Hey everyone, Jack Drees here! We have made it! It is time to kick off the proceedings of the 3rd iteration of the most important movie blogging awards ceremony in history! Also, one of the only ones I should note… The 3rd Annual Jackoff Awards! Today we will be announcing all the nominees that have earned their place amongst the greats. For those new to the concept of the Jackoff Awards, the Jackoff Awards takes place yearly on Scene Before to celebrate the best in film. Some categories include Best Sound Editing, Best Original Song, Best Director, Best Actor, all leading up to Best Picture. Practically, this is the Super Bowl of movies. Who decides the winners? ME! My name is literally in the title, who else do you think it is? Well… Not entirely. Except for Best Picture, but we’ll get to that later. This post is specifically meant for announcing this year’s nominees. Specifically, these are all movies I saw. Therefore we will not count movies such as “Pieces of a Woman,” “The Trial of the Chicago 7,” “Hillbilly Elegy,” or even though it was one the highest-grossing movies of the year, “Bad Boys for Life.”
There’s a few rule changes from the past couple years that I should get out of the way. For starters, I am opening the gates to allow more streaming options to participate. If a movie was supposed to come out in theaters in 2020, but couldn’t or wouldn’t, not just having to do with COVID-19, I will consider them eligible for the ceremony. If the film was always intended for a non-theatrical format, it will not count, however. I also want to give a shoutout to another awards body today, the Hollywood Foreign Press Association, because today, February 28th, is the 78th Annual Golden Globes, which airs tonight on NBC. Although I am going to implement one rule that is different from their set of rules. Award shows like the Golden Globes and the Oscars are spicing things up this year to allow films released in the first two months of 2021 to participate, films like “The Little Things” and “Judas and the Black Messiah.” Those films will not count. The 3rd Annual Jackoffs will recognize films released in 2020 only, and those two films, along with the others released during such a time period, will be recognized in the 4th Annual Jackoff Awards, should there be one next year.
Without further ado, it is my pleasure to announce the nominees of the 3rd Annual Jackoff Awards!
All In: The Fight For Democracy (Liz Garbuz, Lisa Cortés, Dan Cogan, Stacey Abrams)
Boys State (Jesse Moss, Amanda McBaine)
I Am Greta (Nathan Grossman, Fredrik Heinig, Cecilia Nessen)
Once Were Brothers: Robbie Robertson and the Band (Daniel Roher, Lana Belle Mauro, Andrew Munger, Stephen Paniccia, Sam Sutherland)
Time (Garrett Bradley, Lauren Domino, Kellen Quinn)
BEST ANIMATED FEATURE
The Croods: A New Age (Joel Crawford, Dan Hageman, Kevin Hageman, Paul Fisher, Bob Logan)
Onward (Dan Scanlon, Kori Rae)
Over the Moon (Glen Keane, John Kahrs, Gennie Rim, Peilin Chou)
Soul (Pete Docter, Kemp Powers, Dana Murray)
Wolfwalkers (Tomm Moore, Ross Stewart, Paul Young, Nora Twomey, Stéphan Roelants)
BEST VISUAL EFFECTS
Color Out of Space
The Midnight Sky
Wonder Woman 1984
BEST SOUND EDITING
Over the Moon
Sonic the Hedgehog
Sound of Metal
BEST SOUND MIXING
Sound of Metal
The Way Back
BEST ORIGINAL SCORE
Michael Giacchino (An American Pickle)
Steven Price (Over the Moon)
Ludwig Göransson (Tenet)
Alan Silvestri (The Witches)
Hans Zimmer (Wonder Woman 1984)
BEST MAKEUP & HAIRSTYLING
Birds of Prey and the Fantabulous Emancipation of One Harley Quinn (Deborah La Mia Denaver)
Emma. (Marese Langan)
Mank (Gigi Williams, Michelle Audrina Kim)
Promising Young Woman (Angie Wells, Daniel Crest)
Summerland (Lisa Cavalli-Green, Liberty Haynes)
BEST SUPPORTING ACTOR
Kevin James (Becky)
Shane Paul McGhie (The Last Shift)
Arliss Howard (Mank)
Leslie Odom Jr. (One Night in Miami)
Jim Carrey (Sonic the Hedgehog)
BEST SUPPORTING ACTRESS
Elizabeth Debicki (The Burnt Orange Heresy)
Amanda Seyfried (Mank)
Helena Zengel (News of the World)
Olivia Cooke (Sound of Metal)
Princess Punzalan (Yellow Rose)
BEST PRODUCTION DESIGN
The Burnt Orange Heresy (Totoi Santoro)
Emma. (Kave Quinn)
News of the World (David Crank, Elizabeth Keenan)
Tenet (Nathan Crowley)
The Witches (Gary Freeman)
BEST COSTUME DESIGN
Birds of Prey and the Fantabulous Emancipation of One Harley Quinn (Erin Benach, Helen Huang)
Emma. (Alexandra Byrne)
Mulan (Bina Daigeler)
The Personal History of David Copperfield (Suzie Harman, Robert Worley)
The Witches (Joanna Johnston)
BEST ADAPTED SCREENPLAY
Emma. (Eleanor Catton)
News of the World (Paul Greengrass, Luke Davies)
The Personal History of David Copperfield (Simon Blackwell, Armando Iannucchi)
Nomadland (Chloe Zhao)
Radioactive (Jack Thorne)
BEST ORIGINAL SCREENPLAY
The Last Shift (Andrew Cohn)
Minari (Lee Isaac Chung)
Promising Young Woman (Emerald Fennell)
Sound of Metal (Darius Marder, Abraham Marder)
Yellow Rose (Diane Paragas, Annie Howell, Celena Cipriaso)
BEST FILM EDITING
Mank (Kirk Baxter)
Nomadland (Chloe Zhao)
Radioactive (Stéphane Roche)
Tenet (Jennifer Lame)
The Vast of Night (Andrew Patterson)
News of the World (Dariusz Wolski)
Nomadland (Joshua James Richards)
Summerland (Laurie Rose)
Tenet (Hoyte von Hoytema)
The Vast of Night (M.I. Littin-Menz)
BEST ORIGINAL SONG
Rocket to the Moon – Cathy Ang (Over the Moon)
Ultraluminary – Phillipa Soo (Over the Moon)
Speed Me Up – Wiz Khalifa (Sonic the Hedgehog)
The Plan – Travis Scott (Tenet)
Square Peg – Eva Noblezada (Yellow Rose)
Paul Greengrass (News of the World)
Chloe Zhao (Nomadland)
Emerald Fennell (Promising Young Woman)
Darius Marder (Sound of Metal)
Christopher Nolan (Tenet)
Steven Yeun (Minari)
Tom Hanks (News of the World)
Dev Patel (The Personal History of David Copperfield)
Riz Ahmed (Sound of Metal)
Ben Affleck (The Way Back)
Kathryn Newton (Freaky)
Carey Mulligan (Promising Young Woman)
Rosamund Pike (Radioactive)
Gemma Arterton (Summerland)
Eva Noblezada (Yellow Rose)
The Last Shift (Albert Berger, Ron Yerxa, Sam Bisbee, Alex Lipschultz, Bert Kern)
News of the World (Gary Goetzman, Gail Mutrux, Gregory Goodman)
Over the Moon (Gennie Rim, Peilin Chou)
Promising Young Woman (Margot Robbie, Josey McNamara, Tom Ackerley, Ben Browning, Ashley Fox, Emerald Fennell)
Sound of Metal (Bert Hamelinck, Sacha Ben Harroche, Bill Benz, Kathy Benz)
Summerland (Guy Heely, Adrian Sturges)
Tenet (Emma Thomas, Christopher Nolan)
The Vast of Night (James Montague, Melissa Kirkendall, Adam Dietrich)
The Way Back (Gordon Gray, Jennifer Todd, Gavin O’Connor, Ravi Mehta)
Yellow Rose (Cecilia R. Mejia, Rey Cuerdo, Diane Paragas, Orian Williams, Jeremiah Abraham)
Ladies and gentlemen, we have a first in Jackoffs history. For the first time ever, all the movies that I previously announced to be my top 10 films of the year back in January are all represented in the Best Picture category. In previous years, I took off a film or two for one reason or another, mainly because I would usually end up seeing another movie that surpasses a lower one on the top 10 list, but for the first time ever, the Jackoffs remains committed to the top 10 list! As usual, the Best Picture category is the people’s choice, so if you want to vote for Best Picture, CLICK RIGHT HERE and you will be taken to a form where you will get to choose one of these films as the big winner at the Jackoffs this year. Reminder, this form will not be open eternally, the form closes on March 14th, the day of the Jackoffs at 12AM. At that moment, all the votes that have been counted will remain in the system and the movie that receives the highest vote count will be crowned 2020’s Best Picture. May the best movie win.
The 3rd Annual Jackoffs will premiere on Scene Before on March 14th, where I announce the winners, show off some things I’ve been working on, and even a glimpse into the future of Scene Before. Be there! Follow Scene Before through an email or WordPress and like the Facebook page for updates! Scene Before is your click to the flicks!
Also, here is a first look at the official intro of the Jackoffs this year! You may be happy, you may also be angry, but most importantly… you will be ready… for the 3rd Annual Jackoff Awards, where winning IS NOT cancelled!
“Minari” is written and directed by Lee Isaac Chung (Abigail Harm, Lucky Life) and stars Steven Yeun, Han Ye-ri, Alan Kim, Noel Kate Cho, Youn Yuh-jung, and Will Patton in a film about a Korean family trying to live the American dream. The movie mainly centers around a father who wants to build a better life for his spouse and children. In hopes of achieving all he could wish for, David moves with his family to Arkansas to start a farm. While Jacob is happy and ready to see his dreams potentially rise to reality, not everyone is onboard. Throughout, we are presented with a slice of life about a group of people adapting to a new situation and all its successes and failures.
I’ve waited a couple weeks to talk about “Minari.” Why? For starters, I wanted to get my Valentine’s Day special out to the public. Top 10 Movie Crushes, check it out! But I also have been busy with school and life to the point where I just could barely find time to work on this review. So I apologize in advance if anything that comes out of my mouth sounds odd, it has been a couple weeks. I went into “Minari” sort of with the same expectations that I had for “Nomadland,” which I had high hopes for, I thought Chloe Zhao was going to knock the film out of the park, and what did I think of it? Well, I gave it a 7/10. Now that is not a bad grade by any means, but I kind of expected at least an 8 given how the film has won so many festivals and awards thus far and it may continue its dominance at the Golden Globes this weekend if things go right. I will say though, Chloe Zhao may be *the* director all film fans should have their eyes on right now. Not only does she have a critically acclaimed film with “Nomadland,” but she also has “Eternals” and a “Dracula” project coming up. Could be exciting!
As for Lee Isaac Chung, the director of “Minari,” he is not a name I am completely aware of. I have not watched, nor am I familiar with any of his work. I know of Steven Yeun, the star of this film, but this film comes packed with a bunch of folks whose names I could have never stated prior to either watching the movie or making this review. It’s kind of like every day in high school. It’s a lot of folks around at once! Who are these people? What are their names? Come on, help me!
Either way, let me just give you my simple thoughts on “Minari.” To say I went in with low expectations would be a total lie. I was expecting an Oscar contender. I can assure you I was not disappointed. Granted, it is a little forgettable in parts but overall, I had a great time watching “Minari.” Everything from the acting to the directing to the writing is top-notch and well worth a trip to the theater or a rental whenever it is available on VOD.
“Minari” is one of those films that makes you feel… Well, everything. You laugh. You smile. You wince. You go “wow.” You may even get to the point where you’re a little emotional. I am not saying “Minari” is a tearjerker, but it is certainly a movie where the characters continue to grow on you.
“Minari” comes off as a small, intimate story with giant, magnificent craft. And a part of that has to do with the relationship between the cast and the directing effort. Steven Yeun and Han Ye-ri do an excellent job encapsulating the mix of tension and togetherness between their characters, Jacob and Monica. They have their differences, but they are in a way willing to stick together for something glorious that may lie ahead. Jacob is clearly happy and cannot wait for his dreams to come true, but Monica is noticeably pessimistic and that sort of affects how they are trying project reality onto their family.
One of my favorite parts of the film would have to be the relationship between the young boy, David, and the grandma, Soon-ja. Thinking about it now, when I was a child, I would spend many days with my grandmother. Granted, for different reasons than this film presents. This relationship to an extent reminded me of the one I had with my grandmother as a child. She would come by my house, hang out with me, watch television, play her handheld solitaire. Although one thing that out stood to me during the film is that the boy refuses to call his grandma “real.” By his definition, that means a grandma who “bakes cookies” for example. Now, I’ve done that sort of thing with my grandma, that I will not deny, but it sort of reminded me of a conversation I would have with her every once in a while. So I am from the Boston area, where people like their coffee from Dunkin’ and their football teams winning championships. One of my earliest memories of hearing the distinctive “Boston accent” came out of my grandmother’s mouth, where instead of saying “careful,” she would say “cahful.” I would occasionally “correct” her and then we move on with our lives. While I never called either of my grandmothers “fake,” I can assure that this relationship between a young boy and his grandmother is somewhat similar to one I’ve experienced myself.
One of the recent films I watched in terms of my Scene Before reviews was the Amazon Studios film “Herself,” which I thought was quite a good watch. Not as stellar as “Minari,” but it is worth your time. It is currently free for all Prime subscribers, give it a chance. The recent why I bring that film up is because like “Minari” it has one of the better endings of 2020. Both films have respective endings that are sort of subversive, but also lines up and connects with a theme that may have been brought up earlier in the film. I will not spoil either ending, but the way they do it in “Minari” makes the ticket price worth paying. Plus, without any further clarification, it allows the cinematographer to go to town and deliver a couple of the standout shots of 2020 cinema. I do not think the Academy will recognize “Minari” for cinematography, but I am sure they will recognize them more so than the Golden Globes.
In the end, “Minari” is a great film that I will recommend to everyone reading this. Now if you are one of the few people who passed on “Parasite” because you cannot stand subtitles, I will still recommend “Minari” because it probably will still connect with you in some way, but I cannot control your lives and manipulate your way of thinking entirely, that might be cruel. The film has a couple problems. And I will sort of attribute it to the same things I said about “Soul” when I reviewed that film. The film checks a lot of boxes, humor, heart, good characters, but there are certain films that take many of these elements, which are “good” and takes them up a level. But that is just me. “Minari” is nevertheless worth a watch, maybe two, and I am going to give it an 8/10.
Thanks for reading this review! This Sunday I am proud to announce the Jackoffs is about to get in gear. For the past number of months, I have been working on comedy bits, an intro, previews, a poster, and now… A key moment has arrived. It’s nomination time! This Sunday I will be announcing the nominations for the 3rd Annual Jackoff Awards! What do you hope to see nominated? Leave your comments below! Be sure to follow Scene Before either with an email or WordPress account, also like the Facebook page so you can stay tuned for more great content! I want to know, did you see “Minari?” What did you think about it? Or, have you ever lived in Arkansas? As a Bay Stater, I have literally no idea what is like. Is it fun? Is it boring? Please let me know! I’m genuinely curious! Scene Before is your click to the flicks!
Hey everyone, Jack Drees here! Earlier this week was Valentine’s Day, or as single people like me call it, February 14th. And that’s about it. When I watch movies, one of the main reasons why I glue myself to them is for all the well-developed and thought out characters. Sometimes, a movie can immerse me to the point where I feel like I am a part of their world. Sometimes the movie takes me from reality to fantasy, and in that fantasy, I sometimes see myself as a part of another character’s life. Maybe even to the point where I would want to hold hands with them. Perhaps even take things further. That is why I am taking this Valentine’s Day week to discuss my top 10 movie crushes. Now you may notice, unlike other top 10s, such as “Top 10 BEST Movies of 2020,” I am calling this “My Top 10 Movie Crushes.” There is a reason for that. Unlike my other countdowns, this is one where it is not only subjective, but perhaps one that could only be contained within my identity. I am a 21 year old straight white male, so do not interpret this as characters you should have a crush on as well. Even if you are a 21 year old straight white male, I am not saying you should agree with this. Your emotions and identity are your own and I am in no way trying to brainwash anyone.
Now let me just make one thing clear. These picks are on CHARACTERS specifically, not the ACTORS that play them, although as you’ll see, that may be a contributing factor. So instead of saying for example, #10 is Megan Fox, I would go with a character they play such as Mikayla from “Transformers.” Plus I should note that some of the actors who portray these characters are more distant from me in terms of age today, whereas a good portion of the characters are relatively close in one degree or another, so I hope this may end up making this list less awkward for some readers. Also, another rule, I need to have seen a movie the character is in from start to finish in order for their presence on this list to count. So, that eliminates a lot of “Bond” characters, Linda Barrett from “Fast Times at Ridgemont High,” and Madison from “Splash.” Also, even though I am a guy, I am not here to confuse anyone. This is not a list of the “Top 10 Sexiest Movie Characters.” We are not diving into that stereotype, although as you’ll see, looks will play a factor. With that being said, let’s get this list going! These are my top 10 movie crushes!
#10: Lorraine Baines/McFly (Back to the Future)
There has been a period over the past year that reminded me of how batcrap insane “Back to the Future” really is. It is a film where the protagonist goes back in time in a car, has to get his parents to fall in love, so they can f*ck, therefore having him and his siblings. The problem is, the protagonist’s mother lusts after him after he is hit by what just so happens to be his grandparent’s car. Holy freaking crap. I’ll admit, since my early teens, I’ve always had some attachment to Lorraine in “Back to the Future.” She’s attractive, somewhat nervous but also someone who knows what she wants, and from a fashion standpoint. Every outfit she wears suits her well. If I saw her in a room, I would immediately introduce myself as Calvin Klein. Now keep in mind, this list comes from someone who is 21 years old, therefore I should emphasize that when it comes to the “Back to the Future” timeline, I am mainly talking about 1955 Loraine. Although apocalyptic 1985 Lorraine is kind of sexy too, even though part of the reason for that is because Biff Tannen is practically going all Jabba the Hutt on her and giving her the most self-angering outfit in the world. But if I had to pick one to have by my side, it would be 1955 Elaine. I would take her to a dance if I had the opportunity. Plus unlike apocalyptic 1985 Lorraine, who again, is hella attractive, is perhaps somewhat brainwashed into a rich man’s lifestyle. Although part of me would want to help her escape it (because part of her maybe wants out from time to time).
#9: Tauriel (The Hobbit: The Desolation of Smaug)
I love “The Lord of the Rings.” Want proof?
I just bought this bad boy in January. Well worth the $150.
But I was one of those people who happened to stumble upon “The Hobbit” prior to watching “Lord of the Rings.” To be fair, I was in my early teens, the films were PG-13, so I missed out on the hype train back in the day. However, when the “Hobbit” trilogy came out, I saw them all in IMAX 3D. I did it for the first film. I did it twice for the second film. And I also did it twice for the third film. I was hooked to the fantastical wonderland of Middle Earth at the time. So of course, since I repeatedly watched the trilogy, I easily got attached to Tauriel, played by Evangeline Lilly. If I had to pick one person to fight alongside on this list, there are a few that I would go with, but I assure you that Tauriel would be one of the top contenders. I will say, despite vastly enjoying “The Hobbit” as a trilogy, one of its problems through all three movies is that the dwarves are nearly disposable. Yes, they have their personalities and stories behind them, but it is almost difficult to keep track of all of them and remember them. So that’s why I’d say Kili is one of more attachable individuals in the group, due to his love connection to Tauriel. I buy their chemistry, even if it is somewhat comparable to say “Romeo & Juliet” at times. But it is not to say that she cannot be great on her own. She can rock a bow and arrow, her combat is sleek as much as it kicks butt, and technically speaking, based on one scene from “The Desolation of Smaug,” she’s arguably qualified enough to be a medical professional! Oh, did I mention that Elvish is such a fun language? Even though I don’t exactly know a word of it, I stand by that statement. Yeah, I think many “Lord of the Rings” fans would agree that for the most part, if you want a partner by your side, try to convince one of the elves to have lunch with you and see where it goes.
#8: Vanessa (Deadpool)
Morena Baccarin has been a frequent player in geek culture. She was in “Firefly,” “Serenity,” CW’s “The Flash,” Fox’s “Gotham.” But the role I’ll probably remember her for the most is Vanessa in “Deadpool.” The film is one of the rare attempts in the comic book movie genre to take things into R-rated territory, and it goes for it. Excessive language, graphic violence, and as for Vanessa and the film’s lead, Wade Wilson (Ryan Reynolds), the two are quite a couple. The two are cute, charming, and of course, horny. One scene of the film that stood out to me every time I watched it is the sex montage. For starters, it was the first R-rated hardcore sex scene I saw in a theater, not to mention an eight story IMAX. While the whole movie is not a sexual extravaganza, you know, all it is just a little violent, just a little heavy on language, just a little rambunctious on action, that scene defined the romantic tone that partially intertwined with the rest of what the movie had to offer. Vanessa is not just a stud that lusts after one of the sexy Ryans from Canada, she is charismatic, knows how to have fun (I’d take her to an arcade, personally), and when she was in pain, I felt for her. I wanted her to live. And even when she is in distress, she is notably capable of defending herself. Also, while this may be more of a compliment to Baccarin than anybody else, I love Vanessa’s hair. Even since I was young, I think I’ve had a thing for brunettes. Vanessa, or Morena Baccarin depending on how slice it, is just part of why.
#7: Lisa (Weird Science)
When I think of a mind in film that defined the 1980s, that would have to be John Hughes. The man wrote and directed several movies that continue to come up in conversations today. Movies like “The Breakfast Club,” “Home Alone,” and “Ferris Bueller’s Day Off.” When it comes to those last two, I cherish them to a high degree because of how much I can attach their personal concept to my life. I like privacy, even as a kid I enjoyed it. As for school, while education may be essential in some cases, I did not go because I wanted to, I went because that is how society works. But one film Hughes did that I thoroughly enjoyed was “Weird Science.” If you want a wacky 1980s comedy where life is whimsical and crazy, this has that vibe. And of course, there was Lisa. This pick is just the first in a recurring theme on this list. Women that do not have the same life experiences as a regular person. Look, I could start this description off with the obvious. Lisa wears slick outfits that can turn a guy on. But that’s only a sliver of why she is on the list. Yes, when she is introduced, she comes out wearing almost nothing, which as a result, gets our two main characters, Gary and Wyatt, rather excited. Then we move onto the next scene where they shower with her. I think every teenager to a degree has imagined something crazy like that at some point in their young lives. But all of what I just said revolves around looks, which if that were the case, Lisa would be either lower on the list, or off it entirely. So let’s talk about her personality. Well, this is almost everything a young boy would want in a girl. She is fun, not afraid to take risks, explorative, honest, although maybe a little too honest. Because there is a hilarious scene where Lisa lets herself loose and explains to Gary’s parents that he plans to party with a bunch of teenagers. She even goes into explicit detail about it!
You know, there’s going to be sex, drugs, rock-n-roll… chips, dips, chains, whips… You know, your basic high school orgy type of thing. I mean, uh, I’m not talking candlewax on the nipples, or witchcraft or anything like that, no, no, no. Just a couple of hundred kids running around in their underwear, acting like complete animals.
In this scene, Gary does everything he can to defend himself, say that he is not doing anything crazy, including trying to tell his parents that he does not masturbate in the bathroom, despite Lisa outright confirming it to their faces! The scene overall is just wild. I was not always like Gary. I was never the party type of person in high school, although I am proud to say I won “Best Dancer” in the yearbook. I was never invited, nor did I ever go. It was just never my thing. I felt like it would have people perceive me to be a type of person that I am not. Even though I just turned 21, I do not drink. I do not smoke. I do not do any drugs. But at the same time, this movie sort of makes me want to have someone in my life that could allow me to have some fun, let myself screw around, boost my popularity. I imagine this is sort of similar to the philosophy about “girls liking bad boys.” While I wouldn’t call Lisa dangerous, she is edgy. She has all the qualities of an admirable person if you ask me, but at the same time, she sort of pushes the envelope. Did I mention she’s attractive? Yeah, that too.
#6: Ava (Ex Machina)
“Ex Machina” is a fascinating film. Much like “2001: A Space Odyssey” was back when it came out, “Ex Machina” is an intriguing glance as to what could happen if we rely on computers and use them for purposes that practically make them our slaves. Except in this case, the movie specifies more as to what happens if we deeply humanized a computer to the point where it is almost a part of our kind. It has our emotions, our thoughts, our way of processing what is in front of us. In fact, we kind of achieved that in real life. In Saudi Arabia, they have a robot that has been given citizenship. While I am not at the point where I have yearned for a robot in real life, I can confirm that part of me would not mind getting to know Ava from “Ex Machina” on an intimate level. Now, while not all robots are capable of love, part of Ava’s many human-like traits is that she has an understanding of romance, the connection between one lover to another. She even ends up having feelings for the film’s lead, Caleb (Domhnall Gleeson). I can see myself falling for her in the same situation. We do a bunch of tests together, get to know each other, interact, it’s almost like a date to some capacity. Plus, as I am doing each test, I particularly happen to view Ava more as a subject than a friend, so if I keep coming back to her, it is sort of in the same way I keep coming back to a passion project. Part of the beauty of a romantic relationship is getting to explore life with someone else, getting to explore the world with someone else. In the case with Ava, I would not just be exploring my life with her if we were together, Ava would arguably be exploring the concept of life in general. After all, in this film’s timeline, she was recently built. She has never even been outdoors. While relationships are 50/50, I would not mind having a major dash of credibility by taking Ava outside for the first time. I know I am a guy, which kind of suggests that looks play a major factor into a relationship, but do I care that she goes through the film with nearly no skin? Heck no! In fact, the Academy seems to agree with me, because the film won an Oscar for Best Visual Effects! Ava sounds like someone I would take out to dinner, then explore the city with for hours. Then I would teach her everything joyous about humanity, although maybe I should watch myself before she forms an army with a plot for world domination. I guess that’s a good reason to keep her lower on the list.
#5: Art3mis/Samantha (Ready Player One)
Not everyone agrees with me, but I think “Ready Player One” is one of the best films of the past few years. It is a visual effects-heavy thrill ride through a virtual reality world in 2045. If I lived in 2045, I would totally flock after Samantha, otherwise known by her username, Art3mis (pronounced similar to Artemis). Early on in the film, we see Wade Watts, also known as Parzival, racing for a key to aid his quest to own the OASIS, the virtual reality world where everything seems to matter. So much so that real life is meaningless. After all, there is nowhere to go. Nevertheless, during the race, he gazes upon a woman riding on a bike from “Akira.” Turns out, through his personal observations, this girl is not just anyone, it is Art3mis. He knows everything about her, not exactly in a stalkerish way, but it comes pretty close. Their first encounter in the film is near the end of the race where Parzival forces Art3mis to bail out to avoid getting slaughtered by King Kong. The two eventually get to know each other, even discussing what they know about the founder of the OASIS, James Halliday. The reason why I love Art3mis as a character so much is because of what she represents in the realm of the Internet. I mean this is not only from a crush perspective, but from a perspective where two people can simply be friends. It is that you may not always know who other people actually are. They could end up being your best friend, but in reality, unless you somehow have met them in person or maybe over Skype or something, there is a chance that the person you’re talking to is of a completely different identity, or not even a person at all. Art3mis represents that Internet fantasy that somewhat feels legit, but also feels faraway because you either live nowhere near the person or you barely know them in real life. As for the character herself, I like my nerds, she knows her references, so personality-wise, Samantha checks the boxes. Plus, I really like the design of her avatar in the OASIS. The movie does a really good job at making me fall for someone that does not feel like anyone else I’d meet. It would be someone I would dream about that maybe is not even human. It takes me to another world. Plus, the dress she wears in the Distracted Globe scene is utter fire. Art3mis is the quintessential encapsulation of your basic Internet friend. You may not KNOW them, even when you feel like you know everything about them. Or in some ways, you just want to get to know more and more about them by the second.
#4: Joi (Blade Runner 2049)
This is one of the more unique entries to the list, because this character is technically not a woman. Nor is it a human. It is a hologram. I give you Joi, the love interest to Ryan Gosling’s K in “Blade Runner 2049.” After I watched “Blade Runner 2049” a couple times, part of me began to fall for the actress playing Joi, Ana de Armas, and part of it is not only because she looks attractive, but because she encapsulates a person that knows very little about the world around her. I am not saying she is stupid, but keep in mind, again, she is a hologram. She is programmed. She is manufactured. The movie makes it clear that Joi is in fact a product and K is only a consumer of said product. In some ways, Joi is like Fox News. She rarely does something because she sees it as beneficial to her. The way I look at Joi as a character, she is there to serve her partner, perhaps her master. Tell them what they want to hear. She is not just someone in their life, they are a cheerleader, a motivational speaker. At the same time, it feels like this character wants to go through a journey of self-discovery. There is a scene where she is seemingly amused by rain, while also enjoying the moment with her partner. Also in some cases, she’s practically the 2049 version of Seri.
(referring to Frank Sinatra’s “Summer Wind”) “Did you know this song was released in 1966 on Reprise Records? It was number 1 on the charts…”
Ana de Armas provides such an intimate, sensual, emotional, and all round cute performance that when she would fizzle, my jaw would drop a little. I have a couple concerns about her character, one long term concern being if I were in the “Blade Runner” universe, and if this product were successful, it would perhaps nearly antiquate the traditional human to human relationship, thus making the species die out overtime. Eh, we’re overpopulated now anyway. If there’s a balance between real and artificial, who knows? It might help. Although technically, the movie does show that one can make love with Joi while she syncs into someone else’s body, so reproduction may still be possible, as long as a third party is involved. My one question is this, are there male versions of Joi? Because thus far, Joi has mainly been marketed as an attractive, supportive woman, most likely for straight men. Can Joi transform into another gender? I kind of want to know more about this if we get another “Blade Runner” film in the future.
#3; Black Widow/Natasha Romanoff (Iron Man 2, Marvel Cinematic Universe)
Look, I’m a guy. And a lot of my picks partially base themselves around attractiveness. If you thought Scarlett Johansson’s Black Widow would be an exception, then clearly you have never met the Movie Reviewing Moron. If there is one girl I would hang out with in a bar in the MCU, the answer would be Natasha Romanoff. I will admit, despite what I said about Vanessa and my potential thing for brunettes. Over the years, I think I have learned that I may also like redheads. Although I should note that even in “Avengers: Infinity War,” where she is blonde, Romanoff is a ticket. But my crush on Romanoff started pretty early when I saw her in “Iron Man 2.” I will admit, I watched 2012’s “The Avengers” before watching “Iron Man 2,” but my first actual attraction to her began in “Iron Man 2,” even though she probably looks her best in “The Avengers.” The fast-paced action scene in the white hallway towards the end of “Iron Man 2” is enough of a showstopper. Romanoff is incredibly kick-ass, sexy, and every outfit she wears suits her. Did I mention Scarlett Johansson’s voice? It is commanding and it makes you want to watch her do anything. Like… type a document. Or write in a diary. Or read a book out loud. If I were perhaps 13 and making this list, there is a solid chance that Romanoff could potentially be #1, because at that age, I am more about looks, whereas personality is just some added bonus points. I say this because even today, I cannot directly pinpoint much of her interests. She kicks people in the face and makes it look sexy. What else can I say? Plus her backstory is not really explored all that much until “Avengers: Age of Ultron,” meaning that it took 5 years and a phase in the cinematic universe to start exploring more about her character. And yeah, I know what she does for work. She’s with the Avengers, she’s a spy, but I also want to know more about what she does for fun. I mean, the MCU has 23 movies so far, with a 24th HOPEFULLY arriving in theaters this May, and that movie is a Black Widow-centered prequel. I got to know Black Widow over the years as an ass-kicking Avenger who looks like she’s way out of my league, can rock a bunch of different outfits, not to mention hairstyles. I want to know more about HER. Hopefully the upcoming “Black Widow” film can shine a light on the subject.
#2: Lana (Risky Business)
There are two movies starring Tom Cruise that I often debate as my favorites of all time, “Mission: Impossible – Fallout,” and “Risky Business.” While I will say Vanessa Kirby is quite good looking as The White Widow in the former, today we are going to be talking about the latter. We are going to be talking about Rebecca De Mornay’s character, Lana, from “Risky Business.” This film is one that gets better with every viewing, and as one who looks back at his high school years with mixed feelings, I sort of relate to this film. For those of you who have not seen the film, Joel Goodson, a teenager in his senior year of high school, is convinced that while his parents are away, he needs an excuse to let himself loose and have some fun. This gets to the point where he calls up Lana, a prostitute, who has sex with him all night. The next morning, after Joel fails to provide $300 for the services, she leaves before he can return to his house. Also missing, a Stueben glass egg. From the moment Joel tries to retrieve it, the moment he finds Lana and the two escape from Guido the Killer Pimp, they prove that they are a 5/5 in terms of chemistry. But also what makes Lana a fine entry to the list is De Mornay’s sensual performance. She always has this futuristic, other-worldly quality to her. She does a really good job at capturing the “girl out of my league” vibe that maybe Lana was supposed to represent. After all, when she is introduced, she is not just a girl, she is the listener to Joel’s demands. That is until he has to pay $300 and the two become friends and work together to overcome each other’s obstacles.
Oh yeah, and they make love on a subway. No big deal.
Will say though, the only turnoff I have about her is that even though she does feel somewhat sensually rebellious in various ways, is that she will occasionally smoke. If I were in the scene on the lake where all the characters get high, there’s a good chance I’d repeatedly tell everyone that I don’t smoke. It’s the same reason why I put Lorraine Baines lower on the list, because she does smoke in the scene where Marty is in the car with her. I don’t want to judge people for smoking, that is their choice after all, but for all I know, Lana could be a bad influence and get me to join in, and I do not want that. This is why I never had a chance with girls. I do not drink. I do not smoke. I do not party. Okay, enough with the self-deprecation, let’s move on.
#1: Wonder Woman/Diana Prince *Gal Gadot interpretation* (Batman v. Superman: Dawn of Justice, Detective Comics Extended Universe)
Here’s a question. Who won the fight in “Batman v. Superman?”
The answer, Wonder Woman!
Yeah, Wonder Woman is probably my favorite of the heroes in the current Detective Comics Extended Universe. She has a fleshed out backstory that is magical as it is intriguing, she can wield a sword like a boss, and her battle cry is just glorious. Let me just put it this way, there has rarely ever been a moment that a character in any movie has commanded my attention like she has just from thrusting into battle with an epic yell. Sticking with a recurring theme on this list, one reason why Wonder Woman is on here is likely because of her other-worldliness. She starts off in the mythical island of Themiscyra, comes to Earth with Steve Trevor, where she is the fish out of water, and she learns the ways of mankind overtime. She encounters some friends and foes along the way, making her into the wonderous being she is today. I did not have many thoughts on Gal Gadot originally being cast as the iconic heroine, but the moment I witnessed her on screen when I saw “Batman v. Superman” in IMAX, I was in love. First off, can we just admit that by herself, Gal Gadot may be one of the most gorgeous actresses working today? I’ll admit, in some of her earlier roles, including her first go as Wonder Woman in 2016, I was a little worried because her line delivery was occasionally flat, but her physical presence that I think many performers would vie for sort of makes up for it in parts. Sometimes I glance at her and she looks like someone who watched us from space for years, but somehow she decided to join us in the end. However, Gadot has definitely improved as a performer over the years, and she has nailed the role of Diana Prince harder with each attempt. Even in “Wonder Woman 1984,” which I will admit, was not my favorite of the DCEU movies to have come out. Going back to the character herself, the reason why I admire her as a heroine is despite her superpowers, despite being the pinnacle of all things mighty for women, she is not afraid to show her emotions. She is a god, but she is also quite personable. Kind of like how Chris Hemsworth’s Thor has been portrayed in recent years. But this all harkens back to the point that when it comes to a character like this, one that has the qualities of a human, one that has the qualities of an earthling, but also one who I can teach in a way or another, that is why Diana Prince is the wonder of it all. Plus, unlike Ava from “Ex Machina,” I would personally like to know more about Prince’s world. I would love to see Themiscyra, what the people there do for fun, maybe stay there for awhile. I cannot just one-side the entire relationship to just my planet. I have to show interest in where Diana Prince came from, how she grew up, what she appreciated about life before earth. And having seen all of her story in the DCEU so far, I do care. I think Diana Prince and I would get along fine, maybe more so than Chris Pine. To quote Vitruvius from “The LEGO Movie,” “All this is true because it rhymes.”
For those who want to know my opinion, I think Marvel makes better movies than DC right now. DC seemed like they were getting on the right track with “Aquaman” and “Shazam,” but then “Birds of Prey” and “Wonder Woman 1984” came along. but let me tell you the truth, if I wanted to spend the rest of my life with a character from one of those universes, I’d pick Diana Prince before anyone in the MCU. Let’s look at it this way. Part of the reason why Black Widow is on this list, not to mention part of why she is so high on it, is because of my attachment to her since my early teens that has not really gone away. And as I mentioned, I really do not know her as a person, although it is something to maybe get to know eventually depending on where things go. If I had to make this analogy any simpler, Natasha Romanoff may be fun to hang out with in a bar, maybe for a one night stand. Diana Prince has looks, she has personality, she seems to take life one day at a time, and she sounds like an optimist. And I’d say that Natasha Romanoff shares those qualities as well, but if I had to choose one person, I’d choose Diana because I’d probably end up liking her more for, well… her, than maybe I would for Natasha.
The only thing that I could think of that would keep me away from Diana is if I develop a habit of lying. Either to her or other people, because her lasso would probably bash my brains in. Other than that, I love her.
Thanks for reading this countdown! I hope you enjoyed this, well, pretty late to be a Valentine’s Day special, but you gotta do what ya gotta do. The best posts take time, not a Sonic the Hedgehog style rush! Speaking of posts that take time, I want to let you all know that on February 28th, I will be announcing the nominees for the 3rd Annual Jackoff Awards! The ceremony will take place two weeks after, on March 14th. I am also currently working on reviews for “Minari” and “Judas and the Black Messiah.” I will hopefully have both of those up soon. Be sure to follow Scene Before either with an email or WordPress account, also like the Facebook page so you can stay tuned for more great content! I want to know, are there any characters in film that you desire? Remember, the key word is characters, not actors, this may provide a slight difference at the very least. Let me know down below! Scene Before is your click to the flicks!
“Nomadland” is directed by Chloe Zhao (The Rider, Songs My Brothers Taught Me) and stars Frances McDormand (Fargo, Three Billboards Outside Ebbing, Missouri), David Strathairn, Linda May, and Charlene Swankie in a film where a woman journeys through the American west and lives her life as a van-dwelling nomad after losing everything during the Great Recession. It is also based on the book, “Nomadland: Surviving America in the Twenty-First Century,” written by Jessica Bruder.
“Nomadland” is a film that I have been looking forward to for a long time. My first memory of the film, or more specifically its title, is during the 2020 Venice Film Festival, one of the few things that actually happened that year when it comes to movies, because the film won multiple awards there, including the Golden Lion, which is basically that festival’s equivalent to Best Picture. But that’s not all the praise the film got. The film won the honors of Best Picture through the National Society of Film Critics, the Gotham Awards, Boston Society of Film Critics, Chicago Film Critics Association, and it seems “Nomadland” is only going to continue its hot streak. “Nomadland” was recently nominated for 4 Golden Globes, including Best Picture- Drama. And Frances McDormand was even nominated for a SAG Award for Outstanding Actress.
Statistically speaking, “Nomadland” is impressive, and I think that is part of why it is getting an exclusive IMAX run. Having seen the film myself, “Nomadland” is not the traditional style of film that one would expect to get an IMAX run. The film was made for somewhere around $4 to $6 million, way less than the traditional blockbuster that would usually meet the criteria. I feel like if it were not for the endless critical acclaim before the film came out, it would not have gotten this release in the first place. In fact, as of writing this review, that is all where it is playing. “Nomadland” is out everywhere on February 19th, plus Hulu, but as of right now, you can only see it in certain IMAX theaters. So as a fan of the brand and as one who wanted to see “Nomadland” as soon as possible, I took advantage of the opportunity.
Having walked out of the theater, I must address the hype surrounding the film. If I had to make a guess, I think most people would say that “Nomadland” has the highest chance of winning Best Picture at the Oscars this year as of now. Granted, this is coming from someone who was not the biggest fan of “Mank,” so I may be biased.
Oh my lord, “Mank” could have been ten times better.
“Nomadland” is a good movie, but to call it the masterpiece of our time is a bit excessive, at least to me. What do I like about it? When it comes to recent film, I think “Nomadland” stands out as one of the best displays of one’s slice of life. I was around in the late 2000s, when the Great Recession started, but I was still a kid. I barely had a concept of money so I did not have a full understanding of everything that was going on at the time. Nevertheless, “Nomadland” presents Fern as one of 2020’s most relatable characters, even though I never knew anybody precisely like her. Yes, I know people who have vans, I know people go around the country in vans. But to my knowledge, I never knew anyone who spent a great portion of their time living in a van. This film presents a character with unique traits, but they utilize her uniqueness to harken towards concepts that relate to a lot of people. Fern is a likable woman. She is a hustler, she is patient, she is kind, but she is not afraid to go after what she wants.
One of the best things I can suggest about an actor is when they give a performance that makes me say “I cannot imagine anybody else playing that character.” In the case of “Nomadland,” that statement is true when it comes to Frances McDormand, who already has two Oscars under her belt, and it is difficult to determine whether “Nomadland” will earn her a third, but her performance is certainly a contender. Not only does McDormand have an ideal look for her specific character, but her mannerisms are perfect at times. Her performance feels raw, kind of like the rest of the movie. The way this movie is done kind of feels like a vlog if it were completed in a cinematic style and if it was highly enhanced in the editing process.
Not only does Frances McDormand nail the look of her character, but Chloe Zhao and her crew also nail the look of “Nomadland” itself. “Nomadland” shines with some of the best framing of the year, and a filmmaking style that feels cinematic, although nearly documentary-like. I mentioned just a moment ago that this feels like a vlog. And I mean that, because even though vlogs are completely different from movies, they do a really good job at showing a slice of one’s life. “Nomadland” is not my favorite film of the year, but when it comes to 2020’s slices of life, it stands out. And I would also say that they managed to release this film at the right time because we are in the middle of a pandemic where the future is uncertain, not only in terms of our social lives, but the economy as a whole.
If I had to point out the best part of “Nomadland,” it would have to be the locations. Whoever decided on the locations that went into the final cut has my eternal respect, as they are an integral part as to what makes the framing extremely likable. And as much as I would hate to make a COVID-19 comparison, I have to. The way I would describe “Nomadland” is this… Imagine that I test positive for COVID-19. I lose my sense of taste. But I can still walk, I can still breathe. I don’t have any problems internally. I just need to isolate for 14 days or until whenever it goes away. “Nomadland” is a somewhat unfortunate, nearly depressing film at times, but it also trails along in good spirits. There is nothing in this film that is excruciatingly painful to watch. Nothing tear-jerking, nothing over the top emotionally charging, almost nothing that comes off as an eyesore. There are one or two moments that help the movie earn its R rating, but other than that, nothing really disturbing. “Nomadland” is a film that I feel is core viewing during the current awards season for many reasons, and you should definitely check it out when it gets a wider release.
In the end, “Nomadland” is a film that takes you places. Aside from taking you to an Amazon Distribution Center, a desert, the inside of a van, etc., it takes you to a world full of likable, quirky characters. The film has some memorable dialogue, including one line towards the end of the film that will stick with me when it comes to the 2020 cinematic slate. Frances McDormand gives a solid performance as the main character of Fern, and I think she could be a contender at the Oscars. As for the director, Chloe Zhao, I cannot wait to see what she does with “Eternals,” and this movie gives me hope that she can crank out a killer blockbuster. I am going to give “Nomadland” a high 7/10.
“Nomadland” is playing in select IMAX theatres wherever they are open. If you are interested in watching the film somewhere else, it is getting a wider release on February 19th, where it opens up in more theaters with a simultaneous debut on Hulu.
Thanks for reading this review! Last night, I just saw “Minari” starring Steven Yeun, so I will be sure to have a review up for that as soon as possible. Be sure to follow Scene Before either with an email or WordPress account, and also check out the Facebook page so you can stay tuned for more great content! I want to know, did you see “Nomadland?” What did you think about it? Or, what do you think is the biggest awards season contender this year? Let me know down below! Scene Before is your click to the flicks!
“Herself” is directed by Phyllida Lloyd (Mamma Mia!, The Iron Lady) and stars Clare Dunne (Spider-Man: Far From Home, The Cherishing), who also happens to have a story and writing credit for the film. Also in the cast we have Harriet Walter (Star Wars: The Force Awakens, Rocketman) and Conleth Hill (Game of Thrones, Suits) in a film about a woman named Sandra who wants to escape an abusive relationship with her husband. In a revolt against a broken system, Sandra vies to build a house so she can ensure safety for herself while raising two daughters.
“Herself” is a film that I’ve heard about for over a month, but when it comes to movies on Prime, the one that has been getting all the buzz lately is “One Night in Miami,” which I tried. I really wanted to like it, but it did not sit well with me, and I say that as someone who saw it twice. It had some good performances though between Leslie Odom Jr. and Kingsley Ben-Adir, it just was not my favorite film that I have seen in recent memory. Although when it comes to “Herself,” that has been getting a lot less attention. Less people have seen it, and I say this as someone who lives in the U.S., there is a chance that a film like “Herself” is automatically going to get less attention as it is primarily produced by British and Irish companies, and the film itself takes place in an Irish background. I say this despite knowing that the director did “Mamma Mia!,” which is popular among a number of crowds, and the fact that she even directed Meryl Streep to win one of her Academy Awards. The film did however premiere at Sundance, and soon thereafter Amazon bought the rights to it. This is where we are today. The film is available for free on Prime, so I thought I would give it a go.
What did I think? Let me just start off by saying that if one studio has been consistently solid for me throughout the year, it would have to be Amazon. Granted, their business model for releasing films has increased in prominence given the current pandemic, but for the most part, they’ve been cranking out good movie after good movie.
Well, except “My Spy.” Can’t believe it took five months after a press screening and a studio exchange for me to talk about that crap!
But let’s consider what Amazon has done this year. “The Vast of Night,” “Radioactive,” “Sound of Metal,” “I’m Your Woman.” All these films are worth watching. I’d say that “Herself” stands amongst these solid movies, although if I had to pick one to go back and watch again, I’d pick “Sound of Metal” before this one. “Herself” is a wonderful, charming, occasionally gritty, and somewhat motivating film. Before I saw this movie, I did not know much about it, therefore I had no idea that one of the writers of the film happens to be the star. I think that is why I’ll say Clare Dunne gives one of my favorite performances I have seen in recent memory.
When it comes to the brilliant performance from Clare Dunne, you can tell there is a bit of a personal touch to it. In fact, there actually is, because Dunne points out in an interview that when she was auditioning in New York during pilot season, a friend reached out to her saying she lost her home in Dublin. At that point, Dunne looked up Dominic Stevens, who self-built a home in Ireland for €25,000. At that point, Dunne thought she should make a movie about a single mother who goes through a similar situation. I think Dunne hit the mark hard on this film. I think her performance partially benefits from her having a writing credit, meaning that she probably had more time to envision her character and how it should be, and I would say that maybe aside from Ben Affleck’s performance as Jack Cunningham in “The Way Back,” Clare Dunne’s performance as Sandra may be the most personal portrayal of 2020. She has moments of happiness, delight, anger, despair, sadness, her role is diversified of emotions and Dunne gives herself plenty of things to do. Given how the Golden Globes were announced and Dunne did not appear on the list, I doubt Dunne is going to get the awards potential she deserves, but I think I will look back on this performance for a long time.
While the screenplay of the film may not end up being my #1 of the year, I cannot deny that it is fantastic at times. The film starts off and gets straight to the point. It does not waste much time, it introduces our characters, and goes licketdy split into our main conflict. Part of me was already on the edge of my seat and ready to see where this journey would go next. I knew who to root for, who to bash on, all of it. Everything was quickly set up in just a matter of one to two minutes. When it comes to set up, “Herself” is perfect.
I will say though, the film did nearly lose me at times. Granted, it is an intimate project with a smaller budget, but there are select moments where I nearly doze off. There are also moments where I got my head back in the game, but it does not make me forget the times where I almost snoozed. Pacing could have occasionally been better, but the film is still a good time.
Actually, you know what? It’s not a good time. It’s a great time. I say that because the film ends with a subversion of my expectations. I will not go into much detail, but it is a contender for the best ending of 2020. Not only because it comes out of nowhere and changes the entire pace of the movie, but because it balances a bunch of emotions at once. In a short description, it is kind of bittersweet. I will not say anything else because I want to leave all my readers as blind as possible, because that is practically how I went into “Herself.” Watch it, you might not regret it.
In the end, “Herself” is a charming story that highlights abuse, how one wants to get past it, and ways in which one can build a better life. Clare Dunne is a performer that I now have my eyes on. I think in the future, we will be hearing her name a lot more. I think she has the potential to build her career similar to the way her character attempted to build a house. Would I watch this film again? Not right away, but give it some time, and I may come back. Phyllida Lloyd crafted a fine film, and I am happy to have seen it. I am going to give “Herself” a 7/10.
“Herself” is available exclusively on Prime Video for all subscribers.
Thanks for reading this review! Today I just saw “Nomadland,” which is going to be out on Hulu February 19th, and it will simultaneously debut in theaters wherever they are open. Although for the next week or two, you can catch the film in select IMAX theatres. I saw it in IMAX today and cannot wait to talk about it. Be sure to follow Scene Before either with an email or WordPress account, and check out the Facebook page to stay tuned for more great content! I want to know, did you see “Herself?” What did you think about it? Or, have you ever built a house? Tell me what that was like. Let me know down below! Scene Before is your click to the flicks!