Tenet (2020): This Review Hasn’t Happened Yet

Before we dive into this review, I just want to remind everyone that this is spoiler free. “Tenet” is one of the biggest movies of 2020 for a lot of reasons. There are not only a lot of people waiting desperately to see this movie, like myself, but there are also many people who might want to wait to see this movie depending on how safe it is to do such a thing. There’s also some areas like New York, California, the country of Japan that for the most part, cannot obtain access to this movie yet. With this in mind, I am going to attempt to be as vague as possible with my thoughts on “Tenet.” Kind of like its own trailers. What did we learn? Not much, which I don’t mind because I’d rather go into a movie knowing as little as possible. What’s the point of a trailer if it’s going to simply show the entire movie? I do go into detail on one or two things, but the things I take the deepest dives into don’t have much to do with plot, story, or characterization. Without further ado, it is time to start my review for “Tenet,” otherwise known as the movie I have waited since the Jurassic era to witness on the big screen.

The day we’ve waited for has arrived…

“Tenet” is written and directed by Christopher Nolan (The Dark Knight, Dunkirk) and stars John David Washington (BlacKkKlansman, Ballers), Robert Pattinson (Good Time, The Lighthouse), Elizabeth Debicki (The Burnt Orange Heresy, Guardians of the Galaxy Vol. 2), Dimple Kapadia (Bobby, Fearless), Michael Caine (The Cider House Rules, Interstellar), and Kenneth Branagh (Jack Ryan: Shadow Recruit, Hamlet) in a film involving NOT time travel, but time INVERSION, which makes time move backward. John David Washington plays The Protagonist (yes, that’s his actual name) who journeys through a twilight world and faces a mission that could mean the difference between peace… or World War III.

It’s finally here! “Tenet” is arguably my most anticipated movie of 2020, not to mention of all time. For the record, I keep saying “Dune” is my most anticipated film of the year, but given how “Tenet” is supposedly the movie that will “save cinema,” that’s an added bonus for me. I’ve talked about this movie long before it came out. I reviewed one of the trailers, I did a couple posts on what we knew about the movie at the time, and I even brought it up a couple times during my temporary “Movies and COVID-19: Behind the Scenes” series. I don’t think I’ll be updating that anytime soon, because I can only take so much talk about COVID-19 at this point. “Tenet” is also directed by Christopher Nolan, my favorite director working today. “Dunkirk” ended up being one of my favorite movies of 2017, taking my #4 spot at my end of the year countdown series. Two of his movies showed up in my “Top Movies of the 2010s (THE BEST 25)” countdown, which by the way, one of them ended up being my #1 pick! That movie by the way is “Interstellar,” which is one of my favorite movies of all time! Christopher Nolan is a director who individualizes his work in the industry, partially because he’s developed a distinctive style himself, but also because a studio as big as Warner Bros. trusts him at this point to make “his movie.” Plus, this movie was shot entirely in 65mm film, much of which was through IMAX. I’m a sucker for large format filmmaking, and I knew that this movie was gonna look CRISP.

To this day, Christopher Nolan has not made a bad film. Keep in mind, I still have not watched “Following,” but I’ve seen every other film from him. I really enjoyed “Memento” and I thought its storytelling methods were pretty solid. His “Dark Knight” trilogy is not only fun, but kind of refreshing in a world full of big CGI comic book movies. “Interstellar” is incredibly rewatchable and I stand by it being arguably my most cherished movie experience. “The Prestige,” while I don’t recall much about it, was fairly enjoyable. “Insomnia” is an entertainingly gritty thriller and features a fine performance from Al Pacino. “Dunkirk” is proof that you don’t always need a centralized character to tell a story, and I kind of like that. As if “Inception” wasn’t already cool enough, I rewatched it four times this year! Two of those times were in IMAX! It’s that good! So, is this the movie we’ve been waiting for? Is this the savior of cinema? Is “Tenet” 2020’s goldmine? Is it worth the hype?

Honestly, I’d say yes. The best way I can describe “Tenet” is this. If you’ve never been to Fenway Park in Boston before, they have this one section where all the seats happen to be green, except for one. Why? Because former Red Sox player Ted Williams hit a 502 ft home run towards that seat, and even though all the other seats remain green to this day, that one seat, which is 502 ft from home plate, is red. I feel like in my imagination, all the other movies that I’ve seen this year, all possess the typical green seats, but “Tenet,” because of how much I enjoyed it, gets the special spot. I say that because as I’ve discussed on here before, 2020 sucks, not just in general, but in the case of what I focus on regarding Scene Before, our cinematic calendar is pretty much a waste.

We’ve barely had any animated features this year, and while they are not my goto genre, I’ve watched at least five per year in the past couple years. It’s something I miss, and I really hope more can come out because Best Animated Feature is a category I do during my awards show that I put on here. There’s one movie that I have lost all motivation to review partially because of the pandemic, and partially because I’ve pretty much put it out of my mind upon leaving the theatre (That movie is “Bloodshot,” by the way.) All the big blockbusters like “Ghostbusters: Afterlife,” “F9,” “Morbius,” “Eternals,” and “Top Gun: Maverick” have all been pushed back about a year. “Tenet” is not only a movie that, unexpectedly, would supposedly “save cinema,” but it was one that was made to specifically show off the power of cinema.

I saw “Tenet” at a regular 2D screening at an AMC, and it felt like I was at an RPX or something. It really felt like the audio was cranked up beyond the maximum limit. This movie has some of the most immersive, and all time best sound editing I’ve heard in my life. Everything from the opening scene to the grand climax is magic for the ears. As for sound MIXING… That’s a different story, and quite honestly, it’s my biggest problem of the film.

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I’ve witnessed a few reviews before going to see “Tenet,” not mainly because I wanted to know how the movie was, but because I want to support the content from those who created it. Anyway, they seem to be having the same issue as me. “Tenet” is an audible, earth-shattering movie. Christopher Nolan is no stranger to this description. Have you guys seen “Dunkirk?” That’s gotta be one of the loudest movies I’ve heard in my life! Nolan is my favorite director of all time, but if there is one valid critique I will give to him, and this even stands true for “Interstellar,” my favorite movie of his. Christopher Nolan seems to be hyper-obsessed with having the sound mix be as obnoxious as possible, allowing sounds in the background like shotgun blasts, explosions, even music to take over the ears, thus making us lose some of what could be important dialogue. This wasn’t a huge dealbreaker because as someone who is an aspiring screenwriter, I know that words are not always necessary. Film is a visual medium. As long as I can see what’s going on and do so coherently, everything seems to be fine. Granted, I will always take good dialogue whenever possible, but what’s the point of making a movie when you can’t see or hear what people are “doing?”

I will also say, this movie has a lovable ensemble. Everyone from John David Washington to Elizabeth Debicki to Kenneth Branagh all happen to be great in the film. I enjoyed the presence of all their characters. I will point out though, once again, John David Washington plays a character whose name happens to be “The Protagonist.” I won’t say much about it, but I like the direction in which the movie took that meaning. I’ve read some things about “Tenet” before seeing it and I had no idea what that name could have to do with the movie, but the way they handled it was surprisingly pleasant, so kudos!

Speaking of “Tenet’s” ensemble, I will also bring up Michael Caine. For those of you who don’t follow Christopher Nolan, I should have you know that Michael Caine has been in every one of his movies since “Batman Begins.” He even had an uncredited role in “Dunkirk!” I’ve read about this before the film, and this is not spoiler, but Michael Caine’s character in the movie… is named Michael. Because, he’s already played everybody else in Nolan’s imagination, right? I won’t say much about Caine’s appearance in this film, but there’s a moment in the movie where The Protagonist ends a chat with him and my brain clicked as soon as I heard The Protagonist refer to Caine’s character as “Sir Michael.” Did Christopher Nolan originally write this movie with himself in mind for the lead role? I seriously want to know at this point!

I have already raved about this movie from an audio perspective, calling it one of the most immersive experiences I’ve had all year. I’ll also point out, I have never seen a movie “live in concert” before, but if they ever get to a point where they do such a thing for “Tenet,” I will IMMEDIATELY buy a ticket! Because let me just tell you one thing right now. “Tenet” may just have my favorite film score that I have heard in years!

One thing I’ve gathered about Christopher Nolan as a director is his tendency to work with people he’s worked with in the past. I recently mentioned Michael Caine. Nolan’s worked with Tom Hardy a couple times. Same goes with Anne Hathaway. He brought back Kenneth Branagh for this film. Hoyte Van Hoytema is the cinematographer for this movie, making this his third collaboration with Nolan. And if you ask me, this is another solid entry to his resume and I cannot wait to see how they used the IMAX cameras for this film. But I will point out one collaboration that I was shocked to see missing once I heard about it.

BEVERLY HILLS, CA – JANUARY 16: Composer Hans Zimmer arrives at the 68th Annual Golden Globe Awards held at The Beverly Hilton hotel on January 16, 2011 in Beverly Hills, California. (Photo by Jason Merritt/Getty Images)

No Hans Zimmer.

HOLLYWOOD, CA – FEBRUARY 24: Composer Ludwig Goransson poses with the Best Original Score award for “Black Panther” in the press room during at Hollywood and Highland on February 24, 2019 in Hollywood, California. (Photo by Jeff Kravitz/FilmMagic)

Why is he not here? He’s busy. He’s been doing “Wonder Woman 1984,” “No Time to Die,” “Hillbilly Elegy,” and perhaps the biggest reason why he couldn’t fit “Tenet” into his schedule, “Dune.” Hans Zimmer said “no” to doing the score for “Tenet” because he wanted to fit “Dune” into his busy calendar. There’s no beef between him and Christopher Nolan, but he just wants to do “Dune” so bad to the point where he had to give up doing the score for “Tenet.” I was a bit disappointed considering how Zimmer and Nolan are one of the best duos in Hollywood history. The score for “Interstellar” is one I listen to quite often. However, the movie ended up getting Ludwig Göransson (The Mandalorian, Black Panther) who I will point out, may have made my favorite main theme for all the characters in Disney’s Marvel Cinematic Universe, specifically for Black Panther.

RIP Chadwick Boseman and Wakanda forever.

I must say… This score very much reminded me of a few movies. It felt like something out of the “James Bond” franchise, which does make sense as this is a spy movie. But it also reminded me of the “Blade Runner” franchise, especially “Blade Runner 2049,” and I say that because, and pardon my unprofessional-sounding diction here, the score sounded “boomy” at times. That’s the best way I can describe it. There’s this occasional drum pattern of some sort that comes and goes, I cannot get it out of my head at this point. In fact, when I got home, I did something regarding this movie that I have never done before. I went online, and tried to see where I could buy a physical copy of the CD. There are a few movies like “Knives Out” or “Star Wars: The Rise of Skywalker” where I would watch it, enjoy the soundtrack, and maybe a couple days or a week later find the soundtrack on YouTube and listen to it. This is one of those rare times where I wanted to pay money for a physical copy.

Going with a different than usual composer for Christopher Nolan’s “Tenet” sounded like a rather bold, not to mention somewhat peculiar move when it comes to my first impression, but this may have been the best thing that could have happened to “Tenet” overall. Honestly, looking back, I don’t mind this change. Let me just say, the last film that Nolan did before “Tenet,” specifically “Dunkirk,” was undoubtedly amazing. And if you ask me, a couple parts of the score were worthy of a thumbs up. However, if I had compare that to many of the other entries to Hans Zimmer’s resume, not just the projects he’s done with Nolan, but even projects like “Man of Steel,” “The Lion King,” “Kung Fu Panda,” and “Batman v. Superman: Dawn of Justice,” the “Dunkirk” score felt kind of underwhelming.

The thing I really enjoyed about Ludwig Göransson’s score is that it really emphasized the scale of the movie. The entire time I felt like I was on an action-packed theme park ride that specifically caters to adults. Aside from that, it’s fast-paced, and I would not mind listening to it every single day for the rest of my life. I know funerals are supposed to be sad and that sort of thing, and honestly, the last thing I want to do is know that I will make everyone cry at my funeral, no matter what I bring to society. So, if anyone wants some epic music for my funeral that way not many people cry but it’ll still tie into a “Jack Drees” theme, download the “Tenet” soundtrack on your preferred service! Then again, when I die, why should I care? I can’t plan a funeral when I’m dead! It’s for the living to remember the dead as they choose! I can’t interfere! It’s improper!

Would I like to see Ludwig Göransson collaborate with Christopher Nolan again in the future? Yes and no. Let’s say they do a “Tenet 2.” I’m not implying I want a sequel. I’m not implying the movie ends highlighting plans to do a sequel. I’m just saying IF they do a “Tenet 2,” that’s an obvious yes from me. I cannot imagine anybody else handling this IP from a musical perspective at this point.However, I would either like to see Hans Zimmer come back because he and Nolan go together like bread and butter, or they get some other composer to come in like Danny Elfman or Alan Silvestri. It would also have to depend on the type of movie they do. I may be getting ahead of myself here, but I think Ludwig Göransson smashed this score so hard, that if he does another one, I will probably end up looking forward to it so much that I will just end up feeling underwhelmed upon hearing it no matter what happens. In addition, I don’t know how Göransson could top this score in another Nolan project. To be fair, he’s a musical genius and one of the more unique film composers I’ve heard, so he could find a way, but I also have my doubts. It’s kind of like when I watch “America’s Got Talent” sometimes during the quarterfinals or semifinals and there’s one act that does something so amazing that even though I WANT to see more from that act and I want them to succeed, I don’t see them topping what they just did, so it would be hard to tell if they could do something nearly as cool if they advance. It’s a compliment, but also kind of a curse.

“Tenet,” to be quite honest, is not my favorite Christopher Nolan movie. Nor is it my least favorite. As of right now, when it comes to my rankings, it ends up somewhere in the middle for me. I enjoyed it more than all the films in the “Dark Knight” trilogy, but I’d say that I enjoyed films like “Dunkirk” and “Inception” more. But as a filmmaker, Nolan is like Pixar. Bad Pixar is still better than a lot of movies. Remember “Onward?” I gave that movie a 7/10. That’s a low grade for Pixar, but a lot of filmmakers would kill to have their movie receive that positive of a review. But I will say that when it comes to “Tenet,” this movie has something going for it. Rewatchability.

Now, I already bought tickets for a second “Tenet” screening BEFORE going to my first one. The main reason is because I bought a ticket for myself, but I wanted to see the film in IMAX, but I didn’t buy an IMAX ticket, plus I figured it would make for a good outing with my father. So my second outing is so he could see the movie as well.

Not gonna lie, I’m already thinking of buying tickets to a third screening. Maybe I’ll do Dolby Cinema this time. I gotta check all the boxes for different formats I can see this movie in. In all seriousness, not only is this film rewatchable for entertainment purposes, but like some other Nolan flicks, I feel like I missed some things the first time around that could be picked up on a second, third, maybe even fourth viewing. And I’m not saying that as someone who feels like they HAVE to watch “Tenet” again, I’m saying that as someone who wants to. I don’t think I’ve wanted to go back to the movies to rewatch something this much since… I don’t know… Maybe ever. This film has some problems. The sound mixing is the most obvious and I think going forward, I’m not sure how much control Nolan has over the sound mixing process, I think that could be something that he needs to either stay away from, or something he should leave to others. Either that or just make a silent film. Nice little throw back. It could be shot in 4:3 on 8mm film. AMC could bring in special projectors for select screenings. It’s event cinema! Come on, Nolan! I’m writing your ideas for you! Use them! Although between the likable performances, the dazzling camerawork, the unreal use of practical effects, one of the most heart-pumping opening scenes I’ve witnessed in recent memory, one of the craziest climaxes I’ve witnessed in recent memory, and THAT. FREAKING. SCORE. “Tenet” is a good time at the movies. I repeat, AT THE MOVIES.

I cannot thank Warner Bros. enough to sticking to a theatrical release for this film. This is a movie that is literally MADE for the big screen, perhaps more so than any other this year. I’ll be honest, if this went straight to HBO Max… I don’t know if I would have watched it. Maybe I would have since I paid for the service and I want to get my money’s worth, but I would have been missing a lot of what I’ve gotten from my recent experience. Thank you, Warner Brothers, and I’m hoping you stick to your guns for films including “Wonder Woman 1984” and “Dune.” Cannot wait for those movies!

In the end, “Tenet” is exactly as it was advertised, an “event” film. It has the best and worst of Christopher Nolan’s cliches. Massive scale, but sometimes it’s too massive when it comes to the sound mix. Even so, it does not take away from this film’s long list of positives. Is “Tenet” my favorite movie of the year? No. I still think “Summerland” is my #1, and for all I know, it could stay at my #1 spot for some time. But again, “Tenet” comes off as an incredibly rewatchable film. If this film warrants enough repeat viewings, and maybe some more aspects regarding it stand out with greater positivity, “Tenet” could become my favorite film of 2020, but for now I’m going to give “Tenet” an 8/10!

“Tenet” warrants a viewing on the biggest screen possible. And I know that not everyone feels comfortable being inside a movie theater right now. But, if there is a drive-in open near you and it happens to be playing “Tenet,” it could make for a fun night out with an easier chance to remain socially distant. Otherwise, the film will probably be out on Blu-ray sometime in the future, but I really don’t know when. Because if I’m not mistaken, “Tenet” is supposed to be in cinemas for a long time, and if Warner Bros. wants to keep that promise alive, I would imagine that they’d go on long past the traditional theatrical window to keep exhibitors happy. I don’t know what’ll happen, but I highly recommend “Tenet” if you feel safe enough to get out of the house. Go see this damn thing! It’s freaking sweet!

Thanks for reading this review! I just want to remind everyone that “Tenet” is playing in several different formats to choose from. Many of the screenings perhaps near you happen to be in digital projection, but if you want other options, read this handy guide! I’m not sure what my next post is going to be as I am getting ready for my next year of college and I have a rather important family birthday coming up that requires major prioritization. But we’ll see what happens! Maybe it’s “Bill & Ted Face the Music,” maybe it’s “The Personal History of David Copperfield,” maybe it’s “Tesla,” who knows? Maybe I’ll cave in and get Disney+ so I can review “Mulan.” I really don’t want to, I think this is incredibly greedy, but who knows? I know you have seen more great content from Scene Before, it just hasn’t happened yet! With that in mind, do yourself a favor and follow Scene Before either with an email or WordPress account! Also, check out my Facebook page! I want to know, did you see “Tenet?” What did you think about it? Or, who is your favorite film director of all time? Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 7

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Hey everyone, Jack Drees here! It is now time for part 7 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As much as I want to continue to create informative content, I’m getting to the point where this series has become an annoyance. But I continue to do it anyway because historians can look back on this and remember it as a dire time for the film industry, which it really is. And those reviews I’ve been saving for months cannot go to waste. So Scene Before is STILL your place for the apocalypse! But who knows how much longer this will last? If I have to do more than twelve or thirteen, I might shove an aluminum soda can down my throat. In other news, I still know how to put on pants, I have not been going outside, and if I’m not back in the cinema by the end of July, I am going to throw all my DVDs and Blu-rays out the window like I’m a stubborn child!

And since we are still on a downward spiral, let’s get to the news of the world!

Starting in New York, we have news regarding what could be the United States’ most famous public transportation system, the MTA (Metropolitan Transportation Authority). Andrew Cuomo, governor of New York state, made a major change to the system. The MTA is known for having a 24/7 schedule, so they never stop running. However, under Cuomo’s order, the system will be shutting down from 1 AM to 5 AM. This is likely a financially responsible decision, as nightlife in New York is nonexistent at this point. Plus, ridership is down 90% as far as the system goes. With less money, there’s more of a willingness to engage in the system’s preservation. This is also part of an effort to properly disinfect MTA property and machines, making a safer and cleaner ride for customers.

While some states are going to have to wait a bit longer to reopen, some like Georgia and Texas have begun easing on restrictions. Another state that has announced some easing on restrictions is the New England state of New Hampshire. The state plans to partially reopen starting May 11th. Certain pieces of economic industry including golf courses, campgrounds, and hair salons are permitted to reopen. Outdoor dining is also permitted to take place. Strict guidelines are still in place however as there is still a tendency to keep people 6 feet apart. New Hampshire currently has over twenty-five hundred confirmed COVID-19 cases so far. That is more than neighboring states Maine and Vermont, but is significantly less than its other neighboring state, Massachusetts, which has over seventy thousand cases.

Let’s go over to the United Kingdom and talk about Prime Minister Boris Johnson. Previously diagnosed with COVID-19, Johnson spent time in intensive care and was monitored health-wise. As he gets back into his routine, he stated that doctors were ready to announce his death in an event that he refers to as a “death of Stalin’-type scenario.” Johnson told UK newspaper The Sun that he required “liters and liters of oxygen.” During hospitalization, the Prime Minister kept asking himself: “How am I going to get out of this?” In other news, Johnson and his wife recently named their newborn son Wilfred Lawrie Nicholas Johnson. The “Nicholas” in this full name is chosen in honor of a doctor who helped aid Johnson.

Before we dive into our main topics, here’s a conglomerate of news that I ought to share because it can be packaged into a little box. While most theaters in the United States seem to have a plan on opening back up in the summer, because nothing’s out until then, some theaters are already opening their doors. For example, in Rhode Island, the Rustic Tri-View Drive-In, located in North Smithfield, is now part of the state’s reopen plan according to Governor Gina Raimondo. As for non-drive ins, Texas has three Santikos theaters reopening with a $5 ticket deal. For the record, this is a third of the company’s locations. Honestly, while it is good news for business that these theaters are reopening, I think it is also good news for health that they are taking it slow. The major chains like AMC and Cinemark still plan on a July reopening, which I think is fine, because it builds up anticipation and there’s nothing really new playing until then. Outside the U.S., Norway is reopening its theaters starting May 7th, capping the limit at 50 people per screening. The movie theater to me is a place beyond the imagination. It’s also a place where I occasionally get to see masterpieces. These masterpieces often get awards, such as Oscars. Speaking of the Oscars, let’s talk about them!

THE ACADEMY CHANGES RULES FOR THE 93RD ANNUAL OSCARS

One of my favorite days of the year is Oscar Sunday. When this crisis first started, I was a little worried that would not even be able to see an Academy Awards show next year, much less get more movies that could potentially be nominated. After all, when you are a studio or crew and cannot come out with your movie, it’s kind of a struggle. However, The Academy may have something planned next year. One indicator of this is them announcing changes to their rules and layout. Most notably, the Academy is putting its traditional rule of its nominees needing to have a theatrical release on hold. Specifically, the rule that a movie must play in Los Angeles county cinemas for at least a week with daily screenings taking place at least thrice. So if you play your movie in cities such as Los Angeles, Burbank, Santa Monica, Long Beach, Glendale, Pasadena, Culver City, or anywhere else in Los Angeles county that may have a movie theater under certain requirements, it could potentially be nominated for an Academy Award. Due to the COVID-19 crisis, the Academy is making an exception for this year. The following quote is taken from The Academy’s website, oscars.org.

“Until further notice, and for the 93rd Awards year only, films that had a previously planned theatrical release but are initially made available on a commercial streaming or VOD service may qualify in the Best Picture, general entry and specialty categories for the 93rd Academy Awards under these provisions:

  1. The film must be made available on the secure Academy Screening Room member-only streaming site within 60 days of the film’s streaming or VOD release;
  2. The film must meet all other eligibility requirements.”

So this means that films like “Trolls: World Tour,” “Scoob!,” and “The King of Staten Island,” which are either already On Demand or will be dropping towards On Demand soon, are considered eligible for the Academy Awards. Films that barely even got a theatrical release like “Bloodshot” or “The Hunt” also qualify. I’m willing to imagine to some extent that this *may* count a film such as “The Lovebirds,” which was going to theatrically release this year and make a debut at South by Southwest. Although the festival was canceled and Paramount is no longer putting the film out in cinemas. But unlike films such as “Trolls: World Tour,” which is available on platforms including Prime Video, Google Play, Vudu, FandangoNOW, AMC Theatres On-Demand, iTunes, and cable outlets such as Xfinity and Fios, “The Lovebirds” is going straight to Netflix. Given how Netflix has made a major presence at the Academy Awards in past years, films like “The Lovebirds” could be considered eligible, but is the Academy only considering certain platforms? Are exclusive platform deals going to tie in somehow? What about “Artemis Fowl” on Disney+? That movie was supposed to come out this month, but unfortunately that’s not happening.

Also keeping fine print in mind, these rules pertain to films that were once planning on theatrically releasing. So films like Netflix’s “Extraction,” which was intended for a streaming platform, or HBO’s “Bad Education,” which went straight to television, will not qualify. This policy is also not permanent, as the Academy intends to make this only apply for this year’s ceremony, and anticipates an end date in the future when there is a sense of normalcy, not to mention when theaters re-open. However, the Academy is also planning on expanding qualifying theaters to U.S. areas including New York City, the San Francisco Bay Area, Atlanta, Chicago, and Miami. As one who lives fairly close to Boston, I am disappointed, but we can’t have everything, even if sports prove otherwise. By the way, I hate football. I said it.

PHYSICAL MEDIA (and other electronic) SALES GO UP

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Now I imagine some people will flat out not care about this, but to me, physical media is the best way to watch a movie at home. Because when you buy a movie on Prime Video for example, you don’t own it. Yes, you possess the film digitally, but if the service goes down, crashes, or the company behind it closes its doors forever, you’ll probably never be able to watch it again. With physical media, it is all up to you. Now it is not a surprise that we have had more time on our hands to go on Netflix and watch “Extraction,” to flock over to Disney+ and watch “Star Wars,” to jump on over to FandangoNOW and give “Trolls: World Tour” a rent. But what KIND OF surprises me, and I say kind of, is how much of a presence physical media has in this pandemic. According to recent statistics, DVD and Blu-ray players went up 27% during the pandemic. Keep in mind, this is a market that Samsung recently abandoned.

Another thing to keep in mind is that DVD and Blu-ray players, which went up by 27% is not the only winner here, in fact, the increase is not as big as other categories such as TV mounts (41%), printers (61%), and streaming players (67%). So rather than just being a great boost for physical media, it is also a great boost for tech. TVs have been doing well, and so have computers. As for where the actual total of sales for DVD and Blu-ray DISCS stand, that’s another question. Although, based on this quote from NPD’s Tom Baker, that type of electronic may be doing just fine.

“Sales are up as consumers stay at home and look for multiple forms of entertainment. These include DVDs and Blu-ray discs to entertain children while their parents are working, backup access devices if Internet access is challenged by streaming, or simply the consumers’ realization that they may need a physical disc player as an alternative to streaming and either they didn’t already have one or the one they do have needs an upgrade.”

Honestly, in a time like this, I think some people are going to want physical media. Sure, it involves getting up and putting in a disc, but one of the reasons why I am such an advocate for it is the technical side of it. Outlets like YouTube and Netflix have lowered the default quality of content to standard definition. With Blu-ray, the default quality is 1080p, or if you have a smaller setup, it’ll work in 720p. Yes, standard definition is the quality of DVD, which is 480p, but again, I’ll bring up the fact that you have control over your content. Netflix, or more specifically, Warnermedia, is not going to snatch “Friends” away whenever the year ends like they did months ago. If you don’t want it, just sell it and get some money back! Plus, you get all the bonus features which can help you pass the time. I just got the “Star Wars: The Rise of Skywalker” 4K Blu-ray last month, I still need to watch the bonus content! So I still have something to do! Also, what if the Internet goes down? You don’t need any Internet to watch a DVD! If I had to come up with any downsides, maybe it involves a little more activity, but since we refuse to go outside, it could be worth taking a couple steps to the collection and popping a disc in. Or, since places like Walmart sells them, there’s always a chance, given how grocery stores are becoming petri dishes right now, that other people touched the DVDs or Blu-rays and spread their germs, which may not be the most pleasant happening for a time like this. But of course, worst case scenario, you can always order these things online. Although I can also imagine that some people are buying these devices because they have smart capabilities as well, allowing them to contain apps like Netflix, YouTube, and Prime Video.

NO MORE KEANU DAY, BUT HERE’S MORE DELAYS!

One of the actors who arguably was the “winner” of 2019 is Keanu Reeves. His year in acting brought him success through films like “John Wick: Chapter 3 – Parabellum” and “Toy Story 4.” He did films like “Replicas,” which honestly sucked, but he also became a heavy hitting piece of promotion for the upcoming game “Cyberpunk 2077,” by making a surprise appearance at E3 last year. And honestly, this might have spawned my favorite slice of all the content that went viral on the Internet last year.

In fact this year, the Keanussance is likely going to continue. After all, he is making an appearance in the third “SpongeBob SquarePants” movie in a minor role. The movie by the way for those who don’t know is titled “The SpongeBob Movie: Sponge on the Run.” Speaking of known properties, Reeves is also going to be reuniting with Alex Winter to star in “Bill & Ted Face the Music.” Although, if you are a fan of one of Keanu Reeves’ most popular franchises, specifically “John Wick,” prepare to be disappointed. “John Wick: Chapter 4,” once scheduled to come out May 21st, 2021, will now be releasing May 27th, 2022, a full year later. Taking the spot of “John Wick” is the “Saw” reboot titled “Spiral,” which was supposed to be out May 15th of this year. Speaking of Lionsgate films, “The Hitman’s Wife’s Bodyguard,” which is a sequel to 2017’s “The Hitman’s Bodyguard,” will be hitting theaters August 20th, 2021, as opposed to its prior date of August 28th, 2020. An upcoming horror drama, “Antebellum,” is set to release August 21st, 2020, as opposed to its original date which has already passed, April 24th, 2020.

However, sticking with “John Wick: Chapter 4,” this delay is a particularly interesting one. Not just because it involves a meme-worthy actor and a hit action franchise, but this film was originally supposed to come out the same day as another Keanu Reeves movie. And it’s not some indie film made by a studio like A24 or Neon. It’s not, THANKFULLY, a sequel to “Replicas,” a film Reeves starred in that turned out to be one of the worst films of 2019. It’s “The Matrix 4.” Now if you asked me five years ago about the possibility of a “Matrix 4,” I’d probably toss the idea behind my head. There didn’t seem to be much place else that the story could go. But hey, everything’s getting a reboot and a remake now, so why not “The Matrix?” I honestly don’t know what to expect from it, but the fact that this is a reboot and not a remake pleases me. Nevertheless, both films prior to the delay of “John Wick: Chapter 4” were scheduled to come out May 21st, 2021. The Internet has often called this “Keanu Day.” I will say that the delay of “John Wick: Chapter 4” is both a good thing and a bad thing. It’s good because it avoids having the crew rush on making the film, but it’s also unfortunate because as a Keanu Reeves follower, I figured it would be fun to go to the theater and do a Keanu Reeves double feature. However, if more good news needs to be said, I should also point out it’s perhaps likely that these films, which by the way, are from different companies, will be marketed to similar groups of people, and maybe both could lose their respective studios money as a result. Both films debuting on their own release dates could not only benefit Lionsgate, who is delaying “John Wick: Chapter 4,” but also Warner Bros., who is responsible for “Matrix 4.” Not everyone has the money and time to go see two seemingly similar movies. While “John Wick” fans may have to wait, this could give Lionsgate a greater chance of creating a “John Wick: Chapter 5,” because what if “John Wick: Chapter 4” doesn’t warrant a sequel after losing lots of money to “Matrix 4?” At least the studio has a “Hunger Games” prequel and “Knives Out 2” potentially coming soon so it’s not like they’ll spend years losing money from here on out.

AMC THEATRES AND REGAL ENTERTAINMENT GROUP BAN UNIVERSAL FILMS

Can I get some popcorn?! Because I’d say it’s time to enjoy the greatest battle in cinematic history, and it’s not even in a movie! Tonight’s fighters are… movie theaters and Universal Pictures! Now, “Trolls: World Tour” is a one of a kind movie, mainly because Universal decided that it should be released directly onto VOD. Universal bragged about the film’s progress so far to the point where they thought it would be a good idea to release more of their films On Demand while also putting them into theaters.

Now, I’m going to have to be very careful here, because several different outlets have reported similar sounding items that might contextualize something different.

The story here begins by bringing the mega-chain AMC Theatres into the mix. AMC Theatres saw Universal’s plan to simultaneously release movies theatrically and at home and responded by saying that they will not play any of Universal’s movies if that’s the case. While a source like The Hollywood Reporter did a story on this and cited from AMC CEO Adam Aron that the company will no longer play any of Universal’s films in its theaters worldwide, one quote from Deadline’s article suggests, also from Adam Aron, that they will not do so “on these terms.” By that, it likely means that AMC will not release Universal’s films if they just follow a simultaneous home video rollout. Keep in mind, it is traditional for films to follow a strict theatrical window. While there have been cases of films like “Black Panther” that you can still see in some theaters while it becomes available at home, tradition has suggested that a movie released for theaters must be out for about ninty days before it comes home. Universal doing a release like this not only ignores the theatrical window, but it also makes the theater potentially lose money because people could just stay home and put the movie on their TV. In fact, movie theaters were against Universal since this pandemic started. While they did manage to have a rather solid idea of making “Trolls: World Tour” a straight to On Demand movie, other studios seemingly have concretely laid out their plans and avoided giving such a last minute notice like Universal appeared to. NATO (National Association of Theater Owners) head John Fithian was against this from day one.

“Only Universal, and only on ‘Trolls,’ did one studio skip the theatrical model and go straight to the home. Universal continues to advertise to consumers that ‘Trolls’ will be released simultaneously to theaters and the home on April 10. And they are lying to consumers. Universal knows that theaters will still be closed on April 10, so unlike every other distributor who must simply delay their releases in that time period, but still understand that theatrical release is essential to their business model, Universal on ‘Trolls’ didn’t make that decision. Exhibitors will not forget this.”

Fithian also shares his thoughts on the current matter of AMC abandoning Universal films with this quote…

“Universal does not have reason to use unusual circumstances in an unprecedented environment as a springboard to bypass true theatrical releases. Theaters provide a beloved immersive, shared experience that cannot be replicated — an experience that many of the VOD viewers of this film would have participated in had the world not been sequestered at home, desperate for something new to watch with their families. We are confident that when theaters reopen, studios will continue to benefit from the global theatrical box office, followed by traditional home release.”

Let me just say that if Universal is planning on releasing “F9” through VOD the same day as in theaters, that might be one of the worst decisions they’ve ever made. People go to those movies because they provide adrenaline rushes, the effect is not as great if watched on a TV, tablet, phone, or computer. This is why before this whole pandemic, I bought opening Thursday tickets. Luckily, I did get my money back. So if all Universal films are never coming to AMC again, it’s going to make it harder for me to review them as AMC locations are easy for me to access. The theater is a huge money-maker for Universal, to have hundreds of screens lost is not a great investment in the long run. People are inevitably going to get back into routines, and part of that routine is the movie theater. It might take awhile for some people, but if you’re someone like me who sees a difference in the experience from watching at home and in the theater, I’m going to choose the theater by a long mile. This is why I want to see “Tenet” in July. Heck, before this all happened, I probably had little to no intention of going to see the remake for “Mulan,” but I’ll show up because I want to support movie theaters.

But just you wait! There’s more! Universal, if you do nothing, cinema chains will double the offer! That’s two cinema chains not playing your movies, for a chance to lose more money! Cineworld, which currently owns the U.S. staple, Regal Entertainment Group, also said that they “will not be showing movies that fail to respect the windows.” So, should Universal continue to release movies On Demand early, Regal, along with AMC, will not be playing those films in their venues. Alternate chains like Showcase Cinemas, Alamo Drafthouse, and Arclight for example have not really said much about this matter. But remember, the theatrical window is a sacred bond of trust. If you’re putting a movie in theaters, chances are you have to follow it or face consequences.

Also, I wonder how much longer this will go on for, because guess what? If you go to Universal Studios Hollywood, you’ll notice on the CityWalk that there is a movie theater that currently goes by the name Universal Cinema. The theater has reserved seating, recliners, a Director’s Lounge, and an IMAX with Laser. By the way, that IMAX is also equipped with a 70mm projector, which if the theaters open back up in time for “Tenet,” will probably be used. Guess who owns that theater? AMC of all possible names! Who knows what is going to happen there?! As for Universal Orlando Resort, they’re safer in this circumstance as they currently have a Cinemark. They had an AMC at one point, but that has now closed. Gotta love drama.

NEW HOME VIDEO RELEASES

First off, it is Tuesday, May the 5th! Meaning it is the day after “Star Wars Day,” AKA May the 4th! For those who have not heard it already, May the 4th be with you and as for today, enjoy your Revenge of the Fifth! With that being said, there’s some new “Star Wars” content on Disney+, including a documentary on “The Mandalorian,” the series finale of “The Clone Wars,” and since we talk about movies on here, one of the new additions is “Star Wars: The Rise of Skywalker,” the conclusion to “The Skywalker Saga.” As of now, the full “Skywalker Saga” is available on the service. The only theatrically released “Star Wars” movie not available on Disney+ at the moment is “Solo: A Star Wars Story.” However, the movie is currently on Netflix. If you are wondering when “Solo” will be coming to Disney+, it will be available starting July 9th, 2020. As for what’s coming On Demand, one example is “The Lodge,” which is about a soon-to-be-stepmom who is staying with her finace’s children at a holiday village, where strange events begin to occur. The film is available today, May 5th, on DVD, Blu-ray, and Digital. Another film getting such a release on May 5th is “Arkansas” starring Liam Hemsworth and Vince Vaughn. It is the directorial debut of Clark Duke and was supposed to be shown at this year’s South by Southwest Festival. The film is a thriller about two men who live under the orders of a kingpin whom they’ve never met. Unfortunately, a deal goes wrong, meaning they could end up facing harsh consequences. “Arkansas” was supposed to theatrically release on May 1st, the same day that “Black Widow” would have hit theaters had it not been delayed. However, it is now available physically and digitally starting today, May 5th. One more film to avoid skipping over is “I Still Believe,” which is now out on DVD and Blu-ray as of today. The film is based on the true story and journey of Christian music star Jeremy Camp.

Thanks for reading the seventh part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Happy Revenge of the Fifth, hope all the “Star Wars” fanatics in the world are happily going about their lives and not getting into fights in comments sections, because that’s impossible, right? Also, Happy Cinco de Mayo, on a Taco Tuesday coincidentally! Two days that go together quite well! Also, if you want remind yourself of a simpler time when movie theaters were open, be sure to check out my latest YouTube video where I document my experience of going to see “Star Wars: The Rise of Skywalker” on opening night. Disney has already put copyright claims on it, but I really don’t care as I enjoyed making the video. Also, if you like the video, leave a like, if you want to subscribe, go ahead! Speaking of leaving likes, be sure to check out my Facebook page and immerse yourself to posts much shorter than these while also getting the latest updates from Scene Before! Since we’re still on the topic of likes, be sure to like this post if you’re enjoying the content, and as we’re continuing promotion, why not give this blog a follow either with a WordPress account or your email? I want to know, what is the biggest piece of movie news for you in regards to the COVID-19 crisis this past week or so? Did I miss anything? Also, how did you celebrate “Star Wars” day? Me personally, I started on May 3rd! TBS had a marathon and I watched for hours! Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 5

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Hey everyone, Jack Drees here! It is now time for part 5 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

Per usual, real world matters first! Because life sucks! The United Kingdom is currently in a bit of trouble as evidenced from actions taken this past Thursday. Britain has confirmed they have extended their countrywide lockdown for a total of three more weeks. This was announced by foreign secretary Dominic Raab, who is taking on responsibilities in place of Prime Minister Boris Johnson, who was previously announced to have a positive case of COVID-19. With this extension, the country’s lockdown is likely going to last until the second week of May unless things change.

For the record, a good number of people in my country, specifically the United States, often point out that the economy is likely to collapse should we keep these restrictions going for any longer. One take that I found interesting mainly because I don’t hear it all that much, is the one given by the recently mentioned Dominic Raab. He suggests the opposite and thinks if we loosen these restrictions, the economy is going to go to hell. After all, since there’s always a chance of a second outbreak, there’s always a chance of a second economic downfall.

Although here in America, people clearly want the economy opened back up, including medical expert Anthony Fauci. The well-known director of the National Institute of Allergy and Infectious Diseases was on the Snapchat show “Good Luck America,” which discusses the role young people have in spreading the virus. He explained on the show that he’s likely missing baseball season as he suggests, “I’m living in Washington, we have the world champion Washington Nationals. I want to see them play again.” He also thinks that sporting events like baseball and football could happen should there be a lack of an audience in stadiums.

President Donald J. Trump, who Fauci has been seen alongside for much of this crisis through cameras, wants the economy opened back up by May 1st, as I mentioned in part 4. As of suggesting that notion, certain states have declared the idea of opening back up on said day like Trump is opting for. One notable state is Ohio, which much like much of America, is planning to follow phases as to what exactly will open at supposed times. Restaurants may be more essential than bars, and bars may be more essential than football stadiums.

Speaking of U.S. states, one of the most talked about states in general regarding this crisis, has been New York. Governor Andrew Cuomo, whose brother is a CNN reporter who has been tested positive for COVID-19, has been a significant voice in not only trying to pull his state into the right direction, but for the rest of the country as everybody deals with this. Although another voice that New Yorkers heard last week was former presidential candidate and current New York City Mayor Bill De Blasio, who had some unfortunate news for the state. De Blasio suggested that all major gatherings for the month of May have been canceled except for certain events like farmers’ markets. So if you are expecting to attend a “Last Week Tonight” taping this May, sorry to say, you’re gonna have to continue staring at John Oliver in front of a white void.

Screenshot (59)

Well, at least he got the rat painting he’s been searching a month to find.

Fun fact, when this whole crisis initiated, I was in Florida, which may be one of the worst hit states when it comes to this mess. For the record, Florida does not have the most cases for the virus, in fact none of them hold a candle to New York. In fact, my state, Massachusetts, has more cases to my surprise! But when it comes to properly closing everything in the state, those ends have not been met. In fact, Governor Rick DeSantis just opened a crucial element to what makes Florida Florida, the beaches. I should note that not all beaches have been opened, and they are NOT open for the purposes of bringing blankets, chairs, and coolers. They are specifically open for exercise-related purposes, plus taking care of pets. Individuals are still supposed to keep their distance from others and avoid gatherings of 50 people. Many of south Florida’s beaches, such as those in Miami, continue to remain closed, but if you live in Duval County (Jacksonville), there’s a good chance that you can find an open beach near you.

The beaches managed to receive a major turnout. However, not everyone is happy, as partially evidenced by the reaction that surfaced on social media. One of the top trending topics of the past weekend is #FloridaMorons. Here’s some of the tweets that surfaced.

Just because we talk about movies here…

Also, one man wanted to drop a public service announcement…

Thank you, sir! Very informative!

Now that we are done with our continuously depressing and ridiculous reality, let’s move onto movie topics. This first part is not a main topic since it may not have as much relevance as others, but I do feel it needs to be talked about. One of the topics I discussed last week is “Parasite’s” Hulu debut. Now Hulu has been a pretty popular streaming service that has been relevant for a few years. In fact, now that Disney oversees them, they are included in a bundle package with their other streaming services including Disney+ and ESPN+. But for a streaming service overseen by a company that does not make many independent features, “Parasite” has earned an ASTOUNDING success on the service so far. The movie dropped on Hulu Wednesday April 8th, where from then on, it was not long before the film immediately became the most streamed foreign or independent feature on the service in just a week. According to IndieWire, the film is also the second most watched film on the platform of all time. This beats the likes of mega-titles such as “Transformers: The Last Knight,” “A Quiet Place,” and “How to Train Your Dragon: The Hidden World.” Given the film’s Korean background, how Hulu does not even serve Korea, plus the necessity for non-Korean viewers to read subtitles, it should come as a surprise that “Parasite” is as popular as it is on Hulu. Although keep in mind, the film has already been a critical success in the states, not only having major buzz from reviews, but tons of award wins as well, including the Academy’s Best Picture, which no international feature has received prior to “Parasite.” The film has made over $50 million at the U.S. box office, indicating success. So either everybody wanted a chance to watch the film again, or there’s a possibility that a majority of Hulu users missed out on the theater experience but now have an opportunity to watch at home.

Speaking of theater experiences and watching something at home, Lionsgate is trying to recreate the communal theater atmosphere while keeping movie watchers on their couch. One of the best parts of going to the movies sometimes is the reactions people can blurt out during a presentation. If you have seen the last two “Avengers” movies, you’d understand. Lionsgate is attempting to get people together to react to their favorite movies without hearing anybody else and with the intention of keeping viewers behind closed doors.

FRIDAY NIGHT LIONSGATE MOVIES ON YOUTUBE

Throughout the series, I have often touched upon the goings on behind some of the bigger studios. Disney and Universal have shuttered theme parks, delayed films, and have decided to put some of their films like “Artemis Fowl” and “Trolls: World Tour” straight to a digital streaming service. Paramount delayed a ton of films, but some of their classics will be airing on CBS soon. Warner Bros. has stated in the past about its optimism to release “Tenet” in theaters on time, all the while delaying big films like “Wonder Woman 1984.” But one of the major studios I have not talked about all that much yet in this series is Lionsgate. While they don’t have the franchise power that a company like Disney has, they do possess the rights to iconic properties including “The Hunger Games” and “John Wick,” which are relevant to this topic.

Recently, specifically Friday April 17th, Lionsgate teamed up with Fandango, YouTube, and NATO (National Association of Theatre Owners) to get people to watch “The Hunger Games” on YouTube for free. This is part of an event called “Lionsgate Live! A Night at the Movies.” These are movie night events hosted by Jamie Lee Curtis (Halloween, Scream Queens), will feature celebrity guests, special programming, and opportunities for fans to interact via YouTube live. While the odds of watching “The Hunger Games” on one of these Fridays will no longer be ever in your favor, there are still a few movies listed for this special occasion. These include…

  • DIRTY DANCING (APRIL 24)
  • LA LA LAND (MAY 1)
  • JOHN WICK (MAY 8)

Just a reminder, if you want to watch “John Wick” during this occasion on YouTube, there is an age restriction. For the record, “John Wick” is rated R whereas the other films listed are rated PG-13. So if you want to watch your fan favorites with OTHER PEOPLE, I never thought I’d say that ever again! go to the Movieclips YouTube channel, check to see if one of the movies is playing or will be playing, and enjoy! This event will benefit the Will Rogers Motion Picture Pioneers Foundation, a foundation dedicated to helping workers within the motion picture industry. This even includes the many theater employees affected by the COVID-19 crisis. Even companies behind food are getting in on this, which does make sense as cinemas and food go together like bread and butt–, sorry. Popcorn and butter. I don’t always agree with that statement, my apologies to all popcorn eaters who butter on their popcorn at the movies, but still, it makes sense here. So feel free to amuse yourselves over my forced statement all damn day.

Popcornopolis, which judging by the name, you can probably tell makes popcorn, will be donating 10% of its sales to the cause. Meanwhile, SnackNation, typically known for being a healthy snack delivery service for offices and homes, will be giving away a specially priced box of goodies for these movie nights. The box will include fruity candy, chips, puffs, popcorn, and more. The box is priced at $9.95 and shipping is free. So if you are tired of going to Target to get some Sour Patch Kids while also buying tons of toilet paper, give this snack box a shot, and if you don’t use it for one of these movie nights, it could always work for something else you pop on at home. “Tiger King” is pretty hip right now, why not give that a shot? If you wanted to get some grub from SnackNation for “Dirty Dancing,” there is a solid chance that you might not get it on time. But if you wanted something for “La La Land” or “John Wick,” by all means place your order!

Also in on this are major movie theater chains including AMC Theatres (Please make it through this!), Regal Entertainment Group, and Cinemark Theatres.

SAN DIEGO COMIC-CON CANCELLED FOR FIRST TIME EVER

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Alright, my fellow nerds. Buckle up. This is possibly the most dissatisfying news any comic convention fanatic will ever hear. San Diego Comic-Con, known for pioneering the comic con name and blueprint has officially been cancelled for the first time ever. The event started out small and has grown ever since. It has achieved fame for its success at bringing together communities of nerds of all kinds from comic book collectors, sci-fi fanatics, movie buffs, fantasy lovers, and TV junkies. It’s even gotten so big that “Conan” on TBS has done shows in San Diego as the con goes on! It’s an event so lively that even if you don’t get to go, you are guaranteed to hear something from it that is extravagant in the nerd world, mainly because there is heavy self-promotion going on in the sacred “Hall H,” where celebrities talk to fans, crews behind projects promote trailers, and the effort to get in is just as hard as it is to get through waiting at the DMV. Sadly, this year, there won’t be any of that. Last year, SDCC brought some great news to the nerd sphere, especially within Marvel, because that is where they laid the groundwork for phase 4, advertising plans for each theatrical movie set to release, and even the shows they’re planning to drop onto Disney+. Unfortunately, this news is already outdated as we won’t be seeing one of those projects, specifically “Black Widow,” this May and instead wait until November, which is when “Eternals” was originally supposed to release.

Who knows what could have happened this year? Would we finally get another trailer to “Godzilla vs. Kong?” Would we get a look at footage for James Gunn’s “The Suicide Squad?” Maybe we’d get word that Warner Bros. will release the Snyder Cut the same day that Universal plans on releasing the Butthole Cut for “Cats.” Who knows?

Not to get selfish here, but I go to a couple cons every year, and I don’t know if I’ll even get to go to one based on this information. San Diego Comic-Con is such a powerful name in this industry. So powerful in fact that they even felt it was necessary to call out another con for using their name, even when this has been a thing that has been done for years to the point where it has become commonplace. It’s a comic convention where people get together to be happy, not an international format of “Who Wants To Be a Millionaire!” But with the first sentence of this paragraph in mind, with a name San-Diego cancelling, I have a feeling that others may eventually follow in the con’s footsteps because of name power. For all I know, that could be different because every area of this Earth is dealing with COVID-19 in its own way, but I figured that the U.S., or at least most of it, would be done with this virus in a couple months that way we can gain a sense of normalcy. But who knows at this point?

By the way, I could go for a massive bucket of overpriced movie theater popcorn right now.

MOVIES THEATERS ON REOPENING

AMC Shore 8 - Huntington, New York 11743 - AMC Theatres

Remember how in part 3 I was talking about the possibility of AMC falling into its grave? Well, turns out they have a plan! To specify, a $500 million plan. Has a nice ring to it. Keep in mind, AMC has MASSIVE debts, so while $500 million does not cover everything, it’s likely to help during this time. Wall Street has officially parsed AMC, giving them the thumbs up. This will give AMC some time to prevent themselves from heading into dreaded Chapter 11 bankruptcy territory. Stock-wise, AMC is now at $3.20, up 31% reaching their highest level in a couple of weeks. Similarly, Cinemark, a nationwide chain whose subsidiaries include Rave Cinemas and Century Theatres, is also up. While not as high as the 31% for AMC, it bounced up 16% to achieve $13.48 per share.

Speaking of AMC and Cinemark, movie theater operators such as these have planned for a hopeful summer reboot. After all, the kids are out of school, you can only go to the beach so many times before getting sunburned all over, so the cinema is a great outing. Cinemark themselves stated that they are planning for an opening on July 1st, suggesting that they plan on spending June rehiring employees and will screen some classic films during the summer. How classic? I don’t know. Could be black and white, color, old, new, across the board. But I would kill to see “Endgame” in a theater again. I would love to take someone who hasn’t seen the movie just to see how’d they react to it in a theatrical environment, because that movie, plus the Jackoff-winning Best Picture “Infinity War” were literally built for audiences to come together. And while it is disappointing for a film like “Black Widow” to not come out until November instead of May, I would much prefer that, when I can likely see it with a crowd, then curling up in my room watching it as it goes straight to streaming. In fact, I still have no plans to get Disney+. HBO Max might be on my radar though (I’ll get back to that).

While I did talk about reality before, I should bring it up again. The Governor of Georgia, otherwise known as Brian Kemp, has recently announced that he gave the green light to businesses to reopen their doors beginning April 27th. Regardless of whether or not this is stupid, which I personally think it is, movie theater chains will likely need longer than a week to rehire and retrain people before opening doors again, as insiders suggest. As for local theaters, I don’t know what the case will be, but chains are likely to follow a structured process. Maybe they will open all their theaters at once, maybe vary state by state, do a few at a time, but who knows?

THESE DELAY STORIES ARE GETTING TIRESOME!

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So… “Black Widow” has been delayed. “Eternals” has been delayed. “The New Mutants” has been delayed. “Top Gun: Maverick” has been delayed. “Infinite” has been delayed. “A Quiet Place Part II” has been delayed. Now the Caped Crusader has something he’d like to say to all of those movies.

That’s right guys! Unfortunately, Matt Reeves’ upcoming “The Batman,” starring Robert Pattinson (Twilight, The Lighthouse), has been pushed back from it’s original release date, June 25th, 2021, and will now hit theaters October 1st, 2021. If you had to ask me, here’s my response.

If you ask me, “The Batman” is a film that I am definitely looking forward to, and I am disappointed by the announcement. Despite the flack Pattinson sometimes gets for his past roles, most notably “Twilight,” he has generated an excellent acting method over the past number of years. Plus, it’s f*cking Batman, how could I not get excited over a movie with Batman in it?

Well, okay, maybe not all of them are that exciting. By the way, f*ck the convenient Bat Credit Card.

Although I will state, as disappointed as I am, it could still be worse. After all, movies like “Top Gun: Maverick,” which I’ve previously talked about had trailers and a marketing campaign all set up. “Batman” hasn’t even finished filming yet. In fact, production shut down earlier this year due to the virus. While I am underwhelmed and dissatisfied with the news, I cannot say I’m scarred for life. Although not having a “Batman” movie during summer blockbuster season does feel a little weird. Maybe this is a case, much like “Joker” where the delay to October can be favorable for “The Batman” as there COULD be an effort to get some awards buzz for the movie. There could be a possibility that “The Batman” is also intentionally made for mature audiences, perhaps the MPAA will give it an R rating, making the Dark Knight the DARKEST Knight. Even so, this is NOT the delay we deserve. NOR is it the one eager movie and comic book fans need right now.

“The Batman” is being put out by Warnermedia, which should not be surprising as DC Comics and Warner Bros. go together like peanut butter and jelly. Speaking of Warnermedia delays, a movie set in the universe of HBO’s hit series “The Sopranos,” originally set to release September 25th, 2020, is now coming out March 12th, 2021. The film is a prequel to the recently mentioned title and is currently going by the name of “The Many Saints of Newark.”

Also in DC Comics movie news, a couple more titles have been moved around. “Shazam 2,” which was supposed to release April 1st, 2022, is being pushed back seven months to a new November 4th release. I have no problem with this, because that just means I have probably already figured out what I might want to do on my 23rd birthday about 2.5 years before it even arrives.

Alright, kids. Buckle up. This movie deserves its own paragraph, because while I am busy bitching about all of these movies that have been pushed back like a skinny dude in a wrestling match, there’s one movie that has believe it or not, been pushed FORWARD. I’m talking about another DC movie, “The Flash!” The film was supposed to release July 1st, 2022 but has recently been pushed forward to its new June 2nd release date, also in 2022. I have NO IDEA if this movie will be out by this time, and to be honest, it’s almost wishful thinking. This film was supposed to come out in 2018 as the DCEU’s sixth installment. Phil Lord and Christopher Miller, famous for movies including “21 Jump Street” and TV shows including “The Last Man on Earth” were supposed to get the ground running. They sent a treatment, but they couldn’t direct the film because they were busy. Seth-Grahame Smith was hired to direct, but he dropped out in 2016 due to creative differences. Then, Rick Famuyiwa said he was directing as of June 2016, and production was going to start in January 2017. But by the looks of things, that did not seem to last, as Screen Junkies reported that Robert Zemeckis was on a shortlist of directors to take on “The Flash.” Also on the shortlist, Sam Raimi and Matthew Vaughn, two famous directors within the comic movie realm. This comes three months after a Variety report that Joby Harold (Edge of Tomorrow, Underground) was going to rewrite the script. FLASH (see what I did there?) forward to June 2017, look who’s back! Lord and Miller, that’s who! While things did not seem to go far, the Wrap reported that the dynamic duo were in talks to direct the film again. Then in February 2018, another duo popped up, this time it was John Francis Daley and Jonathan Goldstein. These two managed to create one of the best comedies of the past five years, “Game Night,” and they also acquired comic book movie experience through writing the Disney/Sony collaboration, “Spider-Man: Homecoming.” Then came July 2019, where the duo announced their departure from the project! As of now, the project is expected to be helmed by Andy Muschietti (It, Mama) and Christina Hodson (Birds of Prey, Bumblebee). Also joining the project as a producer is Barbara Muschietti, Andy’s sister. As for Ezra Miller, who plays The Flash in the DCEU, who knows what’ll happen to him after the recent controversial video of him released where he chokes a woman? This project is going GREAT so far!

Holy crap, that was a mouthful. You think “The New Mutants” is having trouble? At least that movie got f*cking shot! “The Flash” has not even reached “production” level! It’s insanity! I remain hopeful that this film comes out in June 2022, but this is one of those cases of where I’ll believe this movie when I see it.

Warnermedia has also delayed two movies to November 2021. One of which was the movie Tom Hanks was shooting in Australia when tested positive for COVID-19, an untitled Elvis film. The film was originally supposed to come out October of next year. However, one film got the “F9” treatment where it won’t even see the light of day this year. It was once set to come out this November, but that will not be happening.

Moving away from Warnermedia, let’s talk about Sony. Recently I discussed that the studio pretty much abandoned the summer of 2020, pushing back films including “Ghostbusters: Afterlife” and “Morbius.” But it just so appears that they have delayed one of their Fall projects as well, specifically “Venom 2,” which is now titled “Venom: Let There Be Carnage.” Based on the title, the film is likely to have the comic book villain Carnage as the main antagonist, information that has been teased since the first movie. I’ll be blunt here, I am not looking forward to “Venom 2.” This is a delay that I am not personally offended by. I will say, I do feel bad for the people behind the film, because the first one came out in an October as well and grossed over $800 million. Then again, that piece of crap people like to call “Venom” grossed over $800 million even though it is most likely the worst movie that I have seen which is related to “Spider-Man.” This sequel has one thing giving me mixed thoughts, and that is the director. I feel like the vision for the first “Venom” is entirely corporate and lacks soul. I still wonder why people even clapped at the end of the movie. Even though Ruben Fleischer did some decent stuff in the past, like “Zombieland,” this was an idea that felt rushed and underwhelming. And honestly, they should have gone for the R rating. But this time, it is being directed by Andy Serkis, who definitely has a knack for visual effects, both in terms of acting and behind the scenes. However, I’ve heard “Mowgli: Legend of the Jungle” was not the best work in the world. It has a 53% on Rotten Tomatoes, indicating that a majority of critics liked it, but it’s also not the finest number of all time. I like Andy Serkis, but I have vivid memories of the first “Venom” and they’re not pretty. I still have a bad taste in my mouth. The “Venom” sequel hits theaters June 25, 2021, which was “The Batman’s” former release date, as opposed to when “Venom: Let There Be Carnage” was supposed to hit theaters, October 2nd, 2020.

HBO MAX LAUNCH DATE ANNOUNCED

Now I love physical media, and I will likely continue to buy it even in a time where I cannot leave my house. It is by far the best way to watch a movie. Although if I were to invest in a streaming service anytime soon, one of my options is likely going to be HBO Max, which, yes, it will have HBO content. This service will be launching May 27th, as announced in a trailer down below.

Doesn’t HBO have a couple fancy streaming services already? Sure, but this is one may be worth your time. Aside from including bunches of HBO content including “Game of Thrones,” “Westworld,” and “The Sopranos,” they will also be shipping in content from alternate channels such as TBS, TNT, Cartoon Network, and truTV, all of which are owned by Warnermedia. So this means in addition to all of the HBO programming available at launch, viewers will have access to content including “Conan,” “Impractical Jokers,” “Rick and Morty,” and “Miracle Workers.” Also available for TV are all the seasons of “Friends” and “The Big Bang Theory,” two of the longest running situation comedies of all-time. Another really long series that you can invest some time in is “South Park,” the long-running animated series that caters to an adult demographic. That series in particular will join the service this June. They’re even using content from a streaming service that I don’t know how many of you knew existed, DC Universe. From this, it can be confirmed that one of the starters for this service is “Doom Patrol,” based on a previously established superhero team. One show I am still wondering about is DC’s “Harley Quinn,” which recently dropped season 2 on DC Universe, but who knows what’ll happen in regards to coming to HBO Max? But don’t worry, there’s movies too! Some of the upcoming titles are “2001: A Space Odyssey,” “A Star is Born,” “The Dark Knight,” “Joker,” “The Matrix,” “Pokemon: Detective Pikachu,” the DCEU movies, and the Studio Ghibli library. The service is likely to serve around 10,000 hours of content at launch, which is more than Disney+ and Comcast’s Peacock, which is now available for Xfinity customers, but will be available for everybody else starting July 15th.

The downside however, is the price. At $14.99/month, which is more than what one would pay for Hulu, which has significantly more content, it is not the cheapest service out there. However, HBO has been known for their premium programming, therefore it is no surprise that a premium price would be placed for HBO Max. But if you are a Charter customer, it is free as long as you are currently paying for HBO. Certain AT&T customers, specifically those paying premium prices for AT&T’s services, will also be given HBO Max for free. Nevertheless, even though I don’t stream much, I think I would get some use out of HBO Max if I were to buy a subscription. Warner Bros. is my favorite movie studio, HBO is a notable channel with a lot of content known for quality, and TBS, plus truTV, have done some originals I like, plus some that I have missed out on that I want to check out like “Wrecked.” I just hope that said originals make it to the service in the first place.

Speaking of originals, there is some original content coming to HBO Max. Season 3 of “Search Party,” which originally aired on TBS, will debut on the service. Anna Kendrick will be starring in a new comedy, “Love Life,” which comes from Lionsgate Television. But if you have kids, there will also be content related to “Sesame Street” and “Looney Tunes.” HBO Max was going to have a “Friends” reunion at launch, but it has been delayed due to COVID-19 complications. Sorry, they will not be there for you.

Going back to my original point, HBO Max launches May 27th on smart devices, so if you cut the cord but miss many of the cable-based shows, or you just want some acclaimed TV and movies to watch, HBO Max may get your seal of approval.

HOME VIDEO RELEASES

Going back to my comment on physical media, it is fun to collect, but not everyone does it anymore. In fact, it’s getting hard to do in these times now that places like the mall have basically shut their doors down. Walmart’s still open, so there’s that. And if you do want to know what new releases are on DVD and Blu-ray, some notable titles include “Bad Boys For Life,” “Ip Man 4: The Finale,” “The Gentlemen,” and “Like a Boss,” which already released on digital, but needed some time to come out on physical formats. Out of these films, the only one I’ve seen is “The Gentlemen,” which honestly underwhelmed me. Hopefully that won’t be the same case should some of you give it a shot.

As for digital media, there is not much new content to pick from. However, “Wendy,” a movie that takes place on an island and follows a young girl in world that is increasingly facing destruction, has just dropped on services as of April 17th. So if you are expecting me to talk about any blockbuster titles dropping, think again.

Thanks for reading the fifth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” This was a long one to make, so I’ll try to wrap things up quick. If you’re wondering where my reviews are, I want to make them, but the apocalypse is currently my priority. Plus, “My Spy” hasn’t dropped on Prime yet, so there’s that. But should things still be hectic next week, which they most likely will, there’s a good chance you’ll see a part 6 to this series. Because life sucks! I have not left my house for *anything,* even a walk, for almost a month now. How did the country, no, the WORLD even get here?! Be sure to follow Scene Before either with an email or WordPress account so you can tuned for more great content! Speaking of great content, why not check out my Facebook page? Give it a like and keep up with the latest info through Mark Zuckerberg’s wonderland! I want to know, did I miss anything for this past week? What are some your big points as of late regarding film and COVID-19? It could even be something I already mentioned! Or, what are you looking forward to seeing on HBO Max? Is there something you want to see that has not been fully announced? If they drop TBS’s “King of the Nerds” on the service, I’m sucking all my money into it. Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 4

Hey everyone, Jack Drees here! It is now time for part 4 of the all new Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As usual, we deal with real world matters first. Since Easter was this past weekend, gatherings at churches and homes within one’s collective connections of a family that was commonplace in years past managed to take a backseat this year.

California has recently extended its stay at home order from April 19th to May 15th. Speaking of California, the state recently joined forces with other nearby states including Oregon and Washington in what they call the Western States Pact. The three announced a plan to put health first and deliver a more scientific-based focus compared to a political focus to stopping the coronavirus. The states are still building specific plans for their area, but they are nevertheless working together to stop the spread.

Speaking of which, the northeast portion of the United States is engaging in something similar. Massachusetts, Rhode Island, Connecticut, New York, New Jersey, Delaware, and Pennsylvania are joining forces in their own coalition. So, remember all those requests for Andrew Cuomo to run for President of the United States? That won’t be happening anytime soon, but when it comes to coronavirus matters, he is currently dealing with more than just New York. Speaking of Presidents of the United States…

President Donald J. Trump stated this Monday that he is the one that should have control on opening the country back up. He suggests, “When somebody is president of the United States, the authority is total.” Trump also stated he wants to open the United States back up by May 1st, which close medical expert Anthony Fauci declares is “a bit overly optimistic.”

Just today, Andrew Cuomo referred to Trump this morning on NBC’s “Today,” suggesting “We do not have a king, we have a president.” Cuomo is doing what he can to make sure that the state of New York opens back up at what he considers to be the right time for everyone’s health. While Trump is suggesting May 1st, Cuomo fears that this all-powerful decision made by Trump will lead to “a constitutional crisis like you haven’t seen in decades,” as he stated in MSNBC’s “Morning Joe.” Speaking of Andrew Cuomo, and somewhat transitioning to movie news a bit early here, he suggested the possibility of making drive-in theaters an exception to non-essential businesses that remain closed. Keep in mind, drive-ins have still been in operation during the ongoing crisis, but it does not mean that there are some that are not in operation, plus there are others that are just closed because it’s not the proper season for a drive-in to be open. Cuomo suggested, “Where is the public safety issue? It’s a drive-in theater. You’re in the car with the same people.” He is not wrong. Drive-ins make for a fun night out while also promoting social distancing. I would not mind drive-ins opening up, but the problem is… What movies are they going to play? Are just going to play “Trolls: World Tour” over and over? Maybe they’ll bring back some classics since there’s nothing else to do.

Going outside the United States, specifically in Wuhan, China, where early cases of the virus originated, the city opened back up after a lively lightshow and countdown declaring the disappearance of COVID-19. Despite the reopening, restrictions still appear to be in place including the closure of schools, shops, and sadly, cinemas. But one thing that has opened is the region’s wet markets. Outsiders are suggesting immediate closure of said wet markets as it serves live animals, including bats, which sources suggest is the reason why COVID-19 spread in the first place.

But of course, we have some movie news to talk about like usual. More delays, more new releases on DVD, Blu-ray, and digital, and some big news involving acclaimed filmmaker Bong Joon Ho (don’t worry, that part is all good news). Also, there’s a big movie that tried something new this weekend, going straight to digital while also having a theatrical release. Before we dive into that, I do want to point out that despite there being a major pandemic, some movie theaters are still open. Keep in mind, many of these theaters are drive-ins. This is now old news, but according to Deadline, 14 movie theaters remained open on the first weekend of April. I also want to point out another article I saw from The Wrap, which suggests that “Trolls: World Tour” played in 21 drive-in theaters this weekend. Even in desperate times, theaters are still active. Speaking of optimistic news, here’s more!

JAMES GUNN SAYS GUARDIANS 3 AND THE SUICIDE SQUAD WON’T BE DELAYED

Usually when I dive into these main topics during the series, I have often emphasized the bad news at hand. A common example is when a major film gets delayed such as “F9,” “Ghostbusters: Afterlife,” or “Top Gun: Maverick.” However, it’s about time we get some good news in here and talk about a couple of films that are not being affected by the outbreak, both of which are being directed by James Gunn. To specify, “Guardians of the Galaxy Vol. 3,” which is a big movie, especially since it’s the third consecutive entry to the franchise being helmed by Gunn himself, but also “The Suicide Squad,” which has finished filming in February and is set to release August 6th, 2021. Gunn spent time on Twitter recently taking questions from fans and he had some notable things to say regarding these two films.

Alright, this resembles some decent progress on the film, and it shows that even in a time like this, people like Gunn in the entertainment industry are still working. But let’s see the next tweet.

Keep in mind, “The Suicide Squad” is not set to come out for a bit under a year and half, so there is plenty of time to edit the film, develop a marketing campaign, and lay out all the elements needed for the film’s post-production process. So the film is coming, and should this pandemic fizzle, there is a solid chance that “The Suicide Squad” will be in theaters during 2021. Now what about that other big comic book James Gunn has up his sleeve?

“Guardians of the Galaxy Vol. 3” is not currently listed in the Marvel Cinematic Universe’s fourth phase, but there have been previously established plans to make the film. Unfortunately, the film was supposed to come out this year, but due to James Gunn’s controversial tweets leaking, his business relationship with Disney was no more and he was no longer attached to direct the third installment to the franchise. Judging by this tweet right here, Gunn still seems to be working on the film, but an official release date seems rather uncertain at this point. IMDb lists it to come out in 2021, but given how Marvel has many other projects going on, “Guardians of the Galaxy Vol. 3” might have to wait. But “Guardians of the Galaxy Vol. 3” is nevertheless a film that I will see should I get the chance to witness it come out, so this information pleases me to say the least. I was not the biggest fan of “Vol. 2,” but I am curious to see what Gunn could deliver to this third installment.

MORE MOVIES GET DELAYED

But of course, with good news, comes bad news. In this case, the bad news is that yet another delay is happening. As if Pixar didn’t suffer enough already by having to put “Onward” on digital early, they just pushed back “Soul” to November. Nobody behind Pixar seems to be popping bottles at this point. “Soul” was originally supposed to come out June 19th, but now has been pushed back to November 20th. By the way, this is releasing the same day as “Godzilla vs. Kong.” I honestly have no idea how well that movie is going to do box-office wise, but given Pixar’s name recognition and since there already has been some anticipation towards this film, there could be a chance that “Soul” is the box office champ of the two when it comes to seeing how they play out on opening weekend. The film is directed by Pete Docter, who also directed 2015’s “Inside Out,” which this film honestly reminds me of. Kemp Powers will co-direct by the way. While conceptually different, “Soul” seems to present the vibe of “Inside Out,” not to mention a somewhat similar concept. The film follows a musician (Jamie Foxx) who loses his passion for music. After being transported out of his body, he interacts with an infant soul while trying to return to said body. The film definitely sounds like it could be emotional, which would not be much of a shocker for a film by Pixar. But now here’s a problem for not just this film, but a bunch of others coming out this year. I don’t know if it is just me, but it now feels like November is CRAMMED with popular titles. From “Soul” to “No Time to Die” to “Black Widow.” While I could look at this as a benefit because it likely means this November will be a pop culture haven, it’s also a negative because I imagine some films that could potentially be big will underperform because they are in such a congested schedule. Or to make matters more interesting, November is also a big month for award season, and now there is probably a bigger focus on pop culture titles that might not be awarded much of anything as opposed to what could be nominated for the Academy’s Best Picture in a couple months.

Also, remember how “The SpongeBob Movie: Sponge on the Run” got delayed to late July? Paramount’s “Infinite,” an upcoming sci-fi flick starring Mark Wahlberg (Transformers: Age of Extinction, Ted), which was originally come out July 31st, has officially been pushed back to Memorial Day weekend in 2021. The film follows a man whose hallucinations are visions of his past lives. I would like to go into some of my past lives at this point just to get away from whatever the hell is going on right now. Think I was done talking about “SpongeBob?” Well I’m not! I say so because the film has been delayed again, but this time only by a week. As of now, “The SpongeBob Movie: Sponge on the Run” is coming out August 7th.

TROLLS: WORLD TOUR DEBUTS DIGITALLY

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I’ve talked about this news already, but given how this does document a rare incident, I might as well talk about it. Certain movies like “The Irishman” have a limited run in theaters before being put on Netflix, but for “Trolls: World Tour,” the sequel to DreamWorks’ successful 2016 flick, that’s a different story. You won’t be able to find it on Netflix, but you will be able to find it through services including Prime Video, FandangoNOW, and Vudu. The reason, Universal wanted to put “Trolls: World Tour” out on digital the same day they put it out in theaters. This is kind of an unprecedented situation as movies typically start in theaters and there is a waiting period until the movie comes out on digital and DVD. But nope, Universal thought it would be better to just digitally release the film. I have not seen the film, in fact, I have no plans on seeing the film given how I have not watched the original, but others did manage to show up for this new installment. The movie managed to make more through its digital run than “Jurassic World: Fallen Kingdom” did when it debuted digitally. “Trolls: World Tour” managed to make around $30 million according to reports. This is compared to “Fallen Kingdom,” which managed to rack up $2-3 million. Keep in mind, these reports are exclusive to the United States. Also, another thing to keep in mind, that even though many of the purchases were through digital platforms, theaters were open during the initial days of “Trolls: World Tour,” many of which are drive-ins, so it is not like everybody had to be stuck in their house to watch it. Also, while $30 million may be considered successful in this circumstance, the movie cost $90 million to make, so there could be a chance that Universal will lose money over this. Even though a $19.99 rental for 48 hours can cost more than a single movie ticket, the target demographic for “Trolls: World Tour” is families, especially kids. You can take a family of four to the theater and pay double that price to see the movie, maybe even more. It’s also short of what the first movie raked in on its opening weekend back in 2016, which was over $46 million. If this sequel was in theaters, it probably could have surpassed that due to factors such as name recognition. My biggest wonder for “Trolls: World Tour” is how well it will do over these next few days, not to mention next weekend. I say that because, sure, the movie can have excellent debut to rave about. But if we are treating this as the closest thing to a theatrical release we can get, we have to consider how much of a drop it could make this following weekend. Will it make $15 million? $12 million? $10 million? Could it possibly make more this weekend than it did last weekend? Only time will tell. This straight to digital rollout is an experiment if there ever was one, and its chances towards success have recently shown that maybe theaters COULD have been much better for “Trolls: World Tour,” but this is a new way of doing things, and if we are still in this crisis, things could change.

MY SPY GOES STRAIGHT TO PRIME VIDEO

For those of you who don’t know, “My Spy,” the film where Dave Bautista goes undercover and makes a connection with a nine-year old girl, is a movie that has been promoted from time to time by STX here in the states has already released theatrically in select regions including Canada, Australia, New Zealand, Hong Kong, and the United Kingdom. But for the United States, it’s a different story. The film has already had free screenings before it was supposed to come out, one of which I went to in January by the way. But the film has had a rough history when it comes to getting a proper release. “My Spy” was supposed to release on August 23rd, 2019. The film had a trailer put out a year ago, so the promotion and marketing process was getting into gear. However, it was pulled from STX’s release schedule in July. The next release date that was announced for the film was March 13th, 2020. And of course, to get the ball rolling on word of mouth and that sort of thing, free screenings started popping up and I got to attend one of them. But, just in the snap of a finger, the release date changed from March 13th to April 17th. I would imagine that the COVID-19 crisis could be a contributing factor, but I also wonder if STX thought if it would be a better time for the film to release in terms of financial gain compared to competition. Nevertheless, it was just announced on April 8th that the film is now going to be distributed by Amazon Studios and instead of going to theaters, it is going directly to Prime Video. So if you are a Prime member, you are likely going to be able to watch “My Spy” for free on the service.

CBS SCHEDULES SUNDAY MOVIE NIGHTS

CBS is a leading name for television. Their standard channels air daytime staples like “The Price Is Right” and “The Young and the Restless” along with notable shows at night such as “Young Sheldon,” “MacGyver,” and “Mom.” Meanwhile, they have been building a name for themselves through streaming by providing material such as a couple of “Star Trek” original shows and a spinoff of “The Good Wife” known as “The Good Fight” through CBS All Access. But if you get access to the main CBS channel, which I’m sure a lot of you do, one thing you might want to keep an eye on is their schedule for May. Every Sunday, CBS is going to air movies under the Paramount label. This will begin with a movie that is very likely to garner attention, “Raiders of the Lost Ark.” In addition to that “Indiana Jones” film, the network is also airing “The Last Crusade.” Oddly enough, they are skipping over “Temple of Doom.” Other movies to be aired by CBS will include “Titanic,” “Forrest Gump,” and “Mission: Impossible.” This run will last for five Sundays from May 3rd to May 31st. By the way, all the movies are scheduled to begin at 8PM, except for “Titanic,” which will start at 7PM. Earlier on in the series, I discussed that ESPN was going to air movies on Friday nights, said movies are all Disney-owned and focus on sports. One thing that I think would help CBS in a case like this compared to ESPN just a little bit is its accessibility. CBS is a slightly more recognizable channel and unlike ESPN, you can get it on an antenna.

HULU ACHIEVES BEST PICTURE WINNER PARASITE

One of my favorite films of the past year is the Bong Joon Ho-directed masterpiece, “Parasite.” Lucky for me, I own the Blu-ray, therefore I have the ability to watch the film as much as I please through a physical disc. But if you have Hulu, you can consider yourself lucky because “Parasite” is now available on the service. For the record, the film is not the first of its kind to be on Hulu. To be clear, the film was distributed in the States by Neon, which also helped distribute titles including “I, Tonya,” “The Beach Bum,” and “Honeyland.” Films like these have also made it to Hulu. So if you wanted to watch “Parasite” without paying much, just make sure you have a Hulu subscription and you’re good to go. And remember, it won the Academy’s vote for Best Picture, so every film aficionado will tell you that it is bloody important. If you are a little skeptical on watching “Parasite” because it is in Korean, let me just remind you of this quote given by director Bong Joon Ho himself.

“Once you overcome the one-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.”

Speaking of Bong Joon Ho, his 2013 work “Snowpiercer,” which is being adapted into a series set to air on TNT, is coming out for the first time in the United Kingdom on DVD and Blu-ray. The film is set to release on May 25th. It’s one heck of a time to be Bong Joon Ho.

NEW HOME VIDEO RELEASES

Stuck at home? Jack’s here to help! This week for digital has got a few new movies coming your way. For starters, we have “Underwater,” one of the last films to display the 20th Century Fox label. For the record, Disney did complete their acquisition of Fox’s assets during March 2019, but for a little under a year, they kept putting out films like “Ford v Ferrari” that had the studio label that has achieved fame. Although, with the recent release of “The Call of the Wild,” they are now using 20th Century Studios instead. Sticking with “Underwater,” the film stars Kristen Stewart alongside a crew of researchers as their underwater facility is hit with an earthquake. The film is a box office bomb, making $37.2 million on a $50 million budget. It has a 47% critic rating on Rotten Tomatoes and a 60% audience rating, so it’s hard to know what exactly you’ll think of it upon first glance. The film is also now available on DVD and Blu-ray if you prefer the physical copy.

“Fantasy Island,” which is based on a TV show of the same name, is now available for digital purchase. If you want to wait for a rental option, that is coming May 12th, the same day the film comes out on DVD and Blu-ray. Keep in mind, the film has a 4.6 on IMDb, which might not be the best of signs.

Also coming out, “The Rhythm Section.” This action flick stars Blake Lively and Jude Law, and is about a woman whose family dies in a plane crash. This woman joins the world of espionage as she seeks vengeance. The film is not out on DVD and Blu-ray until April 28th, but it is available for digital purchase today.

Thanks for reading the fourth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Even in the apocalypse, there is one thing I can promise, and that my friends, is content. Maybe not the content that I want to make, but content nevertheless. Last week I said that I’d probably get shoved into an abyss by STX executives if I talk about “My Spy” at this point. So with that in mind, now that it is owned by Amazon and has no official release date, I will probably be shoved into an abyss by Amazon executives, or maybe even Jeff Bezos himself, if I talk about “My Spy” at this point. So what is happening with the movie is clear, but when I will review it, is unclear. Only time will tell. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, is there any big news I missed regarding COVID-19 and entertainment over the past week? Also, since it is appropriate, what are your thoughts on “Parasite?” Personally, I think it is one of the most twisted movies I have seen in recent memory and it is a blast from start to finish. Let me know down below! Scene Before is your click to the flicks!

How to Support Movie Theaters During the COVID-19 Crisis

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Hey everyone, Jack Drees here! COVID-19 has certainly made its presence known, and things have been looking particularly interesting. It is hard to know when exactly the U.S., or other countries for that matter, will be in ship shape, I might discuss that more in my next entry to the ongoing series “Movies and COVID-19: Behind the Scenes,” but one of the heavily affected portions of this matter is the movie theater industry. Since it is impossible to get people together, movie theaters have shut down their doors for the time being, leaving chains, art houses, and local staples in total emptiness. There is a good chance that your local theater is hurting, even just the slightest. So here are some ways that you could potentially help your movie theater survive this crisis.

BUY GIFT CARDS

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I’m not sure if every theater has a program for this, but many of the theaters near me do. One of the easiest ways to give the movie theaters some support in this time is to buy their gift cards. While it is unlikely that you will get to use it anytime soon, it will ignite a reason for you to go back to the cinema when this all ends. You can buy a gift card for yourself right now, and consider it an indulgence in due time. Or, if you know a movie buff in life that loves the cinema and will do anything to get their butt in a theater seat, it’ll remind them of how much they love the theatrical experience and they too will have a reason to go back. Gift cards exist for both chains and smaller theaters, so if you really want to put some money towards the community staple, be my guest. At the same time though, I will remind you chains are hurting too. In fact, AMC is speculated to not survive this crisis, so if you want to support them, I’d recommend you do that. Or, if you do want to buy a gift card from them, you can support their new On Demand service they just put out, which is now available on smart devices, including TVs. Although I cannot confirm that all TVs have it, as I have a Sony Android TV and I was not able to find it there. You can buy gift cards online and GET THIS, the only places that are open right now, grocery stores and pharmacies! So you’re in luck if you need some hand sanitizer right now!

Also, one recommendation, don’t buy gift cards to third party ticketing sites like Fandango or Atom Tickets. I’m not saying don’t do it now or ever, but I’m more or less trying to point out that this more about movie theaters than the third party sites. In fact, Fandango might be doing relatively fine at this point since they have a rather well-known On Demand service. I have nothing against these sites, in fact I have a Fandango VIP account, but again, this is more about theaters than anything else here.

BECOME A MEMBER

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A lot of smaller movie theaters have memberships to back them up and keep them financially stable. One of my personal favorites is the Coolidge Corner Theatre, located in Brookline, Massachusetts, which I would become a member for, but I do not go there as often as I would like to, so I don’t have much of a need for a membership. However, it is undeniable that the membership can give a ton of perks like discounts towards tickets and food, email updates, and invitations to special events. In fact, I shared this once in my “Movies and COVID-19” series, but I’ll share it again because I think it is really important. Edgar Wright put out a tweet for people to shout out theaters that have memberships.

Some of the cinemas that have been shouted out here include the Music Box Theatre (Chicago, IL), the Roxie Theatre (San Francisco, CA), the Hyde Park Picture House (Leeds, UK), and the Brattle Theatre (Cambridge, MA). These memberships not only benefit the theater and allow them keep themselves and their organization afloat, but as mentioned, they will benefit you with tons of perks. Now keep in mind, some of what you’ll find is not cheap, so if you are not willing to invest your money in a theater membership, it may be understandable.

SUPPORT POP-UP SALES

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There’s a saying that movie theaters are not technically in the movie business, and instead, in the candy business. After all, the studios take a lot of money from ticket sales, whereas theaters mainly make their money through food sales. Popcorn may be expensive, but it’s a system that works! One of the suggestions I had early on in this crisis is that even though you cannot show movies in theaters, they should still keep snack stands in operation in case someone wants a quick bite. Now that may not work for all spots, but I imagine some would get business, because popcorn rocks. Speaking of popcorn at the movies, you can still get it right now, because select theaters are doing pop-up sales, where they will focus on selling food such as popcorn.

For the record, if you live near a chain theater like an AMC, there is a good chance that they won’t be doing this, but if you have a theater that goes by a lesser known name or presents itself as a local establishment, they may have you covered.

ORDER TAKEOUT/DELIVERY

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Sticking with the idea of food, aside from keeping stands open to potentially make some money, not to mention keep people employed during this dire time, another idea I had was potentially adding a delivery service to people who are unwilling to go out. In fact, some of the chains are doing just that. Alamo Drafthouse locations in Austin, TX, Denver, CO, and Raleigh, NC are on services including Grubhub, Favor, and Doordash. So if you live in those areas and want some of Alamo Drafthouse’s food, you are in luck. Another chain by the name of Studio Movie Grill, which has 43 locations in ten states is also doing takeout and delivery. Not just that, but they are also offering 2 free movie tickets with every order. For the record, this takeout and delivery deal is being done in select locations in California, Texas, and Florida, plus some of them are ONLY doing curbside takeout. Or, if you live in Michigan, you may be familiar with Celebration Cinema, a local chain that operates 14 locations. One of them, located in Grand Rapids, has its next door restaurant, One Twenty Three Tavern on Uber Eats. For the record Alamo Drafthouse does not list popcorn for delivery, but Studio Movie Grill only lists gourmet popcorn, which I’m not sure what that implies, but still. Also, Celebration Cinema is offering popcorn either via a bucket for $11, or a party bag for $25.

CHECK OUT VIRTUAL CINEMAS

Remember how I talked about the Coolidge Corner Theatre? Well, turns out that in place of showing movies physically, they are providing streaming routes for select titles. The theatre’s website provides a section where you can look at films and potentially purchase them for personal viewing. Some notable titles include “The Whistlers,” a heist drama from director Corneliu Porumboiu. “Fantastic Fungi,” a documentary about the mycelium community. And this even gives the opportunity to watch the Cannes-winning film “Bacurau.” If you are also interested, be sure to check out “Best of CatVideoFest,” and the content of this kind is available for the first time outside theaters. Purchasing these films helps support the Coolidge organization stay afloat during this dark time. Other theaters are diving into the virtual realm too like the recently mentioned Music Box, Anthology Film Archives in New York, and even chains like Alamo Drafthouse are getting in on this. But of course, if they don’t have your movie of choice, there’s always Netflix, Prime, Hulu, or my favorite way to view a movie at home, physical media!

If you know of any other ways to support movie theaters while their doors are closed, feel free to list them in comments below! What have you been specifically doing to support closed movie theaters right now? Is there a movie theater that is still open in your area? Was it a drive-in? Let me know down below! Thanks for reading this post! Given how Scene Before is your place to read all things movies during the apocalypse, why not give the blog a follow or its Facebook page a like? You won’t regret it! As far as my reviews go, I do want to give an update on one movie in particular, and that is “My Spy.” Just recently, it was announced that the movie is going directly to Prime Video, I have decided that I will still talk about it, given how I already saw it at a free screening in January, and since this is a film that has been screened in theaters before under a distributor originally intending to put it out in theaters, I am planning on counting it towards my end of the year top best and worst movies lists. Until then, be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 2

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Hey everyone, Jack Drees here! It is now time for part 2 of the all new Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

In the United States, which is where my main demographic happens to be, we unfortunately have more cases of COVID-19 than anybody else. Records are meant to be broken, but if only they were not broken like this. Although at the same time, there has been a significant increase in testing here in the United States, so while it does not make the record necessarily less disheartening, it still adds in a piece of needed information.

Now I do not typically talk about politics that much on Scene Before, but this is one of the rare instances where I have no choice. President Donald Trump has said that he wants the United States back in operation by Easter. The reason for this mostly has to do with Trump’s personal admiration towards the holiday, suggesting that it would be wonderful if the United States had “packed churches.” However, experts are saying that this would not be the best idea and Trump should wait longer.

Personally, I am still optimistic that we can get through this pandemic in a matter of a couple of a months, maybe a few even. But Easter Sunday is a bit too quick based on how many people are seemingly continuing to avoid the act of social distancing. I can possibly see certain portions of the economy putting lights back on in a matter of weeks, but it would not equate to a full-fledged, well-oiled machine. Maybe restaurants will be open again to an extent where people can sit down, but with a limited capacity, and takeout will continue to be highly encouraged. I do not know for sure, but anything’s possible. I said it part 1, I’ll say it again in part 2, I am not a doctor.

These are some general goings on during the COVID-19 situation, but for movies, things have been interesting. In fact, if you look at Box Office Mojo right now and notice the weekend totals, it’s kind of creepy. There’s not even a section for the previous weekend in regards to how much money each movie made. Should this go on for a long time, I wonder if the box office is going to partially change its ways and measure intake by monitoring how much is made by tracking how many rentals are purchased on cinema-specific sections on streaming services. I doubt that’ll be the case since there currently seems to be eager anticipation for the opening of movie theaters by sometime in the summer, but who knows? For all I know, this summer in movies for the most part will be cancelled. I am about to present some evidence as to why.

MAJOR MOVIES DELAYED: WONDER WOMAN 1984, GHOSTBUSTERS: AFTERLIFE, MORBIUS, PETER RABBIT 2, ETC.

One of the biggest pieces of news in terms of movies getting delayed comes from Sony. The reason being is that when everybody found out about this, it didn’t involve just one movie. It involved Sony’s entire summer lineup. For those who don’t know, movies like “Ghostbusters: Afterlife” and “Morbius” put out trailers in anticipation of a summer release date this year. Guess what? Both have been moved to March 2021! And if that’s not enough, forget about “Peter Rabbit 2: The Runaway,” because you won’t be seeing that movie either! For the record, that movie was supposed to come out this upcoming weekend as of writing this post. That was until it was delayed to August, but now it is going to be a January 2021 movie! You honestly can’t write this! I was looking forward to these films (minus “Peter Rabbit”) but now I have to wait even longer! In fact, Sony’s delays doesn’t just affect current films set to come out that are either finished or nearly finished, but it also affects a heavily cursed movie, specifically “Uncharted!” Can that movie catch a break? What’s it on, like it’s SEVENTH director right now?! The film that has practically been in development hell for a long time and was set to come out on March 5th, 2021, which is now where “Ghostbusters: Afterlife” will be releasing. Instead, it will be coming out on October 8th, 2021.

In addition to Sony, Warner Bros. has been in a bit of trouble too, but at least their situation feels more of a semblance of optimism. For those who don’t know by now, “Wonder Woman 1984” is getting delayed, which is one of the movies I really didn’t want to see get pushed back, because part of me predicted that theaters would be open by the time this film is supposed to come out. Turns out that’s not the case, because the film’s previous release date of June 4th is no more. “Wonder Woman 1984” is now coming out on August 14th, which does disappoint me, but it does me hope that we will still be seeing a summer movie season in 2020. This also reinforces the crew’s commitment to theatrical experience, which may bring a sigh of a relief to major chains, smaller theaters, and an organization like NATO (National Association of Theater Owners), especially after Universal abruptly announced “Trolls: World Tour” was going to go to streaming as soon as it hit the minimal amount of theaters that would be open this April. Speaking of theatrical commitments, Warner Bros. is also optimistic in regards to releasing Christopher Nolan’s “Tenet,” which is scheduled to come out July 17th. First off, it’s a Christopher Nolan movie. If Warner Bros. announced that “Tenet” was going to go straight to streaming and skip theaters, there’s a good chance that Nolan would end his work relationship with Warner Bros. altogether. Second, if you want my personal thoughts on this matter, “Tenet” is my second most anticipated film of the year, right below “Dune” which is set to come out in December. If “Tenet” is not seen this summer, I am considering quitting movie watching altogether. Whether or not this situation goes away by July is still a mystery, but I would not be surprised if we reach the very beginning of July and hear that “Tenet” gets bumped to another release date. I think there’s an itty-bitty chance of that happening, but I am not too sure. Plus, the film cost $205 million to make. I do not think “Tenet” will join the billion dollar club, but if this is still around in July, part of me wonders if the film will break even.

Much like Sony, Warner Bros. is having notable production troubles regarding the ongoing crisis as well. “The Matrix 4” has officially shut down. Looks like that “Keanu Reeves Day” coming up in 2021 where “John Wick 4” and “The Matrix 4” release simultaneously will not be a thing anymore should these troubles keep up. Speaking of Warner Bros. productions, “The Batman” has shut down indefinitely. The film was scheduled to come in June 2021 and star Robert Pattinson (The Lighthouse, Good Time) as the Caped Crusader.

Sticking with the recently mentioned productions of “The Matrix 4” and “Uncharted,” both were in production in Germany, specifically in Studio Babelsberg. Termination of production of many on such property left them without pay and there is a current threat of legal action. But speaking of “The Matrix,” if this news has you down and you need your fix of the franchise, the original trilogy will be on Netflix starting this April.

“Top Gun: Maverick” is still coming out in June. Let’s just hope that stays put.

ESPN GETS CREATIVE WITH THEIR LINEUP

I don’t usually talk about sports on this blog, but this is a rare case where it is necessary. For those of you who don’t know, Disney owns you. It’s a fact. Also, for those of you who don’t know, Disney-owned ESPN is going to doing movie nights on Fridays for now on, specifically on movies revolving around sports. Not surprisingly, the movies that will be aired will all be Disney productions. Part of this goes into how the network recently aired “The Rookie,” a baseball film from 2002. For those of you who want to know, this upcoming Friday’s lineup will feature “Glory Road,” the 2006 title revolving around the 1966 NCAA basketball National Championship and the story of the first all-black starting lineup in this situation. Other films in the lineup include “Miracle,” “Secretariat,” and “The Greatest Game Ever Played.” Given how major sports like the regular seasons of NHL, NBA, and MLB have been affected by the outbreak, sports-related outlets have to get creative. 24 hours of SportsCenter on ESPN featuring the top 10 social distancing moments of the day is not going to cut it. I have no idea how long ESPN will be doing this, but just a reminder that Disney now owns Fox, and while I am not seeing any reports of them airing any Fox films, it doesn’t mean that there is no chance that Disney could allow ESPN to take Fox films and present them over the airwaves. This could allow the airing of films like “Rookie of the Year,” “Bend It Like Beckham,” “Dodgeball: A True Underdog Story,” “Battle of the Sexes,” or even my personal favorite sports film of all time, “The Sandlot.” Such a good movie.

Also, if you don’t want to wait to watch these films on ESPN, or if you don’t want as many ad interruptions, they are currently available on Disney+, but if you are bored on a Friday night and the Internet is down, you may want to take advantage of watching your favorite sports movies on ESPN.

COVID-19 GETS A MOVIE

One of the things both my mother and I have been saying recently is that this virus is kind of like a movie. In fact, if you talked to me at in the past couple weeks and asked me what I could possibly be thinking about, my answer would be the “five years later” transition in “Avengers: Endgame.” I would not want to be in New York right now, because I can only imagine what it would be like to look at Lady Liberty! Although according to The Hollywood Reporter, it seems we are living in a movie world right now. Kind of. The Hollywood Reporter is suggesting that we are getting the first COVID-19 movie of this specific era. And it is a Canadian thriller shot on a soundstage in Vancouver, where a bunch of people are in an elevator and they quickly suspect that one Chinese individual who joins the ride happens to have the virus. “Corona” is shot handheld in order to be realistic, it’s an interesting move, and it could provide some tension, maybe in a way that could make the viewer a part of the story. The movie does not necessarily revolve around the virus as much it focuses on fear and racism. Plus, those two things will be taken into consideration and apply to how a group of people, varying in terms of walks of life and personality, could potentially react to a virus like this. By the way, if there is a company or organization out there that wants this movie, it is looking for a buyer. I am not surprised that we are getting a movie on COVID-19, but I am surprised that we are getting one this early.

If you want to view the trailer, click the video below.

NEW RELEASES GOING ON DEMAND

Last week, I discussed one of the big stories going on in the movie world is that the current theatrical releases, or in some cases, movies that haven’t even hit the big screen yet, have gone straight to VOD, or on digital services. These mainly include various cable-based On Demand channels, or streaming services like Prime Video, Google Play, and FandangoNOW. But over the past week, more things have happened in relation to this, and some new movies that barely seen the light of day are now being inserted to these On Demand services. By the time you’re reading this, “Impractical Jokers: The Movie,” which released in select theaters on February 21st, then eventually expanding on February 28th, will be available for digital viewing. It’s supposed to release April Fools Day, which makes sense since the movie heavily involves pranking. As for DVD and Blu-ray, that is not known at this point, especially considering how it has not been close to the ninety-day mark of the film’s official release. For all I know, it might not get a DVD, which I hope does not happen. But keep in mind the possibility is there considering how the last DVD for the show itself was for season 5, which aired in 2016. From season 6 and on, there are no plans to put out DVDs. As of March 31st, “Bad Boys For Life” and “Sonic the Hedgehog” are both available for digital purchase with a pop of $20. “Never Rarely Sometimes Always,” which released in four theaters to make $16,825, will be hitting On Demand services starting April 3rd.

Thanks for reading the second part of the ongoing series “Movies and COVID-19: Behind the Scenes!” I can guarantee you that more is likely to come, especially when considering that the Massachusetts stay at home advisory has been extended to May 4th. I don’t know if this will be a weekly thing though, considering how I still have reviews to do, and I just started online classes for my university. Again, I am still committing to putting out a post a week, and it might be easy to do so given how much time this crisis is likely going to give me. And if you’re wondering about me personally, I am okay. I currently contain no symptoms or evidence of having COVID-19, and given how it has been fourteen days since I got back from the fantastically run state of Florida, I am most likely in the clear. I have not personally invited anyone into my home, and I rarely have gone outside for anything. In a way, my practice from when I was twelve years old and playing video games all day has paid off for this very moment. Outside is so overrated!

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But man, I do miss the movie theater.

If you have time, which you do, let’s admit it, go ahead and follow Scene Before either with an email or WordPress account! And since you’re wasting time staying six feet away from others while only being trapped in your personal space, go ahead and follow the Scene Before Facebook page! I want to know, what is your biggest piece of recently seen news regarding films and COVID-19? I covered a number of topics today, but for all I know, maybe I missed something important. It happens. Let me know down below, and let’s get through this together! Scene Before is your click to the flicks!

The 2nd Annual JACKOFF Awards

WARNING: They said it couldn’t be done. They said it shouldn’t be done. BUT I DID IT ANYWAY! The 2nd Annual Jackoffs is officially longer than The 1st Annual Jackoff Awards. Clocking in with a word count between 12,000 to 13,000. Feel free to take breaks and pauses and come back later if this is a stretch. Enjoy, and happy Jackoffs!

Hey everyone, how you all doing? I’m Jack Drees and it is time for the 2nd Annual Jackoff Awards, the most important blog awards show in history, because it is run by one man with many opinions! Last year, yours truly started a tradition, and this year, it is carried on with new nominees, specifically the best of 2019’s film lineup! And since this thing goes on as long as “The Irishman,” you are all in for a ride!

How does this show work? Each of the movies represented here are all films that I saw in 2019. Keep in mind, if there is a movie here that I did not nominate, there’s a possible chance that I did not see it. Much like many other award shows, individual categories will be presented including Best Sound Editing, Best Costume Design, Best Cinematography, all the way to the pinnacle of the show, Best Picture. A list of nominees will be presented and one will be victorious while others may or may not go home with the shirt on their back. Speaking of which, while all the other award winners will be chosen by me, I have decided once again to let the people speak for the Best Picture category. Upon announcing the nominees, I have decided to put out a poll and have you all choose what you think should win. After all, this list is mostly based on my Top 10 BEST Movies of 2019, therefore if I were choosing Best Picture, it would be partially predictable, and it might not be as significant of a win as opposed to the people’s choice option. The people choice’s last year has led to Disney’s “Avengers: Infinity War” taking home Best Picture last year! So the question is, who will win this year? That will be revealed at the end! Until then, I have to get through the rest of the ceremony, and to do so I am going to start by doing a monologue. Many award shows have one, because without them they would not be as funny or joyful. I am here today to chew bubble gum, and spread some laughs. And I’m all out of bubble gum. It is now time for “Jack Drees Tells Jokes to Others in Order to Please Himself.”

I’m going to state some facts about the year in film, and since there is no audience here, there shall be no laughs. With that in mind, I encourage you to imagine yourself as my only attendee in the crowd. Feel free to laugh, chuckle, boo, fall asleep, even heckle if you please. And I must say, when it comes to 2019 in film, I personally have been impressed with a majority of the films that I have witnessed over these past number of months. Overall, 2019 has been a fine year for movies. Unless you are a wasted spork, killed by the Joker, scared s*itless by Pennywise, stuck in a hurricane in Florida, or trying to run for your life while playing hide and seek.

 

This first thing should surprise some of you if you lived under a rock these past number of years. The 2010s are now over! Throughout that time you’ve seen, let’s see… um… what was it? SIX “Sharknado” movies? Yeah, it was. Crazy! Also, there was 5 “Spider-Man” movies. 5 “Fast & Furious” movies. 4 “Transformers” movies. 5 “Star Wars” movies. 4 “Avengers” movies. Surprisingly, no “Avatar” sequels. Feels strange.

 

During last year’s Jackoffs, I talked a little bit about Blockbuster Video and how they have very few stores left. Turns out, I was missing an important piece of the puzzle, because I only talked about Blockbusters in the United States. However, this March, the final Blockbuster in Australia shut their doors for good, making the Blockbuster in Bend, Oregon the last Blockbuster in the world. I would not mind making a trip to that Blockbuster, I’ll probably rent the video game “The Last of Us.”

 

This year is not just a big year in cinematic history, but it is also a big year for home viewing. Netflix just recently dropped “The Irishman,” which has been nominated for awards including Best Supporting Actor and Best Makeup & Hairstyling. Martin Scorsese does not care if you like or dislike the movie as long as you follow the one rule. Call it “cinema.”

 

It was suggested that a streaming service floodgate is opening at this point. There’s going to be a new streaming service called Peacock, which is going to be put out by Comcast, which owns NBC and Universal. So if you still have cable, think twice before getting rid of Comcast.

Cause ya might be stuck with them.

 

HBO Max is going to hit app stores and smart devices this May, which despite having HBO in the name, will partially be focusing on content from other divisions of AT&T-owned Warnermedia. Content from TV channels like TBS, TNT, truTV, along with other divisions of Warnermedia will have a presence on the service. Once again, AT&T owns the platform, so don’t be surprised if the “service” eventually goes down.

 

One of the biggest entertainment stories of the year is the launch of Disney+, which just came out in November. The service contains old Disney, new Disney, Marvel, Star Wars, National Geographic, Pixar, and more. Their slogan: We know you want to exterminate mice, but why not invite one into your home for $6.99? A-ha!

 

Marvel announced plans for phase 4 and onward in the MCU. Some highlights include: “Blade,” “Doctor Strange in the Multiverse of Madness,” “Thor: Love and Thunder,” and “Eternals.” Based on details regarding the film’s plot, “Eternals” is going to take place over 7000 years. So… Just short of how long the Marvel Cinematic Universe has been going on in real life!

 

Speaking of Marvel Studios, Sony, alongside Marvel, will be making a third standalone “Spider-Man” movie starring Tom Holland. It’s going to be called “Spider-Man: With Unlimited Reboots and Sequels Come Unlimited Possibilities.”

 

Speaking of “Spider-Man,” otherwise known as the real-life movie equivalent of “The Neverending Story,” A sequel to the 2018 critically acclaimed animated film “Spider-Man: Into the Spider-Verse” was announced to release in April of 2022. Just in the time that it has taken for me to announce all of this, Sony has already announced ten sequels, a reboot, and a crossover with Tom Hardy’s “Venom.”

 

“Spider-Man: Far from Home” is now officially the highest-grossing Sony film of all time! Just in the time that it has taken for me to announce this, Sony has already announced a “Spider-Gwen” film, a Tobey Maguire/Andrew Garfield crossover, and a “Night Monkey” spinoff!

 

“Avengers: Endgame” became one of the biggest box office hits in history, earning over $2 billion, being the fastest film to reach $1 billion, the fastest to reach $2 billion, and having the biggest worldwide opening weekend. As of right now, they are ahead of James Cameron’s “Avatar” as the highest-grossing film of all time. How did they do that? I’m pretty sure Bob Iger and everyone at Disney snapped the Infinity Gauntlet to generate money. Gotta pay those electric bills.

 

Speaking of Disney and Bob Iger, one of the highlights for amusement parks this year is the new “Star Wars: Galaxy’s Edge,” which just opened this May at Disneyland and also this August at Disney World. And because it’s Disney, it can cost some an arm and a leg to get in. But don’t worry, just find the nearest lightsaber and you’re good to go!

 

If you are an adult, don’t like “Star Wars,” or hate going to amusement parks in general, let me just remind you, “Star Wars: Galaxy’s Edge” is alcohol-friendly. But don’t drink too much, because some side effects include: a willingness to force choke others, NOT TO MENTION yourself, and a willingness to watch “Star Wars: The Holiday Special.” Also, based on recent events, Disney has also outlawed drunk pod-racing.

 

Upon the opening of the attraction, Deadline Hollywood has pointed out that “Star Wars: Galaxy’s Edge” is a “wildly immersive experience.” Now I can’t say I have been there myself, but this probably suggests one thing. The Stormtroopers there always try to shoot you, but don’t worry! THEY MISS EVERY TIME!

 

To say Disney did not have record-breaking year would be an absolute lie. From their performance in 2020, Disney’s the first studio to achieve a combined box office return of $10 billion on all of their released films.  Who knows what they’ll do with that money? Probably something that highly associates with the company… Maybe they’ll scientifically create a genie. Maybe they’ll build a Mickey Mouse-shaped Death Star. Maybe they’ll just let it go.

I did not see “Frozen 2” by the way, just saying. You know, in case it matters.

 

Even though Netflix is a popular choice for home viewers, they have recently been expanding their cinematic palette. In fact, just this year, plans were announced to buy a movie theater on Hollywood Boulevard in Los Angeles, California! Yeah, in April, it was announced that Netflix was seeking a purchase of Grauman’s Egyptian Theater! And with Netflix being Netflix, they will put a movie in there for about a year, only to have everyone complain once they finally get rid of it!

 

Following in the steps of programs like AMC Stubs A-List, Cinemark Movie Club, and Showcase Subscribe, one of the popular movie theater chains in the United States, Regal Entertainment Group has just unveiled their new moviegoing subscription service called Regal Unlimited. And by Unlimited, Regal means unlimited trailers. Maybe you’ll get a movie or two.

 

In all seriousness though, the program comes with various perks. For somewhere between $18 to $23.50 per month, you can watch as many movies as you want in Regal locations nationwide. And from anywhere between $0 to a $250,000 fine plus jail time, you can PIRATE as many movies as you want. You decide for yourself.

 

If you are a Regal Unlimited customer, chances are you used it to go see a flick or two, maybe even three. One such example… is “Cats.” “Cats,” a $95 million film, struggled at the box office. Many people have been disappointed with “Cats,” making this a loss for Universal, but a win for mice.

 

According to Taylor Swift, who plays a role in “Cats,” the cast attended “Cat School,” where you would learn the ways of a cat and how to behave like a cat. This is real! Apparently the “Cats” cast would adapt to crawling on fours, and get this, I think this is the best part… SNIFFING AND LICKING EACH OTHER! That’s one way to see if your senses work.

 

Also, apparently Taylor Swift graduated early compared to other actors. According to Rolling Stone, alternate cast members Francesca Hayward and Robbie Fairchild attended for six weeks whereas Taylor Swift attended for one week because based on the words given by, get this… Cat School professor Sarah Dowling, “Taylor is a natural cat.” Now that’s a breakup worth singing about!

 

When it comes to actors, one person who has had a hit year is Scarlett Johansson, who had appeared early on in the record-breaking “Avengers: Endgame,” and was eventually shown in other acclaimed films including “Jojo Rabbit” and “Marriage Story.” I personally love her in “Marriage Story,” I think she gave a great performance in that film. The film makes you feel like Black Widow is divorcing you! It’s that good! All she needs to do is kick her potential ex-husband in the face, maybe change her hair once or twice, and boom! Black Widow movie!

 

Scarlett Johansson also made a controversial comment earlier this year saying “You know, as an actor I should be able to play any person, or any tree, or any animal, because as an actor, that’s my job and the requirements of my job.” Never thought I’d say this, but if anybody is looking to reboot “Guardians of the Galaxy,” you now know who to contact for an audition. She is Groot! #SheIsGroot!

 

“1917” has received several nominations including Best Cinematography, Best Production Design, and Best Picture. Have any of you seen that movie? The film is designed to look like it is all done in one shot. Yeah, one shot is also the number of chances I have tell you that “Moonlight” won Best Picture tonight.

 

“Joker,” a case study on the iconic “Batman” villain is the first R-rated film to surpass the $1 billion mark. It has received a number of nominations including Best Film Editing, Best Actor, Best Costume Design, and Best Production Design. Think twice before showing this comic book movie to your kids, because the film is “rated R for strong bloody violence, disturbing behavior, language and brief sexual images.” Those are all solid reasons, but they also forgot to list the fact that the Joker suggests that it is okay to dance like crazy down the stairs! “Mom! Look at me! I’m doing the Joker dance!” “That’s great kiddo, now do it with scissors!”

 

In “Joker,” there is a scene where the title character dances on an exterior stairwell. This scene was shot on an actual stairwell on West 167th street in the Bronx area of New York City. Due to the success of “Joker,” tourists have come to visit the iconic stairs, leaving locals in dismay. One local resident said in regards to this matter, “we feel disrespected.” The only way residents would be more disrespected by this, is if it were revealed that the tourists were all Red Sox fans.

 

“The LEGO Movie 2: The Second Part” released last February, which has received a Best Animated Feature nomination for this ceremony! If “The LEGO Movie 2: The Second Part” loses the Best Animated Feature award during the show, they will have bricked it.

Too soon? Too soon.

 

“Toy Story 4” was also nominated for Best Animated Feature! “Toy Story 4” introduces a disposable spork character named Forky, who desires to end up in the trash. If “Toy Story 4” wins tonight, in honor of this, I’ll congratulate all the other nominees, but then note that when compared to “Toy Story 4,” they are TRRRRAAAASH!

 

“Fast & Furious Presents: Hobbs & Shaw” was one of the biggest box office hits of the past year! “Hobbs & Shaw” is also the title of the anticipated remake “Dude, Where’s My Flying Car?”

Although speaking of “Hobbs and Shaw,” some of you may have gathered that the crew behind the film worked very hard to give audiences the most bombastic and enjoyable popcorn flick of the summer. Between Dwayne Johnson, Jason Statham, director David Leitch, among others, they brought their A game to delivering a proper blockbuster. The film definitely does its best to be an entertaining ride, but there was something I couldn’t help but notice. A lot of vehicles get destroyed. Now this would have made for a really good collaborative ad campaign. In fact, one company in particular, unbeknownst to the public, approached the fine folks behind “Hobbs and Shaw” and agreed to make a commercial partially using footage from the movie that would air on television. Unfortunately, however, that commercial never made it on the air. And honestly, I’m kinda disappointed, because I had a chance to witness the ad and it was almost Super Bowl-worthy. In fact, courtesy of the people who made the ad, I was able to get ahold of it to reveal what you all have been missing! Guys, I hope you enjoy the commercial, take a look.

This is a ceremony dedicated to honoring film as a collective realm. As one who has been a part of multiple productions, I understand how hard it is to make a film. This is why I wanted to take this time to at least shout out each film from 2019 I have seen as of nominating all of the films for this current ceremony. Let’s take a look back at what Jack Drees saw in 2019.

  1. The Upside
  2. Serenity
  3. The LEGO Movie 2: The Second Part
  4. Fighting with My Family
  5. How to Train Your Dragon: The Hidden World
  6. Captain Marvel
  7. Us
  8. The Man Who Killed Don Quixote
  9. Shazam!
  10. Apollo 11
  11. Avengers: Endgame
  12. Long Shot
  13. Pokemon: Detective Pikachu
  14. John Wick: Chapter 3 – Parabellum
  15. Cold Pursuit
  16. Booksmart
  17. The Kid Who Would be King
  18. Godzilla: King of the Monsters
  19. Rocketman
  20. Men in Black: International
  21. Replicas
  22. Toy Story 4
  23. The Secret Life of Pets 2
  24. Stuber
  25. Spider-Man: Far from Home
  26. Yesterday
  27. Once Upon a Time in Hollywood
  28. Alita: Battle Angel
  29. Missing Link
  30. Midsommar
  31. Crawl
  32. Ready or Not
  33. The Haunting of Sharon Tate
  34. Blinded by the Light
  35. Dora and the Lost City of Gold
  36. IT: Chapter Two
  37. Brightburn
  38. Ad Astra
  39. Black and Blue
  40. The Fanatic
  41. Joker
  42. Isn’t It Romantic?
  43. Zombieland: Double Tap
  44. Countdown
  45. Jexi
  46. Parasite
  47. The Lighthouse
  48. Last Christmas
  49. Honey Boy
  50. Jojo Rabbit
  51. Ford v Ferrari
  52. Knives Out
  53. Dark Waters
  54. A Beautiful Day in the Neighborhood
  55. Uncut Gems
  56. Jumanji: The Next Level
  57. The Peanut Butter Falcon
  58. Cats
  59. Star Wars: The Rise of Skywalker
  60. The Aeronauts
  61. The Irishman
  62. Marriage Story
  63. Late Night
  64. Spies in Disguise
  65. 1917
  66. Little Women
  67. The Farewell
  68. Judy
  69. The Report

A big and hearty congratulations to those who made the films audiences everywhere went to see in 2019. Apologies if I missed something, but I am pretty sure I got all of the movies I saw. Without further ado, let’s announce some winners!

First up, is Best Animated Feature. These are the films that many families went to see to escape from reality, and I mean that in every sense of the word. After all, with these films, once the lights go down, you instantly leave your own big wide world, to enter alternate vast worlds of talking branded plastic pieces, living toys, and high-flying dragons. Within each one of these worlds, it is the lessons that we take, both as kids and adults that will have these stories stand the test of time. Maybe in some ways, their worlds of imagination, are just like our reality. Here are the nominees for Best Animated Feature!

  • How to Train Your Dragon: The Hidden World (Dean DeBlois, Bradford Lewis, Bonnie Arnold)
  • The LEGO Movie 2: The Second Part (Jinko Gotoh, Roy Lee, Dan Lin, Phil Lord, Christopher Miller)
  • Missing Link (Chris Butler, Travis Knight, Arianne Sutner)
  • Spies in Disguise (Peter Chernin, Jenno Topping, Michael J. Travers)
  • Toy Story 4 (Josh Cooley, Mark Nielsen, Jonas Rivera)

And the Jackoff goes to…

“How to Train Your Dragon: The Hidden World!”

“How to Train Your Dragon: The Hidden World” is an animated masterpiece. Director Dean DeBlois has officially closed the book on the “How to Train Your Dragon” trilogy with an absolute bang and it shows with the everlasting fun this film can deliver. One thing that makes movies what they are is the experiences they can provide. DreamWorks animated films have been around for about two full decades now, and they have had a number of hits. “Shrek,” “Shrek 2,” “Madagascar,” “Kung Fu Panda,” “Megamind,” “Kung Fu Panda 2,” but if you ask a lot of people what they think the best DreamWorks franchise is, there is a chance that “How to Train Your Dragon” will be a contender. As this franchise has evolved, so have details in the animation, the hidden world sequence in this film shows off a dragon land beyond the imagination. Ending off everything with an emotionally satisfying note, “How to Train Your Dragon: The Hidden World” is a movie that made this guy cry, but just like a dragon, he was ready to fly. Congrats to “How to Train Your Dragon: The Hidden World,” the third, and maybe final, “How to Train Your Dragon” flick.

Speaking of visual animation, one of the most controversial subject matters that has been addressed in the film cycle of 2019 is the art of visual effects. In July, Disney’s live-action remake of “The Lion King” has lead many of its viewers scratching their heads because despite often being labeled as a live-action remake, others would say that since almost everything in that film has been made on a computer, it is within the animation genre. I did not see “The Lion King” this year, but regardless, it is something to think about. Similarly, Paramount’s “Sonic the Hedgehog” received criticism for its visual design of the titular speedy character, which prompted the crew behind that film to get back to work after the first trailer dropped. But one thing that is not controversial is that these are the nominees for Best Visual Effects. And they are…

  • Ad Astra
  • Alita: Battle Angel
  • Avengers: Endgame
  • Spider-Man: Far from Home
  • Star Wars: The Rise of Skywalker

And the Jackoff goes to…

“Alita: Battle Angel!”

The film “Alita: Battle Angel” is based off a manga series, and like the live-action redo of “Ghost in the Shell,” which comes from similar origins, “Alita: Battle Angel” as a visual story jumps off the screen to the point where its own future feels not only possible, but in some ways, desirable. “Alita: Battle Angel” does what films of its kind do best, immerse the audience with an experience that is as glamorous as much as it fills a hole by providing good old fast-paced entertainment. James Cameron has a credit for this film, and it is no surprise considering how much he is revered in the visual effects space of film. “Alita: Battle Angel” is as visually compelling as an intense game of Motorball. To all who have visually designed this film to its finest detail, pat yourselves on the back. Well done!

Now it is time for a segment that will be occurring ten times throughout the show, where we take a break from awarding, and show trailers for this year’s Best Picture nominees. The first one shall be revealed in just one second, but here is a description of what this first movie encompasses.

Marriage. Dealing with in-laws. Graphic violence. These are core elements of some of the Best Picture nominees here at this current ceremony. Although, this film has all three of those things. As Fox Searchlight celebrated its 25th anniversary, these characters celebrated togetherness in one moment, and then engaged in a hunt to kill within the next. Yours truly dubbed this film as “The Greatest Hide and Seek Story Ever Told.” After all, the film follows a newly married woman as she is forced to play Hide and Seek, with a sinister twist. Starring Samara Weaving as Grace, it is her objective to survive to the end while avoiding her recently established tradition-based in-laws who must eliminate their newcomer to the family if they too want to continue their own lives. Nominated for 5 Jackoff awards, THIS is “Ready or Not!”

“Ready or Not:” the perfect film to watch with your in-laws.

The next two categories are dedicated to sound. To specify, sound editing and sound mixing. Just like last year, sound editing will be presented first considering how sound editing is a process that comes earlier when making a film. As mentioned in 2019, one way to remember this is that E comes before M. These five movies have the best overall sound collections of the past year, and whether they are explosions, gunshots, or lightsabers, each one pulled the audience into the world of their respective films with ease. Here are the nominees for Best Sound Editing.

  • 1917
  • Alita: Battle Angel
  • Ford v Ferrari
  • John Wick: Chapter 3 – Parabellum
  • Star Wars: The Rise of Skywalker

And the Jackoff goes to…

“Ford v Ferrari!”

It’s official, “Ford v Ferrari” has received its first award show equivalent to the first sight of a checkered flag during a race! Personally, I experienced “Ford v Ferrari” in a large IMAX theater, allowing me to put myself in an atmosphere full of fast cars, Coca-Cola everywhere, and if you had to ask me what the best part of my experience was, it was undoubtedly the eargasmic sound work put into the film. Some people will tell you to wait for a movie to come out on DVD or On Demand and skip out on the theatrical experience, which I disagree with because the theater makes ANY movie better. That’s just a fact. With that being said, if you all have not seen “Ford v Ferrari” in a theatrical setting, you’re doing yourself a disservice and missing out on some of the most energetic racing scenes ever, and part of it has to do with the killer audio. “Ford v Ferrari” may be a rivalry story, but your ears will not be rivaled by the contents of this film!

Piggybacking off of sound editing, it is now time to move onto sound mixing. This category is dedicated to the artists who have turned up the volume, raised the decibel levels, and blown the roof off the place. These are the nominees for Best Sound Mixing.

  • 1917
  • Alita: Battle Angel
  • Avengers: Endgame
  • Ford v Ferrari
  • Star Wars: The Rise of Skywalker

And the Jackoff goes to…

“Ford v Ferrari!”

This is “Ford v Ferrari’s” second win meaning a couple things. First off, it has officially dominated the sound categories! Quite honestly, this should not come off as that big of a shocker. This is a film that is clearly designed for the big screen, meant to be obnoxious and immersive in every way, and it is beautifully pulled off. I have never been to a NASCAR race in my life, and I have no intention on going to one in the near future, but I am not going to deny that “Ford v Ferrari” absolutely feels like a NASCAR experience in a cinema. Not only are sounds for this film wonderfully implemented through conceptual thinking, but they also are leveled properly and add to the film’s fast pace. Congratulations to “Ford v Ferrari,” how many more awards will it get? It is too early to tell, but it has currently two of the awards it was nominated for. If it wins Best Supporting Actor and Best Picture, it will have won all the awards it was recognized for. But for now, a hearty congrats to “Ford v Ferrari,” the overall sound king of 2019.

Our second Best Picture nominee is a tale of class. Not only is it a classy motion picture from start to finish, but it highlights the differences between the thriving rich and barely surviving poor. The film follows a family who is trying to make ends meet, and miraculously manages to do so each and every day. As they begin to become a centerpiece of a rich family’s life, their own lives begin to alter. It is a twisty and turny ride to the very end. Brilliantly directed by Bong Joon Ho, it is a film that makes you, as an audience member wonder, how much planning went into it from the first draft, to the final cut. But for all we know, maybe there was not much planning in the first place. As Kang Ho-Song’s character Kim Ki-taek suggests, there is one kind of plan that never fails at all. The plan being… “No plan. No plan at all.” Nominated for 7 Jackoff awards, THIS is “Parasite.”

When a concept falls into place, it must be met with a proper setting. Similarly, when a design of an area or structure on paper or on a computer falls into place, it must be met with a proper set. They say that in life, looks are not everything, but a proper background and utilized sense of surroundings will always pack an extra punch into making a great film. Here are the nominees for Best Production Design.

  • 1917 (Dennis Gassner)
  • Joker (Mark Friedberg, Kris Moran)
  • Knives Out (David Crank)
  • Parasite (Ha-jun Lee)
  • Ready or Not (Andrew M. Stearn)

And the award goes to…

Dennis Gassner for “1917!”

Now, if this were a film that was presented like any other, this would probably have a decrease in its chances of winning, but keep in mind that not only did set design matter in terms of how compelling the movie itself could turn out, but how it was shot. “1917” is meant to look as if it is all done in one shot, making set design that much harder to accomplish and perfect. The main purpose of a set like this, at least if I were to build it, is to provoke a sense of detail and believability. If I as a viewer am not able to buy the “1917” set, then why am I watching the movie? However, the designers pulled it off and put yours truly into war. This is a sentence meant to be stated in the best possible way. Well done to Dennis Gassner, the production designer of “1917!”

Moving onto costume design, fun for Halloween, but a lifestyle for the makers of films. These five nominated costume designers have taken the following traits into account: Authenticity, detail, and glamour. It is the work of the costume designer that allows an actor to embody their character, because without them, there’s a good chance we’d be just be watching pornography. It’s the truth. Here are the nominees for Best Costume Design.

  • The Aeronauts (Alexandra Byrne)
  • Joker (Mark Bridges)
  • Knives Out (Jenny Eagan)
  • Little Women (Jacqueline Durran)
  • Ready or Not (Avery Plewes)

And the Jackoff award goes to…

Jacqueline Durran for “Little Women!”

Durran has been recognized over the years for many of her costume-related achievements. Some include 2017’s “Beauty and the Beast,” 2006’s “Pride and Prejudice,” 2017’s “Darkest Hour,” and she even did another noteworthy film this year, “1917,” which to be fair, did fairly well in this category, but only five films can make the cut. “Little Women” has had many media adaptations over the years, meaning there have been multiple interpretations of the cultural hit many would call a book. From Greta Gerwig’s personal touch to the well-thought-out filming locations to the chemistry provided between actors like Saoirse Ronan, Florence Pugh, and Emma Watson, it is no surprise that “Little Women” is a film that is fairly attentive to detail, which also shows in the realistic and gorgeous costumes worn by many of the film’s actors. Congratulations to Jacqueline Durran!

Our third Best Picture nominee is a love letter and tribute to the film industry of old, created from the visionary mind of Quentin Tarantino, one of film’s most ecstatic fans. Starring Leonardo DiCaprio as an actor, and Brad Pitt as his stunt double, it is a film displaying the decline of said actor, not to mention the alteration of his own industry. Taking place in the 1960s era of Hollywood, the film is a lively, fine display of Californian culture that is slightly interrupted with gory violence and bloody scenes. Above all, the film is a reminder of friendship, ageism, and the fact that Quentin Tarantino… REALLY likes feet. Nominated for 6 Jackoff awards, THIS is “Once Upon a Time in Hollywood.”

Just a fair warning before I present the next category, two of the movies represented here feature main characters who happen to be clowns. So if you want to avoid having night terrors, look away now in case one of those movies win. But believe me, they look good in make up, alongside three other films. Here are the nominees for Best Makeup & Hairstyling!

  • The Aeronauts (Jacqueline Bhavnani)
  • The Irishman (Sean Flanigan, Nicki Ledermann)
  • Joker (Nicki Ledermann and Kay Georgiou)
  • Judy (Jeremy Woodhead)
  • IT: Chapter Two (Sean Sansom, Shane Zander, Iantha Goldberg)

And the Jackoff goes to…

Nicki Ledermann and Kay Georgiou for “Joker!”

Fun fact, “Joker” is the first R-rated film to gross over $1 billion at the box office! Based on the iconic DC Comics character, he has been through multiple visions over the years from numerous actors, and given how this film takes place in a depressing time where nobody has hope, Joker himself can not be more appropriately designed. Now, “IT: Chapter Two” was nominated, which is an earned nomination. Pennywise’s makeup is incredibly well done and I will say other characters like Beverly looked appealing. Then again, it’s Jessica Chastain, she looks appealing no matter the situation. But between the two clown movies, “Joker” pops the balloons with gunshots and comes out on top. Ledermann and Georgiou, clown around!

Our next category is for Best Original Score, where by the way, John Williams has been nominated for the one millionth, five-hundred fifty-seventh thousandth, and second time in any of the award shows that he has been in! This should not however take away from the other artists who have created their own pieces of modern music people listen to not containing Taylor Swift’s breakups or what happened after you took a DNA test. Here are the nominees for Best Original Score.

  • Avengers: Endgame (Alan Silvestri)
  • How to Train Your Dragon: The Hidden World (John Powell)
  • Star Wars: The Rise of Skywalker (John Williams)
  • Uncut Gems (Daniel Lopatin)
  • Us (Michael Abels)

And the Jackoff goes to…

Alan Silvestri for “Avengers: Endgame!”

Here’s the truth about the Marvel Cinematic Universe movies. Over the years, yours truly has praised the MCU for the visual effects, the action, and its tendency to properly develop the stories of many of its characters. One lackluster element of many MCU films in my personal opinion has been the original score. While sometimes effective, it’s often nothing I want to listen to by myself the next day. Although in the past, films like “Iron Man 3” have been an exception with a hum-worthy and grand theme. And with Alan Silverstri in command, his work on both “Avengers: Infinity War” and “Avengers: Endgame” are both some of his absolute best, not to mention some of the all-time best in Marvel’s respective universe. If the Detective Comics Extended Universe had done one thing better than its Marvel competitor, it’s creating great original music from artists like Hans Zimmer (Man of Steel) and Rupert Gregson-Williams (Wonder Woman). However, with Silvestri’s previous efforts given in “Infinity War” and “Endgame,” it makes me think the scores have potential to be more memorable down the road. Will they be? We’ll have to see with films like “Black Widow” and “Eternals” hitting theaters this year. Congratulations to Alan Silvestri, your achievement must have been inevitable!

I have one shot to tell you what this fourth Best Picture nominee is, so I am not going to waste any time. It is a simple story involving two men at war who need to get from point A to point B with one thought in mind. Just don’t die. For these two, it is their mission to send a message in order to save sixteen-hundred men. Shot by last year’s Lifetime Achievement Award winner Roger Deakins, this film presents a concept lacking complexity, but fully displaying brutality. Perhaps one of the most innovative additions to the war film genre, Sam Mendes has written, directed, and produced a technical masterpiece that may, like World War I was supposed to, end all technical masterpieces. I personally hope there’s more to come, but you cannot deny how much work went into this piece of art. Nominated for 6 Jackoff awards, THIS is “1917.”

During last year’s Jackoffs, one of the pieces of work introduced was something I like to call “Film Improvements,” it is where I take a piece or a clip of a movie, in last year’s case it would involve films from 2018, and slightly alter it to maybe make it better or more meaningful than it already is. This year I have decided to revisit the concept given how no film is perfect. “Jaws” has a fake looking shark, “The Wizard of Oz” has a random bucket of water that can take out the Wicked Witch, and “Star Wars,” ironically, does not have stars fighting for supremacy. No film is perfect, but why not make the imperfect better? Here is my latest edition of “Film Improvements.”

Last year, I presented THIS award first, but now I need reasons to SUPPORT why I am putting this award here. Why am I doing this? Because it is my show and I can do whatever the hell I want! That’s a reason to support my statement! But let’s talk about supporting actors. Just because they are not at the forefront does not suggest they are any less important compared to other characters on screen. Between helping our main characters further unravel the story and meaning of the film and delivering a sense of charisma I would like to see from those who supported me in my life, the supporting actors of 2019 have broken their legs while audiences everywhere settle their legs on a chair. Here are the nominees for Best Supporting Actor!

  • Tom Hanks (A Beautiful Day in the Neighborhood)
  • Tracy Letts (Ford v Ferrari)
  • Shia LeBeouf (Honey Boy)
  • Al Pacino (The Irishman)
  • Brad Pitt (Once Upon a Time in Hollywood)

And the Jackoff goes to…

Brad Pitt for “Once Upon a Time in Hollywood!”

Pitt excels in his performance to a degree that I am unable to comprehend. Adding quirky flair and tons of personality, Brad Pitt plays one of the best characters who killed their wife I have ever seen, all the while having me in stitches and in an everlasting smile! What really sells Pitt’s character is his tendency to be charismatic and well-paced. Between the chemistry he brings to the table as Cliff Booth alongside main character Rick Dalton (Leonardo DiCaprio) and the perfect delivery of lines given to him in the scene where he trips on acid, Booth plays one of this year’s funniest characters and does so in true Quentin Tarantino fashion. There is a reason why additional supporting actor Timothy Olyphant suggested, “I’d never leave my wife for another woman. But there’s a chance, I might leave her for Brad Pitt.” Congratulations to Brad Pitt, and because he won the award, here is a clip of Brad Pitt’s performance in “Once Upon a Time in Hollywood.”

But of course, you cannot have a Best Supporting Actor category without a Best Supporting Actress category. The five supporting actresses represented here have delivered lines with excellence, portrayed their characters with proficiency, and fulfilled the director’s vision by embodying the spirit of the film. Here are the nominees for Best Supporting Actress!

  • Shuzhen Zhao (The Farewell)
  • Scarlett Johansson (Jojo Rabbit)
  • Toni Collette (Knives Out)
  • Laura Dern (Marriage Story)
  • Annette Bening (The Report)

And the Jackoff goes to…

Laura Dern for “Marriage Story!”

Dern has been a prolific actor in recent years appearing in films such as “Star Wars: The Last Jedi,” “Downsizing,” “The Founder,” and she’s even done some notable TV work as well including “Big Little Lies” and “F Is for Family.” However, there is no denying that when it comes to “Marriage Story,” Dern provides an overall fantastic presence as her character of Nora Fanshaw. A lawyer who needs to defend her client, Nicole, who is currently going through her divorce. Not only does Dern play an appropriate character for the role at hand, but she does so with the most proper of possible mannerisms and her attitude is top notch to the point where it matches the character’s personality. If there is one strong point to talk about in “Marriage Story,” it is in all likelihood, the acting. Three of the film’s actors are nominated as part of this ceremony, and tying in with “Knives Out,” “Marriage Story” has the most acting nominations at this year’s ceremony! To be specific, 3 in total. Congrats to Laura Dern, and with that being said, here is a clip of Laura Dern in “Marriage Story.”

Our fifth Best Picture nominee is inspired by true events and stars its own writer, Shia LeBeouf. Originally conceived during Shia LeBeouf’s personal experience in rehab, the film goes over the struggles of having an abusive parent. It not only dives into a series of hard times during childhood, but it reveals the after effects once the abused child reaches a certain age. As the feature-length debut given to us by Alma Har’el, this first-time directorial effort comes off like a culmination of somebody’s life’s work. Slight digression, but I will also make the argument that this nominee may have the all-time greatest film shot featuring pie. Nominated for 4 Jackoffs, THIS is “Honey Boy.” 

It is now time for this year’s Lifetime Achievement Award. As promised last year, the recipient of last year’s Lifetime Achievement Award will officially have future Lifetime Achievement Awards named after them, so this year, I am going to be presenting the Roger Deakins Lifetime Achievement Award! Also like last year, I did not plan a video in advance for the winner. In fact, this is as spontaneous as a Lifetime Achievement Award can possibly get. Of course, there will also be another Lifetime Achievement Award, specifically presented to someone who is no longer with us, but has been graceful through the many years of the art of filmmaking.

The winner of the 2020 Roger Deakins Award is a BAFTA Winner, a Golden Globe Winner, an Emmy winner, and an Oscar nominee. He is an actor who has been in the business since the 1970s, making his prominent field debut in a short known as “The Hat Act.” He would eventually go on to embody iconic characters in many classic films. Some include Carl Specklar in “Caddyshack,” John from “Stripes,” Dr. Peter Venkman from “Ghostbusters,” and eventually recapturing the magic of a character like Bosley in “Charlie’s Angels,” not to mention Baloo in 2016’s “The Jungle Book.” He also played Phil in “Groundhog Day.” He also played Phil in “Groundhog Day.” He also played Phil in “Groundhog Day.” He also played Phil in “Groundhog Day.” He also played Phil in “Groundhog Day.” It’s a movie where Phil lives the same day over and over again. The man has lived long enough to play himself in films like “Space Jam” and “Zombieland,” where he was not afraid to suck the brains out of his own work in “Garfield,” which he must hate more than Mondays. He has a proper relationship in the business with director Wes Anderson, appearing in all of his films with the exception of “Bottle Rocket,” Anderson’s independent debut. Films like “Rushmore,” “Fantastic Mr. Fox,” “The Grand Budapest Hotel,” and “Isle of Dogs.” If there’s something gold, and it really looks good, who ya gonna call? BILL MURR-AY! This year’s Roger Deakins award is given to the one, the only, Bill Murray!

If this were a Nickelodeon Kids’ Choice Award, Bill Murray would definitely be slimed, but since it is the Jackoffs, it is my pleasure to simply hand over the gold. Congratulations to Bill Murray, a man of talent, humor, and charisma. This year he is appearing in “Ghostbusters: Afterlife,” so hopefully his work will continue to represent an amazing level of quality.

One of the most popular types of films over the previous decade has been the superhero and comic book movie. I am willing to bet that a lot of people who go to see these movies enjoy them, but don’t read the comic books. Not that there’s anything wrong with that, of course. Comic book movies have been, and with the ongoing success of say the Marvel Cinematic Universe, will continue to be a major force in the industry. This past fall, I took a trip to one of my local comic book shops by the name of Harrison’s Comics, located in the historic and spooky Salem, MA, and interviewed the owner. I figured, comic book films are the thing right now, but why not get in touch with someone who surrounds himself with more than just the movies, more than just the TV shows on networks like CW. Here is my interview with Larry Harrison, the owner of Harrison’s Comics.

I just want to continue on from this with a true story. Before I even did the interview, I figured I’d get Larry a gift card to thank him for his participation. I had no clue what he would say to the questions I gave him, but he clearly represented himself as someone who does not buy anything digitally. I should have thought of that before giving him a card from Amazon. I swear to you this is true, I told him I got him a gift card, I had an envelope prepared and everything. I told him to just be prepared for what I’m about to give him, because based on recent utterances, he might throw the gift out the window! I even took the liberty of OPENING THE ENVELOPE FOR LARRY instead of letting him do it himself! I felt like a “Price is Right” model! I then take the letter out, open it, reveal the gift card, and being a classy dude and good sport, he just goes, “You know who’d like this, my wife.” Special thanks to Larry Harrison, and let me know if you need a new gift card in the future.

Our sixth Best Picture nominee is the only animated film on the list and the concluding chapter to one of DreamWorks’ most beloved franchises. When a city full of humans and dragons becomes overpopulated, it is up to its citizens to find a new home where everyone can thrive. At the same time, the vicious dragon hunter Grimmel will not stop until he captures the Night Fury audiences everywhere have come to know over the years. Throughout, viewers witnessed a story of companionship and growth, to the point where the film reveals that sometimes it is best to let things go. Stunningly animated and full of emotion, it is a step in the right direction for DreamWorks, not to mention their new parent company, Universal, who made this film together to kick off their partnership. Nominated for 5 Jackoff awards, THIS is “How to Train Your Dragon: The Hidden World.”

Our next two categories of awards belong to screenplays. Specifically, adaptations and originals. Starting off with the adaptation category, it is the job of the writers behind these screenplays to take preexisting material and define it for a specific era. It is also their job to continue the stories and traditions that may go far back from generation to generation, bringing said material to the forefront for our current generation. These five nominees have put a little originality or vision into the works of several storytelling gods. Here are the nominees for Best Adapted Screenplay!

  • A Beautiful Day in the Neighborhood (Micah Fitzerman-Blue, Noah Harpster)
  • Blinded by the Light (Sarfraz Manzoor, Gurinder Chadha, Paul Mayeda Berges)
  • How to Train Your Dragon: The Hidden World (Dean DeBlois)
  • Jojo Rabbit (Taika Waititi)
  • Joker (Todd Phillips, Scott Silver)

And the award goes to…

Taika Waititi for “Jojo Rabbit!”

One of the most prolific people in the film industry right now is Taika Waititi. The dude can act, he can direct, he can write, he can do all sorts of things! “Jojo Rabbit” earned its nomination, not to mention its win for basically packing in all sorts of genres within one movie and doing so effectively. It’s a satirical comedy where Adolf Hitler just happens to be a scene stealer! It’s a coming of age tale about a young boy who is raised in Nazi Germany! It’s a tragic war story! And if none of those elements came together and worked like a charm, this movie would not be getting the praise it deserves. Taika Waititi, you have outdone yourself! And even though I failed to nominate you for your performance as Hitler, that was a killer portrayal! Well done!

As for original screenplays, it is the job of the writer of said projects to create something innovative, magical, and something beyond the imagination. But much like adapted screenplays, it is also the job of the writer to trigger emotion, reactions, and attention. These five nominees have adapted a style to be original. Here are the nominees for Best Original Screenplay!

  • Honey Boy (Shia LeBeouf)
  • Marriage Story (Noah Baumbach)
  • Once Upon a Time in Hollywood (Quentin Tarantino)
  • Parasite (Bong Joon Ho, Jin Won Han)
  • Ready or Not (Guy Busick, R. Christopher Murphy)

And the award goes to…

Guy Busick and R. Christopher Murphy for “Ready or Not!”

“Ready or Not” is my #1 favorite film of the year 2019 for many reasons, and part of it has to do with the bonkers script that takes a crazy concept and turns it into gold! How many times have all of you seen a movie where a couple gets married and has to play a game to get the newcomer to join the family? The game, hide and seek! As a horror, the movie is suspenseful and scary! As a comedy, it’s hilarious! As something that falls in the mystery genre, it is absolutely brilliant! “Ready or Not” has a sense of consistency to the end, making my second viewing of the film very fun. The characters all have phenomenal chemistry, even when there is absolute hell going down. Well done to the writers of “Ready or Not,” you kept me on the edge of my seat in a way very few films this year did!

Our seventh Best Picture nominee is the perfect film to watch with your family. I say so because it does highlight a lot of what can go on during a family gathering. Maybe you’ll fight to the point where you want to murder somebody…  Maybe you’ll want to leave with somebody else to avoid all sorts of chaos… Maybe you’ll tell everyone around you to eat s*it because you hate them so much, there’s so much truth to this film! Anyway, helmed by Rian Johnson, this original murder mystery is likely to entertain the many viewers who tune in, but let’s just hope it does not make them hate time with their loved ones. With an ensemble including Daniel Craig, Jamie Lee Curtis, Toni Collette, Christopher Plummer, and Chris Evans, this film contains many actors who have established their name, all the while making this film as SHARP as it could be. Nominated for 7 Jackoff awards, THIS is “Knives Out.”

The Jackoff Awards are meant to be a celebratory event. With that being said, one of the biggest film news stories of 2019 is that the Academy Awards was going to potentially avoid presenting Best Film Editing and Best Cinematography live and instead, present them during the commercial breaks and show them to home viewers later on. That did not sit well with people, especially those in the industry, so the Academy quickly backtracked on the idea. I can officially confirm that at this year’s Jackoffs, all categories are presented equally. This even includes my next categories, the recently mentioned Best Film Editing and Best Cinematography. As for these next five nominees, they have officially established themselves… as cut gems. Here are the nominees for Best Film Editing.

  • Joker (Jeff Groth)
  • John Wick: Chapter 3 – Parabellum (Evan Schiff)
  • Marriage Story (Jennifer Lame)
  • Once Upon a Time in Hollywood (Fred Raskin)
  • Parasite (Jinmo Yang)

And the Jackoff goes to…

Jinmo Yang for “Parasite!”

The movie “Parasite” is no joke whatsoever. It is EVERYTHING that you all have heard. It’s creative, brilliant, and top-notch! As for the editing, this is something I failed to appreciate for a little bit, but the reality is that this contains one of the most well-put-together scenes of its respective year. There is an extended montage in the film about a third of the way through that not only contains great shots and stellar ideas brought to the screen that are executed well, but it even has a great score behind it! Scenes like this, and many others, that easily manage to implement proper timing in lines, dialogue, music, and cinematography, are why “Parasite” deserves as much praise as it is getting. It’s not too fast, not too slow, it’s just a masterpiece. “Parasite” is cut out to be the winner!

Continuing on, we dive to a category that is fairly exclusive to the art of film, not to mention television, Best Cinematography. Whether a movie is shot conventionally, as if it were ongoing, or in old timey black and white and full screen, the cinematographer behind each of these five nominees have not only helped the director carry out their vision, but let us, as an audience, visualize the surroundings of each story. Here are the nominees for Best Cinematography!

  • 1917 (Roger Deakins)
  • Ad Astra (Hoyte Van Hoytema)
  • The Lighthouse (Jarin Blaschke)
  • Parasite (Kyung-pyo Hong)
  • Us (Mike Gioulakis)

And the Jackoff goes to…

Roger Deakins for “1917!”

This is “1917’s” second win of the ceremony! Good news for Roger Deakins, not only did he get a Lifetime Achievement Award here named after him, but he does not have to wait ten, eleven, twelve, thirteen times to finally possess a respective award like this. “1917” is some of Deakins’ most innovative and groundbreaking work. Yours truly would probably consider “1917” up there with films like “Birdman” in the top 5 cinematography-related achievements of all time. Knowing Deakins’ achievements like “The Shawshank Redemption,” “The Big Lebowski,” and “Skyfall,” this certainly suggests something. Universal Pictures is responsible for “1917,” if Universal ever wanted to make a war themed ride to put out at one of their amusement parks, “1917” would be a great piece of inspiration for the product, and maybe it could be heavily based on the movie. Deakins, you are a god, and so is this spiritual experience of a film.

Our eighth Best Picture nominee is a glimpse into something that I myself have been through… Divorce. While I personally have never been married, as a child of divorce, I was able to emulate the emotions of at least what one person was going through during this motion picture. Featuring some of the year’s finest chemistry between leads Adam Driver and Scarlett Johansson, director Noah Baumbach has taken a concept often associated with struggle and turned it all into a slice of life roller coaster. It is a film that reminds us that we all have our own paths in life and they may not be easy to follow. Plus, even though they often say divorce is hardest on the children, the film displays hardships on the divorcing couple of Titanic-level tragedy. Nominated for 6 Jackoffs, THIS is “Marriage Story.”

One of the biggest film stories of 2019 is Disney’s finalized takeover of their recently purchased Fox assets. This included notable film studio names including 20th Century Fox, Fox Searchlight, and Fox 2000 (officially no more). They also have ownership of FOX-related networks like FX, FXX, and National Geographic. The Walt Disney Company now owns current movie franchises like “X-Men,” “Kingsman,” “Planet of the Apes,” and “Avatar.” They also own current TV shows like “The Simpsons,” “Family Guy,” “Bob’s Burgers,” and “9-1-1.” These additions have increased Disney’s empire-like presence over the media industry, leaving certain cinephiles worried about the history of film itself. In fact, one of my worries was that Disney was going to prevent making any R rated films in the future. I’m still scared that we may be getting a PG-13 “Deadpool” (despite various pieces of evidence that we are not), I am scared of the lack of diverse voices and types of films we could get down the line, and I am also scared of how Disney is going to be handling Fox’s past work. And with the new Disney+ app being successful, the company’s growth is definitely not grinding to a halt. Much to my surprise, Disney has since become less family-friendly, because they decided to go full George Lucas and change some Fox films of the past slightly. These changes are not the best for your next family movie night. For the record, I am one of the only people who has actually seen these changes, so it is my pleasure to share these with you. Here are some surprising changes Disney has made to Fox films of the past in a bit I like to call “Disbleep.”

Songs are more than music. Songs are more than just those tunes that get inside your head while on your way to work. To some, songs are a way of life and just a simple lyric can define the path one will ultimately take. These five songs here and now have demonstrated excellence through the combination of vocals and instruments. Here are the nominees for Best Original Song.

  • The Hide and Seek Song- Headquarters Music (Ready or Not)
  • Home to You- Sigrid (The Aeronauts)
  • I Can’t Let You Throw Yourself Away- Randy Newman (Toy Story 4)
  • I’m Gonna Love Me Again- Elton John, Taron Egerton (Rocketman)
  • Together From Afar- Jónsi (How to Train Your Dragon: The Hidden World)

And the Jackoff goes to…

“Home to You” by Sigrid, featured in “The Aeronauts!”

Fun fact about this particular win, this is the first win ever at the Jackoffs for an Amazon movie. Last year, “Cold War” was nominated for cinematography, which it ended up losing to one of the frontrunners, “Roma!” This year, Amazon has multiple movies represented including “The Report,” “Honey Boy,” and as of now, the Jackoff-winning film “The Aeronauts.” Amazon’s “The Aeronauts” never really sat well with yours truly as a story, partially because it involved a huge alteration regarding the main characters. However, once the movie ended and Sigrid’s “Home to You” began playing during the end credits, it sort of the captured the spirit the film seemed to be going for. The film does have an advantage compared to films like “Toy Story 4” and “Rocketman,” where I watched those films only once earlier on in the year. But the original songs from those films, as charming and well done as they are, never stuck with me. “Home to You” sounds like what I would want to hear out of a film presented in the style of what “The Aeronauts” was trying to be. Plus, “Home to You” in general comes off like a solid example of what an end credits song should be. It sort of adds a satisfying feeling to the table that I as a viewer probably did not think I would have needed. Sigrid sang her notes with serious skills, the song overall is soft, yet sweet, but because of the way it is presented, I personally cannot imagine a song like “Home to You” being done differently. Congratulations to Sigrid and to Amazon for earning their first ever Jackoff award! Don’t worry, the shipping’s free! If you want to listen to “Home to You” click the video below!

If actors are puppets, then directors are puppet masters. In case you all have recently lost track of time, it is the year 2020. Many people have put this year together with “20/20 vision.” As far as year the goes for 2019, its predecessor, specifically in films, these five directors have officially realized their own visions before a year of solid eyesight. Speaking of eyesight, it is through our eyes that we see these visions come to life on the big screen, and it is through future generations’ eyes where they see these visions on small screens. Here are the nominees for Best Director.

  • Sam Mendes (1917)
  • Alma Har’el (Honey Boy)
  • Rian Johnson (Knives Out)
  • Quentin Tarantino (Once Upon a Time in Hollywood)
  • Bong Joon Ho (Parasite)

And the Jackoff goes to…

Sam Mendes for “1917!”

Earlier in the decade, Mendes helmed two James Bond titles, “Skyfall,” and “Spectre.” At the end of this decade, Mendes took on the ambitious project of “1917,” the story of two soldiers who need to hand-deliver an important message. Mendes, through the power of solid directing, delivered a message too. The message that he does not mess around! All five nominees are incredibly deserving of being credited here, but Mendes delivered something with “1917” that was not only the product of a vision, but something that appears to be incredibly hard to make. Lucky for Mendes, he surrounded himself with solid talent including recently crowned cinematographer Roger Deakins, well-known actors including Colin Firth and Benedict Cumberbatch, not to mention some solid artists behind sound and visuals. “1917” is a jaw-dropping epic from aspects including the stellar chemistry between characters to the groundbreaking “one-shot” idea that has been done before, but there is no denying that it is deserving of applause based on how well-executed it is here. One of the main goals of many war films is to make the audience feel as if they are a part of the action, maybe in a near-uncomfortable way. “1917” does that, and a lot more to satisfy someone like me. A hearty congratulations to Sam Mendes, and if Bong Joon Ho is reading this, sorry if this keeps you from having a drink. But nobody’s stopping you! So go party!

Our ninth Best Picture nominee is not a goodbye, nor a departure, but more of a welcoming to its audience to experience a story centered around tradition. Set mostly in China, it is the story of a woman who is terminally ill unbeknownst to her while she is surrounded by the family she has come to know, including a “stupid child.” Starring Awkwafina of “Crazy Rich Asians” fame, this film reveals the tragedy of loss while also reminding us that our own lives are beautiful in each of their own ways. In a year of phenomenal endings, this film delivers one of the most emotionally satisfying conclusions to a flick that yours truly has watched in 2019. Nominated for 3 Jackoff awards, THIS is the “The Farewell.”

This, like many awards shows, has probably taken as long as “Avengers: Endgame,” but three categories remain until you can all be disappointed that there is no end credit scene and just move yourselves away from here.

While it is certainly the director’s job convey the actions and emotions of a film, the job of a director, much like many other positions would likely not be possible in the film industry if it were not for the actors who show up to set, ready to interact with their ensemble. Actors can disappear in one moment from their real life persona, and magically reappear as a fictional character, or an icon that is about to deliver grace to the screen through the power of showmanship. These five actors, not to mention actresses, who we’ll get to in a second, have embodied well-contrived characters with proper execution. Here are the nominees for best actor!

  • Joaquin Phoenix (Joker)
  • Daniel Craig (Knives Out)
  • Adam Driver (Marriage Story)
  • Leonardo DiCaprio (Once Upon a Time in Hollywood)
  • Adam Sandler (Uncut Gems)

And the Jackoff goes to…

Joaquin Phoenix for “Joker!”

This may be the single-hardest category of the ceremony, sort of like last year. Sandler delivered what may have been a career-best performance that can make a viewer have a heart attack. DiCaprio portrayed a fine character and matched through great chemistry with supporting actor Brad Pitt. Speaking of chemistry, Driver killed it in the film “Marriage Story,” where his chemistry with Scarlett Johansson delivered one of the best argument scenes of the past few years. Craig helped craft something special with his performance of Benoit Blanc in Rian Johnson’s “Knives Out,” where he develops a southern accent and ignites the quirky fun to be had. But a Phoenix has risen. One reason why Rami Malek won last year for his performance as “Bohemian Rhapsody’s” Freddie Mercury is because of not only his ability to deliver lines, but to also be physically convincing. I cannot think about the “Joker” without directing mental attention to the “stairs” scene. It is something so simple, but it is also weirdly magical. The performance has everything from dramatic delivery of lines to convincing physical motions and endless laughter! As a comic book movie fan, I have noticed that throughout many performances given by those who played the villainous clown by the name of “The Joker,” they all feel like they belong in their respective environment. Even though I and many others are not particularly fond of Jared Leto’s “Joker” introduced in “Suicide Squad,” it is a decent representation of the character when considering its surroundings. “Joker” takes place in a depressing 1981, and Arthur Fleck is a fine embodiment to portray what could be an opposite for those meant to represent said time. Many of the characters in “Joker” are either serious or down. While Fleck definitely shows signs of being down, he is slightly more hyperactive, a little more upbeat. I left “Joker” feeling like I witnessed something kind of nuts, and part of it has to do with the bonkers, but serious portrayal of Batman’s arch nemesis. Here is a clip of Joaquin Phoenix in “Joker!”

And with a Best Actor win, also comes a Best Actress win. Here are the nominees for Best Actress!

  • Awkwafina (The Farewell)
  • Ana de Armas (Knives Out)
  • Scarlett Johansson (Marriage Story)
  • Yeo-jeong Jo (Parasite)
  • Lupita Nyong’o (Us)

And the award goes to…

Scarlett Johansson for “Marriage Story!”

I was not lying earlier! The acting in “Marriage Story” is easily the best part of the movie. When it comes to actors, I have been debating who exactly this has been the year of. Is it Keanu Reeves? Is it Tom Holland? Is it Brad Pitt? Tom Hanks? Adam Driver? Chris Hemsworth, maybe? Let me direct your attention to an actress who may have had one of, if not her best year yet, official Jackoff winner Scarlett Johansson. While her first appearance in a film this year was uncredited, specifically in “Captain Marvel,” she quickly found a presence in the MCU’s next film, “Avengers: Endgame,” which without spoilers, she had a crucial role in. The film went on to gross over not one, but two billion bucks, eventually leading to its official crowning of the biggest film of all-time, beating James Cameron’s “Avatar.” Then she gives one of the finest supporting performances this year in Taika Waititi’s “Jojo Rabbit,” which she was also nominated for. But nothing beats “Marriage Story.” The film is not only a great look inside what happens when a divorce-bound couple is driving themselves up a wall, but it is enhanced through its performances, including Johansson’s. The actress portrays Nicole, who wants to make a life for herself in LA, as opposed to New York, a location where her husband (Adam Driver) seems to be more fond of. Partially through the excellent writing and direction, Johansson plays her character with absolute power, especially during the argument scenes. I felt the pain of this couple as they broke themselves down, mocking each other, and eventually setting themselves on fire internally. Here is a quick glance at Scarlett Johansson in “Marriage Story.”

We are nearing the very end of the ceremony, and we still have one more award to present, Best Picture. But before we get to that, we need to continue on with the show by awarding tonight’s second Lifetime Achievement Award. Specifically, the Stan Lee Award. For those of you unfamiliar with the Stan Lee Award, I gave myself the opportunity to award a posthumous Lifetime Achievement to one individual, which in the previous show’s case happened to be Stan Lee. Much like the Roger Deakins award, this award will forever remain named after the legendary comic book creator. Given how Stan Lee passed in 2018, it is now time to honor someone who passed in 2019. After all, we are the reaching the end of the road. Why not end said road… with the end? This year’s Stan Lee award is given to an influential name throughout the film industry. Born July 18th, 1933 in St. Paul, Minnesota, this individual was about to make a mark on movies like few ever would in terms of how they are presented. Given what he would do later in the realm of filmmaking, it should be no surprise that his father would read him pulp magazines like “Flash Gordon.” After graduating high school, he served in the U.S. Army, and went to Art Center School in California. Soon thereafter, he worked with Ford Motor Co.’s Advanced Styling Studio, and eventually started his own company in 1970. Phillips was a grand supporter of this fellow, becoming an early client who would receive designs down the road. Did I mention books yet? Yes, in an illustrious life of his, he took time to illustrate books too! This illustrious career also led to him providing architectural renderings for establishments including Intercontinental Hotels. It is no surprise that in a career that involves visuals, he would use those for the art of filmmaking. Providing an outlook for films including “Aliens,” “Tron,” “2010: The Year We Make Contact,” “Mission: Impossible III,” and “Tomorrowland,” the man has built quite the resume. Many of his credits come from the Art Department, including one of his finest achievements, “Blade Runner,” the influential noir flick from “1982” that would become a cult classic. He even came back for the sequel, “Blade Runner 2049,” thirty-five years later. Speaking of influence, while the man himself never had a credit for any portion of “Star Wars,” George Lucas suggested the design for the AT-AT is inspired by this gentleman’s art. Said gentleman released his autobiography in 2018 titled “A Future Remembered.” I’m sure your work, as far as the future goes, will be remembered for generations. This year’s Stan Lee award goes to Syd Mead!

In “Back to the Future Part III,” Doc Brown said “Your future is whatever you make it.” For Syd Mead, not only was he determined to make his future a great one, but develop many other futures along the way. From “Star Trek: The Motion Picture” to “Blade Runner 2049” these written futures would not be possible if it were not for Mead. Congratulations, and may you forever rest in peace.

Our tenth and final Best Picture is a triumphant story for the American car industry. During an unfortunate time for the Ford Motor Co., the organization must come up with a plan to remain relevant and avoid running out of gas. It is eventually thought out that the company must make a racecar to beat Italy’s Ferrari at the 24 Hours of Le Mans of 1966. With such thoughts in a drivers’ seat position, engineer Caroll Shelby, portrayed with excellence by Matt Damon alongside car driver Ken Miles come together to build the ultimate racing machine. The film dives deep into a revolutionary story for driving, but it does not take away from the just as revolutionary sound and overall theatrical experience such a film can deliver. Nominated for 4 Jackoff awards, THIS is “Ford v Ferrari.”

We are now in the final moments of the ceremony. Warren Beatty and Faye Dunaway can now say with pride that they DO NOT have to present Best Picture. So guess what? The Movie Reviewing Moron will do so himself! 2019 has been a haven for film fans everywhere. We were introduced to some fascinating titles like “Just Mercy,” “Richard Jewell,” “Queen & Slim,” and “The Two Popes.” How are they fascinating? I don’t know! I have not seen any of them! But, these ten films I am about to present to you right now have defined my film cycle of 2019. These are the films that I walked into with curiosity, watched with attention, and left with satisfaction, or maybe the desire for more. Although, this is not all about me, because these are YOUR VOTES, even though these ten movies are my personal faves, 13 of you got to choose which of these was your fave. Here are the nominees for Best Picture!

  • 1917 (Pippa Harris, Callum McDougal, Sam Mendes, Brian Oliver, Jayne-Ann Tengren)
  • The Farewell (Anita Gou, Daniele Melia, Andrew Miano, Peter Saraf, Marc Turtletaub, Lulu Wang, Chris Weitz, Jane Zheng)
  • Ford v Ferrari (Peter Chernin, James Mangold, Jenno Topping)
  • Honey Boy (Brian Kavanaugh-Jones, Christopher Legget, Daniela Taplin Lundberg)
  • How to Train Your Dragon: The Hidden World (Dean DeBlois, Bradford Lewis, Bonnie Arnold)
  • Knives Out (Ram Bergman, Rian Johnson)
  • Marriage Story (Noah Baumbach, David Heyman)
  • Once Upon a Time in Hollywood (David Heyman, Shannon McIntosh, Quentin Tarantino)
  • Parasite (Sin-ae Kwak, Bong Joon Ho)
  • Ready or Not (Bradley J. Fischer, Willem Sherak, James Vanderbilt, Tripp Vinson)

And the Jackoff goes to…

“1917!”

This is “1917’s” FOURTH win of the ceremony! Of the six nominations “1917” has received prior to today’s show, it has also won Best Cinematography, Best Production Design, and Best Director. The film has also been nominated for Best Sound Editing and Best Sound Mixing. It is also the first Best Picture winner distributed by Universal Pictures.

Films tell you a lot of things based on what is visually represented. But they can be provide great emphasis on the meaning of life. The reality of life is that you only live once, you have one opportunity to make your life the best it can be. YOU GET ONE SHOT. No do-overs. No mulligans. Just one shot. “1917” is a film that put me into a war zone by literally making the camera another set of eyes for about a couple of hours. With virtual reality becoming increasingly popular, it is safe to say that “1917” is one of the closest attempts in regards to filmmaking of getting to the scale and scope of virtual reality without goggles. One weird fact about “1917” is that despite being what one would technically refer to as a 2019 film, it released in most areas, at least most areas in the United States, in 2020. It’s safe to say that good things do come to those who wait. Stories involving war have always been a target for award shows. “Schindler’s List,” “Saving Private Ryan,” “Dunkirk,” and now “1917.” Other Best Picture competitors such as “Knives Out” or “Ready or Not” mostly made me have fun and ignited my willingness to cheer at the screen at least once. “1917” on the other hand left me in silence as I tried to process whatever in the ever-living f*ck I just witnessed. Because the reality is that “1917” is one of the most competently made films I have seen from a technical perspective. I left the auditorium, after being in awe of what I just witnessed, applauding as a sign of respect to the crew who made the best possible movie they could, feeling as numb as a tooth in its last moments before getting a cavity filled. Critics have responded to this film with positive reviews, leading to its 78 on Metacritic and 89% on Rotten Tomatoes. Audiences have also responded to this film with a current score of 88% on Rotten Tomatoes and a decent run at the box office so far. Therefore it is no surprise that “1917” has won the popular vote! The film really has had quite the run in regards to this year’s award season. It spun the Golden Globes to receive Best Picture-Drama. Not only did it win the DGA, but also the PGA! It flocked across the pond to take home a BAFTA. And now, it has received the most important movie blogging award in history, the Jackoff! Congratulations to the producers, cast, crew, and all others behind “1917!” You have won Best Picture!

Thanks for tuning to the 2nd Annual Jackoff Awards! An epic as stretched out as “Avengers: Endgame!” If you made it to the end, I love you 3,000! You’re unbelievable! I hope you enjoyed this one of a kind style of award shows that maybe unintentionally puts a person to sleep, and I will hopefully be doing a third edition come 2021. I should point out, I’m thinking of changing the name, but that is not a certainty at this point. Congratulations to “1917!” for winning Best Picture, plus the other four victories it snatched at this point! Congratulations to “Parasite” and “Knives Out” for receiving the most nominations for tonight’s ceremony! Congrats to all the other nominees! You’re all breathtaking!

That’s the show! Follow Scene Before through an email or WordPress account, check out the blog’s Facebook page, and my personal Twitter account (@JackDrees) for the latest shenanigans from the Movie Reviewing Moron! Peace out! Stay tuned for more great content! Scene Before is your click to the flicks!

NFL at AMC Theatres: Is It a Touchdown?

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Hey everyone, Jack Drees here! As an American, there is no denying that during this time of year, football is one of the priorities of most people around me. Personally speaking, I think it is a complete waste of time and nothing more than grown men hitting each other over a brown object. It does have its moments, but football is obnoxious to the point of insanity at times, and sports are not my thing in general. Granted, I live in New England, which would mean I would be somewhat pressured to celebrate my “culture of victory” from time to time, but it doesn’t mean I enjoy football as a sport. That being said, I come from a country that seems to put football over literally anything else, so I find it to be no surprise that AMC Theatres is planning to capitalize on the sport.

While we aren’t getting a thousand football-oriented movies right now, we are in the middle of the current NFL season. And during this season, AMC is planning on showing football games at select theaters on Sundays. Keep in mind, I said select theaters, there’s a chance that the closest AMC to your house might not be taking part in this.

What are the requirements?

First, you must be an AMC Stubs member. It doesn’t matter what level you’re subscribed to. If you don’t want to waste any money on a membership, you can snatch a Stubs Insider ID for free. The other membership levels, Premiere and A-List, come with more perks, but also with higher prices.

Second, you don’t have to buy a ticket to watch a football game in the theater, BUT if you want to sit down in the theater and watch the game, you need to spend at least $10 on food. I think this manages to make a lick of sense, because let’s say you are watching a game at your house. You might intend on ordering food sometimes like wings or pizza. Or you go outside of the house to a bar and buy food. This is AMC’s equivalent to that, because let’s face it, food and sports have gone together since the dawn of time. That, and food is how AMC usually makes its money as opposed to tickets.

Also, keep in mind that these are for SUNDAY GAMES ONLY. Typically, NFL games are played on Sunday, so this doesn’t seem to be much of an issue, but if you were say looking forward to this Monday’s game between the Bears and the Redskins and planned on catching it at an AMC, don’t get your hopes up.

One interesting thing about this concept is that on AMC’s website, users can vote for which teams or games they would like to see. This is sort of surprising, because I figured AMC would already have these games preplanned. Because when you go to a local bar, you’d most likely expect them to have at least one TV playing the “local” game. If you go to a bar in Boston, you’d expect to see a Patriots game. If you go to a bar in Philadelphia, you’d expect to see an Eagles game. If you go to a bar in Miami, you’d expect to see a Dolphins game. Keep these thoughts in mind by the way…

On the list of theaters testing this out, there are three in my area, specifically the Boston/Massachusetts markets, showing NFL programming: AMC DINE-IN Framingham 14, AMC Liberty Tree Mall 20, and AMC Methuen 20. One surprise about this to me however regards the state of New York. If you look on the website showing all of the participating theaters, not one happens to be in New York, which surprises me since it is such a highly populated state. Not one theater in even New York City, of all places, happens to be doing this? If you want, you can drive down to Edison, NJ which has the AMC DINE-IN Menlo Park 12 but I am not here to control your life.

Another thing I noticed that may get some people excited is that the games seem to all be in reclined theaters. Of the three recently mentioned theaters, they all have the leather reclining seats that go back to make you feel like you are in your living room. I feel like that was intended because one of the disadvantages of a bar for some viewers, from what I would imagine is that the environment could be lively, but they have no choice except to sit in a a less than comfortable chair (depending on the occasion) or to stand. This does suggest that the games will be shown in theaters that do not have the largest capacities in the AMC chain, but there is no doubt that the environment will be comfortable.

One slight inconvenience about this idea however is that if you want to get tickets, you can’t do it a week in advance or even a few days in advance if you really wanted to. Why? Because times for NFL games at AMC locations are listed every Friday evening. And since AMC only airs Sunday games, this gives you a maximum of perhaps two full days to snag tickets.

To be honest though, if you are a football fan and are picky about your teams or will only choose to support whatever team is close to you, you won’t always get what you want. Because let’s take the three theaters I brought up in the Boston area, they are airing multiple games at different times, and their schedules are not exactly the same. That’s fine, I actually like the variety factor, but not a single one of those theaters is airing a Patriots game! And you may be wondering, “Hey, Jackass! New England is a combination of several states, what about those other states? Do they get Patriots games?” From what I’m seeing on AMC’s website, it doesn’t look like they will be showing any NFL games in states like Connecticut or New Hampshire to begin with. In fact, as I scroll through the markets, it seems that just about nobody is going to get their local time. Want to go to an AMC in Dallas? Boom! No Cowboys games! Want to go check out a game at an AMC in Miami? Sorry, no Dolphins games! Oh, how about San Francisco? There’s a 49ers game this Sunday! AMC Manteca and AMC Metreon are airing some games! One of them has to be with the 49ers! NOPETY-NOPETY-NOOOOOO.

Now let me just point out one thing, there is a disclaimer on AMC’s website that says the following:

“Game selection varies by participating theatre location, local teams will not be shown.”

Before these games were even announced, I did manage to see said disclaimer. I thought that suggested maybe “local town teams” such as those commonly represented in local high-school football leagues or something. Turns out, they meant local NFL teams. According to NFL local TV station blackout rules, airing local games at certain theaters would interfere with the exclusivity of the local stations. I personally think this is going to hurt AMC a little. I say that because why wouldn’t a fan obsessed with their local sports team take a 10 to 30 minute drive to see them play on the big screen? Although at the same time, I wonder if this will provide an opportunity to several people who live far from where their local team play. If you live in the Atlanta area but happen to be a fan of say the Houston Texans, than you have the opportunity to check them out in a stadium-like vibe at the AMC Colonial 18 located in Lawrenceville. It would either take an extended road trip or a flight to Houston to go see them play in person, specifically with a seemingly common audience, which makes something like what AMC is doing a good deal for certain fans, especially for $10.

I gotta ask. What do you think about this? Even though there are no local teams playing at certain theaters. Is this enough to get you off the couch and see a game on the big screen? Are you in the middle with all of this? Or is this all a big fumble to you? Let me know your thoughts! Thanks for reading this post! This weekend is the release of “Ad Astra,” and to be honest, I’m not quite sure if I’m gonna be able to catch it by the end of Sunday. So if that’s the case, I do have a small amount of time I could waste before going into school for an evening class on Tuesday, so I’ll probably end up seeing it then. Also, “Joker” tickets just went on sale, so I officially have priorities regarding that movie as well. Be sure to follow Scene Before, and check out the Scene Before Facebook page so you can stay tuned for more great content! Scene Before is your click to the flicks!

Hollywood, We Need to Talk About Film “Rereleases” and “Alternate Cuts”

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Hey everyone, Jack Drees here! Remember how “Avengers: Endgame” became the biggest film in history? Well, some may argue that it couldn’t have gotten to that point without one thing, putting a new version of the film in theaters! I remember back in June we were getting advertisements for the upcoming “Avengers: Endgame” rerelease, signifying there would be new content to witness. Granted, I already knew what audiences were in for. It’s the exact same movie, but with end credits content that audiences didn’t get to see originally. I still roll my eyes to this day that the marketing team decided to market this as a rerelease to begin with because THE FILM WAS STILL IN THEATERS BEFORE THIS HAPPENED! I figured this would be a one time thing. Granted, “Avatar” did a rerelease back in the day with extended content, but for one thing, that was a different version of the film, and it was already out on DVD.

I was able to personally let “Endgame” slide. After all, it ended up being the king of the box office as an effect. But then came August, and apparently “Spider-Man: Far From Home” was joining the party on this!

Now, I will give some credit to “Spider-Man: Far From Home” in regards to their actions during this rerelease game plan. Why? Because they at least called it the “extended cut.” This cut featured additional footage that wasn’t seen when this film originally came out, so ultimately, this wasn’t a “Spider-Man 2,” it was a “Spider-Man 2.1.”

Wait a minute…

Coincidentally, on the same weekend “Spider-Man: Far From Home” came out with its alternate cut, another movie which, believe it or not, came out at the same time as Spidey’s original cut, “Midsommar,” was doing the same thing. “Midsommar” came out with what was marketed as the “Director’s Cut.” This different cut included extended and new scenes.

I will point out, for those who are not in the know, these “rereleases” and “alternate editions” are not a new thing. “Blade Runner” has had multiple releases in various forms including “The Director’s Cut” and “The Final Cut.” The “Lord of the Rings” franchise, including installments of “The Hobbit,” would eventually release an “extended edition” on DVD of each film. And “Star Wars” has been putting out redos of the original trilogy in 1997, 2004, and 2011.

But here’s the difference, everyone behind these movies are not putting these out only a couple of months after they originally went into theaters! I don’t know how the average moviegoer feels about this, but if I had to judge from my perspective, it sort of is beginning to remind me of a path that the video game industry seems to follow. Back in the day, you would pay full price for a game, and you get the entire game. Nowadays if you typically want to buy a video game, you have to not only pay $60 if it is a big name title, but on top of that, you have all these additional downloads, in-game currencies, packs, those sorts of things! I remember I would play a lot of NBA 2K back in the day, everything I needed was included! Now, if you want the good stuff, you might as well sell your soul! This is why I refuse to buy what seems to be a pay to win-oriented NBA 2K20! If I wanted to gamble, I’d go to Vegas for crying out loud!

Movie tickets are not as expensive as video games (although if you are buying popcorn and bringing a family along, I might take that back), but it is still not cheap. The average price of a movie ticket in 2019 is $9.01, which as far as my area is concerned, is actually kind of a bargain. Where I live, specifically eastern Massachusetts, I’m usually paying somewhere in the double digits for one ticket each time I go see a movie. It could be worse, but it is certainly something that can warrant a slight complaint.

I don’t mind seeing the same movie twice in the theater. I’ve done that with a number of a titles throughout my life because a lot of them happened to be very good and perhaps worth a rewatch. But it never felt like in any of those scenarios that the studio was robbing me. I was seeing the exact same film, just at a different time.

I guess there is a curiosity factor that can come out of an extended cut or something like that. What if there’s a scene that makes the movie better? But at the same time, an extended cut of “Far From Home” feels cheap because I just saw the original.

I am not worried about this right now, but I honestly think this has the potential of becoming the next big trend in moviegoing. Audiences see a movie, and since Hollywood is running out of ideas, someone thinks, “Let’s show the same thing two months later!” Now if this is a way for the director to get out a version that they would have preferred releasing as opposed to the original, then I can approve. However, why couldn’t we have just seen that version in the first place? As a moviegoer, I want to see the next new thing as opposed to seeing studios perhaps making me obligated to see their product again because “it’s my duty.”

I just don’t want to see a future where all of our movies lose their individuality. It seems kind of pointless and just an excuse to make more money. Even if these extended editions do end up somehow being better than their original counterparts, it manages to give me this vibe that certain movies are overstaying their welcome. Who knows? Maybe this will simply be a 2019 fad that will wash away over time, but I am hoping for the sake of individuality, not to mention moviegoers’ wallets, that we don’t give into Hollywood studios putting out a bunch of changed products. And you know what? Let me just put it this way…

I make a bunch of movie reviews for Scene Before. One of them by the end of the year is inevitably going to be for “Star Wars: The Rise of Skywalker.” Let’s say I see that movie, review it, and give my thoughts on it. How would you feel? After wasting about 5-10 minutes of reading that, that I announce, “Hold your horses! Stay tuned for this February where I release the EXTENDED EDITION of this review!” Granted, if I went ahead and made a spoiler talk that is one thing, because I’d intentionally make the review filled with spoilers, but what if I came out with the exact same wording, phrases, and paragraph structures as I did in that original review, but I sprinkle tiny new bits and pieces? Wouldn’t you feel like I snatched your dignity and thrown it out the window?

So please, Hollywood… Stop grinding my gears.

Thanks for reading this post! This weekend is the release of “IT: Chapter Two.” As for whether or not I’m seeing it, that will be up for debate. And I just want to let everyone know that next week I’ll be heading back to college for the fall semester, so if you see me posting a tad less than usual, that could be a reason why. However, this all depends on the workload, so we’ll see what happens. I am not planning on losing my commitment to Scene Before, so I will do my best to stick to doing at least one post a week. I will do my best to cover topics that stand out and focus on big or important movies coming out. After all, …Oscar season is upon us. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, what are your thoughts on these alternate editions of films? Or, have you seen the recently put out versions of “Spider-Man: Far From Home” or “Midsommar?” Let me know down below! Scene Before is your click to the flicks!

Regal Cinemas Releases REGAL UNLIMITED Plans (Is This a Good Deal?)

Hey everyone, Jack Drees here! In today’s society, there are lots of things that are going towards the subscription-based model. We have tons of monthly plan streaming services to pick from, there are a lot of specific item boxes that get delivered to your house every month, and the cinema industry has recently popularized this in regards to products relating to themselves. MoviePass was something to buzz about towards the end of 2017 and beginning of 2018, despite its shady business practices and eventual downfall. By the way, it’s somehow still in business! Speaking of downfalls, Sinemia introduced their unlimited model in 2018 despite mocking MoviePass for their similarly laid out model. Unfortunately for them, they shut down in April of this year. Then, sort of taken from an idea done by Europe’s Cineworld, AMC Theatres, which is popular throughout the United States, developed their top-tier plan to their Stubs program called A-List. This also spawned separate programs in chains including Cinemark, Showcase Cinemas, and even though the website still says it is currently in beta, Alamo Drafthouse.

But the question I had for awhile was this. When was Regal Cinemas going to join the party?

Regal Entertainment Group is the second largest cinema chain in terms of the number of theaters they have in the United States. Aside from having the Regal Cinemas name, they also possess the names United Artists Cinemas and Edwards Theatres, and their parent company is one of the early entrants to the subscription-based cinema trend, Cineworld! Guess what? After a number of rumors and bits of supporting evidence, Regal has joined the cinema subscription party! And unlike A-List, which I talked about on here before. Regal has three different tiers for their upcoming plan.

LOW TIER:
REGAL UNLIMITED ($18 per month + tax)

  • Unlimited free 2D movies
  • Usable at over 200 select theaters
  • Surcharges apply to premium formats
  • Surcharge of $1.50 to use at Unlimited Plus theater and $3.00 to use at Unlimited All Access theater

MIDDLE TIER:
REGAL UNLIMITED PLUS ($21 per month + tax)

  • Unlimited free 2D movies
  • Usable at over 400 theaters
  • Surcharges apply to premium formats
  • Surcharge of $1.50 to use at Unlimited All Access theater

HIGH TIER:
REGAL UNLIMITED ALL ACCESS ($23.50 per month + tax)

  • Unlimited free 2D movies
  • Usable at all theaters
  • Surcharges apply to premium formats

As for other benefits, they consist of the following (as suggested on Regal’s website):

  • 10% off all food and non-alcoholic drink purchases
  • No blackout dates
  • Free large popcorn and soft drink on your birthday
  • Earn Regal Crown Club® credits with every dollar spent using your Regal Unlimited™ subscription

Now let’s talk about these tiers in depth.

I mentioned earlier that this service is specifically usable on all regular 2D screenings. You can go to the theater and watch a standard 2D movie for free. That means you cannot get any of Regal’s premium offerings such as IMAX, 3D, ScreenX, or even the company’s own large format experience, RPX. That is unless you are okay with paying a surcharge. Speaking of surcharges, there are a number of theaters that will accept only one or two versions of the program without making you pay extra to get into your desired screening. For example, I live in Massachusetts. The closest Regal Cinemas to where I live is in the city of Boston, specifically the Regal Fenway & RPX. That means if I have Regal Unlimited All Access, I can use it there, pay $23.50 a month, and not be charged any extra money to go see whatever movie I want in 2D. That’s partially due to how such a theater specifically is only going to avoid surcharging people for said screenings if they have the All Access plan. If you have either the cheaper Unlimited Plus or even less expensive Unlimited plan, you will be forced to pay a surcharge for using your plan at a theater like the one I just mentioned. But there are also theaters in the state that will be a bit more friendly to those who have cheaper plans. There are several venues that allow you to use two plans without surcharge consequences in the state and others that permit all three and give no surcharges at all. To view what each theater is doing regarding these plans, click this link!

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Even though this may have already been effectively suggested, I must point out that there is a requirement to pay additional charges when going into premium screenings like IMAX or RPX. So in a way, this is almost like MoviePass where users can only get a free movie if they go see it in 2D. But I’m not holding my horses yet, because if you reserve tickets through the app, guess what? You get charged a $0.50 convenience fee!

But I’m not gonna deny that any of these deals have perks behind them, especially if you live in a state or city where individual movie tickets are expensive! Take New York City for example. Let’s base this on an actual showtime that I found online. This Wednesday, July 31st, I’ll be in New York City and have nothing else to do. I have done a lot of walking this morning and I just need to relax for a bit. I’m in the Times Square area, which has a couple cinemas. I choose to go see “Spider-Man: Far From Home” in the Regal E-Walk at 1:10. Keep in mind, this is in 2D with no premium perks. They still have chairs available, I pick my seat, boom. Then the guy at the register goes “$17.15, please.” So I choose to support corporate America because it gives me the awesome things that I want. But let’s face it, I’m paying a little bit more than $17 to rent a chair for a couple of hours. Then I am instantly reminded of how kick-ass “Spider-Man: Far From Home” was because this happened to be my second time watching it! And because it is so kick-ass, I’m like, “AGAIN!” So I trot downstairs to the register, ask for a ticket for the 4:20 show, pick my seat, get charged yet another $17.15, pay up, go back upstairs, watch the movie again, have a good time, and decide to leave. Simple math indicates that when you multiply 17.15 by 2 you get 34.30. Therefore, if I had ANY of Regal’s new plans, I would have been able to see the same movie twice and pay nothing at the counter both times. I’d just be paying for a monthly subscription, which ends up being cheaper than paying to see the same film twice at similarly priced times in a theater like this one.

And I will say, this does suggest one major benefit of Regal’s plans that I have yet to see anywhere else, because even though you do get additional charges at select theaters depending on what plan you have and which theater you go to, you don’t have a daily limit, you don’t have a weekly limit, nor do you have a monthly limit. You can see one movie a month, four or five a week, you can do a few showtimes in a single day, you have the power. MoviePass had a great idea of letting consumers see one movie a day, but what if that movie sucked? What if you wanted to see another movie that could have been better? Plus, you can’t see the same film twice! I mentioned Showcase Cinemas, which is pretty popular where I live. They have a plan for individuals and groups, which I think is creative. However, once I looked at the individual portion, it looked terrible! Because it gives you a choice between 2 or 3 tickets per month. I imagine it would be good for certain casual moviegoers, but if you review a ton of films like me, that would not be the case. AMC A-List lets people see three movies a week in any format. While the lack of surcharge on the premium formats is pretty cool, having an unlimited option would probably make the consumer feel like they’re the king of the world.

But this isn’t all rainbows and butterflies. Because in order to use this subscription, you must have a digital app. There is no physical card you can obtain, and if you are still in the dark ages and have a flip phone, chances are you can’t get this subscription. Plus, while I don’t imagine a case that involves this problem for every user, you cannot reserve tickets for more than three screenings at a time. Another issue that I think a lot of people can put up with to be honest is that this is not applicable to things like certain double features and Fathom Events screenings. One issue that I would probably think is more concerning, although still somewhat fine, is that if I wanted to use this service and buy a ticket at the box office, it has to be done on the same day that a certain show starts. That means if I wanted to see “Once Upon a Time in Hollywood” tomorrow, I’d be required to buy a ticket online and pay a $0.50 convenience fee.

Plus, I will admit, I do not like the idea of having three different plans that can be either be applied at a few theaters, many theaters, or all theaters. This is why I like the simplicity of AMC’s A-List. Granted, they have different prices based on the area where you live, but I still like it better because that price does not restrict you from visiting outside of said area. There are slight restrictions, but it still lets you go from a state that is charging $19.95/month (Ex: Texas) to a state that is charging $21.95/month (Ex: Florida). If you live in either one of those states and for some reason you end up somewhere like California, which charges $23.95/month, you can still go see a movie there, but you have two more chances to see a movie in a state that does not cater to your price zone. Not only that, but if I lived in a certain area of my state that maybe would have been close to a lower tier theater if it were owned by Regal, I wouldn’t have to worry about that if it were owned by AMC. As long as it has the AMC name on it and it is in my state, I can go to it.

I was admittedly worried about this at first, because on paper, it sounded like Regal was going to outright rob consumers who got cheaper plans simply because they don’t work at all locations. And I will admit, the surcharges could be an inconvenience, and if I lived in a certain area, it would keep me away from more expensive Regal locations. But just the fact that surcharges exist as opposed to the concept where a higher tier theater makes you pay full price for a ticket puts a bit of a bigger smile on my face.

And you know what? Part of me even wonders how good this deal is from a business standpoint. I don’t see Regal going bankrupt anytime soon. But one of the things that killed MoviePass is how many movies a consumer can see per month. Because the idea was that MoviePass would start out by giving consumers an opportunity to watch a movie a day. Then more and more limits set in as time passed to the point where you couldn’t see certain movies, the site would crash, and you might not get the time you want either. Depending on how much free time someone has, someone can possibly go check out one movie a day, and that could end up being a lifestyle for many consumers. Granted, Regal has a slight advantage compared to MoviePass because MoviePass worked at several theater chains and operations, whereas Unlimited, Unlimited Plus, and Unlimited All Access are all exclusive to Regal Entertainment Group. I don’t think Regal should have anything to worry about, but depending on how much it affects their ticket sales, it is a thought to keep in the back of their mind. Although at the same time, movie theaters traditionally have a split of money that goes in their pockets and the studios’ pockets, so what they should really be paying attention to is how often people buy food. If this plan causes an uptick in concession purchases at Regal locations, then it’s possible that this new Unlimited concept is a win.

So… Is this a good deal? For me, if I had to compare it to perhaps its top competitor, AMC Stubs A-List, I could do better. But I do think this could work for a lot of people. I know that in a state such as New Hampshire, which has more Regal locations as opposed to Cinemark or AMC locations, it can definitely help. Upon a quick Google Maps search, there is only one AMC in the entire state located in the town of Londonderry. Regal however has a few locations in Concord, Newington, and Hooksett. And if you live in a state like Maine, good luck finding an AMC because there are none in the entire state. There are Regal locations however! This can definitely save you a ton of money and if you go to Regal more than AMC, this might be for you. But as someone who has more AMC locations nearby and overall prefers some of the details behind the AMC A-List deal, I would stick with A-List. You don’t get extra charges for premium formats, it is much more open-minded as to what theater you go to on a locality perspective, and your convenience fees are waived when buying tickets online! But if you go to Regal often, I do recommend giving this a shot and you could potentially save yourself a ton of money.

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Thanks for reading this post! I just want to remind everyone that in a week and a half I am going to be heading down to Connecticut once again to visit Mohegan Sun for Terrificon. I have gone two years in a row, this is going to be my third, and per usual, I’ll be doing a review and haul post. I’m thinking of implementing more video elements this time around because I want to avoid doing the same thing over and over again. Only time will tell, but I cannot wait. I’ll be there all three days (August 9-11) so I’ll have plenty to report. And I’ll soon make a post about what’s in store at this con coming up in a week and a half. I would have done it earlier, but I wanted to make sure I had enough details to share with everybody. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Speaking of being subscribed to things, be sure to like my Facebook page! I want to know, are you going to be taking advantage of Regal’s new Unlimited concept? Which plan are you going to choose? If you want to know more about this, click the link below to find out more information! Also, I am curious. Have you ever had a cinema subscription service? Like, do you have AMC A-List? Do you have Cinemark Movie Club? Or… MoviePass, maybe? And if you have a MoviePass card at this point, can you tell me whether or not you have a MySpace? Just curious. Let me know down below! Scene Before is your click to the flicks!

Click here to find out more about the new REGAL UNLIMITED Plans!