TENET is Delayed Again: New Release Date: August 12th, 2020

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Hey guys! Welcome to the latest apocalypse-related update of 2020! A year so bad that it made fully regret ever giving “Cats” a negative review. That hour and fifty minute movie which really ended up feeling like an utter eternity was a blessing compared whatever the f*ck is going on right now! Remember how I posted this s*it down below just a couple weeks ago?

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

Guess what? That s*it’s outdated! Welcome to 2020! A one-way ticket to a dark room full of deadly lasers, accompanied with a bloody water tank with a giant shark that is about to eat you whole! WORST! YEAR! EVER! With that being said, I’m going to try my best… My absolute… Best. To avoid going ABSOLUTELY OVER THE TOP WITH THIS POST! Gah! I already failed! Let’s just do this!

Hey everyone, Jack Drees here! In case you’re reading this, I have somehow survived being disintegrated by tons of deadly lasers and a giant shark that was about to eat me. For all I know, maybe the shark thought I was pitching a terrible product, and said “I’m out.”

…Which reminds me, I gotta cross that shark-raid whistle thingy off the pitch list. Here we go.

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A couple weeks back, we have had an announcement that “Tenet” was getting a pushback, which I think at the time, could have arguably been the most shocking pushback for a film we’ve seen all year. “Tenet” was one of the few pictures to not move a muscle so far in 2020, so to see it gravitate towards a later, granted two weeks later, but later nevertheless, release date on the calendar is a little shocking. However, in my post talking about it, I mentioned there was probably a good reason, one of the notable pieces of news sticking out to me being the plan to rerelease 2010’s “Inception,” allowing for a perfect reason to recognize the film’s 10th anniversary. Not to mention, I thought it was just a damn fine consolation prize. “Inception” will be brought back to theaters around the same exact time it came out, it would be a good way to get audiences back into the theater, see how many people are willing to go to the theater, and as for me, I get to see one of my favorite movies on the big screen, which I did not get to do when I was younger. However, this week, it was announced that “Tenet” has been delayed once more. Time runs out? More like, we need more time to put out our movie.

Before we go any further, “Tenet” is not the only film moving in this case. “Inception” is in on this as well. “Inception” is now going to be taking up the July 31st release slot previously held by “Tenet.” As for “Tenet,” that film will be taking a spot in the middle of the second week of August, allowing it to come out on August 12th.

Let’s start with the good news. The good news, I can’t believe there is good news available in 2020… It’s not that big of a delay. That can be a sign of pure optimism from Warner Bros., Christopher Nolan, or both. While we don’t know where we’ll be in days or weeks from now, it does show that somebody somewhere is sticking to a commitment to put the movie out in theaters. Let’s face it. If I were to shoot a movie on the largest format possible, which Christopher Nolan did. Release it on the largest format possible, which is currently planned. You bet I, as a studio executive, would surely keep a promise to put this damn movie in the theater. I saw previews for this film on my TV, and it looks good on my TV. But why does it look so good? Because it gave me the urge to get off my ass, into my onmyassmobile, and head to a freaking movie theater to enjoy myself for hours!

Wait, that sounds very familiar…

“This film (Dunkirk) is what actually going to the theater is all about. Not renting a movie on DVD, not streaming it on Netflix, but getting off your ass, getting in your onmyassmobile, and heading straight to the movie theater.” –Top 10 BEST Movies of 2017

Nolan is all about the “get off your ass” mentality when it comes to releasing films, and that is part of why I will remain committed to checking out his work. I am all about the experience when it comes to moviegoing. There are very few feelings like entering a movie theater and seeing a movie in general, but when Nolan makes a movie, it’s almost guaranteed to be a ride. To see at the very least, the notion regarding this movie not losing sight of the theater experience delights me to no end.

Now, for the bad news… What if this is not the last delay? Because I feel like the factors determining whether or not we will get to see this movie in theaters as soon as possible have little to do with whether or not theaters are ready. In fact, the major chains including AMC, Regal, and Alamo Drafthouse, have all announced plans to open in July, with precautions in mind. Some of these include deep sanitizing of the auditoriums and often-touched spaces through advanced equipment and materials, allowing extra time to clean auditoriums, reduced capacities and spaced seating to encourage social distancing, and enforcing the use of masks. And yes, I’ll wear a mask, because I’ll happily allow my mask to possibly smell like popcorn. Just because they’re ready does not automatically equate to the public being ready. Am I ready to head back to the movie theater? I’ve been motivated to go pretty much as soon as everything shut down. Granted, knowing myself, I am a little biased. I would have risked my life during the pandemic to go see new movies because this was the routine for my blog. Go to the movies. See a new release. Review said new release. Repeat. Instead, I had to take a break, report whatever fresh hell was happening during the apocalypse to point where I wanted to smash my F*CKING BRAIN INTO SPIKES! Save myself some money so my family and I don’t go broke. Occasionally review a new movie if possible, and so on. I would not deny that there is at least some sort of craving from various demographics to live in some sense of normalcy at this point. Movie theaters are a part of that normalcy. But would the public automatically leap themselves back into theaters? That’s going to depend on who you ask. Some would definitely go back in a heartbeat, but if you scour social media, there are some that are hoping for more at-home releases and those sorts of things.

Not only that, but let’s also look at statistics. One of the biggest catalysts that likely caused this delay in the first place is the notion that New York had no plans to reopen theaters in phase 4, which supposedly starts in a couple weeks for a great portion of the state. New York is one of the biggest movie theater markets out there. They have a large moviegoing population and a ton of theaters to back them up. New York City has also been home to many big film events, including premieres. Although if I’m not mistaken, if “Tenet” releases on time, if Manhattan remains closed, the run could still work if many other theaters in the state as long they remain open in other areas. Speaking of which, New York, Massachusetts, Connecticut, and New Jersey, are trending pretty positive right now when it comes to handling the virus overall. This is as opposed to states like Florida, Texas, Arizona, and California, where the virus is proving to be a little more effective and deadly. Hospitals are filling up by the second, states are seeing record cases, and if they keep going up, who knows what’s gonna happen next? And besides, I just mentioned California, like New York, it is one of the biggest movie markets in the world. It’s where many red carpet events occur, the culture in various cities revolve around film, and it’s home to many historic venues. Plus, Los Angeles county is currently the most populous of the U.S. counties, if you don’t let them for example go see a movie in their local area, that’s potentially a lot of lost customers.

Not to get sidetracked, but I wonder if this means anything for the other big movies coming out soon like “Unhinged” and “Mulan.” Will they bump their dates somewhere else as well? Although Regal Cinemas, the second largest chain in the United States, is supposed to reopen the day that movie comes out, so I doubt they want to move as they have a sweet spot. As for “Mulan,” I feel like Disney could move it, but they also have a good spot should things turn around. They don’t have to worry much about what could be opening the week after, and a lot can happen in a month from now. As much as I would not be TOTALLY surprised if they put the movie on VOD eventually, I feel like from an executive standpoint, this is a movie that like “Tenet” is specifically made to be seen in a theater. Putting the film on VOD would be a sacrifice from one kind of perspective. Plus, based on what I’m hearing from people who have already seen the movie, it may have solid enough verdicts¬†to avoid getting dumped onto Disney+ like “Artemis Fowl” did, which currently has a 10% on Rotten Tomatoes.

One thing I will point out, when it comes to this new release date, it presents a fairly interesting idea given by a Warner Bros. spokesperson.

“In this moment what we need to be is flexible, and we are not treating this as a traditional movie release. We are choosing to open the movie mid-week to allow audiences to discover the film in their own time, and we plan to play longer, over an extended play period far beyond the norm, to develop a very different yet successful release strategy.”

Before this delay, in fact, even before the first delay, what I thought was going to happen was that Warner Bros. was going to attempt to pull the throttle as far ahead as possible. What could have been done is that they’d release the movie, allowing it to play on virtually every available screen in the facility, say this is all happening in a multiplex, allowing for everybody to go see this one movie at practically anytime, with an outright guarantee for social distancing. Granted, with the current plans to bring throwback releases into the mix, that would now be impossible, but again, I’m talking about the past. Now I’m noticing a fairly slow approach that Warner Bros. seems to be taking. I don’t know how well it’ll work out. But if they keep it in theaters for a long enough time, there’s a solid chance that it could be profitable. It’s likely going to depend on word of mouth, positive reviews, and maybe even some hint of rewatchability. For all I know, it could also depend on cases. But this blog is being documented by someone who lives in the United States of America, where we are perhaps all brainwashed into thinking the economy is more “essential” than lives. Am I sick of staying home for the longest time? You betcha. I have gone through several periods of not even exiting my house doors. In fact, this entire post pretty much sums up my distaste with the fact that I’ve had to stay home. But if we all really get back outside, we need to understand that the world is not going to be pretty. We need masks (which I detest, but I understand why we need them). We need clean hands. We need to do our best to stay apart. If we want to have what we love in front of us at some point during 2020, we need to understand the meaning of sacrifice amongst ourselves. And how this even became a political issue here in the United States, I will never understand! Apparently in this country, science equals politics! It’s global warming all over again!

Just so you all know, if you didn’t already, I hate needles with a burning passion. This is the one time, I repeat, the one time in my life, where I want a vaccine for something! I don’t care if it kills me quicker than the virus, but I just want to have a sense of normalcy at this point. I’ve had it with all this! I just want to go see a movie! It’s the one place where I can feel like I’m at home, because I’ve been at my house for so long that it doesn’t even feel like a home anymore! I love my house, but with isolation and everything! It has basically become a prison with people who love and care about you, not to mention better food options! I need to get out at least once to cleanse my brain from whatever spasms it has at this point! Walking won’t do the trick! Am I overreacting? Most likely! But this is my life! Art is the quintessential element that makes me whole, and now I feel like that has been snatched away. I turn 21 in November, so I think I have picked the wrong time to supposedly “build my life.” I want safety for all. But I want to do things.

“Tenet,” please help me. I’m more excited for “Dune” to come out in December, but as of now, I don’t know if there has ever been a movie I wanted to see succeed more than “Tenet.” It’s from my favorite studio, my favorite director, and will be shown in my favorite format. And I surely hope this delay is the last one we get. For all I know, should things continue to trend positively in certain states, I can almost see Warner Bros. releasing the movie in states that are trending positive, then adding a phase 2 to areas that trend positive later. It’s like the government, but it’s all about a $200 million+ movie. “Tenet” HOPEFULLY, and I cannot stress that enough, releases in theaters August 12th, 2020. The film will be available in digital, various large formats including IMAX, 35mm, 70mm, and IMAX 70mm. And you bet I will be striving to catch an IMAX 70mm presentation should one pop up in my area, and given how I don’t live far from Providence, RI, and I do expect the movie to end up playing at their IMAX venue, I will probably make it to one of these shows whatever it takes.

Thanks for reading this incredibly emotional post! And by incredibly emotional, I mean a post where I turn into an absolute brat who simultaneously wants what’s best for society. How did we get here?! Do we even deserve to live at this point? Bring on the alien invasion! Bring on dinosaurs! Bring on giant asteroids! Bring on dogs and cats living together! Mass hysteria! What are we still doing here anywhere? It’s not like we’re… DOING ANYTHING! By the way, right now on Scene Before I am focusing on Tom Cruise Month here in June, which will conclude next week with my review for “Minority Report!” Until then, check out my review for “Top Gun,” a movie which had a sequel that was supposed to come out this exact week, but of course, COVID sucks. It really does. July is coming up, and I’m hoping for my sake at this point that I get to talk about at least one new movie. I’ve spent so much time talking about the past that the future looks mighty fine right now. This universe is punching me in the gut every day. Be sure to follow Scene Before if you want to see new content, and check out the blog’s official Facebook page! I want to know, what are your thoughts on the “Tenet” delay? Personally, I kinda saw it coming, but unlike the last one, this one hurt me a little more. I am more than likely overreacting, but as a guy who doesn’t really care if sports come back at this point, I at least want a movie. Or, here’s another question. Do you plan on going back to the movies anytime soon? Let me know down below! Scene Before is your click to the flicks!

Oblivion (2013): Non-Cyberpunk 2077

TOM CRUISE MONTH POSTER

Hey everyone, Jack Drees here! Fun fact, ever since I have started my journey here on Scene Before since 2016, I have talked about 10 Tom Cruise movies. Granted, 60% of those films happen to be in the “Mission: Impossible” franchise, but still. I have talked about “The Last Samurai,” “Risky Business,” “The Firm,” “American Made,” and as recently suggested, all six of his “Mission: Impossible” movies. Over the years I have missed a few new releases of his that I had a chance to review while it was in the theater such as “Jack Reacher: Never Go Back” and “The Mummy,” but between life, a lack of motivation, and those kinds of weird-ass excuses, I have not gotten around to them.

So the question is, after all this time, will I finally get to these movies?! No! I will not!

Instead, I’m gonna focus on some other Tom Cruise films, one of which includes the 2013 post-apocalyptic science fiction flick “Oblivion.” This film, along with a few others are going to be reviewed in place of what could have been reviewed in June, “Top Gun: Maverick,” which was supposed to release at the end of the month. But, you know, coronavirus. It’s the talk of the town. While Tom Cruise felt the need for speed in 1986, things must have slowed down in 2020, which at this point is asking 2016 to hold a crapton of beers. Nevertheless, let’s stop dilly-dallying and start diving into the first review of…

*LIGHTNING CRACK*

TOM CRUISE MONTH

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“Oblivion” is directed by Joseph Kosinski, who coincidentally is also helming the upcoming film “Top Gun: Maverick,” which like this movie, stars Tom Cruise. Aside from Tom Cruise, this movie stars Morgan Freeman (The Dark Knight, The Shawshank Redemption), Olga Kurylenko (Quantum of Solace, To the Wonder), Andrea Riseborough (Welcome to the Punch, Disconnect), Nikolaj Coster-Waldau (Game of Thrones, Mama), and Melissa Leo (Frozen River, The Fighter). This film takes place during post-apocalyptic times in the year 2077 and it follows Tom Cruise’s character of Jack Harper, who currently lives on Earth as a technician who is responsible for maintaining drones as remaining resources are extracted in order to complete a five-year mission. Once this mission is completed, Jack and his partner will join the rest of humanity on their new home, Titan, a moon near Saturn.

Going into “Oblivion” for this review, it was my first time watching it and I was relatively curious as to what it would contain. I figured from the title and Tom Cruise being put in the center that it would be somewhat blockbuster-esque. When it comes to Tom Cruise movies, it kind of sounded like an “Edge of Tomorrow” type of deal. After all that film is sci-fi and action based. Much like “Edge of Tomorrow,” “Oblivion” does have its moments of action, but it does not seem to commit as heavily to it. From what I remember of “Edge of Tomorrow,” the action in that film is almost nonstop. After all, the concept of “Edge of Tomorrow” completely warrants it. It’s “Groundhog Day,” but the same day over and over is in the middle of futuristic battle. “Edge of Tomorrow,” even though there are other things to like about it, shines mostly from its concept.

Similarly, the writing and story for “Oblivion” is not all that bad, but it is two of the main characters, at least to me, that give this movie its overall watchability. And even though Morgan Freeman is the second actor I mentioned when introducing this film, he is not the highlight, even though his voice is worthy enough of its own relaxation album. In fact, his character, is probably one of the few that I’ll probably forget as time goes on. But from the very beginning, Jack and his communications partner have terrific chemistry. This movie takes place in a post-apocalyptic 2077 and not only do the characters played by Cruise and Riseborough match the vibe of the time, but I was able to buy into the stakes regarding their partnership. Together, their goal as partners is to be an “effective team,” which plays heavily into how the movie unfolds. One of the things that I notice a lot about futuristic sci-fi, or maybe just sci-fi in general for some cases, is that compared to the world we live in today, there is some lack of emotion in certain spots. Even with the lack of emotion in place, there is still a sense of realized chemistry between Cruise and Riseborough. And when the dramatic moments do hit, I feel it. This movie is a post-apocalypse story first, but if I were to judge it as a relationship drama, I’d give it a thumbs up. Also, sidenote, I like how at the beginning of the film he travels in his ship with his personal bobblehead to keep him company. It’s like his own little hula girl you put on the dashboard of your car or something.

“Oblivion” came out in 2013, and when it comes to the effects in this film, they feel pretty clean despite being in this rather depressing environment, but that’s not a bad thing. It does add a little glamour to something that doesn’t have much life in it. Specifically, I’m talking about the world, not the movie. This is not me bashing on the movie. I mean, the drones look very well put together and even though we just saw a new “Sonic the Hedgehog” movie that came out this year, the drones in this movie look twice as detailed and polished. I like the drones from a sound perspective as well.

I will say, having watched this movie in 2020, it does feel a bit weird, because even though we are living in a time where things are getting back to normal, one of the major plot points of the movie involves Tom Cruise’s past. Without really diving into spoiler territory, the way “Oblivion” handles this is likable, and as of now, kind of relatable. The movie starts out with Tom Cruise in an industrialized New York City, and it goes into his emotions in terms of how much he longs for the good days of old to return. Back when we had toilet paper and less masks and gather–wait, I think this is the wrong timeline! From this moment, and a few others during the movie, I got a sense of who the character of Jack Harper really was. A guy who went about his daily life with his partner, appreciating one moment after the next, but he also wanted the past to return, back when the Earth had numerous fun activities.

And even though Jack Harper is… (sigh) a Yankees fan, I understood his character because he wanted activities like sports and those sorts of things to return. Although given the circumstances, bringing those back would be a near impossible task.

I also really like the character of Julia, played by Olga Kurylenko. As mentioned, this movie focuses a lot on Jack Harper’s past, and the same can be said for this character. The way this was handled was very well done and made for one of the better parts of the movie. If I am not mistaken, “Oblivion” is my introduction to Olga Kurylenko, so I would like to see what else is put on her resume in the future.

Now onto the negatives, the film honestly starts much better than it concludes. I think the best parts of the movie take place through exposition and buildup. Even though the climax is somewhat entertaining, it misses an oomph factor to take it up a couple notches. Once again, I will mention, as much I like Morgan Freeman, this is probably one of his roles that I will end up forgetting. Granted, per usual, he is charismatic, but compared to other characters in the film, he does not climb up the ladder for me.

In the end, I went into “Oblivion” thinking it was kind of going to start off as this big action extravaganza, like “Edge of Tomorrow,” but it turned out to be something somewhat smaller in scale, which I am fine with. The shots in this movie are very well done, I admire most of the characters, and when it comes to Joseph Kosinski as a director, seeing this film makes me somewhat faithful that he can pull off a “Top Gun” sequel. Although when it comes to his past work, “Tron: Legacy” is definitely worth your time. Would I watch “Oblivion” again? Sure I would. In fact, this might be one of those movies that might be better the second time. It may have one or two moments or things that I missed that could make for a relatively fun second go. As far as Tom Cruise movies go, not bad. I’m going to give “Oblivion” a 7/10.

Thanks for reading this review! This is the first installment to my Tom Cruise Month review series, I hope you enjoyed it, because I want to remind you that this is just the beginning. My next film in the series is going to be the 1983 flick “All the Right Moves…” I wish I’m doing something else, but here we are. That review is probably going to be up on Monday or Tuesday, depends on when I watch the movie. But next Friday is my current deadline. I wanted to get the post I’m doing right now up by this previous Tuesday, but between everything going on in the world, and I will admit, laziness, I was a little late on this. By the way, if you are reading this, happy June! …Or whatever time in the world it is, I lost track I don’t know how many centuries ago. If you want to see more content like this, please consider following Scene Before either with an email or WordPress account! Also, head on over to my Facebook page! WE HAVE TOILET PAPER! That’ll get everyone in, right? I want to know, did you see “Oblivion?” What did you think about it? Or, do you have any bobbleheads? List em’ down in the comments, I want to hear about them! Scene Before is your click to the flicks!

Scoob! (2020): Scooby-Don’t See This Movie

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“Scoob!” is directed by Tony Cervone (Back at the Barnyard, The Looney Tunes Show) and stars Will Forte (The Last Man on Earth, The LEGO Movie), Mark Wahlberg (Transformers: Age of Extinction, Ted), Jason Isaacs (Star Trek: Discovery, Star Wars: Rebels), Gina Rodriguez (Annihilation, Carmen Sandiego), Zac Efron (Neighbors, High School Musical), Amanda Seyfried (Mamma Mia!, First Reformed), Kiersey Clemons (Angie Tribeca, Transparent), Ken Jeong (The Masked Singer, The Hangover), Tracy Morgan (The Last O.G., Rio), Simon Cowell (The X Factor, America’s Got Talent), and Frank Welker (The Smurfs, DuckTales). This film is yet another addition to the “Scooby-Doo” franchise created by Hanna-Barbera, but this was a rare case for the franchise in which this was supposed to be a big theatrical movie.

…If only more theaters were open…

Now, it has premiered on streaming services and On Demand. Nevertheless, the film’s ideas themselves remain the same. “Scoob!” centers around the popularized gang of characters who split up as the vicious Dick Dastardly plans to unleash a “dogpocalypse” to the world and its people.

I saw the main trailer for this film and I was pretty indifferent about it. I had no strong feelings of excitement towards the movie itself, nor was I thinking it would be the worst thing I’d ever see. When it comes to children’s content, I was pretty sure that “Sonic the Hedgehog” was going to get on my nerves more, which didn’t turn out to be the case whatsoever as it might be my favorite movie of the year so far. But, judging this year’s resume of films, that really doesn’t say much as the highest score I have given to a film so far this year remains at a 7/10. Speaking of things that get on my nerves, “Scoob!” is a crime against humanity that has officially engulfed my brain in flames.

Let’s start out with the positives, and I’m not saying there are positives because I’m a nice guy, in fact, isolation is probably turning me into an entitled asshole, but nevertheless. The film is decently animated. A lot of the images are shiny and vibrant. Then again, it is 2020, and at this time, good animation is a requirement. Plus, I did rent the movie in 4K. The other thing I liked about the film, and while I wouldn’t call it some of the best material I have ever seen, are the introductory scenes. The way that Shaggy and Scooby-Doo meet is kind of nice to see. Granted, I saw it in the trailer, but the way it plays out in the movie makes for a somewhat entertaining scene. However, there is one moment in the scene that I probably consider to be a little too far-fetched. Even so, it’s still a delightful scene. I will also add that getting Iain Armitage to voice young Shaggy is a perfect casting choice. The first scenes of the film where Shaggy and Scooby grow up together make for good buildup while also focusing on the mysterious and spooky elements of the “Scooby-Doo” franchise. The way the gang meets and sticks together makes for a fun scene and montage and even though it did not seem to promise an absolute masterpiece, I did at least expect to be somewhat amused throughout the hour and a half runtime of this movie.

As soon as we get around the first scene with Simon Cowell playing himself, I lost any and all interest I could have possibly had with this film. Because as soon as the main course starts, this movie basically becomes the latest incarnation of *insert superhero title here*. “Scoob!” is essentially an attempt to turn the “Scooby-Doo” franchise into a superhero movie. Everyone at Warner Bros. must have been thinking, “Marvel’s popular. Our very own DC is popular. Scooby-Doo? Not cool enough.” I guess this is one reason why Warner Bros. thought it was okay to release this film in May and not October. The movie takes place during Halloween, geniuses!

As for the heroes in this movie, both super like Blue Falcon and Dee Dee Sykes and less than super such as Scooby and Shaggy, I basically rooted for none of them. Everybody felt stupid, underwhelming, and even though Scooby and Shaggy have probably never been a part of a superhero mission in their lives as this movie likely suggests, some of the things that go on in this movie make me think that they need to look The Official Encyclopedia of Predictable Superhero Movie Actions. That sort of thing does not exist, but goddammit I would buy it if it were out there! There are one or two moments in this movie that drove me so mad, both as a fan of superhero movies and as someone who wants the characters in “Scoob!” to be competently written. Now I do not mind predictable movies as long as the people behind the project can make it fun. I just talked about “Onward,” which I could think through, but the overall fun and emotion provided within the movie makes up for its predictability. But “Scoob!” reached a level of predictability that I did not only avoid expecting to see, but as far as how the characters handled it, it angered me to the moon and back. When a decent amount of your movie’s characters are morons, why should I root for them?!

As for the villain, Dick Dastardly, he kind of feels like a D-list Thanos. He’s heavy, he’s got kind of a punch-able face, and he might honestly be the best character in the movie. Keep in mind, compared to Thanos, he’s nothing. But I liked the way they handled his character because there was some depth to him. Granted, they tried to dive deep into some secondary superheroes who play a role in the plot, but I couldn’t even come close to rooting for them. There is a saying that a movie is only as good as its villain, but when the heroes turn me into a villain, then it probably doesn’t matter how much I liked the antagonist of “Scoob!.”

May I just remind everyone that four people are credited for the screenplay for “Scoob!?” How did we get here?! Also, three people worked on the story. When it comes to these bloody genius writers, some of their previous credits include “Playing with Fire,” “Norm of the North,” and “Alvin and the Chipmunks: The Road Chip” just to name a few.

I’m not lying when I suggest that this movie is basically trying to copy the success of a superhero film. There’s a big team trying to stop the bad guy, there’s a couple scenes with hi-tech gadgets and techno wizardry that develop the plot, and you know how I mentioned that Dick Dastardly is basically Thanos in this movie? Guess what his plot is? Trying to find a series of bones to complete his collection! We get it! “Avengers: Infinity War” is one of the most successful movies of all time! It happened! Just be “Scoob!!” Actually, you know what? I take that back. Don’t be “Scoob!,” “Scoob!” is terrible. Be a better movie.

To add on to the superhero craze, you know what Warner Bros. is planning on doing in the future? Well, if you look at the Wikipedia page for “Scoob!,” it suggests that “Scoob!” “is intended to be the first installment in a series of films set within a Hanna-Barbera¬†shared cinematic universe.” F*cking hell.

If you have ever been remotely interested in the Marvel Cinematic Universe, you should be thankful that critics gave “Iron Man” positive reviews, otherwise the MCU probably wouldn’t even exist today. As far as I am aware, “Scoob!” is getting mixed verdicts across the board. Who knows what’ll happen there? But nevertheless, if I have to sit through a cinematic universe full of material as bad as this, I am officially no longer a movie person.

In a world full of superhero and comic book movies, “Scoob!” is like that kid trying to join the cool kids table saying, “Hey, I like Fortnite,” but everyone else thinks the kid is just trying to get attention. I will give a ton of credit to the animators behind “Scoob!,” because the film does look nice on a screen. Again, I watched it in 4K, the colors really stood out to me. The one thing I wish I could do right now as a movie-watcher is declare whether or not something is worth checking out in theaters. But, I can’t do that. So instead, I shall pose the question, is “Scoob!” worth renting for $19.99? As far as I’m concerned, that question earns a strong “no.” This film feels like a Marvel flick that doesn’t even know who its audience truly is. The film tries its hardest to “modernize” the “Scooby-Doo” property, which I honestly think was a big mistake. Well, at least they got Frank Welker to voice Scooby. There’s even a joke regarding the character of Fred Jones that involves him being compared to one of the Hemsworths! This film is infuriating and unbelievably forgettable! In the end, “Scoob!” is ninety-something minutes of “what the f*ck just happened?” and I’m going to give it a 3/10.

Thanks for reading this review! I usually don’t talk about movies that avoid a theatrical release, but as long as movies are not hitting theaters or as long as there are no theaters open to play them, I will be talking about movies that hit streaming or DVD early. There will likely have to be some sort of previous intention to have the film theatrically released, but that’s just what I currently have in mind. I just want to watch movies that are better than “Scoob!” at this point, that’s all I care about. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, be sure to check out my Facebook page, which will hopefully be updated with content involving much better movies in the future.

Also, movie theaters, PLEASE COME BACK.

I want to know, did you see “Scoob!?” What did you think about it? Or, what is your favorite Hanna-Barbera property? Let me know down below! Scene Before is your click to the flicks!

Onward (2020): Peter Parker and Peter Quill Cast Spells

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“Onward” is directed by Dan Scanlon and stars Tom Holland (Captain America: Civil War, Spies In Disguise) alongside Chris Pratt (Guardians of the Galaxy, Jurassic World) as two brothers. These two brothers live together in a magical realm, or more specifically, a magical realm that has increasingly evolved over the years due to advances in convenience and technology. Now that both brothers are of appropriate age, they are able to execute a magical spell that can help them bring back their father for one day. When they are only able to bring part of their father back to reality, the two brothers go on a quest together to figure out how they can get the rest of him back.

First and foremost. It’s good to be back. While we are not back to normal yet, and yes, NORMAL, I’m tired of whatever the “new normal” is supposed to be! It is still nice to talk about a movie that has come out this year without as much distraction towards the greater pain of reality. “Onward” was one of the last movies I saw in a theater before everything ground to a halt. The film started off with a somewhat underwhelming box office performance, perhaps likely due to COVID-19 taking effect, but I did see it opening weekend, so I feel glad to be one of the chosen people. While there were other movies I was looking forward to this year more, many of which I won’t get to see for awhile, “Onward” was definitely one that had my attention. For starters, it’s a Pixar movie. And Pixar, kind of like Marvel Studios or A24, is one of those distributors that always delivers a midas touch. Heck, I even like all the “Cars” movies! I’ll go as far to say that I really enjoyed “Cars 2!” If you want action, that’s a Pixar movie I’d recommend. So even though “Onward” was not my most anticipated film of 2020, it was one that I thought would be at the very least, solid. And that’s what it was. A solid movie. As much as I make fun of Disney for their business practices, which work for them even though I don’t fully support them, I will forever love Pixar, which might be the mega-corporation’s greatest asset in terms of quality. Over the years, a lot of their films have been well-written, conceptually creative, and of course, beautifully animated. Especially over recent years, even if one of their films was never in my top 5 from them, I would not deny the amount of work that must have been put into those films to make them family-friendly, while also trying to keep not just kids, but adults interested. Even though I was, and I hate to say it, disappointed, with their late 2017 film, “Coco,” it is some of the studio’s finer work in terms of color and animation detail. Even though “Toy Story 4” is probably the worst movie in the series, there is a shot of a cat in that movie that looked like something out of real life. For the record, I saw “Cats” later in the year that “Toy Story 4” came out and none of the cats from “Cats” hold a candle to that digitally animated feline! That’s how much I appreciate Pixar as a studio.

Once again, Pixar does not let me down from an animation standpoint. Everything fits its respective environment, it’s crisp, and the attention to detail is spot on. I saw this film in IMAX and the animated shots of this movie shine on the big screen. I cannot say that it is Pixar’s best technical work, but it is absolutely superb nevertheless. The film is now on Disney+, and I imagine that the film does look pretty good on Disney+, but since movie theaters are starting to reopen, if “Onward” is playing near you, take the opportunity to see it! Because even if the movie is not that great for you story-wise I imagine it will still be fun to look at. It is a film, kind of like recent Pixar entries, that I see holding up for years if you want a tech demo.

As for the screenplay, I think it is at times predictable, but that is also what makes it work in certain moments to deliver a satisfying story. There is conflict in just about every single moment, there’s a good amount of setup and payoff that is done effectively. The playaround and mashup between this fantastical, dungeons and dragons-like sort of environment and our modern lives is undoubtedly entertaining and creative. It makes for some fun scenes and ideas. In a way, it almost reminded me of Disney’s “Zootopia” which came out four years ago. That’s a really good movie by the way! Because that movie took a bunch of talking animals, put them in a world like ours, and while that film more or less was a satire on modern society, it was cool to see a blend of fantasy and reality put together to deliver a fun time.

As for Tom Holland and Chris Pratt, I think both characters are well-written, but when it comes to casting. That is where things begin to become questionable. Now, I will say, Tom Holland as the younger brother is definitely worth keeping. But when it comes to Chris Pratt, I like him as an actor, but I feel like he’s more closer to a father figure than an older brother in this film. That’s just the first impression I got from him. After all in real life, Tom Holland is 23 right now. As for Chris Pratt, he’s 40! Now I know you can get away with a lot more in animation in terms of details, actions, voices, personalities, but hearing Chris Pratt’s voice attached to someone perhaps close to my age is a little bit weird. I’m not saying it’s off-putting, it’s just weird. Both characters are great, serve the movie well, and have likable chemistry, but I just don’t think Chris Pratt was the right choice for the character of Barley Lightfoot. Nothing against him, I respect Pratt as an actor, he’s got decent talent, but I think he was a little bit miscast.

As for Tom Holland, I think his casting was perfect. He plays a teenage boy, and I am willing to bet that due to his marvelous (no pun intended) performance as Peter Parker, that there may be some worries down the road that he may be typecast. Because Holland’s still in his early twenties, and he has tons of charisma that can convince somebody he’s likely able to play an older teen for a while. But nevertheless, when it comes to this animated role, his voice completely fits the character. It’s in this tone that is almost in what I would call a “downer” mood, I just made that up on the spot! I don’t even know what I’d call it! But Holland’s pitch matches his lanky character to a high degree. I will also give props to Julia Louis-Dreyfus (Seinfeld, Veep) and Octavia Spencer (Hidden Figures, Ma) who also stood out for their fine performances, plus the solid casting on someone else’s part.

Funny thing is, going back to Pixar’s quality, I will admit that I have not checked out all their films yet. I own “The Good Dinosaur,” but I have yet to watch it. I also still need sit through “Monsters University” and “Brave.” When I was at university this semester, I had a screenwriting professor who saw “Onward” and he pointed out that when it comes to Pixar, it’s one of their inferior movies. He also went on to suggest that bad Pixar is better than a lot of movies. He’s got a point. From an animation standpoint, “Onward” is pristine. Story-wise, everything adds up, makes sense from beginning to end. Compared to some other notable animations or family movies that completely rely on immature fart jokes, “Onward” just tries to tell a needed story from beginning to end, which is usually what I go to movies for. And yes, the occasional visual spectacle of “Onward” is a much-desired and satisfying cherry on top of the sundae, but story must come first, which Pixar typically succeeds with, even in cases like this when it is not their finest work. Pixar was supposed to come out with another movie in June, specifically by the name of “Soul,” but that unfortunately has been delayed. Much like “Onward,” “Soul” is an idea that has not been tested out before by the studio. Going into these movies, I am always looking forward to where Pixar takes their characters and its creative concepts. When “Soul” comes out later this year, I will continue to anticipate attention to detail, but at the center, a dang good story.

In the end, “Onward” is a fun ride from start to finish. It is a movie that you can watch with your kids without really feeling the need to tune much of anything out. Pixar’s always had that intention and plan of execution in mind. I remember the first time I saw “Up” in the theater, and years later, my dad and I still remember the movie, and if I’m not mistaken, he’d probably watch it again if it were in front of him. Would I watch “Onward” again? Probably. Maybe not right away, but I can see the effort put into this film and that is something I totally respect. I’m going to give “Onward” a 7/10. Fun fact, a 7/10 is honestly a low score for the Pixar brand given their resume. So even though this is one of, and as weird as it is to say, Pixar’s worst movies, I think it is still worth your time. I’d probably rather watch this again than “Coco,” which, was good! But I expected a lot more from it. Maybe one of the downsides of that film is waiting until 2019 to watch this, whereas I watched “Onward” right away. But I could be sticking my feet into hazardous mud here.

Thanks for reading this review! Once again, it’s finally nice to talk about something that is not specifically about COVID-19! I wish I could do this more often. I don’t know if I’ll be doing a part 8 next week to my Movies and COVID-19: Behind the Scenes series, but I’ll have to find out what I’m doing, what kind of mood I’m in, and so on. But if I were to review a new movie, my next one is likely going to be for “The Way Back” starring Ben Affleck. I will say, given how it has been a couple months since I’ve seen that movie, I wonder how much of a challenge it’ll be for me to talk about the film in detail, but that question shall be answered as we cross that bridge. Maybe I’ll rent the movie if I need to watch it again, but I also don’t to waste $5 or $6 for the sake of wasting $5 or $6. These reviews typically regard my first impressions, and I had little intention on changing anything in regards to how I do my blog, but this pandemic did it for me. It took some control away from how I operate everything I do at Scene Before. Or, maybe I’ll soon do my review for “My Spy” which is about to debut on Prime Video. I am officially one of the few that has ever seen “My Spy” in a theater, which I feel pretty lucky for doing. But as of recently, the film changed plans, and instead of getting STX to release it in theaters, the plan is to get the film on Prime Video as an exclusive. Given how very few, if any, sources in the U.S. have even talked about or reviewed the film at this point, it might be necessary to hold that review off for a little bit longer. It’s a truth that is difficult to handle at this point, but what isn’t difficult to handle during a pandemic? If you want to see more great content from Scene Before, give the blog a follow either through an email or WordPress account! Like this post, share it with your friends, show some appreciation for the Movie Reviewing Moron! Also, instead of scrolling across some clickbait articles with misleading information about COVID-19, check out the Scene Before Facebook page and give it a like! I want to know, did you see “Onward?” What did you think about it? Or, what is your LEAST favorite Pixar movie? Why? Would you still consider it to be “enjoyable?” Let me know down below! Scene Before is your click to the flicks!

Sonic the Hedgehog (2020): Goes Fast, Does Not Crash

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“Sonic the Hedgehog” is the feature-length debut of director Jeff Fowler and stars Ben Schwartz (DuckTales, Parks and Recreation), James Marsden (Westworld, X-Men), Jim Carrey (Batman Forever, Ace Ventura: Pet Detective), and Tika Sumpter (One Life to Live, Ride Along). This movie is based on the hit SEGA video game franchise of the same name, which has officially become one of the biggest titles in the industry. The film follows Sonic, who is sent to Earth from his home world, and eventually adapts to his current lifestyle. But when one thing leads to another, he needs to go to San Francisco all the while keeping the evil Dr. Robotnik from conquering the universe. So Sonic teams up with Tom Wachowski, AKA “Donut Lord,” in order to get to his destination.

I have never dove deep into the realm of “Sonic the Hedgehog.” I know about the games and its characters, but I have barely played them. Although, if “Super Smash Bros.” counts, I have played a lot of that. But I do know a bit about the film’s source material. Sonic is a witty, upbeat character that likes to go fast, because let’s face it. If he were slow, this movie might go on longer than “The Irishman.” But one I thing I think many people going into this movie knew about waaas…

This.

This f*cking face right here graced the Internet with all the memes possible! People thought it looked creepy, revolting, and an insult to humanity! Now I’m going to be completely honest with you. I do not create content to please people, I create it to enforce my personal asshat opinions. Speaking of asshat opinions, I did not think the original design was all that bad. Now, is it great? Maybe not. But it’s not like it is the end of the world! The reality is that this is a live-action movie, and you have this cartoony character in the middle of all of it. There are a number of possibilities they could have gone with. Hell, I would have been fine if they went down the “Who Framed Roger Rabbit?” route and made Sonic 2D. Would it have been weird? Sure! But again, this is an over the top animated hedgehog! I will say when I saw the first trailer, I was not as skeptical about the film as most people. It’s just a design. There have been plenty of good movies with lackluster visual effects. Look at “Rogue One: A Star Wars Story,” they CGIed Tarkin’s face, and it was choppy at times, but it didn’t take me out of the movie. In fact that movie’s GREAT. And say what you want about removing Henry Cavill’s mustache in “Justice League,” I enjoyed the movie. I thought it was fun. It felt rushed, it sorta clashed in tones, but it was still a fun ride.

Now to be fair, it is refreshing to have a film’s crew and the parties alongside them to respond to the fan backlash, because let’s face it. Fans can be rowdy. And the newer design that unfortunately shut down the visual effects company who worked on it, paid off. For putting in the effort and doing whatever’s possible to make the best movie you can, thank you. Movies are hard to make, I get it.

To be honest though, this does bring up something very important. I saw the first trailer and ended up feeling somewhat confident that this movie COULD work. It had the essentials for a solid story of its kind. Then I saw the second trailer with the design. Sonic looked dope, but the movie itself looked like s*it. There’s a saying that looks aren’t everything, and that is the truth about the second “Sonic the Hedgehog” trailer. A lot of comedy gags looked cheesy and weird, Sonic almost sounded kind of annoying, and it kind of had a similar vibe to “The Smurfs.” I mean what do you expect when you have a blue, animated creature from the middle of nowhere transporting themselves to our planet, uniting with a newfound human acquaintance, and unraveling a plot that affects both sides?

Cannot believe I’m saying this. Sonic freaking rocks! In fact, DARE I SAY IT. I want a sequel! This is the best video game-based film I have seen to date. Granted, I am missing a couple core titles like “Mortal Kombat” and “Lara Croft: Tomb Raider,” but still, this is the best video game movie I have ever seen not counting specific partially unrelated titles like “Tron,” “Ready Player One,” or “Wreck-it Ralph,” a movie which Sonic actually happened to be in.

Is it the best movie I have ever seen? Absolutely not. It doesn’t even come close, but it has pretty much what it needs to fulfill the requirements of a film of its kind. This film is for kids, there is no hiding that. But the thing I noticed is that for the most part, it doesn’t feel like it is treating kids like morons. Granted, it is not Pixar quality, but it doesn’t spend every other minute trying to make Sonic fart in Dr. Robotnik’s face. This movie has some nice nods to Sonic’s power, specifically super speed. There’s an occurrence where Queen’s “Don’t Stop Me Now” is playing, Sonic has a comic book collection and pretty much every copy in said collection is from “The Flash,” and they even make a joke about “The Fast and the Furious.” More speed jokes, less fart jokes, I know I’m happy! My one complaint here though is that the baseball scene that is shown in the trailers is a little far-fetched, but it’s not a terrible scene, so I can kind of live with it.

Let’s be real, the Sonic character in this film is pretty much what I would want him to be. He is upbeat, he is lively, he is wild, he is fast, he is Sonic. Part of me thought that his constant hyperactivity would be a detractor of the film, and I will say that there are a couple moments where that does not help the product. There’s a moment in the trailer that is just as flat in the movie as it is there, specifically where Sonic and his newfound human acquaintance, Tom Wachowski, are passing by a sign that is advertising the world’s largest rubber band ball. It’s gags like that which don’t work. But the Sonic character is a ball of fun. He’s cute, but occasionally not cuddly. He’s almost one-dimensional, but one thing I will say about that is that the recent games from what I have seen, pretty much portray Sonic in a similar manner. He feels like a brother somebody has and they’re often annoyed by, but everyone else who knows the guy loves this brother. Sonic is my annoying brother, and I love him. Great job, Ben Schwartz!

Speaking of annoyance, Sonic is definitely annoying somebody, and that somebody is the recently mentioned Tom Wachowski who is wonderfully played by James Marsden. James Marsden is the main human character in the film, he is a cop in rural Montana, and the movie partially focuses on Wachowski’s acceptance to the police department in San Francisco, California. This partially plays into the hedgehog’s overall story, where they have to travel to San Francisco to avoid a deadly situation. The chemistry between the two here is surprisingly decent, I was never turned off. I also enjoyed his cop sideplot a little bit, but going back to unfunny jokes, there was one joke that I was able to predict pretty much what was happening right off the bat. Granted, if a kid sees it, it might be pretty funny, but not for me. I won’t go much into it, but it involves a tiny donut. Although, Tom Wachowski does earn a rather slick nickname from Sonic, specifically “Donut Lord.” Technically speaking that’s wrong, Homer Simpson is the REAL donut lord, but it is nevertheless a cool nickname.

But let’s talk about the best character in this movie, and I think a lot of people will agree with me on this, Jim Carrey as Dr. Robotnik. When I saw the first trailer for this film, Robotnik almost felt like a flat, beyond cartoony, madman. Having seen the film, just remove the word flat, and you get Robotnik. I watched that recently mentioned trailer thinking Robotnik could be the worst character in this movie, turns out he is probably one of the best villains I have seen in a film made for children and families! Seriously! Carrey’s portrayal is incredibly zany and electric! And this partially has to do with how well written Robotnik is. He has the stereotypical villain mindset where he thinks he is better than anybody else, but that’s what makes him so great. There’s a moment where he delivers a line to another character having to do with him being the smartest man in the world, therefore everybody else is stupid. It is one of the best executed villain lines I have ever seen! Robotnik is such a great over the top villain that he has a lightshow dance party in his lab as he does his evil deeds. There’s a screen that allows him to simulate getting his head chopped off by a dinosaur! It’s bonkers! This feels like something Robotnik would do every day after smoking a couple joints! Robotnik had the finest lines, he was in on the best jokes, and as of right now, I don’t know if anybody else could play him.

HOW AM I– WHAT IS HAPPENING?! This was supposed to suck!

Now, this movie is a surprise if there ever was one. It’s a video game movie, meaning that it is filed under a kind of movie that does not usually do well critically or financially. Time will tell how much of a financial success “Sonic the Hedgehog” will be, but I did not expect so much positivity with this film. It sort of reminds me of what people must have thought before seeing “The LEGO Movie.” But, I will admit, unlike “The LEGO Movie,” “Sonic” is not flawless.

I’m pretty sure some of you reading this know that one of the staples of filmmaking is product placement. Some movies like to fill themselves up to the brim with an effort to make commercials within the film. The “Transformers” movies are an obvious example. 2017’s “Power Rangers” wanted to remind its audience that when they think “Power Rangers,” they also think Krispy Kreme! You also have movies like “Uncle Drew” that is literally produced by Pepsi! Honestly, product placement is one of the most annoying necessities in a film. When it’s obvious, it is sometimes cringeworthy. When it’s bloated, it’s embarrassing. The reality is that I came to watch a movie, not a commercial. If I wanted commercials, I’d just watch the Super Bowl.

But hey! After watching “Sonic the Hedgehog,” why don’t you take your family to Olive Garden and get a taste of their neverending pasta bowl? IT NEVER ENDS! Maybe afterwards, you guys can look at houses on Zillow and never buy anything because your kids will miss their friends in school! Seriously! There’s like, two or three mentions of Olive Garden in this film at different times! And each time feels as commercialized as the next. I remember seeing “Blockers” a couple years ago where the main girls are making a sex pact and they reference Olive Garden, say what you want about that in terms of how obvious it is that such a mention is there to be product placement, it nevertheless feels more natural than what this movie provides!

Also, as well done as the movie is from a visual perspective, even if a little extra complaining was needed to put in more effort, there are a couple of scenes in the film where I am looking at the laser sensors from Robotnik’s minion machines where they did come off a little more cartoon-like than I would have preferred. It could have been worse, but still. There are also a couple of moments where the effects looked a little TOO GOOD, as if they were too clean and glossy. Maybe it’s just me, but a LITTLE grit could have gone a long way.

But this does not take away from “Sonic the Hedgehog’s” positives. It pays tribute to the games, while also realizing that in order to stand out, it needs to be its own thing. The performances are good and fit the characters well. Robotnik is one of the most well-written villains I have ever seen, at least in a movie for families. There is a chase towards the end that is up there with some of my favorites I have seen on screen. I am not going to go into much detail, but one more notion I want to provide about “Sonic the Hedgehog,” I THINK the writers behind “Sonic the Hedgehog” took a moment to make fun of alternate video icon, “Super Mario,” OR… THEY TEASED A VIDEO GAME CINEMATIC UNIVERSE. Overall, this kind of makes sense, Mario has crossed over with Sonic in the past, Nintendo has put Sonic in a number of games also featuring Mario characters like “Super Smash Brothers” and “Mario and Sonic at the Olympic Games.” Why not bring that crossover to the realm of film? As far as I know, that might not be happening because Universal and Illumination are seemingly working on an animated “Super Mario” film and that would probably interfere with “Sonic the Hedgehog’s” universe, because it is live-action. Plus, “Sonic the Hedgehog” is under the Paramount name, so the two characters are probably under exclusive maintenance from different studios. But, you never know! Disney owns Marvel and yet they’re letting Sony collaborate with them on “Spider-Man.” Plus, Universal also has the Hulk, and yet he’s been in several of Disney’s MCU films. Anything’s possible in the money-grabbing, magical, bonkers wonderland of Hollywood! Don’t take this as news, the movie has been out for two weeks and I am not confirming anything about this.

In the end, “Sonic the Hedgehog” is fast, vast, and an utter blast! This feels like a movie that if I were a kid, it would get me more into movies, potentially even into how they’re made. Maybe it would even get me into gaming a little bit more if I were not already into that. Then again, what young boy doesn’t like a good video game? Depending on how 2020 pans out, “Sonic the Hedgehog” is highly unlikely to reach the top 10 movies of the year for me, but for now, it is easily one I’d go back and watch. While this does not say much, “Sonic the Hedgehog” is the best video game movie I have seen in my life. The competition against it is not really that stiff, but it’s the truth! With that being said, I’m going to give “Sonic the Hedgehog” a 7/10!

Thanks for reading this review! My next review I am going to be doing is for the all-new film based on truTV’s biggest show currently on the air, “Impractical Jokers: The Movie.” I love the “Impractical Jokers” TV show, so naturally I just had to check this movie out and see what it is all about. Does the show translate well to film? You’ll find out in my review! I just want to take an opportunity to wish everyone who was born on Leap Year Day a very happy birthday! It must feel great next year, for those of you who have just turned 5, to finally drink at the legal age of 5 and a fourth! In other words, happy birthday on this rare occurrence of a day! Happy Leap Year! If you want to follow Scene Before and see more great content, do so using an email or WordPress account! If you want to go all the way and support Mark Zuckerberg’s mission for social media domination, check out my Facebook page and give it a like! I want to know, did you see “Sonic the Hedgehog?” What did you think about it? Or, have you played any “Sonic” games? What was that like for you? Let me know down below! Scene Before is your click to the flicks!

Dolittle (2020): Why, Downey? Why?

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“Dolittle” is directed by Stephen Gaghan (Gold, Syriana) and stars Robert Downey Jr. (Iron Man, Chaplin), Antonio Banderas (Interview with the Vampire, Shrek 2), Michael Sheen (Frost/Nixon, Masters of Sex), Emma Thompson (Saving Mr. Banks, Late Night), Rami Malek (Bohemian Rhapsody, Night at the Museum), John Cena (Trainwreck, Playing with Fire), Kumail Nanjiani (Men in Black: International, Silicon Valley), Octavia Spencer (Gifted, Hidden Figures), Tom Holland (Spies in Disguise, Captain America: Civil War), Craig Robinson (Last Comic Standing, Knocked Up), Ralph Fiennes (The LEGO Batman Movie, Skyfall), Selena Gomez (Monte Carlo, Wizards of Waverly Place), and Marion Cotillard (Allied, Inception).

This film is the latest reboot to the “Doctor Dolittle” intellectual property. This time around, Robert Downey Jr. plays the man who can talk to animals and it follows him in a story where a Queen is dying and the only way to save her is to go on a journey to find a healing tree. On said journey, he is joined by his fellow animal friends and a new human apprentice (Harry Collett).

I have no memory of watching any previous material from the “Doctor Dolittle” franchise from beginning to end, so this was sort of my introduction to this world on film. Granted, I knew about about the character, I knew the whole thing about how the character can talk to animals and said animals do not spend too little time making a presence for themselves. I had the basics down, but for this movie, I was getting a new experience, one I never really had before.

But just because my experience was new, does not mean it was enjoyable. If “Cats” made me never want to ever interact with a feline ever again, then “Dolittle” has officially destroyed any chance I previously had of wanting to so much as think about any animal in existence. Thankfully, unlike “Cats,” which I praised for the CGI *at times*, the effects in “Dolittle” are a lot less unsettling, and a bit more satisfying to look at. But if Robert Downey Jr. is going to continue doing films like this after throwing in the towel with the MCU, movie audiences everywhere are in for a world of pain.

Granted, I will say, one of the interesting things about this film is that Robert Downey Jr.’s wife, Susan Downey, is a producer on the film. Plus, the two have kids, and it was just revealed on a clip of “Today” that this was the first premiere that they were taken to. After all, unlike most of the movies that Downey Jr. has done recently, which have been PG-13, “Dolittle” is PG. If “Dolittle” was a chance for two related people to work together, it may sound sweet, but quality should ALWAYS come first. This is why I get worried whenever Melissa McCarthy and her husband, Ben Falcone, are doing a project together, because statistically speaking, they are not usually that well-received. Granted, maybe I am getting a little bit more apprehensive than I really should because the Downey team are also working on a film together to be directed by Richard Linklater, who also directed “Boyhood,” which even though I have not seen the film itself, I know enough about it to realize how innovative and groundbreaking of a film it really is.

As for Robert Downey Jr.’s performance, I could tell that maybe there was some effort put into it, but holy mackerel, that accent sounds like crap! It almost sounds as if Downey was doing a really bad impression of Bilbo Baggins from “The Hobbit!” It’s overemphasizing in how bold it is supposed to come off and unfortunately, it makes me think Robert Downey Jr. at one point must have gotten acting lessons from a ship-sailing pirate.

Speaking of Robert Downey Jr., there is a point in this movie where he says a line where he basically invaded my mind and snatched an idea out of it. Now I know this is a kids movie, I know it is a family movie, some people will tend to say that these types of movies can get away with a few things here and there, cause ya know, kids just want to be entertained. I think that is a cop out of an excuse for a least a good portion of how many times such a thought is uttered. But what I find hilarious about this movie’s script is that there is a point where a bunch of characters are in a room together and Dolittle is basically providing a blueprint of his plan to save the Queen, and there is a point where he has to point out how preposterous his plan sounds.

Shut up, movie. Shut up.

The CGI in this film is not half bad, but that’s something I’d come to expect at this point, I’m willing to bet that maybe if this came out in the past decade or maybe sometime prior to say 2016’s “The Jungle Book,” this could be like another “Avatar.” Granted, if it came out in 2009, which is when “Avatar” came out, it probably would be just another movie, but this feels like a movie that would have probably worked as an experiential technological achievement from the 2000s, but since it came out in 2020, it needed something more.

I do not want to provide too many spoilers for this film, for one thing it just came out, and I imagine there are some people, not everybody, but some, who may have sort of a nostalgic attachment to the “Doctor Dolittle” IP. Out of respect for those people, this review is as spoiler-free as I could possibly make it. With that being said, the climax of this movie delivers one of the most infuriatingly off-putting gags ever put in a kids movie. There is a scene that I imagine young kids will probably get a kick out of, but I thought was the dumbest thing on the face of the earth. It involves farting. That is all I will say. Oh, and speaking of which, the humor in this film is as stale as whatever the latest pop song that always plays radio happens to be! Not all the jokes stood out, but when a joke did, it made me hate my life and everything in it. I am a bit young to have kids, but if I ever did have kids, this movie would probably be banned from movie night. If a find a DVD copy of this thing in the house, chances are I’m going to throw it through the window and break the glass. Any movie that has a scene containing a barely understandable human being playing chess with a gorilla who shows his ass as a way of insulting his opponent is officially on my eradication list.

Ironically, there is a song at the end of the film by Sia. I do not have all that much to say about the song itself, but apparently, in this attempt to recreate “Doctor Dolittle,” the song that plays is called “Original.” This world is becoming increasingly dumber, and there needs to be a cure for this combined dumbassery.

In the end, “Dolittle” just… did little to leave me happy. Will kids like it? Probably if they’re under maybe 10 years old. But I don’t think that this will be a film that families will go to and endlessly remember and quote for the rest of their lives. If anything, this is going to be a film that kids will watch, enjoy, and either move onto the next thing or continue watching until they grow out of it. “Dolittle” as a whole is just boring, formulaic, and none of the iconic names in the cast can save this mess! Robert Downey Jr. in this movie may not be a people person, but now after coming out of “Dolittle,” I have reevaluate my respect for the art of film and ask myself whether or not I am a movie person at this point. I am going to give “Dolittle” a 2/10. Now while I don’t see Universal Pictures dying a horrible death these next few months or anything, this is not the best of times for them. They just did “Cats,” which was awful, and apparently this is one of their next big releases! As one who enjoys Universal’s movies, I wish them luck during this dire time.

Thanks for reading this review! I just want everyone to know that my next review is going to be for Guy Ritchie’s “The Gentlemen,” which I just saw at an advance screening aaaaaaannnnnd… There’s too much to talk about. I’ll save my thoughts for the review. That’s all I’ll say. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! If you want to leave a like or comment, make sure you have the proper account credentials, and speaking of liking, why not hop over to my Facebook page and give that a like too? I don’t see any reason not to! I want to know, did you see “Dolittle?” What did you think about it? Or, what is your favorite “Doctor Dolittle” movie? Let me know down below! Scene Before is your click to the flicks!

Spies In Disguise (2019): #TeamWeird

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“Spies In Disguise” is directed by Nick Bruno and Troy Quane, stars Will Smith (Men in Black, Suicide Squad) alongside Tom Holland (Spider-Man: Homecoming, The Lost City of Z), and this is the latest animated feature from Blue Sky, the creators of films including “Rio,” “Epic,” and “Ice Age.” This film follows the adventures of showoff spy Lance Sterling (Smith) as he eventually runs into the quirky and hyperactive Walter Beckett (Holland). When the two first meet, their chemistry does not quite match, causing a bit of a ruckus between them. Speaking of things that cause a ruckus, the film involves Sterling’s accidental transformation and adaptation to the life of a pigeon. Meanwhile, Sterling is also in a situation where he has been framed.

Before we go any further, I do want to remind you all that this is my final film review of 2019, and what a better way to end than by touching upon a movie where Agent Jay and Spider-Man collide, amirite? Now, while this was not a film I was planning on seeing instantaneously, I recall seeing a trailer or two for this film in the theater earlier this year. During that time, my curiosity meter increased. But as I went in, part of me was still skeptical as to how this could turn out. As much as I have enjoyed a good portion of Blue Sky’s work, I was worried that this movie could end up being a little more disposable than I’d like. And in some ways, I guess it is. It relies a bit on gross and toilet humor, there’s even a scene that I probably want removed from my memory as soon as possible.

I have to ask all of you, what is the most disturbing sight you’ve witnessed in a kids movie? Because while I cannot confirm what mine would be at this point. I would probably need to think about it, but there’s a scene that I am truthfully surprised this movie was somehow able to get away with. There is a brief clip where we get a look at this chubby naked dude and it shows pretty much the entire backside of his body, including his magnificent ass. Seriously, watch the movie, it’s actually pretty spectacular.

MOVE OVER, CAPTAIN AMERICA! THERE’S A NEW PLAYER IN TOWN!

And the film is kinda sorta what a parent would want when they need to waste an afternoon with their kid. It’s fun, but also kind of unmemorable. You’re not really getting the quality that you would come to expect from say your typical Pixar fare nowadays. It’s a film that is sort of cliche, sort of been there done that, not to mention done better, but it his a few elements here and there that still make it a fun time at the movies.

I also have to say, when it comes to Will Smith’s character, I’d say he was very well portrayed given the writing and overall style of the film. After all, it is an animated film, which does allow for, not to mention celebrate, enhanced hyperactivity. Lance Sterling is essentially the result of what would happen if Michael Bay were black and fought crime. He often tends to reveal personal enthusiasm or excitement towards explosions, violence, flying through helicopters in ways that don’t really make any logical sense, and whatever other way he can show himself off. The movie’s second scene does a really good job at showing Smith’s character in all of his glory. He’s basically what would happen if Po from “Kung Fu Panda” became a spy. I say that because Po often displays a sense of enthusiasm from his particular martial art, and while spying is not kung fu, Po would probably take various elements from his passion, which seems to be fighting for good, hold onto them, and continue to express himself as the “most awesome” fighter ever. In fact, to put two and two together, Lance Sterling is referred to as “the most awesome spy.”

To add onto this supposed awesomeness, Sterling in this film is displayed as kind of a narcissist. Even though he is often responsible for people’s lives and has to save the day, he thinks that he is a step above those around him just because he’s, well, him. We see a scene where he’s given a marathon of compliments in a giant lobby, and if he were invited to a party of spies, he’d be a hit based on what I can assume from that short moment. I will say though, and this is my opinion, this narcissism of Sterling’s, while definitely a defining character trait, also kind of made him somewhat of an asshole, most notably during the beginning portions of the picture.

As much as I like Will Smith, I also have a soft spot for Tom Holland, considering he has one of the best interpretations of a comic book-based character of all time. He stars in this film alongside Smith as a young, millennial, aspiring inventor and scientist who went to MIT in his younger teen years. In fact, when we first see him, in a scene that almost felt like it was ripped out of “Cloudy with a Chance of Meatballs,” he shows off this invention that sort of reveals his personality. This makes him almost a polar opposite of Smith’s character once they team up, because Smith lives for violence, whereas Holland is almost kind of a pacifist. Much of his character’s traits revolve around him being happy or optimistic or peace-loving. I think the mismatched chemistry was a good idea and helps build a lesson for younger viewers, specifically the notion that sometimes problems can be solved without anger or destruction.

I mentioned one problem I had with the film early on in the review, specifically how it does something that I almost wonder how it got in the film in the first place. Maybe it’s not as graphic as I thought, it’s just something that I do not usually expect to see in an animation like this. However, this movie is not afraid to let in a swear. Seriously! There is a moment where Lance Sterling is in a sticky situation and the moment basically called for a joke where he drops a bomb. For those of you who are possibly parents who want to protect your kid, don’t worry, it’s censored! I’d also say the film is still predictable and kind of standard as far as modern animations go, but it still manages to handle itself quite well in the process.

In the end, if you have kids, I think this might be a fine afternoon outing of some sort. If you want to go see a movie for matinee price, I’d recommend this. Maybe if you have A-List, it would be a slightly higher recommendation. Maybe you should wait until it becomes available on DVD, maybe go see “Star Wars” for the second or third time. But just to remind you, Disney wins either way. After all, this is a Fox movie.

And we all know the fate of that company…

Anyway, I don’t think I’ll ever rewatch “Spies in Disguise,” at least not in the near future. It’s by no means a bad movie, but it is one that I am almost surprised I have not forgotten by now. I have a feeling if I were a general audience member, maybe I’d forget about it at this point, maybe fairly soon. But like most of the movies I have seen this year, the positives tend to outweigh the negatives. It’s not Shakespeare, but it’s a good time. I’m going to give “Spies in Disguise” a 6/10.

Thanks for reading this review, 2019 is finally over and I have had one heck of a year. I will be kicking off 2020 in style, because tomorrow is the release of my top 10 BEST movies of 2019. Speaking of which, the day afterwards, I will be following this up by revealing my top 10 WORST movies of 2019. I’m not going to give much hints as to what will be on those lists, but I am excited to continue my annual countdown tradition, and I hope you enjoy the content! Speaking of content, if you want to receive the latest updates from Scene Before, follow the blog either with a WordPress account or email! And speaking of stalking my daily life, go on over to my Facebook page and give it a like! It really helps me out! I want to know, did you see “Spies in Disguise?” What did you think about it? Or, since this is my final review of the year, what is your favorite and/or least favorite movie of 2019? Let me know down below! Scene Before is your click to the flicks!

The Aeronauts (2019): The Theory of Ballooning

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“The Aeronauts” is directed by Tom Harper (The Woman in Black: Angel of Death, Peeky Blinders) and stars Eddie Redmayne (Jupiter Ascending, Fantastic Beasts and Where to Find Them), Felicity Jones (Rogue One: A Star Wars Story, The Amazing Spider-Man 2), Himesh Patel (EastEnders, Yesterday), and Tom Courtenay (Doctor Zhivago, The Dresser). This film is based on the 2013 book “Falling Upwards: How We Took to the Air,” written by Richard Holmes. This is about a pilot (Jones) and a scientist (Redmayne) as they try to survive in a gas balloon as they attempt to break boundaries for all mankind.

“The Aeronauts” was one of my more anticipated films of the fall. When I did research on this film earlier this year, I figured this would be a fun ride, and I mean that literally. During the summer, I made a big post meant to recap the initial half of 2019 and how it links to my time on Scene Before. In said post, I made a statement about some of the plans I had for October. I wanted to check out “Zombieland: Double Tap,” which I did see. And I also wanted to take a gander at “Gemini Man,” which I didn’t see. Another film on the list of things that I wanted to see then was “The Aeronauts.” After all, it was supposed to release in October, but it didn’t even come out here in the United States until December 6th. This release period by the way is very limited. And I think Amazon thought that the movie would do better if it was released to Prime as soon as possible. By the way, I wanted to go see this in the theater. In fact, I had an opportunity to see it for free, because I reserved a pass for a screening at a theater in Boston, but I ended up not going because it was during a time of a big snowstorm and I was wondering if I would be able to get home easily.

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Also, when I reflect on the buildup period to this film’s release, I recall this being Amazon’s earliest planned attempt at an IMAX run. Having said that, it seems to be true. In the United Kingdom, this released in cinemas during November. This run seems to have included screenings in IMAX and 4DX. This movie was shown in various places in the US, including at AFI Fest this year, where according to Wikipedia, it would show at the TCL Chinese Theatre IMAX. Unfortunately, as far as I know from research, the movie lost its IMAX run here in the US.

Having seen the movie, I must say, as an experience, Amazon honestly missed an opportunity. They could have marketed the film as the “must-see in cinema experience of the year” or something of that nature. This film is vibrant, lively, and just a joy to look at. The cinematography is nice at times, the visuals have this sense of lifelike magic, and it kind of made me want to go up in the sky. In fact, one thing that I noticed while watching this film, is that the aspect ratio changes overtime. When the balloon launches up in the air, the black bars diminish. This gives a grand sense of scope of the sky. I would have loved to have seen this in a cinema, especially in IMAX to be a part of the amusement park-like experience, which this movie really is. However, the movie does not shy away from building proper characters.

I do not know much about the real life events this movie happens to be based on, but the movie managed make the event feel important yet entertaining. Part of the entertainment has to do with the likable chemistry between Amelia Wren and James Glaisher, played wonderfully by Felicity Jones and Eddie Redmayne. I think the characters feel like a legit pair for the time and pretty much every scene with them on the balloon was a bundle of joy. This should not be too surprising though because Redmayne and Jones have collaborated in a project before. Even though I haven’t seen this movie in particular, I know they both appear in 2014’s “The Theory of Everything,” which received mostly positive reviews.

Again, every scene with these two in the balloon was hypnotizing and I almost didn’t want them to stop. But how’s the rest of the movie off the balloon? Aside from the opening scene, it’s almost a snoozefest. Not gonna lie, I’m kinda disappointed. This movie is perhaps one of the more badly edited products we’ve gotten all year. Okay, the editing itself is fine, but the structure is what the real problem happens to be.

If I had to compare “The Aeronauts” to anything, it would have be “Suicide Squad” and “IT: Chapter Two.” I say that because one of the core elements of both movies is that they rely heavily on flashbacks. I often joke about this, and I made this joke over three years ago when I originally reviewed “Suicide Squad,” specifically calling it “Flashbacks: The Movie.” Granted, the flashbacks here are not as prominent as “Suicide Squad,” but I think that’s what makes this movie suffer. Even though a movie like “Suicide Squad” is perhaps strangled by its past, I was still able to keep myself awake to whatever past events are being shown on screen. Maybe it’s because of the previously established grand scope, but the events of reality deterred the pacing of the film for me. I was expecting this film to mainly focus on the main event at hand, simply based on the opening. While this may not be the most accurate of comparisons, it sort of reminded me of “Dunkirk,” which was not really about anything except one particular event. Unlike “Dunkirk,” “The Aeronauts” tries to focus on two main characters. Ultimately, this just feels, to me, like it focuses more on the journey overall than anything else.

I enjoyed “The Aeronauts,” don’t get me wrong. But at the same time, it’s seemingly forgettable. The flashbacks almost feel like filler, but there is one that sort of leaves an impact on the film, and sort of foreshadows the danger that lies ahead. Judging by what I said, it might as well be easy to point out that this is the first flashback of the movie. And speaking of films directed by Christopher Nolan, because I just mentioned “Dunkirk,” the very beginning sort of reminds me of the opening scene of “Interstellar.” I won’t go into much detail, but both seem to highlight significant danger, and both do so very well. Speaking of the beginning, the launch scene very much reminded me of a rocket launch that plays out in a space film. It really does come off as something special and extremely important. Given how space travel was not even a thing back when this movie takes place, it is nice to see some sort of equivalent for the time.

But if there is one thing I need to say… Why did they have to alter history and make a gender swap? OK, let me just say, I am for writing history when it is done right. I don’t always watch films for the sake of a history lesson, but when a film is focusing on history, I do expect a certain level of realism and accuracy. Unfortunately, this film fails with that. For the record, Amelia Wren is essentially a replacement for Henry Coxwell, who was part of this real life event the movie tends to go over. I think it’s a bit far for me to say that I felt ripped off, but considering the fact that I didn’t even know this until I was doing my final revisions for this review, I would not lying to you if I told you this lowered my grade for this film. I’m serious. As I was writing this, I already had a paragraph with my score set. Guess what? Just for this, it’s going to be altered!

In the end, I don’t have all that much more to say about “The Aeronauts,” partially because it is rather simple to explain, and to be honest, it’s unfortunately forgettable. Let me just say, it’s better than “Cats.” Definitely better than “Cats.” ANYTHING at this point is better than “Cats!” As gorgeous as this film looks, as stunning as it truly presents itself, it suffers slightly in terms of substance. It’s not a disaster by any means, in fact I had a fun time with it, but if it were paced better and structured differently, I think it could have lead to something that would float higher on the scale. And honestly, I could end up watching this again, but the lack of focus on history was a slight downfall for me, so I’m going to give “The Aeronauts” a 5/10.

Thanks for reading this review! I just want to remind everyone of a couple updates here on the blog. On Christmas Eve, I am going to be dropping my final trailer (I promise) of my upcoming two part countdown series “Top Movies of the 2010s.” Speaking of countdowns, I want to remind you all that at the beginning of January, I am going to be releasing my top BEST & WORST movies of 2019 lists. Per usual, I am planning on doing top 10 lists, perhaps with honorable mentions, and I will recap some of my thoughts on some of the films I have seen this year. That is unless I reference a film that I have not reviewed, but we’ll have to see how everything pans out in the future. If you want to see upcoming content like this and more, be sure to follow Scene Before! Want to help me out even more? Give this post a like and share with your friends! Speaking of places you can find friends, check out my Facebook page! I want to know, did you see “The Aeronauts?” What did you think about it? Or, what is the most visually impressive movie you have seen in 2019? Let me know down below! Scene Before is your click to the flicks!

Star Wars: The Rise of Skywalker (2019): The Final Word in the Story

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“Star Wars: The Rise of Skywalker” is directed by J.J. Abrams (Mission: Impossible: III, Star Trek), who also directed 2015’s “Star Wars: The Force Awakens.” This film stars Daisy Ridley (Peter Rabbit, Murder on the Orient Express), John Boyega (Pacific Rim: Uprising, The Circle), Adam Driver (Paterson, Girls), Carrie Fisher (The Blues Brothers, Family Guy), Mark Hamill (Kingsman: The Secret Service, Batman: The Animated Series), Oscar Isaac (Ex Machina, Operation Finale), Anthony Daniels (I Bought a Vampire Motorcycle, The Lord of the Rings), Naomi Ackie (The End of the F***ing World, Lady MacBeth), Domhnall Gleeson (Ex Machina, American Made), Richard E. Grant (Can You Ever Forgive Me?, Logan), Lupita Nyong’o (Us, 12 Years a Slave), Keri Russell (Waitress, Dawn of the Planet of the Apes), Joonas Suotamo (Star Wars: The Force Awakens, Solo: A Star Wars Story), Kelly Marie Tran (Adam Ruins Everything, XOXO), Ian McDiarmid (The Lost City of Z, Sleepy Hollow), and Billy Dee Williams (Batman, Dynasty). This film is the conclusion to the sequel trilogy of the “Star Wars” franchise, bringing an end to the now trendily-named “Skywalker Saga” and follows the heroes we have come to know so far as the Resistance is dwindled. Where do they go next? Wherever they can to face off against the First Order one last time.

Oh, and of course… There’s a REAL LIFE plot to this movie too! After the events of “The Force Awakens” and “The Last Jedi,” audiences are divided! Between playing it too safe in one movie and trying to find unlocked paths in another movie, there is no way to impress every single “Star Wars” fan out there! So now it is the job of J.J. Abrams to bring balance to the “Star Wars” fandom and take on the near impossible task of sticking the landing in terms of directing “Episode IX.”

Now, for those of you who have been following Scene Before for some time, I do have to say, I make an effort to provide as little spoilers as possible for every movie review I do. There may be a case where I either have to or want to put in spoilers for one reason or another, but most of the time, I make an effort to be as secretive as possible in regards to the film’s key points that could potentially alter how one would see the movie if it had been revealed to them beforehand. With that being said, this is a “Star Wars” movie. “Star Wars” is a franchise that I would be eternally heartbroken had spoilers for it come my way. I imagine most of my viewers would feel the same way. So let me just say, this is a SPOILER-FREE review. Knowing that I just saw the movie on one of the earliest showtimes the public can access, I am going to raise my shield to avoid all effects from blasters, lightsabers, pistols, force lightning, and if possible (and I’m not saying I am weak-minded), Jedi mind tricks. So without further ado, let’s talk some “Star Wars.”

The “Star Wars” sequel trilogy has been a mixed bag for me so far. I for one LOVE “The Force Awakens.” I’m not gonna lie, it is one of my favorite “Star Wars” movies for sure. “Star Wars: The Force Awakens” was a movie I was looking forward to, saw in the theater on opening weekend, and walked out of it feeling like I saw the second coming of Christ on screen. Every now and then I’ll walk out of a movie feeling something inside me that made me feel like I leveled up. That was one of them. In fact, it might even be my favorite movie of 2015. Is it a copy paste of the original “Star Wars” movie? Sure, you can definitely bring up that point. But the thing is, the movie did exactly what a film of its kind needed to do. Deliver crowd-pleasing moments, provide stunning visuals, unleash great characters, start something special, and take you away from reality. “Star Wars: The Force Awakens” was able to do that. I will admit, I liked “Episode III,” in fact I personally admire it much more than most people, but as someone who looks back at the prequels as a slight step in the wrong direction, what Disney and J.J. Abrams did with “The Force Awakens” was exactly what I believe the “Star Wars” community and fanbase needed. Something familiar, but immensely entertaining.

Then we got “The Last Jedi” which was… Mediocre. Now if you have ever read my initial review for “Star Wars: The Last Jedi,” you’d know I dug it. The reason being is because as much as I enjoyed “The Force Awakens,” I saw it partially as a throwback. But it’s a good throwback, don’t get me wrong. I don’t mind movies or media jumping on the nostalgia train, but I wanted something new out of this “Star Wars” trilogy that could separate them from the other two. As good as “The Empire Strikes Back” is, I was afraid that this movie, like “The Force Awakens” did with “A New Hope,” would be a rehash of “The Empire Strikes Back.” However, based on what the movie provided from a story perspective, that did not seem to be the case. The movie made some bold, expectation-subverting choices. While I admire director Rian Johnson for trying to take “Star Wars” in a new direction, it didn’t pay off. Originally, I gave the movie a 9/10 for the steps it took in finding new storytelling paths, but as I thought about the movie more, I dug it less and less. Mark Hamill is GREAT as Luke though, I’ll give the movie that. I will admit, the film is beautifully directed, it’s wonderfully shot, and the visuals are sometimes incredible. But the screenplay is almost the worst in “Star Wars” history. “The Last Jedi” felt like a passion project that ended up splattering in someone’s face. I will admit, as much as I don’t like Johnson’s vision for “The Last Jedi,” I do think he is a damn fine director with the right project. He made “Knives Out,” which is one of the best movies of the year, and I just saw “Looper,” another film he wrote and directed, and it’s nothing short of dope. I would be SOMEWHAT open to him directing another “Star Wars” project, but not writing one.

Now we’re here! “The Rise of Skywalker” is upon us. I will admit, I did not have the most pleasurable thoughts going into it. But nevertheless, I scored tickets for the first show of the film at one of my all-time favorite movie theatres, so the fan inside me felt ready for this experience. I will admit, some of the trailers were really good, and part of me was curious to see how this saga will end (until Disney needs more money and they make Episode X). What are my thoughts on the ultimate story of the “Skywalker Saga?” The top of Mount “Star Wars!” The height of the force! WHAT? DID? I? THINK OF IT?

Well… uhhhh…. It was better than “Cats.”

To be completely serious with you, I really enjoyed this movie A LOT MORE THAN I THOUGHT I WOULD going into it. “Star Wars: The Rise of Skywalker” is up there to me with “Toy Story 4” and “Alita: Battle Angel” as one of 2019’s most pleasant surprises. I could honestly end the review by pointing out that against each and every single odd, J.J. Abrams delivered something watchable. But, ending the review here would be boring, and y’all will probably feel cheated, so let’s move on.

Sticking with J.J. Abrams, he was the right choice to direct this film. I love what he did with “The Force Awakens” as mentioned earlier. And I think those who have complained in the past about “The Force Awakens,” specifically about it playing it too safe might dig this movie a little more than that. Granted, this movie relies HEAVILY on nostalgia. There are many iconic themes from John Williams that are brought back, nods to past “Star Wars” films and TV programs, the return of Lando, and Palpatine is even somehow in this movie. But even with that, this movie introduces quite a few new things. I am not exactly going to go into each and every one of them, but they are there nonetheless. In fact, as someone who doesn’t like “The Last Jedi,” I think the thing about it that I at least appreciate is its willingness to take risks. They didn’t pay off, but they are still risks. This movie was able to take me to my happy place, sort of back to my childhood, while also introducing some fresh ideas. Not all of them worked, kind of like in “The Last Jedi,” but there are some that played into how fun this movie ultimately is.

One thing you are going to hear me repeat often throughout this review is that I won’t spoil something, so bear with me here. But I want to mention that without going into much detail, C-3PO had a bit to do with the movie’s story, and I think this may be my favorite 3PO story yet. In fact, 3PO honestly feels like a necessary character for this movie to go on. And even though he has been in just about every “Star Wars” film so far, this may be the first story where I felt 3PO’s presence was required in order for certain events to take place since the original trilogy, or maybe “The Phantom Menace.” I mean, most of his stories since just involved him being in the movie to have a random character be a comic relief (which he was before, but still) or just give some random perspective of what’s going on. Well that, and he needs his red arm replaced. It’s nice seeing him in the prequels and the last couple of sequel films, but seeing him as a core part of the story here is an utter delight, knowing the legacy this character has overall.

As for our main characters, I think Rey, Finn, and Poe, the main human trio we have come to know so far throughout this trilogy are hypnotizing to watch. Seeing them on screen again was a blast, in fact there is a scene early on between Finn and Poe that might be one of the most ridiculously fast-paced and bonkers “Star Wars” moments ever. Without saying much, it involves the Millennium Falcon. Personally, the scenes involving Rey when she was separated from her friends were a bit more fun than those between her friends. Honestly, there are a few scenes between the main trio, not every scene, but there is one that stands out in particular, where I just began to question the chemistry between them. I know that one of the key differences between this and the other two trilogies is that it is the shortest of the timelines. The original trilogy spans about four or five years and the prequels last even longer. This entire trilogy lasts about a year. It’s kind of mind-boggling if you think about it. Even though you have less time to develop these characters off-screen, it still somewhat unfortunate that the movie’s quality suffered as a result.

Speaking of character flaws, let’s talk about some of the newer additions to the movie. I’m not gonna go too deep into the new characters, but what I can say about them is that they sort of make me reflect upon “The Last Jedi.” What I mean is that whenever a new character in that movie is introduced, it takes some amount of time for me to just want them to disappear. The only new character in that film that really brought something to the table for me was the one played by Benicio Del Toro because he seemed to have some hint of swagger to him. I didn’t like Holdo, I didn’t like Rose (who is much better in this movie better by the way), the force kids didn’t really seem to add much of anything. Kind of like that, the new characters introduced to this film were also kind of forgettable. Granted, they’re better than those introduced in “Episode VIII,” but nevertheless. Nobody made me roll my eyes and no one took away my dignity. Even if the new characters were not that great, you could still tell me that they were in the movie for a reason and I’d probably be on your side.

Case and point, Keri Russell’s character of Zorii Bliss. As the main adventurers are in the middle of their quest, they run into this woman, thus leading to an explanation of her past history with one of the film’s other characters. Again, I’m trying to be vague with this review, because knowing some people, they consider minute details spoilers, so I am going to fulfill those people’s wishes. I like her costume design, and I’ll reiterate, she serves her purpose when the movie needs her, but if she was taken out of the movie, I would probably not care all that much. But, movie’s gotta movie.

Speaking of new characters, I also, to my disappointment, didn’t like D-O, the new green droid that was introduced. I am not saying I was highly anticipating D-O to be the scene stealer of the film or anything, but if there was one character that was probably created SPECIFICALLY for this movie just to get somebody out of the house to go buy a toy, this would be the one. D-O is along for the ride, but it’s another one of those characters that could literally be removed from the script and bring no negative effect to the table. Well, maybe except Disney who won’t be making as much money from people who may go out and buy D-O merchandise in the meantime. It would be fine if D-O had more dimension as a character, but there’s barely anything that I could say about D-O that makes him resemble a character full of personality, and full of charisma. You can make the argument that a character like BB-8 was mainly created to sell toys, but the thing is, BB-8 is charming, serves the plot very well, and doesn’t necessarily feel tacked on. BB-8 has basically been a centerpiece to the films he’s appeared in so far, not to mention this entire trilogy. D-O could have been something special, but the somewhat lackluster writing says otherwise.

I also gotta be honest, and I don’t know if I should be entirely surprised, but General Hux has become more of a joke for each movie that he’s in. Here, it’s almost insulting. He starts out well in this film for the most part, and I was entertained when he was on screen, but as the movie gets a bit closer to finishing its first hour, his character does something that honestly got on my nerves. I am not gonna go into detail about what he does, but I don’t know if J.J. Abrams or Chris Terrio or even Colin Trevorrow years back, when he was scheduled to helm this movie, made this decision, but it come off HORRIBLY when delivered on screen. It felt like something ways off from Hux’s personality and it was rainbows and unicorns kinds of impractical. Some people I know have been somewhat displeased with Hux in “The Last Jedi,” a notion I kind of agree with by the way. However, in that movie, I still got a sense of Hux being himself. He still felt like the same character introduced in “The Force Awakens.” It felt like a sligthly natural progression. While Hux is still kind of himself in this film as well, there’s just a moment where I felt dumbfounded as a viewer watching him on screen.

I’ll say this again, Lando’s back! This is something I was personally rather excited for, because I think Lando is one of the many highlights of the original trilogy. It’s hard to list any bad characters from said trilogy, but if there are any, Lando ain’t one of them. How is he in this movie? Well, without spoiling much, he brings some fun to the table, but he isn’t really in the movie all that much. Is that a bad thing? Given the movie’s story structure, I wouldn’t say that’s a bad thing at all, but if you were expecting a Lando extravaganza, you’re not gonna get that. He plays a somewhat minor role in the film, but all of his scenes are watchable and easy to enjoy.

Now let’s get to this one of the most odd yet interesting additions to this film’s cast of characters, Palpatine. Before we go any further, let me just address that people behind this film have stated that it was always the plan to bring back The Emperor. I honestly don’t know if I buy that. I think that’s just a protective statement to avoid turning audiences off. I would have NEVER envisioned The Emperor coming back for this movie, or the sequel trilogy in the first place. Remember that first trailer for the movie? The one they showed at Star Wars Celebration in April? Once I heard Palpatine’s infamous laugh for the first time, I was shivering to my core. It was something so out of left field at the time, that it made my interest meter for the movie go up a couple notches. At the same time however, the more I thought about it, the more nervous I became. I say that because as much as I love the fact that we get to see Palpatine one more time, I was worried that his appearance here would undermine everything in previously established material. Most specifically, “Return of the Jedi,” which may be his most prominent film. Why? Becuase SPOILERS, it’s been 36 years since that movie came out, WHO CARES? He dies. And it’s not just the fact that he dies that I was worried about, I also felt apprehensive because of the way he died. The ending of “Return of the Jedi” is probably my favorite endings of the “Star Wars” franchise (aside from “Rogue One”), partially because the way The Emperor goes out is chill-inducing. Between the powerful score given by John Williams, Vader’s conflict, Luke’s near-death experience, and the massive stakes at hand, it makes The Emperor’s fate all the more meaningful and emotionally satisfying. Seeing the smoke rise from the pit is a feast for the eyes and ears, and I thought that was a fine bow tie for his character. But no, I guess for some reason he’s returned to the party. I was honestly worried for a number of reasons. Two of which I’ll give here. 1. Again, The Emperor died in a way that was satisfying and the way he went out feels like a way that would be difficult to recover from. 2. The marketing seemed to promise Palpatine, but I did not think it was clear as to how much of him we’d be getting. After all, his voice is heard a lot, but I only remember seeing him physically in probably just one TV spot. That and one of the early posters.

So how was Palpatine? Not bad, to be quite honest. There is no way, at least at this point that I could be convinced that Palpatine was supposed to be the endgame the whole time, but inserting him in this movie was surprisingly solid. I mean, you can make the argument that Palpatine’s character being a centerpiece of all three trilogies in some way bring something to the table, but I’m not sure I’d completely agree. Nevertheless, just about any character interaction with him was tense and had my full attention. Ian McDiarmid played him like Slash can play a guitar! I am not going to dive deep into his character because there is a good chance that any effective thing I can say about him would be somewhere in spoiler-territory. I’ll just say this… He doesn’t just feel like a bad guy who wants to do bad guy things. He legit feels like a threat, as he should, and a necessary part of the film’s overall story and conflict. Overall, I dug him being here.

Speaking of things I dug, one thing that stood out to me at the start of the movie happened to be Rey, and the reason for that is because she apparently is kind of the Jedi definition of a showoff. She has these abilities that I think almost no other person in history could ever achieve. I will admit, when I first saw this, I kind of liked it. This new trilogy has shown was in which the force has perhaps evolved so to have this all powerful being is not completely unbelievable. Again, I already said I dug it, such a comment about liking this might almost be irrelevant at this point. BUT… There are a couple moments where I legit thought I was watching a piece of fantastical and far-fetched fan-fiction come to life. There are some things done with the force in this movie that I do not remember seeing much in “Star Wars” prior to this movie. This movie has a point where it becomes seemingly convenient in terms of how the force works. Sometimes it might be cool, maybe even badass, sometimes it just doesn’t work. There’s a moment in particular between Rey and Kylo on a desert that I want to say I like, but the Movie Reviewing Moron part of me wants to question whatever it was I just saw.

Sticking with Rey and Kylo, they have a number of scenes together in the movie, and there are some neat moments between them. Specifically fights, conversations, and more. Although if I had to list a complaint in the movie that might be my biggest of all, it would have to be this one scene between the two of them at the very end. It’s something that starts off as charming and sweet, and then becomes something that continues to piss me off. I have a feeling that if you are under a certain mindset going into the film you might enjoy whatever it is I won’t talk about whatsoever, but it just didn’t work for me.

Continuing off of what I just said, the final half hour to forty five minutes of this movie is full of fan service. Almost in the same way such a fraction of “Avengers: Endgame” was for the MCU. I won’t go into details about the fan service specifically. Some of it worked and some of it didn’t. Listen, that thing that I mentioned pissed me off in the last paragraph, I AM NOT GONNA SPOIL A THING, but if you pay attention, the thing that pissed me off personally is part of said fan service. And having said that, I almost wonder what the people behind this movie were thinking while making it. Keep in mind, while a good number of people seemed to enjoy “The Last Jedi,” I and many others was not really satisfied with it. This movie, in a way, seems to try to give something to everyone. Whether they liked “The Last Jedi,” hated it. Or whether they liked the other “Star Wars” movies, maybe hated those as well, it seems that a lot of time writing the screenplay went into focusing on elements that made other “Star Wars” screenplays what they are, but also what made “The Last Jedi” liked by certain people. This movie, even though it acknowledges the existence of “The Last Jedi,” sort of feels like an apology letter to viewers for “The Last Jedi.” Having disliked “The Last Jedi” myself, I can’t complain too much, but it feels like a script that is supposed to cater to anybody who ever watched “Star Wars” and admired a piece of it. This brings a complication into the mix. There will be things that will inevitably piss off some people, but there will also be things that will floor those same people in a positive way. For all I know, there could be someone out there that loves all things “Star Wars” that might end up liking EVERYTHING in this movie. I’m sure they’re out there.

I do not have all that much more to say about “The Rise of Skywalker,” but I gotta say as an ending to a nine film saga, this is surprisingly satisfying. I was worried that J.J. Abrams wouldn’t stick the landing, I was worried that I would feel unfulfilled for some reason, or the direction in this film will highlight a completely rushed ending. I gotta say one thing though. As much I enjoy having gotten my own opportunity to see an entire “Star Wars” trilogy with both previously established and newly established characters in theaters, I do not know if this film in particular is as fulfilling overall compared to the ending of “Return of the Jedi.” Again, I’m not going to spoil anything, but that film ended on such a note where the characters many of us have come to love got just about everything that they have come to earn. Admittedly, having seen this new ending, I WON’T GO INTO detail, but one character “acquires” something new that hasn’t been acquired yet that combines fan service and pure emotion. It also solves a complaint. What complaint? Not gonna tell ya. If I ever do a spoiler talk, I’ll be sure to bring this up.

Overall, “Star Wars: The Rise of Skywalker” is entertaining, visually impressive (which shouldn’t be surprising, it’s “Star Wars”), and one more thing I will mention is this, because I feel I should not leave you all hanging without a mention of John Williams kicking ass with his score. I mentioned earlier that his score is heavily reliant on nostalgic themes, but whenever there is a scene that is heavy on said nostalgia or one that really needs a certain mood, Williams is there to bring the goods. I need time to see where I’ll rank this score, but as of now, this is one of the absolute best “Star Wars” scores I have ever heard. Having witnessed comments about this being the last “Star Wars” score from John Williams, I think he went out with an absolute bang. Williams, this world, nor does a galaxy far far away, deserve you. You are a god, enough said.

In the end, “Star Wars: The Rise of Skywalker” is a flawed, but simultaneously charming finale to a nine film saga that has been going on for over forty years. Once more, I’ll bring up “The Last Jedi,” and I will say even though that film has glimmers of entertainment, it does not feel like a story worthy of the “Star Wars” name. This sequel is a bombastic roller coaster that is worth seeing, especially if you are a fan of the “Star Wars” franchise because I can probably guarantee that even if you end up not liking the movie overall, there will ultimately be SOMETHING to enjoy. But I must say one thing, and this is probably going to piss off some people.

So I have the unpopular opinion, although over the years I have found this unpopular opinion to be a bit more popular than I anticipated, of “Revenge of the Sith,” the finale to the prequel trilogy, being one of my favorite “Star Wars” movies. Another movie which I consider to be just as great is “Return of the Jedi,” the finale of the original trilogy. If I had to be honest, my thoughts on “The Rise of Skywalker” are not that positive compared to my thoughts on the other two movies I mentioned. I liked it, quite a bit in fact. But if I had to give the honest truth, “The Rise of Skywalker” is my least favorite of the three trilogy finales the saga has had so far. Even with that in mind, it’s still good. At the same time though, this does bring up one positive regarding the “Star Wars” saga as a whole, and a negative as well, depending on how you look at it. The finales of all the trilogies make up the one portion of the saga that is entirely positive in one way or another. Keep in mind, I love all the films in the original trilogy, so the beginning, middle, and end all work there. But “The Phantom Menace” was a fail to start off the prequel trilogy, and speaking of prequel failures, I also wasn’t a fan of the middle act of the trio of films, “Attack of the Clones.” Similarly, this most recent sequel trilogy had the disappointing middle entry “The Last Jedi.” The finales all worked, even this one, to my complete surprise. With that being said, “Star Wars: The Rise of Skywalker” is worth a watch, especially in a big, obnoxious movie theater with fantastic sound, and I’m going to give it a rather high 6/10. As much as I enjoyed the movie, I think a 6 is a fair grade. Would I watch it again? Oh, you betcha. And technically, this film has some of the best sound and visual effects of the year, which isn’t new for a “Star Wars” film. But story-wise, there is an argument to make that even though I love how quick this movie progresses, it almost gets to that point where it becomes rushed. If the newer characters were better and if MAYBE it tried to focus going down one particular path as opposed to catering to a bunch of different demographics, the score could potentially be higher.

With all of what I just said in mind, this movie honestly has notable flaws, not to mention things that piss me off. But this movie is also satisfying overall, and the many positives of the movie tend to outweigh the negatives. It’s not as bad as I thought it would be, and most importantly, it’s better than both “The Last Jedi” and “Solo: A Star Wars Story,” both movies which by the way, I felt disappointed by. I want to thank everyone for giving a great saga of films to remember. I hope various future “Star Wars” projects work out and I am looking forward to the future of the franchise should I continue to tune in. Thanks for reading this review! Next week is the limited release of the all new war film “1917.” It is going to be hitting theaters everywhere this January, but honestly this is a movie that I need to see as soon as possible because I have a feeling that it is going to be one of the best directed and well-shot movies of this particular release year. It comes out Christmas Day, which I’m busy on, but hopefully I can get my butt in a seat as soon as possible. Be sure to follow Scene Before either with an email or if you want greater access to the blog, use a WordPress account. Be sure to like this post and share it with your friends, and check out my Facebook page! I want to know, did you see “Star Wars: The Rise of Skywalker?” What did you think about it? Or, now that the three main “Star Wars” trilogies are concluded, which is your favorite? The prequels? The originals? Or the sequels? You know what, here’s another question. How would you personally rank the three trilogies? Let me know down below! Scene Before is your click to the flicks!

Jumanji: The Next Level (2019): The Kinda Sorta Freaky Friday Holiday Special

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“Jumanji: The Next Level” is directed by Jake Kasdan, who also directed this film’s predecessor, “Jumanji: Welcome to the Jungle.” This film stars Dwayne Johnson (Rampage, San Andreas), Kevin Hart (Ride Along, The Wedding Ringer), Jack Black (Kung Fu Panda, Goosebumps), and Karen Gillan (Guardians of the Galaxy, Doctor Who). This film is the sequel to the recently mentioned “Jumanji: Welcome to the Jungle,” and it continues following the characters we got to know from the last film, a group of young adults who get sucked into a video game and become the the avatars they chose. And in this followup, the main young adult, specifically Spencer, returns home from studying in New York around Christmastime. He eventually goes into his basement and decides to play the “Jumanji” video game once more. This leaves Spencer’s friends bewildered of where he’s gone and leads to their eventual return to the virtual world.

I have been on this blog since 2016, and I have reviewed a good number of movies every year since then, but one of them was not “Jumanji: Welcome to the Jungle.” For one thing, I had little time on my hands for it, there were other movies I was more focused on such as “The Disaster Artist,” I was trying to get started on 2018 in film, I had my end of year countdowns (by the way, stay tuned for my BEST & WORST movies lists of 2019 once the New Year arrives), and I will also add that I saw the trailer for “Jumanji: Welcome to the Jungle” and before that, I heard about the movie’s plot. I wasn’t particular fond with it. I grew up admiring the “Jumanji” film from the 1990s, the one with the horrific board game that brought havoc upon humanity, I loved that movie from a story and spectacle perspective. The ending still gives me chills just thinking about it. When it comes to “Welcome to the Jungle,” the 2017 reboot, I was scared for how it would turn out because it felt like there was going to be significantly less at stake compared to its 1990s counterpart. After all, the movie took place inside a video game as opposed to the real world, where ACTUAL things happen. But to my surprise, I had a rather fun time with “Jumanji: Welcome to the Jungle.” The main cast has terrific chemistry, a lot of jokes inside the video game worked, Jack Black’s performance is up there with some of the finest I’ve seen in a popcorn movie, and here’s a shocker, it felt like there were stakes! Surprisingly, anything that took place in the real world was boring compared to the video game. Granted, when the movie kicks itself into gear and I start seeing lots of Sony product placement everywhere, I cannot help but get irritated.

Speaking of surprises, I honestly think “Jumanji: The Next Level” may be better than its predecessor. I think it has better writing, the ideas are just about as clever as they were in 2017, it’s crowd-pleasing, and I will say that a couple new characters bring a bit to the table as well. Most notably, Danny DeVito (Batman Returns, The Lorax).

In this movie, Danny DeVito plays Spencer’s grandfather, Eddie, and I don’t know how many of you saw the trailers, but without giving much detail, he ends up getting sucked into the “Jumanji” video game, so he manages to become an avatar. To be as blind as possible, the avatar he happens to portray is why I found it hilarious when he asks “Are we in Florida?” Yes, the trailer reveals who he becomes, but I went into this movie fairly blind so I am just trying to go off of my experience.

Now I mentioned that in the last “Jumanji” movie, “Welcome to the Jungle,” I never really liked anything that happened in the real world, and I say this because anything that was spoken or acted out in the real world was never funny, somewhat generic, and it did not have much glamour to it if you wil. All I saw were four stereotypical teens not knowing they were going to escape their boring everyday lives and that’s about it. Granted, I grew to like them, but still. But what made the real world events interesting was catching up with our past characters, because they were reuniting, and even though I have known them for less than a week, I feel like I have grown up with them. After all, they were in high school in the first film, and now they are following their own paths in life. I have a feeling I will have some sort of reunion with somebody down the road that I have known from high school in the future, after all, the holidays are here, making this a good time for it. Plus, I’ll mention once again, speaking of reality, Danny DeVito’s real life character is honestly a highlight of the movie for me. I am honestly surprised at how much I enjoyed watching him, especially when he has a little reunion of his own. This movie goes into a little sideplot (if you can call it that), about a restaurant that he and someone else operated together. This is just a fraction of the interactions DeVito has with the character of Milo, who is wonderfully played by Danny Glover. Both of them have great chemistry and I honestly would not mind a spinoff mini-series on Crackle or something just listening to them have conversations.

But let’s be serious, real life is overrated, and sometimes it’s a video game, it’s just a fact. I do like how the video game manages to go in different directions with its characters and storyline, this time there is a new plot where the characters are after a different object. It’s sort of got similar beats to the previous installment, but it has enough to not feel like a ripoff. As for the villain, Jurgen the Brutal, I thought he was just going to be this cliche bad guy who wants to do bad guy things upon one or two early impressions of him, but even though he may resemble someone with cliches, the way the movie goes about executing his character, specifically towards the end, is a thing of beauty. There is an ongoing scene where our characters are interacting with him and his cronies, it’s not only intense, but also pretty funny. That’s the thing that I will say is amazing about this movie. I know it’s got comedic talent, but to have TWO “Jumanji” movies that aren’t exactly the within the realm of “Jumanji” I have come to know and have BOTH be funny and charming is one of the best surprises I have gotten during my recent moviewatching experiences.

But even though I will point out that this film is better than the original, it doesn’t mean it’s flawless. As much as I really like the climax, it does get a little off the rails towards the end. Granted, there is a bit of that off the rails factor that I like, but there’s also a tad that I found to be too insane. It is a video game though, which often distorts itself from reality so maybe I’ll retract this error eventually. I think some of the pacing could have been fixed, and once again, this is not that big of an issue, but there are some scenes that take place in the real world that feel like they are just inserted at a random point and it almost doesn’t flow. This movie is not that much longer than its predecessor, and even though I found certain portions dull, the pacing is a bit better in that film. The last film felt shorter than what it actually was, but this one just felt a tad longer. There’s also one scene with ostriches that is most certainly trying to get a laugh out of people, but feels like something out of a a horror movie where every character does not know the first thing about common sense. I get it, jokes bring smiles to people’s faces, but so do characters with brains. Nevertheless, “Jumanji: The Next Level” is funny and I would not mind watching it again on a rainy day at home.

In the end, “Jumanji: The Next Level” is exactly as the title suggests, “The Next Level.” The last movie was good, this one is a step up. I think I’ll end up having a little more replay value with this one, but we’ll have to see. The characters, both real and fake, are all a joy to watch. The movie itself is pretty mindless, but also works because it is so mindless. In fact, portions of its creativity perhaps comes from mindlessness. I know “The Rock” is not a GREAT actor, just a muscular man who has a somewhat engaging screen presence, but if I had to compare the performance he gave in “Jumanji: The Next Level” to pretty much anything else he’s done, this may be the best he’s been in terms of solid acting ability. I mean, when you are playing someone that is literally portraying somebody else in avatar form, it requires a little bit of extra effort to maybe be convincing. For that, props to Dwayne Johnson. I’m going to give “Jumanji: The Next Level” a 7/10.

Thanks for reading this review! My next review is most likely going to be for “Uncut Gems,” which I saw before reviewing this movie, but I wanted to get this “Jumanji” review out first because it felt like a higher priority. Also stay tuned in about a week and a half, where I will have my review for the biggest movie event of the season, “Star Wars: The Rise of Skywalker.” Be sure to follow Scene Before either with an email or WordPress account for greater access and posts brought directly to your personal feed! Please leave a like on this post, and if you like liking, like… a lot, check out my Facebook page! I want to know, did you see “Jumanji: The Next Level?” What did you think about it? Or, what is your favorite video game of all time? Let me know down below! Scene Before is your click to the flicks!