Gravity (2013): Life in Space Is Impossible

Hey everyone, Jack Drees here! Some of you may be aware that I am currently doing a series of reviews which involve space movies. Last week I did my review for “2001: A Space Odyssey.” I’m pretty sure I HAVE NOT talked about the movie before. LOL. Now it is time for my second entry in the series. After this week, I will be tackling another space movie, which is all being done in preparation for the upcoming Damien Chazelle directed “First Man.” This movie is going to release on October 12th everywhere in 2D and IMAX so look around for your local showtimes regarding the film. As for the movie we’re going to be talking about today, that is going to be the 2013 flick “Gravity.” In fact, coincidentally, this review is being brought to you EXACTLY FIVE YEARS AFTER “GRAVITY” CAME OUT IN THEATERS EVERYWHERE. Therefore, this review feels very fitting. Without further ado, let’s blast off, and get going with the review!

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“Gravity” was directed by Alfonso Cuarón (Harry Potter and the Prisoner of Azkaban, Children of Men), stars Sandra Bullock (The Proposal, The Heat) alongside George Clooney (The American, Batman & Robin) and revolves around a girl by the name of Ryan Stone (Bullock). She is in space working with Matt Kowalski (Clooney) when all of sudden their mission doesn’t go according to plan. A bunch of debris coming towards them causes a separation in crew members, and now it is up to Kowalski and Stone to survive together in space.

Now this is the start of the review so I might as well set the mood.

AT 600KM ABOVE PLANET EARTH THE TEMPERATURE FLUCTUATES BETWEEN +258 AND -148 DEGREES FAHRENHEIT

THERE IS NOTHING TO CARRY SOUND
NO AIR PRESSURE
NO OXYGEN

LIFE IN SPACE IS IMPOSSIBLE

Aside from the Warner Brothers logo which happens to introduce the movie, this is the first thing that can be seen on screen regarding “Gravity.” There are many introductions to a movie that can either remind you what you’re in for or get you excited for what’s to come. This one succeeds at both tasks. The rise in the music, the black screen, and the fades of the text. All of these remind you that you’re in for a ride. You have to strap yourself in. Many bumps are ahead. There’s even some sounds in the background that might as well associate with what a disaster in space would end up being.

Then… you cut to…

SPACE.

Much like the space shots in the last movie I reviewed, specifically “2001: A Space Odyssey,” pretty much all of them are insanely gorgeous. I will probably give the 1 up to “2001” over “Gravity” when it comes to space shots based on what it is shot on and how they actually crafted everything in space as supposed to using CGI (you can’t really do that in 1968), but given how realistic the CGI looks in this movie, I am almost convinced at times that this actually is space. I had a conversation with a companion months after this movie came out where she uttered this movie is basically “all visual effects.” She’s right. The amount of effective green screen used in “Gravity” actually blows my mind. It’s almost like we’re witnessing “Jurassic Park” in space. I say that because “Gravity,” like “Jurassic Park” relies heavily on CGI and the way they’ve executed visual effects in both movies just feel like they can blow your mind out of the water.

Speaking of shots, this movie came out in 2013, and as far as movies released that year go, this one won Best Cinematography at the Academy Awards. And holy crap this movie deserves it. Let’s talk about some of the unique shots in “Gravity.” When it comes to “Gravity,” the first shot I think of is actually the earliest one we see in the film. We see Earth, and a spacecraft is coming in. We also get to see our characters. If you have never seen this movie, this is probably gonna get you to want to check this movie out. That shot goes on for somewhere around ten minutes! Can you imagine how much rehearsing went into that shot? Can you imagine how much preparation the director and people behind the camera had to go through? I wonder what the storyboards must have been like!

Another cool shot is one that is pretty much reminiscent of a first-person game. And I mean that literally, they have FIRST-PERSON shots in this movie. There’s one in the middle of the film that has Ryan Stone trying to get into the International Space Station and as she opens the door to get inside, you can get a view into her helmet just before the door flies as she tugs onto it.

Take that, “Hardcore Henry!” You stole “Gravity’s” idea! I’ve seen this movie in IMAX, and as I reflect on what this movie has, it just makes me want to create a petition to rerelease this film in the format so I can experience shots like the ones I mentioned in such an immersive way.

Going back to visual effects, we need to talk about 3D. There are VERY few movies that I think have been worth the extra money for 3D. Some include “The Hobbit” trilogy, “Mad Max: Fury Road,” and f*ck it, even the stupid “Ghostbusters” remake. Gotta give it credit for something, ya know. “Gravity” is also in such a category. You have many scenes where debris and characters are flying everywhere and it’s all just a visual spectacle to the face. It’s like you’re in space and you’re constantly getting hit in the head with debris! Only thing is you’re much more likely to survive because in all practicality you might as well be Dominic Toretto from “Fast & Furious.”

I can’t wait for “Fast & Furious” in space. It’s gonna be great.

One of the most immersive scenes in the movie comes from when Ryan Stone changes spacesuits and is outside the ISS. More debris is incoming, and all of a sudden, the ISS is doomed. You’re seeing bits and pieces flying everywhere and it is just like going on a ride at Universal. While Ryan Stone is certainly in danger, you feel like you’re in danger as well. I also love the line given by Ryan after she is free from any more suffering in this incident.

“I hate space.”

One of the main characters in “Gravity” is played by George Clooney. His name is Matt Kowalski, and he seems to have a knack for telling stories. As I watched this movie, I noticed that when the mood seems to be light, he would tell a story, maybe it is one the characters have heard before. If not, he tells one that has a similar vibe or structure to it.

Another main character, and I’m talking about someone who is technically THE main character is Sandra Bullock’s Ryan Stone. Talk about one of the best established characters of the decade. She starts off this movie as a seemingly normal character and then you get into her backstory. It’s almost like watching a Pixar movie that doesn’t really gear itself towards children. I mean, HER KID DIED. All she does when she isn’t in space, is go to work and drive. That’s gotta be the most boring life imaginable. I mean, she doesn’t clean McDonald’s restrooms, but even so. Given her backstory and the fact that she is TRULY pulling through, it just makes you root for the character that much more.

I gotta say though, when it comes to the end, that’s where this movie falls flat. This film is an hour and thirty-one minutes, but I don’t know how to feel about the ending. Without going into spoilers, it’s not an out of place ending, but I don’t know, I kind of wanted to see more than just what we got. Also, speaking of out of place, there’s a song that you can hear at the end of the movie and the credits, one of the weirdest song choices in movie history.

Also, regarding out of place stuff that I won’t really spoil, George Clooney’s character does something towards the end of the movie that really, honestly, makes zero sense. If you want to get technical with me, I might even say there are two things. I don’t even know, it just feels out of place. If anything, I could say it might be associated with an illusion or some sort of vision, maybe symbolism, it just makes the movie feel very strange and I just don’t understand why he would be doing what he’s doing.

Now it is time to get…

NITPICKY!

I’ll be honest with you, I don’t do work with rockets, I have no scientific background in anything related to space, I don’t work for NASA. My friend does, but she’s busy doing her own thing, so no, I didn’t ask her to help me out with this post. And you know what? I’d probably do a fine job noting some inaccuracies that can be seen in “Gravity,” but the fact is, I’d really be taking the words out of someone’s mouth. To be specific, the words of Dr. Neil DeGrasse Tyson.

Some of you might remember the pointing out of scientific inaccuracies since early on in this movie’s release. But one of the more notable bits when it comes to that is from Tyson. He went on Twitter and had a few things to say.

Again, it’s nitpicky, it’s not like we have everybody in the world going around saying the same thing as this guy. Maybe some people would complain about the single-dimension of George Clooney or the cheesy lines that occasionally pop up. But at the same time, science is something that I’m willing to bet a number of filmmakers want to get right in their movies. If your movie has something that maybe in the screenplay was written to be completely compelling, but on screen has the most glaring scientific flaw, some people might point out the scientific flaw as opposed to what makes the scene a thing of beauty. In fact, you know that friend at NASA I was talking about? Even she sometimes says that Hollywood and science don’t always mix and she is not into that sort of thing.

And for those of you who think Dr. Tyson hated “Gravity…”

And this is something that can be taken seriously. While you can certainly enjoy a movie for what it is, there is certainly no shame in pointing out problems, even if they are nitpicky. After all, the more accurate the science is in the movie, the more I might end up enjoying it. “Gravity,” according to my memory, might as well be the first movie where I didn’t exactly question the science on screen, but it had me realizing that when it comes to science, not everything was perfect. In that sort of way, this movie is kind of special to me. How often can you say you remember a movie for its flaws? OK, well, more than you think, I still remember “The Emoji Movie.” But at least these flaws aren’t game-breaking.

In the end, “Gravity” is scary, it’s suspenseful, it’s what you can totally ask for in a space disaster film. To this day it is by far one of the most immersive movies I’ve ever seen. Some of the camerawork is not only masterful, but just so brilliant that it basically changes the game of how future movies could be made. And it did in a way if you think about it given how “Hardcore Henry” took the first-person concept and made an entire movie out of it. I could be wrong. Maybe video games were a bigger inspiration, I don’t know for sure. But if “Gravity” was bigger, cool. Not to mention, “Hardcore Henry” uses GoPro as its source of cinematography whereas this movie’s main source happens to be Arri Alexas. Like Dr. Tyson, I enjoyed this movie very much and I’m going to give “Gravity” an 8/10. While this movie does have some problems, what really gives “Gravity” the 8 mark for me is the journey of watching this film. Our main hero who is just trying to survive is definitely one of the more compelling characters I’ve come across over the past few years. The sound work done in this film is scary as s*it. The visual effects feel like in a way that they may be somewhat groundbreaking, or in some cases, International Space Station breaking. And the cinematography is just so brilliantly done.

*IF YOU LIKE RAMBLING OR BEING INFORMED ABOUT THINGS, READ ON FROM HERE*

Thanks for reading this review! Next week will be my final installment in my space movie review series in preparation for “First Man.” Just a reminder, “First Man” is in theaters everywhere on October 12th, but the day before I will have my review up for “Apollo 13.” I’ll be honest with you, and I’ll let you guys know in advance, I’m not sure how this review will turn out. I’m not saying it’s gonna suck. In fact, if I knew it was gonna suck, I’d scrap the review altogether. But compared to this movie and the other one I’ve reviewed in this series, “2001,” “Apollo 13” just happens to be a film I don’t have as much experience with. I will say one thing I’ve noticed with reviews for older movies is if I know the movie, I put more detail into the review. In my Tom Cruise series, I barely put anything into my review for “The Firm” because my review for it was composed after my first viewing whereas “Risky Business” was something I not only seen before but also happened to have a deep passion towards. My “Firm” review ended up at over 1800 words and my “Risky Business” review ended up at over 3400 words. Then again, it’s not about quantity, it’s about quality. And I may be underestimating myself. I have seen “Apollo 13,” but it’s been years and I only deeply remember various parts. Plus I’m going to New York this weekend and I haven’t even watched the movie yet. Maybe I’ll watch it, go to sleep, wake up, and start my review on the train ride to New York, I dunno.

Speaking of New York, be sure to stay tuned for my thoughts on this year’s New York Comic Con! I will be going to the con on Friday and Sunday. I do have Columbus Day off, so if I have time, maybe I’ll use it reviewing the con and telling you what I purchased there. For those of you who want to see more of my work, be sure to follow Scene Before with a WordPress account or an email so you can stay tuned for more great content! I want to know, did you see “Gravity?” What did you think about it? Or, what is your personal worst scientific inaccuracy you’ve ever seen in a movie? Doesn’t even have to be scientific, maybe history-related. Your choice. You have the power.

Only you can control your future. -Dr. Seuss

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2001: A Space Odyssey (1968): A Symphony in the Stars *SPOILERS*

Hey everyone, Jack Drees here! In just a few weeks, “First Man” will be hitting theaters, and in preparation for that, I’m going to be doing three reviews for movies that have some sort of relation to space. I will be posting these reviews weekly, so on the day this review is posted, expect another review in this series around the same time the week after. For this first review, we will be talking about “2001: A Space Odyssey,” which I feel is totally appropriate given how this year is the film’s 50th anniversary that way I have more than one excuse to do a post on it. Also, I must warn you that while this is technically a review of the movie, and my tradition is to leak as little important information as I can. This review is filled to the brim with spoilers. So if you have not seen “2001: A Space Odyssey,” proceed this review with caution. Without further ado, let’s open the pod bay doors!

Duuuuuuun. Daaaaaaan. Daaaaaaaawwn.

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DUN DUN!

“2001: A F*cking Space Odyssey” is directed by Stanley Kubrick (Spartacus, Dr. Strangelove) and stars Keir Dullea (David & Lisa, The Good Sheppard), Gary Lockwood (Star Trek, The Six Million Dollar Man), William Sylvester (Gorgo, The Six Million Dollar Man) among some other people you may or may not have heard of. This film takes place, as the title suggests, in a depiction of 2001 before it even happened. Although that’s not necessarily all there is to it, because the movie starts in prehistoric times. This is why if I’m asked to explain the plot of “2001” to you, I’d almost say that the plot doesn’t necessarily stick in a particular direction. Keep in mind, I don’t mean that in a negative way. It’s not like one of the “Transformers” movies where there’s either a very basic plot or a nonsensical plot to the point where it’s almost a compliment to even call those films “a movie with a plot.” Gosh I love this movie.

“2001” when it comes to ratings and reviews is one of the more interesting films I’ve encountered. You know how movies like “Fight Club” got terrible reviews by critics and yet we still manage to talk about them today? “2001” is “Fight Club” before “Fight Club.” Maybe not entirely because from what I hear about “Fight Club” when it first came out is how it got mostly bad reviews, “2001” on the other hand was simply polarizing. In fact, when it comes to 1968 releases, “2001” actually managed to become the biggest film at the box office of the year. But now fifty years later, not only are we still talking about it, most of the reception it still gets today is most likely to be positive. On IMDb, it has the #90 spot on its top 250 list. Many screenings are still being shown of this movie in theaters from one occasion to the next. In fact this year alone, MANY screenings have been going on in what this film was shot and projected in, 70mm film. I actually went to two of those screenings in two different theaters, and I might as well describe both of them as epic. There was even a week where “2001” happened to be presented in IMAX, which I also took advantage of. As far as this year goes, “Avengers: Infinity War” may be the biggest reason to see a movie in a theater according to many people. I personally beg to differ, “2001” might be THE movie you must see in a theater before you die no matter what year we’re talking about. There are so many sequences, which I’ll eventually dive into, that make a “2001” experience in a theater worth every penny. And that’s not to say that watching it at home is terrible. I own the movie on Blu-ray and it looks fantastic on my TV. “2001” to this day is one of the few movies I even watched with an overture, and when I hear it, it’s so freaking special. There was actually a point where it was on a plane, at the ready, just for me to watch on the itty-bitty TV they have. I avoided such a thing because they didn’t include the overture, and this film, while I would CERTAINLY watch it anywhere, was made to be seen on the biggest screen possible.

If I were to talk about this movie in detail, I’d like to divide it into three sections.

You’ve got the first section titled “The Dawn of Man,” which is the entirety of the ape scenes. The second section is in space where we see Dr. Heywood Floyd’s journey. And we have the ultimate section where we meet Dave, Frank, and HAL. This movie could probably work if the ten or so minutes of “The Dawn of Man” had been erased, but it is all the better for having it in there. I have a friend who watched this movie alongside their mother, who kept asking questions about what this movie was trying to do or be as she observed everything that was going on.

If you are very unfamiliar with this movie, there might be a chance that you might not be able to fully grasp the point of the apes in the beginning. Although with due time, it could enhance the movie’s entire message. Towards the end of this sequence, we see them create tools. We see a fight go down among the apes as they some take turns slashing with a bone. The bone is defined, as this movie pretty much suggests, as mankind’s earliest tool. There’s a point where we see the bone thrown up in the air, it goes back down, and we just cut to…

SPACE.

In fact, the first shot we get in space is of a satellite, which some people have said is a nuclear missile. If that’s the case, this movie is better than it needs to be. That means we go from mankind’s most primitive weapon to mankind’s most advanced weapon. We go from a bone that can take out a monkey, to a big fat hunk of junk that suggests that its user is NOT MONKEYING AROUND.

Let me just say though, all of the space scenes are BEAUTIFUL. This movie was made in 1968, and it looks so much better in terms of effects than a vast amount of content coming out today. You disagree? Well tell that to Stanley Kubrick who won an Oscar for the effects work done on this film!

Let’s talk about some of the characters in “2001,” starting with Dr. Heywood Floyd. His story is mostly covered through the movie’s second act. He has to maintain a cover story. He has to go after an artifact. Overall, this character indicates something that not only this movie’s characters indicate, but the movie itself indicates. Sometimes nothing can turn into something. This movie is on the slower side of the spectrum, but it’s all the better for it because you can inevitably focus on what is happening and not provide more information that we as an audience don’t really need.

Speaking of which, you want to know how much this movie can associate with the word “nothing?” The first line of spoken dialogue aside from whatever gibberish the apes are saying is given somewhere around the fifteen to twenty minute mark. The last line of the movie is given about twenty minutes or so before the end credits roll.

Two of the third act’s characters include Dave Bowman and Frank Poole. They are onboard the ship where HAL 9000 resides. These two don’t seem to have any sort of close relationship to each other that the movie dives into, but they are put on the mission together, which works for the plot. The duo happens to be heading to Jupiter on a ship by the name of Discovery One. As we meet Dave and Frank, we get an insight as to what their mission is along with their relationship with HAL.

Speaking of that, this is where we meet HAL. Our first lines of dialogue spoken by all of these individuals were all given during an interview. Dave and Frank aren’t necessarily complaining about anything, and HAL is the same way. His words of dialogue are especially worth holding onto because it is what we all want to be. And I say this regardless of whether we are human or technology. HAL goes on saying that he is “incapable of error” and he has a stable relationship with Frank and Dave. This is where we find out HAL was programmed to have emotional capabilities.

Soon thereafter, we see HAL wish Frank a happy birthday. More specifically, after he plays a message where Frank’s parents do the same. This shows how HAL has complete control over the entire ship and he has tons of responsibility. We also see a scene that if you didn’t realize how much this movie was about where we may have been heading with technology, this was hopefully your wake up call. We see Frank and HAL playing each other in a game of chess. HAL outsmarts Frank.

After we see that, we take a look at a scene where HAL alerts Dave of a part of the ship that was going to fail in 72 hours. What happens in terms of removing that part, forget it, we’re gonna jump over it. But an important thing that HAL says afterwards, is that this may be “attributable to human error.” HAL even affirms that incidents like these have always been due to human error and that the computer is never a problem related to this.

It’s scenes like these that make me think about where technology will go in the future, what it will do in the future, how we will stand with or against it in the future. And that is f*cking important, because this movie came out FIFTY YEARS AGO. Whoever these people who watched it back when this came out happen to be, they probably thought something along these lines, and now “their future” might have already arrived! I’m still in my teen years and yet this movie makes me wonder what technology is ultimately going to do! We are pretty much at the point where if you don’t have technology (for the most part) you’re basically a caveman. This movie makes me wonder when/if technology will take over to the point we as a human race are no more. Everyone is now attached to their smartphones, which like HAL, seems to be controlling all of our daily lives. We use it to make calls, receive messages, and depending on who you are, even buy newer phones!

When HAL kills Frank, the way that scene plays out is BRILLIANT. It shows you Frank flying in space, even hitting a pod, which has no sound whatsoever, which is how space works so I appreciate the accuracy. Most big deaths in movies have some sort of sound attached to it. Perhaps an explosion, some dramatic music, maybe even a headbutt. This death is different and honestly stands out from many other deaths we see in movies today. Not only does HAL kill Frank, but he kills some other individuals on the ship who happened to be in cryogenic sleep mode. None of them were awake for the whole movie, I didn’t know much about them, and yet those deaths are just tragic.

Of course, we can’t go without mentioning “Open the pod bay doors, HAL.”

After the recently mentioned deaths, not to mention Dave’s attempt to rescue Frank, Dave asks HAL to open the pod bay doors so he can reenter the ship. HAL denies Dave’s request, to which Dave asks what the problem happens to be. HAL says Dave knows the problem as well as HAL does. The computer knows what’s up. Dave says he’s gonna go in the emergency airlock, which leads to a lack of communication with HAL from then on. Once Dave is inside, we get one of my favorite rants that just scream “Oh s*it, I f*cked up, I need to defend myself,” in the history of film.

“Just what do you think you’re doing, Dave?”

“Dave, I really think I’m entitled an answer to that question.”

“I know everything hasn’t been quite right with me. But I can assure you now, very confidently, that it’s going to be alright again.”

“I feel much better now. I really do.”

“Look, Dave. I can see you’re really upset about this. I honestly think that you ought to sit down calmly, take a stress pill and talk things over.”

Throughout this ramble, Dave isn’t even talking, he’s just going into HAL’s control room. Ready to end this tragedy. He begins disabling HAL, and we see HAL feeling very afraid, which eventually leads to things he must have said in the past, or things maybe he’s programmed to say once turned on. The whole death is really just something that I feel might be hard to replicate in a future film.

An interesting thing I found on “2001’s” Wikipedia page is that critic and poet Dan Schneider recalled HAL’s death being sad. And in all honesty, I can see why. This movie gives you time to see HAL go. The death is a process to go through, and I believe as I watched this scene certain times, I may have felt HAL’s pain. HAL, without a doubt, was an ungrateful son of a bitch as this movie went on. But when he starts defending himself through words, I think that one of two things are absolutely possible. He either is genuinely sorry for his actions, after all he has been programmed with genuine emotions. Or maybe he is trying to defend himself, lie, and attempt to please Dave in a time such as this. Given how HAL has been programmed with genuine emotions, it makes me wonder, does HAL have the ability to know when he’s lying? Does he know how to lie at all?

HAL comes off as fairly certain that the HAL 9000 series is a perfect piece of machinery. Was that a total lie? Did he lie about the chess match against Frank being “a very enjoyable game?” Was the game considered “work” for HAL in order to please Frank? Did HAL enjoy the match, but feel that his win made the humans on the ship useless? There are so many relevant questions to be asked.

You know how I mentioned the last line of the movie comes about 20 minutes before the credits? That is given by Dr. Heywood Floyd, which makes him the only character to appear in multiple time periods of the entire film. Afterwards we are introduced to the ultimate segment, “Jupiter and Beyond the Infinite.”

I need you to take the greatest horror movie of all time. Maybe it’s John Carpenter’s “Halloween,” perhaps “Psycho,” or maybe if you are a fan of Stanley Kubrick and you’re reading this you might say “The Shining.” Keep that movie in mind. The sequence that defines this final part of the movie to me, is the Stargate sequence. If you have followed this blog for a long time, you may know I’m a super-fan of IMAX. I know a bit about IMAX’s history, including one of their pre-shows. A lot of people today are exposed to IMAX’s epic countdown before they watch a movie in that format. This has also occasionally been mixed up during certain films including “Blade Runner: 2049,” “Spider-Man: Homecoming,” and “Suicide Squad.” Before that was a thing however, IMAX had a couple introductions where it’s basically a journey through this wormhole which I’d love to see brought back everywhere for a special occasion if possible. The stargate sequence is pretty much what I described except more hypnotizing, and more horrifying. One of the first questions on my mind after watching the stargate sequence for the first time was the wonder of how high Stanley Kubrick had to have been to include that in the movie.

I mean, I eventually found out that when some people watch “2001,” they’re on drugs or they drop acid, and I can totally see why. It’s not my thing. In fact having seen this sequence in theaters a few times now, the sounds of the stargate were so unbelievably boisterous that it kind of drowns out the music at times. You take the visuals which are eye candy to say the least. You take the music which is a mixture of excitement but a reminder that what you’re watching is simply put, f*cked up. You also take the shots of Dave himself, you can tell he’s scared and doesn’t know what the heck is going on. All of it makes a sequence that is nothing short of masterful.

The way they did this sequence was actually through slit-scan photography, which was done by Douglas Trumbull. You know what? I refuse to call the guy Douglas Trumbull. Instead, I’m calling the guy a genius. This process was also used in Alfred Hitchcock’s “Vertigo” and when it comes to “2001,” this actually required a customized machine. The sequence is haunting, it’s colorful, and it’s just strange. When I have “2001” on and this sequence playing, each time feels like my first time because it’s hard not to be hypnotized by a scene like this.

Now we get to the very ending, where Dave is in this room. He notices an alternate version of himself. The thing is, he’s older. The difference isn’t by much, but if you look closely, you can notice some grey hairs on the alternate Dave. There are also two more alternate versions of Dave himself. You have the one at a dining table and another lying down in bed. The one sitting at the table is not in a suit and instead, some sort of robe. It’s almost like he’s an old Jedi master that is trying to enjoy his last moments before he dies. Speaking of which, this alternate version glances over to another alternate version, whose skin is so worn to the point that he looks like a deranged grandfather. He’s practically on his deathbed. We notice him raising his hand up into the air very slowly. It’s slower than a shy kid in his history class. This hand raise is almost as if he is calling to God. In fact, if you watch the scene, you might notice the monolith, present before in the film, right in front of the bed. It’s as if the monolith is symbolizing Dave’s next stage, which is the star child. We notice this baby on the bed, which also happened to appear where old Dave was once lying down. Where does this baby end up?

SPACE.

Wikipedia suggests that Stanley Kubrick once said that this space baby is the next stage of human evolution. Now this baby has not cried once in this entire movie. If Kubrick is suggesting that we don’t have to go on a plane anymore and hear a crying baby. Spectacular, I hope this is futuristically accurate. Kubrick also said that this space baby, in his mind, is Dave as an elevated being, which is what evolution can suggest. But this film, as the old saying has been thrown around, is seemingly up to interpretation. I do agree on him being reborn, but part of me wonders if this makes Dave “a chosen being.” We always wonder what would happen to us after we die. Maybe the good go to heaven. Maybe the bad end up in hell. And if you kill a supercomputer with genuine emotions, you are reincarnated as a space baby. I can’t wait for the day when everyone forgets that Ken Jennings and Brad Rutter lost to a supercomputer on “Jeopardy!” all because they eventually destroy one with their bare hands and it sends a curse on society.

Another thing that can bring lots of interpretations to the table is the monolith. Our first glimpse of the monolith is during The Dawn of Man. The apes seem to have much curiosity towards the monolith upon first glance. They are all around it trying to decipher whatever the heck it is they are looking at. One thing I’ve noticed is that most of the moments where the monolith can be seen, we see the sun growing over it. When it comes to the first two scenes with the monolith, specifically the scene with the apes and the one on the moon, those are both moments of discovery. We have the apes curious to know what they’re looking at and the men curious to know what they’ve found. It shows how we as mankind are still curious even after we make discoveries years ago. The monolith may also be a way of symbolizing life itself. We see the birth of mankind in The Dawn of Man, where we create tools, and pieces of the puzzle are forming together. We see the moon discovery with the fact that the monolith knows the letter “e.” By the way, that “e” thing, I feel like those who have seen this movie might know what I’m talking about and might consider what I said to be some sort of joke based on actual events, but there’s this sound that can be heard towards the end of that scene and it’s basically the same sound that the fire alarm would make at the school I went to in grades 1-4. I had to cover my ears in the theater during that scene for good reason. We also see the monolith in the stargate signifying that maybe Dave is not going to be in as good of shape as he once was. The stargate, while majestic and beautiful to us as an audience, was not all fun and games for Dave. Then we see the rest of Dave’s life play out. The last thing Dave apparently sees is the monolith, therefore signifying death. Not the death of mankind, but the death of Dave. Although at the same time, maybe if Stanley Kubrick’s words of Dave evolving to the next, superior form of man can be applied here, maybe it can be the death of OUR mankind as we know it, and the birth of a new mankind.

Let’s also talk about the music in this movie. Before “2001” ultimately ended up with the music it has, it once was going to have a score by a composer known as Alex North. Before this film, he worked with Kubrick before on “Spartacus.” After he worked on the score however, his work was eventually discarded. Instead, Stanley Kubrick decided to insert pieces of music that already existed such as Richard Strauss’s “Also Spoke Zarathustra” and Johann Strauss’s “The Blue Danube.” By the way, those two have ZERO relation to each other. That first song I mentioned? That’s the one from that famous opening title sequence. That’s the song that has received parody after parody to the point where it’s almost not even a joke anymore. This song plays three times in this movie, and each time is just about as epic as the last. As for The Blue Danube, that plays three times, but none play the song in its entirety. There is not one original song here. In most movies, I’d ask myself why the f*ck that would be the case. Here, I wouldn’t blame others for asking such a question, but the biggest surprise to me is how much something like this works here. I mentioned I went to see this in the theater. When you listen to the music, it’s more like you’re taking a trip to an opera house as opposed to a movie theater. Much like the stargate sequence, it’s a trip. All of the music just feels grand, it matches with what the movie is trying to be, which is an ambitious epic.

This movie also shows something in space that I never really thought too much about until I saw this movie. I know that at NASA they have those zero gravity simulators and those can help you know what you’re in for regarding your future space travel. Although there are several scenes, and these are noticeable when the space scenes begin, where people are learning how to adapt to their spatial environment. There’s a scene where a stewardess is trying to walk and she’s having a tad of trouble doing so. You also have a scene that shows people needing to learn how to use the toilet in space. It gives us a look at humanity at a new stage in our cycle. We have now gotten to the point where space travel is pretty much a necessity and now we need to learn how to adapt to it.

Before this closes off, let’s dive into some detail about HAL. One recent notion I heard about this movie is that HAL, despite being a supercomputer, might be the most “human” character in the entire movie. Having heard that, such a thing makes every bit of possible sense. All of the humans in this movie for the most part, while they do appear human, barely have any sense of emotion. Even when they’re seemingly in danger, they don’t act like they are as much as HAL would. If you take HAL’s final words, you can tell that he made a mistake. You can tell he is trying to defend himself. Everyone else is trying to get work done. Sure, people do work, but each and every day we are letting the machines do all the work for us. It’s as if we are really the machines and HAL is the sole human in this entire film. In fact, as we become the machines, which we rely on to get work done, the machines have the ability to grow a consciousness, to the point where they can beat us in literally anything. After all, in terms of how animals operate, humans are pretty high in terms of superiority. The time when machines are as emotional as say a human is a point where one can assume that they can “win” the fight for survival. The whole message of the movie is that mankind created tools, allowing us to advance ourselves, to the point where we create a doomsday tool.

Gosh I love this movie. Oh, I forgot one more thing.

SPACE.

In the end, “2001: A Space Odyssey” is one of the best sci-fi movies ever made. Not only in terms of story, but also in how it was made, how it was directed, the effort put into every single set. This film has been influential on many more sci-fi films that have arrived after it. I can imagine it STILL being talked about even a thousand years from now. Not to mention, as a film it is different, imaginative, and also just something that can evoke lots of emotions. Either fear, sadness, inspiration, whatever. Stanley Kubrick, I love you, I want to watch more of your movies, you have outdone yourself here. I’m going to give “2001: A Space Odyssey” a 10/10. Thanks for reading this review! My next space movie review will be up on Thursday, October 4th, and I am not sure what I’m going to do next. But I would like to announce that one of the installments in my space movie review series is going to be “Gravity.” I will say, if I don’t have that review next week, I can guarantee that will be up the week after. As for the other movie, I’m actually still deciding. The mystery remains. Be sure to follow Scene Before either with your email or WordPress account so you can open the pod bay doors and find some more great content! I want to know, did you see “2001: A Space Odyssey?” Or, what is your favorite Stanley Kubrick movie? I’ll be honest, I need to see more of his work. But if you have a favorite, let me know down below! Scene Before is your click to the flicks!

The Meg (2018): Shut Up, Shark

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“The Meg” is directed by Jon Turteltaub (National Treasure, Phenomenon) and stars Jason Statham (The Transporter, Furious 7), Bingbing Li (Transformers: Age of Extinction, Resident Evil: Retribution), Rainn Wilson (The Office, Juno), Ruby Rose (John Wick: Chapter 2, xXx: Return of Xander Cage), Winston Chao (The Wedding Banquet, 1911), and Cliff Curtis (The Last Airbender, Fear the Walking Dead). This movie is essentially about Jonas Taylor (Jason Statham) who encounters a megalodon, a killer shark that is as large as Texas. It is up to him to save people from suffering while a submersible happens to be sinking.

“The Meg” was not really my most anticipated movie of the year, it was not really something I was thinking was going to be all that great, but at the same time, I just couldn’t keep my eyes off of it. Kind of in the same way that geckos can’t keep their eyes off of how 15 minutes can save you 15 percent or more on car insurance. Maybe they don’t know what that means, but at the same time it’s just so hypnotizing and rings a bell in people’s heads. The first trailer of “The Meg,” at least to me, was a thing of beauty. I felt like this was not going to necessarily be the movie that kills all of the other summer movies in terms of likability. Having already seen “Mission: Impossible: Fallout,” this movie has some big shoes to fill. Based on the music and catch phrases that the marketing provided (CHOMP ON THIS), I knew what I was going in for, and I was f*cking ready for it. Let me just tell you all, this movie is what “Sharknado” should have been. OK, well, maybe not, the plots kind of differ, but even so, in a world where we have more “Sharknado” movies than we have “Jaws” movies, “The Meg” is here to chew on every last “Sharknado” possible!

I’ll remind everyone about “Sharknado,” and if you don’t know what “Sharknado” is, consider yourself safe from being trapped by shark Satan. There’s also a good chance you might not be aware that it is well known for being stupid, and in a way that I GUESS entertains people. For me, I just find it horrendous. And even the franchise itself understands what I’m talking about. The previous “Sharknado” installment claims to be the ultimate movie in its lineup. It’s literally called “The Last Sharknado: It’s About Time!” When it comes to “The Meg,” the plot, while still revolving around scope per se, utilizes it and uses it in a way that is technically smaller. “Sharknado” might as well be the “Star Wars” prequel trilogy…

“It’s so dense, every single frame has so many things going on.” -Rick McCallum

…whereas “The Meg” might as well be the “Star Wars” original trilogy, where there’s glory, with a proper purpose.

“The Meg” is a movie revolving around a really big shark, and this does feel like a big movie, and that’s exactly what this movie does very well. Speaking of things it excels at, it manages to have some scares. Nothing groundbreaking, nothing to write home about, but it all works. “The Meg” manages to have the same quality “Jaws” seems to have, which is to effectively combine summertime fun and horror and put it into a nice little package. Now this movie is no masterpiece, so to call it the next “Jaws” is a bit of a stretch, but it certainly does share a redeeming quality that kind of made “Jaws” what it is. Horrific summertime fun.

What “Jaws” has though compared to “The Meg” is compelling characters. The characters in “The Meg” aren’t exactly unlikable, they don’t do anything that makes you want to smash them to bits, but they just aren’t really worth talking about in a greatest characters of all time list. And I say that primarily because while they certainly serve their purpose and are somewhat intriguing, they don’t have enough depth to them. Although then again, some of them are deep underwater in the movie so what do I know?

Our main character in the movie is played by Jason Statham and he plays a guy named Jonas Taylor, but in all seriousness, I am probably not gonna remember the character’s name that well and just refer to him as Jason Statham. If he looks like Jason Statham, talks like Jason Statham, walks like Jason Statham, then he’s Jason Statham. I also gotta say though, seeing Jason Statham in this movie, I honestly think he was slightly miscast. I can imagine others playing this character aside from Statham. Sure, Statham kind of works, but there are better choices out there. Maybe John Cena (Blockers, The Wall), maybe Oscar Isaac (Star Wars: The Force Awakens, Ex Machina), maybe Terry Crews (Cloudy with a Chance of Meatballs, Brooklyn Nine-Nine).

And when it comes to the background we get related to Jason Statham’s character, there’s not really much I can report. All we really know about him is that apparently he’s crazy. In fact, what do we really know about anyone in this movie? Let’s just say you tied me to a chair and the only way I’d be able to live is if I can explain about at least one character in detail. Chances are that’d be impossible, because I feel like all of these characters lack detail. These are just people that all seem to be stuck in a situation who we as audience members could be getting to know, but in reality, are just scribbled on the script just to move the story along. These characters are seemingly interesting, they’re funny, they have good chemistry for the most part, acting is hit or miss, but they all seem to work well together.

Speaking of good acting, let’s talk about the portrayal of the young girl, Meiyang, played by Shuya Sophia Cai. Let me remind you, this is a child actress. She was born a decade ago, and the first trailer for this movie came out barely before she entered the double digit ages. Her acting level in this movie was probably better than a good number of adults present on the cast list. Either the director worked extra hard with this girl to make her execute the best performance possible, she has excellent mentors who know acting and can teach acting quite well, or maybe pleasing acting to her is something that just comes naturally. I don’t know, but the main point is, this girl can act! Well done to her!

As far as pacing in this movie goes, it almost makes the movie a puzzle in a sense. In the very beginning, it’s all exposition, it’s all introductions, it gets boring after a while, you just start begging for a megalodon to show up out of nowhere. I will admittedly say that maybe the first act of “Skyscraper” may have entertained me more than the first act of “The Meg.” Once you get into the megalodon stuff however, you don’t want to go back. It gets funnier, it gets wilder, it gets stupider in the best possible way. There was also some cringe comedy in there, and I’ll be honest, it flows rather well if you ask me.

One thing I gotta ask myself though is how GOOD this movie actually is. Because I’ll be honest with you, I REALLY enjoyed myself during “The Meg.” Let me just say this IS NOT a 10/10, but it’s also not a 1/10. What I’m trying to figure out on my mind if I like this movie because it’s so stupid it’s fantastic, or if it’s fun, or I’m just putting myself in a particular mindset for a couple of hours. And speaking of time, when I walked out of the theater, I noticed it was around 9:50PM, I went into the movie at 7:45PM, and the actual film started sometime past 7:50PM. When I walked out, this movie felt like it was 10 or 20 minutes shorter than it actually was, and I mean that in a good way. When you consider the boring first act, that almost sounds impractical. But from my perspective, this movie REALLY picks up at around the 30 or 40 minute mark.

Not only is pacing something that doesn’t stay consistent in this movie, but the tone is sometimes off for me. There were a couple times when someone was in danger where I didn’t really care if they got seriously hurt or if they died, whatever. I just didn’t really care for them because this didn’t feel like a character movie for one thing and once again, these people basically have no depth to them. And speaking of that, you know how I mentioned “The Meg” might as well be the superior version of “Sharknado?” With that statement in mind, “The Meg” contains a better story with more competent camerawork, special effects, and writing. I didn’t say everything in this movie was better by a landslide when it comes to “Sharknado.” Characterization needs some work if you ask me.

In the end, “The Meg” is the best kind of stupid movie you could ever ask for. It basically knows what it is, the fun never stops after a certain point, and while there happen to be some clashing tones interfering, this movie is still a good time. I honestly want to get the “The Meg” on Blu-ray when it comes out, because I think this will end up having a positive replay value on my part, so when that movie hits stores, I’ll be on my way. I don’t recommend this movie to everyone. If you are someone who is often called “Shirley” and is very serious, this movie might be one you’d want to avoid. For me, I just had plain fun, and I can’t wait to watch this movie again if I ever get a chance. I’m gonna give “The Meg” a 6/10. I’ll be honest with you. This grade might not even last. It could go up, it could go down, it could stay where it is. But based on everything I said, 6 seems to fit. Thanks for reading this review! Pretty soon I’m going to have my review up for “2001: A Space Odyssey,” which will be the first entry in my space movie reviews in preparation for “First Man.” Speaking of upcoming content, I would like to warn everyone that New York Comic Con is coming up in a couple weeks, and I have tickets for Friday and Sunday so be sure to look out for my thoughts on the con whenever I can get around to posting them. Be sure to follow me here on Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see “The Meg?” What did you think about it? Or, what is your favorite shark movie? I bet all of you are gonna pick “Jaws” so I’ll ask another question. What are your thoughts on “Sharknado?” You can talk about individual movies or the franchise, your choice. Let me know down below! Scene Before is your click to the flicks!

Kin (2018): Two Brothers, A Ray Gun, and a Stripper

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“Kin” is directed by Jonathan and Josh Baker, two brothers who have worked together on multiple short films. This movie stars Myles Truitt (Queen Sugar, Black Lightning), Jack Reynor (Sing Street, Glassland), Zoë Kravitz (Divergent, After Earth), Carrie Coon (The Leftovers, Gone Girl), Dennis Quaid (Far From Heaven, Frequency), and James Franco (Spider-Man, The Disaster Artist) and is about an ex-con who has been recently released from prison and his teen brother who are on the run from soldiers. Alongside them we have a unique weapon, which just so happens to be some of their only protection.

The main reason why I’m reviewing “Kin” is not because I’m particularly interested in the movie, but because this review works around my schedule. I have reviewed movies in August, but there’s no point where I’ve actually gone out to see a movie actually released in the month of August. I wanted to see “The Meg” so bad, but I never got around to it. I had some sort of interest in movies including “Mile 22,” “The Happytime Murders,” “The Spy Who Dumped Me,” and “Searching.” I could have gone out to see these movies, but there was no time and on occasion, no way, to get to any of these. Apparently adventures like “2001” in IMAX and “Eighth Grade” are a lot more important. Now it’s September, and my chance to review an August movie is finally here. And I’d say for the most part, this August movie was worth my time. I have my problems with it, but we’ll get to those later.

This movie stars Myles Truitt and Jack Reynor as two “brothers” if you will. Jimmy (Reynor) was raised by his birth family while Eli (Truitt) happened to be adopted. Jimmy is not essentially the brightest bulb in the world. As the movie begins, we find out that Jimmy just happened to be released from prison. When the main plot kicks in, this is essentially where the two brothers have to team up. So the two go on a road trip, leaving post-apocalyptic Detroit to wherever their travels take them. And I gotta say that this is probably where “Kin” hits its highest marks. Not only did both actors play their characters well, but they’ve also delivered terrific and believable chemistry. None of it was awkward, at least from what I remember, and it made me see these actors purely as these characters. Who else is gonna play them now?

Now this movie is produced by the same folks who produced “Stranger Things.” While I have not seen much of “Stranger Things,” I am certainly well aware of what it is all about. And there are some moments of this that can feel like “Stranger Things.” Probably the biggest reason that can associate with such a statement is that the two main characters who have to stick together are on the younger side of the spectrum. And as mentioned, both of them did very well in this movie.

Along the way, the duo meet a girl by the name of Milly, played by Zoë Kravitz. Where do they meet her? A strip club.

Now whoa whoa whoa hold the phone!

Out of all the places that the two brothers could stop, the older brother, who happens to be in control of the wheel (for good reason), decides it would be reasonable to go to a strip club alongside his FOURTEEN YEAR OLD ADOPTED BROTHER. As crazy enough as that alone is, they don’t check IDs (upon research though I don’t think ALL clubs do that).

Anyway, they meet her at a strip club and what I love about this is not what any stereotypical teenager would go ahead and talk about. It’s not about how f*ckable she is or how hot she looks onstage. In fact, this movie is rated PG-13, so it’s not like you have to come in expecting anything hardcore. The thing I love about her is how the movie utilizes her character to make her actually have a personality. It’s not like she’s a sex object, she has a purpose in the film. There’s a point where I wouldn’t say she’s actually “doing s*it,” but she does happen to have heavy involvement in the plot. But then again, and this may be nitpicky, but this probably wouldn’t have happened if the dynamic duo didn’t get kicked out for having a CLEARLY underage kid in their party.

One of the movie’s biggest things it has going for it is the futuristic ray gun that seems to be getting a lot of attention when it comes to marketing. When it comes to that particular aspect, I’m both impressed and maybe a tad disappointed at the same time. On one hand, the ray gun was a nifty little tool and I thought it really served a purpose, not to mention a bit of fun, in the story. On the other hand, it might have gotten maybe somewhere near minimal use, which kind of underwhelmed me. If this movie gets a sequel, which I doubt will happen unless this movie makes a s*itton more money than it did during its first few days, I want to see more use out of the ray gun if there is time for it. I’ve been exposed to others’ reviews on “Kin” before publishing this one, and they’ve said that this film, tonally speaking, is way off. While I do happen to disagree on that point, I do agree that this film needs to hit the big guns. There is although a pretty cool side story involving a couple of people who actually had the gun before it was even found and taken by the two brothers. Also that reminds me, I wanted there to be perhaps a more memorable and fascinating discovery. I don’t even remember how it was found except for bits and pieces. In the “Jumanji” movie, specifically the one starring Robin Williams, I still remember the discovery of the Jumanji board game. I remember bits of the music, where it was, and it just felt like you were maybe in an adventure film. Maybe like “Indiana Jones” or something.

This film is actually based on a short film directed by the twin brothers Jonathan and Josh Baker. These two brothers eventually went on to direct this exact movie. I have not seen the short, but it is called “Bag Man,” so I have nothing to compare it to, but I do want to give a bit of credit to this film for at least raising my interest towards checking that out.

In the end, “Kin” is actually a bit of a surprise for me. I went in not expecting much at all. In fact, I walked out thinking, that wasn’t really that bad. This is like walking into a Kmart or Sears at this point seeing that they’re actually doing a somewhat decent business and keeping the stock flowing smoothly. Maybe it’s not perfect, but hey, it could definitely be a lot worse. I do have my problems with it, and trust me, some stand out. I don’t think I’ll remember “Kin” as much as I do with some other movies, but this was certainly something I couldn’t complain about. I’m gonna give “Kin” a 6/10. Thanks for reading this review! Right now it is September, and it is more than a month away until “First Man” releases in several countries, including the US. For those of you who don’t know, “First Man” stars Ryan Gosling (Blade Runner 2049, Crazy Stupid Love) and Claire Foy (The Crown, Breathe), it is directed by Academy Award-winning director Damien Chazelle (La La Land, Whiplash), and happens to be, depending on how you look at things, based on the true story, or a fantasy with a hidden truth and meant to be shot in a studio, on the Apollo moon landing. In honor of that, starting sometime later this month, I’m planning to be reviewing a bunch of space-related movies. Be sure to stay tuned for that. I’ve got a number of options in my head. I’ll just say, that my first review is probably guaranteed to be “2001: A Space Odyssey.” Not only does it have some sort of relation to space, but this year is the movie’s 50th anniversary, and based on results from a Twitter poll, “2001” received the popular vote. Stay tuned for this, along with other great content! Also, be sure to follow Scene Before either with an email or your WordPress account! I want to know, did you see “Kin?” What did you think about it? Or, what is your favorite fictional weapon in a movie? Let me know down below! Scene Before is your click to the flicks!

2001: A Space Odyssey (1968) Getting Limited IMAX Release *Tickets Now On Sale!*

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Hey everyone, Jack Drees here! Before we dive into this post, let me just ask you all something. What is your favorite form of social media? If you ask me, my two favorites have to be YouTube, the site that won’t stop playing the same freaking GEICO or Google ad before watching EVERY VIDEO YOU CLICK ON, and Twitter, the elementary school playground where Donald Trump pushes his enemies down the slide, Wendy’s is being the class clown, and former Economic Secretary to the Treasury of the UK, Ed Balls, is trying to play “Guardians of the Galaxy” with his friends all the while doing a terrible Groot impression.

A couple things to say. First, YES, that is a real tweet. It’s exactly as Ed Ballsy as it looks. And second, it’s I AM Ed Balls! Actually, wait a minute, he’s playing the character, it should I am Groot. Never mind. Speaking of social media, some of the most popular things people happen to find as they flock around their favorite sites is pictures or videos of babies. Why else do you think “Charlie Bit My Finger” is one of the most viewed YouTube videos of all time? If that’s the case, I’m a little dumbfounded that some channels having to do with babies are getting left in the dust, for example, one created by a couple known as Paul and Genevieve. This channel, while it doesn’t exactly focus on kids doing peculiar, cute, or funny things on camera, it does focus on the preparation for becoming parents, and by that I mean, literally trying as hard as possible to get pregnant. This is all explained… in “What the IVF?!”

“What the IVF?” is a series on YouTube where the recently mentioned couple attempt as hard as possible to have a baby. Each and every Monday, a new adventure is uploaded to the interwebs, and usually the adventure is not a pleasant one. In fact, most of these adventures continue to remind the couple about the struggles of their journey as they deal with incessant crying, pain, needles, thinking they’re under a dark spell, needles, appointments, needles, “trying everything,” and more needles! You can find the latest “WTIVF?” content on a YouTube channel specifically dedicated to the series. Their latest video is a bit of change of pace from the norm. Most of the events have been shot prior to this channel’s inception, however this is the first full-length video audiences get to see around present time. If you like unicorns, this episode is probably more preferable than some others in the series. Be sure to subscribe to the “What the IVF?” YouTube channel, ring the notification bell, check out the show’s other homes on the interwebs, all links are down below including a personal website for the show itself. Also, be sure to tell Paul and Genevieve that Jack Drees sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

If you have been following me here on Scene Before lately, you might know that I have done a recent post titled “Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s.” In that post, I talk about the two times I saw “2001” in a theatrical setting. Both times were in 70mm equipped cinemas in the state of Massachusetts. That post took a long time to make, but overall I’m pretty proud of it. If you want to read it, click the link below and check it out. But if you’re more focused on this post, please stay here, because I’ve got some words I need to spit out. I’ve already seen “2001” twice this year in theaters, both of my experiences were nothing short of fabulous. And you know what? I think it might be time to go see it again. Unfortunately, there are no 70mm runs near my house at the moment, nor are there any other engagements that I’m personally aware of. But there is something big coming.

This year, “The Incredibles,” my all time favorite animated movie FINALLY got a sequel released to the public, and incredible it was indeed! My experience of seeing that movie was also pretty darn incredible as well. Before the release of “Incredibles 2,” one of my deepest desires was to see its prior installment in the IMAX format. I thought throughout most of my life that this was an experience that I would always dream of, but it was never going to become a reality. But for one night, it did. As part of a double feature which included both “Incredibles” installments, my dream of seeing “The Incredibles” in the IMAX format came true. By the way, this was shown before the official technical release of “Incredibles 2.” To specify, it was shown ONE DAY PRIOR TO THE OPENING THURSDAY NIGHT SCREENINGS! However, this month, something just as incredible will be hitting IMAX, and that is “2001: A Space Odyssey.”

Having seen “2001: A Space Odyssey” a bunch of times now, a part of me couldn’t be happier. I haven’t watched the movie from start to finish until this year, but when I did sit down to watch this movie, it made me realize what I had been missing. It’s a movie that came out in the 1960s, and yet it looks better than a bunch of movies coming out today. The space shots are majestic and full of glory. People back then would agree with me in saying those shots look amazing, and I think they look so beautiful that I had to see this movie in theaters not once, but twice! There are other reasons too, but nevertheless.

But in all seriousness, a movie like this in IMAX? I’m in for sure! Aside from the huge scale glory that can apply to “2001,” I think that “2001” is a perfect choice for a movie to bring into the IMAX format simply because it’s that good of a movie. And I’m not saying that only because I think it’s one of my all time favorite movies, which it is, but to say I’m alone on that sort of statement would be completely false. As you know, two of IMAX’s main focal points are to crank out their exclusive content such as those documentaries which are traditionally exclusive to museum settings, and to immerse audiences into new content from other studios. However bringing older movies to be presented in the IMAX format has become a somewhat increasing trend over the years. This has been done with “Raiders of the Lost Ark,” “The Wizard of Oz,” “Harry Potter,” “Forrest Gump,” “Jurassic Park,” and “Top Gun.” I honestly don’t mind this trend. As much as I try to promote originality, it’s fun to see what it would be like to witness a movie that was in theaters at one point on the big screen once again, maybe share that experience with younger generations, and since it involves IMAX, that experience could actually be enhanced.

One thing that I’ve noticed however when it comes to a number of these presentations is that some of them don’t exactly utilize the ultimate technology of IMAX by showing the movie in IMAX’s 70mm projection. In fact, with a movie like “2001: A Space Odyssey,” which was shot using 70mm equipment, not to mention shown in theaters during its theatrical run using 70mm projectors, the whole idea of presenting this in IMAX 70mm film just sounds perfect! And that is EXACTLY what is going to happen!

I will say though, I am probably unlikely to catch one of these 70mm screenings. I live about an hour away from Providence, RI, which has an IMAX 70mm projector, but based on evidence I’ve witnessed since tickets have recently gone on sale, I can’t really say that Providence is actually showing this movie. They even have digital projectors, but the movie isn’t even being shown on that. In fact, if you’re reading this right now, there’s a good chance that YOU might not even get the chance to see the movie in IMAX 70mm. Here’s a list of the theaters showing “2001: A Space Odyssey” in IMAX 70mm.

AMC Loews Lincoln Square 13 (New York, NY)

AMC Metreon 16 (San Francisco, CA)

AMC at Citywalk Hollywood (Universal City, CA)

Ontario Place Cinesphere IMAX (Toronto, ON, Canada)

Indiana State Museum (Indianapolis, IN) (Starting September 7th)

Although, something feels strange about all this. This is starting towards the end of August (for the most part), there is another movie that is supposed to be showing in IMAX 70mm that seems to be in just about all of these locations. Don’t believe me? Here’s an article from Variety, published last month.

‘The Dark Knight’ Set for 10th Anniversary Imax Re-Release (EXCLUSIVE)

If you are too lazy to read articles, there’s not much wrong with that, I understand, but the article basically states that around the same time, IMAX is doing a one-week engagement for “The Dark Knight” because it just turned 10 years old. And I will say, that is actually a grand idea. For one thing, it not only dazzled audiences for how much of a quality movie it turned out to be. But it also happened to be the first major Hollywood film shot using IMAX cameras. Turns out, both “The Dark Knight” and “2001: A Space Odyssey” will be playing on the same day as each other at different showtimes. And having heard this sort of news, I actually think that’s almost mind-blowing because when I usually go to an IMAX it usually has one film playing a day unless there’s some special event going on like an opening Thursday night. So we have two big movies playing simultaneously in IMAX, we have both of them on 70mm film, and they have around two and a half hours of footage! That’s a LOT of film! A little bit of digression here, but the funny thing about this is that “The Dark Knight” is actually directed by Christopher Nolan and now this presentation of “2001” is actually being kind of overseen by Christopher Nolan. Gosh he’s my favorite director of all f*ckin’ time.

And if you can’t catch this movie on IMAX 70mm film, there’s still other opportunities to catch this movie in the IMAX format. According to sources including the Hollywood Reporter, Deadline, and others, this movie is said to be shown in more than 350 IMAX theaters. IMAX has over 1,000 theaters in existence, so I can only wonder which ones will be selling the golden tickets. Although another thing to consider is that all of these theaters that are playing the movie in IMAX 70mm are located somewhere in North America. Is it possible that this is only exclusive to North America? I think that might be the case. In fact, don’t trust me completely, because I don’t have evidence to completely back this up, but I think I remember reading about this somewhere, I don’t know where, but wherever I read this had a statement saying that this was exclusive to North America. I don’t know, maybe I’m imagining things, but I don’t work for Warner Brothers, I don’t work for the movie industry, so I’ll admit upfront, I might not be the first guy you’d want to trust on every single detail you hear.

Another thing I will say though is that “2001: A Space Odyssey” is one of those masterpieces that you have to catch before you die. There’s a reason why it has a spot in the IMDb top 250! And let me tell you something about this movie. Last June, I caught the movie twice in a 70mm theatrical setting, as mentioned earlier. A week after I saw “2001” in the theater for the second time that month, I was going on a trip to Walt Disney World, because my family and I decided to give more money to the people we already gave money to for their work on “Avengers: Infinity War,” “Incredibles 2,” “Black Panther,” and unfortunately, “Solo: A Star Wars Story.” On the way back from the trip, I was searching through JetBlue’s options for free movies. One movie on the free list was “2001,” so I started watching it. And I realized it was missing something I usually get when I watch the movie, not only at the theater, but even when I watch the Blu-ray.

It was the overture that occurs before the MGM logo… In fact, if I remember correctly, I don’t even think the MGM logo appeared either.

Sure, that is a weird compliant… But having watched this movie several times, that is probably something that I will continue to associate with my experiences. And this made me realize something. “2001” IS NOT A PLANE MOVIE. Would I watch “2001” anywhere I go? I probably would. I consider it to be one of my favorite movies of all time. But if you ask me, if you should watch the movie on a plane, that is probably not my goto choice. If you want the full power of “2001,” either watch it in an area where you can get some peace and quiet on a decent TV screen or projection wall, or in a theater. I don’t know if we as living creatures will ever get an opportunity to watch “2001” in IMAX ever again. Maybe I will, maybe when it turns 75 or 100 years old, but in all seriousness, being given the chance to witness this masterful work of art in a place having to do with one of my all time biggest influences towards wanting to pursue a career in the film industry is a chance I don’t want slipping past my radar.

Thanks for reading this post! If you have read this and are rather interested in that post I just mentioned, “Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s,” I’ll have you know that the link to it is down below, so if you want to check it out, go right ahead! As for new reviews, the future is somewhat uncertain, but there are few things I’m seeking out right now including “The Spy Who Dumped Me,” “The Darkest Minds,” and one of my most anticipated movies of the year, A24’s “Eighth Grade.” Maybe I’ll sprinkle in a countdown somewhere since I haven’t done one in awhile, but seriously, only time will tell what will be happening here. Stay tuned for more great content, be sure to follow me and like this post! I want to know, are you planning to see “2001: A Space Odyssey” in IMAX? If so, which theater are you setting your eyes on for this? Let me know down below! Scene Before is your click to the flicks!

Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s: https://scenebefore.wordpress.com/2018/07/17/going-to-see-2001-a-space-odyssey-1968-a-tale-of-two-70s-spoilers/

Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s *SPOILERS*

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Hey everyone! Jack Drees here! The last number of weeks have been wild. Not just here on Scene Before, but I mean life in general. From learning to drive, to dealing with college, to being invited to a pre-release screening and accepting an invitation for the first time, to going to see my first double feature in a theater, to perhaps one of the most infuriating and crap-induced days of my entire life, vacations, family reunions, and everything has just been stacking up on my schedule like pancakes at IHOb. That’s right! IHOb! Apparently someone thought it was so brilliant to switch the last initial of IHOP. The new initial by the way, happened to be “burgers.” The International House of Pancakes, has now become the International House of Burgers. IHOP is synonymous with breakfast in the same way that Sprint is synonymous with *muffled voice*

GUY ON OTHER END: Sorry, what was that? I can’t hear you.

ME: Oh, sorry, let me try going into another room!

*Footsteps*

ME: OK, let’s try this again, where were we?

GUY: Something about IHOP.

ME: Oh, right, thanks!

IHOP could have gone with several names for their replacement initial if they wanted to stick to having a “b!” Bacon! Breakfast! Buttermilk! And as weird as it sounds, Belgians! Seriously! International House of Belgians! That… The more I think about it… Kind of has a ring to it. Or, what if the “b” was so random that it had nothing to do with food whatsoever? Imagine the name change being International House of Butts. I think smoking is usually frowned upon at IHOb, but you have butts that get right into the restaurant and eventually land in a seat! What about International House of Balls? Because it takes balls to go to a diner and eat pancakes with fake syrup. Or even more random, what if the “b” is for a person’s name? IHOP could become the International House of Bob. Maybe the International House of Bianca? That not good enough? What about the International House of Becky? Still not satisfied? Why not settle for the International House of Barry? Everyone will come in, desperate to ask an employee, “Who the hell is this wacko named Barry?” And maybe if your name is Barry, you’ll get your entire meal half-priced! If you are a FAMOUS Barry, your meal is free! That’ll bring all the Barrys in! Barry Trotz! Barry Williams! Barry Manilow! Now is your time to be the best Barry you can possibly be! After awhile, IHOP learned their lesson and changed their name back to what it originally was, but this just felt like a natural disaster! Screw whatever s*it went down in “Cloudy with a Chance of Meatballs,” allow me to introduce Hurricane Burger!

Seriously though, this rant is not what you came in for, you came in for something related to “2001: A Space Odyssey.” Over a couple of weeks, I’ve taken two opportunities to go see “2001” in two different movie theaters. Both times, I saw the movie in 70mm, which is the way that many audiences witnessed the film back when it came out. Speaking of that, this print that was shown at both theaters I went to was a photochemical recreation of the original camera negative for the first time since the film’s theatrical run. There are no digital tricks, add-ons, or gimmicks. It’s quite possibly the closest one could get to going back in time and watching this movie in a theater during the year of 1968. During the realization of how this print would ultimately turn out, the whole project was under the supervision of critically acclaimed director Christopher Nolan, who has been a lover of “2001: A Space Odyssey” for a very long time. Nolan has directed films including the “Dark Knight” trilogy, “Memento,” “Inception,” and most recently, “Dunkirk.” He has also created a film with several similarities to “2001,” “Interstellar.” The first presentation of these “unrestored” prints occurred at this year’s Cannes Film Festival, where Nolan received a standing ovation upon being greeted. Warner Brothers went on releasing a number of prints at select theaters, and not all of them have been released yet.

Let me just start off by saying that both experiences of “2001” were absolutely spectacular! I consider “2001” to be one of my all time favorite movies, so naturally I wouldn’t mind watching it anywhere, but the fact that I’ve went out to see it in a theater in 70mm probably brought out the best the film ever had to offer.

Every other time (maybe except one) that I’ve watched the movie “2001,” whether it was start to finish, split into parts, whatever, it was on a Blu-ray disc, and the transfer that “2001” has gotten on that particular disc is not bad whatsoever. I say maybe except one because I’d bet my first viewing was on a DVD. You can see all the necessary details, no colors look all that weird, and the sound is pretty good too. Although for the past couple of viewings, I’ve gotten off my ass, and went into a theater with other people. See guys? I have a life! I can go out of the house every once in a while! And with just enough motivation, I think you can too!

The first time I walked out of “2001” after seeing it in a theater, I don’t think I said this right away, but I can guarantee you that at one point, even if it is days after my experience, I said something along the lines of “THIS CHANGES EVERYTHING.” Sounds like you would hear that phrase every now and then. I was born just barely before 2000, but I can imagine back in 1977, when “Star Wars” came out, some people, adults, teens, and children living at that time probably at the very least had that thought in their mind after their first “Star Wars” experience. In 1994, “Toy Story” came out, and when it released, there was not much like it in the animation genre. It blew a lot of minds out of people’s heads and just lead to just about nothing but high appreciation. In fact, this year, in 2018, minds are still being blown. We have just witnessed the culmination of the Marvel Cinematic Universe, “Avengers: Infinity War,” and people are having many emotions towards it. I thought it was a total game changer, not to mention one of the all time greatest movies I’ve witnessed that is based on a comic book due to how the execution of the content the film contained turned out and the way it ended. Even after “Avengers: Infinity War,” my mind is still able to be blown, and with this mind blowing experience, it’s not just amazing because it’s truly unlike anything I’ve ever seen. But it’s also something that I’ve technically seen before, but am now getting to view in a whole new way that feels unique.

Without further ado, let’s talk about both of my experiences in detail!

SOMERVILLE THEATRE, SOMERVILLE, MA (JUNE 3RD, 2018, 12:30 PM):

The first of my two experiences took place at the closest theater to my house where this sort of thing happened to be taking place, the Somerville Theatre. The theater first opened in 1914 and my presentation was in its original auditorium. As far as getting there, I went with my friend by her car on a Sunday afternoon, leaving my home an hour prior to showtime. And since it was Sunday, we were kinda lucky, parking was free. Yay! We get in the theater to realize there actually is a line to get tickets or check in. My friend and I already had our tickets. Then once we grab our tickets, we get into another line on the opposite side of the sidewalk from where we walked in. Continuing our luck, it wouldn’t take that long for us to enter the theater given our distance in line. Once we enter, we grab our seats somewhere towards the rear end, and more luck happened to be on the rise! CENTER SEATS! As we grab our seats, I decide to go on into the lobby because I wanted a popcorn and soda.

I enter the lobby, knowing where the snack stand is because this is not my first time at this theater. As I walked forward, I knew exactly what to order. I ended up getting a large combo which cost less than $10! Holy crap! You know how much I have to pay for a combo like that an AMC? It’s somewhere around $15 to $17! I do it to support the theater and they actually make more money off of food purchases than ticket sales, which is why I don’t bring my own stuff into the theater. But just the other day I was down in Disney World, and they had an AMC on the property, where a large popcorn and a large drink would cost me around $15 to $17, and even when I use a discount which I earned from rewards points, it’s still a good deal, but if I remember correctly, it still cost me more than a large combo at Somerville Theatre WITHOUT rewards points. By the way, both of those combos actually allow you to get free refills. Boom. The guy at the register was really nice too. He complimented on my Cinema Sins t-shirt, and pointed out that everyone who got something at the stand so far in the day, including myself, ordered a large combo. The streak was eventually broken, but it’s still cool to be part of the team! Speaking of broken streaks…

I get back into the theater, and I accidentally enter the wrong row. I’m one row ahead of where I’m supposed to be. So instead of executing my gymnast skills of lifting my legs over a seat, I walk out on the side, like a normal person. Then suddenly, bad luck ensues. Not just for me, but for the poor man whose drink I accidentally spilled. I hear a noise, and this guy say “S*it.” I didn’t know what to do for a second. So it was time to play a game, let’s call it “Somersolve,” the game of solving problems in Somerville, Massachusetts. The objective is to avoid getting into a problematic situation and solve a problem. So, I act calm, and let out my humorous side.

“On the bright side, it’s a free refill.”

The guy who I interacted with seemed to take the situation lightly, my friend offered to spend some money on him toward new refreshments, to which he replied that he’s alright and ended up getting a free refill. Based on my observations, the guy ended up moving to a different seat. By the way, if this guy I’m referring to is reading this, I’m sorry!

Once it’s just about time to begin the action, a guy comes into the theater and starts talking on the microphone. He greets and welcomes everyone, and he states that the projectionist in the booth is considered by numerous people to be “the best in the business,” suggesting that he’s projected “2001” many times. Then the bad luck continued… He goes on to say that a gear on the projector is actually broken, and from what I heard, this happened many hours, perhaps a day or two, prior to my arrival. The projector still works, and the movie is still playable. However, there is a drawback to all of this. During certain points of the movie, the screen will go black for a minute, and the movie will stop. And no, this is not in an intermission type of pause (although the movie did provide one). What would happen is the screen will suddenly stop displaying an image. No sound would be heard whatsoever. And you know what? The guy was gonna make it up to anyone who wasn’t fond of this. If this bothers anyone, they actually get their money back, which is actually not a bad deal because they paid a premium price and maybe they can show they aren’t getting their premium service. Once I heard this, I was worried. What was gonna happen? What scenes were I going to miss? Oh my gosh! Human sacrifice, dogs and cats living together, mass hysteria! Nevertheless, the speaker had an admirable hint of charm to him, and appeared to be extremely presentable. He also states some of the technical aspects I gave to you all in this post. The Christopher Nolan thing, the original camera negative thing, stuff like that. Once he finishes speaking, everybody begins to clap. It was clear that a good number of people were either really hyped for this experience, they love “2001,” they are enthusiastic about the whole 70mm situation, or clapping is possibly an undiscovered effect of dropping acid. Then, the auditorium returns to the low volume it previously contained. Afterwards, music begins. It’s the overture.

From what I can tell, the overture didn’t even start from the clear beginning. OK, whatever, it’s just the overture, there’s no picture during this moment, I can deal with that. I got to hear over 75% or 80% of it at least. Around the song’s technical halfway mark, I notice the slight dimming of a ceiling light. Once the song comes to a close, almost all of the auditorium is dark, excluding the screen, which has been revealed by the opening of the red curtain, and a few red lights on the walls. Then I see it. The MGM logo. The adventure has begun. We as an audience are then greeted to the famous, masterful, and endlessly parodied opening accompanied by Richard Strauss’s “Also Sparch Zarathustra.” I felt reborn. I almost wanted to clap immediately, but I didn’t want to be the one awkward attendee making everyone question humanity. I already made one person question such a thing when I spilled their drink. One thing I kinda sorta expected from there on out, was silence. Everyone was hypnotized to the screen, including me. I was trying to be respectful and not eat and drink too much for sake of not letting out too much noise. It reminded me of when I went to see “A Quiet Place” and would try to not be as obnoxious as I might be during other movies with my drink, and literally dissolve popcorn by use of my tongue. The screen demanded my full attention. When the movie started, and as it progressed, I did notice a slight difference in color when it comes to various shots. I didn’t consider it a bad thing, in fact compared to my Blu-ray, I think it truly captures the retro feel that maybe you’d want out of a movie like “2001,” and the more I think about it, makes it feel slightly less artificial. It’s not to say that it’s less clear than my Blu-ray, it’s higher in quality. Blu-rays go up to 1080p, and I have a player that can upscale those kinds of discs to near 4K quality. When it comes to 70mm, 4K is 70mm’s meal for breakfast. Now, let’s get to what could have been the worst part of the experience, had we been ripped off.

As mentioned, we were told that there would be short pauses during our presentation, which will eventually lead to the return of the movie playing. I was worried, I didn’t want to complain too much, then it happened. Around the “voiceprint identification” scene, the screen goes black, and the auditorium is almost in complete darkness. And since we were told about this, nobody really complained! I was thinking that we were going to miss a segment of the movie, and that point would be Floyd talking to his daughter while simultaneously wishing her a happy birthday. Nope! We didn’t really miss anything! Yippee! What a relief! This happened a couple more times during the screening. The first one being one of the earlier scenes on the ship introducing Dave, Frank, HAL, and the hibernating scientists. When that occurred, I turned to my friend, and tried to vocalize myself at a volume at which others in the auditorium could possibly hear me, asking, “What the HAL?” Nobody cracked, and based on what I could tell, she could correct me eventually considering she reads this and we see each other every once in a while, but my friend must have thought I was taking myself seriously and said “hell.” I tried to make sure I was coming off in the proper way so I told her what I was trying to say. The next pause occurred towards the climax of the film, and I have to say it may have been the PERFECT break. I say this because it’s right in between the Jupiter and Beyond the Infinite Sequence, and the last spoken line of dialogue in the movie given in the HAL control room.

One thing I was super excited for was the scenes in space. I will probably rave until I die about my experience watching “Interstellar,” a movie with many similarities to “2001,” one of them being that both movies heavily take place in space. Seeing the jumpcut from the bone to the satellite (TOTALLY A NUCLEAR MISSILE) started to make me smile like I had just realized I won a million dollars on “Deal or no Deal.” As I progressed through this first moment with The Blue Danube playing in the background, I think the girly part of me kicked in and I wanted to cry. If you told me I went to an enormous and epic opera house in space, I would have believed you. Speaking of the Blue Danube, one of the conveniences of sitting towards the back of the theater is getting to see all of the action from those upfront, and there’s this scene where you see a guy reading instructions on how to use a zero gravity toilet. It just shows how much we have to relearn what we already know how to do on Earth in space. Towards the front, there were a couple guys chatting and one that I assume was talking about exactly what I’m referring to. We may have gotten far as a society, but it is still our duty to learn how to poop in space. Yay, humans!

One thing that occurred in both Somerville Theatre and the second cinema I want to talk about is something near and dear to my heart.

“2001” to me is an interesting movie when it comes to sound. It has a soundtrack that’s big and loud, and yet there are several moments in the movie, mainly in space where you hear, LITERALLY NOTHING. Hey, I’m not complaining! That’s scientifically accurate! I love the big and loud soundtrack, which when I saw the movie at Somerville, brought an immersive, not to mention symphonic feeling to the auditorium. But there’s one noise in the movie, while I still am technically fine with having it in there in the first place, that I JUST. CAN’T. STAND. A bunch of astronauts are on the moon together, observing the monolith in front of them. Then, it’s picture time! One astronaut is trying to align a bunch of other astronauts together in front of the monolith and take their picture. In the process, this loud screech comes out of nowhere. It’s ear-piecing to the tenth degree! And I don’t just mean that for those around the monolith, but also for me. My friennd was covering her ears too! I have sensitive ears, and there are a lot of noises that I’ll surprisingly get by in a movie theater, but that is something which I had to survive.

One of the best parts of my Somerville experience is HAL’s last moments, which was a hint of preparation for my second experience which I will touch upon. I got some surprising reactions during my experience. The most surprising one I’ve gotten up to this point is probably the collective laughter towards Floyd’s daughter wanting a bush baby for her birthday. Then, we get to the final moments of HAL. Dave enters the ship through the emergency airlock, you can hear him breathing. Then we hear HAL, say the following lines in chronological order, starting with the earliest:

“Just what do you think you’re doing, Dave?”

“Dave, I really think I’m entitled an answer to that question.”

“I know everything hasn’t been quite right with me. But I can assure you now, very confidently, that it’s going to be alright again.”

“I feel much better now. I really do.”

“Look, Dave. I can see you’re really upset about this. I honestly think that you ought to sit down calmly, take a stress pill and talk things over.”

I mean, sure, a computer telling someone to take a stress pill is a bit out of the ordinary, that can work as comedy. In fact, when I walked out of one of these experiences, I said that I always thought that maybe the highest form of comedy I found in “2001” happened to be the part where the apes first use the bone as a weapon. These unexpected reactions however were not distracting, it was just a bunch of people enjoying themselves and having a good time. The one thing that disappointed me however is that with all of these reactions of laughter towards HAL, not one was given towards him singing “Daisy.” It’s a complete change of pace and it’s just funny seeing an electronic sing! It’s like seeing Edna Mode from “The Incredibles” go on “American Idol!” I almost wanted to start laughing at that moment, but just like what I said about the intro, I wanted to avoid being the awkward guy in the auditorium.

Then came what possibly might be the best part of the movie, the stargate sequence. This is a moment where the auditorium’s sound system just BOOMED. I’m not gonna go too much into it, because there’s some nifty stuff I want to save for the next experience, but it was awesome. The end came, and so did applause. I probably stood out the most when it came to the applause. I was literally standing up applauding. Some clapped, some wooed, but I stood up with my hands bouncing off each other. I had a great experience that is difficult to describe in words. It may have been bumpy, but I wouldn’t have traded this time at the theater for anything else.

I had such a great time, and I would easily put it in my top 10 best movie theater experiences. But the thing is, I wanted more… Before I went to Somerville Theatre to see “2001,” I asked my dad if he wanted to go, but he couldn’t make it. Nothing against him, a guy’s gotta do what he’s gotta do. Nothing against my friend either, I really enjoyed my time with her. But, I figured this would be something I wanted to do again, and I had a chat with my dad on the phone. I told him about my experience, describing it as “epic,” which it was, that is, if my experience could be described in words. He stated at one point he was jealous that I got to go to this. That gave me an idea. I REALLY wanted to see the movie in 70mm again, and I think my dad wouldn’t mind doing something like this. Father’s Day was slowly, but steadily approaching. While Somerville Theatre was scheduled to show “2001” for two weeks until it goes away, another nearby theater has yet to show their 70mm prints of the movie. I told dad I’d buy tickets for this show, I’d pay for it, and the experience would be on me. That wasn’t really true, my dad paid for train transportation and dinner, although I had money and tried to keep him from paying, but I paid for the tickets at least, not to mention the food I purchased for myself at the theater.

COOLIDGE CORNER THEATRE, BROOKLINE, MA (JUNE 17, 2018, 7:00 PM)

When going to my second experience, I had no idea what I was in for. I was well aware that the theater was going to have some similar architectural aesthetics to Somerville, based on images I’ve seen online. The experience was actually a tad more expensive than Somerville, which makes sense since I’m seeing this in the evening as opposed to the early afternoon. I may have jumped on the wagon a tad early, buying tickets for this experience as soon as possible. Little did I realize, sometime after purchasing tickets, Somerville would have extended their run of “2001” for a week. Knowing Somerville, the experience would have been cheaper. But I didn’t care, because this brings a breath of fresh air. And I mean that in a literal sense because I went to the Somerville Theatre a couple months prior to the “2001” event, also for another 70mm experience. This second 70mm “2001” viewing was my first time at the Coolidge Corner Theatre. I was pretty amped. This theater is actually younger than Somerville. First established in 1933, the Coolidge Corner Theatre is widely considered one of the best movie theatres in New England.

I left alongside my father and sister approximately three hours prior to showtime. I felt this would allow us to guarantee a higher possible chance of earning decent seats. We ended up going to the closest subway station to my house on the Massachusetts Bay Transportation Authority, AKA the MBTA, AKA the T, AKA the place numerous Bostonians go to as much as Dunkin Donuts. I planned this, considering I was the one behind the wheel, and my excuse, “trains are awesome.” So we get off at our designated stop, my sister and father don’t really have any sort of preference on where to eat. But I did have a place in mind considering I’ve done extended research.

There were multiple restaurants in Coolidge Corner, but the one that attracted me the most was a place nearby that goes by the name of Oath Pizza. They have multiple locations in Massachusetts and having seen footage of them on the New England exclusive restaurant tour show, “Phantom Gourmet” I was eager to check them out due to how much boasting was given towards their “90 second pizza oven.” Keep in mind, that 90 second thing, is likely just for the oven’s actions. But you know what? Doesn’t matter, the pizza was a delight. Because I’m boring, I got the “classic cheese.” My sister got a make your own pizza of some sort. Dad however, came to play. It’s father’s day. He can order whatever he wants. While some may be tempted by the “spicy mother clucker,” and I’m willing to bet maybe he was too, he didn’t go for that. Instead, he went for the whole hog. I mean, it had smoked bacon and sausage. In his worldview, that’s my father’s version of not going wrong. The place had a Chipotle kinda feel considering they brag about their dedication to natural ingredients, not to mention the place was rather small and a little more upscale than your typical fast food chain restaurant such as McDonald’s or Burger King. The pizza from what I heard was actually rather crunchy, and what I heard was definitely correct. The more I think about it, it’s a better version of the pizza Pringles.

Once finished, we had more than an hour to waste before the movie. If I remember correctly, I believe we picked up our tickets prior to doing anything else. So while my father and sister have no idea what they want to do, I automatically declare to everyone that we’re trotting over to GameStop, because there’s one nearby. But that ultimately backfired. It’s Sunday. The store closes at 6PM, so we couldn’t go in. We pass by the Brookline Booksmith, which I’ve been inside, and it is rather nifty, but none of us really chose to go in today. We do some walking, and I notice a comic book store. My minor nerdgasm starts to kick in. I’m attracted, and everyone follows me towards it. But once again, we’ve fallen into the Sunday trap. That store was scheduled to close at 6PM as well. With almost nothing to do, we are almost left stranded in the middle of Coolidge Corner, possibly just inevitably waiting outside before we can actually go into our auditorium. But then, a miracle happens. The miracle of CVS. We go in and just start making fun of everything. The biggest standout is whatever we could say about medicine. My sister eventually got somewhat intimidated to the point where my father thought we were overstaying our welcome. Fun fact by the way, this is not the only CVS that’s less than a two or three minute walk away from the theater! We were in the closer one, if you want any specification.

We are let in the theater around somewhere between thirty to ten minutes before scheduled showtime. The seats were pretty much the same scenario as last time. We were towards the center of our row near the back. I go get myself some popcorn and a soda, and I experience something that I’ve never witnessed in a movie theater before. No battle of the soda corporations. That’s right! For the first time ever, I enter a theater that has neither Coke or Pepsi! When I was at Oath Pizza, they had no “traditional soda,” they instead had Stubborn soda, but the closest thing I can find to “traditional soda” was probably root beer. On the menu at Coolidge Corner Theatre, I find “cane soda” and “diet cane soda.” I ask the employee at the register if the diet cane soda is like Diet Coke, to which I remember the person giving some answer that relates to “yes.” I end up getting that. While the price for my large popcorn and soda was more expensive than Somerville, it certainly isn’t a price I’d complain about. The popcorn was nice and fresh, but the soda was something I really had to get used to. From what I imagine upon further research, it must taste like the Coke you’d drink in somewhere like Mexico, because that has cane sugar. But what do I know? I’m an American who recently graduated from high school, and according to everybody else in the world, our education system is crap, so what do I know?

One thing that kind of surprised me about the theater in Coolidge Corner and was slightly different than Somerville, was that there was music playing inside the theater. It wasn’t “2001” based or anything, it was just regular music. Although during my first time in Somerville there was “Back to the Future” music blasting inside the theater. To me, that made sense, because the movie I was seeing, “Ready Player One,” happened to have “Back to the Future” playing a huge part in it. Similar to Somerville, we get a guy coming in the theater, who speaks to everyone near the screen. He also lectures us on the specs of the print we’re about to witness, warns us of an intermission that will be taking place, luckily it’s only one and intentional this time, and he even goes on advertising other stuff related to the Coolidge Corner Theatre which sounded interesting personally. He warns everyone to enjoy the show, and then applause ensues. I’m willing to bet that *maybe* I was the one who started the applause. We are just about to start the movie, I was ready. After about a minute of preparation, I heard the noise of glory. The overture. And you know what? I could actually hear the whole thing this time!

When it came to the overture, And in terms of lighting, it was slightly different than Somerville. For one thing, the dimming began rather early. And the whole auditorium didn’t go black instantaneously, it was a lot darker in Coolidge Corner than it was in Somerville. Most of the lights went off, but a couple were on, most noticably two lights on opposite sides of the stage, shining on the red curtain. Fun fact by the way, for those who don’t know, the overture song is called “Atmospheres,” and atmospherically speaking, Coolidge Corner wins against Somerville in my book. Coolidge Corner’s lightshow, or in this case, darkshow, felt like it could be choreographed in my imagination, but the one in Somerville came off as a tad clunky. But whatever, it’s not even the main course of the movie, it’s just the appetizer. Throughout the overture, my dad turned over to me, and actually asked if I got this thing in Somerville as well. I replied saying, “yes.” It was go time. Almost all the lights, except some side ones, were soon completely off. The curtain opened. The famous introduction began. I was in full focus mode.

This time, I was a little more conservative when it came to my popcorn and drink. Sure, I mentioned my drink was tough to have at times because it’s a bit different to consume than what I usually get at the movies, although still tolerable. Not to mention, unlike Somerville, I heard nothing about a free refill. Doesn’t matter to me, I’m here for the movie. Even if your movie is called “The Emoji Movie,” chances are I’m at the theater for the movie.

Once the movie starts, I begin to notice the color differences once again. We get to the first monolith scene with the apes, and while it’s very intriguing and hypnotizing, I’m noticing something that’s different, and that is the sound. There was moment during the song that plays in that scene. It didn’t have as much of a vibration effect in the auditorium. No big deal, the sound is still spectacular and probably superior to anything I’d watch at home. And you know what? I looked online and noticed some different speaker placements, so maybe that contributed to it. Either that, or maybe the volume was higher on one system compared to another. Part of it may have to do with seating arrangements as well. Because all of the seats at Coolidge Corner are in one designated area. Although with Somerville, as mentioned, the seating arrangements include an orchestra section and a balcony section. The speakers are more in an upsey-downey fashion as opposed to a straight line.

Once we got to the first scene in space, I was once again instantly reminded of how majestic “2001” truly is. Noticing the first shot with the satellite as the camera moves towards Earth is nothing short of beauty in an image. One thing I noticed is that the audience in my theater wasn’t exactly as talkative as the one prior. That can be a good thing if you want to focus on the movie, but if you want an unexpectedly fun experience, it’s gotta have the audience laughing at stuff you don’t expect to be laughable, which is what I got at Somerville. Unlike Somerville, nobody at Coolidge Corner seemed to laugh at the “bush baby” wish. Although one thing that both experiences had in common is that both times the call between Floyd and his daughter ended, there would be a price showing up on the screen. Once the charge is on the screen, some laughs ensue.

One thing I also noticed about Coolidge Corner that gives it a boost in points against Somerville, is that the image is a lot smoother. And when I say that, I’m not talking about it in terms of the images displayed. Those are pretty similar in terms of overall motion. But if anything, this is more of a comment towards the projection. There’s one scene in particular during the movie as I watched it in Somerville that I began to notice something odd. After the conference which Floyd gives a speech, we cut to a set of establishing shots in space. Throughout, I’m noticing the images jumping up and down. Why is this exactly? I don’t know. I wouldn’t consider that an issue, because it doesn’t necessarily interfere with the experience, but it’s just something I noticed. At Coolidge Corner, there seemed to be none of that interference through the whole film. This is just a part of why I gotta give more points to Coolidge Corner in the atmospheric category when it comes to showing this film.

Then we get to the part of the film that I’m willing to bet my dad was highly anticipating, because that’s the part where our main characters are introduced. This made me realize that to certain people, HAL is more than an evil supercomputer trying to take over a spaceship. When it comes to people like my dad and he thinks about HAL, there’s a good chance that my dad is thinking about how funny HAL is. In fact, I don’t think there’s even one person I know currently that would probably laugh at HAL in this movie as much as my father. I mentioned in Somerville that a bunch of people were dying laughing towards the end of the movie because of some of the stuff that HAL says, but my dad pretty much laughed at HAL for the entirety of his screentime. There are certain times during the film where HAL is talking, just saying things such as pointing out how foolproof he is. My dad just starts cracking up. Did it annoy anyone? I’m not entirely sure. In fact, if it did annoy other people, let me just have you know, it was Father’s Day, let my dad have his fun. Speaking of HAL, I can say watching the movie in the theater definitely has its perks. As far as watching this film from beginning to end, I’ve watched this movie in school off of a projector. It was pretty good quality, I wouldn’t say I have any complaints about it. All of the other times have been on a Blu-ray disc played on my 43″ 4K TV. The images are upscaled to near-4K quality. A 43″ TV is decent sized product for where I use it, and the images have always come off pretty crystal clear. I always appreciate the movie’s huge scope every time I watch it. Watching the film in 70mm however, allowed me to notice the little things. For the first time in recent memory, I was literally able to observe the label “HAL 9000” above the red eye located on the computer’s monitor. I watched the movie once more after seeing it in Coolidge Corner, and having this information locked in my head, it made me try to focus really hard on the HAL 9000 label once I got to the point where it could be seen.

We get to the intermission, and I see the white text come up, signifying that normal people can get up, go to the bathroom, grab some food, stretch, those sorts of things, while the abnormal go outside and drop acid in preparation for the stargate sequence. When I was at this screening of the film, I noticed that everyone didn’t really react to the intermission. The best way I can describe the atmosphere that maybe everyone felt in the theater was some sort of jaded-like feel. For some reason when I went to Somerville, some people felt the need to clap and cheer once seeing the intermission warning pop up. Here, it was quiet. I find the audience reactions here to be expected, and I do respect them because it just shows that everyone knows not to be chaotic. Although while the reactions at Somerville for the intermission happened to be quirky, I also found them to be rather charming. I didn’t even get up from my seat during the intermission, I just turned on my phone for a sec, browsed through some things, and turned it back off.

The overture begins again… Atmospheric as ever. I was amped like you wouldn’t believe. The curtain soon opened and the feature presentation resumed. Soon, you see Frank’s death. My dad once again stood out among the audience, and nobody seemed to give a flying f*ck. As Frank began to struggle, my dad uttered, “Bye, Frank.” This is during a scene where there is barely any sound whatsoever, which if this were not the case, I don’t think his remark would have had as much charm behind it. I always found this scene interesting though, and this interest has grown significantly over these past couple of watches. Even though one of the movie’s main characters is dying, and it’s a pretty big death for the movie, nobody really reacts to it. There may be reasons behind that though. For one thing, it happens in a near-silent set of clips. Another point to consider is that this movie is fifty years old and there’s a good chance everybody knows exactly what to expect at this point of the film. When I saw “Avengers: Infinity War,” people basically didn’t even know what to think at certain points of the film when certain major characters died. That’s most likely because of the buildup these characters had prior to dying and we’ve gotten more time to know them. Plus, I imagine a good number of people didn’t see certain deaths coming. Nobody was scared of Frank dying in “2001.” Maybe some people didn’t see it coming, maybe some did, who knows really? But still, we didn’t really get to know Frank to such a high extent. While Frank’s overall character development was at a low level, I wouldn’t say it needed to be built, and I think that’s part of the genius that goes into “2001.” You get to know people, but you don’t need to see them grow or observe their backstory to care about them. It’s almost like “Dunkirk” but with less characters and a bit more detail behind certain characters.

Then we arrive at one of my dad’s absolute favorite parts of the movie, HAL’s death. While there was not as much noise that could be heard like there was in Somerville, there were definitely some audible laughs. My dad was definitely part of the laughing crew. I could tell this was one of my dad’s favorite parts of the film because he and I were quoting it on the way home.

Now I mentioned the stargate sequence in my section about Somerville, but I really want to talk about it here. I honestly had a slightly better and perhaps more memorable experience at Coolidge Corner during the stargate scene than I did in Somerville. Don’t get me wrong, Somerville was AWESOME. But one thing that stuck out to me during that scene more than any other during the movie, although if I remember correctly, may have been noticeable in others, is that part of the image, specifically towards the bottom, is off the screen. I noticed this as soon as we get to the first shots of Jupiter and Beyond the Infinite with the monolith. Coolidge Corner didn’t seem to have that same flaw. In both experiences, I just got ecstatic as the music built up. Everything was established, except for the stargate. Then we get this haunting, unbelievable, f*cked up, melt your face off, not to mention exhilarating vocalization from the chorus! It’s like I was walking into the mind of Mr. Burns from “The Simpsons!” It was like watching a Nicolas Cage movie and it’s nothing but kick-ass dream sequences! It was like going on MySpace today in 2018 and suddenly realizing it became the most popular form of social media in one night! I felt like I was having an orgasm! My dad was on a totally different thought process than I was. I always thought of the stargate sequence as a simple trip, or a journey through a wormhole and other things mish-mashed along the way, once I walked out of the theater alongside the other two people I came along with, my dad told me he thought of the video game “Rock Band” during the stargate sequence. All the colors and wild occurrences that can be witnessed throughout is what made him create that link. If you ever listen to the music during this scene, you’d be aware that the overture song is actually playing throughout portions of the sequence. The overture itself is epic when hearing it in the theater by itself before the movie starts playing, but during this scene, I was almost convinced I was in the movie. It felt like it was being played at a different volume, a different pitch, it was a whole new level of immersion and adventure. That stargate sequence, alone, is worth the price of admission. It’s to this day one of the wildest things I’ve witnessed in a movie, and I’d probably put it in maybe top 10, 20, 30 movie sequences I wouldn’t mind being forced to watch for the rest of my life.

As soon as we get to the credits, a lot of people in the theater start applauding. I don’t go to the extent that I did at Somerville where I stand up, but I did clap. As I left the theater, I got a peak into the projection booth, I noticed the film reels spinning and I couldn’t help but point it out to my sister and father. My father enjoyed the experience, you all know my thoughts on it, but what about my sister’s? Turns out this was her first time watching “2001” from start to finish, and personally, a 70mm experience such as this is one of the best ways to do it. Her thoughts on the film as a whole? From what I could tell, I wouldn’t say she didn’t enjoy it, but she found it somewhat hard to get through. For one thing, there’s a lot happening, a lot of information to be processed. Another factor that contributed is that the whole experience of getting through the movie was about three hours. I was personally wide awake. I happened to be taking on a grand opportunity to watch a great movie with people I admire in a setting that is difficult to acquire at times. In those moments, I may have handed my dad the most selfish Father’s Day gift I’ve ever given to him, but based on the time we had, it was all worth it.

Thanks for reading this promised, delayed, and perhaps long-winded thing some people might call a post! I really wanted to get this out earlier, but due to a lack of time and motivation, I screwed up. You might ask, what about the movie reviews? My movie reviews are basically the building blocks of Scene Before. This is why you haven’t seen that many countdowns lately, the only ones I’ve done so far this year are my top 10 best and worst movies of 2017. Because my main purpose behind this blog is to review movies, and I feel like that is something that can easily be associated with Scene Before. This post you’re reading right now, is just a special, rare gem, buried beneath the ground, ready to be revealed around the world. Now going back to business, I do want to review the movie “Eighth Grade.” This has already released in a couple markets, but not everywhere. I tried getting passes for an early screening, but I just got an email saying the screening was full so I can’t go. Although if I can see it when it comes out, I’ll definitely be sure to review it! I’m also going to be probably seeing something I’d tell you some time ago that I’d never see, but due to my mother’s interest in it and the fact that it’s playing at an awesome local IMAX theater, I’m planning on checking it out anyway. That movie by the way, is “Mamma Mia!: Here We Go Again!” And based on the reviews I’m seeing for “Mission: Impossible: Fallout,” you can guarantee I’ll be checking that out as soon as time will allow. Stay tuned for more great content! I want to know, what are your thoughts on “2001: A Space Odyssey?” Did you get to ever see the movie in 70mm? Will you take advantage of such an experience in the future? Leave your answers to those questions below, and speaking of questions and answers… My dad who came along with me for the second experience gave the answer to the question, “What is the opposite of infinity?” The answer, the number of times my dad will go to IHOb! And based on the results of that campaign, you can sure bet that number will last forever! Scene Before is your click to the flicks!

Ant-Man and the Wasp (2018): A Small Step Into the Ant Hill of Mediocrity

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“Ant-Man and the Wasp” is directed by Peyton Reed (Yes Man, Bring It On) and stars Paul Rudd (Dinner For Schmucks, The 40-Year-Old Virgin), Evangeline Lilly (Lost, The Hobbit: The Desolation of Smaug), Michael Peña (American Hustle, End of Watch), Walton Goggins (The Shield, The Hateful Eight), Hannah John-Kamen (Ready Player One, Killjoys), with Michelle Pfeiffer (Batman Returns, What Lies Beneath), Laurence Fishburne (John Wick: Chapter 2, The Matrix), and Michael Douglas (Fatal Attraction, Wall Street). After the epic, destructive, game-changing events audiences have witnessed in “Avengers: Infinity War,” we might as well ask ourselves, what is next in the Marvel Cinematic Universe??? The answer… something much smaller. Take that last sentence in whatever way you want. In this newest addition to the series, we once again see Scott Lang, otherwise known as Ant-Man, having to deal with home life on house arrest, not to mention his own daughter. At the same time, he is recruited on a new mission alongside Hope van Dyne, who is also referred to as the Wasp, that requires an uncovering of secrets involving the past.

This movie is the sequel to 2015’s “Ant-Man,” one of my personal favorite movies in the Marvel Cinematic Universe. As much as I might complain that some of the more recent Marvel movies try too hard with comedy to the point where it gets annoying, “Ant-Man” is quite possibly the funniest movie in its universe. Speaking of the MCU, this movie is the twentieth installment in the saga. Just a year ago I said there were fifteen of these since “Guardians of the Galaxy Vol. 2” came out. WOW. When it comes to “Ant-Man and the Wasp,” I honestly had low expectations for it. If you asked me where my expectations were in 2017, I would probably told you I’m really looking forward to “Ant-Man and the Wasp,” especially when you consider how much I enjoyed the first movie. And after seeing this movie, I’d say I had fun throughout my experience. Although I wouldn’t say I had enough fun to go see the movie again. While this is not my least favorite movie in the Marvel Cinematic Universe, it certainly isn’t my pick to watch on a Friday night at home.

I kind of had a similar experience during this movie to what I had during my time watching “Uncle Drew.” I had a few laughs here and there, but it wasn’t enough. Granted, “Ant-Man and the Wasp” isn’t really a comedy, but those numerous laughs may have been one of the few highlights of my experience. Now with what I just said, I will state, with an enormous smile on my face, “Ant-Man and the Wasp” is FAR SUPERIOR to “Uncle Drew.” “Uncle Drew” is not even a movie. To call “Uncle Drew” a movie is pretty much the same as calling Pizza Hut a restaurant. I’d even say calling “Uncle Drew” a movie is pretty much the same as calling Pizza Hut a fast-food restaurant! By the way, drink Pepsi! The Movie Reviewing Moron says that Pepsi is good for you and will help you live longer! Therefore, it just makes sense that Pepsi is good for you and will help you live longer! Also, be sure to enjoy that nice, cool, refreshing Pepsi, while reading my review for “Uncle Drew,” the most ambitious Pepsi commercial of all motherf*cking time!

UNCLE DREW REVIEW: https://scenebefore.wordpress.com/2018/07/02/uncle-drew-2018-worst-pepsi-commercial-ever/

In all seriousness, “Ant-Man and the Wasp” qualifies to me as a movie. I never said however that it qualifies as a good movie. There are elements of goodness sprinkled throughout. It has some decent performances for the most part, especially from Michael Douglas. Some of the action is rather creative and fun, although personally it can’t beat the climactic fight during the first “Ant-Man.” The effects in this movie are really good, and you get to see a lot of them, especially when you consider how big of a role the quantum realm plays. All of the positive elements however are unfortunately clashing with another side of negative elements, ultimately leading to what I would consider a relatively average or mediocre experience.

I know that in comic book movies, suspending your disbelief is not only natural, but expected to the tenth degree. There were many moments where I was able to do that. I almost lost it on a building having wheels, but OK, it could be stranger. There is one moment however towards the end involving Ant-Man trying to jump over a vehicle, that almost looked fake as hell that some student who hasn’t even graduated high school could have created it!

I won’t get too much deeper into that, although I do want to talk about the characterization here. For the most part, everyone on the hero side seems to have some sort of dimension to them. There aren’t many complaints I can point out as far as that side is concerned, but when it comes to our villain side, you have multiple plot lines going on including one involving the security that’s supposed to keep Ant-Man inside his house, and another involving the main antagonist of Ghost. When it comes to Ghost, there wasn’t really much to her character (at first), she came off to me more like a bad guy who just wanted to do bad guy things. She didn’t have the depth or charisma that some of the other recent Marvel villains had. And just when I thought we were starting to get an epic streak of fantastic MCU villains (starting with Guardians 2), we’re suddenly back to this bulls*it. I know a good number of people weren’t particularly fond of Yellow Jacket from the first “Ant-Man,” but to me, Ghost made Yellow Jacket look amazing. I will say towards the end of the film, Ghost improves slightly, but for the most part, she was a lackluster villain.

Let’s talk about Ant-Man here. When it comes to his story, he is placed on house arrest. That is because his actions during the events of “Captain America: Civil War” was enough to be considered a crime. This prevents Ant-Man from exploring the outside world, which allows him to spend more time trying to entertain his daughter in creative ways, and master songs in “Guitar Hero.” I gotta say one of the biggest positives I’ll give Paul Rudd when it comes to his interpretation of Ant-Man, and maybe I should give kudos to the writing and directing as well, is how well encapsulated the chemistry between him and his daughter is. I think that is definitely one of the best parts of this entire movie. Seeing the two go through a cardboard maze at the start of the film seemed to capture that needed sense of togetherness. When it comes to Rudd’s overall performance, I thought it was good for the most part, but there is one scene in particular, where he was rather mother-like, which kind of felt out of place.

Alongside Ant-Man, you of course have the Wasp, played by Evangeline Lilly. I think most of the cool stuff you see with her character, maybe except a few lines of dialogue some might find funny, is already revealed in the promotional material, which ultimately diminishes her character in a sense. Although she was fun to watch in certain action scenes and I totally buy Evangeline Lilly as her character. Her chemistry with Ant-Man, while not exactly a shining star in the movie, doesn’t exactly disappoint.

I already talked about the main antagonist and I do consider her to be one of the major flaws of the movie. When it comes to other problems, I’m gonna blame it on the pacing. I am eighteen years old. Once I walked out of the theater, entered my house, and proceeded to my bedroom to start cranking out this review, I imagined myself as if I were a ten year old kid going to see this movie. After all, a lot of ten year kids probably like superheroes, and maybe if I were that ten year old kid, I might walk out of the movie saying I enjoyed myself, but that’s most likely to be due to seeing superheros on moving pictures projected onto a giant screen. Even if I wanted to fall asleep, I’ll still say I had a good time. My brain can’t process what a bad movie is. Heck, I went to see three live-action “Alvin and the Chipmunks” movies in theaters as a kid and enjoyed them. What kind of person was I? Hint, it rhymes with stupid! When breaking down this movie, I couldn’t help but think to myself that maybe all the pieces in there made sense. But maybe it was a tad more convoluted than it should have been. The pacing overall just felt like speed bumps, and I especially say this specifically when it comes to the halfway point. At one moment you’re kinda sorta enjoying yourself… maybe. Then boom! The boredom kicks in.

And honestly, part of me feels like this movie is not going to be stuck in my memory as much as some of the other Marvel movies unless I watch it again. This might actually be the most forgettable Marvel movie I’ve seen since “Thor: The Dark World,” and that is saying something because that movie is S*IT. This film is nowhere near as objectively terrible as “Thor: The Dark World.” Sure, the villain here is pretty bad, but I still think the villain from “The Dark World” is probably the worst in the MCU. Let’s also not forget (no pun intended) how hard this film tried to be funny. When I watched that movie for review purposes, I might have only laughed twice. Here, I laughed a lot more than I did there. In fact, one thing that surprises me about “Ant-Man and the Wasp” is how much funnier I found it to be than “Guardians of the Galaxy Vol. 2.” And as I think to myself, I believe the reasoning comes down to one word I had going into “Guardians 2” but lacked for “Ant-Man and the Wasp.” Expectations.

If it were the beginning of 2017, I would have watched the first trailer (not the teaser, but the trailer) to “Guardians of the Galaxy Vol. 2” multiple times. I was really looking forward to that film, and part of me thought it was actually going to surpass the original movie because it looked HILARIOUS. But it wasn’t. It wasn’t even that fun. I mean, it was trying to be, but I didn’t feel like I was having fun. I was instead feeling like I was going through a two and a half hour long toy commercial for Baby Groot with attempts at humor that seemed to land with most of the audience, but not me. I will have you know, I watched that movie twice, and the second time I laughed more than the first one. Maybe I was in a better mood the second time because I wasn’t sitting towards the end of the front row of a crowded IMAX, but it just didn’t impress me. Also, my original 6/10 score went down to a 5/10. The first “Ant-Man” was a movie that I thought was one of the funnier ones in the MCU, but the thing about the first “Ant-Man” is that it’s not really marketed to be comedic. OK, maybe it technically is, but it’s more focused on delivering action than anything else. It’s not the full scale balls to the wall action-comedy that “Guardians of the Galaxy” is. Both “Ant-Man” and “Ant-Man and the Wasp” are pretty hilarious at times, and you do get the light vibe you might find in certain comedies in the marketing for both films. Although for both films, I didn’t exactly come for the comedy, I came for the action and superhero stuff. This might make the comedy somewhat funnier because you as an audience member don’t expect humor all that much. In fact, this may be why I find “Avengers: Infinity War” to be one of the funniest movies in the MCU and possibly the funniest comic book movie ever made. In a movie that is advertised to be super dark and the exact opposite of happy-go-lucky, a part of you might come in and expect some lightheartedness or comedy to take a back seat. No way hosay! When it’s delivered in that movie, it totally blends in with the moment despite having a story that is meant to be dark. Maybe it’s also because I as an audience member have been following the storyline for the MCU for a long time therefore allowing me to care more about everyone in the film, but it’s just an interesting blend of light and dark. Also, sticking to “Ant-Man and the Wasp” and expectations, let me just remind you that those were something which I lacked prior to and during my experience of watching the movie.

Before we get into my verdict there is one thing I want to go over, and that is the end credits. There is a mid-credits scene and a post-credits scene. The mid-credits scene is more important if you’re a follower of the Marvel Cinematic Universe and its overall story. In fact the post-credit scene is probably so pointless that it only exists for the sake of putting on that “Such and such will return” thing at the end of every Marvel movie, but in case you feel that end credits scenes are a necessity to sit through, this is your notification to stay for them. One more thing, I think personally that the mid-credits scene might be better than the entirety of this movie. I felt more emotion (maybe for the most part) for everyone in that scene than I did during “Ant-Man and the Wasp” itself, so that says something right there.

In the end, “Ant-Man and the Wasp” is not really up to the quality I would expect for a Marvel Cinematic Universe movie. It’s not to say that “Ant-Man and the Wasp” is an abomination, but it’s certainly not a movie I would think about for days. I thought it was more fun than “Guardians of the Galaxy Vol. 2” but keep in mind, I had high expectations for “Guardians of the Galaxy Vol. 2.” While there are definitely movies that I thought would blow more than “Ant-Man and the Wasp” would this year, I didn’t think this particular film would be all that great. The trailers underwhelmed me, and it just didn’t have the same epic feel that the first movie’s trailers provided at various points. Would I recommend “Ant-Man and the Wasp?” Despite having some fun here and there, I wouldn’t say rush out immediately, but I do recommend the mid-credits scene. That’s just me though. I’m gonna give “Ant-Man and the Wasp” a 6/10. Thanks for reading this review! Pretty soon I’m gonna have my review up for “Mission: Impossible: Rogue Nation,” I just watched the movie for the second time and I’m gonna be going over my thoughts on it in preparation for the franchise’s new movie coming out on July 27th, “Mission: Impossible: Fallout.” Stay tuned for more great content! I want to know, did you see “Ant-Man and the Wasp?” What did you think about it? Or, which of the two “Ant-Man” movies do you like better? Let me know down below! Scene Before is your click to the flicks!

Solo: A Star Wars Story (2018): Somehow… This Star Wars Movie Exists

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“Solo: A Star Wars Story,” the first “Star Wars” movie in my entire life to have come out where I think to myself, “I never asked for this,” is kinda sorta maybe directed by Ron Howard (Apollo 13, Happy Days), and stars Alden Ehrenreich (Hail, Caesar!, Beautiful Creatures), Woody Harrelson (Three Billboards Outside Ebbing, Missouri, Zombieland), Emilia Clarke (Game of Thrones, Me Before You), Donald Glover (The Martian, Atlanta), Thandie Newton (Mission: Impossible II, Westworld), and Paul Bettany (Iron Man, Margin Call). This film is the “Star Wars” prequel/spinoff released by the endless money-generators known as Disney. The film revolves around a young Han Solo, played by Alden Ehrenreich, as we get to know his origins. We also meet younger versions of Chewbacca (which if you have seen the main trailer to movie, you’d know he’s not THAT young), and Lando Calrissian. This film when you break it down is a heist adventure that takes place prior to the some of rebellious events we know in the “Star Wars” universe.

Going into this film I had a number of emotions on my mind. I was excited to see a new “Star Wars” film. Although I didn’t think it would be all that good. But since they’re owned by Disney now, and Star Wars=instant money, they obviously want this intellectual property shoved down our throats. I went to see this at 10PM tonight, I was originally going to see it at 7PM, but I couldn’t due to not knowing a certain event occurred around that time, and I spent $61 on NON-REFUNDABLE tickets. By the way, the person I handed the tickets down to, couldn’t even keep them because they were attending the same event as I! Plus, I was one of the numerous souls who bought their tickets pretty much as soon as they went on sale. As I spent my money on this movie, I was worried it was just going to be some corporate cash-in that only exists for no purpose of being compelling or a masterpiece. I was so worried that the intellectual property of “Star Wars” was no longer an idea of wonder or magic (funny how it’s owned by Disney now), and just a money maker. Based on what Disney has been doing to crank this movie out at a time like this, is basically making them look like the movie version of “Call of Duty.” I say this because “Call of Duty” releases one game each year and they have an enormous fanbase to back them up. Although when it comes to most of these games, none of them are perfect when it comes to story. Yes, a lot of people play these games for the multiplayer, but we’re talking about story and characterization here. I mean, heck! Apparently there’s a Boba Fett movie in the works! Yes, we had not really all that much exposure to the character as a whole, but that’s what makes the character mysterious and interesting! Disney wants to take the mystery of everything and reveal it all to you! It’s like if “2001: A Space Odyssey” had narration telling you what everything meant! That movie probably would still be interesting to watch, but it would be NOWHERE near the classic it is now.

Also, one of the biggest things tearing this movie apart is the production behind it. This movie is written by Lawrence Kasdan (right), who wrote three “Star Wars” films released prior to this one. His son, Jonathan (left) wrote the movie alongside him. The movie was originally to be directed by two people, Phil Lord and Christopher Miller, both of whom have done collaborative work before on “The LEGO Movie” and “21 Jump Street.” The vision of the screenplay was not fulfilled, so Lord and Miller left their directing positions. Although they are credited as executive producers. After a rather short search, Ron Howard signed on as the movie’s new official director.

Ron Howard to me is kind of mixed bag when it comes to directing. I think he can definitely be a good director, but in recent years he hasn’t done the best work of his life. He can do really good movies like “Apollo 13” and “Cinderella Man.” And while I haven’t seen these, I will point out, the Robert Langdon film series of his, was generally not up to par of what a movie could be according to many people.

With all that being said, I can now tell you this is probably the biggest surprise of a movie I’ve seen all year. Based on what I just said up above, you probably could tell I thought this movie was gonna suck. Turns out it didn’t exactly suck. I wouldn’t call it great, not a classic, definitely not the best “Star Wars” movie, in fact when it comes the “Star Wars” franchise, this is a movie that would probably rank on the lower end for me. I will say there are more movies in the franchise that I like as oppose to dislike, and this is part of the great number of movies in the franchise that I like. In fact, of all the movies released in the franchise that I LIKE, this is probably the one I like the least. I mean, unless you count the 2008 “Clone Wars” movie which as of now I think is “alright.” Not great, but alright. I don’t know, I don’t think I’ve watched it since I was 9 or 10. I own it, but I haven’t watched it in forever.

Let’s get down and dirty and talk about the film’s main character, Han Solo. This younger interpretation of Han Solo is played by Alden Ehrenreich. I’ve actually seen Ehrenreich before in “Hail, Caesar!.” While I don’t exactly remember Ehrenreich’s character or performance all that much in that particular movie, I will say that part of why I don’t remember that character so much is because the movie itself is forgettable. Not bad, but forgettable. Here though, his performance is pretty good for an interpretation of young Han Solo. I wouldn’t say this is solid, A+, perfect casting, however there are definitely worse routes that could have been taken regarding the casting choice. And much like this movie in general, my expectations for Enhenreich performance-wise and capturing the spirit of Han Solo was pretty low. So I gotta give props to him for proving me wrong.

But let’s all be honest, when it comes to characters we already know, one shines as the star of the movie and that is Lando Calrissian played by Donald Glover. Once he was shown in the trailers, a great portion of the fanbase just basically agreed that Lando was perfectly cast. And in this movie, I gotta say, he is everything you see in the trailers, and everything you probably want young Lando Calrissian to be. He’s a gambler, he’s charming, he’s expressive, he’s enthusiastic, and he’s alert. What a f*cking guy! You see this in the trailer, but during the movie, Calrissian says at one point “You might wanna buckle up baby,” that line is just full of instant goosebumps shoved right into your pie hole! Overall, Glover gives a fine performance in this movie and you know what? If they do a separate Lando spinoff, it better have Donald Glover in it! YOU HEAR THAT DISNEY?! I’M GIVING YOU MORE MONEY, SHOVE IT UP YOUR A–wait, it’s Disney, they’re scared of this sort of thing. Shove it up your unicorn rainbow.

Now… Let’s just hope Deadpool doesn’t read that last comment.

And of course, another main character in this movie is Chewbacca. I feel like this movie did a really good job on 1: Giving us a Chewbacca that’s part-sweetheart and part-monster. And 2: Establishing the chemistry between him and Han. Chewie in this movie represents a Chewbacca that I’ve thought about for sometime in my life. What do I mean? Well to do that, let’s talk about the Russians. Not about vodka, not about Stalin, not about pee-pee tapes, none of that, but we’re talkin’ about the Russians! For those of you who are unaware, here is some text taken from the Wikipedia page for Chewbacca.

“It is said that Chewbacca’s name is derived from собака (sobaka), the Russian word for dog.”

Once I learned that, it kind of made sense. Chewbacca is kind of in a way, Han’s best friend. Not only that, but as you watch this movie, you see Chewie and he starts off like a wolf, a wilder version of what a dog could be, but as you go through the film, you see him become tamer. OK, not entirely, he’s still a sore loser. But seriously, this depiction of Chewbacca was pretty solid and so were the interactions between him and Han.

Now I just introduced the older characters and those are all fine and dandy. Now let’s move onto some forgettable… bland… less worthy of being cared about… newer faces.

Of the newer characters that make an appearance, I gotta say Phoebe Waller-Bridge’s L3-37 is probably one of the better characters of them all. But that’s not saying much, because for the most part, the characters are all kind of mediocre. Upon first seeing her, I was somewhat worried, because I was convinced that I was somehow seeing “The Last Jedi” again. What I mean by that is that one of her first lines sounds like a PSA or something you hear in a social message. You know how in “The Last Jedi” they had a social message against animal cruelty? It felt out of place in a movie which had that scene taking place on a certain planet that already felt out of place! Luckily, she’s rather funny. A little too cartoony in my personal opinion. I mean, I get it, these movies do have an audience of children, and if I were watching this as a kid, maybe I’d enjoy it, but I just wasn’t into it. But ultimately I just didn’t care all that much about her character. Although, I must say, L3 may have uttered the closest thing to a real life swear in the “Star Wars” saga. Be sure to look out for it, chances are you’ll hear it if you pay close enough attention.

I gotta say, one character that I can’t decide whether she’s just mediocre or really cool is Emilia Clarke’s Qi’ra. She’s basically Han’s girlfriend, and that’s pretty much all I’ll say about her. Although, there’s a point sometime in the movie, where you see this transition of hers, I can’t decide whether or not I buy it.

One character I was kind of looking forward to seeing is Tobias Beckett, played by Woody Harrelson. He’s basically Han’s mentor and as the movie started and we got to know this character, I found him to be pretty nifty. As I reflect on what I saw last night, while we got through the movie’s runtime, I feel that Beckett had interesting moments here and there but ultimately, towards the end, he almost got to the point of crashing and burning. Woody played him well, but of course he did, he’s Woody, what else do you expect?

Let’s talk about the movie’s worst character, Paul Bettany’s Dryden Voss. Dryden Voss feels like a character that just exists to move the story along. You barely even see him, and he has numerous lines here and there. But as the movie progresses, he’s made out to be a bigger threat than not just anyone else, but also a bigger than than he seems to be.

And you know what? That is the biggest problem I have with this movie, there’s no threat. There’s no stakes. There’s nothing standing in our heroes’ way. I feel like if this movie established in some way at some point, even if it required a total rewrite or pushback on the release, a main villain, the final product would be better. It doesn’t even have to threaten the galaxy like Darth Vader or Kylo Ren. Without them, this movie just feels like sequences of events that play out on a screen.

And on the topic of sequences, I don’t know if any of you saw the trailer with the train scene. I was actually rather excited because one of my favorite duels in a movie, “Spider-Man 2,” takes place on a train, and I always imagine trains as great locations for action sequences. And the train sequence in this film, much like some other moments just feel forgettable or long. There was a point where I was out of the theater, and looking back on this film, thinking that the train scene might be longer than the duel between Anakin and Obi-Wan in “Revenge of the Sith.” Although with that fight, I admired the long time it went on for, it was exciting, epic, and thrilling, it was just satisfying. The chase on the train in “Solo” just almost makes you beg for it to be over. I gotta say, it’s almost, if not quite there, to be in the conversation for the most boring or worst action scene in “Star Wars” history. Now I don’t think that’s the case. I think the Battle of Naboo might be worse, but this is certainly a contender.

But at the end of the day, the question we all should be asking is… Do we need “Solo: A Star Wars Story?” Honestly, no. I’m a “Star Wars” fan, you have no idea how much this franchise has shaped me and a lot of other people. Although, just like a number of other fan groups, whether we’re talking about the realm of movies, TV, video games, music, sports, we’re not blind (for the most part). We’re not stupid. We have the absolute ability and complete freedom to judge something related to our fandom, whether we’re referring to something good, bad, mediocre, we have the right to let out our subjective thoughts. And my SUBJECTIVE thoughts are that this is OBJECTIVELY unnecessary.

One thing that I love about “Star Wars” that they usually seem to get right is that they know how to build lore and background related to characters, locations, and crazy happenings. When it comes to “Solo: A Star Wars Story,” there’s nothing really new except mainly some locations that you probably don’t want to know more about (although that train in the beginning was pretty cool), and some characters that you at most kind of give a crap about. Most of it is just explaining what happens to Han Solo, and if you follow the franchise and know the franchise, chances are you’d know what some of these things are. When this movie was first announced, I figured that the Kessel Run would play such a huge part in the film, it would be an intense, crazy, wild moment. And you do get the Kessel Run, and while Han Solo delivers an awesome line some point in the film related to it, the run itself was a tad underwhelming. I keep mentioning this film is not all that bad, but if you judge this film entirely on what it does to previously established “Star Wars” lore, it almost feels like it diminishes the magic behind all of said lore. And I feel like this is why I’m somewhat apprehensive towards where “Star Wars” is going. It’s not a wonderland anymore, it’s a factory, and Disney is running that factory. Pretty soon we’re gonna know about every single character and now we have to accept their stories no matter how s*itty they are. For those of you who are excited to see a Boba Fett “Star Wars” film, I’m glad you’re happy, but in all seriousness, his story could suck and potentially ruin the character.

I will say though, out of all the previously established lore, none of it seems to play a big deal in the entire picture except for the Millennium Falcon and getting to know certain characters. How Han Solo got his name can be in that sort of discussion as well. But in all reality, there’s nothing in this movie that feels like a big deal. I had fun, but the movie, as fun as it was, needed more of an oomph to make me like it better.

I must bring this into the discussion, and based on some of what I said before on this very post, this may make me hypocritical. As much fun as I had, I feel like if you took out the name “Star Wars,” erased everything related to “Star Wars” that has been once established, this probably would have been one of the most boring movies of the year. And I gotta say one more thing… what was it? Oh! I remember now!

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THE TENTACLES ARE BACK BABY! DISNEY CAN’T KEEP THEIR TENTACLES OF THE TENTACLES IN THEIR “STAR WARS” MOVIES! My biggest problem with this is that Robert Downey Jr. doesn’t make a cameo appearance, like, maybe in narration, and say “Get lost, Squidward!”

In the end, part me doesn’t know how I feel entirely about “Solo: A Star Wars Story.” I enjoyed it when I saw it. And you know what? I’d probably see it again and still enjoy it. Maybe not in the theater, but when it comes out on home video, I’d grab a copy for myself and watch it. It’s definitely better than “The Last Jedi” and absolutely much better than I thought it would actually turn out. “Solo” is a fun popcorn flick, but I feel like this is going to be one of those movies, somewhat like “The Last Jedi,” where opinions might mix across the board. Out of every movie in the “Star Wars” franchise, this has the most corporate feeling of all of them, and you may not notice it or feel it while watching the film itself. Although when I got to sit down and write this review, those sorts of thoughts came into my mind. I wouldn’t say I DON’T recommend “Solo: A Star Wars Story,” but to say I do would also be stretch. You be your own judge, but I kinda liked the movie. I’m gonna give “Solo: A Star Wars Story” a 6/10. Also, just to go over how forgettable this movie’s characters are, I forgot that Thandie Newton and Jon Faverau’s characters even existed! For those of you who follow me on Stardust (I need to get back on that!), I said in my review for the teaser trailer for this movie on there that this felt like it should be called “A Star Wars Product” as opposed to “A Star Wars Story,” because a story would exist for the purpose of being remembered and told for days, weeks, years, decades, centuries, however long you consider a long time. A product would just purely exist for two reasons. 1. To entertain the masses for a period of time. And 2. (Mr. Krabs voice) MONEY!

Thanks for reading this review! And while we are on the topic of things will make Disney richer, allow me to say that I already have my tickets to go see “Incredibles 2!” I have a day that I want to publish my review if possible, and that day is Thursday, June 14th, and if possible, I’d like to get it out before most of the opening Thursday night showings occur. You might be thinking, “Hey, Jackass! How are you gonna review this freaking thing before the opening night showings? That’s when… the film opens… and you have tickets.” Yes, I do have tickets, but they’re for Wednesday. And no, the film technically doesn’t open on that night, it opens on Thursday. But exclusively at IMAX locations, you can see both “Incredibles” films back to back as part of a double feature for one night only. I already purchased tickets for that, so if you are literally trying to be an imitator of me, go buy your tickets now! Stay tuned for my early review of that along with other great content! I want to know, did you see “Solo: A Star Wars Story?” What did you think about it? Or, what is a “Star Wars” spinoff you’d like to see? It can be for an original character, or a previously established character, whatever. Force those thoughts down below! Scene Before is your click to the flicks!

A Quiet Place (2018): No Words… Should Be Spoken… Except For Ones of Praise

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“A Quiet Place” is directed by and stars John Krasinski (The Office, Something Borrowed) and also stars Emily Blunt (Edge of Tomorrow, The Girl on the Train), Millicent Simmonds, Noah Jupe (Wonder, Suburbicon), and Cade Woodward as members of the Abbott family. This family lives in a setting where it is rather depressing compared to our own here in 2018. When it comes to the phrase “peace and quiet,” that has now turned into “Don’t make a f*cking sound!” Because if anyone makes a sound, monsters start searching and trying to kill you.

This film at a point happened to be up there with films like “Ready Player One,” “Avengers: Infinity War,” “Deadpool 2,” “Incredibles 2,” and “First Man” as one of my most anticipated movies of 2018. So naturally you can tell I had pretty high expectations. Those expectations I gotta say, were met! Is “A Quiet Place” the best film of the year? Not really. But nevertheless, I really enjoyed the film! “A Quiet Place” excels in a number of areas: Scares, heart, and the realization of a vision.

Some of the shots in this movie are truly crisp, smooth, and overall just well laid out. John Krasinski is in this movie as the star and he’s also behind the camera as the director. A number of you may know Krasinski as Jim from “The Office,” a show that I’d probably laugh at if I watch it more, but it’s also a show that makes me groan because of the less than still camerawork. This is also why I tend to usually avoid shows like “Parks and Recreation” and “Modern Family.” I’m not entirely against shaky cam, but there are just scenarios to me when it just looks choppy and lackluster compared to still shots. Luckily, this movie has a ton of still shots, and just about every frame is set to impress.

This movie’s director of photography by the way goes by the name of Charlotte Bruus Christensen, who shot films such as “Fences” and “Molly’s Game.” Another thing I really admire about this movie that I’m glad to see is still going is that it was shot on film. With the rise of digital, which in my book is inferior to film in ways, it almost seems like film is dead, but that’s not the case here.

Emily Blunt co-stars in this movie as Lee’s wife, Evelyn. Throughout this movie, her character just goes to show that you don’t need to tell us everything about them to care. Blunt’s character, much like anyone else in this movie, has barely any spoken lines whatsoever, and when they’re spoken, they’re silent as hell! One big reason why I cared about her is that she was pregnant. So while I did happen to want this family to survive, I was also rooting for her because she was carrying a soul that might not even make it to the part of life where they actually… live!

When it comes to the kids in this movie, I happened to root for them as well. When it comes to “A Quiet Place,” there are two main kids you’ll witness on screen. One of them is Regan (Millicent Simmonds) and the other is Marcus (Noah Jupe). As far as these actors go, I’d say both have very bright futures ahead of them and these roles of theirs along with both actors’ individual performances support that statement wholeheartedly. I’ve actually already seen Jupe in “Wonder” and he was pretty great there, but in this movie, it’s a different kind of great that is delivered. Simmonds however has only been in one project prior to this one, coincidentally, “Wonderstruck.” I have not seen her in that, but having seen her here, I hope more movies and TV shows will cast her in the near future. And if they don’t, maybe I’ll give her a job, we’ll find out.

Speaking of one of the kids, specifically Regan, I really thought what the movie did with her character was really smart. This movie is about a family making an attempt to literally live life in silence. For Regan, that is not an option because she’s deaf. Not only in terms of editing was this plot point handled with such elegance, but in terms of the overall screenplay, it was marvelously written and executed.

When it comes to this movie’s scares, the title pretty much suggests what’s to come in a way. The area is supposed to be quiet, otherwise you’re in deep s*it. So if you wanted to talk about Fight Club, unfortunately, not only will you break the first rule of Fight Club, there will be monsters who may hear you and maybe they’ll understand you talking about Fight Club, I don’t know how deep this movie’s lore goes. But nevertheless, if you are in this movie, you live in 2020, and talk about Fight Club, the monsters will bring the fight to you. In fact, it’s not just people talking, it literally be any noise whatsoever that attracts these monsters. Maybe except rivers and waterfalls so essentially you can say if a creature, mainly a human, makes a noise that comes as a result of themselves, doom shall soon arrive. Say you know nothing about this world, but you spend much time being quiet, then you put on the TV, and “Fight Club” is on AMC. Monsters will be aware and hunt you down!

S*it! I talked about Fight Club! I hope my acquaintances at Fight Club don’t find out!

One thing I often talk about on here is how much I encourage people to go see a movie in theater as opposed to waiting for On Demand, Netflix, Amazon, Blu-ray, DVD, or any other way you’re capable of watching the movie at home. As I watched this movie with barely any dialogue, I probably had one of the spookiest movie experiences in recent memory. When I got to the theater, I ordered myself a large popcorn and a large soda. And when it comes to my grub, most noticeably the popcorn, I was chowing down on it during the trailers. There were about six trailers before the movie started, a few things to promote the owners of the cinema I was going to, and one GENIUS heads up to those attending this showing. Its main message was, “If you don’t shut up during the movie, you’ll fly out of your chair and die!” This advertisement was specifically made for “A Quiet Place” and it set the perfect mood for what was to come. I was expecting to do this as the movie was playing, but as I went through several moments of the film, I was slowing down tremendously on my food and beverage, and when I spent many instances having my popcorn, I would take a piece of it, put it in my mouth, and instead of chewing it, I’d leave it on my tongue and let it dissolve like a Claritin Disintigrating Tablet. When it comes to drinking my soda, I would slowly pick it up out of the cupholder, take steady sips, try to be as silent as possible, and when I’ve had enough, I’d put it back where I found it. Regardless of my thoughts on the movie itself, the overall atmosphere of “A Quiet Place” was eerie and hypnotizing.

Another positive that comes out of this movie is the score. The use of various instruments in this film truly stand out and make numerous scenes and shots better than they already were. So far, I gotta say this is a contender the best original film score of the year. Although I’ll say I gotta rewatch “Annihilation” again because that’s another top spot of mine when it comes to this category. This film’s score is done by Marco Beltrami, who also did the score for films including “Logan,” “Gods of Egypt,” “World War Z,” and “Live Free or Die Hard.”

The thing that honestly truly detracts the film is the ending. Now it’s almost like the film got to its climactic point, and while it seems to have all of its buildup ready, the payoff was something that couldn’t be realized from one of the three screenwriters behind this film. Most of the ending is actually pretty freaking cool, but at the VERY VERY END, you see something and you think to yourself, “What the– OK…?” I didn’t feel offended by it, but I either felt disappointment, confusion, or shock that I truly didn’t want. Maybe a combination of any of those things. I don’t want to get into it because I want to avoid spoiling the movie for you in case you haven’t seen it, and you should see it, I highly recommend it.

In the end, I really had a great time watching “A Quiet Place.” Not only was the movie from a technical perspective, super duper, but the atmosphere I was given throughout my experience was something I rarely feel when I go to a movie theater and watch something on the big screen. John Krasinski certainly knocked it out of the park in terms of his direction, and I certainly want to see more work with him in the director’s chair. Also, when award season comes around and if the Best Cinematography award needs suggestions, may I consider Charlotte Bruus Christensen. This cinematographer’s shots had wonderful symmetry, neat locations to accompany the shots, and this will probably get all you progressives orgasming, this is a woman I’m talking about. If you ask me as a voter of some organization, the gender doesn’t matter, talent comes first, and I see talent from Christensen. We’ll have to see how the rest of the year pans out, and if this movie is remembered by all of the people who are surrounded by “gifted” films coming out from September to December. I’m going to give “A Quiet Place” an 8/10.

Thanks for reading this review! Pretty soon I’ll have my review up for “Mission: Impossible II.” I’m probably gonna end up watching it sometime this weekend, and as far as when my review will be up, I can’t exactly set a date for that. The latest will probably be the 30th of April, because that’s the end of the month, and I’m trying to get this review up by the end of the month.

Speaking of things happening around the end of the month, “Avengers: Infinity War” is coming out! I have opening night tickets for this Thursday at 7PM at my local IMAX theater! That review will probably be up either Friday, the 27th, the day the movie is released everywhere, or Saturday, the 28th. And don’t worry, Thanos made it clear that he demands my silence, so the review will be spoiler-free! I can’t wait to see the movie, I’m going with a few other people who are probably just as excited, so stay tuned for the review! I want to know, did you see “A Quiet Place?” What did you think about it? Or, did you talk about “Fight Club” recently? If so, and this is optional, I’d like to hear some specifications about your “Fight Club” story. Let me know about that down below, and while Thanos may demand everyone’s silence on various points of “Avengers: Infinity War,” just remember that he does not demand your silence on Fight Club. Tyler Durden does. Scene Before is your click to the flicks!

Pacific Rim: Uprising (2018): This Year’s Independence Day: Resurgence?

*SPONSORSHIP ALERT* (although nobody’s payin’ me)

Before we dive into my review for “Pacific Rim: Uprising,” let me just take a moment to ask you, how ya doin’? How’s life? What’s going on? If it were around this time frame in 2016 and you asked what a couple named Genevieve and Paul what’s going on, one of them might respond saying, “A ton of s*it.” That’s because at the time, they were trying wicked hard to make a kid, but the overall task of doing so was an absolute nightmare. All of this is truthfully documented in their new web series, “What the IVF?!”

“What the IVF?” is about Genevieve and Paul’s journey to having a baby, where they discover that having a child is not all fun and games, it’s work! Not because of the child, but because they can’t make the child! Watch the couple as their life gets serious and begins to change dramatically as they face several challenges! Sex becomes less than sexy! Math apparently is now useful in real life! Trips to visit doctors are now more nerve-racking than ever! And needles are nothing but ungrateful sons of bitches! Then again, when were they not? Those pinches are killers! You can watch all of the content posted on the “WTIVF?” YouTube channel simply by going through the links down below and clicking on the one to the YouTube page. And speaking of YouTube videos, “WTIVF?” has an episode posted earlier this week! I won’t go into too much detail, but Genevieve refers to it as her favorite episode so far and as the video that highlights the moment that probably most dramatically changed her life. Be sure to watch the video listed above if interested, subscribe to the YouTube channel, hit the notification bell, that way you can get the latest “WTIVF” content before your friends who aren’t subscribed, who in which case, may become your enemies because they aren’t subscribed. Also, check out their website, and their other online pages such as Twitter, Facebook, Instagram, all down below! Also, be sure to tell them that Jack Drees sent ya!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“Pacific Rim: Uprising” is directed by Steven S. DeKnight and stars John Boyega (Star Wars: The Force Awakens, Detroit), Scott Eastwood (The Longest Ride, Suicide Squad), and Cailee Spaeny. This is the sequel to 2013’s “Pacific Rim,” directed by Guillermo del Toro, and if you are keeping up with the Academy Awards, this guy recently won Best Director for “The Shape of Water,” a movie which also won Best Picture. When it comes to “Pacific Rim: Uprising,” it revolves around John Boyega’s character of Jake Pentecost, the son of Stacker Pentecost, played in the first movie by Idris Elba. His character teams up with another character from the first movie, Mako Mori, played in the first movie by Rinko Kikuchi, and leads a team of new Jaegar pilots against a new Kaiju threat.

As far as the first “Pacific Rim” is concerned, I’ll say I personally enjoyed it. I saw it in IMAX when it came out, I had a good time, I got to see some kick-ass robot/monster fights up on the big screen, it was pure popcorn fun. I got connected to the human characters a little bit, the music was not half-bad, and Idris Elba gave a speech to remember.

“Today. Today… At the edge of our hope, at the end of our time, we have chosen not only to believe in ourselves, but in each other. Today there is not a man or woman in here that shall stand alone. Not today. Today we face the monsters that are at our door and bring the fight to them! Today, we are cancelling the apocalypse!” –Stacker Pentecost

I’ve only seen the movie twice, with last time being a month ago, but no matter when I watch it, I can imagine myself getting goosebumps just listening to that. The first “Pacific Rim” is definitely not a masterpiece, but certainly a good time. This movie, is the complete opposite. Not the opposite of definitely not a masterpiece, but the opposite of a good time.

Speaking of movies that aren’t masterpieces but also good times, remember “Independence Day?” That’s a fun movie. Remember the sequel? Yes? Unfortunately, I do too, I had to review that crap for y’all. I’m gonna go as far to say that “Pacific Rim: Uprising” is this year’s “Independence Day: Resurgence.” It’s an attempt to kickstart a new franchise and rely more on spectacle than proper storytelling. Ask me, do you remember many likable, intriguing moments from “Independence Day: Resurgence?” I don’t. And you know what? I’m gonna say that personally I found this movie to be worse than “Independence Day: Resurgence.” Heck, I watched the first movie literally the day before I went to see the second one in theaters. Someone I had a connection with wanted to see the then new “Independence Day” movie, and I was unfamiliar with the first one, so I watched it on HBO for free, but it was something that I just had on in the background. I actually had attention directed towards “Pacific Rim” and personal enjoyment from gazing at the pixels on the screen. “Pacific Rim: Uprising” currently has a 6/10 on IMDb, and it is receiving more positive ratings than negative ratings, so it clearly has people who like it. And I will say, I imagined in my head that there are certain types of people who will watch this movie and have a good time. Let’s go through the list.

GROUP 1:
Fans of the first “Pacific Rim” who don’t care what others have to say and are just happy this movie exists.

GROUP 2:
Fans of the first “Pacific Rim” who clearly know the lore or are interested to see what other lore can be developed.

GROUP 3:
Kids who like giant robots, monsters, fighting, or any combination of those things. Yes, anyone can fit in here, but I’m mainly imagining kids.

GROUP 4:
People who just want to see John Boyega in something new for whatever reason.

GROUP 5:
Judging by what I just said, I guess the select few people who happened to enjoy “Independence Day: Resurgence.”

GROUP 6:
Me on Opposite Day.

GROUP 7:
Michael Bay. Just… Michael Bay.

I mean, seriously, how does this not feel like “Independence Day: Resurgence” all over again?! This movie’s a sequel to a film with a character who some might say gave a terrific speech. A black character who is not present in this movie has a kid who plays a big part instead of them. Both sequels take place in a future far from its predecessor. Oh yeah? And did I mention that both movies suck? That’s another thing too, it’s kind of important!

I don’t care about any of the movie’s characters, but since it is now a cliche for me to talk about at least one character in detail with a big fat image listed above, I guess it’s time for me to inject myself with the poison in front of my ugly face. Let’s talk about John Boyega’s character of Jake Pentecost. Gah! Why do I have to do this?! I don’t even monetize this site! It’s not even worth it! Alright, just for the sake of having a good review, let’s tackle this bitch. Pentecost is a fine character, and by fine I mean, you don’t want to kill him by the end of the movie. But probably the main reason you’ll end up liking him or caring about him is that he’s John Boyega. If you have been a fan of the new “Star Wars” movies, you might end up rooting for this character because you know he’s Finn. By the time you walk out of the theater, you’ll probably end up forgetting this character and go back to your life where you buy tickets for, hopefully, better movies.

Moving onto the main girl in this movie, Amara Namani, played by Cailee Spaeny, I was watching the movie and I thought to myself that she reminded me of the young girl in “Logan.” I can’t say too much about that though. Because to be honest I haven’t seen “Logan.” My comparison would be invalid given how I’ve only watched the film’s promotional material. But from the way she looks, and seemingly, acts in the movie, I was given that thought at one point.

Let’s talk about Charlie Day in this film.

More like… Charlie Good Day Sir!

Like, NO! JUST NO! NO!

WHAT! THE! HECK! DID THEY DO WITH HIM?!

For those of you who haven’t watched the first movie, Charlie Day was a character in it, and he went by the name of Newton Geiszler. He was a wacky scientist who studied the Kaiju during the whole war. Take Emmett Brown from “Back to the Future,” put him in a blender with JJ Abrams, maybe a pinch of the Cowardly Lion from “The Wizard of Oz,” and add in the voice of like, I dunno, let’s just say Michael Scott from “The Office,” and you get Newton Geiszler. I won’t talk too much about him in this movie, because I want to stay out of spoiler territory, but there was a point where the character of Amara was getting on my nerves a little, then all of a sudden something happened with Newton, and then my brain tried to find all the ways it could electrocute itself. Its reaction might as well have been this GIF featuring a clip from “Family Guy.”

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Another gripe I’ve got with this film is that it’s just boring as f*ck! I mentioned how this movie relies more on spectacle than proper storytelling, the story itself bored me, and so did the character interactions. I’ll be honest, I’m a defender of the first Michael Bay “Transformers” film, and I didn’t mind the human characters. While in that movie, you came to see giant robots fighting and may have been disappointed due to forced human character storylines, a movie such as the one I saw, had us wanting to see giant robots and monsters fight, but also made me as an audience member suffer through unlikable humans communicating with each other. In fact, one thing that I’ll point out about the first “Pacific Rim” is that while the movie isn’t exactly reliant on you giving a crap about the characters, I still cared about them and possibly rooted for them. Here, I wasn’t doing that. If somebody received any sort of pain, I wouldn’t have cared. This movie felt too extended and dull, and it ended up being an hour and fifty-one minutes. There are so many movies that are longer than this pile of garbage that are better and more worth your time! Let’s give a list!

  • 2001: A Space Odyssey
  • Citizen Kane
  • Jurassic Park
  • Every Lord of the Rings movie (including Hobbit installments)
  • Star Wars
  • Braveheart
  • La La Land
  • Interstellar
  • Titanic
  • V For Vendetta
  • The Dark Knight
  • The Matrix
  • Lincoln
  • The Fifth Element
  • The Big Sick
  • Kingsman: The Secret Service
  • Ray
  • Once Upon a Time in the West
  • Metropolis
  • 12 Years a Slave
  • Inception
  • The Martian

And you know what? I don’t know how long this statement will hold up in my book, but at this point, I might say this is worse than all of the Michael Bay “Transformers” films.

This movie isn’t all negatives, in fact, one positive I can actually give the movie, is some of the cinematography from Dan Mindel, cinematographer of such films including “Star Wars: The Force Awakens,” the 2009 “Star Trek” reboot, and “John Carter.” Now don’t get me wrong, it’s not the best I’ve ever seen, but it almost comes off as one of the only things that can make this look like a film that is trying. But unfortunately, that’s sometimes ruined by occasional choppy editing! How wonderful! I didn’t come to the movie to admire the cinematography and editing, but it doesn’t mean both of those things can be bad!

In the end, when I’m talking about a big blockbuster that is SUPPOSED to entertain you and have you enjoy yourself while munching on popcorn for a couple of hours, and the only positives that come to mind include some of the shots and maybe tads of humor, that’s an epic fail! I really wanted to like the first movie. When the first trailer came out, it sold me. It prepared me for what was to come. I was somewhat pumped. The future bits of marketing were not as great, but I thought maybe the movie could be a chunk of fun. I think I’d honestly have more fun flying Spirit Airlines than I would watching this movie. At least Spirit Airlines, as much as they suck, and trust me, THEY SUCK, can take you to places you want to go. If I wanted to see all sorts of pretty lights and maybe watch some drunkards duke it out, Spirit could take me to Las Vegas. If I wanted to go see one of my best friends in person or make fun of the way people in Texas talk up close, Spirit could take me to Houston. If I bought tickets to go to a convention that might as well be an excuse to pay lots of money to stand in line after line after line, Spirit could take me to San Diego. “Pacific Rim: Uprising,” also took me to a place, and that place, is hell. I’m gonna give “Pacific Rim: Uprising” a 2/10. I admire John Boyega, and continue to hope some brightness shines throughout his career, but to say that he may have just been shown in a movie that is possibly worse than “The Circle,” is just unfathomable.

Thanks for reading this review! Next week I’m going to have my review for “Avengers: Infinity War,” because I already have tickets to see the movie opening night, and probably right after I get done watching that, the first thing I’ll do is get right in front of my computer, type like a maniac until perhaps three o’clock in the morning, and post my review for y’all to read! By the way, I’ll warn you in advance in case you read that review, I’ll do my best to make the review spoiler-free, for the sake of not feeding the trolls who throw spoilers around the Internet, and to avoid ruining the experience of going to see “Infinity War” for those who aren’t seeing it as early as I am. Not to mention, according Anthony and Joe Russo, the two directors of “Avengers: Infinity War,” Thanos demands my silence, so I might as well respect Thanos’ wishes.

#ThanosDemandsYourSilence

Also, stay tuned because pretty soon, I’ll have my review up for “Mission: Impossible II.” This review will be up by the month’s conclusion, and it will be the second entry in my “Mission: Impossible” review series leading up to “Mission: Impossible: Fallout.” So look out for that! Stay tuned for more great content! I want to know, did you see “Pacific Rim: Uprising?” What did you think about it? Which “Pacific Rim” movie was better? The first one or the second one? And since it’s relevant, did you see “Independence Day: Resurgence?” Leave all your thoughts down below, and PLEASE remember, if you are making an early review of “Avengers: Infinity War,” #THANOSDEMANDSYOURSILENCE. Scene Before is your click to the flicks!