TENET is Delayed Again: New Release Date: August 12th, 2020

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Hey guys! Welcome to the latest apocalypse-related update of 2020! A year so bad that it made fully regret ever giving “Cats” a negative review. That hour and fifty minute movie which really ended up feeling like an utter eternity was a blessing compared whatever the f*ck is going on right now! Remember how I posted this s*it down below just a couple weeks ago?

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

Guess what? That s*it’s outdated! Welcome to 2020! A one-way ticket to a dark room full of deadly lasers, accompanied with a bloody water tank with a giant shark that is about to eat you whole! WORST! YEAR! EVER! With that being said, I’m going to try my best… My absolute… Best. To avoid going ABSOLUTELY OVER THE TOP WITH THIS POST! Gah! I already failed! Let’s just do this!

Hey everyone, Jack Drees here! In case you’re reading this, I have somehow survived being disintegrated by tons of deadly lasers and a giant shark that was about to eat me. For all I know, maybe the shark thought I was pitching a terrible product, and said “I’m out.”

…Which reminds me, I gotta cross that shark-raid whistle thingy off the pitch list. Here we go.

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A couple weeks back, we have had an announcement that “Tenet” was getting a pushback, which I think at the time, could have arguably been the most shocking pushback for a film we’ve seen all year. “Tenet” was one of the few pictures to not move a muscle so far in 2020, so to see it gravitate towards a later, granted two weeks later, but later nevertheless, release date on the calendar is a little shocking. However, in my post talking about it, I mentioned there was probably a good reason, one of the notable pieces of news sticking out to me being the plan to rerelease 2010’s “Inception,” allowing for a perfect reason to recognize the film’s 10th anniversary. Not to mention, I thought it was just a damn fine consolation prize. “Inception” will be brought back to theaters around the same exact time it came out, it would be a good way to get audiences back into the theater, see how many people are willing to go to the theater, and as for me, I get to see one of my favorite movies on the big screen, which I did not get to do when I was younger. However, this week, it was announced that “Tenet” has been delayed once more. Time runs out? More like, we need more time to put out our movie.

Before we go any further, “Tenet” is not the only film moving in this case. “Inception” is in on this as well. “Inception” is now going to be taking up the July 31st release slot previously held by “Tenet.” As for “Tenet,” that film will be taking a spot in the middle of the second week of August, allowing it to come out on August 12th.

Let’s start with the good news. The good news, I can’t believe there is good news available in 2020… It’s not that big of a delay. That can be a sign of pure optimism from Warner Bros., Christopher Nolan, or both. While we don’t know where we’ll be in days or weeks from now, it does show that somebody somewhere is sticking to a commitment to put the movie out in theaters. Let’s face it. If I were to shoot a movie on the largest format possible, which Christopher Nolan did. Release it on the largest format possible, which is currently planned. You bet I, as a studio executive, would surely keep a promise to put this damn movie in the theater. I saw previews for this film on my TV, and it looks good on my TV. But why does it look so good? Because it gave me the urge to get off my ass, into my onmyassmobile, and head to a freaking movie theater to enjoy myself for hours!

Wait, that sounds very familiar…

“This film (Dunkirk) is what actually going to the theater is all about. Not renting a movie on DVD, not streaming it on Netflix, but getting off your ass, getting in your onmyassmobile, and heading straight to the movie theater.” –Top 10 BEST Movies of 2017

Nolan is all about the “get off your ass” mentality when it comes to releasing films, and that is part of why I will remain committed to checking out his work. I am all about the experience when it comes to moviegoing. There are very few feelings like entering a movie theater and seeing a movie in general, but when Nolan makes a movie, it’s almost guaranteed to be a ride. To see at the very least, the notion regarding this movie not losing sight of the theater experience delights me to no end.

Now, for the bad news… What if this is not the last delay? Because I feel like the factors determining whether or not we will get to see this movie in theaters as soon as possible have little to do with whether or not theaters are ready. In fact, the major chains including AMC, Regal, and Alamo Drafthouse, have all announced plans to open in July, with precautions in mind. Some of these include deep sanitizing of the auditoriums and often-touched spaces through advanced equipment and materials, allowing extra time to clean auditoriums, reduced capacities and spaced seating to encourage social distancing, and enforcing the use of masks. And yes, I’ll wear a mask, because I’ll happily allow my mask to possibly smell like popcorn. Just because they’re ready does not automatically equate to the public being ready. Am I ready to head back to the movie theater? I’ve been motivated to go pretty much as soon as everything shut down. Granted, knowing myself, I am a little biased. I would have risked my life during the pandemic to go see new movies because this was the routine for my blog. Go to the movies. See a new release. Review said new release. Repeat. Instead, I had to take a break, report whatever fresh hell was happening during the apocalypse to point where I wanted to smash my F*CKING BRAIN INTO SPIKES! Save myself some money so my family and I don’t go broke. Occasionally review a new movie if possible, and so on. I would not deny that there is at least some sort of craving from various demographics to live in some sense of normalcy at this point. Movie theaters are a part of that normalcy. But would the public automatically leap themselves back into theaters? That’s going to depend on who you ask. Some would definitely go back in a heartbeat, but if you scour social media, there are some that are hoping for more at-home releases and those sorts of things.

Not only that, but let’s also look at statistics. One of the biggest catalysts that likely caused this delay in the first place is the notion that New York had no plans to reopen theaters in phase 4, which supposedly starts in a couple weeks for a great portion of the state. New York is one of the biggest movie theater markets out there. They have a large moviegoing population and a ton of theaters to back them up. New York City has also been home to many big film events, including premieres. Although if I’m not mistaken, if “Tenet” releases on time, if Manhattan remains closed, the run could still work if many other theaters in the state as long they remain open in other areas. Speaking of which, New York, Massachusetts, Connecticut, and New Jersey, are trending pretty positive right now when it comes to handling the virus overall. This is as opposed to states like Florida, Texas, Arizona, and California, where the virus is proving to be a little more effective and deadly. Hospitals are filling up by the second, states are seeing record cases, and if they keep going up, who knows what’s gonna happen next? And besides, I just mentioned California, like New York, it is one of the biggest movie markets in the world. It’s where many red carpet events occur, the culture in various cities revolve around film, and it’s home to many historic venues. Plus, Los Angeles county is currently the most populous of the U.S. counties, if you don’t let them for example go see a movie in their local area, that’s potentially a lot of lost customers.

Not to get sidetracked, but I wonder if this means anything for the other big movies coming out soon like “Unhinged” and “Mulan.” Will they bump their dates somewhere else as well? Although Regal Cinemas, the second largest chain in the United States, is supposed to reopen the day that movie comes out, so I doubt they want to move as they have a sweet spot. As for “Mulan,” I feel like Disney could move it, but they also have a good spot should things turn around. They don’t have to worry much about what could be opening the week after, and a lot can happen in a month from now. As much as I would not be TOTALLY surprised if they put the movie on VOD eventually, I feel like from an executive standpoint, this is a movie that like “Tenet” is specifically made to be seen in a theater. Putting the film on VOD would be a sacrifice from one kind of perspective. Plus, based on what I’m hearing from people who have already seen the movie, it may have solid enough verdicts to avoid getting dumped onto Disney+ like “Artemis Fowl” did, which currently has a 10% on Rotten Tomatoes.

One thing I will point out, when it comes to this new release date, it presents a fairly interesting idea given by a Warner Bros. spokesperson.

“In this moment what we need to be is flexible, and we are not treating this as a traditional movie release. We are choosing to open the movie mid-week to allow audiences to discover the film in their own time, and we plan to play longer, over an extended play period far beyond the norm, to develop a very different yet successful release strategy.”

Before this delay, in fact, even before the first delay, what I thought was going to happen was that Warner Bros. was going to attempt to pull the throttle as far ahead as possible. What could have been done is that they’d release the movie, allowing it to play on virtually every available screen in the facility, say this is all happening in a multiplex, allowing for everybody to go see this one movie at practically anytime, with an outright guarantee for social distancing. Granted, with the current plans to bring throwback releases into the mix, that would now be impossible, but again, I’m talking about the past. Now I’m noticing a fairly slow approach that Warner Bros. seems to be taking. I don’t know how well it’ll work out. But if they keep it in theaters for a long enough time, there’s a solid chance that it could be profitable. It’s likely going to depend on word of mouth, positive reviews, and maybe even some hint of rewatchability. For all I know, it could also depend on cases. But this blog is being documented by someone who lives in the United States of America, where we are perhaps all brainwashed into thinking the economy is more “essential” than lives. Am I sick of staying home for the longest time? You betcha. I have gone through several periods of not even exiting my house doors. In fact, this entire post pretty much sums up my distaste with the fact that I’ve had to stay home. But if we all really get back outside, we need to understand that the world is not going to be pretty. We need masks (which I detest, but I understand why we need them). We need clean hands. We need to do our best to stay apart. If we want to have what we love in front of us at some point during 2020, we need to understand the meaning of sacrifice amongst ourselves. And how this even became a political issue here in the United States, I will never understand! Apparently in this country, science equals politics! It’s global warming all over again!

Just so you all know, if you didn’t already, I hate needles with a burning passion. This is the one time, I repeat, the one time in my life, where I want a vaccine for something! I don’t care if it kills me quicker than the virus, but I just want to have a sense of normalcy at this point. I’ve had it with all this! I just want to go see a movie! It’s the one place where I can feel like I’m at home, because I’ve been at my house for so long that it doesn’t even feel like a home anymore! I love my house, but with isolation and everything! It has basically become a prison with people who love and care about you, not to mention better food options! I need to get out at least once to cleanse my brain from whatever spasms it has at this point! Walking won’t do the trick! Am I overreacting? Most likely! But this is my life! Art is the quintessential element that makes me whole, and now I feel like that has been snatched away. I turn 21 in November, so I think I have picked the wrong time to supposedly “build my life.” I want safety for all. But I want to do things.

“Tenet,” please help me. I’m more excited for “Dune” to come out in December, but as of now, I don’t know if there has ever been a movie I wanted to see succeed more than “Tenet.” It’s from my favorite studio, my favorite director, and will be shown in my favorite format. And I surely hope this delay is the last one we get. For all I know, should things continue to trend positively in certain states, I can almost see Warner Bros. releasing the movie in states that are trending positive, then adding a phase 2 to areas that trend positive later. It’s like the government, but it’s all about a $200 million+ movie. “Tenet” HOPEFULLY, and I cannot stress that enough, releases in theaters August 12th, 2020. The film will be available in digital, various large formats including IMAX, 35mm, 70mm, and IMAX 70mm. And you bet I will be striving to catch an IMAX 70mm presentation should one pop up in my area, and given how I don’t live far from Providence, RI, and I do expect the movie to end up playing at their IMAX venue, I will probably make it to one of these shows whatever it takes.

Thanks for reading this incredibly emotional post! And by incredibly emotional, I mean a post where I turn into an absolute brat who simultaneously wants what’s best for society. How did we get here?! Do we even deserve to live at this point? Bring on the alien invasion! Bring on dinosaurs! Bring on giant asteroids! Bring on dogs and cats living together! Mass hysteria! What are we still doing here anywhere? It’s not like we’re… DOING ANYTHING! By the way, right now on Scene Before I am focusing on Tom Cruise Month here in June, which will conclude next week with my review for “Minority Report!” Until then, check out my review for “Top Gun,” a movie which had a sequel that was supposed to come out this exact week, but of course, COVID sucks. It really does. July is coming up, and I’m hoping for my sake at this point that I get to talk about at least one new movie. I’ve spent so much time talking about the past that the future looks mighty fine right now. This universe is punching me in the gut every day. Be sure to follow Scene Before if you want to see new content, and check out the blog’s official Facebook page! I want to know, what are your thoughts on the “Tenet” delay? Personally, I kinda saw it coming, but unlike the last one, this one hurt me a little more. I am more than likely overreacting, but as a guy who doesn’t really care if sports come back at this point, I at least want a movie. Or, here’s another question. Do you plan on going back to the movies anytime soon? Let me know down below! Scene Before is your click to the flicks!

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

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Hey everyone, Jack Drees here! This is a post that I never wanted to make, but feared one day that I would have to put out. It is an entry to Scene Before that I wish had never been thought of, prophecized, or conceptualized. But here we are. It is that day. Ladies and gentlemen, I give you the worst movie news of 2020…

That’s… WHAT I THOUGHT I WOULD HAVE SAID.

Instead, we get some rather unfortunate news. Followed by SOME INFORMATION THAT MADE MY BRAIN RUN ON A HAMSTER WHEEL!

But first, the bad news, and man is it ugly. As described by the title, the Warner Bros. film “Tenet,” directed by Christopher Nolan, my second most anticipated movie of the year, which we just got a trailer for by the way, has officially been delayed. But only by two weeks. To add fuel to the fire, guess what? “Wonder Woman 1984” is pushed back to October! “Unhinged,” which was supposed to come out early July, has been delayed, kind of like “Tenet,” not far into the future, but July 10th. “Matrix 4” has been delayed again, “Godzilla vs. Kong” was delayed as well and it will be going into “Matrix 4’s” spot on the release calendar. Although oddly enough, “Bill & Ted Face the Music,” from MGM/Orion, will be releasing August 14th, a week earlier than originally anticipated. By the way, August 14th is also the date “Wonder Woman 1984” was originally pushed back to when this COVID-19 frenzy started.

I said to myself a couple times during this pandemic that if “Tenet” gets pushed back by like a week or two, maybe somewhere in early August, I’d be fine. Having realized this delay as of now, I am admittedly, a little peeved, especially considering how there seemed to be some recent commitment across the United States at the very least to reopening the economy. After that latest trailer from the previous month, I thought it was a lock that we would be seeing “Tenet” on July 17th. Granted, the trailer itself never suggested it, but if you go to YouTube and check the description of the trailer, it would have suggested a July 17th release date. There seemed to be some sort of commitment! I’m glad it’s not going past July, but “Tenet” looked like it would be the savior of cinema. My big question is… Will “Mulan” be the new savior? After all, it is scheduled to release on July 24th. I would not be surprised if Disney either sticks to it or releases it via On Demand. That movie should be fine as long as it doesn’t go to Disney+, kind of “Artemis Fowl,” which I am hearing is probably one of the worst Disney movies ever made. Will this change the game in terms of how people return to the theater and see new movies?

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One of the big draw-ins for “Tenet” is the massive potential to be had with a theatrical experience, and I will say if that element of the marketing goes away, it’s gonna be a little harder to get me to watch the film, because such news of it going onto VOD could leave a bad taste in my mouth, thus making me want to avoid it at least for some time. Christopher Nolan has always been a director that relies on story, but also immersion. A lot of his films have been shot with 70mm, IMAX cameras, or made specifically for the IMAX experience.

But… This does not mean all hope is lost.

While Christopher Nolan’s “Tenet” is no longer available to be seen on July 17th, one of Nolan’s older films… will.

One of my favorite Christopher Nolan films is the very successful 2010 flick, “Inception.” That film is so mind-twisting, so visually brilliant, so masterfully produced, I love it. It even made it into my 25 favorite films of the past decade! As suggested, this film turns ten this year, and what a better way to celebrate than to bring it back into theaters, where it ended up earning a whopping $829.9 million at the box office, which many original titles nowadays would have to break an arm and a leg to earn.

The film will be returning to theaters on July 17th, however there is currently no absolute specification as to where it will be playing. I am willing to bet, considering how Christopher Nolan is involved, there will be IMAX screenings of some sort. Maybe there are a few 70mm prints from 2010 lying around that have neither fully deteriorated or been destroyed, perhaps they could be played at some of the bigger chain venues like the AMC Metreon in San Francisco, California. Maybe one or two museums can pitch in. Either that or they can make a few new prints. Maybe some screens will do 35mm, the possibilities are endless! “Inception” is a movie I missed in the theater. For the record, “Inception” was PG-13, I was ten years old, and quite honestly, I have little memory of ever truly knowing about it to a large extent at such a young age. I didn’t really discover who Christopher Nolan was until I was say 12 or 13 years old, which is when I watched his “Batman” movies for the first time. I would be truly excited to go see “Inception” in a way that it is perhaps meant to be seen. I will admit, when it comes to the story, even though it is coherent, it still takes a minor toll on my brain as I witness everything happen. But it doesn’t take away from all the glory that is to be seen.

This was just recently announced, so there are currently no tickets on sale as of yet. But I would suspect that they would be on sale during the beginning of July at the latest, maybe Independence Day. After all, Christopher Nolan’s last film he directed, “Dunkirk,” had its advance tickets go on sale about two weeks in advance. Maybe this would be the case for “Inception,” unless Warner Bros. thinks it would not matter because this is a ten year old movie that a lot of people have already seen.

And no, “Inception” is not a ten year old movie. It’s a ten year old work of art. Learn your facts, everyone. Okay… well, it’s still nine years old, actually… It released on July the 16th. So it TURNS ten literally in a month! I’m sticking with what I said!

Nevertheless, I must say, if it were not for this I am your father-esque plot twist where “Inception” swoops in at the last minute to announce its presence, I probably would have destroyed my entire neighborhood at this point. Now, I would not be lying if I told you there was another movie I was looking forward to more that I think will be better than “Tenet.” By the way, that one movie, and one movie only, at least for the moment, is “Dune.” I will also point out however, when it comes to “Tenet,” it has come to this point that when it comes to all the movies I have ever known, there is not one I would want to see more right now than “Tenet.” Not only is this due to the fact that I’ve been staying inside my house for eternity upon eternity, but Christopher Nolan is honestly the holy grail of modern filmmakers for me at this point. I want just about every movie to succeed, but when it comes to “Tenet,” a movie helmed by my favorite director, from my favorite film studio, that is going to be, and I apologize for nerding out here, my favorite theatrical format in IMAX 70mm, I don’t think there is a better time for what I would call the Hollywood happy ending. Yes, “Tenet” was delayed, but part of me doubts that the delay was going to hurt the industry, nor was it a sign of a complete lack of confidence either in the film itself or how well it will do financially.

My question is this… Is this a test? To maybe get moviegoers to speak with their wallet? Is there enough reason for the average moviegoer, or even the movie buff to show up at the cinema in a pandemic like this? If “Inception” makes less than a million bucks, will “Tenet” still come out on July 31st? If you know me, you’d know I’d be there day one, even if I have to go out of state. But I am just one movie reviewing moron. There are so many other people out there.

I will also point out that this reinstates something I have thought about for some time, specifically the theory that “Tenet” is secretly an “Inception” sequel, or at least a story taking place in the “Inception” universe. Yes, these screenings that are coming up could be a tenth anniversary celebration, but at the same time, this could be a marketing technique. This could be a way to get “Inception” fresh in everybody’s minds again that way the impact of being in the same universe would be that much greater. Then again, if you do want to refresh your memory on “Inception” right now, a month before July 2020, it is available on Netflix. Although it is also available on other streaming platforms and physical media through DVD, Blu-ray, and my preferred option, because I’m a snob, 4K Blu-ray.

Nevertheless, I am glad “Inception” is coming back for more screenings. I will happily show up in a mask, wearing a hazmat suit, and bring my own hand sanitizer if necessary! As for “Tenet,” I will be seeing it as early as possible, when it comes out on July 31st, unless of course there is a press screening, which I kind of doubt there will be since that occasionally involves a heavy crowd. That and… (whispers) “Tenet” sounds like a movie where you can’t say anything about it before the spoiler police knock you out.

“Inception” will return to theaters July 17th, hopefully that date is a lock and it won’t get changed, and “Tenet” will be in theaters in digital, 35mm, 70mm, and ALL IMAX formats July 31st. Tickets are not on sale yet, but hopefully there will be tickets soon. Thanks for reading this post! This is my 399th post on Scene Before, unless you count one that was deleted. Keeping with the tradition of the past, my next post, which is my 400th, will be a Blu-ray collection update. I’m going to be going over my entire movie-based collection. I could do TV, but that would divert from the movie theme of Scene Before and I would only show like three items if that were the case. I will have this up sometime next week, same with my review for “Days of Thunder,” starring Tom Cruise, as I continue June’s theme for the blog, Tom Cruise month. I also plan to review “The King of Staten Island” pretty soon, maybe I’ll watch something else and review it as well. Who knows? Like I said before, although in an alternate context, the possibilities are endless. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Check out my Facebook page and give it a like, and speaking of likes, if you have the proper account credentials, give this post a like! Otherwise, just share with your friends who probably are just like me and really want an excuse to go back to a flippin’ movie theater. I want to know, what are your thoughts on “Tenet” getting delayed? Are you willing to go into a theater to see this movie? I know I am! Also, what are your thoughts on “Inception” coming back to theaters? I’ve been waiting for a train for a long time, and I hope it takes me to the cinema! Let’s go already! Scene Before is your click to the flicks!

Why 2020 is a Great Year To Be an IMAX Fan

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Hey everyone, Jack Drees here! We are more than a month into the year of 2020 and the film industry has already experienced its highest-grossing January movie to date, “Bad Boys For Life,” but like any other January, it has also been met with some stinkers like “Dolittle,” DO NOT WATCH THAT MOVIE… IT’S BLASPHEMOUS! Anyway, now that we have gotten as far as somewhat early February, I want to talk about what this year could mean for one of my personal favorite film-related brands, IMAX.

Now, there is no doubt that in recent years, IMAX’s competitors have made names for themselves. Regal’s RPX is still going strong, AMC is continuously rolling out their Dolby Theatres, and 4D venues still have a presence. But today, I wanted to talk about a few things that could make IMAX stand out from the competition, and ways they could potentially have a great year.

Let’s just get one thing out of the way, because to me, this is perhaps the most important standout notion to take in about IMAX’s lineup this year, from what I have heard, three feature-length wide release movies this year are being shot with IMAX’s film cameras. You know, the ones used for 30 minutes of “The Dark Knight.” I’ve talked about these cameras before, but if you don’t know, IMAX sometimes presents movies shot with specifically branded film cameras in a way that covers the whole screen. This has been done since 2008 in the realm of feature-length entertainment and has occasionally given the company a reason to keep using their film projectors. After all, everything is digital now, including IMAX’s newer projection systems, which I have noted as inferior to their original counterparts, especially when you consider that most of them were built specifically for use on smaller screens.

Now what’s so important about this? Well, for film purists like me, I take just about any opportunity I can get to achieving a “true IMAX experience.” When “Interstellar” and “Dunkirk” came out, I spent an hour flocking to Providence, RI just to go see those movies in the format in which they were perhaps meant to be seen. This year, I think there is going to be at least one opportunity for that, and I’ll get to that eventually, because we are going to be discussing these films in chronological order here.

Let’s talk about the movies that are being shot in IMAX 70mm!

NO TIME TO DIE (APRIL 8TH)

Now, I am not a major “Bond” fanatic like some, I’ve only seen a couple of the franchise’s films, but there is no doubt that I am looking forward to “No Time To Die.” It is Daniel Craig’s grand finale as James Bond, the cast also includes current notable names including Rami Malek (Bohemian Rhapsody, Night at the Museum) and Ana de Armas (Blade Runner 2049, Knives Out). In fact the first trailer is almost as good as a first trailer can be for a movie like this. It does not expose everything right off the bat, it’s got great music behind it, and it’s just action-packed. According to Wikipedia, it suggests select sequences are presented in IMAX. That can mean a lot of things, but it is safe to assume that at least one or two action sequences will bring IMAX filmmaking to the table. Which ones? I don’t know. For all I know it could be all of them. This is the first “Bond” film to be shot in IMAX, and if Daniel Craig is hanging up the suit, why not do so in the biggest way possible?

WONDER WOMAN 1984 (JUNE 5TH)

Three words. Welcome to 1984! At the near end of the spring season, comes the second “Wonder Woman” solo film in the DCEU, “Wonder Woman 1984.” “Wonder Woman 1984” takes place in a significantly different era and time frame compared to the franchise’s 2017 predecessor, simply titled “Wonder Woman,” which took place during World War I. The marketing so far has been good enough to make me hang a mini poster in my room so that might suggest something. Gal Gadot looks like she’ll kick ass once again, Patty Jenkins is directing once more, which totally pleases me because I thought the directing job she did with “Wonder Woman” brought one of the best visions to a comic book movie I have seen. As for how the film will be shot in IMAX, I imagine it will be a similar scenario like with “No Time to Die,” where most of the IMAX footage, depending on how many minutes total happened to be shot, will be presented during key action scenes. Much like “No Time to Die,” “Wonder Woman 1984’s” description on Wikipedia suggests “select sequences” will be shot using the format. Again, it does not go into much detail, nor does it need to partially considering how “Wonder Woman 1984” does not come out for another four months. Interestingly, of the three IMAX 70mm-shot films I’m talking about here, this is the only one that is supposed to be released in 3D. But I have noticed in recent years that IMAX venues, most notably the ones that I go to or happen to be close to, have toned down on the 3D craze. I almost even wonder if any IMAX theaters will be showing “Wonder Woman 1984” in 3D to begin with, but that is a mystery that shall be solved as we progress closer to the release date.

TENET (JULY 17TH)

This last film at one point WAS my most anticipated of 2020, specifically, “Tenet.” If you want to know my current most anticipated film it happens to be “Dune,” which comes out next December, also supposedly available in IMAX. However, at this point, “Tenet” is a close second. Why? Because it is directed by Christopher Nolan, who may just be my favorite filmmaker working today. And just like me, he sees the importance of the IMAX brand and why we should continue making and presenting movies on the clearest film formats possible. This movie, much like Nolan’s previous directorial effort, “Dunkirk,” is being entirely shot to be presented in 70mm, part of it being with IMAX footage. As for how much is being shot with what camera remains a mystery. I will say this though, as one of the first to see “Star Wars: The Rise of Skywalker” in IMAX, I got to witness a six-minute prologue to the film and not only does it look great on the big screen where in this case, it is completely full, it also has the sound of what could only be described as a behemoth. Plus, story-wise, it is built for the theater environment. IMDb describes “Tenet” as “an action epic revolving around international espionage, time travel and evolution.” Having seen the trailer and hearing a bit about this film, it very much reminds me of Nolan’s own “Inception,” which too is action-based. And just like “Tenet,” “Inception” revolves around the concept of time, an often-repeated idea represented in Nolan’s films. “Tenet” has serious potential to possibly be this summer’s biggest critical hit. As for box office, that is going to depend on certain factors including whether Nolan’s name is enough to get people to flock to the theater. The film has a budget of $205 million. But this is being described as an event film, so who knows?

Of the three key films I mentioned, it is possible that “Tenet” might be the only film of said three to get an IMAX 70mm release. After all, Nolan’s films are often specifically crafted for the IMAX screen and he is often associated with the brand. Even though it would be AMAZING to see Cary Joji Fukunaga’s “No Time to Die” and Patty Jenkins’ “Wonder Woman 1984” be released in the format in which they were shot, the directors do not have the same name power that Nolan has and there are less reports about them that have caught my eye regarding them advocating for IMAX 70mm shows or other film presentations overall. Although, Patty Jenkins also directed 2017’s “Wonder Woman,” which did manage to get a 70mm release. The question of whether or not we see something like this with the 2020 sequel continues to remain. Until then, audiences can at least look forward to possibly viewing these movies in what can be described as IMAX 70mm’s digital equivalent, IMAX Laser.

As for other IMAX movies, “Detective Chinatown 3” was shot with ARRI Alexa IMAX Cameras, which were also used to film movies including “Avengers: Endgame.” Plus, “Top Gun: Maverick,” set to release this summer, has been shot using IMAX-certified Sony Venice cameras, which are capable of producing 6K images.

As for other, non-IMAX film camera-shot movies, Disney’s looking to dominate once again with titles like “Mulan,” Marvel’s “Black Widow,” Marvel’s “Eternals,” and “Artemis Fowl,” which is based on the hit book series of the same name. If “Artemis Fowl” is successful, it could be the next big fantasy franchise in film, maybe this generation’s “Harry Potter.” In addition, Disney now has their Fox slate, which means they’ll be inserting “The King’s Man” into IMAX theaters this September. Other potential event movies include Paramount’s recently mentioned “Top Gun: Maverick,” the upcoming second installment to its respective franchise. Also from Paramount, “F9,” the upcoming “Fast & Furious” installment set to return to the world of fast-paced car action this time featuring prank call meme John Cena (Playing with Fire, Blockers) as main character Dominic Toretto’s brother, and Warner Bros.’s “Godzilla vs. Kong,” where two iconic titans collide.

Now, something feels weird. We’re in a new decade, we’re seeing new movies, but NO “STAR WARS” FILMS. Every year since 2015 has brought movie audiences everywhere the introduction of a brand new “Star Wars” story, whether it is in “The Skywalker Saga” or a spinoff like “Rogue One” or “Solo.” Now that we are here in this extremely odd reality, I am willing to accept it, and I say that as a “Star Wars” fan. After all, one of the problems I have had with Disney’s ownership of “Star Wars” is that they essentially milked the franchise to the last drop. This resulted in seemingly rushed projects and ideas that I never specifically expected or wanted to see out of the franchise, most notably “Solo.” Will this hurt the IMAX brand? Well, having a “Star Wars” film during the year definitely helps any brand. But, given how DC has a couple films this year, given how Marvel has a couple films this year, the nerd demographic will probably still flock to multiple potentially popular titles.

In other news, IMAX has something significant coming in Australia. For those of you who don’t know, one of IMAX’s most historic venues lies in the city of Sydney. IMAX has numerous venues across the continent, including one in Melbourne which happens to be one of the company’s all-time largest screens (105 ft x 75 ft). However, Sydney’s IMAX shut down during the previous decade for some time, with news coming in about it being demolished. With that, came the loss of IMAX’s then largest screen (117.2 ft x 97 ft). Although, the Sydney IMAX was scheduled to reopen sometime in the future, with an even bigger screen that will still break the record as IMAX’s most massive venue. As revealed on imax.com.au, the new venue will feature IMAX’s laser projector, which is capable of digitally projecting images in 4K, plus their 12-channel sound system. While I am intrigued by the new setup, this does raise a question. Will the Sydney IMAX continue to play movies in IMAX 70mm? After all, they’ve had a film-based projector throughout the existence of the city’s original IMAX theater. There is not that much of a suggestion as to the new IMAX having a film projector. Still located in Sydney, as recently suggested, the new cinema will be a part of The Ribbon, an ongoing development project where the IMAX will connect to a W Hotel. Also around the area, there will be multiple retail and restaurant options.

We’ll be back, late 2020. -Miya Spears

SYDNEY IMAX’S MAKE-OVER PLAN

IMAX has a somewhat big year ahead of them. Right now, “Birds of Prey” is reportedly going to end up having a disappointing opening weekend, but if it does not do as well as Warner Brothers would hope, there are opportunities for them, along with IMAX as a whole, to bounce back. Between the technology, the movie selection ahead, and more, the company will continue doing what they can to let viewers follow one of their company slogans, “think big.”

Thanks for reading this post! I just want to announce that my next review is going to be for the new DC film “Birds of Prey,” which coincidentally, I just saw in IMAX! Who knew? I’ll have my review of the comic book flick at some point, but as for when exactly it’ll be posted is a mystery, because as of now, most of my time and dedication to this blog is being centered towards THE 2ND ANNUAL JACKOFF AWARDS, my second time doing an award show, and my second time using a crappy title! If you want to complain about why your favorite movie did not win Best Picture, fine! Be that way! OR if you want one of these ten movies to win, click this link to enter the official voting form for this year’s Jackoff Best Pictures nominees. UNLESS OF COURSE, YOU ALREADY VOTED. But if you want your movie to win, make sure you vote by the end of Saturday February 15th, otherwise the voting closes and you will forever remain voiceless.

Tune into the 2nd Annual Jackoffs on Sunday February 16th only on Flicknerd.com!

If you want to see more content like this including reviews, countdowns, and more of my crazy opinions full of absolute entitlement, be sure to follow Scene Before either with an email or WordPress account (if you want the ability to like and comment)! Also, check out my Facebook page! Because if you don’t, Mark Zuckerberg will flip a table. I want to know, are you planning on seeing any films in IMAX this year? Have you seen any films in IMAX so far this year? I just saw “Birds of Prey” in the format, but I guarantee you that I have more IMAX experiences up ahead, especially with these IMAX-shot movies coming out. Let’s make it big this year, let’s do this! Scene Before is your click to the flicks!

Christopher Nolan’s TENET (2020) Has A $225 Million Budget?! Should Warner Bros. Be Worried?

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Hey everyone, Jack Drees here! Over a month ago I discussed what has previously been established about Christopher Nolan’s upcoming flick, “Tenet.” And as of recently, something else has been brought up that needs to be talked about. Specifically, the budget. Why? Because it is one of the biggest in history, not to mention, Christopher Nolan’s second highest budget ever, regardless of whether or not you adjust the others for inflation. It has been announced by several sources that this film has a budget of $225 million. How big is that? Well, let’s just put it this way. Christopher Nolan also directed 2012’s “The Dark Knight Rises,” which had a budget of $230 million. According to Wikipedia, that film ties “Spectre,” “Captain America: Civil War,” “The Fate of the Furious,” and “Pirates of the Caribbean: Dead Men Tell No Tales” for the 18th highest budget for a movie. If what is being said about “Tenet” actually happens to be true, turns out it would tie the budgets of films like “Man of Steel,” “Pirates of the Caribbean: Dead Man’s Chest,” “The Chronicles of Narnia: Prince Caspian,” and “The Lone Ranger.” All of these budgets are in the top 30!

My question is this. Is it worth it? Because one simple fact about this movie and my relationship to it is that I am perhaps one of the most likely individuals to end up going to see it. I love Christopher Nolan, I am well aware of his track record, which is much more than solid, and he made some of my favorite films of all time. He is practically a movie god in my book. And if this movie were coming out some time after say “The Dark Knight” or the “The Dark Knight Rises” I think this would be a guaranteed success. However, it is coming out in 2020.

I want to bring up some numbers here regarding Christopher Nolan’s previous films, and I want to set a point straight. People love the man as a filmmaker, but I wonder if his name is going to be enough to carry this next film.

INCEPTION (2010) (released between TDK and TDKR)
Budget: $160 million
Box office: $828.3 million

INTERSTELLAR (2014) (released after TDKR)
Budget: $165 million
Box office: $677.5 million

DUNKIRK (2017)
Budget: $100-150 million
Box office: $526.9 million

By the way, for those who really want to know, the last two films in “The Dark Knight” grossed over $1 billion.

If you ask me, part of why films like “Inception” and “Interstellar” have been mega-successes is because they were released when Christopher Nolan and “The Dark Knight” were fresh in people’s minds. But I am wondering if Christopher Nolan’s clock is ticking. Because we live in a time where CGI superhero movies, Disney flicks, nostalgia bombs, and pretty much anything having to do with spectacle is what “the people” happen to be checking out.

Although at the same time, the description for “Tenet” makes it fall along the lines of a spectacle-type movie. Some have referred to “Tenet” as a “massive, innovative, action blockbuster” and “an action epic evolving from the world of international espionage.”

I will say, this film has a chance, but partially because it is not based on any preexisting material, it almost seems impossible for it to become a box office success. Besides, the summer it comes out, it will be competing against films like “Bob’s Burgers: The Movie,” “Ghostbusters 2020,” and because Disney is still running out of original ideas, “Jungle Cruise.” Granted, “Tenet” is probably not going after the family demographic, but let’s face it, it’s probably gonna lose those kinds of people to “Jungle Cruise.” If you ask me, I’d prefer seeing “Tenet” over all these movies, but I’m me, not everyone else. And basing purely on statistics and predictions, “Tenet” is probably going to have some trouble. Especially when you consider how “Tenet” is from Warner Bros., unlike these films. In fact, the only other July release announced for Warner Bros. is “Green Lantern Corps,” which I honestly wonder if it actually will happen to see the light of day. And if I must add something else to the table, one of Nolan’s recent films, “Interstellar,” didn’t win the box office on its opening weekend, instead that honor went to Disney’s “Big Hero 6,” an animated family film about the formation of a superhero team.

I have no idea what was going on when this movie was originally pitched. I would not be surprised, because I sometimes have this particular image in my head, if Christopher Nolan simply went to Warner Brothers, walked in the door, exchanged greetings with someone, said “I’d like to pitch a movie,” to which Warner Brothers responded, “We don’t care what it is, we want it!” Because Warner Brothers has helped distribute many of Nolan’s flicks, usually to be met with extremely positive feedback. Therefore, their bond is amazingly strong.

Christopher Nolan’s last few non-Batman films have been box office successes, making more than thrice their original budget. But I am wondering if based on their ultimate totals, it is perhaps a downward spiral. “Inception” came out after “The Dark Knight,” which is the #4 movie on IMDb right now. “The Dark Knight Rises” came out in 2012, which was positively received, but not to the same levels as “The Dark Knight,” which may have caused some audience members to lack the same level of faith in Nolan. Although based on the successes of “Interstellar” and “Dunkirk,” that did not seem to stop him. It’s still a question to keep in mind though because “Batman,” despite its nerdy association, is popular. Then again, a lot of nerdy things have officially become “cool” so what do I know? You’re not as likely to go to a bar and see everyone having a conversation about “Dunkirk.”

I do think “Tenet” has a chance at being a success, but it also has significant odds of failing as well. It’s an original film with an abnormally huge budget, and if the box office has taught us anything recently, most audiences are flocking to what they know. They know Christopher Nolan. But do they know him enough?

So if “Tenet” is to succeed, I do have some ideas as to how it could potentially win people over through its marketing campaign. It should insert the following:

“FROM THE DIRECTOR OF THE DARK KNIGHT TRILOGY”
The name “Christopher Nolan” in a significant manner
“GOLDEN GLOBE NOMINEE John David Washington”
Michael Caine (either the name, the actor in the film, or both)
Visually stunning moments
Enough to hide the movie’s overall structure
SHOT WITH IMAX CAMERAS

In fact on that last one, what I recommend is doing something that Nolan did for “Dunkirk.” When a big movie comes out this year or next year, perhaps maybe “Star Wars: The Rise of Skywalker,” “Black Widow,” “Birds of Prey,” “Godzilla vs. Kong,” or “Wonder Woman 1984,” perhaps attach a 5 minute preview of “Tenet” to one of these films to emphasize the scope of the film. In fact, “Wonder Woman 1984” is also being shot with IMAX cameras, this would be like an appetizer for that film.

Granted, there is a sign of hope when it comes to Nolan’s time of release, which is the fact that he is putting his film out during the third weekend of July. A lot of people have free time since it is summer, but most importantly, mainly for Nolan, is that said weekend is “a lucky date,” as once stated by Deadline Hollywood. He released four of his most recent projects at that time, to have them all be met with eventual success.

Although another thing that could help Nolan is that none of his competing films (as of now) are listed to be in IMAX. On Wikipedia’s List of films released in IMAX, “Tenet” is the only film confirmed to be released in that format during the month of July. I am willing to bet this list will change to include films like “Jungle Cruise,” but based on the specs of “Tenet,” I have a feeling that the IMAX brand is going to put more emphasis on that film during the summer more than any other. Kind of like how “Dunkirk” got an unusually long run in many of IMAX’s theaters.

At the very end though, “Tenet’s” success, at least from my point of view, is going to come down to a number of things. Positive reactions, originality, solid marketing, and giving audiences enough reasons to avoid checking out other similar films to be released in summer 2020. From what I have heard so far, the film has me onboard. I am looking for more original material to gloss over that will hopefully be remembered as time marches on. While I didn’t go see it in the theater, “Inception” won a number of people over for being innovative and something that some viewers have yet to see. I am willing to bet that “Tenet” is able to have the same effect that “Inception” did with its viewers. The film involves action and espionage, which makes the middle of summer a good time to release it. But the film should be thankful it is not going up against a “Mission: Impossible” movie.

I feel like this is a very neck and neck situation. On one hand you have a director with name power, a great track record, multiple successes. But not only is this a property nobody has ever witnessed, but the actors are not box office draws, there’s some competition for the time being, including some films that’ll probably be more likely to get kids in the theater. What’ll happen? I literally have no idea. After all, it’s more than a year until “Tenet” releases, so only time will tell.

I want to know, what are your thoughts on the budget for “Tenet?” Personally, it makes me excited for how the film will turn out, and I imagine some other people will feel the same way. Even without the budget, this is already my most anticipated film of 2020 based on everything I have heard so far. However, do you think this is financially responsible enough to allow a future box office success? If so, I’m curious, how much do you think “Tenet” will make? If you think it is going to fail, how much money do you think it’ll earn? Let me know down below! Thanks for reading this post! I just want to let everyone know that this week I am likely going to be seeing the movie “Yesterday,” directed by Danny Boyle. I’m not sure what day I am going yet, but that is on my radar at some point. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Scene Before is your click to the flicks!

Will STAR WARS: THE RISE OF SKYWALKER Be Shown On IMAX 70mm Film?

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Hey everyone, Jack Drees here! Last year, I created a post asking the following question. Will “First Man” be shown on IMAX 70mm film? The answer, no. This year, there is another movie that I have followed for some time that is making me ask the same question. Specifically, “Star Wars: The Rise of Skywalker.” Why? Because despite a majority of this decade’s “Star Wars” films getting 70mm IMAX releases, there are reasons to believe that “The Rise of Skywalker,” the final film in The Skywalker Saga, will miss the mark.

When J.J. Abrams’ “Star Wars: The Force Awakens” came out in December 2015, that released in a number of IMAX 70mm locations, along with standard 35mm and 70mm theaters. It also was projected on IMAX’s then new laser technology in other locations. While that’s not film based, it is a digital response to IMAX’s film projection. When it comes to being projected in IMAX 70mm, the following locations took action.

US/CANADA

Alabama
McWane Center IMAX Dome Theatre – Birmingham
IMAX, U.S. Space & Rocket Center – Huntsville

California
Hackworth IMAX Dome, The Tech Museum – San Jose

Canada
Kramer IMAX, Saskatchewan Science Centre – Regina

Florida
Museum of Discovery & Science AutoNation IMAX – Ft. Lauderdale
IMAX Dome, Museum of Science & Industry – Tampa

Indiana
IMAX, Indiana State Museum – Indianapolis

Iowa
Blank IMAX Dome, Science Center of Iowa – Des Moines

Missouri
Branson’s IMAX, Entertainment Complex – Branson
St. Louis Science Center OMNIMAX Theatre – St. Louis

Pennsylvania
Tuttleman IMAX, The Franklin Institute– Philadelphia

Washington, DC
Lockheed Martin IMAX, National Air & Space Museum

Texas
Omni, Fort Worth Museum of Science & History – Fort Worth

INTERNATIONAL
LG IMAX, Darling Harbour – Sydney, Australia
The Science Museum – London, England

That’s 15 locations. That is less than the number of seasons of “The Simpsons,” “Family Guy,” “NCIS,” “America’s Funniest Home Videos,” “Jimmy Kimmel Live!,” “Real Time with Bill Maher,” “Judge Judy,” “Dr. Phil,” “South Park,” “The Bachelor,” and the combined seasons for “Star Trek: The Original Series,” “Star Trek: The Next Generation,” and “Star Trek: Deep Space Nine.”

“Rogue One: A Star Wars Story” also came out in certain IMAX 70mm locations, but the difference between that and “The Force Awakens,” aside from being a spinoff, is that the film was not shot specifically for 70mm IMAX projection. “The Force Awakens” was shot using IMAX branded cameras, and when a number of films were shot using that, IMAX presented the movie having those scenes fill the entire screen. This is true for many of their digital-based locations, as well as those running film. In fact, the film was shot completely in digital using an ARRI Alexa 65. Nevertheless, it still managed to hit 13 IMAX 70mm screens.

Alabama
IMAX, US Space & Rocket Center
IMAX Dome, McWane Center

California
AMC Universal CityWalk Stadium 19 & IMAX – Universal City
Esquire IMAX – Sacramento
Hackworth IMAX Dome, The Tech Museum

Canada
Kramer IMAX, Saskatchewan Science Centre

Florida
IMAX Dome, Museum of Science & Industry

Iowa
Blank IMAX Dome, Science Center Iowa

Indiana
IMAX, Indiana Stare Museum

Minnesota
IMAX Theatre, Minnesota Zoo

Missouri
OMNIMAX, St. Louis Science Center

Pennsylvania
Tuttleman IMAX, The Franklin Institute

Texas
Omni Theatre Fort Worth Museum of Science & History

Granted, this was a starting list. I say so because “Rogue One” was shown in more IMAX 70mm theaters after its initial release, including one in Connecticut’s Maritime Aquarium, which is one of the closest venues of its kind to where I live. When it comes to this specific theater, they managed to do the same for “The Force Awakens.”

Then came “Star Wars: The Last Jedi,” directed by Rian Johsnon. Much like its chronological predecessor, “The Force Awakens,” this was partially shot using IMAX cameras. I will say though, personally, I missed out on the IMAX experience for this film when it came out. But based on research, I did not miss much. Why? Multiple sources suggest that the film never had any scenes projected from top to bottom on IMAX 70mm screens. The entire movie was projected in an aspect ratio of 2.39:1, which is conventional in the movie industry. The original IMAX-specific aspect ratio is 1.43:1. “The Force Awakens” had 5 minutes of IMAX footage intact. All five minutes was blown up to fill the brand’s screens. But for those who went to see “The Last Jedi” in IMAX, they may have gotten crystal clear images, but black bars up the wazoo. Turns out, as a matter of fact, IMAX was the only film format in which this movie happened to be presented. No standard 35mm or standard 70mm was available. And if viewers did manage to check out these types of IMAX screenings, chances are they flocked to one of these places.

US/CANADA

Alabama
IMAX Dome, McWane Center – Birmingham
IMAX, U.S. Space & Rocket Center – Huntsville

California
Hackworth IMAX Dome, The Tech Museum – San Jose

Canada
Kramer IMAX, Saskatchewan Science Centre – Regina

Connecticut
IMAX, The Maritime Aquarium – Norwalk

Indiana
IMAX, Indiana State Museum – Indianapolis

Iowa
Blank IMAX Dome, Science Center of Iowa – Des Moines

Missouri
OMNIMAX, St. Louis Science Center – St. Louis

North Carolina
The Charlotte Observer IMAX Dome, Discovery Place – Charlotte

Pennsylvania
Tuttleman IMAX, The Franklin Institute– Philadelphia

Texas
Omnitheatre, Fort Worth Museum of Science & History – Fort Worth

UK
London Science Museum – London

That’s 11 locations. That is less than the number of seasons of “The Big Bang Theory,” “Supernatural,” “It’s Always Sunny In Philadelphia,” “Criminal Minds,” “America’s Got Talent,” “Ridiculousness,” “Bones,” “Grey’s Anatomy,” “Face Off,” “The Bachelorette,” “SpongeBob SquarePants,” “Dallas,” “Two and a Half Men,” and “Love Connection.”

As for “Solo: A Star Wars Story,” which released almost half a year after “The Last Jedi,” that was not filmed with any IMAX technology. It still released in the IMAX format however, going through a traditional DMR (Digital Media Remastering) process. Here are the theaters that presented “Solo: A Star Wars Story” in IMAX 70mm.

There aren’t any, the film was entirely released in digital formats.

That’s 0 locations. That is less than the number of seasons of “Freaks and Geeks,” “Firefly,” “Clone High,” “Swamp Thing,” “Whiskey Cavalier,” “The Michael J. Fox Show,” “Bam’s Bad Ass Game Show,” “Son of Zorn,” “Bordertown,” “Inhumans,” “Selfie,” “Heroes: Reborn,” “Ghosted,” “America’s Next Best Weatherman,” and “State of Georgia.” FYI, ALL OF THESE got cancelled after one season.

To be honest though, I can’t complain too much because the entire movie was shot digitally on ARRI Alexa cameras.

And when it comes to a good portion of the locations that have played a few of these recent “Star Wars” movies in 70mm, not only are they few and far between, but many of them rarely play Hollywood features. Many of these theaters simply show IMAX-distributed documentaries that are either new or cater to a theme that would associate with a venue. Not to mention, a glaring fraction of these are domes, and while I will say I rarely go to domed IMAX theaters, one thing to point out about them is the 180° style of the screen. With a number of cinema screens, it is sometimes easy to notice a slight curve they can provide, and traditional IMAX screens are no exception. Forget about a curve with an IMAX Dome, it’s practically a boulder sliced in half. Not only do they rarely show Hollywood features, but they also can have a quirky looking image when there are black bars involved. Granted, I have yet to see something like this for myself in person, but from what I’ve seen online, it’s almost weird looking. I almost wonder if it would turn off a good portion of general audience members.

History aside, let’s move onto the present and the future. Despite IMDb’s current claims that this film will be shot with IMAX cameras, no word of mouth from Disney, J.J. Abrams, Kathleen Kennedy, etc., has said anything related to such a claim (except this one, based on brief research). After all, I don’t know for sure, it could have been inserted long before, or maybe just as soon as the film happened to be starting production. However, IMDb is also claiming that the movie will be presented in multiple film formats. These include 35mm, 70mm, and IMAX 70mm. By the way, they are also suggesting these were also formats used for shooting.

“Shot on 35mm, 70mm, and 70mm IMAX, this is the third Star Wars film to be shot in the IMAX format, the first film in the franchise to be shot on 70mm film, and the first Star Wars film since Star Wars: Episode VI – Return of the Jedi (1983) to be shot entirely on celluloid.”

OK, I can buy this movie entirely being shot on film. After all, one of the things that J.J. Abrams wanted out of “Episode VII” was the nostalgia factor, which was partially brought to the table through filming the movie in celluloid, an action that the prequels neglected for the most part. But to be fair, “new technology” sometimes has a ring to it.

As for what technology was used specifically, I think we still need updated information on it. Because when it comes to technical specifications, that is still a mystery kept by those who made this film. Yes, there are articles suggesting a mixture of 35mm and 70mm cinematography in the movie, but many of them are from the end of 2016, a month before “Rogue One” came out. However, perhaps the most credible information I came across was this occasionally updated article as seen on fromthegrapevine.com. For those who are lazy, there is a suggestion via an image that this next “Star Wars” film will be shot in 70mm.

Granted, I highly doubt that this movie will be mostly shot in digital. The past two films in the trilogy have been shot using film for a good portion of the runtime, therefore to maintain a similar feel, Abrams must have said film was the way to go.

And with this information in mind, I will point out that IMAX has a vast history of showcasing movies that were not shot through their technology on their true projection format. The thing is however, that time happened back when the DMR process was starting to get into full swing. With IMAX’s jump into digital projection in 2008, it wasn’t too long before IMAX started getting picky with what films would be shown in their original format. “Rogue One” was a rare exception back when it came out in 2016.

In fact, let’s look at IMAX in 2018 and what they have done with this technology. Unfortunately, IMAX missed the opportunity to put “First Man,” their only new release that year shot with IMAX 70mm tech, in theaters catering to that format. They were shown in IMAX Laser theaters, which is a nice consolation, but having been in both venues for different movies, it’s not the same. The only “new” 70mm experience that came out was a limited 50th anniversary engagement of Stanley Kubrick’s “2001: A Space Odyssey.” Aside from that, there was a 10th anniversary limited engagement of Christopher Nolan’s “The Dark Knight” which played around the same time period. There was another movie released in IMAX shot with their technology (Avengers: Infinity War), but that film was shot completely in digital. This allowed a complete fill of the screen in many, smaller, digital venues, but not for the venues IMAX was originally known for.

If you think I am pulling these facts out of my butt, let me just point out to you, I am not. There is a Wikipedia page that lists every single IMAX film that has gone through a DMR process. Yes, Wikipedia is not the most scholarly source of all time, but over the years, this has been pretty reliable for this subject matter.

List of IMAX DMR Films

In fact, if you scour the list, go to the section labeled “2019,” and scroll down to “Star Wars: The Rise of Skywalker.” you’ll notice it does not suggest there will be any IMAX 70mm screenings, nor does it say anything about the cinematic equipment. Granted, a lot of the information related to this does not exactly need to be displayed now, the movie does not even release until December. Even with that in mind however, it is slightly concerning. I can live with a lack of IMAX 70mm screenings if it wasn’t shot in that exact format, but if it was, I feel like we are gonna be in a “First Man” situation all over again. Although that movie flopped as far as I am aware so, who knows? It might have been for the best. I enjoyed the movie, in fact it was one of my favorites of the year, but regardless, it didn’t have proper financial legs.

It is perhaps slightly inevitable that “Star Wars: The Rise of Skywalker” will be a financial success. I say SLIGHTLY inevitable, because while a number of recent Disney “Star Wars” flicks made over $1 billion at the box office, the most recent one, “Solo: A Star Wars Story” did not meet the financial standards of films that came prior to it, including the spinoff “Rogue One.” At the same time, it has things going for it. For one thing, it’s the conclusive chapter to The Skywalker Saga, it involves characters we have known for the past two films and even further into the past, Lando is back, and Palpatine seems to be making an appearance as well. It has the potential to win audiences and a portion of the fanbase overall. Well, that depends on how divided said fanbase is by the time this movie comes out, because it’s pretty ugly right now. And even though that ugliness is a thing, there are enough fans in the “Star Wars” community that could potentially show up for a new flick in the franchise.

If you ask me, I think Disney, Lucasfilm, Bob Iger, IMAX, among others would not have minded the idea of releasing the film in IMAX 70mm. Sure, “Solo” didn’t do as well as they would have hoped, but based on how that is a film that not many audiences asked for in the first place, added onto the prior success of films that came before it, they wouldn’t mind releasing the film in an IMAX 70mm format. They’re making more money with the Skywalker films compared to the spinoffs, and let’s face it, audiences care about Rey, they care about Kylo, they care about Chewie, they care about Lando, they care about BB-8. The praise is there, the studio just has to make a decision. Another factor to consider is the transition to go back to how Disney originally released these types of films. Specifically, by doing so in December. This is a good strategy because people are home for the holidays, kids are on break, and with a bunch of Oscar-bait films competing against each other, this blockbuster has a significant chance of standing out.

Do I want to see a reality where we get the opportunity to go check out “The Rise of Skywalker” in IMAX 70mm? I would, but I know it’s not certain. Given my clustered knowledge of how this movie is being shot, I don’t know if it is being shot in the IMAX format, but even if it isn’t, I would be willing to show up for an IMAX 70mm presentation simply because it is the clearest picture in existence. And… Disney, if you are planning on releasing this in IMAX 70mm… PLEASE… Consider releasing it at the Providence Place IMAX. It’s one of the closest true IMAX venues to my house, and one of the best theaters I have ever been to. I will flock there immediately if you release your film there in this specified format.

Am I being an obsessive nerd about this? Probably. Do I care? Hell no! In fact, with all statistics being considered, it makes me worried for the future of how IMAX movies are presented. Yes, we are likely getting Christopher Nolan’s “Tenet” in IMAX 70mm next year, but are we simply doing so because it’s a Christopher Nolan film? Is it because of the director’s power in the industry? He’s my favorite director working today, but it’s still a question I can’t help but ask! “Star Wars” is a big franchise. And this latest film is seemingly shot in a big resolution. So why not let us as an audience look at the big picture?

YUP. PUN ABSOLUTELY INTENDED.

“Star Wars: The Rise of Skywalker” hits theaters December 20th, 2019. I am looking forward (although I am also slightly apprehensive) to seeing how this sequel trilogy will conclude. I do have faith in J.J. Abrams, especially after the excellent job he did with “The Force Awakens.” It also seems inevitable that I am going to see the movie on opening night, even if I get access to a press screening before the movie hits theaters everywhere. As for IMAX, I don’t care what you do with this movie. If it is shot in your format, release it in 70mm. But based on the popularity of this franchise, consider that sort of release even if this movie was shot in a smaller format. What will happen? I don’t know, only time will tell! Thanks for reading this post! I just want to remind everyone that next week starts the second half of 2019, so I will be creating a mega-post containing a halftime report and a glimpse into the future of Scene Before. Be sure to look forward to that! Also, stay tuned for my second trailer of “Project 2020.” If you have seen one of my posts back in April, you know what I am talking about. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, do you have any thoughts on this “Rise of Skywalker” in IMAX 70mm matter? Or am I just batcrap crazy? Also, are you looking forward to “The Rise of Skywalker?” Let me know down below! Scene Before is your click to the flicks!

What We Know So Far About Christopher Nolan’s TENET (2020)

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Hey everyone, Jack Drees here! As you may know, I am massive fan of Christopher Nolan (The Dark Knight, Memento). I have seen almost every single one of his films. And if you have been following the news this year, you’d know that Nolan is coming out with a new movie called “Tenet.” Prior to the reveal of the title, this was first leaked as an “event” film. I had no idea what this would entail, and I figured by event, it would be a follow-up to one of Nolan’s recent films such as “Inception” or “Interstellar.” Because let’s face it, whether you like those films or not, they felt like events. And what would be more “event-like” than a follow-up to a Nolan film that received overwhelmingly positive reception and good box office returns? Especially “Inception,” because that movie came out in 2010. What if we got a sequel in 2020? It would be marketed as “the one movie we get every ten years.” And if that’s successful, we’d get another “Inception” in 2030. But that’s not the case, and I’m also not disappointed because originality is ALWAYS something I’m asking for in Hollywood, so I’m proud to see Christopher Nolan deliver it. Without further ado, let’s dive into some things that could easily be gathered about Christopher Nolan’s upcoming movie, “Tenet.”

THE FILM WILL BE IN THE ACTION GENRE
We now know that Nolan’s new movie is an original project. The film is being described as a “massive, innovative, action blockbuster.” Recent news has pointed out a more detailed description of what this film would entail, specifically that it is “an action epic evolving from the world of international espionage.” I personally consider action to be one of my favorite genres, in fact, action is also a genre that Nolan has nailed thus far. After all, he helmed the entire “Dark Knight” trilogy and “Inception.” Both movies have bits and pieces of memorable action scenes and I have a feeling that Nolan can use his prior knowledge and put it into this movie.

THE CAST
John David Washington (BlacKkKlansman, Ballers)
Robert Pattinson (Twilight, Good Time)
Elizabeth Debicki (Guardians of the Galaxy Vol. 2, The Cloverfield Paradox)
Aaron Taylor-Johnson (Godzilla, Kick-Ass)
Kenneth Branagh (Dunkirk, Much Ado About Nothing)
Clémence Poésy (Last Love, Harry Potter and the Deathly Hallows: Part 1)
Dimple Kapadia (Bobby, Luck by Chance)
Michael Caine (Batman Begins, Interstellar)

Let me just say, of course Michael Caine was gonna be in this. I mean, he’s Michael Caine. Christopher Nolan literally goes to bed every night in a room containing at least three posters. There’s one in the middle that says “MICHAEL CAINE IS GOD,” and it is accompanied left and right by posters for “Dirty Rotten Scoundrels” and “The Cider House Rules.” This is a long way of saying, Christopher Nolan clearly loves Michael Caine and they are working together again. Can’t wait to see what Caine can bring to the table. As for some of these actors including John David Washington and Aaron Taylor-Johnson, I am well aware of their names and have liked them as performers in what they’ve done. I just saw Washington in “BlacKkKlansman” this January and his performance was good enough to get a nomination from me in the Jackoff Awards. As for Taylor-Johnson, I remember reviewing Amazon’s “The Wall” months after it came out and calling it a pile of crap, but I also gave praise to his particular performance. A win’s a win, even when it’s a loss. Yes, Robert Pattinson from “Twilight” is being cast here but for one thing, I have not seen much of his work. In fact, I’ve heard he’s been pretty solid in some indie flicks. And for another thing, if he’s not only being cast as Batman, but also in a Nolan film, I have a feeling his name could grow on me. Only time will tell. But Nolan is not a stranger to odd casting choices, because if you all remember “Dunkirk,” he somehow managed to cast One Direction member Harry Styles, and he turned out to be solid! I’ll wait for the movie, but for the most part, the cast looks promising.

THE FILM IS BEING SHOT WITH IMAX AND 65MM CAMERAS
For those of you who follow Nolan, you’d probably know that he has, no pun intended, experience with IMAX. “The Dark Knight” was the first feature film to be shot in IMAX. Since then, he has used the same technology in “The Dark Knight Rises,” “Interstellar,” and “Dunkirk.” All of those films are shot using advanced IMAX cameras that use horizontal 65mm film. It should therefore come as no surprise that he is bringing the technology up to the plate once again for “Tenet.” Plus, the movie will bring back Hoyte Van Hoytema to man the shots, who also was involved with the cinematography for “Interstellar” and “Dunkirk.” I remember one of the first announced details was that this film was going to be shot in IMAX, and when I hear that about a film, I am automatically intrigued. Also, according to IMDb, the film is also being shot with a Panavision 65 HR Camera, which uses standard, old school 65mm technology. I am pretty interested to see what Nolan would do with the IMAX technology in a film involving espionage. This would definitely provide a big scope for the action scenes when viewed in IMAX theaters and maybe provide a few jaw-dropping shots. I remember “Mission: Impossible: Ghost Protocol” being shot with IMAX cameras, but unfortunately, I never went to an IMAX to watch the movie. I really don’t know how this movie will play out, but part of me hopes to walk out saying “this is a “Mission: Impossible” film that only Nolan could create.” Then again, based on other details I’m hearing about this movie, this might be a bigger idea than “missions, should people choose to accept them.” Speaking of old school technology…

THE FILM WILL BE PRESENTED IN 35MM, 70MM, AND IMAX 70MM
This may have already been implied, but in case it didn’t, “Tenet” is going to be screened not just in today’s traditional digital formats found in multiplexes everywhere, but also in a select number of auditoriums featuring film stock projection. Christopher Nolan’s most recent films have marketed themselves as being “experiences” and part of said experiences involve presentations in analog formats, which honestly, I prefer over digital projection. Seeing “2001: A Space Odyssey” in 70mm last year (twice) was game-changingly epic. It’s partially due to the experience of going into an arthouse-style theater while also having projection that provides greater material than my local chain locations. And since “Tenet” is seemingly being shot entirely using 65mm technology, the film will fit very well when projected on film. Granted, I imagine it will look great almost matter where it’s shown, but there are places where I can probably tell you to see it as opposed to others. Since it is being shown in IMAX 70mm, I can guarantee that the film will have select sequences where the aspect ratio changes to fill the entire screen from top to bottom.

And for those of you who don’t know, this is why I went to a theater over an hour away from my house to see “Interstellar” and “Dunkirk” and people close to me probably think I’m insane.

But it was SOOOOO worth it.

HANS ZIMMER IS NOT INVOLVED
Unfortunately, for all of the Christopher Nolan fans who liked movies such as “Inception” or “Interstellar” partially because of Hans Zimmer’s scores (I’m one of those fans as well), I’ve got some news for you. He’s not gonna be around for “Tenet.” In fact, the reason for this is due to Zimmer currently being busy with another acclaimed director who I happen to like, Denis Villeneuve (Blade Runner 2049, Arrival) as he is scoring the upcoming movie “Dune.” As for other movies next year he is focusing on, he is involved with “Wonder Woman 1984,” which I’m currently anticipating. He’s also doing “Top Gun: Maverick,” which only makes me more intrigued for how that movie is going to play out. And he’s also scoring “The Spongebob Movie: It’s a Wonderful Sponge,” which was once scheduled to compete with “Tenet” on its opening weekend, but the movies are now a further distance away from each other on the current release schedule.

LUDWIG GÖRANSSON IS COMPOSING
As for who will be composing the music in “Tenet,” that position will held by Ludwig Göransson. I have slightly mixed thoughts on how this is going to pan out, but I like to remain optimistic. For one thing, Nolan and Zimmer go together like bread and butter. Plus, Ludwig Göransson is also responsible for scoring “Venom,” and the score was not really the highlight of that film. Then again, what was the highlight of that film in the first place? The score felt manufactured, generic, and kinda dull. You know, like the movie “Venom” itself. Although at the same time, he scored another comic book movie, which like “Venom,” I don’t think I enjoyed as much as other people, and by other people I don’t just mean general audiences, I’m also referring to The Academy. Y’know, the gods of the movie industry? That movie by the way, is “Black Panther,” and while I think that movie is tremendously overrated (but still a solid flick) it had one of the better scores I’ve heard from a movie in the Marvel Cinematic Universe. It’s not my all time fave, but if I were to do a countdown on my favorite MCU scores, “Black Panther” would probably be high on the list. I am quite curious if Goransson will deliver an epic score to remember forever or if there will be some sort of disconnect between him and Nolan that will make me wish Zimmer would’ve been involved. Göransson’s music has been used in recent television programs including TBS’s “Angie Tribeca” and Fox’s “New Girl.” He’s also recently scored movies like “Creed II” and the 2018 remake for “Death Wish.”

PALINDROMES MAY BE AN IMPORTANT FEATURE IN THE SCRIPT
Now if you thought that Christopher Nolan is going to change his ways and simplify his movies, think again. Because from what I’m gathering so far, this movie sounds like it is going to be heavy. For one thing, look closely at the word “Tenet,” and you’d know that it is a palindrome. One of my favorite sci-fi movies of the decade, “Arrival,” directed by the recently mentioned Denis Villeneuve made palindromes play a bit into that movie, and if this movie manages to do the same, I would not be surprised, and I have faith that the palindrome insertion could be more than just a cheap gimmick.

Screenshot (5)

Also, last week, I shared a post on Facebook from a page with the handle @ChristopherNolan.info on what I thought was an official poster for “Tenet” but it turns out that’s more than likely not the case. However, one detail that stood to me regarding what I’ve shared is the number inside the image, 2701072, which like the word tenet, is a palindrome. People have pointed out in the comments that if you rearrange the numbers in that image, you can get the release date for this movie, July 17th, 2020. I also did some research regarding that number and this is not the first time that the account did a post with that number in it. On January 28th, the same Facebook page made a post that was literally just this exact number. Unless they had insider information about this movie and Nolan’s life/career, it’s almost as if they predicted that the title will be a palindrome or the movie would heavily involve palindromes. However, this Facebook page was not the first social media account to post something like this, because data suggests another Christopher Nolan-related account on Twitter by the name of @nolantalkcom did so on January 27th. Based on this information, and based on differences in followers, this is probably a bit of a stretch. I’m willing to bet the operator of that Twitter also operates the Facebook page. If you want to check this out for yourself, click the links below!

@ChristopherNolan.info

@nolantalkcom

THE FILM MAY HEAVILY INVOLVE TIME
Speaking of expected traditions from Christopher Nolan, it would not be surprising if he made time a major element in this film. Heck, one of the posters features numbers from one to twelve with arrows sticking toward multiple twelves. It’s a like an ongoing watch or something! I don’t know how time will play into this film, but it is an action film involving espionage, so maybe there will be some sort of race against the clock. Maybe there’s a bomb that has to be diffused. But knowing Nolan, it may as well be something completely unthinkable.

In a way, this poster almost reminds of “Interstellar” because if you remember the Endurance from that film, you may notice that the ship resembles a clock. “Interstellar” is easily one of my favorite sci-fi flicks of the decade, so I cannot wait to see what happens with “Tenet” and if it could possibly be compared with “Interstellar.”

There are a few other things I could talk about related to “Tenet,” but I already have gone way past scratching the surface when it comes to this movie. I even have a growing theory of this movie being part of a universe that Christopher Nolan previously established, specifically “Inception,” which I think could be a plot twist in this movie based on certain factors. As much as I would like to get into that, it would involve heavily digressing from the main topic, so I might make a separate post for that one day. But only time will tell, so who knows? I’m really looking forward to “Tenet,” and as of right now it is probably my most anticipated film of 2020. Anything Marvel announces next year? Forget it! There is a reason why Christopher Nolan is my favorite director of all time!

So I gotta ask all of you, how are you currently feeling about “Tenet” as we build up to its release? Are you excited? Worried? Could you avoid caring about the movie whatsoever? Do you think Christopher Nolan is a hack who deserves to die? Let me know your thoughts down below!

Thanks for reading this post! This Saturday I’m going to see “Godzilla: King of the Monsters.” It’s a film a part of me is REALLY looking forward to from an entertainment perspective, but from a critical perspective, I’m simultaneously nervous. I kinda don’t know how to feel going into the movie, so we’ll just see what happens. But I am going to see it in IMAX, which I think is the best way to see big scale movies like this, so I am still pretty excited. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Scene Before is your click to the flicks!

Captain Marvel (2019): Not That Marvelous

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“Captain Marvel” is directed by Anna Boden and Ryan Fleck (Sugar, Half Nelson) and stars Brie Larson (Room, The Glass Castle), Samuel L. Jackson (Pulp Fiction, Snakes On a Plane), Ben Mendelsohn (Ready Player One, Rogue One: A Star Wars Story), Djimon Hounsou (Gladiator, Blood Diamond), Lee Pace (The Hobbit: The Desolation of Smaug, Lincoln), Lashana Lynch (Fast Girls, Brotherhood), Gemma Chan (Mary Queen of Scots, Crazy Rich Asians), Annette Bening (American Beauty, 20th Century Women), Clark Gregg (The New Adventures of Old Christine, 500 Days of Summer), and Jude Law (Fantastic Beasts: The Crimes of Grindelwald, Closer). This film is the 21st installment in the cinematic universe. Good luck with your marathons, newcomers! “Captain Marvel” is about a soldier from another world who has memories of her past on Earth. As she is sent down to Earth, or as her planet’s kind calls it, “C-53,” she must combat a foreign force who can disguise themselves into other people and save the universe from further destruction.

OK… Here we go. I went into this movie rather excited. I must point out though, it is not because I am seeing the movie, but because I got to see it in the historic Chinese Theatre. This was kind of a dream of mine and I was waiting to go away to see this movie instead of seeing it on its first two nights just to make the experience special. And it was! When it comes to my familiarity with Captain Marvel, it is admittedly lower compared to other superheroes. But regardless of how familiar audiences and I are with this character, Disney and Marvel had an excellent marketing opportunity on their hands. They have never done a movie with a woman in the lead role before, so after almost eleven years of making MCU films, this is the first time this was being done. Unfortunately, it was not good.

Let me just get some things out of the way. I’m straight, I’m white, and I am a male. I am well aware that my physical and internal qualities that I can’t change, unless I go through surgery, puts me in the position of associating with the most hated type of person on the planet. So… reviewing this movie is hard. But I will say some things that I actually found to be good about the movie. This movie is kind of a crowd-pleaser. Much like a bunch of other MCU films, it had many attempts at humor, some of which totally worked. Some of the action is flashy and the visuals are very colorful. Speaking of that, the deaging done on Samuel L. Jackson is top-notch. And there are tons of callbacks to the 1990s that take up a portion of screentime.

Blockbuster Video, as seen in the trailer, plays a big role in the film. There’s a couple moments where people were laughing because of how 1990s technology worked. There was the use of Dial-up, CD-ROM had its share of screentime, and as I imagine some people expected, pagers were used in the movie.

But as a story, the movie is cliche, which would be fine because “Wonder Woman” was actually cliche and that film was actually pretty kick-ass, but the thing about “Wonder Woman” which made me not care for “Captain Marvel” is the difference in pacing. “Captain Marvel,” in reality, was a somewhat boring movie. Granted, there were parts that were exciting and entertaining, but there was a part of me that didn’t care about what was going on, I didn’t give a crap about the Kree, and after watching the movie, there are perhaps some parts that I feel like I am going to forget about in less than a month.

Let’s talk about Brie Larson in this film. I like Brie Larson as an actress. She’s very talented, she’s won awards, and she is in one of my favorite movies of 2015, “Room.” Also, I just watched “Scott Pilgrim vs. the World,” a movie featuring said actress, and that was one of the best films I’ve seen in recent memory. Brie Larson has a tendency to sign on to play good roles. Granted, this doesn’t always happen (watch “The Glass Castle”), but she usually has a keen eye for her roles. In fact she joined a movie that I am rather excited for the more I hear about it, “Just Mercy.” Knowing how the world of Hollywood tends to work, or at least having an illusion as to thinking I know how it works, Brie Larson definitely saw potential in a role as her particular character in the Marvel Cinematic Universe. Based on the legacy of said universe, I could definitely see potential. However, the execution of her performance was… I don’t know how to say this… Very off and on. The elements are all there for a decent Captain Marvel performance at the very least. A lot of the mannerisms done in the movie are all right for said character, and there is some range presented in terms of personality. But I feel like Brie Larson was at times directed to act a certain way that just didn’t work. It felt like watching multiple characters in one to the point where it is almost easy to assume Captain Marvel had multiple personality disorder. The performance just kind of didn’t work for me, which is absolutely disappointing because Brie Larson is practically an A-list actress. She won an Oscar for crying out loud! There are some moments where I found Captain Marvel to have some charisma behind her, some emotions to display, and others where she is just stoic. While there are times where such emotions (or lack thereof) can work for the movie, it is hard to tell exactly if everything flows as properly as I would hope. Speaking of proper flow…

One of the best movies in the Marvel Cinematic Universe is “Guardians of the Galaxy.” Not only did it make a rather unknown comic book IP become known and loved by millions, but when the first movie came out, it was actually pretty unique as far as comic book movies go. And one way that statement can be supported is through the movie’s soundtrack. Not only is it fun to listen to, but it has practically had an association with the movie in a way that many other soundtracks don’t. While “Captain Marvel,” unlike “Guardians,” doesn’t rely on a soundtrack for music all that much (maybe except for 90s’ references), there is this one moment where a pop song can be heard. I won’t go into much detail, but it is during a fight. If the crew behind this film was trying to capitalize on the success of “Guardians of the Galaxy,” then I can totally see that. But it didn’t f*cking work. In fact, that “Guardians”-esque moment, might just be the most cringeworthy part of the entire movie. And for those of you who know what I am talking about, I don’t know if you will agree with me, but this is just how I feel. In fact, it totally wouldn’t surprise me if some of these songs were put in because of “Guardians of the Galaxy’s” popularity because Nicole Perlman worked on this movie, earning herself a story credit. For the record, she was a writer behind “Guardians of the Galaxy.”

I will give some credit to Samuel L. Jackson however because like usual, he did a fine job as Nick Fury. And I will give even more credit to whoever deaged him. Sticking with the “Guardians of the Galaxy” theme, one of the highlights of the truly disappointing “Guardians of the Galaxy Vol. 2” was the deaging CGI done on Kurt Russell. It was nice to see Nick Fury not only have hair, but believable looking hair. Jackson’s performance as Fury was definitely worth buying for how such a character would behave in the 1990s. However, without going into spoilers, there is something that happens in this film that references something in the future, and it takes place during the end of the film (no, not during the credits, around the climax). It is absolutely crucial to Fury’s character. The way that this film manages to go about it, managed to get a big laugh from the audience, but I thought this GIF would sum up my thoughts on this whole situation.

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Now imagine a part of my brain saying that for an eternity, and you have my thoughts on this moment towards the end of the climax.

And I gotta say, I feel like I am in a weird place as I review this movie. I am a straight white male. I have nothing against women having their own superhero. What I am against however is when people think take the idea of gender equality and twist it to make one gender look better than the other, and I will say, despite “Captain Marvel’s” numerous flaws, not to mention its overall lack of memorability, one of its strengths is that it made a woman look good as a role model, while not exactly putting guys down. If you have ever seen me talk about the 2016 “Ghostbusters,” chances are you know my thoughts on that movie, and none of them are good. One thing I absolutely hated about the 2016 “Ghostbusters” movie is that it went out of its way to display moments that practically make just about every man in the movie look like idiots. There’s a secretary played by Chris Hemsworth who literally makes Patrick Star look like a genius. They ruin the reputation of Bill Murray. And there’s a scene where the ladies shoot a giant ghost in the nuts. There are no moments where I feel like if I had a place in the “Captain Marvel” movie’s universe where I’d have an IQ below 40. Thanks, “Captain Marvel!”

I don’t really have too much more to say in terms of my own originally gathered thoughts, but I will point out that when it comes to “Captain Marvel,” I feel like this movie manages to disappoint me in more ways than I would imagine. While the villain in this film could definitely be worse, I feel like we are going back to phase 1 and even phase 2 MCU, because the villain here was just not memorable. And speaking of villains I don’t really find to be all that great, Ronan the Accuser apparently had a few moments in this film! Like… OK… More “Guardians of the Galaxy” stuff, whoppity do! I have no idea why you even needed much of Ronan’s presence in the movie, but somehow he’s here! Then again, his appearance, much like the film’s main antagonist, could definitely be worse.

Also, another thing to consider about “Captain Marvel” is that this is the 21st film in the Marvel Cinematic Universe. Now that we have gotten to this point, it is getting harder to impress me because a viewer, it almost feels like I’ve seen everything. Granted, there are some unseen things in “Captain Marvel.” This is the first female-led film in the franchise, this is the first film to take place mainly in the 1990s, and it is also the first film where we get to see a cat play a significant role.

By the way, if anyone wants to know my thoughts on Goose the Cat, I thought he was funny, but I don’t think I liked him as much as other people. Although I imagine this character is going to inspire some people to create some funky, psychedelic t-shirts, which if that is the case, I can’t wait.

However, going back to my main point, I have been a follower of the Marvel Cinematic Universe for years. And with following, comes knowledge, and having a competent knowledge of the MCU, to MAYBE hold my own in a related trivia competition, makes me realize that a lot has happened over the years. There are times when material might just seem like something we’ve seen in the past, but with a different name attached. “Captain Marvel,” the more I think about it, just seems like a newer, inferior version of “Thor” with elements of “Captain America: The First Avenger” intact. You have this god-like being who is trying to find their identity or place in the universe, and part of it takes place in space, while another portion is set on Earth. Plus, it is another fish out of water story.

Also, before we get into the verdict section, I will point out a statement from MCU executive Kevin Feige.

“Captain Marvel, she is as powerful a character as we’ve ever put in a movie. Her powers are off the charts, and when she’s introduced, she will be by far the strongest character we’ve ever had.”

Having now seen “Captain Marvel,” I am definitely not going to deny that Captain Marvel is powerful as hell. However, as far as her character being the most powerful of all, that is still up for debate. At least from my point of view. And speaking of which, there is a climactic moment towards the movie that was probably played for comic relief, but it also made a certain moment feel rushed and kind of cheap. More powerful does not always mean more exciting. And I say this whole “power” thing is up for debate for one reason and one reason only.

Can Captain Marvel do this? I’ll wait… I’ve got years of my life left, which give tons of time to provide an answer.

In the end, I hate to say it, but “Captain Marvel is one of the worst movies of the MCU. Granted, that statement might not say all too much as very few have actually gotten a low score from me. I go to the movies for memorable experiences, and many of the MCU’s installments have provided said experiences. I basically put my money on the table for “Captain Marvel,” because again, I went to the Chinese Theatre, which is MILES from where I live, and I literally mean MILES, because I am from Massachusetts. The Chinese Theatre is states away! I had a good time, and I would love to come back. After all… There is a “Star Wars” movie coming out soon… But the whole experience would have been perfect if I went to see a better movie, and “Captain Marvel” was just not that great. I am happy for women who are getting a hero they want to look up to, but I am not judging “Captain Marvel” completely as a feminist piece, I am judging it as a film. As a film, “Captain Marvel” is visually appealing, which is not surprising at this point for a comic book movie. It is pacing-wise, perhaps the worst of the twenty-one films presented in this series. And I felt that I wouldn’t pop this in my Blu-ray player right away if I had the chance. There is a mid-credits scene worth staying for, and there is another scene that happens towards the end. It is honestly unneeded, but if you like your end credits scenes, there’s your update. I’m going to give “Captain Marvel” a 4/10. I honestly don’t know if this grade is going to stay where it is. Because I honestly didn’t like this movie, but part of me had glimmers of enjoyment. And part of me also wonders if I am being generous because this movie stars a woman. I didn’t find myself to be angry throughout the film, so maybe this is technically a 4/10 for me. Only time will tell if this grade manages to stay where it is. And I gotta point out something regarding this “Captain Marvel,” DC did this type of film better! How often do I get to say that? Maybe they screwed up on “Suicide Squad,” the effects on “Justice League,” and keeping a singular vision alive, but they managed to do a female-led film better than Marvel, and that is an accomplishment for DC if I have ever seen one. “Wonder Woman” over “Captain Marvel” for sure, if you ask me! Thanks for reading this review! I actually wanted to make an announcement regarding April, while most of the month is uncertain in terms of content (although an “Avengers: Endgame” review is a undoubted guarantee), I do have a confirmation for you all. For those you who follow the director Terry Gilliam, you may be familiar that he worked on films such as “Brazil” and “Monty Python and the Holy Grail.” Recently however talk has been going around regarding his new film, “The Man Who Killed Don Quixote.” For those who have ever heard of this film, you may be aware that production for it actually took decades to complete. Why? Total and utter disaster, that’s why! Anyway, here in the US, it is playing in several theaters for one night. Courtesy of Fathom Events, I have scored a ticket to one of these shows on April 10th! Next month, expect a review from “The Man Who Killed Don Quixote,” and if it takes forever to complete… Who knows? It could be just like the movie and go through several failures regarding production! Be sure to follow Scene Before with your WordPress account or email to catch that review and more great content! I want to know, did you see “Captain Marvel?” What did you think about it? Or, have you been to the Chinese Theatre? What did you see? What was your experience like? I personally enjoyed it, minus the movie. But I want to hear about your experience! Let me know about it in the comments section! Scene Before is your click to the flicks!

IMAX, We Need To Talk About First Man.

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Hey everyone, Jack Drees here! As you may know if you’ve followed my blog for some time, I am an IMAX enthusiast. I imagine there are many others out there like me, despite how much more often I post things about IMAX. I’ve seen numerous films in IMAX throughout my life, including a good number just this year alone. Some examples of films I saw in IMAX this year include “Maze Runner: The Death Cure,” “Avengers: Infinity War,” “Solo: A Star Wars Story,” “Mamma Mia!: Here We Go Again,” “Mission: Impossible: Fallout,” “2001: A Space Odyssey,” “Bohemian Rhapsody,” and “Spider-Man: Into the Spider-Verse.” I am granted with the privilege of having a few IMAX theaters close to where I live. By the way, the closest one has laser projection, and subwoofers underneath the seats.

I love IMAX, but it doesn’t mean I don’t have my gripes with the brand. In 2008, they started rolling out their digital projection system, which not only was used on significantly smaller screens, but occasionally was brought in as a replacement to some of the projectors used by older theaters. This brought a reduction in quality, and when it comes to movies shot with IMAX cameras, those older theaters that once used film projection, where the frame covered the screen top to bottom, now supplies a much smaller image. Granted, one minor fix to this is the introduction to another digital projection system which IMAX agreed to unveil alongside Kodak, AKA their recently mentioned laser projection system.

One movie I saw this year on said projection system is “First Man.” As a movie, while there are flaws, I will point out that it is in fact one of my favorite films of the year from a technical perspective. In fact, when it comes to the immersion, that is a part where I had really high expectations. I was not let down. One part where I was let down however is something I found out before going into the film.

“First Man” was partially shot on IMAX film, which some say theoretically provides the highest resolution on any format that can be used on a camera. Granted, the IMAX footage only lasted for about five minutes, but the five minutes were absolutely worth seeing. When IMAX started, all they used was film projection. After all, they started in the 20th century, and digital projection wasn’t big until the end of said century or the beginning of the next.

When I saw “First Man” in IMAX laser, it was undoubtedly one of the best movie experiences I had all year. The superb sound design was music to my ears, the score put me in space, providing me with a feeling that I was on a shuttle wearing headphones, and as mentioned, there was a full frame IMAX sequence that made me feel like I was watching “The Wizard of Oz.” As AMAZING as my experience was, there is one other theater I would have gone to in order to watch the movie.

I live an hour from Providence, Rhode Island. In that city contains what perhaps might be my all time favorite movie theater, Providence Place Cinemas 16 and IMAX. And I specifically mean the IMAX part when I say that because it is one of the few theaters near me with a 70mm IMAX projector, IMAX’s original projection system. I’m not saying that “First Man” wasn’t playing there, it just wasn’t playing there the way I would have preferred to see it.

In fact, it’s not just Providence that wasn’t showing the movie in IMAX 70mm, it was literally every other theater with the proper projection capabilities. From museums, to multiplexes, and other standalone venues. Let’s compare this to some other movies that came out in IMAX 70mm. “Dunkirk,” which came out in 2017, had 37 IMAX 70mm locations. All of this decade’s “Star Wars” films had some sort of IMAX 70mm run, with the one exception being “Solo.” In fact, to really hit my point out of the park, if you look up the Wikipedia page List of films released in IMAX you’ll notice that from 2002 to 2017, there has been at least one new release to be shown in the IMAX 70mm format. Note, I said new release, “2001: A Space Odyssey” does not qualify. In fact, speaking of old releases, while the title won’t show up for 2018, “The Dark Knight” had its tenth anniversary this year and in honor of that, at the same time as “2001,” it was shown in IMAX 70mm in 5 theaters.

Don’t me get me wrong, if I had a time machine, I would certainly consider the option of going back and seeing both movies in the IMAX 70mm format. But if you ask me, I am honestly disappointed that IMAX missed an opportunity to play the best version of a movie possible. In fact, now that this year had not even a single new release in IMAX 70mm, it only makes me wonder what will happen in years to come.

According to Wikipedia, in 2019, there are currently no films slated to release in IMAX 70mm. If I had to guess, there’s a possibility that “Star Wars Episode IX” will get some sort of release, even without the use of IMAX filmography equipment. After all, “Rogue One” released in 2016 in the IMAX 70mm format even though no IMAX equipment was used to record the movie. The next movie coming out to be shot with IMAX 70mm cameras is not set to release until 2020, and that is “Wonder Woman 1984.” Unless IMAX is planning a special engagement which I don’t know about, part of me doubts that we’ll ever see that movie the way it was meant to be seen. Let’s also bring up a giant influence on the conservative effort of IMAX film, Christopher Nolan.

Christopher Nolan is my favorite director of all time. He has a great track record when it comes to his features, from “Memento,” “The Prestige,” “Interstellar,” and most recently, “Dunkirk.” Nolan is also known for shooting the first Hollywood feature on IMAX film, specifically “The Dark Knight.” Speaking of which, all of his films from “The Dark Knight” and on are all shot partially using IMAX technology (except Inception). While there are some films which Nolan has been affiliated with where an IMAX film release never happened, he did happen to get all of his directorial features since “The Dark Knight” in the IMAX film format, regardless of whether they were shot with IMAX cameras or not. And speaking of shooting with IMAX, “Inception” released in 2010, a couple years after “The Dark Knight”came out, and “Inception” was not shot in IMAX.

I love both IMAX 70mm and Christopher Nolan, but the one problem that comes to my mind is that the two go together like bread and butter. Don’t get me wrong, bread and butter is tasty. However, if Nolan is the only director getting the IMAX 70mm treatment (with few exceptions), I almost don’t see a point for putting these films in IMAX 70mm other than to please him. I as an audience member, constantly seek alternative and interesting ways to go see movies. If “First Man” came out in IMAX 70mm, I probably would have gone to see it more than once. Because while I did see it at a theater 10 minutes from my house, I would want to take someone to see it an hour away, where information that wouldn’t be seen on a less detailed screen actually would be seen. But no, “First Man” is directed by Damien Chazelle, director of f*cking “Whiplash” and “La La Land.” Neither of those titles can compete with “The Dark Knight” apparently.

Let me also bring up “2001: A Space Odyssey.” As some of you may know, “2001” is directed by Stanley Kubrick, who passed away in 1999. For those of you who don’t know, “2001” came out in 1968, therefore it just turned 50 years old, which eventually lead to many screenings back in select theaters in 70mm and 4K. I also mentioned it was put in IMAX for the first time this year. The film also went through a restoration process to match what it would be like to watch the movie back when it came out. Guess who did the restoration process? CHRISTOPHER F*CKING NOLAN!

I may only be nineteen years old at this point but I want to work in the film industry. Part of me wants to get my hands on an IMAX camera and use it in a future movie. To know however that my film will not be seen the way I want to see it, is honestly disappointing. Did Damien Chazelle have plans to release “First Man” in IMAX 70mm? To be honest, I’m not sure. But if he did have plans and IMAX rejected them, they’ve done goof.

I know that film is kinda dying. Sure, with the occasion of special engagements, film has a slight glimmer of life left in it. And I may be biased, but I certainly hope it NEVER dies. But as someone who rarely gets to see a movie in IMAX 70mm nowadays, the times when a movie comes out on such a special format is one that I cannot help but praise. If “Dunkirk” is the last movie I will ever get to see in IMAX 70mm, well, I am not going to be happy but at least it was a good movie. The point is, I want more occasions of not just movies being shot with IMAX cameras, but also occasions of IMAX movies being seen the way they have been intended.

So IMAX, I love you, but you missed an opportunity and deserve to be reminded of what you are. Please fix your ways in the future, but I will still go to see movies in your theaters.

Thanks for reading this post! First off, for those of you who celebrate Christmas, I want to wish you all a Merry Christmas and a happy new year! Speaking of the new year, one of the early days of next year I will be counting down my top 10 BEST movies of 2018 and also my top 10 WORST movies of 2018. I don’t know what day my lists will be up, probably the 1st and 2nd, maybe the 2nd and 3rd, maybe I’ll put them up on the same day, we’ll find out. I’ll probably get a couple more flicks in by the end of the year, and if I do, great! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see “First Man” in IMAX? What did you think? Did you see the movie in some other way? If you did, let me know! Scene Before is your click to the flicks!

First Man (2018): One Giant Spacegasm

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“First Man” is directed by Damien Chazelle (Whiplash, La La Land) and stars Ryan Gosling (Blade Runner 2049, The Notebook) as Neil Armstrong. This movie takes place during the events of Apollo 11, the most famous of the Apollo missions. Many people going to see this movie probably know the story, Neil Armstrong and some other astronauts attempt to land on the moon, but this movie explains a little bit more than that. It goes into the personal and family life of Neil Armstrong, and shows off all the preparation that went into executing such a daring mission.

I don’t know if many people reading this remember, or even knew when this movie was first announced, but my first time hearing about it was around January 2017 if I recall correctly. As if the concept alone of the moon landing was interesting enough, it was to be helmed by one of my favorite directors working today, Damien Chazelle.

Damien Chazelle is known for his work on “Whiplash,” but in my eyes, his popularity skyrocketed during the release of “La La Land.” That movie is a 2016 musical which went on to win 7 Golden Globes, which also happened to be the total number of awards the movie happened to be nominated for. Speaking of awards, the movie went on to receive 13 Oscar nominations, 6 wins, which doesn’t happen to include the rare instance of the kinda sorta maybe victory of Best Picture. So kids, if you are reading this and think that your dream will never come true, if you think you’ll never be able to colonize Mars one day, just remember this. Two films were labeled Best Picture at the 89th Academy Awards!

When it comes to “First Man,” this is actually a really interesting movie though because out of all the feature-length films Damien Chazelle has done as a director, this is actually the first one he doesn’t have a screenplay credit for. Granted, this movie was actually written by Josh Singer, who also wrote the screenplay for 2015’s “Spotlight,” which won Best Picture at the Academy Awards. Even so, the fact that this was not written by Chazelle himself made me slightly worried. I was beginning to wonder if I didn’t like this movie, it might partially lead to me thinking Chazelle is another Brad Bird. He’s a fantastic director, but only fantastic when it comes to directing his own material. Having seen this movie, that worry is meaningless, because I’ll be honest with you, this is one of the best movies I’ve seen all year. In fact, when putting Chazelle into the conversation, it’s my second favorite film of his directly behind “Whiplash.”

Just about everything in “First Man” worked. The acting, the directing, the score, the entertainment value, the sound work, the effects, everything just felt as if it was created by a god. I went to see “First Man” in IMAX, which I will get to, but I must say, regardless of whether or not you went to see “First Man” in IMAX, I must tell you, this is one of those films that you have to get off your ass and see in the theater. This joins some recent films like “Dunkirk,” “Blade Runner 2049,” “Avengers: Infinity War,” “Ready Player One,” and “A Quiet Place” on the list of films to watch on the big screen. What the crew did for this movie in terms of cinematography is genius.

In all honesty, part of me wonders how many people will notice or care to notice, some of the images in the movie, are incredibly fuzzy or grainy and it just feels like they were gathering dust before processing. Let me just have you know that this movie was shot on 16mm film. Most of the scenes early on in the films, that take place on Earth, looked somewhat old-timey. And I honestly thought that fit, because believe it or not, I don’t know how much you guys know about Neil Armstrong’s life, but when this movie started it was basically a soap opera. For some people, I imagine that will take them out of the movie, but to me, it fit because for one thing, you can’t alter history. It partially comes into play when developing Armstrong as a character. Also, it showcases the excellent acting ability of Ryan Gosling.

Ryan Gosling is the star of the movie and he seems to have a decent range as an actor. You can put him in a movie as a sex doll that girls will dream about. You can put him in a movie where he happens to be somewhat passionate and upbeat. And you can put him in a movie where maybe he happens to be intentionally robotic. To call Ryan Gosling my favorite actor of all time is a stretch, but he is a true force in the industry. And when it comes to his portrayal of Neil Armstrong, overall it is really good, but I have a couple minor complaints. For one thing, Neil in this movie is incredibly stoic at times. If he was as stoic in this movie as he was in real life, then whatever, then my complaint will be taken off. That’s not to say he doesn’t show any emotion at all. He’s actually seen in the beginning of the film shedding tears. It’s a great performance, but part of me wonders how much Neil Armstrong would say it’s “him” had he been alive to see this picture come to life. Ah well, where’s Buzz Aldrin when you need him? Another minor complaint I have is a bit nitpicky, but Neil Armstrong was born and raised American, and yet they cast the very idea of the “Sexy Canadian Boy” Halloween costume. Again, nitpicky. It does not however change the fact that the interpretation of Armstrong is still a top-notch performance. Plus, it’s still a pasty white dude, so it’s not like they’re trying to make Neil Armstrong a woman or black and erase history by doing so.

Speaking of minor casting issues, I also should point out that Claire Foy (Unsane, The Crown), who plays Neil’s wife, Janet, is British. Let me just point out that much like Neil Armstrong, Janet was born and raised American. It’s still a great performance and BY FAR the best one in the entire film. I really hope Foy receives a Best Actress nomination. Several scenes from her add tons of emotional weight to the film and I can imagine in a way, back in the 1960s, her character would not only encapsulate the thoughts of just herself, but those people who are out of Neil’s family who have to watch the crew go to the moon. Granted, it’s a lot worse for her, because she can lose her husband, but still.

All my complaints in this movie are legit complaints for sure, but in reality, they are easily forgivable because they fall under the classification of “minor” or “nitpicky.” One small complaint I have is something that occurs towards the end of the film that I wonder if it actually happened. Without going into spoilers, when Neil Armstrong gets to the moon, he has an object with him that happens to be very significant. As far as I’m aware, there is no concrete evidence to this happening. If it did happen, cool. But if it didn’t, maybe it added some emotion, but there would also be that part of me who thinks that shouldn’t even be in the movie.

Speaking of objects on the moon, let’s get controversial! One report that has been going around about “First Man” is that there is no scene showing the American flag being planted on the moon. As someone who witnessed this movie, let me confirm to you all, THIS IS TRUE. Many conservatives for what I know are upset about this and they’re hoping this movie fails. Based on the box office for the opening weekend, it lost big time to “A Star Is Born” and “Venom,” which retained its first place spot for the second week in a row. By the way, f*ck “Venom.” I will say though, this is kind of a spoiler, but it’s not really going to affect your viewing experience, at least I don’t think. If it’s any consolation, the American flag is shown on the moon during the film. I can understand why people would be upset about this, but honestly I don’t really care. I live in America, and this is an American achievement, but at the end of the day, “First Man” is supposed to be a film, not a propaganda piece. Also, if you like your flags so much, let me just remind you that the astronauts have American flags on their spacesuits, and there’s actually a scene where an American flag is being raised. Also, I’ll be honest, I’m glad that someone like Damien Chazelle directed this movie as opposed to someone like Michael Bay. I say that because there would be an American flag overload to the point where the planting scene would involve Neil Armstrong breaking the laws of physics, jumping into space bumping into one planet into the next like a pinball. Once that’s all done, he flies back to the moon striking the surface with the flag like Link did to Ganon in “The Legend of Zelda: The Wind Waker.” Also for fun, we cut to explosions happening in Russia therefore symbolizing their loss in the space race. There are reasons why I wouldn’t mind seeing the flag planted in the film, but the direction Damien Chazelle took with the movie worked very well and made me not care about seeing the planting of the American flag. The emotional journey mattered more in the end to me than seeing a country’s representation, even if I do happen to be a part of that country. Plus, you also have to consider international audiences. How will they respond to this? I don’t know. There’s always room for experimentation. Even so, I guess it is not wrong to assume that international audiences will be able to recognize the accomplishment that the US made with the moon landing, but at the same time, since it is not their accomplishment, they’d probably find the scene less relatable. I really think I should do a separate post someday on why it might be a good idea to have the planting of the American flag shown in the movie and why it might not be a good idea. Now let’s move onto…

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SPACE.

Before we actually dive into my thoughts on the space scenes, I gotta say that I saw this movie with my mother and sister. I can understand why some people would have certain complaints but one that really stuck out to me is that my mother said the movie spends too much time in space. I find this amusing because “First Man,” after all, is a space movie. I’m not saying it’s invalid, each to their own, but I thought the space time was fine. And trust me, it does spend a bit of time. Aside from focusing on Apollo 11, the movie spends some time focusing on Gemini 8. I’m willing to bet this is where my mother complained. Although I appreciated that the movie decided to include that, because this establishes not only the dangers for anyone who has to go to space, but as far as Neil Armstrong goes, he had to experience said dangers before moving onto another dangerous mission that is amazingly daring, to the point where he might never see his wife and kids again. One thing I also admire about this scene is the music, which is very reminiscent of “2001: A Space Odyssey” when they play “The Blue Danube.” ALSO, THE SOUND WORK IS TOP-NOTCH! If this movie doesn’t win best director at the Academy Awards, it better get something in the sound categories because it is something worth hearing. While the movie is great overall when it comes to sound, in fact some of it reminded me of “Gravity,” one of the best scenes when it comes to sound comes after the lunar lander touches down on the moon.

In terms of sound, cinematography, and theatricality, the walking onto the moon is definitely one of the best scenes I’ve witnessed all year in a movie. And you even get an added bonus if you see this movie in IMAX. As you can see, the crew is getting ready, opening their hatch, as they are about to see the moon outside their craft. So you get to see the camera coming out, and BOOM! Silence. Scientifically accurate for sure, but that’s not the point. The effect that lack of sound has on the scene literally dropped my jaw. And as if that’s jaw dropping enough, the lunar sequences for this movie were shot on IMAX film. So once the camera comes out of the craft, we go from the aspect ratio we’ve been seeing for the entire movie so far to full fledged, screen-covering glory. WALL TO WALL. FLOOR TO CEILING. Looking at Neil Armstrong up close makes you feel like you are an ant compared to him. The screen dominated me in that moment. The way everything plays out in that from acting, directing, and camerawork just felt like I was in a museum looking at paintings instead of a movie. And another reason why I love this IMAX transition goes back to how this movie was shot on 16mm film. Everything looks fuzzy, it was somewhat of a more unsettling time back then. This takes all depression out of the equation and we have gone from a sad movie that felt like a soap opera, to the end of an epic. It’s one of the best movie transitions I’ve seen in recent memory, and some of the all time best use of an IMAX camera that I am aware of.

I will say that a number of movies shot with an IMAX camera happen to be ones I enjoy. Take the “Transformers” movies out of the equation however. On the subject of cinematography, something happens in this movie that made me realize how awesome this movie truly was. When it comes to filmmaking, one term I’ve always hated was “shaky cam.” But there are several scenes in this movie that actually use shaky cam, and it almost made me change my mind on it entirely! Shaky cam is probably a reason why some critics aren’t massive fans of certain action movies. Aside from hiding poor stuntwork, one reason why I imagine some people use shaky cam in their movies may be to heighten tension. I can’t really recall many moments where shaky cam increased tension for me. Here in “First Man,” there’s moments where shaky cam happens to be prominent and believe it or not, I am not bashing on it. A good movie can do things that people have seen before which have been done with care and everything works. A great movie can take something that might not be your thing and change your perspective on it. While I do enjoy space movies VERY MUCH, I don’t traditionally find myself bowing down to the gods of shaky cam. Shaky cam is a reason why I find shows like “Modern Family” somewhat off-putting. I honestly don’t know if I am overrecating, I wonder how other people would react to something like this, but this is just how I felt from my experience.

In the end, I wouldn’t call “First Man” an A+, but it sure comes close. This is by far one of my favorite movies of the year, and when it comes 2018’s new releases, “First Man” is up there with “Ready Player One” as one of my favorite theater experiences. It has the potential to shoot itself up to an A+ depending on replay value or depending on how I view this movie outside the theater, but in reality, from a critical point of view, while it has some minor things to complain about, there are really no glaring errors (then again, I don’t work for NASA, so science isn’t my biggest strong suit). What Damien Chazelle did with this movie is truly something to appreciate. The cast, while not technically completely matching with their counterparts were believable and added to the movie’s overall grit. The score is appropriate for the film and perhaps something maybe I’ll listen to for motivation. While there were not really any shots to pick out to say that they were really innovative for the most part, the cinematography in “First Man” is certainly something I hope not to forget sometime in the future. Also, if you can, please, go see “First Man” in IMAX. You’ll thank me later. I’m going to give “First Man” a 9/10.

Thanks for reading this review! For those of you who read my work often, you may be aware that I’ve gone to New York Comic Con. I went almost a couple of weeks ago, and don’t worry, a post on that is coming. I just need to put it together. I’m actually going to be in a hotel room in Connecticut this weekend because I’m going to see the Impractical Jokers live, so when I have some free time, or if I choose to be a madman and stay up all night (which would be appropriate because I’m in a casino), maybe I’ll work on this post then. As far as movie reviews go, I will say that my next pick is currently undecided, maybe I’ll go see “Bad Times at the El Royale,” “Goosebumps 2: Haunted Halloween,” maybe “Night School.” A good comedy is soothing every once in a while. Seriously though, I’m almost considering going to see “First Man” again sometime soon. It’s that good. Be sure to follow me on Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “First Man?” What did you think about it? Or, you know what? F*ck it. Was the moon landing faked? Please comment below, I would like your honest answers, I won’t judge (maybe). Scene Before is your click to the flicks!

2001: A Space Odyssey (1968) Getting Limited IMAX Release *Tickets Now On Sale!*

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Hey everyone, Jack Drees here! Before we dive into this post, let me just ask you all something. What is your favorite form of social media? If you ask me, my two favorites have to be YouTube, the site that won’t stop playing the same freaking GEICO or Google ad before watching EVERY VIDEO YOU CLICK ON, and Twitter, the elementary school playground where Donald Trump pushes his enemies down the slide, Wendy’s is being the class clown, and former Economic Secretary to the Treasury of the UK, Ed Balls, is trying to play “Guardians of the Galaxy” with his friends all the while doing a terrible Groot impression.

A couple things to say. First, YES, that is a real tweet. It’s exactly as Ed Ballsy as it looks. And second, it’s I AM Ed Balls! Actually, wait a minute, he’s playing the character, it should I am Groot. Never mind. Speaking of social media, some of the most popular things people happen to find as they flock around their favorite sites is pictures or videos of babies. Why else do you think “Charlie Bit My Finger” is one of the most viewed YouTube videos of all time? If that’s the case, I’m a little dumbfounded that some channels having to do with babies are getting left in the dust, for example, one created by a couple known as Paul and Genevieve. This channel, while it doesn’t exactly focus on kids doing peculiar, cute, or funny things on camera, it does focus on the preparation for becoming parents, and by that I mean, literally trying as hard as possible to get pregnant. This is all explained… in “What the IVF?!”

“What the IVF?” is a series on YouTube where the recently mentioned couple attempt as hard as possible to have a baby. Each and every Monday, a new adventure is uploaded to the interwebs, and usually the adventure is not a pleasant one. In fact, most of these adventures continue to remind the couple about the struggles of their journey as they deal with incessant crying, pain, needles, thinking they’re under a dark spell, needles, appointments, needles, “trying everything,” and more needles! You can find the latest “WTIVF?” content on a YouTube channel specifically dedicated to the series. Their latest video is a bit of change of pace from the norm. Most of the events have been shot prior to this channel’s inception, however this is the first full-length video audiences get to see around present time. If you like unicorns, this episode is probably more preferable than some others in the series. Be sure to subscribe to the “What the IVF?” YouTube channel, ring the notification bell, check out the show’s other homes on the interwebs, all links are down below including a personal website for the show itself. Also, be sure to tell Paul and Genevieve that Jack Drees sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

If you have been following me here on Scene Before lately, you might know that I have done a recent post titled “Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s.” In that post, I talk about the two times I saw “2001” in a theatrical setting. Both times were in 70mm equipped cinemas in the state of Massachusetts. That post took a long time to make, but overall I’m pretty proud of it. If you want to read it, click the link below and check it out. But if you’re more focused on this post, please stay here, because I’ve got some words I need to spit out. I’ve already seen “2001” twice this year in theaters, both of my experiences were nothing short of fabulous. And you know what? I think it might be time to go see it again. Unfortunately, there are no 70mm runs near my house at the moment, nor are there any other engagements that I’m personally aware of. But there is something big coming.

This year, “The Incredibles,” my all time favorite animated movie FINALLY got a sequel released to the public, and incredible it was indeed! My experience of seeing that movie was also pretty darn incredible as well. Before the release of “Incredibles 2,” one of my deepest desires was to see its prior installment in the IMAX format. I thought throughout most of my life that this was an experience that I would always dream of, but it was never going to become a reality. But for one night, it did. As part of a double feature which included both “Incredibles” installments, my dream of seeing “The Incredibles” in the IMAX format came true. By the way, this was shown before the official technical release of “Incredibles 2.” To specify, it was shown ONE DAY PRIOR TO THE OPENING THURSDAY NIGHT SCREENINGS! However, this month, something just as incredible will be hitting IMAX, and that is “2001: A Space Odyssey.”

Having seen “2001: A Space Odyssey” a bunch of times now, a part of me couldn’t be happier. I haven’t watched the movie from start to finish until this year, but when I did sit down to watch this movie, it made me realize what I had been missing. It’s a movie that came out in the 1960s, and yet it looks better than a bunch of movies coming out today. The space shots are majestic and full of glory. People back then would agree with me in saying those shots look amazing, and I think they look so beautiful that I had to see this movie in theaters not once, but twice! There are other reasons too, but nevertheless.

But in all seriousness, a movie like this in IMAX? I’m in for sure! Aside from the huge scale glory that can apply to “2001,” I think that “2001” is a perfect choice for a movie to bring into the IMAX format simply because it’s that good of a movie. And I’m not saying that only because I think it’s one of my all time favorite movies, which it is, but to say I’m alone on that sort of statement would be completely false. As you know, two of IMAX’s main focal points are to crank out their exclusive content such as those documentaries which are traditionally exclusive to museum settings, and to immerse audiences into new content from other studios. However bringing older movies to be presented in the IMAX format has become a somewhat increasing trend over the years. This has been done with “Raiders of the Lost Ark,” “The Wizard of Oz,” “Harry Potter,” “Forrest Gump,” “Jurassic Park,” and “Top Gun.” I honestly don’t mind this trend. As much as I try to promote originality, it’s fun to see what it would be like to witness a movie that was in theaters at one point on the big screen once again, maybe share that experience with younger generations, and since it involves IMAX, that experience could actually be enhanced.

One thing that I’ve noticed however when it comes to a number of these presentations is that some of them don’t exactly utilize the ultimate technology of IMAX by showing the movie in IMAX’s 70mm projection. In fact, with a movie like “2001: A Space Odyssey,” which was shot using 70mm equipment, not to mention shown in theaters during its theatrical run using 70mm projectors, the whole idea of presenting this in IMAX 70mm film just sounds perfect! And that is EXACTLY what is going to happen!

I will say though, I am probably unlikely to catch one of these 70mm screenings. I live about an hour away from Providence, RI, which has an IMAX 70mm projector, but based on evidence I’ve witnessed since tickets have recently gone on sale, I can’t really say that Providence is actually showing this movie. They even have digital projectors, but the movie isn’t even being shown on that. In fact, if you’re reading this right now, there’s a good chance that YOU might not even get the chance to see the movie in IMAX 70mm. Here’s a list of the theaters showing “2001: A Space Odyssey” in IMAX 70mm.

AMC Loews Lincoln Square 13 (New York, NY)

AMC Metreon 16 (San Francisco, CA)

AMC at Citywalk Hollywood (Universal City, CA)

Ontario Place Cinesphere IMAX (Toronto, ON, Canada)

Indiana State Museum (Indianapolis, IN) (Starting September 7th)

Although, something feels strange about all this. This is starting towards the end of August (for the most part), there is another movie that is supposed to be showing in IMAX 70mm that seems to be in just about all of these locations. Don’t believe me? Here’s an article from Variety, published last month.

‘The Dark Knight’ Set for 10th Anniversary Imax Re-Release (EXCLUSIVE)

If you are too lazy to read articles, there’s not much wrong with that, I understand, but the article basically states that around the same time, IMAX is doing a one-week engagement for “The Dark Knight” because it just turned 10 years old. And I will say, that is actually a grand idea. For one thing, it not only dazzled audiences for how much of a quality movie it turned out to be. But it also happened to be the first major Hollywood film shot using IMAX cameras. Turns out, both “The Dark Knight” and “2001: A Space Odyssey” will be playing on the same day as each other at different showtimes. And having heard this sort of news, I actually think that’s almost mind-blowing because when I usually go to an IMAX it usually has one film playing a day unless there’s some special event going on like an opening Thursday night. So we have two big movies playing simultaneously in IMAX, we have both of them on 70mm film, and they have around two and a half hours of footage! That’s a LOT of film! A little bit of digression here, but the funny thing about this is that “The Dark Knight” is actually directed by Christopher Nolan and now this presentation of “2001” is actually being kind of overseen by Christopher Nolan. Gosh he’s my favorite director of all f*ckin’ time.

And if you can’t catch this movie on IMAX 70mm film, there’s still other opportunities to catch this movie in the IMAX format. According to sources including the Hollywood Reporter, Deadline, and others, this movie is said to be shown in more than 350 IMAX theaters. IMAX has over 1,000 theaters in existence, so I can only wonder which ones will be selling the golden tickets. Although another thing to consider is that all of these theaters that are playing the movie in IMAX 70mm are located somewhere in North America. Is it possible that this is only exclusive to North America? I think that might be the case. In fact, don’t trust me completely, because I don’t have evidence to completely back this up, but I think I remember reading about this somewhere, I don’t know where, but wherever I read this had a statement saying that this was exclusive to North America. I don’t know, maybe I’m imagining things, but I don’t work for Warner Brothers, I don’t work for the movie industry, so I’ll admit upfront, I might not be the first guy you’d want to trust on every single detail you hear.

Another thing I will say though is that “2001: A Space Odyssey” is one of those masterpieces that you have to catch before you die. There’s a reason why it has a spot in the IMDb top 250! And let me tell you something about this movie. Last June, I caught the movie twice in a 70mm theatrical setting, as mentioned earlier. A week after I saw “2001” in the theater for the second time that month, I was going on a trip to Walt Disney World, because my family and I decided to give more money to the people we already gave money to for their work on “Avengers: Infinity War,” “Incredibles 2,” “Black Panther,” and unfortunately, “Solo: A Star Wars Story.” On the way back from the trip, I was searching through JetBlue’s options for free movies. One movie on the free list was “2001,” so I started watching it. And I realized it was missing something I usually get when I watch the movie, not only at the theater, but even when I watch the Blu-ray.

It was the overture that occurs before the MGM logo… In fact, if I remember correctly, I don’t even think the MGM logo appeared either.

Sure, that is a weird compliant… But having watched this movie several times, that is probably something that I will continue to associate with my experiences. And this made me realize something. “2001” IS NOT A PLANE MOVIE. Would I watch “2001” anywhere I go? I probably would. I consider it to be one of my favorite movies of all time. But if you ask me, if you should watch the movie on a plane, that is probably not my goto choice. If you want the full power of “2001,” either watch it in an area where you can get some peace and quiet on a decent TV screen or projection wall, or in a theater. I don’t know if we as living creatures will ever get an opportunity to watch “2001” in IMAX ever again. Maybe I will, maybe when it turns 75 or 100 years old, but in all seriousness, being given the chance to witness this masterful work of art in a place having to do with one of my all time biggest influences towards wanting to pursue a career in the film industry is a chance I don’t want slipping past my radar.

Thanks for reading this post! If you have read this and are rather interested in that post I just mentioned, “Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s,” I’ll have you know that the link to it is down below, so if you want to check it out, go right ahead! As for new reviews, the future is somewhat uncertain, but there are few things I’m seeking out right now including “The Spy Who Dumped Me,” “The Darkest Minds,” and one of my most anticipated movies of the year, A24’s “Eighth Grade.” Maybe I’ll sprinkle in a countdown somewhere since I haven’t done one in awhile, but seriously, only time will tell what will be happening here. Stay tuned for more great content, be sure to follow me and like this post! I want to know, are you planning to see “2001: A Space Odyssey” in IMAX? If so, which theater are you setting your eyes on for this? Let me know down below! Scene Before is your click to the flicks!

Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s: https://scenebefore.wordpress.com/2018/07/17/going-to-see-2001-a-space-odyssey-1968-a-tale-of-two-70s-spoilers/