Tenet (2020): This Review Hasn’t Happened Yet

Before we dive into this review, I just want to remind everyone that this is spoiler free. “Tenet” is one of the biggest movies of 2020 for a lot of reasons. There are not only a lot of people waiting desperately to see this movie, like myself, but there are also many people who might want to wait to see this movie depending on how safe it is to do such a thing. There’s also some areas like New York, California, the country of Japan that for the most part, cannot obtain access to this movie yet. With this in mind, I am going to attempt to be as vague as possible with my thoughts on “Tenet.” Kind of like its own trailers. What did we learn? Not much, which I don’t mind because I’d rather go into a movie knowing as little as possible. What’s the point of a trailer if it’s going to simply show the entire movie? I do go into detail on one or two things, but the things I take the deepest dives into don’t have much to do with plot, story, or characterization. Without further ado, it is time to start my review for “Tenet,” otherwise known as the movie I have waited since the Jurassic era to witness on the big screen.

The day we’ve waited for has arrived…

“Tenet” is written and directed by Christopher Nolan (The Dark Knight, Dunkirk) and stars John David Washington (BlacKkKlansman, Ballers), Robert Pattinson (Good Time, The Lighthouse), Elizabeth Debicki (The Burnt Orange Heresy, Guardians of the Galaxy Vol. 2), Dimple Kapadia (Bobby, Fearless), Michael Caine (The Cider House Rules, Interstellar), and Kenneth Branagh (Jack Ryan: Shadow Recruit, Hamlet) in a film involving NOT time travel, but time INVERSION, which makes time move backward. John David Washington plays The Protagonist (yes, that’s his actual name) who journeys through a twilight world and faces a mission that could mean the difference between peace… or World War III.

It’s finally here! “Tenet” is arguably my most anticipated movie of 2020, not to mention of all time. For the record, I keep saying “Dune” is my most anticipated film of the year, but given how “Tenet” is supposedly the movie that will “save cinema,” that’s an added bonus for me. I’ve talked about this movie long before it came out. I reviewed one of the trailers, I did a couple posts on what we knew about the movie at the time, and I even brought it up a couple times during my temporary “Movies and COVID-19: Behind the Scenes” series. I don’t think I’ll be updating that anytime soon, because I can only take so much talk about COVID-19 at this point. “Tenet” is also directed by Christopher Nolan, my favorite director working today. “Dunkirk” ended up being one of my favorite movies of 2017, taking my #4 spot at my end of the year countdown series. Two of his movies showed up in my “Top Movies of the 2010s (THE BEST 25)” countdown, which by the way, one of them ended up being my #1 pick! That movie by the way is “Interstellar,” which is one of my favorite movies of all time! Christopher Nolan is a director who individualizes his work in the industry, partially because he’s developed a distinctive style himself, but also because a studio as big as Warner Bros. trusts him at this point to make “his movie.” Plus, this movie was shot entirely in 65mm film, much of which was through IMAX. I’m a sucker for large format filmmaking, and I knew that this movie was gonna look CRISP.

To this day, Christopher Nolan has not made a bad film. Keep in mind, I still have not watched “Following,” but I’ve seen every other film from him. I really enjoyed “Memento” and I thought its storytelling methods were pretty solid. His “Dark Knight” trilogy is not only fun, but kind of refreshing in a world full of big CGI comic book movies. “Interstellar” is incredibly rewatchable and I stand by it being arguably my most cherished movie experience. “The Prestige,” while I don’t recall much about it, was fairly enjoyable. “Insomnia” is an entertainingly gritty thriller and features a fine performance from Al Pacino. “Dunkirk” is proof that you don’t always need a centralized character to tell a story, and I kind of like that. As if “Inception” wasn’t already cool enough, I rewatched it four times this year! Two of those times were in IMAX! It’s that good! So, is this the movie we’ve been waiting for? Is this the savior of cinema? Is “Tenet” 2020’s goldmine? Is it worth the hype?

Honestly, I’d say yes. The best way I can describe “Tenet” is this. If you’ve never been to Fenway Park in Boston before, they have this one section where all the seats happen to be green, except for one. Why? Because former Red Sox player Ted Williams hit a 502 ft home run towards that seat, and even though all the other seats remain green to this day, that one seat, which is 502 ft from home plate, is red. I feel like in my imagination, all the other movies that I’ve seen this year, all possess the typical green seats, but “Tenet,” because of how much I enjoyed it, gets the special spot. I say that because as I’ve discussed on here before, 2020 sucks, not just in general, but in the case of what I focus on regarding Scene Before, our cinematic calendar is pretty much a waste.

We’ve barely had any animated features this year, and while they are not my goto genre, I’ve watched at least five per year in the past couple years. It’s something I miss, and I really hope more can come out because Best Animated Feature is a category I do during my awards show that I put on here. There’s one movie that I have lost all motivation to review partially because of the pandemic, and partially because I’ve pretty much put it out of my mind upon leaving the theatre (That movie is “Bloodshot,” by the way.) All the big blockbusters like “Ghostbusters: Afterlife,” “F9,” “Morbius,” “Eternals,” and “Top Gun: Maverick” have all been pushed back about a year. “Tenet” is not only a movie that, unexpectedly, would supposedly “save cinema,” but it was one that was made to specifically show off the power of cinema.

I saw “Tenet” at a regular 2D screening at an AMC, and it felt like I was at an RPX or something. It really felt like the audio was cranked up beyond the maximum limit. This movie has some of the most immersive, and all time best sound editing I’ve heard in my life. Everything from the opening scene to the grand climax is magic for the ears. As for sound MIXING… That’s a different story, and quite honestly, it’s my biggest problem of the film.

Megaphone GIF - TooLoud Loud Afraid - Discover & Share GIFs

I’ve witnessed a few reviews before going to see “Tenet,” not mainly because I wanted to know how the movie was, but because I want to support the content from those who created it. Anyway, they seem to be having the same issue as me. “Tenet” is an audible, earth-shattering movie. Christopher Nolan is no stranger to this description. Have you guys seen “Dunkirk?” That’s gotta be one of the loudest movies I’ve heard in my life! Nolan is my favorite director of all time, but if there is one valid critique I will give to him, and this even stands true for “Interstellar,” my favorite movie of his. Christopher Nolan seems to be hyper-obsessed with having the sound mix be as obnoxious as possible, allowing sounds in the background like shotgun blasts, explosions, even music to take over the ears, thus making us lose some of what could be important dialogue. This wasn’t a huge dealbreaker because as someone who is an aspiring screenwriter, I know that words are not always necessary. Film is a visual medium. As long as I can see what’s going on and do so coherently, everything seems to be fine. Granted, I will always take good dialogue whenever possible, but what’s the point of making a movie when you can’t see or hear what people are “doing?”

I will also say, this movie has a lovable ensemble. Everyone from John David Washington to Elizabeth Debicki to Kenneth Branagh all happen to be great in the film. I enjoyed the presence of all their characters. I will point out though, once again, John David Washington plays a character whose name happens to be “The Protagonist.” I won’t say much about it, but I like the direction in which the movie took that meaning. I’ve read some things about “Tenet” before seeing it and I had no idea what that name could have to do with the movie, but the way they handled it was surprisingly pleasant, so kudos!

Speaking of “Tenet’s” ensemble, I will also bring up Michael Caine. For those of you who don’t follow Christopher Nolan, I should have you know that Michael Caine has been in every one of his movies since “Batman Begins.” He even had an uncredited role in “Dunkirk!” I’ve read about this before the film, and this is not spoiler, but Michael Caine’s character in the movie… is named Michael. Because, he’s already played everybody else in Nolan’s imagination, right? I won’t say much about Caine’s appearance in this film, but there’s a moment in the movie where The Protagonist ends a chat with him and my brain clicked as soon as I heard The Protagonist refer to Caine’s character as “Sir Michael.” Did Christopher Nolan originally write this movie with himself in mind for the lead role? I seriously want to know at this point!

I have already raved about this movie from an audio perspective, calling it one of the most immersive experiences I’ve had all year. I’ll also point out, I have never seen a movie “live in concert” before, but if they ever get to a point where they do such a thing for “Tenet,” I will IMMEDIATELY buy a ticket! Because let me just tell you one thing right now. “Tenet” may just have my favorite film score that I have heard in years!

One thing I’ve gathered about Christopher Nolan as a director is his tendency to work with people he’s worked with in the past. I recently mentioned Michael Caine. Nolan’s worked with Tom Hardy a couple times. Same goes with Anne Hathaway. He brought back Kenneth Branagh for this film. Hoyte Van Hoytema is the cinematographer for this movie, making this his third collaboration with Nolan. And if you ask me, this is another solid entry to his resume and I cannot wait to see how they used the IMAX cameras for this film. But I will point out one collaboration that I was shocked to see missing once I heard about it.

BEVERLY HILLS, CA – JANUARY 16: Composer Hans Zimmer arrives at the 68th Annual Golden Globe Awards held at The Beverly Hilton hotel on January 16, 2011 in Beverly Hills, California. (Photo by Jason Merritt/Getty Images)

No Hans Zimmer.

HOLLYWOOD, CA – FEBRUARY 24: Composer Ludwig Goransson poses with the Best Original Score award for “Black Panther” in the press room during at Hollywood and Highland on February 24, 2019 in Hollywood, California. (Photo by Jeff Kravitz/FilmMagic)

Why is he not here? He’s busy. He’s been doing “Wonder Woman 1984,” “No Time to Die,” “Hillbilly Elegy,” and perhaps the biggest reason why he couldn’t fit “Tenet” into his schedule, “Dune.” Hans Zimmer said “no” to doing the score for “Tenet” because he wanted to fit “Dune” into his busy calendar. There’s no beef between him and Christopher Nolan, but he just wants to do “Dune” so bad to the point where he had to give up doing the score for “Tenet.” I was a bit disappointed considering how Zimmer and Nolan are one of the best duos in Hollywood history. The score for “Interstellar” is one I listen to quite often. However, the movie ended up getting Ludwig Göransson (The Mandalorian, Black Panther) who I will point out, may have made my favorite main theme for all the characters in Disney’s Marvel Cinematic Universe, specifically for Black Panther.

RIP Chadwick Boseman and Wakanda forever.

I must say… This score very much reminded me of a few movies. It felt like something out of the “James Bond” franchise, which does make sense as this is a spy movie. But it also reminded me of the “Blade Runner” franchise, especially “Blade Runner 2049,” and I say that because, and pardon my unprofessional-sounding diction here, the score sounded “boomy” at times. That’s the best way I can describe it. There’s this occasional drum pattern of some sort that comes and goes, I cannot get it out of my head at this point. In fact, when I got home, I did something regarding this movie that I have never done before. I went online, and tried to see where I could buy a physical copy of the CD. There are a few movies like “Knives Out” or “Star Wars: The Rise of Skywalker” where I would watch it, enjoy the soundtrack, and maybe a couple days or a week later find the soundtrack on YouTube and listen to it. This is one of those rare times where I wanted to pay money for a physical copy.

Going with a different than usual composer for Christopher Nolan’s “Tenet” sounded like a rather bold, not to mention somewhat peculiar move when it comes to my first impression, but this may have been the best thing that could have happened to “Tenet” overall. Honestly, looking back, I don’t mind this change. Let me just say, the last film that Nolan did before “Tenet,” specifically “Dunkirk,” was undoubtedly amazing. And if you ask me, a couple parts of the score were worthy of a thumbs up. However, if I had compare that to many of the other entries to Hans Zimmer’s resume, not just the projects he’s done with Nolan, but even projects like “Man of Steel,” “The Lion King,” “Kung Fu Panda,” and “Batman v. Superman: Dawn of Justice,” the “Dunkirk” score felt kind of underwhelming.

The thing I really enjoyed about Ludwig Göransson’s score is that it really emphasized the scale of the movie. The entire time I felt like I was on an action-packed theme park ride that specifically caters to adults. Aside from that, it’s fast-paced, and I would not mind listening to it every single day for the rest of my life. I know funerals are supposed to be sad and that sort of thing, and honestly, the last thing I want to do is know that I will make everyone cry at my funeral, no matter what I bring to society. So, if anyone wants some epic music for my funeral that way not many people cry but it’ll still tie into a “Jack Drees” theme, download the “Tenet” soundtrack on your preferred service! Then again, when I die, why should I care? I can’t plan a funeral when I’m dead! It’s for the living to remember the dead as they choose! I can’t interfere! It’s improper!

Would I like to see Ludwig Göransson collaborate with Christopher Nolan again in the future? Yes and no. Let’s say they do a “Tenet 2.” I’m not implying I want a sequel. I’m not implying the movie ends highlighting plans to do a sequel. I’m just saying IF they do a “Tenet 2,” that’s an obvious yes from me. I cannot imagine anybody else handling this IP from a musical perspective at this point.However, I would either like to see Hans Zimmer come back because he and Nolan go together like bread and butter, or they get some other composer to come in like Danny Elfman or Alan Silvestri. It would also have to depend on the type of movie they do. I may be getting ahead of myself here, but I think Ludwig Göransson smashed this score so hard, that if he does another one, I will probably end up looking forward to it so much that I will just end up feeling underwhelmed upon hearing it no matter what happens. In addition, I don’t know how Göransson could top this score in another Nolan project. To be fair, he’s a musical genius and one of the more unique film composers I’ve heard, so he could find a way, but I also have my doubts. It’s kind of like when I watch “America’s Got Talent” sometimes during the quarterfinals or semifinals and there’s one act that does something so amazing that even though I WANT to see more from that act and I want them to succeed, I don’t see them topping what they just did, so it would be hard to tell if they could do something nearly as cool if they advance. It’s a compliment, but also kind of a curse.

“Tenet,” to be quite honest, is not my favorite Christopher Nolan movie. Nor is it my least favorite. As of right now, when it comes to my rankings, it ends up somewhere in the middle for me. I enjoyed it more than all the films in the “Dark Knight” trilogy, but I’d say that I enjoyed films like “Dunkirk” and “Inception” more. But as a filmmaker, Nolan is like Pixar. Bad Pixar is still better than a lot of movies. Remember “Onward?” I gave that movie a 7/10. That’s a low grade for Pixar, but a lot of filmmakers would kill to have their movie receive that positive of a review. But I will say that when it comes to “Tenet,” this movie has something going for it. Rewatchability.

Now, I already bought tickets for a second “Tenet” screening BEFORE going to my first one. The main reason is because I bought a ticket for myself, but I wanted to see the film in IMAX, but I didn’t buy an IMAX ticket, plus I figured it would make for a good outing with my father. So my second outing is so he could see the movie as well.

Not gonna lie, I’m already thinking of buying tickets to a third screening. Maybe I’ll do Dolby Cinema this time. I gotta check all the boxes for different formats I can see this movie in. In all seriousness, not only is this film rewatchable for entertainment purposes, but like some other Nolan flicks, I feel like I missed some things the first time around that could be picked up on a second, third, maybe even fourth viewing. And I’m not saying that as someone who feels like they HAVE to watch “Tenet” again, I’m saying that as someone who wants to. I don’t think I’ve wanted to go back to the movies to rewatch something this much since… I don’t know… Maybe ever. This film has some problems. The sound mixing is the most obvious and I think going forward, I’m not sure how much control Nolan has over the sound mixing process, I think that could be something that he needs to either stay away from, or something he should leave to others. Either that or just make a silent film. Nice little throw back. It could be shot in 4:3 on 8mm film. AMC could bring in special projectors for select screenings. It’s event cinema! Come on, Nolan! I’m writing your ideas for you! Use them! Although between the likable performances, the dazzling camerawork, the unreal use of practical effects, one of the most heart-pumping opening scenes I’ve witnessed in recent memory, one of the craziest climaxes I’ve witnessed in recent memory, and THAT. FREAKING. SCORE. “Tenet” is a good time at the movies. I repeat, AT THE MOVIES.

I cannot thank Warner Bros. enough to sticking to a theatrical release for this film. This is a movie that is literally MADE for the big screen, perhaps more so than any other this year. I’ll be honest, if this went straight to HBO Max… I don’t know if I would have watched it. Maybe I would have since I paid for the service and I want to get my money’s worth, but I would have been missing a lot of what I’ve gotten from my recent experience. Thank you, Warner Brothers, and I’m hoping you stick to your guns for films including “Wonder Woman 1984” and “Dune.” Cannot wait for those movies!

In the end, “Tenet” is exactly as it was advertised, an “event” film. It has the best and worst of Christopher Nolan’s cliches. Massive scale, but sometimes it’s too massive when it comes to the sound mix. Even so, it does not take away from this film’s long list of positives. Is “Tenet” my favorite movie of the year? No. I still think “Summerland” is my #1, and for all I know, it could stay at my #1 spot for some time. But again, “Tenet” comes off as an incredibly rewatchable film. If this film warrants enough repeat viewings, and maybe some more aspects regarding it stand out with greater positivity, “Tenet” could become my favorite film of 2020, but for now I’m going to give “Tenet” an 8/10!

“Tenet” warrants a viewing on the biggest screen possible. And I know that not everyone feels comfortable being inside a movie theater right now. But, if there is a drive-in open near you and it happens to be playing “Tenet,” it could make for a fun night out with an easier chance to remain socially distant. Otherwise, the film will probably be out on Blu-ray sometime in the future, but I really don’t know when. Because if I’m not mistaken, “Tenet” is supposed to be in cinemas for a long time, and if Warner Bros. wants to keep that promise alive, I would imagine that they’d go on long past the traditional theatrical window to keep exhibitors happy. I don’t know what’ll happen, but I highly recommend “Tenet” if you feel safe enough to get out of the house. Go see this damn thing! It’s freaking sweet!

Thanks for reading this review! I just want to remind everyone that “Tenet” is playing in several different formats to choose from. Many of the screenings perhaps near you happen to be in digital projection, but if you want other options, read this handy guide! I’m not sure what my next post is going to be as I am getting ready for my next year of college and I have a rather important family birthday coming up that requires major prioritization. But we’ll see what happens! Maybe it’s “Bill & Ted Face the Music,” maybe it’s “The Personal History of David Copperfield,” maybe it’s “Tesla,” who knows? Maybe I’ll cave in and get Disney+ so I can review “Mulan.” I really don’t want to, I think this is incredibly greedy, but who knows? I know you have seen more great content from Scene Before, it just hasn’t happened yet! With that in mind, do yourself a favor and follow Scene Before either with an email or WordPress account! Also, check out my Facebook page! I want to know, did you see “Tenet?” What did you think about it? Or, who is your favorite film director of all time? Let me know down below! Scene Before is your click to the flicks!

Ways To See TENET in Theaters (From Digital to Film Stock to IMAX)

mv5bnwq1y2yxmzmtymrhmi00otdhlwizytatmzm4njq2nzm0ymi4xkeyxkfqcgdeqxvynjuwnzk3ndc40._v1_

Hey everyone, Jack Drees here! I cannot believe I’m saying this, but for real this time, “Tenet” is almost here! The signs have been lighting up! Marketing has been increasing! Theaters have been opening! Sure, there are some key areas that may miss out on “Tenet” for now, but who’s to say markets like those can’t get the movie down the road? Nevertheless, this is something I have been looking forward to since last year, and it is finally here! I feel like a kid on Christmas!

For those of you who know anything about cinemas, there are some basic facts that can easily be picked up. For example, no matter what you are watching, it is usually on a big screen with high tech surround sound, but today, we are going to talk about one of the biggest movies of the year, and while we are not that far into the 2020s yet, I’ll go as far as to say it’s probably going to end up being one of the biggest and possibly defining films of the entire decade. That film my friends, is Christopher Nolan’s “Tenet,” which I have discussed on Scene Before in the past. In fact, I cannot think of many other movies that I have discussed more before it came out aside from a few “Star Wars” flicks. In the trailers for “Tenet,” there’s a lot that can be picked up. For example, it is shot on IMAX film, which is often claimed to be the highest quality shooting format in existence, which also happens to be the highest quality projection format in existence. We’ll talk more about that in just a sec…

You may be thinking, is “Tenet” worth seeing in a theater? Now, don’t take my word for it, because I myself have not sat down in a theater to watch “Tenet.” And thanks to the spreading of COVID-19, almost nobody else in the world has gotten the opportunity to do such a thing either. This movie was originally supposed to release on July 17th of this year! What is that that ten eras ago or something? I think dinosaurs were still around when “Tenet” was supposed to come out! But, keeping that in mind, there are a couple things that you should know about “Tenet.”

  1. This film is directed by Christopher Nolan, who typically goes all out and advocates for the theatrical experience. If Warner Bros. were to kick “Tenet” away from its current release date, there is one thing that they WOULDN’T do, which is put the movie directly to home-based platforms. Nolan does not make his movies to be viewed at home. After all, when you spend over $200 million on this movie, putting all the biggest tech into it, why would you not put it into theaters?
  2. “Tenet” is being shot entirely through old-fashioned, heavy-duty 65mm film, some vertical and some horizontal. Again, I mentioned how this film was shot with IMAX, that is part of the 65mm process. The rest of the movie is shot on Panavision cameras which support the same format just in a vertical direction as opposed to IMAX’s unusual horizontal film stock. The film used to shoot “Tenet” is high quality and will look detailed on a big screen.
  3. Aside from high tech, “Tenet” also packs in a high concept. While much of the plot to “Tenet” currently remains secret, it involves time inversion (not to be confused with time travel), meaning that the movie will contain scenes where characters have to go backwards in time. There is also an international espionage plot moving everything along. Speaking of big, this movie was shot in seven countries.

As I’ve stated on this blog in the past, my most “anticipated” film of 2020 is “Dune,” which may be subject to change if it gets pushed back and that sort of thing, but who knows? Although, if there is currently a film that I want to see come out and succeed right now, “Tenet” would be my #1 answer. “Tenet” has a lot going for it both from tech and story. And I encourage you all to see it (that is, if you feel safe going out in August or September depending on where you live). But if you were to see it, you may overlook something… Where do you go see it? Well, here’s some options…

Digital (Resolution: Varies, typically 2K, 4K)

20191223_125955_HDR

If you have been to one to ten movie theater experiences in the past decade, there is a good chance that at least one of them, if not a majority, have been in digital. This is the industry standard as the equipment used is light, environmentally friendly, and maybe also because James Cameron wanted this to be the big projection standard for 2009’s “Avatar.” 3D is much more common on modern digital projection. Just for the record, “Tenet” is shot entirely in 2D, and will not be converted to 3D. To this day, all of Nolan’s films had no relation to 3D shooting or 3D projection. But this projection is basically what you’d be able to find your local multiplex like an AMC or Regal. This is not to say that mom and pop theaters don’t have it, but if you walk into a big chain theater, this is what you would find in almost every auditorium. It’s clear, bright (except when someone doesn’t know what to do when changing the filter for 3D), and like everything else in this 21st century society, computerized. Unlike film, this will allow for no scratched, tampered, or deteriorated images. If you want to go see “Tenet” and get a bang for your buck, see it in a digital theater. Keep in mind, the projection equipment may vary and the resolution may be better in some places than others. This is a very broad category, so be wise with your theater decision.

35mm (Digital equivalent: Approx. 6K)

Before digital projection of all kinds took over, the main source for projection during moviegoing happened to be 35mm. While many theaters have gotten rid of it for the digital projection you see today, many arthouse style theaters tend to have this format. In fact, I’ve seen two presentations in 35mm within the past year or so. To specify, “Once Upon a Time in Hollywood” and “Little Women.” While I will admit one movie happened to be significantly more entertaining than the other, both looked crisp on the big screen. Given how 35mm is nearly equal to digital’s 6K, it is clearer than a vast majority of digital options on the cinema market today. Given how Nolan’s film was shot on 70mm however, some detail will be lost when projected. Which leads me to…

70mm (Digital equivalent: Approx. 12K)

20191011_184056

Back in the day, 65mm stock was used to shoot a number of big films that try encapsulate a large scope. After all, 70mm is such a large resolution and a feast for the eyes, which is why there’s a lot to love about it. And I can confirm that as I have seen “2001: A Space Odyssey” in the format twice. Pictures like the recently mentioned “2001: A Space Odyssey,” “Lawrence of Arabia,” and “Ben-Hur” were all shot with 65mm, making them worth projecting in 70mm to see in their full glory. Christopher Nolan is no stranger to this format. As mentioned, he’s shooting “Tenet” entirely in 65mm, but this is not his first time doing so. The same can be said for his previous movie, “Dunkirk,” which like “Tenet” was also shot using IMAX footage. As for the scenes shot in traditional 65mm, those were shot to be presented in a 2.20:1 aspect ratio, same thing can be said for “Tenet.” This format was also what exactly was used for when the film was projected. This allows for no cropping or adjustments during various scenes that were NOT shot in IMAX. Given how the IMAX scenes are taller, those are cropped. Note for all the other non-IMAX 1.43:1 formats, they feature cropped pictures as well.

IMAX Digital (Resolution: 2K)

20200209_095951

Sticking with IMAX, the most mind-blowing thing about the brand for me is how much it has expanded over the years to the point where its multiplex-style theaters outrank what made them famous, their 1.43:1 aspect ratio screens (more on those later). One reason for this, easy digital projection and for the most part, retrofitting. IMAX Digital is typically projected onto screens with a 1.90:1 aspect ratio (kind of like the one above). But they are also used on the older style screens depending on the theater, and in some cases, what movie is playing. The screens these are normally used on are traditionally larger than the average movie screen and are comparable to RPX or Cinemark XD. They are also in theaters usually packed in with IMAX’s traditional 6 channel surround sound system, offering around 12,000 watts of power. While the image is not exactly the highest quality you’d get in a theater, the IMAX scenes do expand in this format and get rid of the black bars that are visible in other scenes. It is a good step up compared to most digital screens, which are smaller in size. As for the sound, that can also be a step up too in a lot of cases.

IMAX Laser (Resolution: 4K)

20200306_184628_HDR

Here we have the biggest digital offering yet. A typical setup containing 12 channel surround sound, bright colors, and full support for screens that are anywhere between five to eight stories high. This takes what IMAX was built upon and digitalizes it. While the IMAX brand started with their spankin’ clear 70mm projection, they are modernizing their brand while also recognizing their tradition. Large format technology that literally aims high. This is true with their IMAX Laser technology, which began rolling out in 2014. IMAX Laser presents movies in vivid 4K images and supports the traditional IMAX 1.43:1 aspect ratio used to shoot several of Nolan’s films including “The Dark Knight,” “The Dark Knight Rises,” “Interstellar,” and “Dunkirk.” This means once “Tenet” enters theaters, the IMAX Laser experience will allow for not just crystal clear images, but for several scenes to lack the black bars no matter what screen it is on. Keep in mind, if you have an IMAX Laser projector in your theater, it won’t always show the movie in 1.43:1 as the results will vary based on the screen’s dimensions. Some, like the very famous TCL Chinese Theatre in California, will show the movie in 1.90:1, much like the regular IMAX digital projectors in their specific theaters. Once again, if you are seeing the movie in 1.43:1, you are paying for the TALLEST picture possible. This is one of the best digital formats out there but keep in mind, like IMAX digital, some of the movie will have black bars, and if changing aspect ratios happen to be distracting to you, there’s a chance you may want to look at a different format. The same can be said for the next format, IMAX 70mm.

IMAX 15/70mm (Digital equivalent: 18K)

20181103_184401_HDR

And now, onto the clearest format on the planet, IMAX’s 70mm technology. For those unfamiliar with the technology, IMAX started their company by using very large 70mm film that goes horizontal. As previously mentioned, it is used in their flagship 2D cameras, which were used during “Tenet’s” filming. Until sometime in the 2000s, it was the norm for IMAX to install theaters that have unheard of dimensions, installing screens that can rise up to a hundred feet. Once finished, they would have the IMAX GT (Grand Theatre) or IMAX SR (Small Rotor) projection systems along with 12,000 watts of surround sound, including speakers from the walls and behind the screen, which is a norm for IMAX. Although with IMAX’s newer 12 channel system, they have speakers on the ceiling. This system is meant to go with theaters that are converted or prepackaged with the Laser system, but are also used in several theaters that have BOTH the IMAX Laser and IMAX film projection models. Either way, you are getting the best the brand has to offer. Wall to wall, ceiling to floor picture. The clearest images of all time, many of which are shot to match the projector’s intentions. If you shell out the money to buy a ticket for an IMAX 70mm show, you are paying for the viewing experience Christopher Nolan literally intended for his viewers to get. One thing to note about both the IMAX Laser and IMAX film shows… Good news, they are presented the way in which the film was perhaps meant to be. Bad news, the theaters with the proper equipment for this are not dime a dozen, they are quite rare in fact. Not all of them will be used for “Tenet” for one reason or another. But, IMAX has a selection of theaters that are playing “Tenet” in the uncropped, true IMAX formats if you are curious to know more about them.

Now, I could go over other theatrical formats such as Dolby Cinema (includes dual 4K projection, DOLBY ATMOS, DOLBY VISION), AMC Prime (responsive subwoofer seats, enhanced sound and projection), RPX (large auditorium, large screen, high quality sound, exclusive to Regal-branded theatres), Cinemark XD (large auditorium, high quality sound, exclusive to Cinemark-branded theatres), and so on, but the reason why I am specifying on the formats above is because they are the basic projection features running today for this film. While formats like those are unique and specifically branded, they either offer something with “Tenet” that is very similar to what they’ve done before or it is too similar to other formats to go in depth about it. The reason why I included the three IMAX formats above is because Christopher Nolan treasures the IMAX experience and suggests that it is one of the best ways to see a movie, but the brand offers three somewhat distinctly different experiences today. As for 35mm and 70mm, these are classic formats that are not often used today and can enhance the movie experience for some. Plus, “Tenet” was shot in 70mm, so that’s another reason to bring the format into the discussion. I even brought up and broadened the digital category because chances are that if you have a movie theater near you, it is likely going to have that style of projection, but it can vary depending on where you go. Some of these experiences are rarely used for new releases and depending on which one you pick, you will achieve bragging rights, suggesting that you saw “Tenet” in a higher quality than the way your friends managed to.

By the way, if you are scrolling down because you hate reading, watch the very informative video listed above published by Slate (feel free to read more from their site) explaining some of the ways you can see this movie and how these formats work. NOTE: This is an explanation for “Dunkirk,” not “Tenet,” but the two are shot very similarly, so the information provided here can apply to both films.

“Tenet” is currently scheduled to release September 4th, 2020. Unless of you course you count early screenings starting August 31st. Due to COVID-19 restrictions, select states including New York, California, and Arizona are keeping their theaters closed for the time being. Please note: This is the release date for the United States. My international friends in countries like the United Kingdom, Australia, Thailand, South Korea, Ireland, and so on will be getting the movie as early as August 26th. You lucky ducks… Should coronavirus not continue to spiral out of control, the movie will likely release on time. Movie theaters have been closed since March due to COVID-19, but more are opening as areas continue to loosen restrictions and move along their calendar of phases. Whether or not they’ll remain open, is a mystery. Given how some theaters are already open and some will be opening soon, if said theaters open and operate without many issues, expect “Tenet” to come out on time.

Thanks for reading this post! If your movie theater is open and you do decide to go, please do yourself a favor. Respect their policies, don’t harass their employees, and be sure to distance yourself from other people. Remember, they’re a place of business, so even though the customer’s always right, there needs to be a collective effort from everyone to make sure the moviegoing experience is alive and well. When “Tenet” comes out, I’ll very likely see it whenever possible. I hope there’s an IMAX 70mm show near me, and if not, screw this world because Rhode Island and Connecticut have working projectors for this sort of thing. Just saying. My home state of Massachusetts does too but they’re not normally used for big Hollywood blockbusters. If you want to see more from Scene Before, be sure to follow this blog either with an email or WordPress account! Also, check out my Facebook page! I know you already liked it… It just hasn’t happened yet. I want to know, are you seeing “Tenet?” And where do you plan on seeing it? If not, do you plan on staying home and watching something instead? What is that you’re watching? Coincidentally, “Mulan” drops on Disney+ the same day that “Tenet” hits theaters in the United States, so I’m gonna be interested to see which movie ends up doing better on its first weekend. Let me know down below! Scene Before is your click to the flicks!

The Burnt Orange Heresy (2019): Portrait with Orange on Fire

mv5bzwfin2i4ztqtzda2nc00yze3lwfhmzgtzwy0mgiznjdizmy3xkeyxkfqcgdeqxvyotgxndizmty40._v1_sy1000_sx675_al_

“The Burnt Orange Heresy” is directed by Giuseppe Capotondi (Berlin Station, The Double Hour) and stars Claes Bang (The Girl in the Spider’s Web, The Square), Elizabeth Debicki (The Great Gatsby, Everest), Mick Jagger (Being Mick, Running Out of Luck), and Donald Sutherland (The Hunger Games, Pride & Prejudice). This film revolves around an eccentric, mysterious art critic by the name of James Figueras who is hired to steal a rare painting. As the movie moves along, he becomes greedier by the second. Simultaneously, he is romantically involved with a woman named Berenice Hollis.

Oh yay! Another movie that we can see in theaters! 2020 is turning around!

…Sort of. Not really. It’s still a crapfest all around and we just have to live with that! Boohoo.

“The Burnt Orange Heresy,” much like a lot of other movies I have seen so far this year, is a film that I really did not know much about going into it. All I really knew about the film is what I’ve read regarding it on IMDb and one or two other sites. I knew it got some attention already through festivals. Apparently, based on how IMDb lists the film as being released on March 6th, 2020 in the U.S., this thing has been theatrically released already. In fact, its distributor, Sony Pictures Classics decided that they’d hold onto the film and avoid putting it on VOD despite how many other films at the time such as “The Hunt,” “Bloodshot,” and “Onward” were going in such a direction. As of today, “The Burnt Orange Heresy” is a film that can ONLY be watched in theaters. As for when it will hit stores and digital services remains a mystery to me.

Walking out of “The Burnt Orange Heresy,” I cannot say I’m disappointed. Partially because as mentioned, I did not know much about the film going into it. All I really gathered regarding it was the basic gist and concept. “The Burnt Orange Heresy” is a sensual, mysterious flick, which kind of makes sense as it does take place in Italy, which from my experience is an often romanticized country. In fact, let me just say, I am not dating anybody. Now that we are in the middle of a pandemic where everyone is supposed to socially distance from each other, I don’t really think I should be dating anybody, but I thought that if you are in the right mood, this could be an alright pick for a date movie. Granted, this movie is also not for everyone, as it does feel fairly artsy. Almost in the high-brow category if you will. Then again, this is a movie heavily involving art and someone trying to steal a rare painting, so it kind of adds up.

I really think the best part of the movie is the chemistry between the main romantic couple, specifically played by Claes Bang and Elizabeth Debicki. Their chemistry is some of the best I have seen in recent memory in regards to a relationship. Every one of their actions, even if it goes to a point of slight exaggeration, felt kind of raw. Again, this is kind of a sensual movie during a few bits and pieces, even if that is not what it is trying to present itself as in the long run.

Also, gotta admit, Elizabeth Debicki may be a new celebrity crush of mine, and based on her acting chops, I cannot wait to see her smash the role she’s got in “Tenet!”

*teary-eyed* PLEASE COME OUT ALREADY.

I also liked the main character himself, again, played by Claes Bang, an actor who I am admittedly not familiar with at all. This movie starts off with a pretty sharply edited opening scene where Claes Bang’s character, James Figueras, is on his exercise bike in his private quarters, but simultaneously, he’s lecturing to an audience about a painting. To save some of the mystery from you, the people reading this… I will not go into much detail about the scene itself, but it is a great way to not only start the film, but get a sense of our main character’s personality. What’s he like? What does he do? What are his mannerisms? Just in the first five to ten minutes of this film, I felt like I’ve already gathered a terrific sense of who exactly this character could be, or who he is trying to be. He’s mysterious, he’s quirky, I kind of wanted to know more about him. Sure, maybe on the surface he kind of looks like the dad from “Modern Family,” but as far as his traits and personality go, that is something that I wanted to be somewhat unraveled as we go along.

As I watched “The Burnt Orange Heresy,” it reminded me of one thing more than anything else. That my friends, is “Life Lessons,” the short film directed by Martin Scorcese as part of the “New York Stories” set. For those of you who don’t know what that is, “Life Lessons” is a film about an eccentric painter, who lives with his assistant as their relationship begins to spiral down the drain. Granted, the relationship seems to be working a lot better for both sides in “The Burnt Orange Heresy,” but I would not be lying if I told you that I did not make such a connection with these two films. Both of these films feel fairly dramatic, romantic, and occasionally a little bumpy. I will say, and this is somewhat forgiven as “The Burnt Orange Heresy” is a feature and “Life Lessons” is a short, but “The Burnt Orange Heresy” feels a bit on the slower side compared to “Life Lessons.” Without spoilers, the way certain events play out in both these films feels like they are a couple with their differences, but nevertheless happy to be together.

I said this once, I’ll say it again, this film is not for everyone. This film is almost on the verge of being kind of eccentric, and some will find it pretentious or high brow. But for me, I enjoyed myself. It is a film that I probably will not end up watching every day, but if I were to have it on, I would most likely not use it just as background noise. I also think that when it comes to how this film is edited overall, it is one of the finer editing jobs I have seen this year. A lot of the scenes are interwoven nicely and nothing really feels out of place. I’d give this film a thumbs up.

In the end, “The Burnt Orange Heresy,” despite what I just said about probably not wanting to watch it every day, is a film that I’d probably check out a second time because it has a vibe that feels cleansing and smooth to the brain. Plus, despite being an hour and thirty-nine minutes, there may be one or two things that I missed on the first viewing that I may want to pick up again. Maybe the dialogue went over my head or something, I don’t know. Nevertheless, this is good enough for a repeat viewing. I’m going to give “The Burnt Orange Heresy” a 7/10.

Thanks for reading this review! I just want to let everyone know that I have a few new Blu-rays lying around for possible reviews, but HBO Max has just released an original film starring Seth Rogen by the name of “An American Pickle.” If I get the chance, I might just talk about that for an upcoming review, but who knows? Anything can happen in 2020. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out the official Scene Before Facebook page! I want to know, did you see “The Burnt Orange Heresy?” What did you think about it? Or, what is your favorite movie set in Italy? Let me know down below! Scene Before is your click to the flicks!

TENET is Delayed Again: New Release Date: August 12th, 2020

mv5bndhizte2njutmdlkns00ngi5lwjkmjytmjjhnzrhzmfkytuxxkeyxkfqcgdeqxvynjmwmzc3mje40._v1_sy1000_cr006741000_al_

Hey guys! Welcome to the latest apocalypse-related update of 2020! A year so bad that it made fully regret ever giving “Cats” a negative review. That hour and fifty minute movie which really ended up feeling like an utter eternity was a blessing compared whatever the f*ck is going on right now! Remember how I posted this s*it down below just a couple weeks ago?

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

Guess what? That s*it’s outdated! Welcome to 2020! A one-way ticket to a dark room full of deadly lasers, accompanied with a bloody water tank with a giant shark that is about to eat you whole! WORST! YEAR! EVER! With that being said, I’m going to try my best… My absolute… Best. To avoid going ABSOLUTELY OVER THE TOP WITH THIS POST! Gah! I already failed! Let’s just do this!

Hey everyone, Jack Drees here! In case you’re reading this, I have somehow survived being disintegrated by tons of deadly lasers and a giant shark that was about to eat me. For all I know, maybe the shark thought I was pitching a terrible product, and said “I’m out.”

…Which reminds me, I gotta cross that shark-raid whistle thingy off the pitch list. Here we go.

mv5bnwq1y2yxmzmtymrhmi00otdhlwizytatmzm4njq2nzm0ymi4xkeyxkfqcgdeqxvynjuwnzk3ndc40._v1_

A couple weeks back, we have had an announcement that “Tenet” was getting a pushback, which I think at the time, could have arguably been the most shocking pushback for a film we’ve seen all year. “Tenet” was one of the few pictures to not move a muscle so far in 2020, so to see it gravitate towards a later, granted two weeks later, but later nevertheless, release date on the calendar is a little shocking. However, in my post talking about it, I mentioned there was probably a good reason, one of the notable pieces of news sticking out to me being the plan to rerelease 2010’s “Inception,” allowing for a perfect reason to recognize the film’s 10th anniversary. Not to mention, I thought it was just a damn fine consolation prize. “Inception” will be brought back to theaters around the same exact time it came out, it would be a good way to get audiences back into the theater, see how many people are willing to go to the theater, and as for me, I get to see one of my favorite movies on the big screen, which I did not get to do when I was younger. However, this week, it was announced that “Tenet” has been delayed once more. Time runs out? More like, we need more time to put out our movie.

Before we go any further, “Tenet” is not the only film moving in this case. “Inception” is in on this as well. “Inception” is now going to be taking up the July 31st release slot previously held by “Tenet.” As for “Tenet,” that film will be taking a spot in the middle of the second week of August, allowing it to come out on August 12th.

Let’s start with the good news. The good news, I can’t believe there is good news available in 2020… It’s not that big of a delay. That can be a sign of pure optimism from Warner Bros., Christopher Nolan, or both. While we don’t know where we’ll be in days or weeks from now, it does show that somebody somewhere is sticking to a commitment to put the movie out in theaters. Let’s face it. If I were to shoot a movie on the largest format possible, which Christopher Nolan did. Release it on the largest format possible, which is currently planned. You bet I, as a studio executive, would surely keep a promise to put this damn movie in the theater. I saw previews for this film on my TV, and it looks good on my TV. But why does it look so good? Because it gave me the urge to get off my ass, into my onmyassmobile, and head to a freaking movie theater to enjoy myself for hours!

Wait, that sounds very familiar…

“This film (Dunkirk) is what actually going to the theater is all about. Not renting a movie on DVD, not streaming it on Netflix, but getting off your ass, getting in your onmyassmobile, and heading straight to the movie theater.” –Top 10 BEST Movies of 2017

Nolan is all about the “get off your ass” mentality when it comes to releasing films, and that is part of why I will remain committed to checking out his work. I am all about the experience when it comes to moviegoing. There are very few feelings like entering a movie theater and seeing a movie in general, but when Nolan makes a movie, it’s almost guaranteed to be a ride. To see at the very least, the notion regarding this movie not losing sight of the theater experience delights me to no end.

Now, for the bad news… What if this is not the last delay? Because I feel like the factors determining whether or not we will get to see this movie in theaters as soon as possible have little to do with whether or not theaters are ready. In fact, the major chains including AMC, Regal, and Alamo Drafthouse, have all announced plans to open in July, with precautions in mind. Some of these include deep sanitizing of the auditoriums and often-touched spaces through advanced equipment and materials, allowing extra time to clean auditoriums, reduced capacities and spaced seating to encourage social distancing, and enforcing the use of masks. And yes, I’ll wear a mask, because I’ll happily allow my mask to possibly smell like popcorn. Just because they’re ready does not automatically equate to the public being ready. Am I ready to head back to the movie theater? I’ve been motivated to go pretty much as soon as everything shut down. Granted, knowing myself, I am a little biased. I would have risked my life during the pandemic to go see new movies because this was the routine for my blog. Go to the movies. See a new release. Review said new release. Repeat. Instead, I had to take a break, report whatever fresh hell was happening during the apocalypse to point where I wanted to smash my F*CKING BRAIN INTO SPIKES! Save myself some money so my family and I don’t go broke. Occasionally review a new movie if possible, and so on. I would not deny that there is at least some sort of craving from various demographics to live in some sense of normalcy at this point. Movie theaters are a part of that normalcy. But would the public automatically leap themselves back into theaters? That’s going to depend on who you ask. Some would definitely go back in a heartbeat, but if you scour social media, there are some that are hoping for more at-home releases and those sorts of things.

Not only that, but let’s also look at statistics. One of the biggest catalysts that likely caused this delay in the first place is the notion that New York had no plans to reopen theaters in phase 4, which supposedly starts in a couple weeks for a great portion of the state. New York is one of the biggest movie theater markets out there. They have a large moviegoing population and a ton of theaters to back them up. New York City has also been home to many big film events, including premieres. Although if I’m not mistaken, if “Tenet” releases on time, if Manhattan remains closed, the run could still work if many other theaters in the state as long they remain open in other areas. Speaking of which, New York, Massachusetts, Connecticut, and New Jersey, are trending pretty positive right now when it comes to handling the virus overall. This is as opposed to states like Florida, Texas, Arizona, and California, where the virus is proving to be a little more effective and deadly. Hospitals are filling up by the second, states are seeing record cases, and if they keep going up, who knows what’s gonna happen next? And besides, I just mentioned California, like New York, it is one of the biggest movie markets in the world. It’s where many red carpet events occur, the culture in various cities revolve around film, and it’s home to many historic venues. Plus, Los Angeles county is currently the most populous of the U.S. counties, if you don’t let them for example go see a movie in their local area, that’s potentially a lot of lost customers.

Not to get sidetracked, but I wonder if this means anything for the other big movies coming out soon like “Unhinged” and “Mulan.” Will they bump their dates somewhere else as well? Although Regal Cinemas, the second largest chain in the United States, is supposed to reopen the day that movie comes out, so I doubt they want to move as they have a sweet spot. As for “Mulan,” I feel like Disney could move it, but they also have a good spot should things turn around. They don’t have to worry much about what could be opening the week after, and a lot can happen in a month from now. As much as I would not be TOTALLY surprised if they put the movie on VOD eventually, I feel like from an executive standpoint, this is a movie that like “Tenet” is specifically made to be seen in a theater. Putting the film on VOD would be a sacrifice from one kind of perspective. Plus, based on what I’m hearing from people who have already seen the movie, it may have solid enough verdicts to avoid getting dumped onto Disney+ like “Artemis Fowl” did, which currently has a 10% on Rotten Tomatoes.

One thing I will point out, when it comes to this new release date, it presents a fairly interesting idea given by a Warner Bros. spokesperson.

“In this moment what we need to be is flexible, and we are not treating this as a traditional movie release. We are choosing to open the movie mid-week to allow audiences to discover the film in their own time, and we plan to play longer, over an extended play period far beyond the norm, to develop a very different yet successful release strategy.”

Before this delay, in fact, even before the first delay, what I thought was going to happen was that Warner Bros. was going to attempt to pull the throttle as far ahead as possible. What could have been done is that they’d release the movie, allowing it to play on virtually every available screen in the facility, say this is all happening in a multiplex, allowing for everybody to go see this one movie at practically anytime, with an outright guarantee for social distancing. Granted, with the current plans to bring throwback releases into the mix, that would now be impossible, but again, I’m talking about the past. Now I’m noticing a fairly slow approach that Warner Bros. seems to be taking. I don’t know how well it’ll work out. But if they keep it in theaters for a long enough time, there’s a solid chance that it could be profitable. It’s likely going to depend on word of mouth, positive reviews, and maybe even some hint of rewatchability. For all I know, it could also depend on cases. But this blog is being documented by someone who lives in the United States of America, where we are perhaps all brainwashed into thinking the economy is more “essential” than lives. Am I sick of staying home for the longest time? You betcha. I have gone through several periods of not even exiting my house doors. In fact, this entire post pretty much sums up my distaste with the fact that I’ve had to stay home. But if we all really get back outside, we need to understand that the world is not going to be pretty. We need masks (which I detest, but I understand why we need them). We need clean hands. We need to do our best to stay apart. If we want to have what we love in front of us at some point during 2020, we need to understand the meaning of sacrifice amongst ourselves. And how this even became a political issue here in the United States, I will never understand! Apparently in this country, science equals politics! It’s global warming all over again!

Just so you all know, if you didn’t already, I hate needles with a burning passion. This is the one time, I repeat, the one time in my life, where I want a vaccine for something! I don’t care if it kills me quicker than the virus, but I just want to have a sense of normalcy at this point. I’ve had it with all this! I just want to go see a movie! It’s the one place where I can feel like I’m at home, because I’ve been at my house for so long that it doesn’t even feel like a home anymore! I love my house, but with isolation and everything! It has basically become a prison with people who love and care about you, not to mention better food options! I need to get out at least once to cleanse my brain from whatever spasms it has at this point! Walking won’t do the trick! Am I overreacting? Most likely! But this is my life! Art is the quintessential element that makes me whole, and now I feel like that has been snatched away. I turn 21 in November, so I think I have picked the wrong time to supposedly “build my life.” I want safety for all. But I want to do things.

“Tenet,” please help me. I’m more excited for “Dune” to come out in December, but as of now, I don’t know if there has ever been a movie I wanted to see succeed more than “Tenet.” It’s from my favorite studio, my favorite director, and will be shown in my favorite format. And I surely hope this delay is the last one we get. For all I know, should things continue to trend positively in certain states, I can almost see Warner Bros. releasing the movie in states that are trending positive, then adding a phase 2 to areas that trend positive later. It’s like the government, but it’s all about a $200 million+ movie. “Tenet” HOPEFULLY, and I cannot stress that enough, releases in theaters August 12th, 2020. The film will be available in digital, various large formats including IMAX, 35mm, 70mm, and IMAX 70mm. And you bet I will be striving to catch an IMAX 70mm presentation should one pop up in my area, and given how I don’t live far from Providence, RI, and I do expect the movie to end up playing at their IMAX venue, I will probably make it to one of these shows whatever it takes.

Thanks for reading this incredibly emotional post! And by incredibly emotional, I mean a post where I turn into an absolute brat who simultaneously wants what’s best for society. How did we get here?! Do we even deserve to live at this point? Bring on the alien invasion! Bring on dinosaurs! Bring on giant asteroids! Bring on dogs and cats living together! Mass hysteria! What are we still doing here anywhere? It’s not like we’re… DOING ANYTHING! By the way, right now on Scene Before I am focusing on Tom Cruise Month here in June, which will conclude next week with my review for “Minority Report!” Until then, check out my review for “Top Gun,” a movie which had a sequel that was supposed to come out this exact week, but of course, COVID sucks. It really does. July is coming up, and I’m hoping for my sake at this point that I get to talk about at least one new movie. I’ve spent so much time talking about the past that the future looks mighty fine right now. This universe is punching me in the gut every day. Be sure to follow Scene Before if you want to see new content, and check out the blog’s official Facebook page! I want to know, what are your thoughts on the “Tenet” delay? Personally, I kinda saw it coming, but unlike the last one, this one hurt me a little more. I am more than likely overreacting, but as a guy who doesn’t really care if sports come back at this point, I at least want a movie. Or, here’s another question. Do you plan on going back to the movies anytime soon? Let me know down below! Scene Before is your click to the flicks!

What We Know So Far About Christopher Nolan’s TENET (2020)

mv5bmdbjntyymzetndzkny00njg2ltgwogetyzi4mtezzgi1ote5xkeyxkfqcgdeqxvyodu5oti5oty40._v1_sy1000_sx675_al_

Hey everyone, Jack Drees here! As you may know, I am massive fan of Christopher Nolan (The Dark Knight, Memento). I have seen almost every single one of his films. And if you have been following the news this year, you’d know that Nolan is coming out with a new movie called “Tenet.” Prior to the reveal of the title, this was first leaked as an “event” film. I had no idea what this would entail, and I figured by event, it would be a follow-up to one of Nolan’s recent films such as “Inception” or “Interstellar.” Because let’s face it, whether you like those films or not, they felt like events. And what would be more “event-like” than a follow-up to a Nolan film that received overwhelmingly positive reception and good box office returns? Especially “Inception,” because that movie came out in 2010. What if we got a sequel in 2020? It would be marketed as “the one movie we get every ten years.” And if that’s successful, we’d get another “Inception” in 2030. But that’s not the case, and I’m also not disappointed because originality is ALWAYS something I’m asking for in Hollywood, so I’m proud to see Christopher Nolan deliver it. Without further ado, let’s dive into some things that could easily be gathered about Christopher Nolan’s upcoming movie, “Tenet.”

THE FILM WILL BE IN THE ACTION GENRE
We now know that Nolan’s new movie is an original project. The film is being described as a “massive, innovative, action blockbuster.” Recent news has pointed out a more detailed description of what this film would entail, specifically that it is “an action epic evolving from the world of international espionage.” I personally consider action to be one of my favorite genres, in fact, action is also a genre that Nolan has nailed thus far. After all, he helmed the entire “Dark Knight” trilogy and “Inception.” Both movies have bits and pieces of memorable action scenes and I have a feeling that Nolan can use his prior knowledge and put it into this movie.

THE CAST
John David Washington (BlacKkKlansman, Ballers)
Robert Pattinson (Twilight, Good Time)
Elizabeth Debicki (Guardians of the Galaxy Vol. 2, The Cloverfield Paradox)
Aaron Taylor-Johnson (Godzilla, Kick-Ass)
Kenneth Branagh (Dunkirk, Much Ado About Nothing)
Clémence Poésy (Last Love, Harry Potter and the Deathly Hallows: Part 1)
Dimple Kapadia (Bobby, Luck by Chance)
Michael Caine (Batman Begins, Interstellar)

Let me just say, of course Michael Caine was gonna be in this. I mean, he’s Michael Caine. Christopher Nolan literally goes to bed every night in a room containing at least three posters. There’s one in the middle that says “MICHAEL CAINE IS GOD,” and it is accompanied left and right by posters for “Dirty Rotten Scoundrels” and “The Cider House Rules.” This is a long way of saying, Christopher Nolan clearly loves Michael Caine and they are working together again. Can’t wait to see what Caine can bring to the table. As for some of these actors including John David Washington and Aaron Taylor-Johnson, I am well aware of their names and have liked them as performers in what they’ve done. I just saw Washington in “BlacKkKlansman” this January and his performance was good enough to get a nomination from me in the Jackoff Awards. As for Taylor-Johnson, I remember reviewing Amazon’s “The Wall” months after it came out and calling it a pile of crap, but I also gave praise to his particular performance. A win’s a win, even when it’s a loss. Yes, Robert Pattinson from “Twilight” is being cast here but for one thing, I have not seen much of his work. In fact, I’ve heard he’s been pretty solid in some indie flicks. And for another thing, if he’s not only being cast as Batman, but also in a Nolan film, I have a feeling his name could grow on me. Only time will tell. But Nolan is not a stranger to odd casting choices, because if you all remember “Dunkirk,” he somehow managed to cast One Direction member Harry Styles, and he turned out to be solid! I’ll wait for the movie, but for the most part, the cast looks promising.

THE FILM IS BEING SHOT WITH IMAX AND 65MM CAMERAS
For those of you who follow Nolan, you’d probably know that he has, no pun intended, experience with IMAX. “The Dark Knight” was the first feature film to be shot in IMAX. Since then, he has used the same technology in “The Dark Knight Rises,” “Interstellar,” and “Dunkirk.” All of those films are shot using advanced IMAX cameras that use horizontal 65mm film. It should therefore come as no surprise that he is bringing the technology up to the plate once again for “Tenet.” Plus, the movie will bring back Hoyte Van Hoytema to man the shots, who also was involved with the cinematography for “Interstellar” and “Dunkirk.” I remember one of the first announced details was that this film was going to be shot in IMAX, and when I hear that about a film, I am automatically intrigued. Also, according to IMDb, the film is also being shot with a Panavision 65 HR Camera, which uses standard, old school 65mm technology. I am pretty interested to see what Nolan would do with the IMAX technology in a film involving espionage. This would definitely provide a big scope for the action scenes when viewed in IMAX theaters and maybe provide a few jaw-dropping shots. I remember “Mission: Impossible: Ghost Protocol” being shot with IMAX cameras, but unfortunately, I never went to an IMAX to watch the movie. I really don’t know how this movie will play out, but part of me hopes to walk out saying “this is a “Mission: Impossible” film that only Nolan could create.” Then again, based on other details I’m hearing about this movie, this might be a bigger idea than “missions, should people choose to accept them.” Speaking of old school technology…

THE FILM WILL BE PRESENTED IN 35MM, 70MM, AND IMAX 70MM
This may have already been implied, but in case it didn’t, “Tenet” is going to be screened not just in today’s traditional digital formats found in multiplexes everywhere, but also in a select number of auditoriums featuring film stock projection. Christopher Nolan’s most recent films have marketed themselves as being “experiences” and part of said experiences involve presentations in analog formats, which honestly, I prefer over digital projection. Seeing “2001: A Space Odyssey” in 70mm last year (twice) was game-changingly epic. It’s partially due to the experience of going into an arthouse-style theater while also having projection that provides greater material than my local chain locations. And since “Tenet” is seemingly being shot entirely using 65mm technology, the film will fit very well when projected on film. Granted, I imagine it will look great almost matter where it’s shown, but there are places where I can probably tell you to see it as opposed to others. Since it is being shown in IMAX 70mm, I can guarantee that the film will have select sequences where the aspect ratio changes to fill the entire screen from top to bottom.

And for those of you who don’t know, this is why I went to a theater over an hour away from my house to see “Interstellar” and “Dunkirk” and people close to me probably think I’m insane.

But it was SOOOOO worth it.

HANS ZIMMER IS NOT INVOLVED
Unfortunately, for all of the Christopher Nolan fans who liked movies such as “Inception” or “Interstellar” partially because of Hans Zimmer’s scores (I’m one of those fans as well), I’ve got some news for you. He’s not gonna be around for “Tenet.” In fact, the reason for this is due to Zimmer currently being busy with another acclaimed director who I happen to like, Denis Villeneuve (Blade Runner 2049, Arrival) as he is scoring the upcoming movie “Dune.” As for other movies next year he is focusing on, he is involved with “Wonder Woman 1984,” which I’m currently anticipating. He’s also doing “Top Gun: Maverick,” which only makes me more intrigued for how that movie is going to play out. And he’s also scoring “The Spongebob Movie: It’s a Wonderful Sponge,” which was once scheduled to compete with “Tenet” on its opening weekend, but the movies are now a further distance away from each other on the current release schedule.

LUDWIG GÖRANSSON IS COMPOSING
As for who will be composing the music in “Tenet,” that position will held by Ludwig Göransson. I have slightly mixed thoughts on how this is going to pan out, but I like to remain optimistic. For one thing, Nolan and Zimmer go together like bread and butter. Plus, Ludwig Göransson is also responsible for scoring “Venom,” and the score was not really the highlight of that film. Then again, what was the highlight of that film in the first place? The score felt manufactured, generic, and kinda dull. You know, like the movie “Venom” itself. Although at the same time, he scored another comic book movie, which like “Venom,” I don’t think I enjoyed as much as other people, and by other people I don’t just mean general audiences, I’m also referring to The Academy. Y’know, the gods of the movie industry? That movie by the way, is “Black Panther,” and while I think that movie is tremendously overrated (but still a solid flick) it had one of the better scores I’ve heard from a movie in the Marvel Cinematic Universe. It’s not my all time fave, but if I were to do a countdown on my favorite MCU scores, “Black Panther” would probably be high on the list. I am quite curious if Goransson will deliver an epic score to remember forever or if there will be some sort of disconnect between him and Nolan that will make me wish Zimmer would’ve been involved. Göransson’s music has been used in recent television programs including TBS’s “Angie Tribeca” and Fox’s “New Girl.” He’s also recently scored movies like “Creed II” and the 2018 remake for “Death Wish.”

PALINDROMES MAY BE AN IMPORTANT FEATURE IN THE SCRIPT
Now if you thought that Christopher Nolan is going to change his ways and simplify his movies, think again. Because from what I’m gathering so far, this movie sounds like it is going to be heavy. For one thing, look closely at the word “Tenet,” and you’d know that it is a palindrome. One of my favorite sci-fi movies of the decade, “Arrival,” directed by the recently mentioned Denis Villeneuve made palindromes play a bit into that movie, and if this movie manages to do the same, I would not be surprised, and I have faith that the palindrome insertion could be more than just a cheap gimmick.

Screenshot (5)

Also, last week, I shared a post on Facebook from a page with the handle @ChristopherNolan.info on what I thought was an official poster for “Tenet” but it turns out that’s more than likely not the case. However, one detail that stood to me regarding what I’ve shared is the number inside the image, 2701072, which like the word tenet, is a palindrome. People have pointed out in the comments that if you rearrange the numbers in that image, you can get the release date for this movie, July 17th, 2020. I also did some research regarding that number and this is not the first time that the account did a post with that number in it. On January 28th, the same Facebook page made a post that was literally just this exact number. Unless they had insider information about this movie and Nolan’s life/career, it’s almost as if they predicted that the title will be a palindrome or the movie would heavily involve palindromes. However, this Facebook page was not the first social media account to post something like this, because data suggests another Christopher Nolan-related account on Twitter by the name of @nolantalkcom did so on January 27th. Based on this information, and based on differences in followers, this is probably a bit of a stretch. I’m willing to bet the operator of that Twitter also operates the Facebook page. If you want to check this out for yourself, click the links below!

@ChristopherNolan.info

@nolantalkcom

THE FILM MAY HEAVILY INVOLVE TIME
Speaking of expected traditions from Christopher Nolan, it would not be surprising if he made time a major element in this film. Heck, one of the posters features numbers from one to twelve with arrows sticking toward multiple twelves. It’s a like an ongoing watch or something! I don’t know how time will play into this film, but it is an action film involving espionage, so maybe there will be some sort of race against the clock. Maybe there’s a bomb that has to be diffused. But knowing Nolan, it may as well be something completely unthinkable.

In a way, this poster almost reminds of “Interstellar” because if you remember the Endurance from that film, you may notice that the ship resembles a clock. “Interstellar” is easily one of my favorite sci-fi flicks of the decade, so I cannot wait to see what happens with “Tenet” and if it could possibly be compared with “Interstellar.”

There are a few other things I could talk about related to “Tenet,” but I already have gone way past scratching the surface when it comes to this movie. I even have a growing theory of this movie being part of a universe that Christopher Nolan previously established, specifically “Inception,” which I think could be a plot twist in this movie based on certain factors. As much as I would like to get into that, it would involve heavily digressing from the main topic, so I might make a separate post for that one day. But only time will tell, so who knows? I’m really looking forward to “Tenet,” and as of right now it is probably my most anticipated film of 2020. Anything Marvel announces next year? Forget it! There is a reason why Christopher Nolan is my favorite director of all time!

So I gotta ask all of you, how are you currently feeling about “Tenet” as we build up to its release? Are you excited? Worried? Could you avoid caring about the movie whatsoever? Do you think Christopher Nolan is a hack who deserves to die? Let me know your thoughts down below!

Thanks for reading this post! This Saturday I’m going to see “Godzilla: King of the Monsters.” It’s a film a part of me is REALLY looking forward to from an entertainment perspective, but from a critical perspective, I’m simultaneously nervous. I kinda don’t know how to feel going into the movie, so we’ll just see what happens. But I am going to see it in IMAX, which I think is the best way to see big scale movies like this, so I am still pretty excited. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Scene Before is your click to the flicks!