“Nope” is directed by Jordan Peele (Get Out, Us) and stars Daniel Kaluuya (Get Out, Judas and the Black Messiah), Keke Palmer (Lightyear, Ice Age: Continental Drift), Steven Yeun (Minari, The Walking Dead), Michael Wincott (The Crow, Alien: Resurrection), Brandon Perea (The OA, Doom Patrol), Wrenn Schmidt (Outcast, For All Mankind), Barbie Ferreira (Euphoria, Unpregnant), and Keith David (The Thing, Pitch Black). This film is about a brother and sister who live on a ranch and witness an unusual, shocking event that changes everything.
So far, when it comes to Jordan Peele’s filmography, he has proven himself as legit horror storyteller. “Get Out” is unsettling and perfectly paced from start to finish. “Us” has charismatic characters and is a fine balance between subtle and trippy. “Nope” contains some of the horror elements that audiences may have grown accustomed to over the past couple films Peele directed. There are jumpscares, strange happenings, and much like “Us,” there is an intentionally placed scene in the beginning that in most cases would almost feel kind of out of place.
However, the biggest difference between “Nope” and Peele’s previous work is the scope. It would be easy for me to say that “Nope” is the biggest film Peele’s made so far, but I can back that up by saying “Nope” cost $68 million to make. That is more than “Us,” which cost $20 million, and “Get Out,” which cost $4.5 million. But there are reasons beyond the numbers as to why it is so big. The film is entirely shot on 65mm film, including select sequences which were shot in IMAX. Yes, Peele went full Nolan on this movie. Although unlike Christopher Nolan with some of his recent fare like “Tenet,” I could actually hear what the actors were trying to say. You see what happens when booming music is used sparingly? Out of all the films Peele has done so far, this is the one that most closely resembles that summer blockbuster vibe.
This is probably the closest I think a director has come in some time to providing a Spielberg-like experience without the use of the actual Steven Spielberg. Now, Spielberg has done a lot of movies, but he is most well known for his blockbusters like “Jaws” and “Jurassic Park.” This leads me to my biggest praise for “Nope,” and that is that this movie does for UFOs what Steven Spielberg and crew did for the original “Jaws” and “Jurassic Park” movies. What do I mean? There is a UFO in the movie, but much like the shark in “Jaws,” the UFO is used sparingly. Much like that iconic shark some call Bruce, the UFO felt special. And kind of like in “Jurassic Park,” which took its time to establish the gargantuan nature of its dinosaurs, the UFO is not only menacing when it appears, but it made me as a viewer feel small. I am very likely going to buy “Nope” on physical media as it is that good of a film. I am quite curious to know how that effect is going to come off on my television screen. But I can say as someone who has seen “Nope” twice in the theater, each scene where the UFO played a crucial role made it feel like the literal elephant in the room.
Speaking of elephants in the room, let’s talk about my favorite performance in the film. Keke Palmer gives it her all in “Nope.” Emerald Haywood (right) is exactly the type of character this movie needed. Compared to “Get Out,” which at times dives into the divide between class and race, “Nope” feels more like an escape. And Palmer does her absolute best to give an escape. Her dynamic voice and personality are that of an auctioneer on Adderall. If the character of Emerald Haywood were not in the horse-training business, she has the perfect skill set to sell cars. Her energy and physicality grabbed my attention from scene one. Keke Palmer is set to host the upcoming NBC reboot of “Password.” After seeing what she could do in this film, they made a great choice for the upcoming host.
Now on the other hand, the main character of the film, OJ Haywood (left), has less physicality, not to mention personality. And things seem to be that way on purpose. Daniel Kaluuya does a solid job playing a stoic character who seems to be going through the motions. I think that if the film had OJ be a ball of energy like Emerald, that could create for a problem. In a film as big as this, there needs to be at least one dose of reality or silence within all the noise. If “Nope” were an Amtrak train, OJ would be the quiet car. But this also leads me to say that I like the other main characters in “Nope” more than OJ because their energy therefore made me feel more energetic myself throughout the runtime. Not only did Keke Palmer succeed in this mission with Emerald, but Steven Yeun deserves some credit too for his upbeat portrayal of Ricky “Jupe” Park.
Although I should not say that the reality in this movie is a waste, because one of the characters in this film reminded me of my time when I worked at Staples in the tech department. That character is Angel Torres, who works at Fry’s Electronics, a now defunct electronics store chain. The first scene between him and the brother-sister duo felt reminiscent of my tactics when checking people out, not to mention some of the customer’s reactions when I would pop a certain question. While Angel may seem like an everyday electronics store employee, or at least he was, until Fry’s closed with the rest of their locations, he ended up being a delightfully charming part of the film.
If I had any negatives with the film, the biggest standout would be that given how Jordan Peele has leaned into this blockbuster route, this makes the film feel less substantial compared to his others. Do not get me wrong, it is a great movie. But what I mean is that compared to “Get Out,” I did not think as much about deeper meanings. “Nope” tries to play around with something of this nature involving a sitcom and a monkey, but I honestly do not think it did much other than give one character some backstory. You know that saying about how when you get to certain age in your life, presumably somewhere in your young adulthood, and you realize that maybe you are not as smart as you once thought you might be? If “Nope” were a real person, it would not have reached that stage just yet. The movie chooses to open a certain way and continue a certain way with this ideology that I will not spoil, but did not particularly sit with me the way I think Peele would have wanted it to. It felt like a move that was trying to be pretentious, but only ended up feeling meaningless. I wish I could give more detail.
One final positive before we move on. Over the years, many movies have used their title through the script in such a way that stands out. In “Back to the Future,” there is a scene where Doc exclaims he will send Marty back to the future. In “Better Off Dead,” there is a literally a song with the lyrics “better off dead” that plays a prominent role. I will also go back to “Jurassic Park” and the massive scale it provides. One scene where that tactic comes into play has the character of John Hammond magnificently say “Welcome to Jurassic Park.” I think “Nope” officially takes the crown for best use of a movie title in its own movie. I think that as long as I shall live, there will NEVER be a better use of this concept. The moment one particular character says “Nope,” the entire auditorium cackled like hyenas, and for good reason.
In the end, “Nope” gets a yep from me. This is not Jordan Peele’s best film. In fact, in some ways, it might be his worst, but it is also the most fun of the ones he has made. It is definitely one I would watch on a Friday night if I want to look at something massive. The cinematography, which is done by the great Hoyte van Hoytema, is some of the best of the year. The night shots look beautiful, the climax looks incredible, and there is one particular money shot I would love to have as a desktop photo if I were more willing to customize my setup. “Nope” is a good time and it is fun to look at. But unlike “Get Out,” this is perhaps less likely to be nominated for Best Picture. Although if the Academy Awards took place right now, Keke Palmer should get an acting nomination per my opinion. I am going to give “Nope” a 7/10.
“Nope” is now playing in theatres everywhere. Tickets are available now.
Thanks for reading this review! If you enjoyed my thoughts on “Nope,” be on the lookout for more reviews! Pretty soon I will share my thoughts on “DC League of Super-Pets” and “Vengeance.” If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Nope?” What did you think about it? Or, what is your favorite summer blockbuster of all time? Let me know down below! Scene Before is your click to the flicks!