Comedy | Scene Before

Spa Weekend (2026): A Fierce Contender for the Worst Film of 2026 SPOILERS

“Spa Weekend” is directed by Jon Lucas and Scott Moore (Bad Moms, 21 & Over) and stars Leslie Mann (Blockers, Welcome to Marwen), Isla Fisher (Keeping Up with the Joneses, Now You See Me), Michelle Buteau (Babes, Clerks III), Anna Faris (Cloudy with a Chance of Meatballs, Mom), and Adam Demos (Sex/Life, UnREAL). This film is about four women who reconnect for, you guessed it, a spa weekend.

While there is no Oscar for “most accurate movie title,” this one would certainly win it should it ever become a thing.

Also, in case the title of the post is not clear, this review contains spoilers. The movie has been out for a number of weeks as of this publication, so chances are that some of you reading this early have already seen it. Regardless, this is still a new release, and if you were looking forward to watching “Spa Weekend,” maybe wait to read this review until after you have seen the movie.

…Or don’t wait. If anything, this review should serve as a warning as to why you should skip this film altogether.

I want to share a true story that happened during my screening of “Spa Weekend.” I was in a tiny auditorium watching the movie. How tiny? It holds 28 people. You would think this was a private cinema in someone’s home. I went with three other people, and since my ticket was purchased last minute, I sat in the row behind them, where I stayed until the film’s conclusion. As the film was ending, I came down to the row where the other three people were sitting, and tripped down the stairs while falling into their row. Thankfully, I am okay. I had a minor sensation in my ankle, but it was not twisted or broken. Had it been twisted or broken, I would still debate whether that experience was worse than having to sit through “Spa Weekend” from start to finish.

I did not realize going into “Spa Weekend” that I have had quite a bit of experience with Jon Lucas and Scott Moore as creatives. These two are responsible for several comedies containing some of the hottest stars including “Bad Moms,” “Jexi,” “The Change-Up,” and “The Hangover.” Lucas and Moore directed the first two of these four movies in addition to writing them. The duo happened to write the last two movies as well, but they were directed by different people. To me, their resume, overall, is fairly mixed. While they have done more than these four, these are the projects of theirs that I have seen.

Well, unless you count part of “Four Christmases,” which is, by all accounts, a holiday movie that exists.

The only one of this duo’s films that I can genuinely say is worth watching is “The Hangover.” It is one of my favorite comedies ever. “Bad Moms” and “The Change-Up” are mixed at best, and “Jexi” nearly crosses the “so bad it is good” territory, but it is not quite on that level. It is just bad. Ladies and gentlemen, I would like to congratulate these two for making a movie that makes “Jexi” look like “There’s Something About Mary.”

As mentioned, “Spa Weekend” is from the minds behind “Bad Moms,” and I am almost convinced that “Spa Weekend” is secretly part of the “Bad Moms” cinematic universe. I did not stay for the entire credits, but I would not be surprised if this movie ended with a title card that reads “Mila Kunis will return in ‘Spa Weekend: Doomsday.'”

At times “Spa Weekend” has a script that feels like it was meant to be a “Bad Moms” movie that did not quite end up working out, so they changed some of the names, cast members, and situations in which the characters find themselves. Granted, that does seem unfair as not all of the main characters are moms. See? It’s not “Bad Moms!” It’s “Bad Moms and Friends!”

You have Jane (Mann), a single mom who struggles to balance work and taking care of the kids. As a result, she does not have any time for herself or reliable resources to babysit. There is the workaholic, Sophie (Faris). She does not have any children, but she has a boss that sometimes acts like a child. Then you have another single mom, Coco (Butaeu), who in addition to dealing with her separation, comes off as a pessimist to other people around her. Her ex is, calmly, recommending she should see a therapist, and she is not bagging what he is raking. All three of these women are fed up and decide to go on a spa weekend to celebrate Jane’s birthday. It is at this point that they all agree not to invite Mel (Fisher), a wealthy, overexaggerated nutcase who also happens to be the friend of the group that the other three talk about behind their back.

And if you think that after the three souls plan this extravagant weekend that Mel is not going to show up, then look up in the sky! See that red cloud? The one shaped like an X? That’s for you!

Mel is a lot of things. A handful. A loudmouth. An ignoramus. But a fleshed out character is not one of them, as is the case with several others in the film. I will say, the film gets one thing right, and that is playing up the fact that Mel is definitely the annoying friend. And I know that because watching Fisher commit to unleashing the most over the top performance imaginable was like hearing nails on a chalkboard infused with rainbow dust. Fisher does not give the only overexaggerated performance in this film, but compared to everyone else, she is a cartoon.

It is actually kind of interesting watching Fisher play this annoying fourth wheel because that is what she is to the other women. I say this because when I think of the year’s most immersive films, I will inevitably think of something like “Project Hail Mary” or “The Odyssey,” but “Spa Weekend” turned out to pack in more immersion than I originally anticipated. I truly felt like I was at a hotel with some horny, loud chick whose mouth I would have liked to have duct taped just so I could relax. Just in the way that Mel ruined the spa weekend for the other three women, she also ruined the hour and a half I had to spend watching her on the big screen.

I am not going into “Spa Weekend” expecting to be changed as a person, but at least give me something that is funny. This movie could not even give me that. In fact, the funniest part of the film for me is one character who I would have liked to see more of, and that is Jane’s brother, who very much gives off “funcle” vibes. He is showing the kids “Pulp Fiction” and refuses to clean up dog poop that’s left inside the house. He does not give two squirts of urine about his laziness. In fact, he seems to embrace it. He only had a couple lines early on in the film, but they made me cackle. I would like to see a movie about this genius and shove the spa weekenders aside for a little bit. But only after about a minute of getting to see this “funcle,” the movie showcases about 80 to 90 minutes of gags that have most certainly been done before, and absolutely positively done ten times better.

The movie tries its best to fulfill the arcs of each of the characters, and in some ways, it is not awful. While I was not entertained with the journeys that this film takes its single moms, Jane and Coco, I do think their stories wind up being wrapped in a competent bow of sorts. As for the two women without children, I wish I had kinder things to say.

Sophie spends a portion of the film dealing with her less than stellar boss. He complains if even the tiniest thing does not go his way. Some of his complaints have to do with “second homes,” as well. As a premise, this sounds like a case where I can root for Sophie. At the beginning, that was the case. This boss was a spoiled brat.

But… As this arc progresses, we see Sophie do something that, quite frankly, is just as, if not twice as despicable, as some of the things her boss did to her.

I hate doing this in reviews, but I have to spoil something that happens in the movie. This may affect your experience should you watch this film down the line. You’ve been warned.

About two-thirds or so into the runtime, Sophie, who is now fired from her job, gets a call from her boss. He is calling because he forgot his password to get into his alternate home. Okay, sounds snobby, but still. Sophie takes this information, and declines to provide assistance all the while calling him a prick. Okay, she does not work for this person anymore. She is not being paid. She is not on the clock. Fine. That is technically true. But what is ALSO true, is that her boss was being attacked by dogs. As far as I am aware, these were not his dogs. It is not clear if they are someone’s pets, police dogs, or if they live in the wild. Nevertheless, he is being attacked by dogs. I do not care how much you hate your boss, or former boss for that matter. If they are in a situation where they are being attacked, my first instinct is not to tell them to screw off. For all I know, this boss could have died, and Sophie played a role in his murder! She is evil! As far as this film is concerned, Sophie is secretly the villain. She is a monster!

Some of you reading this have probably seen this movie. Then again, judging by the fact that this movie was outgrossed domestically on its opening weekend by a rerelease of “The Fast and the Furious,” a 25-year old film, I am not so sure. But for those who have seen this movie, you might say that I should stop taking this film so seriously and turn off my brain. Let me make something clear. I can enjoy dumb fun as long as that is exactly what it is. Dumb fun. This movie was just dumb. And it made me feel dumber for having watched it. Many of the characters, main and supporting, act like complete buffoons. On top of that, some of the main characters who the movie tells me I am supposed to like, I cannot even tolerate because they wind up doing questionable things. Every other so-called attempt at comedy in this film had me rolling my eyes, shaking my arms in question, or staring in dead silence. I thought “The Breadwinner” might have been the worst comedy of the year. But it has some competition.

In the end, “Spa Weekend” is an absolute travesty of a film that is about as lazy as a suburban dad on a Sunday in the fall. I had low expectations for “Spa Weekend,” and in some ways, they were met. I want to like every movie I go into. I was hoping “Spa Weekend” could have been the pleasant surprise of the year. But it wound up being the definition of an insufferable waste of time. Jon Lucas and Scott Moore are by no means untalented. Again, I love “The Hangover” and think it is a masterful film. But when it comes to making movies, not only do I think their batting average is not the best, but this film tanks it. “Spa Weekend” might be my least favorite film from them. I am having a tough time coming up with something I genuinely enjoyed in “Spa Weekend,” other than the “funcle” who shows up for a minute. It is not enough. I am going to give “Spa Weekend” a 1/10.

“Spa Weekend” is now playing in theaters. Tickets are available now.

Thanks for reading this review! If you have not done so already, be sure to check out the latest episode of Scene Before’s Movie Requests, it is an original series where I ask celebrities what movies they think I should watch, and I report my thoughts on those movies! The latest episode features actress Melissa Barrera, who requested I should watch “Roma.” To find out my thoughts, click the video above! If you enjoy the video, leave a like, subscribe to my YouTube channel, and hit the notification bell that way future videos will come into your feed as fast as possible!

My next review is going to be for “Coyote vs. Acme.” Stay tuned! Also coming soon, I will be sharing my thoughts on “Idiots” and “Don’t Move.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Spa Weekend?” What did you think about it? Or, what is the worst movie you have seen so far this year? Let me know down below! Scene Before is your click to the flicks!

Tony (2026): Marty Supreme for Foodies

Posted on 2 Days Ago by Jack Drees

“Tony” is directed by Matt Johnson (BlackBerry, Nirvana the Band the Show the Movie) and stars Dominic Sessa (The Holdovers, Oh. What. Fun), Emilia Jones (CODA, Task), Dagmara Domińczyk (Priscilla, The Lost Daughter), Rich Sommer (Fair Play, BlackBerry), Stavros Halkias (Let’s Start a Cult, Bugonia), Leo Woodall (One Day, The White Lotus), and Antonio Banderas (Shrek 2, Babygirl). This film is about a young Anthony Bourdain who is aspiring to be a writer. It follows Bourdain’s time in Provincetown, Massachusetts as he takes a job at a restaurant, tries to impress a girl, and covers up a big lie to his family.

For those who read this blog in 2023, you may know that one of the movies I massively enjoyed was “The Holdovers.” Not only has the film quickly become a must watch for me around the holidays, but it has the bonus of being shot minutes away from my house. “Tony” is not shot as close, but nevertheless in my home state of Massachusetts. One thing those films have in common – Dominic Sessa stars in both of them. Another thing both films have in common – I enjoyed them very much.

No matter where this movie was shot, it did not change the fact that I witnessed one of the year’s most compelling films. While this film can probably best be described as a coming of age drama, it has a little bit of everything in it. It has humor. It has grit. It has romance. This is the kind of film that I can honestly see appealing to many different demographics. Not only does it implement all of these elements from the getgo, but utilizes each one to their full potential.

“Tony” is basically “Marty Supreme” for foodies. For those who remember my review of “Marty Supreme,” you may recall that when I described Marty Mauser, I said he was “by no means a role model.” I did not necessarily mean that as a negative. In fact, the way that film fleshes Marty out only accentuated his complication. He is a bit of a jerk, but he comes off as palatable. Anthony Bourdain, or at least this film’s interpretation of him, is kind of in the same boat. He is young, has a remarkable drive, but also comes off as cocky. Depending on the situation, he is not the most pleasant person to be around. This is something that the late Anthony Bourdain himself seems to have acknowledged at a certain point in his life. As a matter of fact, when the film starts, there is a title card with a quote from Bourdain himself. In the quote, Bourdain says that he was a “spoiled, miserable, narcissistic, self-destructive and thoughtless young lout.” That specific quote is taken from his memoir, “Kitchen Confidential,” which also inspired this movie.

I love that the movie started with this quote. Not only is it a compelling quote by itself, but this perfectly set the tone for what’s to come. While there are people who fondly remember Bourdain following his 2018 death, the film in more ways than one portrays him as a bit of a whiner and egomaniac. Is he smart? Perhaps. Is he driven? Sure. But it does not change the fact that he does come off as an occasional moron. I think many of us, in one way or another, would look at our younger selves and ask what the heck were we thinking at that age. If anything, this film is a raw look at a Bourdain’s young adulthood where his character flaws come to show.

Despite being a Bay Stater and finding out “Tony” was set in Provincetown, that did not turn out to be the sole big draw for me. Another big draw for me was the casting of Dominic Sessa as Anthony Bourdain. This is not necessarily because I thought Sessa would make a good Anthony Bourdain. I know as much about Anthony Bourdain as I do about professional cornhole. I have seen both of those things once or twice on a television screen, but that is about it. Though maybe I should take that back a little bit, because Sessa, who just so happened to have a major role in “The Holdovers” prior to this movie, has proven his talents. He is a sensational young actor and I can see him following in the footsteps of the greats. He had plenty to work with in “The Holdovers” alongside Paul Giamatti and now he has this movie to essentially call his own.

Although at the same time Sessa’s dynamic with Antonio Banderas felt like a remix of his dynamic with Paul Giamatti. It’s a mentor-mentee relationship where both sides have their clear differences. It’s a cliche that works in both of these movies, and much like “The Holdovers,” what really holds this relationship together is the chemistry between both actors in addition to their individual performances, which, by the way, to my lack of surprise, Antonio Banderas does an excellent job in the film as Chef José Vatel. No notes.

Another actor I am happy to see in this film is Emilia Jones. While she has been in other projects since, like “The Running Man,” I still adore Jones for her lead outing in “CODA.” That movie is so riveting. While Jones plays a supporting role as Nancy, Bourdain’s crush, instead of a leading role, she is still fun to watch on screen. She and Bourdain tend to have a rocky connection as characters sometimes, and both Jones and Sessa do a great job at capturing said rockiness.

Random segway, one of the best movies I watched over the years is “Chef.” I love the story, the characters, the performances… Everything about it. But one of my favorite things about the film is the fact that the food looked so good that it made me hungry. For the record, the food in “Tony” is not as good-looking as “Chef,” but it is still quite appetizing. I love a good restaurant that serves nothing but their interpretation of the American basics. When I saw the camera angle on the french fries in this film, I wanted to leap into the screen and take one for myself. This is one of those films that makes me want to go to a restaurant and soak in the atmosphere. Not necessarily a nice restaurant. In fact, regarding the eatery where Bourdain works, Nancy even refers to its cuisine as junk food at a particular point of the film. Look, the food may be unhealthy, but it does not mean the it looks off-putting. In fact, it is quite the opposite. This film’s food sometimes makes me want to chuck my popcorn towards the screen, dash out of the auditorium, and indulge in some hand-cut fries.

In the end, “Tony” impressed me. It is hard to come up with any flaws that I have with “Tony.” The film is perfectly paced, engaging, and as I said before, it has a fine balance in multiple genres. It has some cliches that you might see in coming of age stories like this, but cliches do not really break a movie if they work, and the cliches seem to work here. I cannot recommend this movie enough. I went into “Tony” mainly because it was new and I wanted to pay off my AMC A-List subscription for the month, I stayed because how much this film sucked me in. Oh, and it made me hungry. I want french fries! I am going to give “Tony” a 9/10.

“Tony” is now playing in theaters. Tickets are available now!

Thanks for reading this review! If you have not done so already, please be sure to check out the latest episode of the Scene Before original series, Movie Requests, which features actress Melissa Barrera! In this episode, she recommends the movie “Roma.” Click the video to find out my thoughts! And if you enjoy the video, remember to leave a like, subscribe to my YouTube channel, and click the notification bell if you want to see more episodes of Movie Requests coming soon!

My next review is going to be for “Spa Weekend.” Stay tuned! Also coming soon, I will be sharing my thoughts on “Coyote vs. Acme,” “Idiots,” and “Don’t Move.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Tony?” What did you think about it? Or, in the spirit of “Marty Supreme,” have you seen that movie? Tell me your thoughts on it if you have seen it! Scene Before is your click to the flicks!

Cookie Queens (2026): An Empowering, Adorable Showcase of Tomorrow’s Entrepreneurs

Posted on 10 Days Ago by Jack Drees

“Cookie Queens” is directed by Alysa Nahmias (Unfinished Spaces, Wildcat) and is a documentary about Girl Scouts from varying walks of life all trying to reach their goals while selling the organization’s cookies.

Truth be told, I do not recall ever having a Girl Scout Cookie. That is despite having a younger sister in my household who was a Girl Scout herself. I was more of an Oreo guy growing up. Give me Double Stuf or give me death. Even as someone who is not much of a Girl Scout Cookie enthusiast, I found myself interested in “Cookie Queens,” as its trailer did an effective job at presenting something that was likely going to dive into the organization’s members’ business tactics of upselling while also presenting an adorable story about these young ladies finding their way as entrepreneurs.

To be honest, “Cookie Queens” surprised me. Well, not entirely. I went into this film expecting to enjoy it, which for the record, I certainly did. “Cookie Queens” by all means a delight that I think would make a great watch for families, especially for ones with young girls. After all, this is a film about young girls who are likely to serve as positive role models. I am not surprised by any of what I am saying, but what did surprise me was this film’s range in its cast.

I was expecting all of the Girl Scouts to be like one another in terms of their ambitions. While all the Girl Scouts establish personal ambitions during the film, I was moved to see that it did not solely focus on girls who were trying to sell thousands of cookie boxes in a season. Not to say that is not interesting, but I think much like the different flavor options Girl Scouts sells through their cookie brand, a little variety goes a long way.

The movie revolves around four Scouts in particular. One of those girls is named Ara, who struggles with diabetes and maintains a positive attitude the entire time she is on screen. While Ara has a set number of cookies she would like to sell, she is much more humble when it comes to what she wants to achieve as a salesperson. In fact, while some of the other Scouts are vying to go on big trips, Ara just wants to get stronger and be able to pull a wagon around without feeling the need to pass out. Ara seems to care about the little things compared to everyone else.

On the other side of the coin, you have Nikki, Olive, and Shannon Elizabeth…

No, this is not an “American Pie” spinoff. Get that out of your heads, you perverts.

Nikki wants to follow in her sister’s footsteps. Her sister was a Girl Scout who sold enough cookies and took a trip to Europe. She wants to go there as well. There’s Olive, who comes to find that no number is too high for her to try to achieve when it comes to her sales. As for Shannon Elizabeth, she wants to sell enough cookies to win a free summer camp.

What really brings this documentary home is how much it channels the stress of everyone involved in the process of selling Girl Scout cookies. Sure, the film occasionally shows the customers in some cases paying a little more for the cookies than they anticipated, but for those selling these cookies, this is not entirely fun and games. These young girls are taking time out of their day, going outside to wherever spot is most appropriate all in the hopes of making enough money to hit their goals. Not everyone associates being young with hard work. Youth is a time for play, all while growing into someone who will likely worry about hard work later in life. But that is not the case for the four girls who make up the main cast.

Not to mention, their families have to buy the cookies in advance, so that is money out the window, which makes it all the more stressful if only a certain amount of cookies end up selling by the season’s end. The documentary primarily revolves around young girls, but this is the part of the film that I would find many adults relating to or appreciating the most, especially as prices for everything continue to go up.

And for these young girls, selling cookies is not the only thing keeping them busy. For example, Shannon Elizabeth is also into karate. In fact, she implements her enthusiasm for martial arts into her cookie sales. Perhaps the funniest part of the film’s trailer features Shannon on a vertical video advertising herself as a Cookie Ninja, and telling her audience to “buy cookies, or else,” while wearing martial arts-appropriate clothing.

If I had any complaints about “Cookie Queens,” it would probably be that this film sometimes plays out like a scripted reality show. There are certain moments that feel somewhat fabricated, set up, or overdone, which are not the first terms I would expect to use when describing a documentary about young girls selling cookies.

Does this feel like a Girl Scouts commercial? I can see why someone says it is, but given how much the film dives into the downsides of selling cookies, I think the film is balanced enough to the point where it also critiques the organization. I said before the film features positive role models, but I also think that if some girls follow in their footsteps, they might find themselves under similar stress to the girls on screen. Yet there is also a saying that great risk means great reward, and this film shows that is possible with its main quartet.

On a more personal note, I do not know if this film is going to have any replay value for me down the line. Maybe it is because I am not the direct target audience. I was never a Girl Scout. I am a straight white male who does not eat Girl Scout Cookies. Yet let it be known that you do not need any attachment to the Girl Scouts organization or like Girl Scout Cookies to enjoy this movie. “Cookie Queens” is sometimes adorable, other times serious, and all times admirable.

In the end, “Cookie Queens” is a cute watch. Is it the greatest, most riveting documentary ever? No. But even though it is cute, it reminds its viewers that selling cookies is not always cuddly. Sure, some of it comes off as scripted, but even some of the more scripted moments offer entertainment value. The main cast is charming and likable, and I think the film could inspire young girls to dream big. I am going to give “Cookie Queens” a 7/10.

“Cookie Queens” is now playing in theatres. Tickets are available now.

Thanks for reading this review! As a reminder, the next episode of Scene Before’s Movie Requests is dropping Monday September 7th and it is going to feature actress Melissa Barrera! What film do you think this “Abigail” star suggested I should watch? Find out Monday here on Flicknerd.com and YouTube! Please subscribe to my channel if you have not done so already! And while you are at it, check out the preview above!

My next review is going to be for “Tony!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Spa Weekend,” “Coyote vs. Acme,” and “Idiots.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Cookie Queens?” What did you think about it? Or, what is your favorite Girl Scout Cookie? Let me know down below! Scene Before is your click to the flicks!

The Invite (2026): Olivia Wilde Swings for the Fences On and Off Camera in This Intimate, Fun Dramedy

Posted on 12 Days Ago by Jack Drees

“The Invite” is directed by Olivia Wilde (Booksmart, Don’t Worry Darling) who also stars in the film as Angela. Joining her is Seth Rogen (Sausage Party, The Super Mario Bros. Movie), Penélope Cruz (Pirates of the Caribbean: On Stranger Tides, Ferrari), and Edward Norton (The Incredible Hulk, American History X). This film is about a couple in a declining marriage who decide to invite their neighbors over for dinner, only for the night to go in an unexpected direction.

Olivia Wilde is one of those Hollywood insiders I respect, but I sometimes forget just how much of a footprint she has in the industry. When I found out about her directorial debut, “Booksmart,” in 2019, I was excited to see what skills she could bring behind the camera. And while I thought the film was not my favorite of the year, I found some parts quite funny, and the two leads were excellent.

Then came “Don’t Worry Darling…” It is a film that has quite a bit going for it in the first couple of acts, but topples like a house of cards by its conclusion. It was a frustrating film to watch, despite a sometimes great performance from Florence Pugh. It was not the worst film of 2022, but it nearly turned me off of seeing “The Invite,” a film that I wound up watching after hearing positive word of mouth.

I am proud to say that not only did I enjoy “The Invite,” but it is Olivia Wilde’s best directorial effort yet. It is a film that showcases a married couple’s drama as both sides do their best to play things cool in front of their neighbors. This is also perhaps Wilde’s most grounded film yet, even if it does involve a series of extreme scenarios faced by several characters.

While Olivia Wilde seems to be growing as a director, she has spent most of her career as an actress, and therefore it is no surprise that the performances in “The Invite” are perhaps the highlight of the film. Some highlights are shown through the sometimes funny, other times riveting relationship between Joe and Angela. Seth Rogen plays the former while the latter is played by Wilde herself. The cast in this film is quite small. The movie revolves around four characters and for the most part, is set in one location. The other two characters, Piña and Hawk, are played by Penélope Cruz and Edward Norton. What the film lacks in quantity it most certainly has in quality, which is by no means a bad thing.

The story is quite digestible, moves at a steady pace, and it is easy to buy each of the characters as individuals and as members of their particular relationships. Each actor plays off each other incredibly well and it also helps that they have such remarkable material to work with.

The more I reflect on the film, I do not necessarily think the story has one character that is a true protagonist or antagonist. The film feels more like an exciting game of two equally balanced teams or players. Each one has their strengths and weaknesses, and the movie finds a way to make you root for or appreciate each character in the cast.

Despite being a drama and mostly about a couple’s failing marriage, the film is surprisingly funny. I should not be that surprised considering how Rogen has a knack for comedy on camera, and Wilde has experience with directing good comedy through “Booksmart,” but comedy is all about timing, and it could not be better when it comes to how everything is executed in “The Invite.”

Speaking of timing, this is a film that truly takes its time. There is not a single scene that feels rushed, even if the characters find themselves in a fast-paced situation. “The Invite” does a phenomenal job at hinting at each character’s motivation and taking advantage of those motivations in future scenes. Plot-wise, this film starts as one thing and almost becomes something else entirely. I would not call “The Invite” the twistiest film of all time. In fact, I had a slight idea as to where things would go given how I have heard other viewers talk about the film’s vibe before I had a chance to check it out. But the film starts off as a conversational dramedy and morphs into something more complex and nearly bonkers. And while, again, this is not the twistiest movie I have ever seen, this film marks an improvement from Olivia Wilde’s last movie, “Don’t Worry Darling.” That film, much like this most recent one, was not written by Wilde. But when it comes to the films Wilde helmed, “Don’t Worry Darling” had a gargantuan twist, but bigger does not always mean better. If anything, it made that movie fall off a cliff. While “The Invite” definitely heightens its reality in the second half, it stays fairly consistent with the film’s grounded nature, and it is all thanks to a particular reveal that I will let you see for yourself.

Although it should be noted, while Will McCormick and Rashida Jones did in fact craft one of the best screenplays of the year, it is not an original idea, as this film is inspired by a 2020 Spanish picture called “The People Upstairs.” I have not seen that movie, nor have I heard of it prior to watching “The Invite,” but if anything, this film serves as the greatest piece of marketing “The People Upstairs” could ask for. “The Invite” serves as a piece of marketing to its predecessor in the same way that “The Departed,” a 2006 Hollywood film, was arguably the greatest piece of marketing for the 2002 Hong Kong film “Infernal Affairs.” “The Departed” was not only nominated for multiple Academy Awards, it won Best Picture. “Infernal Affairs” had less relevance in the United States, much like “The People Upstairs,” so it is no surprise that the Academy did not recognize either film. But I have a strong feeling that “The Invite” will be recognized for sure. Based on its top notch direction by Olivia Wilde, brilliant writing by McCormick and Jones, smart editing choices by Yorgos Mavropsaridis and Anthony Boys, and excellent performances by the four actors who command the screen in each scene, “The Invite” is one of the year’s finest movies.

In the end, “The Invite” is Olivia Wilde’s best work so far as a director. There is a saying that you are only as good as your last project, and that made me somewhat hesitant to check out this movie as I was not exactly fond of Wilde’s previous outing, “Don’t Worry Darling.” But not only is her latest film a vast improvement as far as I am concerned, but it makes me look forward to what she has up her sleeve next. This film is proof that big things come in small packages. The cast may be tiny, but the story packs a punch. Do not miss this one. I am going to give “The Invite” an 8/10.

“The Invite” is now playing in theaters and it is also available to rent or buy on VOD.

Thanks for reading this review! I am happy to announce that the next episode of Movie Requests officially drops Monday September 7th and it is going to feature Melissa Barrera! You may know her from movies like “Abigail” and “Your Monster,” as well as shows like “The Copenhagen Test” and “Keep Breathing.” You can also catch her on Broadway in the musical comedy “Titanique,” which I have seen twice and find to be an utter riot. Check out the episode when it drops Monday September 7th here on Flicknerd.com and YouTube! If you want to see the episode as soon as possible, please subscribe to my YouTube channel!

Also, be sure to check out my most recent episode of “Movie Requests,” featuring Amy Sedaris! In this episode, I talk about two of her favorite films, “The Elephant Man” and “Babe!” What did I think of them? Watch the video to find out.

My next review is going to be for “Cookie Queens!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Tony,” “Spa Weekend,” “Coyote vs. Acme,” and “Idiots.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Invite?” What did you think about it? Or, what is a movie featuring a small cast that you enjoyed recently? Let me know down below! Scene Before is your click to the flicks!

I Want Your Sex (2026): A Wilde, Sexy Ride

Posted on 19 Days Ago by Jack Drees

“I Want Your Sex” is directed by Gregg Araki (13 Reasons Why, Now Apocalypse) and stars Olivia Wilde (Don’t Worry Darling, Tron: Legacy), Cooper Hoffman (The Long Walk, Licorice Pizza), Mason Gooding (Ballers, Love, Victor), Chase Sui Wonders (The Studio, Generation), Johnny Knoxville (Jackass, Action Point), Margaret Cho (30 Rock, All American Girl), Roxane Mesquida (Now Apocalypse, Gossip Girl), Charli XCX (The Moment, UglyDolls), and Daveed Diggs (Black-ish, The Boys). This film is about a man named Elliot who takes a job at a company specializing in erotic art. Soon after taking said job, he finds himself in a sexual relationship with his boss.

Sex sells. End of story. Well, unless your sex-centric movie comes out against “Spider-Man,” then that’s a different conversation entirely. As Tom Holland, Zendaya, and Jon Bernthal continue their box office domination with “Spider-Man: Brand New Day,” released just two weeks after their smash hit “The Odyssey,” a significantly smaller title is getting, unsurprisingly, nowhere near as much spotlight. That movie being “I Want Your Sex.”

The concept of this film is intriguing, as it places a 23 year old man with a much more experienced woman in a series of sexual situations. The kicker to this, the 23 year old man just so happens to be working for said woman at, amazingly enough, a company dedicated to erotic art.

Couple things to note… First off, my family does read this blog, and I have no problem with them knowing that I very much enjoyed this raunchy, sexy movie. I would like to shoutout one cool aunt who was confused as to why I recommended “Anora,” which she deemed “pornagraphic.” Auntie… That’s tame compared to what “I Want Your Sex” has to offer. You’ve been warned. Now for all the sick human beings who have not clicked away from this review, you are in for a good time.

The best thing about this movie is the cast, not necessarily because of anyone’s star status, although it does contain a few recognizable names including Cooper Hoffman and Olivia Wilde, whose chemistry together is electric. For those who have followed me for a while, you may be aware that I was not the biggest fan of another film in which Hoffaman stars, “Licorice Pizza.” It is not entirely his fault the movie did not work for me, Hoffman played his part as he was instructed to do so. But the dynamic between Hoffman and Wilde in this latest film reminded me a bit of the dynamic the former had with Alana Haim in “Licorice Pizza.” This is yet another case of a much younger man having feelings of some sort for a woman much older than him. While the relationship in “Licorice Pizza” felt uncomfortable, I actually found quite a bit of enjoyment in what “I Want Your Sex” had to offer. Partially because one, the relationship is… Well, legal… Also, whereas I found Hoffman’s character in “Licorice Pizza” to be a pervy creep, I found myself occasionally sympathizing with the one he plays in “I Want Your Sex…”

As for the opposite end of the dynamic, Olivia Wilde, she is a knockout. Erika is packed with all kinds of range. Every once in a while you can see Wilde portraying her as a stern conversationalist. Sometimes she enters boss mode. Other times she gloriously loses her temper. And then there are those moments where her actions speak louder than her words. Every scene between Erika and Elliot had my eyes glued to the screen because I genuinely had no idea where things were going to go with them at certain points. This movie is a rather unpredictable ride.

The surprise star of the film… Charlie XCX. I never cared for her music, but even I must admit that she is brilliant here. On top of everything that is going on between Hoffman and Wilde, the former also just so happens to be in a relationship with XCX’s character of Minerva. One would think that my favorite sex-centric moment of the movie is between Hoffman and Wilde, but it is actually between the former and Charlie XCX, because it says a lot about where both characters were in the relationship and further tapped into Hoffman’s sexual tendencies. The scene perfectly establishes Hoffman’s need for sex in order to stay sane, as opposed to Charlie XCX, who clearly could not give two craps about it in addition to the relationship itself. Of all the characters in the film, Charlie XCX’s seems to be the least expressive, perhaps on purpose. I have no problem with it. The character works.

On top of the awkward intimate moments shared between Minerva and Elliot, the film occasionally has a hint or two that highlights how, let’s just say, important sex is to the latter. Elliot’s roommate, Apple (Wonders), asks him if he has ever faked an orgasm, to which he responds, “Well, I’m a guy, so…” It also puts a spotlight on unrealistic standards people seem to have for sex, especially when one is so often exposed to it in parts of their daily life outside of the actual activity.

If anything, the film is a love letter to, and at the same time, a parody of Gen Z, which I happen to be a part of. There is a lot of media coverage suggesting that some members of this generation do not exactly have a complete interest in sex, or have fears about engaging in said activity. Granted some of these people are younger, so sex is probably not something they want to think about. But others, like myself, are in their twenties, which some would stereotype as a time where sex winds up playing some kind of role in one’s life.

At the same time, I wonder how accessible this film will wind up being to my generation, considering how part of said media coverage on Gen Z suggests they want to see less sex in film and television. That said, this film has a lot of sex, and just about every scene ends up contributing to the story in some way.

But this film is a lot more than just sex. It is often quite funny and dramatic. The film, in addition to being about a May-December sexual relationship, also interweaves an intriguing part of the story having to do with the Los Angeles art gallery scene. There is never a boring moment in “I Want Your Sex,” which if there were, would be shocking, as the film is only 90 minutes. Is this the best film I have seen this year? No. But in terms of pacing and messaging, it is top-notch. This is my first Gregg Araki film, and I can say I am a new fan. He has a knack for brisk storytelling. I would love to see him helm another feature down the line.

In the end, “I Want Your Sex” is wildly entertaining. The film combines comedy, drama, romance, and blends everything together in a neat package. This is not a film for everyone. It is also one that should be watched only with certain individuals. But it was certainly a film for me. Olivia Wilde and Cooper Hoffman have incredible chemistry as the leads, and the film’s supporting cast members are also by every means an asset to the production. I am not the biggest Charli XCX guy, but even I was surprised with her performance as Minerva. She was perfect. I am going to give “I Want Your Sex” a 7/10.

“I Want Your Sex” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! For those new here to Scene Before, in addition to written reviews, I also have recently been doing video reviews! Be sure to check out my latest episode of Movie Requests, the original series where I ask celebrities what movies they think I should talk about, and give my official thoughts! My latest episode features the very funny Amy Sedaris, who suggests I should review two of her favorite movies, “The Elephant Man” and “Babe.” To find out if I liked these movies as much as her, click the video above! And if you enjoy the video, please leave a like and subscribe to my YouTube channel. I have more episodes coming featuring celebrities including Adam Conover, Rosario Dawson, Joe Gatto, Michael Rooker, and Tessa Thompson,. The next episode, which will be released on a future undetermined date, will feature Melissa Barrera (Abigail, In the Heights). Be sure to look out for that when it drops!

My next review is going to be for “The Invite!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Cookie Queens,” “Tony,” “Spa Weekend,” and “Coyote vs. Acme.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “I Want Your Sex?” What did you think about it? Or, what is your favorite film that you would think twice before watching with your family? Let me know down below! Scene Before is your click to the flicks!

Haunted Heist (2025): Lil Rel Howrey’s Middle of the Road Directorial Debut Has Good Ideas, Funny Jokes, But an Underwhelming Climax

Posted on 29 Days Ago by Jack Drees

“Haunted Heist” is directed by Lil Rel Howrey (Uncle Drew, Judas and the Black Messiah), who also stars in the film alongside Tiffany Haddish (Night School, Girls Trip). This is also Lil Rel Howrey’s directorial debut. The film is about four estranged friends who reunite at a strange house. As one of these friends plans to rob an antique from the house, its ghosts force the friends to overcome their differences to survive.

We need more comedies in theaters. This is an imperative you are likely going to hear on this blog for who knows how long. It is not to say that there are no funny movies at all, it is just that most of the comedy found in today’s films come from projects that are not necessarily comedies. While “Haunted Heist” is not a pure comedy, it is still more of a comedy than most of the movies hitting cinemas. In fact, “Haunted Heist” features several people known for their comedic talents, including Lil Rel Howrey, who also serves as the film’s director.

This is not the first time in recent years we have seen people known for comedy diving into horror. Jordan Peele took a dive into the genre with “Get Out” in 2017, which won him an Academy Award for Best Original Screenplay. That said, “Haunted Heist” is no “Get Out.” And I am certain the people making this movie acknowledge that. They know that this is not going to win any Academy Awards, but it does not mean the film is not entertaining. It contains a likable cast of characters who play off each other fairly well. The film is simple in premise, characterization, and for the most part, is all killer, no filler. It is not overly gory, but it can deliver on creeps and laughs at the same time.

This is a good, but not fantastic movie. It is one that I felt never once wasted a second of my time. It would have been shocking for me to feel that this movie wasted my time, especially considering the film’s runtime clocks in just under an hour and a half. This is a quick, easy, fairly mindless, fun watch. It does not insult anyone’s intelligence, but it also never breaks new ground. The scares are not exactly revolutionary, but they work from time to time. In fact, despite this movie having “haunted” in the title, I think the film’s comedy elements are slightly better than its horror elements. Whether or not this is a sign that you should see the movie is up to you. As previously highlighted, the cast contains a lot of people who are primarily known for comedy. Lil Rel Howrey… Tiffany Haddish… Andrew Bachelor… By the way, if you have never seen Bachelor do standup, do yourself a favor and find out if you can catch him at a show near you. I saw Jo Koy do standup in Portland, Maine, and Bachelor, or “King Bach” as he’s known on stage, opened for him. I split my sides from laughing so hard. Is he as hilarious on screen as he was on stage? Not quite, but he was still pretty funny. If anything, it is more of a matter of the material given to him as opposed to his presence. King Bach has a likable presence in this film, as do the other cast members, including the villains, who are undoubtedly two of the most racist characters in any movie I will probably end up watching this year. I am not complaining, these are the antagonists. If anything, as far as “bad guys” go, these characters were a perfect fit.

Despite what I just said, the film manages to deliver plenty of laughs, and I am not going to pretend I remember each and every one, but if I had to name a favorite joke in the movie, it is one involving a white person defending themselves for using the n-word. Although technically it is not so much the white person’s defense that’s funny, but rather a black person’s reaction to their use of the word. Between the timing of the dialogue, the shot selection, and the way everything was edited together, it was perfect. No notes. I am not going to spoil the whole joke. In fact, it is more complicated than it sounds.

The movie does have some problems, including the lighting. I get that much of this movie is set in a haunted house at night, and as a result, the movie is going to look a bit dark. There are some scenes that were a little too dark to the point where certain details felt underemphasized.

I also am not the biggest fan of the climax. Not that I thought the climax was the worst thing I had ever seen, but it felt a bit underwhelming, as if it were promising something bigger that we never got. The story did not conclude on the most satisfying of notes. While this film is well-paced, partially because of its quick and easy runtime, part of me is willing to argue that this film is a smidge too fast. If anything, it would have probably benefited from a slightly longer runtime just so the climax could aim a bit higher. You know how some people watch certain comic book movies and think the climax looks messy due to its sheer scale? This feels like the exact opposite. This is too small.

Another unique thing about this movie’s storytelling is that there does not appear to be a standout character. The film does in a sense put Ron (Howrey) and Shari (Haddish) at the forefront to the point where their characters are more fleshed out than the others, but the screenplay appears to give a nearly equal amount of time to each of the four friends so they can all have their moment. It balances out the cast to a degree, which is good, but it also keeps the characters from being a favorite or a least favorite of mine, which depending on how you look at the situation, could be a good thing or bad thing.

That may as well be a perfect excuse to segway into the fact that this movie kisses the line between good and bad. There are quite a few things I like about the movie, but also a nearly equal amount of things that I do not. But I am not going to pretend that at any point that this movie made me jump for joy or make me want to jab out my eyeballs. “Haunted Heist” is… Fine… Let’s go with that.

In the end, “Haunted Heist” is fun and energetic, but only to a certain degree. To my lack of surprise, the movie comes with some funny moments. But even though it has “haunted” in the title, I very rarely felt any sense of genuine terror or fear throughout the film. There are no scares that come to mind that I despise. Some tend to work. But I would be lying if I said the film made my skin crawl. Once again, this film is the directorial debut of Lil Rel Howrey. This is not the best debut, but I would not mind seeing another comedy done from his point of view. In a world where comedy and horror tend to be all about timing, the comedy was better-timed than the horror. This movie could have been better, but it nevertheless gets a thumbs up from me overall. I am going to give “Haunted Heist” a 6/10.

“Haunted Heist” is now available to rent or buy on VOD.

Thanks for reading this review! As a reminder, the next episode of the Scene Before original series, Movie Requests, is dropping on Sunday, August 23rd, and it is going to feature Amy Sedaris! You may know Sedaris from many projects including “Strangers with Candy,” “The Mandalorian,” “Elf,” and “At Home with Amy Sedaris,” the last of which is a show I highly recommend if you are able to watch it. It is one of the funniest things ever. The episode will be available to watch on Flicknerd.com and on my YouTube channel. Also, please subscribe to the channel and hit the notification bell so you can see the episode as soon as it drops!

My next review is going to be for “Spider-Man: Brand New Day!” Stay tuned! Also coming soon, I will be sharing my thoughts on “I Want Your Sex,” “The Invite,” and “Cookie Queens.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Haunted Heist?” What did you think about it? Or, what is a movie you enjoy that you find to be scary and funny? For me, this is easy. “Ready or Not” and “Ready or Not 2: Here I Come” are two bonkers, spectacularly written horror-comedies. Go check them out if you ever get a chance. Scene Before is your click to the flicks!

Gail Daughtry and the Celebrity Sex Pass (2026): The Wizard of Oz Meets Hall Pass Meets The Guardians of the Galaxy Holiday Special

Posted on August 9 by Jack Drees

“Gail Daughtry and the Celebrity Sex Pass” is directed by David Wain (Wet Hot American Summer, Role Models) and stars Zoey Deutch (Zombieland: Double Tap, Juror No. 2), John Slattery (Mad Men, Spotlight), Ken Marino (Wet Hot American Summer, Burning Love), Miles Gutierrez-Riley (The Wilds, Agatha All Along), Ben Wang (Karate Kid: Legends, American Born Chinese), Sabrina Impacciatore (The Paper, The White Lotus), and Jon Hamm (Mad Men, Keeping Up with the Joneses). This film follows Gail Daughtry, whose husband-to-be winds up having sex with his celebrity hall pass. Once Gail comes to this realization, she realizes there is only one appropriate action to get even… To seek out her celebrity hall pass, Jon Hamm, and have sex with him.

There is a saying that sex sells. Well, unless your sex-centric movie is coming out the same weekend as a highly unnecessary “Moana” remake. Granted, “Moana,” as of this writing, barely made its budget back, so I guess it is not doing as hot as Disney expected. Either way, as I ventured on my quest to avoid the much unneeded “Moana” reimagination, one movie that caught my eye was “Gail Daughtry and the Celebrity Sex Pass.” One vision I often have as a potential screenplay but have never been fully able to put together is the idea of someone hooking up with a real life celebrity crush. When I discovered there was a comedy coming out about a woman trying to sleep with Jon Hamm, I knew I had to be there opening weekend.

I am glad to say that “Gail Daughtry and the Celebrity Sex Pass” is not just good, but one of the funniest movies I have seen in some time. I saw this film on its opening weekend at my local multiplex. I was the only person in the 35 seat auditorium. Yes, 35… The room is as small as Rhode Island. It makes me kind of sad that no one showed up to support this movie. But it was also a blessing in disguise, as it allowed me to laugh as hard as humanly possible due to no one else being in sight. And believe me, this movie is full of laughs.

This is “The Wizard of Oz” meets “Hall Pass” meets “The Guardians of the Galaxy Holiday Special.” No, seriously, if you have seen part of that last example, there is an important point in the story that is vastly similar to that Disney+ original. No, Kevin Bacon is not in this movie. I sincerely Apollo-gize to the 13 people who give a crap.

Another film this reminds me of is “Happy Gilmore 2.” And by that I mean, this film feels like a significantly more watchable version of it. When I watched the long-awaited, gargantuanly inferior sequel to Adam Sandler’s classic, one thing that stood out to me is how many cameos the film had. I remember one or two being funny. I particularly like the Ken Jennings one towards the beginning. But the film as a whole wound up coming off as an excuse to shove in as many recognizable faces as humanly possible to the point where it superseded the importance of the story. It was almost overwhelming. There are plenty of prominent celebrity appearances in “Gail Daughtry and the Celebrity Sex Pass,” but quite a few of them effectively contribute to the story. There is one scene involving “Weird Al” Yankovic that had me in stitches. Look forward to it.

In today’s world of remakes, “The Wizard of Oz” is a film that I am both shocked and delighted has not been redone as a major release. “Gail Daughtry and the Celebrity Sex Pass” is one of the closest examples that comes to mind of the 1939 movie becoming reimagined for today’s generation. For instance, this film starts in a typical 16:9 ratio one would normally find on a flat-screen TV. But as soon as Gail arrives in Los Angeles, it changes to scope widescreen. Kind of like how the picture changed from black and white to color in “The Wizard of Oz.”

“Gail Daughtry and the Celebrity Sex Pass” puts a modern twist on the classic hero’s journey that Dorothy takes in “The Wizard of Oz.” However, instead of going from Kansas to a fantasyland, this film’s protagonist flies from Kansas to Los Angeles to fulfill her destiny. One that is undoubtedly much more twisted. …Okay, maybe not, there are no twisters in this movie. During her travels, she meets all kinds of characters along the way, each one dealing with their own hardships. There is Caleb (Ben Wang), who works for the Creative Arts Agency and runs into a complication with said job. There is Vincent (Ken Marino), a former paparazzo who has made it his life’s mission to photograph Jon Hamm himself. There is also Jon Slattery. Yes, that one – whose lack of a social life with Jon Hamm after “Mad Men” quickly becomes evident.

Of course, this movie also features Jon Hamm as himself. I thought the way they used him was perfect, and once again, going back to “The Wizard of Oz,” reminded me a lot of a particular character from that film. One person standing in the way between our heroes and Hamm is Terrance (Tobie Windham), a security guard who repeatedly threatens the group saying he is going to make them sick. Windham is good enough in Terrance’s shoes to the point I honestly cannot imagine anyone else in this minor role. Maybe except Craig Robinson, because when the character first showed up on screen, that is who I thought was playing him for some reason.

This movie feels like a breath of fresh air after having to sit through “The Breadwinner” weeks prior. In fact, one of my complaints about that movie is how much it felt like a commercial. There is no shortage of recognizable brands in this film, but they are used in smart ways. There is a scene where we see Gail and Otto arrive at a hotel in Los Angeles. What follows is a moment that made me die laughing based on what I knew about the Los Angeles tourist scene. I will not give much away, but it involves prominent brands like McDonalds, Starbucks, and Foot Locker.

“Gail Daughtry and the Celebrity Sex Pass” has so much fun with its perhaps unlikely premise. Much like “Bottoms” did a few years ago, “Gail Daughtry and the Celebrity Sex Pass” successfully managed to make me believe the unbelievable. The film requires quite a bit of suspension of disbelief, but I found myself completely immersed in what this picture had to offer. Everything from the horned-up premise to the over the top antagonist played with excellence by Sabrina Impaccitore to the celebrities getting involved in the story to the hilarious screenplay that sometimes addresses the most minor details in gutbusting ways.

In the end, “Gail Daughtry and the Celebrity Sex Pass” is one of the funniest movies of the past couple years. I may have a bias as this film constantly makes fun of the entertainment industry and Los Angeles, two concepts I hold deep in my heart. Yet at its core, “Gail Daughtry and the Celebrity Sex Pass” is an action-packed adventure that sees someone trying to realize a fantasy that I imagine everyone wants to fulfill at some point in their lives. In 1939, “The Wizard of Oz” showed the world that there is no place like home. Fast forward to 2026, “Gail Daughtry and the Celebrity Sex Pass” showed the world that there is no place like Jon Hamm’s bed. I am going to give “Gail Daughtry and the Celebrity Sex Pass” an 8/10.

“Gail Daughtry and the Celebrity Sex Pass” is now playing in theaters. Tickets are available now.

Thanks for reading this review! In case you missed it, last Sunday, I dropped the newest episode of the Scene Before original series, “Movie Requests!” This newest episode features “Lord of the Rings” star Elijah Wood, who suggested I should watch “Festen,” also known as “The Celebration!” To find out my thoughts, click the video above! Also, if you enjoy the video, leave a like and subscribe to my YouTube channel, that way you can check out new episodes of the series as soon as they drop!

My next review is going to be for “The Odyssey!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Her Private Hell,” “Haunted Heist,” “Spider-Man: Brand New Day,” “I Want Your Sex,” and “The Invite.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Gail Daughtry and the Celebrity Sex Pass?” What did you think about it? Or… Let’s be honest… Who’s your celebrity crush? Just say it! They might be listening and will likely decide right on the spot whether or not they are willing to accept your nonsensical desires. You miss 100% of the shots you don’t take! So, Ana de Armas, if you are reading this, I am single. Would you like to go grab an ice cream sometime? Your move. Scene Before is your click to the flicks!

Maddie’s Secret (2025): John Early Cooks Up Something Good

Posted on August 7 by Jack Drees

“Maddie’s Secret” is the feature length directorial debut of comedian John Early (Search Party, DC League of Super Pets), who also wrote the film himself, and stars as its title character. The cast also includes Kate Berlant (The Moment, A League of Their Own), Eric Rahill (The Paper, Let’s Start a Cult), Kristen Johnston (3rd Rock from the Sun, The Exes), Claudia O’Doherty (Love, Killing It), Conner O’Malley (I Saw the TV Glow, Rap World), Vanessa Bayer (Saturday Night Live, I Love That for You), and Chris Bauer (The Deuce, The Wire). This film is about a woman who is struggling with bulimia while also trying deal with her friendships, her past, and online fame due to her presence on a cooking program.

It is only appropriate that “Maddie’s Secret” goes by its particular title, because the film itself feels like a secret. Upon its release more than a month ago, “Maddie’s Secret” happened to only play in select locations, including the Boston area. As the movie happened to be playing near me, I thought I would check it out. After all, I have heard decent things about it, and I had no interest in seeing the new “Minions” movie.

“Maddie’s Secret” is no longer just a secret, it is a hidden gem. This movie rocks. If someone were to describe “Maddie’s Secret” to me on the spot and I had no idea what it was, part of me would assume that this film is not for me. Heck, even the name sounds like a straight to DVD title found in the middle of Walmart or a trashy Lifetime original. Do not judge this book by its cover.

This film stars John Early. When I was watching the opening credits, I was a tad confused, as I thought this film was about a woman, and yet a man is playing the lead. Turns out both of those things are true. Having watched enough “Saturday Night Live,” I cannot say that this is the first time I have seen someone playing a character of an identity that is different than their own. I am surprised to say Early shines as the lead. He does a fantastic job tapping into the character’s emotions, struggles, and occasional excitement. It is not to say the performance is going to win an Oscar, but I was shocked with how much I bought into it. Given the film’s particular lead and tone, I was especially delighted to notice how seriously it takes bulimia. Maybe such a sentiment is not as valid as can be, because, again, I do not have bulimia, nor do I know anyone in my life who does. Not that it is any of my business if I did know someone who secretly had it. But I would love to know what people who have bulimia would think of this film. From a dramatic point of view, this film excellently handles Maddie as she struggles with her eating disorder in more ways than one. This is true when talking about the effects of the disorder itself, her interacting with important characters along the way, and seeing her closest relationships develop, I would love to know how many people would relate to this character or see themselves in this character.

Tone-wise, part of me can imagine an alternate reality where this particular movie would fall apart like a house of cards. I did not see any trailers prior to watching “Maddie’s Secret,” so I was not entirely sure what to expect from this film, but it finds a fine line between comedy and drama. It is never laugh out loud funny, but it is often capable of delivering a chuckle. At other points, it is deeply moving and powerful. “Maddie’s Secret” finds a unique balance in its material, sort of like “Everything Everywhere All at Once” did several years back.

On the surface, this movie seems like it is about someone who finds a passion in cooking and uses it to better her life. To a certain degree, that is true. But as Maddie’s success is on the rise, she is also dealing with a home life that is maybe not all it is cracked to be. She has familial problems lingering in the background. Not to mention, she has bulimia, which is probably one of the most interesting sells one can have when pitching a movie like this. For the record, I have, to my surprise, not heard of the term bulimia nervosa prior to watching this movie. If anything, I am glad I watched “Maddie’s Secret” simply because it put a spotlight on the concept.

Speaking of characters I admire, another one in this film is Julie, played diligently by Vanessa Bayer. From scene one, she has a massive pinch of enthusiasm and often maintains a youthful spirit. She comes into the film at an integral point in Maddie’s journey, where things are not particularly going as great as they could be. Despite the movie getting serious at this point, Julie’s presence calmed the vibe down in a sense. Julie is a character that I could see certain viewers finding annoying, but that is not the case for yours truly.

This movie is a bit down to earth on its more dramatic moments, but tends to sometimes jump the shark in its more comedic scenes. The biggest example that comes to mind is when Maddie initially finds success on social media. Not that I have any problem with how the movie presented her success, but shortly after, she has a meeting with her boss, who tells Maddie that she breached her contract with the company. So, instead of being fired, Maddie becomes an on-camera personality within said company. Debatably, the movie jumps the shark just enough in this scene, if the company sees money, then why not follow it?

To my surprise, this film is also one of the more gorgeous-looking ones I have seen recently. For starters, some of the lighting really pops. There is one intimate scene in particular that is neatly colored. Also, this may be a tad unexpected to say because this project deals with an eating disorder, but with the story centering itself around food, it is not always easy to keep your mouth from watering, except for the occasional over the top, gross scene. This movie does not quite get as gross as say “The Substance,” but there are select visuals that are slightly off-putting. Even with a moment or two that made me want to look away, I could not keep my eyes off of “Maddie’s Secret.”

In the end, “Maddie’s Secret” is an engaging movie that delivers a one of a kind vision from John Early. While none of performances in “Maddie’s Secret” are going to win any major awards, each one fits perfectly within the context of the project. The dialogue is also often perfectly timed and realized. There is a perfect pace to many of the film’s lines. I have no idea if this is a film that is going to have any replay value down the line, but I do think it is worth watching at least once. “Maddie’s Secret” is, if nothing else, a totally unique dramedy, and I am going to give it a 7/10.

“Maddie’s Secret” is now available to rent or buy on VOD.

Thanks for reading this review! Also, be sure to check out my latest episode of Movie Requests! It is an original video series where I ask your favorite stars what movies they think I should talk about! In this episode, I review Elijah Wood’s request, “Festen,” aka “The Celebration!” If you want to watch the episode, click the video above! Also, be sure to like the video on YouTube and subscribe to my channel if you want to see new episodes of Movie Requests as soon as they drop!

My next review is going to be for “Gail Daughtry and the Celebrity Sex Pass.” Stay tuned! Also, coming soon, I will be sharing my thoughts on “The Odyssey,” “Her Private Hell,” “Haunted Heist,” “Spider-Man: Brand New Day,” “I Want Your Sex,” and “The Invite.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Maddie’s Secret?” What did you think about it? Or, what is your favorite movie revolving around food? One recommendation that comes to mind is “Chef.” It is a fantastic story with clever writing, good performances, and it makes you hungry. It is excellent. Check it out! Scene Before is your click to the flicks!

Jackass: Best and Last (2026): Old Meets New in This Big Pile of Laughs

Posted on July 29 by Jack Drees

“Jackass: Best and Last” is directed by Jeff Tremaine, who also directed the previous “Jackass” movies. This film’s cast includes Johnny Knoxville, Steve-O, Chris Pontius, Wee Man, Dave England, Danger Ehren, Preston Lacy, Poopies, Zach Holmes, Jasper, Rachel Wolfson, and Dark Shark. This is the fifth, and supposedly final “Jackass” movie, which showcases a mix of old and new stunts, footage, and shenanigans from its team of foolish daredevils.

When I watch movies, I traditionally make an effort to check out any previous installments before seeing the big, fancy, new installment. In 2015, I binged all the “Fast & Furious” movies before watching “Furious 7” in the theater. In 2017, I did that with the “xXx” movies before watching “Return of Xander Cage.” In the case of “Jackass: Best and Last,” I cannot say I have taken monumental efforts to familiarize myself with the lore of the property. Granted, what is there that I need to know aside from the basics? A freakshow named Johnny is the head honcho, and people do stupid, nonsensical things for others’ amusement.

I have put on an episode of “Jackass” here and there and found myself entertained. I am a casual watcher. When it comes to the movies, the only one I have seen is “Jackass Forever,” the installment prior to this newest one. But I had such a balls out time watching that film in theaters that I knew I had to be at the next “Jackass” movie opening weekend. Little did I know, sitting in that AMC auditorium as a 22-year-old college student that the following film would probably be the last one.

I am not going to pretend I had any kind of raw, emotional connection to the “Jackass” franchise. Had I watched it more, this film would have served as a more emotionally fulfilling conclusion perhaps. I know names from the franchise. I know faces from the franchise. Though it is not like I had MTV on all the time growing up watching these hooligans engage in tomfoolery. Though with a film like “Jackass: Best and Last,” this is not necessarily something in which I would need an emotional connection to fully enjoy. Watching grown men hurt themselves, while painful for those on the receiving end, is also sometimes hilarious.

In addition to its comedic emphasis, “Jackass” also has a dramatic factor, almost like watching Tom Cruise hang on the side of a plane like he did in “Mission: Impossible – Rogue Nation.” Only thing is, typically as I am watching Cruise pull off a big stunt, it is for a work of fiction. I would imagine if Cruise, in real life, did not pull a stunt like that off and perhaps died while trying to do so, the work would be scrapped. As I am watching some of the stunts in “Jackass: Best and Last,” I have a strong feeling that everyone involved is going to be okay. In fact, this movie appears to have fewer stakes than ever considering how it is using a lot of older footage. Yet at the same time, I am watching some of these clips and part of me simply wants to look away because I am nervous that the person in said clip is going to get hurt, possibly killed.

It does not mean the clips are not funny. In fact, even though I have seen some of these clips already, such as “Magic Trick,” they hold up after some time. That said, it is slightly disappointing to have the last movie of the franchise be a greatest hits compilation. If anything, it feels somewhat lazy compared to having the cast go all out and commit to doing their most ambitious dares yet from start to finish. At the same time, I kind of get it, some of the cast members are not spring chickens. That said, this feels more like a combined series finale with a clip show. It is kind of like when “Seinfeld” had a big final episode, as well as a separate retrospective. Only in the case of this latest “Jackass” installment, it is as if those episodes were combined into one project.

Of all the “Jackass” projects, I would have imagine that “Jackass: Best and Last” may be the weakest entry point of the franchise. Not necessarily because the main cast has aged, but rather because the movie feels the most like a love letter to those who stuck around so long. This movie feels like a culmination at times, as if it were building up to something. When I watched the last movie, “Jackass Forever,” there was no real buildup or culmination. It was just a group of people acting like idiots the entire time, and somehow it worked. This is not to say that “Jackass: Best and Last” has a plot or a story. Things happen, of course, but as a “Jackass” movie, this has more layers than I would expect.

Yet as I say all this, some of these bits were first time watches for me, like Big Red Rocket from “Jackass Number Two.” As an individual bit, I thought this was quite entertaining, as were some of the other vintage clips like Brad Pitt’s Abduction. While I would have loved to have watched these clips for the first time during their original run, I do appreciate getting an opportunity to have my first experience with these clips be in a theatrical environment with a crowd of people. Granted, it was a small auditorium. It held less than 50 people, which, goes to show the downside of reclined seats in cinemas nowadays. I know people say they are comfortable, but goodness, has the theatre lost a sense of community because of them. Although on that note, there are some scenes in this film that make for some delicious popcorn entertainment, but others that would make for weird watches while eating. Just a warning.

This is supposedly the last “Jackass” movie. There are moments that contribute to its finality and wrap things in a satisfying bow. If it truly is the end, then the franchise has had a good run. Johnny Knoxville and crew have done plenty to entertain the masses over the years, even if they almost killed themselves doing some of those things. But frankly, if the “Jackass” name were to live on without Johnny Knoxville, I might still show up. It is kind of like “Jurassic Park.” It does not matter who is playing the lead as long I get to watch dinosaurs trying to eat people. “Jackass” delivers pure entertainment out of daunting situations, twisted games, and scary stunts. It is balls to the wall fun. “Jackass: Best and Last” is no exception to the rule.

In the end, “Jackass: Best and Last” is a lot of fun, even if it has hints of, admittedly, somewhat understandable laziness. Seeing the main cast and crew come back together one more time made for an absolutely entertaining ride. If this is the end of the road, it is not the worst way to go out. I have no idea if this movie is going to have a ton of replay value down the line. Although if anything, it does make me, as a “Jackass” novice, want to go back and see parts of the franchise that I may have missed. “Jackass: Best and Last” has plenty of laughs and I am going to give it a 7/10.

“Jackass: Best and Last” is now playing in theaters. Tickets are available now.

Thanks for reading this review! As a reminder, this very blog, Scene Before, is now 10 years old! In honor of the 10th anniversary, I am working on an original video series, Movie Requests, and my next guest who will be on the series is “Lord of the Rings” star Elijah Wood! I got to meet him in Philadelphia over the spring, and I got to hear his film suggestion. What did he pick? Find out on SUNDAY AUGUST 2ND here on Flicknerd.com! If you want to see the episode as fast as possible, please subscribe to my YouTube channel!

My next review is going to be for “Obsession!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Maddie’s Secret,” “Gail Daughtry and the Celebrity Sex Pass,” “The Odyssey,” “Her Private Hell,” and “Haunted Heist.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Jackass: Best and Last?” What did you think about it? Or, what is your favorite “Jackass” episode or movie? Part of me wants to dive into the franchise a bit more, so I will gladly take any recommendations! Scene Before is your click to the flicks!

Toy Story 5 (2026): An Incredibly Relevant Fifth Entry to Pixar’s Flagship Franchise

Posted on July 24 by Jack Drees

Photo by Pixar/Pixar – © 2026 Disney/Pixar. All Rights Reserved.

“Toy Story 5” is directed by Andrew Stanton (Finding Nemo, WALL-E) and stars Tom Hanks (Cast Away, The Polar Express), Tim Allen (Last Man Standing, Home Improvement), Joan Cusack (Saturday Night Live, Toys), Conan O’Brien (Late Night with Conan O’Brien, Conan), Scarlett Spears (Wicked: For Good, General Hospital), Greta Lee (Russian Doll, The Morning Show), Shelby Rabara (Steven Universe, Goliath), Mykal-Michelle Harris (Mixed-ish, Raven’s Home), and Craig Robinson (The Office, Brooklyn Nine-Nine). This film follows an eight-year old Bonnie as her toys watch her become obsessed with a tablet right before their eyes. The sudden shift prompts the toys to wonder about their future, as well as Bonnie’s.

I do not know about you, but to me, “Toy Story 5” felt inevitable. This was especially true when “Toy Story 4” came out in 2019, started its box office run with a bang, and ultimately become one of Disney’s several billion-dollar grossers that year. That said, there is something about this franchise that works just about every time. Each story, in some way, tends to justify its existence. Some more than others, but still.

The original “Andy trilogy” remains one of cinema’s most remarkable achievements through its technological feats, great storytelling, likable characters, and balanced presentation that is perfect for all ages. While I found “Toy Story 4” to be much weaker than the original three, I still found the film to be incredibly entertaining. It is also one of the best-looking animated films I have ever seen. There are one or two shots involving a cat that linger in my mind to this day.

When I heard Pixar was doing a “Toy Story 5,” I was onboard. Then I heard what it was about and I knew I was going to get my tickets ASAP. For those who need to know, “Toy Story 5” showcases what happens when modern technology plays an important role in Bonnie’s life, thus prompting her to abandon her toys. I do not have much of a connection to today’s youth, but I come across tons of younger people who, based on an initial impression, seem to be seriously attached to their electronics. Quite often, when I go out to a restaurant, I will find a family nearby whose children are staring at a tablet. I am not going to pretend I was not in the same boat as a child. I would occasionally bring my Game Boy Advance SP or Nintendo DS to a restaurant to kill time before food arrives. Heck, as an adult, I bring my laptop to a restaurant to write material for this blog.

Electronic addiction knows no age.

Overall, I thought “Toy Story 5,” much like “Toy Story 4,” is not quite in the same boat as the original Andy trilogy. But this is by all means a step up from the last movie.

This fifth installment starts off with a bang. There are a couple key moments that introduce major threads. Including one involving an army of Buzz Lightyears designed with a modern twist, and another where we see a ton of abandoned toys warning Bonnie’s toys about the dangers of tech. It was at this point that I was convinced that I was watching a horror flick. Then when we introduce Bonnie… We see this truly heart-shattering moment where she asks her parents why she does not have any friends. She asks such a question after the movie reveals she is still playing with traditional toys, but those around her are relying on LilyPads to entertain themselves.

I do think it is slightly interesting though that only now in the “Toy Story” universe we are seeing technology come to life. We have been through four movies and a ton of other electronics have been featured throughout. These include TVs, game systems, and phones. Now that a tablet has entered the chat, we have our first instance of a pure electronic device as we define it come alive. It is a bit odd as Andy had a gaming console in his room, something specifically designed for play, and we never saw that do the same. Then again, perhaps I am being a bit harsh. After all, it relies on various wired connections, whereas the LilyPad is a wireless tablet that does need charging, but its setup is friendlier for multi-purpose handheld use. So… Does that mean if Andy had a Game Boy growing up, that would come to life too? Would a Nintendo Switch come to life in this universe? That is a portable device to some degree. So many questions.

Though as I say that, the LilyPad, while it definitely behaves a lot like an iPad, has a design that appears to be more of a reference to LeapFrog devices, which are geared towards younger audiences. After all… LilyPad… LeapFrog… The two names are quite similar. Granted, LilyPads come in more colors than green, but still. Maybe the device is supposed to take elements from both LeapFrogs and more traditional, everyday tablets like iPads, as devices like iPads are more likely to be used for social purposes. Also, given Pixar’s connections to Apple, I am surprised they did not implement select Apple sound effects or Easter Eggs like they did at certain points in “WALL-E.”

Another thing I should note is that this is Jessie’s story. Not Woody’s. I have no problem with that. After all, when breaking down the “Toy Story” movies, it is not exactly about the toys themselves, but more so their relationship with whoever possesses them. With this being a “Toy Story” installment, it should not be a shock that there is some thread in the story having to do with “x toy” feeling apprehensive that “y person” will not play with them anymore. All of Bonnie’s toys, but Jessie most especially, is nervous that LilyPad is going to replace them for good. I like this obstacle. It taps into the fear that children could grow up without an imagination because they are staring at screens all day. In fact, there is a great scene where we see Bonnie, whose face is still as can be, staring at her tablet nonstop. One of my favorite moments involving Bonnie’s attachment to the device is seeing her dad come into her room. When Bonnie is communicating with her dad, she is not looking at him. She is looking at the device and talking at the same time. Bonnie is genuinely hooked.

If you ask me, I think there is a place for tech in younger people’s lives. We live in a world where not everyone has to be in the same room to socialize anymore. Of course, nothing can replace the in-person experience of hanging out, but it is cool to know that people can come together to play games online, chat online, and all other sorts of things. If anything, this film feels more like an anti-peer pressure movie as opposed to an anti-tech movie. The way the story plays out taps into Bonnie’s social life, and how the LilyPad has enhanced it significantly. She has always had the toys, but not anyone who wanted to play with her. It kind of reminded me of when I was a child and I was still playing Nintendo games whereas other people I knew were diving into first-person shooters.

Going back to Woody, while it definitely made for a good marketing push to have Woody and Buzz reunite, I think this movie did not necessarily need Woody in it for it to flow. Sure, Woody plays a bit of an essential role when he comes on screen and he is trying to save abandoned toys. But this is a story that probably could have been done almost as effectively without him. Of course, Tom Hanks does a good job with the role. No surprise there. That said, he has way less to do this time around than the other movies.

That said, I am glad Buzz has stuck around for this movie. This film dives further into an ongoing element of his story that has been touched in previous movies, and I thought they did a great job with it. By the end of the film, I was satisfied with where they took it.

Although this movie is not all tech… There is some play, and this film may have some of the coolest play scenes yet. It shows what is going on in the kid’s imagination while playing with the toys. It brings in some cool frames and backgrounds. This also unleashes a clever Easter Egg involving Conan O’Brien’s character, Smarty Pants (middle). As a human character plays with him, we see in their imagination that the character has a hat of reddish-orange hair, much like the actual Conan O’Brien.

Speaking of Smarty Pants, I do not think there is anyone else on earth more qualified to voice this character than Conan O’Brien. I say that not just because I am a fan of him as an entertainer, but during his late night hosting days, I have noticed that O’Brien has a unique ability to take the most terrible or odd bit and spin it in a way where it can be as entertaining as possible. In actuality, that is just a nice way of saying that I have mixed feelings about the character.

As a 26 year-old, toilet humor has not aged well with yours truly. Not to say it cannot work. In fact, it sometimes does in this movie. But it does feel a bit odd that Pixar decided to use toilet humor. They usually aim a little higher when it comes to attempts at humor. I was surprised to say I never gagged or cringed at any of the jokes from this character, but there are times that I wish I laughed just a little harder. Some of the jokes tend to repeat themselves or come off as some variation of a joke that has been told previously. Maybe it is to reflect the simplistic nature of the character compared to the LilyPad, which is the fancy dancy piece of modern technology, but some of the jokes got old fast.

Even with its flaws, “Toy Story 5” is worth watching. It is beautifully animated, as should be no surprise given how Pixar’s films are usually stunning. The voice cast all play off each other perfectly. The film is kind of sad to think about, because it reveals that technology is so integrated into people’s lives to the point where we cannot live without it. In some cases, we might not even have friends because of it. “Toy Story 5” is not necessarily a movie that begs its viewers to put down the tablet or step away from the computer, but more so reminds people to have a decent balance between technology and real life.

In the end, “Toy Story 5” is a fantastic movie. It is a perfect watch for the entire family. Is it the best “Toy Story” installment? No. But it does not mean that you should brush it aside. If anything, the most prominent critiques I have for this film are that some of the jokes are better than others, and as much fun as it is to see Woody and Buzz, much like old times, you could almost take Woody out of the movie and have it feel no different. Keep Buzz though. His presence is essential to the story. This movie showcases the ups and downs of technology in daily life. It serves as a cautionary tale as to what can happen with constant use of technology, but the movie does not suggest that tech should be destroyed in its entirety. Pixar is responsible for the two best animated films this year so far. This movie and “Hoppers.” The studio has been on fire lately. I am going to give “Toy Story 5” an 8/10.

“Toy Story 5” is now playing in theaters. Tickets are available now.

Thanks for reading this review! As a reminder, in honor of Scene Before’s 10th anniversary, I am currently working on an original web series called Movie Requests. It is a video series that sees me reviewing movies suggested by some of your favorite stars. Be sure to check out my latest episode featuring Sandi Harding, the owner of the last Blockbuster Video on the planet, located in Bend, Oregon. In this episode, Harding suggests I should talk about “The Goonies.” To hear my thoughts on the movie, click the video above! If you like the video and want to see more episodes of Movie Requests, hit the like button and subscribe to my YouTube channel! I also share the videos on this blog, but the fastest way to be alerted about them is to subscribe on YouTube!

My next review is going to be for “Supergirl.” Stay tuned! Also coming soon, I will be sharing my thoughts on “Jackass: Best and Last,” “Obsession,” “Maddie’s Secret,” “Gail Daughtry and the Celebrity Sex Pass,” “The Odyssey,” and “Her Private Hell.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Toy Story 5?” What did you think about it? Or, what is your favorite “Toy Story” movie? Let me know down below! Scene Before is your click to the flicks!

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