Top Movies of the 2010s (THE DISAPPOINTING 25)

Top Movies of the 2010s OFFICIAL POSTER

*WARNING: This post is over 11,000 words long*

Hey everyone, Jack Drees here! Never thought you’d see this again, did you? Well, I originally marketed the Top Movies of the 2010s countdowns as an event, so you know what? If I really want to give this the event treatment it deserves, let’s keep it going! This time, we are going to be focusing on the twenty-five films that I watched either with full attention, anticipation, or curiosity, and was flat-out let down in some way. It’s time for the disappointing 25! Before we go any further, this countdown is subjective. All these entries are based on my own experiences and opinions, and are therefore no way supposed to represent the thoughts and opinions of other individuals. Keep in mind, just because I think a certain movie is disappointing, doesn’t mean you have to agree. This world would be boring if that were the case. Although… I’ll take less fighting in the comment sections any day. Also, even though I have had lots of time during this period of isolation to go back and watch more films, I have not seen every single film that has come out during the 2010s. It’s too big of a task to handle. So movies that I’ve heard from others that were disappointing like “Battle Los Angeles,” “Terminator: Dark Fate,” and “Jurassic World: Fallen Kingdom” do not qualify to be on the list. I will also add, if a movie is to be included on here, I must have watched it from beginning to end. So, as much as I could count a movie like “Frozen,” that’s not happening.

Also, keep in mind this is a list of the most DISAPPOINTING movies and it is not to be confused with the WORST movies. The worst movies are just movies that I flat out don’t like. Disappointing movies on the other hand are the movies that I have expectations for in some way and end up being let down. In fact, some of these entries are movies that I like. They just have qualities attached that make them underwhelming, or in some cases, just a plain bad movie. So with that being said, if you had high expectations for this countdown, prepare to hopefully not be let down! These are my top 25 DISAPPOINTING movies of the 2010s!

#25: The Aeronauts (2019)

Starting off this list is “The Aeronauts,” otherwise known as what was supposed to be Amazon’s first attempt at an IMAX run. Unfortunately, that never happened, and it makes the movie slightly more unwatchable the more I think about it. This is a movie that I would probably watch again, but there are scenes in it that are slower than others. There’s the main plot of the movie that involves two people on a hot air balloon, and there’s a sideplot on land. And when the movie takes place on land, it’s almost worth tuning out. Did I mention this movie is based on true events and yet the main characters are fundamentally changed? I like what this movie did with the aspect ratio, because whenever this movie took place up in the air, the picture stretches to fit a traditional TV screen, whereas when the movie is anywhere else, it’s in a scope aspect ratio. It reminds me of the vibe the movie is going for whenever it wants to be adventurous or just drop back to reality. The cinematography is not bad either. A lot of the framing is lovely to look at. Another reason why this is not higher on the list is because this is one of the few movies that I’ve seen that I can consider the end credits to be the best part. Why is that? Because while the credits don’t really have any special background compared to… say… what a lot of animated films have presented over the past number of years, they have what could be one of the best original songs I have EVER heard in a movie, titled “Home to You” by Sigrid. Not only does it completely fit the vibe of “The Aeronauts,” it’s just a good song. Honestly, once this world goes back to normal, and I don’t mean the new normal, I mean normal period, it might be the first song I play as a sigh of relief. Because I know it’s easy to stay home, but after all I’ve done all this time, the song would be a great reminder of the journey I have been through and whatever positivity could lie ahead. I don’t like a lot of modern music, so it REALLY says something that I am giving a thumbs up for a song like this. But if you do want to watch the movie, it’s free on Prime Video, see what you think.

#24: Coco (2017)

For the record, I like this film, but the reason why I am putting it on the list is probably because of the expectations I’ve had for it. Ladies and gentlemen, I give you “Coco.” Even though I constantly make fun of Disney for their greed and desire to dominate the world, Pixar is probably one of the best studios working today, because they always manage to put out quality content that not only makes money, but is fantastically made. “Coco” is yet another example of why Pixar might have the best looking modern animations. It is also another effective story in the Pixar collection of films, even if it does remind me of a better of a better film, specifically “Kubo and the Two Strings.” But the reason why this film is on the list to begin with is a similar reason why I found “Manchester by the Sea” to admittedly be somewhat disappointing. By the way, that movie is not on the list. I’d probably put it as an honorable mention though. One of the core elements of “Coco” that I’ve heard from viewers prior to seeing it is that it is emotionally charged. I expected something maybe towards the end that could get me to almost shed a tear. I did not really get any of that from my experience. I will also say that maybe I am not part of the target audience that would usually feel that. In fact, many of the people I know who happen to be related or close to me are still alive. My core grandparents on both sides have not passed away, and I feel lucky to have them in my life. If somebody I know, whether it be a friend or family member passes away, maybe this movie will hit me more the second time I watch it. And no, none of this disappointment has to do with the extended “Frozen” short film they presented in theaters prior to “Coco” as I only watched this movie at home on a 4K disc.

#23: Seventh Son (2014)

Out of all the movies on this list, “Seventh Son” is one of the few that I’ve had little attachment to before seeing it. I was into the marketing, and the fact that it had gotten an IMAX run also pleased me. Little did I know how short of a run it would have in theaters. In fact, I was pretty lucky that I got to see it at all, because I found a screening of it when I was in Florida, and that’s how I managed to check out this flick. Unlike the other two movies that I mentioned previously, “Seventh Son” made it onto my worst 25 list for this series, meaning that it is not just disappointing, it’s beyond terrible! In fact, I’ll mention something I uttered in the worst list, I went to see this movie with somebody else, and while the screen did have my attention the whole time, the same cannot be said for my partner, who at this point, I might as well apologize for taking to the movie because they fell asleep! “Seventh Son?” More like “Seventh Snore!” “Seventh Son” is honestly one of the worst fantasy movies I have seen in my life, but part of me wonders if part of it has more to do with my experience of watching the movie because I will admit that the sound in my theater could have been better. Maybe if the theater provided a more quality experience, I could have at least felt like I was watching something worthwhile. Does this invalidate the #23 spot on the list? Frankly, no. Because the movie from what I recall felt generic. And speaking of recalling things, recalling everything about this movie is harder than Minesweeper! Remember that game?

#22: Jupiter Ascending (2015)

Fun fact about this next movie, in regards to release dates in the United States, this next film came out the same weekend as the one I just talked about. What is this next film? “Jupiter Ascending!” That’s what it is! “Jupiter Ascending” is quite honestly a film that I was desperately looking forward to. I was very disappointed that it was delayed from its original July 2014 release date into February 2015. The trailers looked great, the effects were eye candy, and it looked like it would make for a fun theatrical experience. It had good actors attached like Mila Kunis (Family Guy, Ted) along with the directors behind “The Matrix,” AKA the Wachowskis, but this film becomes more disposable the more I think about it. While it was, admittedly, an AMAZING theater experience, watching it on a standard TV does not really provide the same effect. Because while the film has an awesome musical score and great visuals, the story and dialogue are not the finest at times. I would definitely watch this film again for the action scenes, but definitely not for any of the writing. Channing Tatum didn’t even promote this movie when it was coming out. It’s that bad! As for Jupiter Jones, she does not really do much to resemble a proper protagonist other than simply be the center of the film just… because. For someone who is such a core character in the film, it feels weird that she is in distress as much as she is. Again, the visuals are breathtaking, and I would watch this movie as part of a tech demo, but I’d rather watch the “Matrix” sequels again than whatever this is.

“I love dogs, I’ve always loved dogs.” -Jupiter Jones

Shut up, Meg.

#21: Suicide Squad (2016)

Much like “Jupiter Ascending,” “Suicide Squad” was a fun time at the movies, but a lackluster experience watching it at home. I will say though, having already watched this film at home, the only time I watched it at home was at the beginning of 2017 and I popped in the extended cut of the film. I didn’t really feel much of a difference in terms of content, but in regards to the main movie, I became angrier than I thought I would about it. While Viola Davis is a solid actress, her character, specifically Amanda Waller, is one that I did not really enjoy watching. I didn’t really approve of all her actions in the film and she just left a bad taste in my mouth. Harley Quinn steals the show due to Margot Robbie’s performance, making her a solid character. But unfortunately, when it comes to the main heroes, Quinn is almost the only one who happens to shine. Deadshot’s okay, Katana’s alright, Killer Croc… looks pretty cool. But if I were to tell you who my favorite character in “Suicide Squad” happened to be, I’d go straight to Harley Quinn because she was pretty much the only one who had any charisma. I will say, when it comes to The Joker, he was not that bad. Of the Jokers I’ve seen on screen, he’s definitely inferior to others, but he’s also not a travesty by any means. Jared Leto played the part well and when it comes to this universe, I’d say his portrayal worked fine. Although I do think the movie maybe could have been better if they’ve utilized him more. This is also one of those movies, again like “Jupiter Ascending,” that had fantastic marketing leading up to it. The early trailer for “Suicide Squad” with Bohemian Rhapsody playing in the background was worthy of two thumbs up and raised the bar of excitement for me. “Suicide Squad” to me is the worst of the Detective Comics Extended Universe films. At least it’s uphill from there with films like “Wonder Woman” and “Shazam!.”

#20: Grown Ups (2010)

I don’t have a magical crystal ball, so I cannot go back in time and see exactly how many people were looking forward to “Grown Ups” when it was coming out. While I did not go see this movie in the theater, it was one I was curious about. But as I watched it, it didn’t stick with me. Now, from what I’ve heard, when it comes to Adam Sandler movies, “Grown Ups” is not as bad as “Jack and Jill,” which I have not seen. But this is one of those movies that the more I think about it, isn’t really as funny as I would want it to be. When you have renowned comedians like Adam Sandler and Kevin James in the mix, I probably would want a little more. And this comes from someone who likes Sandler’s earlier movies like “Happy Gilmore” and “Big Daddy.” This also comes from someone who really enjoys “King of Queens,” the nine-season sitcom starring Kevin James. RIP Jerry Stiller. Arthur Spooner for life. These two comedians have provided some thumbs up-worthy content for me over the years, and it’s disappointing to see these two, along with other cast members such as Salma Hayek, in something like this. I will also point out, even though the sequel is probably not remembered as the greatest of all time, I honestly think I enjoyed “Grown Ups 2” more than the original. Feels weird to say that, but it’s true. I did catch the movie on TV a few times and it did catch my attention, but it’s not one I’ll always remember for its quality. At this point, I only remember one or two scenes being remotely comical and well executed, and it was fun to see Cape Cod on screen. I say that mainly because I was at the waterpark where they shot part of the movie almost around the same time when filming took place.

#19: Under the Skin (2013)

Kind of like “Coco,” I do have some respect for this movie. It has a likable lead actress, some of the music suits it very well, and the vibe is seemingly perfect. So when it comes to “Under the Skin,” I have to ask… What exactly went wrong? That is a tough question to answer. Because for one thing, there are positive aspects about this movie. It just however wasn’t enough to keep me entertained. It is a seductive, hypnotizing film, and it honestly goes on to reveal the proper acting chops of Scarlett Johansson. Although the more I reflect on the film, the less I remember. I remember scenes in the car, I remember all the trippy s*it, but can I describe it all in detail? Absolutely not. This is probably one of those films that I probably need to watch again to fully appreciate, but with so many other movies out there, I am going to have to debate on whether or not such a notion is a proper idea. And if you think I am one of those people who cannot watch a film that is “too slow,” ask me what I think about “2001: A Space Odyssey” and I’ll tell you that it is arguably in my top 5 sci-fi films of all time. At times I was bored during “Under the Skin,” there just wasn’t enough for me. And that’s really disappointing. The film has an 85% on Rotten Tomatoes. It was nominated for a BAFTA! It was made by A24! It has the associations of what could mark the label of a solid movie. But it just wasn’t for me. But… Scarlett Johansson is dreamy, I’ll say that.

#18: New Year’s Eve (2011)

Before I saw this movie, I heard from others about how bad it was, but I went in with curiosity. I have not seen all of Garry Marshall’s holiday-themed movies, but they are not good, man. And “New Year’s Eve” is just a prime example of that! This movie takes a bunch of prominent actors who have perfected their craft and wastes all of them! Halle Berry is in this movie? You might as well be watching “Catwoman” at this point! Sofia Vergara showed up here? Just because she’s in an award-winning sitcom, doesn’t mean that will automatically make this movie good! Robert De Niro’s here?! Oh, the horror! There’s almost no redeemable, likable, or watchable scenes in this mess. Out of all the big holidays, New Year’s Eve is one of the few that I bend over for more than others. And honestly, this year, it’s gonna be pretty f*cking rad if you ask me, because I have never wanted to say goodbye to a year more. I’m just hoping we find a cure to COVID-19 by December, otherwise the ball drop would be just as boring as me dropping a ball from my hand to my bedroom floor. The problem with this movie is that there is no real center of the story to attach to. Yes, it’s called New Year’s Eve, and that’s what the movie is about, but it just doesn’t have one specific character that I can attach myself to more than any other. It’s kind of like “Dunkirk,” except that “Dunkirk” is a freaking awesome movie! “New Year’s Eve” is just a waste of time. And this comes from somebody who was really curious about this movie just from the title alone. I will also add, the scene where the ball actually drops is not even that great. Your movie is called New Year’s Eve, centers around the ball drop in Times Square, and you manage to f*ck that up out of everything! Unbelievable!

#17: Allegiant (2016)

If you ask me, I was never a huge fanatic when it comes to the young adult genre. If I had to pick what movies within the genre would have to be the best in regards to this previous decade, it would probably have to be “The Maze Runner,” although it doesn’t say much. One of the franchises that I thought had a lot of potential is “Divergent.” I went to see the first movie in the theater, enjoyed it. Saw the second one, liked that one even more. Then the dreaded third one, otherwise known as “Allegiant,” happened. Out of the three movies in this franchise, this one is easily the most forgettable. It had the worst box office total out of these movies, and it was also one that I will admit, was not the best in terms of marketing. When I saw marketing for the first movie in the franchise, “Divergent,” it felt badass, it felt raw in some ways. This however, just focused too much on the lovey dovey s*it. I didn’t really care about any of the characters, even though most of the actors give halfway serviceable performances. It’s not Oscar-worthy or anything, it just works. As for the visual effects, they feel like visual effects from 2007 that’s trying to gloss itself up for 2016 standards. It felt like everything was out of an overpolished Nintendo game! Even the people behind this movie must understand what exactly they’ve put out, because this movie we know today as “Allegiant” was once going to follow the footsteps of “Harry Potter” and “The Hunger Games” and get f*cking greddy by splitting the last film into two parts. For those of you who have read the “Divergent” books, which I have not done by the way if this adds anything to the table, “Allegiant” is the third and final installment to the franchise. Or, at least the original trilogy, because there is additional material afterwards. If you are wondering where that second part to “Allegiant” is, forget about it. It was supposed to go straight to TV, but it never got made! So this franchise remains unfinished! And don’t even get me started on how much they surprisingly succeeded on making Miles Teller the most annoying piece of s*it of all time. His character… Is something else. He’s honestly headache inducing, which is really sad as this movie truly does waste this actor who based on his performance in movies like “Whiplash,” has terrific chops. I may have alleged myself to the “Divergent” franchise at the beginning, but in the end, it crashed and burned. What else can I say?

#16: Sully (2016)

For the record, this is another movie that I honestly enjoyed. It is a film that I bought on Blu-ray and continue to own to this day, I just felt underwhelmed by it when I watched it. I’m talking about “Sully,” directed by Clint Eastwood, who honestly has not done his finest work in recent years, and this is just one example. There are essentials to a good flick here. Tom Hanks gives a solid performance, which should not be surprising at this point. Everything involving the plane crash had my attention. In fact, given how that is a major selling point of the movie, I applaud the crew for sticking the landing on that. No pun intended. Everything else in the movie is technically entertaining, but it doesn’t mean I was not almost bored with what was on screen. I think one of the main problems with this movie is that it starts with something that honestly feels kind of climactic, and as it goes, nothing really matches that or has that tremendous of an effect. A plane crash feels like something that would happen to symbolize an end of a movie rather than the beginning. But because everything else feels like it has the vibe of buildup when it is really what is supposed to come later, it just feels unfulfilling. I understood what was happening and the movie itself was competent, but it just did not give me an impact that felt happened to be gripping or enormous. The movie doesn’t crash land into disaster territory, it’s just not maybe as satisfying as I would have hoped.

#15: Flight (2012)

Speaking of movies with plane crashes that start out with perhaps the most climactic part of the movie, the next entry to the list is “Flight” starring Denzel Washington and directed by Robert Zemeckis. Honestly, even though I will forever credit Robert Zemeckis for directing the entire “Back to the Future” trilogy, I will also call him out because “Flight” might be his worst movie. And kind of like “Under the Skin,” this is a notion that I am disappointed to say, because this did get some awards buzz. And to be fair, the production value and acting is not that bad in this movie. I can see why Denzel Washington got an Oscar nomination. But this movie honestly bored me. I will admit, it has been years since I watched it. But all I remember is the plane crash and anything that happens after it is on a downward spiral in terms of pacing and enjoyability. I will say, I bought this movie on Blu-ray, and having paid $3.99 for it, I could have ended up with worse. At the same time, I expect more out of movie like this. Even though it did get a nomination for Best Original Screenplay at the Academy Awards, it did not have my attention. Although it has been years since I popped it in my player and last watched it. Maybe it’s better the second time, but I don’t know for sure.

#14: The Revenant (2015)

Leonardo DiCaprio won his first Oscar for this movie… Which, yeah, he was great, even though I really wanted Matt Damon to win for “The Martian.” Just being honest. With that said, “The Revenant” is not as great as some make it out to be. Yes, it won Best Picture-Drama at the Golden Globes. It was nominated for get this, TWELVE Academy Awards! It had a pretty good trailer leading up to it. I really did have interest in this movie to get me to go see it in the theater. In fact, when I saw it in the theater, it was worth the price of admission because of how well presented it was. The cinematography is outstanding, which should not be surprising as it is directed and shot by the same duo who worked on “Birdman” together. “The Revenant” has some of best individual frames of the decade. The bear attack in this film was… alright, I guess. It was probably not as hyped up as I have heard from other people. At a runtime of two hours and thirty-six minutes, I kind of wish much of that runtime gave me something a little more epic. This movie is surprisingly slow at times. At times it works, but some of the time it doesn’t. I will admit, the effort put into the movie through performances by Leonardo DiCaprio and Tom Hardy plus the directing from Alejandro G. Iñárritu makes up for its faults. However, when it comes to movies nominated for Best Picture at the 88th Academy Awards, I’d rather go back and watch “The Martian,” I’d rather go back and watch “Room!” Those movies are killer, by the way!

#13: The Hunger Games (2012)

I was 12 years old and in middle school when this movie came out, and everyone in my classes DID. NOT. STOP. TALKING. ABOUT THIS FRANCHISE. I read the first book for the franchise and put it down, and while I enjoyed this movie the first time, it just got worse the more I thought about it. I’m talking about “The Hunger Games.” Now, was I looking forward to watching the movie based on “The Hunger Games” when it was coming out? Most likely. Because it was the big phenomenon of 2012. Thankfully, my cousin gave me the book to read. I didn’t even make it halfway. That should have been a sign of what was to come during the movie, which I nevertheless looked forward to. I was a little nervous going into the movie the first time I watched it because I didn’t finish the book (this was a couple months after I started reading it) and I probably had some sort of unfulfilled commitment. While I did enjoy the movie the first time I saw it, I watched it a couple more times and it really does not hold up. The dramatic portions of the film don’t feel as high as I’d want them to be, I don’t like the color grading at times, and some of the cinematography is not that great. Jennifer Lawrence is a likable actress. In fact, she’s in this movie with Stanley Tucci and Elizabeth Banks, who are also respectable names in the industry, but this film is dramatically overhyped. There was even a point where I wrote an entry specifically for my 25 worst films of the decade, but I did not use it mainly because I feel that this film is more overhyped than it is incompetent. In fact, I’ve used part of what I’ve written for that entry at the beginning of this specific entry. Want to know what I ended with? Well, here ya go!

I own the movie on Blu-ray, but perhaps the only reason why I still own it to this day is because a lot of my friends who have connected with me throughout my life know what “The Hunger Games” is, and if the opportunity strikes to just sit down and watch a movie, chances are they might choose that. Although I am not completely sure because knowing our disposable society, “The Hunger Games” was likely just a fad for the time being. I am honestly not even a fan of the franchise, I do like the second film, but I still have yet to see the third and fourth, and the reason is because I refuse to pay for two parts. Thanks a lot, Lionsgate!

#12: Ant-Man and the Wasp (2018)

“Ant-Man” is currently in my top 5 MCU films. When they announced a sequel to “Ant-Man,” I was pretty excited because the first one was a total surprise. I didn’t really expect much from it, I thought it had one good trailer, but I was not sure if that was going to translate to a great movie. However, it was brilliantly written, nicely weaved in one specific outside Marvel character, and Paul Rudd plays a really good “Ant-Man.” Now let’s jump to 2018. The first trailer for “Ant-Man and the Wasp” drops… Ehhhh… Then “Avengers: Infinity War” comes out, it’s my favorite Marvel Cinematic Universe movie yet, and then all of sudden, I’m excited for “Ant-Man and the Wasp” again. Then I saw the movie… The movie is not bad by any means, in fact, when it comes to 2018’s comic book movies, I’d rather watch this again than “Venom.” But “Ant-Man and the Wasp” is a massive step down from not just the recently mentioned “Avengers: Infinity War,” but also, and perhaps more importantly, the first “Ant-Man” film. The first “Ant-Man” was an exciting heist adventure with compelling characters and Paul Rudd at the center of it all. Here, Evangeline Lilly, who I happen to like as an actress, becomes more of a prominent character as she becomes The Wasp. Their chemistry is fine, but while the film is trying its hardest to be lighthearted fun, the stakes almost don’t even feel like they are there. And while this could be somewhat intentional due to “Avengers: Infinity War” probably being the biggest film Marvel has done in terms of stakes up to this point, it feels like a sacrifice as the film is fun, but nearly uneventful. Oddly enough, this film has what could be the most useless end credits scene in the history of the MCU, where a human-sized ant is playing the drums because… Paul Rudd did it in the movie, so it needs payoff for some reason. However, I will admit, this movie also has what could arguably be the best end credit scene in the MCU, where it basically teases where the movie’s characters are going to be and what they’ll be doing in “Avengers: Endgame.” In fact, I put up a tweet regarding the end credit scene shortly after going to see “Ant-Man and the Wasp” in the theater.

I love how the MCU is such a unique movie property trying to tie in so many characters and stories in at once, but when the main story is not as good as what comes after it, it’s kind of a weakness.

#11: Moonlight (2016)

Coming in at #11 is a movie that is probably going to piss a lot of people off, partially because it was not only nominated for Best Picture at the Academy Awards, but it actually won it. Ladies and gentlemen, I give you “Moonlight.” The Best Picture? Of the Academy Awards? Are we sure it’s not “La La Land?” Now, I saw the movie after it won Best Picture, because it was still playing in theaters and I thought I’d give it a shot. While I did think the coming of age story was definitely watchable, I did not feel compelled the entire time. There’s one specific scene that I feel goes on for way too long, the movie starts out pretty solid, and while it continues to be pretty good, it’s on a downward slope in terms of quality. And I will admit, the movie is well made. The cinematography is beautiful. The color grading fits the tone quite well. The acting is top notch. Mahershala Ali earned his Oscar win for Best Supporting Actor. Also, it felt natural seeing Chiron’s character age, it did not feel like watching three different characters. Maybe I’m not in the right audience for this movie. I’m a straight white male. This movie deals with sexuality and identity, which are issues that I don’t struggle with. While can say I connected somewhat emotionally to the protagonist of the film, I cannot say I specifically embody the same traits as him. If you ask me, if the real Best Picture of 2016 was “La La Land” and that was not a mistake, I would approve, because I’d rather watch that movie again.

#10: Logan Lucky (2017)

Coming in at #10 is a film with a terrific cast, an acclaimed director, and a somewhat intriguing concept behind it. So, what went wrong? I don’t know! Nevertheless, “Logan Lucky” is probably one of the biggest drags of a film I have seen in recent memory. And it’s really sad to say that because this film has so many big names attached who are respectable in the industry, just from the cast alone! Channing Tatum! Adam Driver! Daniel Craig! Sebastian Stan! Seth MacFarlane for crying out loud! All these people are talented, but unfortunately, I could barely keep myself awake for whatever fresh hell this was. The funny thing about this movie, looking into the future, is that it is directed by Steven Soderbergh, who is known for films like “Ocean’s Eleven.” But what’s funny about that notion is that months later Soderbergh would come out with another movie by the name of “Unsane,” which by the way is free on Prime Video. Unlike “Logan Lucky,” which was beautifully photographed through a Red Epic Dragon camera, “Unsane” was shot primarily using an iPhone 7 Plus! Just goes to show that looks are not everything and without a good story, your movie is probably not going to be all that watchable. It was hard for me to connect with anybody, and it’s just as dull as watching paint dry. That’s even with the utterly wacky Daniel Craig performance somewhere in the mix! Kind of crazy if you ask me!

#9: Night at the Museum: Secret of the Tomb (2014)

One of my most nostalgic films is 2006’s “Night at the Museum,” it was one of the first films I have seen in the theater, and to this day, it is one of the more experiential films I have seen. As a comedy, it’s fun for all ages. It’s sequel, “Battle of the Smithsonian,” could arguably be better than the original due to Hank Azaria’s performance as Kahmunrah, and a good of number of the gags. I don’t know how many people would agree with me, but that’s just how I feel. “Night at the Museum: Secret of the Tomb” however is a film that quite honestly did not hit me the way I wanted it to. While I will say that the trailer for the film is not the finest in the world, I was still stoked because I love the property. Ben Stiller as Larry Daley is one of the better roles I’ve seen him in. The plot of “Secret of the Tomb” talks a good game, because it does that traditional sequel thing where you supposedly have to go bigger than the previous films. The first film took place entirely in New York. The second one expanded to Washington DC. As for this one, it’s out of the United States. Bigger doesn’t always mean better. And yes, much like the other two “Night at the Museum” films, this one has comedy that lands. There’s a great bit where the character Lancelot comes across a play of “Camelot” featuring Hugh Jackman and Alice Eve. Jedediah and Octavius spend some time on mini Pompeii before the volcano explodes. The movie does have some creative elements intact and some enjoyable aspects tied into it. But I’d rather go back and watch the first and second movies again. Oh, and Rebel Wilson is in this film too… Why is she here? Who invited her to this sham of a party?

#8: Transcendence (2014)

There are particular facts that you have to carry with you all your life. The only things that are certain happen to be death and taxes. In the event of a tornado, driving into a tornado is not the smartest idea to keep yourself safe. Also, “Transcendence” is f*cking boring! Johnny Depp is an enigma of an actor, because over the years, despite being credited with some solid performances, he’s had a good amount of bad days at the office. Maybe because he got too attached to Tim Burton for all I know. Out of all the bad days at the office, this is probably the one where the TPS reports make you want to break your computer. “Transcendence” is one of those movies that has a cool concept, but is executed in such a poor manner. The trailers leading up to “Transcendence” were attention-grabbing and seemed to promise something worth watching. While I did miss “Transcendence” in the theater, I bought the DVD and it’s safe to say that it is one of the least worthwhile purchases I’ve made in my life. I’ve popped the movie in once or twice and fell asleep. The time I did watch the film and I actually managed to make it through the whole thing, sleeping probably felt like the best option as this movie was a complete borefest and a trainwreck. I could barely tell you anything that happens in this movie past the second half. All I remember is that it takes place in a desert, things go crazy, and no semblance of quality exists. Plus, this movie is directed by Wally Pfister, the cinematographer of “The Dark Knight.” While this is his directorial debut, it is very disappointing to know that even after doing a few movies alongside Christopher Nolan, he cannot whip up a quality product himself. Nobody could save this movie! Not Johnny Depp! Not Rebecca Hall! Not Paul Bettany! Not Cillian Murphy! As for the screenplay written by Jack Paigen, it’s got the pacing of a turtle! Believe it or not, this is his first screenplay he’s officially credited for, so maybe I’m being a little harsh, but it’s not always the best indicator of fine art when you have this $100 million movie and both the screenwriter and director have never been credited for anything in this spectrum of their craft! GAH! …At least Pfister will forever have my respect for being the first cinematographer to shoot a major Hollywood movie with an IMAX camera, so there’s that.

#7: Pacific Rim: Uprising (2018)

“Pacific Rim” is a fun movie. It has the concept of “Power Rangers” and blends it excellently with the vibe of “Transformers.” I saw the film in IMAX, enjoyed it, and eventually got the 4K Blu-ray for Christmas, so I have fond memories of this film. Oh, wait did I say “Pacific Rim?” I’m sorry! That’s the good one! “Pacific Rim: Uprising” on the other hand is a total bitch of a movie! This is yet another movie that I was looking forward to simply from the concept, but what really got me onboard was the first trailer for it. Just like the first movie, it looked like it was trying to pack in as much fun as possible. And with a mega-star like John Boyega at the forefront, it must have been a recipe for excellence! Fun fact… This movie takes place ten years after the point where the original leaves off. Here’s another fun fact, it nearly feels as if it takes about ten years to get through this stinkin’ mess! Unlike the first “Pacific Rim” directed by Academy Award winner Guillermo del Toro, which had tons of soul put into it, this film was directed by Steven S. DeKnight, who has never directed a film prior to “Pacific Rim: Uprising.” He’s done TV shows like “Daredevil” and “Smallville,” but when it comes to films, this is his debut. “Pacific Rim: Uprising” honestly feels more like a movie that was a studio plot to start a franchise than anything else. Aside from that, Charlie Day’s character may be more annoying than Flo from Progressive trying to change every conversation at a party to be about insurance! “Pacific Rim: Uprising” reminds me a lot of “Independence Day: Resurgence,” which was a sequel that was perhaps more long-awaited, although maybe less wanted at the same time, but both movies make massive time jumps, yet cannot help but force reflections that tie into their original counterparts. Where did all my IQ points go? Guess a Kaiju destroyed all of them! That’s the only solution I can come up with at this point!

#6: Shrek Forever After (2010)

Coming in at #6, is the worst animated movie on this list, “Shrek Forever After!” Now “Shrek Forever After” is marketed as the fourth and final chapter in the “Shrek” franchise, that is unless you count the 2011 spinoff “Puss in Boots,” which is a pretty good movie. As for this one, it’s kind of like that TV show that your friend tells you to watch. It’s that show where your friend warns you, “The first couple seasons are good, but don’t watch the final one!” Although, “Shrek the Third” was not that well received either technically speaking, but I find that movie to be more watchable than this. It has been years since I watched “Shrek Forever After,” but I still remember being let down. When you market your movie as the final chapter, there has to be something that puts a bow on the franchise that makes the finale grand. This, honestly just didn’t work. And the ending, if you ask me, is rushed and barely even counts as climactic. The first couple of “Shrek” films had better endings than this travesty! Especially “Shrek 2,” which may have put have put out a cover song of Bonnie Tyler’s “Holding Out For A Hero” that might be twice as good as the original! The concept is interesting, seeing Shrek wanting to return to his roots at times was quite entertaining. But in a franchise full of happily ever afters, this movie is the one that brought me at the closest point to becoming an ogre than any other.

#5: The Favourite (2018)

Between massive awards potential, a stunning cast, and an acclaimed filmmaker, “The Favourite” may have had a formula for success. Guess what? It succeeded! …At failing to impress me. Given how this film was getting tons of awards buzz, I figured I’d give it a shot at the cinema. However, this movie tied me to a horse and dragged me across grass for a couple hours! It’s boring, it’s nearly feels pretentious, it’s horribly paced, and I couldn’t stop wondering when it would actually end. If you ask me, the performances are fine. Olivia Colman is alright, I wouldn’t say she was my pick to win an Oscar, in fact of the nominees listed for that specific ceremony, I probably would have picked Lady Gaga for “A Star is Born,” but that’s just me. Emma Stone and Rachel Weisz are also competent as their own characters. Technically speaking, “The Favourite” is a solid movie with detailed set design, gorgeous framing, well put-together costumes, and a somewhat neat score. Story-wise however, while I was compelled at times, it did not do much to leave me satisfied. As the movie went on, I began to tune out, just being honest. For a movie called “The Favourite,” it’s really ironic how this turned out to be one of my least favorite films of 2018. It nearly made it into my honorable mentions on my worst list for that year! This is also yet another example kind of like “Jupiter Ascending,” of how a movie can look visually appealing, but fail to deliver on the story. This movie nearly touches the two hour mark, but if you ask me, I think based on my experience, it felt like three hours! It’s a drag!

#4: Guardians of the Galaxy Vol. 2 (2017)

Coming in at #4 is “Guardians of the Galaxy Vol. 2!” The original “Guardians of the Galaxy” is a FUN movie. It has comedy! It has a killer soundtrack! It has a likable group of characters from Starlord to Gamora to Rocket! When it comes to 2014, it might as well have been the movie of the summer, as it became the year’s highest grossing superhero film, not to mention the year’s third highest grossing film period. Since this was a big box office hit, a sequel was perhaps inevitable. And when the first main trailer came out, I was hyped, because much like the first film, the comedy stood out. There was one joke that was shown at the end that introduces Mantis that made me switch between the mood of simply checking the movie out “because, why not,” to “absolutely needing to see it now.” Aside from “Wonder Woman,” “Guardians of the Galaxy Vol. 2” was my most anticipated film of 2017. But when I saw it with 500 other people, I wondered if I was on drugs, or if everyone else was on drugs. I say so because the audience I was with pretty much laughed at every joke that came up, but I on the other hand remained silent for perhaps most of the film. And honestly, Baby Groot sucks. Even though inserting Baby Groot is technically appropriate for picking up where the Guardians left off, it almost feels something as simple as a ploy to get people to buy more toys. Now I understand that Marvel movies are expensive, it costs a lot to make them, but still! I didn’t find him cute, I didn’t find him that charming, maybe I’m just a horrible person! It feels like there are too many scenes in the film where the characters are doing something and Groot just is shoved in there because… Baby Groot’s gotta Baby Groot! I will admit, when I first saw this movie, it was at a sold out IMAX and I was in the front row, so I was not in the best mood. But if you must know, I did see it again on a separate occasion. I laughed more, but I also remembered how much I didn’t like Baby Groot, and how much of a step down this was compared to its original counterpart. Even though there is an argument to make that the original “Guardians of the Galaxy” is slightly overrated, it lives up to the hype. It’s hilarious, fun, and visually stunning. Sure, some of the fun is there in “Vol. 2,” but the comedy feels absent! The effects and shots in “Vol. 2” however are some of the finest I’ve witnessed in the MCU, so I’ll give credit where it’s due. I have respect for James Gunn, because he’s kind of a wacky director, and this does feel like a personal movie from his end, but in some ways, the movie failed to hit me. Sure, it had a great villain, which at some points, is rather odd to say in regards to the MCU, but it’s true! Still, if it were a Friday night and I had some friends around, I’d probably pop in the first film as opposed to its sequel.

#3: Avengers: Age of Ultron (2015)

Speaking of the Marvel Cinematic Universe, one of the most anticipated films of 2015 for me was “Avengers: Age of Ultron.” Now… Is it fun? Yes. Is it action-packed? Absolutely. …But it’s “The Avengers,” man! The freaking “Avengers” of all the heroes! Why is it that apparently “Guardians of the Galaxy” and “Captain America: The Winter Soldier” are some of the most solid films in phase 2 of the MCU and “Age of Ultron” is nearly the worst? Heck, even “Ant-Man,” which was the much smaller (in a literal sense) MCU installment to come out in 2015, is twice as good! I will say that this film is better than “Thor: The Dark World,” but when it comes to the MCU, that film is not hard to beat. This was a film that I felt an enormous need to see opening weekend. Every trailer captivated me and made me want to go see it. Joss Whedon, who did a solid job with the first “Avengers” film in 2012, is back in the chair again. The movie almost looked like it could be pretty dark as Robert Downey Jr.’s character of Tony Stark seemed to be going on a bit of a downward spiral from what I have seen in marketing. The trailers always caught my attention and promised something absolutely special. But instead, I got mediocrity shoved right in my face. Ultron is a slightly charismatic villain, but again, in Marvel’s first couple of phases, the villains did not always stand out. Also, you know how a lot of blockbusters are often defined as explosive popcorn movies? “Avengers: Age of Ultron” not only fits that bracket quite well, but to my surprise, it focuses way too much on being stylistic than effectively dramatic. It almost feels like Zack Snyder or Michael Bay could have directed this film at times. There are positives to it. It’s got funny at moments here and there. Some of the hero characters stand out, which they should. There’s a great gag involving mjolnir, AKA Thor’s hammer, and this also features one of the better Stan Lee cameos. Surprisingly, if you ask me what my thoughts are on the moments between Hulk and Black Widow, those did not annoy me as much as other people. In fact, “Age of Ultron” did little to annoy me, but I figured in a sequel as big and as highly anticipated as this, it could have lived up to a higher standard. I say this specifically not just regarding “Avengers,” but perhaps all Marvel movies, “Age of Ultron” has one of the weaker climaxes. While it is fun to look at, it doesn’t feel like there’s more to it than eye candy. This movie just feels like an excuse for Disney/Marvel to throw $365 million out the window. Which, in the end, probably wasn’t the worst idea as this movie joined the billion dollar club. Although I will admit, even though I think Joss Whedon, alongside everyone else involved, did a better job with the original “Avengers” movie, I do feel bad for some of the harsh feedback he got, because it’s a major factor that got the famous director to quit Twitter. Nevertheless, “Age of Ultron” is not only the worst “Avengers” movie, it is almost the worst movie of the MCU’s phase 2.

#2: Midsommar (2019)

These last two movies on the list are from 2019, which makes me even more satisfied that the year ended with a ton of solid movies from “Parasite” to “Ford v Ferrari” to “Knives Out” to “Uncut Gems.” In the middle of the year, specifically, July, my most anticipated film of the summer came out. While I did wait a month to see it and happened to be rather giddy when I finally got my chance, it was not even close to worthwhile! Ladies and gentlemen, I give you the runner-up of the disappointing list, “Midsommar!” This is a disappointment if there ever was one. “Hereditary” is probably one of the best directorial debuts in recent memory. Ari Aster made me believe that he had a very bright future ahead… Then we got “Midsommar.” Leading up to this film, “Midsommar” was described by Ari Aster himself to be “a ‘Wizard of Oz’ for perverts.” Having seen the film, it’s not that! “The Wizard of Oz” is a story that takes place in a magical and mystical land! It’s all happy and colorful! Here, it tries to be colorful, it tries to be quirky, but it is perhaps almost the most annoying movie I have ever seen. While the cinematography is beautiful and the directing job from Aster is worthy of a thumbs up, the movie itself pisses me off to no end. Even though Florence Pugh is a likable actress, I cannot say that her character is as likable or charming as her. She honestly probably gives what could be the weirdest and one of the most unreal cries I have heard in a movie. If anybody has seen the first few minutes of “Midsommar” and remembers the cry that Florence Pugh gives, do you cry like that? Do you know anyone who cries like that? I don’t, personally. It’s a thing that I’ve noticed from Ari Aster, because I remember there was a scene from “Midsommar” where I noticed some weird crying as well. If anybody really does cry like this, I want to know because I may be keeping my head in somebody’s ass here, but… I just don’t have much experience hearing cries like the ones from Ari Aster’s films. As if Florence Pugh didn’t play a fine character, the supporting characters are also nearly unwatchable. Most specifically, Florence Pugh’s so-called friends. There was almost nobody I really rooted for in the film. And while this film tries to be pretty scary, it fails. Again, it’s more annoying than anything else! Even the delightfully strange moments don’t make up for its faults! Maybe if I had less anticipation for this film, it would either not make the list or be somewhere on it that’s lower. But again, this was one of my most anticipated films in regards to the summer of 2019. What was the most anticipated? Not sure. Could have been this, maybe “Ready or Not.” Because that had a kick-ass trailer! To add more disappointment, this opened around the same time as “Spider-Man: Far from Home,” which even though Spidey is my favorite superhero, the trailers for “Far from Home” were pretty terrible. Between an underwhelming first trailer, and unexpectedly dropping massive spoilers for “Avengers: Endgame” in a later trailer, it left a bad taste in my mouth. “Midsommar” was a film that felt like a pretty unique experience. Plus, it’s from A24, which is a studio I often respect. They helped put out some of my favorite movies from the past decade including “Room,” “The Disaster Artist,” and “Eighth Grade.” “Midsommar” is in competition with “The Witch” to perhaps be my least favorite A24 film. It’s kind of sad if you ask me. Again, this film is not scary. And I know some people have probably pointed out how “gross” it is. I never really found it to be disgusting or gross. I just found it to be an annoyance.

But you know what the sad part is? It’s not the most disappointing film of the decade! Not even the most disappointing of 2019 as a matter of fact! This past year came so close to being a lackluster year for film.

#1: ???

Alright, we’ve made it! #1! What could it be? Well, here’s some things I’ll say! This movie, as mentioned, came out in 2019. It’s a movie that has been featured on Top 10 WORST Movies of 2019, and in regards to this series, I put it in THE WORST 25 countdown. What is it exactly? Well, it’s not “The Aeronauts.” That did not make it on my top 10 worst, and it’s already #25 here. It’s not “Midsommar,” I just talked about that. It’s not “IT: Chapter Two,” it’s not “Serenity,” it’s not “Star Wars: The Rise of Skywalker,” it’s not “Dora and the Lost City of Gold,” and it’s DEFINITELY not “Cats” as I had no expectations going into it. My #1 most disappointing film of the 2010s is… FEATURED IN THE CLIP BELOW!

Oh my God. Zilla. I’ve said that before, but that saying has never made more sense than it does right now. Because my #1 most disappointing film of the 2010s is “Godzilla: King of the Monsters.” I am not the biggest “Godzilla” fanatic, but even I was uber-excited for this movie. At 2018’s San Diego Comic-Con, they dropped the first trailer for this film and it pumped me up like a balloon! Aside from having stunning visuals and some cool monster action, it had a BEAUTIFUL redo of “Clair de Lune” playing in the background. But little did I know at the time, that distracted me from the reality that this movie was visually beautiful, but as a story, it is a complete wreck! Nearly none of the original human characters make a return. Instead, we get new characters played by some well-known actors including Vera Farmiga, Kyle Chandler, Thomas Middleditch, and Charles Dance. All of these actors have experience and are culturally respected. Just because this movie has big names, does not mean it’ll be a big success. In fact, it’s a monster-sized failure! Even though it made about double it’s budget, it’s still a disappointment after raking in $386 million worldwide. The movie made less money than its predecessor from 2014, simply titled “Godzilla,” which took in $529 million worldwide against a slightly smaller budget than this dreaded sequel. Why did this movie fail? It’s hard to come up with one simple answer. It’s one of those movies, probably like “Batman v. Superman: Dawn of Justice” that did not sit well with critics, but for casual moviegoers and people who are simply fans of “Godzilla,” it was worth watching. After all, the audience score for “King of the Monsters” is 83%, nearly double of the critic score, which sits at 42%. Maybe the low critic score influenced the audience’s thinking patterns. But then again, “Aladdin” came out the week before, so maybe people were still into that.

When I come across a good number of positive thoughts for “Godzilla: King of the Monsters,” they sometimes have one thing in common. People sometimes point out that in terms of characters, this movie is lackluster, and despite that, they still give it a positive score. Some would say that monsters fighting each other is entertaining enough. With that being said, I will admit one of the slight positives of “Godzilla: King of the Monsters” is that the monster fighting is expanded in this movie, but it’s also a negative because even though it was minimal in 2014’s “Godzilla,” it nevertheless felt special. In “King of the Monsters,” some of the camerawork during the fights is nothing to write home about, although some scenes are better than others. As for characterization, this is just like the “Transformers” movies where even though there are alternate subjects in the title, the movie chooses to focus primarily on disposable and one-dimensional human characters. They’re poorly written, they’re poorly realized, even though the actors do what they can with them. Even though an actress like Millie Bobby Brown was somewhat wasted in this film, she gave it her all, which is probably a sign that she is going to have a bright future that involves a lot more than “Godzilla” and “Stranger Things.” I have come to a point in my movie watching journey where I require more than flat characters and all pretty visuals. This is “Jupiter Ascending” all over again!

Speaking of these pretty visuals, even getting to say that they are pretty in the first place is kind of sad. Because there is a sign that people put some effort into this movie. In fact, I imagine everyone across the board did all they can to make the finest movie possible, but for some reason, when it was trying to stick the landing, it plummeted as hard as s*it! This is one of the few movies that from a visual and audio perspective, made me nearly leave the theater with a headache. I like obnoxious films that are incredibly immersive, but there was so much going on at once! It felt like I was at a concert where three bands where competing to see which one can get the crowd roaring the loudest! This movie honestly feels like that “Family Guy” cutaway where The Emperor from “Star Wars” is speaking through the formula for great dialogue in the franchise. Specifically, he says “Something something something dark side. Something something something complete.” While “Godzilla” is not “Star Wars,” replace “dark side” with “monsters,” and “complete” with “fight in Boston,” you have “Godzilla: King of the Monsters.” Yes, it does have a standout story involving a major motivation from Vera Farmiga’s character, but again, all these characters feel incredibly disposable. I mean no harm, and people are allowed to like what they like, I don’t know how all the viewers who like “Godzilla: King of the Monsters” can get past the underwhelming characters who are played by big name actors, but have to deal with a s*itty ass script! It’s cheesy, boring, and forgettable! I can have fun with a big budget blockbuster, just not this one!

To add to the disappointment, this movie could have some unfortunate ramifications going forward. After all, “Godzilla: King of the Monsters” is the third installment to the current Warner Bros. Monsterverse, which currently features prime titans Godzilla and King Kong. In fact, both titans are supposed to duke it out against each other in a future film that is supposedly coming out this year. The more I hear about that film, or more specifically, what little I even hear about that film, the less I manage to look forward to it. But when it comes to what could happen to it regarding “Godzilla: King of the Monsters,” the poor box office total of that film could be a bad sign of what’s to come. Plus, it’s been a few years since people have seen “Kong: Skull Island,” which to be fair, was a success. “Godzilla vs. Kong” could although continue a trend of box office disappointment as it is part of a universe that might as well be shrinking in terms of relevance. One of the reasons why the Marvel Cinematic Universe is still working today is because they’re constantly cranking out films. It took a couple years between one “Iron Man” or “Avengers” film to get to the next one. Plus, in between those sorts of properties, we get other characters getting movies including Thor and Captain America. “Godzilla” took its time, and maybe was on less people’s minds. Plus, given the quality of “Godzilla: King of the Monsters,” it sort of hit me in a way that made me less excited for what’s to come. Going back to Marvel, “Avengers: Infinity War” made me excited for future movies including “Ant-Man and the Wasp” and the then untitled “Avengers: Endgame.” A bad movie can do more than just leave a bad taste in the mouth. It can leave an aftertaste that might stick for years. This aftertaste makes me look into the future and ultimately feel a tad pessimistic.

As for what that future looks like specifically, it looks like everyone might not be learning from their mistakes. After all, Eiza Gonzalez, who is set to star alongside Millie Bobby Brown as a couple human characters in “Godzilla vs. Kong,” was intereviewed in March while promoting the all-new Vin Diesel film, “Bloodshot.” She said the following during an interview for The Hollywood Reporter

“Yeah, everything’s been done. These movies take a long time because there’s a lot of CGI in them. But, yeah, we’ve done everything, and they’re just going through and creating these incredible characters. I’m just really excited to see it because it’s these two worlds colliding. The fan base for “Godzilla vs. Kong” is incredible. When I say I’m in the movie, people are like, “Oh my God.” Seeing that fanaticism and seeing how excited they are to see this movie makes me really excited; I think they’re going to be really happy. [Director] Adam Wingard is so talented. Both stories are going parallel, as you’ll see, without giving anything away. It’s a large cast as well, and it was really fun to be part of it. There’s so much going on, but the heart of it is two young girls as well, which is such a positive message for society nowadays. It’s just incredible.” -Eiza Gonzalez

So unless these two young girls are Godzilla vs. Kong bitchin’ it out against each other, I would imagine it involves Millie Bobby Brown and perhaps a character played by Gonzalez herself. Since this movie chooses to focus on humans again, I really hope there is a sense of strong effort put into the script. Because the last one made me want to go out and topple some skyscrapers!

Also, as someone who lives near Boston, this movie is an insult.

Thanks for reading this countdown! Kind of like the previous lists I’ve done in the Top Movies of the 2010s series, this could easily change as it does span an entire decade as opposed to an entire year. In fact, now that I’m in isolation, I have all the time in the world to watch more movies from the 2010s, so who knows? All these picks may be outdated in a month or two. However, if you are interested in seeing more of Top Movies of the 2010s, feel free to check out my other lists titled THE BEST 25 and THE WORST 25. Now that content becoming harder to make in these times, I am thinking of doing more of these. Maybe I’ll also do more than top 25s. Maybe I’ll go short and do top 11s or top 15s, or if I really want to cover such a massive topic, I’ll go for top 50 or top 100. I’ll have to think of a topic that can truly fit a hundred films if that’s the case, but it’s still a thought that I have. If you want to see more great content from Scene Before, follow this blog via an email or WordPress account! Also, be sure to check out my Facebook page if you are interested, I post content updates, random thoughts, and if you don’t want to follow the actual Scene Before blog, I also automatically post new content from Scene Before onto the page if you would like to check it out. But it’s your world and I just live in it! I want to know, what are your most disappointing movies of the 2010s? Is there a title I missed? Or, what other countdowns would you like to see come to life in the Top Movies of the 2010s series? Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 6

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Hey everyone, Jack Drees here! It is now time for part 6 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

I’m telling you guys, this is getting annoying! We now have as many entries to this series, as “Sharknado” does within its own series! This is wrong! And honestly, this may be the biggest post yet, because a lot has happened in the entertainment realm! But of course, let’s get to the real world news first! By the way, if you’re asking, none of it has to do with Kim Jung Un. I’m only counting COVID-19 matters.

Today we’ll start in a film capital, California. Last week, Florida’s Duval County was in the news because people spent time at the area’s beaches that were recently reopened. This was referenced a ton on social media, which lead to the trend #FloridaMorons. While I never found #CaliforniaMorons to be trending on Twitter, some people did make tweets with that hashtag inserted. Before we go any further, here’s some highlights related to this subject, even if all of them don’t use the hashtag.

Once again, I did not see #CaliforniaMorons trending, but just to prove that I am not the only person who is noticing this…

I know, right?! I love California! I was just there a month ago! But, holy crap! This weekend, California was hit with warm weather, reaching 80 and 90 degrees. Since it is so warm, a lot of people thought it would be a good time to go to the beach. But of course, because COVID-19 ruins fun, there is a massive chance of spreading the infection. Naturally, much of the response on social media to this matter has been particularly negative. Speaking of beaches getting traffic, San Diego officially reopened their beaches starting Monday April 27th. However, this does come with restrictions. People cannot gather in groups, park, or lie down to get some rays. Question about parking, does Uber count? Drivers need to get by in these times! Plus, Fiesta Island, piers, and boardwalks will be closed. However, you can still swim, you can still fish, you can still surf. This is part of phase 1 rules in regards to San Diego beaches. California Governor Gavin Newsom had this to say about the matter…

“This virus doesn’t go home because it’s a beautiful sunny day around our coasts.”

Although, California is not done with announcing closures, because the Orange County Fair will officially be shut down for this year. This year’s fair was supposed to last for 23 days, on every day of the week except for Mondays and Tuesdays starting July 17th and ending August 16th. The fair, held in Costa Mesa, California, has previously seen over a million visitors in a year.

Two of the celebrities who have been taking up lots of spotlight in this time of a pandemic are Tom Hanks and Rita Wilson, both of whom previously been tested positive for COVID-19. However, time has passed, and the two seem to be better then they were a month ago. Although they are back in the news for better reasons. Hanks and Wilson agreed to donate blood and plasma for a possible vaccine. After all, both individuals carry needed antibodies. I will be real, I f*cking hate needles. Even if they are necessary. I feel as if I’m gonna make it out of a burning building should a vaccine be injected into me in order to avoid getting COVID-19. However, if you want to convince an anti-vaxxer to get a vaccine, tell them that Tom Hanks will now be a part of you.

Speaking of Tom Hanks, the man known for such films like “Cast Away” and “Bridge of Spies” defended a child the other day. While he was not able to get physically involved, partially because of physical distancing limitations, he did take action. When Hanks and his wife, Wilson, were diagnosed with coronavirus, an 8-year-old male Australian student by the name of Corona De Vries wrote a letter to the couple saying he loved his own name, but he was often called the coronavirus, making him “sad and angry.” Hanks saw the letter and responded back suggesting “You got a friend in me,” a phrase inspired by “Toy Story,” another film Hanks is famous for.

Say what you want about celebrities being selfish and entitled, even in these times. Tom Hanks suggests otherwise.

Now I’ve talked quite a bit about Donald Trump, who as of recently, just invented the “Noble Prizes!”

By the way, if you are wondering why I am not using Trump’s tweet for this, it no longer exists!

Last week, after Trump suggested that the coronavirus “may not come back at all” for a second time, Dr. Anthony Fauci begs to differ. He suggested the possibility of a second outbreak after having a discussion with Robert Redfield, director of the CDC. This outbreak could hit in the fall, and be more complexing considering how the flu pops up at the end of the year.

Speaking of Trump, time for some bleach drinking! In the ambitious search for a COVID-19 cure, Donald Trump has suggested the possibility of injecting disinfectant in order to rid one’s body of COVID-19. Let me just start off by saying, yes, injecting disinfectant will VERY LIKELY get rid of COVID-19, because you’re about to f*cking go down along with it. Putting bleach in the body is good for a lot of things. Erasing the lyrics of “Baby Shark” from your head! Forgetting whatever the “Cats” movie was! Oh, and trying to become a f*cking ghost! The COVID-19 crisis is not going to be solved through disinfectant going inside you! Besides, everyone’s afraid to go to the supermarket right now! You think everyone’s gonna want to pile on top of each other in the same aisle grabbing Clorox?!

I’m done! I’m really just done! I just want to go to a restaurant and the movies, is that too much to ask?! Wait…

Before we go any further, I’m going to remind everyone that in my post from last week, I documented that Georgia was planning to reopen on April 27th. Well, that was yesterday. But when it comes to movie theaters, those are not reopening. I mentioned this specific before, but I thought I’d bring it up as a refresher. Georgia Theater Company, otherwise known as GTC Movies, is not planning on reopening theaters anytime soon. They intend on waiting until July, when Christopher Nolan’s “Tenet” comes out, a movie which we’ll talk about later. Speaking of which, Greg Abbott, the governor of Texas, has given theaters the green light to open starting Friday with 25% capacity. Chains like AMC and Cinemark do not plan on opening until the summer. Although in addition to that, a movie theater chain that is absolutely critical to Texas is taking similar actions. Specifically, Alamo Drafthouse. For the record, these theaters are not entirely shuttered, as some are open for takeout and delivery. After all, Alamo Drafthouse is known for its food selection. However, an Alamo Drafthouse spokesperson had this to say in regards to possibly reopening…

“Opening safely is a very complex project that involves countless new procedures and equipment, all of which require extensive training. This is something we cannot and will not do casually or quickly. We will not be opening this weekend. But know this, when we do open, we will be providing the safest possible experience for both our staff and our guests and we can’t wait to see you all again!”

It seems that Alamo going to follow the footsteps of other chains and maybe reopen during mid-summer. That is, should COVID-19 not affect the safety of theater patrons. Besides, not much material is coming out in theaters these days, including a movie I am going to talk about right now.

SCOOB! GOES STRAIGHT TO DIGITAL

One of the family films that was set to come out this year is “Scoob!,” which if you cannot tell, belongs to the “Scooby-Doo” IP. Now “Scooby-Doo” has had a lot of content over the years, but in May 2020 the franchise was about to have its latest theatrically released title. A couple of films within the IP have been presented this way already, and they were written by James Gunn, who of course is now famous for his work on the “Guardians of the Galaxy” films. This film was set to release May 15th, 2020, but Warner Bros. took it off the release calendar in response to the pandemic. Turns out, it will be coming out that day all along, BUT it won’t be in theaters, given how none are practically open right now. Instead, it is going to follow in the footsteps of “Trolls: World Tour,” the animated sequel by DreamWorks, now owned by Comcast, and release onto VOD. Meaning that services including Prime Video, Vudu, FandangoNOW, and Google Play will be getting the film. I’ll be honest, had this pandemic not been going on this year, there’s a solid chance that I might miss out on “Scoob!” if it were in the theater. The only reason why I would even consider seeing it, is because I feel the need to see five animated flicks by the end of the year, because I need enough nominees at the Jackoff Awards that I do in the winter. Although, it definitely does have a market. Families would probably have gone to see it. Generations who grew up with “Scooby-Doo” will recognize the movie and pass the torch to their children. Had it stayed in theaters, it could have made for a fun outing. But of course, it’s not in theaters.

“Trolls: World Tour” was not the worst option of all the movies that could go straight to VOD instead of theaters. A lot of younger kids recognize the film, and since sometimes bringing kids to the movies can be obnoxious, putting it in a home environment is not the worst idea. That is until Amazon’s 48 hour rental period expires and they beg for the parents to spend another $20. “Trolls: World Tour” landed one of the biggest digital debuts ever, and “Scoob!” could do the same, but that is going to depend on how many kids are looking forward to it. I think there was more of an appetite for a “Trolls” sequel among children than there was for a “Scooby-Doo” movie. At the same time however, “Scooby-Doo” has had a long history of being a product for the home environment. I grew up having a piece “Scooby-Doo” media in my collection. A lot of television shows and cartoons have been a part of the “Scooby-Doo” brand. From a production standpoint, this could come off as something that was meant for theaters, but may be remembered as another fine entry to the “Scooby-Doo” home media collection.

THE KING OF STATEN ISLAND GOES STRAIGHT TO DIGITAL

Had South by Southwest happened this year, one of the films that I would have been eager to see was Judd Apatow’s “The King of Staten Island.” The film had an advantage of being a higher-profile title, alongside such movies including “The Lovebirds,” which is now going to Netflix. This film had a bright future on the big screen. Aside from a SXSW debut this March, it was supposed to come out June 19th of this year in theaters. I have some good news and some bad news. The good news is that “The King of Staten Island” is getting bumped up a week to June 12th, 2020. So it’ll come out a week earlier. The bad news is, if you were looking forward to seeing Judd Apatow’s latest film in theaters, that’s not happening, and this does not come as a surprise. I have a feeling that part of this not only has to do with analyzing the potential box office results ahead, but maybe it has a bit to do with “Tenet,” which I think is going to be a better example of a film that is going to try to entice people to get back in the theaters (again, more on that later). However, starting June 12th, “The King of Staten Island,” a semi-autobiographical comedy-drama starring Pete Davidson will be available On Demand through various services. This is a release technique similar to the recently mentioned “Scoob!.” The film also features notable names including Marisa Tomei (Spider-Man: Homecoming, My Cousin Vinny), Pamela Adlon (Bob’s Burgers, Better Things), Steve Buscemi (Miracle Workers, Fargo), and Bill Burr (Breaking Bad, Date Night).

While this technique has been done for a film like “Trolls: World Tour,” which again, was fairly successful. A film with this much name power that was supposed to be in theaters has not really gotten this treatment all that much during the pandemic. I see at light at the end of the tunnel, but as of now, “The King of Staten Island” is perhaps an adult version of the “Trolls: World Tour” experiment. I honestly don’t know how this is going to go, as “Trolls: World Tour” likely had several advantages. First, that movie was going for a wider audience including children, families, etc. “The King of Staten Island” is an R rated picture. No kids allowed on this flick! Plus, since this film probably won’t be heading to a platform like Netflix, where you can watch the movie for free as long as you have a monthly subscription, it could suffer from less views because people are cheap and they’d rather watch something free than pay a rental price. “Trolls: World Tour” might as well be a product that can be put on bunches of times just to shut kids up on some occasions. It may be expensive, but the peace and quiet could be worth it. Although, Comcast’s streaming service, Peacock, which is now available for Xfinity customers, is hoping to expand its customer base starting July 15th. Maybe “The King of Staten Island” will end up on the service as soon as possible for everyone to enjoy.

Also, side note, this movie is incorrect. Pete Davidson IS NOT the king of Staten Island. The Impractical Jokers are the kings of Staten Island. That’s a fact. Prove. Me. Wrong. I dare you.

A SURPRISING SUCCESS FOR TROLLS: WORLD TOUR

Thought I was done talking about “Trolls: World Tour?” Well, I’m not! Because according to The Wall Street Journal, it turns out “Trolls: World Tour” has officially made over $100 million in a matter of just a few weeks! This ultimately means that this digital experiment Universal was trying out happened to be relatively successful so far. Again, I think part of this mainly has to do with “Trolls: World Tour” being a family movie that kids will probably be watching over and over again to the point of becoming annoying. However, it’s an interesting success story as movies like this, including “Trolls: World Tour’s” predecessor, happen to gain massive successes from big theatrical runs. I should also point out that the first film currently has made more money at the domestic box office, specifically $153.7 million. But who knows? Maybe that will be broken. Will this mean Universal does more straight-to-digital releases in the future? Honestly, I hope not. While this may have worked for a film like “Trolls: World Tour,” which I think kids were going to watch no matter what, movies in general are often built up best by word of mouth in an attempt to get people out of the house. I just hope for the love of Pete that the ninth “Fast & Furious” DOES NOT get a straight to digital treatment. As for other factors to consider, “Trolls: World Tour” is also one of the only new films to watch right now, and since we can’t leave our house, maybe that has a contributing factor to how willing we are to stay in and pay a rental price on the movie. If we were in normalcy, who knows how this would have played out? But if you ask me, EVERY MOVIE is better in a theater. Mark my words.

SPIDER-DELAY! SPIDER-DELAY! DOES WHATEVER A SPIDER-DELAY DOES!

In part 5, I’ve practically given DC Comics its own section to talk about in terms of delays. This time, I’m going to be doing this for Marvel, both on the sides of Disney and Sony. Starting off with Sony, one of their hit movies, the Academy Award-winning “Spider-Man: Into the Spider-Verse” was supposed to get a sequel released on April 8th, 2022. That’s not happening anymore as the sequel has officially been pushed back to October 7th, 2022. It is hard to know what could come of “Spider-Verse 2” from this release date. Maybe it could do what “Venom” did and be able to separate itself in a month full of horror movies, not that “Venom” didn’t have some elements of the genre. For all I know this could work, because the first film won an Oscar, a Golden Globe, a Critics’ Choice, and seven Annies. The first film by the way released in December. I feel like the Best Animated Feature category is the least important one when it comes to releasing a film at a certain time, but experience has suggested that when a film releases later in the year, it usually gets some awards buzz. “Spider-Verse 2” could not just be a big hit, but another award winner.

Speaking of “Spider-Man,” the third Tom Holland “Spider-Man” movie was delayed! This third “Spider-Man” film was supposed to be connected to the MCU and release in theaters July 16th, 2021 as part of Marvel’s fourth phase of films. However, the film now sits in the month of November, taking a spot on the fifth day of the month. I am disappointed that I have to wait for the film, but the film opens on my birthday weekend, so I’ll take the wins as they come along. This news may have ties to how filming has not really been happening, and I am willing to bet that the delay for Sony’s “Venom: Let There Be Carnage,” now coming out on June 25th, 2021, plays a bit into this. After all, that too is technically a “Spider-Man” property. Having these two movies very close to each other could potentially be weird. Speaking of Marvel…

THOUGHT SPIDEY WAS ALONE? THE MARVEL RELEASE CHANGES SHALL ASSEMBLE!

One of the most complex questions right now in regards to the pandemic is the wonder of what is going to happen to the Marvel Cinematic Universe. It was not that long ago that “Black Widow” was delayed from this May to November, taking “Eternals'” spot on the release calendar. This resulted in pushback upon pushback upon pushback. Guess what? “Spider-Man” is not the only Marvel character affected this week. “Doctor Strange in the Multiverse of Madness,” which was supposed to release the same weekend as “Spider-Man 3,” is now getting pushed back to March 25th, 2022. Interestingly however, “Thor: Love and Thunder,” which was supposed to come out February 18th, 2022 as of recent times, is getting bumped up a week and is now coming out February 11th, 2022. Why is that? I don’t know for sure, but maybe to get couples to go see it on Valentine’s Day. With a title like “Love and Thunder,” that’s probably the reason. And now, for everything else!

THE DELAYS NEVER END!

Going back to Sony, one of the interesting projects that they have held onto for some time is a movie based on the popular video game franchise “Uncharted,” which, appropriately, is a Playstation exclusive. Even though Tom Holland’s “Spider-Man 3” is getting pushed back to November 2021, “Uncharted,” which he is set star in, is getting bumped up. Finally! Some positive news about this movie! I have never played the video games, even though I have heard solid things about them, but as for the movie, it just goes to show that even in development, video game movies are cursed. However, “Uncharted,” which was supposed to release October 16th, 2021, is moving up to the summer of that year! As of now, it is taking the spot where “Spider-Man 3” once was! Hopefully, this optimistic bump means that production will be happening as soon as possible, considering how filming was shut down due to COVID-19 on day one. Who knows what’ll happen? This movie is an enigma! As for other projects under Sony’s control, “Fatherhood,” a new comedy starring Kevin Hart is being pushed back from October 23rd, 2020 to April 2nd, 2021. Speaking of Kevin Hart, another movie where he’ll appear, “Man From Toronto,” once set for a September 17th, 2021 release, is now coming out November 20th, 2021. And if you thought “Spider-Verse 2” was going to be the only affected animated title, you’re wrong. “Connected,” the upcoming film produced by Phil Lord and Christopher Miller, was delayed a month. The film, which was previously expected September 18th, 2020, will now be coming out October 23rd, 2020. “Vivo,” featuring songs from Lin-Manuel Miranda of “Hamilton” fame, was supposed to release April 26, 2021, but now is getting pushed back to June 4, 2021. Can’t believe this is a thing, “Hotel Transylvania 4!” I guess this is also known as, “Adam Sandler needs an excuse be in a movie that won’t go straight to Netflix.” By the way, “Uncut Gems” is brilliant and you should watch it if you haven’t done so already. That is even if it does try to convince an audience that the Mohegan Sun casino in Connecticut has a sportsbook. Anyway, “Hotel Transylvania 4” is yet another movie that is not going down the calendar, but up! Originally set for a December 22nd, 2021 release, the animated sequel will now take the August 6th, 2021 spot. This could be a strategic move as it could give families something to do over the summer, while not having to compete with Universal’s “Sing 2,” which is set to release the same day “Hotel Transylvania 4” was once supposed to come out.

Also getting delayed, Tom Cruise is gonna have to wait a little bit longer before he attempts to kill himself once more, or more specifically, twice more. The seventh and eighth installments to the “Mission: Impossible” franchise, which will be directed by Christopher McQuarrie, also known for helming the fifth and sixth installments in the franchise, both have previous release dates set to self-destruct. The seventh “Mission: Impossible” installment was supposed to come out July 23rd, 2021, once again standing out as a summer staple. As of now, the film is coming out November 19th, 2021, just before Thanksgiving. As for the eighth installment, once planned to release August 5th, 2022, that is now set for a release date that I am personally digging, November 4th, 2022. Why am I stoked? Because it’s my birthday. From what I could imagine however, these two movies may have quite a bit to do with each other and could probably go well together in back to back viewings. Kind of similar to putting “Avengers: Infinity War” and “Avengers: Endgame” together. There is always a chance that “Mission: Impossible 7” could suck more than anything that has sucked before, thus lowering my hype levels for the eighth installment. However, “Mission: Impossible” is a peculiar series that honestly has gotten better with each installment, so anything is possible.

NEW HOME RELEASES

I usually save this for last, but this time, my next post has more of a climactic vibe, so this is going to be my penultimate section. When it comes to digital releases, perhaps one of the most notable titles coming out this week is “The Photograph.” This debuted in theaters last February, stars LaKeith Stanfield (Sorry To Bother You, Knives Out) alongside Chelsea Peretti and features intertwining love stories. This seems appropriate, because, again, this movie came out in February. Although for Netflix, one movie that just came out is “Extraction,” starring Chris Hemsworth (Thor, Ghostbusters) as a black market mercenary. The film is not one that I plan to review, however it is also one that I am hearing solid things about. Granted, the story is nothing to write home about, but if this film were to be solely judged based on action, I’m hearing it slaps. And this honestly does not surprise me as it is written by Anthony and Joe Russo and directed by Sam Hargrave, a stunt coordinator behind “The Hunger Games: Catching Fire,” “Atomic Blonde,” and “Avengers: Endgame.” As for whether or not this is the next “John Wick” is something that you will have to decide for yourself. Also, if you have any plans to tune into Amazon, the SXSW lineup is now available, which was made in response to the cancellation of the ambitious annual event held in Austin, TX. If you have Disney+, your inner “Star Wars” nerd is going to be happy, because not only are you soon going to be getting more of “The Clone Wars,” you’re not only getting a documentary on “The Mandalorian,” but “Star Wars: The Rise of Skywalker” will be available on Disney+ starting May 4th, known by the fan community as “Star Wars Day.” From then on, the complete “Skywalker Saga” will be available on the service. Speaking of action-packed films…

TENET IS LOCKED FOR JULY 17TH

This is going to be the main topic of this entire post. For those of you who don’t know, Christopher Nolan is coming out with his latest blockbuster title, “Tenet,” which had a trailer release this past winter. At the same time, a short preview attached to IMAX screenings of “Star Wars: The Rise of Skywalker,” was shown for a limited time. This film, among all others, HAS NOT been delayed. And if you have talked to me at all recently, it is a film that is almost my most anticipated of the year. It’s just one spot under “Dune” if you are all curious. “Tenet” is a film that has literally been designed for the movie theater experience. It was shot using film stock through IMAX and 70mm cameras, it’s got a labyrinth of a concept similar to Nolan’s other films, and the cast looks promising. Some attached names include John David Washington, Robert Pattinson, Kenneth Branagh, and of course, the one and only Michael Caine. I have been worried for the longest time that this film would get gravitated from this summer, taking away yet another big movie. It’s happened with “Top Gun: Maverick,” it’s happened with “Ghostbusters: Afterlife,” it’s also happened with “Morbius.” However, “Tenet” happens to be one of the last men standing in this battle against the invisible enemy. That’s also what it will continue to be going forward, because IndieWire suggests that “Tenet” will be ready to open July 17th of THIS YEAR unless theaters are closed. Is this wishful thinking? It’s possible, but this article gives me hope, and I will state, this is not the first time I am hearing this statement. However, just to hear this be reinforced a month later, is extremely fulfilling. One of my big worries when it comes to “Tenet” is the possibility of it being a lone wolf in the movie theater, there is not much of a reason for the film to play in seemingly dead space. But at the same time, Christopher Nolan has constantly marketed “Tenet” as an event film. It’s an expensive blockbuster clearly meant for the summer. It’s got a similar vibe to Nolan’s own “Inception.” I will also point out that should quarantine end around the country starting July, Christopher Nolan can utilize a huge marketing push at the end of the game, maybe reminding people how exciting it is to go see a movie in a theater. Nolan is all about that atmosphere. Nolan is not a streaming guy. In fact, when this all started in the US, Nolan wrote an opinion article in The Washington Post where he called movie theaters “a vital part of American social life.” Before hearing what IndieWire suggests in their article, I had a rather bleak thought process as to what theaters would look like only being able to show “Tenet.” A few screens would be open, while every other one is some classic title that maybe not everybody is gonna pay $12 to see when they can they rent it on Amazon. Turns out, IndieWire sees a much more optimistic point of view. IndieWire suggests the following:

“Even if theaters start opening in June (Georgia’s aggressive early plan could permit openings in early May, but NATO has stated it prefers a nationwide, concerted rollout), few will attend without new films. Going before other big films would allow “Tenet” to play on virtually every screen in the country.”

Think about it. How many films have been delayed? From smaller titles that nobody has even heard of to the big blockbusters like those that Marvel cranks out every few months, despite their differences, they have something in common. They got delayed. A few got delayed not too far up calendar while others got kicked into another year, but nevertheless, they got delayed. “Tenet,” as the last man standing, could literally possess every auditorium in every theater, at least in the United States. This is something that during NORMAL times, I would be scared of a movie doing, but now, it makes sense and I am flat out encouraging it, because something needs to light the spark. Plus, should theaters reduce capacity for safety concerns, “Tenet” has themselves covered. They have more theaters and auditoriums that could supply everybody. If you have an AMC near you that has a bunch of standard screens, an IMAX screen, a Dolby Cinema screen all in one place, there’s a solid chance that they’ll use one or two, maybe another auditorium for standard screenings of a blockbuster. In addition, the IMAX or Dolby, depending on the deal they’ve made regarding the film, will also feature said blockbuster. If you have a decent-sized theater, for all I know, “Tenet” could take every screening possible. Can you imagine a 25 screen theater with “Tenet” on virtually every single one? It’s going to be the State of the Union Address of movies. There’s no alternate program you can resort to, it’s “Tenet” or bust! And if this were a film that could easily fit in for a streaming environment, had a small budget, or lacked some of name recognition, I’d probably say maybe this theater project is overblown and a bit beyond one’s reach. However, the film was designed for the theatrical experience, is a blockbuster, and is helmed by the man who I personally think is my favorite director of all time. For all I know, he could get another Oscar nomination for this film depending on how this year pans out.

The slogan of “Tenet” by the way, and hopefully I am not scaring anybody, is “time runs out.” Let’s just hope that time will not run out on this film and our chances of seeing it as early as possible, in as lively of an environment as possible. In a season of movies getting delayed like flights for United Airlines, “Tenet” is possibly going to be the last man standing. The fight against the invisible enemy shall continue, and we shall not stop until we can successfully get millions of butts sitting in cinema seats. Warner Bros., Christopher Nolan, the entire cast and crew of “Tenet,” to say I am rooting for you is an understatement. For all I know, if “Tenet” successfully enters theaters in July, I will be there opening night for IMAX 70mm. This virus is ruining Hollywood, and now we need to give it the Hollywood ending it absolutely deserves.

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Thanks for reading the sixth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Look, I love doing Scene Before, but if this is what I’ll be talking about for the rest of my life, it’s going to get tiresome. I will point out that I left the house for the first time all month on the 25th. There’s that. I just want to go see a movie. If movie theaters collectively do not survive this crisis, I think I might almost be done with movies. One of the reasons why I love movies is because they are experiences, and these experiences are best had in a distraction-free environment either by myself, a few other people, or even a full house. Are the tickets and food sometimes overpriced? Sure, but moviegoing is a staple of the economy and I would flat out scream up to sky if they disappeared. PLEASE… Stay home as much as you can. Do *your* part if you want a better chance of me giving my thoughts on movies for you to possibly see. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! While it may not cure the coronavirus, if you want a better use of your time than drinking bleach, check out the Scene Before Facebook page! I want to know, did I miss anything related to COVID-19 and film? What big piece of news stands out to you? Or, since it relates to this post, what do you think are the odds of “Tenet” getting delayed? At this point, it’s a competitive and strategic game of chess. Who knows at this point? Leave your thoughts down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 5

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Hey everyone, Jack Drees here! It is now time for part 5 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

Per usual, real world matters first! Because life sucks! The United Kingdom is currently in a bit of trouble as evidenced from actions taken this past Thursday. Britain has confirmed they have extended their countrywide lockdown for a total of three more weeks. This was announced by foreign secretary Dominic Raab, who is taking on responsibilities in place of Prime Minister Boris Johnson, who was previously announced to have a positive case of COVID-19. With this extension, the country’s lockdown is likely going to last until the second week of May unless things change.

For the record, a good number of people in my country, specifically the United States, often point out that the economy is likely to collapse should we keep these restrictions going for any longer. One take that I found interesting mainly because I don’t hear it all that much, is the one given by the recently mentioned Dominic Raab. He suggests the opposite and thinks if we loosen these restrictions, the economy is going to go to hell. After all, since there’s always a chance of a second outbreak, there’s always a chance of a second economic downfall.

Although here in America, people clearly want the economy opened back up, including medical expert Anthony Fauci. The well-known director of the National Institute of Allergy and Infectious Diseases was on the Snapchat show “Good Luck America,” which discusses the role young people have in spreading the virus. He explained on the show that he’s likely missing baseball season as he suggests, “I’m living in Washington, we have the world champion Washington Nationals. I want to see them play again.” He also thinks that sporting events like baseball and football could happen should there be a lack of an audience in stadiums.

President Donald J. Trump, who Fauci has been seen alongside for much of this crisis through cameras, wants the economy opened back up by May 1st, as I mentioned in part 4. As of suggesting that notion, certain states have declared the idea of opening back up on said day like Trump is opting for. One notable state is Ohio, which much like much of America, is planning to follow phases as to what exactly will open at supposed times. Restaurants may be more essential than bars, and bars may be more essential than football stadiums.

Speaking of U.S. states, one of the most talked about states in general regarding this crisis, has been New York. Governor Andrew Cuomo, whose brother is a CNN reporter who has been tested positive for COVID-19, has been a significant voice in not only trying to pull his state into the right direction, but for the rest of the country as everybody deals with this. Although another voice that New Yorkers heard last week was former presidential candidate and current New York City Mayor Bill De Blasio, who had some unfortunate news for the state. De Blasio suggested that all major gatherings for the month of May have been canceled except for certain events like farmers’ markets. So if you are expecting to attend a “Last Week Tonight” taping this May, sorry to say, you’re gonna have to continue staring at John Oliver in front of a white void.

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Well, at least he got the rat painting he’s been searching a month to find.

Fun fact, when this whole crisis initiated, I was in Florida, which may be one of the worst hit states when it comes to this mess. For the record, Florida does not have the most cases for the virus, in fact none of them hold a candle to New York. In fact, my state, Massachusetts, has more cases to my surprise! But when it comes to properly closing everything in the state, those ends have not been met. In fact, Governor Rick DeSantis just opened a crucial element to what makes Florida Florida, the beaches. I should note that not all beaches have been opened, and they are NOT open for the purposes of bringing blankets, chairs, and coolers. They are specifically open for exercise-related purposes, plus taking care of pets. Individuals are still supposed to keep their distance from others and avoid gatherings of 50 people. Many of south Florida’s beaches, such as those in Miami, continue to remain closed, but if you live in Duval County (Jacksonville), there’s a good chance that you can find an open beach near you.

The beaches managed to receive a major turnout. However, not everyone is happy, as partially evidenced by the reaction that surfaced on social media. One of the top trending topics of the past weekend is #FloridaMorons. Here’s some of the tweets that surfaced.

Just because we talk about movies here…

Also, one man wanted to drop a public service announcement…

Thank you, sir! Very informative!

Now that we are done with our continuously depressing and ridiculous reality, let’s move onto movie topics. This first part is not a main topic since it may not have as much relevance as others, but I do feel it needs to be talked about. One of the topics I discussed last week is “Parasite’s” Hulu debut. Now Hulu has been a pretty popular streaming service that has been relevant for a few years. In fact, now that Disney oversees them, they are included in a bundle package with their other streaming services including Disney+ and ESPN+. But for a streaming service overseen by a company that does not make many independent features, “Parasite” has earned an ASTOUNDING success on the service so far. The movie dropped on Hulu Wednesday April 8th, where from then on, it was not long before the film immediately became the most streamed foreign or independent feature on the service in just a week. According to IndieWire, the film is also the second most watched film on the platform of all time. This beats the likes of mega-titles such as “Transformers: The Last Knight,” “A Quiet Place,” and “How to Train Your Dragon: The Hidden World.” Given the film’s Korean background, how Hulu does not even serve Korea, plus the necessity for non-Korean viewers to read subtitles, it should come as a surprise that “Parasite” is as popular as it is on Hulu. Although keep in mind, the film has already been a critical success in the states, not only having major buzz from reviews, but tons of award wins as well, including the Academy’s Best Picture, which no international feature has received prior to “Parasite.” The film has made over $50 million at the U.S. box office, indicating success. So either everybody wanted a chance to watch the film again, or there’s a possibility that a majority of Hulu users missed out on the theater experience but now have an opportunity to watch at home.

Speaking of theater experiences and watching something at home, Lionsgate is trying to recreate the communal theater atmosphere while keeping movie watchers on their couch. One of the best parts of going to the movies sometimes is the reactions people can blurt out during a presentation. If you have seen the last two “Avengers” movies, you’d understand. Lionsgate is attempting to get people together to react to their favorite movies without hearing anybody else and with the intention of keeping viewers behind closed doors.

FRIDAY NIGHT LIONSGATE MOVIES ON YOUTUBE

Throughout the series, I have often touched upon the goings on behind some of the bigger studios. Disney and Universal have shuttered theme parks, delayed films, and have decided to put some of their films like “Artemis Fowl” and “Trolls: World Tour” straight to a digital streaming service. Paramount delayed a ton of films, but some of their classics will be airing on CBS soon. Warner Bros. has stated in the past about its optimism to release “Tenet” in theaters on time, all the while delaying big films like “Wonder Woman 1984.” But one of the major studios I have not talked about all that much yet in this series is Lionsgate. While they don’t have the franchise power that a company like Disney has, they do possess the rights to iconic properties including “The Hunger Games” and “John Wick,” which are relevant to this topic.

Recently, specifically Friday April 17th, Lionsgate teamed up with Fandango, YouTube, and NATO (National Association of Theatre Owners) to get people to watch “The Hunger Games” on YouTube for free. This is part of an event called “Lionsgate Live! A Night at the Movies.” These are movie night events hosted by Jamie Lee Curtis (Halloween, Scream Queens), will feature celebrity guests, special programming, and opportunities for fans to interact via YouTube live. While the odds of watching “The Hunger Games” on one of these Fridays will no longer be ever in your favor, there are still a few movies listed for this special occasion. These include…

  • DIRTY DANCING (APRIL 24)
  • LA LA LAND (MAY 1)
  • JOHN WICK (MAY 8)

Just a reminder, if you want to watch “John Wick” during this occasion on YouTube, there is an age restriction. For the record, “John Wick” is rated R whereas the other films listed are rated PG-13. So if you want to watch your fan favorites with OTHER PEOPLE, I never thought I’d say that ever again! go to the Movieclips YouTube channel, check to see if one of the movies is playing or will be playing, and enjoy! This event will benefit the Will Rogers Motion Picture Pioneers Foundation, a foundation dedicated to helping workers within the motion picture industry. This even includes the many theater employees affected by the COVID-19 crisis. Even companies behind food are getting in on this, which does make sense as cinemas and food go together like bread and butt–, sorry. Popcorn and butter. I don’t always agree with that statement, my apologies to all popcorn eaters who butter on their popcorn at the movies, but still, it makes sense here. So feel free to amuse yourselves over my forced statement all damn day.

Popcornopolis, which judging by the name, you can probably tell makes popcorn, will be donating 10% of its sales to the cause. Meanwhile, SnackNation, typically known for being a healthy snack delivery service for offices and homes, will be giving away a specially priced box of goodies for these movie nights. The box will include fruity candy, chips, puffs, popcorn, and more. The box is priced at $9.95 and shipping is free. So if you are tired of going to Target to get some Sour Patch Kids while also buying tons of toilet paper, give this snack box a shot, and if you don’t use it for one of these movie nights, it could always work for something else you pop on at home. “Tiger King” is pretty hip right now, why not give that a shot? If you wanted to get some grub from SnackNation for “Dirty Dancing,” there is a solid chance that you might not get it on time. But if you wanted something for “La La Land” or “John Wick,” by all means place your order!

Also in on this are major movie theater chains including AMC Theatres (Please make it through this!), Regal Entertainment Group, and Cinemark Theatres.

SAN DIEGO COMIC-CON CANCELLED FOR FIRST TIME EVER

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Alright, my fellow nerds. Buckle up. This is possibly the most dissatisfying news any comic convention fanatic will ever hear. San Diego Comic-Con, known for pioneering the comic con name and blueprint has officially been cancelled for the first time ever. The event started out small and has grown ever since. It has achieved fame for its success at bringing together communities of nerds of all kinds from comic book collectors, sci-fi fanatics, movie buffs, fantasy lovers, and TV junkies. It’s even gotten so big that “Conan” on TBS has done shows in San Diego as the con goes on! It’s an event so lively that even if you don’t get to go, you are guaranteed to hear something from it that is extravagant in the nerd world, mainly because there is heavy self-promotion going on in the sacred “Hall H,” where celebrities talk to fans, crews behind projects promote trailers, and the effort to get in is just as hard as it is to get through waiting at the DMV. Sadly, this year, there won’t be any of that. Last year, SDCC brought some great news to the nerd sphere, especially within Marvel, because that is where they laid the groundwork for phase 4, advertising plans for each theatrical movie set to release, and even the shows they’re planning to drop onto Disney+. Unfortunately, this news is already outdated as we won’t be seeing one of those projects, specifically “Black Widow,” this May and instead wait until November, which is when “Eternals” was originally supposed to release.

Who knows what could have happened this year? Would we finally get another trailer to “Godzilla vs. Kong?” Would we get a look at footage for James Gunn’s “The Suicide Squad?” Maybe we’d get word that Warner Bros. will release the Snyder Cut the same day that Universal plans on releasing the Butthole Cut for “Cats.” Who knows?

Not to get selfish here, but I go to a couple cons every year, and I don’t know if I’ll even get to go to one based on this information. San Diego Comic-Con is such a powerful name in this industry. So powerful in fact that they even felt it was necessary to call out another con for using their name, even when this has been a thing that has been done for years to the point where it has become commonplace. It’s a comic convention where people get together to be happy, not an international format of “Who Wants To Be a Millionaire!” But with the first sentence of this paragraph in mind, with a name San-Diego cancelling, I have a feeling that others may eventually follow in the con’s footsteps because of name power. For all I know, that could be different because every area of this Earth is dealing with COVID-19 in its own way, but I figured that the U.S., or at least most of it, would be done with this virus in a couple months that way we can gain a sense of normalcy. But who knows at this point?

By the way, I could go for a massive bucket of overpriced movie theater popcorn right now.

MOVIES THEATERS ON REOPENING

AMC Shore 8 - Huntington, New York 11743 - AMC Theatres

Remember how in part 3 I was talking about the possibility of AMC falling into its grave? Well, turns out they have a plan! To specify, a $500 million plan. Has a nice ring to it. Keep in mind, AMC has MASSIVE debts, so while $500 million does not cover everything, it’s likely to help during this time. Wall Street has officially parsed AMC, giving them the thumbs up. This will give AMC some time to prevent themselves from heading into dreaded Chapter 11 bankruptcy territory. Stock-wise, AMC is now at $3.20, up 31% reaching their highest level in a couple of weeks. Similarly, Cinemark, a nationwide chain whose subsidiaries include Rave Cinemas and Century Theatres, is also up. While not as high as the 31% for AMC, it bounced up 16% to achieve $13.48 per share.

Speaking of AMC and Cinemark, movie theater operators such as these have planned for a hopeful summer reboot. After all, the kids are out of school, you can only go to the beach so many times before getting sunburned all over, so the cinema is a great outing. Cinemark themselves stated that they are planning for an opening on July 1st, suggesting that they plan on spending June rehiring employees and will screen some classic films during the summer. How classic? I don’t know. Could be black and white, color, old, new, across the board. But I would kill to see “Endgame” in a theater again. I would love to take someone who hasn’t seen the movie just to see how’d they react to it in a theatrical environment, because that movie, plus the Jackoff-winning Best Picture “Infinity War” were literally built for audiences to come together. And while it is disappointing for a film like “Black Widow” to not come out until November instead of May, I would much prefer that, when I can likely see it with a crowd, then curling up in my room watching it as it goes straight to streaming. In fact, I still have no plans to get Disney+. HBO Max might be on my radar though (I’ll get back to that).

While I did talk about reality before, I should bring it up again. The Governor of Georgia, otherwise known as Brian Kemp, has recently announced that he gave the green light to businesses to reopen their doors beginning April 27th. Regardless of whether or not this is stupid, which I personally think it is, movie theater chains will likely need longer than a week to rehire and retrain people before opening doors again, as insiders suggest. As for local theaters, I don’t know what the case will be, but chains are likely to follow a structured process. Maybe they will open all their theaters at once, maybe vary state by state, do a few at a time, but who knows?

THESE DELAY STORIES ARE GETTING TIRESOME!

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So… “Black Widow” has been delayed. “Eternals” has been delayed. “The New Mutants” has been delayed. “Top Gun: Maverick” has been delayed. “Infinite” has been delayed. “A Quiet Place Part II” has been delayed. Now the Caped Crusader has something he’d like to say to all of those movies.

That’s right guys! Unfortunately, Matt Reeves’ upcoming “The Batman,” starring Robert Pattinson (Twilight, The Lighthouse), has been pushed back from it’s original release date, June 25th, 2021, and will now hit theaters October 1st, 2021. If you had to ask me, here’s my response.

If you ask me, “The Batman” is a film that I am definitely looking forward to, and I am disappointed by the announcement. Despite the flack Pattinson sometimes gets for his past roles, most notably “Twilight,” he has generated an excellent acting method over the past number of years. Plus, it’s f*cking Batman, how could I not get excited over a movie with Batman in it?

Well, okay, maybe not all of them are that exciting. By the way, f*ck the convenient Bat Credit Card.

Although I will state, as disappointed as I am, it could still be worse. After all, movies like “Top Gun: Maverick,” which I’ve previously talked about had trailers and a marketing campaign all set up. “Batman” hasn’t even finished filming yet. In fact, production shut down earlier this year due to the virus. While I am underwhelmed and dissatisfied with the news, I cannot say I’m scarred for life. Although not having a “Batman” movie during summer blockbuster season does feel a little weird. Maybe this is a case, much like “Joker” where the delay to October can be favorable for “The Batman” as there COULD be an effort to get some awards buzz for the movie. There could be a possibility that “The Batman” is also intentionally made for mature audiences, perhaps the MPAA will give it an R rating, making the Dark Knight the DARKEST Knight. Even so, this is NOT the delay we deserve. NOR is it the one eager movie and comic book fans need right now.

“The Batman” is being put out by Warnermedia, which should not be surprising as DC Comics and Warner Bros. go together like peanut butter and jelly. Speaking of Warnermedia delays, a movie set in the universe of HBO’s hit series “The Sopranos,” originally set to release September 25th, 2020, is now coming out March 12th, 2021. The film is a prequel to the recently mentioned title and is currently going by the name of “The Many Saints of Newark.”

Also in DC Comics movie news, a couple more titles have been moved around. “Shazam 2,” which was supposed to release April 1st, 2022, is being pushed back seven months to a new November 4th release. I have no problem with this, because that just means I have probably already figured out what I might want to do on my 23rd birthday about 2.5 years before it even arrives.

Alright, kids. Buckle up. This movie deserves its own paragraph, because while I am busy bitching about all of these movies that have been pushed back like a skinny dude in a wrestling match, there’s one movie that has believe it or not, been pushed FORWARD. I’m talking about another DC movie, “The Flash!” The film was supposed to release July 1st, 2022 but has recently been pushed forward to its new June 2nd release date, also in 2022. I have NO IDEA if this movie will be out by this time, and to be honest, it’s almost wishful thinking. This film was supposed to come out in 2018 as the DCEU’s sixth installment. Phil Lord and Christopher Miller, famous for movies including “21 Jump Street” and TV shows including “The Last Man on Earth” were supposed to get the ground running. They sent a treatment, but they couldn’t direct the film because they were busy. Seth-Grahame Smith was hired to direct, but he dropped out in 2016 due to creative differences. Then, Rick Famuyiwa said he was directing as of June 2016, and production was going to start in January 2017. But by the looks of things, that did not seem to last, as Screen Junkies reported that Robert Zemeckis was on a shortlist of directors to take on “The Flash.” Also on the shortlist, Sam Raimi and Matthew Vaughn, two famous directors within the comic movie realm. This comes three months after a Variety report that Joby Harold (Edge of Tomorrow, Underground) was going to rewrite the script. FLASH (see what I did there?) forward to June 2017, look who’s back! Lord and Miller, that’s who! While things did not seem to go far, the Wrap reported that the dynamic duo were in talks to direct the film again. Then in February 2018, another duo popped up, this time it was John Francis Daley and Jonathan Goldstein. These two managed to create one of the best comedies of the past five years, “Game Night,” and they also acquired comic book movie experience through writing the Disney/Sony collaboration, “Spider-Man: Homecoming.” Then came July 2019, where the duo announced their departure from the project! As of now, the project is expected to be helmed by Andy Muschietti (It, Mama) and Christina Hodson (Birds of Prey, Bumblebee). Also joining the project as a producer is Barbara Muschietti, Andy’s sister. As for Ezra Miller, who plays The Flash in the DCEU, who knows what’ll happen to him after the recent controversial video of him released where he chokes a woman? This project is going GREAT so far!

Holy crap, that was a mouthful. You think “The New Mutants” is having trouble? At least that movie got f*cking shot! “The Flash” has not even reached “production” level! It’s insanity! I remain hopeful that this film comes out in June 2022, but this is one of those cases of where I’ll believe this movie when I see it.

Warnermedia has also delayed two movies to November 2021. One of which was the movie Tom Hanks was shooting in Australia when tested positive for COVID-19, an untitled Elvis film. The film was originally supposed to come out October of next year. However, one film got the “F9” treatment where it won’t even see the light of day this year. It was once set to come out this November, but that will not be happening.

Moving away from Warnermedia, let’s talk about Sony. Recently I discussed that the studio pretty much abandoned the summer of 2020, pushing back films including “Ghostbusters: Afterlife” and “Morbius.” But it just so appears that they have delayed one of their Fall projects as well, specifically “Venom 2,” which is now titled “Venom: Let There Be Carnage.” Based on the title, the film is likely to have the comic book villain Carnage as the main antagonist, information that has been teased since the first movie. I’ll be blunt here, I am not looking forward to “Venom 2.” This is a delay that I am not personally offended by. I will say, I do feel bad for the people behind the film, because the first one came out in an October as well and grossed over $800 million. Then again, that piece of crap people like to call “Venom” grossed over $800 million even though it is most likely the worst movie that I have seen which is related to “Spider-Man.” This sequel has one thing giving me mixed thoughts, and that is the director. I feel like the vision for the first “Venom” is entirely corporate and lacks soul. I still wonder why people even clapped at the end of the movie. Even though Ruben Fleischer did some decent stuff in the past, like “Zombieland,” this was an idea that felt rushed and underwhelming. And honestly, they should have gone for the R rating. But this time, it is being directed by Andy Serkis, who definitely has a knack for visual effects, both in terms of acting and behind the scenes. However, I’ve heard “Mowgli: Legend of the Jungle” was not the best work in the world. It has a 53% on Rotten Tomatoes, indicating that a majority of critics liked it, but it’s also not the finest number of all time. I like Andy Serkis, but I have vivid memories of the first “Venom” and they’re not pretty. I still have a bad taste in my mouth. The “Venom” sequel hits theaters June 25, 2021, which was “The Batman’s” former release date, as opposed to when “Venom: Let There Be Carnage” was supposed to hit theaters, October 2nd, 2020.

HBO MAX LAUNCH DATE ANNOUNCED

Now I love physical media, and I will likely continue to buy it even in a time where I cannot leave my house. It is by far the best way to watch a movie. Although if I were to invest in a streaming service anytime soon, one of my options is likely going to be HBO Max, which, yes, it will have HBO content. This service will be launching May 27th, as announced in a trailer down below.

Doesn’t HBO have a couple fancy streaming services already? Sure, but this is one may be worth your time. Aside from including bunches of HBO content including “Game of Thrones,” “Westworld,” and “The Sopranos,” they will also be shipping in content from alternate channels such as TBS, TNT, Cartoon Network, and truTV, all of which are owned by Warnermedia. So this means in addition to all of the HBO programming available at launch, viewers will have access to content including “Conan,” “Impractical Jokers,” “Rick and Morty,” and “Miracle Workers.” Also available for TV are all the seasons of “Friends” and “The Big Bang Theory,” two of the longest running situation comedies of all-time. Another really long series that you can invest some time in is “South Park,” the long-running animated series that caters to an adult demographic. That series in particular will join the service this June. They’re even using content from a streaming service that I don’t know how many of you knew existed, DC Universe. From this, it can be confirmed that one of the starters for this service is “Doom Patrol,” based on a previously established superhero team. One show I am still wondering about is DC’s “Harley Quinn,” which recently dropped season 2 on DC Universe, but who knows what’ll happen in regards to coming to HBO Max? But don’t worry, there’s movies too! Some of the upcoming titles are “2001: A Space Odyssey,” “A Star is Born,” “The Dark Knight,” “Joker,” “The Matrix,” “Pokemon: Detective Pikachu,” the DCEU movies, and the Studio Ghibli library. The service is likely to serve around 10,000 hours of content at launch, which is more than Disney+ and Comcast’s Peacock, which is now available for Xfinity customers, but will be available for everybody else starting July 15th.

The downside however, is the price. At $14.99/month, which is more than what one would pay for Hulu, which has significantly more content, it is not the cheapest service out there. However, HBO has been known for their premium programming, therefore it is no surprise that a premium price would be placed for HBO Max. But if you are a Charter customer, it is free as long as you are currently paying for HBO. Certain AT&T customers, specifically those paying premium prices for AT&T’s services, will also be given HBO Max for free. Nevertheless, even though I don’t stream much, I think I would get some use out of HBO Max if I were to buy a subscription. Warner Bros. is my favorite movie studio, HBO is a notable channel with a lot of content known for quality, and TBS, plus truTV, have done some originals I like, plus some that I have missed out on that I want to check out like “Wrecked.” I just hope that said originals make it to the service in the first place.

Speaking of originals, there is some original content coming to HBO Max. Season 3 of “Search Party,” which originally aired on TBS, will debut on the service. Anna Kendrick will be starring in a new comedy, “Love Life,” which comes from Lionsgate Television. But if you have kids, there will also be content related to “Sesame Street” and “Looney Tunes.” HBO Max was going to have a “Friends” reunion at launch, but it has been delayed due to COVID-19 complications. Sorry, they will not be there for you.

Going back to my original point, HBO Max launches May 27th on smart devices, so if you cut the cord but miss many of the cable-based shows, or you just want some acclaimed TV and movies to watch, HBO Max may get your seal of approval.

HOME VIDEO RELEASES

Going back to my comment on physical media, it is fun to collect, but not everyone does it anymore. In fact, it’s getting hard to do in these times now that places like the mall have basically shut their doors down. Walmart’s still open, so there’s that. And if you do want to know what new releases are on DVD and Blu-ray, some notable titles include “Bad Boys For Life,” “Ip Man 4: The Finale,” “The Gentlemen,” and “Like a Boss,” which already released on digital, but needed some time to come out on physical formats. Out of these films, the only one I’ve seen is “The Gentlemen,” which honestly underwhelmed me. Hopefully that won’t be the same case should some of you give it a shot.

As for digital media, there is not much new content to pick from. However, “Wendy,” a movie that takes place on an island and follows a young girl in world that is increasingly facing destruction, has just dropped on services as of April 17th. So if you are expecting me to talk about any blockbuster titles dropping, think again.

Thanks for reading the fifth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” This was a long one to make, so I’ll try to wrap things up quick. If you’re wondering where my reviews are, I want to make them, but the apocalypse is currently my priority. Plus, “My Spy” hasn’t dropped on Prime yet, so there’s that. But should things still be hectic next week, which they most likely will, there’s a good chance you’ll see a part 6 to this series. Because life sucks! I have not left my house for *anything,* even a walk, for almost a month now. How did the country, no, the WORLD even get here?! Be sure to follow Scene Before either with an email or WordPress account so you can tuned for more great content! Speaking of great content, why not check out my Facebook page? Give it a like and keep up with the latest info through Mark Zuckerberg’s wonderland! I want to know, did I miss anything for this past week? What are some your big points as of late regarding film and COVID-19? It could even be something I already mentioned! Or, what are you looking forward to seeing on HBO Max? Is there something you want to see that has not been fully announced? If they drop TBS’s “King of the Nerds” on the service, I’m sucking all my money into it. Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 4

Hey everyone, Jack Drees here! It is now time for part 4 of the all new Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As usual, we deal with real world matters first. Since Easter was this past weekend, gatherings at churches and homes within one’s collective connections of a family that was commonplace in years past managed to take a backseat this year.

California has recently extended its stay at home order from April 19th to May 15th. Speaking of California, the state recently joined forces with other nearby states including Oregon and Washington in what they call the Western States Pact. The three announced a plan to put health first and deliver a more scientific-based focus compared to a political focus to stopping the coronavirus. The states are still building specific plans for their area, but they are nevertheless working together to stop the spread.

Speaking of which, the northeast portion of the United States is engaging in something similar. Massachusetts, Rhode Island, Connecticut, New York, New Jersey, Delaware, and Pennsylvania are joining forces in their own coalition. So, remember all those requests for Andrew Cuomo to run for President of the United States? That won’t be happening anytime soon, but when it comes to coronavirus matters, he is currently dealing with more than just New York. Speaking of Presidents of the United States…

President Donald J. Trump stated this Monday that he is the one that should have control on opening the country back up. He suggests, “When somebody is president of the United States, the authority is total.” Trump also stated he wants to open the United States back up by May 1st, which close medical expert Anthony Fauci declares is “a bit overly optimistic.”

Just today, Andrew Cuomo referred to Trump this morning on NBC’s “Today,” suggesting “We do not have a king, we have a president.” Cuomo is doing what he can to make sure that the state of New York opens back up at what he considers to be the right time for everyone’s health. While Trump is suggesting May 1st, Cuomo fears that this all-powerful decision made by Trump will lead to “a constitutional crisis like you haven’t seen in decades,” as he stated in MSNBC’s “Morning Joe.” Speaking of Andrew Cuomo, and somewhat transitioning to movie news a bit early here, he suggested the possibility of making drive-in theaters an exception to non-essential businesses that remain closed. Keep in mind, drive-ins have still been in operation during the ongoing crisis, but it does not mean that there are some that are not in operation, plus there are others that are just closed because it’s not the proper season for a drive-in to be open. Cuomo suggested, “Where is the public safety issue? It’s a drive-in theater. You’re in the car with the same people.” He is not wrong. Drive-ins make for a fun night out while also promoting social distancing. I would not mind drive-ins opening up, but the problem is… What movies are they going to play? Are just going to play “Trolls: World Tour” over and over? Maybe they’ll bring back some classics since there’s nothing else to do.

Going outside the United States, specifically in Wuhan, China, where early cases of the virus originated, the city opened back up after a lively lightshow and countdown declaring the disappearance of COVID-19. Despite the reopening, restrictions still appear to be in place including the closure of schools, shops, and sadly, cinemas. But one thing that has opened is the region’s wet markets. Outsiders are suggesting immediate closure of said wet markets as it serves live animals, including bats, which sources suggest is the reason why COVID-19 spread in the first place.

But of course, we have some movie news to talk about like usual. More delays, more new releases on DVD, Blu-ray, and digital, and some big news involving acclaimed filmmaker Bong Joon Ho (don’t worry, that part is all good news). Also, there’s a big movie that tried something new this weekend, going straight to digital while also having a theatrical release. Before we dive into that, I do want to point out that despite there being a major pandemic, some movie theaters are still open. Keep in mind, many of these theaters are drive-ins. This is now old news, but according to Deadline, 14 movie theaters remained open on the first weekend of April. I also want to point out another article I saw from The Wrap, which suggests that “Trolls: World Tour” played in 21 drive-in theaters this weekend. Even in desperate times, theaters are still active. Speaking of optimistic news, here’s more!

JAMES GUNN SAYS GUARDIANS 3 AND THE SUICIDE SQUAD WON’T BE DELAYED

Usually when I dive into these main topics during the series, I have often emphasized the bad news at hand. A common example is when a major film gets delayed such as “F9,” “Ghostbusters: Afterlife,” or “Top Gun: Maverick.” However, it’s about time we get some good news in here and talk about a couple of films that are not being affected by the outbreak, both of which are being directed by James Gunn. To specify, “Guardians of the Galaxy Vol. 3,” which is a big movie, especially since it’s the third consecutive entry to the franchise being helmed by Gunn himself, but also “The Suicide Squad,” which has finished filming in February and is set to release August 6th, 2021. Gunn spent time on Twitter recently taking questions from fans and he had some notable things to say regarding these two films.

Alright, this resembles some decent progress on the film, and it shows that even in a time like this, people like Gunn in the entertainment industry are still working. But let’s see the next tweet.

Keep in mind, “The Suicide Squad” is not set to come out for a bit under a year and half, so there is plenty of time to edit the film, develop a marketing campaign, and lay out all the elements needed for the film’s post-production process. So the film is coming, and should this pandemic fizzle, there is a solid chance that “The Suicide Squad” will be in theaters during 2021. Now what about that other big comic book James Gunn has up his sleeve?

“Guardians of the Galaxy Vol. 3” is not currently listed in the Marvel Cinematic Universe’s fourth phase, but there have been previously established plans to make the film. Unfortunately, the film was supposed to come out this year, but due to James Gunn’s controversial tweets leaking, his business relationship with Disney was no more and he was no longer attached to direct the third installment to the franchise. Judging by this tweet right here, Gunn still seems to be working on the film, but an official release date seems rather uncertain at this point. IMDb lists it to come out in 2021, but given how Marvel has many other projects going on, “Guardians of the Galaxy Vol. 3” might have to wait. But “Guardians of the Galaxy Vol. 3” is nevertheless a film that I will see should I get the chance to witness it come out, so this information pleases me to say the least. I was not the biggest fan of “Vol. 2,” but I am curious to see what Gunn could deliver to this third installment.

MORE MOVIES GET DELAYED

But of course, with good news, comes bad news. In this case, the bad news is that yet another delay is happening. As if Pixar didn’t suffer enough already by having to put “Onward” on digital early, they just pushed back “Soul” to November. Nobody behind Pixar seems to be popping bottles at this point. “Soul” was originally supposed to come out June 19th, but now has been pushed back to November 20th. By the way, this is releasing the same day as “Godzilla vs. Kong.” I honestly have no idea how well that movie is going to do box-office wise, but given Pixar’s name recognition and since there already has been some anticipation towards this film, there could be a chance that “Soul” is the box office champ of the two when it comes to seeing how they play out on opening weekend. The film is directed by Pete Docter, who also directed 2015’s “Inside Out,” which this film honestly reminds me of. Kemp Powers will co-direct by the way. While conceptually different, “Soul” seems to present the vibe of “Inside Out,” not to mention a somewhat similar concept. The film follows a musician (Jamie Foxx) who loses his passion for music. After being transported out of his body, he interacts with an infant soul while trying to return to said body. The film definitely sounds like it could be emotional, which would not be much of a shocker for a film by Pixar. But now here’s a problem for not just this film, but a bunch of others coming out this year. I don’t know if it is just me, but it now feels like November is CRAMMED with popular titles. From “Soul” to “No Time to Die” to “Black Widow.” While I could look at this as a benefit because it likely means this November will be a pop culture haven, it’s also a negative because I imagine some films that could potentially be big will underperform because they are in such a congested schedule. Or to make matters more interesting, November is also a big month for award season, and now there is probably a bigger focus on pop culture titles that might not be awarded much of anything as opposed to what could be nominated for the Academy’s Best Picture in a couple months.

Also, remember how “The SpongeBob Movie: Sponge on the Run” got delayed to late July? Paramount’s “Infinite,” an upcoming sci-fi flick starring Mark Wahlberg (Transformers: Age of Extinction, Ted), which was originally come out July 31st, has officially been pushed back to Memorial Day weekend in 2021. The film follows a man whose hallucinations are visions of his past lives. I would like to go into some of my past lives at this point just to get away from whatever the hell is going on right now. Think I was done talking about “SpongeBob?” Well I’m not! I say so because the film has been delayed again, but this time only by a week. As of now, “The SpongeBob Movie: Sponge on the Run” is coming out August 7th.

TROLLS: WORLD TOUR DEBUTS DIGITALLY

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I’ve talked about this news already, but given how this does document a rare incident, I might as well talk about it. Certain movies like “The Irishman” have a limited run in theaters before being put on Netflix, but for “Trolls: World Tour,” the sequel to DreamWorks’ successful 2016 flick, that’s a different story. You won’t be able to find it on Netflix, but you will be able to find it through services including Prime Video, FandangoNOW, and Vudu. The reason, Universal wanted to put “Trolls: World Tour” out on digital the same day they put it out in theaters. This is kind of an unprecedented situation as movies typically start in theaters and there is a waiting period until the movie comes out on digital and DVD. But nope, Universal thought it would be better to just digitally release the film. I have not seen the film, in fact, I have no plans on seeing the film given how I have not watched the original, but others did manage to show up for this new installment. The movie managed to make more through its digital run than “Jurassic World: Fallen Kingdom” did when it debuted digitally. “Trolls: World Tour” managed to make around $30 million according to reports. This is compared to “Fallen Kingdom,” which managed to rack up $2-3 million. Keep in mind, these reports are exclusive to the United States. Also, another thing to keep in mind, that even though many of the purchases were through digital platforms, theaters were open during the initial days of “Trolls: World Tour,” many of which are drive-ins, so it is not like everybody had to be stuck in their house to watch it. Also, while $30 million may be considered successful in this circumstance, the movie cost $90 million to make, so there could be a chance that Universal will lose money over this. Even though a $19.99 rental for 48 hours can cost more than a single movie ticket, the target demographic for “Trolls: World Tour” is families, especially kids. You can take a family of four to the theater and pay double that price to see the movie, maybe even more. It’s also short of what the first movie raked in on its opening weekend back in 2016, which was over $46 million. If this sequel was in theaters, it probably could have surpassed that due to factors such as name recognition. My biggest wonder for “Trolls: World Tour” is how well it will do over these next few days, not to mention next weekend. I say that because, sure, the movie can have excellent debut to rave about. But if we are treating this as the closest thing to a theatrical release we can get, we have to consider how much of a drop it could make this following weekend. Will it make $15 million? $12 million? $10 million? Could it possibly make more this weekend than it did last weekend? Only time will tell. This straight to digital rollout is an experiment if there ever was one, and its chances towards success have recently shown that maybe theaters COULD have been much better for “Trolls: World Tour,” but this is a new way of doing things, and if we are still in this crisis, things could change.

MY SPY GOES STRAIGHT TO PRIME VIDEO

For those of you who don’t know, “My Spy,” the film where Dave Bautista goes undercover and makes a connection with a nine-year old girl, is a movie that has been promoted from time to time by STX here in the states has already released theatrically in select regions including Canada, Australia, New Zealand, Hong Kong, and the United Kingdom. But for the United States, it’s a different story. The film has already had free screenings before it was supposed to come out, one of which I went to in January by the way. But the film has had a rough history when it comes to getting a proper release. “My Spy” was supposed to release on August 23rd, 2019. The film had a trailer put out a year ago, so the promotion and marketing process was getting into gear. However, it was pulled from STX’s release schedule in July. The next release date that was announced for the film was March 13th, 2020. And of course, to get the ball rolling on word of mouth and that sort of thing, free screenings started popping up and I got to attend one of them. But, just in the snap of a finger, the release date changed from March 13th to April 17th. I would imagine that the COVID-19 crisis could be a contributing factor, but I also wonder if STX thought if it would be a better time for the film to release in terms of financial gain compared to competition. Nevertheless, it was just announced on April 8th that the film is now going to be distributed by Amazon Studios and instead of going to theaters, it is going directly to Prime Video. So if you are a Prime member, you are likely going to be able to watch “My Spy” for free on the service.

CBS SCHEDULES SUNDAY MOVIE NIGHTS

CBS is a leading name for television. Their standard channels air daytime staples like “The Price Is Right” and “The Young and the Restless” along with notable shows at night such as “Young Sheldon,” “MacGyver,” and “Mom.” Meanwhile, they have been building a name for themselves through streaming by providing material such as a couple of “Star Trek” original shows and a spinoff of “The Good Wife” known as “The Good Fight” through CBS All Access. But if you get access to the main CBS channel, which I’m sure a lot of you do, one thing you might want to keep an eye on is their schedule for May. Every Sunday, CBS is going to air movies under the Paramount label. This will begin with a movie that is very likely to garner attention, “Raiders of the Lost Ark.” In addition to that “Indiana Jones” film, the network is also airing “The Last Crusade.” Oddly enough, they are skipping over “Temple of Doom.” Other movies to be aired by CBS will include “Titanic,” “Forrest Gump,” and “Mission: Impossible.” This run will last for five Sundays from May 3rd to May 31st. By the way, all the movies are scheduled to begin at 8PM, except for “Titanic,” which will start at 7PM. Earlier on in the series, I discussed that ESPN was going to air movies on Friday nights, said movies are all Disney-owned and focus on sports. One thing that I think would help CBS in a case like this compared to ESPN just a little bit is its accessibility. CBS is a slightly more recognizable channel and unlike ESPN, you can get it on an antenna.

HULU ACHIEVES BEST PICTURE WINNER PARASITE

One of my favorite films of the past year is the Bong Joon Ho-directed masterpiece, “Parasite.” Lucky for me, I own the Blu-ray, therefore I have the ability to watch the film as much as I please through a physical disc. But if you have Hulu, you can consider yourself lucky because “Parasite” is now available on the service. For the record, the film is not the first of its kind to be on Hulu. To be clear, the film was distributed in the States by Neon, which also helped distribute titles including “I, Tonya,” “The Beach Bum,” and “Honeyland.” Films like these have also made it to Hulu. So if you wanted to watch “Parasite” without paying much, just make sure you have a Hulu subscription and you’re good to go. And remember, it won the Academy’s vote for Best Picture, so every film aficionado will tell you that it is bloody important. If you are a little skeptical on watching “Parasite” because it is in Korean, let me just remind you of this quote given by director Bong Joon Ho himself.

“Once you overcome the one-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.”

Speaking of Bong Joon Ho, his 2013 work “Snowpiercer,” which is being adapted into a series set to air on TNT, is coming out for the first time in the United Kingdom on DVD and Blu-ray. The film is set to release on May 25th. It’s one heck of a time to be Bong Joon Ho.

NEW HOME VIDEO RELEASES

Stuck at home? Jack’s here to help! This week for digital has got a few new movies coming your way. For starters, we have “Underwater,” one of the last films to display the 20th Century Fox label. For the record, Disney did complete their acquisition of Fox’s assets during March 2019, but for a little under a year, they kept putting out films like “Ford v Ferrari” that had the studio label that has achieved fame. Although, with the recent release of “The Call of the Wild,” they are now using 20th Century Studios instead. Sticking with “Underwater,” the film stars Kristen Stewart alongside a crew of researchers as their underwater facility is hit with an earthquake. The film is a box office bomb, making $37.2 million on a $50 million budget. It has a 47% critic rating on Rotten Tomatoes and a 60% audience rating, so it’s hard to know what exactly you’ll think of it upon first glance. The film is also now available on DVD and Blu-ray if you prefer the physical copy.

“Fantasy Island,” which is based on a TV show of the same name, is now available for digital purchase. If you want to wait for a rental option, that is coming May 12th, the same day the film comes out on DVD and Blu-ray. Keep in mind, the film has a 4.6 on IMDb, which might not be the best of signs.

Also coming out, “The Rhythm Section.” This action flick stars Blake Lively and Jude Law, and is about a woman whose family dies in a plane crash. This woman joins the world of espionage as she seeks vengeance. The film is not out on DVD and Blu-ray until April 28th, but it is available for digital purchase today.

Thanks for reading the fourth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Even in the apocalypse, there is one thing I can promise, and that my friends, is content. Maybe not the content that I want to make, but content nevertheless. Last week I said that I’d probably get shoved into an abyss by STX executives if I talk about “My Spy” at this point. So with that in mind, now that it is owned by Amazon and has no official release date, I will probably be shoved into an abyss by Amazon executives, or maybe even Jeff Bezos himself, if I talk about “My Spy” at this point. So what is happening with the movie is clear, but when I will review it, is unclear. Only time will tell. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, is there any big news I missed regarding COVID-19 and entertainment over the past week? Also, since it is appropriate, what are your thoughts on “Parasite?” Personally, I think it is one of the most twisted movies I have seen in recent memory and it is a blast from start to finish. Let me know down below! Scene Before is your click to the flicks!

Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn (2020): No Joke, Fun (But Forgettable) Time

*WARNING: This review contains TITLES.*

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“Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn,” AKA “Birds of Prey,” AKA “Harley Quinn: Birds of Prey,” AKA “Whatever F*cking Title You Desire,” is directed by Cathy Yan (Dead Pigs, According to My Mother). This film stars Margot Robbie (The Wolf of Wall Street, Once Upon a Time in Hollywood), Mary Elizabeth Winstead (Scott Pilgrim vs. the World, 10 Cloverfield Lane), Jurnee Smollett-Bell (The Great Debaters, Gridiron Gang), Rosie Perez (The Road to El Dorado, Fearless), Christopher Messina (Argo, The Mindy Project), Ella Jay Basco (Grey’s Anatomy, Veep), Ali Wong (American Housewife, Are You There, Chelsea?), and Ewan McGregor (Star Wars Episode I: The Phantom Menace, Stay). This film revolves around the character of Harley Quinn, who was originally, as far as the Detective Comics Extended Universe goes, introduced in 2016’s “Suicide Squad.” Quinn and The Joker (also introduced in “Suicide Squad”) broke up, and the film follows Harley’s adventures as she finds herself adapting to a new lifestyle while simultaneously developing reasons to become’s Gotham’s most hated citizen. Oh yeah, apparently there’s a team-up too, like it really matters. Because, you know, Harley Quinn is popular.

Let me take you back to 2016. The election was in full swing, female Ghostbusters were a fad, “Star Wars” was back, and Marvel was SO much better than DC at the time! Remember “Captain America: Civil War?” So kick-ass. While I liked “Suicide Squad” in the theater, it is one of those movies that I watched one time, liked, but disliked when I watched it again. People often talk about movies that they like better the second time, maybe because there is a new perspective that opens up in their mind as they watch it. Well guess what? I got a f*cking new perspective when I watched “Suicide Squad” for the second time, and it is the perspective that it was an utter waste of brain cells.

But, if there is one thing about “Suicide Squad” that I would point out to be a highlight during not just the first, but also the massively unfortunate second time of watching it, I’d say it would be Margot Robbie’s portrayal of Harley Quinn. In this current DCEU, it’s up there to me with Zachary Levi’s Shazam and Gal Gadot’s Wonder Woman as one of my favorite portrayals of the characters this universe brings to the table. But I think part of that is because of how eccentric the character really is. She’s charismatic, goofy, and knows how to have fun. And that is a trait is easily carried over into the realm of “Birds of Prey.” Harley’s got a swagger to her, and seeing Margot Robbie’s live-action portrayal makes me want to avoid seeing anyone else take on this role in this format, at least for awhile.

But that’s also the problem with this movie, because the marketing is horrible. And usually I wouldn’t expect to use the marketing to hammer in something towards my final verdict, but in this case, I kind of have to. You ever hear people suggest that you should not judge a book by its cover? When it comes to “Birds of Prey: And the Fantabulously Long Title,” that’s a big f*cking lie. While the movie’s title does focus on emancipation, while the Birds of Prey happen to be in this movie, it is, at its core, a Harley Quinn movie. The movie features narration from Quinn, it revolves entirely around her, and these little rascals who make up the Birds of Prey are barely in the movie for the most part. Characters like Huntress (Mary Elizabeth Winstead) don’t even show up for like an hour or so, maybe longer! Although, side note, when Huntress does show up, she’s introduced in pretty badass way. Even though I do think “Titles of Prey: And its Fantabulous Stretch” (for now) is better than “Suicide Squad,” it is also a bit more forgettable. As an audience member, I barely remember any of the names of those who make up the team. Keep in mind, I did see this movie two weeks ago, but it also goes to show how disposable of a movie it really is. It does not do much to make me carry it alongside me for the rest of my life. Granted, we do get some prime screen time to characters other than Harley, one of which was a highlight.

One of the best parts of “Birds of Whatever Title You Want” is the relationship between Harley Quinn and Cassandra Cain (Ella Jay Basco). These two brought life into this movie and the scenes with them together were fun. I like the portion between them in the supermarket, which has been shown in the marketing. And one of the more pleasant parts of this film is where the two just sit down together watching cartoons on an old TV. I don’t know, it’s just soothing. I’d like to maybe see this duo in a comedy together, I think that could be fun.

Speaking of characters that could qualify for being the best in this movie, Ewan McGregor plays one of the better villain roles in the DCEU. Now, he’s not perfect, but this movie makes him work. Much like Marvel, DC kind of has a villain problem. While “Wonder Woman” had great battles, I do not remember the antagonist as much as I want to. “Suicide Squad” had Enchantress, who probably has the barest of substance. Lex Luthor, introduced in “Batman v. Superman” is quirky, but also a tad too cartoony to the point where I have officially entered a fun house. I don’t know where I’d officially rank Ewan McGregor’s Roman Sionis among the current villain lineup in the DCEU, but he’s portrayed brilliantly. He’s very charismatic to the point where he is kind of likable, but he also has a side to him where you probably want him to die a horrible death. Is he the best villain of all time? Absolutely not, but for this movie, it works!

Speaking of death and destruction, one thing that this movie has going for it that differentiates it from a lot of other films of its kind is that it is rated R. Comic book movies in recent years, specifically titles like “Deadpool,” “Logan,” and “Joker,” have gotten such a rating. While this is not a new concept, it was nice to know before going into “Birds of Prey: And the Name That Never Ends.” I also thought that this highlights what the DCEU is trying to go for at this point. Unlike Marvel, which seems to lock all of their movies within one box and has one or two connections to something else each and every movie, DC could continue letting their stories be their own thing. While this is technically in a cinematic universe, films like “Aquaman” and “Shazam!” have kept themselves within their own parts of the universe and barely connected to their universe except through brief references. “Long Names of Prey” is sort of the same way. In fact, aside from “Man of Steel,” I think “Titles of Forever” may be the most individualistic DCEU film yet. I do not remember much reference to the Suicide Squad team, even though a lot of the film is focused on the aftermath of Quinn and Joker’s breakup.

But keeping in mind that the film is rated R, I do not really think it did much to capitalize or emphasize its official rating, but nevertheless, it’s rated R. There are a couple violent scenes that probably barely go past PG-13, and they were a delight to watch when they were on screen. Because remember kids, kicking-ass is a good time! And yes, there’s the language, but if you’re expecting “Deadpool,” you MAY be disappointed. Did this film need to be rated R? Maybe to an extent, but it does not really seem like it goes for it. If they gave this a PG-13, there would almost be the slightest of differences. Maybe language has more to do with the R rating than violence does.

But I would be lying if I told you I was not at least entertained by the action scenes. I thought some of them were pretty creative, and there is one that sort of had a glossy “Terminator” vibe. Harley Quinn uses a glitter gun in this movie! Not gonna lie, if I were dealing with certain people, that would be my weapon of choice! Because while this movie admittedly does make this glitter shine, it really does suck! Anakin Skywalker thinks SAND gets everywhere? Tell him about glitter! Also, this movie probably has one of the coolest action moments involving a cell phone. You’ll know what I’m talking about when you see it.

Speaking of R rated comic book movies, if I had to compare “Insert Title Here” to anything else, it would probably be “Deadpool 2,” because while there is a team-up in that film, ultimately forming the X-Force, Deadpool is the character that is focused on pretty much from beginning to end. That is a better-marketed movie than “Titles of Long” because unlike this movie, it knows, even before the film came out, that Deadpool would be the core character, everyone else is either background noise, or simply supporting him. When you have a movie like “The Avengers,” you could argue that the movie mostly revolves a character such as Iron Man, but the focal point is everyone’s journey to build a team and save the world. Arguments could be made about this matter, but on the surface, Thor is not more or less important than the Hulk in that movie. Captain America is not more or less important than Iron Man. These characters, to as much of an extent as possible, have THEIR MOMENT. Even though this movie calls itself “Birds of Prey” and puts that title at the forefront, the movie itself seems to put the *rest* of the title at the forefront, specifically “the Fantabulous Emancipation of One Harley Quinn.” This movie really should have just been called “Harley Quinn.” And this is why I find it not so surprising that the film’s name *sort of* changed a couple times. Instead of this long title that goes on for all of eternity, the movie shortened its title to the simple name “Birds of Prey.” When the disappointing box office results came in, movie ticket websites started showing the title as “Harley Quinn: Birds of Prey,” which makes sense given my previously established statements. Next thing I know, it’s gonna be called “Edge of Tomorrow” because why not? Maybe once the Blu-ray comes out it’s gonna be called “Live Die Repeat!”

In the end, “Birds of Prey: And the Supercalifragilisticexpialidociously Extended Title” is a step down for DC. I’d honestly rather watch “Aquaman” or “Batman v. Superman” again compared to this. Ever since “Wonder Woman,” I have been buying 4K steelbooks for the DCEU films, but I am not sure what I’ll be doing for this one. Will I go out and buy the steelbook for this one? I don’t know it’s worth it. Maybe I will, maybe I won’t. It’ll be sad to end a streak, but the overall quality of this movie may suggest the end. I know some people making this movie kind of a big deal given the female star and female director, and I do admire the direction it tried to go in, and there are things I like about it. I just thought it could have been better. But at the same time, if you want disposable action, and you are looking for something to do on a rainy afternoon, go see this movie. Margot Robbie shines, the supporting cast is mostly forgettable but does have its highlights, and there are some cool action scenes. So… Thumbs up? Maybe? I don’t know. This grade could change, but for now, because I’m generous and given how I am not ruling out the option of watching this movie again, I am going to give “Birds of La La La Title Title Title” a 6/10.

Thanks for reading this review! Up next is the review for one of the most controversial movies that was supposed to come out last year, but because of said controversy, it was moved to the point where it came out this year. And if you think I’m talking about “The Hunt,” that’s not even out yet. Just keep yourself waiting for that one. I’m talking about “Sonic the Hedgehog!” Also, stay tuned for my reviews of “Impractical Jokers: The Movie,” “Emma,” and “My Spy.” That last one might be awhile because I don’t know when the embargo lifts, but it is coming. If you want to see these reviews, and other great content, consider following Scene Before either with an EMAIL or WORDPRESS account! While you’re at it, consider liking the blog’s Facebook page and follow me on Twitter at @JackDrees if you just like hearing me talk s*it about life! I want to know, did you see the movie with the long title? What did you think about it? Or, what comic book movie are you most excited for this year? Did you not see the one we’re talking about yet? That can count! Maybe it’s “Black Widow!” Maybe it’s “Eternals!” Maybe it’s “Wonder Woman 1984!” Do you want to go less mainstream? Perhaps you’re excited for “Bloodshot!” Let me know your response because let’s face it, based on how successful “Avengers: Endgame” was, you have seen a comic book movie. Just admit it. Scene Before is your click to the flicks!

Why 2020 is a Great Year To Be an IMAX Fan

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Hey everyone, Jack Drees here! We are more than a month into the year of 2020 and the film industry has already experienced its highest-grossing January movie to date, “Bad Boys For Life,” but like any other January, it has also been met with some stinkers like “Dolittle,” DO NOT WATCH THAT MOVIE… IT’S BLASPHEMOUS! Anyway, now that we have gotten as far as somewhat early February, I want to talk about what this year could mean for one of my personal favorite film-related brands, IMAX.

Now, there is no doubt that in recent years, IMAX’s competitors have made names for themselves. Regal’s RPX is still going strong, AMC is continuously rolling out their Dolby Theatres, and 4D venues still have a presence. But today, I wanted to talk about a few things that could make IMAX stand out from the competition, and ways they could potentially have a great year.

Let’s just get one thing out of the way, because to me, this is perhaps the most important standout notion to take in about IMAX’s lineup this year, from what I have heard, three feature-length wide release movies this year are being shot with IMAX’s film cameras. You know, the ones used for 30 minutes of “The Dark Knight.” I’ve talked about these cameras before, but if you don’t know, IMAX sometimes presents movies shot with specifically branded film cameras in a way that covers the whole screen. This has been done since 2008 in the realm of feature-length entertainment and has occasionally given the company a reason to keep using their film projectors. After all, everything is digital now, including IMAX’s newer projection systems, which I have noted as inferior to their original counterparts, especially when you consider that most of them were built specifically for use on smaller screens.

Now what’s so important about this? Well, for film purists like me, I take just about any opportunity I can get to achieving a “true IMAX experience.” When “Interstellar” and “Dunkirk” came out, I spent an hour flocking to Providence, RI just to go see those movies in the format in which they were perhaps meant to be seen. This year, I think there is going to be at least one opportunity for that, and I’ll get to that eventually, because we are going to be discussing these films in chronological order here.

Let’s talk about the movies that are being shot in IMAX 70mm!

NO TIME TO DIE (APRIL 8TH)

Now, I am not a major “Bond” fanatic like some, I’ve only seen a couple of the franchise’s films, but there is no doubt that I am looking forward to “No Time To Die.” It is Daniel Craig’s grand finale as James Bond, the cast also includes current notable names including Rami Malek (Bohemian Rhapsody, Night at the Museum) and Ana de Armas (Blade Runner 2049, Knives Out). In fact the first trailer is almost as good as a first trailer can be for a movie like this. It does not expose everything right off the bat, it’s got great music behind it, and it’s just action-packed. According to Wikipedia, it suggests select sequences are presented in IMAX. That can mean a lot of things, but it is safe to assume that at least one or two action sequences will bring IMAX filmmaking to the table. Which ones? I don’t know. For all I know it could be all of them. This is the first “Bond” film to be shot in IMAX, and if Daniel Craig is hanging up the suit, why not do so in the biggest way possible?

WONDER WOMAN 1984 (JUNE 5TH)

Three words. Welcome to 1984! At the near end of the spring season, comes the second “Wonder Woman” solo film in the DCEU, “Wonder Woman 1984.” “Wonder Woman 1984” takes place in a significantly different era and time frame compared to the franchise’s 2017 predecessor, simply titled “Wonder Woman,” which took place during World War I. The marketing so far has been good enough to make me hang a mini poster in my room so that might suggest something. Gal Gadot looks like she’ll kick ass once again, Patty Jenkins is directing once more, which totally pleases me because I thought the directing job she did with “Wonder Woman” brought one of the best visions to a comic book movie I have seen. As for how the film will be shot in IMAX, I imagine it will be a similar scenario like with “No Time to Die,” where most of the IMAX footage, depending on how many minutes total happened to be shot, will be presented during key action scenes. Much like “No Time to Die,” “Wonder Woman 1984’s” description on Wikipedia suggests “select sequences” will be shot using the format. Again, it does not go into much detail, nor does it need to partially considering how “Wonder Woman 1984” does not come out for another four months. Interestingly, of the three IMAX 70mm-shot films I’m talking about here, this is the only one that is supposed to be released in 3D. But I have noticed in recent years that IMAX venues, most notably the ones that I go to or happen to be close to, have toned down on the 3D craze. I almost even wonder if any IMAX theaters will be showing “Wonder Woman 1984” in 3D to begin with, but that is a mystery that shall be solved as we progress closer to the release date.

TENET (JULY 17TH)

This last film at one point WAS my most anticipated of 2020, specifically, “Tenet.” If you want to know my current most anticipated film it happens to be “Dune,” which comes out next December, also supposedly available in IMAX. However, at this point, “Tenet” is a close second. Why? Because it is directed by Christopher Nolan, who may just be my favorite filmmaker working today. And just like me, he sees the importance of the IMAX brand and why we should continue making and presenting movies on the clearest film formats possible. This movie, much like Nolan’s previous directorial effort, “Dunkirk,” is being entirely shot to be presented in 70mm, part of it being with IMAX footage. As for how much is being shot with what camera remains a mystery. I will say this though, as one of the first to see “Star Wars: The Rise of Skywalker” in IMAX, I got to witness a six-minute prologue to the film and not only does it look great on the big screen where in this case, it is completely full, it also has the sound of what could only be described as a behemoth. Plus, story-wise, it is built for the theater environment. IMDb describes “Tenet” as “an action epic revolving around international espionage, time travel and evolution.” Having seen the trailer and hearing a bit about this film, it very much reminds me of Nolan’s own “Inception,” which too is action-based. And just like “Tenet,” “Inception” revolves around the concept of time, an often-repeated idea represented in Nolan’s films. “Tenet” has serious potential to possibly be this summer’s biggest critical hit. As for box office, that is going to depend on certain factors including whether Nolan’s name is enough to get people to flock to the theater. The film has a budget of $205 million. But this is being described as an event film, so who knows?

Of the three key films I mentioned, it is possible that “Tenet” might be the only film of said three to get an IMAX 70mm release. After all, Nolan’s films are often specifically crafted for the IMAX screen and he is often associated with the brand. Even though it would be AMAZING to see Cary Joji Fukunaga’s “No Time to Die” and Patty Jenkins’ “Wonder Woman 1984” be released in the format in which they were shot, the directors do not have the same name power that Nolan has and there are less reports about them that have caught my eye regarding them advocating for IMAX 70mm shows or other film presentations overall. Although, Patty Jenkins also directed 2017’s “Wonder Woman,” which did manage to get a 70mm release. The question of whether or not we see something like this with the 2020 sequel continues to remain. Until then, audiences can at least look forward to possibly viewing these movies in what can be described as IMAX 70mm’s digital equivalent, IMAX Laser.

As for other IMAX movies, “Detective Chinatown 3” was shot with ARRI Alexa IMAX Cameras, which were also used to film movies including “Avengers: Endgame.” Plus, “Top Gun: Maverick,” set to release this summer, has been shot using IMAX-certified Sony Venice cameras, which are capable of producing 6K images.

As for other, non-IMAX film camera-shot movies, Disney’s looking to dominate once again with titles like “Mulan,” Marvel’s “Black Widow,” Marvel’s “Eternals,” and “Artemis Fowl,” which is based on the hit book series of the same name. If “Artemis Fowl” is successful, it could be the next big fantasy franchise in film, maybe this generation’s “Harry Potter.” In addition, Disney now has their Fox slate, which means they’ll be inserting “The King’s Man” into IMAX theaters this September. Other potential event movies include Paramount’s recently mentioned “Top Gun: Maverick,” the upcoming second installment to its respective franchise. Also from Paramount, “F9,” the upcoming “Fast & Furious” installment set to return to the world of fast-paced car action this time featuring prank call meme John Cena (Playing with Fire, Blockers) as main character Dominic Toretto’s brother, and Warner Bros.’s “Godzilla vs. Kong,” where two iconic titans collide.

Now, something feels weird. We’re in a new decade, we’re seeing new movies, but NO “STAR WARS” FILMS. Every year since 2015 has brought movie audiences everywhere the introduction of a brand new “Star Wars” story, whether it is in “The Skywalker Saga” or a spinoff like “Rogue One” or “Solo.” Now that we are here in this extremely odd reality, I am willing to accept it, and I say that as a “Star Wars” fan. After all, one of the problems I have had with Disney’s ownership of “Star Wars” is that they essentially milked the franchise to the last drop. This resulted in seemingly rushed projects and ideas that I never specifically expected or wanted to see out of the franchise, most notably “Solo.” Will this hurt the IMAX brand? Well, having a “Star Wars” film during the year definitely helps any brand. But, given how DC has a couple films this year, given how Marvel has a couple films this year, the nerd demographic will probably still flock to multiple potentially popular titles.

In other news, IMAX has something significant coming in Australia. For those of you who don’t know, one of IMAX’s most historic venues lies in the city of Sydney. IMAX has numerous venues across the continent, including one in Melbourne which happens to be one of the company’s all-time largest screens (105 ft x 75 ft). However, Sydney’s IMAX shut down during the previous decade for some time, with news coming in about it being demolished. With that, came the loss of IMAX’s then largest screen (117.2 ft x 97 ft). Although, the Sydney IMAX was scheduled to reopen sometime in the future, with an even bigger screen that will still break the record as IMAX’s most massive venue. As revealed on imax.com.au, the new venue will feature IMAX’s laser projector, which is capable of digitally projecting images in 4K, plus their 12-channel sound system. While I am intrigued by the new setup, this does raise a question. Will the Sydney IMAX continue to play movies in IMAX 70mm? After all, they’ve had a film-based projector throughout the existence of the city’s original IMAX theater. There is not that much of a suggestion as to the new IMAX having a film projector. Still located in Sydney, as recently suggested, the new cinema will be a part of The Ribbon, an ongoing development project where the IMAX will connect to a W Hotel. Also around the area, there will be multiple retail and restaurant options.

We’ll be back, late 2020. -Miya Spears

SYDNEY IMAX’S MAKE-OVER PLAN

IMAX has a somewhat big year ahead of them. Right now, “Birds of Prey” is reportedly going to end up having a disappointing opening weekend, but if it does not do as well as Warner Brothers would hope, there are opportunities for them, along with IMAX as a whole, to bounce back. Between the technology, the movie selection ahead, and more, the company will continue doing what they can to let viewers follow one of their company slogans, “think big.”

Thanks for reading this post! I just want to announce that my next review is going to be for the new DC film “Birds of Prey,” which coincidentally, I just saw in IMAX! Who knew? I’ll have my review of the comic book flick at some point, but as for when exactly it’ll be posted is a mystery, because as of now, most of my time and dedication to this blog is being centered towards THE 2ND ANNUAL JACKOFF AWARDS, my second time doing an award show, and my second time using a crappy title! If you want to complain about why your favorite movie did not win Best Picture, fine! Be that way! OR if you want one of these ten movies to win, click this link to enter the official voting form for this year’s Jackoff Best Pictures nominees. UNLESS OF COURSE, YOU ALREADY VOTED. But if you want your movie to win, make sure you vote by the end of Saturday February 15th, otherwise the voting closes and you will forever remain voiceless.

Tune into the 2nd Annual Jackoffs on Sunday February 16th only on Flicknerd.com!

If you want to see more content like this including reviews, countdowns, and more of my crazy opinions full of absolute entitlement, be sure to follow Scene Before either with an email or WordPress account (if you want the ability to like and comment)! Also, check out my Facebook page! Because if you don’t, Mark Zuckerberg will flip a table. I want to know, are you planning on seeing any films in IMAX this year? Have you seen any films in IMAX so far this year? I just saw “Birds of Prey” in the format, but I guarantee you that I have more IMAX experiences up ahead, especially with these IMAX-shot movies coming out. Let’s make it big this year, let’s do this! Scene Before is your click to the flicks!

The 2nd Annual Jackoff Awards (NOMINATIONS)

2nd Annual Jackoffs LOGO

Hey everyone, Jack Drees here! It is Super Bowl Sunday here in the United States, meaning that everyone around here has a day centered around football, food, and company. I on the other hand, want to sprinkle in a pinch of movie magic for all of you tuning in on this bash of a day. After all, this is the first post of the year specifically dedicated to what I call my Super Bowl of movies, The Jackoff Awards, an epic awards show with a crappy title! For those of you who are not familiar with the Jackoff Awards, this past February I have started an all new tradition, an awards ceremony specifically run by me. Why? Because MY opinions are better than all of yours! Well, that and because it’s fun. I can’t forget that. The ceremony will include the traditions of many others where I present five nominees and announce one winner. And of course, this all leads to Best Picture, where I will be doing something slightly different than the other categories, specifically where I let YOU pick the winner! We’ll get to that later. But this post is going to be dedicated specifically to announcing this year’s nominations. If you are interested in the ceremony itself, that will be available on Sunday February 16th! I will point out one thing though, since it is my ceremony, I am only going to be recognizing films that I have seen. That means films like “Just Mercy,” “Hustlers,” “The Lion King” remake, and “Frozen II” will not be recognized for awards simply because I never particularly dedicated any time to watching any such films. But I did see a bunch of other films this year, many of which I have reviewed, a few of which I didn’t review. I am going to picking from that slate for awards.

I will announce again, each category will have FIVE nominees, except for Best Picture, which will be receiving TEN.

Without further ado, here are the nominees for the 2nd Annual Jackoff Awards!

BEST ANIMATED FEATURE:

  • How to Train Your Dragon: The Hidden World (Dean DeBlois, Bradford Lewis, Bonnie Arnold)
  • The LEGO Movie 2: The Second Part (Jinko Gotoh, Roy Lee, Dan Lin, Phil Lord, Christopher Miller)
  • Missing Link (Chris Butler, Travis Knight, Arianne Sutner)
  • Spies in Disguise (Peter Chernin, Jenno Topping, Michael J. Travers)
  • Toy Story 4 (Josh Cooley, Mark Nielsen, Jonas Rivera)

BEST VISUAL EFFECTS:

  • Ad Astra
  • Alita: Battle Angel
  • Avengers: Endgame
  • Spider-Man: Far from Home
  • Star Wars: The Rise of Skywalker

BEST SOUND EDITING:

  • 1917
  • Alita: Battle Angel
  • Ford v Ferrari
  • John Wick: Chapter 3 – Parabellum
  • Star Wars: The Rise of Skywalker

BEST SOUND MIXING:

  • 1917
  • Alita: Battle Angel
  • Avengers: Endgame
  • Ford v Ferrari
  • Star Wars: The Rise of Skywalker

BEST PRODUCTION DESIGN:

  • 1917 (Dennis Gassner)
  • Joker (Mark Friedberg, Kris Moran)
  • Knives Out (David Crank)
  • Parasite (Ha-jun Lee)
  • Ready or Not (Andrew M. Stearn)

BEST COSTUME DESIGN:

  • The Aeronauts (Alexandra Byrne)
  • Joker (Mark Bridges)
  • Knives Out (Jenny Eagan)
  • Little Women (Jacqueline Durran)
  • Ready or Not (Avery Plewes)

BEST MAKEUP & HAIRSTYLING:

  • The Aeronauts (Jacqueline Bhavnani)
  • The Irishman (Sean Flanigan, Nicki Ledermann)
  • Joker (Nicki Ledermann and Kay Georgiou)
  • Judy (Jeremy Woodhead)
  • IT: Chapter Two (Sean Sansom, Shane Zander, Iantha Goldberg)

BEST ORIGINAL SCORE:

  • Avengers: Endgame (Alan Silvestri)
  • How to Train Your Dragon: The Hidden World (John Powell)
  • Star Wars: The Rise of Skywalker (John Williams)
  • Uncut Gems (Daniel Lopatin)
  • Us (Michael Abels)

BEST SUPPORTING ACTOR:

  • Tom Hanks (A Beautiful Day in the Neighborhood)
  • Tracy Letts (Ford v Ferrari)
  • Shia LeBeouf (Honey Boy)
  • Al Pacino (The Irishman)
  • Brad Pitt (Once Upon a Time in Hollywood)

BEST SUPPORTING ACTRESS:

  • Shuzhen Zhao (The Farewell)
  • Scarlett Johansson (Jojo Rabbit)
  • Toni Collette (Knives Out)
  • Laura Dern (Marriage Story)
  • Annette Bening (The Report)

BEST ADAPTED SCREENPLAY:

  • A Beautiful Day in the Neighborhood (Micah Fitzerman-Blue, Noah Harpster)
  • Blinded by the Light (Sarfraz Manzoor, Gurinder Chadha, Paul Mayeda Berges)
  • How to Train Your Dragon: The Hidden World (Dean DeBlois)
  • Jojo Rabbit (Taika Waititi)
  • Joker (Todd Phillips, Scott Silver)

BEST ORIGINAL SCREENPLAY:

  • Honey Boy (Shia LeBeouf)
  • Once Upon a Time in Hollywood (Quentin Tarantino)
  • Marriage Story (Noah Baumbach)
  • Parasite (Bong Joon Ho, Jin Won Han)
  • Ready or Not (Guy Busick, R. Christopher Murphy)

BEST FILM EDITING:

  • Joker (Jeff Groth)
  • John Wick: Chapter 3 – Parabellum (Evan Schiff)
  • Marriage Story (Jennifer Lame)
  • Once Upon a Time in Hollywood (Fred Raskin)
  • Parasite (Jinmo Yang)

BEST CINEMATOGRAPHY:

  • 1917 (Roger Deakins)
  • Ad Astra (Hoyte Van Hoytema)
  • The Lighthouse (Jarin Blaschke)
  • Parasite (Kyung-pyo Hong)
  • Us (Mike Gioulakis)

BEST ORIGINAL SONG:

  • The Hide and Seek Song- Headquarters Music (Ready or Not)
  • Home to You- Sigrid (The Aeronauts)
  • I Can’t Let You Throw Yourself Away- Randy Newman (Toy Story 4)
  • I’m Gonna Love Me Again- Elton John, Taron Egerton (Rocketman)
  • Together From Afar- Jónsi (How to Train Your Dragon: The Hidden World)

BEST DIRECTOR:

  • Sam Mendes (1917)
  • Alma Har’el (Honey Boy)
  • Rian Johnson (Knives Out)
  • Quentin Tarantino (Once Upon a Time in Hollywood)
  • Bong Joon Ho (Parasite)

BEST ACTOR:

  • Joaquin Phoenix (Joker)
  • Daniel Craig (Knives Out)
  • Adam Driver (Marriage Story)
  • Leonardo DiCaprio (Once Upon a Time in Hollywood)
  • Adam Sandler (Uncut Gems)

BEST ACTRESS:

  • Awkwafina (The Farewell)
  • Ana de Armas (Knives Out)
  • Scarlett Johansson (Marriage Story)
  • Yeo-jeong Jo (Parasite)
  • Lupita Nyong’o (Us)

BEST PICTURE:

  • 1917 (Pippa Harris, Callum McDougal, Sam Mendes, Brian Oliver Jayne-Ann Tengren)
  • The Farewell (Anita Gou, Daniele Melia, Andrew Miano, Peter Saraf, Marc Turtletaub, Lulu Wang, Chris Weitz, Jane Zheng)
  • Ford v Ferrari (Peter Chernin, James Mangold, Jenno Topping)
  • Honey Boy (Brian Kavanaugh-Jones, Christopher Legget, Daniela Taplin Lundberg)
  • How to Train Your Dragon: The Hidden World (Dean DeBlois, Bradford Lewis, Bonnie Arnold)
  • Knives Out (Ram Bergman, Rian Johnson)
  • Marriage Story (Noah Baumbach, David Heyman)
  • Once Upon a Time in Hollywood (David Heyman, Shannon McIntosh, Quentin Tarantino)
  • Parasite (Sin-ae Kwak, Bong Joon Ho)
  • Ready or Not (Bradley J. Fischer, Willem Sherak, James Vanderbilt, Tripp Vinson)

BEST PICTURE VOTING FORM

If you want to partake in the voting for this year’s Best Picture winner, CLICK THE LINK ABOVE if you want to access the poll that will allow you to choose whatever movie you want to come out on top! Keep in mind that voting DOES NOT last forever, in fact this poll is scheduled to be closed once the clock hits 12AM eastern time in the US, so make your voice heard as soon as possible! Because for all we know, one of you reading this may have a movie that you personally want to win, but if you don’t vote for it, there’s a good chance it cannot take home the gold! Get crackin’ people! Be sure to stay tuned for the 2nd Annual Jackoff Awards, coming February 16th to Scene Before, which is the day before Presidents’ Day, so if you do not have any work or school in the way, this is your opportunity to waste some time staring at a screen! It’s your time, so use it wisely! Thanks for reading this post! If you want to be up to date on the latest content such as the Jackoffs from Flicknerd.com, give the blog a follow either with an email or WordPress account! Also, check out my Facebook page! I want to know, do you agree with my picks and nominations? Do you disagree? Do you think I missed something? Let me know down below! Scene Before is your click to the flicks!

By the way, the official intro is done and ready to go! If you want to check it out, it is located down below! It also doubles as a trailer, and it will give you a sense of some of the films that will reflected upon and honored during the Jackoffs ceremony. Check it out down below if you are interested! Or, if you want to be surprised, just wait until February 16th when the ceremony is in full swing! Literally the only difference that you’ll notice then is that the final title won’t be a release date. If you want to watch, enjoy! Until then, vote for Best Picture, continue supporting the Movie Reviewing Moron, and stay tuned for the Jackoffs coming Sunday February 16th!

*All copyrights belong to their respective owners*

Joker: No Laughing Matter (2019)

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Before we get into my review for “Joker,” I just want to iterate a quick thought. I am well aware of this movie constantly being compared to “Taxi Driver,” and I’ll have you all know, I have not seen “Taxi Driver,” so none of those comparisons will be coming from me. I would love to check it out one day, but my schedule is pretty stacked up at the moment so it might have to wait for a little bit. So without further ado, let’s dive into the latest controversial movie!

Man, this poster is badass!

“Joker” is directed by Todd Phillips (Due Date, The Hangover) and stars Joaquin Phoenix (You Were Never Really Here, Don’t Worry, He Won’t Get Far On Foot) as the famous, psychotic killer clown originally created by DC Comics. This film is about the character of Arthur Fleck, who eventually becomes known as the Joker. Essentially, it is a character study of what would happen if the Joker were placed in a depressing environment, with depressed people, in what could perhaps also be a depressing time.

If you have missed out on a lot of comic book movies recently, there is a good chance you probably have no recollection of big, explosive, not to mention expensive, blockbusters that purely exist to be part of a collected universe and happen to be somewhat friendly for both kids and adults. Maybe there’s an occasional dark vibe here and there with movies “Batman v. Superman: Dawn of Justice” or “Avengers: Infinity War,” but nevertheless, comic book movies, over the past decade, have mainly been big budget films that get a lot of audiences, including families, in the theater. There’d also however be an occasion where a film would be rated R. Some examples include “Deadpool” and “Logan,” both of which have been successful. And when the MPAA would end up slapping an R on these movies, there would usually be a reason. Gorey violence, language, perhaps bloated sex scenes, and so on. “Joker” is the next to join the club, and honestly, I am very happy to say that.

Before going to see “Joker,” I had some thoughts in mind regarding comic book villain movies. I was very skeptical before we had one of these films come out, and some of you know this already, but last year, audiences witnessed “Venom.” This was one of the earliest examples of an origin story of a comic book character who is usually seen as the villain. Once I heard we were getting a “Venom” movie, I thought all hope was lost. Granted, this was at a time when I realized comic book movies were perhaps the biggest force in the industry, and it seemed like the only thing people would willingly go see. I wasn’t sure how people such as myself or other audience members would go into “Venom” and enjoy him as a character because it’s hard to relate to a villain. Plus, as a viewer, I traditionally aspire to be the hero. Why should I aspire to be a monster who eats people? And the last nail in the coffin… a PG-13. This made every action scene feel lifeless, it made the editing feel odd at times, and it honestly just showed that perhaps Sony or somebody else behind this movie wanted a quick, disposable money grab. However, oddly enough, as time passed, I did become curious about the “Joker” movie.

There was not enough evidence that “Joker” was going to be a masterpiece or even a halfway decent movie once I first heard about it. But it was hard to deny that I was not at least intrigued. The various details that stacked up in 2018 got me interested. Then the trailers dropped this year, and whoever edited them, you deserve a cookie! All the while, the movie played at events including TIFF and Venice Film Festival where it received the top prize, the Golden Lion. Keep in mind, everybody was saying that “Avengers: Endgame” was going to be the biggest and best movie of the year, but when it comes to chances at awards, “Joker” may have an answer. “Joker” may be tapping on the shoulder of “Endgame” saying “On your left.”

So… It’s time for answers! Is “Joker” worth the hype? Is it worth jumping up and down over? Is it worth every single penny? Did it deserve all the praise it received during snobby film festivals? In a word, yes. This is pretty much EXACTLY what I would want out of a movie like this. Serious, dark, sort of slow, and honestly, kind of poignant. Because I cannot even believe I’m saying this, I sort of felt for the Joker character. Granted, he spends a lot of the movie making stupid decisions and mistakes, and the Joker is a guy you don’t want to mess around with, but even his moments that would make a person in this particular movie turn against him may as well be all part of his charm. In fact, as I watched “Joker,” I thought to myself that the movie was not trying to approve of his actions, it was just showing a realistic view of what could happen if this guy existed in our society. And by our society, I mean how it was years ago. You know those controversies that happen to be surrounding this movie? Honestly, they’re pointless. Granted, there is an argument to be made that every single movie ever made contains the slightest of bias. But “Joker” is not a movie that is trying to hammer a message down your head. It’s trying to say, “Hey! Here’s this character, here’s his journey, it’s pretty twisted, we just want you to believe it.”

I should also not go without mentioning that Joaquin Phoenix acts his ass off in this movie! I’m honestly having trouble right now on whether I should declare him the best Joker or if I should stick to my opinion towards Heath Ledger being the best of them all. I know it’s only October, so there is an argument to be made that maybe Phoenix won’t get an Oscar for this movie, but he BETTER get nominated, or there will be riots!

OK… Not literally! Movies don’t promote violence! It’s just the truth!

Anyway, Phoenix manages to handle a role where he has to be the biggest laughing maniac possible. At the same time he has to be creepy, while also occasionally being sweet. There are a lot of, get this, JOKER cards that Phoenix himself has to flip over to showcase the core elements of his character.

I also really liked Robert De Niro’s character. He plays a late night host, and as I watched this movie and saw Arthur Fleck watching the show at home with his mother, I kind of felt immersed into the world, probably realizing that this was a pure form of escapism for most people in society. The two are talking and I remember it being mentioned by the mother that this late night host, AKA Murray Franklin, is relatable to them. Now this movie took place in 1981, so I got a good sense that this guy was a fine alternative to Johnny Carson. Not to mention, he’s charming and has a good presence, which is something all talk show hosts should possess.

The acting overall in this movie is pretty much off the charts, I think the only other movie where I have seen a group of cast members put so much effort into their roles this year might be “Once Upon a Time in Hollywood.” Although “Us” comes relatively close as well. But other standouts of excellence in “Joker” come from the technical side of the spectrum.

I mean, my gosh! Let me just start off by saying, I had the special privilege of watching “Joker” on a 70mm print. Thanks to Warner Brothers and everyone else involved with this film for making such a thing happen! The color grading on this film is some of best I have seen this year. It’s pale, it’s depressing, and it’s almost off-putting in the best possible way. The cinematography is great too. This movie is directed by Todd Phillips and if you watch some of his movies like “The Hangover,” you’d notice they are shot by Lawrence Sher, and much like that film for example I have seen from the two of them together, the pair combine to deliver some delicious hot and spicy buffalo wing level shots! There’s a scene where Arthur is walking down an enormous staircase and between his motions of dancing on the steps and jumping in puddles, the camera manages to catch each one and make me want to have them all as a desktop photo. The editing’s pretty stellar in that scene too, it’s eye candy. I’m almost shocked that I’m saying that about a scene in a comic book movie that doesn’t have much glossy CGI.

And speaking of depression, this entire movie has nothing but people who are almost too upset to acknowledge existing, and almost nobody manages to care about another living soul. There’s a scene where Arthur is playing peek a boo on a bus with a kid, and the kid’s mother is just plain annoyed. The film also manages to go into certain problems regarding people with mental illnesses, and it features a deep struggle that Fleck himself has to face. There is a scene where he comes to the realization that he’s meeting with his therapist for the last time due to funding cuts. Even though I knew who the Joker character was, I still couldn’t help but sympathize with Fleck at times. It feels weird to say that, but I have been taught at a young age that is not nice to lie.

If you ask me, I think the absolute best part about “Joker” is the fact that it has the rare qualities that you wouldn’t manage to find in many other comic book movies. This film was given an R rating from the Motion Pictures Association of America, and once I heard that was going into effect, I felt like climbing a tree, pounding my chest, finding a banana, and tearing it open! Going gorilla style! It was one of the most glorious moments of my life! Having seen this movie, let me just give a message to all the parents and guardians who are planning on seeing this “comic book movie” with their kids.

Don’t. Just don’t.

I mean, you can… Maybe they are mature enough to comprehend everything that is going on in a movie like this, but this is NOT a film for kids in the slightest. It deals with real world issues, it’s bloody, kind of disturbing, and without going into much detail, I’d say there’d be a moment or two where I would not blame a kid if they cried out of pure fear.

Let’s look at it this way. Let’s take one of the most recent comic book movies that also had a couple heavy moments, “Avengers: Infinity War.” Without going into detail about the ending, if you have a kid who cried at the end of “Infinity War,” I think there’s a good chance that same kid, depending on their transition of age, will weep for sweet release of death during “Joker.”

Having said that, I realize simply having dark moments in a movie doesn’t automatically make it good, but these dark moments were an absolute highlight and a reason for me to keep my eyes glued to the screen.

In the end, “Joker” is one of the most unique comic book movies I have ever seen. I honestly would love more movies like this in its particular genre. I am a bit curious to see “Taxi Driver” now that I have seen “Joker,” but I’m just hoping it doesn’t ruin “Joker” for me in any way. Everything about this movie was done to A+ levels. The acting, the camerawork, the music choices, the screenplay. It’s all worthy of two thumbs up. If I had any issues with the movie, I’d say there’s a couple moments, as I put on my brain, that I could see coming a mile away. Also, there’s a moment or two where my head drifted off into space, signifying a slight issue with pacing. Granted, it’s not a big deal, but nevertheless. “Joker” is a movie that I personally think may be one of the most individualistic in its genre. I have almost seen nothing like it. Just for that alone, it gets a ton of praise from me. I’m going to give “Joker” an 8/10. One more thing. After walking out of this movie, I did have a question on my mind: How much replay value is this going to have down the line? It’s a really good movie, but is it going to get a ton of replays in the DVD player? I can see reasons for some people declaring “Joker” to be a movie that is good for a single watch, but because of how heavy it is, maybe a second watch would be impossible. Even so, I enjoyed “Joker.” I personally want to see it again because of the enjoyment factor. Hopefully when it comes out on Blu-ray, I can catch it another time.

Thanks for reading this review! Next week I am going to an advance screening of the new film “Zombieland: Double Tap.” I saw the first “Zombieland” a few years ago for the first time. I’m personally intrigued as to how they are going to handle this sequel. I don’t know if it will be as good as the original, but Bill Murray’s back, so anything’s possible! If you want to see this review or other great content, consider following Scene Before either with an email, or if you want the ability to comment or like, use a WordPress account! Also, check out my Facebook page! I want to know, did you see “Joker?” What did you think about it? Or, what is your favorite R rated comic book movie? For me, the answer is simple, “V For Vendetta.” It also might be Natalie Portman’s best movie for all I know! Leave your opinions, or if you want to be a moron, completely objective and factual statements down below! Scene Before is your click to the flicks!

CON ANNOUNCEMENT: I’m Going to Terrificon 2019!

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Hey everyone, Jack Drees here! If you have followed my blog over the past couple of years, you’d know that I occasionally cover my experiences at conventions, and the first one I ever did was the annual Terrificon. Therefore, it should perhaps be no surprise that I am returning to the con for the third time in a row! If you have read my recent “halftime” post, you’d notice that one of my announcements for August is my return to this con. But for the sake of tradition, I thought I would provide a preview to this event in depth.

For those who don’t know about Terrificon, it is an annual event held every year in the state of Connecticut. In recent years, the event has taken place at the Mohegan Sun casino in Uncasville, 15 minutes away from its main competitor, Foxwoods. This year, the event returns in Mohegan Sun’s Earth Expo & Convention Center, a venue where the convention happened to be held for the first time ever in 2018, making it one of the earliest events to have occurred in said spot. The con primarily focuses on comic books, comic artists, gaming, cosplay, sci-fi, fantasy, animation, and more. It is organized by Big Fedora Marketing, LLC and Mitch Hallock, who has spent years in design and marketing. They are also responsible for another Connecticut-based convention, CTGamerCon. I have never been, but I have been curious about it for awhile. Per usual, this convention is being held this August, but due to the actions one of the convention’s competitors, they have decided to hold this year’s con on the second weekend of August (9-11) as opposed to the third weekend of August (16-18). Why? Another New England con, specifically Fan Expo Boston, is being held on August’s third weekend instead of their usual spot, which is the second weekend.

Regardless of whatever time it is held, the organizers are definitely promising a fun time. There are multiple recognizable celebrity guests, a number of big comic artists, and tons of shops to visit for all your nerdy needs.

One notable celebrity crew uniting for Terrificon comes from the show “Animaniacs.” This con is said to have Rob Paulsen (Yakko), Jess Harnell (Wakko), and Maurice LaMarche (Ralph the Guard). All three guests will be showing up, signing autographs, and doing photo ops. They’ll also have the option to voice record for a certain price. I cannot say whether or not I’ll be meeting all three of these people, but Jess Harnell has recently gotten me curious because I just found out that he did the voice of Crash Bandicoot, the iconic video game character from the 1990s.

Other voiceover related guests include Larry Kenney (SilverHawks, ThunderCats), Tony Todd (Transformers, Justice League), Maile Flanagan (Ice Age, Naruto), and Phil LaMarr (Family Guy, Star Wars: The Clone Wars). Of all these voice actors, I’d be very likely to meet Phil LaMarr, for one thing, he plays Ollie on “Family Guy” and I would love to hear his character “see how things are looking” at the con. But he also played a smaller role in Quentin Tarantino’s “Pulp Fiction,” which I just watched for the first time and reviewed here on Scene Before. I would probably bring my “Pulp Fiction” Blu-ray for him to sign, maybe chat with him for at least a few minutes, because why not? Depends on the line though…

Although, if I had speculate from here, I am willing to bet LaMarr’s line will be considerably short compared to a guest like Val Kilmer. As some of you may know, he played Batman back in the 1990s when Joel Schumacher’s “Batman Forever” came out. So I am expecting at least one “Bat Nipple” Batman cosplay at this convention. It has to happen. Granted, George Clooney could have shown up and this would probably be much more likely, but Kilmer had the nips as well! But I am somewhat excited for him to be here, that way I have the opportunity to possibly ask some things about “Top Gun: Maverick,” a movie coming out next year that I am really excited for. Unfortunately however, I don’t know if I am going to get to do that, because I have no desire to get an autograph or photo op with Kilmer, especially when looking at the prices that he asks for. But I also looked at the panel schedule for this year and it appears, unless there is not enough specification or I am just completely missing something, there is going to be no panel for Kilmer.

Speaking of “Batman,” another guest related to the franchise, Robert Wuhl, AKA Alexander Knox in Tim Burton’s 1989 “Batman” movie, will also be showing up. However, even though I imagine a lot of people are desiring to stand near Wuhl, I think there is one guest I have yet to mention that will knock some people’s socks off.

BILLY.

DEE.

WILLIAMS.

That’s right, Harvey Dent himself, but much more importantly, LANDO F*CKING CALRISSIAN from the “Star Wars” franchise will be showing up to Terrificon. I would probably bet $1,000, and appropriately so since the con is taking place in a casino, that Billy Dee Williams will have the biggest line for all the con’s guests. He has set himself up as a geek icon! These two franchises are enough to get him some attention at this con. Plus, he is going to be in the upcoming “Star Wars” film, “The Rise of Skywalker,” which will easily generate some attention. I will definitely be going to Williams’ panel, which is being held on Saturday at 1PM. However, I do not think I’ll be getting a signature or photo op. Why? Just look at the prices! For personal items, a signature is $100. For an item at the table that happens to be 8 x 10 inches, it’s $105. For an item at the table that happens to be 11 x 17 inches, it’s $110! Granted, it would be nice to stand in line and make a commitment for Billy Dee Williams, but based on statistics, not only are the autographs expensive, but the website suggests that selfies at the table are not happening, and if you get an autograph, you cannot get a selfie with the purchase.

Plus… I already met him, so I’m good.

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Yeah, we talked back in 2016 when I stood in line for him at Rhode Island Comic Con. I asked how he was doing, he said he had a decent lobster meal recently, I got his autograph, and I showed him something that I thought he might appreciate. Before getting into Billy Dee Williams’ line, I ran into a shop at the con that sold drones. Believe it or not, it’s called Cloud City Drones, which if you know your “Star Wars” lore, Cloud City is the city where the climax of “The Empire Strikes Back” basically unfolds. I’m not sure if he heard what I said, because I showed him a piece of paper that was essentially an advertisement for the place. But the way he responded, and I’m not saying he’s a jerk, because I’ve seen him, I can say he’s calm and well-mannered, but he said “That’s… Star Wars.” The way I thought he said that almost made it sound like that maybe he thought I wanted to know what Cloud City was, but I got what I wanted so I was satisfied. But that’s not why I am not meeting him again, I just mentioned the whole overpriced autograph thingy. If anything, I’d enjoy talking to him for a second, ask how he’s doing, and maybe remind him that we have met once in the past. But when I already have an autograph from Williams, not to mention one that cost $50 for the signature, plus $8 more for a protector, I just gotta say, “Eh, I’m good.” There are certain celebrities that I wouldn’t mind having multiple autographs from, in fact, there has been a case where that has happened for me, but if Williams’ signature were cheaper, chances are I’d jump in line and pay up.

I will say however, when it comes to lesser known guests, there is one that I plan on interacting with at some point. I already met this guy at New York Comic Con last year by coincidence, but I barely got to talk with him. Although since he is on a list to visit Terrificon this year, I am putting out all the stops to meet Robert Franzese, AKA “Real Life Peter Griffin.” If I can’t meet Seth MacFarlane, this is the next best thing! I am subscribed to this guy’s YouTube channel, he’s hilarious, and I love how implements the “Grinds My Gears” gag into his videos. In fact, when he announced that he was coming to Terrificon, he implemented that very gag! Check out this video below!

I mean, the resemblance is uncanny! I will say, if they are serious about that live-action hybrid “Family Guy” movie and they want a realistic looking guy for Peter Griffin, we have your actor!

One of the things that I have personally noticed about Terrificon is that it is a good con for families, because if you have a child that wants to meet their favorite celebrities, and they are eight years of age or younger, they get free admission! That however only includes admission to the con itself and does not apply to any after con activities. But there is a thing that has been around last year called the Aw Yeah Comics Fun Zone. They have numerous guests music artists providing family friendly entertainment, various activities, magic shows, tons of things for kids to enjoy. So if you have a kid and you want to come to this con, why not bring them along? Just make sure you are an adult paying for your own ticket!

But what do kids also like? Games of course! Granted, this is also adult friendly too. This year Terrificon has a list of games lined up for everyone to enjoy. One game that I have noticed was there last year, but I did not play, was “Rock Band 4.” I enjoy “Rock Band” even though I don’t play it as often as I used to, but I’m still questioning whether or not I’d give this game a shot. But one game I will inevitably be playing at the con is “The Jackbox Party Pack.” When I was at this con last year, there was a session on Friday as the con was coming to a close where a bunch of people gathered in a room to play “Jackbox” games. For those who don’t know about “The Jackbox Party Pack,” it is a series of games meant to be played with friends or at parties, and they all have this humorous flair attached to them. Some of my favorite games from the packs include “Fibbage,” “Guesspionage,” and “Trivia Murder Party.” There is a good chance that there will be a decent crowd joining in to play these games, which will definitely make the experience all the more lively. This is all going down on Friday at 7PM, but that is not the only gaming-related event I’m planning to observe, because there are a couple of sessions dedicated to “Super Smash Bros. Ultimate” which are being held on Saturday. I’d probably be interested in the second session (singles) because the doubles match is being held at 12PM, which depending on how long it should go on, could interfere with me seeing Billy Dee Williams’ panel.

But for those who also like tabletop gaming, they shouldn’t have to worry about missing out, because there are plenty of sessions involving “Magic: The Gathering.” These are all happening every day at various times. Other games that are to be seen include “Transformers: Turbo Sealed,” “Star Wars: X-Wing,” and “Warhammer: Underworlds.”

Another thing this convention has is after con events. One example is happening at Mohegan Sun’s Cabaret Theatre, where you can see John Barrowman (Arrow, Doctor Who) onstage. According to Terrificon’s site, the event is said to be “filled with spontaneous stories, music, and fabulous fun.” Tickets are on sale at prices ranging from $60 to $100 depending on which tier you select.

If you ever wanted to have dinner with a celebrity, now’s your chance! Because you can sit down with a man who has undoubtedly established himself. He’s a male model, art director, historian, magician, escape artist, musician, illustrator, pop-culture lecturer, publisher, designer, and sideshow fire-eater. I’m talking about Jim Steranko, or as my words probably suggest, the coolest person EVER. Except when he’s eating fire, then he’s flamin’ hot! In the realm of comics, he’s known as an artist-writer behind “S.H.I.E.L.D.,” “Captain America,” and “X-Men.” And that doesn’t even cover all of what he has done! The dinner will be held in the Passamaquiddy/Brothertown room in the Sky Convention Center and will conclude with a conversation about Steranko’s life and career. However, tickets are limited and they are $125 a pop. I probably won’t be going because it will coincide with the “Jackbox” gaming session. After all, the event is from 8-12 on Friday.

One thing I must point out in case certain people don’t know, George Perez was scheduled to appear at this convention at a certain point as part of his ongoing retirement tour. He has announced his retirement back in January and soon thereafter, it was leaked that he would be appearing at Terrificon during said tour. However, fairly recently, it was announced that he couldn’t make it and he couldn’t cancel. But fear not, because there are still items up for grabs from Perez. This is suggested on a page from Terrificon’s website announcing Perez’s cancellation.

“We are working with Mr. Pérez to obtain 275 (the same amount of autograph tickets he was going to hand out at the show) limited edition prints that he will sign and ship to TERRIFICON to be handed out to fans on a first come, first serve basis.”

So while there certainly are people, who in my opinion may be understandably upset or disappointed to know that George Perez isn’t showing up, it is also worth noting that the con is still trying to pay respect to the artist as much as they can. While I’m not particularly interested in getting a signed print from him, I do recognize Perez’s importance in the comics industry. He has been involved with both Marvel and DC, he penciled Marvel’s “The Infinity Gauntlet,” he’s responsible for DC’s 50th anniversary event, “Crisis on Infinite Earths,” he rebooted “Wonder Woman” in 1987, and he has worked on several issues for Marvel’s “The Avengers.” He has done more than enough to solidify himself as a comic book icon. I almost wouldn’t be surprised if he starts taking notes from Stan Lee and begins appearing in more comic book movies during his free time. He’s had proper relationships with the big two, Marvel and DC, so it is possible that such a thing could happen. After all, with Stan Lee gone, we need new cameos! Plus, Perez is 65, he’s got a good portion of his life let from the way things seem, and despite how retirement can be fun, maybe he’ll eventually get tired of golfing.

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One last important thing. This is a reminder that the con is occurring at the Mohegan Sun casino, and with that in mind, I am willing to bet a number of guests will be spending time doing much more than going to the con. They may want to shop, stay in the hotel, and grab a bite to eat, so if you want to save some money for activities, I’d recommend taking a gander at this link down below that will provide a bunch of deals for con goers. Keep in mind that certain deals will apply to certain days and some of these won’t even be available on any day of the con. But a deal is a deal, so click the link below to keep things real!

DEALS FOR MOHEGAN SUN ATTENDEES

I am pretty excited to appear at this year’s Terrificon, and I am going to be heading down there with a friend of mine. She got her own tickets, and we are ready to go into the con with the intention of making all other activities look dumb. If anyone knows me, happens to be reading this post, and will be either at Mohegan Sun or the con this weekend, feel free to say hi, but don’t go looking in one of the casino areas because I am not gambling this weekend. The con will most likely be my “money-waster” for these few days.

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Thanks for reading this post! I hope to see you all at Terrificon, and I would like to just remind everyone that days before I go to Connecticut, I am hoping to go see at least one movie. I’m going to be without family for a few days before heading out, I’ll have some free time on my hands, so I may want to kill some of that time by going to see at least one movie. I’m not sure what I am going to see yet, but if things work out, I might do a double feature at an AMC because they have the $5 Tuesdays deal which I often like to take advantage of. After all, there are a decent number of movies that’ll be out that I want to see such as “Hobbs and Shaw,” “Midsommar,” “Crawl,” and “The Farewell.” I also have a couple 2019 movies that I just purchased on Blu-ray that I have yet to watch. Those include “Missing Link” and “Alita: Battle Angel,” so maybe I’ll shoehorn in a review of at least one of those films. Who knows? Maybe I’ll go check out “Once Upon a Time in Hollywood” again! By the way, if you have yet to read my review of “Once Upon a Time in Hollywood,” feel free to click the link at the end of the post to expose yourself to the latest piece of work Tarantino has to offer. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, do you have tickets to 2019’s Terrificon? What kind of tickets did you get? What days are you going? Or, since it’s on topic, who is one celebrity that you wouldn’t mind paying a lot of money for more than one autograph or photo op? I’ll go with one I haven’t met yet, so I guess I’ll say Ana de Armas. I loved her in “Blade Runner 2049” and yeah, she’s good looking. I could brag to my pals back at home that she’s my new girlfriend.

I mean, look at her! Scene Before is your click to the flicks!

ONCE UPON A TIME IN HOLLYWOOD REVIEW

Marvel Cinematic Universe PHASE 4 Plans Announced

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Hey everyone! Jack Drees here! You thought we were in the endgame? Think again, because, to my lack of surprise, as well as others perhaps, the Marvel Cinematic Universe is not going anywhere, and as part of this year’s San Diego Comic-Con, Kevin Feige and crew have officially announced their gameplan going forward in regards to movies and television. While I could not make it to San Diego this year (just like every other year), I had the pleasure of receiving a number of these announcements through social media, which is something Captain Marvel should have brushed up on by now.

This first announcement, doesn’t relate to what some would call “phase 4,” but it happens around that certain timeline and takes place in the same universe, so why not leave it in? Anyway, as you may or may not know, Marvel is finishing up their series “Agents of S.H.I.E.L.D..” It’s a series that I tried watching when it first started, but for one reason or another, I just couldn’t latch onto it. It just didn’t work for me. The show will begin its seventh season during the 2019-20 television season, and will air for 13 episodes. However, if you are caught up with the series, you’d know that season 6 is still in progress, so the show still has time left before ABC dusts it away from its current lineup.

Speaking of television, Marvel in general is seemingly changing the norm of how they release their television programming. Before now, they would release various MCU-related content on ABC such as the recently mentioned “Agents of S.H.I.E.L.D.,” “Agent Carter,” and the short-lived “Inhumans.” Netflix also had a fair share of content, all of which was recently cancelled such as “Iron Fist,” “Jessica Jones,” “Luke Cage,” and to what I believe is to a lot of people’s surprise, “Daredevil.” These platforms, for all I know, could lose the ability to air new Marvel content for awhile whereas the TV channel Freeform, and streaming services Hulu and the yet to be released Disney+ are going to be the big three for some time. Speaking of Disney+, Marvel announced a plethora of shows to be exclusively released on the upcoming service.

For the record, Disney+ is expected to be released during the fall. So just a reminder, none of these shows will be available on day one.

The first show to premiere on Disney+ is going to be “The Falcon and the Winter Soldier.” As you can tell by the title, the series revolves around the known characters played by actors Anthony Mackie and Sebastian Stan. It is expected to start filming October 2019 and premiere in August 2020. While there are not many details about the series just yet, Mackie and Stan have previously wanted to do their own spinoff film at some point, particularly in the style of a buddy cop story. So who knows? Maybe this series could have some sort of comedic buddy vibe. But only time will tell.

Moving onto 2021 programming, up next we have “WandaVision,” which is short for the characters Wanda Maximoff and Vision meshed together. This series is going to star actors Elizabeth Olsen and Paul Bettany as the characters we have previously come to know throughout the Infinity Saga. Although I must point out. This takes place after “Avengers: Endgame,” and Vision died in “Infinity War” only to never come back to life. So my question is… How will they allow him to return? Let me guess, time travel. Because now if the Marvel universe has a problem. Boop! You got a time machine! Want to save Nick Fury from losing an eye? Boom! You got a a time machine! Want to stop Tony Stark’s home from being destroyed like it was in “Iron Man 3?” Boom! You got a time machine! Want to give Captain America the most advanced pop culture lessons of his life? Boom! You got a time machine! Granted, there’s probably more to it, but a time travel element would not be surprising. The show will hit Disney+ in Spring 2021.

Also coming in Spring 2021 is a “Loki” series. Without going into much detail, because this does involve a spoiler for “Avengers: Endgame,” which as of writing this, is still in theaters, it will involve a Loki of the past. That’s all I’ll say. The series will of course star Tom Hiddleston. I don’t know if I am going to watch any of these series, but I think out of all the series on this list, I feel like this is the one I’d be least likely to watch. It almost seems like an idea from a think tank meeting (even though a number of these shows feel the same way). “Remember that mysterious guy from ‘Thor’ who keeps dying and coming back to life? Nobody knows if he’s good or evil? Let’s not deal with any new characters, let’s use this guy some more! Yay!” The way I wrote that sounds generous, but when I imagine it, it sounds like a business meeting all involving out of shape guys in suits smoking cigars.

OK… I take my last statement back, this is a series I’d probably watch. Granted, I don’t want to pay for Disney+, I don’t see any reason to. Plus, as someone who wants to avoid witnessing Disney’s plan for world domination put into action, I want to spend as little money towards them as possible. Although I kinda do want to go to Disneyland to see Galaxy’s Edge the more I think about it. Nevertheless, the next series is “What If…?” For those of you who don’t know, “What If…?” is a franchise that creates and realizes perhaps unlikely or alternate scenarios related to Marvel characters. Some examples from comics include: “What if the Fantastic Four all had the same power?,” “What if Captain America had been elected president?,” and “What if Jane Foster had found the hammer of Thor?.” While I’m not getting Disney+, if they are ever to release any of these shows on DVD or Blu-ray I am very likely to pick up “What If…?” simply for the concept. The stories presented in the show will not affect the MCU’s timeline, but merely exist just to answer questions through the power of imagination. It is simply something that just provides a unique take of some sort.

Hawkeye in the MCU is an “interesting” character to say the least, because just about every time he appeared in an MCU movie when he first started, I did not care about him as much as the other characters. Then I saw “Endgame” and thought he was one of the best characters of the whole thing. Coincidentally, of the upcoming shows on Disney+, “Hawkeye” is one of them. Also, according to what I have gathered, this series will introduce Kate Bishop, who in the comics is the first woman to earn the Hawkeye title. She’s also a member of the Young Avengers. Here, this show will seemingly spend some time on allowing Jeremy Renner’s Hawkeye to pass the torch to this younger character. The question is… Will I care about her? Or will she just be another boring bow and arrow fetishist?

That’s it for TV shows. I’ll probably watch NONE of them. Mainly because I feel that the way that everyone is trying to push streaming service upon streaming service towards the consumers is going to eventually make streaming as a whole a significantly worse deal than cable. My family and I have not cut the cord, and honestly, I’m happy. Especially considering how I still have my game shows (streaming IS NOT a good alternative if you are a game show fan for the most part), plus it’s nice to watch a new episode of a show and have it feel like an event, whereas an episode or two of a show, or a whole season, drops on Amazon or Hulu and it’s almost like you unintentionally DVRed something. Plus, I enjoy my livetweeting. It makes me feel like I am part of a community. Another reason why I’ll probably miss out on all these shows is because I REVIEW MOVIES DAMMIT! Movies are a top priority of mine and because I watch and review them excessively, I barely have time for TV. And speaking of movies, let’s reveal what Marvel has planned for that realm of entertainment in phase 4.

First up for movies is a project that I think a good number of people know has been in full swing, “Black Widow.” The plot and details are mostly unknown at this time, but Scarlett Johansson, the woman that I have a crush on who says she should be allowed to play trees, well then, if that’s the case… Vin Diesel? Watch out, you might be fired soon! She is returning as the title character who we have seen in several parts of the MCU such as the “Iron Man,” “Avengers,” and “Captain America” franchises. From speculation, I would imagine this would take place long before the main events of the MCU, kind of like in “Captain Marvel.” I am also willing to bet this will be a grittier film in the franchise (even though they aren’t going for an R rating), while also trying to be fun. After all, Black Widow isn’t really a superhero, kind of like Iron Man, she just plays with toys. And based on what we have seen from her character in comics and movies, this is very likely to be a spy flick. If you ask me, this is not my most anticipated spy-related film of next year, I’d reserve that spot to “Tenet,” directed by Christopher Nolan, but I’ve been eager to see a “Black Widow” solo film for quite some time, so I’m excited!

Plus, ScarJo is a dream girl. Just saying. The film will be released on May 1st, 2020.

Up next is a newcomer to the MCU, specifically, “Eternals.” Some big name actors in the film include Salma Hayek (Grown Ups, Desparado), Kumail Nanjiani (Stuber, Silicon Valley), Angelina Jolie (Kung Fu Panda, Mr. and Mrs. Smith), Richard Madden (Rocketman, Game of Thrones), among others. It is going to be about a bunch of eternally living beings who have spent infinite portions of their lives fighting a force of evil referred to as The Deviants. One character, Makkari, played by Lauren Ridloff is going to be the MCU’s first deaf hero. The film will be released on November 6th, 2020.

The third movie is one that I personally think will be a mega hit at the box office. It’s not to say the others won’t be, but if “Black Panther” from phase 3 has proven anything, it’s that if you put a “visually different” person at the forefront of a superhero project, people will see it. That’s because this movie we’re talking about is “Shang-Chi and the Legend of the Ten Rings.” I don’t know if the final product will have a title this long, but only time will tell. Then again, it’s not as much of a mouthful as say “Percy Jackson and the Olympians: The Lightning Thief.” The main reason why I’d say this film has a bonkers chance of success is because Shang-Chi is Chinese, and in this film, he is going to be played by Chinese Canadian actor Simu Liu. Not to mention, based on comic-related images I have seen, this movie could be a visual treat. Another thing to consider is the Chinese movie market. If this movie is as visually impressive as I think it will be, not to mention as honorable to the Chinese culture as I think some would want it to be, I think a lot of people will go see this in the theater. China, at least to my knowledge, seems to go to a lot of spectacle type films. Some historical examples that come to mind include “Transformers; Age of Extinction,” which to be fair, was partially shot in China, and “Warcraft.” While “Transformers” is popular in the United States, “Warcraft’s” domestic returns led to its underwhelming final box office total despite making more than twice its budget. But it couldn’t reach the total $450 million needed to completely break even. But if anything has been proven, Marvel is an automatic success in the United States. In the US and Canada, “Black Panther,” a culturally significant film for the African community, managed to make over $700 million, which for those countries specifically, is actually more than “Infinity War.” But with the massive potential for winning over China and perhaps other somewhat related Asian communities, plus Marvel’s domestic success, it has a chance of being possibly a bigger success than “Black Panther.” The movie is scheduled for a February 12th, 2021 release.

Another film I saw coming was “Doctor Strange 2,” and we got it! But it technically has a more specific title, “Doctor Strange and the Multiverse of Madness.” Based on what I’ve heard, Scott Derrickson could be coming back to direct this sequel. It is also suggested that Benedict Cumberbatch and Benedict Wong, or in this case, just for fun, I’ll call them Team Benedict, will be returning to reprise their roles. One thing that I found interesting though is that Wanda Maximoff will be in the be in the movie as well, and it will be tied directly to the Disney+ series “WandaVision.”

OK… You gotta be kidding me. I know people give flak to DC for how they do their movies, but at least you don’t have to watch a freaking TV show to perhaps understand or comprehend what is happening in one of the DCEU’s films! Guess I’ll just read the Wikipedia entries for the WandaVision episodes, because I ain’t paying for Disney+. But one thing that does intrigue me, is the notion that this is going to be a more horror-esque movie compared to a lot of the other MCU installments. So who knows? Maybe this could have a wacky funhouse vibe, or maybe be the MCU’s version of “The New Mutants.” Although now that I think about it, “The New Mutants” could possibly end up being another version of this movie depending on how many more times it gets pushed back. Man, that movie premiere is gonna be one big realistic version of a FaceApp demo. This is definitely a movie I would want to see on an IMAX screen, maybe in 3D. Because I saw the original “Doctor Strange” in IMAX 3D, which made for one of the best visual trips of 2016. This film is expected to drop into theaters May 7th, 2021.

But my one request for this movie. JUST GIVE A MORE MEMORABLE VILLAIN. Then again, it’s Marvel, it’s not their strong suit.

When 2015 first started, the YouTube channel RedLetterMedia made a video where they jokingly predicted that we’d eventually get a fourth “Thor” movie called “Thor 4: More Thor.” Believe it or not, “Brooklyn Nine-Nine” used that title in their show. Unfortunately, we’re not getting “Thor 4: More Thor.” But we are getting a fourth “Thor” movie titled “Thor: Love and Thunder.” I have mixed thoughts on this movie, because I REALLY enjoy 2011’s “Thor,” probably more than I should. I know some people don’t like it, but I enjoyed Thor’s character arch and Loki was a solid villain. Granted, the followup in 2013, “Thor: The Dark World,” is in the conversation to be my least favorite Marvel Cinematic Universe movie. And even though “Thor: Ragnarok” was… “better,” it’s not what I wanted. I thought it was too comedic, and some of the jokes didn’t land. While it is visually stunning, somewhat appealing from a story perspective, the tone just didn’t work. Basically, Asgard is in a state beyond repair in this film. It could have been dark, gritty, maybe a little funny, but not like it was “Deadpool” for kids. I don’t think Taika Waititi is a bad director, in fact, I thought he would be a better suit for something like “Guardians of the Galaxy,” but he did a “Thor” film instead. It just didn’t stick the landing for me. I’m hoping “Thor: Love and Lightning” will be better, but from what I can imagine, it could be tonally similar to the previous “Thor” installment, which if that’s the case, I’m just hoping that the story actually fits the tone.

One thing that could be interesting is that Jane Foster, played by Natalie Portman, is making a comeback. And similar to a comics storyline, Foster is going to be taking on the mantle of Thor. And based on visuals presented from San Diego Comic-Con, it looks like her character will be holding Mjölnir at some point during the film. As long as Kat Dennings doesn’t show up to play her character from “2 Broke Girls” everything should be rather fine and dandy. The film is predicted to be out November 5th, 2021, so I demand there should be at least one reference to “V For Vendetta,” ESPECIALLY since Natalie Portman is returning!

Now let me just say, I have no idea when these next films are going to be released, part of me is willing to bet that one or two of them, are not even in phase 4, but Marvel Studios chairman Kevin Feige has confirmed that these movies are in development, therefore we are going to cover them. So let’s continue!

Remember the 1998 film “Blade?” Guess what? Marvel is getting to do another project with the character. I personally can’t say I have seen “Blade,” but part of me is willing to imagine that this will be a somewhat different take on the character because the original trilogy was rated R, whereas all the MCU films so far have gotten a PG-13. If you ask me, I would not mind seeing an R version of the character in the MCU, kind of like with Black Widow, but you cannot have everything. One thing that does intrigue me though is that Mahershala Ali (Moonlight, Green Book) is attached to playing the lead role. He’s a fantastic actor who has a ton of range, and he actually pitched this sort of idea to Marvel Studios through a call. Coincidentally, Ali has been attached to a couple of alternate recent comic book-based products including Sony’s “Spider-Man: Into the Spider-Verse,” and Netflix’s own MCU show, “Luke Cage.”

There’s not much to say on this next film, but I KNEW this was gonna be made at some point, perhaps soon. Why? Because again, it made SO MUCH money. I guess this is what happens when Disney remakes “The Lion King” for a new generation. Wait… I’m talking about “Black Panther 2.” There’s not much to say about this movie yet, but Ryan Coogler suggested that he’d write and direct this film, which does intrigue me because I thought he did a rather decent job with the first one despite its flaws. So… what Disney movie are they gonna retread next? Are they gonna do “Dumbo” because Black Panther is learning to fly for some reason? Are they gonna do a film in the style of “Wreck-It Ralph” where it is revealed that Wakanda is in an arcade cabinet? Are they gonna do one like “Frozen” where Shuri or Okoye just breaks out into an annoying catchy tune? By the way, screw “Frozen,” that movie can rot in hell!

Up next is a film that was supposed to come out in 2020, but based on recent controversy, that’s not happening anymore. Specifically, “Guardians of the Galaxy Vol. 3.” This is a film that I am honestly curious to see, because while I imagine this could potentially be a capper for a trilogy, director James Gunn has previously exposed that this installment is not meant to be a powerhouse of emotion. It is still going to be fun and lively. But if you have been following the news in terms of film recently, you’d know that Gunn was fired by Disney/Marvel over the resurfacing of less than family friendly tweets. Tweets that even he admits, he’s not proud of. If you ask me, I believe James Gunn is a competent director, who may have deserved the criticism that he received, but I’m not sure if Disney should have gone as far as firing him, especially when you consider how much he has changed over the years in terms of his outlook. Nevertheless, I am quite curious to see how this upcoming “Guardians” film turns out, and I do have a shortlist of soundtrack ideas, but I think I should save that for another time. The movie is not expected to begin filming until 2020, but that’s because James Gunn is currently doing a DC movie, specifically “The Suicide Squad.”

Here’s another no-brainer, “Captain Marvel 2.” When your film has the sixth biggest opening of all time, you know you have to make a followup. I’ll be honest, the first “Captain Marvel” did not work for me. I thought the chemistry between Fury and Danvers was kind of hit and miss. The scene where “Just a Girl” plays honestly, while I guess it was trying to be empowering, felt really off for an action scene that was most likely trying to be kick-ass. The final fight, which I imagine was trying to be funny, just ended up being questionable to me. And don’t even get me started on Goose the Cat! But, we are getting another movie, and I’m honestly hoping it is better than this one, but only time will tell. I like Brie Larson as an actress, but when she plays Captain Marvel, she honestly sounds like she’s only been in straight to DVD content. Come on, Brie! You won an Oscar for “Room!” Show me the magic! She did alright in “Endgame,” but she was not in the movie that much so there is that to consider. Then again, I’m a straight white male. So is my opinion even valid to begin with?

Another film on the list of “in development” is a third “Spider-Man” movie. By the way, by the time you finish reading this post, five more “Spider-Man” movies will be released, because they keep cranking them out! I finally saw “Spider-Man: Far From Home” the other day, and honestly, after seeing that film, I’d say a third one HAS to be made. And without going into detail, Kevin Feige suggested that the mid-credits scene from that film implies the third film will involve “a Peter Parker story that has never been done before on film.” And it does not surprise me that this is happening. I believe Sony is already satisfied with making their own “Spider-Man” movies in their universe and still enjoys the success they can get from spinning their webs in the MCU. Nevertheless, can’t wait. But if I had any requests, make sure the word “home” is in the title. That way I don’t have to end up confusing “Spider-Man” trilogies and can refer to this as the “Home” trilogy. Seriously! Even if it simply means that there is a minute of the two of the film where we find Peter Parker watching a Mets game, and for that reason it is called “Home Run,” it would still work because the other two movies have the word “home” in their titles too!

The next two films are a couple of projects that I think a lot of people have been asking for. Why? Because Disney just acquired 21st Century Fox recently, meaning they have retained the rights to a couple of big name franchises. One example is “X-Men.” I have no idea how the film will present itself. If anything, it is definitely going to be a complete reboot, staying away from the timeline Fox originally showcased to audiences since the early 2000s. After all, while I didn’t go see “Dark Phoenix,” probably just like everyone else in the world, maybe that movie tarnished the franchise enough to say, “Screw it, it’s over.” But some movie franchises or IPs are like Jenga, you can end the game by collapsing the tower, but you can always start a new one by rebuilding it. Maybe “X-Men” has a place in the MCU. And honestly, if a couple of the phase 1 heroes are going away, I think this is the perfect time to add in new heroes, because if they were still there, I’d honestly worry about clutter in the MCU. Granted, even with them showing up now, that is still a worry. But I also have a slight intrigue as to what this mega franchise can bring to the cinematic universe.

Speaking of Fox, one other franchise they once had, not to mention wasted, is “Fantastic Four.” Since Marvel has the rights to them, they can now possibly… NOT screw it up this time… Hopefully? I imagine it’ll be good, but I’m keeping experience in my back pocket. It’s in different hands, but for all I know, despite its popularity in the comic book world, maybe “Fantastic Four” is simply cursed as a movie franchise. But I am curious about this film and how it’ll turn out, and perhaps a little more excited about this than “X-Men.” Will Dr. Doom be the main villain again? Will the movie have the four in the middle of its title? Or… How about this? How about we get Chris Evans to play Johnny Storm again? Do it just to get some other character in the movie for a second. Maybe the group will be going around New York City grabbing lunch or something and they run into Peter Parker walking with Ned, which leads to Peter pointing at Johnny saying, “Hey! You look like someone I know!” I highly doubt that will happen, but it certainly would make for a proper more realistic “What If…?” scenario. Plus, with Stan Lee gone we’re gonna need new cameo ideas.

That’ll probably do it for all of the MCU-related announcements for phase 4, and again, a lot of these films and TV shows are in development. So who knows? One could get pushed back, maybe one gets cancelled. Perhaps it ends up being a part of an eventual phase 5. Nevertheless, I’m excited for a large number of these projects, and hopefully they will all end up being good! Also, James Gunn, I know it is a little late, but welcome back. I want to know, is there something I’m missing from this list? I think I’ve covered all the ground, after all I have 4,000 words inserted into this thing! Or, what is something that you want to see from the MCU as a TV series, as a movie, as a concept? It doesn’t even have to be for phase 4 if you want it someplace else. Let me know down below! Thanks for reading this post! Pretty soon I am going to be reviewing Quentin Tarantino’s “Once Upon a Time in Hollywood,” which is out this upcoming weekend. I’m going to one of my local theaters for their first screening of the film in 35mm, can’t wait! Also, speaking of Tarantino, be sure to stay tuned for my final installment in my Quentin Tarantino review series, “The Hateful Eight.” Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, if you could do me a favor, like this post, share it around with those you know, it really helps me out. And speaking of that, like my Facebook Page! Scene Before is your click to the flicks!