Cold Pursuit (2019): A Slow Brrrrr

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“Cold Pursuit” is directed by Hans Petter Moland (In Order of Disappearance, Aberdeen) and stars Liam Neeson (Taken, Non-Stop), Tom Bateman (Murder on the Orient Express, Snatched), Tom Jackson (The Diviners, Star Trek: The Next Generation), Emmy Rossum (Shameless, The Phantom of the Opera), Domenick Lombardozzi (Breakout Kings, The Wire), Julia Jones (The Twilight Saga: Eclipse, Westworld), John Doman (Borgia, ER), and Laura Dern (Star Wars: The Last Jedi, Jurassic Park). This film is about a guy named Nels Coxman as he tries to seek revenge against people who ended up drugging his son.

I mentioned at the top that “Cold Pursuit” is directed by the same guy who directed “In Order of Disappearance.” I have not seen “In Order of Disappearance,” but around the time I watched this film, I found this information out. And knowing things about this film, I managed to find out that “Cold Pursuit” is actually a remake of “In Order of Disappearance,” which was made primarily for a Norwegian audience. “Cold Pursuit,” as far as I can tell, was most certainly intended for an American audience. In fact, without giving much away, there’s a cool thing that happens when the movie reaches the end credits, and if you haven’t seen “In Order of Disappearance,” you’ll see further proof of this being a redo of that film. Keep in mind, this is coming from a guy who also has not seen “In Order of Disappearance.”

I did some Internet searching on the original film and found out that it currently has over a 7 on IMDb, which is pretty decent for a film. Most of the user scores are above average range, with many of them being 7/10. For “Cold Pursuit,” it’s currently higher than a 6. Most of the user scores are also 6, slightly edging out over the 7 range. While a 6 is still a win for a movie on some days, there are times when it could equal nothing but trouble. And I can see why this movie is worse than its original counterpart, because while there are some cool quirky elements throughout the film, the movie is just slow at times.

When I saw the opening scene for “Cold Pursuit,” where snow is being shoved around by a bulldozer, it gave me a sense that s*it was about to get real. Unfortunately, everything that went down in “Cold Pursuit” (except for one thing), was not enough to fulfill my appetite. What’s the one thing that did fulfill my appetite however? Well, I hate to be cruel, but the deaths were infinitely creative. And I am not referring to how people died, but every time someone would die, something would come up and it does that for the whole movie. I thought it was a neat gimmick at times. Granted, and I am not sure if this dives into spoiler territory, but I’ll say it anyway, the deaths could SOMETIMES be slightly improved if you actually get a better glimpse at people dying. Just me. I’m not asking for a complete bloodbath, but this movie is rated R. Let us see some more stuff on screen sometimes.

Speaking of stuff we see on screen, let’s talk about Liam Neeson. I mean, this movie is basically Liam Neeson doing Liam Neeson things. His mannerisms are present and he definitely takes no names whatsoever. And while for me, this may be a hindrance regarding some actors like Melissa McCarthy, Liam Neeson never really gets tiring. One thing that may make him interesting is that the dude’s over sixty. He’s getting to that point where he is the superior version of the crazy old dude telling kids to scram out of his yard. Plus, his Irish accent is freaking killer. I mean, it’s similar to when Tom Cruise plays typical Tom Cruise. It usually avoids getting old, and both are crazy men who like to take baddies down. This is not to say that “Cold Pursuit” is Liam Neeson’s all time best work, I personally think “The LEGO Movie” might be, but still.

I also kind of like the bad guy in this movie. His name is Trevor “Viking” Calcote, he’s played by Tom Bateman, and while he definitely has some cliches of someone representing the idea of greed, I dug some of the execution of his character. This is especially true when you see how he treats his son. Because let’s face it, without going into too much detail about the movie, the way he treats his son is the same way White Castle would treat big hamburgers. They would much prefer not talking about them, or ever bringing them up in a conversation, similar to how when the son and “Viking’ talk to each other, there’s an intentional disconnect in chemistry.

When it comes to chemistry and execution of a few of the movie’s characters, those are the definite highlights of “Cold Pursuit,” that is, aside from the deaths. Unfortunately, it does not have many other highlights. I originally watched this movie on Friday, so I had time to gather some of my thoughts together before making a completed review. And I’m kind of glad I took that time. When it comes to the action in “Cold Pursuit,” it feels like the atmosphere of the movie itself. It’s all kinda dull, and it doesn’t really feel like there’s much to it. Unfortunately, much like this movie, it did not send chills down my spine.

And it’s almost like this movie didn’t always know what it wanted to be, because one of the taglines for this film is “Revenge is best served cold.” Doesn’t that sound like something out of a cheesy 1980’s action film starring Patrick Swayze and Arnold Schwarzenegger that takes place in Alaska or something? This movie could have been cheesy fun, but it wasn’t, it was serious garbage.

But I will give credit to one more thing about this movie before finishing this review off, and that happens to be the location choices. Everything looks beautiful on camera, especially when it is all surrounded by snow, which occasionally gives the movie the theme of “real s*it,” which I mean in a way describing various situations, but not the movie itself. Although then again, maybe it does describe the movie itself, because the movie is in fact, real s*it.

In the end, if you’re gonna watch “Cold Pursuit,” I recommend putting on some gloves, a hat, a jacket, whatever you can get to bundle up for the lackluster experience that this movie truly is. Liam Neeson is alright, the actors for the most part, while well cast, gave me a rather mixed collective reception. And I don’t feel like I’ll end up remembering this movie all that well. In fact, it was almost a waste of time. If it were not for the coolish death moments, all hope would be lost. This movie would be… Don’t say it… DON’T YOU DARE F*CKING SAY IT!…

…Ah, screw it.

LIFELESS! OK, lifeless!

I’m going to give “Cold Pursuit” a 3/10. Thanks for reading this review! I just want to remind everyone that pretty soon I am going to be doing an update on my Blu-ray collection, so please be on the lookout for that! I also recently bought the 4K for this year’s “The Kid Who Would Be King,” which I missed in the theater, however now that I own it, I have the chance to watch it and review it for the first time. Once I get around to watching it, and I’m not sure when this will happen, I will have a review for it. Please stay tuned! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Cold Pursuit?” What did you think about it? Or, what is a movie that you think should have been more cheesy? Weird question, but I’m going with it. Let me know down below! Scene Before is your click to the flicks!

John Wick: Chapter 3 – Parabellum (2019): He’s Knowin’ He’s Back

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“John Wick: Chapter 3 – Parabellum” is directed by Chad Stahelski (The Hunger Games: Catching Fire, Safe) and stars Keanu Reeves (Point Break, The Matrix), Halle Berry (Catwoman, Extant), Laurence Fishburne (Ant-Man and the Wasp, Ride Along), Mark Dacascos (Hawaii Five-0, Dancing with the Stars), Asia Kate Dillon (Orange Is the Black, Billions), Lance Reddick (Bosch, Fringe), Anjelica Huston (Tinker Bell, Transparent), and Ian McShane (Kung Fu Panda, American Gods). This film is the third installment in the extremely kick-ass “John Wick” franchise, where Keanu Reeves comes up with new, inventive ways of annihilating people. And it’s f*cking awesome. In this fast-paced, killer installment, John Wick has a multi-million dollar price tag on his head. Throughout the film, he must survive at every turn, and avoid every hitman/hitwoman in New York and beyond.

I have a pretty good relationship with the “John Wick” franchise thus far. While I may not enjoy the franchise as much as some other people, I am most certainly able to recognize its stance in the film industry today. In a time where many action flicks tend to have editing jobs where each fight/battle sequence tend to cut at the same speed at which Usain Bolt can run, “John Wick” is a breath of fresh air. It is a franchise that I adore for its frequent attempts to shoot long takes featuring badass, raw choreography on attention-grabbing setpieces. The lighting in some scenes from “John Wick” really gives a sense of some s*it going down, and I think it translated to another action movie I like from this decade, specifically “Atomic Blonde” starring Charlize Theron. Then again, that should not be too surprising because one of the co-directors behind the original “John Wick,” David Leitch, eventually went on to direct “Atomic Blonde.”

And when it comes to “John Wick: Chapter 3” in terms of anticipation, it grew like a weed. While “John Wick: Chapter 2” was not the best movie of 2017 (although it was good enough to get an honorable mention in my end of the year countdown), the ending seemed to have promised something big in this franchise’s future. Therefore, I began to have high expectations that I thought this installment would potentially deliver upon. And deliver it did! “John Wick: Chapter 3 – Parabellum” may just be the best “John Wick” movie yet. Granted, I may need some time to marinate, partially because I just saw the movie. But having seen it, this had two hours of superb action, compelling characters, and stakes that I rarely feel in movies nowadays. But I will say, the movie’s not perfect, and this is a minor problem, perhaps one that I could eventually take back, but it’s a problem nevertheless.

“John Wick” is a great franchise. It’s not for everyone, but I think it is definitely up there with my personal favorite action-oriented franchises. But much like other franchises such as the Marvel Cinematic Universe, “John Wick: Chapter 3” could slightly differ in a final verdict for those who are not as highly exposed to the franchise compared to more avid viewers. I feel my connection with “John Wick,” my anticipation for this movie, and the fact that I recall how “John Wick: Chapter 2” ended all contribute to my partial joy towards what was happening on screen. Because if you’re like me, chances are you saw the end of “John Wick: Chapter 2,” and felt that there were promises to be kept. If you have not seen “John Wick: Chapter 2” at this point, and I am mainly referring to the ending when I bring this up. I would still recommend “John Wick: Chapter 3,” but I am willing to bet your experience will be enhanced having background knowledge on John Wick’s character.

Speaking of John Wick, let’s just talk about him. Just when you think he cannot continue to find new ways to be the most insane ass-kicker in movie history, you would be proven DEAD wrong. In fact, I saw this movie with my dad and we came out agreeing that he and I basically witnessed the club scene from the original installment multiple times in this film. Regardless of what you may think of this movie as a story, there is no denying that John Wick, or Keanu Reeves, as an action star, is nothing short of sick. It is some of the most intense action I have witnessed in a movie in a long time, and I would recommend watching this movie on the biggest screen possible just for that. When that 4K Blu-ray comes out, I might need to blast the volume on my television!

Although at the same time, John Wick is not the only badass in this movie, because he is accompanied by Halle Berry, who much like Wick, has tricks of her own when it comes to action. Sadly though, I wouldn’t say from a story perspective, that I had much of a reason to care about her character. There was one moment in the film where I actually did, but it’s just a single moment, nothing more. Still, props to Halle Berry and the crew behind the film for making her come off as a force to be reckoned with.

But speaking of forces to be reckoned with, you know how in the first “John Wick” that the main character did what he did in that film because of the loss of his puppy? I had no idea on how prominent dogs would be in this franchise. I say that because as one who usually fears dogs, I could not help but appreciate what this movie did with them. You think Keanu Reeves and Halle Berry know how to kick ass? BRING ON THE F*CKING DOGS! This movie might now have my favorite scene featuring a dog (maybe aside from Up)! I will not go into much detail, but when you turn an animal associated with cuteness into something along the lines of a speedy great white shark, I cannot help but appreciate it. I’ll savor the flavor for you all, but look forward to this. I almost want to sit someone down who would probably usually avoid action movies and market this to them saying “Oh, it’s family flick with dogs in it, you’ll enjoy it!” I kind of want to see their reaction.

And as usual, the direction in this movie when it comes to action is spot on. There’s tons of spectacular setpieces, along with the thousands of sick, but realistic moves done by many of the movie’s characters. The film was shot on location, which I love, it added to the immersion factor that I love seeing in movies nowadays. And as usual, the camera only cuts when necessary, it doesn’t have ADHD, each displayed shot takes its time before moving onto the next. This movie, just like the first two “John Wick” films, is how you do action, and I might just think that this film might be the best in the franchise when it comes to action. However, when it comes to story and character development, it falls flat at a couple points. In fact, this movie partially reminds me of “The Hobbit: The Desolation of Smaug” because the beginning and end are pure adrenaline-rushes on their own. But the middle portion of the movie tends to slow down, and gives its audience a moment to breathe. It’s not really the highlight of the film, but it does feature a moment that is kind of shocking. Look forward to it.

In the end, “John Wick: Chapter 3 – Parabellum” is everything that an R-rated, white-knuckled action flick is supposed to be. Interesting characters (despite some of my prior criticisms), great sequences, surprises, stakes you can feel, and mind-blowing shots. There’s actually a shot in the film that sort of reminded me of “Skyfall” when the movie takes place in Shanghai. If you have seen that movie and gotten yourself to the theater to witness “John Wick: Chapter 3,” you might know what I’m talking about. Again, is the story perfect? It’s not, it definitely serves the purpose well for the most part, but there are minor flaws. Although if I had to judge “John Wick: Chapter 3” simply based on action, this might be a 10/10. But still, as of right now, I still have to marinate, but this is my favorite installment in the “John Wick” franchise thus far, and I’m going to give “John Wick: Chapter 3 – Parabellum” a 9/10. Thanks for reading this review! I just want to make an announcement to you all that I am reaching 300 posts pretty soon, and I already have a plan for what I’m going to do on that. I have decided like for my last number milestone post, I would show off my Blu-ray collection. But I’m actually going to present it in a different way than last time. I’ll have the post up as soon as possible, and I cannot wait to share it with you all. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “John Wick: Chapter 3 – Parabellum?” What did you think about it? Or, what is your favorite installment in the “John Wick” franchise? Let me know down below! Scene Before is your click to the flicks!

The Mule (2018): Clint Eastwood’s Second Disappointment of 2018

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“The Mule” is directed by Clint Eastwood (Million Dollar Baby, Sully) and stars himself alongside Bradley Cooper (Guardians of the Galaxy, A Star Is Born), Laurence Fishburne (The Matrix, Batman v. Superman: Dawn of Justice), Michael Peña (American Hustle, Crash), Dianne Wiest (Life in Pieces, Law & Order), and Andy Garcia (Geostorm, Ocean’s Eleven). This movie is based on a true story and an article from The New York Time called “The Sinaloa Cartel’s 90-Year-Old Drug Mule.” It’s a about a guy by the name of Earl Stone, who is a war veteran, and he claims that he made the mistake of putting work before family. He missed a couple of important events, he cared for his plants more than his children, and he seems to be always doing something that will keep him from his family. Throughout the film, we see Stone trying to get cash for transporting loads on his truck under the responsibility of a Mexican drug cartel.

I haven’t seen much of Clint Eastwood’s work. As a film buff, or at least that’s what I like to call myself, part of me is slightly surprised that I have not looked into more of his stuff. I have seen “Sully,” “The 15:17 to Paris,” and “The Good, the Bad and the Ugly.” Now that “The Mule” is in cinemas everywhere, it allows me to dive deeper into seeing how talented Clint Eastwood really is, not only as an actor, but as a director. What I’ve seen from him acting-wise is pretty serviceable, including what I’ve seen from him in this movie. However, thus far, I have seen him direct competently, but there are other directors I prefer compared to him. I much prefer the work of filmmakers like Christopher Nolan (Interstellar, Memento), Wes Anderson (The Grand Budapest Hotel, Isle of Dogs), and Damien Chazelle (Whiplash, La La Land). While this is at times, a nice looking, and rather well done film from a technical and acting perspective, the fact is that I was honestly disappointed.

When I saw “The 15:17 To Paris” this year, I felt the same way as I do now. Clint Eastwood is a household name in Hollywood. But throughout a portion of the year, a part of me thought that was just Eastwood’s appetizer to get to the real film he wants to tackle in 2018. After all, the movie was released in February, which is one of the dumpster fire months for movies, so there’s a good chance that either the studio or Eastwood himself may have been dissatisfied over the outcome of what eventually became “The 15:17 To Paris.” The good news was that this was not the only film to be released in 2018 that is directed by Clint Eastwood. Maybe “The Mule” would be better than “The 15:17 To Paris.” Well, it was, but that’s not saying much because, again, I was disappointed.

Let’s talk about Clint Eastwood in this film, he does a good job performance-wise, but when it comes to his character, I have mixed thoughts about him. I can understand the way he felt at certain times. The way the character manages to develop is also charming. But there are certain qualities attached to him that are kind of off-putting. He would occasionally tell people they are stupid for using cell phones and the Internet, and there’s actually a scene that makes him come off as a less likable version of Hugh Hefner. I say that because Clint Eastwood is in his eighties, he’s playing a character around his age range. There’s a scene where we see him with some chicks in a bedroom, they’re all seducing him and removing his clothes, it’s not traditionally something that I would pay to see. Granted, “The Mule” is not a family movie, and I never asked for it to be. But I can’t recall the last time I said, I’m gonna go see Clint Eastwood f*ck someone twice as young as him. I also will say, age is just a number, and I’m not against someone dating a person much younger or older than them as long as it makes both partners of the relationship happy, but seeing an eighty-something year old Clint Eastwood engaging in sexual behavior with women that are much younger then him is not even close to my cup of tea. I don’t hate sex in movies, and this is based on a true story, so it could be worse, but it is cringeworthy as an idea.

I will say, despite my gripes with Eastwood’s character, I wouldn’t consider him the worst character in the movie, because a good portion of the film involves us as an audience getting a glance at the DEA investigators played by Bradley Cooper, Michael Peña, and Laurence Fishburne. I really didn’t care for any of these people. After all, the only time I legit gave a flying f*ck about them was towards the end of the movie. Oh yeah, I even completely forgot Laurence Fishburne’s character was even in the movie! Why are we here?!

This movie seems to pack in the moral that family is more important than work. It seems to suggest that being a part of a group of people you are attached to by relation is more important than being famous or busy. I will say, as a freshman in college, I did not choose to be busy for five days a week, other classmates who got to submit class choices before me did. But that’s not the point, my biggest wonder about the film is if Clint Eastwood has ever applied this moral that he seems to be hammering in towards his daily life. Granted, Eastwood did not write “The Mule” or the source material which it is based on, so therefore it cannot completely be his vision, but I wonder if someone as famous as Eastwood has been through his life making a similar mistake to this movie’s main character. Part of me wonders if Eastwood even relates to him. The regret of not seeing your family as much as one would desire can make for a compelling character, but the thing about Clint Eastwood is that he is such a famous actor and director. Not to mention he’s cheated many times. Granted, things are not as always as they seem, people change, and Eastwood is portraying a “character,” not himself. Nevertheless, despite a fine performance, part of me doesn’t completely buy Eastwood as his character.

I will say though, while I may be bashing this movie a little bit, one of the biggest positives I will point out is that there is one scene, I won’t specify, that has to do with death. It shows how people come together in a time of need, the fear of not knowing what’s going to happen when you’re going to die, not to mention the fear of dying itself. That is the best part of the movie and is probably the part I’ll admire the most as I reflect on “The Mule.”

In the end, “The Mule” is yet another dissatisfying attempt at a film from Clint Eastwood this year. I was talking with some family members as the year was coming to a close, and there are a few people I know who were anticipating and excited for “The Mule” to come out. I don’t know how many of them saw the movie by now, but in all seriousness, I don’t think got much good out of seeing “The Mule.” It’s not the worst movie of the year, not even close to be completely honest, but for a movie with Eastwood’s name on it, it seems that there could have been a lot more delivered to provide satisfaction than what was given to me as an audience member. I will say though, the acting is five times better than “The 15:17 To Paris” so that’s a plus! I’m gonna give “The 15:17 To Paris” a 6/10. Thanks for reading this review, pretty soon I’m gonna have my review up for “Instant Family,” a comedy starring Mark Wahlberg and from the same director who did “Daddy’s Home,” also starring Mark Wahlberg. Also, after I finish that review, be sure to stay tuned for my top 10 BEST movies of 2018 and my top 10 WORST movies of 2018! I will also say that the Golden Globes are on this Sunday, so if you want to see me talk about them, I might do a recap, but if I don’t, there’s a high chance I’ll be livetweeting throughout the show. To see my potential livetweets to the Golden Globes this Sunday, follow me on Twitter at @JackDrees, and feel free to hit the notification bell if you want Golden Globes tweets shoved right in your face. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “The Mule?” What did you think about it? Or, since Clint Eastwood has worked on both “The 15:17 To Paris” and “The Mule,” which of these two movies do you prefer? Let me know down below! Scene Before is your click to the flicks!

Game Night (2018): Live Or Die, the Comedic Choice Is Yours

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“Game Night” is directed by John Francis Daley and Jonathan Goldstein, who together have collaborated on directing “Vacation” and stars Jason Bateman (Horrible Bosses, Juno) alongside Rachel McAdams (Mean Girls, The Notebook) as a couple who often do a game night at their house with people they’re close with. However, Jason Bateman’s character of Max happens to have a brother who is in town by the name of Brooks, who is essentially maximized in every way compared to Max. Brooks is planning a game night of his own and everybody ends up attending, this eventually leads to everyone’s realization that this is not just your standard gaming session where people play Scrabble or Life or Pictionary, and it is instead, a murder mystery, thus leading to the movie’s crazy, action-packed events.

I wanted to see “Game Night” when it first came out in theaters, however I never got around to it during its theatrical run. I felt that other movies were more important, I was busy focusing on and recapping the Academy Awards at the time and it just happened to be something I never came across. But the trailer made this movie look great. Did it feel like something a studio would assemble together? Maybe, a little bit, but it felt like it was done with character and passion. Plus, I heard sometime while I was missing this movie that the duo directing this film are actually signed on to direct a “Flash” film for DC. That doesn’t really say much, but given that statistic, it did get me intrigued. I wanted to see how they’d do with this film, thus giving me a sense of what they could do with a film like “The Flash.” And I’d say they did a very good job.

When it comes to “Game Night,” this movie just surprised the hell out of me. I didn’t think “Game Night” was going to be bad, but I didn’t expect to laugh my ass off as much as I did while watching it. One of the first exchanges of dialogue of the movie takes place during this trivia night, and it literally set the tone for me, just a few minutes in, I’m already loving what I’m seeing. And this made me ask myself, could this top “Blockers?”

Some of you may be wondering why I’m asking that. “Game Night” was released on February 23rd, 2018 in the United States, and I’ve witnessed several comedies this year, or movies containing comedy in them, not just “Blockers,” and they’ve caught me by surprise, because in 2017, comedy was literally, no pun intended, a joke to me. With movies like “How to Be a Latin Lover,” “Fist Fight,” “Snatched,” and the gosh-awful “Father Figures,” 2017 overall just fell flat. Heck, I was even underwhelmed by “Guardians of the Galaxy Vol. 2!” Granted they had an enormous fluke with “The Disaster Artist” towards the end of the year, but still. I’m not saying all of 2018’s comedies have been great, go watch “Uncle Drew,” “Gringo,” or “Life of the Party” and tell me how you feel afterwards. But when you consider how much “Blockers” surprised me and made me see layers that I didn’t think I’d witness, how heartwarming yet hilarious “Tag” happened to be, and how many stitches I needed after “Avengers: Infinity War,” which isn’t even a comedy, but it managed to make me laugh more than I would at many comedies coming out nowadays, all of this just seems amazing. Comedy has turned around significantly for me this year, and everybody seems to be stepping up their game. In fact, kind of like “Blockers,” I kind of had an urge to watch “Game Night” again after viewing it for the first time.

Before we dive into some main points people usually need to go over for comedies, I’d just like to point out that there are points where I noticed the cinematography for “Game Night” is probably better than it had to be. There’s this sequence involving a fancy-looking egg and as everyone seems to be tossing it around, it’s all done with the camera moving around in one shot for an extended period of time as the characters are just doing what they’re supposed to do. It was just magic.

As far as the type of comedy that you get in “Game Night,” it’s basically mile-a-minute humor. Most of the humor seems to out of the characters’ mouths as opposed to actions, however some of the actions in this movie, while sometimes disturbing, but not in a way that turned me off, were certainly funny as well. Is anything new really brought to the table here? Nothing I can list off the top off my head, but whatever is there, works. This movie was done by some of the people who have worked on “Horrible Bosses,” and I’ll say having watched both “Game Night” and “Horrible Bosses,” if you like the tone and humor delivered in “Horrible Bosses,” I’d say you’d end up liking “Game Night.” In fact if you ask me personally, I like “Game Night” better than “Horrible Bosses.” Maybe it’s because I was rather late to the party when it came to “Horrible Bosses” and my mother was hyping it up like a bride does with her own wedding. My expectations, while not small, were perhaps lower for “Game Night” than they were for “Horrible Bosses.” And as of right now, I think a lot of you don’t have to see either one of these movies and automatically consider “Game Night” better than the other. Why?

This guy. If you hate this guy, “Horrible Bosses” might not be for you.

Some of the more recent movies I reviewed like “Uncle Drew” and “The Hurricane Heist” have something in common. Let me give you a small hint.

“UNCLE DREW” REVIEW
“Let’s talk about some of the characters in “Uncle Drew.” They all suck. They don’t drink enough Pepsi in the movie!”

“THE HURRICANE HEIST” REVIEW
“When it comes to Toby Kebbell, he plays a guy named Will, and what I have to say about his character is what can pretty much be said for everyone else’s characters. All of them suck, they have no personalities, not even their quirky southern accents could have saved this movie.”

Fortunately, I don’t have to say such a thing about this movie, because every single character was awesome! The strong point of “Game Night” is in the chemistry between everyone on screen, almost everyone is in a pair, whether they’re a couple or just partners, their separate interactions come together to make something super. A story between Max (Jason Bateman) and Annie (Rachel McAdams) is that a reason why they can’t have kids is because of a sibling rivalry between Max and his brother, Brooks. When it comes to another couple, Kevin (Lamorne Morris) and Michelle (Kylie Bunbury), they get into an argument about the past, specifically how Michelle slept with a celebrity. And there’s Sarah (Sharon Horgan) and Ryan (Billy Magnussen), which is basically a combination of the brains and… someone who literally needs the brains.

One thing I seem to notice about a couple good comedies is how much a dog would stand out in the movie, and in some scenarios, maybe not in the most pleasant of ways. This has been proven with “Anchorman” with Ron Burgundy’s dog, Baxter. It has also been supported in “There’s Something About Mary” with Puffy. Here, there’s a dog that’s often held by a character who I liked more and more as the movie went on, specifically Gary played by Jesse Plemons. There’s this scene where the dog is all covered in blood, I won’t go into much detail, but it’s in the trailer. Also, speaking of Jesse Plemons’s character, this is definitely one of the better performances the movie has to offer. It may not seem like much at first, but the difficulty seemingly increases as Plemons delivers a particular line in a certain way, it’s just priceless seeing his character do what he does.

I really don’t have much else to say about “Game Night,” but part of me wonders why they would name Max’s brother, Brooks (Kylie Chandler), the way they did. Is it to make him have a superior sounding name and not just be a superior fellow by himself? And you might be thinking, “Hey, Jackass! How the heck is Brooks a superior sounding name?” Ever heard of Brooks Brothers? If you have a luxurious fellow in your movie, you might as well give him a name that associates with luxury. I don’t know if this is true, but I’m curious to know the meaning behind his name if there does happen to be one.

In the end, “Game Night” just shows that 2018 is probably one of my favorite years in regards to comedy ever. If I remember correctly, I think probably laughed here as much as I did during “Tag,” which is kind of funny considering New Line Cinema and Warner Brothers worked on both movies. The chemistry between all of the characters was fantastic, I basically died laughing, and there’s even a couple lines that I want to quote forever.

“I hate game night!” -Annie

Not me sister, I motherf*cking loved “Game Night.” I’m gonna give “Game Night” an 8/10. Thanks for reading this review! I’m not sure what movie I’m gonna review next, however Steven Soderbergh’s most recently released film which he directed, “Unsane,” is now free on Amazon Prime, so maybe I’ll review that if there’s nothing else to do. Be sure to follow Scene Before so you can stay tuned for more great content! I want to know, did you see “Game Night?” What did you think about it? Or, what is your favorite comedy of 2018 so far? To me, it’s a tough choice, probably either this or “Blockers,” nevertheless, let me know your opinions on what this year’s best comedy is for you! Scene Before is your click to the flicks!

Gringo (2018): I’ve Been Kidnapped!

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“Gringo” is directed by Nash Edgerton and stars David Oyelowo (Selma, Interstellar), Charlize Theron (The Fate of the Furious, Atomic Blonde), Joel Edgerton (The Gift, The Great Gatsby), Amanda Seyfried (Mamma Mia!, Ted 2), Thandie Newton (Mission: Impossible II, Crash), and Sharlto Copley (District 9, Chappie) and is about a guy by the name of Harold who finds himself in Mexico. As his life becomes a miserable wreck and while it seemingly couldn’t get any worse, his status eventually changes from law-abiding citizen to wanted criminal.

I’ve seen the trailer for “Gringo” some time before it came out in theaters on the 9th of March this year. From what I saw, I was rather intrigued. However, I never saw it in theaters. Funny enough, that same weekend, “A Wrinkle In Time” released, which actually features the actor playing this movie’s main character. I didn’t see that either. Instead I waited to watch that for free on a plane. Also, hilariously enough, I watched “Gringo” for free too. No, not on a plane, but at home. As an Amazon Prime member, I can watch all of the content made by Amazon with no cost. “Gringo” was just recently added to Prime for free. So while my expectations weren’t roof-raising, they were certainly existent. Going into “Gringo,” I just hoped my expectations would be fulfilled.

They weren’t.

In fact, having seen the trailer one more time, I was instantly reminded of what exactly ruined the experience for me. For one thing, all of the funny parts (if this movie really had any) were shown in the trailer, and judging by the trailer, I was thinking this movie was going to go in a very predictable direction. And I don’t mind having my expectations be met with a different result, but something happens in this movie that is so different from what the trailers reveal that it’s just plain jarring! I’m not gonna get into spoilers, but the trailers made me think that this was going to be about a guy who gets kidnapped in Mexico. What the movie really does in terms of the main plot is completely different to the point of utter insanity! I don’t remember the last time I went into a movie that is just different from what the trailer shows as much as this!

Also, keeping spoilers away from everyone, one of the big things the trailer showed to me, an audience member, when it was shown in the movie, not only wasn’t funny, it was kind of painful to watch. And no, it wasn’t bloody or scary or anything, it was just cringeworthy in a dark way. Like, why did I have to see this? I was watching this movie in my bedroom while I was lying down on my bed, paying attention to whatever s*it is going on, as I’m witnessing one of the biggest diversions from a trailer in movie history, I was basically just uttering random noises, with my body against the wall next to my bed.

Also, I gotta say, this is marketed as a comedy, but there are barely any laughs in this. Granted, it’s a dark comedy, and the jokes aren’t mile a minute, which could mean you get less corny and forced jokes, but I was expecting some comedy that was faster than what we got here. And basically whatever attempt at humor I witnessed on screen was seen in the trailer. I usually never complain about that sort of thing because I see all of this stuff coming but even when I do, there’s usually SOMETHING I have yet to see in terms of comedy. Here, I felt like there was nothing. I did laugh on one or two occasions. But that’s like saying Pac-Man would only eat one or two dots on occasion at a party. Either he’s having a rough time, or the party planning has gone to s*it.

Let’s talk about the closest thing to a likable character this piece of crap has, and that is David Oyelowo’s character of Harold Soyinka. I say that because just about everyone else is either a douche or you just don’t care about them. Speaking of that, Harold is probably one of the finest examples of a “down-on-luck” character I’ve seen in recent history. Having seen this, I don’t even know what to think. On one hand, I gotta give props to the movie for at least trying to make Harold the one character to root for while everyone else is against him. But on the other hand I gotta say that having too many s*itty characters can only mean one thing. You have a s*itty movie.

And in a movie full of s*itty characters, you might as well make an excuse for one of them saying, “Hey, at least this bitch is played by Charlize Theron!” Don’t get me wrong, Charlize Theron is a great actress, she can play the very definition of a badass if you give her the right script. Just go watch “Hancock,” “Kubo and the Two Strings,” “Atomic Blonde,” and heck, I’ll even say “A Million Ways to Die in the West!” And out of all of the performances in the movie, I think Theron might just take the cake as top performer. But I hate her character, just like everyone else in this movie, so why should I even care at this point?

Another thing I should point out is that there are two people in this movie with the last name Edgerton, and yes, they are related. You’ve got Joel Edgerton (left) playing Richard Rusk, who is often in scenes with Charlize Theron’s character, Elaine Markinson, and you’ve got the director of the film, Nash Edgerton (right). A lot of you might know Joel Edgerton as an actor, but when it comes to his brother, he is mainly involved in stuntwork. When it comes to directing, he mainly has done shorts up to this point. I don’t know exactly how the two ended up in this movie together. Maybe there was a favor to be fulfilled with one sibling, the other, or maybe someone else involved. Perhaps Joel wanted to kickstart Joel’s directing career. I dunno, but in all seriousness, this reminds me of Melissa McCarthy and her husband, Ben Falcone. Basically, almost every single thing that Ben Falcone has directed or written has Melissa McCarthy in it. “Gringo” almost might be an excuse for a couple of brothers to make a movie together. And just like McCarthy and Falcone, the Edgertons and I need to have a little discussion on how to make a good movie!

In the end, “Gringo” most likely kidnapped me. If you watch the trailer for this movie before going into it and see something different out of the trailer or the movie then good for you. For me, this was a ripoff. I had SOME expectations for “Gringo,” not a lot, but some. Whatever little expectations I had, somehow were not even met. “Gringo” is not funny, it’s full of unlikable characters, the director might as well be there partially because of his brother, and it can show you how important it is to market your movies properly. When I saw the trailer, I was sold. Turns out what I was sold happened to be fraudulent and expectation-altering to the point of wanting to die. I’m going to give “Gringo” a 2/10. Thanks for reading this review! Pretty soon I’m going to have my review for “Eighth Grade” so look forward to that very soon! Be sure to follow Scene Before either with your WordPress account or an email so you can stay tuned for more great content! I want to know, did you see “Gringo?” What did you think about it? Or, what is a movie that was completely different to you than what you got out of the trailer? Let me know down below! Scene Before is your click to the flicks!

The Hurricane Heist (2018): Fast Storm, Slow Movie

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“The Hurricane Heist” is directed Rob Cohen (xXx, The Fast and the Furious) and stars Toby Kebbell (Fantastic Four, Warcraft), Maggie Grace (Taken, Lost), and Ryan Kwanten (True Blood, The Right Kind of Wrong) in a movie that’s pretty much as exactly as it sounds. A group of people want to pull off a heist, but why not do it during a hurricane?! It’ll be great! F*ck me.

I bought this movie on Blu-ray when I was in Connecticut, and while I can say that for the most part, I didn’t go in expecting all that much, I was just hoping to have fun. The marketing for this movie made it look bad, but the kind of bad that I imagine you’d want to see. Appropriately, the advertising had “Rock You Like a Hurricane.” I was just like, alright, let’s embrace the stupid. Unfortunately, I couldn’t, because this movie was just too boring. Sure, you’ve got an epic storm. But there is NOTHING ELSE of interest! I felt like I was watching the most boring episode of Bob Ross’s “The Joy of Painting.” In that episode, you don’t watch Bob paint, you watch paint dry. I was watching this late at night, and I still remember shouting “BOOOORING!” four or five times throughout this piece of crap!

What’s so boring about it? You don’t like any of the characters! The casting is wrong on so many levels! The writing is unrealistic! And I even think some of the dubbing is a fail too! When I saw who was directing this film, I knew this was not going to be a masterpiece, but this was so much worse than I originally thought it would be. I say that because having viewed some of his work, his movies can kind of fall into a guilty pleasure category. If you’ve never seen “xXx,” I will say that it’s not really a good movie, but Vin Diesel is believable as Xander Cage, he has charisma, Samuel L. Jackson’s pretty good, and you’ve even got some neat one liners. I love the line, “Don’t be a dick, Dick.” This movie has no humor, it’s too serious and almost feels like there is no passion put into it. Also, let’s be honest, with a title like “The Hurricane Heist” and considering what goes down in terms of story, doesn’t this sound like a pitch movie?

It’s a heist film, with a hurricane! It’s a disaster film, with a heist! We’ll put in tons of CGI just to have something the audiences can look at! IT’S GONNA BE GREAT!

Let’s talk about Toby Kebbell in this movie. When it comes to Toby Kebbell, he plays a guy named Will, and what I have to say about his character is what can pretty much be said for everyone else’s characters. All of them suck, they have no personalities, not even their quirky southern accents could have saved this movie. Toby Kebbell just lacks wanted depth and charisma, sure we get a look at his backstory at the beginning of the film, but you just don’t end up caring about him, just like any other person in frame. His sibling rivalry with Breeze which we were introduced to during the film’s beginning is brought up one other time. Let me just back that statement up for a sec though, Will has a brother named BREEZE. What the hell?! Who names their kid Breeze?! I mean, I imagine there are some Breezes out there, but I’m sorry for everyone who has to live with such an unfortunate reality of a name you literally have to breeze through! It would probably be more believable if someone ends up naming their kid Jolly Green Giant. What kind of f*cked up situation would lead to that, I don’t know, but at least the name would sound AWESOME compared to Breeze. Also, I feel bad for Toby Kebbell, he played Dr. Doom in “Fant4stic,” he was in “Warcraft,” and now this! Not a good track record if you ask me!

As you can see in the image above, Maggie Grace’s character is there, but I’m not gonna talk about her! This movie doesn’t deserve such a thing! Now let’s kill the rest of it with thunder and lightning.

Although there’s one character I want to breeze over, and no, it’s not who you think it is. I want to talk about the character of Dixon, played by Ben Cross. I’d say that just about everyone in this movie is miscast, but Ben Cross sticks out like a sore thumb. If you watch this movie and observe Dixon, he almost comes across like a douchebag character The Rock would play when he still had hair and Director Krennic from “Rogue One: A Star Wars Story!” I don’t know how to describe it without cringing! It was like I was watching a cartoon!

I know I said this movie was boring, and sometimes saying that is an understatement. But I also gotta talk about how much of a disaster this is too. I know it’s a disaster film, but you probably get my point. And while we’re on that topic, another film I saw earlier this week was “The Last Sharknado: It’s About Time.” This movie not only had the absolute boredom I encountered while watching “Transcendence,” you guys remember that film where Johnny Depp played a computer? But I’ll also add this has the s*itty effects and stupidity of “The Last Sharknado.” And I will give this movie something, when it comes to stupidity, this movie is better at being stupid and fun than compared to “The Last Sharknado.” There’s this one sequence where it’s all very threatening, someone could get hurt, they could get shot, they could die, then suddenly we see breaking glass quickly rising into the atmosphere! I lost it at that scene, I was DYING laughing!

And this does bring something up, I’m not old enough to drink yet, and I probably never will drink. But let’s just say I’m at a party with my friends and there’s alcohol, I decide to put on “The Hurricane Heist” just for s*its and giggles. All of the moments where I’d endlessly be bored, I’d probably just end up appreciating everything and laughing my ass off. It’s almost like I’d be watching “The Room” at that point!

And this boredom factor that’s applied to the movie, it’s just sad that it’s there. Because I imagine that I could probably get through this movie with s*itty characters, maybe there’s some cool hurricane action. No, all of it was boring. Part of me felt dumber after watching this, I just don’t know if I could end up recommending this movie to anyone unless they have the right amount of alcohol.

In the end, “The Hurricane Heist” was as tough to get through as a natural disaster. I don’t even know how I survived this movie. There are a lot of movies I see that I want know how they did something in that movie. For example, I just saw “Mission: Impossible: Fallout,” I wanted to know how they did the helicopter sequence. Similarly, I wanted to know something about “The Hurricane Heist” as well. I wanted to know how it got made. I mean, how did this come to fruition? Which cigar-smoking studio executive thought this would work? This wasn’t even fun, it was just a drag. It had the pacing of C-SPAN and it lacked the guilty pleasure-like fun of “xXx,” a movie that this film’s director actually worked on! Also, the ending is one of the most abrupt I’ve seen in recent history. I don’t think I’ve seen an ending that abrupt since either “The Circle” or “Transformers: Dark of the Moon.” Luckily this post doesn’t end here, because I still need to give a verdict. I’m going to give “The Hurricane Heist” a 1/10. I will say though, despite my 1, this movie could be worse. It might be fun if you’re drunk with friends, but I was sober, so my brain just felt like it was taking a nap while I was trying to get the rest of my body to stay awake for over an hour and a half. Thanks for reading this review! Pretty soon I’m going to be doing a review for “Love, Simon” which I just bought on Blu-ray so look forward to that very soon. Be sure to follow me here on Scene Before either with your email or your WordPress account and be sure to stay tuned for more great content! I want to know, did you see “The Hurricane Heist?” What did you think about it? Or, what is a movie that looked like a guilty pleasure at first glance but turned out to be a piece of crap? Let me know down below! Scene Before is your click to the flicks!

Skyscraper: Die Hard Without Christmas (2018) *PLUS RANT ON OBNOXIOUS MOVIEGOERS*

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Before we aim high and go into my “Skyscraper” review, let me just say that this film revolves around a family. This family’s relationship seems to play out in a significant amount of runtime for this film. Speaking of family, a new family is bound to form in California. A couple by the name of Paul and Genevieve at one point thought they’d never see the day the dream of starting a family would ever come true. Not because they didn’t try starting a family due to a lack of motivation or something, but because they endlessly tried and had no success. This is all explained… in “What the IVF?!”

“What the IVF” is a YouTube series starring the recently mentioned couple. These two explain their journey to conception. Every Monday, a new story is told, and usually the story that’s told is never one that’s all that happy. When it comes to the story of the couple’s journey to conception, many unfortunate realities occur throughout. Experience the ride alongside Paul and Genevieve as they face the misfortunes of math, exams, anger, sex, crying, pain, needles, and pain from needles! You can find the latest episodes of “WTIVF?” on the show’s personally dedicated YouTube channel, but if you want to watch one right now, check out the latest episode that goes over the past events of the couple’s IVF journey. I’ve watched it, and trust me guys, it’s a good one, check it out. Speaking of checking things out, be sure to take a gander at the “What the IVF?” YouTube channel, subscribe, ring the bell, click whatever button will make Paul and Genevieve happy! Aside from YouTube, you can also find stuff related to the series on other forms of media, be sure to check all of that out and follow those pages. Also don’t forget to check out the website to “WTIVF?” which is included in the links below. And be sure to tell them that Jack Drees sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

“Skyscraper” is directed by Rawson Marshall Thurber (Central Intelligence, Easy A) and stars Dwayne Johnson (Jumanji: Welcome to the Jungle, Fast Five), Neve Campbell (House of Cards, Scream), Chin Han (Ghost in the Shell, The Dark Knight), Roland Møller (The Commuter, Atomic Blonde), Noah Taylor (Vanilla Sky, Shine), Byron Han (Altered Carbon, The Big Short), Pablo Schreiber (13 Hours, American Gods), and Hannah Quinlavin (Moon River, The Shanghai Job). This film mostly takes place in or around what this movie’s universe considers the tallest building in the world. Unfortunately, this building eventually gets to a point where it’s on fire, and now it is up to a man by the name of Will Sawyer, a caring father, who also used to be a US military member and FBI Hostage Rescue Team leader, to save his own family, and survive against certain individuals, not to mention, time.

My first exposure to something related to “Skyscraper” came around the time of the Super Bowl. To be more specific, I read a tweet from The Rock calling the film original. Just from that alone, I was intrigued. We’re getting as many sequels, adaptations, and reboots as we are getting news reports of someone we know or happen to like being called out for something terrible. Once I heard about this film’s “originality,” I was intrigued. But then the advertising started, and everybody started comparing it to “Die Hard.”

F*CK.

Don’t get me wrong, I’ve seen “Die Hard” and I enjoyed it. It’s been forever since my experience watching it, but I found pleasure in what was on screen nevertheless.  However, if you’re advertising yourself as an original film, although in this case, an actor from the film is doing the advertising, and a good number of people see this as a “Die Hard” wannabe, that’s not good.

And you know what? One of my biggest problems with the film that doesn’t necessarily have to do with whatever is in the final product is the marketing. Now that people are calling “Skyscraper” 2018’s “Die Hard,” apparently there was a poster inspired by “Die Hard” made for it! Not only that, but there was also a “Towering Inferno” inspired poster. What does this movie want to be? And you know what? This might be an even more important statement: What does The Rock want this movie to be? Months ago, he was saying that this is an original production, and now he’s talking about other films that were basically inspirations for “Skyscraper,” which kind of therefore makes “Skyscraper” feel less original than maybe it once was. I will say though when it comes to tone, as I watched the movie, the tone was rather clear, it was trying to be an edge of your seat popcorn action thriller. I don’t think there is anything wrong with that. And in some ways, “Skyscraper” succeeded at doing such a thing, but I wouldn’t say it was enough. Sure, it’s summertime, so big, explosive, expensive movies are to be expected, but overall the story at times is somewhat cliche and the script is predictable. There are some moments I didn’t expect, but if you don’t dive into specific detail, you might as well say the script is predictable.

In fact, some of you might be asking how predictable the script to “Skycraper” actually was. It was SO predictable, that a few audience members had a number of moments where they would say something out loud, and in a split second, that thing would happen. First off, if you’re going to the movies, PLEASE DON’T TALK! IT’S RUDE! I PAID GOOD MONEY FOR THIS! Seriously, these audience members to my left, they just couldn’t stop making noise! Granted, I talk during the movies, but only on occasion, and when I do it, I whisper. These hooligans showed up about thirty to forty minutes after the scheduled showtime, which in terms of seeing the movie, is about fifteen or so minutes through the runtime. I knew something was going to happen when I heard loud laughing from the back of the theater. Then they came into my row, and all of them were sitting to my left. DID “A QUIET PLACE” TEACH ANYTHING TO PEOPLE?! DON’T! TALK! DURING THE MOVIE! Gosh, I hate my life.

In all seriousness, the characters in “Skyscraper” weren’t really all that interesting. Sure, there’s The Rock’s character, but then again, he’s The Rock, everybody likes The Rock. I bought into his relationship with his wife, not to mention his kids. I also bought into him as a guy with a prosthetic leg. Although at the same time, I feel like a lot of people, regardless of whether or not they actually have a prosthetic leg can play this character. Maybe they can’t do it as well as The Rock, but there are times that I can probably imagine another actor in The Rock’s shoes. If you ask me, I still think The Rock is actually a fine choice for this character, but my thought still stands.

I recently mentioned that the script is a bit lackluster for this film, and when it comes to specification on that sort of thing, some of it has to do with poor characterization. If you ask me, I think when it comes to the protagonists, I don’t have too many complaints, especially when you compare that to the antagonistic side. The script spent a lot of time focusing on the main family and treating the tall building as if it was its own character. Seriously! It’s possible that the skyscraper in “Skyscraper” has more character development than the Transformers in the “Transformers” movies! As I watched this film and noticed the antagonistic side of things, I thought I was watching a film in the Marvel Cinematic Universe, because of how cliche or underwhelming or underdeveloped their villains happen to be. I wouldn’t say I thought the main villain was bad at what he was trying to do, but I just probably won’t remember him.

You know how I mentioned the mixed messages I got from the film’s marketing? This film at times did feel like “Die Hard” to me. I’ll be honest with you, I’ve never seen “The Towering Inferno” so I can’t say much about it. But there is another film I saw that I didn’t even realize would click into my mind at a certain point. Specifically, “Enter the Dragon.” If you’ve seen “Enter the Dragon,” chances are you’d know that there’s this climactic fight that takes place in this hall of mirrors. There’s a fight in “Skyscraper” that doesn’t seem to be exactly like that, but it’s very similar to it. Much like “Enter the Dragon,” this scene is competently shot and edited. There’s not a moment where I look in a mirror and notice a camera or a cameraman, then again most of this movie is on a green screen so I doubt they had actual mirrors on set. I’ve seen a number of reviews for this movie, and one comment that stuck out to me is that this movie borrows something particular from a lot of other titles, and usually that other title would do that particular thing better than “Skyscraper.” When it comes to this mirror scene, I can’t agree more. Not only was this sort of thing done better in “Enter the Dragon,” I’d say it was done better in “John Wick: Chapter 2!”

I also feel like a big problem in this movie may be because of the guy helming it. “Skyscraper” is written and directed by Rawson Marshall Thurber, and most of his work is in the comedy genre. Granted, there is comedy in “Skyscraper.” There wasn’t much, and not all of it landed for me, but it was there. This is not his first action film however, it’s not even his first film with The Rock either. One of the better movies I’ve watched during 2016 happened to be “Central Intelligence,” an action-comedy starring Kevin Hart and The Rock. I haven’t watched it since seeing it in the theater, but I had a really fun time with it and I certainly wouldn’t mind watching it again. This movie however, not so much. I wouldn’t say “Skyscraper” needed more comedy, if anything that would have killed the movie unless they were going for an R rating. It just needed a different director and better writing.

Another problem I had with “Skyscraper” is that while it was technically written and directed by the same person without cooperation from others, it almost feels like a film that a bunch of stereotypical cigar-smoking studio executives would come up with. I was exposed to a podcast recently where two guys were talking about this movie, and I actually know of these guys from YouTube too, shoutout to Chris Stuckmann and John Flickinger! They thought of “Skyscraper” as a pitch movie. It’s almost like the pitcher gave a list of movies that this can be compared to, and all of those elements can be easily implemented into the final product. And when some people think of The Rock, the phrase “big money” might possibly pop in their heads. After all, he’s a big name in current Hollywood based on the number of projects he takes on, including “Fast & Furious.” I don’t know, this just feels more like a corporate product than a movie. I saw that coming upon seeing more and more advertising, but I just can’t help but point that sort of thing out.

In the end, I wouldn’t say “Skyscraper” stands tall. Sure, the movie may be doing well overseas, but that doesn’t mean I’m seeing something of quality here. The Rock is very charming, I bought into the chemistry between him and his family members, and I do think the building had an interesting design to it. Although when it comes to overall positivity I can give, there’s very little I can give towards this sometimes badly paced, cliche, and predictable thing that some may call a film. But one thing’s for sure, this is not gonna spark any “Christmas movie or not a Christmas movie” debates. I’m going to give “Skyscraper” a 4/10. Thanks for reading this review! Be sure to stay tuned for upcoming content, including my “Mission: Impossible: Fallout” review, and I do have some other films in mind when it comes to future reviews. These films include “Eighth Grade,” “Sorry to Bother You,” or if I have an excuse to do an older film review series like I did with “Mission: Impossible,” I’ll be sure to get that going sometime as well. Stay tuned for more reviews and other great content! I want to know, did you see “Skyscraper?” What did you think about it? Or, what is your favorite movie starring The Rock? Mine is “Fast Five,” let me know yours down below! Scene Before is your click to the flicks!

The Commuter (2018): When “A Particular Set of Skills” Die In a Trainwreck

Before we dive into my review for “The Commuter.” I’d just like to ask you something. When you go on a train, what is it like? For me, it might differ than the average person’s opinion. While some may say that going on a train is just something they do like a bunch of other people to get from point A to point B, and some may say it’s not their favorite thing in the world, but necessary, I prefer to call it an experience. Personally, I love trains. Maybe it’s because I don’t have to ride them everyday, but I’m what you may call a “railfan,” which is another way of saying “train enthusiast.” They honestly make me feel like a little kid at times. Speaking of which, allow me to introduce once more a couple who will be having a little kid of their own, Genevieve and Paul. They’ve tried really hard, they’ve came out victorious after an infinite amount of trainwrecks (insert drum rimshot). This is all explained in “What the IVF?!”

“What the IVF?” is a relatively new web series on YouTube. Yes, YouTube, not YouTube Red. The one where you can watch things for free, keep your wallets in your pocket. In this series Genevieve and Paul document their journey to conception, which to them, is basically reproductive rocket science. Also, I keep saying every single time I promote this, that these two have to suffer through an overwhelming number of needle injections. Guess what? Now’s the time you get to see that! (insert “The Price Is Right” fail horn). In their latest episode, titled “Shots! Shots! Shots!,” it’s needle injections galore! This is why the two geniuses behind this series decided to upload two versions. One where you can see the needles, and another where the needles are censored out by a dog’s face. I watched the needle version, and I honestly thought it was the most disturbing episode in the entire series, personally because I HATE needles, which personally enhanced the experience. You guys make your choice on which episode you want to watch, I’m not here to judge you. To watch all the episodes in the series go to the “WTIVF?” YouTube channel and watch to your heart’s content! Be sure to subscribe, ring their bell, check out and follow their other social media HQs, and be sure to tell them I sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“The Commuter” is directed by Jaume Collet-Serra (Non-Stop, The Shallows) and stars Liam Neeson (Taken, Unknown) as a man who lives in New York. When he’s not with his family there’s a good chance he’s working. One day he’s coming home on the train, and he meets this girl named Joanna (Vera Farmiga). She explains a task she’s offering to Liam Neeson’s character, Michael MacCauley, that someone on this train does not belong, and this eventually leads to people’s lives being put at risk, and most unfortunately to MacCauley, the lives of his own family.

This movie is directed by the same guy who directed a movie I saw in 2016 which I highly adored, “The Shallows.” I thought it was a really intriguing shark movie with some neat cinematography. Also, Blake Lively’s a bombshell. Not that it has anything to do with movie, but I must say she rocks a bathing suit for sure. But I must say I’m disappointed she never watched “Jaws” prior to making the film. Anyways, I really like “The Shallows,” I thought it was pretty well directed for the most part, I think there was too much blood at times. Not that it scares me, but I thought it was kind of unrealistic.

When it comes to this movie, there are a couple moments that really stand out. For example, when Michael is commuting to the city, you can see all the different times he’s commuting, and it’s easy to tell by the movie’s color palette. At first it was a little jumpy, but the more I thought about it, the more I appreciated it. There’s also a moment that I can quite possibly praise the writing and directing. MacCauley is walking through Grand Central, and it shows a mix of crowds, which might as well signify different times he goes to work. Speaking of the beginning, I thought they nailed the vibe of a commuter train on a busy workday. Somewhat depressing, and just a plethora of progress. The music says everything. There’s also one shot I really like that’s a constant zoom out from one train car to the next. Speaking of cinematography, this movie, much like some others I’ve seen recently in the action genre (Kingsman: The Secret Service, Atomic Blonde), has an extended one shot take of an action sequence. Liam Neeson and Vera Farmiga play their roles with excellence. What’s the other thing? Liam Neeson beats a guy up using a guitar! And for the most part, that’s what the movie’s positives contain. The rest of it, sadly is kind of boring and not as interesting.

While “The Commuter” is certainly not the best it can be, it certainly can be a lot worse. Without stating my final verdict, this movie allows you to kind of care about the main character despite not knowing too too much about his life, and enjoy some decent action. Neeson did sound like he was trying, but all in all he was just in a movie that served a purpose, but the purpose which it served could have been more well executed. In fact, even if he wasn’t trying, I at least imagined that HE would have thought this movie would have come out with some positivity. And I say that because he and the director of this film have worked together before in projects including “Unknown,” “Non-Stop,” and “Run All Night.” I’m not saying those movies belong in the all time greatest movies list, but they are all from what I heard, competent pictures. I haven’t seen any of them so I can’t really judge for myself, but I haven’t heard too many bad things about them from others. I own “Non-Stop” on Blu-ray which I actually hear this movie’s similar to in a number of ways. After seeing this movie, I actually kind of want to watch “Non-Stop” to compare the two and decide for myself which is the better movie.

I already mentioned a lot about Liam Neeson in this movie. He plays a character named Michael MacCauley, he’s really good in terms of acting, and you totally buy into his character. I had no problems with Liam Neeson, at least none that completely come to mind. I mentioned in one of my reviews, specifically for “John Wick: Chapter 2,” that Liam Neeson is up there as one of my favorite actor when it comes to what he can do in the action genre. The guy is the definition of “Hey there kid! I’m sixty-something years of age and if you don’t give me what I want I’ll kick your arse!” And he continues to prove that in “The Commuter.”

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One character in this movie is played by Jonathan Banks (Breaking Bad, Gremlins) and he goes by the name of Walt. Apologies for not having an image of his character, there were none on IMDb, and that’s the source I usually use for these sorts of things. I thought his performance was competent enough, almost looked like a honed in performance, but it felt like it was enough during my watch to seem as if Banks was actually giving a damn. I won’t go into spoiler territory, but something happens to his character that’s very important towards developing the plot, and had I gotten to know him better, I honestly thought it would have made the overall movie a little more intriguing, especially in that one particular moment I won’t get into.

This movie is an hour and forty-five minutes long. I gotta say, this is not exactly the most boring movie I’ve watched all year, that title belongs to “The 15:17 to Paris,” which is interesting because that too involves part of the movie taking place on a train. One thing that I will say however, is that this movie at times, feels like a snooze-fest. That doesn’t mean there aren’t any cool, awesome moments to enjoy in this movie, but it just means the film sometimes becomes dull and it’s something that you have to deal with. “The Commuter” does have a place in our society, and luckily, that place, is not the garbage bin. Although with its place in our society, I do think it has some questionable traits it brings along the way. One most notably towards the end of the film, but I’m not even sure how long that complaint of mine will last because I’m not even sure if what I even saw was real. Again, this movie is dull! Forgive me for my sins against humanity!

In the end, “The Commuter” is not the worst of movies, but also is far from the best of them. Liam Neeson provides a decent performance in this hour and a half action flick to for me to say, hey, nice to see Liam Neeson. Depending on who you are, if you watch this movie, you might not remember it for the rest of your life, and I do think that this will probably be one of those movies that will make for good background noise at a party. Or it can be background noise for literally anything else. I can imagine this movie being on some network like TBS and some people tuning into the channel to the point they say, “Hey, it’s Liam Neeson, cool dude. Let’s see this guy kick some ass!” However, it’s not enough for me, but I give the movie credit for trying. I’m going to give “The Commuter” a 5/10. The best thing about this movie is that it’s not taking too many shots to show Liam Neeson climbing over a fence.

(Sigh) “Taken 3.”

Thanks for reading this review! Pretty soon I’ll have my review up for “Life of the Party” starring Melissa McCarthy, and as far as next weekend goes, “Deadpool 2” is coming out, so I think my plans may be set there. Until then, I ask all of you to stay tuned for more great content! I want to know, did you see “The Commuter?” What did you think about it? In case you don’t know, I actually missed it in theaters, I waited for the home video release, and I bought the 4K at Best Buy a couple weeks after it released on that format. I’ll also ask, of all the collaborations between Liam Neeson and Jaume Collet-Serra, which one is your favorite? Let me know down below! Scene Before is your click to the flicks!

International Men’s Day: Is This Holiday Worth Celebrating?

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Hey everyone, Jack Drees here! Today is November 19th, 2017. Today is World Toilet Day, although there is another holiday that is getting a little more recognition than that and it’s International Men’s Day. This holiday was conceived on February 8th, 1991, and inaugurated on February 7th, 1992. The holiday is now observed annually on November 19th, much like how International Women’s Day is observed on March 8th. I’ve been thinking recently and a lot of other people have as well, what is the true significance of International Men’s Day?

To answer that, I was on Twitter earlier today and I managed to come across a variety of tweets. Many people are saying things along the lines of: More men have mental illnesses than women, you should recognize men who may as well be considered role models, and this day shouldn’t even be worth celebrating because “every day is International Men’s Day.” My response to that last one is this: Yes, it is true that men are more privileged than women. Men are traditionally paid more, they’re not sexually harassed as often, and they never had to ask for the right to vote (with exceptions). However, to say that every day is International Men’s Day is like saying that the Hulk is always incredible. That’s not true, the Hulk is sometimes angry too. While I was on Twitter, I came across a tweet from a user I follow who happens to work for Teen Vogue, @laurenduca, a user who I admire because basically she’s fighting for women’s rights and she’s written a great article I read in the past. However she recently crafted a tweet that personally, I disagree with:

Let’s get something straight here. I was going through some of the replies to this and some of them were rather chuckleworthy. They were talking about Louis CK and Harvey Weinstein. As I was reading this, I wasn’t necessarily “surprised” she would tweet something like this, but it made me question this very holiday. I already have questioned it in the past, but it brought the questioning back into my mind. Not to mention, it brought a new question into mind as well. That question is: How many women hate men? Also, how much do they hate them? I’m not saying Lauren Duca hates all men. If she did, there’s a good chance she wouldn’t have liked some of my tweets praising her. Although let’s dive a little deeper into this by talking about the concept of feminism, because a little birdie told me Donald Trump is a little too controversial.

Feminism by definition is the advocacy of women’s rights in the realm of gender equality. If you ask me, I believe women deserve an equal amount of rights as men. Although here’s the thing. We already have an International Women’s Day, and I actually happen to recognize that holiday more than I recognize International Men’s Day. International Women’s Day is recognized because women fought for rights, mainly the right to vote. I recognize this holiday more because I feel that men get a lot of credit, and there are times when women don’t really get much spotlight so I feel the need to give it to them. On Twitter, I give shoutouts to women in honor of this day. I literally search for random Twitter users who happen to be female or I choose from female users I already know and give them a shoutout. In 2015, I did this for a month. In 2016, I did it for a few days, and in 2017, I made a whole day out of it. My question is when it comes to these holidays, if you want gender equality, why can’t both genders get a holiday? Yes, women, throughout history, had more struggles, but both men and women deserve recognition. At the risk of sounding like Donald Trump, I’m referring to the good ones. We don’t need to recognize men like Adolf Hitler or Osama Bin Laden or Joseph Stalin, we can honor those who have done good for the world. People like John F. Kennedy, Benjamin Franklin, Martin Luther King Jr., or Alexander Graham Bell. The same goes with women on their day. Forget about people such as Abby Lee Miller, Kim Kardashian, or Irma Grese. Try to remember those who have brought positivity from your gender. People like Elizabeth Cady Stanton, Lucretia Mott, Amelia Earhart, or Oprah Winfrey.

Down below is an image I’ve seen from multiple Twitter users.

If you ask me, you could probably do without the domestic abuse victim statistics because when it comes to basic math, 40% is below the majority between the genders (I assume these stats possibly include men who identify as transgender). Also, the fact that men serve longer in prison isn’t exactly worth pointing out either. It’s almost like saying “Hey! We committed crimes! So give us more credit for our time!” Although at the same time maybe they’re talking about the average time spent for similar crimes committed by both genders so this kind of makes sense if that’s the case. Granted, prison is awful, plus there’s always a chance that someone might be there for a reason they don’t deserve. Let’s say that there’s a law broken that the majority of people disagree with, or there are people who have been falsely accused, etc. Nevertheless, these statistics are valid and are worth recognizing. Suicide is a major issue, it’s executed multiple times a day and it’s very unfortunate whenever it happens. I just want to say to everyone who’s thinking of committing suicide, don’t. You won’t know what you’re missing. Why not live life a bit longer? See if it turns around if it’s got you down. Homelessness is also a big issue, if I were homeless, I wouldn’t be writing this. I want people, regardless of gender to have a home that way they can be who they want to be. …As long as they don’t become an asshole. Pretty much all of these issues are important.

When it comes to mental health, that’s a focal point for this year’s International Men’s Day. Men are more likely than women to find themselves living with antisocial disorders or substance abuse. Also, there are men who have been raised to to become masculine, and there are also those folks who can’t join that club. They remain silent for themselves and don’t express their feelings as much as other people.

In reality, the real reason why I think people question the idea of International Men’s Day is the fact that men are often viewed as privileged compared to women (which is true) but the thing is, I feel that a number of people fail to recognize that there are good men out there. There are also men out there who need help. Going back to Lauren Duca, to “cancel” a holiday like this one is discrimination. Yes, men have done this to women for years. Although in reality, we all want equality. The whole idea of feminism is to not only make progress in terms of giving more rights to women, but to make sure they have AS MUCH, NOT MORE, rights and power aside men. Sure, there are different rights women can have as opposed to men, like rights having to do with being able to get abortions. After all, men can’t get pregnant, but I’m pretty sure my point is made. Stuff like this is why I hate the new “Ghostbusters” reboot, it’s saying “women are superior to men.” They’re not. Men aren’t superior to women either. As genders, we’re supposed to work together. We have our differences, but in the end, said differences are just in existence. Think of it this way. If a woman said the male gender doesn’t deserve International Men’s Day, imagine what would happen if a man said the female gender don’t deserve International Women’s Day! Also, what if we took away Father’s Day? It would also be fair to take away Mother’s Day. Actually, you know what? A small part of me wants those taken away that way Hallmark has less cash-cows on their hands. By the way, love you mom and dad! We have holidays for food, for f*cking food! National Cheeseburger Day is on September 18! National Lobster Day is on June 15! We even have… a holiday… FOR CROUTONS! CROUTONS! FOR F*CKING CROUTONS! I’M NOT MAKING THIS UP! We, a civilized society, have a holiday, for f*cking croutons! Look it up! I’m not kidding! National Crouton Day! Observed on May 13th! EVERY F*CKING YEAR! I mean, people like croutons. So… I better let them have their day.

Ultimately, I think International Men’s Day is not a bad idea. Sure, International Women’s Day is a day that I recognize more, but it doesn’t mean I just completely ignore the idea of International Men’s Day because there are men who deserve recognition. Whether it be the brains like Albert Einstein, Stephen Hawking, or Neil DeGrasse Tyson, or the brawn like Mahatma Gandhi, William Wallace, or Aron Ralston, or even those men who can’t speak for themselves. So people, if you think all men are bad or get too much attention, look further. Women are advancing up the charts in terms of achievement and recognition and part of me sees what the future will be like for them. Although while women will have their rights, part of me wonders if we’ll be seeing a role reversal in the future where women get all the rights and men don’t get as much. I’m not saying that this will happen, and I believe a good portion of us are capable of knowing what “equality” means, but it’s something that I wondered if it will ever happen. I don’t mind a future where mostly women have power, I just want a future where people of any gender will have rights as equal as the person next to them. So yeah, happy International Men’s Day.

Thanks for reading this post, and I want to know your thoughts. Do you think International Men’s Day is worth celebrating? Do you think it’s stupid? Let me know your thoughts down below! Also, as far as movie reviews go, I have tickets to see “Justice League,” I’m seeing it the day before Thanksgiving so look forward to that review and a couple days later I’m gonna be seeing “Wonder,” which stars Jacob Tremblay, who also starred in one of my favorite movies of the decade, “Room.” Stay tuned for those reviews and other great content! Scene Before is your click to the flicks!

 

Risky Business (1983): There Is No Substitute

Hey everyone, Jack Drees here! Today I’m continuing my series of Tom Cruise movie reviews. Tom Cruise is one of the most revered actors working today. Over his lifetime, he’s had a lot of movies under his belt, no Oscars, but he was nominated for three of those bad boys. His film acting career began in 1981 with the romantic comedy “Endless Love,” and on September 29, 2017, as far as the United States goes, a new film starring Cruise will be released, which is called “American Made.” Leading up to that film, we’re gonna dive into some of Cruise’s earlier work. To start off the series, I did my review for “The Last Samurai,” which came out in 2003. Today, we’re going back to 1983, to review “Risky Business.” So without further ado, let’s start the review!

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“Risky Business” is directed Paul Brickman, stars Tom Cruise and Rebecca De Mornay (Flipped, Wedding Crashers), and is about a teenage boy whose parents go away and leave him alone at his house. While this happens, the boy is looking for chances to have fun, but this situation gets out of hand soon.

I own the DVD for “Risky Business” and when I actually first got the DVD, my mother said I’d love this movie, and love it I did. This movie seems to be one of those films a lot of people like for one reason or another. It features iconic scenes such as when Tom Cruise is sliding on the floor and dancing in his house to “Old School Rock and Roll.” It has a stellar cast, they all seem to ace their role and pull you into the movie. It feels realistic, it doesn’t feel like a cartoon like “Blues Brothers,” which works as a cartoon-like film, but if you put “Risky Business” side-by-side with “Blues Brothers” right in front of me, chances are I’m gonna say “Blues Brothers” is a fun ride with interesting characters and great humor, but I’m also gonna say “Risky Business” is an art film. It’s not complete goofiness, it’s not absolute absurdity, it’s unquestionable authenticity. Granted there are moments in the film that feel like they can’t be done in real life, but the whole vibe of the movie and the scenes it has can be convincing enough to let you know that this can happen. In some ways this almost feels like a John Hughes film, which is kind of interesting to me because this came out around a time before a lot of his famous movies which he wrote were released. Movies like “The Breakfast Club,” “Ferris Bueller’s Day Off,” “Weird Science,” and “Home Alone,” that is if any of those films were rated R, so this is more like “The Edge of Seventeen,” in some ways when it comes to the mood, which came out in 2016.

Let’s talk about the main character of Joel Goodsen, played by Tom Cruise. Joel is the character that is staying home while his parents are away. While this happens, we see him taking on various responsibilities, hanging with his friends, dancing in his underwear, trying to increase his chances of getting into a high-achieving college, shaping his future, and screwing around with a chick, we’ll get to her in a second. If you ever saw the movie “Home Alone” and ever felt that Kevin in that movie was having the time of his life because his family was away, that is something these two had in common at a point in this movie. The two characters also find themselves in troublesome situations. If you put these two movies alongside each other and tweak them a little bit, you get almost the exact same movie. Joel is simply just a kid trying his best to succeed and at the same time he’s just trying to have some fun, I can relate to that. I might not call a sex worker, I’m 17 after all so I can’t really do that. I live in an area where the age of consent is 16 years old, but still I can’t really do that.

Rebecca De Mornay plays Lana, when we first witness her in the film, she’s actually a call girl who Joel calls one night, and their one night interaction eventually turns into something more. When it comes to casting, there COULD NOT have been a better pick when this movie was in production back in 1982. If you look at De Mornay, she’s basically a dream girl. I’ve gathered this based on her seductive attitude that is executed throughout the film, in terms of overall acting ability, I never really discovered a moment when she was out of character, and JUST LOOK AT HER! She’s also rather funny at times, there’s one line in particular given by her that I find laughable, not sure how many of you agree, but if you watch the movie and hear the tone which it’s delivered and have a realization of the situation at hand, it’s probably gonna make some people laugh. I personally think it’s humorous, so I don’t see why someone else wouldn’t.

JOEL: Don’t steal anything. If I come back here and anything’s missing, I’m going straight to the police. I mean it.

LANA: Joel, go to school. Go learn something.

As far as their relationship goes, this is a relationship that almost seems like it can’t happen in real life, but when watching this movie, you can totally buy into it. This is one of multiple reasons why I’d say this is one of my favorite relationships in all of cinema. Not to mention, how the relationship itself begins is interesting. You see, Lana is a call girl, and she’s someone who Joel calls one night when he has nothing better to do while his parents are gone. When Joel calls Lana, Joel doesn’t even say his actual name to her. Instead of referring to himself as Joel, he says his name is Ralph. Unfortunately for Joel, he failed to realize the cost of what was originally meant to be a one-night stand, which happened to be $300. The acting was perfect during the scene, Joel was questioning Lana, getting a little nervous, and tries to find a way to pay her.

There are a number of supporting characters in “Risky Business,” however my personal favorite would have to be the one in the red shirt you can see in the image above on the left. If you don’t know who I’m talking about, that’s Miles, played by Curtis Armstrong (Revenge of the Nerds, Better Off Dead). And speaking of favoritism, I’m actually going to be talking about something in association with the topic in just a moment, but for now, let’s focus on Miles. Miles is basically a bad influence to Joel, and out of all the supporting characters shown throughout the movie, Miles definitely moved the story along more than any other. One of the redeeming qualities of “Risky Business,” at least to me, is the screenplay. In fact, if you have seen my recent countdown, “Top 10 BEST Movie Quotes,” one of the quotes from this movie, given specifically by Miles himself, is on that list, in fact, let’s reveal that quote once more.

MILES: “Every now and then, say, “What the f*ck.” “What the f*ck” gives you freedom, freedom brings opportunity. Opportunity makes your future.”

In my countdown I described the quote as something that can apply a lot to reality. Think about it. In life, people have ideas, doesn’t matter how brilliant or dumb said ideas are, they’re just around. When it comes to certain ideas, one may be uncertain of how it’ll turn out, it could work out, it might not. But some people might say “What the f*ck,” or “What the hell,” or “What the heck,” because while they have no idea where this idea will lead to or how it will turn out, they feel the show must go on. This is not the only great line Miles gives in this movie, there’s more, including this one early on in the film.

MILES: “I don’t believe this! I’ve got a trig midterm tomorrow, and I’m being chased by Guido the killer pimp.”

That line actually took place during a chase scene, and this took place in a Porsche, speaking of which, let’s talk about this exchange between Miles and Joel once the chase ends.

JOEL: Porsche. There is no substitute.
MILES: (Face peeps from back seat of the car) F*ck you.

Curtis Armstrong literally nailed his performance, and keep in mind, this was his first movie. Then again he has done stage work prior to the making of this film. Much like Tom Cruise, if Curtis wasn’t in this movie, he probably wouldn’t have a film career the size he does today. If Tom weren’t in this movie and showed himself off in a breakout role, it’s possible the chance of Cruise starring in the “Mission: Impossible” movies would be impossible, we would have never seen him ask Goose to talk to him in “Top Gun,” we would have never witnessed him live the same day over and over again in “Groundhog Da–err I mean “Edge of Tomorrow.” Regardless of how much you might end up enjoying this film, this film set the stage for both of these careers to take off. The film was a big hit when it came out, film enthusiasts admired it, both actors played likable characters while giving off good performances. Armstrong may have played the character he was most well known for in the next movie he did, “Revenge of the Nerds,” but if it weren’t for “Risky Business,” it’s quite possible that Armstrong would have never had roles in various pieces of work including “Better Off Dead” and “Moonlighting.” Now let’s bring the subject of favoritism back into play here.

I mentioned this before, and I’ll mention this again. From a fanatical standpoint, I admire Curtis Armstrong. You guys may be thinking that I’m just talking about all of this because of my admiration for the man himself, and while my admiration has encouraged me to discover more about him, he has proven from a critical standpoint, not just in my mind, but in other people’s minds, to be a respectable actor. If you watch some of his work you’d understand. Just watch this movie, “Revenge of the Nerds,” “Ray,” or even some of his voiceover work in shows like “American Dad!.”

Anyway, back to the review. One thing I don’t want to forget is the perhaps slightly overlooked performances given by Joel’s parents. Part of this may have to do with some of the movie’s writing, but as I watched this movie more and more, I’ve grown in terms of admiration towards these two characters. The mother is played by Janet Carroll and the father is played by Nicolas Pryor. While these two barely have any screentime, they certainly serve their purpose. The father comes off as stern, although he never really goes over the top with it with obnoxious yelling and the mother seems to be rather worried. She doesn’t really show it emotionally, but it’s something I picked up on while Joel was with her and the father in the airport as she handed money to Joel. If you watch “Risky Business,” listen very carefully to the dialogue in that scene to see what I mean. A line that’s somehow funny to me that comes out of the father’s mouth is “Do I hear others there?” If this line were given in some other way as opposed to how it sounds in this movie than it wouldn’t be funny, but the delivery here is what makes it humorous to me.

There are a lot of things that I like about this movie, but it doesn’t mean it doesn’t have flaws. One of the most interesting things I discovered concerning the movie’s production is how the ending turned out. The ending that everyone who has watched the film from beginning to end witnessed was not the ending that director Paul Brickman had in mind. His original ending was mostly similar to the one you see in the movie. However when we get to a conversation which takes place in a restaurant Joel and Lana are eating in, we don’t cut away from it. We do get the same cutaways to a couple of young folks giving speeches about their products and the profits they made. Although in the theatrical ending, we cut away from the restaurant and the two are in a park, they’re talking to each other. The talking consists of lines reminiscent of a conversation the two had earlier in the film. Soon we hear this line:

JOEL: “My name is Joel Goodsen. I deal in human fulfillment. I grossed over eight thousand dollars in one night. Time of your life, huh kid?”

The alternate ending is basically the same thing without the cutaway, we see a continuation given to Joel and Lana’s conversation, then Lana sits on Joel’s lap as the two begin to show affection for each other. Then we hear this line:

JOEL: “My name is Joel Goodsen. I deal in human fulfillment. I grossed over eight thousand dollars in one night. Isn’t life grand?”

I personally prefer the alternate ending, and so does Brickman. I prefer it because the original ending feels very tacked on. It doesn’t entirely fit with the movie itself. That’s not to say the ending’s an abomination, it’s not as bad as say, “The Amazing Spider-Man 2,” but it just feels like something that would belong in a different movie. The original ending has a rather comedic vibe, and yes, the movie is funny, but the dramatic tone of the alternate ending seems to fit the movie better and highlight how life isn’t always going to be pretty. Not only that, but it also makes Joel and Lana’s relationship more believable. Now, I mentioned before, there are parts that feel fantastical, but this ending makes this relationship feel more like a relationship. It’s not often that you are in a boyfriend/girlfriend status and talk about bonds in the bank twice in a short period of time. I mean, heck, I can’t recall many times in my life where I hear people talk about bonds in any sort of perspective! Unless we’re talking about possibly Daniel Craig, Sean Connery, Roger Moore, David Niven, Timothy Dalton, Pierce Brosnan, Barry Nelson, or George Lazenby.

If there’s one common genre of movies to come out during the eighties whose movies still hold up today according to many people, that is in fact, the coming of age genre. One guy who has mastered this is John Hughes. Now “Risky Business” came out in 1983, John Hughes has done some work before it came out, including “National Lampoon’s Vacation” which actually came out the week prior to “Risky Business.” Although a lot of John Hughes’s movies came out after “Risky Business” and when I watch this movie, I can’t help but connect them together sometimes with comparisons. Between this movie and “Ferris Bueller’s Day Off,” both have an incident involving a valuable car. Based on my memory, the movie also has a similar vibe to “Sixteen Candles” at various times. Another John Hughes film I like is “Weird Science,” and much like this movie, that one has a fast-paced scene in a car, a rather seductive woman, and younger people doing things that their parents would find troublesome. So in a way, it’s possible that John Hughes’s writing may have been inspired by this movie.

Speaking of kids getting into trouble, part of this movie’s conclusion involves Joel having to own up to actions which occurred earlier in the movie. I love this because it shows the imperfections of Joel, he doesn’t exactly earn complete victory. There are lots of movies where we see someone go down, then go completely up. In this movie, we see someone fluctuating up and down as time goes on.

Another part of the movie I’ve found out others admire is the music. The music in this movie is done by Tangerine Dream, who you may also know as the composer of the music heard in 1984’s “Flashpoint,” the 2013 video game “Grand Theft Auto V,” and the 1987 movie “Three O’Clock High.” The score in this movie overall flows naturally and at times it really takes the movie from being a movie and turns it into art. This is shown during the train scene when Joel and Lana are removing each other’s clothes and are about to make love to each other. Not to mention, when it comes to the movie’s music from a general perspective, it’s kinda catchy. Also the inclusion of outside songs worked too for the scenes they were in. A lot of people say that the “Old School Rock and Roll” scene is iconic, but one scene that I personally feel is overlooked is the scene featuring the song “In the Air Tonight.” This is in the same scene towards the end of the movie that Joel and Lana are about to make love to each other on a train. I love how this music blends into this scene. This just screams sensual. The song is not only groovy, but it does a good job at providing the perfect vibe to the scene that’s at hand, and when it comes to Tangerine Dream’s score, that’s something I can say for that too.

In the end, “Risky Business” is a movie that gets better the more I think about it. There are multiple great characters in the movie. Joel, Lana, Joel’s parents, Miles, Guido, a lot of people shine here. From an editing perspective, this film is amazing. The music blends perfectly with every scene it’s featured in, and the screenplay has numerous quotable lines. On IMDb, this film has less than a 7/10. I think this is a little bit underappreciated as far as entertainment value goes, and as far as moviemaking goes. I’m kind of disappointed that Paul Brickman didn’t do much other work after this movie because this is something I’d watch over and over again. I’m gonna give “Risky Business” a 10/10. But wait! Some of you might be thinking, “Jack! You imbecile! You said this movie had flaws!” A movie can still be a 10/10 and contain flaws. YouTube user Chris Stuckmann reviewed “Batman Begins” and said it had an editing problem but ended up giving it an A+, another YouTuber named Jeremy Jahns reviewed “Baby Driver” and said it was ten minutes too long and ended giving it an “awesometacular,” which is his highest grade. I love “Star Wars Episode VII,” I currently have that as a 10/10 movie, but that movie borrows a lot from the original “Star Wars” trilogy. I loved that movie so much in fact that it was my favorite movie of 2015! So yeah, for now I stand by my 10, it could change, who knows? I originally had this movie at a 9/10. This doesn’t mean the movie’s perfect, it just needs a little extra pieces to complete the puzzle and than I’d say bingo. But seriously, this movie’s underrated and depending on what happens, might be my favorite movie I review in this series of Tom Cruise reviews. Thanks for reading this review, I would like to let you know that next week we will be looking at the final entry in the Tom Cruise series, I’m still deciding on what that movie should be, but if you have any suggestions, leave a comment as to what that movie should be down below and who knows, I might review it. If you want to check out my previous entry to the Tom Cruise series, be sure to check out my review for “The Last Samurai.” If you want to read that review, you’ll either find a red box down below that will take you to it or if you’re on my page where all my posts are in order, it’s the post right below this one. Stay tuned for more reviews! Also, I want to know, what are some interesting stories you have about being home alone without your parents? Or if you are someone who is still living with their parents, perhaps a teenager, what are some interesting things you would do if your parents are gone? Let me know all that down below! Scene Before is your click to the flicks!