“The Witches” is directed by Robert Zemeckis (Back to the Future, The Walk) and stars Anne Hathaway (Interstellar, The Dark Knight Rises), Octavia Spencer (Hidden Figures, Gifted), and Stanley Tucci (The Hunger Games, Transformers: Age of Extinction). This film is based on the Roald Dahl novel of the same name and follows a young boy and his mother as they stay in a hotel together. One thing leads to another, and the boy finds out the witches’ plan to turn children into mice. From here, we have the main groundwork to let the rest of the movie unfold.
Not only is this movie based on a classic children’s book from Roald Dahl, but to my lack of knowledge, “The Witches” was made into a movie once before. I had no idea that this was true, but there was a 1990 adaptation of the film directed by Nicolas Roeg. I had no idea this movie existed, but here we are. But growing up with Roald Dahl, I cannot say that I am all that surprised. “The Witches” was never a book I was particularly interested in. I imagine I picked it up once or twice for a couple quick glances, but not once have I read it all the way through. Books like “The BFG” and “Charlie and the Chocolate Factory” were of higher interest to me when I was younger. Unlike when I watched the 2005 “Charlie and the Chocolate Factory” for the first time, where I had the original book and 1971 adaptation in my memory, I don’t really have anything to compare “The Witches” to. I cannot say the book’s better, because I have not read it. I cannot say the 1990 adaptation was better, because I have not seen it. But what can I say about the 2020 adaptation of “The Witches?”
It’s not great. Really not that great.
This movie, particularly in the United States, was supposed to hit theaters, but due to a change of plans, it became a direct to HBO Max exclusive. Other than a few scenes that are visually wild, I can see why this went straight to streaming. Because the reality is that the script for this film is kind of bland. At times it’s a little stiff. I know that one major audience for “The Witches” happens to be children, and I will say that in this movie’s favor, there are some scenes that would give me heebie-jeebies at a younger age. That’s not the problem, because this movie is occasionally suspenseful and haunting. The problem is that this movie feels like it occasionally talks down to them. I’ve seen it done worse in a few other movies, but nevertheless. I don’t know who to blame here. Again, I have not read the book. Maybe this script was incredibly faithful to the source material, which can work as a compliment in many instances, but books are books, and movies are movies. They’re different mediums and sometimes everything in a book does not always translate to film.
One of my other big complaints about this film regards its pacing. I often talk about pacing as a complaint because when a movie moves too slow, it occasionally bores me. Thankfully, this movie is not as boring as some others I have seen. Boredom was not achieved. My problem, and this may be seen as a compliment by some people, is that this movie moves very fast. This film wastes no time whatsoever in getting from point A to point B, but I really would have preferred one or two moments where I could breathe. But that’s also probably because of the earlier complaint where this film overembellishes everything for the audience. There’s a whole elongated scene where Anne Hathaway’s character is exposes her plan to turn children into mice and squash them. It takes forever, but somehow it feels like by the end of the scene, only a few moments have passed. It almost feels like that if the movie did not extend itself unnecessarily, it could have been five to ten minutes shorter, maybe even fifteen. I could be wrong. This is arguably the weirdest complaint I’ve had for a film all year, but it stands. Runtime does not always matter, it’s what you do with it. And here, I think they’ve just wasted some of my time.
This is not to say the film’s all bad. I will say that one of the advantages of this film, especially compared to almost everything else in 2020’s slate, is that it looks quite attractive to the eye. The production design is quirky, and much like some other Dahl adaptations, this movie occasionally felt larger than life. For the record, this movie did release in theaters internationally, so they get the benefit of the theatrical experience. If you live in the United States, watch on the biggest home screen you can. For a movie aimed at families and children, this does look like something that would fit in that realm. This is live-action, but it’s colorful and poppy at the same time. Some of the effects, specifically where we see one of the witches sniffing like a maniac, is a little over the top, but other than that, they fit the movie in terms of tone.
One area where I am continuously conflicted is Anne Hathaway. Now, I adore Anne Hathaway. She’s in some of my favorite movies, she has talent, and I will point out that I can tell she gave it her all here. But the way her character is presented is very hit and miss. Again, this is part of the overembellishing problem with this film. I get she’s a witch, I get she’s evil. But at times, she reminded me of a female version of Arnold Schwarzenegger’s Mr. Freeze from 1997’s “Batman & Robin.”
“What killed the dinosaurs? The ice age!”
I will say that per usual, Octavia Spencer is quite charming. She was a good fit for her role, and while I will probably not remember the movie all that much, her chemistry with her son was decent. Not the best I have seen, but decent. Speaking of which, the son character is played by Jahzir Bruno. The cast lists his character’s name as “Hero Boy.” What a name… Is this… A long lost relative of “Protagonist” from “Tenet?”
By the way, watch “Tenet.” Just my recommendation.
I will say, when it comes to Jahzir Bruno, he probably has a bright future ahead. Who knows what’ll happen in regard to his acting career? But his character, while likable, is just a small increment of why this movie is poorly written. One of the things I HATED about this movie, is how far-fetched it is at times.
Now, you might be thinking, that’s what it is supposed to be! It’s a movie where witches can turn humans into mice with a magic potion! You’re not wrong. I don’t mind that at all. What I do mind is that the movie has a scene that throws everything you know about hearing out the window. I do not know how good the witches can hear in this universe, maybe the book explains it more, but there is a scene where Hero Boy lays under a stage where Anne Hathaway’s character gives a speech. From what I can tell, he’s trying to hide, be secretive. When he takes in a certain piece of information, he speaks to himself almost like he’s having a casual conversation. I do not know if that is his fault, or the director’s fault. I hope not, because Robert Zemeckis has been in the business for years. And evidence sometimes shows that it is not always easy to work with child actors. I do not know if Bruno was following a specific order from the script, a last minute adjustment from Zemeckis, or what. I do have faith that Bruno will be in more palatable movies as time goes on, and he is still young, so he can improve his craft a just a hair. I just wish this project was better.
One of the big advantages though of watching this on HBO Max is that other than the subscription, this is practically a free movie. It was not like I was robbed of $12 at the theater, or in the case of the pandemic, $19.99 on Prime Video or Google Play. Even so, I can see why this was dumped to a streaming service. As cool as it would have looked in a theater, it does not have the writing and excitement to back it up.
In the end, “The Witches” could not quite deliver the cheese. I will point out. I’ve seen a lot of movies directed by Robert Zemeckis. All the “Back to the Future” films, “Allied,” “Who Framed Roger Rabbit?,” “The Polar Express.” I’ve enjoyed most of the films I’ve seen from him. Even ones I did not enjoy like “Flight” and “Cast Way” still had elements which I was able to appreciate. “The Witches” fits in the same category as those previously mentioned films, it is one of Zemeckis’s inferior days at the office. And as far as Roald Dahl adaptations go, this one is probably my least favorite. Much like’s Zemeckis’s cinematic library, I can not pinpoint one particular Roald Dahl adaptation I’ve seen that I legitimately hated. But this one was not a golden ticket. I’m going to give “The Witches” a 5/10.
If anything else, one of the best parts of this movie is the score. Unsurprisingly, considering how this movie is directed by Robert Zemeckis, Alan Silvestri did all the composition work. Time will tell, but it is hard to say whether “The Witches” will become a popular Halloween tradition for some. It wouldn’t for me, but who knows? This movie just felt rushed, but by being rushed, it did so by elongating, talking down to its audience. It does a lot by doing very little, if that makes any sense. This is the “Ludicrous Speed” of movies.
Thanks for reading this review! This weekend is one of the bigger ones in regard to movies this year. “The Witches” just hit HBO Max, Prime Video now has “Borat Subsequent Moviefilm,” “The Empty Man,” even though it looks terrible, just hit theaters, and one of my favorite movies of the year BY STORM just hit Netflix and is still playing in some theaters. That movie by the way is the new animated musical “Over the Moon,” which centers around a young girl who longs to find an ancient Moon Goddess. I cannot recommend this movie enough, even though I know a few people who may want to skip certain parts of it. By the way, if you want to read my review for “Over the Moon,” click right here! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “The Witches?” What did you think about it? Have you read the book? Have you seen the 1990 film? Which version of the story do you like best? Let me know down below! Scene Before is your click to the flicks!