Radioactive (2019): Imagine Elements

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“Radioactive” is directed by Marjane Satrapi (Persepolis, The Simpsons) and stars Rosamund Pike (Jack Reacher, Gone Girl), Sam Riley (Maleficent, Control), Aneurin Barnard (The White Queen, Dunkirk), and Anya Taylor-Joy (Emma, The Witch). This film is about the life and story of Marie Curie, a scientist who discovered radioactive elements on the periodic table, which eventually changed the world. The film also dives into her family life, and her love life.

I knew a bit about Marie Curie before I saw “Radioactive.” In fact, when it comes to women in science, I think her name has a bigger lock in my head compared to just about anybody else. After all, there was a point during my sophomore year in high school where I knew her name through various means, and I wanted to do a project on her for my chemistry class. Unfortunately, she was taken. But as a consolation prize, her husband, Paul Francis Curie was available. So I did have some history regarding the Curie name, even if I didn’t really know them or consider myself to be a part of their legacy. I just… reflected on them. That’s a good word to use at this point.

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Before we go any further, I just want to let everyone know that if you are an Amazon Prime subscriber, this movie is free as it is an original production from Amazon Studios. Thankfully, Gofobo sent me a notice that Amazon was letting people see the movie early for free. For various reasons, I decided to wait a little to review it, but I am incredibly thankful for the opportunity. Having said that… This is one of the best movies of 2020!

BUT… Hold your horses! If you have been following my recent work, you’d know THIS DOESN’T SAY MUCH. 2020, as a whole, has been a wreck for movies. Not just because of the industry-wide impact productions and crews everywhere happen to be facing, but what we have gotten so far has been nowhere near worthy of high honors. At this point, I would not be surprised if “Sonic the Hedgehog” ends up getting nominated by the Academy for Best Picture. It’s that crazy of a year! I will say though, “Radioactive” is a movie that going into it, I really did not have much awareness towards, but walking out of it, I felt that I made a superb life choice to gaze my eyes upon it.

Of the movies that I have seen this year, this honestly feels like the most worthy contender of being a “well-rounded” production. It has an excellent cast who performs well in each particular role on the list, the script is attention-grabbing and very much follows the much-respected “show, don’t tell” route of filmmaking. It’s a win for visual storytelling. Directing-wise, this was a solid vision of the period and people in which it portrays. The production design in this film may be the finest of the year. There’s a lot to unpack here and appreciate. Speaking of the production design aspect, I know the competition is not that heavy, and it could increase as we get movies like “Tenet,” “The New Mutants,” and so on, I think if any movie were to contend for a production design award at this point, “Radioactive” could win. I felt like I was in a different period than my own. And this REALLY says something, because when I review new movies. Guess where I’m watching them? Either on the big screen in theaters, or at home on my 4K TV. I used neither of those for this movie. Instead, I used a laptop. Why? Because the link to the movie was provided to me so I could watch it on smaller devices. To say that I watched a movie on my laptop and felt immersed from a picture standpoint, is a tremendous compliment.

Amazon.com: Radioactive: Marie & Pierre Curie: A Tale of Love and ...

This film is based on a graphic novel by Lauren Redniss, and that thought never popped into my head while watching the movie. I never really made any sort of connection. But as I reflect upon what I witnessed, it adds up. A lot of the images are packed with impeccable detail, the colors really resemble a dreariness that isn’t exactly depressing, but more or less brings a pop to the eyes.

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One of the best parts overall of “Radioactive” is the performance given by Rosamund Pike. I will admit, I need to see more of her work, but she breaks a leg here. So far, it is probably my favorite performance of the year. This film centers around Marie Curie, and Pike does a really good job at maintaining the sense of importance such a character in an environment like this can provoke. This is one of the most notable women in all of scientific history, not only was her story laid out in an organized manner that allowed me to gaze at the screen, but it’s nice to see Pike lay a dramatic effect to somebody whose name I recognized, but didn’t have a complete knowledge about. Also one of the highlights of the picture, there are various points where the script jumps through time, and it doesn’t really feel out of place. It’s a bunch of various extended cases of cause and effect. The story attributes Marie Curie’s accomplishments and also notes future achievements that occur, and perhaps mainly occurred because of Curie’s past work. It does a really good job at making you care about the main character without necessarily seeing the main character do much of anything or put herself into action. The editing here felt seamless and organized. I dug it all.

There are not too many standout issues I have with “Radioactive.” When it comes to the 2020 library of movies, it is definitely one of those that I would consider watching again. Pacing-wise, “Radioactive” is not bad at all. I will say though, even though I like the overall way the script plays out, it is almost a little by the numbers. In fact for a period-based film about Marie Curie, it feels like the crew went with… let’s say a rather cliche or ordinary vibe for this type of film. Despite its flaws, I would recommend “Radioactive.” Again, if you have Prime Video and pay for it, you can get it for free. Check it out if you’re ever in the mood. But in all seriousness, if I had to give one description for this film, it is “well-rounded” if you ask me. All the elements (no pun intended) line up for a competent picture that is entertaining, yet honorable to Curie’s legacy.

In the end, I will remind you all… It’s 2020. If you just want a good movie at this point, “Radioactive” could end up being for you. “Radioactive” elegantly presented the story of Marie Curie and despite the few critiques I would give to this film, it was extremely well done, especially if you had to line this film up with whatever else came out this year. That is if this is even a year anymore. Nobody has a concept of time at this point.MV5BYjgwM2JhNjItNjFlYi00MjYwLTlhYWEtZjk2NzcwYmZmYTg0XkEyXkFqcGdeQXVyNjU1NzU3MzE@._V1_SY1000_CR0,0,675,1000_AL_ I’m going to give “Radioactive” an 8/10. In 2020, 8 really is the new 10. Sad to say, but if things actually come out in theaters on time or if we get better movies, that could change. Still mad about “Tenet…” Ugh.

Thanks for reading this review! My next review is going to be for “Vivarium,” starring Jesse Eisenberg and Imogen Poots. I won’t say much about the movie… But… It’s weird. Won’t say if that’s a good or bad thing, you’ll have to find out for yourself. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Or, you can get some alternate content from Scene Before through the official Facebook page! Give it a like! I want to know, did you see “Radioactive?” What did you think about it? Or, what is your favorite movie about a woman in science? Let me know down below! Scene Before is your click to the flicks!

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Cold Pursuit (2019): A Slow Brrrrr

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“Cold Pursuit” is directed by Hans Petter Moland (In Order of Disappearance, Aberdeen) and stars Liam Neeson (Taken, Non-Stop), Tom Bateman (Murder on the Orient Express, Snatched), Tom Jackson (The Diviners, Star Trek: The Next Generation), Emmy Rossum (Shameless, The Phantom of the Opera), Domenick Lombardozzi (Breakout Kings, The Wire), Julia Jones (The Twilight Saga: Eclipse, Westworld), John Doman (Borgia, ER), and Laura Dern (Star Wars: The Last Jedi, Jurassic Park). This film is about a guy named Nels Coxman as he tries to seek revenge against people who ended up drugging his son.

I mentioned at the top that “Cold Pursuit” is directed by the same guy who directed “In Order of Disappearance.” I have not seen “In Order of Disappearance,” but around the time I watched this film, I found this information out. And knowing things about this film, I managed to find out that “Cold Pursuit” is actually a remake of “In Order of Disappearance,” which was made primarily for a Norwegian audience. “Cold Pursuit,” as far as I can tell, was most certainly intended for an American audience. In fact, without giving much away, there’s a cool thing that happens when the movie reaches the end credits, and if you haven’t seen “In Order of Disappearance,” you’ll see further proof of this being a redo of that film. Keep in mind, this is coming from a guy who also has not seen “In Order of Disappearance.”

I did some Internet searching on the original film and found out that it currently has over a 7 on IMDb, which is pretty decent for a film. Most of the user scores are above average range, with many of them being 7/10. For “Cold Pursuit,” it’s currently higher than a 6. Most of the user scores are also 6, slightly edging out over the 7 range. While a 6 is still a win for a movie on some days, there are times when it could equal nothing but trouble. And I can see why this movie is worse than its original counterpart, because while there are some cool quirky elements throughout the film, the movie is just slow at times.

When I saw the opening scene for “Cold Pursuit,” where snow is being shoved around by a bulldozer, it gave me a sense that s*it was about to get real. Unfortunately, everything that went down in “Cold Pursuit” (except for one thing), was not enough to fulfill my appetite. What’s the one thing that did fulfill my appetite however? Well, I hate to be cruel, but the deaths were infinitely creative. And I am not referring to how people died, but every time someone would die, something would come up and it does that for the whole movie. I thought it was a neat gimmick at times. Granted, and I am not sure if this dives into spoiler territory, but I’ll say it anyway, the deaths could SOMETIMES be slightly improved if you actually get a better glimpse at people dying. Just me. I’m not asking for a complete bloodbath, but this movie is rated R. Let us see some more stuff on screen sometimes.

Speaking of stuff we see on screen, let’s talk about Liam Neeson. I mean, this movie is basically Liam Neeson doing Liam Neeson things. His mannerisms are present and he definitely takes no names whatsoever. And while for me, this may be a hindrance regarding some actors like Melissa McCarthy, Liam Neeson never really gets tiring. One thing that may make him interesting is that the dude’s over sixty. He’s getting to that point where he is the superior version of the crazy old dude telling kids to scram out of his yard. Plus, his Irish accent is freaking killer. I mean, it’s similar to when Tom Cruise plays typical Tom Cruise. It usually avoids getting old, and both are crazy men who like to take baddies down. This is not to say that “Cold Pursuit” is Liam Neeson’s all time best work, I personally think “The LEGO Movie” might be, but still.

I also kind of like the bad guy in this movie. His name is Trevor “Viking” Calcote, he’s played by Tom Bateman, and while he definitely has some cliches of someone representing the idea of greed, I dug some of the execution of his character. This is especially true when you see how he treats his son. Because let’s face it, without going into too much detail about the movie, the way he treats his son is the same way White Castle would treat big hamburgers. They would much prefer not talking about them, or ever bringing them up in a conversation, similar to how when the son and “Viking’ talk to each other, there’s an intentional disconnect in chemistry.

When it comes to chemistry and execution of a few of the movie’s characters, those are the definite highlights of “Cold Pursuit,” that is, aside from the deaths. Unfortunately, it does not have many other highlights. I originally watched this movie on Friday, so I had time to gather some of my thoughts together before making a completed review. And I’m kind of glad I took that time. When it comes to the action in “Cold Pursuit,” it feels like the atmosphere of the movie itself. It’s all kinda dull, and it doesn’t really feel like there’s much to it. Unfortunately, much like this movie, it did not send chills down my spine.

And it’s almost like this movie didn’t always know what it wanted to be, because one of the taglines for this film is “Revenge is best served cold.” Doesn’t that sound like something out of a cheesy 1980’s action film starring Patrick Swayze and Arnold Schwarzenegger that takes place in Alaska or something? This movie could have been cheesy fun, but it wasn’t, it was serious garbage.

But I will give credit to one more thing about this movie before finishing this review off, and that happens to be the location choices. Everything looks beautiful on camera, especially when it is all surrounded by snow, which occasionally gives the movie the theme of “real s*it,” which I mean in a way describing various situations, but not the movie itself. Although then again, maybe it does describe the movie itself, because the movie is in fact, real s*it.

In the end, if you’re gonna watch “Cold Pursuit,” I recommend putting on some gloves, a hat, a jacket, whatever you can get to bundle up for the lackluster experience that this movie truly is. Liam Neeson is alright, the actors for the most part, while well cast, gave me a rather mixed collective reception. And I don’t feel like I’ll end up remembering this movie all that well. In fact, it was almost a waste of time. If it were not for the coolish death moments, all hope would be lost. This movie would be… Don’t say it… DON’T YOU DARE F*CKING SAY IT!…

…Ah, screw it.

LIFELESS! OK, lifeless!

I’m going to give “Cold Pursuit” a 3/10. Thanks for reading this review! I just want to remind everyone that pretty soon I am going to be doing an update on my Blu-ray collection, so please be on the lookout for that! I also recently bought the 4K for this year’s “The Kid Who Would Be King,” which I missed in the theater, however now that I own it, I have the chance to watch it and review it for the first time. Once I get around to watching it, and I’m not sure when this will happen, I will have a review for it. Please stay tuned! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Cold Pursuit?” What did you think about it? Or, what is a movie that you think should have been more cheesy? Weird question, but I’m going with it. Let me know down below! Scene Before is your click to the flicks!

The Commuter (2018): When “A Particular Set of Skills” Die In a Trainwreck

Before we dive into my review for “The Commuter.” I’d just like to ask you something. When you go on a train, what is it like? For me, it might differ than the average person’s opinion. While some may say that going on a train is just something they do like a bunch of other people to get from point A to point B, and some may say it’s not their favorite thing in the world, but necessary, I prefer to call it an experience. Personally, I love trains. Maybe it’s because I don’t have to ride them everyday, but I’m what you may call a “railfan,” which is another way of saying “train enthusiast.” They honestly make me feel like a little kid at times. Speaking of which, allow me to introduce once more a couple who will be having a little kid of their own, Genevieve and Paul. They’ve tried really hard, they’ve came out victorious after an infinite amount of trainwrecks (insert drum rimshot). This is all explained in “What the IVF?!”

“What the IVF?” is a relatively new web series on YouTube. Yes, YouTube, not YouTube Red. The one where you can watch things for free, keep your wallets in your pocket. In this series Genevieve and Paul document their journey to conception, which to them, is basically reproductive rocket science. Also, I keep saying every single time I promote this, that these two have to suffer through an overwhelming number of needle injections. Guess what? Now’s the time you get to see that! (insert “The Price Is Right” fail horn). In their latest episode, titled “Shots! Shots! Shots!,” it’s needle injections galore! This is why the two geniuses behind this series decided to upload two versions. One where you can see the needles, and another where the needles are censored out by a dog’s face. I watched the needle version, and I honestly thought it was the most disturbing episode in the entire series, personally because I HATE needles, which personally enhanced the experience. You guys make your choice on which episode you want to watch, I’m not here to judge you. To watch all the episodes in the series go to the “WTIVF?” YouTube channel and watch to your heart’s content! Be sure to subscribe, ring their bell, check out and follow their other social media HQs, and be sure to tell them I sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“The Commuter” is directed by Jaume Collet-Serra (Non-Stop, The Shallows) and stars Liam Neeson (Taken, Unknown) as a man who lives in New York. When he’s not with his family there’s a good chance he’s working. One day he’s coming home on the train, and he meets this girl named Joanna (Vera Farmiga). She explains a task she’s offering to Liam Neeson’s character, Michael MacCauley, that someone on this train does not belong, and this eventually leads to people’s lives being put at risk, and most unfortunately to MacCauley, the lives of his own family.

This movie is directed by the same guy who directed a movie I saw in 2016 which I highly adored, “The Shallows.” I thought it was a really intriguing shark movie with some neat cinematography. Also, Blake Lively’s a bombshell. Not that it has anything to do with movie, but I must say she rocks a bathing suit for sure. But I must say I’m disappointed she never watched “Jaws” prior to making the film. Anyways, I really like “The Shallows,” I thought it was pretty well directed for the most part, I think there was too much blood at times. Not that it scares me, but I thought it was kind of unrealistic.

When it comes to this movie, there are a couple moments that really stand out. For example, when Michael is commuting to the city, you can see all the different times he’s commuting, and it’s easy to tell by the movie’s color palette. At first it was a little jumpy, but the more I thought about it, the more I appreciated it. There’s also a moment that I can quite possibly praise the writing and directing. MacCauley is walking through Grand Central, and it shows a mix of crowds, which might as well signify different times he goes to work. Speaking of the beginning, I thought they nailed the vibe of a commuter train on a busy workday. Somewhat depressing, and just a plethora of progress. The music says everything. There’s also one shot I really like that’s a constant zoom out from one train car to the next. Speaking of cinematography, this movie, much like some others I’ve seen recently in the action genre (Kingsman: The Secret Service, Atomic Blonde), has an extended one shot take of an action sequence. Liam Neeson and Vera Farmiga play their roles with excellence. What’s the other thing? Liam Neeson beats a guy up using a guitar! And for the most part, that’s what the movie’s positives contain. The rest of it, sadly is kind of boring and not as interesting.

While “The Commuter” is certainly not the best it can be, it certainly can be a lot worse. Without stating my final verdict, this movie allows you to kind of care about the main character despite not knowing too too much about his life, and enjoy some decent action. Neeson did sound like he was trying, but all in all he was just in a movie that served a purpose, but the purpose which it served could have been more well executed. In fact, even if he wasn’t trying, I at least imagined that HE would have thought this movie would have come out with some positivity. And I say that because he and the director of this film have worked together before in projects including “Unknown,” “Non-Stop,” and “Run All Night.” I’m not saying those movies belong in the all time greatest movies list, but they are all from what I heard, competent pictures. I haven’t seen any of them so I can’t really judge for myself, but I haven’t heard too many bad things about them from others. I own “Non-Stop” on Blu-ray which I actually hear this movie’s similar to in a number of ways. After seeing this movie, I actually kind of want to watch “Non-Stop” to compare the two and decide for myself which is the better movie.

I already mentioned a lot about Liam Neeson in this movie. He plays a character named Michael MacCauley, he’s really good in terms of acting, and you totally buy into his character. I had no problems with Liam Neeson, at least none that completely come to mind. I mentioned in one of my reviews, specifically for “John Wick: Chapter 2,” that Liam Neeson is up there as one of my favorite actor when it comes to what he can do in the action genre. The guy is the definition of “Hey there kid! I’m sixty-something years of age and if you don’t give me what I want I’ll kick your arse!” And he continues to prove that in “The Commuter.”

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One character in this movie is played by Jonathan Banks (Breaking Bad, Gremlins) and he goes by the name of Walt. Apologies for not having an image of his character, there were none on IMDb, and that’s the source I usually use for these sorts of things. I thought his performance was competent enough, almost looked like a honed in performance, but it felt like it was enough during my watch to seem as if Banks was actually giving a damn. I won’t go into spoiler territory, but something happens to his character that’s very important towards developing the plot, and had I gotten to know him better, I honestly thought it would have made the overall movie a little more intriguing, especially in that one particular moment I won’t get into.

This movie is an hour and forty-five minutes long. I gotta say, this is not exactly the most boring movie I’ve watched all year, that title belongs to “The 15:17 to Paris,” which is interesting because that too involves part of the movie taking place on a train. One thing that I will say however, is that this movie at times, feels like a snooze-fest. That doesn’t mean there aren’t any cool, awesome moments to enjoy in this movie, but it just means the film sometimes becomes dull and it’s something that you have to deal with. “The Commuter” does have a place in our society, and luckily, that place, is not the garbage bin. Although with its place in our society, I do think it has some questionable traits it brings along the way. One most notably towards the end of the film, but I’m not even sure how long that complaint of mine will last because I’m not even sure if what I even saw was real. Again, this movie is dull! Forgive me for my sins against humanity!

In the end, “The Commuter” is not the worst of movies, but also is far from the best of them. Liam Neeson provides a decent performance in this hour and a half action flick to for me to say, hey, nice to see Liam Neeson. Depending on who you are, if you watch this movie, you might not remember it for the rest of your life, and I do think that this will probably be one of those movies that will make for good background noise at a party. Or it can be background noise for literally anything else. I can imagine this movie being on some network like TBS and some people tuning into the channel to the point they say, “Hey, it’s Liam Neeson, cool dude. Let’s see this guy kick some ass!” However, it’s not enough for me, but I give the movie credit for trying. I’m going to give “The Commuter” a 5/10. The best thing about this movie is that it’s not taking too many shots to show Liam Neeson climbing over a fence.

(Sigh) “Taken 3.”

Thanks for reading this review! Pretty soon I’ll have my review up for “Life of the Party” starring Melissa McCarthy, and as far as next weekend goes, “Deadpool 2” is coming out, so I think my plans may be set there. Until then, I ask all of you to stay tuned for more great content! I want to know, did you see “The Commuter?” What did you think about it? In case you don’t know, I actually missed it in theaters, I waited for the home video release, and I bought the 4K at Best Buy a couple weeks after it released on that format. I’ll also ask, of all the collaborations between Liam Neeson and Jaume Collet-Serra, which one is your favorite? Let me know down below! Scene Before is your click to the flicks!