Reminiscence (2021): Inception for People Who Like Being Bored

“Reminiscence” is written and directed by Lisa Joy (Westworld, Burn Notice) and stars Hugh Jackman (X-Men, The Greatest Showman), Rebecca Ferguson (Mission: Impossible – Fallout, The White Queen), Thandiwe Newton (Mission: Impossible II, Solo: A Star Wars Story), Cliff Curtis (Missing, Fear the Walking Dead), Marina de Tavira (Roma, Ana and Bruno), Daniel Wu (Into the Badlands, Tomb Raider) and this film is set in the future when climate change has severely affected Miami. During this time, Nick Bannister (Hugh Jackman) is part of a business responsible for a machine called the tank, which allows people to go back in time and see older memories. One day, a client named Mae comes in looking for her missing keys. Shortly after, Nick and Mae become romantically involved, although Nick’s co-worker, Emily “Watts” Sanders does not trust Mae and wants to do anything she can to keep Nick from seeing her. In addition, Nick spends time revisiting past memories in the tank involving his love interest, which could trap him forever.

Well, that took some time to explain now didn’t it… I’ve been looking forward to “Reminiscence” for a number of reasons. It’s from my favorite studio, Warner Brothers, despite how they’ve stabbed the backs of theater owners this year. It’s got a decent cast with Hugh Jackman and Rebecca Ferguson in starring roles. But I also really like the concept this movie tries to deliver. Sometimes going into this movie, it would remind me and a few other people of a Christopher Nolan flick. In fact on the surface, it really does feel like that. The color grading and sets feel like something out of “Inception” or “Tenet,” and much like those two movies, this film has a concept that mixes action, romance, and transportation to another reality. The trailer for this film was not too bad, although I have seen better. The way they edited it though made it feel like it was somewhere outside our world even though it really was in our not so far future, and the action did look pretty sick.

Another reason why this looks like a Christopher Nolan movie… Jonathan Nolan, Christopher Nolan’s brother, was one of the film’s producers. And this should not be surprising, after all, he is the director’s wife! Hollywood, everybody! It’s about WHO you know! Not always what ya know! Granted, Jonathan Nolan had no writing or directing credits by the end of the product, Lisa Joy wrote and directed this film on her own, but it would not surprise me if some of his touch made it into the final product.

But going back to what I said about “Inception” and “Tenet,” as much as I like both movies. And I do. …Very much. I would say that “Inception” is clearly the better film because at the end of “Tenet,” I’m left amazed, but also wondering how certain things came about in that film because it is one of the most beautifully confusing things I ever watched.

“Reminiscence,” to me, even though the concept was somewhat, well, reminiscent, of “Inception,” kind of felt like it belonged in the same category as “Tenet.” As a high-concept sci-fi film, it is nice to observe, but there were still some loose ends that needed tying.

That’s what I would say if “Reminiscence” weren’t so goddamn forgettable! I would have reviewed this earlier if I had the motivation and time, because I did watch this film days after it came out, but I waited until this point because this is just the way things lined up. And now that I’ve had as much time as I did to think about this film, I think I may have spent more time thinking about the film I watched before this one, “Don’t Breathe 2.”

I really like the concept of “Reminiscence.” To have people go back and revisit their favorite memories, especially in a future where it seems that there are no positive memories left to create, is fascinating. I honestly wish a machine like this existed because it does seem to be safer than time travel and there are fun memories that I would love to revisit for one reason or another. I would love to go back to my first visit to New York City or one of my flocks to Salisbury Beach. Those were fun times and I would love to relive those. In fact, the more I think about what this movie is trying to do, it kind of succeeds at communicating that people do not see rainbows and unicorns in the future and would do anything to revisit their past. I just wish the story involving all of these elements happened to be more attractive. You know, kind of like Rebecca Ferguson in this movie. Props to the costume design on this film, a couple of her looked legit.

“Reminiscence” does not have the best screenplay of the year. At least in terms of visual execution. But there is one line that is repeated throughout the film that I found intriguing.

“No such thing as a happy ending. All endings are sad. Especially if the story was happy.”

Believe it or not, there is some truth to that. This is perhaps a slightly more artistic way of saying “Nothing lasts forever,” or “We all die at some point,” or “There will come a day where you will hate something that ‘Star Wars’ puts out.” I think this is a great quote, even if the script leaves a bit to be desired.

Technically speaking, this is not a bad looking film. Some of the shots are majestic, and kind of have a feel that harkened back to not just the couple of Nolan films I mentioned, but I’d even bring up “Blade Runner” and “The Shape of Water” as goto comparisons.

If anything, “Reminiscence” was an idea that had wasted potential. Aside from the concept, which I mentioned earlier, the film comes in with a stacked cast from Hugh Jackman to Thandiwe Newton. These are all-stars, and they’re working on one of the most uninteresting sci-fi flicks of the past few years.. The one thing that I wonder is that even though Lisa Joy has been in the visual entertainment industry for some time, is if she was truly ready to take on a movie like this. Because most of her work has been through television. I’m not saying that Lisa Joy should be forbidden from directing, writing, or working on a film if she so desired, but I wondered how out of her comfort zone something like this could have been for her. What else has she directed? One episode of “Westworld?” Okay… I mean, I’ll say in her defense, HBO programming usually has a higher price tag, standard, and more cinematic feel compared to most television shows. I’ll give her that. But I think if you were to direct a film like this, which is not the most expensive thing in the world, but it is by no means cheap, I think you would want someone with more experience in the director’s chair to pull this off. I am glad that women are getting more opportunities to direct, but I wonder if Lisa Joy should have just stuck to the screenplay and let someone else bring her vision to life. Because despite my complaints about the screenplay, the original script for this film was on the 2013 Black List of most-liked unmade screenplays. This film had a lot going for it. I’m glad Lisa Joy could get her movie out there, but my god I wish it were better.

In the end, “Reminiscence” by no means the worst movie of the year. In fact, I think at this point I’d rather watch this again as opposed to some other recent Warner Brothers titles like “Space Jam: A New Legacy” and “Tom & Jerry.” Then again, this may come with a bias towards sci-fi. I had very little connection to the other two projects going into them with the exception of liking one of the trailers for the former. As for “Reminiscence,” it had plenty going for it from the marketing (even though they did not spend much money on it), the people in it, and the concept. But in the end, it all feels like a waste. I’m going to give “Reminiscence” a 4/10.

“Reminiscence” is now playing in theaters and it is also on the ad-free tier of HBO Max for a limited time.

Thanks for reading this review! I just want to let everyone know that my next review is going to be for “Shang-Chi and the Ten Rings.” I wanted to get this out a bit earlier, but life has been busy, so I’ve been holding this review off for some time. I do want to let everyone know that I already did see the movie, AND I am seeing it again tonight, which unfortunately may spoil part of my thoughts regarding the film itself, but either way, look forward to my review when it drops! Also, be sure to check out my review for “Malignant,” whenever that drops as well! If you want to see this and more on Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Scene Before Facebook page! I want to know, did you see “Reminiscence?” What did you think about it? Or, what is a film that you think has a great concept with terrible execution? Let me know down below! Scene Before is your click to the flicks!

Tenet (2020): This Review Hasn’t Happened Yet

Before we dive into this review, I just want to remind everyone that this is spoiler free. “Tenet” is one of the biggest movies of 2020 for a lot of reasons. There are not only a lot of people waiting desperately to see this movie, like myself, but there are also many people who might want to wait to see this movie depending on how safe it is to do such a thing. There’s also some areas like New York, California, the country of Japan that for the most part, cannot obtain access to this movie yet. With this in mind, I am going to attempt to be as vague as possible with my thoughts on “Tenet.” Kind of like its own trailers. What did we learn? Not much, which I don’t mind because I’d rather go into a movie knowing as little as possible. What’s the point of a trailer if it’s going to simply show the entire movie? I do go into detail on one or two things, but the things I take the deepest dives into don’t have much to do with plot, story, or characterization. Without further ado, it is time to start my review for “Tenet,” otherwise known as the movie I have waited since the Jurassic era to witness on the big screen.

The day we’ve waited for has arrived…

“Tenet” is written and directed by Christopher Nolan (The Dark Knight, Dunkirk) and stars John David Washington (BlacKkKlansman, Ballers), Robert Pattinson (Good Time, The Lighthouse), Elizabeth Debicki (The Burnt Orange Heresy, Guardians of the Galaxy Vol. 2), Dimple Kapadia (Bobby, Fearless), Michael Caine (The Cider House Rules, Interstellar), and Kenneth Branagh (Jack Ryan: Shadow Recruit, Hamlet) in a film involving NOT time travel, but time INVERSION, which makes time move backward. John David Washington plays The Protagonist (yes, that’s his actual name) who journeys through a twilight world and faces a mission that could mean the difference between peace… or World War III.

It’s finally here! “Tenet” is arguably my most anticipated movie of 2020, not to mention of all time. For the record, I keep saying “Dune” is my most anticipated film of the year, but given how “Tenet” is supposedly the movie that will “save cinema,” that’s an added bonus for me. I’ve talked about this movie long before it came out. I reviewed one of the trailers, I did a couple posts on what we knew about the movie at the time, and I even brought it up a couple times during my temporary “Movies and COVID-19: Behind the Scenes” series. I don’t think I’ll be updating that anytime soon, because I can only take so much talk about COVID-19 at this point. “Tenet” is also directed by Christopher Nolan, my favorite director working today. “Dunkirk” ended up being one of my favorite movies of 2017, taking my #4 spot at my end of the year countdown series. Two of his movies showed up in my “Top Movies of the 2010s (THE BEST 25)” countdown, which by the way, one of them ended up being my #1 pick! That movie by the way is “Interstellar,” which is one of my favorite movies of all time! Christopher Nolan is a director who individualizes his work in the industry, partially because he’s developed a distinctive style himself, but also because a studio as big as Warner Bros. trusts him at this point to make “his movie.” Plus, this movie was shot entirely in 65mm film, much of which was through IMAX. I’m a sucker for large format filmmaking, and I knew that this movie was gonna look CRISP.

To this day, Christopher Nolan has not made a bad film. Keep in mind, I still have not watched “Following,” but I’ve seen every other film from him. I really enjoyed “Memento” and I thought its storytelling methods were pretty solid. His “Dark Knight” trilogy is not only fun, but kind of refreshing in a world full of big CGI comic book movies. “Interstellar” is incredibly rewatchable and I stand by it being arguably my most cherished movie experience. “The Prestige,” while I don’t recall much about it, was fairly enjoyable. “Insomnia” is an entertainingly gritty thriller and features a fine performance from Al Pacino. “Dunkirk” is proof that you don’t always need a centralized character to tell a story, and I kind of like that. As if “Inception” wasn’t already cool enough, I rewatched it four times this year! Two of those times were in IMAX! It’s that good! So, is this the movie we’ve been waiting for? Is this the savior of cinema? Is “Tenet” 2020’s goldmine? Is it worth the hype?

Honestly, I’d say yes. The best way I can describe “Tenet” is this. If you’ve never been to Fenway Park in Boston before, they have this one section where all the seats happen to be green, except for one. Why? Because former Red Sox player Ted Williams hit a 502 ft home run towards that seat, and even though all the other seats remain green to this day, that one seat, which is 502 ft from home plate, is red. I feel like in my imagination, all the other movies that I’ve seen this year, all possess the typical green seats, but “Tenet,” because of how much I enjoyed it, gets the special spot. I say that because as I’ve discussed on here before, 2020 sucks, not just in general, but in the case of what I focus on regarding Scene Before, our cinematic calendar is pretty much a waste.

We’ve barely had any animated features this year, and while they are not my goto genre, I’ve watched at least five per year in the past couple years. It’s something I miss, and I really hope more can come out because Best Animated Feature is a category I do during my awards show that I put on here. There’s one movie that I have lost all motivation to review partially because of the pandemic, and partially because I’ve pretty much put it out of my mind upon leaving the theatre (That movie is “Bloodshot,” by the way.) All the big blockbusters like “Ghostbusters: Afterlife,” “F9,” “Morbius,” “Eternals,” and “Top Gun: Maverick” have all been pushed back about a year. “Tenet” is not only a movie that, unexpectedly, would supposedly “save cinema,” but it was one that was made to specifically show off the power of cinema.

I saw “Tenet” at a regular 2D screening at an AMC, and it felt like I was at an RPX or something. It really felt like the audio was cranked up beyond the maximum limit. This movie has some of the most immersive, and all time best sound editing I’ve heard in my life. Everything from the opening scene to the grand climax is magic for the ears. As for sound MIXING… That’s a different story, and quite honestly, it’s my biggest problem of the film.

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I’ve witnessed a few reviews before going to see “Tenet,” not mainly because I wanted to know how the movie was, but because I want to support the content from those who created it. Anyway, they seem to be having the same issue as me. “Tenet” is an audible, earth-shattering movie. Christopher Nolan is no stranger to this description. Have you guys seen “Dunkirk?” That’s gotta be one of the loudest movies I’ve heard in my life! Nolan is my favorite director of all time, but if there is one valid critique I will give to him, and this even stands true for “Interstellar,” my favorite movie of his. Christopher Nolan seems to be hyper-obsessed with having the sound mix be as obnoxious as possible, allowing sounds in the background like shotgun blasts, explosions, even music to take over the ears, thus making us lose some of what could be important dialogue. This wasn’t a huge dealbreaker because as someone who is an aspiring screenwriter, I know that words are not always necessary. Film is a visual medium. As long as I can see what’s going on and do so coherently, everything seems to be fine. Granted, I will always take good dialogue whenever possible, but what’s the point of making a movie when you can’t see or hear what people are “doing?”

I will also say, this movie has a lovable ensemble. Everyone from John David Washington to Elizabeth Debicki to Kenneth Branagh all happen to be great in the film. I enjoyed the presence of all their characters. I will point out though, once again, John David Washington plays a character whose name happens to be “The Protagonist.” I won’t say much about it, but I like the direction in which the movie took that meaning. I’ve read some things about “Tenet” before seeing it and I had no idea what that name could have to do with the movie, but the way they handled it was surprisingly pleasant, so kudos!

Speaking of “Tenet’s” ensemble, I will also bring up Michael Caine. For those of you who don’t follow Christopher Nolan, I should have you know that Michael Caine has been in every one of his movies since “Batman Begins.” He even had an uncredited role in “Dunkirk!” I’ve read about this before the film, and this is not spoiler, but Michael Caine’s character in the movie… is named Michael. Because, he’s already played everybody else in Nolan’s imagination, right? I won’t say much about Caine’s appearance in this film, but there’s a moment in the movie where The Protagonist ends a chat with him and my brain clicked as soon as I heard The Protagonist refer to Caine’s character as “Sir Michael.” Did Christopher Nolan originally write this movie with himself in mind for the lead role? I seriously want to know at this point!

I have already raved about this movie from an audio perspective, calling it one of the most immersive experiences I’ve had all year. I’ll also point out, I have never seen a movie “live in concert” before, but if they ever get to a point where they do such a thing for “Tenet,” I will IMMEDIATELY buy a ticket! Because let me just tell you one thing right now. “Tenet” may just have my favorite film score that I have heard in years!

One thing I’ve gathered about Christopher Nolan as a director is his tendency to work with people he’s worked with in the past. I recently mentioned Michael Caine. Nolan’s worked with Tom Hardy a couple times. Same goes with Anne Hathaway. He brought back Kenneth Branagh for this film. Hoyte Van Hoytema is the cinematographer for this movie, making this his third collaboration with Nolan. And if you ask me, this is another solid entry to his resume and I cannot wait to see how they used the IMAX cameras for this film. But I will point out one collaboration that I was shocked to see missing once I heard about it.

BEVERLY HILLS, CA – JANUARY 16: Composer Hans Zimmer arrives at the 68th Annual Golden Globe Awards held at The Beverly Hilton hotel on January 16, 2011 in Beverly Hills, California. (Photo by Jason Merritt/Getty Images)

No Hans Zimmer.

HOLLYWOOD, CA – FEBRUARY 24: Composer Ludwig Goransson poses with the Best Original Score award for “Black Panther” in the press room during at Hollywood and Highland on February 24, 2019 in Hollywood, California. (Photo by Jeff Kravitz/FilmMagic)

Why is he not here? He’s busy. He’s been doing “Wonder Woman 1984,” “No Time to Die,” “Hillbilly Elegy,” and perhaps the biggest reason why he couldn’t fit “Tenet” into his schedule, “Dune.” Hans Zimmer said “no” to doing the score for “Tenet” because he wanted to fit “Dune” into his busy calendar. There’s no beef between him and Christopher Nolan, but he just wants to do “Dune” so bad to the point where he had to give up doing the score for “Tenet.” I was a bit disappointed considering how Zimmer and Nolan are one of the best duos in Hollywood history. The score for “Interstellar” is one I listen to quite often. However, the movie ended up getting Ludwig Göransson (The Mandalorian, Black Panther) who I will point out, may have made my favorite main theme for all the characters in Disney’s Marvel Cinematic Universe, specifically for Black Panther.

RIP Chadwick Boseman and Wakanda forever.

I must say… This score very much reminded me of a few movies. It felt like something out of the “James Bond” franchise, which does make sense as this is a spy movie. But it also reminded me of the “Blade Runner” franchise, especially “Blade Runner 2049,” and I say that because, and pardon my unprofessional-sounding diction here, the score sounded “boomy” at times. That’s the best way I can describe it. There’s this occasional drum pattern of some sort that comes and goes, I cannot get it out of my head at this point. In fact, when I got home, I did something regarding this movie that I have never done before. I went online, and tried to see where I could buy a physical copy of the CD. There are a few movies like “Knives Out” or “Star Wars: The Rise of Skywalker” where I would watch it, enjoy the soundtrack, and maybe a couple days or a week later find the soundtrack on YouTube and listen to it. This is one of those rare times where I wanted to pay money for a physical copy.

Going with a different than usual composer for Christopher Nolan’s “Tenet” sounded like a rather bold, not to mention somewhat peculiar move when it comes to my first impression, but this may have been the best thing that could have happened to “Tenet” overall. Honestly, looking back, I don’t mind this change. Let me just say, the last film that Nolan did before “Tenet,” specifically “Dunkirk,” was undoubtedly amazing. And if you ask me, a couple parts of the score were worthy of a thumbs up. However, if I had compare that to many of the other entries to Hans Zimmer’s resume, not just the projects he’s done with Nolan, but even projects like “Man of Steel,” “The Lion King,” “Kung Fu Panda,” and “Batman v. Superman: Dawn of Justice,” the “Dunkirk” score felt kind of underwhelming.

The thing I really enjoyed about Ludwig Göransson’s score is that it really emphasized the scale of the movie. The entire time I felt like I was on an action-packed theme park ride that specifically caters to adults. Aside from that, it’s fast-paced, and I would not mind listening to it every single day for the rest of my life. I know funerals are supposed to be sad and that sort of thing, and honestly, the last thing I want to do is know that I will make everyone cry at my funeral, no matter what I bring to society. So, if anyone wants some epic music for my funeral that way not many people cry but it’ll still tie into a “Jack Drees” theme, download the “Tenet” soundtrack on your preferred service! Then again, when I die, why should I care? I can’t plan a funeral when I’m dead! It’s for the living to remember the dead as they choose! I can’t interfere! It’s improper!

Would I like to see Ludwig Göransson collaborate with Christopher Nolan again in the future? Yes and no. Let’s say they do a “Tenet 2.” I’m not implying I want a sequel. I’m not implying the movie ends highlighting plans to do a sequel. I’m just saying IF they do a “Tenet 2,” that’s an obvious yes from me. I cannot imagine anybody else handling this IP from a musical perspective at this point.However, I would either like to see Hans Zimmer come back because he and Nolan go together like bread and butter, or they get some other composer to come in like Danny Elfman or Alan Silvestri. It would also have to depend on the type of movie they do. I may be getting ahead of myself here, but I think Ludwig Göransson smashed this score so hard, that if he does another one, I will probably end up looking forward to it so much that I will just end up feeling underwhelmed upon hearing it no matter what happens. In addition, I don’t know how Göransson could top this score in another Nolan project. To be fair, he’s a musical genius and one of the more unique film composers I’ve heard, so he could find a way, but I also have my doubts. It’s kind of like when I watch “America’s Got Talent” sometimes during the quarterfinals or semifinals and there’s one act that does something so amazing that even though I WANT to see more from that act and I want them to succeed, I don’t see them topping what they just did, so it would be hard to tell if they could do something nearly as cool if they advance. It’s a compliment, but also kind of a curse.

“Tenet,” to be quite honest, is not my favorite Christopher Nolan movie. Nor is it my least favorite. As of right now, when it comes to my rankings, it ends up somewhere in the middle for me. I enjoyed it more than all the films in the “Dark Knight” trilogy, but I’d say that I enjoyed films like “Dunkirk” and “Inception” more. But as a filmmaker, Nolan is like Pixar. Bad Pixar is still better than a lot of movies. Remember “Onward?” I gave that movie a 7/10. That’s a low grade for Pixar, but a lot of filmmakers would kill to have their movie receive that positive of a review. But I will say that when it comes to “Tenet,” this movie has something going for it. Rewatchability.

Now, I already bought tickets for a second “Tenet” screening BEFORE going to my first one. The main reason is because I bought a ticket for myself, but I wanted to see the film in IMAX, but I didn’t buy an IMAX ticket, plus I figured it would make for a good outing with my father. So my second outing is so he could see the movie as well.

Not gonna lie, I’m already thinking of buying tickets to a third screening. Maybe I’ll do Dolby Cinema this time. I gotta check all the boxes for different formats I can see this movie in. In all seriousness, not only is this film rewatchable for entertainment purposes, but like some other Nolan flicks, I feel like I missed some things the first time around that could be picked up on a second, third, maybe even fourth viewing. And I’m not saying that as someone who feels like they HAVE to watch “Tenet” again, I’m saying that as someone who wants to. I don’t think I’ve wanted to go back to the movies to rewatch something this much since… I don’t know… Maybe ever. This film has some problems. The sound mixing is the most obvious and I think going forward, I’m not sure how much control Nolan has over the sound mixing process, I think that could be something that he needs to either stay away from, or something he should leave to others. Either that or just make a silent film. Nice little throw back. It could be shot in 4:3 on 8mm film. AMC could bring in special projectors for select screenings. It’s event cinema! Come on, Nolan! I’m writing your ideas for you! Use them! Although between the likable performances, the dazzling camerawork, the unreal use of practical effects, one of the most heart-pumping opening scenes I’ve witnessed in recent memory, one of the craziest climaxes I’ve witnessed in recent memory, and THAT. FREAKING. SCORE. “Tenet” is a good time at the movies. I repeat, AT THE MOVIES.

I cannot thank Warner Bros. enough to sticking to a theatrical release for this film. This is a movie that is literally MADE for the big screen, perhaps more so than any other this year. I’ll be honest, if this went straight to HBO Max… I don’t know if I would have watched it. Maybe I would have since I paid for the service and I want to get my money’s worth, but I would have been missing a lot of what I’ve gotten from my recent experience. Thank you, Warner Brothers, and I’m hoping you stick to your guns for films including “Wonder Woman 1984” and “Dune.” Cannot wait for those movies!

In the end, “Tenet” is exactly as it was advertised, an “event” film. It has the best and worst of Christopher Nolan’s cliches. Massive scale, but sometimes it’s too massive when it comes to the sound mix. Even so, it does not take away from this film’s long list of positives. Is “Tenet” my favorite movie of the year? No. I still think “Summerland” is my #1, and for all I know, it could stay at my #1 spot for some time. But again, “Tenet” comes off as an incredibly rewatchable film. If this film warrants enough repeat viewings, and maybe some more aspects regarding it stand out with greater positivity, “Tenet” could become my favorite film of 2020, but for now I’m going to give “Tenet” an 8/10!

“Tenet” warrants a viewing on the biggest screen possible. And I know that not everyone feels comfortable being inside a movie theater right now. But, if there is a drive-in open near you and it happens to be playing “Tenet,” it could make for a fun night out with an easier chance to remain socially distant. Otherwise, the film will probably be out on Blu-ray sometime in the future, but I really don’t know when. Because if I’m not mistaken, “Tenet” is supposed to be in cinemas for a long time, and if Warner Bros. wants to keep that promise alive, I would imagine that they’d go on long past the traditional theatrical window to keep exhibitors happy. I don’t know what’ll happen, but I highly recommend “Tenet” if you feel safe enough to get out of the house. Go see this damn thing! It’s freaking sweet!

Thanks for reading this review! I just want to remind everyone that “Tenet” is playing in several different formats to choose from. Many of the screenings perhaps near you happen to be in digital projection, but if you want other options, read this handy guide! I’m not sure what my next post is going to be as I am getting ready for my next year of college and I have a rather important family birthday coming up that requires major prioritization. But we’ll see what happens! Maybe it’s “Bill & Ted Face the Music,” maybe it’s “The Personal History of David Copperfield,” maybe it’s “Tesla,” who knows? Maybe I’ll cave in and get Disney+ so I can review “Mulan.” I really don’t want to, I think this is incredibly greedy, but who knows? I know you have seen more great content from Scene Before, it just hasn’t happened yet! With that in mind, do yourself a favor and follow Scene Before either with an email or WordPress account! Also, check out my Facebook page! I want to know, did you see “Tenet?” What did you think about it? Or, who is your favorite film director of all time? Let me know down below! Scene Before is your click to the flicks!

Ways To See TENET in Theaters (From Digital to Film Stock to IMAX)

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Hey everyone, Jack Drees here! I cannot believe I’m saying this, but for real this time, “Tenet” is almost here! The signs have been lighting up! Marketing has been increasing! Theaters have been opening! Sure, there are some key areas that may miss out on “Tenet” for now, but who’s to say markets like those can’t get the movie down the road? Nevertheless, this is something I have been looking forward to since last year, and it is finally here! I feel like a kid on Christmas!

For those of you who know anything about cinemas, there are some basic facts that can easily be picked up. For example, no matter what you are watching, it is usually on a big screen with high tech surround sound, but today, we are going to talk about one of the biggest movies of the year, and while we are not that far into the 2020s yet, I’ll go as far as to say it’s probably going to end up being one of the biggest and possibly defining films of the entire decade. That film my friends, is Christopher Nolan’s “Tenet,” which I have discussed on Scene Before in the past. In fact, I cannot think of many other movies that I have discussed more before it came out aside from a few “Star Wars” flicks. In the trailers for “Tenet,” there’s a lot that can be picked up. For example, it is shot on IMAX film, which is often claimed to be the highest quality shooting format in existence, which also happens to be the highest quality projection format in existence. We’ll talk more about that in just a sec…

You may be thinking, is “Tenet” worth seeing in a theater? Now, don’t take my word for it, because I myself have not sat down in a theater to watch “Tenet.” And thanks to the spreading of COVID-19, almost nobody else in the world has gotten the opportunity to do such a thing either. This movie was originally supposed to release on July 17th of this year! What is that that ten eras ago or something? I think dinosaurs were still around when “Tenet” was supposed to come out! But, keeping that in mind, there are a couple things that you should know about “Tenet.”

  1. This film is directed by Christopher Nolan, who typically goes all out and advocates for the theatrical experience. If Warner Bros. were to kick “Tenet” away from its current release date, there is one thing that they WOULDN’T do, which is put the movie directly to home-based platforms. Nolan does not make his movies to be viewed at home. After all, when you spend over $200 million on this movie, putting all the biggest tech into it, why would you not put it into theaters?
  2. “Tenet” is being shot entirely through old-fashioned, heavy-duty 65mm film, some vertical and some horizontal. Again, I mentioned how this film was shot with IMAX, that is part of the 65mm process. The rest of the movie is shot on Panavision cameras which support the same format just in a vertical direction as opposed to IMAX’s unusual horizontal film stock. The film used to shoot “Tenet” is high quality and will look detailed on a big screen.
  3. Aside from high tech, “Tenet” also packs in a high concept. While much of the plot to “Tenet” currently remains secret, it involves time inversion (not to be confused with time travel), meaning that the movie will contain scenes where characters have to go backwards in time. There is also an international espionage plot moving everything along. Speaking of big, this movie was shot in seven countries.

As I’ve stated on this blog in the past, my most “anticipated” film of 2020 is “Dune,” which may be subject to change if it gets pushed back and that sort of thing, but who knows? Although, if there is currently a film that I want to see come out and succeed right now, “Tenet” would be my #1 answer. “Tenet” has a lot going for it both from tech and story. And I encourage you all to see it (that is, if you feel safe going out in August or September depending on where you live). But if you were to see it, you may overlook something… Where do you go see it? Well, here’s some options…

Digital (Resolution: Varies, typically 2K, 4K)

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If you have been to one to ten movie theater experiences in the past decade, there is a good chance that at least one of them, if not a majority, have been in digital. This is the industry standard as the equipment used is light, environmentally friendly, and maybe also because James Cameron wanted this to be the big projection standard for 2009’s “Avatar.” 3D is much more common on modern digital projection. Just for the record, “Tenet” is shot entirely in 2D, and will not be converted to 3D. To this day, all of Nolan’s films had no relation to 3D shooting or 3D projection. But this projection is basically what you’d be able to find your local multiplex like an AMC or Regal. This is not to say that mom and pop theaters don’t have it, but if you walk into a big chain theater, this is what you would find in almost every auditorium. It’s clear, bright (except when someone doesn’t know what to do when changing the filter for 3D), and like everything else in this 21st century society, computerized. Unlike film, this will allow for no scratched, tampered, or deteriorated images. If you want to go see “Tenet” and get a bang for your buck, see it in a digital theater. Keep in mind, the projection equipment may vary and the resolution may be better in some places than others. This is a very broad category, so be wise with your theater decision.

35mm (Digital equivalent: Approx. 6K)

Before digital projection of all kinds took over, the main source for projection during moviegoing happened to be 35mm. While many theaters have gotten rid of it for the digital projection you see today, many arthouse style theaters tend to have this format. In fact, I’ve seen two presentations in 35mm within the past year or so. To specify, “Once Upon a Time in Hollywood” and “Little Women.” While I will admit one movie happened to be significantly more entertaining than the other, both looked crisp on the big screen. Given how 35mm is nearly equal to digital’s 6K, it is clearer than a vast majority of digital options on the cinema market today. Given how Nolan’s film was shot on 70mm however, some detail will be lost when projected. Which leads me to…

70mm (Digital equivalent: Approx. 12K)

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Back in the day, 65mm stock was used to shoot a number of big films that try encapsulate a large scope. After all, 70mm is such a large resolution and a feast for the eyes, which is why there’s a lot to love about it. And I can confirm that as I have seen “2001: A Space Odyssey” in the format twice. Pictures like the recently mentioned “2001: A Space Odyssey,” “Lawrence of Arabia,” and “Ben-Hur” were all shot with 65mm, making them worth projecting in 70mm to see in their full glory. Christopher Nolan is no stranger to this format. As mentioned, he’s shooting “Tenet” entirely in 65mm, but this is not his first time doing so. The same can be said for his previous movie, “Dunkirk,” which like “Tenet” was also shot using IMAX footage. As for the scenes shot in traditional 65mm, those were shot to be presented in a 2.20:1 aspect ratio, same thing can be said for “Tenet.” This format was also what exactly was used for when the film was projected. This allows for no cropping or adjustments during various scenes that were NOT shot in IMAX. Given how the IMAX scenes are taller, those are cropped. Note for all the other non-IMAX 1.43:1 formats, they feature cropped pictures as well.

IMAX Digital (Resolution: 2K)

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Sticking with IMAX, the most mind-blowing thing about the brand for me is how much it has expanded over the years to the point where its multiplex-style theaters outrank what made them famous, their 1.43:1 aspect ratio screens (more on those later). One reason for this, easy digital projection and for the most part, retrofitting. IMAX Digital is typically projected onto screens with a 1.90:1 aspect ratio (kind of like the one above). But they are also used on the older style screens depending on the theater, and in some cases, what movie is playing. The screens these are normally used on are traditionally larger than the average movie screen and are comparable to RPX or Cinemark XD. They are also in theaters usually packed in with IMAX’s traditional 6 channel surround sound system, offering around 12,000 watts of power. While the image is not exactly the highest quality you’d get in a theater, the IMAX scenes do expand in this format and get rid of the black bars that are visible in other scenes. It is a good step up compared to most digital screens, which are smaller in size. As for the sound, that can also be a step up too in a lot of cases.

IMAX Laser (Resolution: 4K)

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Here we have the biggest digital offering yet. A typical setup containing 12 channel surround sound, bright colors, and full support for screens that are anywhere between five to eight stories high. This takes what IMAX was built upon and digitalizes it. While the IMAX brand started with their spankin’ clear 70mm projection, they are modernizing their brand while also recognizing their tradition. Large format technology that literally aims high. This is true with their IMAX Laser technology, which began rolling out in 2014. IMAX Laser presents movies in vivid 4K images and supports the traditional IMAX 1.43:1 aspect ratio used to shoot several of Nolan’s films including “The Dark Knight,” “The Dark Knight Rises,” “Interstellar,” and “Dunkirk.” This means once “Tenet” enters theaters, the IMAX Laser experience will allow for not just crystal clear images, but for several scenes to lack the black bars no matter what screen it is on. Keep in mind, if you have an IMAX Laser projector in your theater, it won’t always show the movie in 1.43:1 as the results will vary based on the screen’s dimensions. Some, like the very famous TCL Chinese Theatre in California, will show the movie in 1.90:1, much like the regular IMAX digital projectors in their specific theaters. Once again, if you are seeing the movie in 1.43:1, you are paying for the TALLEST picture possible. This is one of the best digital formats out there but keep in mind, like IMAX digital, some of the movie will have black bars, and if changing aspect ratios happen to be distracting to you, there’s a chance you may want to look at a different format. The same can be said for the next format, IMAX 70mm.

IMAX 15/70mm (Digital equivalent: 18K)

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And now, onto the clearest format on the planet, IMAX’s 70mm technology. For those unfamiliar with the technology, IMAX started their company by using very large 70mm film that goes horizontal. As previously mentioned, it is used in their flagship 2D cameras, which were used during “Tenet’s” filming. Until sometime in the 2000s, it was the norm for IMAX to install theaters that have unheard of dimensions, installing screens that can rise up to a hundred feet. Once finished, they would have the IMAX GT (Grand Theatre) or IMAX SR (Small Rotor) projection systems along with 12,000 watts of surround sound, including speakers from the walls and behind the screen, which is a norm for IMAX. Although with IMAX’s newer 12 channel system, they have speakers on the ceiling. This system is meant to go with theaters that are converted or prepackaged with the Laser system, but are also used in several theaters that have BOTH the IMAX Laser and IMAX film projection models. Either way, you are getting the best the brand has to offer. Wall to wall, ceiling to floor picture. The clearest images of all time, many of which are shot to match the projector’s intentions. If you shell out the money to buy a ticket for an IMAX 70mm show, you are paying for the viewing experience Christopher Nolan literally intended for his viewers to get. One thing to note about both the IMAX Laser and IMAX film shows… Good news, they are presented the way in which the film was perhaps meant to be. Bad news, the theaters with the proper equipment for this are not dime a dozen, they are quite rare in fact. Not all of them will be used for “Tenet” for one reason or another. But, IMAX has a selection of theaters that are playing “Tenet” in the uncropped, true IMAX formats if you are curious to know more about them.

Now, I could go over other theatrical formats such as Dolby Cinema (includes dual 4K projection, DOLBY ATMOS, DOLBY VISION), AMC Prime (responsive subwoofer seats, enhanced sound and projection), RPX (large auditorium, large screen, high quality sound, exclusive to Regal-branded theatres), Cinemark XD (large auditorium, high quality sound, exclusive to Cinemark-branded theatres), and so on, but the reason why I am specifying on the formats above is because they are the basic projection features running today for this film. While formats like those are unique and specifically branded, they either offer something with “Tenet” that is very similar to what they’ve done before or it is too similar to other formats to go in depth about it. The reason why I included the three IMAX formats above is because Christopher Nolan treasures the IMAX experience and suggests that it is one of the best ways to see a movie, but the brand offers three somewhat distinctly different experiences today. As for 35mm and 70mm, these are classic formats that are not often used today and can enhance the movie experience for some. Plus, “Tenet” was shot in 70mm, so that’s another reason to bring the format into the discussion. I even brought up and broadened the digital category because chances are that if you have a movie theater near you, it is likely going to have that style of projection, but it can vary depending on where you go. Some of these experiences are rarely used for new releases and depending on which one you pick, you will achieve bragging rights, suggesting that you saw “Tenet” in a higher quality than the way your friends managed to.

By the way, if you are scrolling down because you hate reading, watch the very informative video listed above published by Slate (feel free to read more from their site) explaining some of the ways you can see this movie and how these formats work. NOTE: This is an explanation for “Dunkirk,” not “Tenet,” but the two are shot very similarly, so the information provided here can apply to both films.

“Tenet” is currently scheduled to release September 4th, 2020. Unless of you course you count early screenings starting August 31st. Due to COVID-19 restrictions, select states including New York, California, and Arizona are keeping their theaters closed for the time being. Please note: This is the release date for the United States. My international friends in countries like the United Kingdom, Australia, Thailand, South Korea, Ireland, and so on will be getting the movie as early as August 26th. You lucky ducks… Should coronavirus not continue to spiral out of control, the movie will likely release on time. Movie theaters have been closed since March due to COVID-19, but more are opening as areas continue to loosen restrictions and move along their calendar of phases. Whether or not they’ll remain open, is a mystery. Given how some theaters are already open and some will be opening soon, if said theaters open and operate without many issues, expect “Tenet” to come out on time.

Thanks for reading this post! If your movie theater is open and you do decide to go, please do yourself a favor. Respect their policies, don’t harass their employees, and be sure to distance yourself from other people. Remember, they’re a place of business, so even though the customer’s always right, there needs to be a collective effort from everyone to make sure the moviegoing experience is alive and well. When “Tenet” comes out, I’ll very likely see it whenever possible. I hope there’s an IMAX 70mm show near me, and if not, screw this world because Rhode Island and Connecticut have working projectors for this sort of thing. Just saying. My home state of Massachusetts does too but they’re not normally used for big Hollywood blockbusters. If you want to see more from Scene Before, be sure to follow this blog either with an email or WordPress account! Also, check out my Facebook page! I know you already liked it… It just hasn’t happened yet. I want to know, are you seeing “Tenet?” And where do you plan on seeing it? If not, do you plan on staying home and watching something instead? What is that you’re watching? Coincidentally, “Mulan” drops on Disney+ the same day that “Tenet” hits theaters in the United States, so I’m gonna be interested to see which movie ends up doing better on its first weekend. Let me know down below! Scene Before is your click to the flicks!

Minority Report (2002): Spielberg Conveys a Deadly 2054

TOM CRUISE MONTH POSTER

Hey everyone, Jack Drees here! We have reviewed four Tom Cruise movies so far this month, now let’s make it five! Before we go any further, if you do want to check out my reviews for “Oblivion,” “All the Right Moves,” “Days of Thunder,” and “Top Gun,” you’ll notice that the titles are highlighted, meaning that you’ll find the links right there! These are all other movies that I have previously reviewed for the purpose of Tom Cruise Month, but we’re not focusing on those right now. Instead, we are going to focus on the year 2054, which looks mighty pleasant compared to 2020. It is time to talk about “Minority Report” as we begin our final installment of…

*LIGHTNING CRACK*

TOM CRUISE MONTH

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“Minority Report” is directed by Steven Spielberg (Jurassic Park, Jaws) and stars Tom Cruise (Risky Business, Top Gun), Colin Farrell (Ballykissangel, American Outlaws), Samantha Morton (Band of Gold, Pandaemonium), and Max Von Sydow (Flash Gordon, The Seventh Seal). This film takes place during the year 2054 and is based on the material once created by author Philip K. Dick. In a future where Pre-Cogs can see upcoming murders and related criminal acts, a special police unit is supposed to stop murderers and arrest them before such crimes are committed. Interestingly, one of the police officers themselves is accused of a future murder.

Prior to making this review, I had not once seen “Minority Report.” And at this point, getting to witness something new, even if it is almost a couple full decades old, is kind of a treat. I bought the Blu-ray when I was in Santa Monica, California, and I figured this Tom Cruise Month theme would give me a solid excuse to pop in the disc. Unknowingly, I was aware of this movie’s existence. I mean, sure, I guess I knew the title and everything, but what I did not know was that this movie was the picture featuring Pre-Cogs. Like every other person under the age of thirty, I achieved a great deal of knowledge, or at least a conglomeration of useless factoids, over the Internet. If it were not for YouTuber Jeremy Jahns referencing one specific scene…

“Murrrrder.”

…I would probably not know squat about this movie, or at least acknowledge squat about this movie. So I will say, this movie must have stood the test of time in terms of being recognized in pop culture. Then again, it is a Steven Spielberg flick, and he has a fairly recognizable, prolific, diverse, and masterful library.

By the way, before we go any further, one of the biggest compliments I’ll give to this movie is that the framing is very well done. The scope of “Minority Report” pulls you right in. It does not disappoint. It takes this 2054 type of environment and makes you embrace it. Speaking of which, one of the best shots of this movie, is the first full-on glimpse we get of a Pre-Cog, which is shown in the GIF I would assume you have scrolled through fairly recently. It’s just so clear and crisp. I don’t know why, but the more I look at the shot of that Pre-Cog, the more I want to go into a pool. Although, maybe not until next year, knowing how things are right now. I will say, on that note, even though I really like the way this film looks, it’s not pretty all the way through, because I think the color scheme of many of the shots are a little too somber. Granted, “Minority Report” is not a comedy, it was never supposed to represent the best of times, even though we do get some classy looking cars in the future, but there are some times where this movie doesn’t come off as a soap opera from the script, but the color palette begs to differ. It almost reminds me of the “Point Break” remake from 2015, only this movie is twice as good as that film and in my personal opinion, technically qualifies as a “movie.”

Since this is a Tom Cruise movie, and given how this is the final entry to Tom Cruise Month, let’s talk about Tom Cruise himself. When it comes to Tom Cruise in this film, this is honestly one of his better performances. I think casting was a job well done with this film, not just with Cruise, but with names including Max Von Sydow and Samantha Morton. I bought into all their performances and it helped enhance the movie. I will say though, not that it matters entirely, Tom Cruise with a haircut like the one he has here is probably one of his inferior looks for one of his roles. But that’s just me. Also, if you know me, when it comes to Tom Cruise, I don’t always point out my love and respect for him through his ability to convey a character, even though he’s a respectable actor in that regard, but his motivation to perhaps nearly kill himself. Like some of his other movies, he does his own stunts here. Granted, I never really noticed anything as scary or heart-racing as say his plane hang from “Mission: Impossible – Rogue Nation” as an example, but is nice to know that like some of his other projects, Cruise himself put an effort into the stuntwork.

One of the best parts of “Minority Report” is the concept. You have a special police force trying to stop murderers who are predicted by Pre-Cogs. I think the way that this movie went around executing the concept was worthy of a thumbs up. The movie kind of had me in the beginning alone. I will say when it comes to pacing it does slow down overtime, but the climax is fairly entertaining as well. It ups the pace of the movie when said climax begins, and it makes the viewing experience worthwhile.

Another point of the movie that stood out to me for a reason I truly should have grasped from the very beginning was the score. For the record, the score for “Minority Report” was conducted by John Williams, and I don’t know why for the life of me I didn’t conceptualize that from the beginning. I knew John Williams automatically went hand in hand with the “Star Wars” franchise but for some reason I completely forgot his attachment to Steven Spielberg, the two go together in the same way that Hans Zimmer and Christopher Nolan tend to go together. They have worked on so many films to the point where their coupling has become nothing short of iconic. When it John Williams, I will say, even though there are fractions of the score that I happened to like, it is one of inferior scores. This movie came out the same year as “Star Wars Episode II: Attack of the Clones,” another score that John Williams did. And even though I, along with many others, would point out that “Attack of the Clones” is a lackluster installment to the “Star Wars” franchise, there’s a solid chance I would agree with someone that “Episode II,” per usual had a kick-ass John Williams score. When it comes to his 2002 work, “Attack of the Clones” kicks “Minority Report’s” ass. Although, if you want me to go further, even though I barely remember, I do recall not hating Williams’ score to “Harry Potter and the Chamber of Secrets.” But I have to watch that movie again as it has been forever since I saw it. Sticking with “Minority Report’s” score, I will say I enjoyed it, but if I had to say one standout negative about it, I think it’s a little overbearing on drums. Just a little bit.

Little sidenote, this review is being written in 2020, the year that “Cops” was practically taken off the air for a list of reasons, so I will admit, I did get a slight chuckle seeing that apparently the TV show “Cops” was still relevant in 2054. Just thought I’d point that out.

In the end, “Minority Report” is a good movie, and a likable futuristic vision with a clever concept. However, when it comes to futuristic visions, specifically ones that come from the mind of Steven Spielberg, I much prefer his vision of 2045, which was represented through 2018’s “Ready Player One,” as opposed to his vision of 2054, represented here in “Minority Report.” Then again, “Ready Player One” is based on a book by Ernest Cline, and “Minority Report” is based on a short story from Philip K. Dick, so in reality, it’s not Spielberg’s vision. Nevertheless, I think when it comes to movies that are set in the future from Spielberg, I personally prefer “Ready Player One.” Although I will say, one thought that has been in my head for a little bit about this movie is the desire to check it out once more. Not just because I liked the movie the first time, which I did. But I feel like there are possibly one or two crucial points that I may have glossed over that are worth noticing in the future. If your movie can get me to have a urge to go back and see it one more time, no matter what the reason (unless maybe I want to torture myself), I’d say a job well done is in order. There are better Spielberg movies out there, I’d say there are better Tom Cruise movies out there. But this was worth my time, I didn’t really have any regrets. I’m going to give “Minority Report” a 7/10.

Thanks for reading this review! Thanks to all who showed any ounce of interest in Tom Cruise Month! I will point out that July is coming up, and while I have no real theme for the month, I will note that “Tenet” is scheduled to come out pretty soon, so maybe I’ll review some Christopher Nolan movies if I have the time. I will point out though, given how I have not really paid much attention to this year in film all that much, I do want to give this year’s movies a shot before it is too late. So there is a solid chance that a lot of July’s content is going to be of some 2020 movies that I missed. I’ve got a few on Blu-ray, I can probably check a few movies through streaming if I have the proper account setup. And even though I personally don’t have Apple TV+, there is a movie coming to that service that I might end up reviewing if possible, specifically “Greyhound” starring Tom Hanks. Because who doesn’t like Tom Hanks?! Be sure to follow Scene Before either through an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! Speaking of checking things out, if you want to see some more of my Tom Cruise reviews that are not exactly affiliated with Tom Cruise Month, the links are listed down below. These reviews by the way go all the way back to 2017, my second year of film reviewing on Scene Before. I want to know, did you see “Minority Report?” What did you think about it? Or, what is your favorite John Williams score of all time? Let me know down below! Scene Before is your click to the flicks!

The Last Samurai

Risky Business

The Firm

American Made

Mission: Impossible

Mission: Impossible II

Mission: Impossible III

Mission: Impossible – Ghost Protocol

Mission: Impossible – Rogue Nation

Mission: Impossible – Fallout

TENET is Delayed Again: New Release Date: August 12th, 2020

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Hey guys! Welcome to the latest apocalypse-related update of 2020! A year so bad that it made fully regret ever giving “Cats” a negative review. That hour and fifty minute movie which really ended up feeling like an utter eternity was a blessing compared whatever the f*ck is going on right now! Remember how I posted this s*it down below just a couple weeks ago?

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

Guess what? That s*it’s outdated! Welcome to 2020! A one-way ticket to a dark room full of deadly lasers, accompanied with a bloody water tank with a giant shark that is about to eat you whole! WORST! YEAR! EVER! With that being said, I’m going to try my best… My absolute… Best. To avoid going ABSOLUTELY OVER THE TOP WITH THIS POST! Gah! I already failed! Let’s just do this!

Hey everyone, Jack Drees here! In case you’re reading this, I have somehow survived being disintegrated by tons of deadly lasers and a giant shark that was about to eat me. For all I know, maybe the shark thought I was pitching a terrible product, and said “I’m out.”

…Which reminds me, I gotta cross that shark-raid whistle thingy off the pitch list. Here we go.

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A couple weeks back, we have had an announcement that “Tenet” was getting a pushback, which I think at the time, could have arguably been the most shocking pushback for a film we’ve seen all year. “Tenet” was one of the few pictures to not move a muscle so far in 2020, so to see it gravitate towards a later, granted two weeks later, but later nevertheless, release date on the calendar is a little shocking. However, in my post talking about it, I mentioned there was probably a good reason, one of the notable pieces of news sticking out to me being the plan to rerelease 2010’s “Inception,” allowing for a perfect reason to recognize the film’s 10th anniversary. Not to mention, I thought it was just a damn fine consolation prize. “Inception” will be brought back to theaters around the same exact time it came out, it would be a good way to get audiences back into the theater, see how many people are willing to go to the theater, and as for me, I get to see one of my favorite movies on the big screen, which I did not get to do when I was younger. However, this week, it was announced that “Tenet” has been delayed once more. Time runs out? More like, we need more time to put out our movie.

Before we go any further, “Tenet” is not the only film moving in this case. “Inception” is in on this as well. “Inception” is now going to be taking up the July 31st release slot previously held by “Tenet.” As for “Tenet,” that film will be taking a spot in the middle of the second week of August, allowing it to come out on August 12th.

Let’s start with the good news. The good news, I can’t believe there is good news available in 2020… It’s not that big of a delay. That can be a sign of pure optimism from Warner Bros., Christopher Nolan, or both. While we don’t know where we’ll be in days or weeks from now, it does show that somebody somewhere is sticking to a commitment to put the movie out in theaters. Let’s face it. If I were to shoot a movie on the largest format possible, which Christopher Nolan did. Release it on the largest format possible, which is currently planned. You bet I, as a studio executive, would surely keep a promise to put this damn movie in the theater. I saw previews for this film on my TV, and it looks good on my TV. But why does it look so good? Because it gave me the urge to get off my ass, into my onmyassmobile, and head to a freaking movie theater to enjoy myself for hours!

Wait, that sounds very familiar…

“This film (Dunkirk) is what actually going to the theater is all about. Not renting a movie on DVD, not streaming it on Netflix, but getting off your ass, getting in your onmyassmobile, and heading straight to the movie theater.” –Top 10 BEST Movies of 2017

Nolan is all about the “get off your ass” mentality when it comes to releasing films, and that is part of why I will remain committed to checking out his work. I am all about the experience when it comes to moviegoing. There are very few feelings like entering a movie theater and seeing a movie in general, but when Nolan makes a movie, it’s almost guaranteed to be a ride. To see at the very least, the notion regarding this movie not losing sight of the theater experience delights me to no end.

Now, for the bad news… What if this is not the last delay? Because I feel like the factors determining whether or not we will get to see this movie in theaters as soon as possible have little to do with whether or not theaters are ready. In fact, the major chains including AMC, Regal, and Alamo Drafthouse, have all announced plans to open in July, with precautions in mind. Some of these include deep sanitizing of the auditoriums and often-touched spaces through advanced equipment and materials, allowing extra time to clean auditoriums, reduced capacities and spaced seating to encourage social distancing, and enforcing the use of masks. And yes, I’ll wear a mask, because I’ll happily allow my mask to possibly smell like popcorn. Just because they’re ready does not automatically equate to the public being ready. Am I ready to head back to the movie theater? I’ve been motivated to go pretty much as soon as everything shut down. Granted, knowing myself, I am a little biased. I would have risked my life during the pandemic to go see new movies because this was the routine for my blog. Go to the movies. See a new release. Review said new release. Repeat. Instead, I had to take a break, report whatever fresh hell was happening during the apocalypse to point where I wanted to smash my F*CKING BRAIN INTO SPIKES! Save myself some money so my family and I don’t go broke. Occasionally review a new movie if possible, and so on. I would not deny that there is at least some sort of craving from various demographics to live in some sense of normalcy at this point. Movie theaters are a part of that normalcy. But would the public automatically leap themselves back into theaters? That’s going to depend on who you ask. Some would definitely go back in a heartbeat, but if you scour social media, there are some that are hoping for more at-home releases and those sorts of things.

Not only that, but let’s also look at statistics. One of the biggest catalysts that likely caused this delay in the first place is the notion that New York had no plans to reopen theaters in phase 4, which supposedly starts in a couple weeks for a great portion of the state. New York is one of the biggest movie theater markets out there. They have a large moviegoing population and a ton of theaters to back them up. New York City has also been home to many big film events, including premieres. Although if I’m not mistaken, if “Tenet” releases on time, if Manhattan remains closed, the run could still work if many other theaters in the state as long they remain open in other areas. Speaking of which, New York, Massachusetts, Connecticut, and New Jersey, are trending pretty positive right now when it comes to handling the virus overall. This is as opposed to states like Florida, Texas, Arizona, and California, where the virus is proving to be a little more effective and deadly. Hospitals are filling up by the second, states are seeing record cases, and if they keep going up, who knows what’s gonna happen next? And besides, I just mentioned California, like New York, it is one of the biggest movie markets in the world. It’s where many red carpet events occur, the culture in various cities revolve around film, and it’s home to many historic venues. Plus, Los Angeles county is currently the most populous of the U.S. counties, if you don’t let them for example go see a movie in their local area, that’s potentially a lot of lost customers.

Not to get sidetracked, but I wonder if this means anything for the other big movies coming out soon like “Unhinged” and “Mulan.” Will they bump their dates somewhere else as well? Although Regal Cinemas, the second largest chain in the United States, is supposed to reopen the day that movie comes out, so I doubt they want to move as they have a sweet spot. As for “Mulan,” I feel like Disney could move it, but they also have a good spot should things turn around. They don’t have to worry much about what could be opening the week after, and a lot can happen in a month from now. As much as I would not be TOTALLY surprised if they put the movie on VOD eventually, I feel like from an executive standpoint, this is a movie that like “Tenet” is specifically made to be seen in a theater. Putting the film on VOD would be a sacrifice from one kind of perspective. Plus, based on what I’m hearing from people who have already seen the movie, it may have solid enough verdicts to avoid getting dumped onto Disney+ like “Artemis Fowl” did, which currently has a 10% on Rotten Tomatoes.

One thing I will point out, when it comes to this new release date, it presents a fairly interesting idea given by a Warner Bros. spokesperson.

“In this moment what we need to be is flexible, and we are not treating this as a traditional movie release. We are choosing to open the movie mid-week to allow audiences to discover the film in their own time, and we plan to play longer, over an extended play period far beyond the norm, to develop a very different yet successful release strategy.”

Before this delay, in fact, even before the first delay, what I thought was going to happen was that Warner Bros. was going to attempt to pull the throttle as far ahead as possible. What could have been done is that they’d release the movie, allowing it to play on virtually every available screen in the facility, say this is all happening in a multiplex, allowing for everybody to go see this one movie at practically anytime, with an outright guarantee for social distancing. Granted, with the current plans to bring throwback releases into the mix, that would now be impossible, but again, I’m talking about the past. Now I’m noticing a fairly slow approach that Warner Bros. seems to be taking. I don’t know how well it’ll work out. But if they keep it in theaters for a long enough time, there’s a solid chance that it could be profitable. It’s likely going to depend on word of mouth, positive reviews, and maybe even some hint of rewatchability. For all I know, it could also depend on cases. But this blog is being documented by someone who lives in the United States of America, where we are perhaps all brainwashed into thinking the economy is more “essential” than lives. Am I sick of staying home for the longest time? You betcha. I have gone through several periods of not even exiting my house doors. In fact, this entire post pretty much sums up my distaste with the fact that I’ve had to stay home. But if we all really get back outside, we need to understand that the world is not going to be pretty. We need masks (which I detest, but I understand why we need them). We need clean hands. We need to do our best to stay apart. If we want to have what we love in front of us at some point during 2020, we need to understand the meaning of sacrifice amongst ourselves. And how this even became a political issue here in the United States, I will never understand! Apparently in this country, science equals politics! It’s global warming all over again!

Just so you all know, if you didn’t already, I hate needles with a burning passion. This is the one time, I repeat, the one time in my life, where I want a vaccine for something! I don’t care if it kills me quicker than the virus, but I just want to have a sense of normalcy at this point. I’ve had it with all this! I just want to go see a movie! It’s the one place where I can feel like I’m at home, because I’ve been at my house for so long that it doesn’t even feel like a home anymore! I love my house, but with isolation and everything! It has basically become a prison with people who love and care about you, not to mention better food options! I need to get out at least once to cleanse my brain from whatever spasms it has at this point! Walking won’t do the trick! Am I overreacting? Most likely! But this is my life! Art is the quintessential element that makes me whole, and now I feel like that has been snatched away. I turn 21 in November, so I think I have picked the wrong time to supposedly “build my life.” I want safety for all. But I want to do things.

“Tenet,” please help me. I’m more excited for “Dune” to come out in December, but as of now, I don’t know if there has ever been a movie I wanted to see succeed more than “Tenet.” It’s from my favorite studio, my favorite director, and will be shown in my favorite format. And I surely hope this delay is the last one we get. For all I know, should things continue to trend positively in certain states, I can almost see Warner Bros. releasing the movie in states that are trending positive, then adding a phase 2 to areas that trend positive later. It’s like the government, but it’s all about a $200 million+ movie. “Tenet” HOPEFULLY, and I cannot stress that enough, releases in theaters August 12th, 2020. The film will be available in digital, various large formats including IMAX, 35mm, 70mm, and IMAX 70mm. And you bet I will be striving to catch an IMAX 70mm presentation should one pop up in my area, and given how I don’t live far from Providence, RI, and I do expect the movie to end up playing at their IMAX venue, I will probably make it to one of these shows whatever it takes.

Thanks for reading this incredibly emotional post! And by incredibly emotional, I mean a post where I turn into an absolute brat who simultaneously wants what’s best for society. How did we get here?! Do we even deserve to live at this point? Bring on the alien invasion! Bring on dinosaurs! Bring on giant asteroids! Bring on dogs and cats living together! Mass hysteria! What are we still doing here anywhere? It’s not like we’re… DOING ANYTHING! By the way, right now on Scene Before I am focusing on Tom Cruise Month here in June, which will conclude next week with my review for “Minority Report!” Until then, check out my review for “Top Gun,” a movie which had a sequel that was supposed to come out this exact week, but of course, COVID sucks. It really does. July is coming up, and I’m hoping for my sake at this point that I get to talk about at least one new movie. I’ve spent so much time talking about the past that the future looks mighty fine right now. This universe is punching me in the gut every day. Be sure to follow Scene Before if you want to see new content, and check out the blog’s official Facebook page! I want to know, what are your thoughts on the “Tenet” delay? Personally, I kinda saw it coming, but unlike the last one, this one hurt me a little more. I am more than likely overreacting, but as a guy who doesn’t really care if sports come back at this point, I at least want a movie. Or, here’s another question. Do you plan on going back to the movies anytime soon? Let me know down below! Scene Before is your click to the flicks!

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

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Hey everyone, Jack Drees here! This is a post that I never wanted to make, but feared one day that I would have to put out. It is an entry to Scene Before that I wish had never been thought of, prophecized, or conceptualized. But here we are. It is that day. Ladies and gentlemen, I give you the worst movie news of 2020…

That’s… WHAT I THOUGHT I WOULD HAVE SAID.

Instead, we get some rather unfortunate news. Followed by SOME INFORMATION THAT MADE MY BRAIN RUN ON A HAMSTER WHEEL!

But first, the bad news, and man is it ugly. As described by the title, the Warner Bros. film “Tenet,” directed by Christopher Nolan, my second most anticipated movie of the year, which we just got a trailer for by the way, has officially been delayed. But only by two weeks. To add fuel to the fire, guess what? “Wonder Woman 1984” is pushed back to October! “Unhinged,” which was supposed to come out early July, has been delayed, kind of like “Tenet,” not far into the future, but July 10th. “Matrix 4” has been delayed again, “Godzilla vs. Kong” was delayed as well and it will be going into “Matrix 4’s” spot on the release calendar. Although oddly enough, “Bill & Ted Face the Music,” from MGM/Orion, will be releasing August 14th, a week earlier than originally anticipated. By the way, August 14th is also the date “Wonder Woman 1984” was originally pushed back to when this COVID-19 frenzy started.

I said to myself a couple times during this pandemic that if “Tenet” gets pushed back by like a week or two, maybe somewhere in early August, I’d be fine. Having realized this delay as of now, I am admittedly, a little peeved, especially considering how there seemed to be some recent commitment across the United States at the very least to reopening the economy. After that latest trailer from the previous month, I thought it was a lock that we would be seeing “Tenet” on July 17th. Granted, the trailer itself never suggested it, but if you go to YouTube and check the description of the trailer, it would have suggested a July 17th release date. There seemed to be some sort of commitment! I’m glad it’s not going past July, but “Tenet” looked like it would be the savior of cinema. My big question is… Will “Mulan” be the new savior? After all, it is scheduled to release on July 24th. I would not be surprised if Disney either sticks to it or releases it via On Demand. That movie should be fine as long as it doesn’t go to Disney+, kind of “Artemis Fowl,” which I am hearing is probably one of the worst Disney movies ever made. Will this change the game in terms of how people return to the theater and see new movies?

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One of the big draw-ins for “Tenet” is the massive potential to be had with a theatrical experience, and I will say if that element of the marketing goes away, it’s gonna be a little harder to get me to watch the film, because such news of it going onto VOD could leave a bad taste in my mouth, thus making me want to avoid it at least for some time. Christopher Nolan has always been a director that relies on story, but also immersion. A lot of his films have been shot with 70mm, IMAX cameras, or made specifically for the IMAX experience.

But… This does not mean all hope is lost.

While Christopher Nolan’s “Tenet” is no longer available to be seen on July 17th, one of Nolan’s older films… will.

One of my favorite Christopher Nolan films is the very successful 2010 flick, “Inception.” That film is so mind-twisting, so visually brilliant, so masterfully produced, I love it. It even made it into my 25 favorite films of the past decade! As suggested, this film turns ten this year, and what a better way to celebrate than to bring it back into theaters, where it ended up earning a whopping $829.9 million at the box office, which many original titles nowadays would have to break an arm and a leg to earn.

The film will be returning to theaters on July 17th, however there is currently no absolute specification as to where it will be playing. I am willing to bet, considering how Christopher Nolan is involved, there will be IMAX screenings of some sort. Maybe there are a few 70mm prints from 2010 lying around that have neither fully deteriorated or been destroyed, perhaps they could be played at some of the bigger chain venues like the AMC Metreon in San Francisco, California. Maybe one or two museums can pitch in. Either that or they can make a few new prints. Maybe some screens will do 35mm, the possibilities are endless! “Inception” is a movie I missed in the theater. For the record, “Inception” was PG-13, I was ten years old, and quite honestly, I have little memory of ever truly knowing about it to a large extent at such a young age. I didn’t really discover who Christopher Nolan was until I was say 12 or 13 years old, which is when I watched his “Batman” movies for the first time. I would be truly excited to go see “Inception” in a way that it is perhaps meant to be seen. I will admit, when it comes to the story, even though it is coherent, it still takes a minor toll on my brain as I witness everything happen. But it doesn’t take away from all the glory that is to be seen.

This was just recently announced, so there are currently no tickets on sale as of yet. But I would suspect that they would be on sale during the beginning of July at the latest, maybe Independence Day. After all, Christopher Nolan’s last film he directed, “Dunkirk,” had its advance tickets go on sale about two weeks in advance. Maybe this would be the case for “Inception,” unless Warner Bros. thinks it would not matter because this is a ten year old movie that a lot of people have already seen.

And no, “Inception” is not a ten year old movie. It’s a ten year old work of art. Learn your facts, everyone. Okay… well, it’s still nine years old, actually… It released on July the 16th. So it TURNS ten literally in a month! I’m sticking with what I said!

Nevertheless, I must say, if it were not for this I am your father-esque plot twist where “Inception” swoops in at the last minute to announce its presence, I probably would have destroyed my entire neighborhood at this point. Now, I would not be lying if I told you there was another movie I was looking forward to more that I think will be better than “Tenet.” By the way, that one movie, and one movie only, at least for the moment, is “Dune.” I will also point out however, when it comes to “Tenet,” it has come to this point that when it comes to all the movies I have ever known, there is not one I would want to see more right now than “Tenet.” Not only is this due to the fact that I’ve been staying inside my house for eternity upon eternity, but Christopher Nolan is honestly the holy grail of modern filmmakers for me at this point. I want just about every movie to succeed, but when it comes to “Tenet,” a movie helmed by my favorite director, from my favorite film studio, that is going to be, and I apologize for nerding out here, my favorite theatrical format in IMAX 70mm, I don’t think there is a better time for what I would call the Hollywood happy ending. Yes, “Tenet” was delayed, but part of me doubts that the delay was going to hurt the industry, nor was it a sign of a complete lack of confidence either in the film itself or how well it will do financially.

My question is this… Is this a test? To maybe get moviegoers to speak with their wallet? Is there enough reason for the average moviegoer, or even the movie buff to show up at the cinema in a pandemic like this? If “Inception” makes less than a million bucks, will “Tenet” still come out on July 31st? If you know me, you’d know I’d be there day one, even if I have to go out of state. But I am just one movie reviewing moron. There are so many other people out there.

I will also point out that this reinstates something I have thought about for some time, specifically the theory that “Tenet” is secretly an “Inception” sequel, or at least a story taking place in the “Inception” universe. Yes, these screenings that are coming up could be a tenth anniversary celebration, but at the same time, this could be a marketing technique. This could be a way to get “Inception” fresh in everybody’s minds again that way the impact of being in the same universe would be that much greater. Then again, if you do want to refresh your memory on “Inception” right now, a month before July 2020, it is available on Netflix. Although it is also available on other streaming platforms and physical media through DVD, Blu-ray, and my preferred option, because I’m a snob, 4K Blu-ray.

Nevertheless, I am glad “Inception” is coming back for more screenings. I will happily show up in a mask, wearing a hazmat suit, and bring my own hand sanitizer if necessary! As for “Tenet,” I will be seeing it as early as possible, when it comes out on July 31st, unless of course there is a press screening, which I kind of doubt there will be since that occasionally involves a heavy crowd. That and… (whispers) “Tenet” sounds like a movie where you can’t say anything about it before the spoiler police knock you out.

“Inception” will return to theaters July 17th, hopefully that date is a lock and it won’t get changed, and “Tenet” will be in theaters in digital, 35mm, 70mm, and ALL IMAX formats July 31st. Tickets are not on sale yet, but hopefully there will be tickets soon. Thanks for reading this post! This is my 399th post on Scene Before, unless you count one that was deleted. Keeping with the tradition of the past, my next post, which is my 400th, will be a Blu-ray collection update. I’m going to be going over my entire movie-based collection. I could do TV, but that would divert from the movie theme of Scene Before and I would only show like three items if that were the case. I will have this up sometime next week, same with my review for “Days of Thunder,” starring Tom Cruise, as I continue June’s theme for the blog, Tom Cruise month. I also plan to review “The King of Staten Island” pretty soon, maybe I’ll watch something else and review it as well. Who knows? Like I said before, although in an alternate context, the possibilities are endless. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Check out my Facebook page and give it a like, and speaking of likes, if you have the proper account credentials, give this post a like! Otherwise, just share with your friends who probably are just like me and really want an excuse to go back to a flippin’ movie theater. I want to know, what are your thoughts on “Tenet” getting delayed? Are you willing to go into a theater to see this movie? I know I am! Also, what are your thoughts on “Inception” coming back to theaters? I’ve been waiting for a train for a long time, and I hope it takes me to the cinema! Let’s go already! Scene Before is your click to the flicks!

Tenet TRAILER 2 Arrives (2020): Is the Movie Theater Experience Coming Back?

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Hey everyone, Jack Drees here! I have been asking the same question every single day since sometime in March. When will we get back to the movie theater? Well, based on a recent spot I saw during “Jimmy Kimmel Live!” the other night, there may be an answer…

 

Based on this short teaser, “Tenet” is still coming to theaters! This personally does not come as a surprise as “Tenet” has often been associated with the theatrical experience even when it was first announced. The upcoming movie has been said to be an event film from critically acclaimed director Christopher Nolan, known for films including “Memento,” “The Prestige,” “Interstellar,” and his famous “Dark Knight” trilogy. Nolan is currently my favorite director working today, and if I had to come up with a favorite of all time, I’d say Nolan would definitely be my pick at this point. Not only is his resume full of titles that are iconic, I don’t think he’s had a bad day at the office yet. The lowest score I gave to one of his titles happens to be a 7/10, which I previously handed to 2002’s “Insomnia” in a nearly three-year-old review. That’s his worst film if you ask me, but it’s still better than a lot of movies. I still need to see “Following,” but having seen all his other films, the man has a terrific lineup of content under his direction.

Sticking with “Tenet,” this movie is big. Yes, I just recently mentioned it is an event film. But the movie is shot entirely in 70mm film, with select footage shot with IMAX cameras. The film will be presented in select theaters in film formats, including IMAX 70mm film. If you have been following Christopher Nolan in recent years, this is normal. The movie has an estimated budget of $205 million, which in terms of Christopher Nolan movies, makes “Tenet” more expensive than “The Dark Knight” but less expensive than “The Dark Knight Rises.” In terms of plot, the movie is likely to revolve around time, even though it has been pointed out by Robert Pattinson, who stars in the film that his character is “not a time traveler.” As for what else he has spilled, “There’s actually no time traveling. That’s, like, the one thing I’m approved to say.” Nevertheless, given what has been presented so far through one or two “Inception”-esque scenes in the trailer and the tagline “Time runs out,” “Tenet” seems to implement time in a major way.

This continues through the new trailer that has just been put out, which before we go any further, may be one of the single most satisfying trailers I have seen in a long time. It’s like… trailer 1 of “Avengers: Infinity War” kind of good. Perhaps “Godzilla: King of the Monsters” Comic-Con teaser kind of good, which is unfortunate because, well, look how that movie turned out. Granted, maybe the Christopher Nolan fanboy part of my brain needs to calm down a little bit, but this trailer seems to promise something special. Again, I mentioned “Inception,” and having seen this trailer, I would not be surprised if this movie somehow takes place in the same universe. By the way, this idea is not my own, other people have theorized this before me. If you ask me, I will not be surprised if one of the big moments of the film reveal that this was all a dream inside of a dream inside of a dream. Or if we somehow get another look at the spinning top from the resolution of “Inception.” Remember that thing? Is Leonardo DiCaprio still dreaming? Who knows?!

Let’s go through the trailer, shall we? For those of you who have not seen the trailer, click the video above!

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The first shot of this trailer provides a basis on everything this movie contains from beginning to end. This shot, like some others, show everything going on not forward, but backward. It’s like we’re watching “Memento” the right way! That film is not going backwards! It’s a bunch of scenes that go in regular time then transition in reverse!

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“All I have for you is a word. Tenet.”

Yeah, that line’s back. And it’s as bold as ever.

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Of course we also get some quick bits of action, which Christopher Nolan has proven to be effective at creating when it comes to his directorial projects. From the climactic shoutout in “Insomnia” to the hotel scene in “Inception” I adore pretty much any action-based effort from this human being.

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I also love how clear everything looks. This is one of the advantages of shooting your movie on film. Because when you shoot on digital, the image is usually smaller and contains less information. Nolan ain’t messin’ around when it comes to “Tenet.” The shots look crisp, detailed, and regardless of the technology used, I will point out that they are beautifully framed. The final shot before the Warner Bros. logo shows up filled a hole in me. Kind of like the rest of this trailer.

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Speaking of repeats from the first trailer, we see a shot of a couple characters flying onto a building as they are about to walk on it. I don’t know if this is training or a stealth mission but it intrigues me nevertheless. The repeats don’t even end there. As we get a shot of some objects that may present some prominence, we get a line about trying to prevent World War III. That’s where we see John David Washington, or whatever his character’s name is pick up an object through perhaps this universe’s equivalent of the force. Through these scenes, I will give Nolan one compliment. One of his strongest abilities is being able to create a mystical-looking movie through style, while also making it feel somewhat down to Earth. There’s some sort of grit to his movies that I do not seem to get with other filmmakers nowadays.

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Now we are introduced to one of Christopher Nolan’s staples, Michael Caine, who has appeared in many of his films over the past number of years. I don’t know who he’s playing, how long he’ll be in the movie, but he and Nolan go way back, and even if he’s in the film for minimal screentime, Caine always delivers.

The titles that come afterward are just a reminder of how legendary Nolan is and how far his acclaim goes back. I don’t know who edited the trailer, but I would not be surprised if Nolan had some say on a majority of what went into it and said, “I’m the best director working today. Time to boast about my accomplishments!” There’s titles suggesting he is “the revolutionary director of the ‘Dark Knight’ trilogy,” which is followed by “Inception,” and “Dunkirk.”

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Going back to this movie’s meddling with time and the concept of time travel, I can confirm that this movie does not have time travel specifically, and instead, has a character that can “communicate with the future,” and that this movie will feature “time inversion,” or time reversal, which I think might open some mystery boxes to potential abilities from psychology to mind-reading to simply being able to change time in a snap, but this is just a trailer, I don’t need everything explained for me.

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“You’re not shooting the bullet. You’re catching it.”

So this scene essentially explains the time reversal process through the firing of a gun, or in this case, the unfiring of a gun. We see a bullet flying back in the hole and a shell flying into the air, signifying that time is going in the opposite direction. Although it’s not like everything in this universe is going backwards, as we see future shots of John David Washington walking forwards and a boat going straight.

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Afterwards we get a series of action shots while also getting dialogue on how serious and bold the movie’s ongoing situation is. There’s one clip where I’m noticing the bullet from a car’s rear window going in reverse, it looks pretty sick. It’s fun to see fire disappear in the blink of an eye. One thing’s for sure, if “Tenet” sucks from a story perspective, it will most certainly be at the very least fun to look at.

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We also get a look at Himesh Patel in his role, and to make another “Inception” comparison, he kind of resembles Dileep Rao’s character of Yusuf. They kind of look alike.

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We also get another look at would could be the best part of the movie, where we see cars flipping in reverse. What makes this even more sick is that next to one car flipping is an Audi going backwardsScreenshot (93), which may have technically been going in drive, but also next to the flipping car is a BMW that is driving forward in the shot but is perhaps really going backward! It’s really hard to describe, and for all I know there could be more to this than meets the eye, but this is what I love about Nolan films, I don’t feel like a moron watching them that needs info explained every two minutes.

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Next we get a shot of pierced glass through the shooting of a gun.

ROBERT PATTINSON: “The Hell happened here?”

JOHN DAVID WASHINGTON: “Hasn’t happened yet.”

If this foreshadows a potential delay, I’ll probably cry.

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Sticking to the point, these moments show the shattered glass once again as John David Washington’s character is caught in a fight with a covered individual when all of a sudden, the shattered glass goes away! I am really looking forward to how topsy-turvy this story going to be. It might break my brain, but it needs some exercise after flipping through TV channels and shutting itself off while watching crummy shows for hours.

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Then we cut to a scene in a concert hall, which feels like a trip down memory lane as I remember the short prologue they played for “Tenet” in IMAX theaters just before the beginning of “Star Wars: The Rise of Skywalker.” Most of the footage took place in an concert hall, and I while I will not be able to grasp all of it to explain to y’all, it was shot with IMAX footage and it is packed with a good amount of action.

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We also get a shot of a character played by Dimple Kapadia, who I will imagine will have at least two to five minutes of screentime in the film.

DIMPLE KAPADIA: “There are people in the future who need us… Who need Tenet.”

Thought I was lying about the action in the concert hall scene? Look at all the running and explosions! Feels like something out of a gritty Michael Bay film!

JOHN DAVID WASHINGTON: “This reversing the flow of time… doesn’t us being here now mean it never happened?”

After the epic title sequence takes place, we get a short clip between Pattinson and Washington once more.

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JOHN DAVID WASHINGTON: You want to crash a plane?

ROBERT PATTINSON: Well not from the air. Don’t be so dramatic.

JOHN DAVID WASHINGTON: Well, how big a plane?

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The answer to how big a plane will be used? A FREAKIN’ JUMBO JET! That’s how big! This thing has to be a Boeing 747 for sure, I don’t know what else it could be!

Oh, wait! I know what else! Flipping epic!

ROBERT PATTINSON: That part is a little dramatic.

Hey, future Batman! The more dramatic the better! Don’t be afraid to go big!

Then comes my favorite part…

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COMING TO THEATERS.

By the way, even though it is not currently stated, the movie will still release on the date it was originally planned for, July 17th, 2020, perhaps being one of the big catalysts to get customers back in the cinemas.

I think this second trailer for “Tenet” is probably the single best version of a second trailer we could get for a film like this. I think the only thing that could have made this trailer even better is if they put out the notification of when tickets go on sale. But in terms of business, it would not be the best idea as I think theaters would protest given how they may still be planning how they are going to be keeping people safe and how seating arrangements will play out in the future. If anyone wants my prediction, I think tickets will go on sale Wednesday, July 1st, to kick off a month of what could be called the “return of moviegoing.” Plus, who knows? Maybe “Tenet” gets delayed by some chance, which I think is highly unlikely at this point because now that they are releasing the trailer, Warner Bros. is definitely going all in with the film. While they did push back “Wonder Woman 1984” and put “Scoob!” straight to VOD, there may be something about “Tenet” that specifically warrants the July 17th, 2020 release date. Given how every other film has been pushed back, maybe this gives “Tenet” a reason to be seen. Nothing else is available. Maybe it’s more financially responsible to release it in July than to shove it off to a period when a lot of other movies are going to collide with it. Regardless of the release date, I am excited for “Tenet” and aside from “Dune,” it is my most anticipated film of 2020.

Hot take, and I may just be going off of a ton of hype right now, include hyping from myself… I think “Tenet” makes a billion dollars. While there will definitely be those people who will understandably avoid the cinema for some time, “Tenet” is possibly going to play on an unprecedented amount of screens, allowing for tons of opportunities for it to be seen, while also being one of the limited options available for moviegoers. I cannot wait. Also keep in mind, it’s not R, it’s PG-13. From this, it’s possible that some younger audiences are perhaps slightly more likely to see it, even though “Tenet” is not really for kids.

“Tenet” arrives in theaters July 17th, 2020 in digital, 35mm, 70mm, and IMAX, which also includes select screenings in IMAX 70mm. I guess I wasn’t wrong! 2020 IS a good year to be an IMAX fan! But I have to ask a really important question, and this will probably be a signal to Warner Bros., Christopher Nolan, and so on about whether or not they made the right decision. Are you planning on seeing “Tenet?” Were you planning on seeing “Tenet” before reading this? Will this pandemic affect your chances of seeing the movie? On that topic, do you think you’ll be comfortable going back to the theater in July, given how there will probably be safety precautions taken? Me personally, I don’t care! I’m seeing this movie no matter what! I’m not allowed to move my lips in the theater, so having a mask to cover them might just be fitting! Let me know down below!

Thanks for reading this post! I just want to let everyone know that my 400th post is going to be arriving soon and I will be giving my usual Blu-ray update. I’ll be going over my Blu-rays, my 3D Blu-rays, 4K Blu-rays, Steelbooks, and so on. I enjoy doing these, even if they do take a lot of time to complete. Be sure to follow Scene Before if you want to see this post, along with others in the future! Make sure you’re following through your email or WordPress account, or if you prefer the social media route, check out my Facebook page and give it a like! Stay tuned for more great content! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 6

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Hey everyone, Jack Drees here! It is now time for part 6 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

I’m telling you guys, this is getting annoying! We now have as many entries to this series, as “Sharknado” does within its own series! This is wrong! And honestly, this may be the biggest post yet, because a lot has happened in the entertainment realm! But of course, let’s get to the real world news first! By the way, if you’re asking, none of it has to do with Kim Jung Un. I’m only counting COVID-19 matters.

Today we’ll start in a film capital, California. Last week, Florida’s Duval County was in the news because people spent time at the area’s beaches that were recently reopened. This was referenced a ton on social media, which lead to the trend #FloridaMorons. While I never found #CaliforniaMorons to be trending on Twitter, some people did make tweets with that hashtag inserted. Before we go any further, here’s some highlights related to this subject, even if all of them don’t use the hashtag.

Once again, I did not see #CaliforniaMorons trending, but just to prove that I am not the only person who is noticing this…

I know, right?! I love California! I was just there a month ago! But, holy crap! This weekend, California was hit with warm weather, reaching 80 and 90 degrees. Since it is so warm, a lot of people thought it would be a good time to go to the beach. But of course, because COVID-19 ruins fun, there is a massive chance of spreading the infection. Naturally, much of the response on social media to this matter has been particularly negative. Speaking of beaches getting traffic, San Diego officially reopened their beaches starting Monday April 27th. However, this does come with restrictions. People cannot gather in groups, park, or lie down to get some rays. Question about parking, does Uber count? Drivers need to get by in these times! Plus, Fiesta Island, piers, and boardwalks will be closed. However, you can still swim, you can still fish, you can still surf. This is part of phase 1 rules in regards to San Diego beaches. California Governor Gavin Newsom had this to say about the matter…

“This virus doesn’t go home because it’s a beautiful sunny day around our coasts.”

Although, California is not done with announcing closures, because the Orange County Fair will officially be shut down for this year. This year’s fair was supposed to last for 23 days, on every day of the week except for Mondays and Tuesdays starting July 17th and ending August 16th. The fair, held in Costa Mesa, California, has previously seen over a million visitors in a year.

Two of the celebrities who have been taking up lots of spotlight in this time of a pandemic are Tom Hanks and Rita Wilson, both of whom previously been tested positive for COVID-19. However, time has passed, and the two seem to be better then they were a month ago. Although they are back in the news for better reasons. Hanks and Wilson agreed to donate blood and plasma for a possible vaccine. After all, both individuals carry needed antibodies. I will be real, I f*cking hate needles. Even if they are necessary. I feel as if I’m gonna make it out of a burning building should a vaccine be injected into me in order to avoid getting COVID-19. However, if you want to convince an anti-vaxxer to get a vaccine, tell them that Tom Hanks will now be a part of you.

Speaking of Tom Hanks, the man known for such films like “Cast Away” and “Bridge of Spies” defended a child the other day. While he was not able to get physically involved, partially because of physical distancing limitations, he did take action. When Hanks and his wife, Wilson, were diagnosed with coronavirus, an 8-year-old male Australian student by the name of Corona De Vries wrote a letter to the couple saying he loved his own name, but he was often called the coronavirus, making him “sad and angry.” Hanks saw the letter and responded back suggesting “You got a friend in me,” a phrase inspired by “Toy Story,” another film Hanks is famous for.

Say what you want about celebrities being selfish and entitled, even in these times. Tom Hanks suggests otherwise.

Now I’ve talked quite a bit about Donald Trump, who as of recently, just invented the “Noble Prizes!”

By the way, if you are wondering why I am not using Trump’s tweet for this, it no longer exists!

Last week, after Trump suggested that the coronavirus “may not come back at all” for a second time, Dr. Anthony Fauci begs to differ. He suggested the possibility of a second outbreak after having a discussion with Robert Redfield, director of the CDC. This outbreak could hit in the fall, and be more complexing considering how the flu pops up at the end of the year.

Speaking of Trump, time for some bleach drinking! In the ambitious search for a COVID-19 cure, Donald Trump has suggested the possibility of injecting disinfectant in order to rid one’s body of COVID-19. Let me just start off by saying, yes, injecting disinfectant will VERY LIKELY get rid of COVID-19, because you’re about to f*cking go down along with it. Putting bleach in the body is good for a lot of things. Erasing the lyrics of “Baby Shark” from your head! Forgetting whatever the “Cats” movie was! Oh, and trying to become a f*cking ghost! The COVID-19 crisis is not going to be solved through disinfectant going inside you! Besides, everyone’s afraid to go to the supermarket right now! You think everyone’s gonna want to pile on top of each other in the same aisle grabbing Clorox?!

I’m done! I’m really just done! I just want to go to a restaurant and the movies, is that too much to ask?! Wait…

Before we go any further, I’m going to remind everyone that in my post from last week, I documented that Georgia was planning to reopen on April 27th. Well, that was yesterday. But when it comes to movie theaters, those are not reopening. I mentioned this specific before, but I thought I’d bring it up as a refresher. Georgia Theater Company, otherwise known as GTC Movies, is not planning on reopening theaters anytime soon. They intend on waiting until July, when Christopher Nolan’s “Tenet” comes out, a movie which we’ll talk about later. Speaking of which, Greg Abbott, the governor of Texas, has given theaters the green light to open starting Friday with 25% capacity. Chains like AMC and Cinemark do not plan on opening until the summer. Although in addition to that, a movie theater chain that is absolutely critical to Texas is taking similar actions. Specifically, Alamo Drafthouse. For the record, these theaters are not entirely shuttered, as some are open for takeout and delivery. After all, Alamo Drafthouse is known for its food selection. However, an Alamo Drafthouse spokesperson had this to say in regards to possibly reopening…

“Opening safely is a very complex project that involves countless new procedures and equipment, all of which require extensive training. This is something we cannot and will not do casually or quickly. We will not be opening this weekend. But know this, when we do open, we will be providing the safest possible experience for both our staff and our guests and we can’t wait to see you all again!”

It seems that Alamo going to follow the footsteps of other chains and maybe reopen during mid-summer. That is, should COVID-19 not affect the safety of theater patrons. Besides, not much material is coming out in theaters these days, including a movie I am going to talk about right now.

SCOOB! GOES STRAIGHT TO DIGITAL

One of the family films that was set to come out this year is “Scoob!,” which if you cannot tell, belongs to the “Scooby-Doo” IP. Now “Scooby-Doo” has had a lot of content over the years, but in May 2020 the franchise was about to have its latest theatrically released title. A couple of films within the IP have been presented this way already, and they were written by James Gunn, who of course is now famous for his work on the “Guardians of the Galaxy” films. This film was set to release May 15th, 2020, but Warner Bros. took it off the release calendar in response to the pandemic. Turns out, it will be coming out that day all along, BUT it won’t be in theaters, given how none are practically open right now. Instead, it is going to follow in the footsteps of “Trolls: World Tour,” the animated sequel by DreamWorks, now owned by Comcast, and release onto VOD. Meaning that services including Prime Video, Vudu, FandangoNOW, and Google Play will be getting the film. I’ll be honest, had this pandemic not been going on this year, there’s a solid chance that I might miss out on “Scoob!” if it were in the theater. The only reason why I would even consider seeing it, is because I feel the need to see five animated flicks by the end of the year, because I need enough nominees at the Jackoff Awards that I do in the winter. Although, it definitely does have a market. Families would probably have gone to see it. Generations who grew up with “Scooby-Doo” will recognize the movie and pass the torch to their children. Had it stayed in theaters, it could have made for a fun outing. But of course, it’s not in theaters.

“Trolls: World Tour” was not the worst option of all the movies that could go straight to VOD instead of theaters. A lot of younger kids recognize the film, and since sometimes bringing kids to the movies can be obnoxious, putting it in a home environment is not the worst idea. That is until Amazon’s 48 hour rental period expires and they beg for the parents to spend another $20. “Trolls: World Tour” landed one of the biggest digital debuts ever, and “Scoob!” could do the same, but that is going to depend on how many kids are looking forward to it. I think there was more of an appetite for a “Trolls” sequel among children than there was for a “Scooby-Doo” movie. At the same time however, “Scooby-Doo” has had a long history of being a product for the home environment. I grew up having a piece “Scooby-Doo” media in my collection. A lot of television shows and cartoons have been a part of the “Scooby-Doo” brand. From a production standpoint, this could come off as something that was meant for theaters, but may be remembered as another fine entry to the “Scooby-Doo” home media collection.

THE KING OF STATEN ISLAND GOES STRAIGHT TO DIGITAL

Had South by Southwest happened this year, one of the films that I would have been eager to see was Judd Apatow’s “The King of Staten Island.” The film had an advantage of being a higher-profile title, alongside such movies including “The Lovebirds,” which is now going to Netflix. This film had a bright future on the big screen. Aside from a SXSW debut this March, it was supposed to come out June 19th of this year in theaters. I have some good news and some bad news. The good news is that “The King of Staten Island” is getting bumped up a week to June 12th, 2020. So it’ll come out a week earlier. The bad news is, if you were looking forward to seeing Judd Apatow’s latest film in theaters, that’s not happening, and this does not come as a surprise. I have a feeling that part of this not only has to do with analyzing the potential box office results ahead, but maybe it has a bit to do with “Tenet,” which I think is going to be a better example of a film that is going to try to entice people to get back in the theaters (again, more on that later). However, starting June 12th, “The King of Staten Island,” a semi-autobiographical comedy-drama starring Pete Davidson will be available On Demand through various services. This is a release technique similar to the recently mentioned “Scoob!.” The film also features notable names including Marisa Tomei (Spider-Man: Homecoming, My Cousin Vinny), Pamela Adlon (Bob’s Burgers, Better Things), Steve Buscemi (Miracle Workers, Fargo), and Bill Burr (Breaking Bad, Date Night).

While this technique has been done for a film like “Trolls: World Tour,” which again, was fairly successful. A film with this much name power that was supposed to be in theaters has not really gotten this treatment all that much during the pandemic. I see at light at the end of the tunnel, but as of now, “The King of Staten Island” is perhaps an adult version of the “Trolls: World Tour” experiment. I honestly don’t know how this is going to go, as “Trolls: World Tour” likely had several advantages. First, that movie was going for a wider audience including children, families, etc. “The King of Staten Island” is an R rated picture. No kids allowed on this flick! Plus, since this film probably won’t be heading to a platform like Netflix, where you can watch the movie for free as long as you have a monthly subscription, it could suffer from less views because people are cheap and they’d rather watch something free than pay a rental price. “Trolls: World Tour” might as well be a product that can be put on bunches of times just to shut kids up on some occasions. It may be expensive, but the peace and quiet could be worth it. Although, Comcast’s streaming service, Peacock, which is now available for Xfinity customers, is hoping to expand its customer base starting July 15th. Maybe “The King of Staten Island” will end up on the service as soon as possible for everyone to enjoy.

Also, side note, this movie is incorrect. Pete Davidson IS NOT the king of Staten Island. The Impractical Jokers are the kings of Staten Island. That’s a fact. Prove. Me. Wrong. I dare you.

A SURPRISING SUCCESS FOR TROLLS: WORLD TOUR

Thought I was done talking about “Trolls: World Tour?” Well, I’m not! Because according to The Wall Street Journal, it turns out “Trolls: World Tour” has officially made over $100 million in a matter of just a few weeks! This ultimately means that this digital experiment Universal was trying out happened to be relatively successful so far. Again, I think part of this mainly has to do with “Trolls: World Tour” being a family movie that kids will probably be watching over and over again to the point of becoming annoying. However, it’s an interesting success story as movies like this, including “Trolls: World Tour’s” predecessor, happen to gain massive successes from big theatrical runs. I should also point out that the first film currently has made more money at the domestic box office, specifically $153.7 million. But who knows? Maybe that will be broken. Will this mean Universal does more straight-to-digital releases in the future? Honestly, I hope not. While this may have worked for a film like “Trolls: World Tour,” which I think kids were going to watch no matter what, movies in general are often built up best by word of mouth in an attempt to get people out of the house. I just hope for the love of Pete that the ninth “Fast & Furious” DOES NOT get a straight to digital treatment. As for other factors to consider, “Trolls: World Tour” is also one of the only new films to watch right now, and since we can’t leave our house, maybe that has a contributing factor to how willing we are to stay in and pay a rental price on the movie. If we were in normalcy, who knows how this would have played out? But if you ask me, EVERY MOVIE is better in a theater. Mark my words.

SPIDER-DELAY! SPIDER-DELAY! DOES WHATEVER A SPIDER-DELAY DOES!

In part 5, I’ve practically given DC Comics its own section to talk about in terms of delays. This time, I’m going to be doing this for Marvel, both on the sides of Disney and Sony. Starting off with Sony, one of their hit movies, the Academy Award-winning “Spider-Man: Into the Spider-Verse” was supposed to get a sequel released on April 8th, 2022. That’s not happening anymore as the sequel has officially been pushed back to October 7th, 2022. It is hard to know what could come of “Spider-Verse 2” from this release date. Maybe it could do what “Venom” did and be able to separate itself in a month full of horror movies, not that “Venom” didn’t have some elements of the genre. For all I know this could work, because the first film won an Oscar, a Golden Globe, a Critics’ Choice, and seven Annies. The first film by the way released in December. I feel like the Best Animated Feature category is the least important one when it comes to releasing a film at a certain time, but experience has suggested that when a film releases later in the year, it usually gets some awards buzz. “Spider-Verse 2” could not just be a big hit, but another award winner.

Speaking of “Spider-Man,” the third Tom Holland “Spider-Man” movie was delayed! This third “Spider-Man” film was supposed to be connected to the MCU and release in theaters July 16th, 2021 as part of Marvel’s fourth phase of films. However, the film now sits in the month of November, taking a spot on the fifth day of the month. I am disappointed that I have to wait for the film, but the film opens on my birthday weekend, so I’ll take the wins as they come along. This news may have ties to how filming has not really been happening, and I am willing to bet that the delay for Sony’s “Venom: Let There Be Carnage,” now coming out on June 25th, 2021, plays a bit into this. After all, that too is technically a “Spider-Man” property. Having these two movies very close to each other could potentially be weird. Speaking of Marvel…

THOUGHT SPIDEY WAS ALONE? THE MARVEL RELEASE CHANGES SHALL ASSEMBLE!

One of the most complex questions right now in regards to the pandemic is the wonder of what is going to happen to the Marvel Cinematic Universe. It was not that long ago that “Black Widow” was delayed from this May to November, taking “Eternals'” spot on the release calendar. This resulted in pushback upon pushback upon pushback. Guess what? “Spider-Man” is not the only Marvel character affected this week. “Doctor Strange in the Multiverse of Madness,” which was supposed to release the same weekend as “Spider-Man 3,” is now getting pushed back to March 25th, 2022. Interestingly however, “Thor: Love and Thunder,” which was supposed to come out February 18th, 2022 as of recent times, is getting bumped up a week and is now coming out February 11th, 2022. Why is that? I don’t know for sure, but maybe to get couples to go see it on Valentine’s Day. With a title like “Love and Thunder,” that’s probably the reason. And now, for everything else!

THE DELAYS NEVER END!

Going back to Sony, one of the interesting projects that they have held onto for some time is a movie based on the popular video game franchise “Uncharted,” which, appropriately, is a Playstation exclusive. Even though Tom Holland’s “Spider-Man 3” is getting pushed back to November 2021, “Uncharted,” which he is set star in, is getting bumped up. Finally! Some positive news about this movie! I have never played the video games, even though I have heard solid things about them, but as for the movie, it just goes to show that even in development, video game movies are cursed. However, “Uncharted,” which was supposed to release October 16th, 2021, is moving up to the summer of that year! As of now, it is taking the spot where “Spider-Man 3” once was! Hopefully, this optimistic bump means that production will be happening as soon as possible, considering how filming was shut down due to COVID-19 on day one. Who knows what’ll happen? This movie is an enigma! As for other projects under Sony’s control, “Fatherhood,” a new comedy starring Kevin Hart is being pushed back from October 23rd, 2020 to April 2nd, 2021. Speaking of Kevin Hart, another movie where he’ll appear, “Man From Toronto,” once set for a September 17th, 2021 release, is now coming out November 20th, 2021. And if you thought “Spider-Verse 2” was going to be the only affected animated title, you’re wrong. “Connected,” the upcoming film produced by Phil Lord and Christopher Miller, was delayed a month. The film, which was previously expected September 18th, 2020, will now be coming out October 23rd, 2020. “Vivo,” featuring songs from Lin-Manuel Miranda of “Hamilton” fame, was supposed to release April 26, 2021, but now is getting pushed back to June 4, 2021. Can’t believe this is a thing, “Hotel Transylvania 4!” I guess this is also known as, “Adam Sandler needs an excuse be in a movie that won’t go straight to Netflix.” By the way, “Uncut Gems” is brilliant and you should watch it if you haven’t done so already. That is even if it does try to convince an audience that the Mohegan Sun casino in Connecticut has a sportsbook. Anyway, “Hotel Transylvania 4” is yet another movie that is not going down the calendar, but up! Originally set for a December 22nd, 2021 release, the animated sequel will now take the August 6th, 2021 spot. This could be a strategic move as it could give families something to do over the summer, while not having to compete with Universal’s “Sing 2,” which is set to release the same day “Hotel Transylvania 4” was once supposed to come out.

Also getting delayed, Tom Cruise is gonna have to wait a little bit longer before he attempts to kill himself once more, or more specifically, twice more. The seventh and eighth installments to the “Mission: Impossible” franchise, which will be directed by Christopher McQuarrie, also known for helming the fifth and sixth installments in the franchise, both have previous release dates set to self-destruct. The seventh “Mission: Impossible” installment was supposed to come out July 23rd, 2021, once again standing out as a summer staple. As of now, the film is coming out November 19th, 2021, just before Thanksgiving. As for the eighth installment, once planned to release August 5th, 2022, that is now set for a release date that I am personally digging, November 4th, 2022. Why am I stoked? Because it’s my birthday. From what I could imagine however, these two movies may have quite a bit to do with each other and could probably go well together in back to back viewings. Kind of similar to putting “Avengers: Infinity War” and “Avengers: Endgame” together. There is always a chance that “Mission: Impossible 7” could suck more than anything that has sucked before, thus lowering my hype levels for the eighth installment. However, “Mission: Impossible” is a peculiar series that honestly has gotten better with each installment, so anything is possible.

NEW HOME RELEASES

I usually save this for last, but this time, my next post has more of a climactic vibe, so this is going to be my penultimate section. When it comes to digital releases, perhaps one of the most notable titles coming out this week is “The Photograph.” This debuted in theaters last February, stars LaKeith Stanfield (Sorry To Bother You, Knives Out) alongside Chelsea Peretti and features intertwining love stories. This seems appropriate, because, again, this movie came out in February. Although for Netflix, one movie that just came out is “Extraction,” starring Chris Hemsworth (Thor, Ghostbusters) as a black market mercenary. The film is not one that I plan to review, however it is also one that I am hearing solid things about. Granted, the story is nothing to write home about, but if this film were to be solely judged based on action, I’m hearing it slaps. And this honestly does not surprise me as it is written by Anthony and Joe Russo and directed by Sam Hargrave, a stunt coordinator behind “The Hunger Games: Catching Fire,” “Atomic Blonde,” and “Avengers: Endgame.” As for whether or not this is the next “John Wick” is something that you will have to decide for yourself. Also, if you have any plans to tune into Amazon, the SXSW lineup is now available, which was made in response to the cancellation of the ambitious annual event held in Austin, TX. If you have Disney+, your inner “Star Wars” nerd is going to be happy, because not only are you soon going to be getting more of “The Clone Wars,” you’re not only getting a documentary on “The Mandalorian,” but “Star Wars: The Rise of Skywalker” will be available on Disney+ starting May 4th, known by the fan community as “Star Wars Day.” From then on, the complete “Skywalker Saga” will be available on the service. Speaking of action-packed films…

TENET IS LOCKED FOR JULY 17TH

This is going to be the main topic of this entire post. For those of you who don’t know, Christopher Nolan is coming out with his latest blockbuster title, “Tenet,” which had a trailer release this past winter. At the same time, a short preview attached to IMAX screenings of “Star Wars: The Rise of Skywalker,” was shown for a limited time. This film, among all others, HAS NOT been delayed. And if you have talked to me at all recently, it is a film that is almost my most anticipated of the year. It’s just one spot under “Dune” if you are all curious. “Tenet” is a film that has literally been designed for the movie theater experience. It was shot using film stock through IMAX and 70mm cameras, it’s got a labyrinth of a concept similar to Nolan’s other films, and the cast looks promising. Some attached names include John David Washington, Robert Pattinson, Kenneth Branagh, and of course, the one and only Michael Caine. I have been worried for the longest time that this film would get gravitated from this summer, taking away yet another big movie. It’s happened with “Top Gun: Maverick,” it’s happened with “Ghostbusters: Afterlife,” it’s also happened with “Morbius.” However, “Tenet” happens to be one of the last men standing in this battle against the invisible enemy. That’s also what it will continue to be going forward, because IndieWire suggests that “Tenet” will be ready to open July 17th of THIS YEAR unless theaters are closed. Is this wishful thinking? It’s possible, but this article gives me hope, and I will state, this is not the first time I am hearing this statement. However, just to hear this be reinforced a month later, is extremely fulfilling. One of my big worries when it comes to “Tenet” is the possibility of it being a lone wolf in the movie theater, there is not much of a reason for the film to play in seemingly dead space. But at the same time, Christopher Nolan has constantly marketed “Tenet” as an event film. It’s an expensive blockbuster clearly meant for the summer. It’s got a similar vibe to Nolan’s own “Inception.” I will also point out that should quarantine end around the country starting July, Christopher Nolan can utilize a huge marketing push at the end of the game, maybe reminding people how exciting it is to go see a movie in a theater. Nolan is all about that atmosphere. Nolan is not a streaming guy. In fact, when this all started in the US, Nolan wrote an opinion article in The Washington Post where he called movie theaters “a vital part of American social life.” Before hearing what IndieWire suggests in their article, I had a rather bleak thought process as to what theaters would look like only being able to show “Tenet.” A few screens would be open, while every other one is some classic title that maybe not everybody is gonna pay $12 to see when they can they rent it on Amazon. Turns out, IndieWire sees a much more optimistic point of view. IndieWire suggests the following:

“Even if theaters start opening in June (Georgia’s aggressive early plan could permit openings in early May, but NATO has stated it prefers a nationwide, concerted rollout), few will attend without new films. Going before other big films would allow “Tenet” to play on virtually every screen in the country.”

Think about it. How many films have been delayed? From smaller titles that nobody has even heard of to the big blockbusters like those that Marvel cranks out every few months, despite their differences, they have something in common. They got delayed. A few got delayed not too far up calendar while others got kicked into another year, but nevertheless, they got delayed. “Tenet,” as the last man standing, could literally possess every auditorium in every theater, at least in the United States. This is something that during NORMAL times, I would be scared of a movie doing, but now, it makes sense and I am flat out encouraging it, because something needs to light the spark. Plus, should theaters reduce capacity for safety concerns, “Tenet” has themselves covered. They have more theaters and auditoriums that could supply everybody. If you have an AMC near you that has a bunch of standard screens, an IMAX screen, a Dolby Cinema screen all in one place, there’s a solid chance that they’ll use one or two, maybe another auditorium for standard screenings of a blockbuster. In addition, the IMAX or Dolby, depending on the deal they’ve made regarding the film, will also feature said blockbuster. If you have a decent-sized theater, for all I know, “Tenet” could take every screening possible. Can you imagine a 25 screen theater with “Tenet” on virtually every single one? It’s going to be the State of the Union Address of movies. There’s no alternate program you can resort to, it’s “Tenet” or bust! And if this were a film that could easily fit in for a streaming environment, had a small budget, or lacked some of name recognition, I’d probably say maybe this theater project is overblown and a bit beyond one’s reach. However, the film was designed for the theatrical experience, is a blockbuster, and is helmed by the man who I personally think is my favorite director of all time. For all I know, he could get another Oscar nomination for this film depending on how this year pans out.

The slogan of “Tenet” by the way, and hopefully I am not scaring anybody, is “time runs out.” Let’s just hope that time will not run out on this film and our chances of seeing it as early as possible, in as lively of an environment as possible. In a season of movies getting delayed like flights for United Airlines, “Tenet” is possibly going to be the last man standing. The fight against the invisible enemy shall continue, and we shall not stop until we can successfully get millions of butts sitting in cinema seats. Warner Bros., Christopher Nolan, the entire cast and crew of “Tenet,” to say I am rooting for you is an understatement. For all I know, if “Tenet” successfully enters theaters in July, I will be there opening night for IMAX 70mm. This virus is ruining Hollywood, and now we need to give it the Hollywood ending it absolutely deserves.

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Thanks for reading the sixth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Look, I love doing Scene Before, but if this is what I’ll be talking about for the rest of my life, it’s going to get tiresome. I will point out that I left the house for the first time all month on the 25th. There’s that. I just want to go see a movie. If movie theaters collectively do not survive this crisis, I think I might almost be done with movies. One of the reasons why I love movies is because they are experiences, and these experiences are best had in a distraction-free environment either by myself, a few other people, or even a full house. Are the tickets and food sometimes overpriced? Sure, but moviegoing is a staple of the economy and I would flat out scream up to sky if they disappeared. PLEASE… Stay home as much as you can. Do *your* part if you want a better chance of me giving my thoughts on movies for you to possibly see. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! While it may not cure the coronavirus, if you want a better use of your time than drinking bleach, check out the Scene Before Facebook page! I want to know, did I miss anything related to COVID-19 and film? What big piece of news stands out to you? Or, since it relates to this post, what do you think are the odds of “Tenet” getting delayed? At this point, it’s a competitive and strategic game of chess. Who knows at this point? Leave your thoughts down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes Part 3

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Hey everyone, Jack Drees here! It is now time for part 3 of the all new Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

The spread continues! The United States is still the most affected country by this virus and one can only wonder when collective optimism will set in. What is happening? Masks weren’t safe then but they’re safe now? The New England Patriots sent protective equipment to New York? Speaking of New York, apparently it is just recently reported that the state has suffered its highest death toll yet. Although at the same time, Gov. Andrew Cuomo feels that the decrease in hospitalizations could bring hope. Speaking of hope, the death toll in Italy and Spain seem to be falling.

There’s also continuous talk about about a drug. President Trump is suggesting to use hydroxychloroquine in order to stop the virus. For the record, this is a drug that is used to cure malaria and mosquito bites. Trump has a financial interest in Sanofi, which is a French drugmaker that makes a brand-name edition of the drug. He also suggested that if the drug is combined with azithromycin, an antibiotic, it could be “a game-changer.” However, not everyone is onboard, including expert Anthony Fauci, who has stood alongside Trump from day to day during this crisis. Fauci suggests that there is only “anecdotal evidence” of the drug helping people.

Also, Easter is this Sunday, and given how there are strong recommendations for people to stay home nowadays, there is a high likelihood that family gatherings will be avoided. I often visit relatives out of town on Easter Sunday, but given the current situation, that does not seem to be happening. But, if you live in New Zealand and you have kids that are feeling down, feel free to cheer them up by letting them know that the Prime Minister, Jacinda Ardern, considers the Easter Bunny an essential worker.

As stated in the video, it may be tough for the bunny to get everywhere, but if you want to spread some positivity to your children, here you go. Also, remind them that the Tooth Fairy is essential as well. Although if that Tooth Fairy shows up as The Rock, then reconsider what I just said.

Once again, this has been a rather uneventful weekend for the box office, and one of the biggest concerns as far as box office goes has to do with AMC Theatres, which I’ll get to eventually. But as a continual substitute to the theater, many movies are constantly being dropped onto VOD services early. Some recent highlights include “Bad Boys For Life,” the highest grossing January film of all time, and “Impractical Jokers: The Movie,” which appropriately dropped on April Fools Day. But with physical life in abandonment for the time being, there may be some concerns about big festivals. San Diego Comic-Con, arguably the most important comic convention in relation to film, is still on. However, weeks ago, Cannes, the annual festival held in France, has been postponed from May to sometime in June or July. And it was just announced from festival director Thierry Fremaux that there are no plans to digitally transform the event, suggesting that “it’s a model that won’t work.” And this doesn’t even cover all of the festival news that is relevant for this post. Here’s more!

SOUTH BY SOUTHWEST IS BACK ON (Sort of)

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One of the benefits of a large gathering like South by Southwest is the ability to mix the intention of interacting with other people, networking, while also putting the idea of entertainment into the mix. In fact, I was going to go to South by Southwest this year, but unfortunately, it got canceled the week I was supposed to depart. I also highly detest the recent actions of South by Southwest, because even though they are allowing people to move their purchased tickets to an alternate date in an upcoming year (which my mother did do for 2021), there is no option for a refund. While I am all for making money, SXSW is the kind of organization to me that purely resembles greed. In fact, they didn’t even cancel their event, the city of Austin did!  However, they do seem to be somewhat sympathetic to their vendors. According to various sources, Amazon Prime Video is going to be digitally showcasing various projects that were supposed to play at the festival last month. All the people behind the projects need to present a fee in order to let their work shine. Keep in mind that the revealing of work that was supposed to be presented in person in front of the masses on Prime is optional, so if you were expecting to see something in particular at the festival, maybe it won’t make it to Amazon’s service. Also keep in mind, if you are planning seeing on these pieces of work, you do not need to pay for Amazon Prime, but you do need an Amazon account. As long as you have that, you’re good to go.

VENICE FILM FESTIVAL DENIES GOING DIGITAL

Last year, the Venice Film Festival honored Todd Phillips’ “Joker” with the Golden Lion, which is the festival’s highest honor. This year, there is perhaps some wonder if it would be a joke to keep the festival running in September. Keep in mind that Italy has the second highest count of COVID-19 cases to date and who knows about a second wave and if that’s a possibility? However, according to Variety, a Venice spokesperson reported “The Venice Film Festival cannot be replaced by an online event.” This is in response to a recent interview between festival director Alberto Barbera and Italian news agency ANSA who said he is not weighing digital options. That by the way, is in response to what is happening with the Toronto International Film Festival, where there is consideration for both physical and digital aspects. At this point, it may be too early to tell given how the festival is about five months into the future. We’ll have to see if Italy is stable by then, and if there is enough reason to keep the festival on in person.

DELAYED MOVIES AND NEW RELEASE DATES

Well, it appears that COVID-19 is doing its own stunts now. “Top Gun: Maverick” has officially been delayed, which honestly disappoints me because it was one of my most anticipated films of the summer. It looked like another one of those films, kind of like the recent “Mission: Impossible” movies, where Tom Cruise does everything he can to nearly kill himself. Instead, the film is now coming out in December, which really has me scared, because this puts my most anticipated film of the year, “Dune” in a tough position. While I have no real idea how much money “Dune” will make, this is giving me the creeps because while I cannot exactly anticipate how well of a marketing campaign “Dune” is going to have, if it weren’t for a nostalgic, somewhat recognizable property stepping in, I figured “Dune” would have a massive chance at succeeding. Plus, I recall early reports of one person suggesting that the footage that has already been seen of “Dune” is on the level that matches “Lord of the Rings” and “Star Wars.” Can the praise get any better than that?! The 2020 adaptation of “Dune” could arguably be the greatest story ever told if the movie matches this previous word of mouth! Although at the same time, I’ll mention it again, as far as this summer goes, “Top Gun: Maverick” is one of my most anticipated films. Don’t think I’m trying to take it out behind the barn and shoot it. If anything, I want the movie to succeed, but I also want “Dune” to succeed. Maybe this could be a case where “Dune” heavily succeeds, thus leaving “Top Gun: Maverick” in the dust, which would also be disappointing. It feels like there’s no winning in this case. Speaking of Paramount films, they are also delaying “The SpongeBob Movie: Sponge on the Run,” the third “SpongeBob SquarePants” idea that will ultimately be brought to the big screen. The movie will follow the titular sponge as he goes on a quest with Patrick Star to find his missing snail, Gary. Also in Paramount movie news, “A Quiet Place Part II” has a new release date, specifically September 4th, giving it a Labor Day weekend slot. For the record, the movie has already been delayed as of March 12th from its original release date, March 20th, but has not received a new date until now. I am beyond thankful that “A Quiet Place Part II” is not considering the streaming route, because having seen the original installment, it is one of those movies that you have to be in the theater to truly feel its impact. At least that’s what I got with the first one. When I saw “A Quiet Place” a couple years back, it was a highlight in my movie experience journey because it was one of the few movies that FORCED me to be quiet to fully enjoy the product. I could barely chew my popcorn, I almost couldn’t even take as big of sips of my drink as I usually would, it was a one of a kind time at the movies. I’m willing to bet that John Krasinski made “A Quiet Place Part II” with the same thoughts in mind that he had for the first one. SILENCE THE AUDITORIUM AS MUCH AS POSSIBLE. I’m looking forward to September, let’s just hope that there are enough reasons to go to the movies by then.

While “A Quiet Place Part II” is sticking to a theatrical release, one movie that I was kind of looking forward to seeing in theaters is no longer going to be there, and will end up heading straight to that tenth streaming service you guys have, Disney+. Ladies and gentlemen, I’m talking about “Artemis Fowl.” For those of you who don’t know, “Artemis Fowl” is based on a book about a 12-year-old criminal mastermind who must find his father while facing underground fairies. I was kind of looking forward to seeing “Artemis Fowl” even though I have not read the book personally. The movie sort of looked like a visual trip, and if successful, could have spawned the next big fantasy franchise. I wonder if this is a sign that Disney may end up throwing in the towel on the franchise before it even starts. After all, the film was made on a $125 million budget, so I guess they were expecting a return of hundreds of millions. The real question is, could the film have broken even? Who knows? I have not heard much word of mouth about “Artemis Fowl” from anybody else, but the trailers do intrigue me. It at least had my attention.

Speaking of Disney+, one of the suggestions people happened to make is to release “Black Widow” early on the service. Quite honestly, I think that is a ridiculous idea that could cost Disney a lot of money, and it seems that we are sharing a thinking cap because Disney has officially pushed back the MCU timeline, and placed “Black Widow” on the November 6 release slot. When I say the MCU timeline, I mean it almost 100%. Every movie that is supposed to eventually come out in the MCU has been delayed except “Black Panther 2.” Even “Captain Marvel 2,” originally set to release in June 2022, is moving up a couple weeks for a new July 8th release during the year. For those who don’t know, “Eternals” was originally supposed to come out November of this year, but having two MCU films come out at once is a little extreme, so now it is coming out February 12th, 2021. At this point, November is looking like a respectable month for popular nerd culture. Between “Black Widow,” a movie that Marvel fans are FINALLY getting to see. “No Time to Die,” the 25th Bond film that is supposed to be Daniel Craig’s final outing as the character. Plus, “Godzilla vs. Kong,” which I am curious to hear more about. I think one of these is going to get bumped to a different release date to guarantee avoidance of being a box office bomb, because November is a pretty big month for movies, and even though there are blockbusters at the time, a lot of focus from those who are heavily invested is going to be leaning towards the Oscar bait films.

As far Disney’s live-action “Mulan” remake goes, that is now coming out on July 24th. Should it get delayed again, I think that is another film that Disney is going to keep in theaters with all their might, because part of the marketing emphasizes the big battles of the film, and those could be stellar to see on the silver screen. The one thing that I think will be diminished though is its IMAX run. Because unless Christopher Nolan’s “Tenet” gets delayed and “Mulan” still comes out, “Tenet” is going to have a long run in many IMAX theaters. It was shot on IMAX cameras after all! “Mulan” now takes the place of theme park ride-inspired “Jungle Cruise,” starring Dwayne Johnson and Emily Blunt, which has now been pushed back to July 30th, 2021. Another big pushback comes from the Lucasfilm side of things, specifically for “Indiana Jones 5,” which is kind of unfortunate because Harrison Ford ain’t getting any younger. At this point with a film like “Indiana Jones 5,” I will believe it when I see it.

Remember how Disney bought Fox? Guess what? Their slate is getting kicked in the ass too! Wes Anderson was supposed to come out with “The French Dispatch” on July 24th, but now it is being pushed back to October. This could be some good news for Wes Anderson as the director behind the film has a history of being acclaimed, and having a unique style to his films. This unique style can be reinserted into everyone’s heads and perhaps bring up a reason for this film to contend for awards. If this came out in the summer, maybe it would have as much of a chance, but keep in mind. Award season pretty much gets into full swing in the fall. Summer is mainly for blockbusters and popcorn movies. Those movies don’t usually rack up the Oscars.

Universal is also in the news, because they recently pushed back Illumination Entertainment’s “Minions: The Rise of Gru.” That film was supposed to come out July 3rd this year, but it has been pushed back to July 2nd of next year. In addition, “Sing 2,” which is a sequel to a well-liked film starring Matthew McConaughey as a mouse who runs a theater, is also getting pushed back. “Minions: The Rise of Gru” is currently sitting where “Sing 2” was originally going to be, but much like the situation I mentioned earlier with Marvel, it could be weird to have two of the same types of movies releasing at once. Therefore, “Sing 2” will be coming out December 22nd, 2021. Keep in mind, the film was supposed to come out this year in December, but was delayed to its previous July spot. Honestly, this delay is not that bad, because the original “Sing” came out in December 2016, and ended up being a hit for Illumination. Maybe this sequel will do the same. Speaking of keeping things in mind, Universal was making a movie based on the popular play “Wicked,” which was set to release in the current spot where “Sing 2” resides. Due to “Sing 2’s” recent pushback, it could be possible that “Wicked” will be out in 2022. By the way, not steering away from animated features, this week is interesting for film, because remember “Trolls: World Tour?” It’s in the middle of its marketing campaign and if you are a parent who wants to torture yourself in order to please your kids, it comes out digitally this Friday, April 10th. Advertisements have suggested that the movie will also be playing in theaters. But the real question is, what theater in the United States is still open at this point? When you are increasingly going to get shamed for not wearing a mask outside, what theater is open?

AMC MAY NOT SURVIVE

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Now I understand that there are more important things in life than film. There’s health, happiness, and safety. Unfortunately, the news makes me feel ill, unhappy, and like I’ll never ever be safe again. If you all know me, you’d be aware that my safe place in life is the movie theater, and one of my regular stops for my experiences happen to be AMC locations. It’s where I often go for my press screenings, as an excuse to use Stubs points, and on occasion, for Dolby and IMAX. Depending on where you live in the United States, there is a solid chance that you have at least one AMC location near you. In fact, I recently went to downtown Burbank, California and they have three locations within minutes of each other, and this is walking distance I’m talking about! Even though AMC technically is a large chain that owns a lot of theaters, they do a good job at giving a sense of prioritization on the moviegoing experience. In fact, in recent years, they’ve been expanding their fleet, renovating theaters, putting in new seats (which admittedly, sometimes underwhelmed me), implementing reserved seating options, and one of their most notable innovations to the American movie market was their Stubs A-List program, which is basically their response to MoviePass as it began to die down. They even have an On Demand service now! In fact, even though I am a physical media junkie, that is probably a place where I’ll consider renting a movie one night (as long as Sony Android TVs) can get it. AMC just recently used to be the biggest chain in North America, but has recently been dethroned since Europe’s Cineworld bought the Canadian chain Cineplex. Now that Cineworld owns both Cineplex and Regal Entertainment Group, they are now the largest theater chain in regards to the continent.

Having said that, AMC Theatres is a pretty big chain. But the bigger they are, the harder they fall. AMC Theatres has spent a lot of money on changes in recent years, recently laid off a ton of employees, and is currently in debt. To make matters worse, S&P Global has recently downgraded AMC Theatres to a CCC-. The association to insert here is “Default imminent, with little prospect for recovery.” Keep in mind, that if you live in the United States, that means if AMC Theatres closes down for good, you are likely to lose a country-wide total of over six hundred cinemas. Just a couple weeks ago, I was reminding people that the smaller, indie theaters might be in a bit of trouble right now. They’re making AMC look like RadioShack! In fact, one of the cool ideas I have been seeing recently is that theaters are doing pop-up sales, where they are selling popcorn to paying customers even though there are no movies going on. This has happened at a couple locations near my house, specifically the Somerville Theatre and Capitol Theatre, both of which are in Massachusetts and owned by Frame One Theatres. I don’t know if a chain like AMC would do that, because I think they are more concerned about protecting what they have by letting people go than continuing operations and getting mocked. But, again, if any theater wants to take up my suggestion on a popcorn or candy delivery service, be my guest! I’ll probably order from it twice a day just to provide some support. That, and I love my movie theater popcorn. It could be through the organization itself, maybe through Uber Eats, maybe Grubhub could be a good idea. After all, pretty much the only thing I can do in life right now is stay inside and put on a movie. I need decent popcorn to go with it! But sticking with the main idea, the loss of AMC, can bring a tremendously dark impact to the industry. Because that means no more Prime Theatres, no more specifically branded Dolby Cinema, and no more A-List. But also, keep in mind the large theater count the chain has and how much of a reduction this truly can provide. There will be significantly less places to go to watch a movie. If you’re lucky enough to have somewhere like a Regal or Cinemark nearby, then you’re probably in luck. I’ve got Showcase Cinemas. Even though I’ve been to their theaters a number of times, I really think they are overhyped and their setup is occasionally bonkers (although their Providence location might have my favorite IMAX theater). And I don’t know if another chain is going to swoop in and take all the AMC locations that could die as a result of this. AMC is not the only chain hurting here. For all I know, maybe one of the big toilet paper companies can come in and start something new. Come on in to “Angel Soft Theater!” Your ass is safe on both our toilets and our auditorium chairs!

One YouTuber I regularly watch goes by the name of John Campea (Collider Movie Talk, The John Campea Show) and he suggested that studios should step in and help AMC financially during this dire time. If the studios have enough money, this is a swell idea. After all, there is a strong bond between movie theaters and studios. One cannot essentially exist without the other. And given how studios are perhaps likely to lose money should they rely on digital sales for their films, they are probably well off giving some of what they have to a chain that has given them tons of strength over the years. I often make fun of how much money Disney has, but wouldn’t it be a great story if Disney gave some money to AMC? I’d dig it. Time will tell when it comes determining the fate of AMC Theatres, but that is largely going to depend on when this crisis diminishes or ends, if people are not too scared to go out into the masses again, and if movies are even going to release by the time this ends. Again, if “Tenet” is not in theaters this July, I think I can officially call it quits on this year for film. Because that news will break me. Pixar’s “Soul” hasn’t been delayed yet. Maybe that will come out in June. Again, it’s hard to tell at this point given how confusing this virus really is.

NEW RELEASES GOING ON DEMAND

I did do this last week, and to be honest, I don’t know if I’ll continue this trend, but given how On Demand is becoming more of a core element to the movie-viewing experience given the current situation, I figured I’d share some new releases that are out On Demand this week. First off is “Ip Man 4: The Finale.” I have not seen any of these movies, but one things that intrigues me is that it stars Donnie Yen, who has been brought to my attention in recent years. The actor is probably one of the more badass men I have seen in an action film as far as newer material goes. While I will declare that “xXx: Return of Xander Cage” is not exactly the “Citizen Kane” of action, Donnie Yen may have been the best part of the movie. Up next is “Like a Boss,” which came out in January. This does not look or feel like my type of movie, but I believe I almost went to a press screening for it. Not sure though. The film stars Tiffany Haddish, Rose Byrne, alongside Salma Hayek and it is about friends who are trying to start a beauty company. The film clocks in with a total of an hour and twenty-three minutes. Did the editor want to finish their job as soon as possible or something? By the way, for those of you who prefer buying the physical copy, both films are scheduled to come out on DVD and Blu-ray on April 21st. If you have Disney+, there is heavy promotion going on right now to get people to watch Pixar’s “Onward,” and if you have the service, it is now watchable any time you want.

Thanks for reading the third part of the ongoing series “Movies and COVID-19: Behind the Scenes!” As long as this crisis is unfortunately still with us, this series is going to continue, and maybe even get me to delay my scheduled film reviews. Although, for all I know, my review of “My Spy” might not even come out until next year given how I would probably be shoved into an abyss by STX executives if I open my mouth about it right now. As for myself, I have not left my house in awhile, and I continue to remain healthy. If you want to use your time wisely, be sure to follow Scene Before either through an email or WordPress account so you can stay tuned for more great content! Since we’re all online right now, why not take a break from learning how to use Zoom for a quick second and check out the Scene Before Facebook page! You won’t regret it! I want to know, is there any COVID-19 movie news that happens to be significant that I missed? What have you been doing during this crazy time? Any movies you want to recommend? TV shows maybe? Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 2

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Hey everyone, Jack Drees here! It is now time for part 2 of the all new Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

In the United States, which is where my main demographic happens to be, we unfortunately have more cases of COVID-19 than anybody else. Records are meant to be broken, but if only they were not broken like this. Although at the same time, there has been a significant increase in testing here in the United States, so while it does not make the record necessarily less disheartening, it still adds in a piece of needed information.

Now I do not typically talk about politics that much on Scene Before, but this is one of the rare instances where I have no choice. President Donald Trump has said that he wants the United States back in operation by Easter. The reason for this mostly has to do with Trump’s personal admiration towards the holiday, suggesting that it would be wonderful if the United States had “packed churches.” However, experts are saying that this would not be the best idea and Trump should wait longer.

Personally, I am still optimistic that we can get through this pandemic in a matter of a couple of a months, maybe a few even. But Easter Sunday is a bit too quick based on how many people are seemingly continuing to avoid the act of social distancing. I can possibly see certain portions of the economy putting lights back on in a matter of weeks, but it would not equate to a full-fledged, well-oiled machine. Maybe restaurants will be open again to an extent where people can sit down, but with a limited capacity, and takeout will continue to be highly encouraged. I do not know for sure, but anything’s possible. I said it part 1, I’ll say it again in part 2, I am not a doctor.

These are some general goings on during the COVID-19 situation, but for movies, things have been interesting. In fact, if you look at Box Office Mojo right now and notice the weekend totals, it’s kind of creepy. There’s not even a section for the previous weekend in regards to how much money each movie made. Should this go on for a long time, I wonder if the box office is going to partially change its ways and measure intake by monitoring how much is made by tracking how many rentals are purchased on cinema-specific sections on streaming services. I doubt that’ll be the case since there currently seems to be eager anticipation for the opening of movie theaters by sometime in the summer, but who knows? For all I know, this summer in movies for the most part will be cancelled. I am about to present some evidence as to why.

MAJOR MOVIES DELAYED: WONDER WOMAN 1984, GHOSTBUSTERS: AFTERLIFE, MORBIUS, PETER RABBIT 2, ETC.

One of the biggest pieces of news in terms of movies getting delayed comes from Sony. The reason being is that when everybody found out about this, it didn’t involve just one movie. It involved Sony’s entire summer lineup. For those who don’t know, movies like “Ghostbusters: Afterlife” and “Morbius” put out trailers in anticipation of a summer release date this year. Guess what? Both have been moved to March 2021! And if that’s not enough, forget about “Peter Rabbit 2: The Runaway,” because you won’t be seeing that movie either! For the record, that movie was supposed to come out this upcoming weekend as of writing this post. That was until it was delayed to August, but now it is going to be a January 2021 movie! You honestly can’t write this! I was looking forward to these films (minus “Peter Rabbit”) but now I have to wait even longer! In fact, Sony’s delays doesn’t just affect current films set to come out that are either finished or nearly finished, but it also affects a heavily cursed movie, specifically “Uncharted!” Can that movie catch a break? What’s it on, like it’s SEVENTH director right now?! The film that has practically been in development hell for a long time and was set to come out on March 5th, 2021, which is now where “Ghostbusters: Afterlife” will be releasing. Instead, it will be coming out on October 8th, 2021.

In addition to Sony, Warner Bros. has been in a bit of trouble too, but at least their situation feels more of a semblance of optimism. For those who don’t know by now, “Wonder Woman 1984” is getting delayed, which is one of the movies I really didn’t want to see get pushed back, because part of me predicted that theaters would be open by the time this film is supposed to come out. Turns out that’s not the case, because the film’s previous release date of June 4th is no more. “Wonder Woman 1984” is now coming out on August 14th, which does disappoint me, but it does me hope that we will still be seeing a summer movie season in 2020. This also reinforces the crew’s commitment to theatrical experience, which may bring a sigh of a relief to major chains, smaller theaters, and an organization like NATO (National Association of Theater Owners), especially after Universal abruptly announced “Trolls: World Tour” was going to go to streaming as soon as it hit the minimal amount of theaters that would be open this April. Speaking of theatrical commitments, Warner Bros. is also optimistic in regards to releasing Christopher Nolan’s “Tenet,” which is scheduled to come out July 17th. First off, it’s a Christopher Nolan movie. If Warner Bros. announced that “Tenet” was going to go straight to streaming and skip theaters, there’s a good chance that Nolan would end his work relationship with Warner Bros. altogether. Second, if you want my personal thoughts on this matter, “Tenet” is my second most anticipated film of the year, right below “Dune” which is set to come out in December. If “Tenet” is not seen this summer, I am considering quitting movie watching altogether. Whether or not this situation goes away by July is still a mystery, but I would not be surprised if we reach the very beginning of July and hear that “Tenet” gets bumped to another release date. I think there’s an itty-bitty chance of that happening, but I am not too sure. Plus, the film cost $205 million to make. I do not think “Tenet” will join the billion dollar club, but if this is still around in July, part of me wonders if the film will break even.

Much like Sony, Warner Bros. is having notable production troubles regarding the ongoing crisis as well. “The Matrix 4” has officially shut down. Looks like that “Keanu Reeves Day” coming up in 2021 where “John Wick 4” and “The Matrix 4” release simultaneously will not be a thing anymore should these troubles keep up. Speaking of Warner Bros. productions, “The Batman” has shut down indefinitely. The film was scheduled to come in June 2021 and star Robert Pattinson (The Lighthouse, Good Time) as the Caped Crusader.

Sticking with the recently mentioned productions of “The Matrix 4” and “Uncharted,” both were in production in Germany, specifically in Studio Babelsberg. Termination of production of many on such property left them without pay and there is a current threat of legal action. But speaking of “The Matrix,” if this news has you down and you need your fix of the franchise, the original trilogy will be on Netflix starting this April.

“Top Gun: Maverick” is still coming out in June. Let’s just hope that stays put.

ESPN GETS CREATIVE WITH THEIR LINEUP

I don’t usually talk about sports on this blog, but this is a rare case where it is necessary. For those of you who don’t know, Disney owns you. It’s a fact. Also, for those of you who don’t know, Disney-owned ESPN is going to doing movie nights on Fridays for now on, specifically on movies revolving around sports. Not surprisingly, the movies that will be aired will all be Disney productions. Part of this goes into how the network recently aired “The Rookie,” a baseball film from 2002. For those of you who want to know, this upcoming Friday’s lineup will feature “Glory Road,” the 2006 title revolving around the 1966 NCAA basketball National Championship and the story of the first all-black starting lineup in this situation. Other films in the lineup include “Miracle,” “Secretariat,” and “The Greatest Game Ever Played.” Given how major sports like the regular seasons of NHL, NBA, and MLB have been affected by the outbreak, sports-related outlets have to get creative. 24 hours of SportsCenter on ESPN featuring the top 10 social distancing moments of the day is not going to cut it. I have no idea how long ESPN will be doing this, but just a reminder that Disney now owns Fox, and while I am not seeing any reports of them airing any Fox films, it doesn’t mean that there is no chance that Disney could allow ESPN to take Fox films and present them over the airwaves. This could allow the airing of films like “Rookie of the Year,” “Bend It Like Beckham,” “Dodgeball: A True Underdog Story,” “Battle of the Sexes,” or even my personal favorite sports film of all time, “The Sandlot.” Such a good movie.

Also, if you don’t want to wait to watch these films on ESPN, or if you don’t want as many ad interruptions, they are currently available on Disney+, but if you are bored on a Friday night and the Internet is down, you may want to take advantage of watching your favorite sports movies on ESPN.

COVID-19 GETS A MOVIE

One of the things both my mother and I have been saying recently is that this virus is kind of like a movie. In fact, if you talked to me at in the past couple weeks and asked me what I could possibly be thinking about, my answer would be the “five years later” transition in “Avengers: Endgame.” I would not want to be in New York right now, because I can only imagine what it would be like to look at Lady Liberty! Although according to The Hollywood Reporter, it seems we are living in a movie world right now. Kind of. The Hollywood Reporter is suggesting that we are getting the first COVID-19 movie of this specific era. And it is a Canadian thriller shot on a soundstage in Vancouver, where a bunch of people are in an elevator and they quickly suspect that one Chinese individual who joins the ride happens to have the virus. “Corona” is shot handheld in order to be realistic, it’s an interesting move, and it could provide some tension, maybe in a way that could make the viewer a part of the story. The movie does not necessarily revolve around the virus as much it focuses on fear and racism. Plus, those two things will be taken into consideration and apply to how a group of people, varying in terms of walks of life and personality, could potentially react to a virus like this. By the way, if there is a company or organization out there that wants this movie, it is looking for a buyer. I am not surprised that we are getting a movie on COVID-19, but I am surprised that we are getting one this early.

If you want to view the trailer, click the video below.

NEW RELEASES GOING ON DEMAND

Last week, I discussed one of the big stories going on in the movie world is that the current theatrical releases, or in some cases, movies that haven’t even hit the big screen yet, have gone straight to VOD, or on digital services. These mainly include various cable-based On Demand channels, or streaming services like Prime Video, Google Play, and FandangoNOW. But over the past week, more things have happened in relation to this, and some new movies that barely seen the light of day are now being inserted to these On Demand services. By the time you’re reading this, “Impractical Jokers: The Movie,” which released in select theaters on February 21st, then eventually expanding on February 28th, will be available for digital viewing. It’s supposed to release April Fools Day, which makes sense since the movie heavily involves pranking. As for DVD and Blu-ray, that is not known at this point, especially considering how it has not been close to the ninety-day mark of the film’s official release. For all I know, it might not get a DVD, which I hope does not happen. But keep in mind the possibility is there considering how the last DVD for the show itself was for season 5, which aired in 2016. From season 6 and on, there are no plans to put out DVDs. As of March 31st, “Bad Boys For Life” and “Sonic the Hedgehog” are both available for digital purchase with a pop of $20. “Never Rarely Sometimes Always,” which released in four theaters to make $16,825, will be hitting On Demand services starting April 3rd.

Thanks for reading the second part of the ongoing series “Movies and COVID-19: Behind the Scenes!” I can guarantee you that more is likely to come, especially when considering that the Massachusetts stay at home advisory has been extended to May 4th. I don’t know if this will be a weekly thing though, considering how I still have reviews to do, and I just started online classes for my university. Again, I am still committing to putting out a post a week, and it might be easy to do so given how much time this crisis is likely going to give me. And if you’re wondering about me personally, I am okay. I currently contain no symptoms or evidence of having COVID-19, and given how it has been fourteen days since I got back from the fantastically run state of Florida, I am most likely in the clear. I have not personally invited anyone into my home, and I rarely have gone outside for anything. In a way, my practice from when I was twelve years old and playing video games all day has paid off for this very moment. Outside is so overrated!

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But man, I do miss the movie theater.

If you have time, which you do, let’s admit it, go ahead and follow Scene Before either with an email or WordPress account! And since you’re wasting time staying six feet away from others while only being trapped in your personal space, go ahead and follow the Scene Before Facebook page! I want to know, what is your biggest piece of recently seen news regarding films and COVID-19? I covered a number of topics today, but for all I know, maybe I missed something important. It happens. Let me know down below, and let’s get through this together! Scene Before is your click to the flicks!