The Bad Guys (2022): A Nonsensical, But Surprisingly Entertaining Heist Animation

“The Bad Guys” is directed by Pierre Perifel, who has helped animate several DreamWorks films including “Monsters vs. Aliens,” “Shrek Forever After,” and “Rise of the Guardians.” This film stars Sam Rockwell (Three Billboards Outside Ebbing, Missouri, Moon), Marc Maron (GLOW, Joker), Awkwafina (Raya and the Last Dragon, Awkwafina Is Nora from Queens), Craig Robinson (The Cleveland Show, The Office), Anthony Ramos (A Star is Born, In the Heights), Richard Ayoade (The IT Crowd, The Watch), Zazie Beatz (Atlanta, Deadpool 2), Alex Borstein (Family Guy, The Marvelous Mrs. Maisel), and Lilly Singh (A Little Late with Lilly Singh, Bad Moms). This film is based on a children’s graphic novel series by Aaron Blabey and follows a group of varying creatures who all commit crimes together. In an attempt to successfully continue their criminal activities and complete their mission, they attempt to become “good,” which given their long status of being hated or feared, is a bit of challenge on a number of ends.

I first saw a trailer for “The Bad Guys” back towards the tail end of 2021, and I thought it looked like another example of why people often stereotype animated movies as “kid movies,” because this movie did not look like it was made for me. Maybe if I were eight, I would have been sold. Not today. That said, I did go see this film given how there was a free screening for it over Easter weekend. So I did have time to watch it. But I cannot say I had the motivation.

Now, I want to make something clear, one of my least favorite critiques regarding family films is that the movie at hand is dumb, there are moments that do not add up, but “the kids will like it.” While that MAY be true, I also want to note that as I look back on my childhood, there are select movies that I STILL watch to this day that were intended for the family demographic because of how they have treated me like I was intelligent back then and continue to do so today. Pixar is honestly the king of this classification with films like “The Incredibles” and “Up.” I will add that “Lightyear” looks like it is going to continue that tradition when it releases in June. There are a few DreamWorks films from my childhood like “Kung Fu Panda” or “How to Train Your Dragon” that manage to maintain a childlike spirit but I also would not mind popping in again as an adult if I get the chance. Although I will say I have probably watched “Bee Movie” more than some would like to admit as a kid and have not done so since I was 13. Even for the memes. “The Bad Guys” came off as a disposable family film with cheap comedy gags. I did not think I would particularly like it.

Now that I have seen the film, it is kind of that… Except that I did walk out thinking that I saw something that technically qualified as… Well, good!

In addition to some cheap comedy attempts that the trailer seems to promise, there are some hints of cleverness in between. This movie has one of the funniest lines I have heard from a children’s film in recent memory. I won’t quote it verbatim, but one of the best moments of the film is when we see the Big Bad Wolf and Mr. Snake talking to each other, when all of sudden, Snake spits out a clock, and reminds Wolf of the time, saying that it is “the moment our friendship died.” I imagine this was written as a throwaway line, but for some reason it just hit me the right way.

The voice cast is actually rather impressive from Sam Rockwell as Wolf, Marc Maron as Snake, Awkwafina as Tarantula… Yeah, some of these names are QUITE generic… But ya know. It is not entirely the movie’s fault. It is based on a book. If anything, blame the book. I dunno… But still, generic names! Either way, each actor finds a way to swimmingly match their voice to each role. I almost cannot see anyone else voicing Wolf at this point. The only other voice I could see is maybe Matthew McConaughey, but given how he’s already got a major role in “Sing” and a bit of an accent, I think that Rockwell is a better choice. Awkwafina has a swagger to her voice that is perfectly sprinkled into her role of Tarantula, and to my surprise, Craig Robinson had an over the top attitude to the character of Shark that was finely executed. Anthony Ramos mixed okay with his character of Piranha, but I think he is an element of the film that relies on tired gags maybe a little too much.

My favorite voices of the film come from characters who are not quite in the forefront. First off, we have an over the top police chief who goes by the name Misty Luggins. Her aspirations are to capture the Bad Guys for good. As the movie progresses she becomes funnier and funnier, her one-dimensionality is honestly her strength. If anything, she kind of reminded me of the old lady from the “Madagascar” movies who refers to Alex the Lion as a “bad kitty,” only in this case, Luggins seems a tad more civilized. She just seems so passionate about reaching her goals, and even though she technically was on what this movie refers to as its antagonistic side, part of me could not help but root for her. I was also delighted to find out that she was voiced by Alex Borstein of “Family Guy” fame.

Also joining the cast is British comedian Richard Ayoade, who in this film plays a character by the name of Professor Marmalade. I love this character. Professor Marmalade is pretty much everything that the Bad Guys are not. While the Bad Guys are busy hacking, robbing, taking from innocent people, Marmalade on the other hand is quite benevolent, rather charitable. He has a history of guinea pig philanthropy and every moment of his presence is one to savor. Ayoade is perfect casting for this role because of the pure distinctness of his voice that has the right amount of innocence, kindness, possibly even geekiness. At first I thought this was Daniel Radcliffe, because when I first heard Professor Marmalade talk I was getting Harry Potter vibes. But I heard his voice more and more, and one, recognized it, and two, adored it. If Sam Rockwell was solid casting for Wolf, then Richard Ayoade is gargantuanly perfect casting for Professor Marmalade. Two thumbs up.

“The Bad Guys” is a well-voiced, not to mention well-animated little film. This film has a distinct, quick, almost comic book-like style that works for it. That said, here is my big problem. Humans.

Humans are a problem. War, global warming, lust, capitalism. Humans are a disaster and I have no problem in saying that. Humans are not perfect, and speaking of imperfections, there are so many humans in this film that it makes me, the Movie Reviewing Moron, wonder… HOW ARE THESE BAD GUYS GETTING AWAY WITH ALL THIS STUFF?!

Genuine question. How many sharks are there in this universe? Also, how many of them speak English?! This movie establishes that Mr. Shark is a master of disguise. How on earth do more people not catch him committing crimes or pulling off heists? I don’t buy any of this! This universe almost establishes that these talking animals are almost one of a kind. I would like to know how they continue to blend in a world that is implied to be dominated by humans, kind of like ours. Yeah, there are other creatures too, but they supposedly are few and far between unless maybe you’re a guinea pig. I think if you want a more practical universe, I would not say to take the humans out entirely. But maybe replace some of the ordinary citizens with other animal types. Maybe apes or tigers or cheetahs. If this movie looked something more like “Zootopia” or “Sing,” I’d buy it more. But it’s less believable because it sort of traces back to our reality despite some slight changes here and there.

This goes back to what I said about kids movies treating its audience like they’re intelligent. Now, I am in my 20s, so therefore I do not have the brain of a child, even though I do admittedly sometimes act like one. But the movie still entertained me despite its noticeable flaws, therefore even though I think this is something that should have been fixed before release, it does not exactly take away from the fun I had watching this movie. I get why they made the main characters different creatures. It helps by highlighting their distinctiveness, and may make the movie more attractive and marketable for younger viewers. But if you are gonna go this way, you might as well go all the way. Keep all of the main creatures as they are, but add a few other altering creatures into the background for a change. Just a suggestion. It’s a pretty big suggestion, not afraid to admit it, but nevertheless. Say what you want about all these superhero movies from Marvel and DC having characters with impractical abilities. Here’s the thing about Spider-Man. Let’s use Tobey Maguire’s Spider-Man as an example. Sure, maybe in reality there is no one out there that can shoot webs out of their wrists. But the movie’s environment, vibe, characters, actions, everything within that first “Spider-Man” movie from 2002 felt like it was carefully constructed to make me believe that a teenager could live a life swinging around New York City. “The Bad Guys” fails on that goal because of the characters and environment that surround the ones in the title. Am I nitpicking? You could make the argument that I am. But I only say this because I have to be honest in my thoughts and remind those who I am sharing my thoughts with that I am trying to help. I am making suggestions based on my experience. That said, I liked the movie. I’d still give it a watch.

In the end, “The Bad Guys” is a good time even though I have a tendency to rip it apart somewhat. Would I want a sequel to this movie? I don’t think so, but I think this a fine hour and a half to turn off your brain, or if you are me, almost turn off your brain. This is not going to win Best Animated Feature at the Oscars, in fact I think if you want a better family movie to watch with the kids, “Turning Red” would be better for certain audiences. I think if you have younger kids “The Bad Guys” might be better, but it’s not a better movie. But as an adult, I DID laugh quite a bit, and I clapped at the end. There’s also some cool action, look forward to it if that’s your thing. I’m going to give “The Bad Guys” a somewhat generous 6/10.

“The Bad Guys” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! I’ve got a few reviews coming soon between “The Northman,” “The Unbearable Weight of Massive Talent,” and “Doctor Strange in the Multiverse of Madness.” Look forward to those! If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Bad Guys?” What did you think about it? Or, what is a movie that you enjoyed as a kid that does not hold up as an adult? For me, that would have to be the live-action “Alvin and the Chipmunks” films. What about you? Let me know down below! Scene Before is your click to the flicks!

The Tender Bar (2021): A Sweet, Sentimental, Long Island-ISH Coming of Age Story

“The Tender Bar” is directed by George Clooney (The Monuments Men, The Midnight Sky) and stars Ben Affleck (Batman v. Superman: Dawn of Justice, The Accountant), Tye Sheridan (Voyagers, Ready Player One), Lily Rabe (Miss Stevens, No Reservations), Christopher Lloyd (Back to the Future, Nobody), and Daniel Ranieri. This film is based on a memoir of the same name and is set in 1970s Long Island and follows JR as he grows up, does some usual coming of age things during said process, while also trying to seek out a father figure after his dad disappeared.

If you know who I am and where I live, you’d know this film one of the most personal I’ve seen to date. “The Tender Bar” was not my most anticipated film at the start of the year, mainly because I barely knew it existed. I liked George Clooney’s recent outing with Netflix’s “The Midnight Sky.” I thought it was visually stunning and was able to balance two adventures and perspectives that seemed to differ in scale. So knowing Clooney had at least one success as a director definitely helps. Although I want to introduce a little potential bias into this review. One of my favorite memories as a moviegoer is going to see “Paul Blart: Mall Cop” for the first time. Why? I live 20 to 40 minutes from both malls where the movie was shot, and I saw the film at a theater across the street from one of those malls.

For “The Tender Bar,” I did something similar. I happened to see this film at The Cabot in Beverly, Massachusetts, where a majority of the film was shot. There are a few locations that people of that city would instantly recognize. But if I told you that was the icing on the cake, I’d be lying.

I live a few towns away from Beverly, Wakefield to be specific. It’s… Got good pizza delivery places. A few good places to get breakfast. And we have… What am I kidding? WHAT DO WE HAVE?! A lake?! It’s a polluted pool that gives you a nice view of the Reading Jordan’s Furniture every now and again! What else do we have? But playing into this bias marathon, this film has a scene that was shot at the Wakefield Bowladrome, which has candlepin bowling, or as New Englanders, or anyone else with common sense calls it, bowling. I was at this location while they were shooting. They did not let anyone inside, for good reason, but I had the chance to witness filmmaking history as it happened in my own town.

Despite this connection that makes me giddy, I will note that this is a logical flaw in the film because as I mentioned, candlepin bowling is a New England sport, along with Canada as well. There are other areas where it is found, but New England and Canada are the two mainstays. Candlepin bowling has never had a history on Long Island. Logically, it would have been better to find a place that does tenpin bowling, or regular bowling as most call it, or INFERIOR bowling as I call it. Apparently the crew shot around various communities in Massachusetts, and the state does have its fair share of tenpin alleys. A lot of them have glow lighting at certain times, but there’s also some that don’t. Although the automatic scoring systems could feel out of place. I’ll give some credit though. I’ve been in that alley numerous times, and it has rarely changed in terms of the decor and condition. It kind of feels like a time capsule, so if they were going for an old timey vibe, they’ve kinda nailed it. A lot of the candlepin alleys that exist in New England look as if they’ve barely changed in decades.

The film itself, is nostalgic in a sense that it makes you feel like you are instantly transported to a 1970s where one could see said time as “glory days,” and has a fun soundtrack to evoke such a feeling. Songs from artists including Paul Simon and the Isley Brothers liven up the movie from one scene to another.

Now Ben Affleck (left) is likely going to be the most recognizable star in this film. He plays his part well, but I honestly think he’s had better performances. Just look at his 2020 outing with Gavin O’Connor, “The Way Back.” While his performance here is charming as Uncle Charlie, I don’t think the biggest standout in the film, despite being likable. Although I will note one thing… Before this film came out, I thought Ben Affleck would be the character everything in this film centered around. Well, I never knew about the book… In fact, if you look at the casting list for this film on IMDb or Wikipedia or wherever you find it, Ben Affleck has top billing. Because… Of course he does. He’s not the main character.

But the story itself centers around Tye Sheridan’s (right) character of JR. JR makes quite a progression throughout his life. He’s a promising young man who goes to Yale, meets a woman, makes some choices that decide the course of where he ends up. I’ve seen Tye Sheridan on screen before in “Ready Player One.” I liked him in “Ready Player One.” I love him in “The Tender Bar.” As for his younger interpretation, that is played by Daniel Ranieri, who I discovered last year courtesy of the Internet. He was in a video referencing people going outside in the pandemic and he goes on and on, cursing them out. It is ridiculously funny. Despite some of the filthy things he says in that video, I think he was properly cast as a sweet young boy who wanted nothing more than a father. I believe the transition from him to Sheridan, and both play their parts well.

Upon leaving this film, I felt happier walking out of this than I did watching most of the films I’ve watched in recent memory. If I had a word to describe “The Tender Bar” it would be “sweet.” Now, this is a drama, meaning that not everything goes everyone’s way, but this movie honestly has one of my favorite endings of any film I’ve seen that came out in 2021. It’s the kind of ending that sort of reminds me of one of the supposedly essential aspects of the parent-child relationship. The acceptance and realization that someone is an adult while also recognizing a tradition that maybe they have both honored since childhood. When someone prominent in my family died, I had a particular object passed down to me, which I still have in my room today. The scene in the movie that I’m referring to, as a reminder of this real life occurrence, differs significantly, but it kind of reminded me of that.

If I had any other comments, it would be that my one other flaw would have to be Christopher Lloyd’s character. I’m not saying Lloyd does not do a good job in the movie. He’s a great actor, and he proves that in this movie, but this harkens back to the old saying that first impressions matter. One of the first scenes of the film where we see Lloyd in action, or lack thereof, is him sitting in a chair farting. This gag goes on for about a minute. What is this a kids movie? This freaking thing’s rated R! We’re resorting to cheap PG comedy gags now?

In the end, I liked “The Tender Bar.” Despite coming out during the holiday season, having high profile names, and not belonging in any extended cinematic universes, I don’t think “The Tender Bar” is going to win any awards. But similar to how “Once Upon a Time in Hollywood” recently harkened back to the 1960s with success, “The Tender Bar” is a delightful throwback to the 1970s in Long Island, even if the entire movie was shot in the state of Massachusetts. I feel like I’m not judging this film fairly, because I think the average viewer of this movie who ends up seeing the film in say Los Angeles will barely notice a difference in a couple key aspects. Either way, the film is worth a watch if you want something sweet with some drama mixed in. I’m going to give “The Tender Bar” a 7/10.

“The Tender Bar” is now playing in select theaters and is available on Prime Video for all subscribers.

Thanks for reading this review! This week is a big one for Scene Before, because on Tuesday, January 11th and Wednesday, January 12th, it is time to recap my BEST and WORST movies of the year. On January 11th I’ll be talking about the Top 10 BEST movies of 2021 and on January 12th I’ll be talking about the Top 10 WORST Movies of 2021. I cannot wait, I always enjoy doing these lists, and I equally hope you all enjoy reading them! If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Tender Bar?” What did you think about it? Or, have you ever gone candlepin bowling? And if so, WHY IS IT THE ONLY BOWLING?! Leave your comments down below, hopefully like all that dead wood you knocked down that’s still on the plate!

…Candlepin bowling joke. I do not apologize.

Scene Before is your click to the flicks!

Dune (2021): Denis Villeneuve Brings on the Dandy Sandy in This Epic, Beautifully Boisterous Adaptation

“Dune” is directed by Denis Villeneuve (Blade Runner 2049, Arrival) and stars Timothee Chalamet (Interstellar, Call Me by Your Name), Rebecca Ferguson (Reminiscence, Mission: Impossible – Fallout), Oscar Isaac (Star Wars: The Force Awakens, Ex Machina), Zendaya (Spider-Man: Homecoming, Space Jam: A New Legacy), Josh Brolin (The Goonies, Avengers: Infinity War), Stellan Skarsgård (Pirates of the Caribbean: Dead Man’s Chest, Thor), Dave Bautista (Guardians of the Galaxy, My Spy), Stephen McKinley Henderson (Lady Bird, Devs), Chang Chen (Crouching Tiger, Hidden Dragon, The Assassin), Sharon Duncan-Brewster (FIFA 17, Doctor Who), Charlotte Rampling (Stardust Memories, Dexter), Jason Momoa (Aquaman, Game of Thrones), and Javier Bardem (Vicky Cristina Barcelona, Pirates of the Caribbean: Dead Men Tell No Tales). This film is an adaptation of the Frank Herbert novel and follows Paul Atreides, a young boy born into a royal, planet-ruling family. Paul is destined to one day take on the role of Kwistaz Haderach, much to the dismay of some, considering how his mother was instructed to bear a daughter. When House Atreides arrives on Arrakis, a sandy planet with worms that pop up out of the ground like geysers, it is up to them and Paul to protect the planet and its valuable resource, spice.

Where do I even start with “Dune?” Unlike “Blade Runner,” when it comes to Denis Villeneuve’s work, I was much less familiar with “Dune’s” source material, especially when compared to Villeneuve himself, because the more I heard about this movie, the more I recognized Herbert’s love for the source material. When I first heard Denis Villeneuve was working on this project, and I think cinematographer Roger Deakins was rumored to be involved as well, I was obviously excited because Villeneuve is one of the best directors working in Hollywood today. I’ve only seen a couple of his films, but I’ve always been curious to go back to “Sicario” and “Enemy” because of how much I have adored his recent work. Both “Arrival” and “Blade Runner 2049” made it to my Top Movies of the 2010s countdown event as the #10 and #2 spots respectively. I love both films to the moon and beyond, and I cannot tell you how many times I popped in the 4K Blu-ray for “Blade Runner 2049” since I bought it. I have not even read the novel or its follow-ups, and even with that, “Dune” was easily my most anticipated film of 2021. It may have even been my most anticipated for 2020, but COVID-19 ended up killing the hopes of it coming out that year.

Just for the record, I have not seen any of the previous on-screen adaptations of “Dune.” I’ve read a number of pages of “Dune” during a car ride, but I never picked it back up. It’s not that I did not like the book, I just didn’t have time for it. But regardless of what I have not seen, the trailers for this film encapsulated a supposed epic vibe that Villeneuve and crew may have been shooting for. Big scale, massive locations, and we even got a bit of taste of Hans Zimmer’s score long before the film officially released, and when I heard it, it made me more excited for the film because it sounds like what would happen if a madman trapped an orchestra in a chamber and wouldn’t release them until they were dead tired. From the little that I heard, it sounded majestic as hell.

Now that “Dune” is done, what did I think?

In a number of ways, “Dune” met my expectations, but it is not the best movie of the year. I can think of a few movies I liked more. BUT, if you want a great time at the movies that can make you put your thinking cap on, “Dune” may be for you. “Dune” reminded me of a number of films, one of the first being “Blade Runner 2049,” mainly because both have some distinctions that Denis Villeneuve can call his own. Plus, I knew a tad about “Dune” going into it, and one of the things I knew is that it was pretty dense, so it was no surprise to me that the film itself would turn out to be a bit of a slow burn. Slow does not mean bad in this case. You can make a film slow as long as it seems that the pace fits for the subject matter or the film itself. Same goes with quick pace. You can have explosions and bangs and crazy lasers flying in your face every other second as long as the script and direction makes those things add up. This is not to say there are no explosions in “Dune.” There are, just watch the trailers. But don’t go in expecting every other scene to be like a dogfight in “Star Wars.” But on that note, this film also feels rather “Star Wars”-esque. Granted, the book came out before “Star Wars” hit theaters, but my point is, both stories have similar vibes and themes. Both involve young boys who associate with desert planets and must strive to become men greater than themselves. Both in a way have to follow the hero’s journey, a typical story structure that is often followed or slightly altered depending on the story at hand. I will not give any details as to what ways “Dune” follows or does not follow that structure, but the point stands.

I want to talk about some of the characters in this film, and believe me when I say that this film is not short on bringing together a great cast. Between Timothee Chalamet, who I loved since “Interstellar,” to Zendaya who is practically starting to appear in everything now, to Oscar Isaac who has been great in Alex Garland’s work along with the “Star Wars” franchise, even though he was the one who had to say “Somehow Palpatine returned.” The film is not short on A-listers and stars. Overall, the chemistry and acting between everyone was top notch.

Timothee Chalamet appears as if he is going to be the next Oscar great. Maybe not this year, he is still quite young. But throughout his lifetime, I think he’ll be the male equivalent to Meryl Streep. I think one day, we’ll see an Academy Awards ceremony with an opening monologue from whoever is currently hosting a hit talk show on ABC and one of the jokes will poke fun at Chalamet for stealing all the Oscars from all the up and coming talent. I almost think there is no one better to play Paul Atreides because Chalamet not only looks young, but he has this bridge between him that I can sense that he is young enough to be a kid, but mature enough to be liked by the parents of whomever he’s dating. Chalamet has range, and it is shown in this film through his expressiveness and occasional stoic nature. That’s not implying that Paul Atreides, the character himself, is up for question on what kind of character he actually is, but it sort of shows that the character knows how to put himself in a variety of situations, even though he is still learning how to be an adult.

Along with Chalamet for much of the journey is Rebecca Ferguson as Lady Jessica. I will admit, after watching the movie, someone brought up a creepy but true fact. Take this as you will. One of my favorite elements of the movie is the chemistry between Timothee Chalamet and Rebecca Ferguson. Naturally, it feels the way a mother and son should be. The mother wants what’s best for her kid, and the kid does his best to impress the mother even though he may occasionally lash out or disagree with her. Chemistry-wise, I would love to see more of these two actors together. The thing however, in real life, Chalamet is 25 years old. Rebecca Ferguson is 38 years old. That’s a difference of 13 years! So either teenage reproduction is much more welcomed, accepted, and/or encouraged in the future, or these actors have such great range that age is meaningless, therefore making both individuals more convincing performers. For the sake of sanity and the fact that child labor laws exist, I would much prefer to go with the latter. If anything, I think Rebecca Ferguson may give a better performance than Timothee Chalamet, because there are several scenes and lines of dialogue that I could feel her pain, reflecting a natural instinct that most, if not all mothers, would have.

The main antagonistic side of the film would be the Harkonnens, who ravage the planet of Arrakis for Spice. It is up to our heroes to defend the planet and its precious resource. So in a way, this movie is literally the War on Drugs. This side allows for some more great performances to shine through, including one from Dave Bautista as Beast Rabban Harkonnen. I want to highlight him in this review because I think that a performance like this allows him to sharpen his skills as an actor. I like Dave Bautista as a personality, but I think even he knows that his acting skills are limited. Unlike his role as Drax the Destroyer, where he would either scream, laugh in someone’s face, or give a brooding quote every once in a while, his role in “Dune” is more menacing and takes the brooding nature of his Drax character and intensifies it a bit. I like Drax the Destroyer, but if you watch him in “Guardians of the Galaxy Vol. 2” the way he’s both written and performed feel slightly one-dimensional, but Bautista did an okay job with the character nevertheless. I think if you put Bautista in front of the right director like James Gunn, again, I like Drax. Or in this case Denis Villeneuve, his talents could be unleashed. I hope that these two continue to collaborate in the future.

As menacing as Bautista may be, he’s got nothing on Baron Harkonnen himself, played by Stellan Skarsgård. HOLY CRAP. Now that’s casting. I also have to give props to the makeup department, because of the work they did on the Harkonnens, making them all look pasty white. As for Stellan Skarsgård, this is no offence to him, because in real life, he may be a nice guy, I would not want to shake Baron Harkonnen’s hand. He looks like what would happen if Wilford Brimley ate a ton of ice cream and endlessly made fun of the children of generations below his, and maybe once in a while, enjoyed those kids’ heads with his ice cream. The dude flat out looks creepy by sci-fi standards. You want my money Warner Bros.? You own both these characters to a degree so make this happen! Get Bill and Stellan Skarsgård together, have them portray their characters of Pennywise and Baron Harkonnen respectively, just have them go around scaring children and other crap like that. I’d watch that.

One character that must also be acknowledged is Duncan Idaho. Aside from the fact that the name is freaking lit, Jason Momoa is perfectly cast as this character, because similar to how he made Aquaman a superhero I would want to have a drink with, Momoa shines because of his enthusiastic, almost reckless nature in this film. He’s in a somewhat serious, deep, intense sci-fi picture that the rest of these characters happen to be in, and he’s the only performer who happens to be taking things not so seriously. His character just screams ridiculous fun at times. He’s expressive, he’s witty, he’s charismatic, and much like Aquaman, I would go to a bar with Idaho if I had the chance.

For those of you who were looking forward to seeing Zendaya in the film for whatever reason, I would not prepare for disappointment, but I would also not prepare for excitement at this point, because her character is written in such a way that she has such a minimal impact and appearance throughout the film. If anything, we’ll probably get more of her in part two. I do think her character was well cast, I just hope the next movie gives us a clear answer as to whether Zendaya was truly a good choice for the role of Chani. But from what I’ve seen so far, she seems promising.

I really want to talk about the ending of this film, without spoilers of course. But most stories you read or watch have a proper ending where something dramatic happens, matters are resolved, maybe there’s a happily ever after, then we cut to “the end,” maybe black or white, or just straight to the credits. “Dune” does not have that kind of ending. I will not say where it ends, but it ends in a particularly interesting place. Let’s just say the ending is not the same as the first book… If you want to put it that way. The film ends on at a place where we see our characters in a particular situation only to have the screen cut to black. I have seen the film twice, and both times, I did not mind the ending. Mainly because I have enjoyed what I have seen so far, and the movie set itself up in a way to make me want more. I left thinking, what’s next? When are we getting the next movie? I want it now! Some would claim that in a way, this story is unfinished. I disagree. While the film is structured in a such a way that could garner such a thought when the ending comes up, I disagree because from start to finish, this movie is about the journey, struggle, and change of Paul Atreides as a character. We see him start at one point. We know his ambition, his flaws, and what others think of him. By the end of the film, he is different from how he is when it starts. I won’t give much detail, but if you pay close attention to the movie, you’ll notice. One journey is over, and another one begins. It is a… Strange ending. But it is also one that happens to be effective. I do not blame the movie for ending where it did.

With that being said, “Dune: Part Two” cannot come fast enough. When it arrives, I will buy my tickets in a heartbeat.

I thought to myself upon leaving the theater that while “Dune” was not my favorite film of this year, there is a lot that will it do to aspire future filmmakers and storytellers. I have a feeling that this “Dune” movie is going to have a similar impact on part of the current generation that “Star Wars” and “Lord of the Rings” did on their generations. If anything, even though there were some imperfections when it comes “Dune,” I think it has a shot at being the next “Lord of the Rings.” Between the modern visuals, the epic scope, the dense storytelling with enormous potential, this is absolute franchise material. In fact, as of writing this, not only is “Dune: Part Two” greenlit, but there’s also going to be a TV show set in the “Dune” universe coming to HBO Max at some point. This could be big.

BEVERLY HILLS, CA – JANUARY 16: Composer Hans Zimmer arrives at the 68th Annual Golden Globe Awards held at The Beverly Hilton hotel on January 16, 2011 in Beverly Hills, California. (Photo by Jason Merritt/Getty Images)

As for Hans Zimmer’s score, OH MY GOD. If you go see this in theaters, and I highly recommend you do so, prepare to have the room shake like a fish out of water. It is some of his best work to date and I would put it up there with, interestingly enough, another score he did for a Denis Villeneuve film, “Blade Runner 2049,” which he did with Benjamin Wallfisch.

In the end, “Dune,” or “Dune: Part One,” depending on your preference, is a great adaptation of the iconic sci-fi novel. It’s dense and occasionally hard to get through if you are in a certain mindset, but this film successfully created an epic atmosphere and introduced a whole new world of lore and possibilities. Well, kinda. This is another retelling of a classic story. Denis Villeneuve is up there with some of my favorite directors and this movie ended in such a way where I enjoyed the journey so far, but I also left with curiosity as to where they’d take the story. As of now, “Dune: Part Two” is my most anticipated film of 2023. The film can occasionally feel dense and strenuous. The ending, even though it did fulfill the arch of Paul Atreides, comes at a satisfying point, but also feels particularly emptier compared to other portions of the film. So for what I said, I massively enjoyed “Dune,” and I have a feeling that it could be something that will increase in enjoyment through repeat viewings. I’m going to give “Dune” an 8/10.

“Dune” is now playing in theaters everywhere and is streaming for a limited time on the ad-free tier of HBO Max.

Thanks for reading this review! If you are worried that I am going to be short on upcoming content. Trust me, I’m not. I want you all to know that I have reviews coming for “The French Dispatch,” “Last Night in Soho,” “Eternals,” and “Ron’s Gone Wrong.” There’s plenty of content to come but so little time! If you want to read this and more on Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Dune?” What did you think about it? Or, did you ever read any of the “Dune” books? Which is your favorite? And did you see any of the other “Dune” adaptations? Let me know down below! Scene Before is your click to the flicks!

Pirates of the Caribbean: On Stranger Tides (2011): A Time of Battle, Piracy, and Three Dimensions

Hey everyone, Jack Drees here! Today we continue sailing the high seas and venturing forth on our quest to complete the Scene Before exclusive review series, “Pirates of the Caribbean: The Chest of Reviews.” Just want to remind you, if you have not already, check out my reviews for the “Pirates” films I have covered so far including “The Curse of the Black Pearl,” “Dead Man’s Chest,” and “At World’s End.” Just a reminder for the “At World’s End” review, it does contain spoilers. This week, we will be discussing “On Stranger Tides,” the fourth installment in the franchise and the first one without Orlando Bloom, Keira Knightley, or Gore Verbinski, otherwise known as the director of the past three films. Can director Rob Marshall craft a fine “Pirates” adventure? Find out in my review!

“Pirates of the Caribbean: On Stranger Tides” is directed by Rob Marshall (Nine, Chicago) and stars Johnny Depp (Sleepy Hollow, Alice in Wonderland), Penélope Cruz (Volver, Vanilla Sky), Ian McShane (Kung Fu Panda, Deadwood), Kevin R. McNally (The Phantom of the Opera, Conspiracy), and Geoffrey Rush (Ned Kelly, Finding Nemo). This film is the fourth installment in the “Pirates of the Caribbean” franchise and follows Jack Sparrow and Barbossa as they go on a quest to find the fountain of youth. Meanwhile, franchise newcomers Blackbeard (Ian McShane) and his daughter Angelica (Penélope Cruz) are after the fountain too. The film was also interestingly enough inspired by the book, “On Stranger Tides.”

After watching three “Pirates of the Caribbean” films that are not only done by one man with a singular vision, but crafted almost as if there was a whole story that could have arguably been told in three movies of buildup. Now as we get into this fourth film, it feels like we are in a clean slate. We’re starting fresh with a new director and a ton of money. No, seriously. This film is the most expensive ever made at a grand total of $379 million (before gross). Part of it has to do with Johnny Depp, but still, if you watch the film, you’ll know that it ain’t cheap. In fact, this is also the first “Pirates of the Caribbean” film released in 3D in addition to IMAX 3D. We’ll get into that aspect of the film for sure.

One of the reasons why I was somewhat nervous going into “On Stranger Tides” is that Gore Verbinski’s name was not attached. After all, his touch was complete, at least from what I would expect. However, the writers of the original films, Ted Elliott and Terry Rossio returned to do this project. To know that these two returned pleased me to say the least. In a world of unneeded sequels, was “Pirates of the Caribbean: On Stranger Tides” worth watching?

I’d say it was.

While I won’t say this film is as rewatchable as “The Curse of the Black Pearl” or “At World’s End,” the film is nevertheless a fun addition to a franchise that has become perhaps the definition of a modern pirate movie. Seriously, what else comes to mind nowadays? It was fun to see the franchise utilize one of the most famous pirates in history, Blackbeard, played wonderfully by Ian McShane. One of the things that I often note that “Pirates” does spectacularly is a balance between seriousness and goofiness. There are multiple scenes where we see Sparrow and Blackbeard together and I often note that Sparrow has the goofier traits at hand and Blackbeard is more grounded. I like that this franchise is keeping the balance together and not letting this see-saw collapse.

The best parts of this movie are not necessarily the story or anything of extended concept. The reality is that this film’s best parts come from concepts that resemble obstacles. There’s a scene where we some pirates on a boat facing a ton of mermaids, which was spooky and somewhat action-packed. There was a clip of the film where Jack and Barbossa are on a boat and they could barely move a muscle and the boat would nearly fall in such a dramatic fashion. The film also started off with a really entertaining sequence in Britain. We see Jack trying to rescue Joshamee Gibbs, he’s interacting with King George II while still maintaining his goofy stride. There’s a chaotic yet decently choreographed action sequence towards the end, it’s a fun welcoming back to the “Pirates” franchise. Meanwhile, not long afterwards, we are introduced Penélope Cruz as Angelica. I think she brought the same swift, swashbuckling swagger that say Orlando Bloom did in the original “Pirates of the Caribbean” films. This also brings me to my next compliment. I am pleased to know that this film manages to craft an interesting story despite not having Orlando Bloom and Keira Knightly, who play two of my favorite characters in the franchise. Do I prefer those two over Penélope Cruz? Absolutely. They are incredible actors who play characters who I have grown to appreciate. But to know that this film, not to mention franchise, can work without them, goes to show that maybe even the most unnecessary movies can work. Did we need a fourth “Pirates of the Caribbean” film? Not really. Then again, what movie is necessary to begin with? But the point is, this movie managed to entertain me without relying on everything that made “Pirates” great to begin with. It goes to show that the franchise is capable of evolving.

Once again, I cannot go on without noting Johnny Depp, that expensive son of a gun. For the record, Depp was paid $55 million. Was his performance truly worth $55 million? As far as big fantasy style movies go, it is arguable. I am not going to address anything regarding the current controversy regarding him and Amber Heard, but I will address that Depp has practically aced his Jack Sparrow character every single time. While I think his performance in “At World’s End” may honestly be my favorite from him, his dive into the character “On Stranger Tides” does not disappoint. I’d also say that this may be, and it feels weird to say this, the most relatable that Jack Sparrow has been in the franchise. Yes, he continues revealing unusual quirks that only he could possess, but still.

“PIRATES OF THE CARIBBEAN: ON STRANGER TIDES” Blackbeard (Ian McShane) Photo: Peter Mountain ©Disney Enterprises, Inc. All Rights Reserved.

Although I do want to address something. I missed this movie in the theater, and part of me regrets not going. Because this film came out during a time where 3D basically dominated the big screen. Every other movie that came out at this point in time was either shot in 3D like “Avatar” or converted to 3D like “Clash of the Titans.” In the case of “Pirates 4,” this film was shot with the Fusion Camera System, so it was filmed in 3D off the bat and did not need any conversion in post-production. First off, I wish in a world where 3D still has slight relevancy that we get more films that are actually shot for the 3D experience instead of being post-converted. Second, I feel like the 3D in “On Stranger Tides,” while somewhat pleasing to the eye, occasionally felt forced. There are a few scenes in the film where there’s swords pointing at the lens and it’s basically an invitation for viewers to take their hand out and touch it. Once again, “Pirates of the Caribbean: On Stranger Tides” is the most expensive film of all time. If they spent all this money on making the film 3D for nothing more than a cheap gimmick, then what’s the point? I want to watch the film in 3D at some point. I do have the 3D Blu-ray disc, but I do not have a 3D TV. Part of me is curious as to how much the 3D could enhance the movie for me. However, the gimmick does not take much away from the fun I had watching the movie, and believe when I say that the film itself is a lot of fun. The action’s great, it’s clever, Johnny Depp is really good in it, and the cinematography is eye-popping. In fact, Dariusz Wolski, who did the cinematography for all the other “Pirates” films returned to do this one, so to say that this film looks nice is not a surprise.

In the end, “Pirates of the Caribbean: On Stranger Tides” is a fun, expensive thrill ride. Some of the original cast has returned and gave it their best. Penélope Cruz is a welcome addition to the franchise. Rob Marshall did an okay job helming the film between balancing the light and dark vibes together, crafting magnificent sequences, and delivering another great performance out of Johnny Depp as Jack Sparrow. Is it as memorable as some of the other films? I would not say so, but in its own way, it is a fun time, and I personally think it is better than “Dead Man’s Chest.” Was the 3D necessary? I don’t think so. But it did not take away from the enjoyment I had watching this film. I will also add, unsurprisingly, Hans Zimmer delivered a great score and I love his theme for Blackbeard. I think it is one of the best tunes in this entire franchise. I am going to give “Pirates of the Caribbean: On Stranger Tides” a 7/10.

“Pirates of the Caribbean: On Stranger Tides” is now available wherever you buy movies including DVD, Blu-ray, and 3D Blu-ray. The film is also available on Disney+ and as of writing this, it is also available on Starz.

Thanks for reading this review! This concludes week 4 of 5 in the “Pirates of the Caribbean: The Chest of Reviews” series. Next Thursday, July 29th, I will be reviewing “Pirates of the Caribbean: Dead Men Tell No Tales,” the most recent installment in the franchise. This is the last “Pirates” movie I will be discussing in preparation for another film inspired by a Disney theme park ride, “Jungle Cruise,” which will be in theaters and on Disney+ with Premier Access on July 30th. Expect a review for that movie soon. I might plan on seeing it opening Thursday depending on how my schedule unfolds. If you want to see this and more on Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Pirates of the Caribbean: On Stranger Tides?” What did you think about it? Or, what is a movie that you thought was made better by seeing it in 3D? Let me know down below! Scene Before is your click to the flicks!

In the Heights (2021): Lin-Manuel Miranda’s Latest Musical to Film Adaptation Heightens Its Way to the Big Screen

“In the Heights” is directed by Jon M. Chu (Crazy Rich Asians, Now You See Me 2) and stars Anthony Ramos (Trolls World Tour, Godzilla: King of the Monsters), Corey Hawkins (Straight Outta Compton, Kong: Skull Island), Leslie Grace, Melissa Barrera (Vida, Tanto amor), Olga Merediz (Shades of Blue, Orange Is the New Black), Daphne Rubin-Vega (Katy Keene, Smash), Gregory Diaz IV (Unbreakable Kimmy Schmidt, New Amsterdam), and Jimmy Smits (Star Wars: Episode II – Attack of the Clones, Son of Anarchy). This film is based on a stageplay by Lin-Manuel Miranda and a book by Quiara Algeria Hudes and is set in the New York City neighborhood Washington Heights. The story follows said neighborhood as they imagine and desire a better life.

I saw this film early. And by early I mean the Sunday before it came out. There were a plethora of special screenings so I thought I’d take the opportunity to attend one of them with my grandma because who does not like free stuff? Part of me was hesitant towards paying to see this film because I am not a musical guy even though I have enjoyed stuff here and there like “La La Land.” Maybe I would have used my AMC A-List, but still. Sticking with the facts, I have been reviewing movies for a long time, I am completely focused on the movies that are coming out as audiences continue to return to the theater (even though apparently “In the Heights” could have done better at the box office) so for those reasons, I decided to check out “In the Heights” for myself. I do not know if I would have seen this film during its actual release (or even on HBO Max), so I figured I’d watch it now just to say “Hey! I saw this!” And I did see it, so let’s talk about it.

I just want to iterate a couple things. First, I have heard nothing but praise for Lin-Manuel Miranda. I have not seen any of his Broadway work. Yes, I have not seen “Hamilton.” I’m sorry. I know it is popular, I know there’s a filmed version on Disney+, but I still have not seen it. I’ve heard a few songs from the musical because my sister was with me in the same place and she was playing them, but I was not the one in control of these songs. With that being said, this movie is my first exposure to ANYTHING related to “In the Heights.” Did it give me a good first impression? Well, I certainly did not hate it. I will start off by saying that the film is fun. There are some good songs, although there are a few that are admittedly forgettable despite maybe some solid execution in the actual film. The opening number set the tone well, a lot of the ones that came later seemed to match that original tone and occasionally, its catchiness. The main jingle of the film still lingers in my head from time to time.

The foundation of the film is not exactly one specific character, although the movie is mainly told from the perspective of Usnavi (Anthony Ramos) who did do a good job by the way. Instead, the foundation is this collection of people who belong to one region of New York City. We see all these people sing about the life they prefer to live over their own. And a couple of the songs in the film captured the emotions of these characters’ wishes. Granted, I cannot quote them. It has been a couple weeks and I do not think I’ll be watching “In the Heights” again anytime soon. But when it comes to pure fun, this film has the proper ingredients from time to time and part of it is because of the soundtrack. Will I remember the characters as some of my favorites by the end of the year? Not really. But the movie does an okay job at making Washington Heights itself feel like its own character per se.

I do want to bring up the pacing though. Now obviously, this is a lively, bombastic musical. So obviously, there will be some quick pace and non-stop music action. There is no doubt about that. I think at times the movie does a really good job at matching the songs to the emotions, thoughts, and actions of certain characters. There is one song towards the end mainly revolving around Olga Merediz’s character that I think was done particularly well and it continues to stick with me. Although there are not as many other songs in the movie, as well put together as they are, that have such staying power. Speaking of staying, I feel like I stayed at this movie a little longer than I had to. I felt like the stereotypical dad who goes to his daughter’s dance recital and constantly begs to himself to just stand up and leave because it is going on for such a long time. Although in my case, I think I am displaying less impatience, even though there was some to display, and more curiosity as to when the lights would turn back on. I say that because there is a lot that happens in “In the Heights” which is amazing to me because I talked to a friend who calls herself “that snob” because she liked the stage version much better than the film. I have not seen anything except the film, so more power to her. She told me they made some changes, and they took some things out. That last statement floored me because this film feels packed to the brim with material. Song after song. Character after character. By the end of the film, when it feels like it has hit its climax, there’s actually like ten, twenty minutes of main material left. And I say ten to twenty minutes because I apparently found out that there is an end credits scene in the film that I did not watch.

There are a lot of good things about “In the Heights.” The cast is likable and talented (although somewhat controversial), the film looks very pretty, the cinematography is some of the absolute best I have seen this year and could arguably receive a few nominations during awards season. No, seriously. There is a sequence by the end of this film that I would buy the Blu-ray just to see if they explain how it was done in the bonus features. Additionally, Jon M. Chu did a pretty good job at bringing his vision to reality. It feels lively, fun, spirited, hyperactive from beginning to end. So even though I was kind of begging for the movie to end as it hit what I was its second or third climax, I was still having fun. I’ll even say there are a couple chuckleworthy lines in it. Granted, it’s not like I’m watching Kevin Hart or something, but there are still some funny lines here and there.

In the end, “In the Heights” has good things in it, but I do not think this film will get any replay from me except for maybe once or twice. If I did not review movies, I would probably not go see this by myself. Once again I will say, I did see this with my grandma just for clarification, but if I were in a situation where I did not review movies and I saw the list of movies playing at the theater, I would probably skip “In the Heights” unless I was with someone who really wanted to see it or if I just wanted a spectacle, which this movie did provide from start to finish. When I talk to a friend who says they took some things out of a movie that I still think is too long… That is not a positive. Granted, I did have fun with “In the Heights” and I do recommend it. But the movie feels like “Return of the King” by the end of it. It feels like it could end, but it’s like a party and there’s that one guest that won’t leave no matter how hard you try to shove them out the door. “In the Heights,” I like you, but you can’t stay here. I’m going to give “In the Heights” a 6/10.

Technically speaking, I would give “In the Heights” a tad higher grade than a 6/10, maybe at least a 7, because it does look beautiful. But when you add in the fact that some of the songs did not stick with me, the characters themselves not all sticking with me either, and a runtime that feels like a turtle occasionally wrote this film despite everything feeling fast, that’s a problem. This is why the film gets positive marks from me, even though I would not consider it to be my favorite of the year. I think there will be an audience for it. It started off getting great reviews and I notice the ads seemed to highlight a bunch of celebrities promoting it because apparently some people trust them more than Variety and The New York Times, so I could see “In the Heights” maintaining a cult status. I do recommend if you are to see this film, maybe go with a couple friends to the theater because one of the big positives of the film that I will mention is that it is best viewed on a big screen. As much as I like HBO Max, this movie is bigger than a streaming service.

Speaking of which, “In the Heights” is now playing in theaters everywhere and is currently available for a limited time exclusively on HBO Max.

Thanks for reading this review! Coming soon, I will have my review for “The Hitman’s Wife’s Bodyguard,” the brand new sequel starring Ryan Reynolds, Samuel L. Jackson, and Salma Hayek. That review will be up soon, that is if I survive long enough to actually post it. Also, this Thursday I will be going to see “F9: The Fast Saga.” It comes out in theaters that day, so I will attempt to have my review up for the film as soon as possible. I will also be reviewing the new Disney+ exclusive Pixar movie, “Luca,” which did come out in one theater in California, so without giving anything away, it will qualify towards my future yearly posts including The Jackoff Awards and my top 10 lists. Be sure to follow Scene Before either with an email or WordPress account and also like the Facebook page so you can stay tuned for more great content! I want to know, did you see “In the Heights?” What did you about it? Did you see the stage version? What are your thoughts on that edition of “In the Heights?” Let me know down below! Scene Before is your click to the flicks!

Profile (2018): The Power of the Internet Meets the Craziness of Infiltration

“Profile” is directed by Timur Bekmambetov (Wanted, Ben-Hur) and stars Valene Kane (Rogue One: A Star Wars Story, The Fall), Morgan Watkins (Kingsman: The Secret Service, Wild Bill), Shazad Latif (Star Trek: Discovery, Penny Dreadful), Christine Adams (Batman Begins, Black Lightning), and Amir Rahimzadeh (The Heights, Our Girl). This film is based on a book written by Anna Erelle titled “In the Skin of a Jihadist” and follows a woman named Amy who has been doing research on younger girls who end up joining ISIS. As part of her research, she creates a Facebook profile and connects with a real ISIS fighter named Bilel. While doing so, the two develop a bond of sorts that may affect the future of her career and her life.

Right off the bat, I just want to note that “Profile” is quite a fascinating film because it is done entirely through screens. By this I mean the screens of computers and other similar electronic devices like phones. I find it intriguing because kind of like “The Blair Witch Project” exposed back when it came out, it shows that not all movies need to be done on advanced cameras. Now whether that is a positive thing or not, that is up to the viewer. It is all subjective. But I will admit, I was somewhat skeptical on this idea because we’ve had projects like this before, and they did not sound like they were for me. One of the more notable ones I could think of is “Unfriended,” which involves a supernatural force using the account of a dead person. At the time, I just did not have any interest. And as much as some of you will *hate* me for saying this, “Paul Blart Mall Cop 2” was the much more attractive option at the box office the weekend “Unfriended” came out. I saw it theatrically for two days in a row for crying out loud! “Unfriended” got a sequel, specifically titled “Unfriended: Dark Web.” Much like the original, I never saw it. Although one film I was interested in seeing in 2018 happened to go by the name of “Searching.” The film received incredibly positive reviews from critics and average moviegoers. I saw a lot of movies in 2018, but unfortunately “Searching” was not one of them, and I cannot say I have tuned into it since. But “Profile” takes elements of those recently mentioned films because it is almost completely showcased through a screen capture. At times, this film felt more like a fast-paced and unusual Twitch or YouTube stream than an actual flick. Despite not having much detail to work with other than what is on a computer screen, the film nevertheless manages to keep an insane pace from start to finish. I was never bored or uninterested with what was going on. To be completely honest, “Profile” is almost the most intense film I have watched this year.

Not only does it deal with somewhat relevant true events, not only does it take a successfully creative approach to the art of filmmaking, but it is a film that makes the most of what it has. This is my first foray into the endless computer screen camera movie approach, or screenlife is some might call it, and I think I may want to see more, specifically if they are as good as this. Now I am not going to say I will remember every bit of “Profile” by the end of 2021, but it is a marvelously crafted picture from start to finish that sounds offish when you hear the technical aspects, but works completely when you implement the story and narrative into it. When war and movies are put together in the same sentence, you would usually expect something big and cinematic like “Saving Private Ryan” or “Dunkirk.” “Profile” does a really good job at showcasing war in cinema from an alternate point of view. I remember when I first heard about ISIS in 2014 and I would see real life footage of the action in history class. Seeing ISIS in this film sort of took me back to that time in one way or another and at times it reminded me of how a lot of modern history is told. If you have seen shootings, protests, or other serious events in recent years, you’d notice that they would often be shot on a phone, either through a pre-recording or live video on a service like Facebook Live or Periscope (RIP). And sometimes they would be shot in a vertical aspect ratio, or as some people call it, “the wrong way” to take pictures or video. “Profile” is successful in its attempts to show grit or danger by utilizing modern technology that may seem odd for a cinematic picture, but somehow ends up being executed brilliantly.

I have talked quite a bit about the film’s technology, but it is one of the biggest standouts from start to finish. Nevertheless, it does not take much away from the characters. To be specific, Amy, the journalist and main protagonist of the film, and Bilel, the ISIS fighter whom she constantly talks to over video. This film does a really good job at showcasing the stress on Amy’s side and a mix of classiness and terror on Bilel’s side that makes the movie stick the landing and blend some delicious flavors together for an exciting outcome. I do not want to spoil much, but this movie’s hesitancy to go big on the technology does not mean it automatically suffers when it comes to delivering a story. The film’s plot does get a little ludicrous, but maybe not on the level of “Sharknado.” That may be one minor problem of the film, but it is also a blessing because it is also what makes the film attention-grabbing. Nevertheless, giant leaps are giant leaps, and by the end, it almost jumps the shark and the jaws continue to drop. Is it exciting? Yes. But does the movie feel as real in the end as it does in the beginning? Not really.

In the end, “Profile” is a tiny yet captivating little thriller. I do not see the screenlife genre being my new favorite trend in filmmaking, but it is one that I simultaneously welcome because of how good “Profile” turned out. I think the cast is really good, the way they went about filming this movie in just a short amount of time is rather impressive, and despite some absurdity at particular points, the film is still worth watching. It is not playing in many theaters right now, but if you have the time, I would say give it a shot. I’m going to give “Profile” a 7/10.

One other thing I want to point out, and I cannot say this will totally affect my viewpoints on “Profile,” is that this film was first shown to the public in 2018. Although it never got a big public theatrical run until May of this year. I do not know why that is, but this kind of reminds me of the end of 2020 where Disney/Fox dumped some of its long-finished films like “The New Mutants” or “The Empty Man” into theaters. Part of me feels like they just decided to release it now as an excuse to say they put it in theaters because it has been in the can for so long that it needs to go. It was already competing against “Spiral,” “Army of the Dead,” and “Those Who Wish Me Dead.” This film was not too expensive to make, but I feel like Focus Features had little faith in it. I barely saw any marketing, and I did not even pay to see the movie. I was given a free screening online. It just felt like the studio said, “Hey, here’s a movie!” 2021 looks like it’ll be a fine year for movies. There are a lot of big ones coming out, but I feel like “Profile” is another victim of the COVID-19 crisis where the film was just dumped into theaters just for the sake of it. Heck! The film has not even made its budget back yet! I wish everyone involved in this movie well in their careers, but from a distribution standpoint, this was not a victory. Again, this does not affect my score, but in the supposedly changing landscape of film, this is one of the trends that unfortunately continues.

“Profile” did release theatrically on May 14th, but it is highly unlikely you will find a theater near you playing the movie. If that is the case, it is also available to rent on VOD right now.

Thanks for reading this review! My next review is going to be for Zack Snyder’s new film “Army of the Dead.” I saw this movie at a Cinemark the weekend it came out, and I cannot wait to talk about it. I will also have upcoming reviews for “A Quiet Place Part II,” “In the Heights,” and my commitment to seeing this right away is not guaranteed, but I should be seeing “The Hitman’s Wife’s Bodyguard” this week depending on my schedule. Also coming soon, I will be doing another update on my complete Blu-ray collection. I’ve done it in recent years, and I think it is time, now that I am reaching 500 posts, to give you my latest status update. Hope you are excited, because I cannot wait to share the latest details with you. Be sure to follow Scene Before either with an email or WordPress account and check out the Facebook page so you can stay tuned for more great content! I want to know, did you see “Profile?” What did you think about it? Or, what do you think about the screenlife genre? Is it cool? Too small? Gimmicky? Let me know down below! Scene Before is your click to the flicks!

Chaos Walking (2021): The Noise Awakens

“Chaos Walking” is directed by Doug Liman and stars Tom Holland (Spider-Man: Homecoming, Onward), Daisy Ridley (Star Wars: The Force Awakens, Peter Rabbit), Mads Mikkelsen (Rogue One: A Star Wars Story, Hannibal), Demián Bichir (The Hateful Eight, A Better Life), Cynthia Erivo (Bad Times at the El Royale, Harriet), Nick Jonas (Jumanji: Welcome to the Jungle, Midway), and David Oyelowo (Gringo, Selma). This film follows a guy named Todd who lives in a dystopian future. In 2257 A.D., the men of New World go about their daily lives after an unfortunate war. One thing our protagonist, Todd, has in common with everyone else is that he has this thing called “noise,” where his thoughts are outspoken despite not opening his mouth. However, one day, a ship crashes on the planet and it peaks Todd’s curiosity. Turns out, the rider inside the ship is a girl, which Todd has never seen before, given how all of them died in the recently mentioned war.

I saw this film on the second weekend of March. Therefore, per usual, I am getting this review out late. That’s the bad news. The good news however that comes with it is that I likely have more time to process and think about what I saw, which I have done when it comes to this movie. With my previous review, “Raya and the Last Dragon” to be specific, I did not flip back and forth between much. The only thing I flipped around with was the score, which I was wondering whether I’d give it either a 8/10 or 9/10. I settled for the latter. I thought a little more about “Chaos Walking,” but not much more. Sure, I kind of flipped around on the score here as well, but that is not the only slice of this pie we have here. The big question I thought about was if I was actually going to see myself watching this movie again. The short answer would be… Maybe? But not now? I dunno… The thing is, when it comes to the young adult novel adaptation realm of filmmaking, I usually watch those movies once and I normally don’t have an urge to go back to them. Yes, I’ll buy the Blu-ray, but it ultimately may just end up sitting on my shelf. I like the “Divergent” movies, in fact I personally think it is better than “The Hunger Games” as a franchise, but I don’t usually watch those movies while sitting at home on a Friday night. I am somewhat mixed on “Chaos Walking” as a movie, because using the recent example, “Divergent,” I find “Chaos Walking” to be more entertaining at times than “Divergent,” specifically the first installment. I interestingly enough find “Insurgent” to be a better movie. If anything, I find “Chaos Walking” to be more entertaining than “Divergent” because “Chaos Walking,” whether it is intentional or not, comes off as somewhat funnier and maybe has a little more fun with its concept. In fact, I think the concept is slightly better, because I think it is a little more cliche to do the whole “divide people into groups” and boom, we have our movie idea. This movie eliminates an entire gender and as a viewer, I am somewhat intrigued to see how the survivors are going about their days.

At the same time though, similar to some other young adult novel adaptations, this film does get borderline cheesy. Sometimes it provides for a fun line, which is cool. But if you are looking for a Shakespearean, timeless flick with some of the best writing and directing imaginable, go elsewhere. Going back to the movie I recently mentioned, “Chaos Walking” came out the same weekend as “Raya and the Last Dragon.” That is a much better film in my opinion, so if I had to pick between two films to watch, the choice would easily be “Raya” by a long shot.

Moving onto characters, I want to talk about the chemistry between Tom Holland and Daisy Ridley. On their own, these two are great actors. I loved Holland as Spider-Man in the Marvel Cinematic Universe and I adored Rey in “Star Wars,” so to see these two nerd icons come together in one movie is almost magical. As for their characters I bought into them as a pair as they sometimes found each other odd, sometimes they found each other likable, and so on. Going back to what I said about this movie having fun lines, there are a couple character establishment moments between these two that are personal highlights of the script. One other highlight of the script for me is that like every other young adult novel or every other young adult adaptation, the guy or girl has to crush on the other person or fall in love with them. I will not go into much detail on that, but this film almost felt like it was parodying that cliché at times, and I mean that in a positive way. There are moments where we see Tom Holland’s character specifically either thinking about kissing her, which was hysterical, and maybe there will be another scene in the film where we simply see that he finds her attractive. That may have been the best part of the movie because it takes a cliché, has fun with it, and makes it a kneeslapper.

I also want to talk about the driving gimmick of the film, “the noise.” When I saw the trailer for this film, I thought I was going to hate every single second that this, well, noise, was going to be emitted. It sounded awfully rugged, and it kind of goes against the screenwriting rule where you have to use as little words as possible to get points across because film is a visual medium. Yes, there is writing in it, but ultimately it is a matter of what you see. Seeing someone doing something is usually more entertaining and calming than hearing someone saying they are going to do something. And I will admit, when I heard this early on in the film, I was kind of pissed on how it played out. I figured if they were just going to utilize this thing for a poop joke, which more likely belongs in a disposable Illumination or DreamWorks project if anything, I figured this film was not going to be worth my time. But the gimmick was surprisingly well utilized to a certain degree. It does not change the fact that when it comes to most movies, less is more, but “Chaos Walking” is a weird animal where more is more when it comes to screenwriting.

In the end, “Chaos Walking” is just weird. I like the movie, but I cannot confirm that I’m ever going to watch it again. When comparing it to other young adult genre entries, I’d rather watch the first two “Divergent” films again. “Noise” is a terrible gimmick on paper, but an okay one when ultimately executed on screen. This film is cheesy, but weirdly attractive at the same time. This is a film that took years to make, and it honestly shows. A lot of the lines are borderline wooden and it almost feels like the only reason why this movie exists at this point is for the studio to poop it out in a pandemic where it is almost impossible for some people to go to the movies. “Chaos Walking” is a good movie, but not a great movie, so I’m going to give it a 6/10.

“Chaos Walking” is now available in theaters wherever they are open and the film is also now available to buy on video on demand services such as Fios, Xfinity, Google Play, and VUDU.

Thanks for reading this review! My next review is going to be for “Mortal Kombat” as part of a review series I am calling “Mortal Kombat: Finish the Reviews,” which I am doing as a lead-in to the all new R-rated “Mortal Kombat” movie which is out in theaters and on HBO Max on April 23rd. I will also have my review up for “Mortal Kombat: Annihilation” available starting April 12th. I should also soon have reviews for “Boogie,” “Nobody,” and “Godzilla vs. Kong.” To stay tuned for these reviews, follow Scene Before either with an email or WordPress account and check out the official Facebook page! I want to know, did you see “Chaos Walking?” What did you think about it? Or, what is your favorite 2021 film so far? Let me know down below! Scene Before is your click to the flicks!

The Witches (2020): Witch Imperfect

“The Witches” is directed by Robert Zemeckis (Back to the Future, The Walk) and stars Anne Hathaway (Interstellar, The Dark Knight Rises), Octavia Spencer (Hidden Figures, Gifted), and Stanley Tucci (The Hunger Games, Transformers: Age of Extinction). This film is based on the Roald Dahl novel of the same name and follows a young boy and his mother as they stay in a hotel together. One thing leads to another, and the boy finds out the witches’ plan to turn children into mice. From here, we have the main groundwork to let the rest of the movie unfold.

Not only is this movie based on a classic children’s book from Roald Dahl, but to my lack of knowledge, “The Witches” was made into a movie once before. I had no idea that this was true, but there was a 1990 adaptation of the film directed by Nicolas Roeg. I had no idea this movie existed, but here we are. But growing up with Roald Dahl, I cannot say that I am all that surprised. “The Witches” was never a book I was particularly interested in. I imagine I picked it up once or twice for a couple quick glances, but not once have I read it all the way through. Books like “The BFG” and “Charlie and the Chocolate Factory” were of higher interest to me when I was younger. Unlike when I watched the 2005 “Charlie and the Chocolate Factory” for the first time, where I had the original book and 1971 adaptation in my memory, I don’t really have anything to compare “The Witches” to. I cannot say the book’s better, because I have not read it. I cannot say the 1990 adaptation was better, because I have not seen it. But what can I say about the 2020 adaptation of “The Witches?”

It’s not great. Really not that great.

This movie, particularly in the United States, was supposed to hit theaters, but due to a change of plans, it became a direct to HBO Max exclusive. Other than a few scenes that are visually wild, I can see why this went straight to streaming. Because the reality is that the script for this film is kind of bland. At times it’s a little stiff. I know that one major audience for “The Witches” happens to be children, and I will say that in this movie’s favor, there are some scenes that would give me heebie-jeebies at a younger age. That’s not the problem, because this movie is occasionally suspenseful and haunting. The problem is that this movie feels like it occasionally talks down to them. I’ve seen it done worse in a few other movies, but nevertheless. I don’t know who to blame here. Again, I have not read the book. Maybe this script was incredibly faithful to the source material, which can work as a compliment in many instances, but books are books, and movies are movies. They’re different mediums and sometimes everything in a book does not always translate to film.

One of my other big complaints about this film regards its pacing. I often talk about pacing as a complaint because when a movie moves too slow, it occasionally bores me. Thankfully, this movie is not as boring as some others I have seen. Boredom was not achieved. My problem, and this may be seen as a compliment by some people, is that this movie moves very fast. This film wastes no time whatsoever in getting from point A to point B, but I really would have preferred one or two moments where I could breathe. But that’s also probably because of the earlier complaint where this film overembellishes everything for the audience. There’s a whole elongated scene where Anne Hathaway’s character is exposes her plan to turn children into mice and squash them. It takes forever, but somehow it feels like by the end of the scene, only a few moments have passed. It almost feels like that if the movie did not extend itself unnecessarily, it could have been five to ten minutes shorter, maybe even fifteen. I could be wrong. This is arguably the weirdest complaint I’ve had for a film all year, but it stands. Runtime does not always matter, it’s what you do with it. And here, I think they’ve just wasted some of my time.

This is not to say the film’s all bad. I will say that one of the advantages of this film, especially compared to almost everything else in 2020’s slate, is that it looks quite attractive to the eye. The production design is quirky, and much like some other Dahl adaptations, this movie occasionally felt larger than life. For the record, this movie did release in theaters internationally, so they get the benefit of the theatrical experience. If you live in the United States, watch on the biggest home screen you can. For a movie aimed at families and children, this does look like something that would fit in that realm. This is live-action, but it’s colorful and poppy at the same time. Some of the effects, specifically where we see one of the witches sniffing like a maniac, is a little over the top, but other than that, they fit the movie in terms of tone.

One area where I am continuously conflicted is Anne Hathaway. Now, I adore Anne Hathaway. She’s in some of my favorite movies, she has talent, and I will point out that I can tell she gave it her all here. But the way her character is presented is very hit and miss. Again, this is part of the overembellishing problem with this film. I get she’s a witch, I get she’s evil. But at times, she reminded me of a female version of Arnold Schwarzenegger’s Mr. Freeze from 1997’s “Batman & Robin.”

“What killed the dinosaurs? The ice age!”

I will say that per usual, Octavia Spencer is quite charming. She was a good fit for her role, and while I will probably not remember the movie all that much, her chemistry with her son was decent. Not the best I have seen, but decent. Speaking of which, the son character is played by Jahzir Bruno. The cast lists his character’s name as “Hero Boy.” What a name… Is this… A long lost relative of “Protagonist” from “Tenet?”

By the way, watch “Tenet.” Just my recommendation.

I will say, when it comes to Jahzir Bruno, he probably has a bright future ahead. Who knows what’ll happen in regard to his acting career? But his character, while likable, is just a small increment of why this movie is poorly written. One of the things I HATED about this movie, is how far-fetched it is at times.

Now, you might be thinking, that’s what it is supposed to be! It’s a movie where witches can turn humans into mice with a magic potion! You’re not wrong. I don’t mind that at all. What I do mind is that the movie has a scene that throws everything you know about hearing out the window. I do not know how good the witches can hear in this universe, maybe the book explains it more, but there is a scene where Hero Boy lays under a stage where Anne Hathaway’s character gives a speech. From what I can tell, he’s trying to hide, be secretive. When he takes in a certain piece of information, he speaks to himself almost like he’s having a casual conversation. I do not know if that is his fault, or the director’s fault. I hope not, because Robert Zemeckis has been in the business for years. And evidence sometimes shows that it is not always easy to work with child actors. I do not know if Bruno was following a specific order from the script, a last minute adjustment from Zemeckis, or what. I do have faith that Bruno will be in more palatable movies as time goes on, and he is still young, so he can improve his craft a just a hair. I just wish this project was better.

One of the big advantages though of watching this on HBO Max is that other than the subscription, this is practically a free movie. It was not like I was robbed of $12 at the theater, or in the case of the pandemic, $19.99 on Prime Video or Google Play. Even so, I can see why this was dumped to a streaming service. As cool as it would have looked in a theater, it does not have the writing and excitement to back it up.

In the end, “The Witches” could not quite deliver the cheese. I will point out. I’ve seen a lot of movies directed by Robert Zemeckis. All the “Back to the Future” films, “Allied,” “Who Framed Roger Rabbit?,” “The Polar Express.” I’ve enjoyed most of the films I’ve seen from him. Even ones I did not enjoy like “Flight” and “Cast Way” still had elements which I was able to appreciate. “The Witches” fits in the same category as those previously mentioned films, it is one of Zemeckis’s inferior days at the office. And as far as Roald Dahl adaptations go, this one is probably my least favorite. Much like’s Zemeckis’s cinematic library, I can not pinpoint one particular Roald Dahl adaptation I’ve seen that I legitimately hated. But this one was not a golden ticket. I’m going to give “The Witches” a 5/10.

If anything else, one of the best parts of this movie is the score. Unsurprisingly, considering how this movie is directed by Robert Zemeckis, Alan Silvestri did all the composition work. Time will tell, but it is hard to say whether “The Witches” will become a popular Halloween tradition for some. It wouldn’t for me, but who knows? This movie just felt rushed, but by being rushed, it did so by elongating, talking down to its audience. It does a lot by doing very little, if that makes any sense. This is the “Ludicrous Speed” of movies.

Thanks for reading this review! This weekend is one of the bigger ones in regard to movies this year. “The Witches” just hit HBO Max, Prime Video now has “Borat Subsequent Moviefilm,” “The Empty Man,” even though it looks terrible, just hit theaters, and one of my favorite movies of the year BY STORM just hit Netflix and is still playing in some theaters. That movie by the way is the new animated musical “Over the Moon,” which centers around a young girl who longs to find an ancient Moon Goddess. I cannot recommend this movie enough, even though I know a few people who may want to skip certain parts of it. By the way, if you want to read my review for “Over the Moon,” click right here! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “The Witches?” What did you think about it? Have you read the book? Have you seen the 1990 film? Which version of the story do you like best? Let me know down below! Scene Before is your click to the flicks!

The Personal History of David Copperfield (2019): A Well-Adapted, Modern Take on a Dickens Story

“The Personal History of David Copperfield” is directed by Armando Iannucchi (The Death of Stalin, Veep) and stars Dev Petel (Slumdog Millionaire, The Best Exotic Marigold Hotel), Anuerin Bernard (War & Peace, Dunkirk), Peter Capaldi (Doctor Who, Paddington), Morfydd Clark (The Man Who Invented Christmas, Crawl), Daisy May Cooper (This Country, Avenue 5), Rosalind Eleazer (Howards End, Death in Paradise), Hugh Laurie (Stuart Little, Tomorrowland), Tilda Swinton (Doctor Strange, We Need to Talk About Kevin), and Ben Whislaw (Skyfall, Paddington).

This film is based on the similarly titled book written by Charles Dickens and follows David Copperfield, an orphan who finds himself needing to get through a series of obstacles.

“The Personal History of David Copperfield” already released in several film festivals last year, which eventually led to the film being nominated for a Best Casting BAFTA. The movie has not hit the United States until this past March, specifically at a festival, and has gotten a full fledged release in August. In my view, that officially makes this a 2020 movie. IMDb says this is a 2019 film, but it has not had an official theatrical release until this year, so I rest my case for now. As of late August, “The Personal History of David Copperfield” has hit several theaters in the United States, and so far has earned over a million dollars. Now, that’s a great total if I went on NBC’s “The Wall,” but the film’s budget is $15.6 million. The collective total at the box office worldwide is $11.6 million. That’s not entirely pleasing so far, but given how movie theaters are coming back to life at this point, it should not be too surprising. Nevertheless, I used one of my A-List tickets to see this movie last Sunday, and having never once read the “David Copperfield” book, I did not really know what to expect. I will have you all know, when movie theaters were allowed to reopen in my state, the first screening I attended contained one trailer, which was for this exact movie. That’s all. I could tell you I really enjoyed the trailer, but the reality was that I was more focused on the notion that a movie theater was actually open.

Even so, this movie had an advantage, because it was *that first trailer* I’ve seen in a while, it stuck in my mind like a catchy tune. So was this movie worth my time when I finally saw it? I’d say so.

Going into “The Personal History of David Copperfield,” I did not entirely know what to expect. Keep in mind that this review is written by someone who never read the book. I walked out of the movie fairly delighted. There was a series of well-directed, marvelously written scenes. I could thank the writers for this film, but maybe I should thank Charles Dickens considering how he wrote the material. It also goes to show how timeless this movie feels, and how one can possibly connect to some guy living in the 19th century. All the factory scenes from this film are incredible. Not only are they atmospheric, but they allow for this movie’s writing to shine. I felt for Dev Patel’s character of David Copperfield several steps of the way.

This movie manages to maintain its own vision from beginning to end, and I was massively entertained by said vision. While “The Personal History of David Copperfield” is not my favorite movie of the year, I will not deny that this movie manages to maintain its own flair every step of the way. I do not feel like I will end up remembering every character’s name, although I do imagine if I read the book maybe I will. Speaking of which, this brings up another point.

A lot of people tend a read a book, watch a movie, compare the two side by side. Personally, I see books and movies as two separate entities and I don’t always think they should be compared just to be one thing since they are two different mediums. However, let’s reverse what I just brought up for a moment. I watch a ton more movies than I read books, but if I were to take this movie, “The Personal History of David Copperfield,” I would definitely read the book that inspired it because I enjoyed the end product of the film. I don’t know when I’ll dedicate time to it, but it is a thought that I am intrigued by.

In terms of performances, I think everyone across the board did a great job from Dev Patel to Hugh Laurie to Peter Capaldi and Benedict Wong. Their performances help provide a refreshing take on what must be a classic. One of my favorite performances in this movie however comes from Darren Boyd, who plays Mr. Murdstone, who marries Copperfield’s once widowed mother. In addition to that, Copperfield has to work for Murdstone in his factory, which as previously suggested, makes for some of the finest scenes in the movie. This movie is PG, so according to the MPAA, kids can watch this and feel fine. There are some notable scenes where that PG rating shows, but at the same time, as I watched those scenes, I got the feeling I was watching somebody who was pushing the barrier a little higher. They say a movie is only as good as its villain, and “The Personal History of David Copperfield” utilizes that saying to full potential.

There are few other antagonists from movies this year that I can think of that I will remember for years to come. Maybe Dr. Robotnik from “Sonic the Hedgehog,” perhaps Sator from “Tenet,” and this might shock you, Paula Abdul from “Impractical Jokers: The Movie.” Just being honest. Murdstone is up there with the greats for me. I really hope we get a couple more comic book movies this year, because I am curious to see Taskmaster in “Black Widow” and see how he ranks against the rest of the Marvel villain crew. IF “BLACK WIDOW” MOVES AGAIN OR GOES STRAIGHT TO DISNEY+ I MIGHT BE DONE WITH MOVIES. Nevertheless, Murdstone is one of my favorite characters in this movie and his attitude says a lot about who he is.

If I have anything else to say, I also enjoyed the score in this film. I don’t know if I’ll end up listening to it during free time later, but hearing it in the theater was most certainly atmospheric and occasionally gave a larger than life vibe. The score is done by Christopher Willis, who has also done work for a couple Disney television shows and HBO’s “Veep.”

In the end, “The Personal History of David Copperfield” is a fine adaptation of the well-known Charles Dickens novel. I have never read the book, but after seeing this movie, who knows? Maybe I’ll give it a shot. I imagine it is better than the movie, given how Dickens is a household name. Even so, I found myself delighted with “The Personal History of David Copperfield” and I am going to give it a 7/10.

Thanks for reading this review! My next review is going to be for “Becky,” which stars Lulu Wilson, Joel McHale, and Kevin James. I just got the Blu-ray recently, watched it, and I want to say some things about it. I’m not sure what my next review after that is going to be. I’m thinking either “Bill & Ted Face the Music” or there is also this one movie that has supposedly been out for a month called “Tesla.” I saw trailers for it at one theater, it never showed up, but it is also available On Demand for a cheap price. Maybe I’ll watch that. Although one of my local theaters, the Lexington Venue, just recently opened once more, so maybe I’ll check something out there if I have time. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “The Personal History of David Copperfield?” What did you think about it? Or, did you read the original “David Copperfield” book? Tell me your thoughts on that! Let me know down below! Scene Before is your click to the flicks!

Words on Bathroom Walls (2020): Inside Adam’s Head

mv5bntjmntnlzdetm2jjny00mmnmltgznwitn2vlzgnlnjm1yjfmxkeyxkfqcgdeqxvymtexmdk0nzq3._v1_sy1000_cr006741000_al_

“Words on Bathroom Walls” is directed by Thor Freudenthal (Diary of a Wimpy Kid, Percy Jackson: Sea of Monsters) and stars Charlie Plummer (Lean on Pete, Looking for Alaska), Andy Garcia (The Godfather Part III, Ocean’s Eleven), Taylor Russell (Lost in Space, Escape Room), AnnaSophia Robb (Charlie and the Chocolate Factory, Because of Winn-Dixie), Beth Grant (The Mindy Project, The Artist), Molly Parker (Deadwood, House of Cards), and Walton Goggins (Django Unchained, The Shield). This film revolves a boy named Adam. He’s in his teens and he has schizophrenia. Throughout the movie we see him adapt to a new drug, a new “father figure,” and a new school. Quite a few major aspects of his life change here. We get to experience what Adam’s life is like as he deals with voices inside his head, and potential effects of everything surrounding him internally and externally.

This is one of the films playing on a major weekend for cinema. Theaters in many territories, including my own, around the United States are reopening for business. Keep in mind, this pertains to a lot of theaters, but most notably to chains like AMC, Regal, and Cinemark. On this special weekend, this is one of the films available for customers in addition to other new releases like “Unhinged” and a selection of throwback titles including “The Empire Strikes Back,” “Inception,” “Black Panther,” and more.

I’ll be honest with you, when it comes to “Words on Bathroom Walls,” it never really struck me fancy. I never had any real attachment to it prior to giving it a watch. The main reason why I watched this movie, is because an outlet gave me RSVP access to watch the film online before it came out. When it comes these teen movies, they’re usually not my thing. Romance is not my thing either. But I’ve enjoyed certain movies with one aspect, another, maybe both, plus it is nice to talk about new content. So here we are.

This film is based on a book written by Julia Walton. I’ve never read the book, and after seeing this movie. I can’t say I’m gonna read it. Again, this is not my genre. Also, movies are more fun! Sorry, books! Nevertheless, I enjoyed this film for what it was. A solid story about somebody dealing with many forced adaptations, both internal and external. I think the screenplay, when translated into a visual medium, was incredibly well-realized. There was a scene that made me feel like I was watching some superhero movie like “X-Men” or something as opposed to some typical teen drama. This was well-written, and when it comes to the directing done by Thor Freudenthal, I approve. At times it gets a little dark, but the snappy vibe never escapes. In fact, this guy, unknowingly, was a part of my childhood for a few years.

For those who don’t know, Thor Freudenthal directed the 2010 movie “Diary of a Wimpy Kid.” I was ten years old when I saw that movie, and I will point out, unlike “Words on Bathroom Walls,” that film got me to read the books which it happened to be based upon, so I’ll give it credit where it’s due. I have not watched that movie in some time, I think my most recent viewing was in 2012. However, looking back, one of the standout aspects of that film, is how much it maintained a quick pace, while occasionally relying on aspects of imagination or narration. Some of that translates well to this movie while being a completely separate thing. But also keep in mind, the movies are made for completely different audiences, so it really is a good thing that one movie is not like the other.

Those positive thoughts I gave on the screenplay? Yeeeah… It’s not all rainbows and unicorns. Keep in mind, this review is being written by a straight white male whose favorite movies are in the action genre or similar fields. Some of the dialogue is a cringefest. There are a couple cheesy lines that I thankfully don’t have implanted in my head at the moment, but they were nevertheless cheesy. I wonder if the teen girl crowd will not care as I think they may be one of the core demographics for this film. Who knows? I never read the book, and I may be unwarranted to ask such a question… But, maybe it worked in the book? I don’t know.

But most of the screenplay does make up for its faults. There are some really exciting, gripping moments that grabbed my attention. There feels like there is conflict in just about every single scene. Something could end up going wrong, changing the main character’s life, or maybe make my head spin upside down.

Screenshot (160)

I will say though, I have mixed thoughts on the main character of Adam. On one hand, I did feel bad for him. This movie does a good job at highlighting the misfortune of schizophrenia, in which case I was able to attach myself to him. But there are like one or two moments where this guy sort of gave a creeper or stalker vibe. I won’t go into detail, I will let you as viewers see this for yourselves. Although I will give props to Charlie Plummer, who plays this lead role admirably. There’s not much I have against Plummer as a performer and I would like to see more from him. This is sort of based on looks, but I would be interested to see him in maybe a Seth Rogen comedy of some sort, he looks like he could fit right in if given the proper script and role. Maybe “Neighbors 3: The Next Generation” if they ever decide to make that? Just an idea. I’m not claiming it, I don’t have an outline for it, I’m just spitting it out there.

Screenshot (165)

I also really dug Taylor Russell’s character. Not only was I able to buy the relationship between her alongside Charlie Plummer’s character. But as an actress, I think Taylor Russell has a solid future ahead of her. She did a really good job at portraying this brainiac student who cares a lot about which direction she’s headed in life. This becomes more likable later in the movie when we meet her family, which I won’t talk about because I would rather have you see the movie for yourself.

Screenshot (167)

Although I have to say, there’s one character who could arguably be my favorite in the movie, and that is a priest played by Andy Garcia. This character goes by the name Father Patrick and he’s just incredible in this movie. Garcia brings his A game here! Every other line out of his mouth is so dry yet charismatic! I could listen to this guy narrate an audiobook version of The Cheesecake Factory menu! He’s that likable!

In the end, I enjoyed “Words on Bathroom Walls.” I think it’ll get some attention at the theaters once they reopen. For all I know, maybe fans of the book will enjoy this film. But I don’t think I’ll ever watch this movie again. Once again, I’m not in the core demographic, so I may not be the best guy to trust when it comes to reviewing this movie. However, I did enjoy it. It was never boring, never completely insulting to my intelligence, and I did have fun, which most of the time, is something I think many of us want to experience after watching a movie. If you have fun, then bada bing bada boom. I’m going to give “Words on Bathroom Walls” a 7/10.

mv5bnwq1y2yxmzmtymrhmi00otdhlwizytatmzm4njq2nzm0ymi4xkeyxkfqcgdeqxvynjuwnzk3ndc40._v1_

Thanks for reading this review! Just want to want to announce that depending on where you live, tickets for “Tenet” are already on sale, or they are just about to go on sale. Over the past couple months, I’ve been holding onto a post that I think could help certain moviegoers when it comes to deciding where to go see “Tenet.” Given how tickets are about to go on sale here in the United States pretty soon, my post related to this will be up around the same time tickets drop. Stay tuned for that post and if you want to see more great content from Scene Before, be sure to follow the blog either with an email or WordPress account, and check out my Facebook page! I want to know, did you see “Words on Bathroom Walls?” What did you think about it? Or, are you going back to the movies this weekend? Do you plan on going back soon? Let me know down below! Scene Before is your click to the flicks!