The Drama (2026): Zendaya and Robert Pattinson Kill it as a Couple Caught in Personal Chaos

Posted on by Jack Drees

“The Drama” is written and directed by Kristoffer Borgli (Dream Scenario, Sick of Myself) and stars Zendaya (Spider-Man: Homecoming, The Greatest Showman) and Robert Pattinson (The Batman, Tenet) as a couple who are preparing for their wedding. While the two get ready for their big day, they have a conversation with some friends that ends up becoming much bigger than any of them could have anticipated. When Emma reveals a key part of her past, it changes the way everyone sees her, including her future spouse, Charlie (Pattinson).

“The Drama” has one of the best trailers I have seen in recent memory due to its quick pace and effective messaging of the film’s main idea. Add a pinch of star power, and you have a recipe for hype. Zendaya and Robert Pattinson not only have busy years ahead of them, but they are in a few films together, including this one. Naturally, I was excited for this movie.

I am not saying skip the trailer before you see the movie, because, again, it is a great piece of marketing. It got me in the door. But if you want my two cents, the trailer does not even do this movie justice. It does a great job giving a spec of the main idea, and what unfolds from said main idea is completely bonkers. This is a film that is likely to inspire conversations, make people think, and whether for good or bad, could potentially ruin a relationship.

I am a believer that nobody, including myself, is perfect. Everyone does something stupid at some point in their life. This movie does a great job at showcasing the dangers of having your past come back to haunt you in the worst possible way. This is done through a simple conversation where two couples talk to each other discussing the worst things they have ever done. It is an innocent game where harsh truths come to light, but everyone seems to take the information and brush it aside. That is until Zendaya’s character, Emma Harwood, reveals something she has not even told her partner. I am not going to say what she did, as I had no idea what it was prior to watching the movie, but this ruins her friendship with the couple across from her, and puts a bad taste in her partner’s mouth.

Harwood’s revelation sets the tone for what’s next, and could not come at a worse possible time. Throughout the film we see her and Charlie Thompson (Pattinson) get ready for their wedding. Planning for a wedding, as exciting as it can be, is already stressful enough between getting people together, choosing and setting up the venue, making sure everyone assumes their role, and now it has become ten times harder.

Throughout the film, we see Thompson writing his wedding vows. We see him tinker with the document where he has them stored. It is not just a matter of giving a speech from the heart. It is a matter of knowing his partner. The revelation essentially turned things upside down for Thompson. He does not feel like he knows her the way he did before. He sees an entirely new side to her. The longer the film goes on, the more we find Thompson in a sense of personal debate. Does he know his partner? Or is she a complete enigma? What else does he not know?

This movie kind of makes me glad I am single. What if I end up doing something stupid that I will have to bring up to my partner one day? Will they accept it? Or perhaps vice versa? What if I am dating someone and I find out they killed a guy? I find myself to be quite an accepting person, but if I find out my partner killed a guy, I think it would be an understatement to suggest that idea gives off a bad vibe.

I also dig the start of the movie. The movie begins with our main couple meeting each other in a cafe, where Thompson notices Harwood reading a book and tries to win her over by saying he loves said book. We find out early on that Harwood is deaf in one ear. The way the movie establishes this point is rather cute.

Perhaps the biggest strength, arguably to no one’s surprise, is the on-screen talent. Of course, Robert Pattinson and Zendaya lead this film, both of whom are great actors on their own. But this film does them favors by putting them together. I buy that these two are a couple from, as mentioned recently, the moment they meet in a cafe, to their eventual decline. As good as they are together, the two are not alone when it comes to showcasing tour de performances.

While Zendaya and Robert Pattinson are naturally going to be the first two people that come to mind when I think of this movie, trailing ever so slightly behind them is Alana Haim, who plays Rachel, Emma’s maid of honor. The movie easily allows her to shine due to the already excellent material she is given, but it also helps that Haim takes said material and goes to town with it. Everything from finding out about her personal revelation, which as much as the other characters seem to let it slide, made me gulp in my throat a bit, to what she ends up doing as the film gets to the big wedding itself. This film is called “The Drama” for a reason, and as it progresses, Rachel often accentuates it.

While there is a somewhat grounded feel to this movie, if there is any character that most resembles a cartoon, Rachel would probably be the closest candidate. This is not meant to come off as a dig. If anything, her exaggerated tendencies seem to stand out. As much as I did not like “Licorice Pizza,” one thing is for sure, it put Alana Haim on the map for me. She did a terrific job in that movie. Not only does she do just as swell of a job in “The Drama,” but it also helps that the movie itself is just as riveting.

In the end, “The Drama” is one of those films that you kind of have to see to believe. Just about everything in this film stands out in some way. The acting. The location choices. The dialogue. The direction. Everything in this movie works. I do not think “The Drama” is going to end up being the best movie of the year. In fact, part of me thinks it could have been slightly shorter. But it does not change the fact that “The Drama” lives up to its name. It is a film that for better or worse, is going to make you think. I am going to give “The Drama” an 8/10.

Also, I would like a personal note. Between this movie and “Dream Scenario,” both of which are helmed by Kristoffer Borgli, the filmmaker seems to have an attachment to setting his work in Massachusetts. It seems like a minute point, but I am glad Borgli is not only making good movies, but manages to do so while shining a spotlight on my home state. If Borgli is ever in the Boston area again, let me know if you’re up for some candlepin bowling.

“The Drama” is now playing in theaters. Tickets are available now.

Thanks for reading this review! I have an update regarding my ongoing video series Movie Requests, where I take film suggestions from other people and talk about them. I am pleased to announce that the fourth episode is coming soon and it is going to feature none other than “The Mandalorian” star Katee Sackhoff! She suggested a movie for me to review last November, and I am finally going to talk about it on May the 4th, otherwise known as “Star Wars Day.” How appropriate. What movie do you think she requested? Leave your comments! You can catch the video as soon as it drops on Flicknerd.com or my YouTube channel, which you should absolutely and positively subscribe to. You’ll get it faster that way.

And if you have not done so by now, please check out my last episode of Movie Requests, featuring “Avatar” actor Joel David Moore! He requested I should watch “Force Majeure.” What did I think about it? Click the video and find out for yourself!

My next review is going to be for “Exit 8.” Stay tuned! Also coming soon, I will be sharing my thoughts on “Normal,” “Lorne,” and “Michael.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Drama?” What did you think about it? Or, what is your favorite movie about a couple who happen to be in a not so perfect relationship? If you want my two cents, please go check out “Marriage Story” if you have not done so already. It is on Netflix, but if you prefer your physical media, like me, it is available on the Criterion Collection. Give it a shot. Scene Before is your click to the flicks!

The Super Mario Galaxy Movie (2026): A Collection of Nintendo References That Barely Resemble a Story

Posted on by Jack Drees

“The Super Mario Galaxy Movie” is directed by Aaron Horvath and Michael Jelenic, and co-directed by Pierre Leduc, all of whom helmed 2023’s “The Super Mario Bros. Movie.” This film stars Chris Pratt (Guardians of the Galaxy, The LEGO Movie), Anya Taylor-Joy (Emma., The Northman), Charlie Day (It’s Always Sunny in Philadelphia, Fist Fight), Jack Black (Kung Fu Panda, A Minecraft Movie), Keegan-Michael Key (Toy Story 4, Key and Peele), Benny Safdie (Happy Gilmore 2, Uncut Gems), Donald Glover (Atlanta, Solo: A Star Wars Story), and Brie Larson (Captain Marvel, The Glass Castle). This film follows Mario as he ventures through space, facing new challenges and enemies along the way.

“The Super Mario Bros. Movie” is the very definition of “acceptable.” By no means am I ever going to watch the movie again, unless I one day have kids and we end up watching it together or something. This is a movie that, if I were to have children, I would not be mad at them for watching, but it is far from the greatest family film ever made. My biggest problem with “The Super Mario Brothers Movie” is that just about everything about it screams “cliche.” There is nothing in it that I felt like I have not seen in other movies over the years.

The banality of “The Super Mario Bros. Movie” frankly soured my expectations for what would be known as “The Super Mario Galaxy Movie.” I hate to say this, as I love the “Mario” games. I grew up playing them as a child and I continue to enjoy them to this day. Of all the “Mario” games I played, the original “Super Mario Galaxy” just so happens to be my favorite due to its unique style, immersive gameplay, epic orchestral score, and clever worlds. I was definitely curious to see how Illumination would adapt my favorite game in the franchise, but I also tempered my expectations. The marketing was nowhere near perfect, but had its moments.

Now that the movie is here, I can very much say it reminded me of the last one.

In some ways, this can be seen as a positive because it means that the movie is on brand. If you liked “The Super Mario Bros. Movie,” then there is probably a decent chance you will enjoy “The Super Mario Galaxy Movie.” Only thing, I barely enjoyed “The Super Mario Bros. Movie,” so it should not be a surprise that I happen to find my experience watching its sequel to be just as middle of the road.

The movie is not all bad. The biggest boast it carries happens to be the visuals. While I am not the biggest fan of Illumination, I cannot say their attention to detail when it comes to animation has ever let me down. Even if the content within said details happens to be incredibly brain-numbing. The film is colorful, polished, and for the most part, faithful to Nintendo’s games. If I were to watch this film with the sound off, it would be an “A.”

That said, I watched this film in IMAX, so the audio was not only on, but quite loud. That is another aspect that “The Super Mario Galaxy Movie” often nails through faithful sound effects and score that do a great job at bringing some of the game’s greatest hits to cinema. Brian Tyler, much like the last film, does an excellent job composing the music.

But unlike a galaxy, the positives of “The Super Mario Galaxy Movie” can only reach so far. This film has a problem some other video game-based films run into. The characters and story feel rather thin. I was not exactly fond of how the previous movie decided to have its characters follow the most basic story structure imaginable, but at least it had a story. To say that “The Super Mario Galaxy Movie” does not have a story would be a lie. But to suggest it has a coherent story is also a stretch.

The movie is paced like a TikTok video. The film is designed to give as much information as possible in as little time imaginable. Do not get me wrong. I like a good, fast-paced flick. And like a lot of fast-paced flicks, the film packs in a couple decent action sequences. The first encounter between the Mario brothers and Bowser Jr. is quite entertaining, well choreographed, and has a rather cool use of slow motion. Though sometimes the film goes so fast that it is not always easy to digest the information that is in front of you.

At times, the movie is so focused on shoving as much as it can into its 98 minute runtime to the point where not all of it feels like it matters or comes off as substantial. “The Super Mario Galaxy Movie” has some good ideas. But those good ideas did not receive the best execution.

Watching “The Super Mario Galaxy Movie” is the equivalent of putting on Twitch and watching someone speedrun a “Mario” game. The only difference is that this cinematic experience does not come with a fun on-camera personality who feels like your pal from afar. The film is too fast and it almost made me furious.

Speaking of personalities, Chris Pratt is, unfortunately, back as the voice of Mario (right). I am still not accustomed to his voice. I honestly bought into his performance a bit more in his first go. Chris Pratt has proven to be a halfway decent voiceover artist through his performance in “The LEGO Movie.” Sadly, “The Super Mario Galaxy Movie” does not live up to that. A lot of his lines feel flat and lifeless, especially compared to most of the other cast members. His presence feels nowhere near as animated as anyone else in the film. Charlie Day is often expressive and hyperactive as Luigi (left). Jack Black is over the top and loud as Bowser. Benny Safdie has such a psychopathic presence as Bowser Jr.. Brie Larson is incredibly inviting as Rosalina. Chris Pratt at times sounds like he is in a different movie than his castmates.

I have no idea how many of you are going to consider this a spoiler, but if you have missed out on the posters for this movie, then you might want to log off this post, as there is a potential detail afoot that could be described as a spoiler. You have been warned.

Not good enough? Okay. Here is a countdown.

3…

2…

1…

Going once…

Going twice…

Going thrice…

If you are still reading this and have not seen the movie…

You are wasting your time…

You have been warned…

You have been double warned…

Fox McCloud is in this movie.

Glen Powell voices the main character of the “Star Fox” franchise, and he does a pretty good job. I thought the idea of including him in a film where Mario goes to space makes sense. But he felt very minimal in the movie’s overall impact. Sure, he had a place in the story, but barely. He comes off more as an excuse to cater to a certain branch of gamers rather than to be of service to the story. In fact, I will not drop spoilers, but Fox is not the only non-Mario Nintendo character we see in this film. Does this mean we are getting a “Super Smash Bros.” movie anytime soon? Frankly, based on what they do with one or two of these characters, I am thinking the chances of getting that movie is highly unlikely. As a fan of those games, I am a bit disappointed. But as someone who thinks these past two “Mario” movies have been average, I think this might be for the best that way I do not end up underwhelmed with what a “Smash” movie could be.

Not to sound like a politician, but despite the movie’s faults, I felt at times it had “concepts of a plan.” In terms of characterization, the movie does not do the best job at developing the cast. If anything, I think of all the characters, Peach ends up going through the most change through her relationship with Mario and what we see through her backstory and how it plays into rest of the film. Also, I do like seeing Bowser reconnect with his son after some time apart. The two may be bad, but watching their relationship is quite good. Their connection also inspires my favorite conversation in the movie, which features the line, “Nothing’s more dangerous than a friend. When your armor’s down, they’ll stab you in the back.”

Some of you might defend “The Super Mario Galaxy Movie” for not having the best story, possibly because not all the video games have much of a story. That is technically true. As much as I love “Mario Kart World,” I cannot say I am playing the game for the plot. I am playing the game to take down opponents with banana peels. The inspiration behind this movie, “Super Mario Galaxy,” may not have the deepest plot, but it introduces an interesting character in Rosalina while delivering mind-blowing gameplay. And that is the key word. GAMEplay. Keep in mind, this picture is called “The Super Mario Galaxy MOVIE.” The “Mario” games fall within a play-based medium. Even if the story is minimal, the game can still be fun as long as the gameplay works. When you are making a movie, the story becomes more important. But when you have a team that is more concerned about finding an excuse to randomly show off Toad in a penguin suit or build a security system with a presentation modeled after the art style of the “Super Mario Bros.” NES game, it gives me the impression that story is not a top priority. If anything it comes off as a commercial for the games. I am not saying a movie cannot also be a good commercial. Go watch “The LEGO Movie.” Sure, it is based on LEGO blocks, but the movie uses that concept and, no pun intended, builds a good story around it.

Also, if this movie were a commercial for the “Mario Galaxy” games specifically, it almost feels like false advertising, as we do not often see Mario in space. Not long after those stories begin, Mario ends up in space and stays there for the entire story. Sure, we see Mario venturing off into space at a certain point of the movie, but a surprising amount of Mario’s journey is spent closer to home, around the Mushroom Kingdom. I hate to be the guy who judges a book by its cover, but I would be fine if the crew called this film “The Super Mario Bros. Movie 2,” even if it is a bit of a mouthful. It probably would have lessened my complaint even by the tiniest amount.

But there is one positive note worth mentioning. This movie, like its predecessor, is more enjoyable than “Super Mario Brothers” from 1993. Yet if I were to go into the woods and film a Mario action figure jumping on mushrooms for a couple hours, that would also be more tolerable to watch than 1993’s “Super Mario Brothers.”

In the end, it is weird to say, but somehow prefer “The Super Mario Bros. Movie” over “The Super Mario Galaxy Movie.” I mean, it is almost guaranteed that putting something in space sounds cool, but even so, this sequel feels like more of the same. More references. More cookie cutter backstories and characterization. More TikTok-like scenes. The movie looks pretty and if I were in charge of a Best Buy, chances are I would consider using “The Super Mario Galaxy Movie” as a demo on a big screen TV because some of the scenes are simply that easy on the eyes. But I can guarantee you I have no plans to watch this movie again. The “Mario” games have replay value. The amount of times I turned on “Mario Kart World” in the past year has to be somewhere in the double digits at minimum. I cannot say I am going to have the same attachment to “The Super Mario Galaxy Movie” down the road. There are elements that work. Bowser Jr. is kind of fun. Donald Glover was a fine pick to play Yoshi. And the music is quite good, regardless of whether or not it is based on something that I have heard before. Each tune plays its part well. That said, it is not enough to make this movie worth my time past the initial viewing. I am going to give “The Super Mario Galaxy Movie” a 5/10.

“The Super Mario Galaxy Movie” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! If you have not done so already, please check out the latest episode of Scene Before’s original video series, Movie Requests. This latest episode features “Avatar” actor Joel David Moore, who requested I should watch “Force Majeure.” My thoughts can be summed up in the video above! And if you would like to see more episodes, do me and yourself a favor by subscribing to my YouTube channel!

My next review is going to be for “The Drama!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Exit 8,” “Normal,” “Lorne,” and “Michael.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Super Mario Galaxy Movie?” What did you think about it? Or, what do you believe is the superior film? “The Super Mario Bros. Movie” or “The Super Mario Galaxy Movie?” Let me know down below! Scene Before is your click to the flicks!

MOVIE REQUESTS – Joel David Moore Suggests FORCE MAJEURE (2014)

Posted on by Jack Drees

Hello, and welcome to the third episode of Movie Requests! This is the series where I ask celebrities what movies they think I should watch and review!

So far, the series has been a success. I have already banged two requests out of the way. One from Bryce Dallas Howard, and another from Jason Mewes. Both requests resulted in two memorable and fun watches in their own ways. Both of those films were released in the 1990s. In this episode, we are moving forward to the 2010s…

For those who are new to this series, I asked 10 people what movies they think I should review. I will present each person’s request through individual episodes. While the series is being uploaded to my YouTube channel, which you should absolutely positvely subscribe to, this is also being done in honor of 10 years of Scene Before. I wanted to do something crazy to celebrate the occasion, and I figured this was just bonkers enough. And amazingly, 10 people made this crazy dream come true. So, for that, I am appreciative.

Our guest for today’s episode is an actor known for his roles in “Avatar,” “Dodgeball: A True Underdog Story,” “Grandma’s Boy,” “Forever,” and “Bones.” He is also one of the producers of an upcoming film called “The Leader,” which will be screened in the Tribeca Festival this year.

Please click the video at the top of the page to hear Moore’s suggestion, as well as my thoughts on his movie of choice, “Force Majeure.” And as a reminder of who has already appeared and will eventually appear in this series, you can take a gander at the poster below. Thanks for your viewership. To everyone who agreed to be in the series, a special thanks also goes to you.

You’re Dating a Narcissist! (2025): Marisa Tomei Gives a Performance That’s Way Out of This Comedy’s League

Posted on by Jack Drees

“You’re Dating a Narcissist!” is directed by Ann Marie Allison (Don’t Neg Meg, Lift) and stars Marisa Tomei (Spider-Man: Homecoming, The King of Staten Island), Sherry Cola (Joy Ride, Good Fortune), Ciara Bravo (Cherry, Wayne), Marco Pigossi (Invisible City, High Tide), José María Yazpik (Madame Web, Narcos), and Jonah Platt (The List, Trolls: The Beat Goes On!). This film follows a psychologist who is trying to stop her daughter from getting married from someone who she claims is a narcissist.

If there is anything that got me into “You’re Dating a Narcissist,” it would be the stars. Not just because they are who they are, but some of them have the bonus of being in a film I previously reviewed. A couple years ago I had the privilege of attending South by Southwest in Austin, Texas. I was not there the entire time, but I did end up going to a couple screenings during my visit, one of which includes “High Tide.” I do not remember the entirety of that movie, but I do remember enjoying it and finding it to have likable characters. Two of the films’ stars included Marisa Tomei and Marco Pigossi. Little did I know these two would reunite within a year or two for another movie, that being this one. Not to mention, this film stars Sherry Cola, who has grown on me as a performer. She has proven she a has knack for comedic roles through “Joy Ride,” one of the finest comedies of 2023.Not to mention “Good Fortune,” which made me laugh consistently.

Although just because this movie has stars on screen, does not automatically guarantee it is going to be a five star experience. Is this film worth watching? Eh…

This is not the worst film I have ever seen. But saying that comes off as if I am trying my darndest to be nice.

I truly want to like this movie, because it is based on the experience of the director, Ann Marie Allison, being in a relationship with someone she realized was a narcissist. Yet there are times where I found Judy (Tomei) to be annoying as a lead. I understand the movie dolls her up as a psychologist who happens to have written a book on the movie’s titular subject matter. However, she often comes off as judgy in her line delivery and mannerisms. Sure, in her mind, she is trying to do what she sees as the right thing, protecting her daughter from marrying someone she believes would not be the right person. But watching her overanalytical tendencies and hearing her critical dialogue is sometimes cringe-inducing. Overall, the relationship between Judy and her daughter, Eva (Bravo) is somewhat uncomfortable to watch at times. Perhaps one could argue that is the point, but even so, as a viewer, I would watch these two on screen together and find certain moments between them to come off as mind-numbing.

It took me awhile to think about why exactly Marisa Tomei was the lead of this movie, rather than Ciara Bravo, who is the one who happens to be dating the… Well, “narcissist.” On the surface, Tomei is the most recognizable star in the cast and has top-billing. But there is more than name recognition alone. There is a connective tissue tying the story together, specifically clips featuring Tomei letting out an endless stream of thoughts. These clips match several scenes of the movie and the characters’ actions within them. The way these scenes are put together are neatly edited and well-timed. In fact, as much as I at times was not exactly fond of Tomei’s character, her acting is nevertheless top-notch in these scenes. She kills every moment despite sitting down in front of a camera the entire time. At the same time though, having Tomei’s character as the lead is what occasionally makes the movie irritating. The movie spends so much time with this character, who deep down, means well, but gives off such an overcritical vibe.

Going back to the idea that this film is based on Ann Marie Allison’s personal experience, part of me thinks Judy is almost designed to be the character that most resembles her, having gone through the troubles of her relationship. If anything, Allison resembles two characters. The recently mentioned Judy, as well as the more obvious candidate, her daughter Eva. Each time Eva does something in this movie, Judy often sounds like the voice that is trying to tap into her head telling her, “I’ve seen this, girl! Get out of there!” In that way, the film tends to work. But I had no idea prior to this review that this film was based on reality, so it took me time to further appreciate the film. Why? Because this is designed to be a comedy. It is kind of an unusual subject matter to try to make funny, but having watched enough “Family Guy,” people can take heavy topics and whip upan effective joke or two out of them. That said, this movie is not that funny. I did not laugh much, and anything that I found funny at the time of watching this movie, I have likely forgotten. I could not quote a single line at this point that had me chuckling. Not the best of signs.

Parts of the movie are mildly entertaining as we see the characters sometimes getting into some wild, goofy antics. Some of the secondary characters stand out, such as Daniel (Yazpik), a charismatic hotel employee. Although the film is somewhat predictable the further the story goes. I can see this movie working as PSA on narcissism. Whether it means reminding people that they might know someone who is a narcissist, or heck, maybe it could warn that a viewer that they themselves could be a narcissist. You never know. When it comes to being a comedy, that is where this movie fails at times. When it comes to being a romance, or something along that line, that is where this movie fails at times. There are ingredients for a decent movie somewhere and while I appreciate the message, I thought the delivery could have been better.

© Cool Girl Productions

In the end, “You’re Dating a Narcissist!” is not the greatest movie I have ever seen. Is it an abomination against humanity? Absolutely not. Is it a masterpiece? Not quite. The movie falls somewhere in the middle of those two extremes. I am sure Ann Marie Allison has some good ideas ahead for future projects. I am glad she got to tell a personal story, but I wish that story were presented differently. I am rooting for her in whatever she does next, but I have to be honest. I am going to give “You’re Dating a Narcissist!” a 5/10.

“You’re Dating a Narcissist” is now playing in theaters. Tickets are available now!

Thanks for reading this review! Tomorrow, look forward to my third episode of Movie Requests featuring “Dodgeball” actor Joel David Moore! Movie Requests is a series featuring yours truly asking celebrities what movies they think I should watch. You can check out the promo teasing the episode. What film do you think Joel suggested? Find out tomorrow, Sunday, April 19th! And if you want to see the episode as soon as possible, be sure to subscribe to my YouTube channel!

I also have plenty more reviews coming! Look forward to my thoughts on “The Super Mario Galaxy Movie,” “The Drama,” “Exit 8,” “Normal,” and “Lorne!” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “You’re Dating a Narcissist?” What did you think about it? Or, what is a film that you think has a good message on dating and relationships? For me, I would highly recommend everyone should watch “Don Jon” at least once in their life. Specifically, men. The film has a lot to say about male behavior. Scene Before is your click to the flicks!

They Will Kill You (2026): Cult Craziness Ensues in This Stylish Action Flick

Posted on by Jack Drees

“They Will Kill You” is directed by Kirill Sokolov (Why Don’t You Just Die!, No Looking Back) and stars Zazie Beatz (Deadpool 2, Joker), Myha’la (Swiped, Leave the World Behind), Paterson Joseph (Wonka, Timeless), Tom Felton (Harry Potter and the Sorcerer’s Stone, Fackham Hall), Heather Graham (The Hangover, Boogie Nights), and Patricia Arquette (Boyhood, Severance). This film follows a woman named Asia, a recent hire at a high-rise in New York City, as she uncovers its ties to a Satanic cult and does what she can to survive against those who make up the place.

Part of me wonders what the heck Warner Brothers was thinking with the release of “They Will Kill You.” Not the fact that they put it out at all, but rather that they put it out when they did. As someone who loves the first “Ready or Not” movie to death, I figured it would be inevitable that “They Will Kill You” would end up reminding me of that absolute piece of cinema. But seriously, what prompted Warner Brothers to release this movie the week after “Ready or Not 2: Here I Come?” While these movies are not exactly the same, they have similar plots and vibes… Both films feature a woman who is forced to take on a mob of people who are trying to kill her. Oh, and that mob is connected to a cult.

Questionable release date aside, I was interested in “They Will KIll You.” Of course, with a title like that, how could I not be? The concept intrigued me, and the movie looked like an overall gory fun time. To me, that is exactly what this movie was. Is this film going to win any awards? Probably not. Though I would not start a debate if you thought this film should be recognized for its production design.

What makes this film great is more than just its style. And I say that realizing its style is quite pleasing. What makes everything work is the connection between Asia (Beatz) and Maria Reaves (Myha’la). The film starts with the younger versions of the two as they try to run from their abusive father. Asia shoots him and gets arrested, while Maria remains in his custody. The film then flashes forward a decade to where Asia becomes a housekeeper at a New York City high-rise. As she takes on the job, she learns more about the building’s history, as well as what could happen to her if she is not careful.

The progression of the story unveils the sisters’ backgrounds and capabilities. Asia is more than able to defend herself, and as the film’s action sequences reveal, she can look cool while doing it. Turns out Maria also made it into the high-rise. When Asia runs into her, we learn not only how she got there in the first place, but how she managed to stay for as long as she did. The backstory as to how Maria ended up surviving for so long makes for some meaty material. It added depth to her character, the high-rise itself, as well as the others inside it.

This is not the first time I have watched Zazie Beatz on screen. I enjoyed watching her supporting roles in “Deadpool 2” as well as “Joker.” That said, this is the first time I have seen her as a leading lady, and she carries this movie. After seeing her take on the leading role of “They Will Kill You,” I would not mind seeing another movie where Beatz plays the main character. She has proven herself to be a fine action star and carries a commanding presence.

When I talk about the things I enjoy in a movie, I will often go for the big guns and talk about performances, direction, writing, and so on. But at other times, there are films where “the little things” tend to stand out, and “They Will Kill You” is no exception. I will save the context for your viewing experience, but there is an important point of the story involving an eye. I thought what exactly they did with it was clever. The film also showcases what people in the high-rise like to do. We find out that there is an entire floor where groups of people could be in the same place having sex at the same time. For the record, the people living in this building are immortal, so they have to find things, or perhaps more accurately, people, to do, otherwise they might become bored.

This film cost $20 million to make, but each frame almost looks like a trillion bucks between the color palette, the action, and the sets. This film is directed by Kirill Sokolov. I had not seen any of his work prior to this movie. Having seen “They Will Kill You,” I was convinced that its style is what would happen if a Matthew Vaughn movie and a Guillermo del Toro movie had a baby. The movie is a perfect mix between fast-paced, boisterous action with a pinch of color to balance things out.

Not to digress from this movie, but having looked at Sokolov’s IMDb page, it mentions that one of his previous works, “Why Don’t You Just Die!,” is inspired by one of his favorite filmmakers, Quentin Tarantino. Filmmaking has been around for some time, so it is not surprising to know that newer filmmakers are copying older filmmakers that inspired them. This film reminds me of “Reservoir Dogs” or “Pulp Fiction” to a degree. These all have sick action scenes and are not afraid to show some blood and gore. It has been nearly seven years since a Quentin Tarantino-directed movie has hit theaters. If you are looking for a filmmaker that has a pinch of Tarantino’s DNA, then Sokolov seems to get the job done. Time will tell if Sokolov will have the career or name recognition of Tarantino, but if he keeps making good films like this one, that could end up being the case. Sokolov has a twisted mind, and his screenwriting efforts alongside Alex Litvak, who also has a story credit for the “Masters of the Universe” movie releasing later this year, prove to make for a solid hour and a half.

The film’s cast may be small, but its action sequences prove to feel giant. I am not in an immediate rush to watch “They Will Kill You” again. In fact, of the two big movies coming out within the span of a week that involve women surviving against cults, I would prefer to go back and watch “Ready or Not 2: Here I Come” a second time. Maybe it is because I have an attachment to the 2019 original, so there could be some bias. Nevertheless, I recommend “They Will Kill You.” Give it a watch sometime.

In the end, “They Will Kill You” is killer fun. The film is fast-paced, never boring, and is packed with brilliant setpieces. When I watched the trailer for this movie, I was intrigued by how the action sequences presented themselves. Having seen the movie, they lived up to the trailer. I was not surprised. However, what did surprise me was the film’s ability to get me engaged towards the two sisters’ connection. The movie has a good hook featuring the duo and successfully builds upon that. Go check this flick out. I am going to give “They Will Kill You” a 7/10.

“They Will Kill You” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! If you want to see another review, I am dropping a new episode of Scene Before’s brand new series “Movie Requests” Sunday, April 19th. It is going to feature “Avatar” actor Joel David Moore. I look forward to talking about his suggestion. If you want to see this review as soon as it drops, consider subscribing to my YouTube channel!

© Cool Girl Productions

My next review is going to be for “You’re Dating a Narcissist!” Stay tuned! Also coming soon, I will be sharing my thoughts on “The Super Mario Galaxy Movie,” “The Drama,” and “Exit 8.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “They Will Kill You?” What did you think about it? Or, in the spirit of Tarantino, what is your favorite Quentin Tarantino movie? Let me know down below! Scene Before is your click to the flicks!

Ready or Not 2: Here I Come (2026): The Sequel to My Favorite Film of 2019 is Finally Here… Was it Worth the Wait?

Posted on by Jack Drees

© 2026 SEARCHLIGHT PICTURES

“Ready or Not 2: Here I Come” is directed by Matt Bettinelli-Olpin and Tyler Gillett, the same directing duo behind the original “Ready or Not” released in 2019. This film stars Samara Weaving (Bill & Ted Face the Music, Three Billboards Outside Ebbing, Missouri), Kathryn Newton (Blockers, Freaky), Sarah Michelle Gellar (All My Children, Buffy the Vampire Slayer), Shawn Hatosy (Animal Kingdom, Southland), David Cronenberg (The Fly, Scanners), and Elijah Wood (The Lord of the Rings: The Fellowship of the Ring, Grand Piano). This sequel once again follows Grace (Weaving), who just survived a nightmarish game of hide and seek against the Le Domas family. Now, she must face off against several elite families that make up the Council to play the same game with a twist.

“Ready or Not 2: Here I Come” is a movie I did not have on my bingo card. I say this as someone who loves the first film to death. “Ready or Not” remains my favorite film of 2019. Prior to watching this sequel, I took the opportunity to rewatch the original. It holds up tremendously. The ending is chef’s kiss. The simple utterance of “In-laws” is a top five final line in the history of cinema. It is up there with “Nobody’s perfect” from “Some Like it Hot.” I am not the most knowledgeable horror nut, but “Ready or Not” is an easy favorite of mine within the entire genre.

As much as I was looking forward to this movie, it had a lot to live up to. The original had a simple but fun concept. It contained a plethora of funny lines. It had a fantastic cast carried by Samara Weaving. If you know how the first movie went down, you would know that it would be impossible to bring most of that cast back. But to my delight, Weaving, once again, is leading this film and cooking up a killer performance with fire. She is one of the film’s many positives. Also, I know the term scream queen gets thrown around a lot amongst horror circles. To take that concept literally, Weaving’s screams are some of the most unique I have ever heard. It is to the point where I cannot imagine another soul playing her character.

Even you, Margot Robbie! I know you and Samara look so much alike, but I highly doubt your screams sound alike!

With this film being a sequel, it tends to follow the “bigger is better” cliche. Although if you are aware of my thoughts on various sequels over the years, you would know that I do not think they always live up to that phrase. “Ready or Not” is a beautifully simple movie that takes a childhood game as pure as hide and seek and turns it into an absolute nightmare. “Ready or Not 2: Here I Come,” puts its main character, Grace, in a situation where she has to play hide and seek against a ton of rich family members. Again. The before, during, and after, are a little different from the original. Although another similarity is that if these family members do not kill Grace by dawn, they die. The film does a fairly decent job at laying out some of the complications that make this experience different, and it also raises the stakes for the main character by bringing her sister Faith (Newton) into the mix and holding her captive. It also puts the elite family members in a situation where they have to do more than simply kill Grace. While doing so, they are competing for the Council’s “High Seat” now that the person who used to be associated with that position has died.

Bringing Faith into the picture does come as a bit of a surprise, as we learn a little bit about Grace’s backstory in the original movie, but not once does she mention she has a sister. Nevertheless, the sequel does a good job at making me believe these two are sisters. For starters, they look quite a bit alike between their blonde hair, big eyes, and expressive personalities. Also, knowing what we know about Grace from the original, I buy the fact that the two siblings had a bit of a falling out. It enhances that scene from the 2019 film where Grace talks about her family life, or lack thereof.

I enjoyed both “Ready or Not” and its sequel, but if you were to ask me which of these two movies I prefer, I would easily pick the original. The main reason is because Grace seems to go on a more personal journey. Sure, her sister is in the sequel, but as we get to the inciting incident of the first movie, it makes her rethink everything about her partner, her love life, her in-laws, whether she wants to be married… The first film was more interesting because it involved people she once trusted trying to kill her. The second film is an extension of that killer family, but without her partner, Grace is simply trying to defend herself against a group that held her captive.

So, the film may not be as memorable as the original, but to me, this could almost be the “Gladiator II” of the “Ready or Not” franchise. Is the story as exciting? Probably not, though it did keep my interest. But the action and humor more than make up for the film’s less intriguing plot. Every kill is terrifically done and the antagonistic family members come off with as much personality as those in the 2019 predecessor. The changes they made for how the game works were fun to see play out. It was also nifty to see Elijah Wood play a bad guy. Wood is not the first person I would associate with the term villain, but this film did make me reconsider. I was quite pleased with his quiet yet commanding performance. He reminded me of Grand Moff Tarkin in the original “Star Wars.” He does not have a big mouth, but every word that seems to come out of it sounds like it matters.

This sequel came out a little more than six and a half years following the original’s release date. As an avid fan of the original, I knew I was going to be in the cinema as soon as possible to see it. But even as a fan, I questioned if a sequel was the most sound idea. Judging by the fact that I liked the second movie, I could say it was. But even as someone who likes it, I recognize that the original is out of this film’s league. That said, I did dig the finale of the film. Much like the original, there were one or two out of left out of field moments that stuck the landing. I walked out of this film having a fun time. It added some exciting new material to the lore, maintained a good pace, and ended up having some genuine laugh out loud moments.

In the end, I really liked this film. It offers a lot of familiar aspects from the original. Sometimes expanding upon them. I prefer the first film’s simplicity and cast a bit more, but this new cast is by no means bad. They are actually quite fun to watch. That said, this film is directed by Matt Bettinelli-Olpin and Tyler Gillett, the same duo behind the original, and it shows. The duo helm each scene with perfect timing, balance scares and humor fantastically, and refuse to compromise on blood and gore. Kathryn Newton, who previously worked with these two in the excellent horror-comedy “Abigail,” is a lovely addition to the cast, and so is Elijah Wood. This film came out the same weekend as “Project Hail Mary,” which is doing very well at the box office. If that film is sold out, then “Ready or Not 2: Here I Come” is not a bad option to have as a backup as long as you are okay with violence and intense sequences. I am going to give “Ready or Not 2: Here I Come” a 7/10.

“Ready or Not 2: Here I Come” is now playing in theaters. Tickets are available now.

Thanks for reading this review! As a reminder, Scene Before is now officially 10 years old, and I am doing a brand new video series by the name of Movie Requests in honor of the occasion. Feel to check out my latest episode featuring “Jay and Silent Bob Strike Back” actor Jason Mewes, who requested I should talk about “House Party.” If you want to see more episodes, leave a like on YouTube and subscribe to my channel so you can stay up to date!

I am also happy to remind everyone that the next guest in the Movie Requests series is going to be “Avatar” actor Joel David Moore. You can catch that episode Sunday, April 19th. I have yet to watch his movie of choice, but I look forward to checking it out and talking about it!

My next review is going to for “They Will Kill You.” Stay tuned! Also coming soon, I will be sharing my thoughts on “You’re Dating a Narcissist!,” “The Super Mario Galaxy Movie,” “The Drama,” and “Exit 8.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Ready or Not 2: Here I Come?” What did you think about it? Or, which of the two “Ready or Not” movies do you prefer? Let me know down below! Scene Before is your click to the flicks!

Dune: Part Three Sells Out Limited IMAX 70mm Screenings Months Before Release – The Eventification of Moviegoing

Posted on by Jack Drees

Hey everyone, Jack Drees here! My most anticipated movie of 2026 is Christopher Nolan’s “The Odyssey,” based on Homer’s epic poem of the same name. You may remember nearly 9 months ago, tickets went on sale for some of the movie’s IMAX 70mm screenings. And by sheer luck, I managed to grab a ticket for the first show in Fort Lauderdale, Florida when the movie opens this July.

Naturally, Warner Brothers must have seen this and decided to follow suit with another film I am looking forward to… “Dune: Part Three.” Around noon on the east coast, which is where I live, a list of theaters were selling tickets for the movie. I had very little notice to buy tickets, but I was scrolling on Instagram and saw a couple posts suggesting that tickets were going to go on sale in a half hour. Not next week, not the next day, but literally the next half hour. So, I go through the list of theaters and make a game plan… Opening multiple tabs, having different devices out… I was ready. After checking a couple websites, I go to IMAX’s official site and click on a link that brings me to the AMC Lincoln Square 13 in New York, New York… And lone behold… Tickets went on sale minutes before their scheduled time at 12 p.m.. So, I click on the 7 p.m. show for Friday, December 18th.

For the first time in my life, I had to go through multiple seat selections just to get something that will take me to the landing page. It took me three tries, and knowing how many seats were sold already, I am shocked the count was not higher. And if someone can get Hans Zimmer on the phone to play some victory music, that would be amazing! Why? Because I got my tickets! …And so did everyone else in the world, apparently. Less than a half hour after I buy the tickets, I check the “view” tab on my screening, and it says the show sold out. And so did other showtimes! Keep in mind, I bought tickets for Friday. There was also a show being held the day before that I had no idea about. When I checked AMC’s site originally, I did not see a listing for it. Not that I am complaining. Friday is still quite early in the release schedule and I am sure the crowd going to see it Friday will be just as enthusiastic as the crowd going the night before.

My theater is not alone. For this push, 19 IMAX theaters were selling tickets. Only two are located outside of North America. More than seven hours after tickets went on sale, most of these theaters say they “sold out” on IMAX’s website. All of these theaters were selling one show per day from opening Thursday to the following Sunday. Since buying my tickets, more showtimes have been added, and those are already selling too.

Though my ticket-buying experience makes me wonder if we are seeing a shift in how movie tickets are sold. Between “Dune: Part Three” and “The Odyssey,” buying movie tickets, in certain regards anyway, is starting to feel like buying concert tickets. The concept may not be resemblant to every concert, but these past couple of instances of buying tickets felt like the cinephile’s equivalent to scoring seats for Taylor Swift’s The Eras Tour a few years back. Between how early the tickets are going on sale, the specific venues that are allowing tickets to sell immediately, the fact that people like me are fighting to get the seat they want, as well as the price… These are not only hottest tickets in town, but buying one almost guarantees jealousy from others who did not acquire theirs in time. That is, if you choose to keep the ticket. There are already some users online selling them for several times their original price. Morons.

I bought two tickets for my screening at the AMC Lincoln Square 13. Each ticket cost me $30.49. It would have cost me more if my AMC Stubs memberships did not cover my convenience fees. Sadly, this film is excluded from my A-List reservations, but in actuality, I do not mind it that much. If anything, it saves me the trouble from having one less slot I can use for the next 8 months. For the record, the price is not that much different from what I would pay now for an IMAX movie at the same location. Not to give AMC any ideas, but I am a tad surprised the cost is not higher.

The reason why I say that is because not only is Lincoln Square home to one of the biggest IMAX screens in the country, but due to it being in New York City, I would expect the price to be more than some of the other markets selling tickets early. Yet to my surprise, there are a few less populated areas that are selling the same experience, but charging more money for it.

I was going through X, and found a couple of people posting about the prices some of these theaters were charging…

Including one in Nashville, Tennessee…

As well as another located about 35 miles away from Atlanta, Georgia…

I should also note, both of these are Regal locations. I am noticing a trend here…

In fact, since the theaters have added more showtimes, it has only given me a smidge more material to work with for this post. I checked a 10:45 p.m. showtime for the Regal in King of Prussia, Pennsylvania. This theater probably would have been my backup if I could not get into Lincoln Square as the distance is somewhat drivable from home, and the fact that I have always wanted to check out the King of Prussia Mall. Though I likely saved myself a hassle, as tickets are $50 a pop.

Meanwhile, a Cinemark that is somewhat drivable from home, located in Rochester, NY, is also listing early showtimes. Having checked an 11 p.m. show on opening Thursday, they do not seem to be showcasing the same level of greed as Regal, considering how tickets are half the price at $25.

The pricing for this event does appear to be a bit out of control, especially when you consider that a ticket for an evening IMAX show set around the same timeframe for both Nashville and the Mall of Georgia is typically around $30 for adults. If I were to go see “The Super Mario Galaxy Movie” this week during the evening, that is how much I would pay just for a single ticket prior to fees. As much as I do not mind the trend of premium screenings selling tickets early, I do think there is a limit on how high one of these screenings should be priced. $40 for a movie ticket in 2026 feels like overkill. $50 is just outrageous.

I have paid 50 bucks for a movie ticket before, but I felt that price was somewhat justified as the director of said movie showed up to introduce the screening and stay after to do a Q&A. By the way, the screening was for the 25th anniversary of “Dogma,” and getting to see Kevin Smith before and after was a complete blast. This was a standard 2D screening, but it had a unique luxury on top of it.

I have a feeling that should we continue to do events like these, theaters could end up taking advantage of their customers and make them spend more money than perhaps one realistically should on something as simple as a movie. And that is important to note. I have no problem spending a good chunk of money to see a comedy show or a baseball game, because you are witnessing the event live. Movies are on a screen, therefore you are not watching real people. It does not make as much sense to charge $10 more than what a typical ticket would cost around an identical timeframe in the same auditorium, even if the detail on the screen is going to be incredibly lifelike.

Interesting enough, if I were to see “The Super Mario Galaxy Movie” this week during the evening at Lincoln Square’s IMAX, where fate decided I should have a “Dune: Part Three” ticket waiting for me, I would be paying $30.49 for the adult tier. That is the same price as a single ticket for “Dune: Part Three.” It gives me the sense that Regal is jacking up the price on purpose… Again, going back to the eventification of moviegoing, this shows that even if a movie theater charges a higher price, someone will pay it just to be in the building. In fact, my backup option if Lincoln Square sold out was to buy a ticket at the Regal in King of Prussia, Pennsylvania. But knowing myself as an IMAX fanboy, there is a good chance I would have paid whatever the ticket cost just to get my hands on it.

The $30.49 ticket price packs quite a bit into it. In addition to being part of one of the first audiences to experience “Dune: Part Three,” we are watching it in IMAX 70mm, one of clearest formats of all time. Any instance in which I can see something on one of the clearest formats of all time, I will most definitely take. There are very few theaters in the world with capable, working equipment to make this possible. The film is also shot on IMAX technology, including IMAX film. The screen is one of the largest in the country. There will be no trailers before the movie starts, which for AMC is almost unheard of. For my commitment, the theater is giving me a collectible filmstrip. The theater is giving a lot for 30 bucks. I would not pay that much for a movie each and every day, but I would for something like this.

Going back to what I said earlier about the “Dogma” screening and how cool it was to see Kevin Smith there, if we really want to eventize these screenings even further, here is an idea… Have the stars show up. Granted, these are 19 locations in different parts of the world, so it may not be possible for this to happen. But in theory, it would be cool to be welcomed to “Dune: Part Three” on opening weekend by Zendaya or Denis Villeneuve or Robert Pattinson. It is almost like a reward for buying tickets early.

Between “The Odyssey” and “Dune: Part Three,” movies are truly becoming much bigger events for yours truly then they have ever been. Granted, I have gone to press screenings and premieres in my area. I have been to screenings where celebrities show up. But these two movies have gotten me to consider crossing state lines just to watch them. I am flying to Florida in July. FLORIDA. IN JULY. Just to watch a movie. I think air conditioning is going to be my best friend when that time arrives. These are more than adventures to catch flicks. These are practically turning into vacations. Heck, since I am seeing “Dune: Part Three” a week before Christmas, I am already debating on what time would be best to visit Rockefeller Center to check out the big Christmas tree.

Could I watch these movies closer to home? Perhaps. In fact, I live 10 minutes away from the largest IMAX in New England, located at Jordan’s Furniture in Reading, Massachusetts, which is an amazing place to see a movie. …But it is not currently 70mm capable. If I waited months to buy tickets there, I would not be mad at myself. In fact, I would be excited. That theater is amazing and it would be fun to see something as hotly anticipated as “Dune: Part Three” there. But this screening is getting me more excited by the minute. It feels electric just knowing that I am going to be in a room with a group of people who are likely just as committed to seeing this film as me.

To add even further excitement… Unless Disney decides to change their mind, “Avengers: Doomsday,” which could end up making $2 billion at the box office, even without IMAX screens, releases the exact same day as “Dune: Part Three,” thus inspiring the term “Dunesday.” If both Warner Brothers and Disney are committed to this event, it is possible that we could witness the biggest moviegoing weekend in history. Now that I have my ticket for “Dune: Part Three” it makes me wonder when exactly I should plan to buy a ticket for “Avengers: Doomsday.” Should I do a screening the same day hours before? Should I do it the day before? It would let me easily avoid spoilers. Should I watch that film closer to home? I still have not figured out how I am getting to New York, so we shall see what happens. Part of me thinks deep down that “Dunesday” could end up hurting both “Dune” and “Avengers.” But after seeing the response “Dune: Part Three” is getting months before release with these ticket sales and the first trailer, I think this less diverse edition of “Barbenheimer” could pay off for both parties.

“Dune” and “Dune: Part Two” are movies that have given me some fond memories upon watching them, so it is no surprise that I am looking forward to “Dune: Part Three,” no matter how I see it. That said, I am thrilled to experience the film the way the director intended. Judging from what has been shown so far and the track record of the previous installments, I would not be surprised if this ends up being a Best Picture nominee at the next Academy Awards. Until then, if anybody else already has their “Dune: Part Three” tickets, congratulations! Maybe I will see you at Lincoln Square. Much like Paul Atreides’ promise at the end of “Dune: Part Two,” I am sure that IMAX and Warner Brothers are going to lead me to paradise this December. I cannot wait.

Thanks for reading this post! As a reminder, be sure to check out my latest episode of Movie Requests! This is a brand new series where I take movie suggestions from celebrities and talk about them. The latest episode features “Clerks” actor Jason Mewes. Check it out, give it a like, and if you want to see more videos in the series, consider subscribing to my YouTube channel!

My next review is coming later this week, and it is going to be for “Ready or Not 2: Here I Come.” I love the first “Ready or Not” to death, so it should not be a surprise that I eagerly awaited the sequel. I will share my thoughts on it soon. If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you get tickets for “Dune: Part Three?” Where and when are you seeing it? And how much did you have to pay? Also, if you are a scalper, please find something better to do with your time. Scene Before is your click to the flicks!

Project Hail Mary (2026): A Spectacular, Awe-Inspiring Adaptation of Andy Weir’s Hit Novel

Posted on by Jack Drees

“Project Hail Mary” is directed by Phil Lord and Christopher Miller (Cloudy with a Chance of Meatballs, The LEGO Movie) and stars Ryan Gosling (La La Land, Blade Runner 2049), Sandra Hüller (Anatomy of a Fall, Zone of Interest), James Ortiz (Cryptid, The Woodsman), and Lionel Boyce (Loiter Squad, The Bear). This film is based on a novel by Andy Weir, who also wrote the book “The Martian,” which has since been adapted into a hit movie starring Matt Damon. “Project Hail Mary” follows a middle school teacher-turned-astronaut by the name of Ryland Grace who is put on a mission to stop a mysterious substance from destroying the earth’s sun.

I am not that much of a reader. Although there have been rare occasions where a movie would come out and I would read the book sometime before seeing it. I did this years ago for “The Martian,” by Andy Weir, which has become one of my favorite reads. The movie, while not as good as the book, is utterly amazing. Much like the book, I found the movie to be extremely funny and endlessly engaging. As someone who found myself to be a fan of Andy Weir’s writing style, I thought I would give the “Project Hail Mary” book a shot. I barely finished it before I saw the movie, but I really liked the book. It maintains the humor that Weir mastered in “The Martian,” while delivering something more complicated and adventurous. I think “The Martian” is the superior read, but both books are winners.

The hype train was real going into “Project Hail Mary.” Not just because it was based on a well received book… Not only because I happen to concur with those who say the book is great… Not just because I am a sci-fi junkie… Not just because it stars Ryan Gosling… Not just because it is directed by Phil Lord and Christopher Miller… But the trailers and the footage leading up to the movie, for the most part, looked incredible. The effects were pure eye candy. The sets looked great. The camerawork looked awe-inspiring. The film was even shot in true IMAX… Granted, it is technically digital. But still.

Maybe I am overexaggerating my excitement a bit. If there is any movie this year I would have been looking forward to more than any other, it would be “The Odyssey,” but “Project Hail Mary” was up there based on everything that I have seen, heard, and read prior to checking it out, including the overwhelmingly positive reviews.

Ladies and gentlemen, believe the hype. Actually… No. The hype might actually be too small.

“Project Hail Mary” is the best movie I have watched in years.

It has not been since “Godzilla Minus One” that I walked out of a movie buzzing so excessively.

As previously mentioned, I have read the book. I thoroughly enjoyed the book. I thought the way Weir told the story was unique. I think I prefer the movie. If you told me that Steven Spielberg directed this film, I would believe you. I said this some time ago with “Arco,” but I meant that more as a statement on the film’s style rather than its quality. This not only reminds me of some of Spielberg’s past movies, but it is just as watchable as some of his greatest hits. My dad, who for the record did not read the book, saw the movie with me. He had a great time. He said the movie reminded him of “Close Encounters of the Third Kind.” To me, “Project Hail Mary” feels like “E.T.” for a new generation. Only this time around, not as much of the story is set on earth.

Honestly, there are a number of filmmakers whose work I could compare this to, and I mean that as a positive. This film reminds me of some of my favorite projects said filmmakers have done. In addition to this film delivering Spielberg vibes, it comes off as what would happen if a Christopher Nolan epic had a baby with a James Gunn adventure. It has the scope and ambition of one of Nolan’s blockbusters and the humor and fun of Gunn.

This movie is a pure bundle of joy. I should not be surprised, as this movie is done by Phil Lord and Christopher Miller, who have produced some of my favorite films of the past decade like “The Mitchells vs. the Machines” and the “Spider-Verse” movies.

They have also done “The LEGO Movie,” which is so much better than it should be. If I ever have a conservations with people discussing my personal favorite films of all time, I am proud to say “The LEGO Movie” and “Project Hail Mary” will both likely be part of said conversations.

No, seriously, who is Ryan Gosling’s agent? Because his resume, especially over the past ten years, is filled with banger after banger after banger, with this film being the latest example. “La La Land” is extravagant and otherworldly. “Blade Runner 2049” was amazing despite not doing so hot at the box office. “First Man” was moving. “Barbie” was not just a good movie, but Gosling practically stole the show. When I think of the best actors working today without an Oscar, Gosling is somewhere close to the best of the best. After seeing “Project Hail Mary,” I am convinced that not only is Gosling capable of being nominated, but also of winning an Oscar next year. Granted, it is only spring. The Oscars are practically a year from now. But I have a feeling that Gosling’s performance can sit well with people through the coming months as he is given lots to do and handles all of it with excellence.

It also helps that he plays such a likable character. There is a line in this film where Ryan Gosling’s character, Ryland Grace, says he puts the “not” in astronaut. As corny as that may sound, that line solidifies his entire journey. I do not want to spoil everything that happens in this movie, but the narrative constantly unfolds bits and pieces of the character as it goes along through its clever non-linear format. Much of the film is set in space, but there are portions that take place on earth, and those portions are surprisingly engaging. Grace is a middle school teacher, which only adds to his likability. Remember “Interstellar?” Arguably the biggest drive Cooper has in that film that allows him to try to save earth are his children. Grace does not have any kids, but his middle school class, while temporary, almost comes off as a set of children he never had.

In a multitude of other possible movies, Grace would be the star of the show. But one character constantly steals the spotlight, and that is Rocky. Much of the film features these two in close quarters as they learn about each other, their worlds, their backstories on how they found each other, to the point where they end up working together not only to save earth, but Rocky’s own planet.

Remember the Grogu craze when “The Mandalorian” came out? It felt like for months that Grogu fever, and by extension, merchandise, was everywhere. Heck, I own a pair of Grogu socks that are worn out, but I cannot get rid of them. They’re comfortable, and I like the design. There is a fine line that a film rides with a “merchandisable” character, which I would say Rocky just so happens to be. For me, to get me to buy a character’s merchandise, I would prefer to realize I like said character before wasting my money. Thankfully for this film, Rocky is a riot. Having read the book, I had no clue how they were going to portray him in the movie, but I was actually surprised with how much I loved his first moments on screen. He is adorable, but also rather smart. Rocky is a winning combination. James Ortiz does an excellent job on the voice. Given how Rocky is an alien, the communication styles vary significantly between him and Grace, but I enjoyed getting to see how the movie showcases both characters as they learn how to communicate back and forth.

Rocky also has the best line in the movie, and without giving any context to the situation, all I will say is that it involves a guy named Mark. You will know it when you hear it.

I said before that this film reminded me a lot of “E.T. the Extra-Terrestrial” and I could sum up the basic reasons… Both films heavily feature bonds between a human and an alien. Both have inspiring musical scores. Both have characters who want to do what they can to get home. But the real reason why I find this to be “E.T.” for the next generation is that the film is an incredibly emotional experience. I did not cry during “Project Hail Mary,” but I would not be surprised to be sitting during this film again and seeing other people wiping tears off their faces. This film has everything that reminds me of why I love the movies. Well-realized characters with their own quirks… A great story that enlightens the soul… Stunning visuals and audio that excite on every level.

Some could argue that I am rather predisposed to liking “Project Hail Mary.” Not only did I read the book and like it, but if you know me well, you would know that sci-fi is my preferred genre. It does not mean every science fiction tale is great. I have seen a few “Star Wars” movies I would rather forget. In fact, having read the book, I recognize that not everything from the source material is going to find its way into the film. It is too long, and I think the general audiences can only take so much technical and scientific jargon. Are there things from the book that I am disappointed are not in the movie? Yes. There is a pinch of backstory involving Stratt towards the book’s end that moved me. But these are two separate things. I am not going to let the dismissal of that material affect my verdict of the film, because as a general movie, regardless of what it was based on, this was one of the most unbelievable experiences I have ever had.

“Project Hail Mary” presents a universal problem, as a mysterious creature is causing the sun to die. On the surface, one would think this film is about saving the world. And in a way, it is. But as soon as Rocky is brought into the picture, the film basically gets to the point where both he and Grace think bigger. The journey these two go on together as friends is truly something. I could honestly watch a weekly sitcom starring these two. But the film, as fun and joyous as it is, is simultaneously sad. You have this protagonist who minute by minute is trying to remember every little thing about himself. He finds out he is alone. He is tasked with mankind’s most important mission, and his only escape appears to be Rocky. And you might think he has people back on earth to save. Sure, he has the people he knows from his school. But he has no lover, no pets. Nobody. All he has is himself, the children he will likely only see for portions of his life, and Rocky. But the film manages to balance the sadness with more optimistic moments, hilarious lines, and a satisfying ending. This is the kind of movie that I can see a lot of people going to multiple times, bringing new people with each go. Heck, I am already thinking about who I would bring for a second viewing. If you are still reading this and have not seen this movie, please stop what you are doing and go check it out. Do not pirate the film. Go to a theater. See it on a big screen. Do it as soon as you possibly can.

In the end, I cannot stop thinking about “Project Hail Mary.” I read the book before checking out this movie, but I have to say I enjoyed the movie more than I did the book. There are certain scenes in this film that honestly play out ten times better as visuals rather than text. I have a pretty active imagination, but even I have to say some of these scenes were better than how I interpreted them. Ryan Gosling gives the performance of a lifetime. James Ortiz is fantastically cast as the voice of Rocky. Sandra Hüller does a great job as Stratt. Overall, the cast brings their A-game. The musical score is riveting. The cinematography is easy on the eyes. Phil Lord and Christopher Miller deliver a spectacle for the ages. Everything in the story from the beginning to end had me hooked. It is a longer film at two hours and thirty-six minutes, but it is never boring! Please go see this movie. It will make you laugh. It may even make you cry. Amazon does not have a long history as a film distribution company, but this is easily my favorite film they have put out thus far. If you are reading this review around its publication, do not wait for Prime, if there is a prime time to go see “Project Hail Mary,” it is now. I am going to give “Project Hail Mary” a 10/10.

“Project Hail Mary” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! I want to remind everyone that in honor of Scene Before’s 10th anniversary, I started a new series called Movie Requests and if you would like, you can now check out my latest episode, where “Jay and Silent Bob Strike Back” star Jason Mewes requests I talk about “House Party.” And if you want to see future episodes, please consider subscribing to my YouTube channel that way you can see them as soon as they drop!

My next review is going to be for “Ready or Not 2: Here I Come!” Also, coming soon, I will be sharing my thoughts on “They Will Kill You,” “You’re Dating a Narcissist!,” “The Super Mario Galaxy Movie,” and “The Drama.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Project Hail Mary?” What did you think about it? Or, did you read the “Project Hail Mary” book? What did you think about that? Let me know down below! Scene Before is your click to the flicks!

Hoppers (2026): A Dam Good Animation

Posted on by Jack Drees

“Hoppers” is directed by Daniel Chong (We Bare Bears, We Baby Bears) and stars Piper Curda (A.N.T. Farm, Teen Beach 2), Bobby Moynihan (Saturday Night Live, The Secret Life of Pets), Jon Hamm (Mad Men, Keeping Up with the Joneses), Kathy Najimy (King of the Hill, WALL-E), and Dave Franco (Together, The Disaster Artist). This film is about a young girl named Mabel who uses a new technology to allow her consciousness to hop into a robotic beaver. Despite discouragement from those working on the tech, Mabel uses her newfound beaverhood as an opportunity to save a glade from being replaced by a freeway.

You ever hear the saying “Just another Tuesday?” Well, that phrase applies to Pixar. Specifically, when it comes to describing their ability to pump out one solid movie after another. Not every one is perfect, but the studio has unleashed a ton of hits over the years, including a couple all-timers like “The Incredibles” or “Inside Out.”

Watching a new Pixar movie always feels like an event, because while they are not the only group dedicated to making animations, I always see Pixar as the gold standard. It has come to the point where I find inferior Pixar projects to be better than most movies. Do I think “Elio” is a masterpiece? No. But did I enjoy it and take something from it? Absolutely. Even with “Elemental” turning out to be lackluster, I continue to find myself onboard Pixar’s train for whatever they have in store.

As much as I look forward to seeing what Pixar brings to the table with franchise extensions including “Toy Story 5” and “Incredibles 3,” I am often more engaged when I find out about one of their original projects, including “Hoppers.” That said, while the movie did look fun and hilarious based on what I saw in the marketing, I will admit that the movie did turn me off slightly even while watching the trailers, as they admit how much their concept sounds like “Avatar.” Although in fairness, if you break down “Avatar,” it has ripped off quite a few other films like “Pocahontas” and “Dances with Wolves.”

Despite the film’s self-admitted ripping off of sorts, there is plenty in it to enjoy. In fact, I think it is just about as enjoyable as the first “Avatar.” Much like how I think “Avatar” is not James Cameron’s best work, I would have to say the same is true for “Hoppers.” Nevertheless, both movies are worth watching. These two stories just so happen to play around with similar ideas beyond just having someone take on the form of another living thing. They both highlight how humanity tends to mistreat other creatures, intentionally or not. “Hoppers” also taps into the idea that humans often fail to realize that they are not the center of the universe. As humans we are taught to appreciate nature, but in the past couple hundred years we have become so reliant on convenience and industrialization to the point that we forget to care for other animals.

I saw this film with a couple friends, and one of those friends said this film is Pixar’s closest cousin to “Indiana Jones and the Temple of Doom.” I would partially agree with them as, like that film when put next to others in its franchise, is not exactly the best one. But also, like “Temple of Doom,” there are some surprisingly dark moments. There is a particular death that comes in this film. Wow. Characters die in a movie. What a spoiler. But without specifying, there is one death involving a clap that caught me by total surprise. You will know it when you see it. If you saw the trailer, you would know that a good chunk of the movie is dedicated to other creatures trying to “squish” humans for everything they have done. That said, the trailers make this film look totally lighthearted. It was a bit darker than I anticipated. There are some segments involving the animals’ aspirations that lead to some eerie visuals or concepts. I do not want to spoil much, but the end of the movie has some “facial expressions” if you will, that I cannot stop thinking about.

Speaking of things I cannot stop thinking about, I like the film’s protagonist, Mabel. She comes off as smart, though a bit rebellious. Yet she is not necessarily pushy. The movie does a great job at creating someone whose passion for nature is as strong as her desire to preserve it. While this film is not as emotionally charging, there are some sentimental moments between Mabel and her Grandma Tanaka that felt reminiscent of watching earlier moments of “Up.” Much like that Pixar classic, “Hoppers” works so well because not only is Mabel doing what she’s doing for herself, she is thinking of the people in her life each step of the way. She is an individual who clearly wants something to go her way, but oftentimes cares enough about others during her journey to see said thing play out.

Story-wise, this film reminds me of a lot of other movies, including some of Pixar’s own like “Up,” “Ratatoullie,” or “A Bug’s Life.” This film is not exactly the same as all of these, but it borrows a lot of elements from their stories like large insect casts, the “humans are dangerous” cliche, or the general appreciation of nature. “Hoppers” is far from Pixar’s best film. To me, it is mid-tier Pixar, which is still better than a lot of movies. I would probably put it in the same boat as “Onward” or “Inside Out 2.” Yet “Hoppers” borrows a lot of traits from some of Pixar’s most memorable stories and creates a fun remix out of them.

In some ways, I think you would be forgiven if “Hoppers” also reminded you of a recent DreamWorks film, specifically “The Wild Robot.” For one thing, both films, on a technicality, primarily feature “robots” as their main characters. These “robots” if you will, are their respective universe’s fish out of water. Both Roz and Mabel have to adapt to the ways of the wild. They take on completely different adventures and carry completely different motivations, but on the surface, both films would seem like distinct cousins if watched back to back. This is especially true when you consider both films suggest that humans the reason why the world is changing for the worse.

Overall, “Hoppers” is a hoot. It is quite funny, wonderfully ridiculous, and like a lot of other Pixar fare, beautifully animated. The studio has only gotten better at making their films look as crisp as can be through the years and “Hoppers” is just the latest example.

In the end, I recommend “Hoppers.” This is not going to end up being my favorite film of the year, but it is one that I think is fun for all ages. It does get a bit dark, but it is not the first film of its kind to do so. The mostly star-studded voice cast brings their A-game. The story is a lot of fun, but also important. For the younger viewers, the film offers positive lessons about environmental preservation and not messing with nature. The film is fast-paced, never boring, and an overall good time. I am going to give “Hoppers” a 7/10.

“Hoppers” is now playing in theaters. Tickets are available now.

Thanks for reading this review! If you like this review, I have more coming including for “Project Hail Mary,” “Ready or Not 2: Here I Come,” “They Will Kill You,” “You’re Dating a Narcissist!,” and “The Super Mario Galaxy Movie.”

Also, if you have not done so already, please check out my latest episode of Movie Requests featuring special guest Jason Mewes, who asked me to review “House Party.” If you enjoy the episode, leave a like on YouTube, and subscribe to my channel so you can stay tuned for more episodes as they drop!

If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Hoppers?” What did you think about it? Or, if you could experience life as another living creature? What would it be and why? For me, I would pick a mayfly. Their lives are short, but they sound interesting, as they only tend to live one or two days as soon as they become adults. Let me know which creature you’d want to be down below! Scene Before is your click to the flicks!

MOVIE REQUESTS – Jason Mewes Requests HOUSE PARTY (1990)

Posted on by Jack Drees

Hello, and welcome to the second episode of Movie Requests! This is a series dedicated to taking people’s film suggestions, watching said suggestions, and then talking about them on camera!

If you have followed this series since its recent beginning, you would know that last year I asked ten people if they wanted to be a part of this series, all of whom agreed. One of those people, actress Bryce Dallas Howard, appeared in my previous video. She requested I should watch Lars von Trier’s “The Idiots.” I would like to thank everyone for their involvement in the series. For the record, the guest appearances are not in order. But with this being the second episode, it is a happy coincidence that my second guest is the second person who agreed to be on the lineup!

Our guest for this episode is Jason Mewes! He is a longtime collaborator with Kevin Smith known for films including “Clerks,” “Mallrats,” “Chasing Amy,” “Dogma,” “Jay and Silent Bob Strike Back,” and a few other titles. When he is not acting, you can find him gaming on Twitch at JayMewes.

Please click the video at the top of the page to hear Mewes’ suggestion, as well as my thoughts on the movie! Enjoy!

And if you want to see more of this content, follow Scene Before either with an email or WordPress account, like the Facebook page, or subscribe to my YouTube channel! Scene Before is your click to the flicks!