Fantasy

Beetlejuice Beetlejuice (2024): A Long-Awaited, Gorgeously Convoluted Sequel to Tim Burton’s 1988 Horror Comedy

Posted on by Jack Drees

“Beetlejuice Beetlejuice” is directed by Tim Burton (Edward Scissorhands, Charlie and the Chocolate Factory) and stars Michael Keaton (Batman, Spider-Man: Homecoming), Winona Ryder (Little Women, The Age of Innocence), Catherine O’Hara (The Nightmare Before Christmas, Schitt’s Creek), Justin Theroux (The Girl on the Train, The LEGO Ninjago Movie), Monica Bellucci (The Passion of the Christ, The Matrix Reloaded) Jenna Ortega (Wednesday, Jane the Virgin), and Willem Dafoe (Spider-Man, The Lighthouse). This film is the sequel to the 1988 film “Beetlejuice” and follows the Deetz family as three generations return home to Winter River. Meanwhile, Lydia Deetz’s life turns upside down when her daughter, Astrid, accidentally opens the portal to the Afterlife.

Much like this summer’s “Twisters,” I perhaps got around to “Beetlejuice Beetlejuice” out of pure luck. Why? Much like the original “Twister,” I only saw the original “Beetlejuice” once. And I managed to watch 1996’s “Twister” just days before its follow-up released. The same can also be said for 1988’s “Beetlejuice.” As for my thoughts on that original film, I found it to be clever and it occasionally delivered a few chuckles. The production design and costumes are also pretty good. But it is not my favorite Tim Burton movie. That said, I did watch the marketing for “Beetlejuice Beetlejuice” and was somewhat captivated by it, even before seeing the original film. It looked like a good time, funny, and aesthetically pleasing.

For the record, I saw “Beetlejuice Beetlejuice” on its opening weekend in September. One of the first positives I can say about “Beetlejuice Beetlejuice,” and this is a timely one, is that it set the mood for spooky season. I love fall. I love this time of year. Especially as someone who lives in New England and has high standards for foliage. One tree’s trash is another man’s treasure. Speaking of my mood, this movie starts off by putting me in a good one. While the movie feels somewhat updated compared to the original, it is easy to tell it is part of the same universe, and it all starts with the intro credits. “Beetlejuice Beetlejuice” starts off in the best possible way it can. It kicks things off pretty similar to the original, where you have the opening credits, a series of nice-looking shots, and Danny Elfman’s awesome music booming in the background. It is very much a successful welcome back to this universe similar to how “Top Gun: Maverick” welcomed audiences back a couple years ago with some similar musical choices to its original counterpart.

Much like the original, Michael Keaton steals the show as Beetlejuice. He is funny, over the top, and gives it his all in the role. This is Keaton’s latest long-awaited comeback as a character he played in the 1980s. You may recall he reprised his role as Batman last year in “The Flash.” While I did not despise Keaton as Batman in “The Flash,” Keaton shines much brighter this time around as Beetlejuice. He is delightfully kooky and captures my attention every second he is on screen.

While this movie does see the return of actors like Winona Ryder, Catherine O’Hara, and the recently mentioned Michael Keaton, I was intrigued by the newer characters too. Believe it or not, I never watched “Wednesday” or the recent “Scream” movies so I was not fully familiar with Jenna Ortega’s resume. The only major role of hers I have seen was in 2022’s “X.” But I am delighted to say Ortega does an okay job in her role. I thought while her character was written with some cliches, I thought Ortega played her part well. I was invested in her role. She also develops a connection with a character named Jeremy Frazier, played by Arthur Conti. Their connection takes the story in a much deeper direction than I was anticipating. But while I appreciated the depth of the story by the time we get to see these two together, there are some things in this movie that I would have preferred to be cleaned up.

The biggest problem I have with “Beetlejuice Beetlejuice” is that this movie tries to shove so much into one project. This movie is on the shorter side, with a runtime of 104 minutes. But at times it feels longer. There are scenes in this film that go on for what feels like an eternity. Again, I had fun with this movie. But not only do scenes overplay, but there are so many story elements going on at the same time that “Beetlejuice Beetlejuice” falls into the typical sequel trap where it tends to go bigger, but unfortunately, not better. I cannot pinpoint to an element that breaks the movie beyond repair, but there is nevertheless so much going on.

Speaking of a lot of things going on, this film at times comes off as tonally inconsistent. To repeat what I said recently, the film is fun. That said, it is not all fun all the time. And when the tones shift, that transition feels nearly seismic. There are instances, particularly in the beginning of the film, that came off as serious. The movie’s serious moments were not as well executed as I would have hoped. They did not invest me as heavily as the moments that followed. As for the moments that followed, those are the moments that I came to the movie hoping to see and just so happened to be pleased by. The start of the film, perhaps the first half hour or so, feels dark and gloomy. However, I should not pretend this is not exactly dissimilar to the original film, where within the first ten minutes, we see a couple drive off a bridge and die. But even when that happens, there is a sense of wonder, a sense of mystery, a sense of fun. “Beetlejuice Beetlejuice” in comparison starts off making me wonder when the fun begins.

“Beetlejuice Beetlejuice” has some clever concepts and ideas. I like the direction in which they took Lydia Deetz’s character. We now see her hosting a show called Ghost House, which deals with the supernatural. One concept that stuck with me by the end of the film is a Soul Train that takes passengers to the Great Beyond. It is not just called that because of something that could happen to your soul, but there’s a cool sequence where we see tons of people around said train dancing to soul music. I think by the end of the film, that becomes one of the concepts that feels overdone, but still, it was clever.

As for other positives in the film, Willem Dafoe does a good job as Wolf Jackson, I thought he brought some energy to the project. The color palette of this film is gorgeously vivid and immersive. It is truly eye-popping at times. Like I said regarding the original, the sets in this film are also a work of art. They are otherworldly and offer some extensively pleasing detail. This film aces its looks, but falters a tad when it comes to its personality. It comes off as somebody you know, perhaps a good friend, trying too hard to please or impress you. While they may be partially successful in said task, part of you wants them to calm down. Their point has been established and their task has been accomplished eons ago, so to speak.

In the end, I am glad I saw “Beetlejuice Beetlejuice.” Does it feel like a movie only Tim Burton could make? For the most part I would say yes. But the movie is ultimately a series of ideas that sometimes works and at others, fail to stick the landing. If you liked Michael Keaton in the original film, you will like him in this one. He does a fantastic job as Beetlejuice. I am not one of those people who hails the original “Beetlejuice” as an all timer or as my favorite Tim Burton project, but I think this sequel is a step down from its 1988 predecessor. If I had to pick a film to watch tonight between the two, my pick is the original. I did not hate “Beetlejuice Beetlejuice.” There are moments to appreciate, but it is nowhere even close to being flawless. I am going to give “Beetlejuice Beetlejuice” a 6/10.

“Beetlejuice Beetlejuice” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next reviews are going to be for a couple animated films, “Transformers One” and “The Wild Robot!” Stay tuned! If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Beetlejuice Beetlejuice?” What did you think about it? Or, which of the two “Beetlejuice” movies do you prefer? Let me know down below! Scene Before is your click to the flicks!

Borderlands (2024): Boring Blands

Posted on by Jack Drees

“Borderlands” is directed by Eli Roth (Thanksgiving, The House with a Clock in Its Walls) and stars Cate Blanchett (Carol, Thor: Ragnarok), Kevin Hart (Jumanji: Welcome to the Jungle, Ride Along) Jack Black (Kung Fu Panda, The Super Mario Bros. Movie), Edgar Ramírez (Jungle Cruise, The 355), Ariana Greenblatt (65, Barbie), Florian Munteanu (Shang-Chi and the Legend of the Ten Rings, Creed II), Gina Gershon (Showgirls, Snoops), and Jamie Lee Curtis (Freaky Friday, Halloween), this film is based on the video game of the same name and centers around a team who tries to save a girl who holds the key to unimaginable power.

Video game adaptations have seen a bit of a high point in recent years, whether it is the growing success of the “Sonic the Hedgehog” movies, the high ratings of HBO’s “The Last of Us,” or the massive box office records set by “The Super Mario Bros. Movie.” And there are plenty more adaptations on the way. All of those properties are seeing follow-ups in the future. The “Mortal Kombat” movie released in 2021 is getting a sequel. Sony is currently making a live-action film adaptation based on “The Legend of Zelda.” Heck, they are making a “Minecraft” movie, and it is going to be live-action! Interesting choice there… Video game adaptations have come a long way. Many people will tell you that there have not been many great ones. Though a select few seem to have a continued following like the 1995 “Mortal Kombat.”

This is where we come to “Borderlands,” which is based on a game that I have never played. Granted, I have heard of it before walking into the theater, but I could never tell you what it is about, who the primary characters are, or even how good the story is. Interestingly, after seeing this movie, I barely have the stamina to tell you what it is about, who the primary characters are, or even how good the story is.

Hint, on that last part, it sucks!

The story behind “Borderlands” plays out like a boring video game objective. This movie feels as if I was playing a video game and was stuck on a level that is longer than life. Granted, it is somewhat well paced at times and fairly short, but just because it is well paced and short, does not mean it is sweet. Because all the substance within the short runtime is a discombobulated mess.

As I write this review, one of the films that comes to mind that “Borderlands” reminds me of is “Red Notice.” That movie is so notoriously bad and a potential reason why it likely even saw the light of day in the first place is because of star power. Granted, it likely cost a crapton of money, but if you were an executive and had the opportunity to sell a movie with Dwayne Johnson, Ryan Reynolds, and Gal Gadot on the poster, I am sure you will take it. These are three of the biggest stars in the world and it almost does not matter how good the script is at that point. “Borderlands” is led by several stars including Cate Blanchett, Jack Black, Jamie Lee Curtis, Kevin Hart, and Ariana Greenblatt. That is a stacked cast, and if you were to tell me they’d all be in a movie together, I would at least be curious about it. But when it comes to “Borderlands,” curiosity threw this cat into an incinerator.

In fact, you know what is funny? I said how this movie on paper, without a script, without a treatment, without any idea of how it is going to go, could most definitely be appealing just from imagining what an ensemble poster could look like. You know who thought the same thing? One of the films stars, Jamie Lee Curtis! Why is she in this movie? Because at heart, she is a fangirl. Perhaps not of the “Borderlands” franchise, but she has mentioned the reason why she took the part she had in “Borderlands” is due to Cate Blanchett being in the movie. Look, if I were an actor and I were pitched a movie, and you told me I was going to work with Cate Blanchett, I would be there in a chicken suit for all I care. But it does not change the fact that this dynamic duo of actresses are somewhat miscast. These two performers, to some degree, have aged past their respective parts. Jamie Lee Curtis in particular stands out when I say this. I looked up the character she plays based on how she is presented in the games, and while Curtis somewhat resembles her physically, she definitely looks younger in the source material. The same can be said for Blanchett. I hate saying this because both of these women are not just good at what they do, they are a couple of my favorite performers working today. And their recent outings continue to prove that like Curtis’s “Everything Everywhere All at Once” and Blanchett’s “Tar.” Are their performances in “Borderlands” at least worthy of a thumbs up? I guess?… I would say they are tolerable. As much as I did not love the writing for “Borderlands,” I think Blanchett in particular does the best she can as a character who clearly does not want to be doing what she is doing.

But while Cate Blanchett and Jamie Lee Curtis are busy bringing some of the superior performances to the movie, there is one actor on the cast that has given a voiceover performance so annoying that even Jar Jar Binks is looking at this character and saying, “MEESA GETTING A HEADACHE!” Ladies and gentlemen, I give you, Jack Black as Claptrap. Much like Jar Jar Binks in “The Phantom Menace,” Claptrap is obnoxious, talkative, and spews attempts at humor that would be better executed if it were in a program presented for toddlers. Again, Jamie Lee Curtis and Cate Blanchett do an okay job, but the more I hear Jack Black’s voice here, the more I question how the heck he was even cast in the first place. I hate saying this because I like Jack Black, and he has proven time and time again with the “Kung Fu Panda” franchise that he can unleash not just good, but great voiceover work. I do not doubt that he probably fulfilled the vision the director was probably aiming for at times. But if that is the case, than that vision needs a trip to LensCrafters. Just to paint a picture of how much Jack Black’s character got on my nerves, there is a scene where we see his character getting shot. If you saw the movie you likely know which one I am talking about. In a lot of cases, when I see a character get shot, it is sometimes a dramatic or emotional moment. When Claptrap gets shot, I was ecstatic. I was cheering. I did not care if those bullets killed him. If anything he is getting what he deserves for nearly destroying my brain.

It is really sad to see Jack Black give a performance like the one he gives here, especially considering he killed it in another video game adaptation, “The Super Mario Bros. Movie,” as Bowser. He was easily my favorite part of the film. Apparently, Black is not done with bringing video game characters to the screen, because he also is seemingly playing Steve in the upcoming “Minecraft” movie. Hopefully Black can come back from his performance as Claptrap, because to say it was harder to sit through than a race between turtles is probably the understatement of the year.

“Borderlands” is kind of like “Guardians of the Galaxy” if the people making the movie decided to suck all the fun out of it. There are no memorable songs that are stuck in my head by the time I leave the theater. All the attempts at humor are stale. The movie has a team of misfits, but none of them have chemistry. If anything, you are stuck with a lead whose attitude very much screams “I’m getting too old for this,” an annoying teen played by Ariana Greenblatt, and a surprisingly unfunny character played by Kevin Hart. Heck, even if Kevin Hart is not in the best movie like “The Wedding Ringer” he can still get a laugh out of me. Not this time around! “Borderlands” is polished and colorful, but is lacking a story with some of polish of its own. If it does not feel been there done that, then it certainly feels excruciatingly snore-inducing.

I was also marveled as to how this film looked at times. Frankly, it has the most unrealistic green screen and special effects I have seen in years. There are certain moments and effects that took me out of the movie, and if they did not, they definitely made me die inside. If you think Cate Blanchett in an orange wig is hard to buy, just wait until you see some of the backgrounds this movie provides. In some ways, this movie does resemble the art style and presentation of the video game. I will give it credit where it is due. But just because the movie is based on a video game, does not mean the backgrounds should look like they are out of a video game. I remember watching the 2020 “Sonic the Hedgehog” movie and seeing the Green Hill Zone on screen. While I could definitely tell there is a fantastical outlook to the place, within the context of the movie and everything else in it, I was able to buy this world. When I look at Pandora in “Borderlands,” I am immediately taken out of the movie. I cannot buy what this movie is trying to sell me.

The video game movie curse seems to be dying. Granted, I cannot think of a perfect video game adaptation. While “The Super Mario Bros. Movie” is faithful to the games, it is one of the most cliché productions of the past few years. “Sonic the Hedgehog” is a lot of fun, but definitely predictable. “Gran Turismo,” if you can technically call it an adaptation, was a joyous experience, but does not reinvent the wheel in terms of the story, and is sometimes bogged down by product placement. “Borderlands” feels like a product of years past. Specifically the years when many people were waiting for a video game movie they can be excited about but we did not quite reach that point yet. The script is awful, the backgrounds are as realistic as a high school play, the story is unmemorable, and worst of all, my time was surely wasted.

In the end, I had little expectations for “Borderlands” as I was going in, but little did I know what I would be in for. Much like this year’s “Argylle,” “Borderlands” excels at getting the best cast possible, but it equally excels in wasting each member in the ensemble. To add to the discombobulation of this disasterpiece, the film had reshoots a couple years after it went into production, but its director, Eli Roth did not even return to oversee it. So the studio brought in “Deadpool” director Tim Miller. So while I do not know who to wholly blame for certain things that happened in the film, I can easily say as far as Lionsgate is concerned, to call “Borderlands” a misfire would be generous. The writing is some of the worst of the year. The look of the film is atrocious. I am sure that if Cate Blanchett were not living through a pandemic or perhaps friends with Eli Roth since they did “The House with a Clock in Its Walls” together, she would have never signed onto this project. Just one moron’s theory… Again, if I were an actor and you told me Cate Blanchett was going to be in the same project as me, I would be stoked. That said, if I knew what the end product would be, then chances are I would question myself before actually taking on said project. As far as I am concerned, I surely hope “Borderlands” has zero chance of respawning on a screen in front of me ever again, and I am going to give the so-called movie a 1/10.

“Borderlands” is now playing in theaters and is available to rent or buy on VOD.

Thanks for reading this review! If you enjoyed this review, I have more coming! Stay tuned for my thoughts on “Skincare,” “My Old Ass,” “Reagan,” and “It Ends with Us.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Borderlands?” What did you think about it? Or, if you were cast in a movie, who is an actor that you would want to work with, even if you knew that said movie was going to be terrible? For me, one person that comes to mind is Seth MacFarlane. I have wanted to meet him for years so it would be a dream come true. Let me know in the comments down below! Scene Before is your click to the flicks!

Godzilla x Kong: The New Empire (2024): Stomp Away from This One…

Posted on by Jack Drees

“Godzilla x Kong: The New Empire” is directed by Adam Wingard (The Guest, Blair Witch) and stars Rebecca Hall (The Prestige, The Town), Brian Tyree Henry (Atlanta, Bullet Train), Dan Stevens (Downton Abbey, The Guest), Kaylee Hottle, Alex Ferns (Andor, Chernobyl), and Fala Chen (Shang-Chi and the Legend of the Ten Rings, The Undoing). This is the fifth entry to the MonsterVerse franchise as the two titular titans find themselves in battle once again. Meanwhile, a set of humans venture to Skull Island and unravel its mysteries.

Before we begin this review, I must shoutout my favorite film of 2023, “Godzilla Minus One.” I did not think the film was going to be bad, but I was not prepared for just how good that flick was going to be. Once the picture was over, I had to ask myself whether what I just watched was real. I did not think I was watching a “Godzilla” movie and instead, something better. But that’s probably an indicator of my limited experience with the franchise. Because most of it was through the ongoing MonsterVerse, which of course also has King Kong. Truthfully, the MonsterVerse does not have the best batting average when it comes to quality. “Godzilla” is barely passable. “Kong: Skull Island” had some fun moments. “Godzilla: King of the Monsters” is one of the biggest disappointments I have ever seen. “Godzilla vs. Kong” was admittedly one of the most fun experiences I had at the movies the year it came out. That said, the story and characters needed some work. Of the four previous movies, I had experiences with three of them that lean in a more positive direction, but I cannot say any of them are iconic.

I was not really looking forward to this installment. This would come as a bit of a surprise given how much I enjoyed the last movie. But the trailers did not win me over. It seemed to come with the same problems with the last film despite how much I enjoyed it. At the same time, there was no real oomph for the film. I mean, Godzilla’s pink now. Sure…

Additionally, like some other people, I continue to question how he can run so fast. I am genuinely bewildered as to how this speed is possible for someone like Godzilla.

But low expectations do not necessarily guarantee a bad movie. In fact, the lower my expectations, the greater the potential for a pleasant surprise, which is one of the greatest feelings I can have as a moviegoer. Unfortunately, there is no surprise here with “Godzilla x Kong.” It is not great. Thankfully, it is not as bad as “Godzilla: King of the Monsters,” which was another level of boring. But this movie feels like a classic case of looks over personality. The positives in this movie mainly come down to the dazzling visual effects, occasionally cool action sequences, and the overall neat design of Skull Island. Action-wise, the biggest problem I have is when things start to go down, I wish I felt more engaged with the stakes and the story. During “Godzilla vs. Kong,” I watched the action sequences and wondered where it would end up taking the characters involved. In “Godzilla x Kong: The New Empire,” the conflict and stakes did not feel as present as the last film. I felt like I was watching monsters fighting as opposed to immersing myself in the world and asking what is going to come of said fights. However, there are a couple instances in the choreography that I was genuinely not expecting. I did not laugh during this movie as much as I would believe it wanted me to, but I almost died during one particular sequence where Kong uses someone else as a weapon. I was cackling like an idiot. Speaking of which, when it comes to the script, I am sure the people who wrote this movie are not idiots, but I certainly felt like an idiot while hearing some of the dialogue.

Every other line uttered by the humans on Skull Island feels like something out of a tutorial or straight up exposition dump. I understand that this is a fantasy world and it is something we have not seen, but the dialogue out of these characters feels like it is bridging into wonderland. I will say though, one of the reasons why I think “Godzilla x Kong: The New Empire” is superior to “Godzilla: King of the Monsters” is because this new movie tends to at least embrace the fun of its absurd moments, even if I think they are too far-fetched, whereas “Godzilla: King of the Monsters” feels serious despite having an occasional failed attempt to throw in a funny line here and there. That said, both movies have the same problem. The humans.

Some of the humans from “Godzilla vs. Kong” make a return here. You’ve got Brian Tyree Henry back as Bernie Hayes (right). And he is just about as interesting as he was in 2021. That is if you can call a guy whose primary personality trait is “wacko podcaster” interesting.

I think the best human character of the entire cast is also one of the returning roles, specifically, Kaylee Hottle as Jia. I think her connection to Kong, which was established in the previous installment, makes for one of the film’s better elements of the story. Unfortunately, the rest of the cast feels like they are just there. There is nothing particularly striking about them.

Despite the throwaway human characters and lackluster dialogue, this movie, oddly enough, tends to kill it when it comes to visual storytelling at times. Specifically, when it comes to the monsters. Now, the monsters do not speak English. The closest many of these beasts come to talking is roaring. But there are select moments, most notably when it comes to characters like Kong and Skar King, the latter of whom is an effective villain. When I was watching select scenes with these characters, part of me wished I could spend more time with them as opposed to the humans who often felt as if they were interfering with the film’s quality. In fact, for a movie with “Godzilla” being the first word in the title, I am kind of surprised we did not get more screentime with “Godzilla” this time around. That said, this ultimately came off as Kong’s story more than anyone else. The movie is mostly set in his world, and shows off everything it has to offer, both good and bad. Therefore, when it comes to providing a Kong-centric journey, the movie does its job. Yes, Godzilla is there. But this is more of a “Kong” movie than a “Godzilla” movie. I mean, I get why he has more screentime. When you have all these human characters, you probably want a more humanized monster at the center. Of the two titular titans, Kong is the clear winner.

If I had anything else to add, I would say I am surprised humanity has not tried harder to turn against these monsters after seeing all the destruction they do to their world. The sound design in this film is to no surprise, boisterously cool. Also, out of all the things I expected to see in this movie, monster dentistry was not one of them. Remember how I said the movie sometimes embraces its silly nature? There is literally a whole scene dedicated to giving Kong a new tooth. I mean… I have seen stranger things. But even in this world, I admittedly almost have trouble buying this concept as much as it tries to blend itself into the script.

In the end, maybe it is because I feel spoiled after watching the Shakespearean masterpiece that is “Godzilla Minus One,” I feel like “Godzilla x Kong: The New Empire” is a ginormous waste of time. On the technical side, the film comes supersized with several positives from the way it is shot to the color grading to the sound to overall scale of everything on screen. Skull Island feels massive and inviting from scene one. It is almost like its own character. But everything surrounding it feels second tier. Every other time a human said something, I wanted to roll my eyes. Their involvement in the story did not do much for me. Honestly, when it comes to Godzilla’s presence in the film, I kind of felt underwhelmed. The moments he was on screen were okay, I just wish he were there a bit longer. I was not as engaged in this story as I wanted to be despite a few decent action scenes. I am not going to pretend 2021’s “Godzilla vs. Kong” had the best story either. But not only did it have better action, but as far as overall progression and pacing goes, I prefer that movie over this one. I am going to give “Godzilla x Kong: The New Empire” a 4/10.

“Godzilla x Kong: The New Empire” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! If you enjoyed this review, I have more coming soon! My next review is going to be for Dev Patel’s new film, “Monkey Man.” Stay tuned! Also, look out for my thoughts on “Abigail,” “Civil War,” “Boy Kills World,” “Challengers,” and “The Fall Guy.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Godzilla x Kong: The New Empire?” What did you think about it? Or, what is your favorite entry in the current MonsterVerse? Let me know down below! Scene Before is your click to the flicks!

Ghostbusters: Frozen Empire (2024): We Came, We Saw, But the Movie Only Barely Exceeded Average

Posted on by Jack Drees

“Ghostbsuters: Frozen Empire” is directed by Gil Kenan (Monster House, Poltergeist) and this film stars Paul Rudd (Dinner for Schmucks, Ant-Man), Carrie Coon (The Leftovers, Fargo), Finn Wolfhard (Stranger Things, It), Mckenna Grace (The Young and the Restless, Gifted), Kumail Nanjiani (Silicon Valley, The Big Sick), Patton Oswalt (King of Queens, A.P. Bio), Ernie Hudson (The Basketball Diaries, Quantum Leap), and Annie Potts (Toy Story, Young Sheldon). This movie traces back to the franchise’s origin point, New York City, and centers around the Ghostbusters’ quest to uncover the connections to an ancient artifact and to keep civilization from being trapped under ice.

Here is a fun fact about Scene Before, “Ghostbusters” literally got this blog started. I am serious. Because I started this blog in 2016 as part of a high school project. One of the big talking points at the time was the trailer for the “Ghostbusters” reboot, which I did not enjoy. Then months later, one of the big talking points was the movie connected to that trailer, which I did not enjoy. Like, really did not enjoy. In fact, when I did my worst films of the 2010s list, that was #1, and I stand by it. Could that movie have worked? Of course it could have! After seeing “The LEGO Movie,” I am under the impression any movie can work. But 2016’s “Ghostbusters” was not funny. The CGI was off-putting. And it is a waste of a lot of people’s talent. When I look back at the film, part of me hates talking about it. Because if I simply say I did not like the movie, there is probably someone out there pointing their finger at me and telling me that I hate women. I am all for women empowerment. Look at how epic “Wonder Woman” was the following year. I just wish this movie were handled better.

When “Ghostbusters: Afterlife” was announced, I was quite excited. I thought it was a little soon for a new “Ghostbusters” outing, but the trailers seemed to successfully balance nostalgia with an immersive, adventurous vibe. It was also nice to see the franchise outside of New York City for once. Unfortunately, I did not get to review the movie due to time constraints. But if you want my quick thoughts, I had a ball with it. I liked the new characters. Paul Rudd was great in his role. The sound design was quite good. And the action sequences were fun. The movie was a delight. The film by no means rewrote what it meant to be a box office success, but it was enough of a hit to justify another movie, in this case “Frozen Empire.”

Just to give a quick ranking of the “Ghostbusters” movies before this one came out, I would have to say the first one is easily the best. “Afterlife” comes in second. “Ghostbusters II” takes third place for me. And again, it pains me just mentioning it, but I have to be honest, my least favorite film of the franchise is the disconnected “Ghostbusters” 2016. So where does “Ghostbusters: Frozen Empire” rank amongst these movies?

Honestly, smack dab in the middle.

In a thumbs up, thumbs down world, “Ghostbusters: Frozen Empire” is an easy thumbs up. There is plenty to like about this sequel. But there is not a lot to love. Does the movie have decent nostalgia? Sure. Does the movie have a good concept? Sure. Is the humor on point? Sure, but it is not as strong as the original movie. Does it handle the newer characters well? Some better than others. This is the one thing about this movie, there are a lot of positives, but when I say positives, I do so knowing that these positives may not be worthy enough for me to go back and watch the movie a second time in the next few months.

Sorry to spoil a movie that is a couple years old, but in “Ghostbusters: Afterlife,” the four original “Ghostbusters” made an appearance towards the end of the film. And yes, I said four. They found a way to inject the late Harold Ramis into the project. In this installment, three of those four are back, and around for a bit longer. Ernie Hudson and Dan Aykroyd have more notable impacts on the story, but Bill Murray manages to squeeze himself in at some point.

One thing I have noticed about the “Ghostbusters” franchise, at least in the movies, is that all of the ghosts are not on the busters’ side. Obviously, if your crew is about killing ghosts, of course, you are going to not play nice with them. But this movie introduces a ghost character who I thought served as a nice antithesis to that idea to some degree. Specifically, Melody played by Emily Alan Lind. Throughout the film we see young Phoebe (Mckenna Grace) develop a connection with her that drives the plot forward significantly. The two have good chemistry and I like seeing them onscreen together. Some elements as to how their bond starts may come off as far-fetched or convenient, but at the same time, it does make sense in a franchise where the Statue of Liberty basically goes “Night at the Museum” during the climax of “Ghostbusters II.”

Although that subplot does not even bring forth the most convenient, perhaps out of left field part of the movie. Because that honor, if you can call it that, goes to something we see out of Kumail Nanjiani’s character, Nadeem Razmaadi (left center). As much as I enjoyed the climax of this movie, if there is one thing I did not like about it, there is a moment where we see Nadeem do something that had me going “Why?” The moment did not feel authentic. Again, I understand, it is “Ghostbusters.” The franchise has jumped the shark before. But I feel the franchise is at its best when there is a balance between reality and fantasy. This leans too far into the fantasy route for me.

This is not to suggest you have to like one movie over the other, but I have a feeling that if you like the 1980s “Ghostbusters” fare, you might feel more comfortable watching this movie at times compared to “Afterlife.” It’s back in New York City, you have more time with the original cast, and it has a much larger scale and feel. If you like those things, you should, on paper, have an okay time with this movie. But the reality is, much like what I said last week about “Kung Fu Panda 4,” if I were to introduce this franchise to someone, I would just start with the original. This follow-up is entertaining, but it does not change the game. It is not going to be remembered as one of the greats. Maybe I will catch it again on cable one day. “Ghostbusters” seems to have a large presence there anyway. But we shall see. It could be better. But for my money, I had fun with it.

In the end, “Ghostbusters: Frozen Empire” is an enjoyable time, but compared to a couple other installments in this franchise, it is not as good. When it comes to pure spectacle, this movie does not fail. There is an action scene in the first act that had me hooked and excited for whatever was going to come next. Was I intrigued by everything that came after? You can say that. But I am not going to pretend I will run down the street screaming my highest recommendations for this film. That said, if you decide to watch it, you might enjoy it. You never know. I am going to give “Ghostbusters: Frozen Empire” a 6/10.

“Ghostbusters: Frozen Empire” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! I have more reviews coming up in the pipeline including “Snack Shack,” “Godzilla x Kong: The New Empire,” “Monkey Man,” “Abigail,” and “Civil War.” Stay tuned! If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Ghostbusters: Frozen Empire?” What did you think about it? Or, what is your favorite “Ghostbusters” movie? And despite everything I said earlier, I welcome any and all opinions about the 2016 reboot. If you like it, more power to you. But for me, the original is the best one. Let me know your picks down below! Scene Before is your click to the flicks!

Wonka (2023): A Sweet But Tired Prequel Whose Strength Comes from Old Tricks

Posted on by Jack Drees

“Wonka” is directed by Paul King (Paddington, Space Force) and stars Timothée Chalamet (Dune, Call Me by Your Name), Calah Lane (This Is Us, Kidding), Keegan-Michael Key (Toy Story 4, Keanu), Paterson Joseph (Timeless, Peep Show), Matt Lucas (Come Fly with Me, Little Britain), Matthew Baynton (Ghosts, The Split), Sally Hawkins (Godzilla, The Shape of Water), Rowan Atkinson (Johnny English, The Lion King), Jim Carter (The Good Liar, Downton Abbey), Olivia Colman (The Favourite, The Mitchells vs. the Machines), and Hugh Grant (Four Weddings and a Funeral, Bridget Joneses Diary). This film is about a young Willy Wonka who tries to open a chocolate shop in the hopes of making his dreams a successful reality. He must also deal with the greed of a chocolate cartel that looms over him.

I absolutely adore “Willy Wonka and the Chocolate Factory.” When I was seven years old, I would watch that film almost every other night. I was equally as fascinated by some of Roald Dahl’s books, “Charlie and the Chocolate Factory” included. And if you all must know, I did watch the Tim Burton “Charlie and the Chocolate Factory” and while many of you will probably spew pitchforks at me, I do not just like the film, I kind of love it. It is simmered with the dark vibes of Wonka himself in every scene. Danny Elfman’s score is a banger. I really liked Freddie Highmore as Charlie. Johnny Depp as Willy Wonka leaves a little to be desired though, that’s the one big downside. Both films, especially the latter, make me want to stuff my face in chocolate. That’s how good those films are.

Thus far, we have had a couple of “Wonka” features that I tended to enjoy, so when I heard they were doing this new one with Timothée Chalamet, I was onboard. He is one of the best young talents working today. He has range. He has a natural look to him. So I was curious to see what he can do in a film like this. The great news is that Chalamet slays in his performance. As far as the Wonka character goes, he is significantly better than Johnny Depp. He is no Gene Wilder, but one thing to note about these two roles is that they are basically interconnected. This is set long before the events of the original “Chocolate Factory” story and the film does a decent job at making these two interpretations interlink. They don’t feel like the exact same character, but when it comes to a bridge in the gap between these two, it is filled exquisitely. Chalamet’s take on Willy Wonka matches his younger age, upbeat personality, and the dreams that clog his mind. Both Wonkas emit a sense of wonder and joy in their mannerisms, but as I watch Chalamet’s take and think about him, he seems to have more of a heart and significantly more patience than Wilder’s. Credit is due to Paul King as well for his stellar direction, as it felt not only distinctive, but effective enough to allow Chalamet to bring one of the year’s better performances.

Unfortunately, the film is not all pure imagination. In fact, the best parts of the movie to me, are mostly those in reference to nostalgia or things that came before in say “Willy Wonka and the Chocolate Factory.” Pretty much everything that is new feels like a far cry.

Much like “Willy Wonka and the Chocolate Factory,” “Wonka” is a musical. And there are callbacks to songs from the 1971 classic. The highlight of the film for me is the new take on the Oompa Loompa songs. They have new lyrics, new visuals, the whole nine yards. I thought those were well done, and it also helps that Hugh Grant sells the Oompa Loompa character to a tee.

The Hugh Grant Oompa Loompa might be my favorite character in the movie partially because of how Grant voices him. There is a certain snark factor to this character that I immediately welcomed. He also allowed for one of the better gags in the film during the second half. It is in the trailer, but having seen it in the film, it worked for me.

But with that Oompa Loompa bit aside, most of the musical numbers in this movie are some of the most forgettable and bland I have seen in ages. These are some of the most uninteresting musical numbers I have come across since 2021’s “Dear Evan Hansen.” As a movie, I liked “Wonka” better, but as a musical, this movie fails. Sure, there are rhymy timey lyrics, a lot of excuses for spectacles, all that jazz. That is what I come to expect in many musicals. But it is not a matter of it being in the movie, it is how it is done in the movie. I just wish the musical bits could have been done a little better.

The best way to describe “Wonka” to someone who has not seen the movie is that it is basically a Saturday morning cartoon come to life. Given the family friendly nature of the film and the musical aspect, that should not come as a surprise. In fact, Roald Dahl’s work, which this film is inspired by, has a very animated feel to it. Unfortunately though, if I were seven years old, I do not think I would be as transfixed by “Wonka” as I would hope to be. Maybe it would be one of those movies like “Attack of the Clones” that I like as a kid but grow up to realize it is not as good as I thought it was. To be honest, it is quite bland, it is a little boring at times. In fact, much like “Dear Evan Hansen,” I feel like the movie forces itself to be a musical at moments where it is better off staying closer to reality.

Sticking with the cartoony vibes, the antagonists of the film, specifically the chocolate cartel, feel rather mustache twirly. The movie does a terrible job at making these three look intimidating. The movie asks me to see them as bad people. And yes, objectively they are, but it is a matter of execution. There is almost no word I could use to describe this cartel other than unamusing. If anything, going back to the idea of “Wonka” basically being a live action cartoon, I theorize this film would be a lot better if they just went for the cartoon route and just animated it from start to finish. Heck, the musical scenes would pop more. The characters would come off as more appealing. In fact, many of the supporting characters like Bleacher (Tom Davis) and Mrs. Scrubbit (Olivia Colman) feel like they would lend themselves better to that style. If I had my way, I almost would want to see a 2D style animated movie set in this universe. I could imagine enormous potential with that concept. Unfortunately though, I don’t know how it would do at the box office, it would probably be a lot harder to market. But if word of mouth is good, maybe it would be worthwhile.

But if I have to be honest, the dialogue is unmemorable, the humor is metza metza, and the only performances in the movie I am going to fondly remember just so happen to be Timothee Chalamet as Willy Wonka and Calah Lane’s charming portrayal of Noodle. Both of those actors are the highlights of the film. They don’t always have the best chemistry, but going back to the dialogue, I am sure if I liked the dialogue better, maybe their chemistry would have worked better. Both actors seem to have done their best with the material handed to them. And as far as I am concerned, I have done my best on getting through this movie to call it one of the most average watches of the year.

In the end, “Wonka” was quite disappointing. The “Charlie and the Chocolate Factory” property was a big part of my childhood. Unfortunately this latest addition to it is nowhere near as magical or scrumdiddlyumptious. When I watched the 1971 and 2005 Roald Dahl book adaptations, it made me want to eat chocolate afterwards. I was a kid in a candy store. This latest prequel made me feel like an old man getting ready for my latest shouting event directed at a cloud. Paul King likely put his heart and soul into this project, but it unfortunately resulted in something that was poorly paced, uneven, and barely watchable. There are better movies to watch at the cinema this holiday season, or you can just stay at home and watch the other films this property has delivered over the years. I would recommend those over this one. I am going to give “Wonka” a 5/10.

Also, we have had two adaptations of “Charlie and the Chocolate Factory,” some other random takes on the property over the years, this prequel, and yet I have not seen a single “Charlie and the Great Glass Elevator” movie. Life is funny, isn’t it? Then again, having read both the “Charlie and the Chocolate Factory” books, the original appears more cinematic as it progresses, but that’s probably just the way I see it for now.

“Wonka” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for Illumination’s “Migration.” Also coming soon, I will have reviews for “Aquaman and the Lost Kingdom” and “Poor Things.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Wonka?” What did you think about it? Or, what is your favorite “Willy Wonka” or “Charlie and the Chocolate Factory” movie? Let me know down below! Scene Before is your click to the flicks!

The Marvels (2023): A Terrific Trio Delivers in a Freaky Friday-ish MCU Outing

Posted on by Jack Drees

“The Marvels” is directed by Nia DaCosta (Little Woods, Candyman) and stars Brie Larson (Room, Scott Pilgrim vs. the World), Teyonah Parris (If Beale Street Could Talk, Mad Men) Iman Vellani, Zawe Ashton (Velvet Buzzsaw, The Handmaid’s Tale), Gary Lewis (Joyeux Noël, Gangs of New York), Park Seo-joon (Kill Me, Heal Me, She was Pretty), Zenobia Shroff (The Big Sick, Soul), Mohan Kapur (Sadak 2, Hostages), Saagar Shaikh (Unfair & Ugly, Average Joe), and Samuel L. Jackson (Pulp Fiction, The Incredibles). This film features three superheroines who must band together to save the universe while dealing with an entanglement in their powers.

If you told me a month after “Captain Marvel” came out that we would be getting a sequel within the next few years, I would have believed you. In addition to being one of the most prominent comic book movies with a female lead, serving an underrepresented demographic, the film did gangbusters at the box office, grossing over a billion dollars. Unfortunately, if you ask me, I honestly think “Captain Marvel” is one of the weakest of the MCU films, and I gave it a 4/10 in my original review. Looking back at the film, it shines whenever Brie Larson and Samuel L. Jackson share the screen together. But there are many other instances where it falters. I thought the way Larson’s character was directed and written could have been better. I thought the hero’s stoic nature made her less palatable than she could have been. And I hate saying that because when I look back at Larson’s previous work like “Scott Pilgrim vs. the World” and “Room,” she has legit acting chops. And for all I know, she fulfilled the requirements of her role, but she was not given her finest work here. The villain is somewhat forgettable. The movie’s structure is a bit of a choice. Goose the Cat got on my nerves by the end of the film, and speaking of that, the film, which serves as a prequel to events that happen later in the MCU, reveals a certain detail about Nick Fury. Given the greater context of the MCU, I really hate how they went about exposing this detail. It felt out of left field and borderline cringeworthy.

But since “Captain Marvel” came out, we saw the rise of Disney+, which has brought shows like “WandaVision” and “Ms. Marvel” to the small screen. The former show features a prominent story from Monica Rambeau, the daughter of Maria Rambeau who is notably featured in “Captain Marvel.” Meanwhile Ms. Marvel introduces the new hyperactive, young, titular character to the ongoing universe. Thankfully, when it comes to the Marvel Disney+ series this film chooses to interlink, it chooses my two absolute favorites. Honestly, all the rest, minus select episodes of “What If…?” pale in comparison. But if you want my two cents, this brings up my first, and most obvious critique when it comes to “The Marvels.” If you have not seen “Captain Marvel,” then maybe you’ll be okay. You can get a sense of who Captain Marvel, AKA Carol Danvers, is in the snap of a finger. The movie does an okay job interjecting the two other leads, but I think you are easily going to appreciate them more if you tune into the Disney+ shows. If you read some of my more recent MCU movie reviews, my most prominent critique is that this whole cinematic universe is increasingly feeling like homework. “Doctor Strange in the Multiverese of Madness” sometimes feels like a commercial for “WandaVision” a year after its release. There is a certain connection a couple characters have between “Guardians of the Galaxy Vol. 3” that is established in The Guardians of the Galaxy Holiday Special.” The impact of that feels lessened knowing it comes from something comparatively smaller and timely. That said, the movie is still a banger, you should watch it.

“The Marvels” is honestly diving into a territory where the movies are taking advantage of as much Disney+ material as it can muster. If you did not see “WandaVision,” the impact of this movie would be lessened. If you did not see “Ms. Marvel,” I think there is still a lot to enjoy with the character, but maybe the impact would not be there as much. And with all these characters coming together in one picture, this is kind of what I feared would happen with the MCU. We would get to a point where the movies and Disney+ shows would be totally linked to a point where you almost cannot have one without the other. I enjoy the MCU, but this film reminds me of how much more fun this universe was when it was just about the next big event picture, and now with the TV shows, it comes off as a commodity to the point where there is too much. “The Marvels,” despite my enjoyment of it, feels like a mish mash. There is so much going on in such a short runtime.

But what saves the film in such a seismic manner just so happens to be the three leads themselves. Regardless of how much knowledge you had about any of them prior to watching this movie, I am willing to bet that if you watch this movie by itself as an introduction to these three characters, you will walk out having liked them. If anything, I think this film gives a much more likable portrayal of Captain Marvel than what we got in her 2019 film. She has a wider range of emotions while also maintaining her space goddess mentality she carried throughout her previous appearances. When it comes to Monica Rambeau, I think if I had to name the weakest character in the trio, it would be her. She appears to be given the least to do amongst the three, but she has a number of decent lines and standout moments on screen. Easily my favorite of the trio is Ms. Marvel, AKA Kamala Khan. A lot of that has to do with the infinite charm emitted by young actress Iman Vellani. Between the “Ms. Marvel” show and now this brand new movie, Vellani is perfectly cast in Ms. Marvel’s shoes. Vellani herself is a massive Marvel fangirl, and she very much interjects that into the personality of the Ms. Marvel character. If anything, Vellani reminds me of myself a little bit. She is dynamic, often upbeat, and often carries a smile even when the situation may seem dire. She spends a ton of the movie looking up to Captain Marvel as an idol and when she sees her in person, she almost comes off as if she is getting too close.

If this movie proves anything, it is that of the three main heroes in the trio, Ms. Marvel is easily the most fun to watch, and Marvel should honestly utilize Vellani’s talents as much as they can. She clearly enjoys playing the character. A lot of the stuff she is doing stands out amongst Marvel’s recent fare. And she is practically a scene stealer. Additionally, I love her family, particularly her parents. Both have tons of personality. For the screentime they have in this movie, they are used to their maximum potential.

Unfortunately though, the movie is not all rainbows and unicorns. In addition to the whole Marvel becoming homework thing that seems to increase in every other project, there is a scene in this film that feels entirely out of place. “The Marvels” is undoubtedly lighthearted. Especially when compared to other Marvel projects like “Doctor Strange in the Multiverse of Madness” and “Eternals.” But there is a scene in this film that feels too light to the point where it feels like it is coming out of a goofy Disney animation. Without giving too much away, the main trio ends up going to a planet where we find out the inhabitants all communicate through song. The way this is done is about as close to a bad “SpongeBob SquarePants” episode that the MCU has gotten in its decade and a half of existing. I have spent much of this movie with my mouth open. Either because I was eating popcorn or laughing. I had my mouth open during this scene as well, but not for good reason. I was perplexed as to what was going on, if I was dreaming, and if this was even the same movie I was just watching moments earlier.

There is also another scene that is not as bad, but is still a lesser moment of the film that somewhat failed to emit the effect it was probably going for, and it involves a ton of cats. Now maybe if I was a cat person I would feel differently about this scene. Heck, I’m not even a dog person. I’m barely a people person. But as this scene was happening, my brain kind of turned itself off and back on again. I knew what was happening, but I was not able to get any reaction out of it. If I had to name a low point of the Marvels, particularly a low point that is still high enough to keep me from ripping my ears off my face, it would be the chaotic flerken scene. It might be a hit with some audiences, but it was not for me.

The beauty of the best Marvel movies is that even when there may be a ton of setup for what’s to come, the product in front of you feels like a delicious main course. Don’t get me wrong, “The Marvels” was enjoyable, but it feels like an overreliance of what came before while also setting up so much for what could come next. When I said this movie is so much going on in such a short runtime, I was not kidding. I do not mind a short movie, I also do not mind a long movie. But a movie works best when it evenly distributes its material for a best possible runtime that can keep me engaged. “The Marvels” kept me engaged the entire time, but it did so while going at a pace that felt almost equal to a disposable TikTok video.

When it comes to Marvel villains, they are all over the place by now. After all, with so many movies out at this point, you are going to have your high and low moments. When it comes to the Marvel villain rankings for me, this film’s antagonist, Dar-Benn, is around the middle to low tier. I thought Zawe Ashton does a decent job as the character. But if I have to pinpoint any noticeable flaws, I would say that some of her lines are cliche. She does not really do much to stand out similar to say Marvel’s last two villains, specifically Kang the Conqueror and the High Evolutionary. Both villains do a great job at making their presence known or establishing clear motivations that make them the character in the film I love to hate the most. Dar-Benn has her moments. She is fun to watch in action. The way they utilize a couple plot devices with this character is effective. To call her cookie cutter would be a tiny stretch, but she is probably going to be one of the MCU’s more forgettable villains we have gotten over the years. She is not offensive, but to call her anything beyond serviceable would be generous.

If Marvel, and the comic book movie sub-genre in general for that matter, has lacked something for many years, it is a set of prominent female-led films that are really good. Sure, the 2017 “Wonder Woman” movie was fantastic, and for some time, my favorite film in the DCEU. Yes, I enjoyed “Black Widow” and “Black Panther: Wakanda Forever.” And yes, “Captain Marvel” made over a billion dollars, but I think this film does a better job at showcasing women superheroes in the forefront than that movie did. And that is highlighted by something I felt was lacking in “Captain Marvel,” emotion. Throughout my watch of “The Marvels,” I came to the conclusion that I was having a much better experience watching the leads. No disrespect to Samuel L. Jackson, I would honestly rather see Brie Larson next to Teyonah Parris and Iman Vellani for a bit longer if I could. And when it comes to the idea of emotion, Captain Marvel is more dynamic this time around than in her first MCU appearance. Additionally, the two supporting heroes add quite a bit to the table to keep me engaged. I think the movie, despite its flaws, works because it takes these three heroes and does a great job at fleshing them out. It dives heavily into their strengths, their weaknesses, their personalities. And that is something I kind of wanted to see out of Captain Marvel in her first outing in the MCU. Sure, we learn a bit about her backstory there, but I was more compelled by how her story is laid out in this film. And the material, whether it is better or worse than “Captain Marvel” honestly lends to a superior performance from Brie Larson herself. Maybe it is because she’s already played the character so she has had to time to adjust to the role, but I think she is better here than she was in “Captain Marvel.”

Part of what makes these three leads click is not just their interactions and how the movie utilizes their chemistry, which is as close to perfect as it can get to be honest. But the film’s driving concept for these three heroes lends itself to pure fun. I sometimes find myself fascinated with a “Freaky Friday”-esque concept. In the case of “The Marvels,” the characters do not quite switch bodies, but more or less switch places. In addition to being a clever idea, it also lends itself to a fun montage with the Beastie Boys song “Intergalactic” playing in the background.

In the end, “The Marvels” is sort of all over the place. But the positives heavily outweigh the negatives when I break everything down. If you asked me if I were to watch this movie sometime in the next year or so, I would not be opposed to it. I do not think it is the best superhero movie this year. If anything, it is one of the weaker ones, but I think it is still as entertaining as popcorn movies can get. It is hilarious, has great characters, and comes with a concept that is… (sigh) marvelously done. I think the film’s biggest weakness comes from the notion that the MCU itself has gotten so big. And personally, I would not have as much of a problem with that if Disney+ did not exist, but now that Marvel movies and TV shows are interlinked, I think it is only leading to extended convolution in the franchise. And while I may watch just about everything the franchise has to offer, the film relies on a bit that comes before it, and that could be a red flag for general audiences or less informed consumers. There are a couple gags that do not work, and I do think the villain is alright at best, but the terrific trio, and that is putting it lightly, of superheroines make this latest comic book movie worth the watch. I am going to give “The Marvels” a generously high 6/10.

I almost want to give two scores for “The Marvels.” Because if we are going for a pure fun factor, this movie would probably be an easy 7/10, but I also have to recognize that this movie works for me probably because I was exposed to much of what the MCU has to offer. The film sometimes relies on a couple movies and TV shows in its marketing and I think if you did not see those, this would be slightly harder to recommend. That said, I think you could still have a decent time with the movie. But there are a lot of other titles in the MCU that would be a better gateway to everything else. I took my dad to see this film, and while he missed out on “The Marvels,” he still liked what he saw. He did not have anything initially negative to say about it. Having talked with him since, we came to an agreement that this is not Marvel’s best work, but we both had a fun time.

“The Marvels” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for Disney’s latest animated film, “Wish!” The film just hit theaters last week, and I will have my thoughts on it soon! Also coming soon, I will have reviews coming for “Next Goal Wins,” “The Holdovers,” and “Napoleon!” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Marvels?” What did you think about it? Or, did you see “Captain Marvel?” What about “WandaVision?” Did you check out “Ms. Marvel?” Let me know about your thoughts on those entries to the MCU! Scene Before is your click to the flicks!

The Tunnel to Summer, the Exit of Goodbyes (2022): A Fantastic, Time-Spanning Concept Wound Together Beautifully by an Excellent Leading Duo

Posted on by Jack Drees

“The Tunnel to Summer, the Exit of Goodbyes” is written and directed by Tomohisa Taguchi (Bleach: Thousand-Year Blood War, Akudama Drive) and stars Oji Suzuka and Marie Iitoyo as Kaoru Tono and Anzu Hanoshiro. The film centers around these two teens who develop a companionship all the while discovering the ins and outs of the mysterious Urashima Tunnel, where the laws of time and space are completely different from reality.

When the first hour or so of the past few years started, I would often scour Internet sources like Wikipedia, IMDb, YouTube, to get a sense of the films that are coming out later on in the year. Often times, most of the confirmed content would come from recognizable names or franchises, therefore a film like “The Tunnel to Summer, the Exit of Goodbyes” was never on my radar. I never knew of the original source material, but I saw that the film had a few shows near me at select theaters, so I thought, “New anime… Never heard of it, what’s it about?” As soon as I saw the premise, I was sold. It sounded borderline existential from the description I read. Having seen the movie, I can tell you upfront that this is easily one of the best times I had at a cinema this year. The film is based on a light novel, which has since sparked a manga series. I am not sure how faithful this material is to its source, therefore I have nothing to compare it to. I am just a third party observer who just wanted to see a good movie. I got a great movie.

My favorite thing about “The Tunnel to Summer, the Exit of Goodbyes” is everything involving the introduction and buildup of the tunnel itself. Some of my favorite films of the past decade like “Arrival” works really well because of how perfectly it sets up its out of the ordinary environment. “The Tunnel to Summer, the Exit of Goodbyes” works to a similar capacity. When it comes to some of the more visual aspects of the story, it allowed for some immersive scenes. When we see the two leads come together, it allows for one of the most inviting and intriguing moments of exploration I can remember seeing in a film. It also helps that the tunnel itself is a cool concept on its own. The fact that staying in there for long periods of time can quickly take you through many years of your own life? That is a killer idea.

But of course, it also helps that the events of the real world are just as exciting and riveting. When we get a sense of Kaoru’s background, there is some family drama we get to explore that helps not only establish the character, but get me to root for him. I also love the background we learn about Anzu, specifically how it ties back to her grandfather. It sort of reminded me of a relationship we saw in one of my favorite films from the past year, “The Fabelmans,” specifically between the titular family and Uncle Boris. While not exactly the same in principle, both relationships tend to stem off the backbone that a character became committed to the arts and their family eventually ended up casting them out to a degree. In this film, it is revealed that Anzu’s grandfather is a rather unsuccessful, but apparently passionate, manga artist. Anzu wants to follow in his footsteps, much to the backlash to her parents. This becomes a bit of a driving force for the character and it is one that I appreciate as someone who is a bit of an artist himself. Ever since I was young I always wanted to work in media or film. Right now I call myself incredibly lucky to be able to do that, and continue to talk about my passion for the industry on this blog. This film makes me appreciate the support I have from my parents for allowing me to set myself into an industry that I admire. I am, and always have been, an artist, and I think if you are either an aspiring, somewhat accomplished, or heavily experienced artist, you will relate to the character of Anzu. She manages to both love what she does but also pack in some hints of imposter syndrome. I share my written work here on a regular basis, but I will not deny that there are times where I have done reviews or other forms of art where I feel like I could have done better or maybe I am not confident in the material or my ability to complete it. I nevertheless push through because I want to see the journey of my progress reach the end, but it goes to show how relatable the character is.

If I have any real gripes with the film, there would be very few. If I had to be real, I would say that the film does feel tonally inconsistent at times. At one moment it is kind of cutesy, at another it is somewhat adventurous, and at another it is a serious drama. Sure, these kind of make for a neat package once the bow is tied, but I will not deny that the movie almost, and I put emphasis on the word almost, misses an identity because of it. Other than that, some of the supporting characters are a tad over the top, which does not really help considering how comparably down to earth much of the movie plays out in its execution, especially with its two leads. And yes, that is a weird thing to say when much of the plot revolves around a mysterious tunnel, but the way that pans out, given the circumstances, feels somewhat grounded when everything unfolds. If anything, this film creates a successful fine line between adventure and gloom, but it does not change how there are moments of the narrative that feel less in line with others.

Sticking with the idea of adventure and gloom, the film perfectly represents that in its visual style. I was not expecting it from the poster I saw prior to entering the cinema, but it nevertheless struck me with a sense of awe I am not accustomed to experiencing. At times the film is fun, at others I am riveted with the drama on screen. The color palette often times looks bleak and depressing, but it does not mean the movie fails to occasionally spark joy. But everything inside the tunnel not only looks otherworldly, but much more wonderous than everything in the real world. The movie does a good job at differentiating the vibes between the characters’ reality and the magic of the tunnel. There are plenty of bright and vivid moments, but the ones that give a greater soap opera feel in the film tend to stand out.

As for other positives, the music in the film is quite good. Everything from start to finish in the narrative had my attention. The movie for the most part is well-paced. The animation is sparkly and pristine. The voice acting is great. And if you must know I did watch the Japanese edition. This film reminded me a lot of flicks like “Arrival” or “Inception” where we have this unique concept to explore and the process of doing so is ever so exciting. I went into this movie curious, and I left the movie hooked by everything in it. I do not regret seeing this film during its short run.

In the end, “The Tunnel to Summer, the Exit of Goodbyes” is the third anime film I have seen in 2023, and of the three, it is the weakest. That said, it is also one of the better films of the year. When I first put the film amongst my rankings so far this year, this actually ended up in my top 10, at least for now. But I put it there for a reason, because it engaged me the entire time. Not once was I tired, uninterested, bored, or agonized by any of it. Sure, it has its flaws, but even when I think about them, they feel totally minor. They almost don’t even exist to a degree. The positives in this film not only stand out, they sparkle like gold. The main characters are both compelling and have phenomenal chemistry. Said chemistry is highlighted by their two talented voice actors. The concept of the film is fantastic. Both on paper and in execution. The tunnel itself is brilliantly designed, nicely colored, and easy on the eyes. Despite some minor tonal inconsistency, this film blends drama and adventure beautifully. I highly recommend you check this out at some point. I am not sure how long this rating is going to stick as I do want to watch it again in the near future and am very curious as to how a second viewing would go, but as for my first viewing, I am going to give “The Tunnel to Summer, the Exit of Goodbyes,” an 8/10.

“The Tunnel to Summer, the Exit of Goodbyes” is currently playing in select theaters. The film is also available to buy on VOD.

Thanks for reading this review! If you enjoyed this review, why not check out my other ones? I mentioned this is the third anime title I reviewed in 2023. If you want to know the other two, check out my reviews for “Suzume” and “The First Slam Dunk.” My next review is going to be for the brand new MCU installment, “The Marvels!” Also coming soon, I will have my thoughts on “Wish” and “Next Goal Wins.” Speaking of anime, this review is a ways out, but I just got my ticket for Hayao Miyazaki’s latest film, “The Boy and the Heron.” If I play my cards right, that review should be up sometime next month. If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Tunnel to Summer, the Exit of Goodbyes?” What did you think about it? Or, do you have a favorite anime you have seen this year? I’ll also accept television. Tell me about it! Scene Before is your click to the flicks!

The Flash (2023): Andy Muschietti Helms an Entertaining, Though Flawed Spectacle

Posted on by Jack Drees

“The Flash” is directed by Andy Muschietti (It, Mama) and stars Ezra Miller (Fantastic Beasts and Where to Find Them, The Perks of Being a Wallflower), Sasha Calle (The Young and the Restless, Socially Awkward), Michael Shannon (Nine Perfect Strangers, Mud), Ron Livingston (Office Space, Band of Brothers), Maribel Verdú (Pan’s Labyrinth, Tetro), Kiersey Clemons (Neighbors 2: Sorority Rising, Dope), Antje Traue (Seventh Son, Criminal), and Michael Keaton (Spider-Man: Homecoming, Spotlight). The film is about Barry Allen, otherwise known as the Flash, a speedster whose desire to change the past ruins the present. With the help of Supergirl and an alternate Batman, Allen must fight to save the future.

It is finally here! “The Flash…” The movie with a speedy character but a snail-like development. What took this movie so long? Well, a buttload of happenstances to make a long story short. Directors leaving, delays, COVID-19, Warner Bros. changing hands a couple times, and of course, the curse of Ezra Miller. An individual whose plethora of crimes and accusations include grooming, assault, harassment, among other things. At the end of the day though, Miller only a small part of this movie. “The Flash” is ultimately the product of Warner Bros. and Andy Muschietti. This film is not the first time these two have collaborated, as Muschietti directed the incredible 2017 horror flick “It,” based on the Stephen King novel. He also returned to direct “It: Chapter Two,” which is a step down, but still a halfway decent follow-up. My problems with those films had little to do with Muschietti’s direction. The films look, sound, and present themselves fantastically. Each cast member, including those on the younger side, do a great job in those films. Therefore, I was intrigued to know Muschietti was at the helm for this “Flash” project.

But FLASH forward to the time this film comes out… If we look at the current state of the DCEU, its track record has been mixed as of late. To be frank, I adore James Gunn’s “The Suicide Squad,” and continue to think it is the best DC movie to date. My dad and I quote King Shark almost every other week. “Black Adam,” while kind of disappointing given how much hype there was going into it, had its moments. Despite being a massive box office failure, “Shazam!: Fury of the Gods” is honestly a really entertaining movie. Granted, it is unbelievably cliché at times and features one of the worst instances of product placement I have ever seen, but I recommend the film despite these negatives. Though speaking of James Gunn, he is now one of the two heads of DC Studios, which is going to reboot the DC characters entirely later this decade. Due to his position of power, he got to see “The Flash” early, and claimed it is “probably one of the greatest superhero movies ever made.” From the guy who did the “Guardians of the Galaxy” films, in addition to, again, literally my favorite DC film, this says something. Gunn comes off as not only a solid filmmaker, but an enthusiast of the comic book source material in addition to the sub-genre inspired by it. Though of course, he works for Warner Bros. and DC, therefore he cannot say the film sucks, otherwise he would face serious consequences.

Having seen “The Flash,” I do not concur with James Gunn’s statement. I think “The Flash” is far from being the best superhero movie ever, not to mention far from being the best DC movie ever. This film does not meet the quality of other titles like “The Dark Knight,” “Wonder Woman,” or, not to beat a dead horse, James Gunn’s own cinematic masterpiece “The Suicide Squad.” Though if I have to be honest, “The Flash” is not a bad movie. I had a really good time with it. Having said that, I have come across some people who beg to differ, and one of the issues they often bring up are the special effects. I am not going to pretend all of the effects in “The Flash” work, but if I have to be frank, a lot of them do, it is just a select few obvious green screen shots and… (sigh) FLASHY moments that get in the way.

There is also a segment featuring obviously unreal babies. The moment I looked at those babies, my eyes almost darted away from the screen, but at the same time, I give “The Flash” credit for not putting real babies in danger. In fact there is one part of this specific scene where if they did use real babies, there is a good chance that would raise some controversy because one of them, courtesy of Barry Allen’s actions, ends up in a microwave. Thankfully, the microwave is not timing itself out, but it does not change the fact that Barry put a baby in a microwave. The specific scene has some haunting frames. But if I have to be honest, it was actually a solid scene because once we get to the digital baby highlight reel, it puts Barry in a terrible scenario. Because not only does Barry have to save a surplus of babies at once, he must also acquire a therapy dog. This movie puts the two most prominent creatures people want to protect in danger at once. Human babies and dogs. “The Flash” knows what it is doing. When it comes to handling the protagonist, I like how the film goes about it. That is also evidenced by the heart of the film, Barry’s connection with his deceased mother.

Like many superpowered individuals, Barry’s guardian, specifically his mom, died during his youth. Therefore it should not be a surprise that Barry Allen’s ultimate desire in “The Flash” is to see his mom again. I thought this was a well executed thread that tied everything together. This desire propels Barry to do everything he does throughout the film. While this is a cliché of the hero’s journey structure, this film handles it perfectly. There are a couple scenes featuring Barry’s mother and they continue to stick with me. There is one scene featuring her in particular that serves as a competitor to be my favorite part of the movie. Because while this movie is, as the title of this review suggests, a spectacle, it puts the emotions of the characters first. Well, for the most part. I think when we get to the more spectacular moments, one problem I have with them is that the huge scale action sometimes takes away from said emotion. This is especially noticeable during the climax. There is a moment where a couple characters keep doing something that could present itself as one of high stakes, but as I watch it, I cannot help but feel like the stakes lessen each time. As cool as time travel is, this movie presents a stakes-related flaw in these kinds of stories.

Although speaking of time and reality, this movie continues the multiverse trend that has been a part of many titles as of late. In fact, around 2021 to 2022, I often joked that “The Flash” might as well be called “Batman: No Way Home” because much like “Spider-Man: No Way Home” does with its titular hero, multiple Batmen from alternate cinematic timelines appear in this film. “The Flash” and “Spider-Man: No Way Home” are not even remotely close to being the same kind of movie. Though they have quite a few commonalities in addition to the multiverse aspect. Both have protagonists who at one point have to carry on despite the loss of their guardian consuming them. These protagonists also end up screwing their own timelines, therefore allowing the rest of the story to happen. Not to mention, there is plenty of nostalgia and fan service throughout.

In fact, I was kind of expecting fan service given the nature of “The Flash” and the fact that both Ben Affleck and Michael Keaton appear in the film as their respective Batman characters. Although I was not prepared for some of what this movie had to offer. In fact, going back to “No Way Home,” while I think “No Way Home” has overall more satisfying and better fan service, there is a shock value attached to some of the fan service in “The Flash.” If you stay off the Internet and avoid looking at certain pieces of merchandise, you might be totally surprised by some of the things that happen in this film. There is one moment I heard about going in that I was pleased to see for more reasons than one. But there was one moment in the last scene that made me shout “Oh my god!” out loud in the theater. I was caught totally off guard. In fact, during the moment this scene played, the movie ended, and it made me want more. And I am somewhat disappointed to say that we will probably never get more because the DCEU is coming to an end. The more I think about it post-viewing, this scene could also come off as a joke as much as a shocking story development, but if the DCEU was to continue and this was not a joke, I would love to see where things go next. Given the context of the scene and what it references, it seems weird to say, but I am not kidding. Yet the more I think about it, maybe I would not want to see where things go because I think Ezra Miller needs to focus on things that may be more important to them at this time than acting.

Although if there is one moment of fan service that I did not like, it would be a callback to one of Michael Keaton’s iconic lines. It comes at the end of a particular scene where the heroes get set to move onto the next part of their journey. Specifically, Keaton’s Bruce Wayne utters, “You wanna get nuts? Let’s get nuts.” While I get the context of the line, it feels forced and out of place in the scene. The scene would have already been perfect had he said nothing, but he pops in at the last minute just to check in with the audience and test their memory. It does not add anything to the scene, the plot, or the movie. It is just there for the sake of being there. I know nostalgia can be appealing, but there are moments where it makes sense and others where it does not. This is a case of the latter.

Much like the preceding DCEU entry, “Shazam!: Fury of the Gods,” “The Flash” has incredible pacing. There is not a single moment of this movie where I wanted to drift off to sleep. There is a lot to like within the 2 hour and 24 minute runtime. This movie is a minute longer than “Aquaman” and yet it feels shorter. Maybe it is because there is a notable use of slow motion at times, perhaps that is a culprit, but it does not change the fact that “The Flash” wizzes by and never wastes a second. I was entertained through each act and wanted to know how things unfolded as they went along.

To be honest, this is why I liked this movie. Because while I acknowledge some people can be turned off by the visual effects, I do not think bad visual effects can always get in the way of a good story. For the most part, “The Flash” is a solid story with a likable protagonist. Barry’s relationship with his carbon copy is off and on for me, but there are moments where it works. Although speaking of effects, even though there are two Barrys on screen, their movements compared to one another, felt seamless. Not once did I look at this duo, who are in quite a bit of the movie, and feel distracted or taken out. Again, there are some distracting visuals in “The Flash,” but the two Barrys are an example of some great visual effects in this movie.

If you have not read Scene Before in the past, you may be shocked to hear that I would probably rather watch “The Flash” over the most recent “Avatar” film. Yes, “Avatar: The Way of Water” looks pretty. But the characters range from disposable to forgettable to overly cartoony. The story is also fairly lackluster. Seeing Barry Allen’s journey is honestly more palatable than that of the Sully family. I found myself intrigued with his development as a character, in addition to hanging out with some of the film’s supporting cast. There are better visual effects in the DCEU, though if I have to also be honest, I think the visuals in “The Flash” might even be superior to a recent MCU flick, specifically “Ant-Man and the Wasp: Quantumania.” While definitely stylized, I found myself immersed in the world of “The Flash,” whereas I did not believe what my eyes saw in “Quantumania.” Sure, that movie looks nice at times and there are moments where the effects do pop, but portions of it feel artificial.

Oh, and there is also the revolting eyesore that some people refer to as M.O.D.O.K….

Let me make something clear. If you are skipping out on “The Flash” because Ezra Miller did the things they did, I understand. That said, the movie itself is a blast to watch. The journey of Barry Allen makes the film as joyous as it is. If you take out some of the fan service and the fact that there are two preexisting Batman characters in the film, I still think the narrative is quite good. This is by no means the next “Spider-Man 2” but I had a nice time watching this film.

In the end, “The Flash” is not the best comic book movie of the year, nor is it even the best multiverse-based movie of the year. Both of those honors frankly belong to “Spider-Man: Across the Spider-Verse.” But like “Spider-Man: Across the Spider-Verse,” I walked out of “The Flash” with the notion that I had a good time. It has its flaws, and I am not afraid to point them out. But all of the actors do a great job with their individual characters. There are quite a few fun scenes. For me, the fan service landed most of the time. How it will land with you may depend on your knowledge of comic book movies. But that is probably going to vary from viewer to viewer. When it comes to pure entertainment value, this is a movie I do not regret seeing. Maybe I will watch it again at some point. I would put this in the same boat as I did with the recent “Transformers” film. Not a fantastic movie overall, but as far as imperfect movies go, it is quite enjoyable. I am going to give “The Flash” an extremely high 6/10. So high in fact, part of me would consider changing it to a 7/10 at some point.

“The Flash” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for the brand new sex comedy “No Hard Feelings.” Other reviews coming up include “Elemental,” “Ruby Gillman, Teenage Kraken,” “Indiana Jones and the Dial of Destiny,” and “Joy Ride.” If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Flash?” What did you think about it? Or, what is a movie with bad effects that you tend to enjoy? Let me know down below! Scene Before is your click to the flicks!

Renfield (2023): Certainly Does Not Suck

Posted on by Jack Drees

“Renfield” is directed by Chris McKay (The LEGO Batman Movie, Robot Chicken) and stars Nicholas Hoult (The Menu, Tolkien), Awkwafina (Shang-Chi and the Legend of the Ten Rings, Raya and the Last Dragon), Ben Schwartz (Sonic the Hedgehog, Parks and Recreation), Adrian Martinez (Stumptown, The Secret Life of Walter Mitty), Shohreh Aghdashloo (The Expanse, 24), and Nicolas Cage (The Unbearable Weight of Massive Talent, The Croods). This film centers around Dracula’s servant, Renfield, who puts up with the former’s demands, no matter how outlandish or terrifying. After all this time, he has had enough and will do anything to end their working relationship.

The Universal monsters are not my forte. I am well aware that Count Dracula is not a Universal concept and instead originated by author Bram Stoker, but I also know that he among other monsters like the Invisible Man and the Mummy have had staying power through several Universal films, including the original black and white picture from 1931 and more modern tales like Francis Ford Coppola’s picture from 1990 and “Dracula: Untold” from 2014. That said, I have not watched a lot of Universal monster movies. But I also recognize how unique this feature is. Because instead of giving the audiences another tale about a monster they’ve already heard about, they put a cool spin on it and make the iconic monster you normally see in the spotlight earn the supporting role. In fact, if you watch the first trailer, Dracula is not the centerpiece. Sure, he makes an appearance at the end, but it is not his movie. And of course, how could one not get excited seeing Nicolas Cage himself play the bloodthirsty demon? The moment I saw his face, my jaw dropped, and my eyes lit up.

I was excited to see this movie and hoped I could watch it as soon as possible. Unfortunately, I ended up waiting a month after it came out. But was it worth the wait? Definitely. “Renfield” is a good time.

“Renfield” blends perhaps the two most subjective film genres imaginable, comedy and horror. Thankfully, both blend perfectly from start to finish. I enjoyed the relationship between Renfield and Dracula that can be compared to a relationship a deprived employee may have with an abusive boss. In fact, much of the movie is about Renfield trying to get away from his abusive environment, and to do so, he ends up going to support group meetings. We see him unleash his honest thoughts and listen to the thoughts of others. Is it the funniest movie I have ever seen? No. Is it the scariest movie I have ever seen? No. But it still manages to have its highlights of humor and creeps. Although there is one haunting moment past the halfway point that continues to stick with me. And these elements are well realized thanks to the talent of this film’s cast.

Between “The Menu,” the runner-up for top movie of 2022 for me, and now this, Nicholas Hoult is on a roll. His career is on a smooth path, and I am eager to see where it goes from here. His interpretation of Renfield emits awkwardness. Although in a good way. He is simply a guy who is just doing the best he can to get by. He wants to make people happy, but because he is focusing on making someone else, specifically Dracula, happy, he has little time for himself to be happy. In addition to everything I said about Hoult’s character, he is also responsible for perhaps one of the better Old Navy ads I have seen, which having seen their on-air content, is not saying much, but still.

I would say Awkwafina does an okay job as Rebecca. She has good chemistry with Hoult throughout the film.

Although if I have to say one thing though about Awkwafina, she is beginning to remind me of Kevin Hart or Vin Diesel. While I think she has significantly more acting talent than the latter, the problem I have with her, perhaps through no fault of her own, is that like these two individuals, she has been playing the same role from one film to the next. And maybe it is because, kind of like Kevin Hart, her voice, if you have heard it in recent years, has become instantly recognizable. And even while it may have been a proper fit for characters in animated movies she’s been in like “Raya and the Last Dragon” and “The Bad Guys,” it is difficult to find a role where I don’t see elements of her I have not seen prior. This is not to say she is a terrible actor. In fact, she is one of the reasons why “The Farewell” became one of my favorite films of 2019, but a lot of her recent material contain inklings that have become trademarks, making the transformation factor feel lost at times.

That said, what I see of Awkwafina in this film, happens to be a showcase of her strengths as a performer. She maintains a tough attitude as a traffic cop and knows how to balance that with a softer side in other moments. So while I may put this up as a warning for where her career could go, I will say I enjoyed what I saw in this moment.

But of course, Nicolas Cage steals the bloody show as Dracula. There is no way I can do this review and not highlight the power of the mighty Nicolas Cage as the iconic creature. He is all creepy, all kooky, and brings no mercy. Now he is not super terrifying, because this film takes a more comedic approach in its storytelling. Although as I said before, the comedy works and the scares work. It is no masterpiece, but it is a good time at the movies. That said, going back to what I said about Awkwafina becoming more recognizable in her performances, I may be a hypocrite because despite Nicolas Cage being recognizable, I think that element enhances his performance a bit. Seeing his face, which has become a meme by now, honestly makes the character that much funnier. His over the top voice helps too. Every scene he is in, I cannot help but smile. It is not just because it is Nic Cage as Dracula, although it is a small part of it the more I think about it. But he shows no hint of empathy throughout the film and it continues to highlight him as a threat. If there is any reason you should see “Renfield,” I think the most compelling argument you could make in a Times Roman Numeral 12-point font double spaced essay, or whatever other format you choose, is Nicolas Cage as Dracula. He certainly does not suck.

If I have anything else to add, the pacing is really good. The movie is short but manages to avoid overstuffing itself. The climax, while not my favorite of the year, is definitely entertaining. While the movie is not perfect, there are no flaws I can point out that ruined everything. Give “Renfield” a watch sometime, I recommend it.

In the end, “Renfield” is great! I think this film would make for a solid Friday movie night with friends, maybe with some food. The actors all fulfill their roles perfectly, especially Cage as Dracula. I think the film is a neat parody of the Dracula character while serving as a spotlight on abusive relationships. This film is directed by Chris McKay, whose parody experience is not only related to this effort. In addition to his experience behind the scenes on many “Robot Chicken” episodes, he also helmed “The LEGO Batman Movie,” which I think is one of the more underrated animated films of the previous decade. McKay definitely has a knack for comedy, not to mention parody. I cannot wait to see what he does next. I am going to give “Renfield” a 7/10.

“Renfield,” which has been out since April, is now playing in select theaters. The film is also now available on digital platforms.

Thanks for reading this review! My next review is going to be for “BlackBerry,” the brand new film inspired by the true story of the once popular smartphone. Also, stay tuned for my thoughts on “The Blackening” and “Fast X.” All of these reviews are coming soon. If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Renfield?” What did you think about it? Or, what is your favorite Nicolas Cage film? Let me know down below! Scene Before is your click to the flicks!

Dungeons & Dragons: Honor Among Thieves (2023): A Solid Roll of the D20

Posted on by Jack Drees

“Dungeons & Dragons: Honor Among Thieves” is directed by John Francis Daley and Jonathan Goldstein (Game Night, Vacation) and stars Chris Pine (Wonder Woman, Star Trek), Michelle Rodriguez (The Fast and the Furious, Widows), Regé-Jean Page (Bridgerton, The Gray Man), Justice Smith (Pokemon: Detective Pikachu, Jurassic World: Fallen Kingdom), Sophia Lillis (It, Gretel & Hansel), and Hugh Grant (Four Weddings and Funeral, Bridget Jones’s Diary). This is film is inspired by the popular role-playing game Dungeons & Dragons and follows four individuals who join forces and embark on a quest to find a lost relic.

I have never played Dungeons & Dragons. I know relatives who have previously partaken in the game in their youth, I have friends who enjoy the game, and I am well aware of certain aspects of it in our current culture. That said, I have never sat down to play it. Despite this notion, I nevertheless had some excitement for “Dungeons & Dragons: Honor Among Thieves.” Chris Pine is a charming actor, the trailers looked promising, and I thought this could be an enjoyable, lighthearted time. Now that I have seen the movie, I can confirm that is exactly what I got. No more, no less.

This movie does not reinvent the cinematic wheel, nor does it flatten any cinematic tires. It is just a plain good time that feels reminiscent of a modern Marvel movie if it had a baby with “Jumanji: Welcome to the Jungle” and “Game Night.” This comparison should not surprise me, nor some other people for that matter. After all, John Francis Daley and Jonathan Goldstein, who in addition to directing this movie, also wrote the screenplay. If you seen “Spider-Man: Homecoming,” you have these two to partially thank. After all, they wrote that screenplay too, which had its fair share of wit and charm. Like “Jumanji: Welcome to the Jungle,” this film is a quickly-paced quest through outlandish, attractive environments with four main cast members. As for the “Game Night” comparison, this film, albeit in a much different manner, revolves around a game played amongst friends. For “Game Night” it is a murder mystery, while “Dungeons & Dragons” takes inspiration from source material of the same name. Additionally, John Francis Daley and Jonathan Goldstein directed both films.

This movie is led by Chris Pine (center left), who in addition to having an advantage as to being one of the chosen few talented, hunky, lightly-colored-haired dudes named Chris in Hollywood, is exactly the kind of star a movie like this needed. Sure, on the surface, there is the name recognition, but beyond that, Pine masterfully executes some of the movie’s standout humor. He has a presence to him, much like Chris Hemsworth, where he simply induces charm just by letting himself be in front of the camera and utter a few magic words. If “Wonder Woman” has shown anything, Chris Pine can be funny. If “Dungeons & Dragons” has shown anything, Chris Pine can be very funny. There are some great lines out of Pine in this film. One of my particular favorite moments involving his character is, believe it or not, in the trailer. He is talking about one of his strengths, specifically making plans. And if the plan fails, he comes up with a new one, and the same thing would happen there if that backup plan does not work out. Therefore, Doric (Sophia Lillis), a tiefling druid, pipes in and says, “So you make plans that fail?”. Nothing like savagery to lighten the mood.

My favorite scene in “Dungeons & Dragons: Honor Among Thieves” takes place about a third of the way in, where we have already established our main cast, and they have started their quest. One of their stops is a cemetery. Courtesy of wizard Simon Aumar (Justice Smith), the ensemble takes the moments they have to speak to the dead to help them find out what they need to know. Not only is it an effective way to deliver exposition, but some of the lines are hilarious. Every inkling of this scene is gold. I found myself occasionally laughing like a maniac during this portion of the film.

That said, this film, as mentioned before, is not the most revolutionary addition to the halls of cinematic history. Although given the track record of adapting D&D, this is actually a pleasant surprise of a win given how the IP was adapted before in 2000 and that movie currently has a 9% critic score on Rotten Tomatoes. Although despite this film being a victory for those who made it and the audience, it is probably not going to be nominated for any Oscars. The look of the film is passable, but I have seen better. There are also some predictable moments, but at the same time, the script, based on what was brought to screen, never had any real significant flaws that stood out, so I can forgive some predictability here and there.

Although what I did not predict is for some of the camerawork to stand out as much as it does. This should not have been a huge surprise given this is the duo who did “Game Night,” but there are one or two, extended takes that took my breath away. Much like “Game Night’s” egg-throwing extended take, there is a scene early on where we see Doric’s abilities in the spotlight that had my attention. If I were to watch some behind the scenes on the movie, that is one of the things I would like to see how they did.

This is the best compliment I can give to “Dungeons & Dragons: Honor Among Thieves.” As cool of a concept as I find Dungeons & Dragons to be, I have never played the game because I do not know what time I have, who to play with, and where to start. After seeing this movie, those concerns have not been resolved. That said, I was not expecting them to be. Although having never played the game, I found this movie quite entertaining. I never felt lost. And as a movie, it was worth my time. It is one thing for someone to say that they are a D&D aficionado and say they love this movie. This might not always be the case, but there is some potential predisposal in play. If you can take a D&D know-it-nothing and give them a great cinematic experience, that’s another thing. That is what this movie did. I recommend this movie for those who enjoy playing D&D and even those who have shied away from the game. D&D fans may be attracted by the preexisiting IP, but they might as well stay for the lighthearted and thumbs up-worthy adventure.

In the end, “Dungeons & Dragons: Honor Among Thieves” is a magical, finely realized blast of an adventure. I had a great time with it, and I would definitely recommend seeing this by yourself or with friends and family. As I have said, there is a hint of a “Jumanji: Welcome to the Jungle”-like flair in this film, so if you like that film or its sequel, “The Next Level,” this could be another fun film to add to your watchlist. The characters are likable. The story is simple but effective. The humor stands out. And as someone who has never played D&D, I never felt alienated. I had a great time with “Dungeons & Dragons: Honor Among Thieves,” and I have a feeling some of you reading this will do the same. I am going to give “Dungeons & Dragons: Honor Among Thieves” a 7/10.

“Dungeons & Dragons: Honor Among Thieves” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! As much as I recommend “Dungeons & Dragons: Honor Among Thieves,” it is extremely likely going to get blue shelled at the box office this weekend by possibly the most prominent video game-based project in cinematic history, “The Super Mario Bros. Movie.” By the way, that is going to be my next review! Stay tuned! Speaking of “Super Mario Bros.,” I will also soon be reviewing the 1993 “Super Mario Bros.” film, which is probably going to be more fun for you guys than it is for me… If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Dungeons & Dragons: Honor Among Thieves?” What did you think about it? Or, have you played D&D? What did you do while playing the game? Or, if you are playing it, what are you doing now? Let me know down below! Scene Before is your click to the flicks!