The Little Things (2021): Jared Leto Steals the Show and Warner Bros. Almost Steals My Money

“The Little Things” is directed by John Lee Hancock (Saving Mr. Banks, The Rookie) and stars Denzel Washington (The Equalizer, Training Day), Rami Malek (Bohemian Rhapsody, Night at the Museum), Jared Leto (Blade Runner 2049, Suicide Squad), and Natalie Morales (The Grinder, Dead to Me). This film is about two cops who try to track down a serial killer.

“The Little Things” is the latest film from Warner Bros., the studio that was supposedly set to save theatrical exhibition this summer with “Tenet,” only to have it underperform in various markets and have them simultaneously release a ton of movies, including this one on HBO Max the same day it hits theaters. What do I think about that? Well, if things went right, which I will tell you as one who often backs filmmakers, things did not go right, I think this is not only a blow to the movie theater industry, which has already suffered enough over the past year, but also shows that an entire studio can kind of get away with avoiding contractual obligations (like the fact that “Dune” was supposed to be a theatrical exclusive) and go behind clients’ backs. Gal Gadot and Patty Jenkins get a ton of money for this deal? What about all those other people responsible? I am not going to deny that there are perks in case you live in a state where theaters are closed, in which case, I am happy you can have the opportunity to watch these movies, but this is one giant double edged sword as an avid supporter of theatrical exhibition.

To avoid making a tangent longer than it needs to be, I will say off the bat, having seen “The Little Things,” this does feel like a film that would have gotten away with being a streaming premiere. Whether it ends up in some theaters or not, it kind of has that “watch at home” feel. This is not an enormous mockery on the film by any means. It’s sort of a mockery, but it is not to say it is entirely terrible, but there are times where it kind of has a television feel. In fact, one of the film’s actors, Jared Leto, happens to agree.

“They think they can just make so much more money with the bigger event movies. They found that for television, if they can do something that’s episodic, then people still enjoy those kinds of stories. I’m not saying they should stop making movies like ‘The Little Things,’ but I do think if you talk about like ‘The Undoing,’ people like to spend more time with those characters. And there’s less stigma going back and forth from television to film.”

While I cannot say I have seen “The Undoing,” Leto seems to have a point.

Although if you want me to be real, “The Little Things” is not that great. Let me start off with the positives however. “The Little Things” is a well-directed and well-cast film. The feel is borderline expansive yet intimate, and it flows all the way through. In fact, all the lead cast members portray their roles with proficiency. However, this film has problems and they too need to be addressed.

People say that art is subjective, therefore film is subjective. Those people are not wrong. My subjective opinion, “The Little Things” is a little boring. I was able to keep my chin up all the way through, but for all I know it may just be my luck. “The Little Things” is one of those films that starts off slow and stays that way for the entire movie. I feel as if I am starting to say this more often than I should but it bears repeating. Slow does not equal bad. Slow is great if it is executed well. Anything can be great if it is executed well. Whoever thought “The LEGO Movie” would work? Not everyone, that is for sure. Guess what? It is my favorite animated film of the 2010s. Anything can work if you know how to deliver on the concept. Sadly for “The Little Things,” the almost snooze-worthy first half allows the movie to fizzle. It does pick up however, and the second half is worth the price of admission. Without going into detail, my favorite parts of the movie is when situations get heavy and we see characters interact with each other in scenarios that could become more tense by the second. The film also kind of gets twisty, and I dig it.

I will state once again, one thing that truly sells “The Little Things” are the performances. Denzel Washington, Rami Malek, and Jared Leto are all likable in this film. Denzel Washington has this sort of mellow feel to him. Rami Malek plays a suave-looking detective and I almost cannot imagine anyone else playing his character. Malek’s performance here allows him to continue to define himself as an admirable actor. He already has an Academy Award on his shelf for his role in “Bohemian Rhapsody,” and while I do not think he will get as much recognition for this performance, Malek’s portrayal tends to reveal that he will continue to commit to his craft.

As much as I like Washington and Malek, who are both talented and reveal themselves as competent in their own rights, the star of the show is Jared Leto. Jared Leto has honestly been a controversial name for me over the past few years, and not necessarily because I hate him, but because his roles have gone from somewhat underwhelming to unbelievably great. He basically went from playing the worst live-action Joker in “Suicide Squad” to encapsulating something beautiful with Niander Wallace in “Blade Runner 2049.” Keeping the latter in mind, I liked Jared Leto in “Blade Runner 2049.” In “The Little Things,” he is another animal. Because this movie presents itself as an opportunity where he can just let himself loose. And it is not like a live-action cartoon or another Jim Carrey or anything, although I do think Carrey would have done the role properly if it were in his hands, it’s just a crazy guy who occasionally says some kooky lines and has these oddball mannerisms. Some of the stuff he says just flies off the tongue and it intrigues me every time. If you plan to watch “The Little Things” this weekend, I will say that if you watch for Rami Malek or Denzel Washington, you might not be disappointed with either of those two, but I think you may want to *stay* for Jared Leto. After seeing his performance here, I am now more curious about “Morbius.” I did not think I would say that. Well done, movie!

In the end, “The Little Things” is solid in some parts, but noticeably dull. There are probably more positives than negatives, and I would not refrain from watching it a second time, but if I had to predict which movie I would be talking about in the most positive light by the end of the year, it would not be this one. There are still reasons to watch it, and it is from a likable director, specifically John Lee Hancock. Have you seen “Saving Mr. Banks?” Watch it! Now! Although it does have a plethora of personal issues to keep me from calling it the next big thing. Just because this is entertaining, does not mean it cannot make you nearly want to fall asleep. I am going to give “The Little Things” a 6/10.

Minor sidenote, the movie also comes with a brand new Warner Bros. logo. We’ve kind of seen teases of it during films like “Tenet” and “Wonder Woman 1984,” but if I am not wrong, “The Little Things” is the first film where we get to see the new standard edition of the revamped logo, and it does not seem to disappoint.

“The Little Things” is available now in theaters and on HBO Max for all subscribers at no extra cost. Get your tickets or subscribe to HBO Max now to enjoy your experience.

Thanks for reading this review! If you are a movie fan like me, you may follow the awards circuit. And now as the Movie Reviewing Moron, I am here to remind you that the circuit is not complete without me throwing my hat into the ring. This March I will be doing my 3rd edition of the Jackoff Awards, this time focusing on 2020 in film. If you want to watch the trailer promoting it, scroll to the end of this post. Speaking of 2020 in film, one of the most critically acclaimed films of the year, “Nomadland,” is FINALLY coming to theaters. It was supposed to be in theaters this December, only to get pushed back due to COVID-19, and while it is not going to be fully released until its simultaneous theatrical and Hulu debut on February 19th, “Nomadland” is now playing in select IMAX theaters. And next weekend, one of my local spots is going to be getting this movie. I already got my tickets, and I cannot be more excited. Be sure to follow Scene Before with an email or WordPress account, and check out the Facebook page, so you can stay tuned for more great content! I want to know, did you see “The Little Things?” What did you think about it? Or, are you planning to watch the movie in the theater or on HBO Max? Let me know down below! Scene Before is your click to the flicks!

The Marksman (2021): First Film Review For the 2021 Cinematic Calendar!

“The Marksman” is directed by Robert Lorenz (Million Dollar Baby, Trouble with the Curve) and stars Liam Neeson (Honest Thief, Taken), Katheryn Winnick (Bones, Vikings), Juan Pablo Rada (Narcos, Agents of S.H.I.E.L.D.), and Teresa Ruiz (The House of Flowers, Narcos: Mexico). This film centers around a former U.S. Marine by the name of Jim Hanson. Not Henson, not the Muppet guy, Hanson, with an “a.” He drives near the U.S./Mexico border and notices a mother and son crossing into the states. Turns out they are on the run from the cartel, at which point the refugees join Hanson in his truck for a ride. Unfortunately, in just a short amount of time, the mother dies, but conveniently notifies Hanson of a place where her son can be secure. So Hanson takes the son in his truck, and the two go on a journey to Chicago to ensure the boy’s safety.

First of all, here’s something to celebrate! “The Marksman” is the first 2021 film I am reviewing! Yes, I’ve already reviewed “News of the World,” but that came out in 2020, so that is not the point. The point is, “The Marksman” released in theaters this weekend, making this the first film on the 2021 cinematic calendar covered by the Movie Reviewing Moron. And the fact that I am talking about a movie like this is not that surprising. Liam Neeson usually has a movie out at this time of year. Last year was an exception, but in 2019 he had “Cold Pursuit.” In 2018 he had “The Commuter.” In 2015 he had “Taken 3.” In 2014 he had “Non-Stop.” I’ve personally seen all of these except “Non-Stop,” and let’s just say the results for each one were not spectacular. They were not world-ending, but they were mediocre at best, uneventful at worst. Although when it comes to “The Marksman,” I did not really set my expectations to any specific level. Part of it is because there is a pandemic where every other movie either gets cancelled, put onto streaming, or pushed back, so part of me is simply glad to see a movie in a theater regardless of what that may be. I have seen the trailer once, maybe a couple times, and I was never turned off by it, so maybe this could be a good time. Then again, it is January, the month where movies go to die.

Despite that previous sentence, this movie did not feel like a death sentence. In fact, I cannot recall a specific moment where I wanted to pull out my hair. “The Marksman” is a fine chase film. Granted, it follows a formula, when it comes to Liam Neeson, he is doing his typical Liam Neeson schtick. He sort of has this rugged, grandfatherly attitude, it is almost like he is repeating to himself in his head, “I’m too old for this s*it.” But I will say one thing about Liam Neeson, this is somewhat fine. Because there are certain actors out there, Liam Neeson is one of them, that can often get away with a repetitive formula if they can find a way to make it work. Neeson is not alone in this boat. Look at Kevin Hart, look at Tom Cruise, look at Samuel L. Jackson, look at Jason Statham. They all play fairly similar personalities with alternate identities from time to time, and they honestly do a good job with it.

Some of the best films of 2020 like “The Last Shift,” “News of the World,” and “Summerland” worked like a charm partially because of something they had in common. Specifically, the two main characters have an unlikely relationship, they stay together for the majority of the film, and somehow they make their time together flow. “The Marksman” is no exception to this idea. It is nowhere near as memorable or as emotionally investing, but nevertheless, “The Marksman” works because it takes a somewhat reclusive, older man, almost like a Clint Eastwood, get off my lawn type of person, but maybe with a little more assumed respect for others and pairs him with a younger boy who runs into him. Although as opposed to another recent film, “Half Brothers,” this film does a really good job at making you like both characters and have a connection with them. They are never annoying or unpleasant. They always have charisma and feel like they belong together to some degree.

This film also has some genuinely fun and entertaining action sequences. The final, big climactic sequence is worth the price of admission, but there are one or two others that make the film worth a watch if you like seeing things blow up or get shot. The film is not necessarily action-packed, especially when compared to Liam Neeson’s other recent outing, “Honest Thief,” which honestly may be a tad better in the action department. However, the little action that does exist is entertaining and deserves a thumbs up.

“The Marksman” is another one of those simple action flicks. You have your core characters, your not so complex storyline, they need to get from point A to point B, and certain obstacles or barriers are in their way. The film works enchantingly as a simple story where the objective is clear. Although despite this, there were maybe one or two moments where I was not what one would call bored, but if I had to use a proper adjective, I’d say I was drowsy. Maybe it is because everything feels so calm and the movie gives you plenty of time to breathe. I’ll bring up “Honest Thief” once again, which has more action, more excuses to have fight sequences. That was a bit faster in pace. “The Marksman” is kind of a road trip movie, and during a road trip, there is a good chance where you may want to take a break. Maybe stop for a bite to eat, stay at a motel in the middle of nowhere. This makes “The Marksman” feel more homey in terms of the vibe that is provided, even though there are life and death situations at hand.

I’m talking quite a bit about the main duo, but I don’t want to leave out the rest of the cast. Katheryn Winnick plays a cop who serves her purpose nicely. Teresa Ruiz is convincing as the refugee mother for the short amount of time she is in the movie. As for everyone in the cartel, they do a good job as well. They are brooding, intimidating, and they do not look like people you would always want to pick a fight with. This movie did a decent job at establishing the main threat and harkening back to them from time to time.

In the end, I do not think I will remember “The Marksman” as well as the other movies I will end up seeing in 2021, but it does not change the fact that it has put the year for movies off to a good start. “The Marksman” is yet another success for Liam Neeson. I have personally been impressed by his recent lineup of content including this film, “Honest Thief” and “Made in Italy.” Is “The Marksman” a classic for the ages? No. However, if a theater is open near you and you want some good action, “The Marksman” does serve its purpose and can give a couple hours of entertainment. I’m going to give “The Marksman” a 7/10.

“The Marksman” is now playing in theaters wherever they are open. Get your tickets today.

Thanks for reading this review! This weekend is also the wide release of “One Night in Miami.” It is currently playing in several theaters, although it is also available on Prime Video for streaming. I might stay home and watch it, I need an excuse to use my Prime subscription, so I might get around to watching that film and reviewing it. Also, reminder to all, it is 2021! But if you want to be a daredevil and go back to 2020, feel free to check out my lists for my top 10 BEST movies of 2020 and my top 10 WORST movies of 2020. Be sure to follow Scene Before either with an email or WordPress account, and don’t forget to check out the Facebook page to stay tuned for more great content! I want to know, did you see “The Marksman?” What did you think about it? Or, what are your thoughts on Liam Neeson as an actor? Let me know down below! Scene Before is your click to the flicks!

I’m Your Woman (2020): Gone with Baby, Gone

“I’m Your Woman” is directed by Julia Hart (Fast Colors, Stargirl) and stars Rachel Brosnahan (The Marvelous Mrs. Maisel, House of Cards), Arinzé Kene (The Pass, Youngers), Marsha Stephanie Blake (When They See Us, Orange Is the New Black), Bill Heck (The Ballad of Buster Scruggs, The Leftovers), Frankie Faison (Banshee, The Wire), Marceline Hugot (The Detour, United 93), and James McMenamin (Orange Is the New Black, Nurse Jackie). This film takes place in the 1970s, where a housewife is forced to go on the run with her baby after her husband betrays his partners. She has to deal with personal struggles, meeting unfamiliar people, endless questions amongst herself, and life or death situations.

“I’m Your Woman” has been out for almost a month, and it is currently free on Prime Video for all subscribers. I was going to watch this film early. In fact I remember obtaining a virtual link, but I decided to skip it as I have my Prime subscription handy. So I waited until now to watch the movie. Aside from exposure to this film through getting an advance screening email, I did watch one trailer when I saw “Mank” in the cinema. It kind of looked like a goldilocks thriller type film. What do I mean by that? Let’s take the three bears. It’s that basic analogy with the porridge. Not too hot, not too cold, just right. This was a thriller did not look like it was either too bombastic or too slow. This felt even tempered. Prior to putting on “I’m Your Woman,” I cannot say I knew too too much about the film, even though I did sit through that one trailer.

Was “I’m Your Woman” worth my time? I’d say it was. When it comes to thrillers this year, I do think there are better films. “Unhinged” is one such example, mainly because of its simple, relatable concept. It’s also got nothing on my favorite thriller of the year, “Tenet,” which admittedly will likely end up having more replay value than any other film of 2020 for me. I cannot compare it to “Run,” which a lot of people have seen recently, which I tried watching, but apparently Hulu was acting up and showing giant pixels and a large area of black instead of the film. Regardless of my comparisons and desire to have my movies work, “I’m Your Woman” is a hypnotizing couple of hours. It’s kind of slow at times, but there are also certain moments where the gears turn and everything speeds up. It’s a perfect blend, hence the recent goldilocks comparison.

This movie takes place in the 1970s, and I got that vibe right away. When the movie starts we see the main family in their home, they have this funky-looking wallpaper, everything is yellow, the kitchen looks like something out of a Dr. Seuss tale, and I think the art and production design department did a really good job at encapsulating the 1970s. Aside from that, you have all these older cars, there’s a crucial scene where our main hero uses a payphone booth as a hiding spot, and there are some key elements to the story that are well captured through our main character’s struggles and desires that define the time.

We live in an era today where women are all “You can do it,” and “Go get em’, girl!” People say that to women all the time now. And while the 1970s were not as restrictive to women as say earlier parts of the 20th century, the movie displays its specific time frame as a point when many women seem to typically be a housewife. They tend to stay home all the time, doing chores, cleaning, that sorts of stuff, and the man of the house tends to go out and bring home the bacon. And of course, the couple has a kid, so while the man is out, our main hero, Jean, is doing all she can for the child. Throughout the movie, while the couple is separated, Jean not only has to deal with the child that has been with her for a period of time, but now she is in the seemingly unfamiliar situation of being isolated, being alone. I felt for her. Having a kid is hard enough. Losing a partner who helped raise the kid is just another big blow. I do not think Rachel Brosnahan is going to win an Oscar for this film. For all I know, some awards outlet might recognize her, but she does a really good job at playing the main character.

Let’s talk about Arinzé Kene in this film. Kene plays a character named Cal who has a significant presence throughout. I’m very conflicted on this character. For the record, he’s written properly, every motivation and line regarding this character makes sense and does not feel illogical. At the same time, when I first saw him, I got an uneasy first impression. What do I mean? I did not agree with everything he did. But at the same time, everything about him falls into place and Kene’s performance is justifiably competent. If I had to compare this character and the actor’s performance to anything else, I’d have to use the Amazon movie, “Gringo.” For those of you who don’t remember Gringo, there’s this one character played by Charlize Theron. She’s a great actress, I like her in a lot of stuff she’s in, and the same can be said for “Gringo.” But what can also be said for “Gringo” is that Charlize Theron does a spectacular job playing a character I absolutely hated. It’s one of the few positives in that film. Maybe it’s because she’s good looking, who knows? Charlize Theron is an attractive woman, there is no doubt about that.

If there is anything else that stands out about “I’m Your Woman” it is the pacing. “I’m Your Woman” is a very… I don’t what other term I can use, uneventful kind of film. I don’t mean that literally, things do happen. But the buildup in each scene feels slow, it takes its time. And for the kind of thriller we’re dealing with here, it works. It kind of feels like “No Country for Old Men” meets “Blade Runner” if both those things took place in the 1970s. There are a couple cool action scenes that do not try to go over the top, but that is what makes them great. They’re not overstylized, but that grabbed my attention.

I also liked this one character named Evelyn. She’s played by Marceline Hugot and she’s kind of this charming, older woman. She almost sounds like a stereotypical cat lady. She’s got that Amy Sedaris type voice, the wrinkly hair, and she barely has a presence in the film, and while I won’t go into too much detail, there is one scene that was somewhat enhanced by her presence.

In the end, “I’m Your Woman” is worth watching and a fine slow burn through the 1970s. Vibe-wise, this movie kills. It is a great encapsulation of the time. Character-wise, I liked most of them, but there are a select few that I will end up discarding by the end of the year. I think this film did a great job at highlighting the struggles of our protagonist, and Rachel Brosnahan did excellent at enhancing said struggles. However, I do not think this is a film that I will watch again anytime soon. I will not rule it out. Maybe it could be one of those films that I could have on at 2AM if I have trouble falling asleep. This does have action, but it is also slow-paced enough to have some empty air. And thankfully, the empty air does not feel out of place. I am going to give “I’m Your Woman” a 7/10.

“I’m Your Woman” is now available exclusively on Prime Video for all subscribers. The film also had a theatrical release at the start of the month, but I do not think it is playing in any cinemas right now, partially due to the pandemic leaving some venues closed, but also due to other movies taking up slots. Give this a watch!

Thanks for reading this review! My next review is going to be for the Tom Hanks film “News of the World” which is exclusively in theaters right now, but will likely appear on VOD very soon. Also, I plan to make “News of the World” my final 2020 movie review before I unveil my picks for the top 10 BEST and WORST movies of the year! Those lists will be up in early January! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “I’m Your Woman?” What did you think about it? Or, what have you been watching on Prime this year? Let me know down below! Scene Before is your click to the flicks!

Fatale (2020): Michael Ealy and Hilary Swank Liven Up an Engaging (But Occasionally Predictable) Thriller

Fatale (2020) - IMDb

“Fatale” is directed by Deon Taylor (Meet the Blacks, Black and Blue) and stars Hilary Swank (Boys Don’t Cry, Insomnia), Michael Ealy (Think Like a Man, About Last Night), Mike Colter (The Good Wife, Luke Cage), and Geoffrey Owens (The Cosby Show, Lucifer). This film is about a married man who has a one night stand in Las Vegas with a woman named Valerie (Swank), only to have an incident happen in his household upon returning, and he soon finds himself in the center of a police investigation, where Valerie just so happens to be part of the department.

Deon Taylor - IMDb

“Fatale” comes to us from Deon Taylor, the same filmmaker who brought us last year’s “Black and Blue,” which I saw at a press screening. I’ll start this review off simple, I thought that this was a more entertaining experience than “Black and Blue.” I am not going to deny that the movie has its audience, it just wasn’t what I wanted. I thought it occasionally got a little too over the top, the supporting characters where nowhere near as charismatic as I’d probably want them to be, and I think I have forgotten a good chunk of the movie by now. It might take some time to determine whether I will ultimately remember or forget “Fatale” but there is no denying that this film is fun, lively, and kind of sexy. I knew going in that this sort of centered around a one night stand, I did not expect it to be as erotic as it was, and I give the film props for that.

When it comes down to everything, the real core of the film is the newfound relationship between Michael Ealy and Hilary Swank. They’re both in Las Vegas for alternate reasons, but despite their differences, they find each other charming and decide to hook up. Also, talk about good casting. I really like Michael Ealy as his character, I think Hilary Swank did a good job as her character, and I must say, Hilary Swank’s got that vibe of that fantasy woman that all men kind of want to a degree. They think about her, they dream about her, and they’ll do anything to have her in their life. Hilary Swank kind of feels eternally young to a certain point, and I think whoever thought about casting her deserves kudos.

But in all seriousness, I really liked Swank’s character. Despite what I previously said, Hilary Swank does more in “Fatale” than just be a seductive, dreamy, pretty face. That’s not to say that she does not do that well. She actually does so brilliantly, but the movie goes in and gives a lot of depth to her. I cared about her story, and at times I felt for her, even though much of the movie presents her as an interference to our main hero. She’s separated, she has kids, and she can’t see them. I am not a parent, but I imagine for some parents, that sort of feeling is not the greatest. This separation has her uneasy, she’s hoping things change, and it overall plays a factor into the plot and where things go from one point to the next.

There are a lot of genuinely good, classy scenes in “Fatale.” The scene where our two leads first meet is kind of sensual and fun, and really lets in the vibe that sticks around for the rest of the film. I think the part where they are in the hotel room makes for a rather entertaining moment as well and goes to show that the casting department did their job. Pretty much almost any scene with these two together does not disappoint, whether it is strictly plot related or just something in between. However I will admit, the movie does get to a point where I could predict what happens next, and guess who has two thumbs and is always right?

*points* THIS GUY!

This movie does not have the worst screenplay in the world. In fact for the most part, it is pretty decent. I think it provided for a thumbs up-worthy movie. But there is one moment that I saw coming from a mile away, and I guess the movie wanted it to be this grand thing that is kind of a revelation. I just thought to myself, “Okay, whatever.” I like being right when I play “Wheel of Fortune,” but I also like being surprised when I watch a movie. I want my expectations subverted. I want the movie to go in a direction that I am not expecting. Granted, I have seen a lot of movies, and the art form has been around for a hundred years, so sometimes it is hard to come up with something new and innovative, but I would like to see people try doing such a thing.

“Fatale” also has some pretty solid action. At times, it is not just the action itself, not just the physicality that makes these sorts of scenes great, but it is also the dialogue, there is a scene towards the end of the movie that sort of had me oohing to myself. I mean, if this scene were a rap battle, you could argue that it is pretty fierce, pretty heavy-hitting. Although it does not take away from the excitement of the combat, the shootouts, but when a movie can interweave great dialogue into a fight, you know they are doing something right. And it may also reveal that the screenwriter, also known as David Loughery, has done his job to make a compelling story. Granted, it is also slightly predictable, as I have previously exposed, but it it is nevertheless compelling.

One last thing, speaking of action, I also really like the scene where Derrick and his wife Micaela are being robbed. You get a sense of mystery throughout, the lighting fits the moment, and the way they went about this scene kind of reminded me of a horror movie. You know how sometimes a horror movie might have a person or object coming out of nowhere? They did something of that nature here, and it kind of works. Not only is this movie white knuckle, not only is it erotic, but it is also a tad intimidating. It’s overall a good mix, even if the intimidation does not last that long.

In the end, “Fatale” was a good time. Usually this is the time of year where we are just getting into the awards season for film. The Golden Globes are around the corner. The Oscars are not too far away. The SAGs are also coming soon. The Critics Choice Awards are also on the list somewhere. Unfortunately, these sorts of shows are getting pushed back and as a result, this December seems lackluster for the kind of bait that these award shows eat up. Sadly, “Fatale” does not fit into the awards sphere, at least I would not say so. Maybe Hilary Swank has a small chance, but even that seems slim. At the same time, if you want pure entertainment, do not miss “Fatale.” This is not the next “Citizen Kane” or anything, but it can keep you occupied for less than a couple hours. I am going to give “Fatale” a 7/10.

“Fatale” is now playing wherever theaters are open. Tickets are available now.

Thanks for reading this review! This Friday, I am going to see “News of the World” starring Tom Hanks. The film is getting tons of praise from critics and audiences, and Hanks usually impresses around this time of year, so I hope that he can continue delivering the goods with this movie. Be sure to follow Scene Before either with an email or WordPress account, and check out the official Facebook page, so you can stay tuned for more great content! I want to know, did you see “Fatale?” What did you think about it? Or, since Hilary Swank was in two films in 2020, which one did you like better? “The Hunt” or “Fatale?” Personally, I could not stand “The Hunt,” so that makes this deliberation that much easier. Let me know down below! Scene Before is your click to the flicks!

Greenland (2020): A Perfect Distraction From a Virus-Infused Reality: The End of the World

“Greenland” is directed by Ric Roman Waugh (Snitch, Angel Has Fallen) and stars Gerard Butler (300, How to Train Your Dragon), Morena Baccarin (Deadpool, Firefly), Roger Dale Floyd (Stargirl, Doctor Sleep), Scott Glenn (Daredevil, The Leftovers), David Denman (The Office, Parenthood), and Hope Davis (Captain America: Civil War, For the People). The film centers around a family who make up a fraction of the many observers of Clarke, a comet that enters the earth’s atmosphere, makes a rough landing, and all of a sudden we have a race against time to survive and get to safety.

I live in the state of Massachusetts, and our cinemas were allowed to reopen over the summer. Over the trips I took to the golden gates of film, one of the trailers that caught my attention, not to mention the attention of my dad, was “Greenland.” After all, we were sitting in a giant IMAX together waiting to watch “Tenet.” And on comes this constant outburst of CGI destruction and debris. The auditorium turned into a dying planet, essentially. We both agreed, this would be AWESOME in the theater. So I figured I would keep this film in mind for the day it finally arrives.

Well, it didn’t.

At the last minute, STX decided to release the film on VOD in the United States, where it is available right now for a $19.99 rental fee. I did not end up buying the film on VOD, mainly because I attended an early virtual screening of “Greenland” this past Tuesday. So I watched the film on my laptop, which was quite a downgrade from the theater, but I at the very least got to see it in the comfort of my bedroom.

As much as I would love to judge this film based on my experience of watching it in the theater, I can’t. So instead, allow me to declare that if you are watching “Greenland” on a phone, a laptop (like I did), or a tablet… What are you doing with yourself?! You’re wasting your time! Watch “Greenland” on the biggest screen you can! Get that 65″ 4K with HDR television set running! Hook up that mighty projector! Rent out a private screen somewhere where you can hook up your Roku! Just do it! This movie deserves the biggest screen and highest quality sound system possible, because it truly is an experience. While it is not the most Shakespearean film of the year in terms of concept, “Greenland” handles its simple story effectively, all the while delivering a technical blast from start to finish. There are a couple moments in this film that looked like “Blade Runner 2049” if Michael Bay stepped in and directed it.

Although, don’t take that Shakespearean comment too seriously, because speaking of not taking things too seriously, this movie went beyond my expectations. I was expecting “Greenland” to be your typical apocalyptic, end of the world disaster film where serious s*it goes down. The visual scope of the ruin and constant downturn of everything takes the front seat while story and characterization are pushed back to the bus. Nope! This movie is better than not only it deserves to be, it’s better than what we as a society deserve after this wreck of a year. I can tell you right now, this December could be a haven for film lovers. Between this, “Soul,” “Wonder Woman 1984,” “News of the World,” and more, we could have a great end to the year for film.

I really admired the chemistry between the main family. You have John Garrity (Gerard Butler), a Scottish structural engineer. His estranged wife, Allison Garrity (Morena Baccarin), who happens to live with her kid Nathan (Roger Dale Floyd). They’re all great as their respective characters and I liked them individually not to mention when they are all together. This film just came out, so I will not dive into spoilers, but one of the main continual conflicts that comes up between this trio feels like something that would happen during a disaster like the one presented in “Greenland.” Not to mention, the way they deal with said conflict feels natural, especially since the movie reveals that they are not the only ones dealing with said conflict. There is a moment when everything starts to unfold, just when these three begin to escape to safety, that sets the tone for what’s to come and it represents the everlasting desire to survive, to be safe. What exactly happens during this moment plays out during the movie multiple times, and is used to great effect. I will not say much, once again. But this is just part of why this movie is so well written, even if it may be marketed as a mindless, popcorn disaster film. It takes time to allow us to get to know our characters. It allows us be in the moment with them. It allows us to appreciate them. So every moment they are in peril, it sort of hits me.

While this movie has a terrific trio of protagonists, they say that stories are usually as good as its villains. Now, “Greenland” does not specifically contain one main antagonist or villain that our heroes must go up against. Instead, it’s more of a race against time. It’s a race against fragments of a comet. Although there are people along the way that do present themselves as a threat. And the way these people are handled within the script is marvelous. I say so because “Greenland” mainly focuses on these three people, but everyone else has the same motive. Specifically, to survive. They will literally do anything even if it means killing someone, harming someone else, affecting a certain portion of their lives. Every villain is the hero of their own story, and “Greenland” is a great encapsulation of such a statement.

This film cost $35 million to make, and I’d say that every penny was spent wisely. This movie did a great job at feeling like a bigger budget disaster flick that pulls no punches and unleashes mass destruction, but with a great emphasis on character development. The production value of the film is stunning and each frame does not disappoint. This should not surprise me as this film comes from STX Entertainment, and they do a lot of mid budget stuff. They have done “Hardcore Henry,” an immersive film that resembles a first person shooter. That cost $2 million to make, by the way! Admittedly, it could have been better, although I give it props for being unique. They did “Bad Moms,” a comedy starring Mila Kunis which… Yeah, that also could have been better. I also won’t leave out “Peppermint” starring Jennifer Garner, which… yes… That could have, just as well… been better. I think I’ve only seen a couple films from STX that I seriously admired, but that’s not the point. The point is, these movies typically utilize middle of the road or somewhat smaller budgets but still have plenty of production value intact. “Greenland,” given its subject matter, is no exception to this rule. At times it feels like it has the budget of a “John Wick” sequel, but in reality, it doesn’t. Although to be fair, this movie is from the same producer of the “John Wick” franchise, Basil Iwanyk. I’m glad that “Greenland” is willing to focus on its story instead of relying on constant special effects that slightly sacrifice characterization.

If I had any problems with “Greenland,” I will say that the best parts of the film are during the first and third acts. This is not a diss on the second act, which has some really solid moments, but there’s a point where we as an audience are perhaps allowed to breathe, and while that may have been the intention, I was a little bored at this point in the film. Other than that, “Greenland” is a great time. I’d say give it a watch. I know $19.99 is not the best price for renting a movie, but if you do ever get the chance to watch it, do so on the biggest screen you can.

In the end, “Greenland” is a welcome surprise that deserves the best picture and audio quality possible. It’s a disaster. People run. Things fall from the sky. Civilians die. That’s what I expected, and that’s what I got. However, this film amazingly offers more substance than I anticipated. STX is admittedly not my favorite studio working today, but this may be their best film. Either this or “The Edge of Seventeen,” I need some time to think. Gerard Butler and the rest of the cast sell their roles, the film makes a disaster look pretty, and if you are tired of your current reality where a virus is constantly spiraling. Why not watch the end of the world? Sounds like fun, right? I’m going to give “Greenland” an 8/10.

“Greenland” is now available on premium VOD services. Examples include Xfinity On Demand, Google Play, AMC Theatres On Demand, and Prime Video where you can rent it for $19.99.

Thanks for reading this review! Pretty soon I’m going to have my review up for “Monster Hunter.” That will be available next week, that is if I have any brain cells left. Only time will tell. I also want to remind you that I bought tickets to see “Wonder Woman 1984” in the theater on December 27th. I will not be reviewing the movie right away when it comes on HBO Max, because I want to see it with my dad and sister, and I want to go in with a fresh perspective. I also want to remind you that we are quickly approaching the end of the year, and I want to publicly announce that two of the first posts you’re getting next year are my annual countdowns for the best and worst films of the year! So on the first day, you’ll be getting my top 10 BEST movies of 2020. And on the second day, you’ll be getting my top 10 WORST movies of 2020. Yes, those are coming! The year is not over yet, I still have some films to watch. So the lists are not final. But I cannot wait to share those lists with you all, I enjoy doing them. If you want to see those lists and other great content, follow Scene Before either with an email or WordPress account! Also, check out my Facebook page! I want to know, did you see “Greenland?” What did you think about it? Or, what is your favorite Gerard Butler movie? Let me know down below! Scene Before is your click to the flicks!

Freaky (2020): A Big Slash of Freaky Fun

“Freaky” is directed by Christopher Landon (Happy Death Day, Paranormal Activity: The Marked Ones) and stars Kathryn Newton (Blockers, Supernatural), Vince Vaughn (Wedding Crashers, The Internship), Katie Finneran (Night of the Living Dead, The Michael J. Fox Show), Celeste O’Conner (Selah and the Spades, Irreplaceable You), Misha Osherovich (The Goldfinch, NOS4A2), and Alan Ruck (Speed, Ferris Bueller’s Day Off). This film is a slasher comedy spin on “Freaky Friday,” the 1972 book written by Mary Rodgers, which was adapted into two movies from Disney. This time around, a high schooler named Millie lives her life as an outcast, and as the trailer claims, if this were a horror movie, she would be one of the first to die. Appropriately, she gets killed by the Blissfield Butcher, a known serial killer. Instead of dying, she ends up in the killer’s body, and they must switch back in 24 hours otherwise their switch will become permeant.

When it comes to “Freaky Friday,” the source material which this movie takes much inspiration from, that is a concept that you can utilize to enormous success. I’ve read the book, I’ve seen the original Disney film (which sucked), and I can only say that body switching provides endless possibilities. So when I saw the trailer for “Freaky” and found out that a killer and its victim switch bodies, needless to say I was in. Plus, I love the two leads and to see them together is a match made in Heaven.

This movie is a mix of “Freaky Friday,” “Friday the 13th,” and “Jumanji: Welcome to the Jungle,” specifically if it really emphasized the presence of Jack Black’s character, and it handles all those elements smoothly. The first five minutes of the film are pure horror clichés done well. It’s basically teens making poor decisions, kind of like in that GEICO commercial they now play every Halloween.

“If you’re in a horror movie, you make poor decisions. It’s what you do.”

“Freaky” is a slasher comedy, and I think overall that the movie does a spectacular job at not trying too hard to be one thing. It takes two genres, blends them together, and each element of the recipe matches up to deliver something excellent. And part of this is because I recognize that this is sort of goofy, while still being presentable enough for a theatrical environment. The film comes from Blumhouse, a studio known for making small budget horror movies, and the budget for “Freaky” is around $5 million. Now, if you went on a game show, that’s a good payday. Although when it comes to making movies in Hollywood, that’s basically chump change. This movie, for a $5 million feature, does not look half bad. In fact, I think much of the beauty is owed to director Christopher Landon, cinematographer Laurie Rose, and even editor Ben Baudhuin. There are several shots that line up incredibly well with what comes after it based on what exactly is featured in them. I can only imagine the storyboards for this movie! Everything feels intricate and planned out! Aside from “Tenet,” I don’t think I have seen better editing in a movie this year.

I said before that this movie is partially reminiscent of “Jumanji: Welcome to the Jungle.” While it is nowhere near as expensive or bloated with visuals, it nevertheless feels that way. And if you ask me, I think “Freaky” is better than “Jumanji: Welcome to the Jungle” and a much more timeless story. It is hard to tell whether “Freaky” will actually stand the test of time, but I do see it becoming a cult classic over the years. This is especially supported by how 2020 is basically a wasteland for entertainment. Yes, we’re watching a lot of TV, but that’s because it’s where we aim our eyes most of the time nowadays! Movies are practically nonexistent! There is a solid chance that movie watchers could find this on cable or Netflix or something and it becomes a Halloween mainstay. “Freaky,” if you ask me, has that potential.

If you ask me, the best part of this movie is Vince Vaughn, not as his character, the Blissfield Butcher, but as Kathryn Newton’s character, Millie, after they switch bodies. Seeing the character’s self-revelation is wildly entertaining. There’s this minor segment of the film where we see Millie groovin’ in a beaver outfit because she’s dressed up as the school mascot. But then we see after the major incident of the film, in order to show that Vince Vaughn is Kathryn Newton’s character, he’s just busting a move like a moron. The icing on the cake to that is showing off whatever this movie’s version of a secret handshake is. Similar to that, when we see Vince Vaughn’s personality move to Kathryn Newton’s body, her reaction, while I would have done it a little differently if I were writing the screenplay, was entertaining to watch. And it also addresses something all guys, and yes, ALL GUYS, YOU KNOW THIS IS TRUE, would do if they were in a girl’s body. One of the first things we see teenage girl Vince Vaughn doing is playing with her boobs. Wait, her boobs? His boobs? What’s the proper identity here? At the same time, we see Kathryn Newton’s character in Vince Vaughn’s body, who claims that urinating while standing ain’t bad.

Although one of my favorite scenes in this movie in terms of comedy is one moment in a discount store where we see Vince Vaughn talking to a key character we see through various portions of the film, I won’t dive too much further into it, but it goes to show that not only that “Freaky” has the scares, but tons of comedy chops. There are moments where I cringed, and I mean that in a good way. This movie, at certain points, is like experiencing life as Marty McFly in 1955 and finding out your mother wants to f*ck you. If you ask me, “Freaky” is no “Back to the Future,” but like “Back to the Future,” there are some truly hypnotizing character moments that rattled my brain like I switched on a vibrate function for it.

By the end of this movie, I just walked out having a good time. The young teens are genuinely funny. Kathryn Newton is killer, literally. Vince Vaughn continues to be legendary. And if there is one thing that I will remember this movie for the most, aside from how it executes its slick concept, it’s the chemistry between each character. I will also not lie when I say that it was sort of satisfying to see Kathryn Newton go from the school outcast to the sadistic “murder Barbie,” as Josh (Misha Osherovich) puts it. Newton is cute, but I can assure you she is not cuddly. Speaking of Josh… WOW. I want to see more from this guy.

I’ve already seen a few projects with Kathryn Newton, so I will not say this about her. Although if I wanted to point out anyone who has a bright future ahead as an actor, that designation would belong to Misha Osherovich. “Freaky” is admittedly the first full-length project I’ve seen him in, and I would certainly not mind seeing more of him. Part of my praise for him may have to do with the writing, as he does have some of my favorite lines in the movie, but I would love to see him as the star of a film one day maybe as someone really nerdy. He has that pitch to him that can align with that demographic. I think Osherovich can play such a character type very well. I would love to see more from this guy, no matter what it is. I think he has chops that we have yet to see. I want more!

In the end, “Freaky” is freakin’ fun. If you are looking for a stellar night out at the movies, this will serve you well. I will admit that horror is one of my weaker genres, therefore I barely dedicate any time to such movies. This was a fun horror flick that was hilarious yet scary. It’s part “Friday the 13th,” part “Jumanji,” part “Freaky Friday,” and all thumbs up! I came to this movie as I enjoy watching Kathryn Newton, but I stayed for Vince Vaughn. Both actors are incredible in this movie and make it worth the price of admission. I’m going to give “Freaky” a 7/10.

By the way, for those of you who remember earlier this year, Universal made a deal with AMC that would allow them to avoid utilizing the 90 day theatrical window. In other words, despite how “Freaky” is playing in theaters, it will not be long before it can be viewed at home. “Freaky” will be available on VOD to watch wherever you want on Tuesday, December 1st! If your local theaters are still closed, if you are not comfortable going to the theater, or if you are just not a fan of the movies, “Freaky” will arrive at home early as part of an observance towards the unusual 17 day theatrical window. I will say, for me, “Freaky” was a hell of a time at the movies, but I will leave the preferred experience up to the individual.

Thanks for reading this review! I don’t have any plans to go to the theater this weekend, although on Tuesday I will be watching Amazon’s new movie “Sound of Metal.” The film is set to hit theaters a few days later, specifically Friday, and will hit Prime Video two weeks after its theatrical debut. I will have my review up as soon as possible. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “Freaky?” What did you think about it? Or, did you watch either of the “Freaky Friday” movies? Did you ever read the book? Tell me your thoughts! Let me know down below! Scene Before is your click to the flicks!

The Hunt (2020): A Bloody, Brain-Damaging Political Meltdown

“The Hunt” is directed by Craig Zobel (Compliance, Z for Zachariah) and stars Ike Barinholtz (Blockers, Snatched), Betty Gilpin (GLOW, Nurse Jackie), Amy Madigan (Roe vs. Wade, Gone Baby Gone), Emma Roberts (Nerve, Scream Queens), Ethan Suplee (My Name is Earl, Boy Meets World), and Hilary Swank (Insomnia, Boys Don’t Cry). This film follows twelve strangers who are taken separately but wake up together in a clearing. They eventually find out they are placed for a specific gathering known as the Hunt, where elites take down those of lower class for sport.

“The Hunt” is a film that I have been intrigued by since I saw a trailer for it last year, particularly due to its subject matter. The rich hunt down the poor for sport? Sign me up! This can make for a good movie! Then the movie got delayed because of political and human issues. Although at the same time this movie gained controversy because it’s about liberal elites killing deplorables. I never really bought into this ideology, not because of my views on politics and society, but because I never picked up anything in the marketing that specifically shows anything of extreme political nature. Yes, there’s a lot of weaponry and shooting, and that can associate with the second amendment, but I saw this is a movie where the higher-class and lower-class duke it out! Kind of like “Ready or Not,” although in this case there is more than one person representing the lower class.

Having seen “The Hunt” from start to finish, I now see what everyone is talking about. This movie is extreme, unapologetically political, and most of all, it’s just awful. Awful, plain and simple!

For the record, I saw “The Hunt” towards the end of October 30th. This review is being written on October 31st. So I had some time, not to mention a good night’s sleep to think about this movie. There’s a lot that can happen in one night between the passage of time, stars shooting the air, and figuring out how you can sleep in a different spot than usual on your memory foam mattress. A lot of changes have occurred, and that’s why I’m here to tell you that when it comes to my thoughts on “The Hunt,” I can confirm that ABSOLUTELY NOTHING HAS CHANGED!

“The Hunt” is a mess of a film! The worst part about it, compared to a few other bad movies that came out this year like “Scoob!” and “The Murder of Nicole Brown Simpson,” I had reasons to look forward to it! Remember last year when we got “Ready or Not?” That movie SMASHED! I walked out of the auditorium grinning like an idiot because I felt terrified, but I had a ton of fun at the same time. Both movies deal with similar issues. Higher and lower classes going against each other, fighting to the death. But the thing about “Ready or Not,” aside from it being super crazy, balls to the wall, and just an overall good time, is that I did not need to know everything about either side to understand them. I knew one side was elite, the other not as elite. While I was rooting for one person in particular, I at least understood both sides. There was even a fantasy aspect to that movie! That is bonkers! And part of me wishes I came up with the idea for “Ready or Not!”

Here, this film follows a bunch of people on one side, pretty much all of them are on some level of the right. All of them are unlikable. But hey! The left get some representation too! Guess what? It’s just as bad! I don’t care what political identity you have! What your views are on gender roles! Just be a character that does not get on my nerves! There’s a ton of lines in this film that poke toward extremes for the left and right, and pretty much each and every time I lost my mind. Now I don’t mind political or social commentary in my media. It’s everywhere! One of the recent films I reviewed, “Yellow Rose,” follows a family living illegally in the United States. Regardless of my views on that, I saw that the crew managed to make a GOOD STORY first. They didn’t hammer me over the head with what I should believe and treat me like an idiot. Sure, every movie, including that one, has a vision and part of that has to do with what the director or writer feels is “the right of the world,” but if you can do that while creating admirable characters and watchable storylines, you will allow me to keep my attention toward the screen.

I always watch “Family Guy,” which dives deep into a political or societal issue every other episode, but it manages to keep the humor and for the most part, provides some intrigue from a character and story perspective. “The Hunt” had none of that. This feels like a bad “Family Guy” episode stretched out for an hour and a half because it deals with more politics, and crappy characters from left to right. There is not one person I could side with during this film. Everyone is just a caricature of what is wrong with society, and they fail to represent any charm whatsoever.

In fact, this whole movie starts off like a “Family Guy” episode, there’s political humor, blood, gore, and violence. Sometimes it’s borderline comical. Unfortunately, this feels like a “Family Guy” episode from the later seasons, where they rely too much on gross-out humor or dark violence or politics. Too much of something can lead to boredom with said thing. And unfortunately, when it comes to how this movie deals with political satire, it wears out really fast.

“The Hunt” is a movie that made me ask a ton of questions. For example, “Why am I watching this?” Another example, “When will this be over?” Also, “THIS IS ONLY AN HOUR AND A HALF?!” This movie may be short, but it is certainly not sweet. The worst part about this movie, is that my first impression of it resembled a sense of excitement. There was violence, blood, guts, suspense, and all that jazz, but by the time we get to the first moments in the gas station, all the building blocks fall to the ground. Yes, there is some intrigue throughout the movie, but I did not care. The intrigue came from characters who I never grew to admire. I couldn’t stand any of them, and I continued to wonder why I would watch them. And speaking of questions, there is some mystery attached to certain characters as the runtime ticks, but one question I wanted answered about the film never gets answered. I admire when films leave certain points open to interpretation, but this was not one of those times, I just felt pissed off if anything.

I will say one thing though, this movie has some good casting. Ike Barinholtz is genuinely charming here, and this should not be a surprise given how Barinholtz usually turns out to be one of the best parts of everything he’s in. Even in “Snatched,” that terrible Amy Schumer flick, he had some of the best lines and was arguably the most energetic member of the cast. Barinholtz gives it his all. Hilary Swank is likable here too as the mysterious Athena. And even though I never got attached to the main protagonist of Crystal, I think Betty Gilpin played her part well in this film. The cast is admirable, but you can say the same thing about “Cats” too! Doesn’t say much about the film’s quality! Ian McKellan is in this movie! What does he do? He licks a plate!

I’m out.

I know I recently said that 2020 gave the best film of the year with “Over the Moon,” which if you have not seen, it is extraordinary. But with “The Hunt,” this reminds me of the horrors 2020 originally intended to deliver. Part of me is glad I did not see this in March, because I wouldn’t have wanted my final movie theater experience before the pandemic to be so insufferable that I would not want to go back when everything returned to normal. Not only is this one of the worst films of 2020, but by far one of the most disappointing. I heard it was going to get political. I thought it would just be sprinkled in! THIS IS RIDDLED with political madness! Or even issues that should be human issues that are made political because our society is making heads spin all over! Just talking about this movie makes me ultra-nervous for my next physical, because it’s sending my blood pressure through the roof!

In the end, “The Hunt” is almost indescribably bad. “The Hunt” makes me want to move to Canada! I’ve rarely felt as grossed-out, and I don’t mean that in a good way, after watching a movie. Again, I go back to “Ready or Not.” That film deals with similar themes, but it leaves all the fun in there while also handling the serious vibe that these themes bring. And most importantly, in that movie, I cared about everyone, regardless of their motivations! So if you want to watch something spooky this Halloween, go watch “Ready or Not,” now available on DVD, Blu-ray, Digital, HBO, and HBO Max! Don’t watch “The Hunt!” And I will say, I live in the United States. This is too much politics for me before an election. Although I really hope that failed to sway me in one direction or the other in regard to my opinion on this movie. What is my opinion on this movie, you ask? I’m going to give “The Hunt” a 2/10.

This movie had a fantastic start, but it is all downhill from there! If you have brain cells, do yourself a favor, take a nap. Don’t watch this movie! They say that television rots the brain, but this movie destroys it. Avoid “The Hunt” at all costs!

Thanks for reading this review! Happy Halloween to everyone reading this, otherwise known as the last day that I will tell everyone, “IT’S NOT CHRISTMASTIME YET! STOP DECORATING THE STORES!” November 1st is when I think it’s go time. Although if I have to hear some of the same songs over and over again, I will consider going into cryogenic sleep. Nevertheless, I’m not sure what my next review will be. I will be a bit busy next week as I will be celebrating my 21st birthday. For all I know, I might not even post anything. Although I have been dedicated to making a post a week for years now, so who knows. Anything can happen! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “The Hunt?” What did you think about it? Also, did you see “Ready or Not?” What are your thoughts on that? Personally it is favorite movie of 2019! Let me know down below! Scene Before is your click to the flicks!

Unhinged (2020): Why I Take Trains

“Unhinged” is directed by Derrick Borte (American Dream, London Town) and stars Russell Crowe (Gladiator, Cinderella Man), Caren Pistorius (Slow West, Mortal Engines), Gabriel Bateman (Child’s Play, Lights Out), Jimmi Simpson (Date Night, Westworld), and Austin P. McKenzie (When We Rise, Speech & Debate). This film mainly follows the actions of two characters. A mother happens to be down on her luck and is not having the best of starts to her day. Eventually, she comes across a truck sitting at a green light. She’s sitting behind it, she honks her horn, but passes the truck in anger. The guy inside the truck, played by Russell Crowe, starts following this woman and makes her life a misery, all because she refuses to give a “proper apology” to this man.

When it comes to theatrical releases in the United States, “Unhinged” came out during the first big weekend when major theaters reopened. This movie released on Friday August 21st, the weekend that many of AMC and Regal’s locations welcomed back customers. But I waited until Saturday August 29th to see this movie because I had priorities that other weekend. Plus, on an unrelated note, I just got AMC Stubs A-List, so this was a “free” movie for me. “Unhinged” comes with a rather simple, but intriguing concept, especially as someone who is able to drive a car in the United States. Many people look at driving as a privilege, and they are not wrong per se, but it is also a reason behind why society is freaking crazy. I feel like many of us are hyper-entitled whenever we get behind the wheel. We think that just because we spend five figures or something on a ride, it means we can do whatever we want. I still think the car horn is one of the most overrated inventions ever. Does it inform? Sure. But it’s also anxiety-inducing and incredibly startling. I cannot say that my local transportation system is as fine as I would want it, but at least I get the assumption that the people on transit vehicles are more willing to put up with everyone else. A little acceptance goes a long way, I’m just saying. Everyone has a bad day. Rant over!

Now, I went to “Unhinged” after spending a couple hours or so in a car. And I knew some things about this movie before going into it. I knew it was about road rage. I also knew that cars seem to have some heavy involvement in the script.

With that being said, “Unhinged” is probably the most uncomfortable movie experience I’ve had all year. And you should see it for that reason alone. This is a movie that reminds me of why I hate driving sometimes. Not only are you operating a vehicle that society is putting over its own environment, but sometimes the people inside other cars can lose their mind from time to time. Granted, I haven’t many bad experiences as a driver, but sometimes it scares me to know how much my own country is attached to personal vehicles. I will also point out that when it comes to performances so far this year, Russell Crowe might have given my favorite thus far. He plays a guy who seems pretty chill, but kind of has a sinister side to him. I really like his portrayal of the character of “The Man.” Wow, no wonder I didn’t know his character’s name! That’s his credit according to what I saw on IMDb.

In… Actuality… Russell Crowe plays a character named Tom Cooper. Nevertheless!

This movie goes on for an hour and a half, and I think this happened to be the perfect runtime for a movie like this. The concept is to the point and doesn’t require any expansion. The movie also does a really good job at not wasting any time and completely focusing on the main subject matter at hand. I don’t think there is one scene that should be taken out for reasons having to do with coherence. Nothing feels too self-indulgent or unnecessary. I will say though, and this may have part to do with what I saw from the movie’s marketing and not just the movie itself. Even though the supporting characters properly serve the plot at all times, I don’t think I will remember all of them that well. They were competently performed by their individual actors, but still, when I look back at this movie, it’s almost like they’re pawns or really JUST there to make one of the two characters behave a certain way. Granted, that is a proper definition of a “supporting character,” they’re not supposed to have all the spotlight. I just wish they were more memorable or had a bigger pinch of personality.

One thing I will say though about the main story of the film, I agree with both the protagonist and antagonist. I even disagree with both characters at times. I enjoy movies like this and it’s why I view “Avengers: Infinity War” to be the best movie in the Marvel Cinematic Universe. In the case of “Unhinged,” our main protagonist, Rachel, needs to get where she needs to go, but she has Russell Crowe standing, or more appropriately, driving in her way. When she gets angry, I understand her, I get what she’s going through, but it also brings me back to the wish that people would be more patient with others behind the wheel. Everyone’s got a story, you just haven’t heard them all yet. Soon thereafter, Russell Crowe, who seems nice, recognizes that a lot of people are impatient and they lose control in today’s society. So he wants an apology, which again, is understandable. I want what’s best for Rachel, but I do feel that she needs to be careful when talking to other people. She’s a flawed protagonist, and I was admittedly a bit skeptical as to whether or not I’d end up liking her, but I felt Rachel had a good presence by the end of the film. And of course, Russell Crowe turns into the biggest dick in the world, so of course I rooted for Rachel.

“Unhinged” is one of the first movies to release in an effort to welcome customers back to the theater. And let me just say, I would probably have a good time watching “Unhinged” at home. It would probably be a delight to put on my TV, but I welcome it as a major theatrical release because I imagine that this is one of those movies, kind of similar to a lot of Marvel or “Star Wars” projects, that gives a certain feeling in the theater that cannot be replicated at home. I was on the edge of my seat, and I thought this movie made me a bit more unsettled than any other experience I had this year. Maybe if I watched this movie at home I would have felt rather similar to the way I felt after watching it in the theater, but that is hard to tell at this point. Point is, if a theater is open near you and “Unhinged” is playing, see it if you feel safe!

In the end, “Unhinged” packs a wallop! I really enjoyed watching this movie as a theatrical experience. The plot is very simple, but I understood the motivations behind each character. I was able to relate to them. Again, I think some of the supporting characters will end up fading from my memory, but it does not take away from the swell time I had watching this movie. It’s fast-paced, dark, and occasionally heart-racing. Go watch it! I’m going to give “Unhinged” a 7/10.

Thanks for reading this review! This Tuesday, I’m going to see “Tenet,” in a theater, the way it was meant to be seen! I still wish I could have a closer spot playing it in 70mm, but I will happily support the theater industry at this time. Early access screenings begin tonight in the U.S., but I decided to go tomorrow for a couple reasons. So with that being said, I hope that the movie is fantastic! I will say, I’m also seeing it again Thursday in IMAX, so if I don’t have the review up by Thursday, it may be because I need to pick up some things I missed, or because I want to judge the IMAX-shot scenes in this movie. If you want to see my review for “Tenet,” be sure to follow Scene Before, that way you’ll be notified when the review goes up, and you can stick around for more content as well! Also, check out my Facebook page! I want to know, did you see “Unhinged?” What did you think about it? Or, have you been to the movies recently? Describe your experience! Let me know down below! Scene Before is your click to the flicks!

The Burnt Orange Heresy (2019): Portrait with Orange on Fire

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“The Burnt Orange Heresy” is directed by Giuseppe Capotondi (Berlin Station, The Double Hour) and stars Claes Bang (The Girl in the Spider’s Web, The Square), Elizabeth Debicki (The Great Gatsby, Everest), Mick Jagger (Being Mick, Running Out of Luck), and Donald Sutherland (The Hunger Games, Pride & Prejudice). This film revolves around an eccentric, mysterious art critic by the name of James Figueras who is hired to steal a rare painting. As the movie moves along, he becomes greedier by the second. Simultaneously, he is romantically involved with a woman named Berenice Hollis.

Oh yay! Another movie that we can see in theaters! 2020 is turning around!

…Sort of. Not really. It’s still a crapfest all around and we just have to live with that! Boohoo.

“The Burnt Orange Heresy,” much like a lot of other movies I have seen so far this year, is a film that I really did not know much about going into it. All I really knew about the film is what I’ve read regarding it on IMDb and one or two other sites. I knew it got some attention already through festivals. Apparently, based on how IMDb lists the film as being released on March 6th, 2020 in the U.S., this thing has been theatrically released already. In fact, its distributor, Sony Pictures Classics decided that they’d hold onto the film and avoid putting it on VOD despite how many other films at the time such as “The Hunt,” “Bloodshot,” and “Onward” were going in such a direction. As of today, “The Burnt Orange Heresy” is a film that can ONLY be watched in theaters. As for when it will hit stores and digital services remains a mystery to me.

Walking out of “The Burnt Orange Heresy,” I cannot say I’m disappointed. Partially because as mentioned, I did not know much about the film going into it. All I really gathered regarding it was the basic gist and concept. “The Burnt Orange Heresy” is a sensual, mysterious flick, which kind of makes sense as it does take place in Italy, which from my experience is an often romanticized country. In fact, let me just say, I am not dating anybody. Now that we are in the middle of a pandemic where everyone is supposed to socially distance from each other, I don’t really think I should be dating anybody, but I thought that if you are in the right mood, this could be an alright pick for a date movie. Granted, this movie is also not for everyone, as it does feel fairly artsy. Almost in the high-brow category if you will. Then again, this is a movie heavily involving art and someone trying to steal a rare painting, so it kind of adds up.

I really think the best part of the movie is the chemistry between the main romantic couple, specifically played by Claes Bang and Elizabeth Debicki. Their chemistry is some of the best I have seen in recent memory in regards to a relationship. Every one of their actions, even if it goes to a point of slight exaggeration, felt kind of raw. Again, this is kind of a sensual movie during a few bits and pieces, even if that is not what it is trying to present itself as in the long run.

Also, gotta admit, Elizabeth Debicki may be a new celebrity crush of mine, and based on her acting chops, I cannot wait to see her smash the role she’s got in “Tenet!”

*teary-eyed* PLEASE COME OUT ALREADY.

I also liked the main character himself, again, played by Claes Bang, an actor who I am admittedly not familiar with at all. This movie starts off with a pretty sharply edited opening scene where Claes Bang’s character, James Figueras, is on his exercise bike in his private quarters, but simultaneously, he’s lecturing to an audience about a painting. To save some of the mystery from you, the people reading this… I will not go into much detail about the scene itself, but it is a great way to not only start the film, but get a sense of our main character’s personality. What’s he like? What does he do? What are his mannerisms? Just in the first five to ten minutes of this film, I felt like I’ve already gathered a terrific sense of who exactly this character could be, or who he is trying to be. He’s mysterious, he’s quirky, I kind of wanted to know more about him. Sure, maybe on the surface he kind of looks like the dad from “Modern Family,” but as far as his traits and personality go, that is something that I wanted to be somewhat unraveled as we go along.

As I watched “The Burnt Orange Heresy,” it reminded me of one thing more than anything else. That my friends, is “Life Lessons,” the short film directed by Martin Scorcese as part of the “New York Stories” set. For those of you who don’t know what that is, “Life Lessons” is a film about an eccentric painter, who lives with his assistant as their relationship begins to spiral down the drain. Granted, the relationship seems to be working a lot better for both sides in “The Burnt Orange Heresy,” but I would not be lying if I told you that I did not make such a connection with these two films. Both of these films feel fairly dramatic, romantic, and occasionally a little bumpy. I will say, and this is somewhat forgiven as “The Burnt Orange Heresy” is a feature and “Life Lessons” is a short, but “The Burnt Orange Heresy” feels a bit on the slower side compared to “Life Lessons.” Without spoilers, the way certain events play out in both these films feels like they are a couple with their differences, but nevertheless happy to be together.

I said this once, I’ll say it again, this film is not for everyone. This film is almost on the verge of being kind of eccentric, and some will find it pretentious or high brow. But for me, I enjoyed myself. It is a film that I probably will not end up watching every day, but if I were to have it on, I would most likely not use it just as background noise. I also think that when it comes to how this film is edited overall, it is one of the finer editing jobs I have seen this year. A lot of the scenes are interwoven nicely and nothing really feels out of place. I’d give this film a thumbs up.

In the end, “The Burnt Orange Heresy,” despite what I just said about probably not wanting to watch it every day, is a film that I’d probably check out a second time because it has a vibe that feels cleansing and smooth to the brain. Plus, despite being an hour and thirty-nine minutes, there may be one or two things that I missed on the first viewing that I may want to pick up again. Maybe the dialogue went over my head or something, I don’t know. Nevertheless, this is good enough for a repeat viewing. I’m going to give “The Burnt Orange Heresy” a 7/10.

Thanks for reading this review! I just want to let everyone know that I have a few new Blu-rays lying around for possible reviews, but HBO Max has just released an original film starring Seth Rogen by the name of “An American Pickle.” If I get the chance, I might just talk about that for an upcoming review, but who knows? Anything can happen in 2020. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out the official Scene Before Facebook page! I want to know, did you see “The Burnt Orange Heresy?” What did you think about it? Or, what is your favorite movie set in Italy? Let me know down below! Scene Before is your click to the flicks!

TENET is Delayed Again: New Release Date: August 12th, 2020

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Hey guys! Welcome to the latest apocalypse-related update of 2020! A year so bad that it made fully regret ever giving “Cats” a negative review. That hour and fifty minute movie which really ended up feeling like an utter eternity was a blessing compared whatever the f*ck is going on right now! Remember how I posted this s*it down below just a couple weeks ago?

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

Guess what? That s*it’s outdated! Welcome to 2020! A one-way ticket to a dark room full of deadly lasers, accompanied with a bloody water tank with a giant shark that is about to eat you whole! WORST! YEAR! EVER! With that being said, I’m going to try my best… My absolute… Best. To avoid going ABSOLUTELY OVER THE TOP WITH THIS POST! Gah! I already failed! Let’s just do this!

Hey everyone, Jack Drees here! In case you’re reading this, I have somehow survived being disintegrated by tons of deadly lasers and a giant shark that was about to eat me. For all I know, maybe the shark thought I was pitching a terrible product, and said “I’m out.”

…Which reminds me, I gotta cross that shark-raid whistle thingy off the pitch list. Here we go.

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A couple weeks back, we have had an announcement that “Tenet” was getting a pushback, which I think at the time, could have arguably been the most shocking pushback for a film we’ve seen all year. “Tenet” was one of the few pictures to not move a muscle so far in 2020, so to see it gravitate towards a later, granted two weeks later, but later nevertheless, release date on the calendar is a little shocking. However, in my post talking about it, I mentioned there was probably a good reason, one of the notable pieces of news sticking out to me being the plan to rerelease 2010’s “Inception,” allowing for a perfect reason to recognize the film’s 10th anniversary. Not to mention, I thought it was just a damn fine consolation prize. “Inception” will be brought back to theaters around the same exact time it came out, it would be a good way to get audiences back into the theater, see how many people are willing to go to the theater, and as for me, I get to see one of my favorite movies on the big screen, which I did not get to do when I was younger. However, this week, it was announced that “Tenet” has been delayed once more. Time runs out? More like, we need more time to put out our movie.

Before we go any further, “Tenet” is not the only film moving in this case. “Inception” is in on this as well. “Inception” is now going to be taking up the July 31st release slot previously held by “Tenet.” As for “Tenet,” that film will be taking a spot in the middle of the second week of August, allowing it to come out on August 12th.

Let’s start with the good news. The good news, I can’t believe there is good news available in 2020… It’s not that big of a delay. That can be a sign of pure optimism from Warner Bros., Christopher Nolan, or both. While we don’t know where we’ll be in days or weeks from now, it does show that somebody somewhere is sticking to a commitment to put the movie out in theaters. Let’s face it. If I were to shoot a movie on the largest format possible, which Christopher Nolan did. Release it on the largest format possible, which is currently planned. You bet I, as a studio executive, would surely keep a promise to put this damn movie in the theater. I saw previews for this film on my TV, and it looks good on my TV. But why does it look so good? Because it gave me the urge to get off my ass, into my onmyassmobile, and head to a freaking movie theater to enjoy myself for hours!

Wait, that sounds very familiar…

“This film (Dunkirk) is what actually going to the theater is all about. Not renting a movie on DVD, not streaming it on Netflix, but getting off your ass, getting in your onmyassmobile, and heading straight to the movie theater.” –Top 10 BEST Movies of 2017

Nolan is all about the “get off your ass” mentality when it comes to releasing films, and that is part of why I will remain committed to checking out his work. I am all about the experience when it comes to moviegoing. There are very few feelings like entering a movie theater and seeing a movie in general, but when Nolan makes a movie, it’s almost guaranteed to be a ride. To see at the very least, the notion regarding this movie not losing sight of the theater experience delights me to no end.

Now, for the bad news… What if this is not the last delay? Because I feel like the factors determining whether or not we will get to see this movie in theaters as soon as possible have little to do with whether or not theaters are ready. In fact, the major chains including AMC, Regal, and Alamo Drafthouse, have all announced plans to open in July, with precautions in mind. Some of these include deep sanitizing of the auditoriums and often-touched spaces through advanced equipment and materials, allowing extra time to clean auditoriums, reduced capacities and spaced seating to encourage social distancing, and enforcing the use of masks. And yes, I’ll wear a mask, because I’ll happily allow my mask to possibly smell like popcorn. Just because they’re ready does not automatically equate to the public being ready. Am I ready to head back to the movie theater? I’ve been motivated to go pretty much as soon as everything shut down. Granted, knowing myself, I am a little biased. I would have risked my life during the pandemic to go see new movies because this was the routine for my blog. Go to the movies. See a new release. Review said new release. Repeat. Instead, I had to take a break, report whatever fresh hell was happening during the apocalypse to point where I wanted to smash my F*CKING BRAIN INTO SPIKES! Save myself some money so my family and I don’t go broke. Occasionally review a new movie if possible, and so on. I would not deny that there is at least some sort of craving from various demographics to live in some sense of normalcy at this point. Movie theaters are a part of that normalcy. But would the public automatically leap themselves back into theaters? That’s going to depend on who you ask. Some would definitely go back in a heartbeat, but if you scour social media, there are some that are hoping for more at-home releases and those sorts of things.

Not only that, but let’s also look at statistics. One of the biggest catalysts that likely caused this delay in the first place is the notion that New York had no plans to reopen theaters in phase 4, which supposedly starts in a couple weeks for a great portion of the state. New York is one of the biggest movie theater markets out there. They have a large moviegoing population and a ton of theaters to back them up. New York City has also been home to many big film events, including premieres. Although if I’m not mistaken, if “Tenet” releases on time, if Manhattan remains closed, the run could still work if many other theaters in the state as long they remain open in other areas. Speaking of which, New York, Massachusetts, Connecticut, and New Jersey, are trending pretty positive right now when it comes to handling the virus overall. This is as opposed to states like Florida, Texas, Arizona, and California, where the virus is proving to be a little more effective and deadly. Hospitals are filling up by the second, states are seeing record cases, and if they keep going up, who knows what’s gonna happen next? And besides, I just mentioned California, like New York, it is one of the biggest movie markets in the world. It’s where many red carpet events occur, the culture in various cities revolve around film, and it’s home to many historic venues. Plus, Los Angeles county is currently the most populous of the U.S. counties, if you don’t let them for example go see a movie in their local area, that’s potentially a lot of lost customers.

Not to get sidetracked, but I wonder if this means anything for the other big movies coming out soon like “Unhinged” and “Mulan.” Will they bump their dates somewhere else as well? Although Regal Cinemas, the second largest chain in the United States, is supposed to reopen the day that movie comes out, so I doubt they want to move as they have a sweet spot. As for “Mulan,” I feel like Disney could move it, but they also have a good spot should things turn around. They don’t have to worry much about what could be opening the week after, and a lot can happen in a month from now. As much as I would not be TOTALLY surprised if they put the movie on VOD eventually, I feel like from an executive standpoint, this is a movie that like “Tenet” is specifically made to be seen in a theater. Putting the film on VOD would be a sacrifice from one kind of perspective. Plus, based on what I’m hearing from people who have already seen the movie, it may have solid enough verdicts to avoid getting dumped onto Disney+ like “Artemis Fowl” did, which currently has a 10% on Rotten Tomatoes.

One thing I will point out, when it comes to this new release date, it presents a fairly interesting idea given by a Warner Bros. spokesperson.

“In this moment what we need to be is flexible, and we are not treating this as a traditional movie release. We are choosing to open the movie mid-week to allow audiences to discover the film in their own time, and we plan to play longer, over an extended play period far beyond the norm, to develop a very different yet successful release strategy.”

Before this delay, in fact, even before the first delay, what I thought was going to happen was that Warner Bros. was going to attempt to pull the throttle as far ahead as possible. What could have been done is that they’d release the movie, allowing it to play on virtually every available screen in the facility, say this is all happening in a multiplex, allowing for everybody to go see this one movie at practically anytime, with an outright guarantee for social distancing. Granted, with the current plans to bring throwback releases into the mix, that would now be impossible, but again, I’m talking about the past. Now I’m noticing a fairly slow approach that Warner Bros. seems to be taking. I don’t know how well it’ll work out. But if they keep it in theaters for a long enough time, there’s a solid chance that it could be profitable. It’s likely going to depend on word of mouth, positive reviews, and maybe even some hint of rewatchability. For all I know, it could also depend on cases. But this blog is being documented by someone who lives in the United States of America, where we are perhaps all brainwashed into thinking the economy is more “essential” than lives. Am I sick of staying home for the longest time? You betcha. I have gone through several periods of not even exiting my house doors. In fact, this entire post pretty much sums up my distaste with the fact that I’ve had to stay home. But if we all really get back outside, we need to understand that the world is not going to be pretty. We need masks (which I detest, but I understand why we need them). We need clean hands. We need to do our best to stay apart. If we want to have what we love in front of us at some point during 2020, we need to understand the meaning of sacrifice amongst ourselves. And how this even became a political issue here in the United States, I will never understand! Apparently in this country, science equals politics! It’s global warming all over again!

Just so you all know, if you didn’t already, I hate needles with a burning passion. This is the one time, I repeat, the one time in my life, where I want a vaccine for something! I don’t care if it kills me quicker than the virus, but I just want to have a sense of normalcy at this point. I’ve had it with all this! I just want to go see a movie! It’s the one place where I can feel like I’m at home, because I’ve been at my house for so long that it doesn’t even feel like a home anymore! I love my house, but with isolation and everything! It has basically become a prison with people who love and care about you, not to mention better food options! I need to get out at least once to cleanse my brain from whatever spasms it has at this point! Walking won’t do the trick! Am I overreacting? Most likely! But this is my life! Art is the quintessential element that makes me whole, and now I feel like that has been snatched away. I turn 21 in November, so I think I have picked the wrong time to supposedly “build my life.” I want safety for all. But I want to do things.

“Tenet,” please help me. I’m more excited for “Dune” to come out in December, but as of now, I don’t know if there has ever been a movie I wanted to see succeed more than “Tenet.” It’s from my favorite studio, my favorite director, and will be shown in my favorite format. And I surely hope this delay is the last one we get. For all I know, should things continue to trend positively in certain states, I can almost see Warner Bros. releasing the movie in states that are trending positive, then adding a phase 2 to areas that trend positive later. It’s like the government, but it’s all about a $200 million+ movie. “Tenet” HOPEFULLY, and I cannot stress that enough, releases in theaters August 12th, 2020. The film will be available in digital, various large formats including IMAX, 35mm, 70mm, and IMAX 70mm. And you bet I will be striving to catch an IMAX 70mm presentation should one pop up in my area, and given how I don’t live far from Providence, RI, and I do expect the movie to end up playing at their IMAX venue, I will probably make it to one of these shows whatever it takes.

Thanks for reading this incredibly emotional post! And by incredibly emotional, I mean a post where I turn into an absolute brat who simultaneously wants what’s best for society. How did we get here?! Do we even deserve to live at this point? Bring on the alien invasion! Bring on dinosaurs! Bring on giant asteroids! Bring on dogs and cats living together! Mass hysteria! What are we still doing here anywhere? It’s not like we’re… DOING ANYTHING! By the way, right now on Scene Before I am focusing on Tom Cruise Month here in June, which will conclude next week with my review for “Minority Report!” Until then, check out my review for “Top Gun,” a movie which had a sequel that was supposed to come out this exact week, but of course, COVID sucks. It really does. July is coming up, and I’m hoping for my sake at this point that I get to talk about at least one new movie. I’ve spent so much time talking about the past that the future looks mighty fine right now. This universe is punching me in the gut every day. Be sure to follow Scene Before if you want to see new content, and check out the blog’s official Facebook page! I want to know, what are your thoughts on the “Tenet” delay? Personally, I kinda saw it coming, but unlike the last one, this one hurt me a little more. I am more than likely overreacting, but as a guy who doesn’t really care if sports come back at this point, I at least want a movie. Or, here’s another question. Do you plan on going back to the movies anytime soon? Let me know down below! Scene Before is your click to the flicks!