Ford v Ferrari (2019): Damon and Bale Blaze to The Finish

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“Ford v Ferrari” is directed by James Mangold (Walk the Line, Logan) and stars Matt Damon (The Martian, Good Will Hunting) as a car designer and Christian Bale (Batman Begins, Vice) as a driver. This film takes place in the 1960s, during a time where Ford Motor Co. was seemingly in a bit of a sticky situation. To get out of it, it is proposed that the company tries to develop a car that could win Le Mans, the 24 hour racing competition in France. Throughout, we get interactions between the two leads as they try to complete the ambitious project handed to them.

“Ford v Ferrari” is one of those movies that just sounds like it would be worth seeing just from hearing what it’s about. The film is based on a true story from over fifty years ago and describes Ford’s efforts to rise to superiority in a realm they don’t traditionally associate with. Plus, racing on the big screen always packs a punch. Now let me tell you about my history of going to the cinema.

The first movie I have seen in a theater is Pixar’s “Cars,” the film where a rookie racecar tries to win a big event and make history, ends up in a three way tie, eventually gets stuck in a town in the middle of nowhere, and must adapt to the current situation and deal with whatever consequences get in his way. I remember when I first watched “Cars” in the theater, one of the things that stood out to me the most that day was the sound. Let’s face it, racing movies are always better in the theater. Not that I have anything against watching them at home, but to hear cars blaze at hundreds of miles per hour through an advanced audio system is orgasmic to say the least. Such a notion can also be applied to “Ford v Ferrari,” whether it was intentional or not. I saw this film at my local IMAX Laser cinema at Jordan’s Furniture, where the sound is perhaps better than any theater I have been to. Although Dolby Cinema at AMC comes pretty close. If “Ford v Ferrari” does not at least get consideration in the sound categories during awards season, then the voters must be smoking something. That’s the only conclusion I can come up with at this point.

Speaking of praise, I have to say the performances in this movie, pretty much all over, are worth saluting. Matt Damon plays car designer Carroll Shelby, who has this swagger to him that kind of makes you like him even before he speaks. Maybe it’s because Matt Damon is, well… Matt Damon. The guy in general just manages to have this charm to him that makes him so damn admirable. Maybe it’s because I’m a Bostonian, I dunno. But Damon plays a character that fits directly within the specific time period. He feels like a guy I would want to have lunch with, kind of like Cliff Booth from “Once Upon a Time in Hollywood” or Joel Goodsen from “Risky Business.”

Christian Bale, if you ask me, personally does a better acting job in this film than Damon. And part of it honestly has to do with his physique. Because for starters, Bale lost weight for this film. While Matt Damon is definitely giving a solid portrayal of his characters, looks sometimes matter. Bale’s last role was Dick Cheney, and to hear Bale trimmed himself down for this already gives me a proper first impression. I also really enjoyed seeing his character’s arch as well. One of the main ideas behind Bale’s character is that he does not represent the idea of a team player. Without going into much detail, such an idea made the movie eventually feel charming and to my surprise, heartwarming.

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But if you ask me, neither of the main two actors in this film hold a candle to the performance given by Tracy Letts (Lady Bird, Divorce) who plays Henry Ford II. From the first scene he’s in, I automatically got the sense of who his character truly is, a no nonsense type of boss that will do anything to make sure s*it gets done. Pretty much every moment of his presence was pure joy. There is a scene that takes place where he is discussing what Ford can do to have a place in society, you know that part of the trailer where Carroll is told to “go to war?” Yeah, that one. I imagine that directing had a lot to do with how delivery of his dialogue came out, but seeing Henry Ford II attached to his chair, almost as if his wife happened to be present and he was giving her the silent treatment, was gritty as hell.

I will also say that this film does one thing very well, and I already talked about how immersive the sound is, and that is definitely a win for this film. However, that is not the only way this film ultimately immersed me. As mentioned, “Ford v Ferrari” took place in the 1960s, based on my experience of watching this film, I felt like I was a part of that environment. It almost felt like everyone was into cars, and in a way that is sort of a representation of our history, specifically in the United States. Plus, the fashion styles popped for me, seeing various environments happened to be pleasant, and it almost made me want to be a part of this time period. Because, you know, there is no reality like fantasy. Only… this was reality over fifty years ago.

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Now I know that I’m probably raving about this movie right now, and it is definitely worth seeing in the theater, but I gotta be honest, if there is one thing that I think could be a bit of a turnoff for me personally, it’s the product placement. I get it, some people gotta eat. I understand the purpose of product placement, and bits of it, kind of work. But there are various moments in the film where it gets annoying. I remember one shot just pans over to some advertisement on a building. It feels rather tacked on if you asked me. It’s NOWHERE near as bad as “Uncle Drew,” but that movie was partially responsible because of Pepsi, so there you go.

Speaking of complaints, I’ll have you know that I happened to be at this movie with my mom. She went to the restroom afterwards, and I was waiting outside for a short time. While she was in there, she just overheard somebody else going “That ending sucked.” My mother and I pretty much agreed that such an opinion is perhaps surprising. Partially because, based on recent research, the ending I’m referring to actually happened and is not completely inaccurate. I do want to know if there is something I am missing here, because I thought the ending was awesome. If anybody here did not like the ending to “Ford v Ferrari,” please leave a comment as to why you don’t like it. I seriously want to know. Maybe you’ll bring a new perspective to the table that could change my ways, or maybe I’ll never want to hang out with you. We’ll have to see.

In the end, “Ford v Ferrari” is a fast-paced, epic thrill ride to the finish. The characters are a mix of fun, charming, and gritty. The theatrical experience of going to see this movie is one you don’t want to miss. Yes, “Star Wars” is coming, but if you want a cinema experience that packs a punch and dials the immersion levels up to a 10, “Ford v Ferrari” is for you. I do think the product placement, while it definitely sometimes fits in and makes sense, is on the brink of being forced. Nevertheless, “Ford v Ferrari” is a delight of a movie and should get some attention during the awards season. I do not think it will win Best Picture at the Academy Awards, but do not be surprised if it at least gets nominated. I’m going to give “Ford v Ferrari” a 9/10. Thanks for reading this review! Just this past week, I saw two more movies, specifically “Knives Out” and “Dark Waters.” We are in a fine time to go to the movies, folks! Stay tuned for these reviews, and more great content by following Scene Before either with an email or WordPress account! Also, check out my Facebook page!

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I also have one more announcement to make. This week I’m planning on dropping my possible final trailer for the Top Movies of the 2010s countdowns I’m planning on doing. That’s countdowns, with an s. I’m going to be doing a best list, followed by a worst list the day after. I already started working on them, and here’s hoping that the end of 2019 will not change that list significantly because I’m working really hard on them. The trailer should drop by the 30th of November, but if you want to know my ideal motives, I’m planning on either releasing it on the 28th, which is Thanksgiving, because then your family can talk about something less controversial than politics, or on Black Friday, the 29th, that way you can watch something to relieve yourself of the crowds at the mall. Also, with that in mind, stay tuned for my Top Movies of the 2010s countdowns, coming this January.

I want to know, did you see “Ford v Ferrari?” What did you think about it? Or, what is your favorite racing movie? Let me know down below! Scene Before is your click to the flicks!

Spider-Man Is BACK IN THE MCU!

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Hey everyone, Jack Drees here! So next week, I’ve been thinking about seeing “Joker,” the latest of the neverending trend that we like to call “comic book movies.” And I’ll tell you, the movie looks pretty freakin–WAIT A MINUTE! HOLD THE PHONE! SPIDER-MAN JUST RETURNED TO THE MARVEL CINEMATIC UNIVERSE!

This information, to me, came completely out of the blue. I was just enjoying my Friday off from school, summing up my thoughts on the latest movie I’ve gone out to see, when all of a sudden, I’m on social media, and a Variety article comes up with a headline that at this point looks too good to be true. Once I saw the headline “Spider-Man Will Stay in the Marvel Cinematic Universe,” there was only one thing to do.

DO SOME CARTWHEELS AND ALERT THE FREAKING MASSES!

I try to maintain a level of professionalism on this website. There are definitely signs that may suggest otherwise, but that’s because I want my blog to be fun, not boring, not unoriginal. I want everything to stand out. So with that in mind, THIS IS ONE OF THE BEST THINGS I’VE HEARD IN MY LIFE! HELL TO THE FREAKING YEAH! BOOM!

Now, let me just say, Spider-Man is my favorite superhero of all time, and if you have not been following my favorite superhero of all time in the news recently, you’d know that Disney and Sony had a little scrap. For some years now, Sony had the ability to spend money on a new Spider-Man movie, but Marvel Studios (owned by Disney) helps out in making those movies come to life and in return, their side gets a portion of the money, all of the merchandising rights, and a couple of chances to show Spider-Man off in other movies they happen to be making. Sony also gets the chances to retain rights to solo Spider-Man filmmaking as they have already come out with films like “Venom” and “Spider-Man: Into the Spider-Verse.” But this was recently interrupted because Disney asked Sony for greater permission on the content, but Sony said no.

The original deal had Sony making 95% of the box office totals on films that would eventually be known as “Spider-Man: Homecoming” and “Spider-Man: Far From Home.” This means for those movies, Disney would gain 5% of the box office. After the exciting news of “Spider-Man: Far From Home” becoming Sony’s highest grossing movie ever, it was a great sign that the deal seemed to have worked out. Both Disney and Sony are making money on Marvel Studios films, Disney is getting merch money, and Sony gets to make money on their own “Spider-Man” films outside the MCU. But Disney asked for Sony to co-finance and split profits on upcoming “Spider-Man” films. Sony wasn’t satisfied with Disney’s new proposal, so they were no longer involved with the MCU. But, a “Spider-Man 3” was still planned. So they were going to make the movie on their own, without Marvel Studios president Kevin Feige’s involvement, which seemed kind of difficult because if you ask me, Spider-Man currently represents an enormous part of the MCU’s current storyline. With several main characters we currently know having disappeared, Spider-Man may be the next crucial main character for Marvel’s phase 4 and on. He was taken under the wing of Tony Stark, he tried to make him proud from time to time, and now he is trying let Stark’s legacy live on. This separation would have been bad because Sony probably couldn’t use any of Marvel Studios’ other properties or characters if they needed to, and future Marvel Studios films would probably have to come up with some lame or cheesy excuse as to why Spider-Man is not with the Avengers.

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Did he have too much homework?

Is he busy with The Daily Bugle?

Did he not feel so good? I mean, come on!

Nevertheless, as of Friday, Sony and Disney have reunited with new terms that may seem to work out for both of them. And that was one thing that I personally was worried about, because as much as I want Spider-Man in the MCU, I understand why Sony left, and I would have rather had Sony leave the way they did as opposed to having them go along with the 50/50 terms because that means they lose control, or at least partial control of their biggest property, and let’s face it, if this were a game of Film Studio Monopoly, Disney would be winning. They own Boardwalk (most of Marvel), they own Park Place (Lucasfilm), there are hotels on both properties, and you might as well say that they own Pennsylvania, North Carolina and Pacific Avenues, all of which represents the remains of 21st Century Fox, and they are starting to build on those properties as we speak. If Sony were playing this game, they’d be better off landing on the go to jail spot over and over again. I’m not saying they are in danger of going out of business, but still. Luckily, things are being kept in check, because while the deal is no longer a 95/5% difference between sides, it is now 75/25%, with Sony gaining most of the profits. And while this may seem like a significant increase right now for Disney, it may be worth it in the end. Because Sony is still putting some of their eggs into the basket of their own Spidey content, including “Venom 2” which is currently in development.

Despite how much I may point out how Disney is making “too much money,” there’s not much wrong here with Disney wanting more money for these “Spider-Man” films. They’ve done their part when it comes to inserting soul into the character. But I think this deal should probably not go much higher, because Sony is the one distributing the film, and they are the ones paying for it to be made. I personally think 25% is the highest that I would be OK with Disney earning for these movies. Because if they are allowed to earn anything greater, then they might as well be snatching “Spider-Man” from Sony. Yes, Disney technically owns Marvel, but Sony is also in a position where Spider-Man movies are “their thing” and will probably end up being their greatest asset for the time being. It would be like Universal giving up “Fast & Furious” or Paramount giving up “Mission: Impossible” or STX Entertainment giving up “Bad Moms.”

I should also point out that in addition to this whole reunion, the spreading of joy and good news across the movie fandom, Sony put out a post recently of a little announcement that I think you all might enjoy.

One word. Hype.

I honestly almost couldn’t be happier because while Disney is still increasing their control on Spidey, it’s not like they’re hogging the entire plate. Sony gets to keep the rights, and Marvel Studios gets to keep Spider-Man in the MCU. And even if it is just for one more movie, it would help me as an audience member in getting some closure after the AMAZING mid-credits scene of “Spider-Man: Far From Home.” What mood am I in right now? Well, look down below!

I feel like dancin’ like I just don’t care! Booyah!

Thanks for reading this post! I just want to remind everyone that “Joker” comes out next weekend. Now, I want to go see it next weekend. I have time to go see it next weekend. But chances are, I’m not going to. I will say though, I do have tickets booked for the second weekend! I’m going to see “Joker” on Friday, October 11th in 70mm! Hopefully I can get a review up by the end of Columbus Day if I go see it then for the first time, or Indigenous Peoples’ Day depending on your preference, I cannot wait to check it out! As for this next weekend, I am not sure what’s going on. Maybe I’ll watch “The Fanatic,” the new John Travolta movie that just came out, because I kind of want to talk about it. It just seems like it would make for good material, so we’ll see what happens. Be sure to follow Scene Before with a WordPress account if you want to see new posts in your WordPress feed, or if you just want to subscribe with an email, you will be notified of new posts immediately through email. Stay tuned for more great content, and check out my Facebook page! I want to know, what are your thoughts on the latest news regarding Sony, Disney, Marvel, and Spider-Man? Are you happy to see him back in the MCU? Do you think a better deal could have been made? Or are you disappointed? Did you want to see what Sony could have done with Spider-Man without Marvel Studios? Leave your thoughts and opinions down below and I’m not sure about you guys, but bring on “Spider-Man 3!” I want it now! Scene Before is your click to the flicks!

“This is terrific, Peter Parker’s story took a dramatic turn in ‘Far From Home’ and I could not be happier we will all be working together as we see where his journey goes.” -Amy Pascal (Producer, SPIDER-MAN: HOMECOMING and SPIDER-MAN: FAR FROM HOME)

Ad Astra (2019): Cliff Booth Goes to Space

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“Ad Astra” is directed by James Gray (The Lost City of Z, The Immigrant) and stars Brad Pitt (Once Upon a Time in Hollywood, World War Z), Tommy Lee Jones (Men in Black, The Fugitive), Ruth Negga (Preacher, Agents of S.H.I.E.L.D.), Liv Tyler (Lord of the Rings: The Fellowship of the Ring, The Incredible Hulk), and Donald Sutherland (The Hunger Games, Ordinary People). This film is about an astronaut by the name of Roy McBride (Brad Pitt) and he is trying to fulfill a space mission with one person in mind. Specifically, his father. But it’s not easy, it is in fact, as this movie presents, dangerous to the tenth degree.

I. Love. Space movies. Period. Some of the best movies of the decade have primarily taken place in space. So naturally, I was curious about “Ad Astra.” I will say though, compared to other years, “Ad Astra” didn’t seem to have the same level of anticipation that I had for say “Interstellar” or “The Martian” as they were coming out. But, it doesn’t mean I didn’t take whatever anticipation I DID have into account. This is being released at the end of the summer into the beginning of the fall, which is around the kickoff of awards season. Plus, Brad Pitt is playing the starring role, which is something that is totally attention-grabbing for this year because Pitt just had the scene stealing role as Cliff Booth in Quentin Tarantino’s “Once Upon a Time in Hollywood.”

Before going into the auditorium to sit down and watch the movie, I have been exposed to tons of positive word of mouth regarding the film’s technical aspects. Let me just say off the bat, to every person who said this movie is cinematography gold, you are 100% correct. And I can totally see why, because this movie is shot by Hoyte Van Hoytema, who shot another wonderful space adventure during the decade, specifically “Interstellar.” And he also shot “Spectre,” which had one of the most incredibly well-done opening scenes in a recent action film. And at times, you can say this film has thrills and vibes that maybe a film like “Interstellar” also had. But you can also say that much like “Interstellar,” it’s slow at times. Now “slow burns” are not a bad thing. As long as the “slow burn” is used to execute the story well, then I’m all for it. But that is something to keep in mind, because “Interstellar” was still entertaining and somewhat compelling at its slow moments, this movie is just… f*cking dull.

I mean, it’s not bad! But it’s utterly forgettable! This movie sort of reminds me of the most recent movie I reviewed, “Brightburn.” If “Brightburn” were considered an organism and had a personality, I wouldn’t be surprised if I had to take it to a professional to see if it could diagnose it with a minor disability. This film is sort of on the same level. Would I immediately go back and watch the movie a second time? Probably not, but maybe I would, there’s always a chance. But if there were any reason to pay attention, I’d say it would be due to certain well thought out and executed concepts.

One sci-fi flick I often think about is “Star Wars,” and one reason is because of their “spaceports,” which to me, are futuristic versions of airports, even though that movie takes place “a long time ago in a galaxy far far away.” And guess what? One of the standout scenes in “Ad Astra” involves a literal space version of an airport! You’d look around and you have random shops, restaurants. If I were in this movie, I could literally go to the moon, get off the craft, be surrounded by walls, and go grab a muffin at Dunkin’. I guess this was in one way or another, just an excuse to shove product placement down our throats, but it doesn’t I’m denying that this was a good idea! I wouldn’t mind seeing a future where I could go to the moon and grab some chicken crispers or something at a Chili’s Too during a long layover to Mars.

The main message that I have honestly gotten out of this movie is to appreciate your parents and make them proud. This movie relies heavily on a plot involving the son of a famous astronaut, who also takes on the same lifestyle. In fact, one of the main reasons why our main character is doing what he is doing in the first place, is because of his father.

That being said, this does bring up one thing… I’m not going to give anything away, especially considering how “Ad Astra” was not the highest grossing film of the past weekend. I’m kind of shocked, but apparently I underestimated the level of anticipation there was behind “Downton Abbey.” Anyway, in “Ad Astra,” some things were established about the main character’s father. What things? I’m not going to go into any of them, but based on the information that was provided about him throughout the film, I questioned why we were getting the movie we happened to be getting in the first place. If you ask me, if you were pitching two movies, they took place in the same universe, and a movie about the main character’s father was one of them, I’d rather watch that. It would probably be way different from what we’re getting here, but from an entertainment factor, I think a movie like that would have a better shot at putting a smile on my face. But, keep in mind, this is just an idea. The execution of the final product is what matters. Things like proper direction, stellar acting, and excellent writing are all supposed to culminate to make something special. Based on what I’m about to tell you regarding the screenplay… They don’t.

The movie’s script, on the surface, is not bad. There are a fair share of attention-grabbing and thrilling scenes. But between the pacing issues and lack of knowledge I have about Brad Pitt’s character or some other characters during the movie when it starts, it doesn’t flow the way I would want it to. I imagine some people, specifically those in the general audience demographic would rather watch “Ad Astra” than “Interstellar” simply because of the two films, it’s shorter. To me, when it comes to characterization, “Interstellar” has a significant advantage because it takes its longer runtime to have us as an audience get to know our characters and eventually care about them. I like Brad Pitt, but the character he plays is almost not even worth giving a damn about. But let’s get into something that I did not expect to talk about. One of the last pieces of marketing I saw for “Ad Astra” before going into it was a trailer where Brad Pitt is just narrating from start to finish.

There is a lot of narration in this movie. And I can’t say I dig it.

Granted, you can also make the argument that since Brad Pitt’s character is a little reserved in this movie, almost similar at times to Ryan Gosling’s portrayal of Neil Armstrong in “First Man,” the narration works. It gives the audience some insight to what the character’s thinking given how little he tends to open his mouth. And if I had to judge Brad Pitt’s acting in this movie, it’s actually really good, but his character’s minor turnoff for me was the narration. There were a lot of times where it just felt tacked on. It makes “Ad Astra” feel more like a book than a movie. If this were originally a book, I’d understand everything that occurs in the film in terms of narration because narration in a book, specifically in the same case as the movie presents, which is “first person,” is a common happening. I’ve yet to watch the original cut of “Blade Runner,” although I’ve watched “The Final Cut” quite possibly ten times. But if you are familiar with “Blade Runner’s” different cuts, you’d notice that in the original, the main character of Rick Deckard, played by Harrison Ford, narrates. I’m not forcing for this to happen, but I wouldn’t mind if one day they came out with an alternate cut of “Ad Astra” and they called it the “Third Person Edition” because I want to see how a narration-less version of this movie will turn out. It could be better, it could be worse. Who knows? But part of me thinks that the movie will end up benefiting from something like this because I think it would allow an audience member to immerse themselves into the vibrant environment of the film. Again, the cinematography in this movie is some of best I’ve seen this year. It’s up there with films like “Us” as far as 2019 goes in that realm. But sticking with the topic of narration, I will say that it doesn’t make me feel stupid, so as much as I am not exactly satisfied with it, I can tolerate it.

This review is weird! I’m saying I like this movie, but at the same time, I want two different ones that I think could be better, based on its material! Pretty f*cking crazy if you ask me!

In the end, “Ad Astra” has the potential of being the worst good movie of the year, if that makes any sense. Brad Pitt is really good in this film, although he is better in “Once Upon a Time in Hollywood” if you ask me. I like some of the directions in terms of concepts and story elements this movie tends to lean towards. The cinematography, lighting, and sound are all superb and this movie would be excellent to show off as part of a tech demo. But if you are watching purely for the story, I’d seek out another space movie. Who knows? Maybe this is one of those movies that will be better on the second watch, but I cannot say for sure. I’m going to give “Ad Astra” a 6/10. I almost gave this a 7, but I had a few days to think about this because I’ve been busy with life and school. This is a good movie, but I wouldn’t rush out to see it, but if you want to watch Brad Pitt act well and see big pretty things for a few hours, no judgments here. Thanks for reading this review! I just want to remind everyone that tonight I will be going to see a movie that will not be out until the end of October, and that is “Black and Blue.” I honestly know little to nothing about this movie, but since I have an opportunity to attend a press screening for it, I thought why not take it? Be sure to follow Scene Before to check out that review when it is up, I’m not even sure when the embargo lifts so I might have to guesstimate as to when I can officially release ANY thoughts related to the movie. Also, like my Facebook page and tell your friends about the blog, it really helps me out! I want to know, did you see “Ad Astra?” What did you think about it? Or, what is a movie that you thought you would be at the top of the box office charts on its opening weekend but couldn’t make it? Let me know down below! Scene Before is your click to the flicks!

Spider-Man Out of the Marvel Cinematic Universe?!

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Sony? Disney? I don’t feel so good.

Hey everyone, Jack Drees here! This past Tuesday has been one of the most peculiar days of my life. I scraped my knee pretty bad and I broke my bed. But that might not even be the biggest piece of news that I have to share with you all, because this past Tuesday I have heard that Spider-Man, my favorite superhero of all time, is leaving the hands of Disney! Now when I say that, I mean whatever hands of Disney it has, because if you are not familiar with what’s going on, a few years back, Sony (who owns rights to make Spider-Man movies) negotiated a deal with Disney to put Spider-Man in the Marvel Cinematic Universe. At the same time, Sony would still be allowed to produce and distribute their own “Spider-Man” films with the same iteration of the character in the MCU. So far, they have come out with “Spider-Man: Homecoming” and “Spider-Man: Far From Home,” both of which were critically and financially successful.

This deal was working very well for both sides. Disney would get some of the money made for the Sony-owned “Spider-Man” films, specifically 5%. Spider-Man would also be included in various Disney projects including “Captain America: Civil War,” “Avengers: Infinity War,” and “Avengers: Endgame.” Much like the recently mentioned “Spider-Man” movies, those Disney projects also received positive reviews and each one went on to gross over $1 billion, with two of them reaching past $2 billion. Disney and Marvel also had 100% of the merchandising rights to the character. This means, Sony is making money through making “Spider-Man” movies, along with titles such as “Venom” and “Spider-Man: Into the Spider-Verse” and Disney is getting some or all of the money depending on the occasion from live-action movies with Tom Holland as the webhead. Plus, Disney is getting money from toys, clothes, etc.

In fact, Sony just hit a nifty little achievement from receiving their all-time highest grossing film, “Spider-Man: Far From Home,” which grossed $1.109 billion, beating out 2012’s “Skyfall.” Sony’s making money! Disney’s making money! Everyone’s making money! And since it makes the world go round, it should not be surprising that money is the reason why Sony and Disney are separating! Sony has decided to back Spidey out of the hands of producer Kevin Feige and Marvel Studios! Why? Disney’s side wanted a raise!

Now let me just say, if they went to Sony and asked them for 10% of the money earned on the next “Spider-Man” film, maybe 20% or 25%. That would be a different story. But Disney, otherwise known as the box office kings of 2019, said “MORE! We want more!” And wanting more is not a bad thing. But ten times more? This is easily comparable to Spongebob asking Mr. Krabs for a raise because he has recently shown to be doing such quality work for him. Of course, being the krabby snob he is, he’d probably say no. But if Krabs were a gentleman, he would definitely raise Spongebob’s pay just a little bit. I’m fine with Disney getting a little more because financially speaking, this situation has been working out for both sides to the point where they can both give themselves a pat on the back. But the fact that Disney literally wants half of the box office intake for the next “Spider-Man” film reveals their true colors to me. Let’s face it, all movies, in some way, are made for the purpose of profit, but Disney is a different animal when it comes to this. They recently remade one of their most popular films, “The Lion King,” an animated classic which I happen to adore. But the new one is exactly the same as the original! It has little to no differences, and whatever differences do exist don’t seem to stand out. And let me just remind you, it has the same formula as “Hamlet” and “Kimba the White Lion.” Let me just remind you all, it is now in the top 10 films in terms of box office of all time. That happened. Granted, I also feel bad for Disney because as much as I *HATE* them for buying Fox, they have to deal with a slew of several finished films that will barely see the light of day. Plus, they laid off tons of employees and shut down Fox 2000. Although at the same time, they made “Avengers: Endgame,” which is now the Mount Everest of box office champions so there is a hint of achievement in sprinkled somewhere.

Is Disney doing this because of the recent failures of Fox? I have no idea, but based on their recent achievements, I don’t know if it is necessary. I understand the desire to go bigger, be bolder, but with Disney, they already have such a stronghold on the film industry to the point where I feel the need to remind them that they need to calm down. This is one reason why I get Sony backed out of the deal. “Spider-Man” is their highest-grossing property. And for Disney to come in and ask, “Hey, you know that ‘Spidey’ thing, can we take half the money?” It is the literal definition of unexpected and it makes them look like a giant s*ithead of a jerk. As a kid, one important lesson some people are taught is that “sharing is caring.” Both companies have hands in about a half of the deal. Why does one want the high ground?

Wait…

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This is Disney right now. I don’t know if they intentionally want to dismantle or destroy Sony, but the only way that I could see a deal like this working is if not only both companies earn 50/50 on box office, but they put 50/50 into the budget. But as far as I know, Sony is the one spending money on the film to begin with. I don’t want to point any fingers, but if I had to make an assumption, I am pretty sure this one could be on the money.

Now some of you might be thinking of past experience when it comes to Spidey and how Sony would usually tend to screw it up at a certain point. Let me just say first off, I LIKE “Spider-Man 3.” Sorry, it’s true. As for “The Amazing Spider-Man 2” however, that is a different story. But if this is a matter of Disney wanting more money, I would say that this is a sacrifice worth taking. Disney has enough. They have merchandising rights to the character, they have two to three Marvel films every year now. They have the profitable live-action remakes. They have “Star Wars.” They have the entirety of some people’s childhoods. AND… they have most of Fox. They are literally the Veruca Salt of entertainment. Granted, I imagine everyone at Disney is MUCH more well behaved (for the most part, I don’t have enough insider information). But this is honestly a reminder to Disney to sometimes be thankful for what you have, otherwise there will be consequences.

And let’s address another big issue, getting Spidey out of the MCU’s relevance. One of the biggest problems for this dealbreaker when it comes to both Sony and Disney is trying to get Spider-Man to not interact or have connections with the Avengers anymore. This begs a question. Is he still going to be part of the team but without mention towards said connection? Will either side try to find a way to get rid of his “Avenger” status? A few movies ago, he was just declared an Avenger. From “Avengers: Infinity War” to “Spider-Man: Far From Home,” there was an important story in Peter Parker’s arch to allow him to emphasize his importance as an Avenger. Granted, that arch has come a long way since “Infinity War,” but at least from my view, there is still more to be explored regarding Parker and this story of his.

Oh, let’s not forget this…

*IF YOU HAVE NOT SEEN “SPIDER-MAN: FAR FROM HOME,” THIS IS AN END CREDIT SCENE FROM THE FILM, DO NOT WATCH IF YOU DON’T WANT SPOILERS*

Yeah… I want answers. Now.

So in all honesty, this breakup may end up being good for nobody. Granted, Sony agreeing to Disney’s terms would be be bad too, but this reminds me of divorce. You know how they say divorce is hardest on the children? This is hard on all fans of “Spider-Man” who happen to be enjoy both his solo films and MCU crossovers. It’s hard for Disney because they lost an interesting character, and as for Sony, we’ll just have to wait and see what kind of movie they end up making in order to determine how hard this is for them. The MCU will very likely survive without Spider-Man. After all, they have a bunch of other characters they can work with, and since Disney owns Fox, this now gives them the opportunity to insert “Fantastic Four” and “X-Men” into the mix. This leave may hurt them a little bit, because in a future project they’ll probably have to come up with some sort of excuse as to why Parker would be out of the realm. And for all I know, we may never see another Tom Holland “Spider-Man” story again, which would be disappointing, because, again, I want answers. Maybe Sony will do another reboot where Uncle Ben dies, which, I’ll say, I don’t mind seeing again. I get why people wouldn’t want to see it again, but seeing it can highlight the pain Parker goes through and it could emphasize the drive the character will have down the road.

Do I want Spider-Man in the MCU? Sure, he’s a cool character and I like Tom Holland’s portrayal. I think it is very well done, and when it comes to how the character is written in films like “Avengers: Infinity War,” he had my seal of approval. But I understand why Sony did what they did. I personally think “Homecoming” could have been slightly better when comparing it to other “Spider-Man” films, but I ended up loving “Far From Home” even more than “Endgame.” I have very mixed thoughts, but this is a tough time in the trendy comic book movie genre.

AND JUST BECAUSE SONY AND DISNEY ARE NOT GIVING YOU WHAT YOU WANT, DOES NOT MEAN YOU CAN RAID THE STUDIOS! IF THERE IS GOING TO BE A BIG RAID AGAINST EITHER STUDIO, MY FAITH IN THE HUMAN RACE IS GOING TO GO DOWN THE CRAPPER! DON’T. EVEN. THINK. ABOUT IT. CAPICHE?!

I’m just about done. I have nothing else to say except… Disney, stop your plan for world domination. This is the same corporation that gobbled up Fox for Pete’s sake! Give Sony a reason to be with you, or move on. Thanks for reading this post! I just want to remind everyone that I just recently saw “Ready or Not” which just opened in theaters a few days ago. This is the first full weekend the movie will be shown and I imagine a lot of its money will be earned over the course of said period of time. If you want to check out my review for that film, click the red box below and see what I have to say! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! And if you want, check out my Facebook page! Go to my Facebook page for the latest info from the Movie Reviewing Moron cluttered inside a space full of “friends.” I want to know, what are your thoughts on this whole “Spider-Man” fiasco? Do you want him in the MCU? Do you want Sony to keep making movies with him outside the MCU? Do you think there should be some sort of reboot? Let me know down below! Scene Before is your click to the flicks!

Ready or Not (2019): The Greatest Hide and Seek Story Ever Told

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“Ready or Not” is directed by Matt Bettinelli-Olpin and Tyler Gillett, who worked together on projects including “V/H/S” and “Devil’s Due.” This film stars Samara Weaving (SMILF, Three Billboards Outside Ebbing, Missouri), Adam Brody (Jennifer’s Body, The O.C.), Mark O’Brien (Republic of Doyle, Halt and Catch Fire), Henry Czerny (Mission: Impossible, Revenge), and Andie MacDowell (Sex, Lies, and Videotape, Jane by Design) in a film where a woman gets married, has a traditional wedding where everyone gathers together, the couple gives their vows, kiss, all the basics. But that’s not the important part of joining the family according to the side of the groom. Why? Because it is tradition for the family to play a game starting at midnight. As seen in previews and as somewhat suggested by the title, everyone is playing hide and seek. Samara Weaving’s character has to hide as everyone tries to find her, but if you have seen the trailers and heard much about this film, you’d know it’s not the normal game as one may expect. Instead of a pleasant game where everyone frolics around looking for the hiding individual, there is a sinister element involved.

“Ready or Not,” to my knowledge, is a movie that I did not hear much about until a couple months ago when the first trailer came out. But as soon as it came online and was brought to my attention, there was nothing I could do except watch it, which eventually led to me raving about it.

Take everything I have said about this seriously, because the trailer to this film just kills. Even if I never saw the actual film, I would at least recommend the trailer. If you know me in real life, then you must have known my excitement regarding the fact that the movie had a pre-release screening in Boston the day before it came out. I took advantage of the opportunity, scored myself two passes through a reservation online, invited my dad to tag along, and we hit the road!

And I’ll tell you what guys, this is a film that I was highly anticipating. Kind of like how I had massive expectations for “Once Upon a Time in Hollywood” recently. As far 2019 goes, “Ready or Not” was definitely one of my most anticipated films. There are a lot of instances where people set their expectations high and end up disappointed. Granted, my expectations for “Ready or Not” were not as high as some other films I have seen throughout my life, but as far as this year goes, my hype levels were astronomically high. Although I recently rewatched the trailer, because again, it’s awesome, and I read the comments, and everyone feels as if the movie reveals too much in its trailer. I won’t entirely say whether or not it does because it is not even out yet (except one element in just a moment), but holy crap! I think we may have my favorite film of the year so far!

As I type this review, I cannot tell a lie. My head is still f*cking spinning after what I just saw. This film is a combination of a dark comedy and horror, and it feels like it knows it wants to be that way. It meshes both genres together and creates a spectacular birthchild if you will. It’s not a film that gets confused about its own identity in the same way that a stereotypical middle-schooler would. The best way I can describe this film is referencing Pixar’s “Ratatouille.” You know that scene from “Ratatouille” where Remy takes a bite of one thing, takes a bite of another thing? Both have their own theme music, only to lead to a bite of both things at once which leads to an absurdly upbeat theme that lasts for a few seconds? That’s the best way I can describe “Ready or Not.” It’s hilarious and scary in the best ways possible. I know I said I won’t mention whether or not this movie’s trailer reveals too much, but one thing that I can say is that the trailer contains a number of the movie’s funny parts. This isn’t to say that the movie isn’t funny, but that is something to point out for those who are perhaps coming in for the comedy. It also does not mean that there are not any funny moments not shown in the trailer. I won’t go into detail about them, but this movie has more hilarity than what has already been exposed to most of the public.

In fact, one reason why this movie works so well is the characters. Samara Weaving plays the main character of Grace who I just plain adored. She was performed very well, had incredible charisma, and I bought into the relationship between her and the husband. By the way, the husband’s name is Alex Le Domas and he’s portrayed by Mark O’Brien. To me, Alex is probably one of the most out of field characters I have witnessed on screen this year, and I don’t mean that in a terrible way. His actions intrigued me, and his character went in multiple unexpected directions that made the movie lovable from my perspective. I won’t go into any of them, but I want to give the writers every ounce of credit possible for how they wrote him. When it comes to everyone else, my biggest salutes have to go to Henry Czerny (Tony), Kristian Bruun (Fitch), and Nicky Guadagni as the incredible Aunt Nadine. This lady is always either unhappy or crazy, and the actress portraying her manages to play the role with both traits at a level of absolute excellence. Even though her character is not the most prominent in the film, any screentime with her is a breath of fresh air.

And this film in some ways, reminds me of a film like “Avengers: Infinity War” because while I was not exactly rooting for the antagonistic side, I could see why they were doing what they were doing, and I could believe it or not, side with them. They have to find Grace, perform a ritual, and kill her. And they say that if they don’t do it before dawn, they’re all dead. So in reality, taking the standpoint of the protagonist (survival), or the standpoint of the antagonists (kill or be killed), if one side were to die in this situation, they would absolutely feel like they are doing the right thing for their own good. Not to mention in a way that makes them feel better about themselves. Granted, it’s a movie in a somewhat realistic and slightly intimidating setting for an adult audience, so I wouldn’t expect the antagonistic side to just be “a bad guy doing bad guy things,” but even with that in mind, the way this film plays out the rivalry and their motivations makes the screenplay completely worthy of my admiration. And even though I was able to feel bad at times for the antagonistic side even if their motivation seemed like it involved something that only they would believe, it does not change the fact that for just about every second I was rooting for Grace to run, hide, escape, just let this game of f*ckery come to an end. By the way, people die in this movie and when the deaths arrive, they are occasionally bonkers. You have to see them to believe them, they are masterpieces of darkness.

When it comes to other standouts, I really like the house this movie was shot in. This allowed for some noteworthy set and production design, a ton of dark rooms to highlight what kind of movie we were in for, and specifically for this film, a ton of reasons to intensify a simple game of hide and seek. I also think this film may have a shot during awards season at getting some costume design nominations. There are tons of outfits in the film that suit the characters well and are also impressively designed. I also really like how the film manages to elevate such a simple game traditionally played by children. If you told me five years ago that we’d be getting a movie with an intense hide and seek match, I don’t know what I would have thought, but I probably would have asked for something else. But having seen the trailer for this movie two months ago, I became interested. That interest was strong enough to make me go out and see it. Having seen it, I cannot help but endlessly recommend it.

One last thing I’ll say is this. The final moments in this film are as masterful as air conditioning on extremely hot days. There is a line that I won’t go into during the final three to five minutes of the film, but that line made me pull myself back in my seat, drop my jaw in shock, and place my hand on my head in utter disbelief. I don’t mean that in a bad way, in fact, the exact opposite. I was floored to the point where I went from really liking this movie to wanting to see it again at full price. Let me just remind you that this is a year of fantastic endings. We’ve had films like “How to Train Your Dragon: The Hidden World,” which to this day is the only film to flat out make me cry in a cinema. Then came “Avengers: Endgame,” which not only had a geek wet dream come to life, but a satisfying finale to over 20 films that came before it. And just a few weeks ago we had “Once Upon a Time in Hollywood” which… simply put, is a f*ckstravaganza of madness. Now we have “Ready or Not,” which has an ending that is as wild as it is satisfying. “Once Upon a Time in Hollywood” has the advantage of having the better climax and ending, but this film’s ending elevated its final verdict to me and if you ask me, “Ready or Not” as a film, to me, is better than “Once Upon a Time in Hollywood.”

In the end, don’t hide, just RUN to the theater to go see “Ready or Not.” It’s a unique concept, has likable characters, and has an impressive amount of bloody violence to keep my eyes towards the screen. This film is from Fox Searchlight, a studio that happens to be a major contributor to many of the awards-type pictures that have come out in recent years. Will this movie be one of them? I don’t know, it’s possible, but it’s still August so I cannot exactly confirm that will be the case. Although many awards outlets are not that friendly to horror flicks so there’s a good chance “Ready or Not” may be ignored. But I will remind you, in Disney’s recent acquisition of 21st Century Fox’s assets, this is one part that they now can claim as their own. And movies like these are what I hope to continue to see from Disney with their new Fox additions. Movies that are compelling, original, and in the case of Fox Searchlight, small. Disney has recently exterminated Fox 2000, which is a sad move from my perspective, but if they eradicate or shrink the relevance of Fox Searchlight, that would be an even bigger mistake, and films like “Ready or Not” are why. This is a film that I want to see again, buy on Blu-ray, and this should not surprise you right now, I’m going to give “Ready or Not” a 10/10! Thanks for reading this review! I just want to remind everyone that I just recently went to Terrificon over a week ago, I am currently working on a post related to my experience of the event, and I don’t know for sure, but I’m hoping it is up by the end of the week. Only time will tell though! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! If you are hiding from the real world and spending your days in the virtual universe of the Internet, I don’t know what you are doing, but who knows? Maybe you have Facebook. And if you have Facebook, do me a solid favor, check out the Scene Before Facebook page, give it a like, tell your friends about it, maybe your Facebook friends, and if you are an old school Internet junkie, tell your MySpace friends! I want to know, did you see “Ready Or Not?” What did you think about it? Or, have you played a whacked up edition of a particular game? If so, what was it like? Ready or not, let me know down below! Scene Before is your click to the flicks!

AVENGERS: ENDGAME (2019): Highest Grossing Box Office Movie Ever (My Thoughts)

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Hey everyone, Jack Drees here! I’d like to start off this post by saying, I’m sorry if this post seems as if it is being put up late. I’ve been busy, I’ve had other posts that got in the way, and I had to (or should I say got to) go see a movie for a post I wanted to get up by the end of this weekend. I have so little time, so much to do! But with that aside, let’s stay on topic! If you have been living under a rock for the past few days, let me just say, 1: I hope you’re enjoying that rock. And 2: Chances are that at least SOME of you may have heard the big news coming out of the movie industry recently. As many may know, Marvel’s “Avengers: Endgame” has hit many milestones during its theatrical run, but most recently, it hit the milestone to end all milestones (at least in theaters). As of now, “Avengers: Endgame” has dethroned James Cameron’s “Avatar” as the highest-grossing film at the box office of all time. The movie has been in theaters for just about three months, and over the weekend where it was just days away from approaching its three month mark, it made “Avatar” feel blue.

Anybody? I officially quit comedy.

Nevertheless, before “Avengers: Endgame” swooped in, “Avatar,” which in my opinion is a good movie for its visual effects, not to mention a thrilling experience, but a little lackluster on some script elements, had the all-time box office record of $2,789,679,794. As of now, “Avengers: Endgame” is sitting at $2.79 billion! And I knew, from the start, that the record was bound to be broken. Let me just give a list of some records “Endgame” broke before this all happened!

  • HIGHEST GROSSING OPENING WEEKEND WORLDWIDE
  • HIGHEST GROSSING OPENING WEEKEND IN AMERICA
  • FIRST MOVIE TO PASS $300 MILLION ON OPENING WEEKEND IN AMERICA
  • FASTEST MOVIE IN ADVANCE TICKET SALES
  • FASTEST MOVIE TO $1 BILLION (5 DAYS)
  • FASTEST MOVIE TO $1.5 BILLION (8 DAYS)
  • FASTEST MOVIE TO $2 BILLION (11 DAYS, WHICH IS THE TIME IT TOOK INFINITY WAR TO REACH $1 BILLION)
  • BEST THURSDAY PREVIEW
  • BEST OPENING DAY

To me, this record shatter was inevitable as soon as the opening weekend totals were revealed. It might have been inevitable since the tickets went on sale. Remember that virtual line from Fandango? Remember AMC’s site crashing? Never forget… 4/2/2019. This movie not only had legs, but it had a sense of being this big event. After all, this is why I wanted to see the film as early as possible. This is why I bought tickets for opening Thursday! I treated my adventure to “Avengers: Endgame” as if it were an official holiday. You know how some kids count down to Christmas? That was me with “Avengers: Endgame.” Its predecessor, “Infinity War,” impressed me to no end, I declared it to be my 2nd favorite film of 2018, and this made me realize that while it is a cinematic event, it is practically something that I felt was generational. I got into the MCU when I was thirteen years old, back when I started watching the first two “Iron Man” films after recording them and watching them through my DVR. Technically speaking, I watched the original “Avengers” movie back when I was twelve, but I still had little to no realization of what the MCU actually was. I eventually got the concept, and started watching more movies that took place in this cinematic universe that I cannot even believe still exists. It felt like something my entire life has been leading up to. Yes, “The Force Awakens” was a resurrection of a property I have loved for years. Yes, I have been excited for several films from worlds I have never been exposed to before such as “Interstellar.” But as soon as the release date of “Avengers: Endgame” hit, nothing else mattered. Even though I had to go to school and do a final presentation, that was secondary to me. “Endgame” mattered. Although this does bring up one thing. We live in a society where everything feels as if it is supposed to be done in a nanosecond.

We have tiny computers that fit in a pocket. These things have a free dictionary, encyclopedia, and study book all in one! We can preorder whatever the heck we want at Dunkin’ through an app on our phone! We have streaming services that drops an entire season of a brand new show for everyone to watch so they don’t have to wait for the next episode! While I thought it was unavoidable that we would see this film become the biggest in history, there was a point where I thought I should take that statement back because of how many people went to see it when it first came out. Some people went back, but not everybody did. To this day, I have only seen the film in theaters once. As a film critic who needs to review a diverse selection of content, I need to save my money! If I had AMC Stubs A-List maybe I’d go see it again, but I am still debating on whether or not I should get it.

Although there are factors on this film getting people in the theater for a repeat viewing. For one thing, critical reviews helped. Many people related to the film industry praised the film for many aspects, not to mention the reviews that come from the fan side of things. The film received an A from CinemaScore, a 91% audience rating from Rotten Tomatoes, which is 3% less than the combined critic rating, and the film has a spot on the IMDb top 250! The public response to this film is enough to warrant a repeat viewing in some way.

But I do have one question: Did the folks behind this movie use bad marketing to get people in the theater towards the end?

As some of you may know, Marvel and crew put out another version of “Avengers: Endgame” in theaters about a month ago. This was marketed as a “rerelease.” What did this rerelease contain? No additional footage for the movie, but a tribute to Stan Lee, some cut out footage featuring the Hulk, and a preview for what audiences were going to get in “Spider-Man: Far From Home.” If anything, this is almost deceptive because while I was not exactly expecting much out of this rerelease, this brings nothing new to the table. As suggested by Box Office Mojo, the rerelease brought an increase in the movie’s domestic box office totals by 207%. I’m not calling the folks at Marvel Studios frauds. There is new stuff in the rerelease, but… barely. It’s just marketing that feels cheap, instead of calling it a “rerelease,” call it the “After Credits Special” or something.

Although this does bring up something interesting. “Avatar” had a rerelease as well. While not done in the same fashion as “Endgame” since their rerelease happened about 8 months after the film’s original release, it was little less… I guess I can say deceptive. The new cut featured extended footage of the film despite how it was already shown on home video. Nevertheless, it felt like there was a reason for the rerelease to happen based on timing and new content. Plus, let’s bring this up. “Avatar” beat “Titanic,” which is now third place in all-time box office totals, in just a month. Granted, “Endgame” beat “Titanic” faster, but that’s irrelevant. “Avatar” still remained the same film the entire time. The release an of an alternate edition didn’t happen until months later.

And I will still say, “Endgame” is better than “Avatar.” While “Avatar” is a visual spectacle, “Endgame” is that with story. Granted, if you are not familiar with the MCU, I’d say wait to watch this film until you maybe watch some other films in this universe. You would probably still have fun watching this movie, but there’s a good chance that you’d be asking some questions as to what might be happening. I know there are a lot of people, based on discoveries through the past number of years who like to point to “Avatar” as overhyped (which it kinda is), but much like “Endgame,” “Avatar” is a cinematic achievement. Granted, I don’t like how it is one of the major contributors to how we present movies in theaters (digitally). Although it helped bring the 3D craze, which isn’t a complete success, as some of you would also suggest, but there have been a number of movies that I feel have personally been enhanced through 3D technology. Movies like the “Hobbit” trilogy, “Gravity,” and “Oz the Great and Powerful.”

If I had to make a comparison, “Endgame” might start a revolution. Granted, it is a continuation of the superhero/comic book movie craze that has been going on for years now, but it could have sprung something new. And it reminds me of how much credit I also gave to the preceding installment, “Infinity War.” Why? Because that movie was essentially a culmination of a ten year span. While I do think “Infinity War” is the superior film, “Endgame” is not just a culmination, it’s the perfect capper for the MCU itself. Then again, “Far From Home” just came out and we seem to be getting at least two more phases so we’ll see what happens. The revolution I think it could start is the successes of multiple cinematic universes, if not successes, I’m at least expecting a number of attempts to be remembered through the years. However, that is not a guarantee because everyone is flocking to Marvel, but it makes me optimistic about the storylines and quality that could possibly go into future cinematic universes. DC has their own universe that seems to have gotten off to a rough start, but I think it recently turned itself around if you ask me with films like “Aquaman” and “Shazam.” Although I do think “Wonder Woman” is better than most Marvel movies so there is that. Warner Bros. seems to be having some success with their “Conjuring” universe that is quite honestly bigger than I ever thought it would be. And while there was a big bump in the road when it comes to “Godzilla: King of the Monsters,” I am still curious to see what else is in store regarding the MonsterVerse.

And I am willing to bet, despite how “Avengers: Endgame” comes out on digital in just a few days, there will still be room for it in theaters. After all, it’s one of those films that kind of resembles why movie theaters were built in the first place. It’s epic, it’s boisterous, it’s glorious, it’s built up for periods of time, and the potential audiences that could show up are immense. And despite the flak that I’m probably going to continue giving the marketing team behind this film for that “rerelease” fiasco, I don’t care because this movie deserves just about every penny it earned so far (despite being released by Disney) just for its quality and ability to entertain.

Nevertheless, I am thrilled to see this in my lifetime because I think “Avengers: Endgame” is an excellent film that deserves tons of praise. I gave the film an 8/10, which still stands to this day. In fact, it’s not even the best comic book movie of the year, that honor belongs to “Spider-Man: Far From Home.” Even with that being said, “Endgame” is a game-changing movie. It feels like the cinematic events to end all cinematic events. Not only was it successful, but quite damn good. I was not alive to see this, but remember “The Phantom Menace?” At the time, that might have been the biggest cinematic event of all time. While there is still a debate on what might be the biggest of all time, “Endgame” is definitely a contender and I am happy to have this film be a part of my life.

Thanks for reading this post, I am sorry if this information appears to be irrelevant at this point, but I’m better late than never. I have a ton of things to do this week related to Scene Before, I was planning on doing this earlier but my review for “Yesterday” got in the way because… well, I had to talk about it. It was too bad to be ignored. Anyway, speaking of reviews, my next post is going to be for my review of Quentin Tarantino’s “Once Upon a Time in Hollywood,” I just got back from seeing it in the theater, and I cannot wait to talk about it. It is one of those movies that is gonna be fun to describe to those who haven’t seen it yet. And for those of you who are still thinking about “Endgame” at this point for whatever reason, be sure to check out my review for “Avengers: Endgame,” which I originally posted back in April. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! And while we are on the subject of breaking records. You know what isn’t breaking records? The likes on my Facebook page! Please like my page so you can be on the lookout for Scene Before news, recent content, and maybe I’ll throw in a random thought every once in a while! I want to know, what are your thoughts on “Avengers: Endgame” breaking the all-time box office record? Also, would you say it doesn’t count? Maybe for inflation? The rerelease factor? Something else? Or, how many times did you see “Endgame” in the theater? As for myself, I only saw it once, but once that 4K disc drops, perhaps the exclusive version from Target if you want to be totally specific, I am definitely picking it up! Let me know how insane you are down below! Scene Before is your click to the flicks!

Avengers: Endgame (2019) REVIEW

Marvel Cinematic Universe PHASE 4 Plans Announced

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Hey everyone! Jack Drees here! You thought we were in the endgame? Think again, because, to my lack of surprise, as well as others perhaps, the Marvel Cinematic Universe is not going anywhere, and as part of this year’s San Diego Comic-Con, Kevin Feige and crew have officially announced their gameplan going forward in regards to movies and television. While I could not make it to San Diego this year (just like every other year), I had the pleasure of receiving a number of these announcements through social media, which is something Captain Marvel should have brushed up on by now.

This first announcement, doesn’t relate to what some would call “phase 4,” but it happens around that certain timeline and takes place in the same universe, so why not leave it in? Anyway, as you may or may not know, Marvel is finishing up their series “Agents of S.H.I.E.L.D..” It’s a series that I tried watching when it first started, but for one reason or another, I just couldn’t latch onto it. It just didn’t work for me. The show will begin its seventh season during the 2019-20 television season, and will air for 13 episodes. However, if you are caught up with the series, you’d know that season 6 is still in progress, so the show still has time left before ABC dusts it away from its current lineup.

Speaking of television, Marvel in general is seemingly changing the norm of how they release their television programming. Before now, they would release various MCU-related content on ABC such as the recently mentioned “Agents of S.H.I.E.L.D.,” “Agent Carter,” and the short-lived “Inhumans.” Netflix also had a fair share of content, all of which was recently cancelled such as “Iron Fist,” “Jessica Jones,” “Luke Cage,” and to what I believe is to a lot of people’s surprise, “Daredevil.” These platforms, for all I know, could lose the ability to air new Marvel content for awhile whereas the TV channel Freeform, and streaming services Hulu and the yet to be released Disney+ are going to be the big three for some time. Speaking of Disney+, Marvel announced a plethora of shows to be exclusively released on the upcoming service.

For the record, Disney+ is expected to be released during the fall. So just a reminder, none of these shows will be available on day one.

The first show to premiere on Disney+ is going to be “The Falcon and the Winter Soldier.” As you can tell by the title, the series revolves around the known characters played by actors Anthony Mackie and Sebastian Stan. It is expected to start filming October 2019 and premiere in August 2020. While there are not many details about the series just yet, Mackie and Stan have previously wanted to do their own spinoff film at some point, particularly in the style of a buddy cop story. So who knows? Maybe this series could have some sort of comedic buddy vibe. But only time will tell.

Moving onto 2021 programming, up next we have “WandaVision,” which is short for the characters Wanda Maximoff and Vision meshed together. This series is going to star actors Elizabeth Olsen and Paul Bettany as the characters we have previously come to know throughout the Infinity Saga. Although I must point out. This takes place after “Avengers: Endgame,” and Vision died in “Infinity War” only to never come back to life. So my question is… How will they allow him to return? Let me guess, time travel. Because now if the Marvel universe has a problem. Boop! You got a time machine! Want to save Nick Fury from losing an eye? Boom! You got a a time machine! Want to stop Tony Stark’s home from being destroyed like it was in “Iron Man 3?” Boom! You got a time machine! Want to give Captain America the most advanced pop culture lessons of his life? Boom! You got a time machine! Granted, there’s probably more to it, but a time travel element would not be surprising. The show will hit Disney+ in Spring 2021.

Also coming in Spring 2021 is a “Loki” series. Without going into much detail, because this does involve a spoiler for “Avengers: Endgame,” which as of writing this, is still in theaters, it will involve a Loki of the past. That’s all I’ll say. The series will of course star Tom Hiddleston. I don’t know if I am going to watch any of these series, but I think out of all the series on this list, I feel like this is the one I’d be least likely to watch. It almost seems like an idea from a think tank meeting (even though a number of these shows feel the same way). “Remember that mysterious guy from ‘Thor’ who keeps dying and coming back to life? Nobody knows if he’s good or evil? Let’s not deal with any new characters, let’s use this guy some more! Yay!” The way I wrote that sounds generous, but when I imagine it, it sounds like a business meeting all involving out of shape guys in suits smoking cigars.

OK… I take my last statement back, this is a series I’d probably watch. Granted, I don’t want to pay for Disney+, I don’t see any reason to. Plus, as someone who wants to avoid witnessing Disney’s plan for world domination put into action, I want to spend as little money towards them as possible. Although I kinda do want to go to Disneyland to see Galaxy’s Edge the more I think about it. Nevertheless, the next series is “What If…?” For those of you who don’t know, “What If…?” is a franchise that creates and realizes perhaps unlikely or alternate scenarios related to Marvel characters. Some examples from comics include: “What if the Fantastic Four all had the same power?,” “What if Captain America had been elected president?,” and “What if Jane Foster had found the hammer of Thor?.” While I’m not getting Disney+, if they are ever to release any of these shows on DVD or Blu-ray I am very likely to pick up “What If…?” simply for the concept. The stories presented in the show will not affect the MCU’s timeline, but merely exist just to answer questions through the power of imagination. It is simply something that just provides a unique take of some sort.

Hawkeye in the MCU is an “interesting” character to say the least, because just about every time he appeared in an MCU movie when he first started, I did not care about him as much as the other characters. Then I saw “Endgame” and thought he was one of the best characters of the whole thing. Coincidentally, of the upcoming shows on Disney+, “Hawkeye” is one of them. Also, according to what I have gathered, this series will introduce Kate Bishop, who in the comics is the first woman to earn the Hawkeye title. She’s also a member of the Young Avengers. Here, this show will seemingly spend some time on allowing Jeremy Renner’s Hawkeye to pass the torch to this younger character. The question is… Will I care about her? Or will she just be another boring bow and arrow fetishist?

That’s it for TV shows. I’ll probably watch NONE of them. Mainly because I feel that the way that everyone is trying to push streaming service upon streaming service towards the consumers is going to eventually make streaming as a whole a significantly worse deal than cable. My family and I have not cut the cord, and honestly, I’m happy. Especially considering how I still have my game shows (streaming IS NOT a good alternative if you are a game show fan for the most part), plus it’s nice to watch a new episode of a show and have it feel like an event, whereas an episode or two of a show, or a whole season, drops on Amazon or Hulu and it’s almost like you unintentionally DVRed something. Plus, I enjoy my livetweeting. It makes me feel like I am part of a community. Another reason why I’ll probably miss out on all these shows is because I REVIEW MOVIES DAMMIT! Movies are a top priority of mine and because I watch and review them excessively, I barely have time for TV. And speaking of movies, let’s reveal what Marvel has planned for that realm of entertainment in phase 4.

First up for movies is a project that I think a good number of people know has been in full swing, “Black Widow.” The plot and details are mostly unknown at this time, but Scarlett Johansson, the woman that I have a crush on who says she should be allowed to play trees, well then, if that’s the case… Vin Diesel? Watch out, you might be fired soon! She is returning as the title character who we have seen in several parts of the MCU such as the “Iron Man,” “Avengers,” and “Captain America” franchises. From speculation, I would imagine this would take place long before the main events of the MCU, kind of like in “Captain Marvel.” I am also willing to bet this will be a grittier film in the franchise (even though they aren’t going for an R rating), while also trying to be fun. After all, Black Widow isn’t really a superhero, kind of like Iron Man, she just plays with toys. And based on what we have seen from her character in comics and movies, this is very likely to be a spy flick. If you ask me, this is not my most anticipated spy-related film of next year, I’d reserve that spot to “Tenet,” directed by Christopher Nolan, but I’ve been eager to see a “Black Widow” solo film for quite some time, so I’m excited!

Plus, ScarJo is a dream girl. Just saying. The film will be released on May 1st, 2020.

Up next is a newcomer to the MCU, specifically, “Eternals.” Some big name actors in the film include Salma Hayek (Grown Ups, Desparado), Kumail Nanjiani (Stuber, Silicon Valley), Angelina Jolie (Kung Fu Panda, Mr. and Mrs. Smith), Richard Madden (Rocketman, Game of Thrones), among others. It is going to be about a bunch of eternally living beings who have spent infinite portions of their lives fighting a force of evil referred to as The Deviants. One character, Makkari, played by Lauren Ridloff is going to be the MCU’s first deaf hero. The film will be released on November 6th, 2020.

The third movie is one that I personally think will be a mega hit at the box office. It’s not to say the others won’t be, but if “Black Panther” from phase 3 has proven anything, it’s that if you put a “visually different” person at the forefront of a superhero project, people will see it. That’s because this movie we’re talking about is “Shang-Chi and the Legend of the Ten Rings.” I don’t know if the final product will have a title this long, but only time will tell. Then again, it’s not as much of a mouthful as say “Percy Jackson and the Olympians: The Lightning Thief.” The main reason why I’d say this film has a bonkers chance of success is because Shang-Chi is Chinese, and in this film, he is going to be played by Chinese Canadian actor Simu Liu. Not to mention, based on comic-related images I have seen, this movie could be a visual treat. Another thing to consider is the Chinese movie market. If this movie is as visually impressive as I think it will be, not to mention as honorable to the Chinese culture as I think some would want it to be, I think a lot of people will go see this in the theater. China, at least to my knowledge, seems to go to a lot of spectacle type films. Some historical examples that come to mind include “Transformers; Age of Extinction,” which to be fair, was partially shot in China, and “Warcraft.” While “Transformers” is popular in the United States, “Warcraft’s” domestic returns led to its underwhelming final box office total despite making more than twice its budget. But it couldn’t reach the total $450 million needed to completely break even. But if anything has been proven, Marvel is an automatic success in the United States. In the US and Canada, “Black Panther,” a culturally significant film for the African community, managed to make over $700 million, which for those countries specifically, is actually more than “Infinity War.” But with the massive potential for winning over China and perhaps other somewhat related Asian communities, plus Marvel’s domestic success, it has a chance of being possibly a bigger success than “Black Panther.” The movie is scheduled for a February 12th, 2021 release.

Another film I saw coming was “Doctor Strange 2,” and we got it! But it technically has a more specific title, “Doctor Strange and the Multiverse of Madness.” Based on what I’ve heard, Scott Derrickson could be coming back to direct this sequel. It is also suggested that Benedict Cumberbatch and Benedict Wong, or in this case, just for fun, I’ll call them Team Benedict, will be returning to reprise their roles. One thing that I found interesting though is that Wanda Maximoff will be in the be in the movie as well, and it will be tied directly to the Disney+ series “WandaVision.”

OK… You gotta be kidding me. I know people give flak to DC for how they do their movies, but at least you don’t have to watch a freaking TV show to perhaps understand or comprehend what is happening in one of the DCEU’s films! Guess I’ll just read the Wikipedia entries for the WandaVision episodes, because I ain’t paying for Disney+. But one thing that does intrigue me, is the notion that this is going to be a more horror-esque movie compared to a lot of the other MCU installments. So who knows? Maybe this could have a wacky funhouse vibe, or maybe be the MCU’s version of “The New Mutants.” Although now that I think about it, “The New Mutants” could possibly end up being another version of this movie depending on how many more times it gets pushed back. Man, that movie premiere is gonna be one big realistic version of a FaceApp demo. This is definitely a movie I would want to see on an IMAX screen, maybe in 3D. Because I saw the original “Doctor Strange” in IMAX 3D, which made for one of the best visual trips of 2016. This film is expected to drop into theaters May 7th, 2021.

But my one request for this movie. JUST GIVE A MORE MEMORABLE VILLAIN. Then again, it’s Marvel, it’s not their strong suit.

When 2015 first started, the YouTube channel RedLetterMedia made a video where they jokingly predicted that we’d eventually get a fourth “Thor” movie called “Thor 4: More Thor.” Believe it or not, “Brooklyn Nine-Nine” used that title in their show. Unfortunately, we’re not getting “Thor 4: More Thor.” But we are getting a fourth “Thor” movie titled “Thor: Love and Thunder.” I have mixed thoughts on this movie, because I REALLY enjoy 2011’s “Thor,” probably more than I should. I know some people don’t like it, but I enjoyed Thor’s character arch and Loki was a solid villain. Granted, the followup in 2013, “Thor: The Dark World,” is in the conversation to be my least favorite Marvel Cinematic Universe movie. And even though “Thor: Ragnarok” was… “better,” it’s not what I wanted. I thought it was too comedic, and some of the jokes didn’t land. While it is visually stunning, somewhat appealing from a story perspective, the tone just didn’t work. Basically, Asgard is in a state beyond repair in this film. It could have been dark, gritty, maybe a little funny, but not like it was “Deadpool” for kids. I don’t think Taika Waititi is a bad director, in fact, I thought he would be a better suit for something like “Guardians of the Galaxy,” but he did a “Thor” film instead. It just didn’t stick the landing for me. I’m hoping “Thor: Love and Lightning” will be better, but from what I can imagine, it could be tonally similar to the previous “Thor” installment, which if that’s the case, I’m just hoping that the story actually fits the tone.

One thing that could be interesting is that Jane Foster, played by Natalie Portman, is making a comeback. And similar to a comics storyline, Foster is going to be taking on the mantle of Thor. And based on visuals presented from San Diego Comic-Con, it looks like her character will be holding Mjölnir at some point during the film. As long as Kat Dennings doesn’t show up to play her character from “2 Broke Girls” everything should be rather fine and dandy. The film is predicted to be out November 5th, 2021, so I demand there should be at least one reference to “V For Vendetta,” ESPECIALLY since Natalie Portman is returning!

Now let me just say, I have no idea when these next films are going to be released, part of me is willing to bet that one or two of them, are not even in phase 4, but Marvel Studios chairman Kevin Feige has confirmed that these movies are in development, therefore we are going to cover them. So let’s continue!

Remember the 1998 film “Blade?” Guess what? Marvel is getting to do another project with the character. I personally can’t say I have seen “Blade,” but part of me is willing to imagine that this will be a somewhat different take on the character because the original trilogy was rated R, whereas all the MCU films so far have gotten a PG-13. If you ask me, I would not mind seeing an R version of the character in the MCU, kind of like with Black Widow, but you cannot have everything. One thing that does intrigue me though is that Mahershala Ali (Moonlight, Green Book) is attached to playing the lead role. He’s a fantastic actor who has a ton of range, and he actually pitched this sort of idea to Marvel Studios through a call. Coincidentally, Ali has been attached to a couple of alternate recent comic book-based products including Sony’s “Spider-Man: Into the Spider-Verse,” and Netflix’s own MCU show, “Luke Cage.”

There’s not much to say on this next film, but I KNEW this was gonna be made at some point, perhaps soon. Why? Because again, it made SO MUCH money. I guess this is what happens when Disney remakes “The Lion King” for a new generation. Wait… I’m talking about “Black Panther 2.” There’s not much to say about this movie yet, but Ryan Coogler suggested that he’d write and direct this film, which does intrigue me because I thought he did a rather decent job with the first one despite its flaws. So… what Disney movie are they gonna retread next? Are they gonna do “Dumbo” because Black Panther is learning to fly for some reason? Are they gonna do a film in the style of “Wreck-It Ralph” where it is revealed that Wakanda is in an arcade cabinet? Are they gonna do one like “Frozen” where Shuri or Okoye just breaks out into an annoying catchy tune? By the way, screw “Frozen,” that movie can rot in hell!

Up next is a film that was supposed to come out in 2020, but based on recent controversy, that’s not happening anymore. Specifically, “Guardians of the Galaxy Vol. 3.” This is a film that I am honestly curious to see, because while I imagine this could potentially be a capper for a trilogy, director James Gunn has previously exposed that this installment is not meant to be a powerhouse of emotion. It is still going to be fun and lively. But if you have been following the news in terms of film recently, you’d know that Gunn was fired by Disney/Marvel over the resurfacing of less than family friendly tweets. Tweets that even he admits, he’s not proud of. If you ask me, I believe James Gunn is a competent director, who may have deserved the criticism that he received, but I’m not sure if Disney should have gone as far as firing him, especially when you consider how much he has changed over the years in terms of his outlook. Nevertheless, I am quite curious to see how this upcoming “Guardians” film turns out, and I do have a shortlist of soundtrack ideas, but I think I should save that for another time. The movie is not expected to begin filming until 2020, but that’s because James Gunn is currently doing a DC movie, specifically “The Suicide Squad.”

Here’s another no-brainer, “Captain Marvel 2.” When your film has the sixth biggest opening of all time, you know you have to make a followup. I’ll be honest, the first “Captain Marvel” did not work for me. I thought the chemistry between Fury and Danvers was kind of hit and miss. The scene where “Just a Girl” plays honestly, while I guess it was trying to be empowering, felt really off for an action scene that was most likely trying to be kick-ass. The final fight, which I imagine was trying to be funny, just ended up being questionable to me. And don’t even get me started on Goose the Cat! But, we are getting another movie, and I’m honestly hoping it is better than this one, but only time will tell. I like Brie Larson as an actress, but when she plays Captain Marvel, she honestly sounds like she’s only been in straight to DVD content. Come on, Brie! You won an Oscar for “Room!” Show me the magic! She did alright in “Endgame,” but she was not in the movie that much so there is that to consider. Then again, I’m a straight white male. So is my opinion even valid to begin with?

Another film on the list of “in development” is a third “Spider-Man” movie. By the way, by the time you finish reading this post, five more “Spider-Man” movies will be released, because they keep cranking them out! I finally saw “Spider-Man: Far From Home” the other day, and honestly, after seeing that film, I’d say a third one HAS to be made. And without going into detail, Kevin Feige suggested that the mid-credits scene from that film implies the third film will involve “a Peter Parker story that has never been done before on film.” And it does not surprise me that this is happening. I believe Sony is already satisfied with making their own “Spider-Man” movies in their universe and still enjoys the success they can get from spinning their webs in the MCU. Nevertheless, can’t wait. But if I had any requests, make sure the word “home” is in the title. That way I don’t have to end up confusing “Spider-Man” trilogies and can refer to this as the “Home” trilogy. Seriously! Even if it simply means that there is a minute of the two of the film where we find Peter Parker watching a Mets game, and for that reason it is called “Home Run,” it would still work because the other two movies have the word “home” in their titles too!

The next two films are a couple of projects that I think a lot of people have been asking for. Why? Because Disney just acquired 21st Century Fox recently, meaning they have retained the rights to a couple of big name franchises. One example is “X-Men.” I have no idea how the film will present itself. If anything, it is definitely going to be a complete reboot, staying away from the timeline Fox originally showcased to audiences since the early 2000s. After all, while I didn’t go see “Dark Phoenix,” probably just like everyone else in the world, maybe that movie tarnished the franchise enough to say, “Screw it, it’s over.” But some movie franchises or IPs are like Jenga, you can end the game by collapsing the tower, but you can always start a new one by rebuilding it. Maybe “X-Men” has a place in the MCU. And honestly, if a couple of the phase 1 heroes are going away, I think this is the perfect time to add in new heroes, because if they were still there, I’d honestly worry about clutter in the MCU. Granted, even with them showing up now, that is still a worry. But I also have a slight intrigue as to what this mega franchise can bring to the cinematic universe.

Speaking of Fox, one other franchise they once had, not to mention wasted, is “Fantastic Four.” Since Marvel has the rights to them, they can now possibly… NOT screw it up this time… Hopefully? I imagine it’ll be good, but I’m keeping experience in my back pocket. It’s in different hands, but for all I know, despite its popularity in the comic book world, maybe “Fantastic Four” is simply cursed as a movie franchise. But I am curious about this film and how it’ll turn out, and perhaps a little more excited about this than “X-Men.” Will Dr. Doom be the main villain again? Will the movie have the four in the middle of its title? Or… How about this? How about we get Chris Evans to play Johnny Storm again? Do it just to get some other character in the movie for a second. Maybe the group will be going around New York City grabbing lunch or something and they run into Peter Parker walking with Ned, which leads to Peter pointing at Johnny saying, “Hey! You look like someone I know!” I highly doubt that will happen, but it certainly would make for a proper more realistic “What If…?” scenario. Plus, with Stan Lee gone we’re gonna need new cameo ideas.

That’ll probably do it for all of the MCU-related announcements for phase 4, and again, a lot of these films and TV shows are in development. So who knows? One could get pushed back, maybe one gets cancelled. Perhaps it ends up being a part of an eventual phase 5. Nevertheless, I’m excited for a large number of these projects, and hopefully they will all end up being good! Also, James Gunn, I know it is a little late, but welcome back. I want to know, is there something I’m missing from this list? I think I’ve covered all the ground, after all I have 4,000 words inserted into this thing! Or, what is something that you want to see from the MCU as a TV series, as a movie, as a concept? It doesn’t even have to be for phase 4 if you want it someplace else. Let me know down below! Thanks for reading this post! Pretty soon I am going to be reviewing Quentin Tarantino’s “Once Upon a Time in Hollywood,” which is out this upcoming weekend. I’m going to one of my local theaters for their first screening of the film in 35mm, can’t wait! Also, speaking of Tarantino, be sure to stay tuned for my final installment in my Quentin Tarantino review series, “The Hateful Eight.” Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, if you could do me a favor, like this post, share it around with those you know, it really helps me out. And speaking of that, like my Facebook Page! Scene Before is your click to the flicks!

Spider-Man: Far From Home (2019): The Truth Is… I Am Spider-Man

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Well, I waited over two weeks, I finally get to say it. “Spider-Man: Far From Home” is directed by Jon Watts (Cop Car, The Onion News Network), who also was the director and one of the writers behind the preceding film in this franchise, “Spider-Man: Homecoming.” This film stars Tom Holland (The Lost City of Z, In the Heart of the Sea), Samuel L. Jackson (Pulp Fiction, Snakes on a Plane), Zendaya (The Greatest Showman, Shake It Up), Cobie Smulders (How I Met Your Mother, Safe Haven), Jon Favreau (The Jungle Book, Chef), Jacob Batalon (Blood Fest, Every Day), Martin Starr (Silicon Valley, Knocked Up), J.B. Smoove (Uncle Drew, Hall Pass) with Marisa Tomei (My Cousin Vinny, Chaplin) and Jake Gyllenhaal (Nightcrawler, Stronger). This is the 23rd film in the Marvel Cinematic Universe, the second Spider-Man film in the Marvel Cinematic Universe, and the eighth big screen “Spider-Man” film of the 21st century. So much for originality! Yay! This film continues the adventures of Tom Holland’s Peter Parker in a post universe-wide snappening setting. As everyone adapts to a world that has changed forever, Peter Parker and his classmates are going on a field trip to Europe, only to run into chaos through unexpected encounters including Mysterio, and Nick Fury himself.

When it comes to Spider-Man, he is by far my favorite superhero of all time. Spider-Man is the perfect embodiment of your average teenager trying to live a normal life, but various struggles and obstacles beyond their control manage to get in their way. As for Tom Holland’s Spider-Man, my love for him is unbelievable. While I wasn’t the biggest fan of “Homecoming,” I really enjoyed him in other films including “Captain America: Civil War” and “Avengers: Infinity War.” If I had to a superhero to relate to more than any other, Spider-Man is definitely number one. This is a reason why I really enjoyed a movie like Sam Raimi’s “Spider-Man 2,” because it emphasizes the internal conflict of what Peter wants vs. what he needs. That film by the way, is my favorite comic book flick of all time. And in some ways, “Spider-Man: Far From Home” sort of takes me back to the time frame of Sam Raimi’s films.

Mary Jane has a screen presence in this film that I personally did not expect.

This movie has the result of Sandman getting a makeover due to incoming tides.

Not to mention, the film is freaking awesome!

In fact, you know how “Avengers: Endgame” perhaps stands as the most anticipated film? Like, ever? As the release for “Endgame” got closer and closer, my hype levels increased. Can’t say that for “Spider-Man: Far From Home.” I saw the first trailer, thought it sucked, and while going into the film, I appreciated this film’s efforts to try reminding everyone of the effects of “Endgame,” I was still somewhat nervous. Then I came out of the film, got home, and made the following tweet.

For all I know, this could be due to just seeing the film, my opinion could change, but I felt a bigger impact through the smaller and slightly more individualistic story of “Spider-Man: Far From Home” than I did for perhaps what has been marketed as the biggest geekfest in history. But much like that giant nerdgasm-inducing experience, “Spider-Man: Far From Home” is not perfect.

Much like “Avengers: Endgame,” “Spider-Man: Far From Home” suffers from minor pacing issues, but similar to “Endgame,” “Far From Home” has pacing issues which I can live with simply because of everything else that is happening. And this is not an issue in every sense of the word, but this movie has a lot of moments in its script that are incredibly convenient to what is happening on screen. But at the same time, I feel like that is one of the big improvements I can give to “Far From Home” when comparing it to “Homecoming.” Why? One of my biggest issues with “Homecoming” had to do with the script in a crapton of ways, one of which included the unbelievable amount of comedy inserted. And honestly, there was not a lot that landed. When it comes to Spidey’s quips and one-liners in “Homecoming,” they don’t feel as hysterical as they could be. I could tell that Tom Holland was trying his hardest with the material that may have sounded great on paper, but for one reason or another, the jokes just didn’t stick the landing for me. Here however, there seems to be a lot less comedy, and the bits of comedy they have in this film, when present, completely works. Because let’s face it, this movie is the first installment in the MCU that has to reflect on the past couple of “Avengers” flicks, which honestly would present the need for a slightly more serious script. Plus, Sony’s distributing this film instead of Disney. When the mouse is away, the spiders will play!

Also, while I keep talking about “Spider-Man: Homecoming” as if it happens to be the last “Spider-Man” film to be released, keep in mind that we just got “Spider-Man: Into the Spider-Verse,” which many consider to be the best “Spider-Man” film to date. While I don’t know whether or not I enjoyed this film or “Spider-Verse” more, I can confirm that when I saw “Spider-Verse,” it was perhaps the biggest acid trip of a superhero film I have ever watched. Guess what? I might need to rethink that statement, and I won’t go into why, BUT LET ME HAVE YOU KNOW THAT “SPIDER-MAN: FAR FROM HOME” IS ONE HELL OF A DRUG! If you drop acid before this movie, I wish you luck on getting out of the movie theater when the film ends because there are a couple of head-spinning moments that kind of left me speechless.

And you know something? Another shocker for this film to me is MJ, because when I saw her in “Homecoming,” I did not like her, I thought she some clowny individual who barely had a personality. This time there is depth to her, and even though I was nervous back in 2016 when they announced who was playing MJ, specifically Zendaya, she pulled it off in this movie! Mainly because she had a take on it that made the character her own. After all, her name isn’t really Mary Jane, it’s actually Michelle. If she was a redhead, I’d want the character a certain way. But I appreciate Zendaya’s take not only because her character was well written, not just because she did her part with excellence, but because it did not feel like the type of MJ I thought she would be, which would be a black person trying to playing the typical white Mary Jane, almost as if it were a s*itty impression. Zendaya has her individual flair which brought some pizzazz to the final product. Rock on! Granted, seeing her in the beginning of the film was a little sloppy, in fact, that’s not the only issue I have with the start of the film (there are a couple minor moments leaning towards cringe), but as it went on, I began to admire her.

And the surprises don’t even end there, because this time around I actually liked Ned! If you don’t remember my “Homecoming” review, this is what I said about Ned.

“One character in this movie goes by the name of Ned Leeds, he was played by Jacob Batalon, and there was a point in this movie where I wanted some sort of technology that existed which could allow me to jump into a movie’s universe. I could go into this one, find Ned, and give him the finger!”

You know what? Forget about that statement, f*ck it! Because in this movie, Ned is the opposite of annoying. In fact, he’s pretty charming at certain times. There’s this portion of the film dedicated to this relationship he has with this one girl, which honestly, had its ups and downs, but there are moments when I can approve of it.

Also, if anything, it reminded me of the Schmoopie relationship from “Seinfeld.”

And while I won’t dive too deep into this, another problem I had with “Homecoming” that somehow gets fixed here is my displeasure with the AI from that film. Remember Karen? I do. And I don’t like her. While she could have been charming in that film, she had a few quirks that did not sit well with me. Karen does not make a return here and I won’t go into detail, but there’s an AI here that is honestly charming, and even sets up an entertaining and thrilling sequence on a bus.

Moving onto our main character, Peter Parker is back and now the important question is this: What would be a bigger feat for him than going to space? Europe? That’s nothing! Any idiot can fly a plane to Europe! But nevertheless, Parker is vacationing in Europe, and now he has to deal with a side mission, which takes away from whatever relaxation he can get. This is why I really enjoy the character of Spider-Man, because other heroes, specifcally in the MCU, always seem to be built with this sort of drive to save the world. Granted, with an interpretation such as Tony Stark, maybe he’d get a little drained from it and prefer to lay low for awhile like he did in “Iron Man 3,” but there are not many moments where I have seen an MCU hero flat out refuse to do hero work. When the Avengers got together, just about everyone showed up. Thor always seemed to have a knack for defending Asgard with a hammer by his side. Captain America would always be willing to sacrifice himself for the greater good. But Spider-Man… Needs his alone time. While in some instances, I imagine this would make a hero look like a dick or a coward, it works for Peter Parker because he’s just a normal, likable, not to mention, relatable kid. He just wants a normal life despite various perks of being a superhero. In fact, Peter’s story and actions in this film kind of remind me of what is like to be me when I was younger. I had my crushes, perhaps constantly imagined plans to get together with said crushes, and if you know me, they did not work out, and I’m fine with that. By the way ladies, I’m single! Plus, Peter in this film has to deal with following in the footsteps of those above him, which is something that I did think about out sometimes when I was younger. Granted, probably not a lot, but the thought definitely did come up in my head once or twice.

I also really liked Mysterio in this film, they managed to go in a direction with the character that I for one personally did not expect, and as for Jake Gyllenhaal, he was basically perfect casting for this role. I remember back in the day I wanted him to be the next Batman if Affleck were to leave. Granted, he’s not, but still. But even though I never imagined Jake Gyllenhaal as Mysterio, I cannot help but dig him. He did a really good job, and I love his costume! It’s amazing!

Now despite what the box office can make me think, there are still people out there who have yet to see “Avengers: Endgame.” But in “Endgame,” there is a lot that happens that leads to this film’s events. In fact, the beginning of this film is a tribute to a couple of major characters who have encountered a common barrier in “Endgame.” And this movie, while I won’t go into context, shows off perhaps the most heart-wrenching footage of the snappening I’ll ever see in my life. If you thought that collection of deaths on Wakanda was disturbing, I’ll remind you, the effects to me were personally diminished (although still slightly powerful) because going into “Infinity War,” I kinda knew we were going to see people die. Granted, I didn’t know who, how, or when, but I knew something was coming. What made it really disturbing is that it was just a bunch of innocent people going through their everyday lives. Granted, that was sort of already shown during “Infinity War’s” end credits, but this movie did it better because for all I know it was shot on somebody’s phone or some other everyday camera. It almost reminds me of the found footage movie “Cloverfield” the more I think about it, because in a way, I felt immersed into such a disturbing situation, not to mention from a rather shaky first person perspective.

In the end, “Spider-Man: Far From Home” can be summed up in one word. Fun. It has a vibe that is almost reminiscent of Sam Raimi’s “Spider-Man” films while also managing to be a product of its own. The movie, in more ways than one, made me feel young again. I talked to death about the relatable teen year experiences this film provided, but I grew up watching Sam Raimi’s “Spider-Man” films and in some ways, this film managed to take me back to when I was somewhere between 6 to 14 years old. “Spider-Man 2” still stands as my favorite comic book movie ever, but I cannot deny that this is definitely another solid second “Spider-Man” movie. As I was writing this review, I’ve been having a constant debate in my head on whether or not this is better than “Spider-Verse,” and this debate is far from over. I’m willing to bet that this won’t end for awhile. I’d probably have to rewatch both films to know for sure. But if I had to make my thoughts on this film as finalized as possible, I’d say that unlike “Spider-Verse,” I felt that “Spider-Man: Far From Home,” while just as entertaining, if not more, had a greater quantity of issues that stood out to me. So with that being said, “Spider-Man: Far From Home,” despite “Endgame” being a more conclusive chapter to the entire three phase saga of the MCU, is a damn fine way for Marvel to cap off their third phase. I’m going to give “Spider-Man: Far From Home” a high 8/10. I love the constant joke about how we are getting too many “Spider-Man” movies or movies that have Spidey in them. Well, if we’re getting films that are this good, why should they stop making them? I’ll wait for the next “The Amazing Spider-Man 2” and then we’ll revisit this topic later. And I also will say, I almost forgot to consider this about “Spider-Verse,” it basically was a game-changer for the comic book genre in cinema. The animation style was unlike anything I have seen on the big screen up until that point. How many live-action “Spider-Man” films do we have right now? I don’t care about real numbers at this point. Let’s just go with umpteen because it sounds kind of fun. Thanks for reading this review! I just want to let everyone know that next Monday, July 22nd, will be the release date for my final Quentin Tarantino review series installment, specifically, “The Hateful Eight.” I’ll be reviewing this film just in time for Tarantino’s new film coming out next week, “Once Upon a Time in Hollywood.” Stay tuned!

Also, if you love “Spider-Man” like I do, or if you simply want to know more of my thoughts on the “Spider-Man” movies, I posted a review for every big screen “Spider-Man” film since the original Sam Raimi flick from 2002. If you want to check these out, click the links down below! Be sure to follow Scene Before through a WordPress account or email so you can stay tuned for more great content! Also, I have a Facebook page, if you could do me a favor and give it a like or follow it would be very much appreciated! I want to know, did you see “Spider-Man: Far From Home?” What did you think about it? Or, as painful of a reminder as it may be, this is the first MCU film without a Stan Lee cameo. RIP, by the way. So with that being said, what is your personal favorite Stan Lee cameo? If you ask me, I’d go with the one where he tries to get into Reed and Susan’s wedding in “Fantastic Four: Rise of the Silver Surfer,” Tony Stank from “Captain America: Civil War,” the bus driving scene from “Avengers: Infinity War,” or even though it’s not Marvel, “Teen Titans Go! To the Movies,” which basically takes the Stan Lee cameo and manages fetishize it to the core. Nevertheless, let me know your pick, that way your name will make a random appearance as a cameo in this post! Scene Before is your click to the flicks!

Spider-Man (2002)

Spider-Man 2 (2004)

Spider-Man 3 (2007)

The Amazing Spider-Man (2012)

The Amazing Spider-Man 2 (2014)

Spider-Man: Homecoming (2017)

Spider-Man: Into the Spider-Verse (2018)

Stuber (2019): Somewhat Worthy of a Tip

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“Stuber” is directed by Michael Dowse (What If, Man Seeking Woman) and stars Kumail Nanjiani (The Big Sick, Silicon Valley) and Dave Bautista (Guardians of the Galaxy, Blade Runner 2049). This film is about a duo who meet at a random point in time, setting up an unexpected adventure. One guy is an Uber driver and the other is a cop on a mission. Stu, the Uber driver, is assisting Vic, the cop, in completing said mission.

I saw this film last night as part of an advanced screening. I was gonna go see it a couple weeks back, but I ended up canceling that commitment for several reasons. However, I got to take another chance at an advanced screening and I was not gonna let it go to waste. “Stuber” was HEAVILY advertised on my TV. Every time I had my cable on truTV or some other similar channel, it was almost a guarantee that I would see an ad for “Stuber” throughout a majority of the commercial breaks. If I had a nickel for every time I saw a “Stuber” ad before checking this movie out, I’d probably use that to pay for a good portion of a ticket to go see “Stuber” with the public. And there are many times when I saw the ads to which they made me grin. I thought Nanjiani and Bautista would make an excellent buddy-esque pair, and the movie would have the same, proper action-comedy vibe that a film like “Central Intelligence” managed to provide.

How was “Stuber” you ask? Well, instead of answering that question outright, part of me wants to remind you all that I wanted to become a game show host. Because I could easily ask such a question, go to a commercial break, and reveal my thoughts when the show returns. But I can’t do that, because this is the blog of the movie reviewing moron. So, if that statement does not provide any hints, the answer to that question nearly resembles a wheel of confusion. But if I had to provide an answer at this moment, I’d say the movie was fun and humorous, which is the least I can ask for from a comedy. But the reason why I feel like I have a wheel of confusion in my mind is because even though the movie made me laugh, it is simultaneously clashing with a number of awkward or less than interesting moments. But the good news is, all of it doesn’t feel like it lasts forever due to the movie’s short runtime of an hour and thirty-three minutes. The film is a breeze to get through even with it’s flaws. So did I enjoy it? Absolutely! Would I give it a second watch? Sure! …On TBS.

If you ask me, the writing for “Stuber” is decent enough comedy-wise. It has a number of smart jokes that involve possible annoyances when it comes to driving an Uber, a number of gags involving Nanjiani’s driving, and the blending of the scaredy cat driver and fearless cop.

I will say though, on that second part, one thing that I found interesting was the choice to make Kumail Nanjiani’s car a Nissan Leaf. Partially because it is an electric car, which manages to bring in a certain flair to the film that would have not been present had the car been absent, and to my personal surprise, it did not make the movie feel like a commercial. Granted, one of the car’s crucial features (and downfalls) happen to make an appearance in the film at a certain point, but it flowed nevertheless. There’s a moment at the end of the film that makes the movie almost feel like a commercial for Uber, but it saves itself from becoming one at the last minute. Granted, it almost made me want to buy a Nissan Leaf, but if you don’t know me, I kinda care about the environment in some ways so I had a thought like that in my head before going to see this movie.

Moving onto characters, Kumail Nanjiani does a fine job at portraying the Uber driver who has no other desire than to just stay away from danger. But I also kind of admire how part of the movie’s plot tries to emphasize the importance of his character’s “five star wishes.” He asks his customers to give him a five star rating, he wants to keep himself in a good combined rating position in order to continue being a driver, and while it was sometimes funny to read some of the one star reviews for Nanjiani, I felt his pain as I read those because for what I saw, he was doing everything he can to impress his customers. Sadly though, his chemistry with Dave Bautista, while somewhat effective, was kind of off at times.

In fact, when it comes to Bautista (right), he’s very hit or miss in this movie. I buy him as a cop who kicks ass and takes names, but there are a select few moments, which are too unimportant to talk about, where I felt like he was stumbling in the acting department. Granted, Bautista was never really the best actor to begin with. I imagine he is a lovely guy, and he can occasionally provide a fun screen presence kind of like he did in the “Guardians of the Galaxy” movies, but there are select moments where he would say one line and it feels out of place based on the way Bautista executed said line. Although one of the best parts of Bautista’s character in this film is that he goes through the entire runtime with poor eyesight, we see various shots that provide his character’s perspective. He has to stare at a handheld eye chart and each shot is fuzzy, I thought it was a good way to highlight the character’s weakness. And despite how serious blindness can be in real life and how much it can ruin or alter one’s outlook on things, there was a moment in the film leading up to the eventual pairing of Nanjiani and Bautista that I thought was very funny. Unfortunately, despite some hilarity between the pair, it didn’t click at every solitary second.

Another problem I had with the movie is despite the short runtime, there are a lot of crucial plot points that go into it, which is fine, but these plot points felt like loose Jenga blocks on the verge of falling to the ground. Would the movie be fine with its additional plot points staying in? Absolutely. But they nevertheless almost felt like they could have been left out of the screenplay. If that were the case, the movie might have ended up being better because we can focus on the dynamic duo as opposed to anything else. Granted, Nanjiani’s character had a rather interesting side story (two of them in fact), but there’s one of them that feels like it BARELY has a purpose of being in the film. I won’t go into much detail, but still.

In the end, “Stuber” is a fun comedy to watch, maybe at matinee price, or once it becomes free on television. Nevertheless, it kind of feels like a throwaway movie, which is somewhat disappointing because I was looking forward to this, and I thought it was going to be better than it ultimately was. For crying out loud, the first screening I tried to get into for this film was held two weeks prior to the film’s release! I guess the studio had some faith in “Stuber” before it came out! Nanjiani and Bautista as a pair resemble a game of “Pong.” You may get some lucky hits, but a few less than satisfying misses. But compared to “Pong,” “Stuber” is much easier to get through. I’m going to give “Stuber” a 6/10.

Thanks for reading this review! I just want to let everyone know that this Monday I am going to be continuing my Quentin Tarantino review series, and I have decided that my second review is going to be for “Django Unchained” starring Jamie Foxx (Ray, Collateral) as a freed slave who teams up with a bounty hunter to help him reunite with his wife. I just watched the film this past Tuesday and I will have my thoughts on it posted as soon as Monday approaches. Be sure to follow Scene Before to check out that post in the future, please support the blog by subscribing through your WordPress account or email, and if you are on Facebook, check out my page! Also, I don’t demand a 5 star rating, but clicking that LIKE star on the post would definitely be appreciated! I want to know, did you see “Stuber?” What did you think about it? Or, either as a customer or an employee, what is one of your most interesting, best, or worst Uber experiences? It can even be for Lyft for all I care! Let me know down below! Scene Before is your click to the flicks!

Pulp Fiction (1994): That Is a Tasty Movie

Hey everyone, Jack Drees here! In just a matter of weeks, Quentin Tarantino’s ninth film, “Once Upon a Time In Hollywood” is being released in theaters, with select engagements in 35mm. But before that comes out, I wanted to look back at three previous films this cinematic powerhouse has helmed over the years. And to kick this series off, we are going to tackle one of Tarantino’s most popular and highly revered titles, “Pulp Fiction.” This flick first released in the mid 1990s and is one of his earliest attempts at creating a film. Much like his previous efforts such as “My Best Friend’s Birthday” and “Reservoir Dogs,” Tarantino also had personal credits for “Pulp Fiction” as both a writer and an actor. Without further ado, let’s start the–

*GUNSHOT*

*in Samuel L. Jackson’s voice* Motherf*–

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“Pulp Fiction” is directed by Quentin Tarantino and stars John Travolta (Grease, Welcome Back, Kotter), Uma Thurman (Batman & Robin, Gattaca), Samuel L. Jackson (Jurassic Park, The Avengers), Harvey Keitel (Taxi Driver, Thelma & Louise), Tim Roth (The Hit, The Cook), Amanda Plummer (The Fisher King, Needful Things), Maria de Medeiros (Midsummer Madness, April Captains), Ving Rhames (Mission: Impossible, Bringing Out the Dead), Eric Stoltz (Mask, St. Elsewhere), Rosanna Arquette (Desperately Seeking Susan, Nowhere To Run), Christopher Walken (A View to a Kill, Batman Returns), and Bruce Willis (Moonlighting, Die Hard). This film is partially inspired by unused scenes from the 1993 flick “True Romance,” also written by Quentin Tarantino. Without going into much detail, because to be completely honest, it’s hard to talk about the plot to a certain extent without spoiling, the film involves a bunch of different people who all have one thing in common: Deadly situations at hand. You have a couple of hitmen played by Samuel L. Jackson and John Travolta, there’s a couple who wants to rob a restaurant, etc.

I went into “Pulp Fiction” with extreme expectations. After all, many would call this movie a masterpiece. Plus, prior to seeing the whole film on Blu-ray, my dad showed me clips on YouTube 5 years ago. From what I saw, I was rather impressed. In fact, as of publishing this review, this is the only Tarantino film I have watched from start to finish. I have seen part of one of the “Kill Bill” films when it was on Starz, but that’s not really saying much, isn’t it? I also saw the “Why do I have to be Mr. Pink?” clip from “Reservoir Dogs” five years ago.

And some may even argue that I saw a short film from Quentin Tarantino. I say so because “Family Guy” once did an episode presented in the style of three directors, with the first director being Tarantino. While he was never involved with the episode, the parody is there.

How was the film? Is it the masterpiece that just about every cinephile is making it out to be? Abso-f*ckinglutely. This is screenwriting at its finest! This is set design at its finest! This is actors’ chemistry at its finest!

In fact, I owe a serious apology to what I have said about John Travolta, because I think he has made some unwise choices throughout the century. “Gotti” was his most recent example. And while this was done last century, I now have an increased amount of respect that I can give to him as an actor. Also, Samuel L. Jackson has an incredible resume based on how much work he has been able to get over the years. Out of the millions of projects he has tackled in his career, this might as well be the one with his best performance yet. And part of that has to do with his traditional mannerisms where he yells and swears in a over the top fashion, but also due to what I’ll call “perfect dialogue.”

I cannot cite the screenplay of “Pulp Fiction” from start to finish, although based on how much I enjoyed this film, a mission like that would probably be on my bucket list. There are a lot of moments, either through spoken dialogue or visuals that feel like they would randomly play out in an everyday conversation, or at least I that’s the way I would desire these moments of dialogue to play out. Because there are no points in my life that I would discuss matters involving foot massages with others, but this movie makes me want to go to my local coffee shop or restaurant with someone I know just to talk about the most random topics. It doesn’t have to be foot massages. It could probably be about toenail clippings, maybe which brand of light bulb is the most reliable, which Target store is the best for shopping? There are a ton of moments where the movie is technically sticking to the main story, but it occasionally has diversions when it comes to spoken dialogue. And none of these diversions feel forced because each one is as entertaining as the next. Aside from the foot massage scene, we get a hypnotizing moment where one character wants to order a $5 milkshake, which plays out very well based on the chemistry between the two main characters in the scene, not to mention perhaps the sense of wanting to be a part of this world. Granted, that is a bit of an inaccurate statement, because I don’t want to get shot. I don’t want to get an overdose. I don’t want to be in much danger.

BUT LOOK AT THIS JAW-DROPPING SET!

Seriously, if Tarantino imagined this, he is automatically my favorite filmmaker of all time. This is a classy, American restaurant with a lively interior, but with some unique features, one of my favorites being the car table on the right! At the start of the scene, we see John Travolta and Uma Thurman sitting across from each other chatting and eating, and a part of me just felt immersed into this other-worldly atmosphere. It was almost like watching a “Star Wars” movie if it took place on Earth! It almost reminds me of this movie theater chain that’s primarily known in New Hampshire, I’ve gone several times, but I have not been in years. If you are in northern Massachusetts, or southern New Hampshire, or if you ever heard of Chunky’s, you’d know what I’m talking about. They have this concept that combines a movie theater with a restaurant, where you can sit in car chairs at long tables. I imagine this could exist in other parts of the world, but it is a concept that is close to home for me. They have some traditional American restaurant food like… burgers. OK… this movie made me hungry.

Between this Thurman/Travolta segment and the scene in the apartment from the start of the film, “Pulp Fiction” really makes me want to go out and grab a burger. Coincidentally, I live near Boston, which has a quick bite chain called “Tasty Burger,” whose name was partially inspired by Samuel L. Jackson’s tasting of the Big Kahuna burger from this movie.

“Mmm-mmmm. That is a tasty burger.” -Jules

Another highlight from Thurvolta, as I’ll call them in this review, is something I won’t dive too deep into, but there is a scene where Uma Thurman has an overdose. And let me just say, as those around her are trying to revive her, the execution of this process is nothing short of engaging and kinda brilliant. Again, I didn’t think this was going to happen based on the type of movie this is, I kinda felt like I was there. Luckily, I was not the one with the overdose, but a third party observer.

Last but not least, and WITHOUT SPOILERS of course, because this is one of those films you have to see before you die, let’s talk about the ending. Granted, over my years of experience of going to the cinema and watching films, I saw the direction this film was tending to go towards, but it does not mean that it is not awesome. It’s one of those endings that I feel like I will remember in my last moments. Between the atmosphere, the dialogue, and the mannerisms perhaps provided through Tarantino’s direction, it was like eating an entire birthday cake and realizing you lost a ton of weight the following morning. Again, there is not much I can say about it, because a lot of people who are young will probably read this, maybe they have yet to experience the film for one reason or another. This is a film that you have to watch before you die! TAKE MY WORD FOR IT!

In the end, what else can I say about “Pulp Fiction?” It’s creative, hypnotizing, and gritty to the freaking core. I have only seen one Tarantino film from start to finish, so I cannot really call him my favorite director. But depending on how I feel about the next two films I do in this series or “Once Upon a Time in Hollywood,” I would not be surprised if I ultimately rank the man in my top 5 directors, or screenwriters, of all time. The man isn’t too bad at acting either. I don’t know when I am going to watch “Pulp Fiction” again, but when I do, I am gonna be grinning like an idiot. Why? This thing is freaking phenomenal. Well done to everyone involved (maybe except Harvey Weinstein)! I’m going to give “Pulp Fiction” a 10/10!

Thanks for reading this review! For those who want to know, my next Tarantino review is going to be for the 2012 film “Django Unchained,” I will be posting my thoughts on that next Monday, July 15th, which will eventually be followed by one more Tarantino review on July 22nd, stay tuned for both of those. As for new releases, I am trying to go see “Spider-Man: Far From Home” as soon as possible, maybe I’ll go Tuesday, I dunno. But on Wednesday I will be going to see the movie “Stuber” as part of an advance screening. I was gonna go see this a couple weeks ago for a Regal Crown Club screening, but due to a mish-mash of reasons, I ended up bowing out. I am however going to do my best to make this one, because I am curious to see how this film turns out. Especially when you consider that this is one of the first Fox films released under their new Disney overlords. Be sure to stay tuned for that review, along with more great content! Also, be sure to follow Scene Before through WordPress or an email! Or, if you are on social media, check out my Facebook page! I want to know, did you see “Pulp Fiction?” What did you think about it? Or, what is your personal favorite Samuel L. Jackson performance? Let me know down below! Scene Before is your click to the flicks! Now if you’ll excuse me, I’m gonna go grab a burger.