by the way, are from different companies, will be marketed to similar groups of people, and maybe both could lose their respective studios money as a result. Both films debuting on their own release dates could not only benefit Lionsgate, who is delaying “John Wick: Chapter 4,” but also Warner Bros., who is responsible for “Matrix 4.” Not everyone has the money and time to go see two seemingly similar movies. While “John Wick” fans may have to wait, this could give Lionsgate a greater chance of creating a “John Wick: Chapter 5,” because what if “John Wick: Chapter 4” doesn’t warrant a sequel after losing lots of money to “Matrix 4?” At least the studio has a “Hunger Games” prequel and “Knives Out 2” potentially coming soon so it’s not like they’ll spend years losing money from here on out.

AMC THEATRES AND REGAL ENTERTAINMENT GROUP BAN UNIVERSAL FILMS

Can I get some popcorn?! Because I’d say it’s time to enjoy the greatest battle in cinematic history, and it’s not even in a movie! Tonight’s fighters are… movie theaters and Universal Pictures! Now, “Trolls: World Tour” is a one of a kind movie, mainly because Universal decided that it should be released directly onto VOD. Universal bragged about the film’s progress so far to the point where they thought it would be a good idea to release more of their films On Demand while also putting them into theaters.

Now, I’m going to have to be very careful here, because several different outlets have reported similar sounding items that might contextualize something different.

The story here begins by bringing the mega-chain AMC Theatres into the mix. AMC Theatres saw Universal’s plan to simultaneously release movies theatrically and at home and responded by saying that they will not play any of Universal’s movies if that’s the case. While a source like The Hollywood Reporter did a story on this and cited from AMC CEO Adam Aron that the company will no longer play any of Universal’s films in its theaters worldwide, one quote from Deadline’s article suggests, also from Adam Aron, that they will not do so “on these terms.” By that, it likely means that AMC will not release Universal’s films if they just follow a simultaneous home video rollout. Keep in mind, it is traditional for films to follow a strict theatrical window. While there have been cases of films like “Black Panther” that you can still see in some theaters while it becomes available at home, tradition has suggested that a movie released for theaters must be out for about ninty days before it comes home. Universal doing a release like this not only ignores the theatrical window, but it also makes the theater potentially lose money because people could just stay home and put the movie on their TV. In fact, movie theaters were against Universal since this pandemic started. While they did manage to have a rather solid idea of making “Trolls: World Tour” a straight to On Demand movie, other studios seemingly have concretely laid out their plans and avoided giving such a last minute notice like Universal appeared to. NATO (National Association of Theater Owners) head John Fithian was against this from day one.

“Only Universal, and only on ‘Trolls,’ did one studio skip the theatrical model and go straight to the home. Universal continues to advertise to consumers that ‘Trolls’ will be released simultaneously to theaters and the home on April 10. And they are lying to consumers. Universal knows that theaters will still be closed on April 10, so unlike every other distributor who must simply delay their releases in that time period, but still understand that theatrical release is essential to their business model, Universal on ‘Trolls’ didn’t make that decision. Exhibitors will not forget this.”

Fithian also shares his thoughts on the current matter of AMC abandoning Universal films with this quote…

“Universal does not have reason to use unusual circumstances in an unprecedented environment as a springboard to bypass true theatrical releases. Theaters provide a beloved immersive, shared experience that cannot be replicated — an experience that many of the VOD viewers of this film would have participated in had the world not been sequestered at home, desperate for something new to watch with their families. We are confident that when theaters reopen, studios will continue to benefit from the global theatrical box office, followed by traditional home release.”

Let me just say that if Universal is planning on releasing “F9” through VOD the same day as in theaters, that might be one of the worst decisions they’ve ever made. People go to those movies because they provide adrenaline rushes, the effect is not as great if watched on a TV, tablet, phone, or computer. This is why before this whole pandemic, I bought opening Thursday tickets. Luckily, I did get my money back. So if all Universal films are never coming to AMC again, it’s going to make it harder for me to review them as AMC locations are easy for me to access. The theater is a huge money-maker for Universal, to have hundreds of screens lost is not a great investment in the long run. People are inevitably going to get back into routines, and part of that routine is the movie theater. It might take awhile for some people, but if you’re someone like me who sees a difference in the experience from watching at home and in the theater, I’m going to choose the theater by a long mile. This is why I want to see “Tenet” in July. Heck, before this all happened, I probably had little to no intention of going to see the remake for “Mulan,” but I’ll show up because I want to support movie theaters.

But just you wait! There’s more! Universal, if you do nothing, cinema chains will double the offer! That’s two cinema chains not playing your movies, for a chance to lose more money! Cineworld, which currently owns the U.S. staple, Regal Entertainment Group, also said that they “will not be showing movies that fail to respect the windows.” So, should Universal continue to release movies On Demand early, Regal, along with AMC, will not be playing those films in their venues. Alternate chains like Showcase Cinemas, Alamo Drafthouse, and Arclight for example have not really said much about this matter. But remember, the theatrical window is a sacred bond of trust. If you’re putting a movie in theaters, chances are you have to follow it or face consequences.

Also, I wonder how much longer this will go on for, because guess what? If you go to Universal Studios Hollywood, you’ll notice on the CityWalk that there is a movie theater that currently goes by the name Universal Cinema. The theater has reserved seating, recliners, a Director’s Lounge, and an IMAX with Laser. By the way, that IMAX is also equipped with a 70mm projector, which if the theaters open back up in time for “Tenet,” will probably be used. Guess who owns that theater? AMC of all possible names! Who knows what is going to happen there?! As for Universal Orlando Resort, they’re safer in this circumstance as they currently have a Cinemark. They had an AMC at one point, but that has now closed. Gotta love drama.

NEW HOME VIDEO RELEASES

First off, it is Tuesday, May the 5th! Meaning it is the day after “Star Wars Day,” AKA May the 4th! For those who have not heard it already, May the 4th be with you and as for today, enjoy your Revenge of the Fifth! With that being said, there’s some new “Star Wars” content on Disney+, including a documentary on “The Mandalorian,” the series finale of “The Clone Wars,” and since we talk about movies on here, one of the new additions is “Star Wars: The Rise of Skywalker,” the conclusion to “The Skywalker Saga.” As of now, the full “Skywalker Saga” is available on the service. The only theatrically released “Star Wars” movie not available on Disney+ at the moment is “Solo: A Star Wars Story.” However, the movie is currently on Netflix. If you are wondering when “Solo” will be coming to Disney+, it will be available starting July 9th, 2020. As for what’s coming On Demand, one example is “The Lodge,” which is about a soon-to-be-stepmom who is staying with her finace’s children at a holiday village, where strange events begin to occur. The film is available today, May 5th, on DVD, Blu-ray, and Digital. Another film getting such a release on May 5th is “Arkansas” starring Liam Hemsworth and Vince Vaughn. It is the directorial debut of Clark Duke and was supposed to be shown at this year’s South by Southwest Festival. The film is a thriller about two men who live under the orders of a kingpin whom they’ve never met. Unfortunately, a deal goes wrong, meaning they could end up facing harsh consequences. “Arkansas” was supposed to theatrically release on May 1st, the same day that “Black Widow” would have hit theaters had it not been delayed. However, it is now available physically and digitally starting today, May 5th. One more film to avoid skipping over is “I Still Believe,” which is now out on DVD and Blu-ray as of today. The film is based on the true story and journey of Christian music star Jeremy Camp.

Thanks for reading the seventh part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Happy Revenge of the Fifth, hope all the “Star Wars” fanatics in the world are happily going about their lives and not getting into fights in comments sections, because that’s impossible, right? Also, Happy Cinco de Mayo, on a Taco Tuesday coincidentally! Two days that go together quite well! Also, if you want remind yourself of a simpler time when movie theaters were open, be sure to check out my latest YouTube video where I document my experience of going to see “Star Wars: The Rise of Skywalker” on opening night. Disney has already put copyright claims on it, but I really don’t care as I enjoyed making the video. Also, if you like the video, leave a like, if you want to subscribe, go ahead! Speaking of leaving likes, be sure to check out my Facebook page and immerse yourself to posts much shorter than these while also getting the latest updates from Scene Before! Since we’re still on the topic of likes, be sure to like this post if you’re enjoying the content, and as we’re continuing promotion, why not give this blog a follow either with a WordPress account or your email? I want to know, what is the biggest piece of movie news for you in regards to the COVID-19 crisis this past week or so? Did I miss anything? Also, how did you celebrate “Star Wars” day? Me personally, I started on May 3rd! TBS had a marathon and I watched for hours! Let me know down below! Scene Before is your click to the flicks!