Movies and COVID-19: Behind the Scenes – Part 6

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Hey everyone, Jack Drees here! It is now time for part 6 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

I’m telling you guys, this is getting annoying! We now have as many entries to this series, as “Sharknado” does within its own series! This is wrong! And honestly, this may be the biggest post yet, because a lot has happened in the entertainment realm! But of course, let’s get to the real world news first! By the way, if you’re asking, none of it has to do with Kim Jung Un. I’m only counting COVID-19 matters.

Today we’ll start in a film capital, California. Last week, Florida’s Duval County was in the news because people spent time at the area’s beaches that were recently reopened. This was referenced a ton on social media, which lead to the trend #FloridaMorons. While I never found #CaliforniaMorons to be trending on Twitter, some people did make tweets with that hashtag inserted. Before we go any further, here’s some highlights related to this subject, even if all of them don’t use the hashtag.

Once again, I did not see #CaliforniaMorons trending, but just to prove that I am not the only person who is noticing this…

I know, right?! I love California! I was just there a month ago! But, holy crap! This weekend, California was hit with warm weather, reaching 80 and 90 degrees. Since it is so warm, a lot of people thought it would be a good time to go to the beach. But of course, because COVID-19 ruins fun, there is a massive chance of spreading the infection. Naturally, much of the response on social media to this matter has been particularly negative. Speaking of beaches getting traffic, San Diego officially reopened their beaches starting Monday April 27th. However, this does come with restrictions. People cannot gather in groups, park, or lie down to get some rays. Question about parking, does Uber count? Drivers need to get by in these times! Plus, Fiesta Island, piers, and boardwalks will be closed. However, you can still swim, you can still fish, you can still surf. This is part of phase 1 rules in regards to San Diego beaches. California Governor Gavin Newsom had this to say about the matter…

“This virus doesn’t go home because it’s a beautiful sunny day around our coasts.”

Although, California is not done with announcing closures, because the Orange County Fair will officially be shut down for this year. This year’s fair was supposed to last for 23 days, on every day of the week except for Mondays and Tuesdays starting July 17th and ending August 16th. The fair, held in Costa Mesa, California, has previously seen over a million visitors in a year.

Two of the celebrities who have been taking up lots of spotlight in this time of a pandemic are Tom Hanks and Rita Wilson, both of whom previously been tested positive for COVID-19. However, time has passed, and the two seem to be better then they were a month ago. Although they are back in the news for better reasons. Hanks and Wilson agreed to donate blood and plasma for a possible vaccine. After all, both individuals carry needed antibodies. I will be real, I f*cking hate needles. Even if they are necessary. I feel as if I’m gonna make it out of a burning building should a vaccine be injected into me in order to avoid getting COVID-19. However, if you want to convince an anti-vaxxer to get a vaccine, tell them that Tom Hanks will now be a part of you.

Speaking of Tom Hanks, the man known for such films like “Cast Away” and “Bridge of Spies” defended a child the other day. While he was not able to get physically involved, partially because of physical distancing limitations, he did take action. When Hanks and his wife, Wilson, were diagnosed with coronavirus, an 8-year-old male Australian student by the name of Corona De Vries wrote a letter to the couple saying he loved his own name, but he was often called the coronavirus, making him “sad and angry.” Hanks saw the letter and responded back suggesting “You got a friend in me,” a phrase inspired by “Toy Story,” another film Hanks is famous for.

Say what you want about celebrities being selfish and entitled, even in these times. Tom Hanks suggests otherwise.

Now I’ve talked quite a bit about Donald Trump, who as of recently, just invented the “Noble Prizes!”

By the way, if you are wondering why I am not using Trump’s tweet for this, it no longer exists!

Last week, after Trump suggested that the coronavirus “may not come back at all” for a second time, Dr. Anthony Fauci begs to differ. He suggested the possibility of a second outbreak after having a discussion with Robert Redfield, director of the CDC. This outbreak could hit in the fall, and be more complexing considering how the flu pops up at the end of the year.

Speaking of Trump, time for some bleach drinking! In the ambitious search for a COVID-19 cure, Donald Trump has suggested the possibility of injecting disinfectant in order to rid one’s body of COVID-19. Let me just start off by saying, yes, injecting disinfectant will VERY LIKELY get rid of COVID-19, because you’re about to f*cking go down along with it. Putting bleach in the body is good for a lot of things. Erasing the lyrics of “Baby Shark” from your head! Forgetting whatever the “Cats” movie was! Oh, and trying to become a f*cking ghost! The COVID-19 crisis is not going to be solved through disinfectant going inside you! Besides, everyone’s afraid to go to the supermarket right now! You think everyone’s gonna want to pile on top of each other in the same aisle grabbing Clorox?!

I’m done! I’m really just done! I just want to go to a restaurant and the movies, is that too much to ask?! Wait…

Before we go any further, I’m going to remind everyone that in my post from last week, I documented that Georgia was planning to reopen on April 27th. Well, that was yesterday. But when it comes to movie theaters, those are not reopening. I mentioned this specific before, but I thought I’d bring it up as a refresher. Georgia Theater Company, otherwise known as GTC Movies, is not planning on reopening theaters anytime soon. They intend on waiting until July, when Christopher Nolan’s “Tenet” comes out, a movie which we’ll talk about later. Speaking of which, Greg Abbott, the governor of Texas, has given theaters the green light to open starting Friday with 25% capacity. Chains like AMC and Cinemark do not plan on opening until the summer. Although in addition to that, a movie theater chain that is absolutely critical to Texas is taking similar actions. Specifically, Alamo Drafthouse. For the record, these theaters are not entirely shuttered, as some are open for takeout and delivery. After all, Alamo Drafthouse is known for its food selection. However, an Alamo Drafthouse spokesperson had this to say in regards to possibly reopening…

“Opening safely is a very complex project that involves countless new procedures and equipment, all of which require extensive training. This is something we cannot and will not do casually or quickly. We will not be opening this weekend. But know this, when we do open, we will be providing the safest possible experience for both our staff and our guests and we can’t wait to see you all again!”

It seems that Alamo going to follow the footsteps of other chains and maybe reopen during mid-summer. That is, should COVID-19 not affect the safety of theater patrons. Besides, not much material is coming out in theaters these days, including a movie I am going to talk about right now.

SCOOB! GOES STRAIGHT TO DIGITAL

One of the family films that was set to come out this year is “Scoob!,” which if you cannot tell, belongs to the “Scooby-Doo” IP. Now “Scooby-Doo” has had a lot of content over the years, but in May 2020 the franchise was about to have its latest theatrically released title. A couple of films within the IP have been presented this way already, and they were written by James Gunn, who of course is now famous for his work on the “Guardians of the Galaxy” films. This film was set to release May 15th, 2020, but Warner Bros. took it off the release calendar in response to the pandemic. Turns out, it will be coming out that day all along, BUT it won’t be in theaters, given how none are practically open right now. Instead, it is going to follow in the footsteps of “Trolls: World Tour,” the animated sequel by DreamWorks, now owned by Comcast, and release onto VOD. Meaning that services including Prime Video, Vudu, FandangoNOW, and Google Play will be getting the film. I’ll be honest, had this pandemic not been going on this year, there’s a solid chance that I might miss out on “Scoob!” if it were in the theater. The only reason why I would even consider seeing it, is because I feel the need to see five animated flicks by the end of the year, because I need enough nominees at the Jackoff Awards that I do in the winter. Although, it definitely does have a market. Families would probably have gone to see it. Generations who grew up with “Scooby-Doo” will recognize the movie and pass the torch to their children. Had it stayed in theaters, it could have made for a fun outing. But of course, it’s not in theaters.

“Trolls: World Tour” was not the worst option of all the movies that could go straight to VOD instead of theaters. A lot of younger kids recognize the film, and since sometimes bringing kids to the movies can be obnoxious, putting it in a home environment is not the worst idea. That is until Amazon’s 48 hour rental period expires and they beg for the parents to spend another $20. “Trolls: World Tour” landed one of the biggest digital debuts ever, and “Scoob!” could do the same, but that is going to depend on how many kids are looking forward to it. I think there was more of an appetite for a “Trolls” sequel among children than there was for a “Scooby-Doo” movie. At the same time however, “Scooby-Doo” has had a long history of being a product for the home environment. I grew up having a piece “Scooby-Doo” media in my collection. A lot of television shows and cartoons have been a part of the “Scooby-Doo” brand. From a production standpoint, this could come off as something that was meant for theaters, but may be remembered as another fine entry to the “Scooby-Doo” home media collection.

THE KING OF STATEN ISLAND GOES STRAIGHT TO DIGITAL

Had South by Southwest happened this year, one of the films that I would have been eager to see was Judd Apatow’s “The King of Staten Island.” The film had an advantage of being a higher-profile title, alongside such movies including “The Lovebirds,” which is now going to Netflix. This film had a bright future on the big screen. Aside from a SXSW debut this March, it was supposed to come out June 19th of this year in theaters. I have some good news and some bad news. The good news is that “The King of Staten Island” is getting bumped up a week to June 12th, 2020. So it’ll come out a week earlier. The bad news is, if you were looking forward to seeing Judd Apatow’s latest film in theaters, that’s not happening, and this does not come as a surprise. I have a feeling that part of this not only has to do with analyzing the potential box office results ahead, but maybe it has a bit to do with “Tenet,” which I think is going to be a better example of a film that is going to try to entice people to get back in the theaters (again, more on that later). However, starting June 12th, “The King of Staten Island,” a semi-autobiographical comedy-drama starring Pete Davidson will be available On Demand through various services. This is a release technique similar to the recently mentioned “Scoob!.” The film also features notable names including Marisa Tomei (Spider-Man: Homecoming, My Cousin Vinny), Pamela Adlon (Bob’s Burgers, Better Things), Steve Buscemi (Miracle Workers, Fargo), and Bill Burr (Breaking Bad, Date Night).

While this technique has been done for a film like “Trolls: World Tour,” which again, was fairly successful. A film with this much name power that was supposed to be in theaters has not really gotten this treatment all that much during the pandemic. I see at light at the end of the tunnel, but as of now, “The King of Staten Island” is perhaps an adult version of the “Trolls: World Tour” experiment. I honestly don’t know how this is going to go, as “Trolls: World Tour” likely had several advantages. First, that movie was going for a wider audience including children, families, etc. “The King of Staten Island” is an R rated picture. No kids allowed on this flick! Plus, since this film probably won’t be heading to a platform like Netflix, where you can watch the movie for free as long as you have a monthly subscription, it could suffer from less views because people are cheap and they’d rather watch something free than pay a rental price. “Trolls: World Tour” might as well be a product that can be put on bunches of times just to shut kids up on some occasions. It may be expensive, but the peace and quiet could be worth it. Although, Comcast’s streaming service, Peacock, which is now available for Xfinity customers, is hoping to expand its customer base starting July 15th. Maybe “The King of Staten Island” will end up on the service as soon as possible for everyone to enjoy.

Also, side note, this movie is incorrect. Pete Davidson IS NOT the king of Staten Island. The Impractical Jokers are the kings of Staten Island. That’s a fact. Prove. Me. Wrong. I dare you.

A SURPRISING SUCCESS FOR TROLLS: WORLD TOUR

Thought I was done talking about “Trolls: World Tour?” Well, I’m not! Because according to The Wall Street Journal, it turns out “Trolls: World Tour” has officially made over $100 million in a matter of just a few weeks! This ultimately means that this digital experiment Universal was trying out happened to be relatively successful so far. Again, I think part of this mainly has to do with “Trolls: World Tour” being a family movie that kids will probably be watching over and over again to the point of becoming annoying. However, it’s an interesting success story as movies like this, including “Trolls: World Tour’s” predecessor, happen to gain massive successes from big theatrical runs. I should also point out that the first film currently has made more money at the domestic box office, specifically $153.7 million. But who knows? Maybe that will be broken. Will this mean Universal does more straight-to-digital releases in the future? Honestly, I hope not. While this may have worked for a film like “Trolls: World Tour,” which I think kids were going to watch no matter what, movies in general are often built up best by word of mouth in an attempt to get people out of the house. I just hope for the love of Pete that the ninth “Fast & Furious” DOES NOT get a straight to digital treatment. As for other factors to consider, “Trolls: World Tour” is also one of the only new films to watch right now, and since we can’t leave our house, maybe that has a contributing factor to how willing we are to stay in and pay a rental price on the movie. If we were in normalcy, who knows how this would have played out? But if you ask me, EVERY MOVIE is better in a theater. Mark my words.

SPIDER-DELAY! SPIDER-DELAY! DOES WHATEVER A SPIDER-DELAY DOES!

In part 5, I’ve practically given DC Comics its own section to talk about in terms of delays. This time, I’m going to be doing this for Marvel, both on the sides of Disney and Sony. Starting off with Sony, one of their hit movies, the Academy Award-winning “Spider-Man: Into the Spider-Verse” was supposed to get a sequel released on April 8th, 2022. That’s not happening anymore as the sequel has officially been pushed back to October 7th, 2022. It is hard to know what could come of “Spider-Verse 2” from this release date. Maybe it could do what “Venom” did and be able to separate itself in a month full of horror movies, not that “Venom” didn’t have some elements of the genre. For all I know this could work, because the first film won an Oscar, a Golden Globe, a Critics’ Choice, and seven Annies. The first film by the way released in December. I feel like the Best Animated Feature category is the least important one when it comes to releasing a film at a certain time, but experience has suggested that when a film releases later in the year, it usually gets some awards buzz. “Spider-Verse 2” could not just be a big hit, but another award winner.

Speaking of “Spider-Man,” the third Tom Holland “Spider-Man” movie was delayed! This third “Spider-Man” film was supposed to be connected to the MCU and release in theaters July 16th, 2021 as part of Marvel’s fourth phase of films. However, the film now sits in the month of November, taking a spot on the fifth day of the month. I am disappointed that I have to wait for the film, but the film opens on my birthday weekend, so I’ll take the wins as they come along. This news may have ties to how filming has not really been happening, and I am willing to bet that the delay for Sony’s “Venom: Let There Be Carnage,” now coming out on June 25th, 2021, plays a bit into this. After all, that too is technically a “Spider-Man” property. Having these two movies very close to each other could potentially be weird. Speaking of Marvel…

THOUGHT SPIDEY WAS ALONE? THE MARVEL RELEASE CHANGES SHALL ASSEMBLE!

One of the most complex questions right now in regards to the pandemic is the wonder of what is going to happen to the Marvel Cinematic Universe. It was not that long ago that “Black Widow” was delayed from this May to November, taking “Eternals'” spot on the release calendar. This resulted in pushback upon pushback upon pushback. Guess what? “Spider-Man” is not the only Marvel character affected this week. “Doctor Strange in the Multiverse of Madness,” which was supposed to release the same weekend as “Spider-Man 3,” is now getting pushed back to March 25th, 2022. Interestingly however, “Thor: Love and Thunder,” which was supposed to come out February 18th, 2022 as of recent times, is getting bumped up a week and is now coming out February 11th, 2022. Why is that? I don’t know for sure, but maybe to get couples to go see it on Valentine’s Day. With a title like “Love and Thunder,” that’s probably the reason. And now, for everything else!

THE DELAYS NEVER END!

Going back to Sony, one of the interesting projects that they have held onto for some time is a movie based on the popular video game franchise “Uncharted,” which, appropriately, is a Playstation exclusive. Even though Tom Holland’s “Spider-Man 3” is getting pushed back to November 2021, “Uncharted,” which he is set star in, is getting bumped up. Finally! Some positive news about this movie! I have never played the video games, even though I have heard solid things about them, but as for the movie, it just goes to show that even in development, video game movies are cursed. However, “Uncharted,” which was supposed to release October 16th, 2021, is moving up to the summer of that year! As of now, it is taking the spot where “Spider-Man 3” once was! Hopefully, this optimistic bump means that production will be happening as soon as possible, considering how filming was shut down due to COVID-19 on day one. Who knows what’ll happen? This movie is an enigma! As for other projects under Sony’s control, “Fatherhood,” a new comedy starring Kevin Hart is being pushed back from October 23rd, 2020 to April 2nd, 2021. Speaking of Kevin Hart, another movie where he’ll appear, “Man From Toronto,” once set for a September 17th, 2021 release, is now coming out November 20th, 2021. And if you thought “Spider-Verse 2” was going to be the only affected animated title, you’re wrong. “Connected,” the upcoming film produced by Phil Lord and Christopher Miller, was delayed a month. The film, which was previously expected September 18th, 2020, will now be coming out October 23rd, 2020. “Vivo,” featuring songs from Lin-Manuel Miranda of “Hamilton” fame, was supposed to release April 26, 2021, but now is getting pushed back to June 4, 2021. Can’t believe this is a thing, “Hotel Transylvania 4!” I guess this is also known as, “Adam Sandler needs an excuse be in a movie that won’t go straight to Netflix.” By the way, “Uncut Gems” is brilliant and you should watch it if you haven’t done so already. That is even if it does try to convince an audience that the Mohegan Sun casino in Connecticut has a sportsbook. Anyway, “Hotel Transylvania 4” is yet another movie that is not going down the calendar, but up! Originally set for a December 22nd, 2021 release, the animated sequel will now take the August 6th, 2021 spot. This could be a strategic move as it could give families something to do over the summer, while not having to compete with Universal’s “Sing 2,” which is set to release the same day “Hotel Transylvania 4” was once supposed to come out.

Also getting delayed, Tom Cruise is gonna have to wait a little bit longer before he attempts to kill himself once more, or more specifically, twice more. The seventh and eighth installments to the “Mission: Impossible” franchise, which will be directed by Christopher McQuarrie, also known for helming the fifth and sixth installments in the franchise, both have previous release dates set to self-destruct. The seventh “Mission: Impossible” installment was supposed to come out July 23rd, 2021, once again standing out as a summer staple. As of now, the film is coming out November 19th, 2021, just before Thanksgiving. As for the eighth installment, once planned to release August 5th, 2022, that is now set for a release date that I am personally digging, November 4th, 2022. Why am I stoked? Because it’s my birthday. From what I could imagine however, these two movies may have quite a bit to do with each other and could probably go well together in back to back viewings. Kind of similar to putting “Avengers: Infinity War” and “Avengers: Endgame” together. There is always a chance that “Mission: Impossible 7” could suck more than anything that has sucked before, thus lowering my hype levels for the eighth installment. However, “Mission: Impossible” is a peculiar series that honestly has gotten better with each installment, so anything is possible.

NEW HOME RELEASES

I usually save this for last, but this time, my next post has more of a climactic vibe, so this is going to be my penultimate section. When it comes to digital releases, perhaps one of the most notable titles coming out this week is “The Photograph.” This debuted in theaters last February, stars LaKeith Stanfield (Sorry To Bother You, Knives Out) alongside Chelsea Peretti and features intertwining love stories. This seems appropriate, because, again, this movie came out in February. Although for Netflix, one movie that just came out is “Extraction,” starring Chris Hemsworth (Thor, Ghostbusters) as a black market mercenary. The film is not one that I plan to review, however it is also one that I am hearing solid things about. Granted, the story is nothing to write home about, but if this film were to be solely judged based on action, I’m hearing it slaps. And this honestly does not surprise me as it is written by Anthony and Joe Russo and directed by Sam Hargrave, a stunt coordinator behind “The Hunger Games: Catching Fire,” “Atomic Blonde,” and “Avengers: Endgame.” As for whether or not this is the next “John Wick” is something that you will have to decide for yourself. Also, if you have any plans to tune into Amazon, the SXSW lineup is now available, which was made in response to the cancellation of the ambitious annual event held in Austin, TX. If you have Disney+, your inner “Star Wars” nerd is going to be happy, because not only are you soon going to be getting more of “The Clone Wars,” you’re not only getting a documentary on “The Mandalorian,” but “Star Wars: The Rise of Skywalker” will be available on Disney+ starting May 4th, known by the fan community as “Star Wars Day.” From then on, the complete “Skywalker Saga” will be available on the service. Speaking of action-packed films…

TENET IS LOCKED FOR JULY 17TH

This is going to be the main topic of this entire post. For those of you who don’t know, Christopher Nolan is coming out with his latest blockbuster title, “Tenet,” which had a trailer release this past winter. At the same time, a short preview attached to IMAX screenings of “Star Wars: The Rise of Skywalker,” was shown for a limited time. This film, among all others, HAS NOT been delayed. And if you have talked to me at all recently, it is a film that is almost my most anticipated of the year. It’s just one spot under “Dune” if you are all curious. “Tenet” is a film that has literally been designed for the movie theater experience. It was shot using film stock through IMAX and 70mm cameras, it’s got a labyrinth of a concept similar to Nolan’s other films, and the cast looks promising. Some attached names include John David Washington, Robert Pattinson, Kenneth Branagh, and of course, the one and only Michael Caine. I have been worried for the longest time that this film would get gravitated from this summer, taking away yet another big movie. It’s happened with “Top Gun: Maverick,” it’s happened with “Ghostbusters: Afterlife,” it’s also happened with “Morbius.” However, “Tenet” happens to be one of the last men standing in this battle against the invisible enemy. That’s also what it will continue to be going forward, because IndieWire suggests that “Tenet” will be ready to open July 17th of THIS YEAR unless theaters are closed. Is this wishful thinking? It’s possible, but this article gives me hope, and I will state, this is not the first time I am hearing this statement. However, just to hear this be reinforced a month later, is extremely fulfilling. One of my big worries when it comes to “Tenet” is the possibility of it being a lone wolf in the movie theater, there is not much of a reason for the film to play in seemingly dead space. But at the same time, Christopher Nolan has constantly marketed “Tenet” as an event film. It’s an expensive blockbuster clearly meant for the summer. It’s got a similar vibe to Nolan’s own “Inception.” I will also point out that should quarantine end around the country starting July, Christopher Nolan can utilize a huge marketing push at the end of the game, maybe reminding people how exciting it is to go see a movie in a theater. Nolan is all about that atmosphere. Nolan is not a streaming guy. In fact, when this all started in the US, Nolan wrote an opinion article in The Washington Post where he called movie theaters “a vital part of American social life.” Before hearing what IndieWire suggests in their article, I had a rather bleak thought process as to what theaters would look like only being able to show “Tenet.” A few screens would be open, while every other one is some classic title that maybe not everybody is gonna pay $12 to see when they can they rent it on Amazon. Turns out, IndieWire sees a much more optimistic point of view. IndieWire suggests the following:

“Even if theaters start opening in June (Georgia’s aggressive early plan could permit openings in early May, but NATO has stated it prefers a nationwide, concerted rollout), few will attend without new films. Going before other big films would allow “Tenet” to play on virtually every screen in the country.”

Think about it. How many films have been delayed? From smaller titles that nobody has even heard of to the big blockbusters like those that Marvel cranks out every few months, despite their differences, they have something in common. They got delayed. A few got delayed not too far up calendar while others got kicked into another year, but nevertheless, they got delayed. “Tenet,” as the last man standing, could literally possess every auditorium in every theater, at least in the United States. This is something that during NORMAL times, I would be scared of a movie doing, but now, it makes sense and I am flat out encouraging it, because something needs to light the spark. Plus, should theaters reduce capacity for safety concerns, “Tenet” has themselves covered. They have more theaters and auditoriums that could supply everybody. If you have an AMC near you that has a bunch of standard screens, an IMAX screen, a Dolby Cinema screen all in one place, there’s a solid chance that they’ll use one or two, maybe another auditorium for standard screenings of a blockbuster. In addition, the IMAX or Dolby, depending on the deal they’ve made regarding the film, will also feature said blockbuster. If you have a decent-sized theater, for all I know, “Tenet” could take every screening possible. Can you imagine a 25 screen theater with “Tenet” on virtually every single one? It’s going to be the State of the Union Address of movies. There’s no alternate program you can resort to, it’s “Tenet” or bust! And if this were a film that could easily fit in for a streaming environment, had a small budget, or lacked some of name recognition, I’d probably say maybe this theater project is overblown and a bit beyond one’s reach. However, the film was designed for the theatrical experience, is a blockbuster, and is helmed by the man who I personally think is my favorite director of all time. For all I know, he could get another Oscar nomination for this film depending on how this year pans out.

The slogan of “Tenet” by the way, and hopefully I am not scaring anybody, is “time runs out.” Let’s just hope that time will not run out on this film and our chances of seeing it as early as possible, in as lively of an environment as possible. In a season of movies getting delayed like flights for United Airlines, “Tenet” is possibly going to be the last man standing. The fight against the invisible enemy shall continue, and we shall not stop until we can successfully get millions of butts sitting in cinema seats. Warner Bros., Christopher Nolan, the entire cast and crew of “Tenet,” to say I am rooting for you is an understatement. For all I know, if “Tenet” successfully enters theaters in July, I will be there opening night for IMAX 70mm. This virus is ruining Hollywood, and now we need to give it the Hollywood ending it absolutely deserves.

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Thanks for reading the sixth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Look, I love doing Scene Before, but if this is what I’ll be talking about for the rest of my life, it’s going to get tiresome. I will point out that I left the house for the first time all month on the 25th. There’s that. I just want to go see a movie. If movie theaters collectively do not survive this crisis, I think I might almost be done with movies. One of the reasons why I love movies is because they are experiences, and these experiences are best had in a distraction-free environment either by myself, a few other people, or even a full house. Are the tickets and food sometimes overpriced? Sure, but moviegoing is a staple of the economy and I would flat out scream up to sky if they disappeared. PLEASE… Stay home as much as you can. Do *your* part if you want a better chance of me giving my thoughts on movies for you to possibly see. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! While it may not cure the coronavirus, if you want a better use of your time than drinking bleach, check out the Scene Before Facebook page! I want to know, did I miss anything related to COVID-19 and film? What big piece of news stands out to you? Or, since it relates to this post, what do you think are the odds of “Tenet” getting delayed? At this point, it’s a competitive and strategic game of chess. Who knows at this point? Leave your thoughts down below! Scene Before is your click to the flicks!

Top Movies of the 2010s (THE BEST 25)

Top Movies of the 2010s OFFICIAL POSTER

*WARNING: This post is over 11,000 words long…*

Hey everyone, Jack Drees here! This is it! We have arrived! Second upon second, minute upon minute, hour upon hour, week upon week, month upon month, year upon year, has led to this very moment. It is time to dive into the best and the worst movies of the 2010s! For this initial installment of the multi-part series, I will be diving into the best movies of the decade. If you have followed this blog for some time, there is a good chance that you know that I usually like to cap off my years by reflecting on the best and worst in film through short countdowns. This however, is going to be bigger. I’ll not only explain movies, what they’re about, why I did or did not like them, but I will also show clips of the movies as well, so you can get a taste of the cinematic flavor. Plus, instead of top 10, this countdown is going to be a top 25, more films, more fun! I am going to continue being as descriptive about these movies as I can without providing any spoilers about them. And per usual, rules apply. This is a completely subjective and personal countdown. All of these entries are strictly my opinion, and in no way factual. I am not being paid money to put a film in a certain place, I am not sponsoring any of these films, I have not even worked on a single one, I am just a viewer. Also, the 2010s is a span of ten years and thousands of movies, for all I know the final outcome could be much more because it is getting easier to make a film nowadays. People do it on iPhones for crying out loud! With that being said, I have not seen every single film this decade. I still haven’t gotten around to films like “Despicable Me” (2010), “The Artist” (2011), “Silver Linings Playbook” (2012), “This is the End” (2013), “X-Men: Days of Future Past,” (2014), “Bridge of Spies” (2015), “The Nice Guys” (2016), “Logan” (2017) “If Beale Street Could Talk” (2018), and “The Two Popes” (2019). Films like those will not be on the list. I will also point out, if the film does not have a theatrical release of any kind, it will not be allowed on here. That means all movies that have gone straight to DVD, TV, or streaming are not qualified and will be off the list unless the public was able to see it in a theater during its prime release schedule. So with that being said, let’s dive into a countdown to ultimately define the past ten years. This is the big one, let’s do this! These are my top 25 BEST movies of the 2010s!

#25: Honey Boy (2019)

Out of all the movies that I am putting on this list, this one is one of the most recent to have come out. Specifically, “Honey Boy.” This movie is written by, of all people, Shia LeBeouf (Transformers, The Peanut Butter Falcon). And I have to say, as an observer, I think LeBeouf might be a better writer than he is an actor! LeBeouf wrote this movie while he was in rehab and I think the turnout result on screen is nothing short of fantastic. This is the first feature-length script written for the screen by LeBeouf himself, and if he is ever up to the task, I would love to see more from him. Speaking of debuts, this film is also the feature-length debut of director Alma Har’el, who I think personally created one of the best directorial debuts of all-time. This is a film that hit me when I saw it in the theater. I was never able to fully relate to the situations at hand. But that’s because I never grew up with an abusive parent, I have very loving parents, but I cannot deny that I felt something for the movie’s lead kid character, Otis, who is played marvelously by Noah Jupe. Speaking of which, we also manage to see some rather unfortunate effects that have been eventually attached to this character as he ages into a 22-year-old. The only problem I have with this movie are a couple nitpicky comments I have with shot choices. Other than that, it’s perfection.

#24: Birdman (2014)

You ever watch a certain movie and ask yourself, “HOW THE F*CK DID THEY MAKE THAT?!” Admittedly, I knew one or two things going into “Birdman,” but having seen that movie, I have to reiterate that question to myself from time to time. Seriously! This is  a film that quite literally, never stops. It is one of the most innovative films of our time, specifically because the shots never cut. I just saw “1917” before concluding this list, which is a great movie. And that too has a non-stop, one shot take represented for an extended period of time. But this movie was a game-changer for me. This movie also could have sucked as a story, and still work for me in regards to how it represents itself visually. But guess what, it doesn’t suck as a story! The movie revolves around an actor who is well known for his role as a superhero in a film franchise. He’s sort of becoming increasingly irrelevant, and he is trying to revitalize his career on Broadway. The film gets surprisingly intense and delivers some of the best acting of the decade. This movie may represent Emma Stone’s best performance to date, which says a lot because I like her as an actress even in movies that I didn’t enjoy overall. Even though I didn’t entirely dig films like “The Amazing Spider-Man 2,” she was a highlight. If Stone keeps kicking ass in Hollywood and taking names for years to come, maybe she’ll be the next Meryl Streep. That’s another thing, what really makes this film all the more intense as a production is the fact that the camera is literally never stopping. There’s a shot that goes on for fifteen minutes, suggesting that there is a clear sense of needing to remember literally everything you have to do. Somehow, everyone pulled this ambitious project off! To me, it’s one of the greatest cinematic achievements of all time. Good story, good cast, good cinematography, GREAT film.

#23: Kung Fu Panda 2 (2011)

One of my favorite DreamWorks franchises is “Kung Fu Panda,” so it should not be surprising that one of the films from the franchise end up on here. Well… except the first one, that came out in 2008, therefore it doesn’t count. Instead, why not put the second one on the list? “Kung Fu Panda 2” is too awesome for words. If you ask me, this is an animated sequel that is visually stunning, fun, and continues directly where the original left off and gives itself a reason to exist. It also, to my surprise, does a really good job with world-building and providing some decent backstory material as well. Much like many other sequels that come to mind, this references the original in clever ways, the most notable instance that comes to mind is the “stairs” scene, which continues to get a kick out of me conceptually. I will also say that much like the original “Kung Fu Panda” movie, the climax of this film is one of the best in animation history. It is compelling, it is attention-grabbing, it is flashy, it is epic, it’s everything I want out of a movie like this. The animation itself is pristine, clean, and overall very marvelous to glance upon. It’s easily one of DreamWorks’ best-looking films! If “Kung Fu Panda 2” ever comes out on 4K, I would not mind going to the store and picking it up! The original “Kung Fu Panda” will always have a place in my heart, both as a childhood film, and as one of my favorite films in general. But this sequel, along with the third installment in the trilogy, both bring smiles to my face. Spoiler by the way, the third installment, as much I adore it, is not on this list!

#22: Oz the Great and Powerful (2013)

Coming in at #22 is an entry that I feel is going to strike some controversy, but what is the Internet without a little disagreement? So, hear me out. Here’s the thing about “The Wizard of Oz,” many people seem to know it to be one of the most beloved, iconic films of all time, and I can see why. Having seen the film myself, I think it is definitely worthy of utter appreciation even eighty years after its release. However, if you ask me, one of the best films of my time, personally, comes from the same universe, “Oz the Great and Powerful.” This is one of those films that I am surprised I do not talk about more often. While the visuals at times may not look realistic and maybe like something out of a TV movie, that honestly adds to the charm of this film a little bit. I think James Franco does a pretty decent job with the lead Role. Mila Kunis adds her slice of charisma and comes off like she’s having fun with the movie. When I saw the marketing for this film originally, I was expecting something epic, fun, and flashy, and I got all three of those things. Did I mention Sam Raimi directed this film? I think he did a pretty swell job at not only giving us a solid story, but the way they utilized 3D in this film was honestly done to levels that I did not expect. Is it gimmicky? I guess you can definitely make an argument for it being gimmicky, but that sort of adds to the fantastical charm of it all. I also have to give a shoutout to Danny Elfman for creating the fantastic score. As soon as I was introduced to the film and I was going through the opening titles, I knew that this movie was going to be rad. There are times where, dare I say it… *whispering* think this could be more entertaining than “The Wizard of Oz…” Does that mean it’s technically better? Probably not, but still.

#21: Roma (2018):

I think this film is pretty unique in terms of where it stands. After all, it is the only black and white movie on this list. I give you all the movie that made me start taking Netflix just a tad more seriously as brand, “Roma!” This is one of those films that I went in blind for, and as I watched whatever was happening, it made for one of the best theater experiences of the past few years. Plus, getting to see this movie in 70mm was a treat. This film is directed by Alfonso Cuarón, who also made another enjoyable flick from this decade, “Gravity.” Now I liked “Gravity” when I saw it, and as a theater experience, it was better than “Roma,” which says something because “Roma” is great on its own. But having said that, “Roma” is ultimately the superior film. It’s a story revolving around a maid to a family in Mexico who becomes pregnant. Essentially, this is one of those “slice of life” films that is not always happy go lucky. There was a moment during the film, probably through shot composition, direction, and acting, where I almost let a tear go. The beach scene in this film is one of the most emotionally powerful moments I had the privilege of witnessing in a cinema. When it comes to this list, there is almost no other film that I can think of, except a few, that can rival this one in terms of cinematography. If you want to watch it right now it is free on Netflix, but it is also getting a physical release as part of the Criterion Collection which REALLY makes me happy. I will say though, I am not sure how audiences, specifically Americans, will continue to respond to it overtime. It is black and white and has subtitles. I don’t care about subtitles personally, but it is, as “Parasite” director Bong Joon Ho suggests, a one-inch tall barrier that some viewers have yet to overcome. 

#20: The Disaster Artist (2017)

I did not make this list, it’s not true, it’s bulls*it! I did not make this list! I did nawt! Oh, hi viewers! This film is one of the best comedies I have seen, which is tremendous praise on my part because if you are making a comedy specifically for me, it is HARD to make a good one. What comedy am I talking about? That first pile of sentences should be a hint. “The Disaster Artist!” This is a film that is about a lot of things. Friendship, sticking up for one another when one is trying their hardest to make something special, and how MIND-NUMBINGLY DIFFICULT it is to make a good movie. This movie is basically a telling of how Tommy Wiseau and others went about making the early 2000s cult classic “The Room.” For those of you who haven’t seen “The Room,” this film basically tells you the behind the scenes mayhem and chaos that went into that movie. It’s one of those movies, kind of similar to films like “Batman & Robin” or last year’s “The Fanatic” starring John Travolta that is so incredibly hysterical that it would probably leave some viewers wondering how it even was conceived, made, and released! This film dives deep into all of that. James Franco also gives one of the best performances I have seen from him. Yes, he was definitely great in films like “127 Hours.” To me, that’s nothing compared to “The Disaster Artist,” and I can tell that it was rather simple for Franco to put a lot of passion into this performance considering how he not only starred in the film, but he also directed it. At the end of 2017, I told pals of mine that I was looking forward to watching this more than “The Last Jedi.” I cannot say I was disappointed walking out of it. In fact, the tail end of the film has that feel good vibe that I did not even think I would have needed. Do you have to watch “The Room” to understand “The Disaster Artist?” Not really, no. You can go watch this film, and once it ends, I think you may be able to fully understand everything. Does it help? Sure it does, because it goes into some of Tommy’s mannerisms, quirks, and even pays homage to certain choices and dialogue that had ultimately been put in “The Room” itself. Also, shoutout to Tommy Wiseau. I love you, man. You’re kinda crazy, but I love ya!

#19: Kubo and the Two Strings (2016)

Some people say that Pixar may be the biggest force today that will allow the animation industry to thrive. I would not say they’re wrong, but if you ask me, I think the animation industry also has a place for another particular company, Laika, the creators of “Coraline.” Speaking of Laika, they also created my favorite animated film of 2016, “Kubo and the Two Strings.” When I went through 2016 as a year in film, there were plenty of good ones like “Captain America: Civil War,” “Rogue One: A Star Wars Story,” and “Patriots Day.” However, if there happened to be one genre that dominated the year for me, it has to be animation. With the exception of maybe “Moana” and DEFINITELY “Ice Age: Collision Course,” I don’t think there is a single animated film from 2016 I did not enjoy. For the record, I missed out on “Norm of the North,” so I have no comments regarding that. “Finding Dory, “Zootopia,” “Sing,” “Kung Fu Panda 3,” and even the raunchy adult animation “Sausage Party” all were worthy of a thumbs up. However, “Kubo” came out on top. It is a film that is visually creative and stunning, colorful, and an amazing tribute to everyone who’s got a story to tell. The film’s cast also has some notable names including Charlize Theron (Hancock, A Million Ways to Die in the West), Matthew McConaughey (Mud, Dallas Buyers Club), and even George Takei (Star Trek, Kim Possible). The film has various scenes that make me personally wish that I was the one responsible behind the screenplay or the overall production due to the brilliant ideas being presented. “Kubo and the Two Strings” is one of those films that is worth just about every second of my time. Out of all the films to come out in its particular year, it’s probably the one that most resembles a video game. I guess if you change some character names, maybe one or two pieces of the plot, and have a side gag dedicated to breaking pottery, this would make for one fine “Legend of Zelda” movie.

#18: Inside Out (2015)

I have only seen this movie once, but even so, it is still one of the most charming animated films out there today. I’m talking about “Inside Out!” The concept behind it is one that I personally wish I originated. Essentially, it dives into the “voices inside your head.” These voices include Joy, Anger, Disgust, Fear, and Sadness. One of the biggest surprises that I have with “Inside Out” is its expansive world. And I say it’s surprising because of where exactly the world takes place, specifically inside the head of a young girl going through puberty. Even though this movie is made for families and children, it deals with some heavy topics. Moving, adapting to a new lifestyle, growing up, and handling yourself emotionally regardless of the situation. This movie does a really good job at displaying the human condition by reminding you that there are times when your feelings take over and you lose a sense of control in a way. I liked all the characters in this film, some of the human characters are admittedly a little generic, but the movie is not about them, they are ultimately pawns in this story, it’s really about the main human character, Riley, and the voices in her head. Speaking of said voices, I also want to give massive props to Lewis Black for his terrific voiceover performance as Anger, and part of it has to do with the golden script that allows these emotions to shine. But out of all of them, Anger is by far the best of the bunch because of how raw he feels. Whenever he gets mad, he literally erupts like a volcano. It’s f*cking great. Much like some other Pixar films such as “Coco” or “Up,” this film is powerful in its impact. That’s probably the best part of it because you have these five core emotions and all of them make you feel emotions. This movie does its job well, and even though I have not watched it since my initial viewing in 2016 when it came to Starz, I cannot wait to watch it again.

#17: Room (2015)

HOOO-LY CRRRAAAAP. THIS MOVIE. I cannot even begin to describe what is like to watch this for the first time. For those of you who don’t know what I am referring to, just watch “Room.” Not, “THE ROOM,” “ROOM.” “Room” is a film that is based on a book that I have personally never read, but even so, the movie delivers. Between the remarkable performances between Brie Larson and Jacob Tremblay, the film packs a brutal punch in every possible method imaginable. It is emotional, it is heart-pumping, it is disturbing in the best way I can possibly describe the word. I read a review on IMDb for “Room” before watching it and somebody said that this movie made them a better person. Having seen “Room” myself, I can see why. This film is almost on the edge to where it drags in the middle of it, but it does not mean the movie has that many flaws whatsoever. This is not a horror movie, perhaps in any sense of the word. But after watching this film, there is an argument to make that “Room” could be scarier than a vast number of horror flicks out there. “Room” is a film that kind of ends up being cute, but to have it end up being cute, it cannot be cuddly. This is especially true when you take the brilliant screenplay and the way that actor Jacob Tremblay, who get this, WAS NOT EVEN TEN YEARS OLD during the production or release of the film, executes all of his beautiful lines. The story is told from his perspective, and that made the movie just slightly better, because the idea was to have a child who knew nothing about the outside world, and getting that perspective made me feel for the mother and son duo. Just watch this movie, you will not regret it. If I need to say anything else about it, A24 helped get this film out there. They are easily one of the best studios working today, so if you want to support independent, not to mention compelling filmmaking, go buy this movie.

#16: Toy Story 3 (2010)

This entry is one of the best Pixar films I have ever seen. Let’s just be clear, it is EXTREMELY DIFFICULT for something to top “The Incredibles” as far as my opinions are concerned. I’m talking about “Toy Story 3.” This is a film that I think hit every single level that not only an animated film need to hit, but also every level a trilogy capper needed to hit. Yes, “Toy Story 4” exists, but to me, that’s just additional DLC at this point. “Toy Story” was never one of my big franchises growing up, even though I do admire its technological achievements for the film industry as a whole. The reason why “Toy Story 3” is such a great movie overall is because despite how it does feel like something kids can enjoy, it can ultimately connect with anyone, no matter what age they just so happen to be. The whole trilogy seems to present a tiny little structure of Andy, the owner of a majority of the toys seen in the franchise, growing up, and now we have come to this third installment where he is now an adult and he’s off to college. If you know me in person, I tend to be extremely sentimental. I still have various items from when I was a kid that I imagine other people would get rid of if they had them at a particular age. I still have a stuffed duck, a ton of DVDs I possessed at a young age, all the game consoles that I have ever owned (that still at least partially work). I didn’t even get rid of my childhood twin bed until it broke at the age of nineteen! This movie basically reminded me to cherish the memories of childhood, and while not everything lasts forever, you can still cherish the legacy of something or pass it down to future generations. Also, the ending of this film may be the best Pixar has ever done. It has numerous emotions attached to it that make it all work. It is perhaps one of the saddest, yet happiest endings I have seen in a film. This is why I didn’t want a “Toy Story 4.” Granted, I will admit, I was utterly surprised with how good “Toy Story 4” was when I saw it, but compared to the original trilogy, it is just a bonus.

#15: How to Train Your Dragon: The Hidden World (2019)

You know that movie that might as well match up with where you are in life? One of those films that reminds you of an event you are currently tackling? Well at the beginning of 2019, I was in my second semester of college and to my surprise, “How to Train Your Dragon: The Hidden World,” spoke to me on every level that it could. This third installment to the “How to Train Your Dragon” franchise is the perfect ending to its particular trilogy. It dives deep into the character of Toothless, goes through a major change in how the character thinks, not to mention feels. With the recent introduction of a “Light Fury,” Toothless finds love. This side of the story, along with various other elements reminded me of the man that I am trying to become. I still live with my mother, mainly because despite being in college, I do not want to lose the family connection I have right now. I still go to my grandparents every week. I still talk to my parents just about every chance I get. Even though I do plan to eventually develop my own path in life, move out, etc, I do not want to lose the connection of family quite just yet. But with that being said, this reminded me of how some parents want to protect their children, which means that the children perhaps have a helicopter over them at times. This movie highlights the connection between Hiccup and Toothless, and builds off the terrific chemistry the two had before. I will also say, of the numerous DreamWorks animated films that I’ve watched over the years, this is one of the more stunning ones. And it definitely shows when we get to The Hidden World. It’s flashy, colorful, vast, and if I imagined myself there in person, I’d be overwhelmed by the scope of everything around me. The only problem that comes to mind with this film might as well be the cliché villain, but even with that, everything else is A+ material. To this day, it is the only film I watched in the theater that made me cry. It is one hell of an experience overall.

#14: Inception (2010)

Christopher Nolan is my favorite director of all time. He can take a comic book concept like “Batman” and deliver on it 110%. He can put you directly in a war zone like he did in “Dunkirk.” He can also take you back in time for an epic thrill in “Memento.” But one movie that is better than all of those is one of my personal favorite flicks of 2010. “Inception.” This movie has everything a sci-fi action flick is supposed to have! Great characters! A brilliant concept! Cool looking visual effects! A lovable story! AMAZING screenwriting! Epic music, kudos to Hans Zimmer by the way! Everything in this movie builds up to what I consider to be one of my favorite climaxes in film history. I’m not talking about the very end, but the final act itself is a true display of why I continue to watch movies to this day. It delivers on spectacle, stakes, and you care about the characters! At least I did. The relationship between Leo DiCaprio and Marion Cottillard? HOLY F*CK! Not only did I buy them the way they were together, the movie does everything it can to make you get emotional about them. Speaking of DiCaprio, his chemistry with Ellen Page was great, I thought they were terrific partners, and I almost cannot imagine anybody else in that duo. And again, the concept! The idea of someone going from dream to dream and trying to plant an idea in someone’s head?! Freaking rad! This movie is literally what dreams are made of.

#13: Ready Player One (2018)

Continuing down this list, we have, “Ready Player One.” I’m putting this on the list in reference to the great year that I personally believe 2018 has been for the film industry as a whole. There are more 2018 films on here, and this is just one of them. Before the movie came out, I read the book, and I’ll be honest, I love the book to death. It’s pretty much everything I would want out of a book of its kind. The author’s kind of a cool guy too, Google Ernest Cline, he’s awesome. But here’s the thing about books and movies, I don’t always WANT the book to be exactly the same as the movie. If they make the movie and book identical, great! Maybe it works out, but there are a few things in the book like the “Pac-Man” scene that I do think could have ended up being pretty cool to see, but it would make the film itself lose some of that theatricality factor. It’s one of those films that I love because of how much of a true adventure it is. It feels like that from start to finish, when we are introduced to the OASIS virtual reality system, I instantly wanted to be a part of that world. Even though the real world ended up kind of being in deep s*it in the film’s vision of 2045, I still wanted this VR system in front of me because of all the unlimited capabilities that come with it. Plus, despite how this movie is filled with all of these pop culture associations like a digitized version of “The Shining,” “Batman,” a “Minecraft” world, and even a ton of time spent with the DeLorean, I still cared about the main characters in front of me. As for the visual effects, they are quirky, they are different, they look like something out of a 3D anime, but that’s something that makes them work. After all, a good portion of this movie takes place in a virtual universe with Avatars, so it is kind of cool to see all the customized beings walking around with all their digitized swagger. And of course, I cannot end this without mentioning two things. One, the amazing score by Alan Silvestri. It’s epic in every way. It’s grand, it’s big, and it fits this nostalgic fantasy realm to the tenth degree! Also, the final chase between the main heroes and villain is one of the most creative scenes I have witnessed on film. Between all of this and being one of my most rewatched movies of 2018, I just had to put this somewhere on the list. 

#12: Ready or Not (2019)

I think I said what needs to be said about “Ready or Not” in my best movies of 2019 list, but let’s be real, I can’t stop talking about it! “Ready or Not” is one of those movies that may sound silly on paper, even though it had one of my favorite trailers of the year. The concept of “Ready or Not” is that a woman is getting married into a family that traditionally plays a game before someone new joins the family. Turns out they have to play hide and seek, which ultimately means that the family has to let the newcomer hide, before they have go on a quest to kill her. It’s f*cking nuts. This is one of those movies, according to many people, that has a trailer with more information to reveal than necessary. I wouldn’t say people are wrong to say that. But I will say that this movie gave me EXACTLY what I would have expected, not to mention wanted, after witnessing its trailer. I saw this at an advance screening in Boston, and the communal experience that was had during this movie was one to remember. Everybody gasped, applauded, and while I am not a fan of people talking during films, there was an older woman next to me who would provide some hilarious commentary on what’s happening. Also, everything from the production design to the writing to the pacing just works 100%. I will also mention, again, hiding spoilers, the ending. If 2019 has done anything for me in terms of films, it has given some of the best endings ever. From “Avengers: Endgame” to “Once Upon a Time in Hollywood” and even the recently mentioned “How to Train Your Dragon: The Hidden World,” the endings were all a collection of perfection. I am going to keep myself from talking about the ending, because it is something that you seriously have to see for yourself, but it’s pure movie Heaven. I rarely go see movies twice in the theater at this point, but if I had more time on my hands (and less movies to pick from in the cinema), I would have gone to see this a second time. I mean, HOLY CRAP.

#11: Mission: Impossible – Fallout (2018)

Up next, is one of the best action movies I have witnessed in my life, “Mission: Impossible – Fallout.” “Mission: Impossible” is a very interesting franchise as far as movies go because it has been going on since 1996, it has had no reboots since then, Tom Cruise is always a guaranteed badass, and with the exception of “Mission: Impossible II,” all the movies have been pretty good. In fact, if it weren’t for “Risky Business,” this would probably be my all-time favorite Tom Cruise film. I mean, seriously! I cared about everyone, every action sequence was done to perfection, and I will forever be in Tom Cruise’s debt just because he learned how to fly a helicopter for this movie. And remember how in “Justice League” Henry Cavill had his beard erased by digital effects? Like, to the point where certain people could notice certain particles on his face? After seeing this movie, it’s completely worth it! Between the cinematography, location choices, directing, score, editing, sound, and overall immersion factor, “Mission: Impossible – Fallout” is easily one of those action flicks that puts a smile on my face. There are certain movies that I have watched in the past like “Atomic Blonde” or “John Wick” that have one memorable action scene and I often sometimes perhaps equate that to how much I enjoy those movies. For “Mission: Impossible – Fallout” If they ever put this back in theaters, I will come for the movie, but STAY for the helicopter scene, because holy f*ck! Thank you, Tom Cruise, for nearly giving up your life making this masterpiece!

#10: Arrival (2016)

I’ve seen a lot of movies from 2016, including the one where Donald Trump becomes president. That movie by the way is called “Real Life” and is often getting mixed critical responses. Trump becoming president, to me at least, was practically a “holy f*ck” moment. I’m not gonna talk about politics, I’m not saying I like or dislike him, I’m just saying that this is something I would have never predicted to have happened ten years ago. Speaking of “holy f*ck” moments, that term can also apply to one of the last movies I saw in 2016, which by coincidence, came out the same week Trump was announced as President-Elect, specifically “Arrival.” This movie is about a group of people who are investigating the actions of alien life forms as they try to interpret their language and communicate with them. I like that concept, because the movie starts off as if it were an alien invasion summer blockbuster, but in reality, it fits right in with a thinker just in time for award season. I’ll remind you, this is a November movie, so it is technically just in time for award season. In fact, it won an Oscar, and happened to be nominated for Best Picture! Although it ended up losing to “Moonlight”–wait wait wait, was it “La La Land?” Which one was it? Could have been a tie for all I know. The plot overall was fascinating, I loved Denis Villeneuve’s direction, the sound work was some of the best of the year, and the score at times was awesome. In fact, when I watched the movie at home once, I nearly shed a tear! I never cry during movies, that’s personally an achievement on this film’s part!

#9: The LEGO Movie (2014)

This next spot is dedicated to one of the biggest surprises of the decade. I saw the trailer for this film long before it came out, and while I did not hate it, there might have been a part of me that thought that this film could not have possibly worked whatsoever, but it did! Ladies and gentlemen, I give you perhaps the funniest animated movie of the decade, “The LEGO Movie!” This is a film that gets better every time I watch it. Because I watched it when it came out, and I found it to be delightful, charming, and witty. Then as I continued watching it when it came to HBO and cable networks like TBS, I have observed the dialogue, which was already fantastic to begin with, and so many other lines popped up and busted my guts. This movie’s Batman is perfect for its own world! He’s an egotistical man who’s always about himself. He’s basically what would happen if you took Kevin O’Leary from “Shark Tank” and made him “Batman,” because both people seem to think that they are the best person alive. There’s no competing against them! Anything out of his mouth is pure gold. This is why I also thought 2017’s “The LEGO Batman Movie” was just as pleasing as this specific film. The movie has an advantage of playing off of iconic properties, because there’s a scene dedicated to how many characters from preexisting material they can fit into one area. They managed to get Gandalf, Dumbledore, more DC characters aside from Batman himself, NBA basketball players including the Shaq, the Teenage Mutant Ninja Turtles, and they have Abraham Lincoln in a flying space chair! Holy f*ck this movie is a trip! And speaking of trips, the climax in this movie introduces something that you do not really see in this genre of film. I cannot go into it because, well, spoilers, but it is the stuff of absolute genius! As for the other leads, they are funny, they are well-written, and provide some of the best comedic material of 2014. The movie does follow beats of other films, with there being a prophecy and all, but it does it so well that I just don’t care. And before we move on, can we just talk about Good Cop/Bad Cop? Yeah, it’s two characters in one, and it makes for one of the most hysterical questioning scenes I have ever witnessed. GENIUS! Phil Lord and Christopher Miller are powerhouse filmmakers and I would to love to see more from them! 

#8: Avengers: Infinity War (2018)

What do you get when you build a story up for a decade, over tens of films across different IPs, with all of them making millions to billions of dollars? According to many, I’d say you’d get “the most ambitious crossover in history.” “Avengers: Infinity War!” You know those movies that are so good, so iconic, so life-changing, and so experiential that they define a generation? Yeah, this is one of them. Earlier on in the decade, “Star Wars” was seen to many as the important franchise to remember for a long time. Well guess what? Everyone at Marvel glanced at “Star Wars” saying, “Hold our beer!” The reason why I love this movie so much is because of how much it changed the game for movies of its kind. Sort of in the same manner that a film like “The Dark Knight” managed to do so. To be honest, before this movie came out, I was getting worried about what the Marvel Cinematic Universe would become. The Marvel movies in 2017 were not up to par with what I would want out of a flick in its particular genre, but when 2018 arrived, “Avengers: Infinity War” gave me EXACTLY what I wanted. A ton of visually stunning action scenes, a compelling story of good vs. evil, all the while putting much more emphasis on evil than usual. Honestly, Thanos may be the greatest movie villain ever written. His motivation to “balance” the universe is something I can buy into. His relationship with Gamora and Nebula during the film brought some attention-grabbing moments, including a scene that involves sacrifice in order to achieve what you desire. While I didn’t exactly root for Thanos, I understood why he did what he did, and in various ways, I almost feel bad for him. And let me just say, I won’t name names, but this is a film where A LOT of people die, including many on the good side. One of my complaints involving the Marvel Cinematic Universe has to do with the lack of deaths on the good side, and when they do happen, they mean nothing to me because the character either comes back or the death comes from a character who I happen to find irrelevant. This is part of why I felt an impact from various scenes in the film’s sequel, “Avengers: Endgame.” By the way, “Endgame’s” not on the list. Sorry guys!

#7: Whiplash (2014)

Coming in at #7, is “Whiplash!” “There are no two words in the English language more harmful than good job.” This quote will forever stick with me, partially because “Whiplash” makes jazz look like the greatest art form ever created just from how brutal it appears. I have heard some comments from certain jazz enthusiasts and students saying that the idea behind this film is flawed because jazz doesn’t work the way it does here. I am in no way trying to invalidate their prior experiences, but I think the movie is all the better for what it does in regards to how jazz is being taught, being enforced among students. I say that because it makes the movie completely relatable to those who have taken on a class, it could be a subject of interest or one that you are forced into for some reason, and the person teaching the class is just the biggest dickface on the planet and now you have to put up with them. But I will say, JK Simmons plays this dickface very well. JK Simmons is one of my favorite actors working today and he deserved his Oscar upon finishing this film. His chemistry with Miles Teller is some of the best I have ever seen. This is also one of the earlier films directed by Damien Chazelle, who would go on to direct “La La Land” and “First Man,” both of which were also great movies. I can tell the guy really has a passion for the jazz genre of music, and it shows through several moments of the screenplay, which is why it is also no surprise that he made it a centerpiece of the story in “La La Land.” Damien Chazelle is still a young filmmaker and time will tell if his productions will continue to be worthy of conversation and preservation, but with films like this, he is off to a flying start if you ask me.

#6: Star Wars: The Force Awakens (2015)

Out of everyone in my family, it goes without saying that I am probably the geekiest. So naturally, this next movie was almost made for a geek like me. I’m talking about the live-action resurrection of a popular saga! “Star Wars: The Force Awakens!” The things that really cement this movie’s presence on the list is my history with it. I already really enjoyed “Star Wars” before this movie came out, therefore, how I could I NOT be excited for this film? I went to see it four times in the theater and twice in IMAX! It’s the first steelbook I’ve ever owned! And I used to have a joke I would think about in my mind from time to time. Remember how George Lucas went back and changed the original trilogy and rereleased every installment from said trilogy as “Special Editions?” Well, people often point out this movie, Episode VII, being pretty similar to Episode IV. If that is truly the case, allow me to declare that Episode VII is without a doubt, the best special edition in the entire “Star Wars” saga! I will say, the trilogy that this belongs to itself is a bit of a mixed bag. I liked “The Rise of Skywalker,” I thought it just good old-fashioned “Star Wars” fun, but still a little messy. But “The Last Jedi” is what I think hurt this trilogy most, because a lot of things were set up in “The Force Awakens” and the payoff to all of those things happen to be either ignored or off-putting. However, it does not take away from how much I love this movie. It’s great seeing old faces like Han and Chewie again, 3PO and his red arm, the lightsaber battles are as fun and exciting as they’ve ever been. The film has possibly the most eye-candy-esque color palette in a “Star Wars” film yet. Then again, with newer tech, it probably helps. But keep in mind, this movie was also shot on film, and it looks great! I will also mention Adam Driver’s character of Kylo Ren being one of the best things that has EVER happened to the “Star Wars” franchise. I love him because he’s ultimately trying to carry on the legacy of Darth Vader and the Empire, but as this villain who is supposed to be evil, he is clearly conflicted and broken, which adds a lot to his character. There is an argument to make that stuff like this can make a villain look weak, but I feel that this is what this sequel trilogy needed. A different kind of villain who can kick ass, while also being able to release themselves and reveal how they feel emotionally. As for other lead characters, I think Rey and Finn have great chemistry, and seeing them together after they finish their first fight onboard the Millennium Falcon is like watching two kids discover they have unbelievable talent in a video game. Poe Dameron is also a fresh and exciting addition to the franchise. I’m just mad of the direction they took his character in “The Last Jedi.” As much as I am scared of a future where Disney rules the entire media universe, “The Force Awakens” is most certainly worth watching. And watching again. And again. No seriously, when this thing came out, the replay value for me was bonkers! 

#5: Scott Pilgrim vs. the World (2010)

Up next, we have one of the best comic book movies of the decade. Is it in the DC universe? No. Is it in the Marvel universe? No. It’s a little film directed by Edgar Wright, Scott Pilgrim vs. the World! THE FREAKING WORLD! This movie, to me, was perhaps everything I would have wanted it to be and more! FLASHY! OBNOXIOUS! CREATIVE! VISUALLY STUNNING! HILARIOUS! OH MY GOSH THIS MOVIE’S AWESOME! As far as comic book movies go, this has some of the best directing, not to mention, some of the best writing I have seen. It goes for that ridiculous, absurd fast pace that will allow you as a viewer to keep your eyes on the screen. In fact, you know what? You know that stereotype about video game movies? You know how a lot of people are perhaps still waiting for that “excellent” video game movie that they have yet to see in their life? If they perhaps changed a few things about the characters, a small number of visuals, things like that, then I might as well say that this would have made for an EPIC “Guitar Hero” movie or something. In fact, I’d compare this movie to something along the lines of “Ready Player One,” because there is a sign of at least one or two characters having an obsession with pop culture and both movies seem to have a unique visual style. Granted, “Scott Pilgrim” is a lot less reliant on preexisting IPs, but still. It talks about things like the history of “Pac-Man,” it has a scene that might as well take place in a “Seinfeld” episode, and the band’s name is “Sex Bob-Omb,” which is “sex bomb” mixed with the name of the bombs from “Super Mario.” Plus, both feel like cinematic video games if you truly break them down. They feel not only immersive, but like they have this visual aesthetic that has a larger than life aspect to them. And I must say, if this film was not already exciting enough, not only are the fights with the exes stunning to watch, each one is perhaps creative in its own way. There is a bass battle, a fight where an ex breaks out into song, there’s one where gigantic visual creatures are spawned out of nowhere! It’s the stuff of magic, really! So if you ask me, “Jack, what’s your favorite comic book movie of the 2010s? Is it “Infinity War?” “Endgame?” “Logan?” “Deadpool?” “The Winter Soldier?” “The Dark Knight Rises?” “Man of Steel?” Forget Marvel and DC! I direct you, to “Scott Pilgrim vs. the World.”

#4: The Hobbit: The Desolation of Smaug (2013)

When I was first introduced to “The Hobbit,” specifically the movies, I had no idea that it was attached the “Lord of the Rings” franchise (I haven’t read any of the books or seen any of the movies). But if you had to ask me right now, it feels weird to say, but “The Hobbit: The Desolation of Smaug” is arguably my favorite “Lord of the Rings” film. “Fellowship” is up there, but still. I walked out of the theater LOVING this movie, and I still do. I think it is one of 2013’s best, and the villain, Smaug, may be one of the greatest given to my generation. MASSIVE KUDOS to Benedict Cumberbatch for his fantastic portrayal and voicework. As creepy as this may sound, I would not mind it if Smaug was the narrator of my life. That’s how much I love his voice. As for everyone else, I liked Martin Freeman and Bilbo Baggins, Ian McKellan as Gandalf, per usual, is great. The visuals, as expected, are top notch. And that final chase between Bilbo, the dwarves, Smaug, was an adrenaline rush brought up to 9,000! Speaking of adrenaline rushes, I also really enjoyed the barrel scene, where they all fight in the forest river, which by the way, more props have to be given, Howard Shore, you are a musically gifted man. Go listen to The Forest River on the official soundtrack for the movie. You won’t be disappointed! And one of the best things I can say about this movie is that it feels like an improvement over its predecessor. I say that because the first “Hobbit” movie, even there are some coolish things in it, was overall kind of a mixed bag. Still good, watchable, but it’s the worst movie in the “Lord of the Rings” franchise for sure. This is especially true when it comes the pacing. This sequel is fast paced from start to finish, with a short little breather in the middle of it all. I also admittedly like the introduction of Tauriel, who was never in the books, but she honestly added something to the movie for me. This movie can be summed up in one word. Epic. That’s all you need. It is one of the best fantasy movies I have ever seen, and one of the best sequels I’ve ever seen. One of the best prequels too if you want to get technical.

#3: Colossal (2016)

Monster movies can be fun, but have you ever heard of a film where a woman reunites with a childhood friend, occasionally get drunk together, whilst Seoul is being attacked by a kaiju, and that kaiju is the girl herself? No? Well, you have been missing out! Ladies and gentlemen, I give you “Colossal,” the greatest monster movie ever made. I did not hear much about “Colossal” before going into it. In fact, I never recalled watching any trailers. And I honestly feel bad for those who did, because I read reviews from people thinking this is was going to be heavy on comedy. Not really, it’s got comedy in it, in fact with an actor like Jason Sudeikis comedy almost feels like a guarantee, but it’s not trying to be a comedy. It’s more of a drama if you ask me. It’s a drama about a group of pals who live in a small town and while one girl is adjusting to her new social group, she is also a killer monster (under certain conditions). “Colossal,” starring Anne Hathaway, takes that killer monster concept and avoids making it the main part of the story, while still using it to develop every action our characters take. In fact, you know how some big blockbusters or monster movies tend to show the despair and downfall of a city as everyone is trying to save themselves from danger? Oh… WOW. I HAVE NEVER SEEN IT DONE THE WAY IT IS DONE IN “COLOSSAL.” Not only is it creative, imaginative, and original, but it’s also to my surprise, almost shell-shocking. Not to mention, some of you might not feel the same way as I do, but I don’t think I would spend much of my adult life drinking alcohol, and this movie reminds me of why I tend to avoid it. The film is pleasant, unique, and most of all, exciting! It’s a film, kind of like “Whiplash,” that feels very big by being very small. When I saw this movie in the theater, I walked out feeling like a changed man. I remember texting a friend about the film some time after seeing it and telling them I don’t recall the last time I felt the way did walking out of “Colossal” since perhaps “Star Wars: The Force Awakens.” What a f*cking movie.

#2: Blade Runner 2049

#2, is one of the best science fiction and noir flicks of my generation. It is a long-awaited and ambitious sequel. It is yet another return to a franchise starring Harrison Ford, now accompanied by the Canadian boy toy, Ryan Gosling, “Blade Runner 2049.” I am a major advocate for the theatrical experience. I believe streaming services like Netflix have some sort of purpose in society. You can pop on a movie whenever you wish, you can watch a movie practically wherever you want, but if you ask me, films like this is why the movie theater has been established. It is big, loud, and it looks DOPE. If you had to ask me, if I had to choose which film has the best cinematography ever, “Blade Runner 2049” might be somewhere on that list. It is a film that I believe would be an inspiration to future filmmakers, fans of sci-fi, and maybe even film composers, because Hans Zimmer and Benjamin Wallfisch made the score together and it is FANTASTIC. I remember my senior year of high school and one of the highlights of said time period is not particularly doing homework, but playing the soundtrack of “Blade Runner 2049” while I do my homework. It put me in the mood to get my work done, and made homework just a little more epic. In fact, I have immense respect to this sequel compared to a ton of others, because unlike a lot of sequels that come out today, this doesn’t try to force any setup of future installments or cinematic universes. It feels like its own story, sort of like the first “Blade Runner.” Would I love to see a third “Blade Runner?” Absolutely. I think a third “Blade Runner” could end up being one of the better films of its particular year depending on how they execute it. The question is, how much money would it make? Because despite how much I love “Blade Runner 2049,” I do have to acknowledge that not everyone went out to see it. Maybe it will gain a following in future years, but for now, I have to be knowledgeable about its past. As for how they handle the story of “Blade Runner 2049,” I loved everyone in the film. The returning characters, the new characters, and if I had to be honest, Harrison Ford gave the best performance I have seen from him in this particular film. I should also point out… Ana de Armas… Yeehaw. I had a crush on her after this movie for a number of reasons. But if I had to be honest, her character is quite honestly, spectacular, mainly because of how Armas herself handled the role. If a movie makes me, the viewer, fall in love with a holographic being, it has done its job, and more. “Blade Runner 2049” is one of those films that will end up defining the decade for me as a reflect on it further. And if you haven’t seen it yet, WHAT ARE YOU WAITING FOR?!

#1: ??? (2014)
Here we are my friends, we have made it this far! This is #1! As far as this decade goes, if I were to use sports-related terms, when it comes to this countdown, 24 movies enter, one movie leaves. This is the one to leave. Speaking of leaving, this is the film that admittedly I do not think left that significant of an impact on me until one of my many rewatches. This is a film that I admired going into it, not to mention leaving it for what it was able to do from a technical perspective. As time went on, I found every single element of this movie worthy of two thumbs up. Just to let you all know, this is a 2014 film. Take a look at this clip from my #1 film of the 2010s.

Christopher Nolan is a god among men. My #1 movie of the 2010s is “Interstellar!” Everything about this film is done to unimaginable levels. In terms of important achievements in mankind, the pyramid goes something like this: Somewhere on the list, you have clay tablets, next on that list is medicine, then comes the wheel, maybe democracy gets one of those slots too, but at the top of that list, to me, is the movie “Interstellar.” When it comes to movie theater experiences, there is almost no competition when it comes to trying to rival the time I had watching this in IMAX 70mm. Even if I did not like the movie, I would probably still give it kudos for being a great time at the cinema. On that topic, it’s visually stunning, in fact it even won an Oscar for said visual effects. The cinematography is great no matter what, but if you watch it in a way that allows for the IMAX scenes to shine, it becomes ten times better than it already is, which says a lot. Seriously, if you are watching the film on DVD, do yourself a favor and upgrade to the Blu-ray, it’s GREAT. The film also has some of the best sound I have ever heard in a movie. I mean that in terms of volume, the specific sounds chosen, and even lack thereof (because ya know, space). Hans Zimmer also created what may be my personal favorite film score of all time. It’s one of those scores that I cannot stop listening to simply for motivation. If there’s ever a future event where they do “Interstellar” with a live orchestra playing the music, I don’t care where it is, I’ll travel out of the country for it if I have to, I’m game. And now you might be thinking, “Hey, Jackass! This may sound great and all, but how’s the story? How are the characters?”

Whoops! My bad! I forgot!

When it comes to the film’s story, it displays a future that is relevant and one that could happen very soon. It’s another one of those dire and somewhat depressing future films kind of like “Wall-E.” The film revolves around a bunch of characters who are currently dealing with the effects of a dying Earth. Every now and then they get dust storms, resources are dwindling, plants are going away. In fact, corn, which is almost extinct in this movie, is all humanity seems to rely on when it comes to fulfilling their hunger. Meanwhile, NASA, which is kind of a point of controversy because younger generations are being taught in school that the Apollo missions are fake, is trying to set up a mission to find another inhabitable planet for humanity. This is something that I think could happen in real life. Maybe not exactly the same as this film suggests, because let’s face it, I don’t think the moon landing conspiracy is going to get that many more supporters, but who knows? My point however, is that humanity is becoming more aware of their environmental impact on this planet, which may suggest a need to perhaps abandon it and find a new one. There are some films that mess around with time, and Christopher Nolan as a filmmaker is no stranger to this concept. After all, when you’re known for doing films like “Memento” and “Inception,” you obviously have some experience. “Interstellar” to me does a phenomenal job in terms of how it handles time and plays around with it. There’s a situation where they have to get things done very quickly because on one planet the span of an hour is seven years, we see the result of Cooper’s kids growing up and becoming adults and how that plays into the film’s impact, the film’s score, I’ll mention once more, FANTASTICALLY composed by Hans Zimmer, goes at 60 beats per minute to match with the “tick tock” that is often associated with time. After all, there are 60 seconds in a minute, so why not have 60 beats per minute? Plus, this is a film that gets better with every rewatch. There was a point where I kept rewatching it and maybe I’d discover something new or retain something amazing that maybe I’ve forgotten before. I will also point out that the performances, across the board, are stellar! No pun intended! You’ve got decently chosen actors including Matthew McConaughey (The Wolf of Wall Street, Dallas Buyers Club), Anne Hathaway (The Dark Knight Rises, Rio), Jessica Chastain (Take Shelter, The Help), Casey Affleck (Gone Baby Gone, Out of the Furnace), and unsurprisingly, Michael Caine (Dirty Rotten Scoundrels, Batman Begins). All of them give performances that embody the proper emotions of the situations at hand, and this is the film where I started to admire Chastain as an actress. There’s a chilling moment towards the end of the film, I will not go into it, but she does something that occasionally sends a tear down my cheek. There’s a line of spoken dialogue in that moment that is PERFECTION. That moment could not have been executed any better through a different vision or a rewrite. Even the child actors kill it in their roles! Timothée Chalamet as Tom is a more limited role in the film, but I feel like it is limited for a reason. He’s mainly there to suggest that he’s “fine” in whatever situation he’s in. He’s sort of a settler who never complains. He likes being a farmer, which does eventually play into the film’s script, and when Cooper leaves to go to space, Tom does not seem that upset or emotional over the situation. Obviously, he is rooting for his dad on his mission, but he is always fine, which makes sense in regards to his character development. As for young Murph, played wonderfully by Mackenzie Foy by the way, who might arguably give my favorite child actor performance to date. There was a very touching scene before (HEY! SEE WHAT I DID THERE? AREN’T I A SMART COOKIE?) Cooper left for his mission that highlights such an opinion for me.

I also cannot talk about how much I dig “Interstellar” without discussing the ending. Don’t worry, I will not spoil a thing. But when it comes to endings, “Interstellar” may be my all-time favorite film in the category. Again, I mentioned that moment with Jessica Chastain, but that’s not all. It’s weird, I did not see it coming, and it’s incredibly emotional. It’s as rewarding as it is unfortunate. To add onto that, Hans Zimmer’s score continues to shine here as well. A movie like “Interstellar” sort of makes me consider whether or not the church organ is the greatest instrumental achievement ever. This is an ending that made me appreciate this film the more that I watched it. When I saw it in the theater, I did not have too many thoughts on it, but I liked it more with rewatch upon rewatch. But then one such rewatch, it struck me like a lightning bolt somehow. It became an ending I liked, and somehow turned into one of the greatest endings in film history. It’s charming and also leaves me to question who exactly came up with it. Was it Christopher Nolan’s brother, Jonathan? Maybe I should give him some credit here!

I think the big thing for “Interstellar” to me, both before and after watching it, is how much it made admire the filmmaking process. Keep in mind, I admired it before, but “Interstellar” helped me further appreciate it. Films like this and “The Dark Knight,” basically Christopher Nolan as a filmmaker in general, has given me a dream, a reason to want to pursue work in the film industry. While there was a point that I wanted to be a filmmaker, I now know which filmmaker I look up to the most. And I would love to do what he does. While I have my own scripts that I plan to do, I would love to shoot a movie in the IMAX format one day and present the movie on film stock. I think film is the best possible cinematic presentation and whenever there’s an opportunity to go watch a movie on film, I cannot help but take it.

Throughout my journey as a film viewer, there is no other film, at least over the past ten years, that gave me a remarkable impact like this one did. It involves an increasingly relevant concept that I think will continuously be developed over the years, it’s an original property, and technically, it’s a masterpiece. This film is very similar to another sci-fi classic, “2001: A Space Odyssey,” and I imagine there are some people out there who would consider this movie too similar. To me, “Interstellar” stands on its own because “2001” does not make particular characters the centerpiece of the film. It takes a bunch of random elements and scenes and manages to develop a story out of all of it, whereas “Interstellar” comes off as an adventure story from beginning to end, with various fiddles with time connected along the way. This is nothing against “2001,” which is one of my favorite films of all time, but “Interstellar” does something to relate to “2001” while also being its own movie, at least to me. Nevertheless, “Interstellar” is a master work of art, one of the best sci-fi films ever made, and earns the crown as the best movie of the 2010s!

Thanks for reading this post! This is a list that was admittedly, very hard to make. Part of me wonders if I should have spent a year on this. There’s a very good chance that I will be changing this list in the next few days because unlike most of these lists, which spans over a year, this spans over a much longer period of time, so I don’t even think this list is going to be that definitive. There’s a good chance that “Interstellar” will remain at #1 for a very long time, but for everything else, who knows? But with that being said, it’s time to forget the good and move on to the bad! Maybe even the ugly! I say that because tomorrow I am going to be releasing my top 25 WORST movies of the 2010s. These are movies that are 2,010 times as horrible as anything else! JUST YOU WAIT! With that being said, be sure to look forward to that post tomorrow, and if you are reading this early and wanted to be notified about my worst list and other exciting content here on Scene Before, click the follow button! If you have a proper account up and running, be sure to like and comment if possible, it definitely helps me out! Speaking of helping me out, like my Facebook page, I want to get more people to follow me on that side of things, it would probably help spread the word a bit on social, so please, help a guy out! I want to know, what are your favorite movies of the 2010s? Do you have a favorite year this decade for film? For me, I’d say mine are 2014 and 2018. Do you think I missed a film? Seriously, there may have been a film that I liked that I completely forgot about, and I say this as someone who has worked on this countdown series for literally MONTHS. Nevertheless, leave your comments down below, and stay tuned for the worst list! Scene Before is your click to the flicks!

Henry Cavill (Superman) OUT of DC Extended Universe (Or is he?)

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Hey everyone, Jack Drees here! Look up in the sky! It’s a bird! It’s a plane! The bird is getting crashed by the plane! Today we are going to discuss some of the most shocking movie news I’ve ever witnessed this year! When it comes to comic book movies, we’ve had our fair share of standouts this year when it comes to news. We’ve gotten news about records being broken by “Black Panther” and “Avengers: Infinity War,” James Gunn, director of “Guardians of the Galaxy” and “Guardians of the Galaxy Vol. 2,” had his Disney business relationship severed over nasty tweets, thus making him unable to direct “Guardians of the Galaxy Vol. 3.” The Russo Brothers, the directors behind “Avengers: Infinity War,” essentially sent out a reminder that spoiling the movie is wrong and is just as bad as committing murder. We also received word that both “X-Men: Dark Phoenix” and “The New Mutants” were pushed back from their original release dates. While “Dark Phoenix” is a somewhat understandable pushback, the one for “The New Mutants” is basically an electric shock and a half, moving from April of this year to August of next year!

Aside from the James Gunn situation, this news we are going to talk about may be the most shocking comic book movie related news I have to take on this very year. Henry Cavill, otherwise known as the star of 2013’s “Man of Steel,” which was essentially THE KICKSTARTER of the Detective Comics Extended Universe, has apparently parted ways with Warner Brothers and will no longer appear in any of the future DC films as Superman.

Before we go any further, there’s probably a spot open in the DC Extended Universe for a role, so I gotta ask, Nicolas Cage, what are you waiting for?! You had a chance to play Superman before and that didn’t work out! This is a second chance for you! Take it while it’s here!

Oh yeah, right, this happened. Still, you can play a LIVE-ACTION Superman!

Nevertheless, to me, this news is something that didn’t even cross my mind. Out of everyone that would slip away from the Detective Comics Extended Universe, I didn’t think Cavill would be the last one. Maybe Amy Adams, maybe Laurence Fishburne, maybe Ben Affleck (in fact at this point, it’s quite possible he’s completely out), all those people would consider parting ways or exit the DC Extended Universe before Cavill. I mean, it”s pretty certain that folks like Gal Gadot want to stay. I thought Cavill had no problem with staying in a franchise like this. It certainly pays well, he gets to be an iconic character, and it’ll definitely help with name recognition. I mean, if he wasn’t Superman, there’s a chance I’d probably have no idea who this guy was once I saw “Mission: Impossible: Fallout.” This almost sounds like something you’d hear about a maniac who insults women becoming president. But then you look at the source where this pretty much all started, The Hollywood Reporter.

Henry Cavill Out as Superman Amid Warner Bros.’ DC Universe Shake-Up (Exclusive)

According to the article, Warner Brothers, the studio behind all of the movies in the DCEU, has been making attempts to enlist Cavill to make a cameo appearance in the upcoming Zachary Levi-lead “Shazam” set to release in 2019. However, that is not happening, and when it comes to Cavill’s representatives WME (William Morris Endeavor) and the studio, the two sides were in talks and it basically lead to the end of Cavill’s Superman appearances.

So when that “Justice League” sequel comes around, not only will Cavill’s facial hair be erased, but so will his entire body.

The article goes on to state that Warner is shifting its gears towards making a “Supergirl” movie, which will focus on a teen heroine. Because ya know, we need some buildup toward “Batgirl v. Supergirl: Dawn of Injustice: Gods Among Us.”

One quote from the article states the following: “Superman is like James Bond, and after a certain run you have to look at new actors.” Funny enough, Daniel Craig is supposed to be doing his final “Bond” movie. So if Henry Cavill becomes James Bond, which honestly would be my preferred pick for the next Bond other than maybe Tom Hiddleston, it would be interesting to see a trade in roles between him and Daniel Craig. I doubt Craig wants to be the next Man of Steel, and I never really imagined him as such a characater, but nevertheless. I should also mention that Cavill was the runner-up to play Bond before the crew ultimately decided on Daniel Craig.

I will also point out that Henry Cavill does have another recently announced commitment. Netflix has decided to do a series on “The Witcher.” Cavill will be playing Geralt of Rivia. This started out as a series of short stories and novels, eventually leading to tabletop games, video games, a film, and a TV series separate from this one we’re currently discussing. Based on what I’m reading from IMDb, there’s eight episodes listed and they’ll be released in 2019. From what I’m imagining, this is essentially Netflix trying to start their own “Game of Thrones.”

Other than that, Cavill actually recently completed a project that has yet to be released, specifically “Nomis,” where he will star alongside Alexandria Daddario (Texas Chainsaw 3D, Baywatch) and Nathan Fillion (Firefly, Castle).

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Today was exciting #Superman

A post shared by Henry Cavill (@henrycavill) on

And as if this situation couldn’t get any more insane, I have a couple things I need to spit out. For one thing, Henry Cavill posted a video on his Instagram some time after this was announced of him wearing a shirt that said “Krypton Lifting Team,” as he slowly presents his own Superman action figure, all the while some dog-bark version of “The Blue Danube” happens to be playing. He lifts it up very slowly and brings it back down at the same pace. I have a ton of questions, so let’s start with question one.

WHAT THE F*CK?!

HOW DOES THIS HELP ANYTHING?!

WHY DOES THIS EXIST?!

One of the best parts of this post is what’s being said in it, specifically, “Today was exciting.” So… What does that mean? Is this all a joke? Is this to get into the Halloween spirit and scare all the DC fans out there? Are you excited to exit the DCEU? Are you disappointed because you didn’t make this decision on your own? I don’t understand anything about this! Is the shirt a joke? Are you trying to just make a video for fun where you’re pretending to lift weights and instead of lifting a weight you happen to lift a Superman action figure?! I don’t understand!

So let’s move on from the actor and focus on the studio once again, specifically Warner Brothers. Here’s what a Warner Brothers spokesperson said about this s*itshow after the publication of the story.

“We have a great relationship and great respect for Henry Cavill that continues to remain unchanged. Additionally we have made no current decisions regarding any upcoming Superman films.”

I have something to ask.

WHAT THE F*CK?!

HOW DOES THIS HELP ANYTHING?!

WHY DOES THIS EXIST?!

When I was younger, I’ve always been asked “yes” or “no” questions, and apparently for some reason my answers may not have been valid enough for said questions. In this case, this does not answer the question of whether or not Henry Cavill is out as Superman. Is Henry Cavill Superman? That’s the question we want answered!

This news is not only shocking, not only big, but overall it just makes me question a number of things. Is Warner going to hit the reset button on the entire DC Universe? If so, will this cancel movies like “Wonder Woman 1984?” What is humanity? What is the meaning of life? And most importantly, despite the title of the post, IS HENRY CAVILL STILL SUPERMAN?!

If you say yes, it’s all cool, we can move on with our lives. If you say no, then I do recommend probably continuing this current DCEU, personally because I’m curious to see where it goes. And if you do need another person to play Superman, allow me to throw out a few suggestions.

Leonardo DiCaprio (The Wolf of Wall Street, Titanic)
Alexander Skarsgård (The Legend of Tarzan, True Blood)
Tom Cruise (Top Gun, Mission: Impossible)
Oscar Isaac (Star Wars: The Force Awakens, Ex Machina)
Channing Tatum (21 Jump Street, Jupiter Ascending)
Toby Kebbell (The Hurricane Heist, Warcraft)

And just for the fun of it, Nicolas Cage (Raising Arizona, The Wicker Man).

And just for the ABSOLUTE fun of it, Daniel Craig (Casino Royale, Logan Lucky).

These suggestions are sort of on the fly, so bear with me. I almost put down Jason Bateman (Horrible Bosses, Game Night) but I don’t know how much interest he’d have doing a superhero movie.

And sticking with the idea of how much this news honestly shocked me, this does sound like something you’d hear on that one day in the year. Specifically, April Fools Day, the holiday that celebrates being a total dick to those you know. This honestly makes me wonder something, and I guess this kind of falls in the hot take category. Is this actually a joke? The Hollywood Reporter is said to be one of the most credible sources in the entertainment industry. They’ve been in operation for almost ninety years. Maybe they wanted to do something for fun where they could create their own fake news. I legit think this is actually happening, either that or I am just really hoping it’s happening. Seriously though,

WHAT THE F*CK?!

HOW DOES THIS HELP ANYTHING?!

WHY DOES THIS EXIST?!

Thanks for reading this post! I just recently bought “12 Strong” on Blu-ray, so a review of that might be coming rather soon, and also stay tuned for my review for “2001: A Space Odyssey,” which will kick off my series of space movie reviews in preparation for “First Man,” which is set to release in October. There’s no official date for when I’m going to post such a review, but the latest it’ll be delivered is September 27th. Be sure to follow Scene Before either with a WordPress account or email and stay tuned for more great content! I want to know, what are your thoughts on Henry Cavill hanging up the cape as Supes? Or, who do you think should replace him? Let me know down below! Scene Before is your click to the flicks!

Mission: Impossible: Fallout (2018): Tom Cruise Is A Madman!

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Your mission, should you choose to accept it, can simply be referred to as “out with the old, in with the new.” After reviewing five “Mission: Impossible” movies starring Tom Cruise, it is time to focus on a new chapter while it is still in theaters. With the same amount of Jackassery as ever, you will find some things that if you read the other Scene Before “Mission: Impossible” reviews, or even the Scene Before reviews that aren’t related to “Mission: Impossible,” they’d be like a trip down memory lane. Whether you choose to read this sitting down, standing up, or if you’re Tom Cruise, running around the world, be sure to observe every detail of the review very carefully. As always, should you or any of your Force be caught or killed, the Movie Reviewing Moron will disavow any of your actions. This message will self-destruct in five seconds.

“Mission: Impossible: Fallout” is directed by Christopher McQuarrie, the director of the previous “Mission: Impossible” film, “Rogue Nation,” and stars Tom Cruise (American Made, Risky Business), Henry Cavill (Man of Steel, The Man From U.N.C.L.E.), Ving Rhames (Pulp Fiction, Bringing Out the Dead), Simon Pegg (Star Trek, Shaun of the Dead), Rebecca Ferguson (Life, The Girl on the Train), Sean Harris (The Borgias, Harry Brown), Angela Bassett (Olympus Has Fallen, American Horror Story), Michelle Monaghan (Eagle Eye, Patriots Day), and Alec Baldwin (The Boss Baby, The Departed). This film is the sixth installment in the “Mission: Impossible” movie franchise that has been going on since 1996. While the plot of this film may have a familiar feel to it when compared to other installments in the franchise, there is no denying that it totally works. Now that the IMF is stable again, the same can’t be said for the world. The villain from “Rogue Nation,” Solomon Lane, has some remaining members of his terrorist organization, The Syndicate. These remaining members have now formed a new group by the name of The Apostles. Now it is up to Ethan Hunt and his allies to stop havoc from happening after The Apostles gain possession of plutonium. And no, they are not using it to power a DeLorean in order to travel through time, the reason is much more deadly.

Let me just start off this review as a flashback to those who read my stuff regularly and a newsflash to all of the newcomers or some of you viewers who don’t check out my content as much as some other people. Before the release of “Mission: Impossible: Fallout,” I made an effort to get through each one of the Tom Cruise “Mission: Impossible” installments. This would also help me in creating my review series for all of these movies before “Fallout” was even able to be witnessed by the public. One thing I noticed is that the franchise always seems to step up their game (personally) from one installment to the next. I thought the first movie was great, the second one, stupid, the third one, alright, the fourth one, pretty good, the fifth one, f*cking fantastic. I started to wonder, how would the sixth one be? I had tremendous faith based on how much I appreciated the trailers, the positive buzz, Christopher McQuarrie being in the director’s chair again, all that sort of jazz. I was beginning to wonder to myself, given how much I enjoyed “Mission: Impossible: Rogue Nation,” the fifth movie in the franchise, which just so happened to be my absolute favorite, how could this be topped? Is there any possible chance that they could top the awesome opening sequence with the A400 plane? Is there any possible chance they could top all of the crazy s*it that happened in the opera house? Is there any possible chance that they could top the scene where Tom has to deal with a security system underwater? Is there any possible chance that “Mission: Impossible: Fallout” could top “Mission: Impossible: Rogue Nation?”

Well, it did.

Actually, ya know what? I take that previous statement back. “Mission: Impossible: Fallout” DID NOT top “Mission: Impossible: Rogue Nation,” it DESTROYED it. I’ve seen a lot of movies over the past few years, many of which I’ve actually reviewed here on Scene Before, and I still find it amazing that after all of the movies I’ve seen, my jaw still drops to this day at new content. This movie literally has everything an action movie should have. Some may say the story is cliche or familiar. And while I’m not gonna say that’s an unfair or invalid criticism, I’d personally say that this familiar story was very well done. In fact, I’d say the “Mission: Impossible” movies are doing what the “Transformers” movies should be doing, because both movies seem to have plots or elements of the story that repeat from movie to movie, but the thing about “Mission: Impossible” is that it is either a little less obvious, or I care more about the characters, or perhaps both. This movie has scenes that feel raw. There is reliance on actual stunts as opposed to a green screen. You have your adrenaline rushes, you have exposition that isn’t really that boring, great characters, not too many jump cuts or quick cuts, and moments you just don’t want to end.

There have been many great action movies throughout the 2010s. Some of these include “John Wick,” “Atomic Blonde,” “Skyfall,” “Kingsman: The Secret Service,” “Deadpool,” “Baby Driver.” Comparing “Fallout” to all of the other movies I listed, this movie beats every single one of them. A couple movies on this list, they have an action sequence that I deeply remember. In “John Wick” you have the nightclub scene where Wick basically kills everyone to some kick-ass music. You also have “Atomic Blonde” where there is this beautifully shot one-take sequence where the main character of Lorraine is basically taking everyone down on a stairwell. It was magic. A good action movie can contain a memorable sequence. But an amazing action movie can contain a bunch of sequences worth talking about. In “Mission: Impossible: Fallout,” you get an awesome bathroom fight where Tom Cruise smashes a guy into a mirror. You get a killer chase in the streets where there’s cars, motorcycles, and it’s just epic. You get a great duel on a mountain near a cliff. You get what might possibly be the best chase scene of the decade, the one where there’s a duel between two helicopters. That scene is LIFE.

Seriously, that helicopter scene alone is worth the price of admission! You thought Tom Cruise hanging on the side of a plane in “Rogue Nation” was thrilling? The thrill levels only rise from there! Tom Cruise learned how to fly a helicopter for this movie! I’m not even going to get too much into the helicopter scene, because I want to savor the flavor for those who have not been exposed to the true work of art I like to call “Mission: Impossible: Fallout.” Although I will say once the scene started, not to mention progressed, I was on the edge of my seat with my jaw dropping. Once the scene ended, I wanted more! It was THAT GOOD. Another advantage I had with the helicopter scene is that it was one of the sequences which gave me a bigger image in IMAX theaters. I went to a local AMC which had an IMAX screen, which in reality, is not the IMAX that I would usually go for, but it’s still a very fun experience. Not to mention, since I’m a Stubs member, it was $5 ticket Tuesday so I got a pretty good deal. Once the scene began, the aspect ratio would go from scope format to covering the entire IMAX screen through a scrolling process. It was just epic! Now, without getting into spoiler territory, one thing that I didn’t complain about but I imagine some people seeing this in IMAX would probably complain about is that there is a scene that actually cuts in between moments of the helicopter chase, and the scene is in the scope aspect ratio, so there’s brief moments where you go from the bigger IMAX exclusive aspect ratio to the scope aspect ratio and back to IMAX once again. If this were “Transformers: The Last Knight,” I’d be complaining a whole lot, because all of the aspect ratio changes in that son of a bitch, just happens to be worse than finding lots of hair on a guestroom bed.

Guys, I think it’s especially clear at this point that Tom Cruise might just be one of the greatest action stars of all time! The guy is in his mid-fifties, he still looks and acts like he’s a lot younger than that, and he just commits to his craft. While I can definitely praise Cruise for his portrayal as Ethan Hunt, making it believable, charming, and an overall delight, most of my praise for Cruise has to do with his stunts. One of the reasons why I consider the “Mission: Impossible” franchise to be some of the better action movies is that this is not done on green screen sets. I actually remember hearing that Tom Cruise broke his ankle, which by the way, there’s a moment where the ankle break is caught in the movie. Not only that, but Cruise, as mentioned, learned how to fly a helicopter. He even trained awhile to do a HALO (high altitude low open) jump. This makes Cruise the first ever person to do a HALO jump on camera. There have been HALO jumps in movies before, there was one earlier this decade in “Godzilla,” but this is basically the first REAL HALO jump. It doesn’t rely as much on stock footage, CGI, green screen, none of those cheap tricks. The tricks here are f*cking expensive! These tricks are expensive enough to make this film have a $178 million budget!

Each movie in the “Mission: Impossible” franchise always seems to have at least one notable newcomer in the mix when it comes to the cast. This time, the most notable newcomer is Henry Cavill. He plays a character named August Walker. I liked a lot of things about this character. Seeing him in action was pretty cool, the chemistry he has with Ethan, not to mention Erica Sloan was definitely charming, and I also kind of dig his mustache.

Wait a minute… Should I say that? Henry Cavill had the same mustache in “Justice League” and I didn’t like that. I don’t want to look like a hypocrite!

Another personal standout character for me is also a standout from the last “Mission: Impossible” as well and that is the character of Benji played by Simon Pegg. To me, Benji just seems like a guy who would make a lovely assistant in life. If you need something done, just get Benji to help and you’re good! If you need moral support, Benji will be your cheerleader! If you need a question answered, Benji will do his best to get the best possible answer to you as soon as he can. There’s something about Benji that just makes me want to hang out with him, maybe grab some lunch. I dunno, Benji just seems like a pretty cool dude even though he may sound like a geek. Then again, I’m a geek so yeah…

One returning character is Alan Hunley, played by Alec Baldwin. At the end of “Rogue Nation” it is revealed that Hunley becomes the secretary of IMF. Here, you actually get to see Hunley in said position. Having seen this movie, I think Baldwin is definitely a good pick for this character. That previous thought probably sounds like something I would say in a review for “Rogue Nation,” but in all seriousness, given his transition from “Rogue Nation” to “Fallout,” Hunley is probably in a very believable position and Alec Baldwin continues to play his character very well. My one disappointment however, and this has nothing really much to do with the movie itself, it doesn’t affect my final verdict at all, but it is a thing that I want to bring up. There is a scene in the movie where CNN, the cable news channel, has a heavy presence. Alec Baldwin happens to play Donald Trump on “Saturday Night Live.” There’s not even one point in the script that just MAYBE could have utilized a fake news joke? I do think that there are times in my life where I’d go ahead and say that I’ve had it with politics and hearing about it, but I’d probably admire the use of that sort of joke if it were to have been uttered in the movie.

And of course, we have one of my favorite cast members/characters of the film, Ving Rhames returns once again as Luther. Rhames just knows how to be charming and maintain a presence that doesn’t feel over the top. One of my favorite scenes with his character actually occurs in the start of the movie, when the plot is just beginning to unfold. Without getting into specific details, there’s this one moment where Tom Cruise is just getting pumped with rage and he basically has to take it out on someone. Rhames is trying to avoid this from happening and attempts to calm Cruise down, it’s really engaging.

In the end, there are so many things I can continuously talk about that’s related to “Mission: Impossible: Fallout” until the day I die. From the action to the twists and turns to the cinematography, there’s so much to love about this movie. But one thing that needs to be addressed is that this is pretty much the opposite of what someone like myself would expect out of a movie franchise. Usually you start off good and your future is full of inferiority. While I wouldn’t call each movie a complete step up from the one before it, most of the movies in the franchise are worthy of that label, and “Fallout,” when compared to “Rogue Nation,” to my surprise, is no exception. The first thing I said once I finished watching the movie was a slow but steady “Holy crap.” There was multiple parts where I whispered to myself “Oh my gosh.” There were several moments where my jaw dropped. Every single frame had my attention and I was totally entertained, not to mention appreciative of the genius filmmaking efforts. Towards the end of the movie, I couldn’t breathe. It was one of the best feelings I had in my life, and when I was breathing, that felt equally fulfilling. When it comes to 2018 movies, I can declare that “Mission: Impossible: Fallout” has something in common with “Ready Player One,” “Avengers: Infinity War,” and “Won’t You Be My Neighbor?.” Why? That’s because I’m gonna give “Mission: Impossible: Fallout” a 10/10! This might just be my best movie of the year so far. I can’t say for sure, because a part of me is still trying to process what exactly I just saw, but I really couldn’t help but love every minute of my kick-ass experience. One last thing I will mention, Tom Cruise has an EPIC running scene in this movie. Look forward to it! Thanks for reading this review! I’d just like to take a moment to remind my viewers that I’m going to be utilizing a Facebook page specifically dedicated to Scene Before. If you want to like it or follow it, click the link below that way you can take yourself to the page and do your thing. Also, if you guys currently have “Mission: Impossible” fever, feel free to check out my reviews for the other “Mission: Impossible” movies. Be sure to check all of that out and stay tuned for more great content! I want to know, did you see “Mission: Impossible: Fallout?” What did you think about it? Or, which “Mission: Impossible” movie is your favorite of the bunch? Another question I’ll ask, what is your favorite action movie of the 2010s? I currently don’t have an answer for that as this is still certainly a contender and I am not sure where it should be ranked. But if it is not my favorite, my number one choice would something like “Inception.” Nevertheless, leave your comments below, check out my Facebook page, and be sure to follow me here on Scene Before to stay up to date on my latest reviews, countdowns, thoughts, and more! Scene Before is your click to the flicks!

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MISSION: IMPOSSIBLE REVIEW: https://scenebefore.wordpress.com/2018/03/30/mission-impossible-1996-this-movie-review-will-self-destruct-in-five-seconds/

MISSION: IMPOSSIBLE II REVIEW: https://scenebefore.wordpress.com/2018/04/29/mission-impossible-ii-2000-impossible-to-enjoy/

MISSION: IMPOSSIBLE III REVIEW https://scenebefore.wordpress.com/2018/05/24/mission-impossible-iii-2006-the-young-and-the-fearless-spoilers/

MISSION: IMPOSSIBLE: GHOST PROTOCOL REVIEW https://scenebefore.wordpress.com/2018/06/18/mission-impossible-ghost-protocol-2011-your-movie-review-should-you-choose-to-accept-it/

MISSION: IMPOSSIBLE: ROGUE NATION REVIEW https://scenebefore.wordpress.com/2018/07/25/mission-impossible-rogue-nation-2015-a-revisit-to-my-first-mission-impossible-movie/

Mission: Impossible: Rogue Nation (2015): A Revisit To My First Mission: Impossible Movie

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Your mission, should you choose to accept it, has been leading up to this point. The movie reviewing community’s biggest Jackass is about to review the last available “Mission: Impossible” movie before the release of the franchise’s upcoming film, “Mission: Impossible: Fallout.” Your mission is to read through the review. You will eventually discover that this movie is directed by Christopher McQuarrie, who also directed another film starring this film’s lead actor, Tom Cruise, “Jack Reacher.” McQuarrie, believe it or not, will also be directing “Mission: Impossible: Fallout,” making him the first director to do two “Mission: Impossible” movies. As always, should you or any of your Force be caught or killed, the Movie Reviewing Moron will disavow any of your actions. This message will self-destruct in five seconds.

“Mission: Impossible: Rogue Nation” is directed by Christopher McQuarrie (Jack Reacher, Way of the Gun) and stars Tom Cruise (Edge of Tomorrow, Oblivion), Jeremy Renner (The Avengers, The Bourne Legacy), Simon Pegg (Star Trek, Shaun of the Dead), Rebecca Ferguson (The White Queen, Hercules), Ving Rhames (Pulp Fiction, Lilo & Stitch), Sean Harris (The Borgias, Prometheus), and Alec Baldwin (The Departed, 30 Rock). This film is about IMF agent Ethan Hunt as he’s back for another round of action, as he cooperates alongside his team to take down an organization known as the Syndicate, an international rogue organization.

Back before this movie came out, I remember seeing the trailer for this film. I knew what “Mission: Impossible” was, but at the time I technically haven’t been exposed to any of its material. Having seen the trailer and hearing that this film is getting a special countdown in IMAX, I felt it was necessary to go ahead and check out this film in the IMAX format while it was still in theaters, which I did.

For all who happen to be judging me, SHUT UP! That is a PERFECTLY JUSTIFIABLE REASON! I didn’t go to use my phone! I didn’t go to fall asleep! I didn’t go to chit chat with those around me! I went for the experience! Speaking of the experience, I had a really fun time, therefore making me really excited to watch this movie again on Blu-ray, especially considering it has been nearly three years since my first watch. And guys, let me just tell you, out of all the “Mission: Impossible” movies I’ve seen thus far, this is definitely my absolute favorite in the franchise!

Over the past number of days, I’ve been thinking to myself, “Mission: Impossible” is just like “Fast & Furious,” the movies just get better as they go on. The main difference however between “Mission: Impossible” and “Fast & Furious” however is that when it comes to overall quality, it feels like that is something that more associated with the “Mission: Impossible” franchise. Both movies have similar feels that will give adrenaline rushes, but “Mission: Impossible” feels a lot like a movie made for smarter audiences. I’m not saying those who go see “Fast & Furious” are stupid, I enjoy those movies, and one of my personal friends from Texas has a huge fascination towards the franchise. But what I am saying is that when it comes to “Mission: Impossible” and “Fast & Furious,” two franchises that if you look at them, have many similarities, I’d say that “Mission: Impossible” comes off as more than just popcorn entertainment. “Fast & Furious” feels ludicrous, maybe that’s because it’s lighthearted and while perhaps there is stuff at stake, you as an audience member might be more focused on chewing on your popcorn. As I watch “Mission: Impossible” however, I’m absolutely curious to know more about it. Maybe because Tom Cruise has built this reputation of being the biggest daredevil action star of his generation, but when I watch these films, they don’t feel like products meant to feed to the throats of the masses (except “Mission: Impossible II”), these feel like movies. I seriously want to know about these characters because I truly deeply care about them, for example, Ethan Hunt! How could I not care about him at this point?

Ethan Hunt is great once again in this movie, I totally bought Tom Cruise as him, and I think I cared about his character here just about as much as I did in the first one. When it comes to his character, I wouldn’t necessarily say that my appreciation towards Cruise not specifically to just Hunt himself, but I rooted for him. The way his mission is set up in this movie is brilliant, awesome, and kind of sets the stage for what’s to come. Without going into detail, the terrorist organization Hunt is supposed up against, the Syndicate, just became a whole lot more threatening in just a short matter of exposition. However, they’re not the only thing standing in Hunt’s way. Again, without going into detail, Hunt is pursued by the CIA in this movie.

Speaking of Tom Cruise and Ethan Hunt, let’s talk about one of the most disturbing scenes I’ve watched in any movie. This scene might be more disturbing than most horror movies! Remember how in the first “Mission: Impossible” Ethan had to go down into this restricted area on a wire? It might be the most famous scene in all of the “Mission: Impossible” movies. As much as I love this scene, I think I have a much softer spot for another scene in “Rogue Nation.” There’s a scene that is conceptually similar to the famous wire scene in the first movie that appears in this one. But the thing about this scene, is that while Hunt is supposed to go into a restricted area for the sake of completing a mission. And as if this task weren’t already heavy enough, it involves constantly being in an area that’s UNDERWATER. I felt like I was on the edge of my seat during this scene! I am just amazed that five movies in, I STILL manage to feel like this is the original production and I’m watching this franchise for the very first time. Then again, maybe not, because I’ve seen Ethan Hunt grow as a character, therefore I care about him a lot more than I would than if I saw him for the first time (depending on the scenario).

I will say that there are definitely action movies out there that rely on entertaining audiences simply on great action, and maybe leaving story as an afterthought. I wouldn’t say that when it comes to “Mission: Impossible: Rogue Nation.” The story in this movie is pretty solid, I cared about the characters and where this movie happened to be going. But the action scenes in this movie are nothing short of top notch.

You know how I said that the exposition for the Syndicate really set the tone for what’s to come? Well, I was referring to a moment after the opening credits in a record shop. There is one scene that takes place before the opening credits involving a plane, and my gosh, it is one of the best openings to a movie I’ve ever seen. Everything from the cinematography, the music, the writing, it kind of gives you tension as an audience member, I just ate it up! Afterwards, the movie does its opening credits, and while I will give “Mission: Impossible: Ghost Protocol” some credit for being the most creative opening of the “Mission: Impossible” movies, I thought this opening might have been better. It’s a lot like the first movie’s opening, but the music is slightly different. While I did praise the first movie’s opening because it had a TV show feel, I may sound like a hypocrite here, but I really don’t care, this one deserves my praise for its movie feel. With five installments that are technically movies and not TV shows, I personally think that’s a fair sentiment to have.

Speaking of scenes with vehicles, let’s take about that scene where Tom Cruise rides a motorcycle! It’s awesome! It’s quite an amazing ride! Seeing Cruise blaze through the streets in this bad boy is nothing short of a treat, and it’s definitely better than that climax in “Mission: Impossible II.”

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One last scene I’m gonna talk about is the action sequence inside the Vienna State Opera. Before this whole scene begins, there is one line uttered by Ethan to Simon Pegg’s character of Benji that I will probably use so many times for the rest of my life.

“You want drama? Go to the opera.”

And drama there was indeed! This is one of the slower-paced scenes in the movie, but it completely worked. The intensity got higher and higher by the second, it was almost as if I didn’t know what was going to happen even though I watched this movie once, and it just reminds me why I think opera might be an underrated art form. In fact, this scene probably wouldn’t have worked if there was a different form of music. If this were a pop concert or jazz band or something, there would be a lot less intensity. The scene might still work and be effective, but it wouldn’t have that oomph that it got here.

In the end, “Mission: Impossible: Rogue Nation” is DEFINITELY the best the franchise has had to offer in all of its movies. Tom Cruise shines as Ethan Hunt, supporting cast members like Jeremy Renner, Alec Baldwin, Rebecca Ferguson, and Simon Pegg all do a great job as well. The direction and screenplay was probably what I’d want out of a summer blockbuster such as this, and speaking of that, Christopher McQuarrie, a screenwriter and the director behind this film, has his name on the credits of the next film, “Fallout,” which is set to come out not long after this post’s publication, once again in the director’s chair and as a screenwriter. Given the job he has done on this movie, it makes me extremely faithful in this upcoming installment. I’m going to give “Mission: Impossible: Rogue Nation” a 9/10. Thanks for reading this review! Be sure to stay tuned for my review of “Mission: Impossible: Fallout.” This completes my series of older Tom Cruise “Mission: Impossible” movie reviews, most of the movies have been good, one although has been a near-death experience. And I don’t know how long it’ll take me to get my “Fallout” review up and ready to go, but I’m making sure I can do it as soon as possible. As for other series’ of older movies I can review, I wanted to do a Jason Statham series since “The Meg” comes out August 10th, but I wanted to do one movie per week, and I’m not quite sure I actually have the time for that, so that’s cancelled. If I do come up with another series of older movie reviews, I’ll make an announcement in a future post, until then, stay tuned for more great content! I want to know, what are your thoughts on “Mission: Impossible: Rogue Nation?” Or, have you gotten a chance to see “Mission: Impossible: Fallout?” Tell me your thoughts on that! Also, if you want to check out my other “Mission: Impossible” reviews, links to those will be provided below! Check em out, follow me, enjoy your day, all that jazz! Scene Before is your click to the flicks!

MISSION: IMPOSSIBLE REVIEW: https://scenebefore.wordpress.com/2018/03/30/mission-impossible-1996-this-movie-review-will-self-destruct-in-five-seconds/

MISSION: IMPOSSIBLE II REVIEW: https://scenebefore.wordpress.com/2018/04/29/mission-impossible-ii-2000-impossible-to-enjoy/

MISSION: IMPOSSIBLE III REVIEW https://scenebefore.wordpress.com/2018/05/24/mission-impossible-iii-2006-the-young-and-the-fearless-spoilers/

MISSION: IMPOSSIBLE: GHOST PROTOCOL REVIEW https://scenebefore.wordpress.com/2018/06/18/mission-impossible-ghost-protocol-2011-your-movie-review-should-you-choose-to-accept-it/

Mission: Impossible: Ghost Protocol (2011): Your Movie Review, Should You Choose To Accept It

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Your mission, should you choose to accept it, is to read the fourth post brought to you by the ultimate Jackoff of movie reviewers in his Tom Cruise “Mission: Impossible” review series. This fourth review, appropriately, is for the fourth chronological movie in the series, “Mission: Impossible: Ghost Protocol.” If the number four does not give you any sort of satisfaction, click away from this review, and avoid reading the same Jackoff’s review for “Sharknado 4: The Fourth Awakens.” Although if you have a fondness for the numbers 1, 2, and 3, be sure to click the links below to go to the previous installments to this particular review series. You will eventually find that this movie is directed by Brad Bird, and the fact that the Jackoff has worked on this review the same weekend that his latest film, “Incredibles 2,” hits theaters, is purely coincidental. As always, should you or any of your Force be caught or killed, the Movie Reviewing Moron will disavow any of your actions. This message will self-destruct in five seconds.

MISSION: IMPOSSIBLE REVIEW: https://scenebefore.wordpress.com/2018/03/30/mission-impossible-1996-this-movie-review-will-self-destruct-in-five-seconds/

MISSION: IMPOSSIBLE II REVIEW: https://scenebefore.wordpress.com/2018/04/29/mission-impossible-ii-2000-impossible-to-enjoy/

MISSION: IMPOSSIBLE III REVIEW: https://scenebefore.wordpress.com/2018/05/24/mission-impossible-iii-2006-the-young-and-the-fearless-spoilers/

“Mission: Impossible: Ghost Protocol” is directed by Brad Bird (The Incredibles, Iron Giant) and stars Tom Cruise (Risky Business, Top Gun), Jeremy Renner (The Hurt Locker, The Town), Simon Pegg (Shaun of the Dead, Star Trek), and Paula Patton (Deja Vu, Precious). This film is the fourth installment in the “Mission: Impossible” film franchise. After the Kremlin is bombed, Ethan Hunt is in trouble. So much trouble in fact, that he is charged with bombing it! Not long into this mess, IMF is shut down and Hunt along with his new team have to go rogue.

As of now, I’ve only watched “Ghost Protocol” once and that one time was specifically for this review. Going into it, I was somewhat excited. I love Brad Bird, he has done some of the best animations I’ve ever seen. Not to mention, that moment when Tom Cruise is on the skyscraper was something I was highly anticipating. Also, this movie was partially shot with IMAX cameras. Some of my favorite movies have been shot on that sort of camera and part of me wanted to see how the crew behind “Ghost Protocol” would utilize that sort of technology. Disappointingly however, I didn’t get to see that. Some movies like “The Dark Knight” if you have the Blu-ray would differentiate the aspect ratio to allow you see which scenes were shot in IMAX, this movie didn’t have that. It’s a minor inconvenience but it still somewhat disappoints me. On the bright side, the movie was enjoyable. I wouldn’t call it the best “Mission: Impossible” movie however.

Maybe this is all because I was watching this at home and not in a theater, maybe it’s because I started this movie near the 10PM mark, but there were just small moments that I thought could have been slightly improved in terms of pacing. And that complaint is somewhat sad because this is a fast-paced movie and it should really keep your eyes glued towards the screen. There were definitely moments where my eyes were glued towards the screen, there’s no doubt to be given about that. However, at random times, I didn’t exactly check out, nor did I lose interest, but I kind of wanted the movie to move along.

The rest of the movie although is mostly positive as far as my thoughts are concerned. I think it’s well shot, well lit, the music is awesome! Seriously, Michael Giacchino is back and his work here makes me continue to appreciate him. Giacchino also did the score for “Mission: Impossible III,” and the more I think about it, I think this “Mission: Impossible” score might be better. As far as characterization goes here, I feel that was executed better in other movies. Obviously it’s better than the second one, but not as good as the first one. I will say that on the bright side that this movie was slightly less cringeworthy than particular moments of “Mission: Impossible III.” Although on the dark side of things, what was cringeworthy in “Mission: Impossible III” probably made me care a tad more for Ethan Hunt than I did in “Ghost Protocol.” Another downside is that my favorite recurring character in the franchise aside from Ethan Hunt, Luther Stickell, is barely in this movie at all. If you don’t know who I’m talking about, he’s played by Ving Rhames and has been present in the franchise ever since the first movie. Maybe I like him a lot because he does the voiceovers for the Arby’s commercials, which are some of my favorite commercials on television, but seriously, he adds a lot of charisma to the film. He’s in the movie, but if you look at IMDb, it’ll state that Ving Rhames’s role was “uncredited.”

Seriously though, one of the most enormous admirations I have for this movie, much like all the others in the franchise is Tom Cruise’s performance and overall commitment to his role of playing the character Ethan Hunt. “Mission: Impossible: Ghost Protocol” just continues to reveal why I love Tom Cruise. I’m no Scientologist, but with that aside, Cruise is one hell of an actor. He may not have the greatest ability to turn himself into another character, but with this “Mission: Impossible” franchise, Tom Cruise has really gotten to a point with the character of Ethan Hunt where he’s just synonymous with the man behind the mask that makes you appreciate both the character and the actor just a bit more. Not to mention, a number of the stunts you see in the film are real and Cruise is just one actor I continue to associate at this point with what one would call “real stuntwork.”

Speaking of characters, one problem I have here that kind of stands out is that the antagonist of the film is pretty forgettable. It might actually be in the conversation for the worst antagonist as far as “Mission: Impossible” movies go. The antagonist is known as Kurt Hendricks and while the villain wasn’t exactly flimsy or stupid, he was just rather disposable. This is not the villain of the franchise that would invest you more than any other, and if you read my review for another Brad Bird film, specifically “Incredibles 2,” this upcoming comment will sound rather reminiscent. Hendricks is coming after a certain point of the franchise where we got one particular awesome villain. Sure, the one in the first film was fine. The second film? Eh, I don’t want to talk about that crap ever again! The third film however, has a villain that just means BUSINESS. There’s one scene on a plane where Hunt is just trying to talk with him, the antagonist is giving threatening answers, it’s a whole thing. There’s a saying that a movie is as good as its villain, as much as I disagree on that statement, because I ended up giving “Mission: Impossible III” a 6/10 and yet it turned out to have the best villain in the franchise, I would agree in the thought that this movie would ultimately be better had the villain been better.

I feel like there a couple of reasons why I’m not liking this movie as much as I kind of hoped I would have. Starting off with Layman’s terms, and I can’t believe I’m saying this… Brad Bird.

Let me just say that Brad Bird is one of my favorite filmmakers working today, but most of the work I adore from him are in the realm of animation as opposed to live-action. He did my favorite animation, “The Incredibles.” He did a worthy follow-up, “Incredibles 2.” He also did another great Pixar film, “Ratatouille.” Before all of that, he did “Iron Giant.” Not only did he direct all of those films, but he also wrote them. This is Brad Bird’s directorial vision off of somebody else’s script, which is a normal thing in filmmaking nowadays, however, I don’t think that’s Brad Bird’s style. “Mission: Impossible: Ghost Protocol” is one of the first times has done something that’s entirely live-action. The only other movie that I can come up with which he’s done that is 2015’s “Tomorrowland,” which to me, is just about as good as this movie. It’s watchable, but I don’t want to go back to it right away. Although interestingly, unlike this film, Brad Bird actually wrote “Tomorrowland.” My advice to Brad Bird is to focus on where his strengths seem to lie. To be specific, animation. Whether it’s “Incredibles 3” (PLEASE START THAT SCRIPT) or something completely new and original, I imagine Brad Bird would make all of our wings fly into the theater.

In the end, I didn’t hate “Mission: Impossible: Ghost Protocol,” I thought it had some creative ideas behind it, there were definitely stakes, and Brad Bird’s reason to shoot the film in IMAX is spot on. He believes that it would bring back a level of showmanship that theaters are starting to lose given how most movies nowadays are shown in multiplexes, where screens are less grand and everything from the vibe to theater itself is shrunken down. And part of me wishes that I actually went out and saw this in theaters. That would have been tricky though because I was twelve years old at the time this came out and the movie is PG-13. Not only that, but I wouldn’t have watched one other “Mission: Impossible” film prior to this had I gone out and witnessed “Ghost Protocol” in a theater. If I went out and got the theatrical experience that I’m quite sure this movie probably deserved, I would probably have enjoyed it just a little bit more. I feel I like I should watch this movie again at a different time of day where I don’t feel the need to have anything else to worry about, perhaps my opinion will change then. I’m gonna give “Mission: Impossible: Ghost Protocol” a 7/10. Once again, a fairly enjoyable movie with some neat qualities behind it, I wouldn’t mind watching it again. Although as of now if I were to watch it again, it would for two reasons. 1. To see if the movie improves over the first watch. 2. I would probably have no distractions surrounding me, allowing myself to further immerse into the movie. As far as watching this movie again goes, only the future can decide such a thing for me.

Thanks for reading this post! If you currently have Brad Bird fever right now, feel free to go to the link at the end of this post and read my “Incredibles 2” review! I feel like I went over a lot that the movie has to offer without exactly giving away spoilers. So if you feel like checking out that review, hit that link below!

Also, this “Mission: Impossible” review series is almost at its closing point. The next entry will be the last review I do in the “Mission: Impossible” franchise prior to the release of “Mission: Impossible: Fallout.” So for the first time ever on Scene Before, I’d like to say, please stay tuned for my review for “Mission: Impossible: Rogue Nation.” That review will be up sometime in July before the release of “Mission: Impossible: Fallout,” which comes out on the 27th. I’ll give you all a warning though regarding my review for “Fallout” if you follow my blog. I don’t know when exactly I’ll be reviewing it. Because on the day it comes out I have to leave early to catch a train for New York City, which is part of a trip that will take several hours. And I also return home that same day. Once I get home, I’m going up to Maine with my family for a couple nights. Trust me, I WANT to see this movie. I know there are some theaters in the area, I’ve done my research. However, based on what the majority intends to do, I’m not quite sure I’ll be able to reach a theater during my stay. I’m not gonna make any guarantees because I’m not exactly sure how this stay is going to go down, but let me just say that for now unless I’m invited to an early screening of “Mission: Impossible: Fallout,” if you are expecting an early review of this particular movie, don’t get your hopes up. Nevertheless, be sure to stay tuned for those reviews, which I do want to post on here at some point, and other great content! I want to know, did you see “Mission: Impossible: Ghost Protocol?” What did you think about it? Or, do you think I should watch the movie again to see if my thoughts change? Let me know down below! Scene Before is your click to the flicks!

INCREDIBLES 2 REVIEW: https://scenebefore.wordpress.com/2018/06/14/incredibles-2-2018-too-late-fourteen-years-too-late/

Mission: Impossible III (2006): The Young and the Fearless *SPOILERS*

Your mission, should you choose to accept it, is to read the third review in some jackass’s series. The series can go by a number of names, might not even go by a name at all, but it makes up of all “Mission: Impossible” films starring Tom Cruise. If this mission is unacceptable to you, there are other “Mission: Impossible” films which the particular jackass has reviewed prior to this one. Those include the two films released earlier in the franchise, also starring Tom Cruise. As always, should you or any of your Force be caught or killed, the Movie Reviewing Moron will disavow any of your actions. This message will self-destruct in five seconds.

MISSION: IMPOSSIBLE REVIEW: https://scenebefore.wordpress.com/2018/03/30/mission-impossible-1996-this-movie-review-will-self-destruct-in-five-seconds/

MISSION: IMPOSSIBLE II REVIEW: https://scenebefore.wordpress.com/2018/04/29/mission-impossible-ii-2000-impossible-to-enjoy/

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“Mission: Impossible III” is directed by JJ Abrams (Star Wars: The Force Awakens, Lost) and stars Tom Cruise (The Last Samurai, The Firm), Philip Seymour Hoffman (Almost Famous, The Big Lebowski), Ving Rhames (Pulp Fiction, Lilo & Stitch), Billy Crudup (Big Fish, Princess Mononoke), Michelle Monaghan (Kiss Kiss Bang Bang, The Bourne Supremacy), Jonathan Rhys Meyers (Match Point, Vanity Fair), Keri Russell (Felicity, Malibu Shores), Maggie Q (Nikita, Live Free or Die Hard), and Laurence Fishburne (The Matrix, Mystic River). This film is about Ethan Hunt, who is marrying Michelle Monaghan’s character of Julia, while at the same time, he has to face an arms dealer who threatens both him and the girl whom Hunt intends to marry.

This is my third installment in my Tom Cruise “Mission: Impossible” review series. I’ve already covered my thoughts on the first installment, which I thoroughly enjoyed and the more I think about it, the better it actually gets. The second movie, honestly was a fail and a half. It had some neat cinematography and some neat action with real cuts added to Cruise’s face during the final fight by the way. The “Mission: Impossible” movies, regardless of how good or bad they are when watching them, can become more interesting once you take a gander at the work put into them. This third installment is no exception. Tom Cruise once again does his own stunts, very pleasing to hear personally. This is also the first feature film directed by JJ Abrams, and its budget believe it or not is quite an expensive one for a first time feature film director coming in around $150 million. And the best part about this movie is that it is better than “Mission: Impossible II.” However, it does not mean that this film is perfect. I’ve actually watched the film in two sittings. I did so for two reasons. First, the Celtics-Cavs Eastern Conference Finals game was on. Second, I was kind of bored during the first half-hour at times. As I watched this movie, there were some times where I almost thought about checking out. I came close, but I survived. The story of the movie is nothing I raved about, in fact at times I almost got angry with it because it didn’t feel like an action movie like it’s supposed to be and felt more like a soap opera at times. And there’s your reason for my review title “The Young and the Fearless.” I may be cheating with this because I never watched the whole movie, but it kind of reminded me of “Jaws: The Revenge,” but nowhere near as excessive or terrible.

Say what you want about JJ Abrams. I know a friend who saw his “Star Trek” reboot, she’s a massive “Star Trek” fan and couldn’t be more dissatisfied with it. I am a huge “Star Wars” lover and I found his film, “The Force Awakens” to be one of the best “Star Wars” films ever made. Regardless of how pissed my friend is about “Star Trek” and how happy I am about “Star Wars,” I found “Mission: Impossible III” to kind of be in between those two in terms of the score. Ultimately, “Mission: Impossible III” is somewhere around the average range.

“Mission: Impossible: III” serves its purpose as an action movie where Tom Cruise kicks ass and takes names. Although with that comes some moments where you wonder how much longer the movie has left in terms of runtime and a relationship you kind of WANT to care about, but simultaneously when it comes to that part of the movie you can’t help not giving a single s*it. I buy into the chemistry between Cruise and Monaghan’s characters, but if I had to pick something that I believe deteriorates the film’s overall quality and my ability to fully enjoy it, that would be the #1 aspect of the film I’d choose.

In fact, when it comes to this movie, my favorite things about it have nothing to do with story and characters. I like the characters in the movie, but the real thing that keeps this movie going is the action, Michael Giacchino’s awesome score, and something I never usually point out, the lighting. The lighting in this movie is vivid and colorful at times and felt very suitable for a modern day action flick such as this one. His version of the “Mission: Impossible” theme is similar to Danny Elfman’s, who did the theme for the 1996 “Mission: Impossible” film. And honestly, it’s just as good, which is saying something because I really do admire Danny Elfman’s theme. I also gotta say that when it comes to choosing someone to score this movie, Michael Giacchino’s a great pick, because this is the same guy who did the score for 2004’s “The Incredibles,” and thinking about both intellectual properties, the ideal music I’d think of when it comes to both sound rather similar to each other. I mean, over the years, Giacchino has shown that he has more range in his music than the sounds and visions presented in “The Incredibles” and “Mission: Impossible: III,” but if I heard Giacchino was announced to do the score for this movie back in the 2000s and I had already seen “The Incredibles,” I’d be completely sold.

I know I already said a lot about Tom Cruise, but seriously, I gotta give credit where credit is undoubtedly due, the dude can act, he can do stunts, he can do action, just give him any movie script and he can automatically make the movie better. I will say though, as much as it is a treat to see the character of Ethan Hunt on screen, I wouldn’t say his reasons for having anything to do with the movie made him shine like a star. He, just like a lot of the characters in this film for the most part, feel somewhat wasted. There’s something about them, but I can’t put my finger on what exactly that something could be.

And while I will say that most of the characters feel like they don’t stand out, one character who not only stands out, but also stands tall is Philip Seymour Hoffman’s character of Owen Davian. I… LOVE. THIS GUY. If I weren’t into the technical aspects of movies or action and mainly focused around movie characters, Owen Davian, the film’s main villain, was spectacular in just about every sense of the word. His interactions with other characters, his threatening presence that you as a viewer are automatically subjected to during the film’s beginning, and Hoffman’s performance. Davian is probably my favorite character in the movie, and I gotta say, RIP Philip Seymour Hoffman, you knocked this character out of the park.

Last but not least, this is getting into spoiler territory, so you have been warned. But I want to talk about how Hoffman dies in this movie. He and Cruise are fighting each other and it’s kinda thrilling. They’re outside, and at one point, Cruise is lying on the road. Hoffman is on top of him. Then this truck comes in, it’s very fast, and SHABANG! It makes contact with Hoffman, Cruise is lying under it avoiding the possibility of getting ran over, then seconds later, you see a black shoe that is obviously Hoffman’s. F*cking brilliant. That death is perhaps the one of funniest I’ve seen in the movie, at least for a major villain. The only thing that would make the death funnier is if the truck actually happened to be an ice cream truck playing music, or when Hoffman got hit, you’d hear a Wilhelm scream.

In the end, “Mission: Impossible III” is definitely a much more watchable movie than the gosh-awful “Mission: Impossible II.” Tom Cruise is great, JJ Abrams had a great movie directorial debut, and I have to praise a lot of the technical aspects of the film as well. However, this movie to me does have its issues, and the issues absolutely deteriorate the score. As much as I appreciate the script being about character building, I just wanted more action. And somehow when I was going through the action, it just didn’t satisfy me. I felt like it was just going on for a tad too long in certain sequences. That’s just me though. So for now, I say for now, because this definitely might change in the future depending on what happens. I’m going to give “Mission: Impossible III” a 6/10. This is not a bad movie, very enjoyable indeed, and I’d probably give it another watch in the future, but if the movie adjusts a few things here and there, the score would definitely boost. Thanks for reading this review! Pretty soon I’ll have my review up for “Solo: A Star Wars Story,” I’m seeing that movie tonight and as I promised, I’ll have my review for it up tomorrow. As for other reviews, I still have to see “Deadpool 2,” I might go see a movie this weekend, maybe that’ll be the one, we’ll have to see. But summer’s comin’, which only means I have a lot more free time, and a lot more content that can definitely be produced. So with that in mind, stay tuned for more great content! I want to know, what are your thoughts on “Mission: Impossible III?” Or, as sick as a question as this may sound, I’m somewhat curious to know your opinions on this. What is the funniest death you’ve ever seen in a movie? Now don’t kill me for saying that, I have no motivation to kill any of you, so I don’t see why you should have a motivation for doing the same to me. If you all have a perfectly sane mindset, just jot your thoughts down in the comments section, I’d appreciate hearing them. Scene Before is your click to the flicks!

Mission: Impossible II (2000): Impossible To Enjoy

Your mission, should you choose to accept it, is to read through some jackass’s review of “Mission: Impossible II.” Make sure you read through everything if your enjoyment levels are high. If your enjoyment levels are not high, please seek some counseling or other reading material. This is one of five reviews being done in preparation for the same jackass’s review for “Mission: Impossible: Fallout.” As always, should you or any of your Force be caught or killed, the Movie Reviewing Moron will disavow any of your actions. This message will self-destruct in five seconds.

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“Mission: Impossible II” is directed by John Woo (Hard Boiled, The Killer), stars Tom Cruise (Risky Business, Top Gun), Dougray Scott (Ever After: A Cinderella Story, Deep Impact), and Thandie Newton (Gridlock’d, Beloved) in the sequel to the 1996 mega-hit “Mission: Impossible.” The first movie took a popular TV show, brought it to the big screen with Tom Cruise as the star, and a lot of people ate it up. So naturally, a sequel was released four years later, and this time there’s a genetically modified disease that goes by the name of Chimera. The creator of this disease is killed and stolen by IMF agent Sean Ambrose. Now it is up to Ethan Hunt and Nyah Nirdoff-Hall to go undercover and find out whatever they can about the disease. It’s not an easy task, but if the task is completed, the disease can eventually be brought down.

This movie is the sequel to the highly successful “Mission: Impossible” released in 1996. During its theatrical run it made a final box office total of over $457 million worldwide. This final result made it the third highest-grossing film of the year, just below “Twister,” sitting at #2, and “Independence Day,” taking the cake at the #1 spot. “Mission: Impossible” also made more than any motion picture release from Disney that year, which if your film is doing that nowadays, it says something. Four Disney films released that year were in the worldwide box office’s top 10 by the way. The Disney releases included “The Rock,” “The Hunchback of Notre Dame,” live-action “101 Dalmatians,” and “Ransom.” Now it’s 2000, and “Mission: Impossible II” is on the horizon. Once it came out, guess what happened? It made more than the original! It made a worldwide total of over $546 million. According to Wikipedia, this film’s reviews were “mixed to positive.” Me personally, I felt like I was getting cavities filled on all my teeth at once, so I really did not enjoy what I saw. I did a couple things related to this review before I saw the movie (mainly some stuff that wouldn’t require me to watch the movie), but once I got down to the nitty-gritty, I kind of forgot what I just witnessed on screen. It’s kinda like a dream, ya know. Unless the dream is truly significant depending on what the dream is, not to mention when, and maybe where it happens, or if you keep track of your dreams in a journal, you won’t remember anything about it. I could just say that this is a fun action movie, and at times it is, but a movie like “Kingsman: The Golden Circle” was a fun action movie. Not to mention, it was also a more memorable and admirable sequel than this. This kind of feels like a fun movie, but also made because the studio likes money.

Tom Cruise is the star of this movie as Ethan Hunt, and yes, he is fun to watch without any doubt whatsoever. But sadly, he might be one of the only good things you remember about this movie. Seeing Cruise in various action sequences is a delight, but when it comes to him as a character, talking to other people, that’s when the movie’s weaknesses start to show.

And I feel like this is why the movie falls flat on its face as an overall product, Cruise steals the show as an action star, and the scenes where action is happening sometimes stand out positively like a t-rex in a museum. But when it comes to any sort of moment that needs to trigger with the audience’s thoughts, emotions, anything like that, the movie just doesn’t know what to do. There’s some great direction, some great cinematography, and if you find out some what happens behind the scenes when it comes to the action sequences, the movie might just get better. If you’re coming into this movie, expecting some great character moments, times where you can root for everybody on screen, scenes where there are stakes, that’s not going to happen, at least that’s not what I felt happened.

One of the worst parts of the movie is the romance between Ethan Hunt and another character who goes by the name of Nyah Nirdoff-Hall. I don’t own this movie on DVD, my only source of watching this movie is a Blu-ray disc which is part of a 4 movie “Mission: Impossible” collection, and on the case I have dedicated to said collection, it doesn’t give a single full description for one of the movies. But according to the DVD, it describes the character of Nyah Nirdoff-Hall as “beautiful.” Sadly, that’s the only thing they got right about her. Other than her beauty, nothing else really stood out about her. I kind of bought her as a spy, but there were times I didn’t care about her, I didn’t buy the romance between her and Ethan. That side of the story improved a bit towards the climax, but during the beginning it sucked. It felt really forced, and it almost reminded me of Anakin and Padme in “Star Wars Episode II.” It’s two people who are working together, and somehow they force themselves into a romance because, well, apparently there’s nothing better that can be put in the script! If you had to one day ask me what Nyah was like, I’d either answer to you, “What are you talking about?”, “Who is this?”, or “A Bond Girl.”

You know how in all the “James Bond” stories they have a girl in there that’s basically exclusive to that story? Well, that’s what Nyah feels like to me. And as I do research on this movie, I feel like I like her less. Because this movie actually made a chase scene which was basically inspired by a race featured in “Goldeneye” between Bond and Xenia Onatopp. I can’t talk too much about it considering how I haven’t watched “Goldeneye,” but on IMDb’s trivia page dedicated to “Mission: Impossible II,” it suggests what I just said. It just feels like the crew behind this movie didn’t have any idea how they can define Nyah through an original thought. They just said, “Hey! A lot of people like James Bond, let’s put some of its s*it into our movie!” I’m not saying that “Mission: Impossible” and “Bond” aren’t similar in ways, but I am saying that if you aren’t careful, you can become a ripoff.

I could talk about the villain. But you know what? He’s forgettable. So let’s move on. Enough said.

As suggested, the action in this film is great at times, but then there are times when it just gets–um–yeah I don’t give a f*ck about my life anymore, this movie is s*it! The action just gets so silly and stupid that it’s hilarious!

There comes a point in the movie, that Ethan Hunt and Sean Ambrose are on motorcycles. You can BARELY tell who is who. I was almost even questioning which person I was looking at during certain moments of the film! It was kind of like “The Girl on the Train!” You ever seen that movie? I know, f*cking bats*it crazy! I can let that complaint slide, because it’s more on the nitpicky side, but I don’t know if I should be complaining more about that, or about what I’m going to explain to y’all. Although I will say, part of me… is doing cartwheels of excitement over this! So there’s a point where both bikers stop, they’re looking at each other on their vehicles, and after preparing their motors, they charge forth! Each operator hopes they can annihilate their opponent, both do a wheelie, when all of sudden, they jump off their bikes, making contact with each other, getting violent as they fall off a cliff, all the while both bikes explode, as both beings land on the sand, and they get back up in little to no time whatsoever!

That scene… may have been worth the watch. It’s one of the STUPIDEST things ever, but at the same time, one of the FUNNIEST things ever. But yeah, I gotta say it, f*ck this movie!

In the end, “Mission: Impossible II” was impossible to like. There were several scenes of boredom that made me avoid enjoying myself. Some of the stuff behind the scenes may improve the movie a little bit, but when it comes to the script, that’s the Achilles Heel. “Mission: Impossible II” honestly just feels like a studio film. Created solely just to make money. Maybe some passion was put into it, but based on what was presented to me, I wasn’t able to see any of that passion. This movie took out elements of what made the prior one enjoyable, such as the layers behind it, the characterization, etc, and just stuck to action. Stupid. I’m gonna give “Mission: Impossible II” a 3/10. I enjoy action movies, and I also enjoy Tom Cruise, but this movie felt like an impossible mission to get through. I have heard though that this movie is rather divisive so I’m curious to know some thoughts from the people who actually enjoyed the movie.

Thanks for reading this review! Since next month is May, that means I’ll have another “Mission: Impossible” review for you all to read, this time I’ll be doing “Mission: Impossible III,” directed by JJ Abrams, who according to one of my best friends, “ruined ‘Star Trek'” and according to another group of people I know, “saved ‘Star Wars’.” So I’m interested to see where Abrams is going with this movie. Speaking of “Mission: Impossible,” if you want to read my review for the first Tom Cruise “Mission: Impossible” film, the link to that is down at the end of this post.

Also if you are bored and want to read something that I promise you won’t have spoilers that will ruin the entire meaning of your life, check out my review for “Avengers: Infinity War.” Click the red box below if you want to read it. If you’re reading this and this is the last post I made, you’ll only see one red box and that’s the one you should click on. If you’re reading this and this is not the last post I made, click the red box on the bottom left. Stay tuned for more great content, should you choose to accept it! I want to know, did you see “Mission: Impossible II?” What did you think about it? Where do you personally stand on this movie’s divide? Or, do you think I’m too hard on Nyah Nirdoff-Hall? I mean, she is gorgeous and the movie certainly gets that notion right, but I seriously want to know your thoughts! Leave a comment below, and I just hope I enjoy “Mission: Impossible III” more than I enjoyed “Mission: Impossible II.” Scene Before is your click to the flicks!

MISSION: IMPOSSIBLE REVIEW: https://scenebefore.wordpress.com/2018/03/30/mission-impossible-1996-this-movie-review-will-self-destruct-in-five-seconds/

Mission: Impossible (1996): This Movie Review Will Self-Destruct In Five Seconds

Your mission, should you choose to accept it, is to read through the first of the “Mission: Impossible” reviews from Scene Before. More are on the way, such as “Mission: Impossible 2,” a movie whose review shall be published a month after this one. As always, should you or any of your Force be caught or killed, the Movie Reviewing Moron will disavow any of your actions. This message will self-destruct in five seconds.

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“Mission: Impossible” is directed by Brian De Palma (The Untouchables, Dressed to Kill) and stars Tom Cruise (Top Gun, Risky Business) as an American agent who goes by the name Ethan Hunt. In this movie which is inspired by the television series of the same name, Hunt must find out who framed him for murder of the entire Impossible Missions Force.

This is the first movie of the ongoing Tom Cruise “Mission: Impossible” series, and I imagine there’s a good number of people out there like myself who has seen this movie or another movie in the series and couldn’t compare it to the original TV series. As far as which incarnation is better, I can’t say, but I can say that this movie is super thrilling! Let’s dive into it a bit deeper.

The movie starts off with the crew on a mission. One character, Jack, played by Emilio Estevez (Young Guns, Repo Man), is watching the surveillance, doing his job, and we see one guy in a white tank top being interrogated. The guy asking all the questions is Tom Cruise who eventually reveals his true self, Ethan Hunt by taking his snobby, Spanish-looking Agent Smith mask off. We see Tom Cruise going over to Claire, played by Emmanuelle Béart (Nelly & Monsieur Arnaud, 8 Women), injecting a needle, then we hear Claire, all bloodied up, asking Ethan, “Did we get it?” Ethan responds, “We got it.” Great exchange, great timing, and a great transition to the title sequence featuring the endlessly famous “Mission: Impossible” theme song. Just… perfect. That’s all I gotta say. The intro doesn’t really show all too much except for major characters, but the transition from the intro to the main events of the movie probably couldn’t have been done better.

The “Mission: Impossible” theme used for this movie by the way, was composed by none other than Danny Elfman, and if you have known me, I love Danny Elfman. I will say that sometimes his scores are somewhat underwhelming and don’t deliver the goods that they should (Avengers: Age of Ultron, Justice League), but when his scores are well done from my personal view, they stand out like Marilyn Monroe in a beauty pageant. Elfman from my personal view did a fine job on the movie’s score and this is definitely one of his better ones. Although one interesting thing about it is that it wasn’t supposed to be his.

Alan Silvestri, another terrific composer who has new work coming out in films such as “Ready Player One,” “Avengers: Infinity War,” and “The Women of Marwen,” was originally supposed to do the score, but his was ultimately rejected. That’s not to say that Danny Elfman made a bad score, I think it is very well done. But I listened to Alan Silvestri’s “Mission: Impossible” theme, and I think it is an interesting rival to Elfman’s. For how this movie turned out, I gotta say that Elfman’s is a bit more appropriate for something like this, but Silvestri’s is just killer. The reason why Elfman’s theme works for this movie is because the movie had an intro that made it feel like we were watching TV, and his song was short and effective. Silvestri’s felt really grand and epic at times, especially with the drums. I’ve been looking around online and I don’t think there’s been a single announcement as to who will officially score “Mission: Impossible: Fallout.” Silvestri’s got some stuff up his sleeve as we speak, but I would love to see him come back and score this upcoming movie with the use of his own theme that would have been inserted back in 1996 if no conflict got in the way. By the way, be sure to let me know which of the two “Mission: Impossible” themes you prefer: Elfman’s or Silvestri’s.

Funny thing about these themes is, I gave a compliment to the Elfman one for feeling like a TV show and that is something I usually DON’T want in my movies. The rest of the movie feels like a film, but with this TV-like theme, I can’t help but praise it.

Now I talked a little bit about Tom Cruise here, but I can’t really say I’ve dived into too much depth about him. Tom Cruise’s character of Ethan Hunt has defined the movie and Cruise probably had no idea how much this character would make a newfound path in his acting career. Cruise delivers a fine performance as Hunt in this movie. It’s believable, you feel his pain, you buy him as this agent and his performance maintains a fine line between fun and serious which totally worked for the movie. A couple of other standout characters include Luther, played by Ving Rhames (Pulp Fiction, ER) and Jim Phelps, played by Jon Voight.

Fun fact about Jon Voight by the way, he would have never been in this movie if it weren’t for one thing. Believe it or not, Voight wasn’t the goto as for who would be cast as this character. If you watch the original show and its revival (where he appears as only original cast member to return), you’d know that the character of Phelps is played by none other than Peter Graves and there was a point where he found out about some actions that his character did in the movie. Once he found out about them, he didn’t want to be a part of the project.

Now let’s get to the best part of the movie, and it is probably the part that you all know about if you’ve seen the film, or maybe even if you haven’t seen it, and it’s the wire sequence. Like, holy crap! This is my second time watching this movie, and my jaw literally dropped! Tom’s performance in here is pristine! He’s silent, he’s mentally terrified, but also somewhat determined. The suspense levels during this scene just happens to be unbelievable! It has the environment, if you can call it that, of a library, but it also has the feel of a boxing match! I talked about the music in this movie and how well done it was, but there’s barely any music during this sequence and the movie as a whole is all the better for it! Just… wow! My favorite Tom Cruise movie is “Risky Business,” but if you ask me which scene from a Tom Cruise movie might be the best, this one, I cannot guarantee is my favorite, but it’s certainly a contender, I need to probably make a conclusive list before I decide whether or not it is my favorite.

Also, it’s not just Tom Cruise who has the spotlight here in this scene, some of it is given to a minor character by the name of William Donloe, played by Rolf Saxon (Saving Private Ryan, Woman in Gold). In this scene, he headed to the secure area where Cruise is downloading files, but the fact that he pretty much had a bad meal allows Cruise, conveniently, to carry on the mission with slightly less worries.

In the end, “Mission: Impossible” the second time around actually turned out to be better than the first time. I didn’t hate it the first time, but I’m just saying. “Mission: Impossible” is certainly a fun movie, but at the same time, somewhat dramatic. The tone works overall. On one hand you have a story where the main character has to deal with his crew dying, and on the other hand, you have a story where that same character fights someone on a train with a wind machine going at 140 miles per hour so his face gets distorted, a speed so fast that Tom Cruise himself approved of it because wind at that speed could possibly knock him off the train. The more I find out about this movie and the more I think about it, the more interesting it gets. I’m gonna give “Mission: Impossible” an 8/10. This in my mind, is currently a low 8 on a scale of 1-10, but this could increase overtime. It would probably be a 7 though if less passion were injected and less standout moments and characters were inserted into the final product. I’m honestly willing to bet that next time I’ll watch it, I’ll like it even more. And speaking of products…

*SPONSORSHIP ALERT* (although I’m not getting paid)

Call kids what you may. You can call them what I just said, or you can call them children, offspring, products of two parents, etcetera. You might as well say these products are newly realized each and every day. And one day, the realization will arrive to a male and a female. For example, a gal named Genevieve, and a guy named Paul, will achieve that realization in a number of months. But before that, they had to suffer through the seemingly neverending process, which might as well now be a neverending story, of something that their child will ultimately thank them for. Making them. This is all explained… in “What the IVF?!”

“What the IVF?” is a relatively new series and channel on YouTube, where Genevieve and Paul document their time trying to have a baby. To them, the journey is hard, but they “keep effing trying” as they face tiny victories, but also enormous losses. Get ready for the drama between the two as they encounter problematic situations in sex, testing, wasting money on everything that’s needed for impregnation, and needles so sharp they might as well kill you! Their latest episode listed above is the fourth episode in the series and it is a deep dive on trying to conceive! You see the couple going to Dollar Tree and buying pregnancy tests, Genevieve utilizing an app that might as well be a diary she never wanted, and a shoutout to the drink Surge! By the way, this is a late announcement, but if you haven’t heard, they actually brought the drink back! Just a fun fact because I’m not sure if everyone is aware! To catch up on the latest episodes regarding Genevieve and Paul’s adventure to conception, click the link below to their YouTube channel, be sure to subscribe, like, click the bell, whatever it takes to make them happy without buying something for their baby. Also, be sure to check out their Facebook, Twitter, Instagram, and their website! All the links are down below, and if check all of this stuff out, be sure to let them know that Jack Drees sent you over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

Thanks for reading this review! April is on the way! “Ready Player One” is out! I’m probably gonna catch it in 70mm! Quite a time to be alive! Not only that, but April will also be the month where I continue this series of reviews and focus on “Mission: Impossible II!” Stay tuned for that, and also I want to let everyone know that I made a part 2 to a post I made back in November which got a decent amount of hits, “What the Heck Is Up with Justice League?” In this new post, I talk about the movie’s box office total, how it is shockingly low for the kind of movie it is, and I even give a sense of wonder as to where the Detective Comics Extended Universe could be going from here. The link to that is down below, be sure to check it out, and be sure to follow me here on WordPress so you can stay tuned for more great content! I want to know, did you see the 1996 “Mission: Impossible?” Let me know your thoughts if you did! Do you think the movies or the TV shows are superior? I actually kinda really want to know since I never watched the show on TV. Scene Before is your click to the flicks!

WHAT THE HECK IS UP WITH JUSTICE LEAGUE (2017)? *PART 2*: https://scenebefore.wordpress.com/2018/03/24/what-the-heck-is-up-with-justice-league-2017-part-2/

10 Movies That Have Changes You May or May Not Have Noticed *SPOILERS*

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Hey everyone, Jack Drees here! You might have clicked on this post thinking “Oh, crap! Clickbait! GO BACK! GO BACK! GO BACK!” First off, thank you for giving me one extra view, very much appreciated. Second, regardless of how clickbaity this sounds, I will say what you’re about to read is somewhat interesting. When movies come out, you might think of it in a certain way. You might go back and watch it the way you remembered. Although in some cases you might go back and watch it, and there’s something different about it. Today we’re going to be looking at some of these changes, see if you see the movie in a different view than you did before. One rule I’m making for this list is that no made-for-TV changes apply here. If a movie gets a change from its original release because it airs on TBS or something, it doesn’t count. So changes as the one from “Home Alone” where Buzzy doesn’t say “I wouldn’t let you sleep in my room if you were growing on my ass,” and instead says “butt,” doesn’t qualify. Just for the record, this is not a countdown, these aren’t in any specific order, and I’m not sticking to any sort of idea, stating how much I like or dislike these changes. I might go into that, but I’m not saying I like every single change or dislike every single change. So let’s dive into this.

Revenge of the Nerds: Phone Number

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The first change comes from the 1984 comedy “Revenge of the Nerds.” This is one of my personal favorite comedies. The sequels? Not so much. The movie has been released on VHS, Laserdisc, DVD, and Blu-ray. However, the sequels haven’t gotten past the DVD mark. This is a change that is seen on both the DVD and Blu-ray editions of the film. In 2003, the film was put out on DVD, but with a reedit brought to the mix. There’s a “For Rent” sign in the movie which had a genuine phone number on it. For legal reasons, the footage where the phone number was displayed was removed. Note, I didn’t say blurred, but removed. I have never seen the footage of where the phone number is revealed and as I write this, I’m looking at originaltrilogy.com, where a bunch of users are talking about this change and a couple of them called it “jarring.” I will have to watch the original cut in order to agree or disagree, but if you really want to make everyone happy, just blur the phone number. Also to everyone, please don’t call the phone number. Don’t be a dick.

All the Right Moves: Lea Thompson In the Nude

Remember how I said this isn’t a countdown? Well, I guess this may be an excuse to talk about movies I haven’t seen. Ladies and gentlemen, I give you “All the Right Moves,” starring Tom Cruise (Risky Business, The Outsiders) and Lea Thompson (Jaws 3-D, Back to the Future). Why am I talking about this? Well apparently I was in Connecticut and while I was there, I managed to pick up a bunch of Blu-rays to add to my collection. This movie happened to be one of them and I figured it would go great in my Tom Cruise collection. Due to random research, I came across something interesting. When “All the Right Moves” came out in 1983, there’s a sex scene featuring Tom Cruise and Lea Thompson which contains full frontal nudity, however when the Blu-ray released in 2012, the framing of Lea Thompson’s character in the nude was altered. This prevented people from seeing Lea nude below the waist. I don’t want to sound like a pervert, but I don’t know why that change had to be there. First off, the movie’s rated R. Second, if people who have watched this before are rewatching this today, they might be slightly jarred by what they’re seeing and the experience of that scene might be ruined for them. Not to mention, this is a Blu-ray cut! Not a cut made for television! On TV, I can sometimes understand some movies being altered for certain viewers for a number of reasons. But, on a Blu-ray?! What do I know really? I’ve yet to see the film so I can’t really say much.

2001: A Space Odyssey: “Affirmative, Dave” and Nineteen Minutes of Footage

It’s been almost fifty years since the release of “2001: A Space Odyssey.” In that span of time, the movie has been considered a classic by fans of science fiction and film from a general perspective. You know what they say, if it ain’t broke, don’t fix it. This change, much like the “Revenge of the Nerds” change, didn’t really break the film or anything for some people. In fact you can say it broke the film less because if you think about this, it’s not really that jarring compared to the “Revenge of the Nerds” change. In 1998, MGM released “2001: A Space Odyssey” on DVD, with a slight change in the dialogue. During the scene when Dave is trying to get through the pod bay doors, he asks HAL “Do you read me, HAL?” In that particular release, HAL responds by saying “Affirmative, Dave.” Although in the original release, HAL says “Affirmative, Dave. I read you.” What makes this change extra wacky is that the English subtitles for the DVD released by MGM actually still displays the line from the original release. The full dialogue however was revived in future home video releases from Warner Brothers. Speaking of changes, when “2001: A Space Odyssey” was first released, it was slightly over two and a half hours long. The version which is seen on most home video releases is a version that’s just slightly shorter than two and a half hours. Stanley Kubrick, the director of the film, removed nineteen minutes of footage after the film premiered. It would be nice to see that footage restored for when “2001” comes out on 4K, I’d totally buy that!

Blade Runner: Endless Cuts (SPOILERS AHEAD)

“Blade Runner” is one of the best sci-fi films ever made. In fact, a sequel just released in October and it might be just as good, if not better, compared to the original. Followers over the years have been exposed to multiple editions of what director Ridley Scott regards as “probably his most personal and complete film.” Ridley might not be lying when he says that, and we’ll get to that in a second. “Blade Runner” has had seven different cuts of the film released to the public.

In 1982, the workprint prototype version was shown to test audiences in Denver and Dallas. This was also shown in 1990 and 1991 to audiences in San Francisco and Los Angeles as a “Director’s Cut.” Although it didn’t have the approval of Ridley Scott. We’ll get back to that in a sec.

There was also a San Diego sneak preview version shown to audiences only once in May 1982. This version included three scenes that was never shown in any other version of the film (before or after).

Then we have the version the US audiences saw in theaters. This included a “happy ending” that the studio wanted in the film. Fun fact by the way, there are aerial helicopter shots which weren’t even filmed for “Blade Runner.” These shots were actually from Stanley Kubrick’s “The Shining.” The movie also included narration by Harrison Ford, who played the lead character of Deckard. While some might say Ford either was angry about his task or he intentionally narrated poorly, he said it was simply bad narration. This was also referred to as the “Domestic Cut,” which wasn’t released on DVD until 2007 as part of a collector’s set of the film.

Then we have the International Cut. This cut is a minute longer than the US version, and included more violence in three action scenes than the US version. This cut was eventually released in the US on VHS and Criterion Collection laserdiscs. Interestingly, this version was shown to the US on HBO during the 1980s, the 1990s, and 2015.

In 1986, the US broadcast version was released. This was put together by CBS to meet TV broadcast requirements. There’s even narration that wasn’t in any other version of the film leading up to it, plus a different opening crawl. And yes, I said made-for-TV changes don’t count, but I’m just providing evidence to prove my point.

Next came the Director’s Cut, which was created technically by film preservationist, Michael Arick. This cut was discovered as a 70mm print which nobody had an idea that it actually was the movie’s workprint version. This was discovered after a screening of the film in Los Angeles. Ridley Scott said the cut was roughly edited, lacked a key scene, and the climax missed Vangelis’s score. The Director’s Cut was very popular that it rereleased theatrically in 1992. This cut also brought up a very popular fan theory if you will to the table. At one point in the film, we cut to a clip of a moving unicorn. The original idea for this scene was to cut between Deckard and the Unicorn, but the condition of the print associated with this was not presentable, so it just shows the unicorn trotting. This scene along with a clip of Deckard holding an origami unicorn, may suggest he is a Replicant. Speaking of things this film removed, the movie no longer has the narration from Deckard along with the happy ending the studio wanted. Despite being called the “Director’s Cut,” Scott wasn’t satisfied. To be fair, he was busy with “Thelma and Louise,” time and money happened to be a problem, however this cut brought more satisfaction in general to Scott than the original. There’s one cut although, that brought even more satisfaction to Scott…

Here’s where we get to “The Final Cut.” This is the cut where Ridley Scott had complete artistic control. Remember the unicorn dream? Turns out in this version, the original dream was included. You know, the one where it cuts between Deckard and the unicorn. Other additions include alternate edits and violence featured in the international cut. It turns out there were parts of this version that went through reshoots to fit in this version. One such example is Zhora’s death scene. Fun fact, if it weren’t for Warner Brothers gaining total control over distribution rights in 2006, this would have probably never been released. This project started once the 21st century began, and in mid-2001, legal and financial troubles put the project to a halt.

Porky’s: Cherry Forever’s Extra Nudity

“Porky’s” is an interesting movie to say the least. When it comes to its reception, critics weren’t exactly pleased, but it did gain a cult following and there are still people who go back and watch it today. As far as 1980s coming of age stories go, this isn’t my goto pick. However, back in the 80s, this was a hit among many people who flock to the cinema. The film was #1 at the box office for nine consecutive weekends, suggesting that either a lot of people either wanted to see it, liked it and went multiple times, or happened to be really horny. The film eventually released on VHS and something appeared in that which never appeared in the theatrical release, or the future DVD release. Based on how the release was open matte, more nudity was revealed in the VHS version. This happened during the Cherry Forever scene. The additional nudity was a result of the transfer, and was never intended to be shown. You know, unlike my secret identity–whoops! That was close! I almost told you guys I’m the guy who saved the Golden Gate Bridge from absolute destruction. Oh, crap! I did it! I’m a failure! I was told by a wizard to keep that a secret! Oh, well! Sucks to be me!

xXx: Head-butt

One interesting move executed in battle is a headbutt. There’s something about it, you’re literally using your head to bounce off someone else as a fighting technique. Plus, the term itself is awesome. One movie where a headbutt is shown is 2002’s “xXx,” starring Vin Diesel. This movie isn’t exactly the next “Citizen Kane” or anything, however it is a fun action flick with some interesting lines in the lines in the script. Going back to headbutts, when this movie was released in several territories, audiences were exposed to a moment where a headbutt occurs. One territory where audiences didn’t get to see this however, was in the UK. Similar to the US’s MPAA, the UK operates under a rating system referred to as the BBFC. The BBFC has a rating labeled as 12A/12, which was the rating “xXx” was given. If the headbutt was kept in, the rating wouldn’t have been secured and would have bumped up to 15. This is how the film was presented for years. The headbutt wasn’t even in the eventually released Director’s Cut DVD. Although on January 5th, 2017, the film was rereleased on Blu-ray in honor of the film’s 15th anniversary. It was at this point that the BBFC waived the cuts to the film, and the headbutt was then inserted. The BBFC must have had this slogan for years:

BBFC: We’re buttheads!

Ferris Bueller’s Day Off: Paramount Logo

I love “Ferris Bueller’s Day Off.” It’s a coming of age story that a lot of people in high school can relate to. In fact, you can also include anyone going to school in general, not to mention anyone who’s working a s*itty job can relate to. Sure, “Office Space” kind of does the same thing, but this came first. This change doesn’t even affect much of the movie, it just has to do with the logo. This movie is from Paramount, and if you know who they are, there’s a good chance you’ve seen one of their logos. Some time after the movie was in theaters, it came out on VHS. However, the VHS versions contain a plastered Paramount logo depending on the year the print released. The original logo although was restored on all future DVD and Blu-ray releases.

American Graffiti: Digital Effect

Ah, George Lucas. What have you done? You took a bunch of people’s childhoods, which were epic because of your “Star Wars” movies, and you threw them in the garbage! Because if you haven’t noticed, the original “Star Wars” trilogy has made a crapton of changes over the years! Well ya know what?! I’m not gonna focus on that! Because I already did a countdown focusing on those changes, and apparently George Lucas made a change to “American Graffiti” as well! This change didn’t exactly offend me as much. Then again I only saw this movie once. The change is shown in the 1998 Collector’s Edition DVD and VHS, and once you hear what it is without any specification, it almost sounds like something George Lucas would do. Lucas requested for the opening scene which features Mel’s Drive-In to have a sunset with clouds. The original opening had a cloudy sky with buildings in the background. In this opening, the buildings are still there, but the weather is different. Interestingly, there was also a documentary on the making of “American Graffiti” included as a bonus feature on the DVD, and the original shot was inserted there. Time travel much?

Kindergarten Cop: Little Terrorists

I imagine some people getting a sense of surprise from “Kindergarten Cop.” The film itself is a comedy where a cop goes undercover as a kindergarten teacher in order to locate the ex-wife of a dangerous criminal. This movie released in 1990 and stars Arnold Schwarzenegger. It’s kind of interesting to put the Terminator as the star of a comedy, but stranger things have happened. Although I wouldn’t say it’s all too strange because another comedy, “Twins,” released two years before this one, and while not all critics and audiences appreciated the film, there were a number of them to say it was worth a watch. Interestingly, both comedies were directed by Ivan Reitman, who also directed “Ghostbusters” 1 and 2. And the movie does have some witty Schwarzenegger lines and also has some funny lines given by a bunch of kids as well. Speaking of lines, let’s talk about one of them. As mentioned, this movie released in 1990, which is eleven years before 9-11. Once that day occurred, it inspired the removal of one particular line in all future versions of the film. After Schwarzenegger’s first day with the kindergartners, he has this to say about them.

JOHN KIMBLE: They’re horrible. They’re like little terrorists.

I’d just like to state that if I were in kindergarten watching this film, it would probably be debatable on whether or not I should be watching it given it has a PG-13 rating. However I don’t know if this one incident means this line should be deleted. I don’t know if Reitman decided on this or if Universal did or anyone else for that matter, but you don’t really need to get rid of it. Sure, in reality, kindergartners aren’t commonly associated with terrorists, although that would make for an interesting cartoon or something, but I don’t see how this would offend anyone. I mean, it’s probably better than changing the line, but the elimination felt unneeded. Let’s face it. Kindergartners are crazy, and I know that because I was one. I wouldn’t blame someone comparing me with a terrorist at that age because I was a chaotic brat. Anyways, let’s move on.

Jaws: Smile, You son of a… (SPOILERS AHEAD)

“Jaws” is considered by many to be one of the greatest films of all time. It has a terrific script, admirable characters, and an awesome score from John Williams, who went on to do “Star Wars,” “Superman,” “Raiders of the Lost Ark,” “E.T,” “Home Alone,” “Jurassic Park,” “Schindler’s List,” “Saving Private Ryan,” and “Harry Potter.” If you’ve seen the ending, you’d probably know how it ends. Part of that ending involves the character of Brody. He’s in a duel against the shark and he’s got a gun. He’s in full concentration mode, trying to take the creature down. In honor of the movie’s 30th anniversary, a DVD was released in order to celebrate. This brought a very minor change in one line, in fact, it’s actually one of the lines of the movie that I remember most. In versions prior to this release, before Brody shoots his gun to kill the shark, he says “Smile, you little son of a bitch.” Here, he says “Smile, you little son of a…” and then his gun is shot. Like the original, all the blood and gore remains, but the word “bitch” is removed. I’m glad I’m not Jesse Pinkman from “Breaking Bad,” because finding this out would be the worst day of my life. I can now say that my memory suggests that all the versions of “Jaws” I’ve seen in my life at this point, have this specific “bitch” removed. I want to know how this feels for everyone who has either seen the original version and possibly been exposed to alternate editions of the film. How does this “bitch” removal come off to you? Does it take away from the scene? Does it not take anything away at all? Does it anger you? I really want to know. I can’t say much about this change, but if they ever alter “You’re gonna need a bigger boat,” there will be riots.

Thanks for reading this post, there’s a good chance I just possibly either ruined a scene for you, so if I did, I apologize. If so, don’t blame me, blame the people who changed them! Nevertheless, the year’s almost over, the holiday season is coming to its conclusion, but that also means I will have two countdowns coming up. Like at the end of 2016, I’m counting down my top 10 BEST and WORST movies of the year. I’ve seen a number of films that came out this year. Most of those films are ones I reviewed, and there are others I’ve watched but couldn’t make a review of for the sake of time such as “The Great Wall,” “American Assassin,” and “King Arthur: Legend of the Sword.” Believe it or not I will still be going to see more movies as the year comes to a close, because I have aspirations to go see “Downsizing,” “Father Figures,” “The Disaster Artist,” and if any other opportunities come up to see a movie released this year, I’ll take those as well. Stay tuned for more great content! Also, what is the worst alteration you’ve ever seen in a movie? For me, I gotta say Darth Vader screaming “no” at the end of “Return of the Jedi.” Leave your responses down below! And yes, can also includes ones from TV. Scene Before is your click to the flicks!