Welcome everyone to the seventh episode of Movie Requests! This is the series where the Movie Reviewing Moron sets himself out on an adventure to find notable people who are willing to give suggestions on movies for him to watch and talk about! The series is being done in honor of 10 years of Scene Before. I thank everyone for tuning in for the past decade.
In case you missed it, Movie Requests has recently bumped its guest list from 10 to 15! Today, we are going to be taking a request from one of the original 10. Although on top of the original 10, please look forward to reviews from newly added guests like Melissa Barrera, Adam Conover, Joe Gatto, Tessa Thompson, and Elijah Wood!
In the last episode, I reviewed Chris Hardwick’s request, the 1985 film “Real Genius,” which I found to be a hilarious, well-timed comedy that holds up to this day. Today’s request was also released in 1985. Specifically, “The Goonies!” Much like “Real Genius,” I had not watched “The Goonies” in full. Though I was once at my grandparents’ house and they had it on the television as I was in the room doing something else. That is the closest I have gotten to actually watching the movie, unless you count me finishing a previous program on TV, and then flipping through channels once that film started until I found something else. It is not that I had no interest in “The Goonies” whatsoever, but I never had the complete motivation to turn it on, even after buying a used copy of the 4K Blu-ray a couple years back.
Today’s guest is none other than Sandi Harding! Locals and staff know her as the Blockbuster Mom, while many people also know her as the owner of the last Blockbuster Video still standing, located in Bend, Oregon. If there is a guest who is absolutely perfect for this series, it is the one who has seen thousands of movies go in and out of her store. So, I thank Harding for her participation and suggesting I should give “The Goonies” a watch.
If you would like to hear my thoughts on Sandi Harding’s request, “The Goonies,” click the video at the top of the top of the page! Want to know more about who will appear in this series? Check out the poster above! Be sure to also like the video on YouTube and subscribe to my channel that way you can see more episodes of Movie Requests as soon as they drop! I will also be sharing the episodes, much like this one, here on Flicknerd.com if you prefer watching them from this site. If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! Scene Before is your click to the flicks!
“The Breadwinner” is directed by Eric Appel (Die Hart, Weird: The Al Yankovic Story) and stars Nate Bargatze (Your Friend, Nate Bargatze, Nate Bargatze: Hello World), Mandy Moore (Tangled, This Is Us), Colin Jost (Saturday Night Live, Tom & Jerry), Zach Cherry (Fallout, Severance), Martin Herlihy (Saturday Night Live, The Running Man), Kumail Nanjiani (The Big Sick, Eternals). and Will Forte (Scoob!, The Last Man on Earth). This film is about a dad living in the suburbs who must adapt to a stay-at-home parent lifestyle when his wife gets the opportunity of a lifetime to take her invention to the next level.
I love comedy. I think the world is a better place for having it. Sadly, comedy films are at a bit of a low point. This is not to say that they are dead, there have been wins here and there, but the comedy genre does not feel the same as it did pre-COVID. Part of this may be because a lot of mainstream comedies are finding their way onto streaming services. While some viewers may not care, it kind of turns me off, and makes me think that the people who made the movie do not have much faith in it.
So, when I found out that “The Breadwinner” was going to be a theatrical release, I was pleased. Well, sort of. Because the trailers, while not the worst I have ever seen, did not look fantastic. I cannot say I outright laughed at anything the trailers had to offer.
But you know what? Maybe this is a blessing in disguise. Perhaps “The Breadwinner” listened to me every time I watch a comedy trailer, see all the funny jokes, and complain that there is nothing else that happens to be funny when the film comes out. The good news is, there are moments of the film that I did not see in the marketing that made me laugh. Kumail Nanjiani plays a supporting character and he is easily the best part. He has the funniest lines and visual gags. If there is any reason to see this movie, it is him.
Beyond that, I cannot come up with another reason to check this project out. That is unless you want to watch an hour and a half commercial that technically qualifies as cinema.
I have seen Nate Bargatze do standup both through prerecorded specials and live events. He puts on a good show. While not my favorite comedian working today, I think he has a knack for family-friendly humor. The kind that you would expect to fly on an episode of “America’s Got Talent.” Given his success with the standup scene, I was wondering if Nate Bargatze would be able to bring something fresh to the comedy film genre. While the film does feel rather on brand for Bargatze’s standup persona, I think said persona is perhaps handled better on a stage rather than a screen.
“The Breadwinner” feels like an extended episode of “Everybody Loves Raymond,” and not a very good one. Nate Bargatze plays Nate Wilcox, the “average guy” character with a steady job. Mandy Moore plays Katie, a stay at home mom. They have three children and all live in the suburbs together. When Katie gets an opportunity to make something of herself outside the home, it throws Nate off and forces him into the stay-at-home dad role. For Nate, this goes about as well as you, and probably he, would expect. Speaking of things that did not go well, the jokes are more often misses than hits. At no point did the battleship sink. You can only have Nate Bargatze fall down so many times and expect it to be hilarious. The attempts at humor are not only unfunny, but a lot of them feel been there, done that, and in certain cases, done better.
This is a PG movie, and I did see some children at my screening. I would be curious to know how well this comedy is going to age for the younger viewers who check it out. But as a 26-year-old who has quite a few flicks under his belt, the jokes come off as too familiar and predictable for them to work.
This film sort of takes me back to when Happy Madison comedies dominated theatres. And by that I mean, the film reminded me of what I sometimes hated about those movies. This is a glorified, shameless, endless commercial.
Product placement and in-film advertising is nothing new. Also, this is a Sony movie, so this is most certainly nothing new for them. This film reminds me a lot of “The Emoji Movie,” which so incessantly flashes brands on the screen and even makes them interwoven so heavily into the plot to the point where part of the climax would not be possible if it were not for the Twitter bird mascot saving the heroes. With this being a Sony movie, of course, they decided to put in some tie-ins to their properties. There are a couple noticeable nods to “Jeopardy!” for example, that are frankly inoffensive.
But would anyone like to guess how the story moves forward when Katie decides to take her invention to the next level? She goes on “Shark Tank,” of course! Do not get me wrong. A lot of people would, realistically, kill to bring their product on that show for the chance of getting a deal. But I would be willing to bet five bucks that if this were not a Sony movie, “Shark Tank” would make no appearance in this flick whatsoever, as that is also a Sony show. Also, the scene is about as dumb as can be.
Are you seriously telling me that in regards to Katie’s invention, that Kevin O’Leary says he’s out because Nate walks onto the set while eating a donut and presenting himself as the antithesis of a fashion model? Would the real Kevin O’Leary do this? I don’t think so. Some of you might be saying, “Come on, it is a character, let him be.” Yeah, but judging by Nate Bargatze’s performance that lacks any and all transformation, I am not quite sure how much acting is really going on in this film. Not to digress, but the movie tries to present this whole gag where Nate becomes known as “the donut guy.” I understand the Internet can be odd and rude, but this has got to be one of the dumbest viral trends I have ever seen. Then again, I remember a time when portions of the Internet thought the Harlem Shake was cool, so there is that.
“Shark Tank” is not even the biggest culprit of this film’s neverending stream of commercialism. Because this movie really wants you to buy a Toyota. And frankly, it fails miserably. Not just because “The Breadwinner” is a terrible movie by itself, but also because if this were a genuine Toyota ad, I would question its messaging. My mom and I saw the film together, she liked it by the way. Upon discussing our difference in opinion, one of the first things I said to her as we left the cinema is that the film paints Toyota as an anti-family company. If anything, Toyota is the villain. Somebody give Nate Bargatze a Ford so he can go to town on a Toyota dealership!
Oh, and don’t forget to remind Nate Bargatze to take that Toyota to Walmart for some errands! And also don’t forget to tell the talent to take every other brand name cereal off the shelf to make sure everyone knows that is exactly what the family is buying! This movie cost $25 million to make, and I am sure most, if not entire the budget was paid for with this endless charade of brand bootlicking.
There is not much legitimate acting going in this movie, but based on the direction everyone is given, they fulfill the basic requirements of their roles. The women who play the Wilcox sisters, Stella Grace Fitzgerald, Birdie Borria, and Charlotte Ann Tucker, are sometimes adorable and play off the other characters well, even if some of their jokes feel like they are written for a Disney Channel original movie.
Going back to what I said about this film feeling like an extended “Everybody Loves Raymond” episode, the more I think about this film’s director’s background, I can see why. While Eric Appel has a lot of experience behind the scenes making material within the comedy genre, most of his material is TV-based. Even his more recent feature films did not get theatrically released. He directed “Weird: The Al Yankovic Story,” which is a Roku Original. Beyond that, some of his more recent projects include the “Die Hart” films on Prime Video, where Kevin Hart plays a version of himself. …Doesn’t he do that in every other movie he’s in too?
Plus, the writers of this film do not have much experience on the big screen either. In addition to starring in the film, Nate Bargatze also has a screenwriting credit. Upon looking at his IMDb, this is also Bargatze’s first acting credit in a feature film. The other writer, Dan Lagana, mostly has a TV background. The two also produce the film as well alongside Jeremy Latcham, a former Senior Vice President of Production and Development of Marvel Studios. So, you have all these minds coming together who for the most part, are not exactly known for feature filmmaking. I am not against these people giving filmmaking the old college try. But as for this try, it was a fail. These people got their start, but it was not the finest of beginnings. If anything, I am glad to see a studio put their money where their mouth is, which judging by this film’s content, their mouth was probably on a Toyota’s trunk fairly recently, and put a comedy in theaters. That is nice to see in this day and age. That said, this does feel like a comedy that was probably intended to go to streaming, but somehow wound up on the big screen.
In the end, “The Breadwinner” made me lose some brain cells. Nate Bargatze is a talented comedian, but I frankly think standup is where he is best. I am not sure how much of a future he is going to have as a movie star. I do not know if he is aiming to pursue more film roles, but if he does, I hope they are superior to what he has given here. The worst thing about this film is simply the fact that I did not find it funny. Yes, I emitted a chuckle here and there, and Kumail Nanjiani saves the film whenever he pops up on screen. But I was expecting more from someone who is killing it in the standup scene. Instead, “The Breadwinner” is essentially this year’s version of “Easter Sunday,” starring Jo Koy. It is a film that wastes the talent of a successful comedian, as well as my time. I am going to give “The Breadwinner” a 2/10.
“The Breadwinner” is now playing in theaters. Tickets are available now.
Thanks for reading this review! This Tuesday, July 14th, get ready to make it a “Blockbuster Night!” Or… Day, I do not care. Your choice. Either way, I say such a thing because the next episode of Movie Requests is going to feature Blockbuster Video owner Sandi Handing! She owns the Blockbuster Video in Bend, Oregon. That is the last one still open! I had the privilege of meeting Harding in November, when she requested I should watch a certain movie whose title will be revealed when the next episode of Movie Requests officially drops! You can catch the video on Tuesday July 14th on Flicknerd.com and YouTube! Make sure you subscribe to my channel! It may not give you superpowers, but it will make you super aware of when exactly this episode drops! And isn’t the power of knowledge the greatest thing of all?
My next review is going to be for “Disclosure Day!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Toy Story 5,” “Supergirl,” “Jackass: Best and Last,” “Obsession,” “Maddie’s Secret,” and “Gail Daughtry and the Celebrity Sex Pass.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Breadwinner?” What did you think about? Or, have you seen any of Nate Bargatze’s standup material? Look, I may have been harsh on this movie. Although Bargatze is not a comedic hack. He can put on a good show. I will look forward to his next standup special or upcoming gig in the New England area, but “The Breadwinner” was not for me. Ah well, can’t win ’em all. Scene Before is your click to the flicks!
“Another World” is directed by Tommy Kai Chung Ng (Shi Wai, Tale of Rebellious Stone) and stars Suet-Ying Chung (The Lyricist Wannabe, Time), Hiu-Tung Choi (Say I Do to Me, Left on Read), Louis Cheung (Keeper of Darkness, Narrow Road), Kay Tse (Band Four, Legal Affair), Will Or (A Foggy Tale, Drifting), and Thaimay in a film about the journey between a spirit guide and a young girl whose anger threatens to turn her into a monster.
“Another World” was barely on my radar prior to seeing it. I did not see any major trailers or posters, but I came across some ads for it on social media, and found out it was playing at a local theater in Boston. There were barely any showtimes available, which served as a challenge for actually being able to see it, but it also became an incentive. Maybe this film could be one of those hidden gems. Plus, GKIDS has a decent track record when it comes to their slate of international animated flicks they choose to distribute for the US audience.
“Another World” seems to ask the same question that a lot of other great pieces of cinema tend to ask, “What does it mean to be human?” When it comes to its analysis of the human condition, there is something there. Much of the film is centered around the relationship of Yuri and Gudo, the latter of whom is a soulkeeper constantly learning about Yuri’s human traits. He finds out about the concepts of being tired, hungry, what it means to long. Having these two polar opposites work together made for a fascinating relationship that ties everything together.
The film itself feels somewhat jarring when it starts. It is not exactly clear who or what this movie is about. In fact it is so jarring at a certain point that I nearly tuned out. Thankfully, the film does become a bit clearer by the second half. That said, it is kind of heady. Not “Tenet”-heady, but heady nonetheless. The climax of the film, while definitely entertaining and watchable, does feel somewhat convoluted. It is not convoluted enough to the point where it falls like a house of cards, but if you are going to watch this movie, go in making sure you are ready to use your head once or twice.
Granted, this is an animated film, so it is not like suspending disbelief is an impossibility. Sticking with the climax, this is arguably when the film is at its best. This is a 2D animated film, which nowadays is always a treat to see in a world where it feels like every major release is 3D animated, even if there is some kind of hybrid style implemented into the project. But there is a particular action sequence in the final ten minutes that has so many flashy cuts that I was under the illusion that I was flipping through pages of a comic book or playing a fantasy video game. In fact, the pace at the end feels like a reward for sitting through everything that comes before. It is not that this film is boring, but rather an occasional slow burn. It takes its time. The climax offers maximum exhilaration and a unique sense of immersion. The final twenty or so minutes of the movie are debatably worthy of a tech demo between the crisp sound mixing, stunning framing, and immaculate cuts that made my eyes nearly fly out of their sockets.
If you read my reviews for “I Love Boosters” and “The Mandalorian and Grogu,” you would know that I look at both films on opposite sides of the color spectrum. The former is as bright and lively as can be, while the latter is about as gray as an office with endless cubicles. I bring those two movies up as “Another World” feels like what happen if those two projects came together and had a lovechild. I thought the use of color in “Another World” was perfect and effectively differentiated the afterlife from the real world. The afterlife often has, no pun intended, a lot more life put into it. Whenever this movie takes place in the real world, the color palette is sometimes a bit darker. A bit less pleasing to the eye. While the latter may sound like a negative, it matches some of the more unfortunate events that happen through the story in said environment. It also seems to play into the general idea that life itself, as beautiful as it can be, is a struggle. This is not to say that all struggles are eliminated in this film’s afterlife, but when it comes to the afterlife scenes, the color palette feels like they belong in a Nintendo game. Yet for whatever reason, it finds itself intertwined with a story that refuses to hold back on its serious nature. Overall, the film looks fantastic and shows off some gorgeous animation.
Was this film worth the semi-short drive to Boston? Perhaps. Is it going to be my favorite animated film of the year? Probably not. “Hoppers” was pretty, and I apologize for the pun, dam good, so that is going to be hard to top. Is this film a must see? I would not say that is the case when there is so much else out right now. Granted, if you reading this review the day it is published, good luck finding a showtime for this film. I highly doubt you’ll find it in a theater near you. It took me a month to finally get this review out. Better late than never. When it comes to that age old question, “What does it mean to be human?”, I would argue this film effectively taps into that idea, but there are so many other movies that handle this topic better, and by extension, offer a superior viewing experience. This is not a bad movie, but I have no idea how much exactly I am going to remember from it by the end of the year. Maybe that would make for an interesting second viewing down the line, and frankly, while I am in no rush to watch this film a second time, I would not say I am against the idea.
In the end, “Another World” is a beautiful film. It is not a picture that I would instantly tell you to rush out and see, but I would recommend it to people looking for some grit in their animations. In North America, much of the animated material that is popular around here is aimed towards families and children. Tell the kids to skip this film. It is not officially rated by the MPA, but I would probably put it somewhere around the PG-13 mark given the violence. That said, should you watch “Another World,” look forward to same top-notch voice acting, stunning scenes, and an intriguing story despite some occasional convolution. I am going to give “Another World” a 7/10.
Based on recent Internet searches, “Another World” is neither playing in theaters or available to watch at home as of this review.
Thanks for reading this review! Before we go any further, I would like to apologize as it took me some time to get this review out. Life has been busy, but fun. I cannot complain. I have also been watching a lot of movies recently to the point where I have had little time to talk about them. That, and I am also hard at work on updating Scene Before’s original series Movie Requests, whose next guest is… Sandi Harding!
If you do not know the name Sandi Harding, you may nevertheless be familiar with her business. Harding owns the last Blockbuster Video still standing, located in Bend, Oregon. What movie do you think she recommended? Find out TUESDAY JULY 14TH on Flicknerd.com and YouTube! If you have not done so already, subscribe to my channel, that way you are able to watch the new episode as fast as possible! Also, if you are not busy, check out my last episode featuring Chris Hardwick, who suggested I should watch the 1985 comedy “Real Genius!”
My next review is going to be for “The Breadwinner.” Stay tuned! Also coming soon, I will be sharing my thoughts on “Disclosure Day,” “Toy Story 5,” “Supergirl,” “Jackass: Best and Last,” “Obsession,” and “Maddie’s Secret.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Another World?” What did you think about it? Or, what is your favorite animation released so far this year? Let me know down below! Scene Before is your click to the flicks!
“Masters of the Universe” is directed by Travis Knight (Kubo and the Two Strings, Bumblebee) and stars Nicholas Galitzine (The Sheep Detectives, Purple Hearts), Camila Mendes (Do Revenge, Riverdale), Alison Brie (The Disaster Artist, Together), James Purefoy (The Following, Pennyworth), Morena Baccarin (Greenland, Deadpool), Jóhannes Haukur Jóhannesson (Vikings: Valhalla, The Innocents), Kristen Wiig (Bridesmaids, Sausage Party), Jared Leto (Blade Runner 2049, Suicide Squad), and Idris Elba (Sonic the Hedgehog 2, Pacific Rim). This film is based on the Mattel franchise of the same name and follows Adam who is sent from his home planet of Eternia to Earth at a young age. When he grows up, he is tasked with returning a magical sword back to his home planet, which he must save from the evil Skeletor.
I am a “Masters of the Universe” novice. Partially because I would have no clue where to start. Well, sort of, as I started my relationship with the franchise weeks ago when I checked out Amazon MGM Studios’ “Masters of the Universe” in theaters. Yes, I knew certain characters from the franchise, and sometimes I would talk in Skeletor’s cartoony voice because I thought it sounded cool. But I was born in 1999. I was not watching He-Man when I was a child, I was watching “SpongeBob.”
Despite my lack of knowledge of “Masters of the Universe,” I was mildly impressed with some of the film’s marketing. Note that I said mildly. It looked a little more serious than I imagined the property to be, but I was open to seeing what the crew cooked up behind the scenes. I am glad to say I thought the crew delivered something delicious.
This film feels like a Saturday morning cartoon brought to the big screen. Or, perhaps a more meta version of a Saturday morning cartoon. There are one or two nods to how absurd some of the concepts of the property happen to be. The film is basically this year’s “Thor: Ragnarok.” I do not know if this is going to have the lasting appeal that “Thor: Ragnarok” would for some people, but nevertheless.
Interesting enough, “Masters of the Universe” tends to take a lot of notes from the Marvel playbook. It presents the origin story of Adam, who we later come to know as He-Man. In fact, much like Thor, a particular incident brings him down to earth. Though whereas Thor was brought down as a consequence for his foolishness, Adam was brought down so he could be safe. If anything, his arrival, and therefore extended time, on earth is similar to that of the title character of the “Sonic the Hedgehog” movies.
Nicholas Galitzine continues his hot streak of enjoyable films this year between this and another Amazon MGM project, “The Sheep Detectives.” Galitzine plays Adam, who despite being on earth for several years, has not fully embraced the planet. His connection to his planet’s lore is not exactly helping him in his work life, dating life, social life. It makes him look like a bit of a dork. He spends time looking for a sword, which also does not help. Galitzine serves as a convincing lead and brings a dose of fun to the final product.
Given how little “Masters of the Universe” has grossed so far against its $170-200 million budget, this movie continues the Jared Leto curse. I said this before, I will say it again. Jared Leto is a great actor, and I will stand by that notion until the day I die. Sure, he did not play my favorite Joker, but he commits 110% with just about every role he is given, even as the lead in “Morbius,” a movie so bad that Spider-Man could not swing in time to save it. If you had no idea that Jared Leto was in this film, then there is a chance that you could end up watching it from start to finish failing to realize Leto is in front of you by the end of it. Leto plays Skeletor, and as a result, we never end up seeing his face. Leto is given some of the film’s finest material. There is a moment early on where he is delivering a vicious monologue, and once he raises his fist, he just stands there in awkward silence trying to emphasize that he is done, which prompts Evil-Lyn (Alison Brie) to softly affirm her understanding. I laughed quite a bit.
Speaking of Evil-Lyn, I thought Alison Brie was well cast as the character. This film is essentially a Saturday morning cartoon brought to life, and if you have ever seen Brie in real life, you might notice how large her pupils are. I mean that as a compliment. She is adorable. That said, the large pupils really work in Brie’s favor for this role, as she is not given a ton of lines to work with, but her character does spend a lot of time churning up wacky facial expressions. I thought Brie could have been given a tad more to do, but from a non-verbal perspective, I thought she did a great job with the character.
Daniel Pemberton composed the score for the film, which delights me to no end as he is quickly becoming one of my favorite composers between the “Spider-Verse” films and more recently, “Project Hail Mary.” Nearly every track feels larger than life. The real highlight of the music though is Brian May. Yes, the one from Queen, who dropped in some satisfying guitar solos.
This film is directed by Travis Knight, and overall, I thought he did a decent job at presenting a fun story with a balanced pace, despite a longer runtime. The film is 2 hours and 20 minutes long, but never once does it feel long. It is never boring.
This film is not doing so hot financially. About a month into its release, it has yet to make its budget back. Not a lot of people are checking it out in the theatre. But when it comes to those who did check it out, a majority of the reactions seem to be positive. Granted, overall, they seem to lean into mixed territory, but more people seem to like this movie compared to those who do not. This should not be surprising as Travis Knight seems to have a knack for bringing toy staples to the big screen. In 2018, Knight directed the “Transformers” spinoff “Bumblebee.” I personally think “Masters of the Universe” is a bit of a step down from “Bumblebee.” I think there is a little more humanity and wonder in “Bumblebee.” “Masters of the Universe” most certainly has those two elements, but not quite to the same degree. Even so, Knight does a great job at bringing Eternia to life and bringing things down to Earth precisely when he means to.
Also, if you check this movie out, be sure to stay for the credits. There’s bonus material as soon as the credits roll, in the middle, and at the end. You’re welcome.
In the end, “Masters of the Universe” is not the best movie I have seen this year. But if you are looking for something that could put a smile on your face that delivers on humor and action, this movie gets the job done. One note of caution for families… Even though is based on toys, part of me questions exactly how family-friendly this movie is. Granted, it is PG-13. So, not every child is likely going to be able to watch it right away. That rating is not unusual as the Michael Bay “Transformers” movies were also based on toys for example. Those were all PG-13. I watched those movies as a kid and turned out fine. But there is a running gag about “fisting” that makes me wonder if someone of a younger age could end up watching this movie and say something in public that maybe they should not be saying. Just something to keep in mind. Granted, I laughed myself silly whenever that gag played out. Does this movie make me want to explore more of the “Masters of the Universe” lore? I am not entirely sure. Perhaps if a sequel comes out, I will be there. I had fun with this movie. But if I am bored one day, I definitely have a greater chance of diving down a rabbit hole than I did before. The movie has a solid cast with some big names, a talented director, and despite feeling a bit paint by numbers at times, I found myself quite entertained. I am going to give “Masters of the Universe” a 7/10.
“Masters of the Universe” is now playing in theaters everywhere. Tickets are available now.
Thanks for reading this review! As a reminder, be sure to check out my latest episode of Movie Requests, featuring comedian and television host Chris Hardwick! He requested I should watch “Real Genius,” starring Val Kilmer. To hear my thoughts on the movie, click the video above and check it out! Also, if you want to see new episodes in the fastest way possible, do yourself and I a favor by subscribing to my YouTube channel!
My next review is going to be for “Another World.” Stay tuned! Also coming soon, I will be sharing my thoughts on “The Breadwinner,” “Disclosure Day,” “Toy Story 5,” “Supergirl,” and “Jackass: Best and Last.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Masters of the Universe?” What did you think about it? Or, since we are on the topics of Travis Knight and movies based on toys, has anyone here seen “Bumblebee?” What are your thoughts on it? And if you have not seen it, please leave this post and go watch it. You will thank me once it is over. Scene Before is your click to the flicks!
Hey everyone, Jack Drees here! It is time for another update on Movie Requests. Remember that time I said I asked 10 people if they wanted to suggest a movie for me to review, and those people said yes? Well… That is true, at least in part. Because after I began the series, I continued my search for more people! This is the 10th anniversary of Scene Before! It would be amateurish of me to stop at 10 people! It is too predictable! I have to crank things up to an 11. Heck, why stop at 11? This is 15!
Before we go any further, if you have not done so already, be sure to follow Scene Before either with an email or WordPress account, or subscribe to my YouTube channel, that way you can check out new episodes of Movie Requests whenever they drop! I appreciate your support!
I want to remind everyone of how things are done here. For those who do not know about Movie Requests, this is a series where I ask people what movies they think I should talk about, I capture their response in a short video, which is recorded in person with their permission, and I review the movie based on their choices. There are no virtual videos or AI alterations to the recordings. So far, we have six people down in the series including Bryce Dallas Howard, Jason Mewes, Joel David Moore, Katee Sackhoff, Brian O’Halloran, and Chris Hardwick. If it were not for these additional guests, we would be halfway through the series. But I am having too much fun! Why stop now?
Like before, I am not going to list any of the movies that were picked for this series. Instead, I will name each special guest one at a time, and when it comes time to drop their episode, I will reveal their movie of choice. With that said, let’s meet the five guests who will be joining Scene Before’s 10th anniversary celebration!
Melissa Barrera
Please welcome our first of the five guests, alphabetically by last name at least, Melissa Barrera! You may have seen her on the big screen as Vanessa from “In the Heights,” as well as Sam Carpenter from the “Scream” franchise, specifically the fifth and sixth installments. You may have also seen her on the small screen as Liv Rivera on Netflix’s “Keep Breathing” and Michelle on Peacock’s “The Copenhagen Test.” You can also catch her right now on Broadway’s “Titanique,” where you can see her play Rose Dewitt Bukater. Barrera also stars as Joey in of one of my favorite movies of 2024, “Abigail.” If you have not seen it, please check it out. It has a killer child ballerina vampire. What more could you want?!
Adam Conover
Hi! He’s Adam Conover! And this is the introduction that totally explains everything you need to know about him. Conover is a comedian whose special, “Unmedicated,” you can find on Dropout, in addition to his YouTube channel! On said channel you can find an assortment of long-form videos on topics ranging from entertainment to politics to artificial intelligence. Conover is known for his comedy series “Adam Ruins Everything,” which aired for three seasons on truTV. It is inspired by a CollegeHumor series of the same name. He also hosted the Nickelodeon game show “The Crystal Maze,” which premiered in January 2020. He currently hosts the podcast “Factually! with Adam Conover.” If you are in the mood to laugh in front of this know-it-all’s face, you can catch him doing standup during his Big Divorce Energy Tour.
Joe Gatto
I was not able to find Larry. But I did find Joe Gatto out in the wild! Known for being one of the “four lifelong friends” from TV’s “Impractical Jokers,” at least until the early 2020s, Gatto is practically put on earth to make people laugh. If his big eyes did not suggest that this man is one of the funniest people to come out of Staten Island, New York, then his commitment to fearlessly surviving dozens of daunting challenges given to him by his three best friends certainly will. On top of appearing in the hit comedy series, he also starred in “Impractical Jokers: The Movie,” and served as a panelist on the TBS game show “The Misery Index,” where contestants must rank incidents based on how embarrassing they are. Gatto is also a standup comedian, who you can catch on tour at a city near you. Gatto’s 2024 special, “Messing with People” is available to watch now on YouTube.
Tessa Thompson
Up next is an actress whose name is not only well known, but happens to be the only one in this series that is alliterative. Grammar. It is fun sometimes. Anyway, please welcome Tessa Thompson!
Okay… Lynne is her middle name. I guess one could argue it is not an alliteration. Let me have my moment.
You may know Tessa Thompson as Valkyrie in the Marvel Cinematic Universe. She has portrayed the character in several projects including “Thor: Ragnarok,” “Thor: Love and Thunder,” “Avengers: Endgame,” “What If…?,” and “Marvel Zombies.” Apparently Thompson really likes working with Chris Hemsworth, as the two also co-starred in 2019’s “Men in Black: International.” She also starred as Bianca in the “Creed” trilogy, as well as Josie in one of my highlights of moviegoing in 2018, “Annihilation.” Some of her TV projects include “Copper,” “Veronica Mars,” and “Westworld.” Thompson just finished up her run on the Broadway play “The Fear of 13,” in which she starred alongside Adrien Brody. The play is based on true events and is about a man who is sentenced to death for a crime he did not commit.
Elijah Wood
And lastly, I promise I am playing no favorites with this next guest… But he is most certainly one guest to rule them all. Please welcome Elijah Wood! This actor is best known as Frodo in the “Lord of the Rings” franchise, having appeared in all three films in the original trilogy, as well as “The Hobbit: An Unexpected Journey.” Wood also stars as Patrick in “Eternal Sunshine of the Spotless Mind” as well as Mumble in both “Happy Feet” movies. By the way, “Happy Feet” was my second Hollywood feature I saw in a cinema. If you are a fan of science fiction film franchises being brought to television, then Wood has you covered. He stars in Disney XD’s “Tron: Uprising” and “Star Wars: Resistance.” You can also find him in live-action shows like “Dirk Gently’s Holistic Detective Agency,” “Wilfred,” and “Yellowjackets.” One of my favorite works from Wood is the 2013 film “Grand Piano,” where he plays the lead character, Tom Selznick, who must play the piano at a concert without hitting a wrong note or he dies. That movie is music to my ears. Literally.
And as a reminder, I am still in the process of reviewing movies requested by Rosario Dawson, Sandi Harding, Michael Rooker, and Amy Sedaris. If you want to know more about those guests, I made a separate post several months ago explaining who they are and what they’ve done. I thank each and every single participant for appearing in this series. You made this movie nerd proud.
Thanks for reading this post! The list has gotten bigger, and so has my drive! The next episode of Movie Requests will be available Tuesday July 14th and it will feature special guest Sandi Harding! Even if you do not know the name Sandi Harding off the top of your head, chances are you are familiar with the place where she works. Sandi Harding is the owner of the last Blockbuster Video still standing, located in Bend, Oregon. You can find her in the 2020 documentary “The Last Blockbuster,” which sums up this very story. If you want to watch this episode of Movie Requests when it drops, it is going to be available here on Flicknerd.com, but to access it as early as possible, do yourself and I a favor by subscribing to my YouTube channel!
For the record, these guests are not being presented in the order by which they were recorded. Sometimes there will be a reason why I pick a certain guest for a certain date, like Katee Sackhoff on May the 4th as she is tied to “Star Wars.” Also, given how I have recorded a relatively even amount of men and women in this series, I also do not want to do too many episodes in a row featuring someone of a single gender. I just did a couple episodes in a row featuring guys. Now it is time for one of the gals, so, Sandi is up next!
As a reminder, I also dropped a new trailer for the series, showcasing all of the guests I have recruited, including the five newbies! Check it out, give the video a like, and as I said in the beginning, click the fancy-dancy subscribe button so you can get notified of what’s new in the series as soon as possible!
If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! Also, I will ask the same question I asked when I introduced this series’ original set of guests, what movies do you think these guests chose? Keep in mind, each person picked something different. There are no duplicates in this series. All of the movies that you saw reviews of thus far are not getting a second appearance. That said, leave your theories down below! Scene Before is your click to the flicks!
Before we go any further, I want to remind everyone you can catch new episodes of Scene Before’s original web series Movie Requests here on Flicknerd.com by following the blog either with an email or WordPress account! Although the fastest way to be notified of episodes is by subscribing to my YouTube channel, as well as hitting the notification bell. If you enjoy the trailer posted here, click the like button! It helps the algorithm do its magic! Thank you all for your support!
If two’s company, and three’s a crowd… Then 10 is overkill. Not enough? How about 15? Yes. Things have gotten out of control in the realm of Movie Requests… When I introduced the world to Movie Requests back in November 2025, I intended on sharing the movie tastes of 10 celebrities. But, that’s predictable! That’s fitting! Scene Before is not about doing what is expected! Ladies and gentlemen, I give you the official trailer for Movie Requests, featuring the new and improved roster of special guests!
That’s right! The list just got bigger! Ladies and gentlemen, your newly added guests are…
The Rose, “Titanique” star Melissa Barrera!
The Ruiner, “Adam Ruins Everything” host Adam Conover!
The Tenderloin, “Impractical Jokers” personality Joe Gatto!
The Asgardian, “Thor: Ragnarok” actress Tessa Thompson!
And the Ring-Bearer, “Lord of the Rings” actor Elijah Wood!
These five are joining a cast that already includes… Rosario Dawson, Sandi Harding, Chris Hardwick, Bryce Dallas Howard, Jason Mewes, Joel David Moore, Brian O’Halloran, Michael Rooker, Katee Sackhoff, and Amy Sedaris. A good chunk of these people have already been given their dedicated episodes, but there are more coming down the line.
In fact, one of these people is about to be the subject of the next episode in the series,. That person is going to be Sandi Harding, the owner of the last Blockbuster Video still standing, located in Bend, Oregon.
Movie Requests is, and continues to be, a passion project that has introduced me to some fantastic movies I have not seen prior to starting the series. It was not required for me to have never seen the movie, but thus far, each request that has been reviewed just so happens to be a first time watch. These new experiences include the masterful war story “Patton,” requested by “Clerks” actor Brian O’Halloran… The stupidly funny comedy “Real Genius,” requested by “Talking Dead” host Chris Hardwick… And even the controversial 1998 Danish flick “The Idiots,” requested by “Jurassic World” star Bryce Dallas Howard. All of these films marveled me in their own way, and I cannot wait to feature more guests and reveal which movies they want me to talk about down the line.
I hope you all enjoyed this reveal! For those wondering if I somehow have any plans to go beyond 15 guests, I would have to say no at this point. For the record, I wrote these names down on a physical list. As of right now, the list is full. It was hard to imagine myself saying such a thing, but here we are. The fact that I even got one guest to be a part of this project still amazes me. I thank everyone who agreed to participate in this series. It means the world.
If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! Scene Before is your click to the flicks!
It is the summer movie season, which means blockbusters, fun times at the cinema, and big stars!
Speaking of big stars, the Scene Before original series Movie Requests is adding five more guests to its roster! Check out the teaser trailer below for more information!
For those new to Scene Before, I am Jack Drees, also known as the Movie Reviewing Moron. I scoured the earth looking for 10 people who would be willing to give suggestions on movies for me to watch in honor of Scene Before’s 10th anniversary. But the reality is, having 10 special guests for the 10th anniversary is too predictable. So, I decided, why not 15? Once I got the series started, I ventured back out to find more guests, and I somehow succeeded! Part of me thought from the start, I would fail to get one guest for this series. Heck, I had no idea if I was going to take this seriously, but once I got the first guest, I knew I could not stop.
I am not going to share the actual names of these guests. That is tomorrow’s mission when the official trailer drops. But as hinted in previous posters and today’s teaser, the guests will go by various titles including “An Asgardian,” “A Ring-Bearer,” “A Rose,” “A Ruiner,” and “A Tenderloin.” Those are your hints. Make your guesses.
As for the 10 guests that are already revealed, those include Rosario Dawson, Sandi Harding, Chris Hardwick, Bryce Dallas Howard, Jason Mewes, Joel David Moore, Brian O’Halloran, Michael Rooker, Katee Sackhoff, and Amy Sedaris. I thank them all for agreeing to be a part of this passion project. I have featured six of these people in separate episodes thus far, and I cannot wait to show off the rest, in addition to the films they suggested.
If you enjoy this teaser trailer, do us both a favor and like the video on YouTube! Also, please subscribe to my channel and click the notification bell, that way you can be notified about the reveal trailer when it drops tomorrow, as well as more episodes of Movie Requests down the line!
And as a reminder you can follow Scene Before with an email or WordPress account to stay updated on all things Movie Requests. You can also like the official Facebook page! Scene Before is your click to the flicks!
“Backrooms” is directed by Kane Parsons, who also created a science fiction web series of the same name. This film stars Chiwetel Ejiofor (Doctor Strange, The Lion King), Renate Reinsve (Sentimental Value, The Worst Person in the World), Mark Duplass (Creep, Safety Not Guaranteed), Finn Bennett (Warfare, Hope Gap), and Lukita Maxwell (Afraid, Shrinking). This film is about a man who discovers an alternate dimension, as well as his therapist’s mission to save him.
“Backrooms” is a movie that I found out about through a friend of a friend. I spend a lot of time on the Internet. Where do you think I posted this review? But despite dedicating portions of my life to the web, I was never once familiar with the story behind “Backrooms.” Apparently, director Kane Parsons is, as this film is not only inspired by the 2019 Internet story, but this is not the first time he made a project linked to it. He turned the idea into a web series on his YouTube channel, and now, he is getting to bring his creativity to the big screen with the same concept.
I love seeing YouTubers get their shot at making theatrical releases. One of my favorite YouTubers, Chris Stuckmann, released “Shelby Oaks” last year, which I quite enjoyed. While I have yet to check out the movie, I heard some decent things about Markiplier’s “Iron Lung.” “Backrooms” looked like another great example of someone possibly transitioning from YouTuber to filmmaker. I am unfamiliar with Parsons’ background as a filmmaker, but I have to say I am thoroughly impressed with his efforts here.
Kane Parsons not only released a feature film through A24, which is an extraordinary bragging right at any age, but he did so at the age of 20. On top of that, he topped the domestic box office on the film’s opening weekend with $81.5 million. He is officially the youngest filmmaker to reach the number one spot.
This film definitely looks like it has less money put into it than some of its competition like “Star Wars: Mandalorian and Grogu,” which funny enough, looks cheap by “Star Wars” movie standards. But just because the film is made with a smaller budget does not mean that it is lacking in style. The film switches aspect ratios from time to time and even features some blurry 4:3 footage, sometimes enhancing the scares. The film reminds me a bit of “Weapons” in the sense that my skin never tended to crawl while watching it, but there was still a sense of consistent creepiness from start to finish. Parsons nails the atmosphere of his picture. It feels intimate, but packs a glorious punch while doing so.
In addition to reminding me of other movies, this film also reminded me of a couple video games including “The Stanley Parable” and “Portal.” The latter in particular, according to Parsons, served as a massive piece of inspiration for the film. It is easy to see why. Not only does this movie see its characters constantly going in and out of separate dimensions, but the score constantly lingers in the background. This takes me back to times where I played the first “Portal” game in particular. The music is by no means obnoxious. In fact, it is sometimes surprisingly calming, but does occasionally offer a chill. Speaking of the score, not only is this film helmed by Kane Parsons, one of the industry’s youngest directors, but he also collaborated on the making of its music alongside Edo Van Breeman.
In fact, despite a couple video game-based movies coming out this year like “The Super Mario Galaxy Movie” and “Mortal Kombat II,” one could argue that “Backrooms” is the most video game-like title released in 2026 yet. As our characters explore the titular alternate dimension, there is a sense that I was there with them, learning about the space in the same way they did. I have no idea if I would have felt any different if I had more familiarity with this material beforehand, but this film immersed me in the sense that I was someplace I had not been before and constantly trying to learn the way of the land.
Now that I have had time to think about it, “Backrooms” is not my favorite horror film. It is not bad. It has its moments, but if there is one thing about this film I am bound to remember more than anything else, one could argue it is the overall simplicity it delivers. While there are complicated elements throughout the film in terms of the story and characterization, there is a beautiful simplicity in the film’s sets, locations, and shots. I love a good film that reaches for the sky and offers tons of grand imagery, but that does not need to be the case every time, and “Backrooms” effectively shows why.
Having seen the marketing for this film, it does a really good job at succeeding where many other campaigns fail. Having seen a trailer or two, I had a sense of what this movie would be about, but the marketing splendidly hides so much material. It teases a lot, but it never gives a full picture. When it comes to the aspects involving the alternate dimension, I enjoyed unpacking more of what the film had to offer. That said, much of the film is about Clark’s (Ejiofor’s) journey in therapy, as well as his struggles with alcoholism and his marriage. I cannot quite put my finger on why I was not as attached as I could have been to the main character, but I wish I were a little more invested in his journey. That said, if I had to guess, part of it might be because the best character in the movie is not even a person. It is not even a living thing. One could argue it is the Backrooms themselves. Yes, we see Clark unravel the mystery of this alternate dimension and how such unraveling has an effect on his personal struggles in the real world, but despite a really solid performance on Ejiofor’s part, I did not find his journey outside the Backrooms as riveting as maybe the movie wanted me to. There are no “bad” scenes in the movie, but there are a handful of scenes in this film that I am going to remember more than others. Whether it is Clark discovering the backrooms for the first time, showing it off to other people, or the same character trying to keep himself together while making a commercial for a furniture store.
By the way, said furniture store is called Cap’n Clark’s Ottoman Empire. Whenever my dad and I would find ourselves in a furniture store, we would often utter the phrase “ottoman empire” as part of a joke. Fascinating to see we are not the only people with clever taste in furniture puns.
Not to beat a dead horse, but if I was not already clear enough, this movie took my “Backrooms” virginity. While I cannot quite say that this movie made me desperate to see more of the lore online, it did make me a fan of Kane Parsons, who clearly has a passion for the material he is showcasing. He also has a talent for directing by unleashing good performances out of his cast. Parsons proves that when it comes to making cinema, age is just a number. I have a feeling his next outing will be stronger than this, but I think “Backrooms” is a decent start.
In the end, “Backrooms” is an atmospherically pleasing horror film, but I am not going to pretend that it is the most riveting material I have ever seen. I like some of the characters, and the film for the most part is well-paced. But this film, despite being a connected story, feels like two movies in one where half the story is superior to the other. To my surprise, I was more interested in the Backrooms portion of the movie compared to the scenes involving Clark’s personal struggles. Even with its drawbacks, this movie made me a Kane Parsons fan. I wish nothing but the best for his future. I am going to give “Backrooms” a 6/10.
I do want to give a little disclaimer though about my experience watching this movie, as my reviews for the most part are based on first impressions, part of me does at some point want to give this movie a second viewing and see if my opinion changes. Because I did something at the cinema for this movie that I do not usually do. I walked out of it as it was playing and came back minutes later. For the record, I walked out because I was at a dine-in theater and they never gave me my cheeseburger and fries that I ordered prior to sitting down, which by the way, I already paid for. So, more than halfway through the film, I had to go deal with that. It is quite possible that my lackluster mood during the screening due to this incident may have played a factor in my verdict. Granted, it is a positive verdict, but on the low end. Part of me is surprised I am not rating this higher. I do not think I missed anything super important, but for all I know, I could have kept myself away from the best part of the movie. Who knows?
“Backrooms” is now playing in theaters everywhere. Tickets are available now.
Thanks for reading this review! As a reminder, the latest episode of Scene Before’s original web series Movie Requests is now online! I just posted it Saturday. If you missed the sixth episode of the series, it features comedian and television host Chris Hardwick, who suggested I should watch “Real Genius.” Be sure to check out the video, and if you enjoy it, leave a like and subscribe to my YouTube channel, that way you do not miss new episodes down the line.
Speaking of which, in the coming days, I am going to be revealing five more guests who are going to be featured in Movie Requests. I had a chance to hear their suggestions earlier this year, and I am excited to share them all with you. Right now, the guests are being referred to as “An Asgardian,” “A Ring-Bearer,” ” A Rose,” “A Ruiner,” and “A Tenderloin.” Who do you think they are? Take your guesses, and leave them in the comments section!
My next review is going to be for “Masters of the Universe!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Another World,” “The Breadwinner,” “Disclosure Day,” and “Toy Story 5!” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Backrooms?” What did you think about it? Or, are you familiar at all with the Backrooms lore? Let me know down below! Scene Before is your click to the flicks!
Hello, and welcome to the sixth episode of “Movie Requests!” This is the series where I ask some notable people what movies they think I should watch, and I review their suggested films! So far, this series has been five for five, with each person’s suggestion resulting in a positive experience.
As a reminder, last year I found 10 guests who were willing to share their suggestions to me so I could do these special reviews in honor of Flicknerd.com’s 10th anniversary. I thank you all for your viewership over the past decade. We also have five more guests on the way, who have yet to be announced! Right now, their identities are hidden, and are only being referred to as “An Asgardian,” “A Ring-Bearer,” A Rose,” “A Ruiner,” and “A Tenderloin.” Those are your hints! So, make your guesses!
For those unfamiliar with this site, I always share new episodes of Movie Requests here on Flicknerd.com. But the fastest way you can get these episodes is by subscribing to my YouTube channel and clicking the notification bell! Also, be sure to like the video and spread it around! It really helps the little algorithm genie do its thing.
Our special guest for today’s episode, Chris Hardwick, wears many hats. He is a stand-up comedian, television host, podcaster, actor, and all around certified king of the nerds. You may know him as the host of game shows including “Singled Out” and “The Wall.” He was the voice of Otis the Cow in the Nickelodeon series “Back at the Barnyard,” and also appeared in several movies including “House of 1000 Corpses,” “Terminator 3: Rise of the Machines,” and Rob Zombie’s “Halloween II.” You can currently find Hardwick hosting the podcast “I Think You’re Overthinking It” on AMC+ and additional platforms.
Hardwick’s suggestion for today’s episode is the 1985 comedy “Real Genius” starring Val Kilmer. He says it is one of the most quotable movies of all time. What did I think of it? Click the video at the top of the page and find out for yourself! To find out more about which guests are also appearing in this series, check out the poster above! If you enjoyed this video and want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! Scene Before is your click to the flicks!
“I Love Boosters” is written and directed by Boots Riley (Sorry to Bother You, I’m a Virgo) and stars Keke Palmer (Nope, Password), Naomi Ackie (The End of the F***ing World, Star Wars: The Rise of Skywalker), Taylour Paige (Zola, Ma Rainey’s Black Bottom), Poppy Liu (The Afterparty, Sunnyside), Eiza González (Ambulance, Baby Driver), LaKeith Stanfield (Sorry to Bother You, Get Out), Will Poulter (Guardians of the Galaxy Vol. 3, The Maze Runner), Don Cheadle (Space Jam: A New Legacy, Iron Man 2) and Demi Moore (The Substance, Ghost). This film is about a group of shoplifters who go after a fashion maven and try to sell their clothes at a lower price.
“I Love Boosters” is not my first exposure to Boots Riley’s filmography. While I missed it in the theater, I ended up checking out his film “Sorry to Bother You” after buying it on Blu-ray. I was fairly impressed with it. I thought it had good performances, clever writing, and an excellent use of color and production design. While “I Love Boosters” was not the biggest release over Memorial Day weekend, I will not deny that I was constantly exposed to its marketing, particularly one of its posters. Other than that, I went in with no memory of watching any trailers or hearing the film’s general premise. I heard interesting things about the movie, and I was onboard. I am delighted to say that this film is a unique cinematic experience that I will think about for a long time.
This is not my favorite film of 2026, but there is truly no picture that I have seen this year that provides an experience like this one. “I Love Boosters” is one of those movies that could have easily clashed its tones to such an unbelievable degree. But this picture is smarter than that. It finds a way to present likable heroes of their own story, a compelling antagonist in Christie Smith (Moore) whose mere existence brings forth diabolical charisma, all the while showcasing some of the most rad production elements I recall seeing in a film recently.
Perhaps my favorite thing about “I Love Boosters” is that it is so vivid and colorful. Then again, given one of this film’s initial opponents at the box office, there could be some recency bias to take into account with this sentiment. This film came out the same weekend as “Star Wars: The Mandalorian and Grogu,” and not only do I think this is the better movie, but to my surprise, “The Mandalorian and Grogu” comes off as an occasional eyesore between its questionable color palette choices, dull presentation, and lack of flair. Within the first five minutes of “I Love Boosters,” I thought I was on drugs. This film’s emphasis on color is some of the finest I have ever seen. It has a look that belongs on a children’s TV program but perfectly blends itself into a mature story. Everything from the many eye-popping outfits that the characters don on screen… To the multitude of interiors that sometimes answer the question, “What if an M&M were a floor or a wall?”… Even seeing the different colors on the characters’ hair make me think that in another universe that this movie would be selling action figures like hotcakes.
Speaking of things that you have to see to believe, this film’s editing is jaw-dropping. This film moves fast, and boy am I not even close to becoming furious. If anything, the editing makes for a blessing and a curse. It keeps the movie from being boring, but the film is also so quick that it makes me wonder if I missed something important. Ah well, I plan to watch this a second time regardless.
Another favorite thing about this film is something I cannot see… The music. The Tune-Yards composed an original score for this film, and boy does it score. They previously scored another Boots Riley title, “Sorry to Bother You,” so it is clear he likes their approach, and I can see why, because much like some of John Williams’ memorable tracks, the score is almost its own character. The year is still young, but I could see this being my favorite score of 2026 by the end of it. I listened to this film’s theme several times since my screening. When I look at the screen and I see characters played by Keke Palmer, Naomi Ackie, and Taylour Paige, lingering in the background is a supporting role that can best be described as a sick beat.
While not exactly as good, I find “I Love Boosters” to be this year’s “Everything Everywhere All at Once.” It is a film that runs at one of the most breakneck paces imaginable. It is all killer, no filler. There is a perfect blend of comedy and drama. In fact, speaking of that, it is tough to really put this film in a box and give it a specific genre. It is not that the film does not know what it wants to be. It is that it wants to be something so unique, so fresh, something that even as a jaded moviegoer, I cannot recall ever seeing in my life. At the same time though, that probably makes this film slightly harder to recommend to certain people. I feel like Marty McFly in “Back to the Future,” part of me is ready to say to a collective audience that they might “not be ready for that yet.”
But if I were to recommend “I Love Boosters” to somebody, it would probably have to be someone who likes stories about people rising up against the bigger man. Perhaps someone who does not really feel the need to take everything so seriously. There is quite a bit of absurdity in this film. Yet in the context of its universe, characters, and vibes, all of the absurdity is seamless and makes the movie an animal of its own. As for myself, I cannot wait to watch this movie again. Not just because I had a blast watching it, but as I suggested before, this film flies by. I have a feeling I missed something cool the first time around. There are probably one or two memorable lines or moments that flew over my head that are probably going to land better the second, third, maybe fourth time I watch this.
In the end, it is almost impossible to describe “I Love Boosters” without using terms like wild or zany or nonstop. This is an experience. Sadly, with this film opening up against “Star Wars,” it kind of hurt its box office potential from the start. Then again, if somebody pitched this movie to me and I happened to be an executive, I think it would be a hard sell no matter what. It is debatable as to whether the characters are actually “heroes.” Then again, it is possibly true that everyone sees themselves as the hero of their own story. The concept of this film is so unique that it is difficult, at least to me, to compare this film to many others. But the fact is that this film is worth watching at least once. It has a fantastic cast lead by the always charismatic Keke Palmer. Its look is going to make for a fantastic demo down the line if I end up buying a new television or projector. And boy, is that theme song still stuck in my head. I am going to give “I Love Boosters” a 7/10.
“I Love Boosters” is now playing in theaters everywhere. Tickets are available now.
Thanks for reading this review! This is a bit of a short-notice announcement, but on SATURDAY, JUNE 20TH, I will be dropping the next episode of Movie Requests! This one is going to feature “The Wall” and “Talking Dead” host Chris Hardwick. You can hear his suggestion by clicking the video above! What do you think it is? If you want to find out what film he asked me to review, as well as my thoughts on it, you can watch the review right here on Flicknerd.com, or you can subscribe to my YouTube channel!
My next review is going to be for “Backrooms.” Stay tuned! Also coming soon, I will be sharing my thoughts on “Masters of the Universe,” “Another World,” “The Breadwinner,” “Disclosure Day,” and “Toy Story 5!” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “I Love Boosters?” What did you think about it? Or, what is one of the wildest films you recall watching recently? Let me know down below! Scene Before is your click to the flicks!
Scene Before 