The Last Sharknado: It’s About Time (2018): At Least They Listened…

Oh boy! A new “Sharknado” movie is out! Time to suffer once more– wait, this is the last one? I should hope so… But just in case…

NOW NO REBOOTS, PLEASE! Unless there’s some sort of plan to unleash quality towards the “Sharknado” franchise I AM NOT GOING TO ACCEPT ANY OTHER MOVIES UNDER THE “SHARKNADO” NAME! UNDERSTAND?! This franchise can rot in hell with the live-action “Smurfs,” “Fifty Shades of Grey,” and as much as it pains me to say it, just about half of the “Star Wars” movies, I’m done with “Sharknado!” I’m done! Man that felt good.

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I still have to review the sixth one, cra–

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“The Last Sharknado: It’s About Time” is directed by Anthony C. Ferrante, the director who also unfortunately helmed the previous five “Sharknado” films. This movie stars Ian Ziering (Beverly Hills, 90210, Godzilla: The Series), Tara Reid (American Pie, The Big Lebowski), and Cassandra Scerbo (Make It Or Break It, Not Another Not Another Movie) and is marketed as the supposedly final “Sharknado” installment ever. This time, Fin and his pals are time-traveling to rid of the damages of nasty Sharknados in the past.

I’ve seen all of the “Sharknado” movies in at least one way, shape, or form. I’m not gonna go into specifics since I’ve already done such a thing in my “Sharknado 5” review and I just don’t want to sound repetitive. Let me just say, I’ve seen all of them, I don’t like any of them. End of story. Here’s the thing about certain good intellectual properties or movie franchises that seems to stand out to me. They all know when to stop. “Back to the Future” stopped at three movies! Director Robert Zemeckis said “over my dead body” on the thought of a reboot. You’ve also got “The Dark Knight” trilogy which had a solid beginning, middle, and end. Back before the “Star Wars” prequels released, the original “Star Wars” trilogy stopped at three movies, all of which have been appreciated by fans and critics (unless you count “The Empire Strikes Back” when it first came out). And no, the holiday special is not in this discussion. Franchises like “Sharknado?” It just keeps on going. Granted compared to some other franchises it does have some benefits. Depending on the situation, you are more likely to watch “Sharknado” for free whereas you have to pay $12 to go see the new “Transformers” movie. The movies are around an hour and a half compared to certain titles like “Fifty Shades of Grey” or “Twilight” which are around a couple hours long. Those are just a couple of perks throughout what can truly be regarded as a s*itfest of an experience.

It honestly baffles me why people watch these movies. The only reason why *I* watch these movies is to give you guys a review. And as much as I suffer during the movie, I do look forward to the review. This has the worst that a cheesy bad movie has to offer. It says it’s big in quantity but it lacks quality! Stupid cameos! Moments that make me lose IQ points! I don’t understand why, other than the fact that they get high ratings on Syfy, that the “Sharknado” movies have to keep on happening. As the movie begins, and we start to get reintroduced to characters along the way, I just remind myself of how much I don’t care about anyone in the franchise. Granted, I will admit in my “Sharknado 4” review, I mentioned I cared more for the characters in the first movie. But there are some things to consider: I was just getting to know them. It wasn’t known to me that Ian Ziering would practically be god in these movies. Not to mention, since it was the first movie, I didn’t have to complain that I’m seeing these f*cking hooligans again.

One thing I want to talk about before moving onto the characters is something I cannot even believe I haven’t brought up in any of my reviews yet. Throughout the movie, I couldn’t help but think to myself that the color grading is some of the worst ever put on screen. When I watch “Sharknado,” I do expect a natural disaster, and granted, natural disasters are depressing, therefore meaning maybe a depressing color grade might work. However, “Sharknado,” a movie where Ian Ziering jumps into a shark with a chainsaw and escapes with no problem whatsoever, a movie where many intellectual properties are butchered by insanely forced references, a movie that needs to have some stupid promotion for Xfinity or The Today Show, does not associate with that type of grading! This movie, if it truly tries and cleans up its s*itty effects, can be a buttload of fun. I can also say the same if it just changes the color grading. I feel like there are way too many blacks in the images to the point where it feels like I’m watching a World War II period piece or something. This movie’s color grading almost made it feel like I was staring at very dark cigarette smoke with sharks behind it. Just brighten the images a little bit! A little color makes a big difference!

I also really don’t like the direction of this film. I clearly watch more movies than TV. And I’m almost picky when it comes to TV shows, partially because I don’t review them. But this movie at times reminds me of two very similar shows that are incredibly popular that I don’t watch. Specifically, “The Office” and “Parks and Recreation.” I don’t watch either of those shows because the way they’re shot is almost headache inducing. The whole style of footage containing actions suddenly interrupted by an interview is almost distracting to me. Not to mention, the camera is constantly shaking whenever something is being shot unless we’re talking about an interview. It’s just annoying. Some may say it’s immersive, it honestly does the opposite for me. And speaking of shaking the camera, there are some minor shakes I witnessed, most noticeably during an establishing shot of a sharknado! WHAT HAS THIS WORLD COME TO?!

Moving onto characters, let’s talk about God–err I mean Ian Ziering. He’s basically what you’d come to expect at this point. He survives everything. He is the biggest badass on the planet. Essentially if Domenic Torretto had hair and had to deal with sharks all the time, that is Ian Ziering’s character. Oh yeah, right, he has a name, Fin Shepard. WHY AM I STILL TALKING ABOUT THIS?!

Now let’s move onto Tara Reid’s character of April. When it comes to Tara Reid, I didn’t really see much of her work prior to watching the “Sharknado” movies, but I did watch a couple of films after watching “Sharknado 5” that had her in it. In those films, say what you want about her, she was personally serviceable in those roles of hers and did what needed to be done. Here in “Sharknado 6,” it’s like I’m watching an amateur porn star trying to adapt to being in a disaster film. Really hot, but the acting is PUTRID.

One thing that I found interesting about this film however is that with the time travel element in play, we managed to see the adult version of Gil. For those who don’t know who Gil is, he’s a very young kid that April and Fin have. And while I can’t say much of anything positive regarding the characters of this movie, I will say that Gil was a lot less annoying than he was for the past couple of installments. Then again, what do you expect? He’s an adult.

I don’t even know why I’m still writing. My head is honestly about to explode, but just like all of the other “Sharknado” films, “The Last Sharknado” doesn’t shy away from giving you the film industry’s worst examples of how to do special effects. You know how a lot of people look at the shark from Jaws at find it to be very fake-looking? Look, if I was thirteen, THAT F*CKING KILLER SHARK FROM “JAWS” WOULD HAVE BEEN MORE BELIEVABLE THAN THE HUNDREDS OF SHARKS FLYING IN YOUR FACE IN THIS PIECE OF CRAP!

Let’s talk about the ending. I am not a mega-fan of the franchise, and you know what? If I were a mega-fan, then I probably would have appreciated it more. But in all reality, I was just kind of checked out. Then some of the last lines come in and I’m just begging to get on with my life and do something that’s worth my time. The movie, and the franchise, THANKFULLY ends. That’s one of the few, and there a few, positives in the entirety of “The Last Sharknado.” It ends the saga. It’s… over. It’s f*cking over. But I gotta say, I was kind of angry (partially due to my bad mood received from watching this movie) that I had to see a text card come up with the word “Fin.” You’ve already destroyed my brain, you don’t get to do that, movie! Bad movie! BAD movie!

As we get closer to my final verdict, I have to point something out. As I’ve done with “Sharknado 4” and “Sharknado 5,” I was livetweeting to this movie during the premiere on Syfy. Here are some of the tweets I’ve made:

Yes, one is more related to Instagram, but it’s on Twitter, so who really cares? Since I’m a movie reviewing moron, I wonder if some people would think I know way more than I should know about film. And maybe I do. Maybe it’s unimportant that I know that every “Sharknado” film was directed by Anthony C. Ferrante. Why should that even be something worth bringing up in a casual conversation? Let me just say, that name confuses the hell out of me. Because he was observing the livetweet session and those tweets I just put up? HE RETWEETED THEM! So I went to look at his account, and see what other tweets have been posted, and while they are related to “Sharknado,” they all seem to be on the positive side of the spectrum. Does Anthony hate his own creation and side with me? Does he not know what to think of it? I NEED TO KNOW! Anthony Ferrante? If you’re reading this, if you hate your movies, it’s OK, we can talk s*it together!

In the end, I may have been excited to do this review just because I can rage out about a s*itty movie and sometimes that’s rather fun, but this review is not all fun and games. Watching “Sharknado 6” was one of the first things I did once I got home from vacation. And by the way this vacation was comic-con, which involves a lot of walking. It was fun, but it does feel like a workout at times. Instead of coming home to relax and unwind, I decide to review this s*it. But hey, it’s over! So, goodbye “Sharknado,” you won’t be missed! I’m gonna give “The Last Sharknado: It’s About Time” a 1/10! I mean, what else do you expect? I mentioned there are a few positives in the movie, but it doesn’t make all of the infinite negatives go away! This movie had a nice animated intro, had one moment where I chuckled, and most importantly, ended everything. But seriously, WHY WAS NEIL DEGRASSE TYSON IN THIS MOVIE?! And just to stay positive, I will say that this actually was better than “Sharknado 5.” They toned down on Xfinity, and it didn’t have an annoying kid. And best of all, this movie means the series… is over! Thanks for reading this review! Pretty soon you’re gonna get some more posts coming your way. These include movie reviews on “The Hurricane Heist,” “Love, Simon,” and my look back at my time at this year’s Terrificon! Be sure to like this post and follow my blog so you can stay tuned for more great content! I want to know, did you see “The Last Sharknado: It’s About Time?” What did you think about it? Or, do you think we’ll ever see another movie, TV show, or video under the “Sharknado” name again in the future? Let me know down below! Scene Before is your click to the flicks!

Skyscraper: Die Hard Without Christmas (2018) *PLUS RANT ON OBNOXIOUS MOVIEGOERS*

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Before we aim high and go into my “Skyscraper” review, let me just say that this film revolves around a family. This family’s relationship seems to play out in a significant amount of runtime for this film. Speaking of family, a new family is bound to form in California. A couple by the name of Paul and Genevieve at one point thought they’d never see the day the dream of starting a family would ever come true. Not because they didn’t try starting a family due to a lack of motivation or something, but because they endlessly tried and had no success. This is all explained… in “What the IVF?!”

“What the IVF” is a YouTube series starring the recently mentioned couple. These two explain their journey to conception. Every Monday, a new story is told, and usually the story that’s told is never one that’s all that happy. When it comes to the story of the couple’s journey to conception, many unfortunate realities occur throughout. Experience the ride alongside Paul and Genevieve as they face the misfortunes of math, exams, anger, sex, crying, pain, needles, and pain from needles! You can find the latest episodes of “WTIVF?” on the show’s personally dedicated YouTube channel, but if you want to watch one right now, check out the latest episode that goes over the past events of the couple’s IVF journey. I’ve watched it, and trust me guys, it’s a good one, check it out. Speaking of checking things out, be sure to take a gander at the “What the IVF?” YouTube channel, subscribe, ring the bell, click whatever button will make Paul and Genevieve happy! Aside from YouTube, you can also find stuff related to the series on other forms of media, be sure to check all of that out and follow those pages. Also don’t forget to check out the website to “WTIVF?” which is included in the links below. And be sure to tell them that Jack Drees sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

“Skyscraper” is directed by Rawson Marshall Thurber (Central Intelligence, Easy A) and stars Dwayne Johnson (Jumanji: Welcome to the Jungle, Fast Five), Neve Campbell (House of Cards, Scream), Chin Han (Ghost in the Shell, The Dark Knight), Roland Møller (The Commuter, Atomic Blonde), Noah Taylor (Vanilla Sky, Shine), Byron Han (Altered Carbon, The Big Short), Pablo Schreiber (13 Hours, American Gods), and Hannah Quinlavin (Moon River, The Shanghai Job). This film mostly takes place in or around what this movie’s universe considers the tallest building in the world. Unfortunately, this building eventually gets to a point where it’s on fire, and now it is up to a man by the name of Will Sawyer, a caring father, who also used to be a US military member and FBI Hostage Rescue Team leader, to save his own family, and survive against certain individuals, not to mention, time.

My first exposure to something related to “Skyscraper” came around the time of the Super Bowl. To be more specific, I read a tweet from The Rock calling the film original. Just from that alone, I was intrigued. We’re getting as many sequels, adaptations, and reboots as we are getting news reports of someone we know or happen to like being called out for something terrible. Once I heard about this film’s “originality,” I was intrigued. But then the advertising started, and everybody started comparing it to “Die Hard.”

F*CK.

Don’t get me wrong, I’ve seen “Die Hard” and I enjoyed it. It’s been forever since my experience watching it, but I found pleasure in what was on screen nevertheless.  However, if you’re advertising yourself as an original film, although in this case, an actor from the film is doing the advertising, and a good number of people see this as a “Die Hard” wannabe, that’s not good.

And you know what? One of my biggest problems with the film that doesn’t necessarily have to do with whatever is in the final product is the marketing. Now that people are calling “Skyscraper” 2018’s “Die Hard,” apparently there was a poster inspired by “Die Hard” made for it! Not only that, but there was also a “Towering Inferno” inspired poster. What does this movie want to be? And you know what? This might be an even more important statement: What does The Rock want this movie to be? Months ago, he was saying that this is an original production, and now he’s talking about other films that were basically inspirations for “Skyscraper,” which kind of therefore makes “Skyscraper” feel less original than maybe it once was. I will say though when it comes to tone, as I watched the movie, the tone was rather clear, it was trying to be an edge of your seat popcorn action thriller. I don’t think there is anything wrong with that. And in some ways, “Skyscraper” succeeded at doing such a thing, but I wouldn’t say it was enough. Sure, it’s summertime, so big, explosive, expensive movies are to be expected, but overall the story at times is somewhat cliche and the script is predictable. There are some moments I didn’t expect, but if you don’t dive into specific detail, you might as well say the script is predictable.

In fact, some of you might be asking how predictable the script to “Skycraper” actually was. It was SO predictable, that a few audience members had a number of moments where they would say something out loud, and in a split second, that thing would happen. First off, if you’re going to the movies, PLEASE DON’T TALK! IT’S RUDE! I PAID GOOD MONEY FOR THIS! Seriously, these audience members to my left, they just couldn’t stop making noise! Granted, I talk during the movies, but only on occasion, and when I do it, I whisper. These hooligans showed up about thirty to forty minutes after the scheduled showtime, which in terms of seeing the movie, is about fifteen or so minutes through the runtime. I knew something was going to happen when I heard loud laughing from the back of the theater. Then they came into my row, and all of them were sitting to my left. DID “A QUIET PLACE” TEACH ANYTHING TO PEOPLE?! DON’T! TALK! DURING THE MOVIE! Gosh, I hate my life.

In all seriousness, the characters in “Skyscraper” weren’t really all that interesting. Sure, there’s The Rock’s character, but then again, he’s The Rock, everybody likes The Rock. I bought into his relationship with his wife, not to mention his kids. I also bought into him as a guy with a prosthetic leg. Although at the same time, I feel like a lot of people, regardless of whether or not they actually have a prosthetic leg can play this character. Maybe they can’t do it as well as The Rock, but there are times that I can probably imagine another actor in The Rock’s shoes. If you ask me, I still think The Rock is actually a fine choice for this character, but my thought still stands.

I recently mentioned that the script is a bit lackluster for this film, and when it comes to specification on that sort of thing, some of it has to do with poor characterization. If you ask me, I think when it comes to the protagonists, I don’t have too many complaints, especially when you compare that to the antagonistic side. The script spent a lot of time focusing on the main family and treating the tall building as if it was its own character. Seriously! It’s possible that the skyscraper in “Skyscraper” has more character development than the Transformers in the “Transformers” movies! As I watched this film and noticed the antagonistic side of things, I thought I was watching a film in the Marvel Cinematic Universe, because of how cliche or underwhelming or underdeveloped their villains happen to be. I wouldn’t say I thought the main villain was bad at what he was trying to do, but I just probably won’t remember him.

You know how I mentioned the mixed messages I got from the film’s marketing? This film at times did feel like “Die Hard” to me. I’ll be honest with you, I’ve never seen “The Towering Inferno” so I can’t say much about it. But there is another film I saw that I didn’t even realize would click into my mind at a certain point. Specifically, “Enter the Dragon.” If you’ve seen “Enter the Dragon,” chances are you’d know that there’s this climactic fight that takes place in this hall of mirrors. There’s a fight in “Skyscraper” that doesn’t seem to be exactly like that, but it’s very similar to it. Much like “Enter the Dragon,” this scene is competently shot and edited. There’s not a moment where I look in a mirror and notice a camera or a cameraman, then again most of this movie is on a green screen so I doubt they had actual mirrors on set. I’ve seen a number of reviews for this movie, and one comment that stuck out to me is that this movie borrows something particular from a lot of other titles, and usually that other title would do that particular thing better than “Skyscraper.” When it comes to this mirror scene, I can’t agree more. Not only was this sort of thing done better in “Enter the Dragon,” I’d say it was done better in “John Wick: Chapter 2!”

I also feel like a big problem in this movie may be because of the guy helming it. “Skyscraper” is written and directed by Rawson Marshall Thurber, and most of his work is in the comedy genre. Granted, there is comedy in “Skyscraper.” There wasn’t much, and not all of it landed for me, but it was there. This is not his first action film however, it’s not even his first film with The Rock either. One of the better movies I’ve watched during 2016 happened to be “Central Intelligence,” an action-comedy starring Kevin Hart and The Rock. I haven’t watched it since seeing it in the theater, but I had a really fun time with it and I certainly wouldn’t mind watching it again. This movie however, not so much. I wouldn’t say “Skyscraper” needed more comedy, if anything that would have killed the movie unless they were going for an R rating. It just needed a different director and better writing.

Another problem I had with “Skyscraper” is that while it was technically written and directed by the same person without cooperation from others, it almost feels like a film that a bunch of stereotypical cigar-smoking studio executives would come up with. I was exposed to a podcast recently where two guys were talking about this movie, and I actually know of these guys from YouTube too, shoutout to Chris Stuckmann and John Flickinger! They thought of “Skyscraper” as a pitch movie. It’s almost like the pitcher gave a list of movies that this can be compared to, and all of those elements can be easily implemented into the final product. And when some people think of The Rock, the phrase “big money” might possibly pop in their heads. After all, he’s a big name in current Hollywood based on the number of projects he takes on, including “Fast & Furious.” I don’t know, this just feels more like a corporate product than a movie. I saw that coming upon seeing more and more advertising, but I just can’t help but point that sort of thing out.

In the end, I wouldn’t say “Skyscraper” stands tall. Sure, the movie may be doing well overseas, but that doesn’t mean I’m seeing something of quality here. The Rock is very charming, I bought into the chemistry between him and his family members, and I do think the building had an interesting design to it. Although when it comes to overall positivity I can give, there’s very little I can give towards this sometimes badly paced, cliche, and predictable thing that some may call a film. But one thing’s for sure, this is not gonna spark any “Christmas movie or not a Christmas movie” debates. I’m going to give “Skyscraper” a 4/10. Thanks for reading this review! Be sure to stay tuned for upcoming content, including my “Mission: Impossible: Fallout” review, and I do have some other films in mind when it comes to future reviews. These films include “Eighth Grade,” “Sorry to Bother You,” or if I have an excuse to do an older film review series like I did with “Mission: Impossible,” I’ll be sure to get that going sometime as well. Stay tuned for more reviews and other great content! I want to know, did you see “Skyscraper?” What did you think about it? Or, what is your favorite movie starring The Rock? Mine is “Fast Five,” let me know yours down below! Scene Before is your click to the flicks!

Won’t You Be My Neighbor? (2018): A Reminder of an Unfulfilled Childhood *SPOILERS*

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“Won’t You Be My Neighbor?” is directed by Morgan Neville (20 Feet From Stardom, The Music of Strangers) and stars Joanne Rogers, Betty Aberlin, McColm Cephas Jr., François Scarborough Clemmons, Yo-Yo Ma, Kailyn Davis, Joe Negri, David Newell and is a look behind the curtain of the life of Fred Rogers. If you don’t know that name, then you aren’t familiarized with children’s television programming from the 1960s or 1970s.

Going into “Won’t You Be My Neighbor?,” it was one of my most anticipated films of the year. I don’t traditionally review documentaries, I don’t usually watch documentaries, but this one, regardless of my intentions to review it, felt special on paper. I never had a childhood, for what I remember, where I was exposed to Mr. Rogers on television. To my knowledge, not many people today have that either. With today’s kids it’s mostly “Paw Patrol” or other things that happen to be similar to that. I remember my grandmother singing the theme to “Mister Rogers’ Neighborhood” as she was watching over me from time to time however. But watching “Won’t You Be My Neighbor?” taught me the absolute specialty of “Mister Rogers’ Neighborhood,” which not only made me realize how great the documentary was, which by the way, it is, GO SEE IT NOW, but made me think that my childhood may have been… really s*itty.

Don’t get me wrong, my childhood was awesome. I went on several getaways, I went to amusement parks, I went to all sorts of malls, I enjoyed time with friends, but watching “Mister Rogers’ Neighborhood” would have probably taught me something I needed to know more. To be specific, the need to be nice to others. I was a stupid kid in elementary school (for the most part), I did a lot of things I really shouldn’t have done, and ultimately regret. Part of it almost makes me hate my life. While the movie tries to set a counterargument that maybe Fred Rogers made some kids feel more entitled than they need to be, I think that I would have had a better childhood if that were in my life, maybe even a better life in general. Let me tell you what I watched in my childhood. I watched “Power Rangers,” a flashy live-action hyper-mania f*ckstravaganza with explosions and people screaming for the sake of making noise. I watched all sorts of things that are based on “Hot Wheels” cars, which had tons of replay value, but I was more into racing than I was into inserting any kind of real world events into my head. I watched the newer seasons of “Spongebob Squarepants.” WHAT WAS I THINKING?! Granted in my preschool years, I watched some decent content regarding that age group, such as “Blue’s Clues” or “Dora the Explorer,” but as far as I recall, there was probably NOTHING like Mister Rogers’ Neighborhood. It takes a concept that may sound corny, but kind of works! You have this guy who is on a low-budget set, with low-budget props, and has a show shot on low-budget film equipment (at least for some time), and lets people, although mainly children, know they are special the way they are. What really sets Mr. Rogers apart from other people in children’s television is his raw charm. You know how in religion there is one figure that everyone is guided to be? In this case, Mr. Rogers basically combines religion with the real world. I’m not gonna give my religious beliefs away, because that’s not exactly what I intended to do here on WordPress or Scene Before, but let’s just say, if I were a hardcore Christian and saw this movie having no idea who Mr. Rogers was, I’d say he’s quite possibly the closest person to qualify as the second-coming of Jesus.

In fact, to some people’s minds, they’d disagree, because Rogers was essentially someone who opened up his heart and loved everyone. Straight. Gay. Bi. White. Black. Young. Old. Boy. Girl. You name it. He was someone that just wanted to spread positivity, happiness, anything that associates with being a joyous person. This movie goes into detail about how some people were against Mr. Rogers for telling children they were special, saying that it either goes against traditional values or makes them bratty. Honestly, if I were a kid, being told that I’m special or a joy to have in this world would be amazing. Being told I’m a failure would only lower my confidence, not to mention my will to live. Handing down the necessary joy of life, no matter if it’s being given to a child who can take care of themselves or somebody else, is a pretty important task for parents or guardians to take on. Mr. Rogers almost comes off as if he is the ultimate parent. He’s very calm, he’s inviting, and he wants to hear what children have to say. In fact, a good number of the stories we consume nowadays happen to be stories of good vs. evil. I’m not saying these people are evil or anything, but to say that someone can’t be anything is wrong and diminishing on so many levels. Now if your kid tells you they want to be the world’s nastiest destroyer then that’s a different story, but if your kid wants to be something that can shed something positive, light, or joy in the world, you might as well help in getting them to their goal by supporting them, listening to them, and guiding them.

When it comes to the overall goal of “Won’t You Be My Neighbor?,” it tries to make Mr. Rogers look like the definition of a role model and a hint of guidance, and I’d say the movie did its job. Along the way, the movie tells the highlights of Rogers’ life, this includes “Mister Rogers’ Neighborhood” (of course), his sitcom “Old Friends… New Friends,” and how he broke ground in aspects regarding children’s television and the way we look at others. Mr. Rogers was a lifelong Republican, not to mention an ordained minister for a church. This guy was doing television in the 1960s and the 1970s, and for a guy to be doing something such as telling people it’s OK gay to be gay, not to mention sharing that statement to an audience alongside someone who actually is gay, is ballsy given both his background and the time which he lived. But he did it, and I appreciate the dude for it.

Speaking of ballsy, as the documentary went on, I discovered that Rogers really pushed the limits on children’s television without exactly coming off as dark. He talked to children about death! He talked about divorce! He’s basically a televised therapist that everybody didn’t need to travel outside their house every few months to see. I have divorced parents, and when they were separated, I went to a therapist to talk about my life during that sort of time, and I didn’t really feel so good. It’s hard to talk about, no matter who you are. But no matter the difficulty, Mr. Rogers was able to talk about it!

One of the best quotes I’ve heard in the movie, is something I can’t say word for word only because I’m not sure how it goes piece by piece, but it goes something like this:

“I believe silence is one of the greatest gifts we have.” -Fred Rogers

I can associate with that quote with just about any part of my life. I have sensitive ears, so therefore, I’m not fond of loud noises. I enjoy my alone time, I’m not saying having friends sucks, but I really admire alone time. I even grew to know that just because a movie is big and loud, doesn’t make it good. It can be good from being big and loud. A large number of movies in the Marvel Cinematic Universe for example are explosive and can still maintain a feel of intelligence (for the most part), but some movies like those in the Michael Bay “Transformers” franchise can sometimes make you feel stupid because it’s nothing but noise. Silence can allow you to concentrate, dissect, and sometimes keep an audience in suspense. What Mr. Rogers was able to do with a show that the more I think about it, can associate with something such as peace and quiet, makes him all the more admirable.

Also, considering how nice and joyous Mr. Rogers presented himself both on “Mister Rogers’ Neighborhood” and in real life, I always think to myself, there’s nobody like him. Although one comment from an interviewee truly caught my attention, and it’s because he said the opposite of what I said. And maybe he’s right. This may not count for everyone, but for a number of people, we are all trying to be nice, a role model, and have a positive attitude. Rogers embodies all of those things. There aren’t really many people that *I* can think of that rank alongside Rogers in that sort of way. The closest I can think of are a few people such as Bill Nye, Curtis Armstrong (I’m biased here), and Robert Carradine (again, I’m biased). This documentary taught me that we need more people like Mr. Rogers. Maybe someone watching this will say that they want to be more like him, maybe they’ll say they had a life more like his, and if they’re like me, they’ll say they want to have a childhood with Mr. Rogers. As someone who thought the live-action “Alvin and the Chipmunks” movie was entertaining as a kid, I want the kid version of me to have Mr. Rogers to in their life to make them realize how wrong I was for thinking such a thing.

In the end, “Won’t You Be My Neighbor?” is one of the most amazing pieces of art I’ve witnessed not only this year, but this entire decade. It might even be in the conversation of possibly being my favorite documentary ever. I haven’t seen too many of them, I’ve seen a good number, but not a lot of them were epic. I must say, this was not epic. This was beyond words one could ever think of. I know that as a guy it makes people like me look like a wuss to cry at the movies, but from scene one, my eyes were watering. And I held all my tears in, but if I were Sadness from Pixar’s “Inside Out,” this would have been the most defining experience of my entire life. “Won’t You Be My Neighbor?” is not just a reminder of the awesome person that Mr. Rogers is, it’s a reminder to be a decent human being, not to mention a reminder to be the best person you can be. I’m gonna give “Won’t You Be My Neighbor?” a 10/10. Thanks for reading this review! Pretty soon I’m gonna have a couple more reviews coming up, such as my thoughts on “Uncle Drew,” and also my thoughts on “A Wrinkle In Time.” Be sure to stay tuned for those articles and more great content! I want to know, did you see “Won’t You Be My Neighbor??” What did you think about it? Or, did you grow up knowing the name Mr. Rogers? If so, can you tell me a bit about that? Let me know down below! Scene Before is your click to the flicks!

Will First Man Be Shown on IMAX 70mm Film? If So, Where?

Hey everyone! Jack Drees here! If you know me personally, you’d probably be well aware of my fanaticism for IMAX. I freaking love IMAX. At times, they’re brutal liars (if you don’t trust me, ask Aziz Ansari), but at the same time I can’t help but love them. They’ve partially contributed towards my love of film. I would love to make several movies and release them in the IMAX format, and even on IMAX film. Speaking of that, I got to ask something today in this post.

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One movie I’m really looking forward to this year is “First Man.” This movie is being directed by Damien Chazelle (Whiplash, La La Land), stars Ryan Gosling (Blade Runner 2049, Crazy Stupid Love) and Claire Foy (The Crown, Vampire Academy) and is based on the true story (depending on your knowledge or thoughts on various conspiracy theories) of the famous Apollo moon landing from 1969.

A new trailer just released for this movie and I’ll just say to you all right now that I have no intentions to do a review on it. However, there is one thing I caught at the very end of the trailer. One of the last pieces of text the trailer states is “Select Scenes Filmed with IMAX Cameras.” It doesn’t exactly specify what type of IMAX camera is specifically used to shoot the movie, but according to IMDb, the movie is partially being shot on what is referred to as an IMAX MSM 9802. This camera was used to shoot select scenes of various films including “The Dark Knight,” “Mission: Impossible: Ghost Protocol,” and “Star Wars: The Force Awakens.” This is an IMAX camera that is capable of shooting in 2D and 70mm. Therefore, “First Man” is being shot in IMAX 70mm, which makes me ask, “Will you be able to watch this in the IMAX 70mm format?”

According to IMDb, if you look in the technical specifications page for “First Man,” it’ll say that some scenes will be shown in a 1.43:1 aspect ratio, which is the proper ratio for an IMAX theater with 70mm equipment that covers the entire screen. For those of you who are unfamiliar with IMAX technology, let me just inform you, if the year this movie happened to be coming out is a year such as 2014 and I found this info on IMDb, chances are I’d at most GUARANTEE you that this movie will be shown in the IMAX 70mm format. However, it’s not 2014, it’s 2018, so I can’t make any guarantees at this point. I say that because IMAX has a technology which has been steadily growing, which is their 4K laser projection system (picture up above). They’ve installed it on several screens around the world. Some of these screens include the TCL Chinese Theatre (Los Angeles, CA), Cineworld Leicester Square (London, UK), CGV Yongsan (Seoul, SK), Event Cinemas Queen Street (Auckland, NZ), Scotiabank Toronto (Toronto, Canada), Miramar IMAX (Taipei, Taiwan), and I even have one that’s about a ten minute drive from my house, the Sunbrella IMAX 3D Theater, located inside Jordan’s Furniture, in Reading, MA. I can pretty much guarantee that given today’s technological preferences that at least one laser theater will be showing the movie. I say that because IMAX, like most movie theater owners and operators, typically show their movies in some format related to digital projection. It’s simpler to operate, simpler to handle, and you don’t have to worry about any degradation of picture quality for one reason or another.

The IMAX laser system works on multiple types of IMAX screens, but one of its main purposes is to be a digital equal/replacement for IMAX’s 70mm film projectors. If you ask me, IMAX 70mm projectors are capable of showing clearer images than the company’s laser projectors, but that’s for another time. With that sort of idea in mind, that means if you put an IMAX laser projector in an older IMAX theater that contained a film projector prior to it, there’s a good chance that the laser projector was installed to play media and said media will be displayed in an aspect ratio that would have been shown the same way had IMAX kept their film projector. For those of you who do not know much about IMAX, the laser projection system IS NOT IMAX’s only digital projection system. They’ve had another one which they introduced in 2008, which is pretty much the reason why some people refer to the company as LIEMAX. IMAX has installed many of these all over the world, which started an enormous growth in IMAX theaters in multiplexes. However, the projector couldn’t show any images in the tradtional IMAX aspect ratio and when people watch something say, shot with IMAX cameras, it would be shown in a 1.90:1 aspect ratio. The IMAX laser system by the way, first began rolling six years after the first IMAX digital system was introduced, in December 2014.

In the year of 2018, we have yet to see one major Hollywood release be shown on IMAX film. Yes, “Star Wars: The Last Jedi” was shown in IMAX film this year, but that technically released in 2017. We have yet to get one big film release, I’m not talking about any of those IMAX documentaries, I’m talking about films that most of the public would see advertised on TV, shown in the IMAX 70mm format this year, and I believe there is no other film this year that is more qualified than “First Man.” This movie involves a rocket launch, takes place in space, looks very compelling, and was shot entirely on film, part of it with IMAX cameras.

One big question I have though is this. If this were to be shown on IMAX film, what would our options be for going somewhere to view the movie in that format? Because two major releases in IMAX theaters were shown in IMAX film last year, but one release was much wider than the other. The first release was “Dunkirk,” which was shown in 37 IMAX theaters with 70mm equipment. This included a variety of theaters from giant IMAXes in multiplexes, to museums, to standalone locations. The second release was “Star Wars: The Last Jedi,” which as I state in one of my posts I did in October of last year, the number of theaters this movie happened to be shown in which was playing it in the IMAX 70mm format is less than the number of seasons in “Criminal Minds,” “Grey’s Anatomy,” “Supernatural,” and “NCIS.” If you want to get more specific, the movie was said to be shown in 11 theaters in the IMAX 70mm format. Also, not many of the places which the movie was to be shown appeared to be what one would call a traditional movie theater. Most of these were in museums.

With the upcoming release of “First Man,” I honestly don’t know what will happen when it comes to releasing it. This movie doesn’t come out until October 12, so there is plenty of time for something to be announced when it comes to where this film will be shown. Although with a film like this, I would certainly like to see it shown in more than just a select few IMAX 70mm theaters. If it can’t be as wide as “Dunkirk,” I would at least like it to be close to as wide of a release as “Dunkirk.” Because just like “Dunkirk,” I feel like this is one of those films that is literally made for movie theaters, and in a case like this, IMAX. As an audience member, it is the responsibility of the filmmakers and in a case like this, IMAX, to immerse me into the movie. I’ve experienced a rocket launch in the IMAX format, and I’ll even state, the IMAX 70mm format! A rocket launch is by far one of the most powerful things a man could ever witness. Just a two minute video of a rocket launching would be a great test video for the IMAX experience. Now if that is accompanied by a great story and interesting characters, you have something more nifty on your hands. So IMAX, please give this a wide release in your 15/70mm format, and if you want my preference on where to see it, I want to see it at the Providence Place Cinemas IMAX in Providence, RI. Just… Get crackin’.

If this does not get a wide release in IMAX 70mm, the least I ask is that this gets an IMAX 70mm release in some notable areas having to do with NASA or space exploration. But seriously, if you ask me, the wider the release, the better! So why be good when you can be better? Chop chop, our lives only last so long!

“First Man” is in theaters and IMAX everywhere on October 12th, and it is by far one of my most anticipated movies of the year. If you guys ever think about seeing it, I imagine this would be one hell of a ride in IMAX. Thanks for reading this post! This week I’ll be releasing at least couple of new reviews. I’ve got my review for “Tag” which I pretty much already finished, it just needs to be released once I’m allowed to share it to the public. I will also soon have my review for “Incredibles 2” which comes out later during the week, and if I can manage my time well enough, I might be able to insert my review for “Mission: Impossible: Ghost Protocol.” I just need to watch it from start to finish, gather my thoughts, and then unleash those thoughts to you all. If I don’t have it this week, I’ll probably have it next week because the week after I’ll be on vacation, and I’ll probably still be posting while I’m away if my creative juices are flowing, but there’s a good chance I’ll be watching the movie at home as opposed to a hotel. Stay tuned for more great content! I want to know, if you had to guess how many theaters happened to be releasing “First Man” in IMAX 70mm, what would your guess be? Or, what are your thoughts on the trailer we just got for “First Man?” Let me know down below! Scene Before is your click to the flicks!

 

Pacific Rim: Uprising (2018): This Year’s Independence Day: Resurgence?

*SPONSORSHIP ALERT* (although nobody’s payin’ me)

Before we dive into my review for “Pacific Rim: Uprising,” let me just take a moment to ask you, how ya doin’? How’s life? What’s going on? If it were around this time frame in 2016 and you asked what a couple named Genevieve and Paul what’s going on, one of them might respond saying, “A ton of s*it.” That’s because at the time, they were trying wicked hard to make a kid, but the overall task of doing so was an absolute nightmare. All of this is truthfully documented in their new web series, “What the IVF?!”

“What the IVF?” is about Genevieve and Paul’s journey to having a baby, where they discover that having a child is not all fun and games, it’s work! Not because of the child, but because they can’t make the child! Watch the couple as their life gets serious and begins to change dramatically as they face several challenges! Sex becomes less than sexy! Math apparently is now useful in real life! Trips to visit doctors are now more nerve-racking than ever! And needles are nothing but ungrateful sons of bitches! Then again, when were they not? Those pinches are killers! You can watch all of the content posted on the “WTIVF?” YouTube channel simply by going through the links down below and clicking on the one to the YouTube page. And speaking of YouTube videos, “WTIVF?” has an episode posted earlier this week! I won’t go into too much detail, but Genevieve refers to it as her favorite episode so far and as the video that highlights the moment that probably most dramatically changed her life. Be sure to watch the video listed above if interested, subscribe to the YouTube channel, hit the notification bell, that way you can get the latest “WTIVF” content before your friends who aren’t subscribed, who in which case, may become your enemies because they aren’t subscribed. Also, check out their website, and their other online pages such as Twitter, Facebook, Instagram, all down below! Also, be sure to tell them that Jack Drees sent ya!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“Pacific Rim: Uprising” is directed by Steven S. DeKnight and stars John Boyega (Star Wars: The Force Awakens, Detroit), Scott Eastwood (The Longest Ride, Suicide Squad), and Cailee Spaeny. This is the sequel to 2013’s “Pacific Rim,” directed by Guillermo del Toro, and if you are keeping up with the Academy Awards, this guy recently won Best Director for “The Shape of Water,” a movie which also won Best Picture. When it comes to “Pacific Rim: Uprising,” it revolves around John Boyega’s character of Jake Pentecost, the son of Stacker Pentecost, played in the first movie by Idris Elba. His character teams up with another character from the first movie, Mako Mori, played in the first movie by Rinko Kikuchi, and leads a team of new Jaegar pilots against a new Kaiju threat.

As far as the first “Pacific Rim” is concerned, I’ll say I personally enjoyed it. I saw it in IMAX when it came out, I had a good time, I got to see some kick-ass robot/monster fights up on the big screen, it was pure popcorn fun. I got connected to the human characters a little bit, the music was not half-bad, and Idris Elba gave a speech to remember.

“Today. Today… At the edge of our hope, at the end of our time, we have chosen not only to believe in ourselves, but in each other. Today there is not a man or woman in here that shall stand alone. Not today. Today we face the monsters that are at our door and bring the fight to them! Today, we are cancelling the apocalypse!” –Stacker Pentecost

I’ve only seen the movie twice, with last time being a month ago, but no matter when I watch it, I can imagine myself getting goosebumps just listening to that. The first “Pacific Rim” is definitely not a masterpiece, but certainly a good time. This movie, is the complete opposite. Not the opposite of definitely not a masterpiece, but the opposite of a good time.

Speaking of movies that aren’t masterpieces but also good times, remember “Independence Day?” That’s a fun movie. Remember the sequel? Yes? Unfortunately, I do too, I had to review that crap for y’all. I’m gonna go as far to say that “Pacific Rim: Uprising” is this year’s “Independence Day: Resurgence.” It’s an attempt to kickstart a new franchise and rely more on spectacle than proper storytelling. Ask me, do you remember many likable, intriguing moments from “Independence Day: Resurgence?” I don’t. And you know what? I’m gonna say that personally I found this movie to be worse than “Independence Day: Resurgence.” Heck, I watched the first movie literally the day before I went to see the second one in theaters. Someone I had a connection with wanted to see the then new “Independence Day” movie, and I was unfamiliar with the first one, so I watched it on HBO for free, but it was something that I just had on in the background. I actually had attention directed towards “Pacific Rim” and personal enjoyment from gazing at the pixels on the screen. “Pacific Rim: Uprising” currently has a 6/10 on IMDb, and it is receiving more positive ratings than negative ratings, so it clearly has people who like it. And I will say, I imagined in my head that there are certain types of people who will watch this movie and have a good time. Let’s go through the list.

GROUP 1:
Fans of the first “Pacific Rim” who don’t care what others have to say and are just happy this movie exists.

GROUP 2:
Fans of the first “Pacific Rim” who clearly know the lore or are interested to see what other lore can be developed.

GROUP 3:
Kids who like giant robots, monsters, fighting, or any combination of those things. Yes, anyone can fit in here, but I’m mainly imagining kids.

GROUP 4:
People who just want to see John Boyega in something new for whatever reason.

GROUP 5:
Judging by what I just said, I guess the select few people who happened to enjoy “Independence Day: Resurgence.”

GROUP 6:
Me on Opposite Day.

GROUP 7:
Michael Bay. Just… Michael Bay.

I mean, seriously, how does this not feel like “Independence Day: Resurgence” all over again?! This movie’s a sequel to a film with a character who some might say gave a terrific speech. A black character who is not present in this movie has a kid who plays a big part instead of them. Both sequels take place in a future far from its predecessor. Oh yeah? And did I mention that both movies suck? That’s another thing too, it’s kind of important!

I don’t care about any of the movie’s characters, but since it is now a cliche for me to talk about at least one character in detail with a big fat image listed above, I guess it’s time for me to inject myself with the poison in front of my ugly face. Let’s talk about John Boyega’s character of Jake Pentecost. Gah! Why do I have to do this?! I don’t even monetize this site! It’s not even worth it! Alright, just for the sake of having a good review, let’s tackle this bitch. Pentecost is a fine character, and by fine I mean, you don’t want to kill him by the end of the movie. But probably the main reason you’ll end up liking him or caring about him is that he’s John Boyega. If you have been a fan of the new “Star Wars” movies, you might end up rooting for this character because you know he’s Finn. By the time you walk out of the theater, you’ll probably end up forgetting this character and go back to your life where you buy tickets for, hopefully, better movies.

Moving onto the main girl in this movie, Amara Namani, played by Cailee Spaeny, I was watching the movie and I thought to myself that she reminded me of the young girl in “Logan.” I can’t say too much about that though. Because to be honest I haven’t seen “Logan.” My comparison would be invalid given how I’ve only watched the film’s promotional material. But from the way she looks, and seemingly, acts in the movie, I was given that thought at one point.

Let’s talk about Charlie Day in this film.

More like… Charlie Good Day Sir!

Like, NO! JUST NO! NO!

WHAT! THE! HECK! DID THEY DO WITH HIM?!

For those of you who haven’t watched the first movie, Charlie Day was a character in it, and he went by the name of Newton Geiszler. He was a wacky scientist who studied the Kaiju during the whole war. Take Emmett Brown from “Back to the Future,” put him in a blender with JJ Abrams, maybe a pinch of the Cowardly Lion from “The Wizard of Oz,” and add in the voice of like, I dunno, let’s just say Michael Scott from “The Office,” and you get Newton Geiszler. I won’t talk too much about him in this movie, because I want to stay out of spoiler territory, but there was a point where the character of Amara was getting on my nerves a little, then all of a sudden something happened with Newton, and then my brain tried to find all the ways it could electrocute itself. Its reaction might as well have been this GIF featuring a clip from “Family Guy.”

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Another gripe I’ve got with this film is that it’s just boring as f*ck! I mentioned how this movie relies more on spectacle than proper storytelling, the story itself bored me, and so did the character interactions. I’ll be honest, I’m a defender of the first Michael Bay “Transformers” film, and I didn’t mind the human characters. While in that movie, you came to see giant robots fighting and may have been disappointed due to forced human character storylines, a movie such as the one I saw, had us wanting to see giant robots and monsters fight, but also made me as an audience member suffer through unlikable humans communicating with each other. In fact, one thing that I’ll point out about the first “Pacific Rim” is that while the movie isn’t exactly reliant on you giving a crap about the characters, I still cared about them and possibly rooted for them. Here, I wasn’t doing that. If somebody received any sort of pain, I wouldn’t have cared. This movie felt too extended and dull, and it ended up being an hour and fifty-one minutes. There are so many movies that are longer than this pile of garbage that are better and more worth your time! Let’s give a list!

  • 2001: A Space Odyssey
  • Citizen Kane
  • Jurassic Park
  • Every Lord of the Rings movie (including Hobbit installments)
  • Star Wars
  • Braveheart
  • La La Land
  • Interstellar
  • Titanic
  • V For Vendetta
  • The Dark Knight
  • The Matrix
  • Lincoln
  • The Fifth Element
  • The Big Sick
  • Kingsman: The Secret Service
  • Ray
  • Once Upon a Time in the West
  • Metropolis
  • 12 Years a Slave
  • Inception
  • The Martian

And you know what? I don’t know how long this statement will hold up in my book, but at this point, I might say this is worse than all of the Michael Bay “Transformers” films.

This movie isn’t all negatives, in fact, one positive I can actually give the movie, is some of the cinematography from Dan Mindel, cinematographer of such films including “Star Wars: The Force Awakens,” the 2009 “Star Trek” reboot, and “John Carter.” Now don’t get me wrong, it’s not the best I’ve ever seen, but it almost comes off as one of the only things that can make this look like a film that is trying. But unfortunately, that’s sometimes ruined by occasional choppy editing! How wonderful! I didn’t come to the movie to admire the cinematography and editing, but it doesn’t mean both of those things can be bad!

In the end, when I’m talking about a big blockbuster that is SUPPOSED to entertain you and have you enjoy yourself while munching on popcorn for a couple of hours, and the only positives that come to mind include some of the shots and maybe tads of humor, that’s an epic fail! I really wanted to like the first movie. When the first trailer came out, it sold me. It prepared me for what was to come. I was somewhat pumped. The future bits of marketing were not as great, but I thought maybe the movie could be a chunk of fun. I think I’d honestly have more fun flying Spirit Airlines than I would watching this movie. At least Spirit Airlines, as much as they suck, and trust me, THEY SUCK, can take you to places you want to go. If I wanted to see all sorts of pretty lights and maybe watch some drunkards duke it out, Spirit could take me to Las Vegas. If I wanted to go see one of my best friends in person or make fun of the way people in Texas talk up close, Spirit could take me to Houston. If I bought tickets to go to a convention that might as well be an excuse to pay lots of money to stand in line after line after line, Spirit could take me to San Diego. “Pacific Rim: Uprising,” also took me to a place, and that place, is hell. I’m gonna give “Pacific Rim: Uprising” a 2/10. I admire John Boyega, and continue to hope some brightness shines throughout his career, but to say that he may have just been shown in a movie that is possibly worse than “The Circle,” is just unfathomable.

Thanks for reading this review! Next week I’m going to have my review for “Avengers: Infinity War,” because I already have tickets to see the movie opening night, and probably right after I get done watching that, the first thing I’ll do is get right in front of my computer, type like a maniac until perhaps three o’clock in the morning, and post my review for y’all to read! By the way, I’ll warn you in advance in case you read that review, I’ll do my best to make the review spoiler-free, for the sake of not feeding the trolls who throw spoilers around the Internet, and to avoid ruining the experience of going to see “Infinity War” for those who aren’t seeing it as early as I am. Not to mention, according Anthony and Joe Russo, the two directors of “Avengers: Infinity War,” Thanos demands my silence, so I might as well respect Thanos’ wishes.

#ThanosDemandsYourSilence

Also, stay tuned because pretty soon, I’ll have my review up for “Mission: Impossible II.” This review will be up by the month’s conclusion, and it will be the second entry in my “Mission: Impossible” review series leading up to “Mission: Impossible: Fallout.” So look out for that! Stay tuned for more great content! I want to know, did you see “Pacific Rim: Uprising?” What did you think about it? Which “Pacific Rim” movie was better? The first one or the second one? And since it’s relevant, did you see “Independence Day: Resurgence?” Leave all your thoughts down below, and PLEASE remember, if you are making an early review of “Avengers: Infinity War,” #THANOSDEMANDSYOURSILENCE. Scene Before is your click to the flicks!

Blockers (2018): When Parents Don’t Want Their Kids Gettin’ Cocky

Alright fellow moron followers, it’s that time! We’re gonna talk about sex! And to do that, we’re not just gonna go over my thoughts for the movie “Blockers,” we’re gonna be doing a usual promo. Sex may be fun, hot, and climactic. You know, unless you’re Genevieve and Paul. If you’re Genevieve and Paul, sex is not all fun and games! It’s work! Hard work! No! They’re not f*cking porn stars! They’re in a YouTube series where they’re trying to conceive! Watch them… in “What the IVF?!”

“What the IVF?” is an all new series on YouTube that goes over one couple’s long journey to conception. Watch Genevieve and Paul as they deal with various struggles and small victories! As time passes, they realize, them becoming parents will only become a reality if they push themselves to the limit instead of just having sex and having a natural procreation method. Not to mention, getting injected with tons of needles. You can find the latest videos from Genevieve and Paul on the “WTIVF?” YouTube channel. Also be sure to hit the notification bell and subscribe for all new content! Their latest entry to the series involves a fertility appointment, and things just don’t go according to plan. If YouTube doesn’t satisfy you, check out all the other “WTIVF?” social media profiles and the series’s own website. All links are down below, tell em Jack Drees sent ya, and now let’s continue getting sexy!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“Blockers,” or C*ckblockers, as the promotional material implies, is directed by Kay Cannon and stars John Cena (Trainwreck, The Wall), Leslie Mann (Knocked Up, This Is 40), and Ike Barinholtz (Suicide Squad, Neighbors) as three parents who get together who try to stop their daughters from losing their virginities on prom night. Basically if you watch the movie, take the concept for “American Pie,” add in some elements of modern-day s*it in there, change the gender of the teens in a pact to get laid, and make the parents bigger parts of the story, and you get “Blockers.”

This movie is the directorial debut of Kay Cannon, who is mainly known as a writer and producer when it comes to her work in Hollywood. Cannon has written all three “Pitch Perfect” films, and produced the two sequels. I only saw the first one, I thought it was one of the worst comedies I’ve ever seen, even though a number of people seem to like it, but it certainly kept me from seeing the next two movies. Cannon also wrote several episodes of “New Girl,” which honestly, I need to still watch! They have reruns now, so I have a good opportunity on my hands. As I went into “Blockers,” I didn’t expect much, and my low expectations had partially to do with Kay Cannon, who I imagine, is a rather nice woman, but as far as I’m concerned, I didn’t like her s*itty movie from about six years ago. But hey, if were sitting in a chair in a coffee shop, having a coffee with her, I wouldn’t feel like I was tied to that chair. How someone is as a writer and someone is as a person are two completely different ideas! And luckily, in terms of how this movie was not only from the perspective of director Kay Cannon, but also the perspective of writers Brian and Jim Kehoe, it was so much better than it deserved to be! Seriously, from some of the advertising, I was somewhat convinced that this movie would be mediocre at best, but I walked out thinking to myself that I watched a movie where “American Pie” and “Revenge of the Nerds” had a lovechild! Is this movie a masterpiece? Heck no! But not only did I have a fun time, part of me feels that this movie goes over some very important themes. But before we get into why I’m craving this movie like ice cream, let’s dive into negatives.

First off, this movie has a ton of points where I nitpicked the hell out of it. I won’t go into extreme detail because it seems rather spoilery, but he biggest standout to me is when Ike Barinholtz’s character said he’s never watched anyone have sex before. My first thought after hearing that line was, “You’re a grown man who has impregnated someone, and raised a kid.” There’s not one point in your life where you rented something from the adult video store? I don’t know, That’s how he comes off to me. The more I thought about it, maybe he was just referring to in-person sex, but it doesn’t change how that original thought popped into my mind. Another thing I sort of didn’t like, is one joke that kind of makes fun of “Fast & Furious” and Vin Diesel. While it was somewhat executed well, audiences have seen a joke similar joke to that almost three years ago now in “Vacation.” Granted, that movie from what I heard was trash, but having promotional material, I imagine some people might watch this movie, witness this joke play out, and view it as perhaps less funny than if it was had “Vacation” never happened. I remember witnessing other various nitpicks, but I’ll be real with you, I can’t exactly recall them off the top of my head. It just goes to show how many positives there are in this movie compared to negatives.

Let’s talk about the three parents in this movie. You have the recently mentioned Ike Barinholtz who plays Hunter, whose daughter goes by the name of Sam, played by Gideon Adlon (The Real O’Neals, Z Nation). Hunter used to be married, but after reveals of him cheating on his wife, divorce happened. Barinholtz did a great job playing a very hyperactive, overenthusiastic, and somewhat aware dad. And by somewhat aware, I mean in terms of how teens communicate. This is something that the movie dives deep into. When the other two parents were trying to decipher whatever it was the teens were trying to say based on what was being typed out and shown on an accidentally left open laptop, Hunter was basically helping the two parents out with knowledge. To add some hilarity to the mix, Hunter treated the text reading like a puzzle, and some lines given in context to that were nothing short of lovable. I was totally able to buy him as a single parent and his connection with his daughter, especially towards the end of the film, was believable and charming.

Speaking of divorced parents, you’ve also got Leslie Mann’s character of Lisa. She is portrayed as this somewhat kick-ass, caring, and memory-sharing mother. She gave birth to a daughter named Julie played by Kathryn Newton (Paranormal Activity, Lady Bird), and their chemistry was totally believable. Mann’s character definitely delivers a fine performance of a parent who is somewhat concerned about the future of her child, and when it comes to overall concern, Lisa shines more than any other character.

Now we have an interesting character, and when I say that, I mean in terms of who plays him, not so much of how he’s laid out in terms of overall characterization. We’re about to talk about a little someone in this movie.

AND HIS NAME IS JOHN CENA!

How is John Cena in this movie? I’ll be completely honest with you, I don’t know. I couldn’t see him. He wasn’t anywhere in sight.

OK, I saw him.

John Cena plays the character of Mitchell, and he’s basically this overprotective father. His daughter goes by the name of Kayla, who in the movie is played by Geraldine Viswanathan. Out of each chemistry between each main parent to their daughter, this one was believable as well, but if I had to choose the one that is the least believable, I’d pick this one for now. Here’s why. I’ve done some research regarding this movie. John Cena is white, and he was born in West Newbury, Massachusetts. You’ve got Mitchell’s wife, Marcie, played by Sarayu Blue. She was born in Madison, Wisconsin, and she kind of looks like her family has an Indian origin. As for their daughter, the girl who plays her is from Australia. She might look like a mixed race child, but something feels off. Again, I’ll mention, most of my problems in this movie are nitpicks. John Cena though gives a great interpretation of a father and in some ways, reminds me of my own father a little bit.

Moving away from mature people, let’s move onto the movie’s three main teenagers. As you can see in the image above, they’re standing along with three guys, all of which you can probably guess are their prom dates. The three girls, Kayla, Julie, and Sam, have great chemistry and I buy them as best friends and dates to their boys. I’ll also have you keep in mind that part of that great chemistry may have resulted from the very thing that happened at the beginning of the movie. The film starts off with a montage in 2005, when the girls meet in kindergarten, otherwise known one of those times when you realize your life is about to go through a downward spiral of crap. The montage itself was sweet, effective, and illustrates the point that these girls are best friends maybe without having to make you question it. Their setup to actually plan on simultaneously declare their quest for virginity loss, might be a tad bit rushed, but you could also make the argument that they’re teenagers and teenagers often rush into things and I can totally get that. Maybe, and I’m not being sexist here, I would have believed this if the girls were actually boys. Because in real life, people usually think of boys talking more about sex and losing their virginity than girls do. In fact, this movie an interesting topic that I often think about in relation to that, which we’ll get to in a bit. But in all seriousness, girls, after seeing this movie, I want to know, would you say that from experience or personal thought that girls talk about sex and stuff like that as much as guys? Maybe in a positive light? I seriously want to know because this movie is honestly just making me think and I kind of want some experience or two cents from someone who would apply in the realm I’m referring to.

By the way, the girls’ dates were all pretty cool to watch here, but my favorite teenage boy in the movie has to be Kayla’s date, Connor. He’s played by Miles Robbins (The X-Files, Mozart in the Jungle) who not only does a great job with the character, but I also have to give kudos to the writers. The movie sets up Connor as someone who Kayla likes, but not as someone Kayla’s father likes. Granted, in some ways, it almost makes her father look like a dick, but it didn’t really take too much away from the movie. Listen to me, imagine if I were taking some girl to prom, I pop into her house, and the girl’s father looks at me and I have the hairstyle Connor has, there’s gonna be some s*it going down soon. I don’t think there’s anything wrong with it, but I’m not Kayla’s father.

Now let’s dive into this movie a little bit deeper and talk about how it tackles some issues regarding teens, parents, those kinds of people. You have many movies out there that might as well be quests to losing one’s virginity. Movies like “Porky’s,” “American Pie,” and f*ck, I’ll say it, “The 40-Year-Old Virgin.” Out of these movies, I’ve only seen “Porky’s” and “American Pie.” From what I’ve seen, I wouldn’t say they’re terrific. “Porky’s” almost seems like a good background movie in some cases, and “American Pie” was enjoyable, but I didn’t really connect to any specific character. Maybe it takes a couple watches, but I will admit, I didn’t enjoy that movie as much as I thought I would. Also, when it comes to these “virginity loss quest” movies, they’re usually from a male perspective. I will bring up that “Blockers” has all male writers, but the director for this movie was a female. To me, this brought an interesting balance in terms of what both genders thought of teenagers and sex.

When it comes to the parents, they’re obviously worried. John Cena comes off as very overprotective, not just because her daughter’s virginity is going to be taken, but perhaps even because it’s going to be taken by a guy whose hair probably doesn’t even belong in this world. Hey! I never said that! I’m not John Cena! Connor seems like a nice guy who knows that he wants his first time to be special, but hey, parents will be parents.

Leslie Mann is going through a bunch of worries when it comes to her daughter. She’s going to college soon and the mother is concerned of losing the kid she raised forever and ever. She wants her daughter to go to a local college and stay near her mother, but this girl wants to go to UCLA, and that’s just an upset to her. Oh yeah, and her daughter’s on a virginity loss quest, don’t forget about that! By the way, her daughter is technically the one to jumpstart this whole quest!

Ike Barinholtz, as mentioned, doesn’t even live with his daughter. Like Leslie Mann’s character, he’s divorced, but he lives alone without a child. And when it comes to his daughter, not only is he concerned about her being in this sex pact. He’s worried about her sexuality. Sam, the daughter of Ike Barinholtz, is gay. She’s going out with a boy. We actually see her worried about this and have a desire towards a certain girl later, but Ike’s character doesn’t have that knowledge.

This movie as a whole dives really deep into a ton of the main characters and unleashes little figments of their personality. It’s a sex comedy that doesn’t feel like a comedy where sex is bound to happen and it’s really all you think about. It’s almost more like “Revenge of the Nerds” in some ways because that’s a sex comedy, but it also dives deep into the characters and their own little individualistic traits to get you to care about them. There’s not many people who feel like they are just written on a page or cookie-cutter. This feels like a vision. Sure, it has that typical studio comedy feel, and it is complete with tons of Apple product placement, but the characters in this movie all have a chance to shine.

I will also admit, I was watching this film alongside my mother, and I was wondering how awkward it would be for the two of us. For one thing, I was not expecting much out of this movie, but also another thing is that I’m eighteen years old. I gotta say this movie came out at what might be a proper time for me. Relying on numbers from the Centers for Disease Control and Prevention, the average age for one to lose their virginity according to them is 17.1 (both males and females). Sex is something my mother and I don’t talk about, and why would we talk about it? What… benefit… is there to life… of having a sex-related conversation between a parent and a child? It’s gonna do nothing except make one of us want to exit the room! My mother actually reads this blog, and I’m trying to get inside her mind. What if there’s one day she finds out about me having sex? Sure, maybe when I’m an adult maybe that’s natural. OK, well, I’m technically an adult at this point, but certain members of society would probably still refer to me as a child or teenager. I’m willing to bet a number of adults know that teens, especially ones in my gender, think about sex all the time, but they always see us doing it as dangerous or horrifying. As a teen, I get why, but I feel like that no matter what gender the characters are, whether it’s the kids I’m talking about or the parents, this movie does a fantastic job of not only highlighting the thoughts of the young and the old when it comes to teen sex, but it also seems to add a nice touch by not choosing a side in this debate and calling one right or wrong. This feels like a film, not propaganda. I don’t know if it will open much discussion between kids/teens and parents about sexual activity, but maybe it will develop some along those lines with maybe close friends.

In the end, I honestly couldn’t have gotten more of a surprise from “Blockers” than I already have. “Blockers” feels like one of those movies that we as a society didn’t really deserve, but someone was nice enough to let us have it. I’d love to thank Kay Cannon for directing the hell out of this, and I’m sorry that I called your other movie a piece of crap. I’m gonna give “Blockers” a 7/10. Thanks for reading this review! Next week I have a week off from school, giving me more opportunities to go to the theater and see something. Maybe I’ll go see “Rampage,” “Pacific Rim: Uprising,” “A Quiet Place,” “Isle of Dogs,” we’ll have to find out! Also, be sure to stay tuned for my review for “Mission: Impossible II” which will be up by the end of the month! Stay tuned for more great content! I want to know, what did you think of “Blockers” if you saw it? Or, what is your favorite sex comedy? Me personally, I gotta go with “Risky Business.” It feels natural, the characters are great, and the music is awesome! Let me know down below! Scene Before is your click to the flicks!

10 Movies That Have Changes You May or May Not Have Noticed *SPOILERS*

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Hey everyone, Jack Drees here! You might have clicked on this post thinking “Oh, crap! Clickbait! GO BACK! GO BACK! GO BACK!” First off, thank you for giving me one extra view, very much appreciated. Second, regardless of how clickbaity this sounds, I will say what you’re about to read is somewhat interesting. When movies come out, you might think of it in a certain way. You might go back and watch it the way you remembered. Although in some cases you might go back and watch it, and there’s something different about it. Today we’re going to be looking at some of these changes, see if you see the movie in a different view than you did before. One rule I’m making for this list is that no made-for-TV changes apply here. If a movie gets a change from its original release because it airs on TBS or something, it doesn’t count. So changes as the one from “Home Alone” where Buzzy doesn’t say “I wouldn’t let you sleep in my room if you were growing on my ass,” and instead says “butt,” doesn’t qualify. Just for the record, this is not a countdown, these aren’t in any specific order, and I’m not sticking to any sort of idea, stating how much I like or dislike these changes. I might go into that, but I’m not saying I like every single change or dislike every single change. So let’s dive into this.

Revenge of the Nerds: Phone Number

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The first change comes from the 1984 comedy “Revenge of the Nerds.” This is one of my personal favorite comedies. The sequels? Not so much. The movie has been released on VHS, Laserdisc, DVD, and Blu-ray. However, the sequels haven’t gotten past the DVD mark. This is a change that is seen on both the DVD and Blu-ray editions of the film. In 2003, the film was put out on DVD, but with a reedit brought to the mix. There’s a “For Rent” sign in the movie which had a genuine phone number on it. For legal reasons, the footage where the phone number was displayed was removed. Note, I didn’t say blurred, but removed. I have never seen the footage of where the phone number is revealed and as I write this, I’m looking at originaltrilogy.com, where a bunch of users are talking about this change and a couple of them called it “jarring.” I will have to watch the original cut in order to agree or disagree, but if you really want to make everyone happy, just blur the phone number. Also to everyone, please don’t call the phone number. Don’t be a dick.

All the Right Moves: Lea Thompson In the Nude

Remember how I said this isn’t a countdown? Well, I guess this may be an excuse to talk about movies I haven’t seen. Ladies and gentlemen, I give you “All the Right Moves,” starring Tom Cruise (Risky Business, The Outsiders) and Lea Thompson (Jaws 3-D, Back to the Future). Why am I talking about this? Well apparently I was in Connecticut and while I was there, I managed to pick up a bunch of Blu-rays to add to my collection. This movie happened to be one of them and I figured it would go great in my Tom Cruise collection. Due to random research, I came across something interesting. When “All the Right Moves” came out in 1983, there’s a sex scene featuring Tom Cruise and Lea Thompson which contains full frontal nudity, however when the Blu-ray released in 2012, the framing of Lea Thompson’s character in the nude was altered. This prevented people from seeing Lea nude below the waist. I don’t want to sound like a pervert, but I don’t know why that change had to be there. First off, the movie’s rated R. Second, if people who have watched this before are rewatching this today, they might be slightly jarred by what they’re seeing and the experience of that scene might be ruined for them. Not to mention, this is a Blu-ray cut! Not a cut made for television! On TV, I can sometimes understand some movies being altered for certain viewers for a number of reasons. But, on a Blu-ray?! What do I know really? I’ve yet to see the film so I can’t really say much.

2001: A Space Odyssey: “Affirmative, Dave” and Nineteen Minutes of Footage

It’s been almost fifty years since the release of “2001: A Space Odyssey.” In that span of time, the movie has been considered a classic by fans of science fiction and film from a general perspective. You know what they say, if it ain’t broke, don’t fix it. This change, much like the “Revenge of the Nerds” change, didn’t really break the film or anything for some people. In fact you can say it broke the film less because if you think about this, it’s not really that jarring compared to the “Revenge of the Nerds” change. In 1998, MGM released “2001: A Space Odyssey” on DVD, with a slight change in the dialogue. During the scene when Dave is trying to get through the pod bay doors, he asks HAL “Do you read me, HAL?” In that particular release, HAL responds by saying “Affirmative, Dave.” Although in the original release, HAL says “Affirmative, Dave. I read you.” What makes this change extra wacky is that the English subtitles for the DVD released by MGM actually still displays the line from the original release. The full dialogue however was revived in future home video releases from Warner Brothers. Speaking of changes, when “2001: A Space Odyssey” was first released, it was slightly over two and a half hours long. The version which is seen on most home video releases is a version that’s just slightly shorter than two and a half hours. Stanley Kubrick, the director of the film, removed nineteen minutes of footage after the film premiered. It would be nice to see that footage restored for when “2001” comes out on 4K, I’d totally buy that!

Blade Runner: Endless Cuts (SPOILERS AHEAD)

“Blade Runner” is one of the best sci-fi films ever made. In fact, a sequel just released in October and it might be just as good, if not better, compared to the original. Followers over the years have been exposed to multiple editions of what director Ridley Scott regards as “probably his most personal and complete film.” Ridley might not be lying when he says that, and we’ll get to that in a second. “Blade Runner” has had seven different cuts of the film released to the public.

In 1982, the workprint prototype version was shown to test audiences in Denver and Dallas. This was also shown in 1990 and 1991 to audiences in San Francisco and Los Angeles as a “Director’s Cut.” Although it didn’t have the approval of Ridley Scott. We’ll get back to that in a sec.

There was also a San Diego sneak preview version shown to audiences only once in May 1982. This version included three scenes that was never shown in any other version of the film (before or after).

Then we have the version the US audiences saw in theaters. This included a “happy ending” that the studio wanted in the film. Fun fact by the way, there are aerial helicopter shots which weren’t even filmed for “Blade Runner.” These shots were actually from Stanley Kubrick’s “The Shining.” The movie also included narration by Harrison Ford, who played the lead character of Deckard. While some might say Ford either was angry about his task or he intentionally narrated poorly, he said it was simply bad narration. This was also referred to as the “Domestic Cut,” which wasn’t released on DVD until 2007 as part of a collector’s set of the film.

Then we have the International Cut. This cut is a minute longer than the US version, and included more violence in three action scenes than the US version. This cut was eventually released in the US on VHS and Criterion Collection laserdiscs. Interestingly, this version was shown to the US on HBO during the 1980s, the 1990s, and 2015.

In 1986, the US broadcast version was released. This was put together by CBS to meet TV broadcast requirements. There’s even narration that wasn’t in any other version of the film leading up to it, plus a different opening crawl. And yes, I said made-for-TV changes don’t count, but I’m just providing evidence to prove my point.

Next came the Director’s Cut, which was created technically by film preservationist, Michael Arick. This cut was discovered as a 70mm print which nobody had an idea that it actually was the movie’s workprint version. This was discovered after a screening of the film in Los Angeles. Ridley Scott said the cut was roughly edited, lacked a key scene, and the climax missed Vangelis’s score. The Director’s Cut was very popular that it rereleased theatrically in 1992. This cut also brought up a very popular fan theory if you will to the table. At one point in the film, we cut to a clip of a moving unicorn. The original idea for this scene was to cut between Deckard and the Unicorn, but the condition of the print associated with this was not presentable, so it just shows the unicorn trotting. This scene along with a clip of Deckard holding an origami unicorn, may suggest he is a Replicant. Speaking of things this film removed, the movie no longer has the narration from Deckard along with the happy ending the studio wanted. Despite being called the “Director’s Cut,” Scott wasn’t satisfied. To be fair, he was busy with “Thelma and Louise,” time and money happened to be a problem, however this cut brought more satisfaction in general to Scott than the original. There’s one cut although, that brought even more satisfaction to Scott…

Here’s where we get to “The Final Cut.” This is the cut where Ridley Scott had complete artistic control. Remember the unicorn dream? Turns out in this version, the original dream was included. You know, the one where it cuts between Deckard and the unicorn. Other additions include alternate edits and violence featured in the international cut. It turns out there were parts of this version that went through reshoots to fit in this version. One such example is Zhora’s death scene. Fun fact, if it weren’t for Warner Brothers gaining total control over distribution rights in 2006, this would have probably never been released. This project started once the 21st century began, and in mid-2001, legal and financial troubles put the project to a halt.

Porky’s: Cherry Forever’s Extra Nudity

“Porky’s” is an interesting movie to say the least. When it comes to its reception, critics weren’t exactly pleased, but it did gain a cult following and there are still people who go back and watch it today. As far as 1980s coming of age stories go, this isn’t my goto pick. However, back in the 80s, this was a hit among many people who flock to the cinema. The film was #1 at the box office for nine consecutive weekends, suggesting that either a lot of people either wanted to see it, liked it and went multiple times, or happened to be really horny. The film eventually released on VHS and something appeared in that which never appeared in the theatrical release, or the future DVD release. Based on how the release was open matte, more nudity was revealed in the VHS version. This happened during the Cherry Forever scene. The additional nudity was a result of the transfer, and was never intended to be shown. You know, unlike my secret identity–whoops! That was close! I almost told you guys I’m the guy who saved the Golden Gate Bridge from absolute destruction. Oh, crap! I did it! I’m a failure! I was told by a wizard to keep that a secret! Oh, well! Sucks to be me!

xXx: Head-butt

One interesting move executed in battle is a headbutt. There’s something about it, you’re literally using your head to bounce off someone else as a fighting technique. Plus, the term itself is awesome. One movie where a headbutt is shown is 2002’s “xXx,” starring Vin Diesel. This movie isn’t exactly the next “Citizen Kane” or anything, however it is a fun action flick with some interesting lines in the lines in the script. Going back to headbutts, when this movie was released in several territories, audiences were exposed to a moment where a headbutt occurs. One territory where audiences didn’t get to see this however, was in the UK. Similar to the US’s MPAA, the UK operates under a rating system referred to as the BBFC. The BBFC has a rating labeled as 12A/12, which was the rating “xXx” was given. If the headbutt was kept in, the rating wouldn’t have been secured and would have bumped up to 15. This is how the film was presented for years. The headbutt wasn’t even in the eventually released Director’s Cut DVD. Although on January 5th, 2017, the film was rereleased on Blu-ray in honor of the film’s 15th anniversary. It was at this point that the BBFC waived the cuts to the film, and the headbutt was then inserted. The BBFC must have had this slogan for years:

BBFC: We’re buttheads!

Ferris Bueller’s Day Off: Paramount Logo

I love “Ferris Bueller’s Day Off.” It’s a coming of age story that a lot of people in high school can relate to. In fact, you can also include anyone going to school in general, not to mention anyone who’s working a s*itty job can relate to. Sure, “Office Space” kind of does the same thing, but this came first. This change doesn’t even affect much of the movie, it just has to do with the logo. This movie is from Paramount, and if you know who they are, there’s a good chance you’ve seen one of their logos. Some time after the movie was in theaters, it came out on VHS. However, the VHS versions contain a plastered Paramount logo depending on the year the print released. The original logo although was restored on all future DVD and Blu-ray releases.

American Graffiti: Digital Effect

Ah, George Lucas. What have you done? You took a bunch of people’s childhoods, which were epic because of your “Star Wars” movies, and you threw them in the garbage! Because if you haven’t noticed, the original “Star Wars” trilogy has made a crapton of changes over the years! Well ya know what?! I’m not gonna focus on that! Because I already did a countdown focusing on those changes, and apparently George Lucas made a change to “American Graffiti” as well! This change didn’t exactly offend me as much. Then again I only saw this movie once. The change is shown in the 1998 Collector’s Edition DVD and VHS, and once you hear what it is without any specification, it almost sounds like something George Lucas would do. Lucas requested for the opening scene which features Mel’s Drive-In to have a sunset with clouds. The original opening had a cloudy sky with buildings in the background. In this opening, the buildings are still there, but the weather is different. Interestingly, there was also a documentary on the making of “American Graffiti” included as a bonus feature on the DVD, and the original shot was inserted there. Time travel much?

Kindergarten Cop: Little Terrorists

I imagine some people getting a sense of surprise from “Kindergarten Cop.” The film itself is a comedy where a cop goes undercover as a kindergarten teacher in order to locate the ex-wife of a dangerous criminal. This movie released in 1990 and stars Arnold Schwarzenegger. It’s kind of interesting to put the Terminator as the star of a comedy, but stranger things have happened. Although I wouldn’t say it’s all too strange because another comedy, “Twins,” released two years before this one, and while not all critics and audiences appreciated the film, there were a number of them to say it was worth a watch. Interestingly, both comedies were directed by Ivan Reitman, who also directed “Ghostbusters” 1 and 2. And the movie does have some witty Schwarzenegger lines and also has some funny lines given by a bunch of kids as well. Speaking of lines, let’s talk about one of them. As mentioned, this movie released in 1990, which is eleven years before 9-11. Once that day occurred, it inspired the removal of one particular line in all future versions of the film. After Schwarzenegger’s first day with the kindergartners, he has this to say about them.

JOHN KIMBLE: They’re horrible. They’re like little terrorists.

I’d just like to state that if I were in kindergarten watching this film, it would probably be debatable on whether or not I should be watching it given it has a PG-13 rating. However I don’t know if this one incident means this line should be deleted. I don’t know if Reitman decided on this or if Universal did or anyone else for that matter, but you don’t really need to get rid of it. Sure, in reality, kindergartners aren’t commonly associated with terrorists, although that would make for an interesting cartoon or something, but I don’t see how this would offend anyone. I mean, it’s probably better than changing the line, but the elimination felt unneeded. Let’s face it. Kindergartners are crazy, and I know that because I was one. I wouldn’t blame someone comparing me with a terrorist at that age because I was a chaotic brat. Anyways, let’s move on.

Jaws: Smile, You son of a… (SPOILERS AHEAD)

“Jaws” is considered by many to be one of the greatest films of all time. It has a terrific script, admirable characters, and an awesome score from John Williams, who went on to do “Star Wars,” “Superman,” “Raiders of the Lost Ark,” “E.T,” “Home Alone,” “Jurassic Park,” “Schindler’s List,” “Saving Private Ryan,” and “Harry Potter.” If you’ve seen the ending, you’d probably know how it ends. Part of that ending involves the character of Brody. He’s in a duel against the shark and he’s got a gun. He’s in full concentration mode, trying to take the creature down. In honor of the movie’s 30th anniversary, a DVD was released in order to celebrate. This brought a very minor change in one line, in fact, it’s actually one of the lines of the movie that I remember most. In versions prior to this release, before Brody shoots his gun to kill the shark, he says “Smile, you little son of a bitch.” Here, he says “Smile, you little son of a…” and then his gun is shot. Like the original, all the blood and gore remains, but the word “bitch” is removed. I’m glad I’m not Jesse Pinkman from “Breaking Bad,” because finding this out would be the worst day of my life. I can now say that my memory suggests that all the versions of “Jaws” I’ve seen in my life at this point, have this specific “bitch” removed. I want to know how this feels for everyone who has either seen the original version and possibly been exposed to alternate editions of the film. How does this “bitch” removal come off to you? Does it take away from the scene? Does it not take anything away at all? Does it anger you? I really want to know. I can’t say much about this change, but if they ever alter “You’re gonna need a bigger boat,” there will be riots.

Thanks for reading this post, there’s a good chance I just possibly either ruined a scene for you, so if I did, I apologize. If so, don’t blame me, blame the people who changed them! Nevertheless, the year’s almost over, the holiday season is coming to its conclusion, but that also means I will have two countdowns coming up. Like at the end of 2016, I’m counting down my top 10 BEST and WORST movies of the year. I’ve seen a number of films that came out this year. Most of those films are ones I reviewed, and there are others I’ve watched but couldn’t make a review of for the sake of time such as “The Great Wall,” “American Assassin,” and “King Arthur: Legend of the Sword.” Believe it or not I will still be going to see more movies as the year comes to a close, because I have aspirations to go see “Downsizing,” “Father Figures,” “The Disaster Artist,” and if any other opportunities come up to see a movie released this year, I’ll take those as well. Stay tuned for more great content! Also, what is the worst alteration you’ve ever seen in a movie? For me, I gotta say Darth Vader screaming “no” at the end of “Return of the Jedi.” Leave your responses down below! And yes, can also includes ones from TV. Scene Before is your click to the flicks!

Sharknado 5: Global Swarming: Another Attempt at Jumping the Shark

You know what I’m afraid of? Sharks. You know what I’m also afraid of? I’m afraid of the “Sharknado” franchise and what it is doing to the movie-viewers of our world! These movies just keep on coming out even though they just plain suck! Now that we have five of these, I have yet another crapfest to suffer through!

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So… it’s come to this. “Sharknado 5: Global Swarming” is directed by Anthony Ferrante, who also directed the first four “Sharknado” installments. This movie stars Ian Ziering (Beverly Hills, 90210, Godzilla: The Series), Tara Reid (The Big Lebowski, American Pie), Dolph Lundgren (The Expendables, Universal Soldier), and Cassandra Scerbo (Make It or Break It, Not Another Not Another Movie). I could tell you that this movie is about stupidity and leave at that, but since I attempt to put a lot of effort into my reviews, perhaps more than various films I watch, I’ll dive into the plot. The plot is that the whole shark-tornado phenomenon has gone global. This all starts in the city of London, where our heroes are meeting with NATO, unfortunately for Ian Ziering and Tara Reid’s characters, they lose their son, Gil. Now in order to save him, they must travel into a sharknado (laughs).

I’ve watched multiple installments of “Sharknado” before, in fact I’ve actually reviewed “Sharknado 4: The Forth Awakens” when that came out. What did I think of that movie? Well, it was a piece of s*it. And you know something? The same can be said about “Global Swarming.” “Sharknado” is a franchise I know a number of people like… for some reason. They know it’s cheesy, they know it’s bad, but they still enjoy it. What do I think? I can’t stand it. To me, “Sharknado,” as far as movies on TV go, is like the “Transformers” franchise when it comes to movies you see in the theater. Only difference is that I can find enjoyment out of “Transformers.” Although when I saw the fifth one, I was kind of just done with it. Now that we have FIVE “Sharknados,” I’m just BEGGING to Syfy to just bury it in the ground. I get this is a TV film and it’s kind of meant to be cheesy, but there’s so much that is happening, so much that I complained about while watching this crap that it literally destroyed my mind afterward. Down below I have an actual tweet from my account that I posted last night, moments after finishing “Sharknado 5.”

Also, I livetweeted through this s*itfest, much like a great portion of people who own a TV, here’s some of my tweets:

Want to watch this movie? If you said no, I wouldn’t blame you. Anyway, let’s talk about the characters. That is if, they’re actually characters, to me they’re really just people written, I’m sorry, I mean, SCRIBBLED on a page for the sake of making a so-called story.

We’ll start off by talking about April, played by Tara Reid, one of the only positives in the entire movie, and possibly the franchise, only because she’s hot. Although then again, saying that is almost like saying that I’m dating the best girlfriend in the world because she’s the best looking woman I found on, I don’t know, Tinder or something, and she’s great at sex. But in reality, my girlfriend has no personality, just sex appeal. Well I guess my girlfriend’s actually not that great then. Other than that, I don’t care about her, I can’t really relate to her, I just literally wanted every character in this film to die. Although one plus I can give April is that she didn’t ruin the “Star Wars” line “May the force be with you,” once more. All the other things I remember about her character is that she is basically an 80’s humanoid at one point, and she does all sorts of shark-killing s*it. What else is there to remember? Oh my gosh, I’m GETTING A HEADACHE WHILE WRITING THIS REVIEW! I DON’T THINK I’M KIDDING WHEN I SAY THAT! Then again you can’t see me, so, what do I know, what do you know, what does anyone know?

Let’s get to stupid character #2 and talk about Fin Shepard, played by Ian Ziering. I barely recall anything he did in this movie much like April. I just remember he was there for shark killing, he was looking for his son, and I also remember him at the end. I SWEAR to you, this movie is ultra-forgettable. It’s RARE for me to actually forget about a movie shortly after I see it. When the movie’s two leads are barely even memorable other than their names, that’s a problem. And I’ve seen every “Sharknado” movie. THAT’S A FACT. I watched the first one, I saw the sequel but it was being riffed by Rifftrax, I saw the third one but it was more of something that was just on in the background, I don’t really recall that much, I witnessed, livetweeted, and reviewed the fourth one, and now I saw this monstrosity. Also, one of the things I hated the most about this film is this line he gives to the pope, “Forgive father, for I am Fin.” I lost my mind when I heard that crap!

Also returning in “Sharknado 5” we have the character of Nova, played by Cassandra Scerbo. I remember her more in the first minutes of the original “Sharknado” compared to “Sharknado 5” so that says something you need to know about this character. Once again, I barely remember anything about Nova, I don’t care about her, and I was just like, why are all of these people I’m tweeting alongside with obsessed with her? Is it because of how hot she looked in the first movie when she was in her bathing suit? By that logic, Nicola Peltz’s character from “Transformers: Age of Extinction” must be a phenomenal character because she’s a 10/10 when it comes to looks, even though she didn’t give a good performance.

Last but not least when it comes to “characters,” we’re gonna focus on Gil. I don’t have an image for him, couldn’t find too many likable ones, so bear with me. I HATE GIL. I thought he was just plain annoying in “Sharknado 4” but now that we’re somehow here in “Sharknado 5,” he’s gone from bad to worse. While he wasn’t technically as annoying as he was in the installment before this new one, he played a huge part in the movie, which ultimately made me not root for anybody in. He got sucked into a sharknado, and now it is up to April and Fin to save him. I may be a dick for saying this, but seriously, after hearing this kid squeal in the last movie I was just done with him, I was like, “Goodbye kid, I don’t need you no more.” Although when it was revealed that April and Fin were going to try saving him, I lost my s*it. Sure, it’s their kid, but that kid f*cked up my brain in the worst way possible!

Another reason why people watch these films are the celebrity cameos. And while they aren’t really cringeworthy, you can’t help but think, “Why are they here?” You’re seeing all of these people: Claudia Jordan (Deal or no Deal, The Price is Right), Abby Lee Miller (Dance Moms), Fabio, and Tony Hawk, how much are they being paid? Are they being forced to do this against their will? The only cameo I ended up liking and remembering was Gilbert Gottfried’s, which was one of the cameos, if not the only cameo I ended up liking in the fourth movie. Although after seeing this movie, I’m glad I can think to myself that Gottfried is still putting out quality content and not just this stuff. Seriously! Have you seen a couple of this year’s episodes of “Last Week Tonight?” His voice is dubbed over the voice of Jared Kushner!

Let’s get this out of the way. Two things I hate in life are Comcast and product placement. This movie, unfortunately, combines the two together. This is actually, believe it or not, something that occurred in “Sharknado 4,” and seeing it here, it’s actually not as bad here as it was there. In fact, if I remember correctly, I believe there’s less product placement in this movie than the previous one. Although when it comes to Xfinity at the end of the film, the film began to make me screech like a fire alarm. I get it Syfy, you’re owned by NBCUniversal, a Comcast company, doesn’t change the fact I think this is s*itty product placement and it makes me angry!

In the end, “Sharknado 5: Global Swarming” continues to make me lose my faith in humanity. We’ve created masterpieces such as “The Wizard of Oz,” “Back to the Future,” “Willy Wonka and the Chocolate Factory,” now this is the entertainment that people want. I want more quality content, I don’t care what it is, just give it to me! At least “Jaws” listened to viewers and knew when to stop making movies, they stopped at four installments, this series is still going, and it’s gonna keep going until the end of time… (Sigh). One last complaint I have before I give my final verdict is the screaming. I get it, it’s a sharknado, but this movie didn’t learn it’s lesson from the last movie and to not give a headache to its audience from the screaming. Surprisingly, Tara Reid gave an annoying scream. I couldn’t believe what I was watching. I don’t watch “Game of Thrones,” but I was watching this, and I knew someone else on Twitter who was watching this too, at one point they changed the channel to HBO to watch “Game of Thrones,” I imagine they made the right choice. I’m gonna give “Sharknado 5: Global Swarming” a 1/10. “Sharknado,” I need you to learn from the pros, although I don’t think you’ll listen to me because you’re a TV movie, know when to settle down. Joel Schumacher’s “Batman” series stopped after a couple of installments, the older “Superman” movies stopped at “Superman IV: The Quest for Peace,” “Back to the Future” stopped as a trilogy, take notes. Just let your series become obscure enough for no one to ever have to experience again, and we shall have peace. Thanks for reading this review, I kind of hope I’d watch a better movie after watching “The Emoji Movie” recently, but what can you do? Although if you do want to check out my review for “The Emoji Movie” be sure to click the link down below and check it out! Also, if you’re somehow into “Sharknado” or you just want to see me talk about more bad movies, be sure to check out my review for “Sharknado 4: The Fourth Awakens.” It’s been over a year since I reviewed that piece of crap and the fact that it exists, much like the movie we’re focusing on, is a sin in itself. Stay tuned for more reviews! I want to know, what do you think of this movie? Do you like the “Sharknado” franchise? Do you think I’m being too hard on it? Let me know in the comments! Scene Before is your click to the flicks!

“THE EMOJI MOVIE” REVIEW: https://scenebefore.wordpress.com/2017/08/02/the-emoji-movie-2017-a-literal-pile-of-sir-patrick-stewart-warning-strong-language/

“SHARKNADO 4: THE FOURTH AWAKENS” REVIEW: https://scenebefore.wordpress.com/2016/08/01/sharknado-4-the-fourth-awakens-may-the-absurdity-be-with-you/