The Bad Guys (2022): A Nonsensical, But Surprisingly Entertaining Heist Animation

“The Bad Guys” is directed by Pierre Perifel, who has helped animate several DreamWorks films including “Monsters vs. Aliens,” “Shrek Forever After,” and “Rise of the Guardians.” This film stars Sam Rockwell (Three Billboards Outside Ebbing, Missouri, Moon), Marc Maron (GLOW, Joker), Awkwafina (Raya and the Last Dragon, Awkwafina Is Nora from Queens), Craig Robinson (The Cleveland Show, The Office), Anthony Ramos (A Star is Born, In the Heights), Richard Ayoade (The IT Crowd, The Watch), Zazie Beatz (Atlanta, Deadpool 2), Alex Borstein (Family Guy, The Marvelous Mrs. Maisel), and Lilly Singh (A Little Late with Lilly Singh, Bad Moms). This film is based on a children’s graphic novel series by Aaron Blabey and follows a group of varying creatures who all commit crimes together. In an attempt to successfully continue their criminal activities and complete their mission, they attempt to become “good,” which given their long status of being hated or feared, is a bit of challenge on a number of ends.

I first saw a trailer for “The Bad Guys” back towards the tail end of 2021, and I thought it looked like another example of why people often stereotype animated movies as “kid movies,” because this movie did not look like it was made for me. Maybe if I were eight, I would have been sold. Not today. That said, I did go see this film given how there was a free screening for it over Easter weekend. So I did have time to watch it. But I cannot say I had the motivation.

Now, I want to make something clear, one of my least favorite critiques regarding family films is that the movie at hand is dumb, there are moments that do not add up, but “the kids will like it.” While that MAY be true, I also want to note that as I look back on my childhood, there are select movies that I STILL watch to this day that were intended for the family demographic because of how they have treated me like I was intelligent back then and continue to do so today. Pixar is honestly the king of this classification with films like “The Incredibles” and “Up.” I will add that “Lightyear” looks like it is going to continue that tradition when it releases in June. There are a few DreamWorks films from my childhood like “Kung Fu Panda” or “How to Train Your Dragon” that manage to maintain a childlike spirit but I also would not mind popping in again as an adult if I get the chance. Although I will say I have probably watched “Bee Movie” more than some would like to admit as a kid and have not done so since I was 13. Even for the memes. “The Bad Guys” came off as a disposable family film with cheap comedy gags. I did not think I would particularly like it.

Now that I have seen the film, it is kind of that… Except that I did walk out thinking that I saw something that technically qualified as… Well, good!

In addition to some cheap comedy attempts that the trailer seems to promise, there are some hints of cleverness in between. This movie has one of the funniest lines I have heard from a children’s film in recent memory. I won’t quote it verbatim, but one of the best moments of the film is when we see the Big Bad Wolf and Mr. Snake talking to each other, when all of sudden, Snake spits out a clock, and reminds Wolf of the time, saying that it is “the moment our friendship died.” I imagine this was written as a throwaway line, but for some reason it just hit me the right way.

The voice cast is actually rather impressive from Sam Rockwell as Wolf, Marc Maron as Snake, Awkwafina as Tarantula… Yeah, some of these names are QUITE generic… But ya know. It is not entirely the movie’s fault. It is based on a book. If anything, blame the book. I dunno… But still, generic names! Either way, each actor finds a way to swimmingly match their voice to each role. I almost cannot see anyone else voicing Wolf at this point. The only other voice I could see is maybe Matthew McConaughey, but given how he’s already got a major role in “Sing” and a bit of an accent, I think that Rockwell is a better choice. Awkwafina has a swagger to her voice that is perfectly sprinkled into her role of Tarantula, and to my surprise, Craig Robinson had an over the top attitude to the character of Shark that was finely executed. Anthony Ramos mixed okay with his character of Piranha, but I think he is an element of the film that relies on tired gags maybe a little too much.

My favorite voices of the film come from characters who are not quite in the forefront. First off, we have an over the top police chief who goes by the name Misty Luggins. Her aspirations are to capture the Bad Guys for good. As the movie progresses she becomes funnier and funnier, her one-dimensionality is honestly her strength. If anything, she kind of reminded me of the old lady from the “Madagascar” movies who refers to Alex the Lion as a “bad kitty,” only in this case, Luggins seems a tad more civilized. She just seems so passionate about reaching her goals, and even though she technically was on what this movie refers to as its antagonistic side, part of me could not help but root for her. I was also delighted to find out that she was voiced by Alex Borstein of “Family Guy” fame.

Also joining the cast is British comedian Richard Ayoade, who in this film plays a character by the name of Professor Marmalade. I love this character. Professor Marmalade is pretty much everything that the Bad Guys are not. While the Bad Guys are busy hacking, robbing, taking from innocent people, Marmalade on the other hand is quite benevolent, rather charitable. He has a history of guinea pig philanthropy and every moment of his presence is one to savor. Ayoade is perfect casting for this role because of the pure distinctness of his voice that has the right amount of innocence, kindness, possibly even geekiness. At first I thought this was Daniel Radcliffe, because when I first heard Professor Marmalade talk I was getting Harry Potter vibes. But I heard his voice more and more, and one, recognized it, and two, adored it. If Sam Rockwell was solid casting for Wolf, then Richard Ayoade is gargantuanly perfect casting for Professor Marmalade. Two thumbs up.

“The Bad Guys” is a well-voiced, not to mention well-animated little film. This film has a distinct, quick, almost comic book-like style that works for it. That said, here is my big problem. Humans.

Humans are a problem. War, global warming, lust, capitalism. Humans are a disaster and I have no problem in saying that. Humans are not perfect, and speaking of imperfections, there are so many humans in this film that it makes me, the Movie Reviewing Moron, wonder… HOW ARE THESE BAD GUYS GETTING AWAY WITH ALL THIS STUFF?!

Genuine question. How many sharks are there in this universe? Also, how many of them speak English?! This movie establishes that Mr. Shark is a master of disguise. How on earth do more people not catch him committing crimes or pulling off heists? I don’t buy any of this! This universe almost establishes that these talking animals are almost one of a kind. I would like to know how they continue to blend in a world that is implied to be dominated by humans, kind of like ours. Yeah, there are other creatures too, but they supposedly are few and far between unless maybe you’re a guinea pig. I think if you want a more practical universe, I would not say to take the humans out entirely. But maybe replace some of the ordinary citizens with other animal types. Maybe apes or tigers or cheetahs. If this movie looked something more like “Zootopia” or “Sing,” I’d buy it more. But it’s less believable because it sort of traces back to our reality despite some slight changes here and there.

This goes back to what I said about kids movies treating its audience like they’re intelligent. Now, I am in my 20s, so therefore I do not have the brain of a child, even though I do admittedly sometimes act like one. But the movie still entertained me despite its noticeable flaws, therefore even though I think this is something that should have been fixed before release, it does not exactly take away from the fun I had watching this movie. I get why they made the main characters different creatures. It helps by highlighting their distinctiveness, and may make the movie more attractive and marketable for younger viewers. But if you are gonna go this way, you might as well go all the way. Keep all of the main creatures as they are, but add a few other altering creatures into the background for a change. Just a suggestion. It’s a pretty big suggestion, not afraid to admit it, but nevertheless. Say what you want about all these superhero movies from Marvel and DC having characters with impractical abilities. Here’s the thing about Spider-Man. Let’s use Tobey Maguire’s Spider-Man as an example. Sure, maybe in reality there is no one out there that can shoot webs out of their wrists. But the movie’s environment, vibe, characters, actions, everything within that first “Spider-Man” movie from 2002 felt like it was carefully constructed to make me believe that a teenager could live a life swinging around New York City. “The Bad Guys” fails on that goal because of the characters and environment that surround the ones in the title. Am I nitpicking? You could make the argument that I am. But I only say this because I have to be honest in my thoughts and remind those who I am sharing my thoughts with that I am trying to help. I am making suggestions based on my experience. That said, I liked the movie. I’d still give it a watch.

In the end, “The Bad Guys” is a good time even though I have a tendency to rip it apart somewhat. Would I want a sequel to this movie? I don’t think so, but I think this a fine hour and a half to turn off your brain, or if you are me, almost turn off your brain. This is not going to win Best Animated Feature at the Oscars, in fact I think if you want a better family movie to watch with the kids, “Turning Red” would be better for certain audiences. I think if you have younger kids “The Bad Guys” might be better, but it’s not a better movie. But as an adult, I DID laugh quite a bit, and I clapped at the end. There’s also some cool action, look forward to it if that’s your thing. I’m going to give “The Bad Guys” a somewhat generous 6/10.

“The Bad Guys” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! I’ve got a few reviews coming soon between “The Northman,” “The Unbearable Weight of Massive Talent,” and “Doctor Strange in the Multiverse of Madness.” Look forward to those! If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Bad Guys?” What did you think about it? Or, what is a movie that you enjoyed as a kid that does not hold up as an adult? For me, that would have to be the live-action “Alvin and the Chipmunks” films. What about you? Let me know down below! Scene Before is your click to the flicks!

Sonic the Hedgehog 2 (2022): Full of Exciting Video Game-Like Action, and Minimal Video Game-Like Story

“Sonic the Hedgehog 2” is directed by Jeff Fowler, who also directed the 2020 “Sonic the Hedgehog” film. This film stars Ben Schwartz (Parks and Recreation, BoJack Horseman), James Marsden (Westworld, Hop), Tika Sumpter (Ride Along, The Old Man and the Gun), Natasha Rothwell (The White Lotus, Insecure), Adam Pally (Dirty Grandpa, Iron Man 3), Shemar Moore (S.W.A.T., Criminal Minds), Colleen O’Shaughnessey (Danny Phantom, The Avengers: Earth’s Mightiest Heroes), Lee Majdoub (The 100, Supernatural), Idris Elba (The Suicide Squad, Pacific Rim), and Jim Carrey (Batman Forever, The Mask). This film follows Sonic, who as of the last movie has trapped Doctor Robotnik in a world filled with nothing except mushrooms. However, Robotnik escapes from “The Mushroom Planet” and attempts to possess the Master Emerald, which would allow him to control the world at his will. Now, it is up to Sonic, and his new sidekick Tails to defend civilization and stop Robotnik, who has joined forces with Knuckles the Echidna, from changing reality for the worse.

There was a saying not too long ago that “video game movies suck,” and I can attest to that. A couple of my least favorite films ever, “Mortal Kombat: Annihilation” and “Super Mario Bros.” are based on video games. They are poorly written, poorly acted, and poorly executed. But I must say that the first “Sonic the Hedgehog” maintains the throne for the best video game movie ever made, not that this is a high mountain to climb, but still, I liked the movie. When I wrote my review a couple of years ago, one of my immediate thoughts was, “I want a sequel,” because the movie ends in such a way that is satisfying, but also leaves enough open to make you want more. I frankly did not expect that with the first “Sonic,” but if that first movie were not good, I probably would not have been as excited for this movie as I was before I went in.

Part of me wonders if we would even have this movie if it were not for people on the Internet, perhaps justifiably, expressing their rage over the design of Sonic, because before the first movie came out, and before Paramount went back and spent money on redesigning the character, he did look butt ugly for an adaptation, but I also was conflicted as to whether they were going for a grittier, grounded story. Turns out they were not, the movie almost felt like a Saturday morning cartoon, but that is also why in the end, I am glad they went back to redesigning it. And as a result, I think we found a look that not just matches the first movie, but also its sequel, which also maintains this Saturday morning cartoon vibe from start to finish.

The heart of the first movie for me was the unexpected bond between Sonic and Tom Wachowski, which given cinematic history with movies like 2011’s “The Smurfs,” could have gone completely sideways. By the end of the movie, the two felt like genuine pals, and that is hard to do with a human and CGI hedgehog, so credit where it is due. In this movie, that is kind of replaced, because Tails ends up being Sonic’s sidekick for most of the picture. In fact, the formula the two seem to have together feels almost reminiscent of the first movie, even to the point where the film excuses itself to blast a once popular top 40 song that may have been slightly overplayed. Not Crush 40, no no no. Top 40. “Live and Learn” is not in the movie, sorry for spoiling in advance for those who really did not want to know.

While Tails serves his part in the movie, the movie also finds a reason to implement Tom Wachowski into the mix, but this allows for a completely separate subplot to commence… (sigh) …The goddamn wedding.

I think “Sonic the Hedgehog 2” can easily be watched at any age. I think if you are five, you’re fine. And if you’re ninety, you’re nifty. But let’s be real, some could argue that “Sonic the Hedgehog 2” is made for children to enjoy. This is not a bad thing, I do not mind children’s content, but I also prefer that children receive content that does not insult their intelligence. The first movie, while not quite as mature as what we have gotten from Pixar over the years, has a certain flair to it that makes you feel like a kid again. This sequel is consistent in that way. But one consistency that does not exist from one film to the next is the pacing. The first film is extremely tight in its 99 minute story, but this film is 23 minutes longer, and therefore, it suffers from an obnoxious and almost unnecessary subplot at a wedding. Granted, one story is means to an end where it lines up with another, but the journey to get from one place to another in the wedding was probably the most boring segment of the film. And I will add, the one moment where everything lines up makes absolutely no sense. Going back to what I said, I do not mind children’s content, but I want it to treat its audience as if they were smart. This does not. You know your “moment” is bad when you have the characters spinning their heads and then one person realizes that “the Olive Garden guy” from the first movie is here to spew out another advertisement for the company.

By the way, Olive Garden kinda sucks. I said it.

The first movie, while definitely not my favorite of the year, was fairly palatable because of a narrative that is as quick as its titular hedgehog. This movie relies way too much on over the top gags that feel tired by the end. That is not to say the movie does not have its occasional laugh, but let’s just say that the writing for Dr. Robotnik, who is marvelously portrayed by Jim Carrey, is not as much of a highlight as it was in the predecessor.

Now I do want to be clear, I liked Dr. Robotnik in this film, but the first film gave us a perfect blend of Jim Carrey’s zaniness mashed together with some of the best screenwriting I have witnessed for a villain in a children’s film. Robotnik is written similarly to how he is presented in the original film, but the original film takes the cake for perhaps a larger collection of memorable lines and moments. NOTHING beats the scene where Sonic sneaks up to Tom and Robotnik, exclaims to Robotnik not to hurt Tom, and Robotnik emits the most obnoxious, cartoon-like scream I have heard in a long time. I cannot remember a single line in this sequel that was “awful,” but I also cannot recall one line in the film that was on the level of the original. Not offensive, but also not as good.

In fact, I would like to go back to the compliment I gave this film about it making you feel like a kid again. I think that is a compliment I can give to certain comic book movies that have come out in recent years. Those films, while definitely mature, make me feel young, and I always love to maintain a youthful spirit. And there were moments during my theater experience where instead of a bunch of manchildren, including myself, admired everything on screen and uttered sounds of excitement, actual children got to be similarly wowed during key moments that trigger such immediate reactions. This is why THE CINEMA is the way to watch a movie. It’s a community.

Let me just remind you, the week before I saw “Sonic the Hedgehog 2,” I saw “Morbius” in a theater that wasn’t quite full, but had a decent crowd. No one uttered a sound for the entire runtime. There were points during “Sonic 2” where people gasped, they cheered, they clapped. This is one reason why I love going to the movies. I stand by the rule where no one should be talking during the movie, but I also think some experiences can qualify for a rock concert vibe. If you are excited, why not embrace it? The movie is certainly one that could get you excited by the end of it.

Now much like Robotnik, I would have to say that Sonic is once again, fabulously portrayed by Ben Schwartz, but the problem I have with this film when it comes to Sonic is that despite his personality being on point, especially when lining things up with the first movie, Sonic’s jokes, kind of like in the first film, come off as fairly cheap pop cultural references or forced quips. Those jokes could work, but they kind of fall flat here. Now, I will 100% contend with Sonic’s sentiments from the first movie about Keanu Reeves being a national treasure, but I think when it comes to referencing the pop cultural mojo, I think he needs to calm down just a tad. Although Ben Schwartz is a perfect interpretation for Sonic and his over the top pitch sells the character for me. I think the lesson this character has to face in this film is one of its saving graces, because even though this movie has quite a few notable flaws from the wedding scene to the disposable humor, I think if you are going to watch this movie at a certain age, I think it would be a positive influence. In a world where we have tons of movies with violence and explosions, it is nice to see one that occasionally gives slight objections to those ideas despite them being in it.

This film introduces a couple new CGI characters into the mix, Miles “Tails” Power and Knuckles. One of my big complaints about movies that have voiceover characters nowadays like the upcoming “Super Mario Bros.” movie for example is that they tend to rely on big names to get people in the theater. Granted, I like Chris Pratt, I dig Charlie Day, and I adore Anya Taylor-Joy, so we’ll see what happens there. But I am glad that this movie tended to give an opportunity to not just an actual pro voice actor to voice Tails, but give that opportunity to a voice actor who has literally voiced the character in other creations. Colleen O’Shaughnessy is a delight in this film. But at the same time, this film is the best of both worlds, because they also allowed Idris Elba to voice Knuckles the Echidna, which I thought was a great choice. He’s a terrific actor, his voice is iconic, and it matches the grit such a character can promise. Elba’s interpretation of Knuckles allowed him to arguably become the most hysterical character of the entire film. Basically he has the personality of a fantasy narrator and a fantasy protagonist rolled into one person. It’s perfect. Unlike Sonic, Knuckles appears to have less of a hang of things when it comes to knowing about the rituals of mankind. Each joke related to his developing knowledge or lack of knowledge on the subject matter hits hard every time. I won’t spoil anything, but the moment you hear “Dot, dot, dot…” You’re in for a treat.

But if I had to be honest, this movie is not as solid as the original. Sure, it has fan service that lovers of the games will appreciate, the effects and sound are utterly amazing, and it is definitely one of the less offensive video game movies to exist compared to some others. But the first movie had a foundation that felt properly structured and put into place. It was a building that was functional and served its purpose. This movie took that same building and added way too many more floors to it. The wedding gag was utterly atrocious and ultimately sullies what could have been a fantastic movie. And if I were a kid watching “Sonic the Hedgehog 2,” I probably would be saying the same thing. I liked the action, I liked the dynamic between Eggman and Knuckles, but the wedding scene made me want to break up with this film. I will also say that some of the supporting characters from the first film like Wade and Rachel make an appearance here, and they feel wasted by the end. They don’t do much to make their appearances feel worthwhile.

Also, can we talk about something? I want to remind you of the fact that Sonic, a hedgehog, not a human, but a HEDGEHOG. I know it speaks English, but still. This HEDGEHOG has technically been adopted as the Wachowski family’s son? I mean, literally, the movie makes references to Sonic calling Tom “dad.” It’s really weird! Look, I know they developed a relationship, but… That’s kinda freaky. I KNOW it’s a movie… But it is somewhat unsettling! It’s an odd taste in the mouth!

In the end, “Sonic the Hedgehog 2” was fun when I saw it, and the positives do outweigh the negatives, but the more I think about the film, the less I like it. The first “Sonic the Hedgehog” felt like that next step for video game movies, maybe we’ll be getting some great ones soon. Unfortunately, this sequel cannot acquire the same luster as that first one. The voice-work is great, the effects are top-notch, and the sound is unbelievable. But if I learned something about video games it is that not everyone cares about the story, they care more about how the game looks, how it plays. The movie looks incredible, and had they gone with that original Sonic introduced in spring 2019, I do not think that would have been the case. But the story in “Sonic the Hedgehog 2” feels like it is not as important as it was in its predecessor, and that is despite having a great lesson intertwined. I feel like children can learn something from this movie. But as an adult, I don’t know when I will be watching this movie again. I’ll probably go back to the original at some point, but this will probably have to wait. I’m going to give “Sonic the Hedgehog 2” a 6/10.

“Sonic the Hedgehog 2” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for the brand new DreamWorks Animation flick, “The Bad Guys!” Also coming soon, stay tuned for my review of “The Northman!” In addition, I am seeing “Doctor Strange in the Multiverse of Madness” next week, so I will have a review coming for that movie too! Stay tuned! If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Sonic the Hedgehog 2?” What did you think about it? Or, which movie did you like better? “Sonic the Hedgehog” or “Sonic the Hedgehog 2?” Let me know down below! Scene Before is your click to the flicks!

Morbius (2022): The Worst Comic Book Movie in a Long Time

“Morbius” is directed by Daniel Espinosa (Life, Safe House) and stars Jared Leto (Blade Runner 2049, Suicide Squad), Matt Smith (Last Night in Soho, Doctor Who), Adria Arjona (Good Omens, Emerald City), Jared Harris (The Crown, Mad Men), Al Madrigal (Night School, The Way Back), and Tyrese Gibson (Transformers, 2 Fast 2 Furious). This film follows Dr. Michael Morbius, a biochemist who happens to have a rare blood disease. When trying to find a cure for said disease, he instead becomes infected to the point where he is part man, part vampire.

I love comic book movies. To me, they have delivered dumptrucks of entertainment for years and have brought out some of my favorite moviegoing experiences. And for the past few MCU films, I usually make an attempt to go see them opening Thursday night just to feel the energy of the crowd. Well that, and to get the review out quicker. Although when it comes to “Morbius,” that was not on my list of movies to get excited about. Sure, I kind of like Jared Leto. He was insanely good in “The Little Things” that came out last year, and I think he has a dedication to the craft of acting that I think some people should attempt to match these days. But the reality is that Sony has been very mixed in its comic book movie craft in recent years. “Venom” was by far one of the worst comic book films of the 2010s, and I still have not seen it since going to the cinema. Although I will admit I had fun with its sequel, “Let There be Carnage,” despite its campy and obnoxious nature. Plus, the marketing for “Morbius” did promise some interesting teases. I was intrigued enough to go see the film with an open mind.

And much like the recent MCU fare from Disney (and technically Sony for the most recent example), I went to go see “Morbius” on opening Thursday. The theater was definitely not as crowded as the one for “Spider-Man: No Way Home,” although comparing the films almost feels unfair given how one has been hyped up since the dawn of time, and the other is about a character significantly fewer people recognize. But the theater was moderately filled. My Dolby Cinema experience certainly was not an empty one.

But I certainly felt empty after watching this movie.

This is not true for every single Marvel movie, but for a majority of them that I’ve seen in theaters, they can trigger all kinds of emotions from happiness to laughter to even heartbreak. Just ask Nicole Kidman from that stupid freaking ad that airs before every single movie telling me to go to an AMC, EVEN THOUGH I’M ALREADY THERE.

If you guys remember my review for “Damned!,” the movie that James S. Murray directed before he was one of the stars for “Impractical Jokers,” one thing I said in that review was unlike several other bad movies I have watched, “Damned!” made me feel nothing. I had no rage-induced outbursts, no humungous laughs for the wrong reason, no significant sigh of relief when it was over (although to be fair the movie was under an hour). As for “Morbius,” I kind of experienced the same thing, except that I was in a somewhat crowded theater with a bunch of other people who also did not utter a sound throughout the entire film.

I did facepalm once. That was something.

Let me put it this way, and this may also be unfair because it is technically a comedy, I chuckled once during the 2016 “Ghostbusters” movie. Can’t say the same for “Morbius.”

I know comic book movies are hot right now. I know “Spider-Man” is hot right now. But I almost don’t give a crap if they decided to make a movie for Morbius the Living Vampire. I never asked for it. Then again I never asked for “Joker” and yet that was one of my favorite comic book films of 2019.

When it comes to bad movies, “Morbius” is almost the worst kind of bad. Because if the movie has terrible acting, there is a chance that there is enough cheese to make me invested enough. “Batman & Robin” is a good example. “Morbius” came off more like the 2015 “Fantastic Four” film, where you have a bunch of actors, including some notable names like Miles Teller and Michael B. Jordan, and they all appear to have a hang of things. They’re committed to their craft, but the script does not match their acting talents.

I’ll admit, when this movie started, it wasn’t perfect, but the buildup was not that bad. It set up a relationship between a couple kids who have something in common. The two end up separating, and their relationship is kind of the bond that holds everything together even though they drift apart for most of the film. I liked that aspect. It felt rather down to earth while showing off specific traits for the characters. It was an okay mix of exposition and character building. AND HERE IS WHERE THE POSITIVES STOP.

This movie has a fair amount of action, and comic books, not to mention their movies, are often known for having rather stylized action scenes, but just because big explosions and magic spells look pretty in “Avengers: Infinity War,” doesn’t mean every movie is going to be just like it. “Morbius” is more along the lines of “Venom,” which should not be surprising, considering how both are from Sony, where it has the darkness of the “Batman” films we have gotten over the years, but with way less competence than we usually get out of those. I get that these are technically origin stories for villains, but this kind of brings up a major concern for these characters. When I saw “Venom” I could barely tell what was going on in certain action scenes because everything is so dark, including the characters in terms of their appearance.

“Morbius” basically has a similar vibe throughout to the first “Venom” movie, with subtle differences, except that whatever fun that I had in “Venom” did not even exist in “Morbius.” “Venom” is arguably my least favorite Marvel film of any kind that has been put out in the 2010s. The fact that I am using it as the positive here baffles me to no end. THEY HAD TWO YEARS TO FIX THIS MOVIE! Paramount did it with “Sonic the Hedgehog” in less than that time after releasing their first trailer even without a worldwide pandemic! What prevented them from rewriting certain scenes and just improving them in any way they could? I get it’s a lot of money, but I guarantee you the only reasons why this movie is doing as well as it is is because of “Spider-Man.” But I don’t think it’ll help the film’s legs. This film would have legs if it had better word of mouth, and the reviews don’t reflect a collectively positive reaction. I know some people don’t like how Marvel Studios films often try to go for a laugh, but I much prefer that compared to whatever the hell this is because I felt cold, I felt sleepy, I felt emotionless throughout the picture. There was literally nothing on screen that I watched that made me smile. There were times where I dilated my eyes, but not because I was excited. It’s because I was questioning the motives of the filmmakers and possibly the studio.

I want to talk about trailers, and I do not often talk about trailers when I’m reviewing their respective movies because they’re clearly two different things. In fact, in recent years, certain films, like those from Marvel Studios, even threw in moments that never ended up appearing in the final product. Those moments were seemingly always intended to be a misdirect unless for some reason they came from a deleted scene or something of that nature (“Yesterday” is a commonly brought up example today). I am not going to get into much detail, because this may dive into spoiler territory depending on what your definition of a spoiler is, but there are certain key moments that I think brought more hype and attention to this movie than anything else that added up to nothing. It was all one big lie. Now, what’s not a lie is that Michael Keaton is in the movie. I won’t give any more details than that. In fact, you know how I said they had two years to fix this movie because of the pandemic? Well, I guess maybe they did try to fix it. Kinda… Because part of me wants to guess the studio is trying to follow a particular trend. I won’t say more, but when it comes to pandering, this is about as obvious as a Donald Trump rally. I went political, I know. How edgy! That being said, it’s time for Sony to make comic book movies great again!

Wait, they made “Spider-Verse?” Okay, they get a free pass on that one, that was the bomb.

And I come up with this conspiracy theory because if you watched “Jimmy Kimmel Live!” over the past number of months, Michael Keaton sat down for an interview where he was just finished talking, and decided to reveal he had to shoot footage for his character of Vulture, who he played five years ago, the day after said interview. He did not say it was for “Morbius” specifically, but I had a feeling that could have been what it was for given the timing between the interview and when the film was supposed to come out. I was not on set, so I have no proof, but I feel like this is Sony trying to pander to an audience who wants to look at shiny things.

Now, I want to blame Sony for the making of this film. This film is the literal definition of what someone who hates the trend of comic book movies thinks of when the words “modern comic book movie” comes into their head. Jared Leto is not to blame, because he aces the character. And surprisingly, it is one of his tamer characters he has played in his career. He’s not as near emotionless as he was in “Blade Runner 2049,” nor is he as obnoxious as he was in “Suicide Squad.” He’s kind of in between. I think if this movie were better, I would want to see more from Jared Leto as the character, but unfortunately the movie is not as compelling as Leto’s acting talents.

Going over to the antagonist, Milo, played by Matt Smith, I am actually impressed with him in this film, but also slightly disappointed because Smith’s best work in this film comes toward the end. He kind of had a Jim Carrey playboy vibe to him. I start seeing his supposed passion put into the role with his physicality mixed with dialogue, then in the next moment, I feel like said passion is hidden because I’m only hearing his voice. Much of this movie would not have happened if it were not for stylistic editing with crappy special effects.

The ending of this film is by far one of the most anticlimactic I have seen in years. It’s like the writers just gave up and did not know how to put a bow on everything. It’s like they said, “Well, it’s 90 minutes, so…”

And I should not be surprised, the movie is written by Matt Sazama and Burk Sharpless. These two are the same geniuses of disaster behind “Gods of Egypt.” A blockbuster so bad that there is barely anyone in the movie who would actually resemble an Egyptian! The whole movie felt like a pyramid scheme. Now these two are back to make something that is… Frankly worse. Because at least “Gods of Egypt” had pretty CGI at times. Some of it looked over the top, but it was still pretty. And the music was not that bad either if you ask me. But just like “Gods of Egypt,” I barely felt engaged with anything that was going on in “Morbius.” The movie just jolted, stopped to an uncomfortable halt, and bored me for the remainder of the runtime.

Want to know how bad “Morbius” is? Because the movie is bad enough, but somehow, the end credit scenes made it worse. These are the WORST end credit scenes EVER. Like trailers, I try to keep the credits almost as a separate entity, because in many cases, the movie could suck, but the credits could have a good scene. I’ll admit, I was kind of underwhelmed by “Captain Marvel,” but there was a pretty juicy credits scene if you asked me. But because it barely had anything to do with the film for the most part, I almost disregarded it when it came to my final verdict. The post-credits scenes here are utterly ridiculous to the point where they make the trailers and movie look worse than they already are. After seeing “Venom,” I was nervous to see what Sony would end up doing with all these Spider-Man characters. Now, I’m terrified. “Venom: Let There Be Carnage” was a step in the right direction, but going to back to what I said in my original “Venom” comparison, “Morbius” almost has a similar feel to “Venom,” but somehow packs in way less joy and fun than that movie did. And it barely had those things to begin with.

I honestly hope that these two writers, Matt Sazama and Burk Sharpless improve their craft immediately. Because if they make another movie like this and “Gods of Egypt,” we are in for a long and bumpy ride. I liked what they did with “Power Rangers,” which feels weird to say because I do not recall that movie having the best reception. But honestly, if Sony continues to use these Marvel characters, I think they will have to scour for someone better, because I don’t believe these two writers are the key to their eventual succe-WHAT DO YOU MEAN THEY’RE DOING “MADAM WEB?!”

F************!

In the end, “Morbius” fails on every task it attempts to achieve and makes me beg to Sony that they give this Spider-Man villain trend a rest. “Morbius” is without a doubt, one of the worst comic book movies I have seen in my life. Probably in the top 5 for sure. I’d rather watch any film that was previously made for both the Marvel Cinematic Universe and the Detective Comics Extended Universe! Even “Wonder Woman 1984!” Remember that?! That first hour could not have been more dull! This is the first time in awhile that I recall leaving the theater and not having a smile, at least in my head, after watching a comic book movie. I am not one of those people who claims they have comic book movie fatigue. I enjoy the MCU, I already have my tickets for “Doctor Strange in the Multiverse of Madness,” I think James Gunn is doing a lot of great stuff for both Marvel and DC! I just want Sony, and the two writers behind this movie, to do better. If I have learned anything from “The LEGO Movie,” it is that you can tell a good story out of anything. You just have to get the audience to care. And “Morbius” failed on every level. There are very few modern comic book movies that I don’t own on Blu-ray or some form of physical media. I think “Morbius” has just joined the rejects. I’d rather watch “Batman & Robin” three times in one day than this movie twice in my life! I’m going to give “Morbius” a 1/10.

“Morbius” is now playing in theaters. Tickets are available now, and I guarantee that you will find a seat.

Thanks for reading this review! My next review is going to be for a movie that came out last year, and it is one that I glad I got to see in the cinema when it played, “CODA.” I almost did not review this film because it is technically from last year and I figured it would be irrelevant. But in addition to the recent Best Picture win at the Academy Awards, I feel such a need to talk about it. Especially after talking about this piece of crap. Also coming up, I will be reviewing “Sonic the Hedgehog 2!” Stay tuned for that, and if you want to see this and more on Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Morbius?” What did you think about it? Also, what is the worst comic book movie you have ever seen? I’ll admit, I’ve missed a few bad ones in my lifetime. I still haven’t seen “Catwoman,” I still haven’t seen “Supergirl,” nor have I seen “Elektra.” Let me know your picks down below! Scene Before is your click to the flicks!

Turning Red (2022): Pixar’s Latest, and Best, Direct to Disney+ Feature

“Turning Red” is directed by Domee Shi, who also directed “Bao,” one of the more memorable Pixar shorts. This film stars Rosalie Chiang, Sandra Oh, Ava Morse, Hyein Park, Maitreyi Ramakrishnan, Orion Lee, Wai Ching Ho, Tristan Allerick Chen, and James Hong in a film about a young girl named Meilin Lee whose life and connection with those around her begins to turn upside down as soon as she transforms into a giant red panda.

Pixar is one of the best studios ever created, and I am honestly saddened to see what is becoming of them. And it is not the studio’s fault, it is instead the faults of Disney themselves, who happen to be putting their movies straight to Disney+. I could kind of understand it for “Soul,” because it was a good way to boost subscribers, it was free, unlike “Mulan,” and COVID-19 was incredibly rampant. “Luca” suffered the same fate months later for similar reasons, although I honestly think it would have done semi-decently in theaters if marketed well enough. After all, Pixar movies usually end up being some of the bigger hits of the summer. So I was disappointed to see that one go straight to streaming as well, even if it ended up being my least favorite movie from the studio. I was optimistic that Disney would not do the same for “Turning Red,” whose trailers I saw in theaters, and have enjoyed. …In theaters. Turns out, that’s not the case.

So I went to California to go see this film in a theater. That was not the main intention of why I went there, but that was something I happened to do while I was visiting. I look back on “Soul,” which to me, is an inferior Pixar title, and think it would have been cool to see it in theaters because the music would have sounded graceful through high-quality surround sound. Now that I HAVE seen “Turning Red” in a theater, part of me almost questions how this did not get a wider release. Because there are select parts that had my attention, especially at the end, that would have been nowhere near as enhanced had I watched this movie at home.

But as for the movie itself, I want to point out that the last two Pixar films, “Soul” and “Luca” are currently my least favorites they have done. Thankfully, “Turning Red” does not join those ranks. I would put it in the same caliber as maybe “Ratatouille,” a movie a really enjoyed, but also acknowledge is not maybe my favorite or least favorite. Again, Pixar is a great studio, and even with what I said about “Luca,” the film is still in the positive range for me. Their batting average is one of the best in regards to studios working today. It reminds me of Marvel Studios, except that they have a few movies that disappointed me and I would consider to be in the negative. When it comes to entertaining a massive amount of people, and not just giving the bare minimum when it comes to that, Pixar knows exactly what they’re doing. And getting Domee Shi to tell her story is a part of that.

One of my favorite Pixar movies is “Inside Out,” partially because of how emotionally satisfying it is by the end of it, but also partially because of how perfect of a metaphor it is for entering adolescence. Similar to “Inside Out,” “Turning Red” almost comes off as a metaphor for puberty, and I am kind of amazed that Pixar even decided to execute a movie like this because I think some adults will look at this and wonder if kids should even be watching it. Disney movies have sometimes been known for their dark turns in the story, especially when a member of the family dies. I will keep spoilers of “Turning Red” to a minimum, because I do recommend it, but the parts that may be the least kid-friendly are the moments that reflect the coming of age or growing up of our main character. If anything, I would say that this movie is almost a secret sequel to “Inside Out,” because if you remember that movie’s ending, it’s like we took one fraction from that film’s ending and made a feature-length story on what happens next.

This movie has a reference to “stripper music!” A kids movie!

The main characters of “Turning Red” make every other character in a Pixar film from Lightning McQueen to Mike Wazowski look completely silent and innocent. And by the main characters, I mean the teenage girls. Mei, Abby, Miriam, and Priya. I feel like watching them with their emphasized expressions and emotions not only highlight the chemistry they have with each other, but I felt like there were select scenes that highlight emotions from them that either would only reflect them at their current age or would highlight maybe the stereotyped awkwardness, perhaps even grossness, that comes with puberty. There are select facial expressions in this film that are off the wall cartoony to the point where there’s almost no real life replica for them.

In fact, not only does this film feature some of traditions of Pixar when it comes to their animation style with highly detailed, computerized 3D, which looks as impressive as usual. But there is also a bit of a Japanese anime style to this film as well, and it is fully embraced with FLASHY moments sprinkled every bit in between, poppy, bright colors, and I would even say the climax and its inner-workings feel like something out of an anime at times. But despite this film’s animated look, there is one moment, I will not say when, that something came onto the screen, and my jaw literally dropped at the sight of it because of how real it looked. Pixar is easily my favorite studio for animated movies, and part of it is not only because of their fun stories that bring joy and occasional tears, but also the effort that has been put into the film’s design. 2019’s “Toy Story 4” has one of the most surprisingly realistic looking shots I have seen of a cat in animation history. I think I just saw something equal to, if not greater than that.

“Turning Red” is Pixar doing what Pixar does best, because I often look at films from studios like Illumination and Dreamworks Animation and think to myself that despite their occasional enjoyability here and there, they almost dumb themselves down too much for the children who are inevitably going to be watching it because there are things happening on screen. Pixar does not do that. They feel like the wisest studio of them all. I almost feel like Pixar, when it comes to animation in the United States at least, is the thinking man’s animation studio. Disney Animation has a childlike spirit despite its darker themes. DreamWorks has its moments of maturity, but also resorts to immature jokes here and there. Illumination… My god. “Turning Red” seems to have a childlike spirit, but that is a compliment on the movie’s part because I feel like animation is, bar none, the perfect medium for something like this. I have seen images on the Internet of the film before it came out or just around release time regarding certain individuals refusing to watch this film because of the way it looked.

Okay. Now, film is subjective, not every movie is for everyone, but I will say if they did this film in live action, I think that they would have to change A LOT. Maybe some of the hyperactive writing could stay, but the expressions of the characters would not pop as much as it does here. I would love to see more of what Domee Shi does with her character and potentially what she can do with another directorial effort at Pixar. I think she and maybe Pete Docter (and Brad Bird should they make “Incredibles 3”) are the names I will await with eager anticipation in terms of when their next project arrives.

At the end of the day, this film is not just about someone who turns into a panda and lets all sorts of shenanigans unfold, it is about the struggles of growing up, the struggles of friendship, the struggles of family. At some point in these aspects, it is tough to maintain trust between one side and another. Sometimes you cannot please your parents because you want to please your friends. Sometimes you may not agree with everything your parents say, because maybe from their view, maybe they want the best for you. Their response could be somewhat justified, but in a case like this, the child may be significantly let down because they have wanted something so bad that it is all they think about. This took me back to a time when I was younger and I would ask my parents if I could play a slate of M rated video games. By the way, I played a ton of “Team Fortress 2” as a young teen. TURNED OUT FINE. The movie presents a similar case with 4 Town, a boy band who happens to be performing in Toronto. The girls want to go to the concert together, and the parents obviously want to interfere. From their point of view, they think the music is kind of ridiculous and think an event like this could be potentially harmful. But for the girls, this is practically their whole life. From the girls’ point of view, they almost see this as a part of growing up, which is part of what the movie’s about.

This film maintains a great lesson for children and adults. When I watch family movies or movies that are in the animated medium, I often note the lesson that they tend to provide for the children watching, it’s mainly intended for them. But I feel like a parent could watch this movie and take something from it too. It’s that good. It’s that effective. I highly recommend this movie to anyone and I wish it had a theatrical release.

The film also has a post-credits scene. For those who want to watch the movie, do not pause when the credits roll, there is more.

In the end, “Turning Red” is wonderful movie. It is not my favorite Pixar film, but it is funny, charming, and fast-paced. While there definitely are some moments in this film that try to go for the emotions, this may be a somewhat easier watch for some people than some of Pixar’s other fare in recent years like “Inside Out” or “Coco,” because films like those often seemingly attempt to make people cry. “Turning Red” starts off as cheerful fun and ends that way. If you want a joyful, happy go lucky film with some conflict, I highly recommend this picture. The main character of Mei is wonderful and brilliantly voiced by Rosalie Chiang. I would love to see more from the “Turning Red” property, and I am going to give it an 8/10.

Also, big shoutout to Sandra Oh. Her resume from an animation perspective has been fire lately. She was in “Over the Moon,” “Raya and the Last Dragon,” and now this. She is making some great choices lately.

“Turning Red” is now available on Disney+ for free as long as you are a subscriber.

Thanks for reading this review! Speaking of reading, if you like reading things for a very very long time, you will LOVE the 4th Annual Jackoff Awards! The awards were held on March 27th, but if you want to read the show now, here is an opportunity! Find out which 2021 films win’s Jacks awards! Should we do a fifth awards show, my next movie I am reviewing will probably not make it. Ladies and gentlemen, my next review… Is… Morbius.

Let’s get this overwith.

If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Turning Red?” What did you think about it? Or, which of the straight to Disney+ Pixar movies did you enjoy the most? Let me know down below! Scene Before is your click to the flicks!

The Batman (2022): The Longest Sight of the Darkest Knight

“The Batman” is directed by Matt Reeves (Rise of the Planet of the Apes, Cloverfield) and stars Robert Pattinson (Twilight, The Lighthouse), Zoë Kravitz (Mad Max: Fury Road, X-Men: First Class), Paul Dano (Little Miss Sunshine, There Will Be Blood), Jeffrey Wright (The French Dispatch, Westworld), John Turturro (Transformers, The Big Lebowski), Peter Sarsgaard (Dopesick, Green Lantern), Andy Serkis (The Lord of the Rings: The Two Towers, Star Wars: The Force Awakens), and Colin Farrell (Total Recall, The Lobster). This film is the umpteenth reboot/remake/cash cow on a platter of the Caped Crusader. And I assume Warner Brothers already happens to have three more in development. This time around, Robert Pattinson plays Batman, or Vengeance, it can go either way at this point, who is forced to chase down the Riddler (Paul Dano) and follow himself down the rabbit hole to determine his family’s involvement in Gotham’s ongoing crime.

My excitement for “The Batman” was always something I kept in my head. And unlike other superhero stories in recent months like “The Suicide Squad” or “Eternals,” I had those expectations at a moderate level, but not at one that made me feel somewhat pessimistic. If you want a fair comparison, I would say it is almost equal to the excitement I had for “Shang-Chi” before all the reviews came out. I was immersed into the trailers we were given, and looking forward to seeing how Matt Reeves could potentially pull off a “Batman” movie that speaks to a 2022 audience.

While I will admit I think there are days where “The Dark Knight” may get a tad too much hype, I have always admired the film. I thought it was the definitive comic book film that delivered a little bit of fun, a little bit of dark, and a whole lot of epic. Christopher Nolan’s direction and Hans Zimmer’s score definitely add to the scope and vibe of the film. I would have been happy if “The Batman” were half as good as the “The Dark Knight” because even in that case, it would be a good movie.

Now “The Batman,” per my opinion, is no “The Dark Knight,” but it is a watchable film. And like “The Dark Knight,” the tone is incredibly set by the music, perhaps more effectively than the 2008 counterpart. Michael Giacchino’s score, even in its more subtle moments, feels prominent and difficult to ignore. Now unlike “The Dark Knight,” which I think has a really good opening scene, I think the opening scene of “The Batman” does a much better job at measuring the tone and stakes of everything at hand. This film’s introduction to the Riddler is chill-inducing, and almost horror-like. Granted, this movie does take place on Halloween, hence the Long Halloween inspiration.

Now, Batman and Spider-Man are often seen as two of the most popular heroes of all time. So much so that their characters reboot almost on the frequency of Tom Brady winning Super Bowls. Similar to seeing a couple movies where Peter Parker, AKA Spider-Man, loses his uncle, we also have seen a couple movies where Bruce Wayne, AKA Batman, loses his parents. “The Batman” takes the MCU or “Spider-Man: Homecoming” route and skips the deaths of Wayne’s parents. For a movie like this, I like this approach. Partially because it allows us to get straight into the character of Batman, whose first main scene in this movie provides one of the grittiest action sequences the character has gone through, and also because THIS MOVIE IS SO FREAKING LONG!

Maybe I should not have said that. This is not the longest Halloween–err I mean, longest comic book movie I have sat through. “Avengers: Endgame” was over three hours. But the reason why “Avengers: Endgame,” to me, gets away with its three hour runtime is because I have realized more and more over the years that it is not necessarily a matter of how long a movie is, but how long it feels when it comes to keeping me entertained. I cannot tell you how many times I have watched “Blade Runner 2049” from start to finish. That movie is two hours and forty-four minutes, which by today’s standards, is rather long. It flies by every single time I watch it. However, there were one or two moments when I watched “The Batman” and thought, “When’s the credits? Why aren’t they popping up yet?” I feel like this movie could have been better paced if they shaved off 5, 10, even 20 minutes. I do think the slow burn feel fits the narrative and characters at hand, but it also almost made me want to fall asleep.

But I’ll tell you what didn’t make me fall asleep…

ONE OF THE BEST CAR CHASES IN YEARS!

It’s been a few years since I have seen a truly exciting, immersive, compelling car chase. The last one that comes to mind is from 2018 during “Ready Player One,” where we keep transitioning from the real world to the virtual world where the people are driving and Wade is trying to get the key in the hole. The chase between Batman and the Penguin sent chills down my spine from frame one. For starters, the sound in this chase is some of the most heart-pumping I heard in a recent movie. I knew how amazing this chase would be ever since I saw the trailers, and I was not wrong. That moment where Colin Farrell, who looks almost unrecognizable as Penguin, shouts to himself, followed by the Batmobile’s reveal behind him, provides for pure satisfaction. Speaking of which, as soon as the Batmobile flicks on, I knew I was in for one of the boldest, almost self-transition into slow motion moments in recent film history. You know that feeling when you are out on the street and see someone so attractive that you’ve never seen before, it’s like time almost stops when you are taking every moment in.

And I think a lot of these slow, bold, yet exciting moments would not happen, or would be less likely to happen if this were not the first story we saw with Robert Pattinson’s interpretation of Batman. There’s a first time for everything, and we might as well let this first time last as long as possible. Speaking of Robert Pattinson, let’s talk about him.

Let me be clear on something. I have NEVER seen “Twlight” or its sequels. I also have never read the books. Some might say I am a better person for not partaking in these stories. I know Robert Pattinson, prior to suiting up for Batman, was perhaps a teenage heartthrob in those films, which gives him a bit of an image that some may think will hinder the film. Similar to One Direction’s Harry Styles in “Dunkirk,” put those thoughts aside because “The Batman” supports the notion that Pattinson is committed to what he does and that he is a genuinely great thespian. And if you do not believe me. Watch “Good Time,” where his performance partially adds up to a good time. Watch “Tenet,” he’s practically my favorite character in the film in terms of line delivery. And PLEASE. PLEASE. Watch “The Lighthouse.” SOOO GOOD. I was not one of these people, but I had maybe a friend or two who despite Robert Pattinson’s continuous career buildup, still felt skeptical of this film’s quality partially because of Pattinson’s past in the “Twilight” series. Either that or Bruce’s emo look, which admittedly works for me. Don’t worry. Pattinson IS Batman. Both literally and figuratively.

Unlike say Ben Affleck or Christian Bale where the difference between Bruce Wayne and Batman is often very clear, I feel like this interpretation of Batman leaves the character of Bruce Wayne, who technically still exists, almost in the background entirely. I don’t mean this in a bad way, because this shows how much Wayne himself has been consumed by the Bat. You know that theory that people have about children? The one where they apparently see something in a video game and decide it is okay to do in real life? While this is not exactly a complete replica of that, Pattinson’s interpretation reminds me of that because of how much Bruce and the Bat have basically become one with each other.

So please? Can we stop already? Can we stop making fun of Robert Pattinson? He’s a genuinely good actor, and he can show that. Matt Reeves accentuates that with his eye-popping and marvelous direction. So let’s get back to talking about the more important things…

Like THE SLAP AT THE OSCAR–Ooohh wait, wait, wait, never mind.

I will also add that Robert Pattinson is not the only standout here performance-wise, Zoe Kravitz makes a fine addition to the movie as Catwoman, and her presence is as commanding as can be. Her chemistry with Pattinson is spot on. Speaking of spot on, aside from maybe Pattinson, I’d say the best performance in the movie probably goes to none other than Paul Dano. I never thought much about Dano as an actor much before “The Batman” came out, but he’s been one of the few things I could not stop thinking about once this movie ended. And this goes back to what I said about the film’s opening scene where we first see the Riddler. They say a movie is only as good as its villain, and they also say that first impressions matter. The Riddler killed it in this film, and had my attention throughout because of that first scene. Every other moment, he kept that same maniacal vibe up. This interpretation of the Riddler is not my favorite Batman on-screen translation ever, but it is up there. And that is part of why this movie is worth watching. Not just for Batman himself, but the people he runs into along the way.

In the end, “The Batman” is the best comic book movie of the year! Why is that? Well, partially because “Morbius” exists. And that’s another story for another time. But I’ll be real with you. There are plenty of “Batman” movies out there, ranging from standalones to crossovers. Out of the many Batman stories that exist on screen, this is not the first one I would pick to watch on a Friday night. Replay value-wise, this movie is not high on my list. But I also think it is beautifully made. It encapsulates a dark vibe that feels modern, but also brings us a masked hero who maybe had much of his personality altered because of his transition. I like that idea brought to the table, and I would not mind seeing a sequel at some point. I am going to give “The Batman” a 7/10.

“The Batman” is now playing in theaters. Tickets are available now. The film will be available to stream on HBO Max starting April 19th.

Thanks for reading this review! My next review is going to be for Pixar’s “Turning Red,” the brand new animated film that is now streaming on Disney+ for free as long as you are subscribed! Also, stay tuned for my thoughts on “Morbius!” I gave a little tease, but we shall dive deeper at some point! If you want to see this and more on Scene Before, follow the blog either with an email or WordPress account! Also, be sure to like the official Facebook page! I want to know, did you see “The Batman?” What did you think about it? Or, who plays the best on-screen Batman? Is it Keaton? Bale? Kevin Conroy? Someone else? Let me know down below! Scene Before is your click to the flicks!

The Adam Project (2022): Ryan Reynolds and Shawn Levy Team Up with Netflix to Deliver Another Excellent Collaboration

“The Adam Project” is directed by Shawn Levy (Night at the Museum, Real Steel) and stars Ryan Reynolds (Deadpool, The Hitman’s Bodyguard), Walker Scobell, Mark Ruffalo (Dark Waters, The Avengers), Jennifer Garner (Love, Simon, Peppermint), Catherine Keener (The Croods, Incredibles 2), and Zoe Saldana (Guardians of the Galaxy, Avatar) in a film where a man named Adam travels back in time and comes in contact with his 12-year-old self. Together, they join forces as they fight to protect time as they know it.

One of my favorite movies of the last year is “Free Guy,” directed by Shawn Levy. The director defined my childhood with the first two “Night at the Museum” movies so I owe him a debt of gratitude. And to know that Levy and Reynolds would be getting together for another teamup after their last totally epic, bonkers outing, was nothing short of exciting. I thought it was somewhat unfortunate that this outing would not be as big of a theatrical release given how this is a Netflix film, but I was still convinced to watch it. After all, I ended up earning a free link to watch “The Adam Project” over a week and a half before the film actually came out. So I watched it, gathered my thoughts, and now I am ready to share them with you all.

Let me just start off with this, “Free Guy” ended up being one of the most gutbusting and smile-inducing movies I watched in the past year. But I also recognize that it is probably not for everyone, even though it ended up being one of the rare action films my mom actually somehow ended up watching from start to finish. But even though these are two different movies, I think if you enjoyed some of the choices and styles represented in “Free Guy,” I think you are going to enjoy some of the choices and styles represented in “The Adam Project.” I do not think “The Adam Project” is going to win Best Picture, but it is a movie that for me, accomplished all of its goals it set out to acquire. It was action-packed, pretty, funny, and ended up having a little bit of heart. Basically, if you combined some of the bigger movies of the 1980s like “Back to the Future” and “Terminator 2: Judgment Day” with “Free Guy,” you basically get “The Adam Project.”

Think about it. All these properties have time travel, the protagonists have to save the timeline in addition to civilization and themselves, and the combo between young and older Adam kind of gives the same vibe I get when looking at the T-800 and young John Connor in “Terminator 2.” Basically, this is “Free Guy” without all the licensed crap attached, which may be a good or bad thing depending on how you look at it. I was extremely satisfied to see Ryan Reynolds holding a Captain America shield in “Free Guy,” but let’s just say I am glad that not every movie in existence is like that.

Ryan Reynolds does wield a lightsaber in this movie. …Kind of. So there’s that.

“The Adam Project” takes its time and sticks to its main characters, there are no humungous cameos, although there are plenty of notable actors in the film. For a film like this, I prefer that. In fact, there are one or two lines in here that I almost feel like are a dig on movie watchers in general, but also a select few that specifically target the stereotypical moviegoer who usually shells out a few bucks for the latest comic book movie, waits two months, shells out another few bucks for an even newer comic book movie, and so on. It’s all part of the lovable chemistry between these two Adams, and speaking of which, we are going to talk about one of them.

This movie is the acting debut of Walker Scobell, and for a first role, Scobell is given a lot to do. And he does all of it well. All of his lines feel authentic, he’s got the right level of hyperactivity for a role like this, I think as far as a young Ryan Reynolds interpretation goes, the hair’s an interesting choice, but we’ve all made altering choices in life. Scobell is an actor I want to keep my eye on, and “The Adam Project” is hopefully the start of a lively career. Ryan Reynolds is also a terrific addition to this dynamic duo. There is a really compelling scene when they first meet, I totally buy into their relationship from the getgo. I believe everything they’re saying. I believe they’re the same person. All I want is for them to stand together a bit longer.

One of the best and worst parts of “The Adam Project” is the visual effects. Like many modern science fiction movies, there are a ton of polished, crisp ships flying around everywhere. There’s a lot of computer generated detail that goes into a movie like this. So when there’s a battle in the air, that provides for an entertaining experience, and one that makes me envious of those who ultimately end up watching this film theatrically. On the other hand, there is a fair share of visuals that look like they belong in a video game. Now, I like video games. Video games are fun. But there is a clear difference between how things should look in a movie and how things should look in a video game. Some of the weaponry in this film looks like stereotypical sci-fi nonsense, and some of it works, but there’s also some that look like they would never exist in real life. They have colors that are almost invisible to the naked eye.

I think the big problem I have with “The Adam Project,” as nitpicky as it may sound, happens to be the scenes where the color palette is as bright as it can be. While this bright color grade matches the lighthearted fun the film has, it also makes the film look too clean and dream-like. It’s like every other scene has too much blue or too much green. Or the lens is permanently soaked in water. It kind of reminds me of what some people say about the “Star Wars” prequels compared to the originals, noting that the prequels are much cleaner than their original counterparts. I wonder if maybe the film changed the color grading a little, or maybe if they shot it in a different format, perhaps on film, that we would have a look that felt more believable. At times, the film reaches for the stars and goes for something that almost resembles a fantasy vibe, but I also want a tad of realism.

Although let’s end this review on a happy note. I am also delighted and surprised to confirm how emotionally charging this film is. I’ve talked about about the two Adams and their connection to each other. But the one thing that I should note to the parents or families reading this, I think the characters will resonate with you in one way or another because of their family dynamic. I’m not just talking about Walker Scobell and Ryan Reynolds, but Mark Ruffalo and Jennifer Garner play roles that feel occasionally nostalgic and charming to take in, especially when you have one or two of the Adams by their side. The end of the movie really got to me, especially as someone who may relate to the young Adam, but not in the way that he experiences life. Let’s just say that I did not go through a family tragedy in the way he did, but I empathize with him at his age for what happened AFTER said family tragedy. This movie is wonderful, watch it if you can.

In the end, “The Adam Project” is a film that feels like it was made in the 1980s, but with a 2022 flair. And I mean that in a good way, because the 1980s have brought some pretty kick-ass movies. I love the connection between young and old Adam, the supporting cast for the most part brought plenty of fun and charisma to the final product, and I had my eyes glued to the screen the whole time. Shawn Levy and Ryan Reynolds are supposedly making “Deadpool 3” together if all goes according to plan. You know what? If it is bound to be as good as the last two movies they made, sign me up! Because “Free Guy” was awesome and now, months after that movie came out, I’m going to give “The Adam Project” an 8/10!

“The Adam Project” is now available to watch anytime on Netflix for all subscribers.

Thanks for reading this review! If you enjoyed this review, be sure to stay tuned for my reviews of “The Batman” and “Turning Red,” coming soon! But before that, ON SUNDAY, MARCH 27TH! PREPARE FOR THE FOURTH EDITION OF THE LEAST MOST IMPORTANT AWARDS CEREMONY OF ALL TIME! THE 4TH ANNUAL JACKOFF AWARDS! Again, that’s SUNDAY, MARCH 27TH! It’s the same day as that other ceremony that refuses to present the entire Film Editing category. If you want to vote for Best Picture, vote here! That said, if you enjoyed this post, follow Scene Before either with an email or WordPress account and check out the official Facebook page! I want to know, did you see “The Adam Project?” What did you think about it? Or, what are your thoughts on “Free Guy?” Which of these two films do you like better? Let me know down below! Scene Before is your click to the flicks!

Uncharted (2022): The Fast and the Furious with Treasure Hunting

“Uncharted” is directed by Ruben Fleischer (Venom, Zombieland) and stars Tom Holland (Spider-Man: No Way Home, Chaos Walking), Mark Wahlberg (Transformers: Age of Extinction, Deepwater Horizon), Antonio Banderas (Shrek 2, Hitman’s Wife’s Bodyguard), Sophia Ali (Grey’s Anatomy, The Wilds), and Tati Gabrielle (The Owl House, The 100). This film is based on the video game franchise of the same name and is about Nathan Drake who sets out on an adventure alongside Victor “Sully” Sullivan to find a fortune that has been lost for five centuries.

I have never played the “Uncharted” games. I know of them. I’ve seen particular images and cutscenes from them. I’ve just never had the time to sit down to play them. And it kind of ticks me off saying that because while I never had a PS3, when it comes to my consoles, I managed to acquire a PS4 several years ago as a Christmas gift, and I even just recently got a PS5. So despite my commitment to Sony over the years, I haven’t popped in “Uncharted” yet. But I also will note that I’m a busy man, I do not have time for video games. It’s the same thing with books. It’s not that I don’t like video games, but I sort of see video games the same way as television shows. If you want me to sit down and play one, there needs to be a real commitment factor. Again, I am amazingly committed to film, making other mediums feel less important. Since I mentioned books, I will have to make my usual apology to them. Movies are more fun! Sorry, books!

But with movie theaters trying to prove themselves as a reasonable escape within the confines of the pandemic era, it only seems appropriate that Sony would release a movie like this at this time. The little that I have seen of the “Uncharted” games did feel rather cinematic. And the very first scene of the film, which has Tom Holland flying in the air, did remind me of the little that I did see in the games. It had this extreme vibe that set the tone for everything going forward. Kind of like a video game. So the movie already kicked off to a positive start.

But this positive start doesn’t last long because when it comes to introducing the main characters, the setup feels rather clunky, and borderline unreal. Kind of like a video game.

If any of you remember the movie “Hardcore Henry,” I praised the movie for having a feel that I could probably experience only in a few cases. Video games being one of them. After all, it is set in the first person point of view. And when I was younger, I always wanted to adapt a particular video game into a film (I won’t say which one in case it ever ACTUALLY DOES HAPPEN). But looking back, I had all these ideas for camera techniques that would be reminiscent of the games, and I wonder if that’s now all a gimmick. Looking at “Uncharted,” I admire its efforts to bring a massively immersive, and I do mean immersive, experience. There are scenes in this film that are best experienced on the biggest screen you can find, and for that alone, you should shell out a few bucks to see it in the theater if interested, but maybe not above matinee price, or a subscription like A-List, which is what I previously used.

Sticking to that, much like a video game vibe, the climax is probably one of the most immersive and inviting I have seen in recent film. I’ve seen a number of climaxes recently that fit the material in which it tries to attach itself, but this is one that not only puts its characters in the most dangerous of situations, but also embraces what I hoped this movie would go for. A bit of far-fetchedness, but also enough to ensure your brain is still attached. But at the same time, there is also some moments where they jump the shark and my brain gets a bit cracked. You may have seen the part in the trailers where Tom Holland gets hit by a red car, it’s a bit over the top.

I feel like this film’s immersion factor is an enormous reason as to why it sometimes works. Because let’s be real, I am not going to claim that Nathan Drake is one of my favorite film characters. I like the guy playing him. I think Tom Holland has talent. But when translated to the final product, the film struggles to get me attached to its characters as much as it puts into its respective environments.

If I had to point out a favorite scene in the film, it’s actually one that appears in the trailers. Basically, Nathan Drake is in the middle of a mission, and out comes this heavier man, portrayed by Steven Waddington, who scares Drake s*itless. Then we get… This exchange. Well, maybe this exchange. Pardon me, I’m just a dumb American.

THE SCOTSMAN: “You shouldn’t have come out to play with the big boys wee in because you’re about to get a proper Scottish welcome.”

NATHAN: “What?”

I lost it when first hearing this. Again, I’m just a dumb American, but as a dumb American, I acknowledge that the English language is understood in a variety of ways. From the perspective of my tiny little American brain, the Scottish accent is first off, hard to understand, and second, occasionally funny. So, I’ll give credit to the writers for nailing that aspect and Waddington for providing a seemingly over the top accent that had me laughing. I wanted to see more of him. Although I do want to know what Scottish people think of this. Is this humorous? Accurate? Offensive, maybe? I want to know.

Although going back to what I said earlier, there is one scene that the more I think about it, kind of irritates me. Because I understand that movies and their studios are supposed to pay the bills. But what irritates me is that this movie ends up using a forced, randomly placed instance of product placement within its main story. I was engaged during said scene, but I do not think this is the time to sell me “Papa John’s.” It does not go as extreme as the “Power Rangers” movie we got a few years ago with Krispy Kreme (although I like the money shot it brought), but the more I think about it, the more it distracts me.

“Uncharted” feels like “Raiders of the Lost Ark.”

…At times.

“Uncharted” is a fun adventure with characters that have their own quirks. But relatively speaking, this ain’t no “Raiders.” Tom Holland and Mark Wahlberg do their best with the material given to them, but their chemistry feels very off and on. There are a couple scenes where I can tell that these two have probably developed a friendship per se. But there are also other scenes where I don’t sense much realism between them.

In the end, “Uncharted” is a film that is good enough to please me for one or two viewings, but maybe not more. I heard that Tom Holland is a fan of the video games, therefore I am happy to know that he is playing a character that he possibly admires. But I can see why this film suffered as many delays as it did. It’s a film that feels like was made for the 21st century 3D era, in fact ideas for it were developed during that time, but it ends up coming out in 2022. I feel like Sony just wanted this movie to get out sooner than later because it’s practically been in development since 2008. Directors like David O. Russell (Three Kings, American Hustle), Neil Burger (The Illusionist, Divergent), Seth Gordon (Horrible Bosses, Baywatch), Shawn Levy (Night at the Museum, Free Guy), and Dan Trachtenberg (Portal: No Escape, The Boys) were originally attached to helm the picture. Unfortunately these did not last, so we ended up with “Zombieland” director Ruben Fleischer. I also think the decision to get Tom Holland to play Nathan Drake was solid. As mentioned, he’s played the games, so he’s familiar with the material. But he also is on the younger side, so unlike say Nathan Fillion, who ended up appearing in an “Uncharted” fan film and is about twice the age of Tom Holland, Sony made a decision they thought was good for business. If “Uncharted” is successful, Tom Holland is young enough to keep playing the role should there be sequels. And would I want a sequel to “Uncharted?” Sure. I could watch another film in this franchise. But I would recommend maybe getting a different writing team. I’m going to give “Uncharted” a bare maximum 5/10, and I feel like that’s generous. I was genuinely entertained, but I also recognize that this movie was very clunky and could have done more, and that’s why I’m giving it the score it gets.

“Uncharted” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! Next Sunday, March 13th, I am going to be sharing an all new first look at the upcoming 4th Annual Jackoffs! I am going to be announcing the nominations, and I’ll be dropping a trailer as to what you can expect for this grand, majestic awards ceremony! The ceremony itself is happening on March 27th, therefore it will be held the same day as the Oscars! So that’s another three hours of your life taken away! But I will still have content in between the announcement and ceremony such as upcoming movie reviews! Speaking of which, my next review is going to be for Netflix’s new movie, “The Adam Project,” which coincidentally, is directed by one of the folks I mentioned who was once attached to “Uncharted,” Shawn Levy! I already saw the film through a virtual screening, and it arrives on Netflix soon. I will have my full-fledged thoughts as soon as possible. If you want to see this and more on Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Uncharted?” What did you think about it? Or, have you played any of the “Uncharted” games? Tell me your thoughts on those! Let me know down below! Scene Before is your click to the flicks!

Moonfall (2022): A Small, Lifeless Step for All

“Moonfall” is directed by Roland Emmerich (Independence Day, Godzilla) and stars Halle Berry (Catwoman, Extant), Patrick Wilson (The Phantom of the Opera, Watchmen), John Bradley (Game of Thrones, The Brothers Grimsby), Michael Peña (Tower Heist, Ant-Man), Charlie Plummer (Looking for Alaska, Words on Bathroom Walls), Kelly Yu Wenwen (Young Pea, Lost Promise), and Donald Sutherland (The Hunger Games, The Undoing). This film is exactly as the title sounds. The moon is falling.

And it sucks. *Ends review*

Okay, okay, there’s more to it than that, but that’s the backbone here. Basically, for some established reason, the moon, which has been circling alongside the Earth for years, goes out of orbit, and decides one day, “Screw everything, I’m gonna kiss the planet goodbye!” So it is up to a few scientists to figure out how to save the earth before the moon destroys all life and civilization as we know it.

Director Roland Emmerich on the set of Columbia Pictures’ 2012. The action film will be released November 13, 2009.

They say that certain filmmakers who have been around in the industry for awhile get attached to their genres or consistencies. For Martin Scorsese, that would be mob movies. For Michael Bay, that would be explosive action movies. For Roland Emmerich, that would be disaster movies. When it comes to this genre, he is no stranger. He’s done movies such as “White House Down,” “2012,” and “Indepndence Day” along with its sequel. I have not seen every single one of these films, but I nevertheless have an expectation when it comes to Roland Emmerich. None of these films are Shakespearean, nor are they a Best Picture contender. When it comes to my expectations for “Moonfall,” I did not walk in the door asking for a whole lot. I just wanted to have fun while the moon crashes the Earth. Sure, you have your humanized storyline, but if you make the characters relatable enough, it will be worthwhile in the end.

“Moonfall” is something I’d rather witness through fiction as opposed to reality. But it does not change the fact that “Moonfall” is one of the worst science fiction films I have seen in a long time.

Although, slight digression, I think getting crushed by a moon would be a cool way to die. And after seeing this movie, I hope one falls sooner than later.

“Moonfall” is what happens when you write a script for Syfy channel original movie and somehow get in touch with someone who promises they’ll put a little more money into it. This movie has big stars, big effects, but a small plot. That is if there even is one. If you go to the Wikipedia page for “Moonfall,” there’s a whole section that is titled “Plot,” which explains everything that happens in the movie. Honestly, I think Wikipedia is being generous. When it comes to “Moonfall,” Roland Emmerich partially financed the film himself. This makes sense, given how he’s probably done well financially due to the success of some of his previous films, and the fact that the script for this movie is probably not as memorable as one or two of his previous films. I’ve seen “Independence Day.” It knew what it was, it did not take itself too seriously, and it was fun for what it was. “Moonfall” is actually so bad that I would have been okay if they killed off all the main characters. Almost none of them are interesting. Some of them are flat out annoyingly written, and whenever I watched JC Bradley’s character, I almost felt bad that he had to take on this role. There were a couple okay lines out of him, but around the halfway point of the movie, I felt like I was watching a high school play written by the robots from “The Mitchells vs. the Machines.” Forced jokes! Lazy lines! It’s cringe all the way to the moon! The screenplay is one small step for man, and one giant leap for the moon to waltz through the stars to end civilization as we know it. Both literally and figuratively.

I will admit, I’m an aspiring screenwriter, and I’m one of those people who doesn’t really have a whole concrete plan on how my scripts go from start to finish. Some of my ideas are made up as they go along, because I want to project the feeling I would have as an audience member who would want to be surprised and see something they haven’t seen before. First off, the concept of the moon falling is not new. I cannot recall it being done in a movie, but I think some of my viewers would know that it was once done in a “Legend of Zelda” game. And even though I never finished the game (which may play into my mediocre time management skills), I think that moon-falling story is better. The point is, the screenplay for “Moonfall” barely feels like it was planned. You can perhaps write a movie with little planning and have it be great, but Roland Emmerich took the film in a haywire, offish, and unexpectedly disastrous direction that left me with my jaw open and my hands over my head. There was a point during the second half of this film, where I simply stopped caring.

I could write something about the characters in this review. But in actuality I don’t feel like I can. There is not a single individual I care about enough to say they were worth watching, as much effort as some of the actors put into their performances. I wonder if any of the actors actually wanted to be in this movie for a single reason other than the paycheck.

You know a movie is bad when you try to think of anything positive to say about the characters, and not only is there almost nothing that comes to mind, but you can’t even remember their name! I don’t think it would be a surprise that I would have to go back to IMDb a couple times and look up a certain character’s name just to include them in the review. But “Moonfall” is a prime example of a movie where I’d have to do that for every character for all the wrong reasons. They’re lucky they’ve got a couple recognizable faces in this like Halle Berry and Michael Peña. If I were doing this review on video, Jeremy Jahns style, I would be in front my green screen yelling at the camera before the next jumpcut, freezing, then turning my head over to my phone to see what I’ve forgotten.

“Moonfall” proves that sometimes bigger isn’t always better. This movie has too many characters that it asks you to latch onto. The script doesn’t serve any of these characters properly. And they’re all directed like this movie was written with intentional 1990s cheese. Yes, “Independence Day” worked in the 1990s. I need “Moonfall” to work in the 2020s. I went into this movie simply wanting the moon to wreak havoc over the earth, and maybe they’ll come up something to make that concept work. Without spoiling anything, the film tries to give some reason as to why everything is happening, but that reason is arguably the biggest insult of the movie. Yes, the “characters” develop and alter, but they do so in a way that made me want to sucker punch my popcorn. This movie honestly would have been better had Roland Emmerich popped out of the screen and cut the off all the heads of everyone in my auditorium. At least in that reality, we’d probably never get to experience the space oddity, and that’s putting it lightly, that is “Moonfall.”

In the end, “Moonfall” is an insult to science fiction. The effects look okay at times, and that may be the one big plus of the film. It could work as a tech demo. There may be one or two lines in the movie that could get a laugh, but by the end of the film I was rolling my eyes way more than I was slapping my knees. It’s crazy to think that in the same weekend we get an epic sci-fi movie, which cost over $150 million, about the moon potentially destroying Earth, where people go up into space to see if they can solve the problem, “Jackass Forever” is the movie that looks like it was made for smart people. Gosh, that was so funny. Aren’t space movies supposedly taken a bit more seriously than guys destroying their balls? I’m not asking for all my space movies to be the same, but I just want them to be good. And clearly Roland Emmerich failed the assignment. I’m going to give “Moonfall” a 2/10.

“Moonfall” is now playing in theaters everywhere, tickets are available now.

Thanks for reading this review! If you enjoyed my review for “Moonfall,” be sure to look out for more upcoming reviews including one I’ve got for “Death on the Nile” and another one for “Uncharted.” Also, I want to apologize to everyone who follows my personal account on Instagram. I share my latest posts on the platform, but I completely forgot to do so for one of my recent film reviews, and that is “Belfast.” So for those who have not read that review yet, feel free to do so! If you want to see this and more from Scene Before, follow the blog either with an email or a WordPress account! Also, check out the official Facebook page! I want to know, did you see “Moonfall?” What did you think about it? Or, what is your favorite Roland Emmerich film? Let me know down below! Scene Before is your click to the flicks!

Belle (2021): Beauty and the Beast Meets Ready Player One

“Belle” is directed by Mamoru Hosada (The Girl Who Leapt Through Time, Mirai) and stars Kaho Nakamura, Ryō Narita, Shōta Sometani, Tina Tamashiro, Lilas Ikuta, Kōji Yakusho, and Takeru Satoh in a film about a girl who joins a popular social media platform called U, basically think of it as what Meta is trying to do, but sexier. While Suzu copes with everyday life in academics and living in a village, she often escapes to U, where she displays the persona of a singer.

Social media is one of the best and worst inventions of the past few decades. Think of it like “Saturday Night Live.” The cold open is usually okay, the monologue may still have you on your toes, but it just takes one sketch to topple it all apart. I like going on Facebook and feeling good about myself about the likes some photo gets that I actually put on Instagram and transported it over for my grandparents to see, but I can only go through so many comments sections on the news feeds. To see a film that shows the ups and downs of social media is quite lovely. Because it has become such an important part of our lives in such a short amount of time. I am not one who constantly watches anime, but I approve seeing a story like this regardless of the medium. There are a lot of lessons that can be provided and mistakes that can turn into tense moments.

Having seen “Belle” last week, I think it is a topical, charming, and euphoric piece of animation. As far as other pieces of anime go, I do not have much to compare this film to, I do not tend to dive into that medium partially because I don’t have time, and there are not as many opportunities to watch anime for review purposes compared to some other genres and mediums. I went to see Belle because I saw someone talk about it online as the best IMAX experience they’ve ever had. So I thought I’d make it a priority to go watch the film on the biggest screen I could. Unfortunately, I could not find any IMAX screenings for “Belle,” so regular 2D was the next best thing. I can confirm that the film is not my favorite theatrical experience, in fact there are certain animated films like “Over the Moon” that have been more immersive in the theater than this, although I was stuck to the screen like glue at times.

If anything this film is kind of like “The Matrix,” maybe even “Ready Player One.” while not a concrete remake, the films share numerous concepts. Both films have a digital world that is supposedly better than its real life counterpart, but inside this world, there is a threat both to the hero’s life and the lives of others who spend all their time in this world. And much like how the OASIS is crucial to everyone’s lives in “Ready Player One,” “Belle” does a great job at showing the marked necessity of its U platform. When everyone is not busy enjoying their everyday, mundane lives, it seems that they turn to U. This film nails the horrors of social media by tackling trolls, popularity, and in some cases, maybe living a significantly different life than the one you’re already going through. I mean, on Scene Before, I often call myself the Movie Reviewing Moron, but if I had to spend my time on Twitter with that exact persona, I’d probably getting a lot more hate messages. In this film, Suzu’s social media persona is Belle, which is not only appropriate because a lot of the movie is spent going through her journey as a digital singer, and of course, every other popular singer goes by one name. But this movie also spends its time as a partial redo of “Beauty and the Beast,” there is one character Belle finds, meets, and falls in love with, and they’re literally sometimes referred to as “The Beast.”

As much as it may be a retread in some ways of a tale some already know, it kind of added to the enchanting vibe this movie has at times. I highly praise “Belle” for being a mostly original and unique animated tale that captures all the emotions, but there are also times where it relies on something we already know to get its point across. As good as this movie is, it may make the film eventually feel not as ageless as it could be. And continuing my Disney story comparisons, this film takes a trademark of that company, but it is one I would rather leave unmentioned because it could be a spoiler. I watched a couple trailers and there is a clip of the film I did not see in either of them.

I feel like Suzu is a solid protagonist for this film, and if I watched this at a certain age, I probably would have related to her completely. After all, she’s not that popular, kind of dorky, arguably a bit of a wuss at times. While it is not everyone’s dream to be super popular online, especially if you live in Florida, the film tinkers with the fantasy of restarting your life and possibly building a better life than the one you’ve got. I joined Twitter when I was a teen to make friends in addition those I already had, and admittedly maybe care more about getting followers than I should have… And I stayed on because while I did have friends in real life, I have made some of my best friends over the years on that platform. And I owe it to Twitter for in some way improving my life. Conceptually, the U platform could evoke the same positive vibes for someone like Suzu, although the platforms are structurally different.

If I had to say anything else about “Belle,” I would have to point out that it has some really good music that fits the material that is written for the screen while also being decent enough to be played on its own. There is a song towards the end of the film that captures the spirit of the story, its characters, and the very idea of imagination. It’s quite a joy to hear with surround sound. I honestly felt more moved by the music in “Belle” than I did for anything in “Encanto,” which for a few of my readers, may be saying something. I should note that these two movies are completely different in terms of story and vibe, but I figured with how often people are talking about the film where we don’t talk about Bruno, this is something worth talking about.

In the end, “Belle” is an imaginative capturing of emotions, thrills, and wonderous music. The film is marvelously crafted and a perfect story for a 21st century audience. When I saw “Ron’s Gone Wrong” a few months back, which also occasionally comes off as a warning for those living in an age of popularity aspirations and social media, I was delighted by its premise, but not with its execution. “Belle” on the other hand, is not only a delight, but an escape that makes it one of the better animations of 2021. I’m going to give “Belle” an 8/10.

“Belle” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for last year’s critically acclaimed film “Belfast,” directed by Kenneth Branagh. That review will be up soon, hopefully it’s worth the hype. But if you want to see more of my content, be sure to check out my picks for the BEST and WORST movies of 2021! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out the official Facebook page! I want to know, did you see “Belle?” What did you think about it? Or, what is your favorite social media platform? Let me know down below! Scene Before is your click to the flicks!

Sing 2 (2021): Where Modern Music Meets Overly Goofy Cartoon Gags

“Sing 2” is written and directed by Garth Jennings, who was the writer and one of the two directors behind the original “Sing” as well. This film stars Matthew McConaughey (Interstellar, Serenity), Reese Witherspoon (Big Little Lies, Wild), Scarlett Johansson (Iron Man 2, Lucy), Taron Egerton (Kingsman: The Secret Service, Rocketman), Bobby Cannavale (Ant-Man, Blue Jasmine), Tori Kelly, Nick Kroll (Kroll Show, Sausage Party), Pharrell Williams (Black is King, The Grinch), Halsey, Chelsea Peretti (Brooklyn Nine-Nine, TruTV Presents: World’s Dumbest), Letitia Wright (Black Panther, Black Mirror), Eric André (The Eric André Show, The Lion King), Adam Buxton (8 Out of 10 Cats Does Countdown, The Adam and Joe Show), Garth Jennings, Peter Serafinowicz (Guardians of the Galaxy, Shaun of the Dead), Jennifer Saunders (Shrek 2, Absolutely Fabulous), Nick Offerman (The Founder, Parks and Recreation), and Bono of U2 fame.

Hey don’t blame me! I cannot leave a single name untouched!

This film is the sequel to the 2016 film “Sing,” which was about Buster Moon trying to save his theater and attempts doing so by creating a singing competition, which provides for some bumps along the way. In this sequel, Buster Moon and his pals are attempting to create a new science fiction live show for a venue in Las Vegas wannabe Redshore City. In doing so, they pitch to Mr. Crystal, a sleazy producer, the idea of getting Clay Calloway, a reclusive lion who used to make music, to be part of the show. And of course, nostalgia being nostalgia (look at “Star Wars” dominating the world), he loves the idea and thinks the group should get him to be in the whole thing. Between the intense mission of convincing this former artist to tag along in addition to nepotism and internal drama, things have only gotten harder for our SINGers.

Is that a proper term? SINGers? Does that work?

“Sing” is the kind of film that you watch, have fun with, and then move onto the next thing. And sadly, despite my slight negative vibe that could be triggered with such a statement, “Sing” was what I considered to be my personal favorite of Illumination’s content. I don’t care for “Despicable Me.” The minions kind of drive me crazy. “The Secret Life of Pets” was an okay watch one time, but never again. The sequel however, is just plain insufferable. “The Grinch” almost made me hate Christmas. And I love Christmas! I think Christmas, in more ways than one, is one of the best times of the year, minus all the blasphemous music. Mariah Carey, all I want for Christmas is for you to go away. It’s like if top 40 started drinking eggnog! And speaking of top 40, “Sing” and its sequel partially rely on their own interpretations of popular songs. In the original film, you had songs from Lady Gaga, Taylor Swift, and Frank Sinatra. I feel like my biggest critique of that first film is the fact that a few of the standout songs come off as processed radio brought into the mix simply for its popularity. And I think the same can be said for “Sing 2.”

I don’t think it’s wrong to put newer songs into a film like this, but doing so also risks the film possibly relying on what’s trendy. This new film has songs like “There’s Nothing Holding Me Back,” which has been a hit for some time. I really like the scene where it is performed, but I wonder if people will look at it years from now and think of it as a product of its time.

If you want my short, honest opinion of “Sing 2,” I would have to say it is… Fine.

…Just. Fine.

Crap.

I think that is one of the most interesting things one can say about a movie. The fact that a movie can be considered just fine does not mean it’s great nor terrible. However, in the case of “Sing 2,” the film cannot convince me to land on a particular side of the spectrum. In some situations, the movie feels like your typical Illumination fare, because unlike Pixar, which always seems to understand the assignment in creating a FAMILY movie, “Sing 2” occasionally relies on gags that feel as if they’re only aimed at younger viewers. Granted, the film is fun for all ages, but compared to some other films I’ve seen this year, including the recently reviewed “Encanto,” it feels a bit more on the kiddy side.

The thing I appreciate about both “Sing” installments is the idea of not giving up on your dreams. I think both films succeed when trying to convey that message to its viewers. The heroes in this film collectively struggle in their own way when it comes to accomplishing their goals, or in this case, following their dreams. We see Rosita struggling to live up to the pressures and enormity of being in a starring role. We see Buster Moon trying to encourage everyone to stay on their toes and try to fight for another day. We see Clay Calloway deal with the internal battle of his past. He stopped playing his music because it reminded him way too much of his dead wife. WAIT, did Christopher Nolan have some writing credit in this film I’m not aware of? I think an additional takeaway this film can provide is that not only do we see these dreams potentially hit roads that contain possible dead ends, but part of why these dreams hang in the balance is because of entertainment giants. Mr. Crystal, ever since I first saw his character, kind of reminded me of a Simon Cowell-type, and that vibe is significant in terms of where the film goes.

Speaking of Mr. Crystal (left), this film introduces a couple new characters, Mr. Crystal included. Alongside Mr. Crystal is his daughter, Porsha (right). As our heroes enter the urbanized, neon streets of Redshore City, they meet these two characters who become integral to the story. Mr. Crystal is an entertainment mogul who puts his faith in said heroes. You may think someone like him to be a bit of a snobby, almost creepy, egotistical moron who wants things to go his way. If so, you’re right. He’s also well-dressed, and I think when it comes to getting a guy who can sound snarky and snobby at the same time, Bobby Cannavale is a great choice. When I hear his voice, I feel like I’m watching an older mob movie with modern elements infused. But Crystal’s also a family man. …Kind of. That’s because this film contains a subplot involving his daughter, Porsha, potentially taking on the lead role of the space opera everyone’s producing.

For the role of Porsha, they managed to get Halsey to lend her voice. Halsey is not known for having an acting career as much she is known for singing. I think this is a somewhat fascinating, yet practical choice, because I have rarely seen Halsey on screen. Apparently she had a small role in “A Star is Born” a few years back but I would not be able to remember when she was on screen. I barely even know anything about Halsey. But having seen her IMDb, most of her work has been music related, so seeing her cast in this role makes sense. It is a movie about music, about singing. Why not have her? And I would say given her material, she was well directed on Garth Jennings’s part. Going back to what I said about her not being in many pieces of film or television, one of the driving aspects of her character was that she was a terrible actress. Halsey, who does a good job acting in this film, managed to convince me that her character in particular was the worst actor of all time.

Ladies and gentlemen, acting!

There are also a couple new characters who I was not particularly fond of. There’s a monkey named Klaus that instructs Johnny and others through an intense dance routine. I think in terms of the script and story, he served his role adequately. But he kind of felt one-dimensional. The same can be said for Darius, an actor who wants nothing other than fame, fortune, more fame, and more fortune. When Darius is on screen, he’s occasionally entertaining, but he lacks depth. He lacks dimension. He almost feels like a throwaway character despite being part of the film. Although it was fun to see Meena the elephant try to accustom herself to being romantic despite not having much experience in such a thing.

In the end, “Sing 2” is a step down from the original, and frankly, just proves once again that when it comes to animated studios, I still prefer DreamWorks and Pixar. If you asked me years ago if a “Sing 2” was a good idea, I’d say yes. It would not be the first thing I’d see, but it is worth at least a glance. I’d say the studio and crew should give it a shot. The first one was good. And having rewatched the first one recently before going to the cinema to see this, it’s still good. I just wish “Sing 2” lived up to its predecessor. I’m going to give “Sing 2” a 6/10. This is a positive grade despite some negative things I have previously stated. But I think if anything, the positives will not be enough to get me to watch this film again anytime soon.

“Sing 2” is now playing in theaters and is available to buy now on streaming platforms.

Thanks for reading this review! My next review is going to be a for a film that is somewhat personal to me. And if you know where I reside, you’ll get where I’m coming from. Some of you reading this may feel the same way. That film in particular is Amazon’s new feature, “The Tender Bar!” This film just released over the holiday season, it just dropped on Prime Video, and now it is a good time to talk about it. I cannot wait to discuss this film. It’s going to be a ball. If you want to see this and from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Sing 2?” What did you think about it? Or, which is better? “Sing” or “Sing 2?” Let me know down below! Scene Before is your click to the flicks!