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Ready Player One (2018): Pop Culture’s Ultimate Birthchild

Posted on by Jack Drees

*SPONSORSHIP ALERT* (although nobody’s payin’ me)

Before we dive into my review for one of my most anticipated movies of 2018, let me just have you know that this review is being called “Pop Culture’s Ultimate Birthchild.” If you watch “Ready Player One” and/or read the book, you’d know precisely what I’m talking about. And speaking of birthchildren, there’s one couple out there in California who are currently expecting a birthchild. The couple contains souls by the names of Genevieve and Paul, and they are going to giving birth to a child sometime in the future. You can find out the true story of this babymaking journey in “What the IVF?!”

“What the IVF?” documents the seemingly endless but also effort-filled journey of having a child. What’s so hard about it? Watching over them? Finding a babysitter? Trying to get them to fall asleep? No, you fools! The hard part is making them! Watch as Genevieve and Paul do something that will change humanity. By, you know, trying to increase its overall population by 1. But the process of doing that isn’t easy! The couple suffer through troublesome situations in regards to sex, math, testing, costs, and because they TOTALLY asked for them, infinite needles! If you want to watch the fifth episode to this series, it’s listed up above. This time, Genevieve and Paul’s marriage might be going down the toilet! Not to mention, nothing seems all that pleasant at this point. Watch the episode, comment, subscribe, hit the notification bell, share with your friends, enemies, frenemies, whoever they may be. Also check out the “WTIVF” website, and their other forms of presence on social media, all of which is listed down below! Oh yeah, and tell them Jack Drees sent ya! I’m sure they’ll appreciate it!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“Ready Player One” is directed by Steven Spielberg (Jurassic Park, Lincoln) and stars Tye Sheridan (X-Men Apocalypse, Mud), Olivia Cooke (Ouija, Me and Earl and the Dying Girl), Ben Mendelsohn (Rogue One: A Star Wars Story, The Dark Knight Rises) and is based on the pop culture extravaganza of a book written by Ernest Cline, who by the way, is one of the film’s screenwriters alongside Zak Penn (The Avengers, The Incredible Hulk).

Much like the book, this movie centers around the character of Wade Owen Watts, a teenage boy who is currently living in the 2040s. Oh yeah, and just like every other movie that takes place in the future that seems to have something depressing, Earth is dying, who’d a thunk it? Nowadays he basically spends his time on the virtual reality headset universe known as the OASIS (Ontologically Anthropocentric Sensory Immersive Simulation), where you can literally live your reality meeting other avatars who go by nicknames. For example, Wade’s avatar name in the game is known as Parzival. Another example would be for a different character in the movie, Samantha, which is the name she goes by in real life, but in the OASIS, she’s known as Art3mis. There’s not just that, you can do just about anything you can think of! You want to drive a DeLorean? You’ve got yourself a DeLorean! You want an Iron Giant to hang out with? Of course you do, and you’ve got one! You want to ride the bike from “Akira?” Bingo! This is basically a future, where there’s nowhere left to go. And I’ve seen a lot of media will give this dystopian landscape where everything looks all depressing, but one thing I’ve never noticed is a hint of pop culture in there. And I feel this movie, the more I think about it, is kind of relevant. Not just for the environmental message that you’d find in films like “Wall-E” or “Interstellar,” but the fact that maybe we’re running out of ideas in terms of what could be the next big franchise or the next big movie or the next big TV show. The movie doesn’t really dive into that, but this is an unoriginal movie which centers around unoriginality and it’s all the better for it!

This was one of my most anticipated movies of the year. Most of the promotional material had me nerdgasming! The visuals looked astounding! The music, like, oh my gosh! The teaser trailer for “Ready Player One” which was revealed at San Diego Comic-Con, went on to become one of my favorite trailers of 2017, and the movie had a couple more trailers that went on to become instant favorites of mine for this current year. I went to see the movie in 70mm film! A lot of people see “Avengers: Infinity War” as their most anticipated movie of the year, and I totally get why, but when it comes to both movies, I can’t help but hype both up like the Soup Nazi when his place was in business on “Seinfeld.” I even did something that I never do before going to see a movie. I actually read the book. Let me just pull up a quote that I left in my review for “The Firm.”

“…movies are more fun! Sorry, books!”

Part of my reading of the book has to do with a challenge I gave to some friends, but still.

After reading the book and seeing the promotional material of the movie, I felt like this was a fictionalized “King of the Nerds.” If you have seen “King of the Nerds,” you’d probably know it as a part competition and part nerd culture extravaganza. This show is actually quite possibly my favorite of all time, making me even gladder to have read the book to capture the feeling of the show inside me once more after it was canceled by TBS in 2015. And speaking of “King of the Nerds,” “Revenge of the Nerds,” the movie which the show is sort of based on, is referenced in the book. In fact, there’s one part where the main character of Wade Watts goes searching for something important to the plot, and he tries going into a recreation of the house that the nerds rent and fix in the movie! If you know me in real life, if something receives a comparison to “King of the Nerds,” you know that I am jumping up and down.

Unfortunately, there’s no “Revenge of the Nerds” references in the movie. However, when you take the rest of the movie for what it is, you might as well refer to it by one word: Amazing. Am I fanboying? Sort of. I’m only fanboying because this film met, and in ways, exceeded my expectations. I am not one of those people who says this:

“This is a great book! Terrific! Unbelievable! If you change an ounce of this book, I will find you studio freaks at your filthy houses and slaughter every last one of you!”

Yes, there are changes from the book, and personally, I can understand the changes, and based on what we’ve gotten out of this movie, I don’t care! This movie itself, was probably one of the most thrilling experiences I’ve had in a theater. If the 70mm show wasn’t enough to please, some of the scenes which have now become new personal faves of mine certainly were!

Steven Spielberg directed this film, and when I first heard about him taking on this project, I was like, “cool.” As I read the book though, I thought to myself, there is NO OTHER MAN ON THIS EARTH that should direct this movie! Well, it was mainly because Spielberg was referenced in the book and it was done in a form of appreciation. Now that I’ve seen the film from start to finish, I can’t say anything else except, THERE’S STILL NO F*CKING WAY ANOTHER PERSON COULD HAVE DIRECTED THIS FILM! Steven Spielberg’s hayday was blockbusters galore, not to mention he’s a master of putting you into the action. Just watch “Saving Private Ryan” or “Jurassic Park!” The film’s opening contains this big and important race, and I guarantee you that at some point, you’ll feel like you’re in it.

Speaking of action, “Ready Player One” also contains one of the best mega-battles I’ve seen in a movie, and one of the best chases I’ve seen in a movie. There’s this big climactic battle that decides the future of both sides, and as I watched, I felt like I was back the early 2000s, going to the theater, and watching “Lord of the Rings.” I ate it up and I wanted more! Now I know that I talked about the race during the film’s starting point, and it’s sort of chase-like, but we cut to the real chase towards the end of the film. Literally. This final chase, may be one of the very best I’ve ever seen in a movie. The climactic chase of the movie almost feels like a mix of “Inception” and “The Lego Movie.” In other words, it was a mix of a heartfelt moment and the dropping of my jaw. I don’t even want to go into it, because I want you as a viewer to be surprised.

Now I mention that this movie, like the book, is really freaking good! But if there’s one thing that the book does better, it’s character development. I’m not saying that the characters in this movie sucked, in fact I really liked all of them. But in comparison to the book, the book did it better.

Let’s talk about the main character of Wade Watts, otherwise known as Parzival. In some ways, much like the book, I resemble this character. We both want to do something that will prevent our governments from harming us personally, we’re both uber nerds, and we both know a lot about a variety of popular culture. Although then again, that’s what pretty much a majority of the movie’s characters know about. In the book, Watts was actually fat in real life. I can kind of understand why they would cast a guy like Tye Sheridan for the role of Watts even though he’s not fat, but they could have paid homage to the book and done that. If they did cast someone fat, it would have increased the chance of seeing a key character moment from the book. I’m not saying I’m unsatisfied with what we got, but still, the book did it better.

Although one thing that may rival the book entirely in my opinion was the depiction of Samantha, or Art3mis. When I read the book, I always thought of the interactions in the OASIS between Parzival and Art3mis as cutesy, and as something that just developed over time. The movie feels faster, and it almost makes Samantha’s avatar look like someone a boy would usually be attracted to. Well, to me anyway, looks are subjective. Sure, in the book I can kind of buy Parzival’s infatuation towards Art3mis, but it didn’t have a raw feeling, like this movie did, and I personally thought it worked. Cooke as an actress pretty much nailed what this character needed, and I admired her performance.

Now let’s get into one of my favorite parts of the movie, and that is the character of Nolan Sorrento played by Ben Mendelsohn. Having seen him play Krennic in “Rogue One: A Star Wars Story,” it should be proof at this point that Mendelsohn can play one awesome villain! Here, he does that too! He’s basically this corporate baddie that oversees all the operations of IOI (Innovative Online Industries) and he wants to change the OASIS to make it more like what can be translated as something like Net Neutrality or EA shoving micro-transactions down your throat. As if his representation of evil was good enough, his character has one of the major highlights of the movie for me. There’s a point where he’s talking with Wade and he’s trying to act consumer-friendly, attractive, and telling Wade what he would probably want to hear, and someone is on the other end, speaking into his ear without Wade’s knowledge. Trust me, it’s kind of funny.

Now let’s state another highlight performance of the movie, and that is the character of James Halliday, played by Mark Rylance. This is Rylance’s third performance with Steven Speilberg, and he was cast perfectly in regards to this character. Halliday was charming, somewhat funny, and a mix between Willy Wonka and Steve Jobs. You’ve got the one side that seems to scream charisma and wonder and you have another that represents brains and sometimes over-stressed. I will say though, I was doing research on this movie, and while I think Rylance’s performance is terrific, there is someone I would have loved to see bring their skills to the table.

Rylance’s character is once again, comparable to Willy Wonka, and thus it kind of makes sense where Steven Spielberg’s mind would be going at one point. One idea he had for the character of Halliday before Rylance ultimately took over is to get Gene Wilder back on screen. According to the movie’s trivia page on IMDb, “Wilder respectfully declined.” Mark Rylance was cast in 2016 some time before Gene Wilder’s death. But what if Wilder were in the movie? I imagine the movie would make a hell lot more money than it already did, it would have a stronger opening weekend, and based on recent events, it might actually bring something emotional to the movie. Although then again, I wonder if they still would have been filming the scenes for Halliday at the time of Wilder’s death, so it probably wouldn’t have even mattered. Nevertheless, Wilder as Halliday would have been PERFECT, A+, 10/10 casting. However, Rylance, based on his portrayal, is just as solid.

Moving onto one thing that I heard a number of people complain about, let’s talk about references. People were nervous about this movie because they figured the only thing that it stands for is to make references down your throat. Personally, I did not have that complaint going in. I thought the movie was gonna have a fine number of references that didn’t feel bloated. Besides, references are awesome! As far as this movie goes none of the references forced (for what I remember), they were charming, and they were even sometimes hysterical! One of the biggest standouts is a moment where the main characters are going into the world of a classic movie. No, seriously, they go in, and several events from that movie play out in this one! I didn’t have too too many people in my theater, so I can’t say much noise was made, but I heard there were some presentations that people attended where audience members collectively gasped. The most references come in during the commencement of the movie and the climax, and while the middle definitely has some, it seems to come off as more story-oriented. And that’s not to say that the beginning and end aren’t story oriented. I’d say the references used at the start and finish were properly utilized while still maintaining an interesting story, thus making the movie better. You know, unlike “The Emoji Movie,” which story-wise and reference wise, is nothing but trash buried beneath the ground after being lit on fire. That movie was nothing but a complete waste of the talent from minds like Patrick Stewart, Anna Faris, and TJ Miller.

Fortunately, TJ Miller’s talent is not wasted here! If you don’t already know, TJ Miller plays the character of I-R0k, and let’s just get serious for a moment. TJ Miller’s voice, IS ASTOUNDING. If Morgan Freeman is the king of narrating serious pieces of work, then TJ Miller is the king of narrating anything that sounds hilarious. Just watch “Silicon Valley,” “Deadpool,” heck, I’ll say “Transformers: Age of Extinction.” HELL! I’d say even watch “The Emoji Movie!” Even though the movie sucks, you still get to hear the killer voice of TJ f*cking Miller. TJ Miller was TOP-NOTCH CASTING for I-R0k, and after seeing Miller play him, I probably can’t imagine anyone else taking on the role! If the remake and reboot craze continues and “Ready Player One” is the next in line, I quadruple dog dare those behind the project to find a better I-R0k.

In the end, “Ready Player One,” was a f*cking blast! I had very high expectations for the movie, and I certainly was not let down. This is also personally, almost a #1 favorite of mine for Steven Spielberg. I saw this movie on a Tuesday night, and this review was finished on a Friday. On this day, I’m still thinking to myself, “I want to see this again.” Have I seen it again? No I have not, but I’d literally cut through traffic and smash cars to pieces just to go to the theater for a second time and catch the experience once more. So with that being said, “Ready Player One” is yet another win for Spielberg and I’m going to give it a 10/10!

Thanks for reading this review! Fun fact about my experience watching this in the theater, I mentioned I went to see this in 70mm, and it actually was in this quaint theater near Boston, and they played a trailer for “2001: A Space Odyssey” since the theater was bringing it back in the 70mm format for its 50th anniversary. Just… One of the best things I’ve witnessed in my entire life. I might do something soon for “2001” if possible, maybe a movie review, maybe dissect it, or something else along those lines. As far as other content goes, I have a few ideas lined up. Maybe I’ll go see “Blockers,” “A Quiet Place,” “Pacific Rim: Uprising,” or maybe I’ll wind up seeing “Ready Player One” again. Who knows? Stay tuned for more great content! I want to know, did you see “Ready Player One?” What did you think about it? Did you read the book? What did you think about that? I personally love it, and comparing both the movie and the book side by side, they both make themselves great in their own ways. Also, if you were going to make a book or movie full of references, what would the references be and how would the movie play out? Let me know down below! Scene Before is your click to the flicks!

The 15:17 to Paris (2018): Don’t Always Be Yourself

Posted on by Jack Drees

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“The 15:17 to Paris,” unfortunately, is directed by Clint Eastwood (American Sniper, A Fistful of Dollars) (sigh). This movie stars Alek Skarlatos, Anthony Sadler, and Spencer Stone as themselves. The film is based on a book known as “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Soldiers,” which is based on a true story of three Americans who grew up together and find themselves discovering a terrorist plot while they’re aboard a train in France.

Now you may be wondering why you just read the word “sigh” in this post. Clint Eastwood is a beloved figure in Hollywood. I can’t say I’ve seen much of his work, but the man has proven himself to be talented as a director, as an actor, and as a producer. And in “The 15:17 to Paris,” the man comes off more like some American-loving guy than a filmmaker. I’m not trying to say that I hate America, I’m not trying to say that Eastwood can’t love America, but I’m saying that this film about three Americans who obviously were courageous, needs improvement.

This film is an hour and thirty-four minutes long, which is actually just a couple minutes shorter than “Sully,” another film directed by Clint Eastwood which is based on a true story. “Sully,” much like this movie, wasn’t as good as it would have, could have, and should have been. Although it was barely passable unlike this one. What worked in “Sully” is that the film is centered around the event people now refer to as the Miracle on the Hudson and the entire film focused on it in some way. The main event that really should be the nucleus of the movie this review is directed toward, which is the train fight, doesn’t feel like a major part of the picture. One of the other differences between this and “Sully” is that “Sully” has actors playing the lead roles and this movie doesn’t. I will be fair in saying that the three guys also written a book on this information, which eventually lead to this movie. The book even has mostly five-star ratings on Amazon. Although they had no involvement in the screenplay. Maybe if they wrote the screenplay and gave their own insight, maybe the movie will be better. Although that’s hard to say too because these guys are not professional screenwriters. This movie honestly becomes more and more of an enigma the more I think about it.

As mentioned, “Sully” mainly focused on an event that the lead character had major involvement in. This movie doesn’t. Not only that, but I didn’t even care about most of what happened in this film at all. The film starts off telling about how long the three major characters have been friends. They were troublemakers, they went to a Christian school, they didn’t have girlfriends, they enjoyed taking out some guns and playing War. That was somewhat intriguing. Then they all get older, the movie’s starting to lose some steam, but it’s still competent, and then we get to Europe and I ask myself, “What is happening?” This movie made me ask the same question I asked myself as I was forced to read “Pride and Prejudice” in school! Nothing happened! I will give the movie credit, at least it was technically more entertaining to me than “Pride and Prejudice,” but keep in mind, I’m not some girl who lived in 19th century Britain. Although this is a film DIRECTED BY CLINT EASTWOOD! I expect greatness from a movie like this! Once again, competently shot and entertaining in ways, BUT NOTHING EVEN HAPPENED!

I will also be fair and mention the hour and a half runtime again. Even if Clint Eastwood didn’t direct “The 15:17 to Paris” and it instead happened to be directed by Michael Bay, I’d probably have somewhat similar thoughts on both final products. Also, for the record, Eastwood didn’t do the screenplay. I’d have similar thoughts on both products because they’d still be barely long enough to qualify as a feature length film. Down below I have a description regarding feature length films taken from Wikipedia.

“According to the Academy of Motion Picture Arts and Sciences, the American Film Institute, and the British Film Institute, a feature film runs for at least 40 minutes, while the Screen Actors Guild states that it is 80 minutes or longer.

The majority of feature films are between 70 and 210 minutes long.”

I have never really watched too many films that are forty minutes long, but this a film that could easily be a lot shorter, although in the end, a number of viewers who went to see this film would probably skip on it because it’s too short to be a “movie.” Heck, I think a large number of theaters wouldn’t even accept the film if it were forty minutes! Although it has Clint Eastwood’s name on it so…

In my reviews it’s traditional that I provide a section I where I go into the major characters and some characters that perhaps stood out to me, but I’m not gonna do that here. Instead, I’m gonna introduce each character, and I’ll provide some actors that could potentially play the role these folks have played themselves.

Here are the three heroes from this movie. The first one we’re going to “talk about” is Alek Skarlatos (left). This guy could have been played by a number of people in my book. The first person that comes to mind is Matt Damon. They look somewhat similar physically, granted Damon’s twenty-two years older than Skarlatos, but I think a role like this can be pulled off. Another person I bet could pull this role off is Alden Enrenheich, and if this name doesn’t sound familiar to you, let me have you know he’s been in films such as “Beautiful Creatures,” “Blue Jasmine,” and “Hail, Caesar!.” He’s also going to be playing Han Solo in “Solo: A Star Wars Story,” which at this point is more like “A Star Wars Product” given material I’ve seen thus far. Another possible candidate to me is gonna be somewhat surprising and that is New England Patriots’ tight end Rob Gronkowski. I know, weird, right? I will say though that he, just like some other notable sports stars such as Dave Bautista (Blade Runner 2049, Guardians of the Galaxy), Dwayne Johnson (Central Intelligence, Jumanji: Welcome to the Jungle), and John Cena (Daddy’s Home 2, Trainwreck) had some acting gigs and it’s now a regular thing for them. Although I wonder if this kind of thing would have worked out because this movie went into production over the summer and certain announcements concerning it came in around preseason time. Also since I just mentioned John Cena, he probably would have done fine as this character given his physique.

Onto the guy in the middle, Anthony Sadler, his character is a–wait a minute, I don’t want to lose my sense of focus… The guy could have been played by Chadwick Boseman, who is playing Black Panther in, well, “Black Panther.” Sadler could have been played by Winston Duke, who will be playing M’Baku, another character in “Black Panther.” He could have also been played by John Boyega, who you may know as Finn in the “Star Wars” sequel trilogy. Yes, he’s British and this is an American character, but if you have seen John Boyega, he can do one hell of an American accent. Maybe Eastwood could have gotten J. Lee, who you may know for playing John LaMarr in Seth MacFarlane’s “The Orville.” Maybe Lakeith Stanfield would be a good pick. He was in movies such as “Selma” and “Get Out.” I can’t say I’ve seen much of his work, but he has proper looks for the role.

Moving onto Spencer Stone, he is the guy on the right of the photo which is located a couple paragraphs above where you are now. I’m not saying that this guy should play Spencer, but given one thing that happens in this movie, I wouldn’t mind seeing Russel Crowe taking on the role. I say this because there’s a meme-worthy “Gladiator” reference in this film. Remember how I said Rob Gronkowski would be a good pick for Skarlatos? If he had a buzz haircut, then he would probably be suitable for this role as well. Channing Tatum might be a good pick if he ever does a buzz to his hair too. Perhaps if Andrew Garfield did some shaving too his placement in this role could have been rather effective.

This movie is not exactly the end of the world, but it is lacking professionalism. Yes, you have a very experienced director helming it all, but you have a multiple actors who are playing themselves. Sure, this movie has its fair share of big names such as Judy Greer and Jenna Fischer, but this also has a screenwriter that hasn’t really done much of anything. Sure, experience doesn’t always equal skill, although it doesn’t change the fact that the level of skill put into this film wasn’t completely visible. Maybe the main trio wanted to play themselves for authenticity, but you have to consider, how skilled are they? They weren’t terrible in this movie, but their acting ability happened to be at a low level of some sort.

Some of you might be thinking, “Hey! Jackass! You’re forgetting about such instances like when Kumail Nanjiani played himself in ‘The Big Sick!'”

I didn’t. You’re missing the point.

You see, Kumail’s a f*cking actor.

In the end, this movie happened to be underwhelming as s*iiiiiit. If this movie lacked a tad more professionalism than what was already there, I might be a little more understanding and give a higher verdict, but this movie just got worse the more I thought about it. It’s difficult to care about the heroes, the filler is all over the place, and pretty much the only positives include the well directed action and the proper cinematography. Clint Eastwood, I’m sorry, I didn’t feel lucky, and this movie is a punk. A punk which stole my friend’s hard earned money! I’m going to give “The 15:17 to Paris” a 3/10. This is a hard movie to rate. I didn’t really know what to expect before going in since I haven’t really seen much in terms of marketing compared to some other films I know, but a movie with Clint Eastwood’s name attached to it should have been miles better than how this turned out to be. And sadly, this MIGHT POSSIBLY be the best movie, at least the best one that a number of people actually give a s*it about, to come out this weekend! What else is coming out this weekend you ask? The climactic (in more ways than you’d imagine) “Fifty Shades Freed,” and from Sony Pictures Animation, the absolute gods that brought you “The Emoji Movie,” live-action “Peter Rabbit!” Thanks for reading this review! Pretty soon “Black Panther” will be out in theaters, and given my ambitions, I have plans to see that as soon as possible. I’m also working on another post which will be out soon, which includes my personal thoughts on the upcoming “Super Mario Bros.” film. Stay tuned for more great content! I want to know, did you see “The 15:17 to Paris?” What did you think about it? Or, what is your least favorite Clint Eastwood film? He can do anything in it. He could act, he could direct, anything. Leave your comments below and maybe they might have more quality than “The 15:17 to Paris!” Scene Before is your click to the flicks!

Maze Runner: The Death Cure (2018): The Continuation of Teen Angst, Starring Dylan O’Brien- PART 3, To Be Rebooted Once Hollywood Runs Out of Young Adult Dystopian Books To Base Movies On, Still Better Than Twilight

Posted on by Jack Drees

Before we begin my review for “Maze Runner: The Death Cure,” I wanted to give a shoutout to someone I know. This person I’m talking about just created an account here on WordPress. She’s a good companion of mine, who goes by the name of Millie. This companion just initiated an all new blog by the name of “Movie Reviews and More!”. The overall intention of “Movie Reviews and More” is to provide movie reviews, rumors related to the entertainment industry, and just talk about movies regardless of whether or not they’ve been released. Millie began her blogging journey days prior to the publication of this post you’re reading as of this moment. If you could do her a favor by checking out her blog and following her, that would be much appreciated. Now that we have that out of the way, let’s start my review!

MOVIE REVIEWS AND MORE!: https://moviereviewsandmore780585661.wordpress.com/

“Maze Runner: The Death Cure” is directed by Wes Ball, the director of the previous two “Maze Runner” movies, and stars Dylan O’Brien (American Assassin, Teen Wolf), Ki Hong Lee (The Nine Lives of Chloe King, Wish Upon), Kaya Scodelario (Pirates of the Caribbean: Dead Men Tell No Tales, The Truth About Emanuel), Thomas Brodie-Sangster (Love Actually, Nanny McPhee), Dexter Darden (Geography Club, Joyful Noise), Giancarlo Esposito (Breaking Bad, Once Upon a Time), and Rosa Salazar (Insurgent, Parenthood). This film is being advertised as the final “Maze Runner” installment, and in this one, Thomas goes on a mission to find a cure for a disease that’s spreading all over civilization.

It hasn’t been until recently that I watched the prior two “Maze Runner” installments. After watching both from beginning to end, I have to say I enjoyed the first one, but the second one felt like Melatonin in the form of moving images, which is another way of saying the second movie made me almost fall asleep at times. Going into the third film, I didn’t have truly high expectations. The movie had a low score on Rotten Tomatoes, not to mention a January release date. Let’s face it. Movies+January=Begging for mercy. It’s simple math! It’s still January as I’m writing this and I’ll have you know that this is the first 2018 release I’m focusing on. There’s a saying known as “worst for first,” although I can tell you right now that’s not true because last year I saw “The Emoji Movie” and that was the twentieth movie I’ve seen released that year. Depending on what happens in 2018, I don’t think that’s going to be the case here either, because “Maze Runner: The Death Cure” surprised me in terms of its positivity. As I walked into the theater to watch this movie, not to mention, prior to even going there, I had one thought to myself. I thought, “Please be better than the second movie!” Not only did I get a film that’s better than the second movie, to me it has around the same praise I have for the first movie. If you read my review for the first movie, you’d already know that I’m not saying this movie’s perfect. We’ll get to that, but let’s go on by stating some positives.

This movie was directed by Wes Ball, and as mentioned, he directed both the first and second installments to this series. The fact that he’s come back to direct this third movie is just unbelievable, and I mean that in a good way. Although then again you have Michael Bay coming back to direct every single “Transformers” film and look how those have turned out. I say this is positively unbelievable because you have several films out now based on young adult adaptations. These young adult adaptations have come from books that have gotten multiple installments. The “Maze Runner” franchise is one example of that. Let’s compare this statistic with other similar films. As for “Twilight,” every single movie in the franchise has a different director making the picture. Well, that is if “Breaking Dawn” wasn’t split into two parts so in that case, the same guy directed both of those movies. “The Hunger Games” started off with direction from Gary Ross, and every film after that was directed by Francis Lawrence. “Divergent” was directed by Neil Burger, but that didn’t last because the next two films in the franchise were to be directed by Robert Schwentke. “Fifty Shades of Grey,” YES, THIS COUNTS, because it’s based on “Twilight” fanfiction, even though its target demographic is middle-aged women, was directed by Sam Taylor-Johnson. Then once that movie came out, it had two more scheduled to be released. “Fifty Shades Darker,” the sequel to “Fifty Shades of Grey,” was directed by James Foley, who also directed “Fifty Shades Freed,” which will, unfortunately, be out soon. It just goes to show that with these young adult adaptations and the sole young adult adaptation wannabe, nobody can commit to these movies. With the existence of “Maze Runner” and Wes Ball, we have an exception on our hands. Not only did he direct these movies just for the sake of having a job, he actually tried on all three. He failed on the second one despite looking nice at times, but he tried on all of them. Ball now has a trilogy to look back on as an accomplishment. As for this film, Ball once again delivers by executing solid performances out of the actors along with neat location choices. According to IMDb, the movie was done in South Africa, and it fit the post-apocalyptic vibe quite well. A lot of the cinematography done by Gyula Pados, who also did the cinematography for the previous “Maze Runner” installment, was very proper and it I could easily tell what was going on. So for overall direction, this movie’s solid.

Moving onto the actors, let’s talk about Dylan O’Brien. After seeing Dylan O’Brien in this movie and hearing a little more about him, I have massive respect for him. While all of the actors here commit to their roles, I have to say that O’Brien did an exceptional job committing to the one for which he was responsible. In 2016, it was reported that O’Brien was injured on set while filming “The Death Cure,” suspending production indefinitely. Turns out the injury came from a car making contact with him. Production resumed about a year after the injury happened. The fact is, they got it done. O’Brien survived, everyone’s fine, and the movie was made. Having said that, I want to write my own movies, I might even want to direct them, and I’ve had an idea for one for some time and I’ve often thought to myself for this one I’m thinking of in particular, Dylan O’Brien would be the lead role. Now that I’ve seen O’Brien and what he’s done as far as this movie goes, I want to work with him even more. O’Brien plays the character of Thomas once again, and he’s definitely got some charisma here, much like some other characters.

Another notably fine character is Newt, played by Thomas Brodie-Sangster. I thought Brodie-Sangster’s performance was solid and the way his character was written, along with Dylan O’Brien’s, brought out some great chemistry between the two. I’d probably have to watch the other two movies again, but I don’t think I felt as much of a connection to him as I did here. Maybe it’s because this is the last installment, maybe it’s because I watched this in a theater, not to mention an IMAX theater, I don’t know, but the point is, I like Newt here.

Another character worth talking about is Kaya Scodelario’s character of Teresa. In this movie, we first see her on the side of WCKD, which if can’t tell by what that acronym sounds like, is this franchise’s evil organization. I’m not gonna go into supreme detail about Teresa, but just about every single action from this character was something I was able to believe.

This movie, to me, was full of surprises, and I think I made that somewhat clear. Another surprise that caught my attention was that I actually cared about Rosa Salazar’s character of Brenda. She was introduced in “The Scorch Trials” as a character I didn’t really have much of a connection towards and since the movie itself was a near-snoozefest, that pretty much explains my thoughts towards her character. Brenda actually had a standout scene to me at one point during this movie. She’s driving a bus, and she has to escape, and the way she attempts to escape is pretty awesome. Actually, you know what, I take that back. It was aMAZEing.

As mentioned, this movie isn’t flawless, and as a movie reviewing moron, I gotta be fair here. Going into this film, I will have you know that I was actually at a restaurant beforehand having breakfast. My sister, who wasn’t going to see the movie, was receiving explanation from my father as to what the movie we were going to see was like. He described it as a combination of “The Hunger Games” and “Resident Evil,” at least that’s what my mind suggests. As for that second insertion, I’m not talking about the video games, he’s never played those. He’s talking about the movie adaptations. I haven’t seen one of those films, but I heard they’re abysmal, but having heard various things about them, I think I can make that connection now. The “Resident Evil” movies have a number of moments where you basically have to suspend your disbelief like crazy. This movie has that too, you just wonder how some of the stuff in this film actually happens. It’s not “Batman & Robin” bad, but it’s still a thing that occurs. One more issue I had was the first part of the film. I honestly thought it was a tad draggy but it quickly recovered as the movie went on.

If this movie, at least in my book, could trim up those issues, it might just be the best “Maze Runner” movie yet. Not only that, but it might make this the most solid based on dystopian young adult adaptation movie series I’ve seen to date. In my rankings, it’s tied with “Divergent,” but “The Maze Runner” is actually better because it could actually finish its own story. Based on what I’m saying about “The Scorch Trials,” that’s not really saying all that much. Others would disagree with me, and I’m not lying. Germain Lussier from io9 Reviews made an article titled “The Death Cure Doesn’t Give The Maze Runner the Ending It Deserves.” Not only that, but David Sims from The Atlantic calls this movie a “grim, half-hearted farewell.” I never read the “Maze Runner” books, so maybe my opinion is little different than others. Although Sims never says whether or not he’s read the books so that fact stands here. Nevertheless, maybe I’d like this movie a little less if I have actually read the books, but only time will tell. I might not ever read the books. This isn’t my first time saying this, but movies are more fun! By the way, sorry, books.

In the end, I was rather satisfied with “Maze Runner: The Death Cure.” Wes Ball once again proves to be an effective director who I personally think should get more work in the realm of action movies. Dylan O’Brien nails yet another performance as the lead character of Thomas. I thought a lot of the characters were great. The sound editing was a joy. The set pieces were amazing as well. Also, one of the best parts about all of this, we have a solid January movie! Whether or not this third installment is better than the second one requires no contest. As for being better than the first one, that’s a hard judgment to make, it could be slightly better, slightly worse, or equal. With that being said, I’m going to give “Maze Runner: The Death Cure” a 7/10. One last thing I’m wondering about this movie is this. Why do so many franchises like this have a fetish for needles? Just put this side by side with “The Hunger Games,” “The Giver,” and “Divergent” to see what I mean! Oh yeah, and even more hilarious, “The Hunger Games” has a character called Nessie Needle! Thanks for reading this review, be sure to check out my friend’s blog, and also be sure to check out my past “Maze Runner” reviews. I have reviews for “The Maze Runner” and “Maze Runner: The Scorch Trials,” so take a look at those if you’re interested. Also, as for upcoming content, I’m not sure what I’ll see next. Maybe “The Commuter” or “12 Strong” will be my next review. We’ll find out when time allows it. Stay tuned for more great content! I want to know, did you see “Maze Runner: The Death Cure?” What are your thoughts? What is your favorite “Maze Runner” installment in the movie trilogy? What is your favorite “Maze Runner” book? How would you rank either saga? Do you think either the books or movies are better? Let me know down below! Scene Before is your click to the flicks!

“THE MAZE RUNNER” REVIEW: https://scenebefore.wordpress.com/2018/01/18/the-maze-runner-2014-the-continuation-of-teen-angst-starring-dylan-obrien/

“MAZE RUNNER: THE SCORCH TRIALS” REVIEW: https://scenebefore.wordpress.com/2018/01/25/maze-runner-the-scorch-trials-the-continuation-of-teen-angst-starring-dylan-obrien-part-2-to-be-concluded-in-almost-2-5-years-also-this-is-wckd-boring/

Maze Runner: The Scorch Trials (2015): The Continuation of Teen Angst, Starring Dylan O’Brien- PART 2, To Be Concluded In Almost 2.5 Years. Also, This is WCKD Boring

Posted on by Jack Drees

Hey everyone, Jack Drees here! Last week I reviewed “The Maze Runner,” and I’m letting you know about this because one, it feels appropriate, and two, just about nobody saw it. Sure, people saw “The Maze Runner” as in they saw the movie, but nobody clicked on my review. I’ll have a link down below to my review for “The Maze Runner,” and if you’re lucky enough, you’ll be one of the first people to check it out! This week, I’m going to be following up on my “Maze Runner” review I did last week and I’ll be showing you all my thoughts on “Maze Runner: The Scorch Trials,” as suggested in the title of this post. A title so stupid that it’s nearly a copypaste of the title to my first “Maze Runner” review, but with more s*it sprinkled into it. Enough with that, let’s start the review!

“THE MAZE RUNNER” REVIEW: https://scenebefore.wordpress.com/2018/01/18/the-maze-runner-2014-the-continuation-of-teen-angst-starring-dylan-obrien/

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“Maze Runner: The Scorch Trials” is directed by Wes Ball, who also directed the first “Maze Runner” installment, and stars Dylan O’Brien (The Internship, Teen Wolf), Kaya Scodelario (Now Is Good, The Truth About Emanuel), and Thomas Brodie-Sangster (Love, Actually, Phineas and Ferb) and is the sequel to “The Maze Runner,” which came out one year prior to this installment, and is based on a popular teen angst book by James Dashner. Now that the Gladers we know from the first movie are out of the maze, they have to deal with a new landscape, with new obstacles. And this landscape looks like it’s seen some s*it.

When it comes to the first “Maze Runner,” I really enjoyed the movie for what it was. It’s a lighthearted teen angst movie with a bunch of folks trapped in a maze, trying to get out. Several moments had me glued to the screen, and now that these people are out of the maze, the question is, what’s next? This movie goes into that. In honest truth, I can barely tell you what comes next, because this movie. Was. Boring as f*ck! The first “Maze Runner” was engaging and entertaining, and while the first forty minutes of this thing is quite the same way, although maybe not as much, it just didn’t work out in the end. I actually saw ads for this film in 2015, and I haven’t seen the first installment to this series yet, but I knew about it and everything. Compared to the first film, this looked uninspired, and looked like it was there to have something happen as filler before the last film. I’m not entirely against the young adult genre, there is some good stuff that has come out of it. Although this is one major example of the bad. While not as intolerable as “The Fifth Wave,” I certainly can’t say this had a likable feel to it.

Don’t get me wrong, the vibe that’s present for the movie kind of works. Most of it is in a desolate landscape and given the music, story, not to leave out the motivations and attitudes of the characters, I’d say everything was logical. Although as far as the movie’s progression goes, that’s where the weaknesses start to pour in. This movie honestly, as I watched it, felt like a cash-in. I don’t know how much planning went into this particular installment, nor do I know how much planning went into writing the book for it, but if the book was lazy, the laziness of this movie therefore wouldn’t be all that surprising. I mean, I know the sequel was planned because of the semi-cliffhanger ending the first film gave, but it doesn’t change how poor the execution here was.

The first forty minutes, as mentioned, were entertaining to me. In fact, you know how this movie is called “The Scorch Trials?” Basically the Scorch is what the desolate landscape is called. Everything that happens prior to getting towards the scorch scenes was the entertaining chunk of the movie. As I got to the Scorch portion of the film, I wanted to take out my phone and do something on there instead of watch the movie. I assure you whatever it was I did on my phone, was ten times as fun as the movie. You might as well say that as we got to the scorch scenes, my mind was instantly “scorched” by Dullivan, the god of boredom. Even one or two fast paced chase scenes couldn’t keep me intrigued. I tried my best not to fall asleep, and while I succeeded, I can’t say I feel like I benefited from this experience.

I was however engaged by the ending. While part of it was predictable, I was constantly thinking to myself, when was this s*it going to conclude? I wanted to do something that would have been worth my time. I won’t go into much detail, but it was a big turnaround for my interest towards the film. I got engaged for a moment, but it wasn’t enough for me to say this film is competent.

This film once again stars Dylan O’Brien, or for this movie to make sense, Dullen O’Brien. He’s not a bad actor and once again, I buy him as this teenager. He does a fine job playing Thomas and the transition from one movie to the next was very fluid. During the first forty minutes, I was able to root for this guy not to mention with those alongside him. Even though this movie is wicked boring. Whoops! Sorry, I meant, WCKD boring.

I can’t even talk about this movie anymore! I honestly want to have more to say, but in the long run, I have to stop here! I’ve been running this maze too long and it’s time to collapse in fetal position! If you think that I’m lazy for not going on, let me just remind you that this movie felt lazy so it all comes together! So yeah, this movie sucked, it was boring, and that’s pretty much the gist of it. Badabing badabang badaboom.

Guys, if you can’t tell by how much I wanted to get this review off my belt, I hated this movie. “Maze Runner: The Scorch Trials” is yet another flop in the young adult genre and I just hope that when it comes to “The Death Cure,” I don’t have a similar experience. When it comes to teen angst movies, this may not be the most horrible of every single one I watched, but it might be the most boring. I only described one character! You know why I did that? Because this movie f*cking sucks and I hate talking about it! Part of me doesn’t even want to rate it! But rules are rules, I gotta rate this bitch. I’m gonna give “Maze Runner: The Scorch Trials” a 3/10. Once again, if you watch this movie, chances are you won’t be totally bored through the whole thing, but there’s barely any good parts in it. I have never read the “Scorch Trials” book, but I imagine it’s better than this junk. Thanks for reading perhaps one of my most intentionally lazy reviews ever despite having a descriptive title. I barely survived the horrendous killer maze that was “Maze Runner: The Scorch Trials,” and in the end, that’s what really matters. This weekend, I hope to see “Maze Runner: The Death Cure” and I just hope for humanity that it’s better than this movie, or at the very least, just a good movie. Although this is a January film and if you know how movies are, January is a s*itshow. Stay tuned for that review and more great content! I want to know, did you see “Maze Runner: The Scorch Trials?” What did you think about it? Did you read the book? What did you think about that? How would you compare the two pieces of work alongside each other? Let me know in the comments! Scene Before is your click to the flicks!

The Maze Runner (2014): The Continuation of Teen Angst, Starring Dylan O’Brien

Posted on by Jack Drees

Hey everyone, Jack Drees here! In 2014, one movie I kind of wanted to see was “The Maze Runner,” unfortunately, I never got around to watching it. Although a few months ago I was buying a number of Blu-rays at one of my personal favorite shops around the mall, AKA Newbury Comics, and I managed to come across “The Maze Runner” and “Maze Runner: The Scorch Trials. I still went on for months after buying them without watching either one of the films. That however, has changed. On January 26th, “Maze Runner: The Death Cure” will hit theaters. Appropriately, I felt I should review the first “Maze Runner” and the second “Maze Runner.” Since I’m a chronological type of person, we’re gonna kick this series off by talking about the first “Maze Runner.” Without further ado, let’s start the review.

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“The Maze Runner” is directed by Wes Ball who has mainly done work in the film industry in the realms of art and visual effects. Aside from a few short films, this is pretty much the guy’s directorial debut. This movie stars Dylan O’Brien (Teen Wolf, The Internship), Kaya Scoldelario (Now Is Good, The Truth About Emanuel), and Will Poulter (We’re the Millers, Son of Rambow). “The Maze Runner” is about a youngish boy who is brought into this green, limited realm. He meets a group of men who tries to get him to adapt to the way things are. However, there is a way out (sort of). There is a maze separating this realm from the outside world. “Runners” are searching inside it every day, trying to find a way out. It’s at a point when this youngish boy learns about all of this, when he desires to join the runners.

This movie came out in 2014, it’s based on a book by James Dashner, and one thing I noticed about not only the 2010s decade, but perhaps slightly before this particular decade began, is how many popular young adult teen angst novels were being adapted into movies. Some examples include “Twilight,” “The Hunger Games,” “Harry Potter,” “Percy Jackson,” “The Chronicles of Narnia,” etc. I’ve seen a number of these, and no, “Twilight” wasn’t one of them. Thank goodness! While some of these young adult novels might fall under say the romance or fantasy genres, one concept that has applied a lot to recently popularized young adult books is the sci-fi dystopian element. This has been extremely evident with the worldwide phenomenon known as “The Hunger Games.”

I’ll be honest with you, I read the first “Hunger Games” book in the summer of 2012, and I don’t even recall making it a quarter of the way through the whole thing. I watched the movie, and while it wasn’t bad the first time watching it, the film got worse over more watches and the more I thought about it. The second film’s good, but I’ve yet to see “Mockingjay” parts 1 & 2, because as of now, I no desire to pay for two parts.

There’s a series that relates to this called “Divergent,” and I haven’t read the books for that. I enjoyed the first movie, I thought the second one was slightly better, but the third one sucked. As for the third movie, this is yet another case of splitting a book into two parts, and I’m wondering if that’s partially why the movie didn’t do well in terms of reactions and returns at the box office. Oh yeah, also don’t forget the rather dull story, annoying characters, and crappy CGI. One of the biggest problems I have with the movies however is that Tris keeps changing her hair. What’s up with that?!

People often consider “Divergent” a ripoff of “The Hunger Games,” but that’s simply not true. Both have corrupt governments and are futuristic, but just tinker around with them a little bit and you’ll see the differences underneath. “The Hunger Games” is an event that involves fighting to the death whereas “Divergent” is simply about a girl in a certain class that society doesn’t like. As for “The Maze Runner,” it’s got some similarities to both “The Hunger Games” and “Divergent.” However, as far as the book goes, “The Maze Runner” came out before “Divergent,” so you can technically say “Divergent” has similarities to “The Maze Runner” and “The Hunger Games.” All three books involve a post-apocalyptic world with a nasty regime, there’s a teen who has to fight against the overlords, and they’re all tested. The similarities are significant in all three films. However, I think out of “The Hunger Games,” “Divergent,” and “The Maze Runner,” I have to say I think “The Maze Runner” may be the best film of the three. This doesn’t say much about the book, but as a film, this one likely reigns supreme.

What I just said doesn’t mean “The Maze Runner” is a masterpiece, I just think it’s an enjoyable flick that could help you pass the time for a couple of hours. Since I have that out of the way, let’s get into some problems.

Pacing wise, this movie is mostly competent, you can follow everything quite well, and your eyes will be stuck to the screen for a long time.  However, as the movie gets towards the end, I have to say that there’s a point, specifically when a screen comes on and everybody’s listening, that the pacing just goes off for a second. I don’t know how others feel about that but that’s how I feel. I will say though, without spoiling much of anything, the movie has to do something in particular, and that thing in particular is what caused the drag for me.

One little nitpick, and I don’t know if this was an idea that the book’s author had, or if it was a director, or an editor, or who it could have possibly been that had this vision, but there are these enemies that you see in the film. They’re called Grievers. As enemies, they are serviceable and I don’t really have much that’s significantly wrong with them, but thinking about them, they almost look like ripoffs of the Xenomorphs from the “Alien” franchise. I’m surprised I’ve even said that because believe it or not I haven’t watched one “Alien” movie.

Dylan O’Brien plays the main character of Thomas throughout “The Maze Runner,” and I’d say that the character was well written, and I’d say having gone through the movie, O’Brien’s a nice pick to play the character. Granted, I can tell they probably cast Dylan O’Brien mainly because girls have a crush on him since he’s on “Teen Wolf” and if you know what the show is, you’d understand my point. To my happiness, the script focused less on his physique and more on his hope to become a runner and leave the maze. That remains true for every single one of the movies characters, which is just rather refreshing. Speaking of refreshing, there’s not much romance in this film. There is friendship, there is interaction, but there’s never any romance. And in a world where that is prominent in both the “Hunger Games” and “Divergent” franchises, that is awesome.

I really like the scene in the film where we first meet Thomas and he forgets his real name. The way he finds out is kind of hilarious. Basically, we meet him, it’s daytime, we are introduced to the Gladers, and soon, night arrives, we see a bunch of boys around a campfire. Thomas is in a fight, and as he is fighting, he’s getting his butt kicked, and all of a sudden, he remembers his name is Thomas, announces it in front of all the boys, and everyone is just exclaiming to the tenth degree. Pure hilarity.

As for another standout character, we have the big bad bully, Gally, played by Will Poulter. While Thomas is just trying to save everyone, Gally would occasionally interfere, saying that Thomas needs to be punished. I must say, this is good choice from a casting perspective, and I’m not saying this is a negative despite coming off as repetitive, he kind of looks like bullies we’ve seen in the past in terms of what’s happened in TV and movies. Just compare him with characters such as Biff from “Back to the Future” or Buzz from “Home Alone” and you’ll see what I’m talking about.

In the end, I’d say “The Maze Runner” is a really enjoyable film for what it is. It has some of the teen angst cliches, but at the same time, is a little more lighthearted in ways making it feel like you can have fun watching the movie. I have nothing against dark and gritty films, but in reality, that’s how a majority of teen angst films seem to come off. If you have never seen “The Maze Runner,” I do recommend it. I don’t know what to say about the book, or how much you’ll like the movie if you’ve read the book. I just know they’re not exactly the same. I’m going to give “The Maze Runner” a 7/10. Thanks for reading this review! I’m going to have my review up for the second part of the “Maze Runner” trilogy next Thursday, January 25th, which is also the night of the early screenings of the final installment, “Maze Runner: The Death Cure.” So stay tuned for my review of “Maze Runner: The Scorch Trials,” along with more exciting content coming your way. I want to know, did you watch “The Maze Runner?” What are your thoughts? Did you read the book? Which is better? The book or the movie? Let me know your thoughts down below! Scene Before is your click to the flicks!

Molly’s Game (2017): Passable, but with “High MIstakes”

Posted on by Jack Drees

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“Molly’s Game” is directed by Aaron Sorkin (Steve Jobs, The Social Network) and stars Jessica Chastain (Interstellar, Zero Dark Thirty), Idris Elba (Pacific Rim, Thor), and Kevin Costner (Man of Steel, Dances with Wolves) in a movie based on a book of the same name. It’s about the true story of Molly Bloom, a former poker entrepreneur and Olympic-class skier who was charged with running the world’s most exclusive high-stakes poker game.

I haven’t really followed much of Aaron Sorkin’s previous work. This movie is actually his directorial debut, and if you have followed Sorkin’s work, you’d know he’s typically known for his writing. Sorkin is responsible for creating “The West Wing,” which he often wrote. As far as movies go, he has written “Moneyball,” “Steve Jobs,” “The Social Network,” “A Few Good Men,” and “Charlie Wilson’s War.” I was actually going to watch “Steve Jobs” in 2015 during its theatrical run, but I never got around to it. Nevertheless, I heard the fellow can write. Having seen this movie, I’d say he can direct too. I can appreciate the vision this movie contained. Going at a quick pace, all the while providing a serious tone. There were a couple of moments that I really liked from a lighting perspective as well. The colors just meshed together almost like a very small lens flare that didn’t feel obnoxious in any sort of way. As far as writing and editing goes, here are my thoughts.

I totally see what people are talking about when it comes to Aaron Sorkin and writing, the two go together like FedEx and that arrow between the “E” and the “x.” What’s that? You didn’t know about the FedEx arrow? Google the FedEx logo and observe it closely. The opening sequence of this film has Molly Bloom talking like I’m listening to what happens when an auctioneer and a motivational speaker combine into a single person. Not only was the diction well done, it was funny, it was informative, and it set a proper tone for the movie. This movie’s based on a book, and I apologize to books, but I never read the book for this film. I don’t know how similar this movie’s introduction is to the book, but if the writing resembles the book here, I’d say this is great writing in general. Props to both Bloom and Sorkin if that’s the case. Still, at the very least, props to Sorkin. I’ve heard a saying that the best directors make the best editors. As far as directing ability goes, this was mostly competent. I have a couple of issues, but this can apply to either the script or the editing instead of just directing.

A couple of shows that really make me uncomfortable are “The Office” and “Modern Family.” I heard a lot of people like both programs. Personally, I can’t watch them. Maybe I’ll give “The Office” a try because I hear a lot of folks talking about it like it’s the greatest thing between Netflix and the idea of Netflix and chill. Also, f*ck Netflix. However I don’t think I can watch “Modern Family” ever again. It’s not only unfunny despite how many people watch it and revered it is, but it’s also shot in a style that tries to make you feel like you’re there, but it just comes off like a student film to me. It almost reminds me of the shaky cam from “The Hunger Games!” “Molly’s Game” is not as bad, it’s not as shaky, it’s not as handheld, it works for what it’s doing. …For the most part. When it comes to editing, this movie cuts way too quickly sometimes. It tries to maintain this very quick style of filmmaking, and it just doesn’t work. I noticed one or two jumpcuts here as well. As far as writing goes, it’s tonally inconsistent. While most of the movie is fast and stays fast, it sometimes just slows down to a point where it’s horribly slow. Throughout the entire film, Jessica Chastain is narrating as Molly Bloom and it almost feels like something that should keep you going towards the edge of your seat. There are moments here that just don’t match what the movie feels like the entire time. It feels like a couple movies meshed into one. It’s like combining one movie, “The Grand Budapest Hotel,” with another movie, “Manchester by the Sea,” although it’s a million times happier. The editing combined with the screenplay is like a hotel room with a comfortable bed, no bugs, it’s got a clean carpet, the TV is 4K, everything looks nice, but the toilet isn’t working, the shower’s water system is screwed up, and the sink handles for hot and cold are grungy and hard to operate. It just all needs minor tweaking on perhaps major flaws before absolute perfection.

However let’s move our attention to the best part of the movie, Jessica Chastain as Molly Bloom. Some people may go see this movie for a number of reasons. Some people are interested in the story of Molly Bloom, some people like Aaron Sorkin’s writing, and some will say that the cast looks promising. I’ve observed Idris Elba and Kevin Costner in this film, and while both give competent performances, Jessica Chastain trumped them both. If the writing wasn’t excellent enough, this movie had an amazing actress to go off of it. I must say, despite my love for Jessica Chastain, I haven’t seen too many performances from her. However, much like the other movies where I saw Jessica Chastain performing, this is another fine example of how someone should act in a movie. They transform into a different person, and they allow the audience to see them as more than someone on a screen.

In the end, I got to say that “Molly’s Game” is not really a movie that I’d recommend to everyone, but I wouldn’t say to shy away from it either. It’s one of those movies that can impress you in a number of ways, but isn’t entirely screwed together to the point of perfection. I like the acting. I like the directing. I like the writing. However, the movie itself is sloppy when it comes to pacing. At times it wants to accelerate, and at others it wants to drag. There are times where I just nearly wanted to fall asleep, and I must have felt that during the fast parts due to the inconsistency of pacing. Although I will say this, Jessica Chastain f*cking rocks. I’m going to give “Molly’s Game” a 6/10. Thanks for reading this review! On Thursday, I’m going to start off my “Maze Runner” review series by talking about the first installment in the movie franchise, “The Maze Runner,” so look forward to that. Also, depending on what happens, tomorrow I’m going to upload a surprise post. I won’t tell what it is. But January 17th is a special day in my heart. That’ll be your hint. I might not post this, but that’s if I don’t finish it in a certain amount of time. Stay tuned for more reviews and other great content! Did you see “Molly’s Game?” What are your thoughts? How do you think Aaron Sorkin did as a first-time director? Let me know down below! Scene Before is your click to the flicks!

The Disaster Artist (2017): Oh Hai, James Franco!

Posted on by Jack Drees

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“The Disaster Artist” is directed by James Franco (Spider-Man, 127 Hours), and is based on a true book written by Greg Sestero. This movie also stars James Franco alongside his brother, Dave Franco (Neighbors, Now You See Me), and Seth Rogen (Sausage Party, Pineapple Express). “The Disaster Artist” revolves around the making of the 2003 disasterpiece of a film, “The Room.” The book which this movie is based on is written by a cast member of “The Room” who played the character of Mark (played by Dave Franco here). So, essentially Greg is one of the main characters, and he meets Tommy Wiseau (played by James Franco) in an acting class. The two form a bond as time passes, which leads them to try tackling their dreams in Hollywood together.

I just want to get two things out of the way. I’ve never read “The Disaster Artist.” I almost picked it up once, but I put it back before taking it. However I did watch “The Room.” I managed to find it on YouTube and someone had a post showing the movie from beginning to end. I watched it recently and I TOTALLY see what everyone is talking about. From the cheesy and poorly written dialogue, the so-called acting, and the establishing shots of San Francisco that feel like something out of say, “The Golden Girls,” this movie is a mess, but it was so f*cking fun. The movie itself, is capable of having most of its viewers say it’s terrible, but at the same time, it kind of has a feeling that other bad movies don’t give you. This is more along the lines of a movie like “Batman & Robin,” where it’s bad, but you can also have some fun watching it because of all the cheese. It’s not like watching “The Emoji Movie.” For the record, that movie did not suck ass, it sucked EVERY ass. “The Disaster Artist” is like neither of those films. This is because “The Disaster Artist” is definitely one of 2017’s best films! Not only that, but it also has to be one of the most ironic films I’ve ever seen! “The Room” is in a word, abominable. “The Disaster Artist” is in a word, admirable. It’s amazing how “The Disaster Artist,” a movie based on the making of one of the worst movies ever made, specifically the kind where it’s so bad that you have to experience it, became one of this year’s best movies, a film so good that you have to experience it. And I did. I’m just gonna warn you, I’m gonna be digressing here, and it’ll be a matter of time before my actual review of the movie appears on here. And I know a reason why a lot of people are here is to read my thoughts on “The Disaster Artist,” not to hear about my personal life. So if this bores you, makes you want to stab yourself with a knife, encourages you to go on a killing spree, or makes you want to jump out a window, DON’T DO THOSE THINGS, and instead, either stop reading the post and rethink what you’re doing in life, or just skip ahead to the next paragraph where I get back on track. So let’s move on.

I’m a high school student currently living in eastern Massachusetts. It took me three weeks to see this movie. I wanted to see it right away, but I had other things going on at the time. Then “winter break” came, note the quotation marks, stating sarcasm of how my winter break lacked any time to sit down and relax. Due to a complicated schedule, I was somewhat worried that I wouldn’t get to see this. I did however once time was on my side, not to mention my father’s. There were barely any times available and the closest town I could go see the movie was Somerville. I don’t usually go to Somerville to see a movie, I’ve only done it twice. In fact, I barely go to Somerville period! But I did it, because I was committed. That and I had gift cards to AMC Theatres that I felt would be useful for an occasion such as this. Somerville is nearby as far as I’m concerned but I barely go anywhere that’s urban, I’m usually in the suburbs when I go to movie theaters. It’s easier parking-wise, it’s easier in terms of traffic, not to mention there are theaters that are closer in terms of distance and time. I like the AMC in Somerville better than some theaters I go to (except price-wise), but I think the auditoriums are nice and the sound’s amazing. Traffic and time to get to the theater weren’t an issue for my father and I. Parking almost did however. My father’s vehicle can’t fit in garages, and admittedly, I didn’t mention to him that Assembly Row, the plaza where the theater happened to be located, was mainly garage based. There is parking available in non-garage areas, but it’s a busy place, not to mention it was a Saturday night and the following day was New Year’s Eve. The unusual trip to Somerville, was worth it from the quality of the movie alone.

Out of all the films I’ve seen this year, this one is BY FAR the funniest. Not only that, but it also managed to be rather serious. One thing that I imagine some people who know about “The Room” might have expected walking into this film was the possibility that it might mock Tommy Wiseau to the tenth degree. The movie, in terms of its screenplay, makes almost anything Tommy does on screen hysterical, but I wouldn’t say it makes fun of him. Tommy, at the time which this movie takes place, is a mystery man. He goes on saying to Greg Sestero that he can’t talk about his interactions with Tommy to anyone. We as viewers don’t even know that much about his background. We don’t know how the money that went into the making of “The Room” appeared. It’s explained that this movie took $5 million to make. That’s what I recall the film’s screenplay suggesting, but according to IMDb it cost an estimated total of $6 million to make the flick. Speaking of IMDb, if you look at Tommy Wiseau’s page, it says he was born on October 3rd, 1955 in Poznag, Poland. According to the Wikipedia page dedicated to Tommy Wiseau, it says he gave an age in interviews after the release of “The Room” that would suggest he’s either born in 1968 or 1969. He claimed to have lived in France a long time ago, he grew up in New Orleans, and he had an entire family in Chalmette, Louisiana. Greg Sestero’s identically titled book, which James Franco suggested in an interview based on the words of Tommy is “40% true,” suggested that his brother’s girlfriend obtained copies of Wiseau’s immigration papers, which said Tommy was born earlier than he claimed. Rick Harper, AKA the creator of “Room Full of Spoons,” a recent documentary based on the making of “The Room,” did research on Tommy Wiseau’s background, coming to the conclusion that Tommy is Polish and originally from the city of Poznan. In November 2017, Tommy confirmed in an interview he was originally from Europe. The following month, he was interviewed by Howard Stern. He mentioned he speaks French and happens to be Catholic. While we may be progressively getting more and more information, the man’s still a mystery, and the movie does a very good job at telling that to its viewers.

Just for your information, the earliest this film actually released was on March 12th, 2017. According to IMDb, it was a work-in-progress at the time. I can’t say how much of the film was released to the public, if it wrapped it’s filming entirely, how much editing got done, none of that, but it was a work-in-progress. This was shown at the time to those who went to “South by Southwest.” The next release was on September 11th at the Toronto International Film Festival, and IMDb doesn’t have it labeled as a work-in-progress unlike the release for South by Southwest. The movie for what I recall, never mentions Poznan, or Poland in general for that matter. Despite the film lacking that detail, it does a fantastic job of explaining the total mystery that is Tommy Wiseau.

Speaking of Tommy Wiseau, let’s talk about him as a character, not to mention the guy who plays him. Tommy’s played by James Franco, who also directed this film. This is without a doubt, one of the best performances ever given by James Franco. As mentioned, Tommy Wiseau is mysterious, and Franco captured that quite well. Franco also had an accent that Tommy gave all the time, and he didn’t sound like James Franco like you’d hear in content such as “Freaks and Geeks” and “Spider-Man,” where does give passable performances, nothing groundbreaking, but you can still see that shred of Franco. Here, he turns into Tommy, giving perhaps my favorite performance of the year. There are a number of performances I admired in 2017. Some of my favorites include Mark Hamill as Luke Skywalker in “Star Wars: The Last Jedi,” Harrison Ford as Rick Deckard in “Blade Runner 2049,” Ryan Gosling as K in “Blade Runner 2049,” Ansel Elgort as Baby in “Baby Driver,” Gal Gadot as Diana Prince/Wonder Woman in “Wonder Woman,” Tom Glynn-Carney as Peter in “Dunkirk,” Fionn Whitehead as Tommy in “Dunkirk,” Jayma Mays as Dana Sibota in “American Made,” and Holly Hunter as Beth in “The Big Sick.” I just saw this film, so this could change, but James Franco as Tommy Wiseau might be better than just about every single one of these performances I’ve listed. Am I overhyping this? I really don’t think so! It might be a tie between this and the recently mentioned performances by Ryan Gosling, Harrison Ford, and Mark Hamill until further notice. The future will probably provide more certainty.

In fact, in terms of direction, James Franco outdone himself as well! “Spider-Man 2” may be my favorite film with James Franco in it, but out of all the films he’s worked on, this may be the one which James as an individual worked the hardest on. All of the actors seemed like they had no problems on set while they played people who had problems on set. The film is well shot and well lit. In fact, towards the end of the movie, it actually shows “The Room” during its premiere, and not long after that’s over, we cut to two side-by-side moving images. One is actual footage from “The Room” and another is recreated footage, which was specific for this movie. That footage contained actors playing the characters originally played by other actors. Some examples include Josh Hutcherson (The Hunger Games, Journey to the Center of the Earth) as Denny (originally played by Philip Haldiman), Zac Efron (Neighbors, High School Musical), who played Chris-R (originally played by Dan Janjigian), Ari Graynor (Bad Teacher, I’m Dying Up Here), who played Lisa (originally played by Juliette Danielle), Dave Franco who played Mark (originally played by Greg Sestero), and let’s not forget James freaking Franco, who played Johnny (originally played by Tommy f*cking Wiseau). Is this my favorite film of the year in terms of direction? I wouldn’t say that, but it is close however.

Going into this film, I knew a lot about “The Room,” but based on various scenes, I picked up on some things I didn’t expect to pick up on involving “The Room” as a movie. You know how you notice an extended amount of the movie’s runtime, the characters are playing football? This movie kind of goes into that.

This movie is more than just something that’s telling the story of the production behind another movie. It’s also a story about friendship. As mentioned, Tommy Wiseau isn’t being mocked throughout this picture, and I really appreciate the film going in that direction because it made you understand Tommy as a person. Not only that, but this movie also has a major focus on Dave Franco’s character of Greg Sestero. This is almost a lot like “Lord of the Rings” in ways. Think of Tommy Wiseau as Frodo and Greg Sestero as Sam. Tell me that comparison is terrible. They’re there for each other, they respect each other, they even do a pinkie swear in the film, which occurs more than once to be accurate. As friends, they decide to make a movie together.

As Tommy and Greg make “The Room,” it’s clear that they don’t do know s*it on how to make a movie. When the two are trying to get cameras to shoot the movie, they decide to buy them, not rent them. While buying cameras isn’t exactly something that hasn’t been done for movies before, it’s traditional for people to rent them. Not to mention, when they’re asked if they want 35mm or HD, they respond saying they want both types of cameras. They’re lit differently, they work non-identically, and it might result in a weird final product depending on how things go. Overall, their friendship is shown in this film to the tenth degree and I love it.

In the end, “The Disaster Artist” takes an absolutely horrible film, and incorporates it into a different, astoundingly incredible film. The story behind “The Room” is honestly, a movie I never asked for, but once I heard about it, and saw the teaser trailer for it back in July, I was instantly in anticipation mode. On paper, this idea sounded amazing. As a final product, this idea is even better. Before I give my final verdict, I’m gonna let you in on a little fact. My dad and I saw this movie together, he went to see this film without watching, or even knowing all that much about “The Room.” He walked out of the theater alongside me, saying he enjoyed the film. So ultimately, you don’t need to watch “The Room” to appreciate this film. You can do it if you want to, which I must say if you do, is an experience, but it’s not necessary. However, I imagine at least knowing about “The Room” or watching it might add it a bit to the movie. With that being said, I loved this movie and it’s undoubtedly one of the best of the year. I’m going to give “The Disaster Artist” a 10/10. One last thing before I go on with a wrap-up, this movie has an end credit scene, so stick around after the credits if you don’t want to miss that. Anyway, thanks for reading this review, this is one of my favorite movies of the year, and speaking of that, once 2018 starts, one of the earliest published posts on this blog will be a countdown of my top 10 BEST movies of 2017. This movie will have a spot on the list for sure. I won’t say which, because it could change, plus I might go see one more 2017 movie in the theater and review it. That potential movie by the way, is “Downsizing.” One list I assure you this movie won’t be on, is my top 10 WORST movies of 2017, which I plan on releasing after I reveal my top 10 BEST list. Stay tuned for more reviews, and also stay tuned for those upcoming countdowns! I can’t wait to finally release them, because I have so much fun making them! I want to know, did you see “The Disaster Artist?” What do you think about it? Did you see “The Room?” What are your thoughts on that? Or, what are some movies that you personally think are so bad that they are actually good? Let me know down below! Scene Before is your click to the flicks!

(FROM THE ROOM)
JOHNNY: I did not her, it’s not true! It’s bulls*it! I did not hit her! (throws water bottle) I did *not*. Oh hi, Mark.

You can laugh, you can cry, you can express yourself, but please don’t hurt each other. –Tommy Wiseau

Wonder (2017): Face the Facts

Posted on by Jack Drees

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“Wonder” is directed by Stephen Chbosky, and stars Jacob Tremblay (Room, The Smurfs 2), Julia Roberts (Pretty Woman, Ocean’s Eleven), Owen Wilson (Wedding Crashers, Cars), Izabela Vidovic (About a Boy, The Fosters), and the movie revolves around a young boy named August Pullman. He is what one would consider unique, and if you watch this film and observe his face, you’d understand why. The movie covers what’s going on as this boy enters the fifth grade and goes to a regular elementary school for the first time.

This movie is based on a New York Times Bestselling Novel. Now, I’m gonna restate something I said about books in a review I made prior to this one, specifically in my review for “The Firm.”

“…movies are more fun! Sorry, books!”

As a movie reviewing moron, you might already know I enjoy watching movies as opposed to reading books. Even though I imagine this book is very good, I just haven’t gotten around to reading it. Although as for the movie, I’d say it was enjoyable, but not perfect. It has a great cast, I like Owen Wilson in a lot of the stuff he’s in and he’s great here. In fact when it comes to casting, the resemblance between him and the young main character is hard to top! Just look at their hairstyles! Julia Roberts was also on her A-game, I haven’t really seen much of her work, but I know how much others praise her. Jacob Tremblay proves that he means business. I honestly think he’s one of the best child actors working today. Months before going to see this, I’ll have you know I watched “Room” and I thought that was one of the best movies of 2015. It’s in my top 3 with “The Martian” and “Star Wars Episode VII.” That movie had one of the best screenplays of the decade, Brie Larson and Jacob Tremblay had some of the greatest chemistry in a movie released that year, and there’s a part of me that wants to talk about it with everybody. Seriously! If you haven’t watched “Room,” see it now! If you have Amazon Prime then it’s free to watch!

This movie also has an intriguing screenplay that offers moments of happiness, sadness, and laughs. However, it also offers moments that I just want written off entirely. I remember having my verdict in mind as the movie was coming to an end and I hear this one line given by Owen Wilson’s character given to Jacob Tremblay’s character and it took that grade I had and I shrunk it down. I won’t say what it is, but it made me think of the line as unrealistic not only by the standards of what’s happening in the film but it also made me think that if I were the age of Jacob Tremblay’s character, I’d go through the scene reacting in a much different way. Let’s just say it starts with Jacob Tremblay freaking out over something and then he suddenly is calmed down by a line I assume that was supposed to get the audience to remember what this movie’s main point is. Speaking of Jacob Tremblay, let’s move onto him.

Jacob Tremblay plays the film’s main character, August Pullman. He has a facial deformity, which triggers a bunch of reactions from various characters. While his family seems to understand what happened to his face, after all, it’s his family I’m talking about, I don’t know why they wouldn’t understand, other people are either freaked out by it, think he’s a loser, or simply different. I honestly don’t know many people with facial deformities, but I’d say for younger viewers watching, this character can be important for those who have deformities or even if they don’t, regardless of whether or not they know someone with deformities. Luckily this movie is PG, so I’d say parents would be more likely to bring their kid to the movie theater to see this than some other films. I will also say I can relate to this character, and it kind of has to do with the part that makes him a kid. I say this because legally speaking, I’m an adult, but simultaneously, I still have childish traits, mainly the fact that I have a deep fanaticism for “Star Wars.” Yes, many adults enjoy “Star Wars,” but George Lucas, director of several installments of the “Star Wars” saga once said “it’s a film for 12-year-olds.”

Speaking of “Star Wars,” this film also interjects brief appearances from multiple “Star Wars” characters, including Darth Sidious and Chewbacca. I can only wonder how much this cost because this film is from Lionsgate, and “Star Wars” is owned by Disney. I never read the book, and it’s possible that this is faithful to the source material, maybe it cost nothing and Disney thought this was cool. By the way, the guy who plays Chewbacca (Michael Alan Healy) actually pretty much only plays him and nobody else. I checked his IMDb and that’s the only character that would show up on his page. He played Chewbacca on the “Today” show, he was on two “Nickelodeon Kids Choice Awards” shows as the character, he was Chewie on “Jimmy Kimmel Live!,” and he was even on “Deal or no Deal” as the same wookie. In fact, I remember the episode he was on because I’ve seen it, and it was a special episode with a “Star Wars” theme where it was a “Winner Take All” match between two contestants. Chewbacca appeared alongside R2-D2 to support the contestant. Also, the other contestant actually had Carrie Fisher rooting for her! Not only that, but for the Carrie Fisher contestant, she was playing a game where the models were Stormtroopers. And Darth Vader was the banker for both contestants!

Alright, those are my “Star Wars” and “Deal or no Deal” rants for now, sorry if those inconvenienced you. Anyway, back to business.

As far as the parents go in this movie, I already said a few things about them, but in all seriousness, their chemistry with each other was completely believable. I also bought into the chemistry between them and August. This is an interesting moment when you have a child actor playing a major character in the movie and instead of the traditional situation where the child can’t act and the adults can, the adults tend to be more of a highlight than a downfall, everyone here however tends to shine. It doesn’t really surprise me. All of these people have received positive criticism as time passed, and honestly, Jacob Tremblay might even be a better actor than a lot of adults. Although to be fair you can put any kid up against Tommy Wiseau from “The Room” and consider them to be a better actor.

JOHNNY (played by Tommy Wiseau): (GOING THROUGH DOOR ONTO ROOFTOP) I did not hit her, it’s not true! It’s bulls*it! I did not hit her! (WHILE THROWING WATER BOTTLE ONTO GROUND) I did *not*. Oh hi, Mark.

August also has a sister in this movie named Olivia, or Via for short. There weren’t too many good images I could find of this character, so I hope this poster isn’t too bad. What kind of surprised me about her character is how nice and considerate she was to others, even to her own brother. I often come across and imagine many relationships where siblings fight each other. In reality, this would be rather odd considering Via’s age, but still. I liked her story, for the most part. I say for the most part because she does interact someone in the movie and at times I felt that the way their relationship was going just came off as a bit forced. Not to mention, some of the dialogue regarding this relationship was rather cheesy, not as bad as say “Star Wars Episode II” but it felt like I was reading some crappy fanfiction written on someone’s Blackberry. No, not “Fifty Shades of Grey,” I’m thinking of something imaginary and a lot less on the mature side of the spectrum.

There are a number of kids August meets in the movie, one of the first ones he talks to when he enters school goes by the name of Julian, who you may know as Herman from “Walk the Prank,” and there was one moment of the movie that just caught my eye. There was a point where the film basically villainized him and he was talking with the school’s principal. Speaking of the principal, his character goes by the name of Mr. Tushman, played by Mandy Patinkin, who you may know from “The Princess Bride” and “Homeland.” His character honestly brought some very forced humor that just didn’t land. Going back to Julian, he was talking with the principal and his parents are there. The focal point of the conversation is August, and Julian is basically saying that he is against August and his parents side with him. They even say there’s a reason to be against him just because of the way he looks. It just makes me wonder, how many people are like this? It might as well show that either parents will defend their children no matter what, maybe they think their kid is “always right,” the parents might have a bias because their kid says something, and not everyone has the same experiences with certain people. It also sometimes just goes to show how people will judge you based on your appearance. I can’t really say I’m male model material, but I imagine some people think I look presentable. How often do people get past what they see and just focus on what they learn through basic conversation? What if Meg from “Family Guy,” a character usually considered ugly not only by society, but also by her own family, had more friends just because they were interested in what she had to say? By the way, it’s always interested me she’s that way because she’s played by Mila Kunis and she’s f*cking gorgeous!

In the end, “Wonder” is a film that I believe many people wouldn’t mind watching at least once. I’d say it’s got problems, but at the same time, I don’t think people should stay away from it completely because it is a good story for families and children. I really do think that younger audiences can enjoy and take something from this movie, and not just because it partially involves “Star Wars” but because the movie’s about inclusion, fitting in, and how certain friends can surprise you in both pleasant and unfortunate ways. Upon looking at his IMDb, this is the third thing I’ve seen featuring Jacob Tremblay, the other two things were “Room” and one episode of “American Dad!,” I can’t wait to see him in future works if I get the chance. I’m gonna give “Wonder” a 7/10. Thanks for reading this review, I just want you to know if you haven’t already, you should try checking out Stardust.

Stardust is a free app you can download on the App Store and Google Play. It can be used by people to provide reactions to movies and TV shows. Let’s say you finished watching the latest episode of “Game of Thrones,” you can record a thirty second video (at maximum) where you reveal your thoughts and you can provide a rating from 1-5 stars towards the episode you’re focusing on. Worried about revealing spoilers? Keep those worries away! Stardust has an option that can warn others that your video contains spoilers! In fact, you don’t even have to see whatever it is you’re watching. If you haven’t seen “Revenge of the Nerds,” by the way, watch it, you can still talk about it. Maybe you’re about to watch it and you decide to give your thoughts going into it, or maybe you’ve seen the trailer or something, I don’t know. You can do all of that and you can also follow other people to see their latest reactions, by the way, follow my handle, JackDrees! Be sure to download the app, I recommend it, the app’s free, which makes it even better, and I hope to see you there!

I just want you to know that I’m a nerd, I might even be king of the nerds, and as the possible ruler, I want you to know that I recently posted a piece of nerdy material, otherwise known as my post documenting my time at 2017’s Rhode Island Comic Con. I went there, met more people than I’ve met at any other con I went to. I met someone who I’ve met in the past, and I even confused one guest for another! So if you’re interested in reading that post, I’ll have the link down below, that way you can go to the post and enjoy it! Stay tuned for more great content! Also, I want to know, what are your thoughts on Jacob Tremblay? Do you like him as an actor? Let me know down below! Scene Before is your click to the flicks!

RHODE ISLAND COMIC CON 2017 REVIEW AND HAUL: https://scenebefore.wordpress.com/2017/11/15/rhode-island-comic-con-2017-review-and-haul/

Where Are The Original Movies?

Posted on by Jack Drees

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Hey everyone, Jack Drees here! Let me ask you a question. What are some movies you’ve seen recently in the theater? I’m willing to bet some of you might say films like these: “Guardians of the Galaxy Vol. 2,” “Wonder Woman,” “Fifty Shades Darker,” “The LEGO Batman Movie,” “John Wick: Chapter 2,” “The Mummy,” “Kong: Skull Island,” “Transformers: The Last Knight,” “Beauty and the Beast,” “Spider-Man: Homecoming,” “War For the Planet of the Apes,” “Annabelle: Creation,” “The Fate of the Furious,” “Ghost in the Shell,” or “Power Rangers.” What do these films have in common? Well, none of them are original, they’re all based on something.

If something has been proven recently, at least from my observations, it’s that Hollywood has a desire for taking ideas which have been done in the past, either as an art form or as a real-life event, maybe in some cases regardless of how interesting they are, and making their own adaptations out of it. Even some of the greatest directors of all time have done this, directors who have come up with BRILLIANT original ideas. Christopher Nolan for example, he did the “The Dark Knight” trilogy and he also did “Insomnia,” which is a 2002 remake of a movie released in 1997 which goes by the same name. Robert Zemeckis, the director of the “Back to the Future” trilogy and “Cast Away” has done films based on true events, including “The Walk” and “Forrest Gump,” which were both well received. Joss Whedon, well known for creating original TV shows which have been well received by various people such as “Firefly” and “Buffy the Vampire Slayer,” has eventually gone on to direct Marvel’s “The Avengers,” released in 2012, along with “Avengers: Age of Ultron,” released in 2015. Don’t get me wrong, there are lots of times when unoriginal content can work.

There have been plenty of comic book movies that are making buttloads of money at the box office. If one thing has been proven over the past few years, it’s that people, no matter what age, love superheroes. I love em too. When it comes to superhero movies, I generally find them to be fun movies where I can just munch on popcorn for a couple of hours, enjoy some action, perhaps get a few laughs out of my system, or just simply get completely caught up with whatever is going on in a studio’s “cinematic universe,” which both Marvel and DC have going for them at the moment.

There have also been highly appreciated book-based adaptations, in fact, there are some movies that exist I don’t even think some people realize were based on books, or if they do realize that, they never bothered to read them, including “The Martian,” “Arrival,” “Room,” “Willy Wonka and the Chocolate Factory,” and the entire “Lord of the Rings” saga. Another set of unoriginal ideas that have usually worked include movies based on true events. You might see a number of these around the Oscar season including “Deepwater Horizon,” “The Lone Survivor,” “Zero Dark Thirty,” “Ray,” and “The Hurt Locker.” These films are usually powerful, while also paying tribute to someone or something associated with an event of focus shown throughout, and while they might not always be ENTIRELY TRUE bit by bit, they can make for compelling and interesting stories.

When it comes to misses on unoriginal ideas, one thing people often point to, are remakes and reboots. There are a number of comic book adaptations that are getting rebooted left and right, I’m looking at you “Spider-Man” and “Batman.” Although there have been remakes of movies that were done in the past that have been well received as original ideas, but poorly received as unoriginal ideas. These include “Point Break,” “Ghostbusters,” “Psycho,” “The Wicker Man,” and “Poltergeist.” I don’t work for Hollywood in any way, shape, or form, I’d like to, and I have some ideas for movies and TV shows, both original and unoriginal, but there’s no time to get into that. Although as one who doesn’t work for Hollywood, people like me usually assume that people who think remakes, reboots, and other unoriginal content are what studios should be putting out are just “lazy.” And it may be true, after all, people might sometimes go see a movie if it is something they’re familiar with. As a kid, I was familiar with “Diary of a Wimpy Kid,” both the books and the original movie, so when I heard “Diary of a Wimpy Kid: Rodrick Rules” was coming out in 2011, I figured I’d go see that. When “The Amazing Spider-Man” was coming out, I went to see that. I went through this phase for awhile, I barely saw any movies in theaters, although in 2013, that changed, I started getting into other material, and YouTube had an overload of trailers that I checked out and became interested in, therefore intriguing me to see movies involving original ideas such as “The Internship,” otherwise known as, a near 2 hour Google commercial, although not a bad one. “Pacific Rim,” which combines monster movies and “Power Rangers.” and “Gravity,” which might as well be called “The 3D Is So Amazing, You Can’t Even Tell It’s Post Converted!” Now that we’re here in 2017, I think original ideas aren’t happening as often, or, if they are still happening as often, they’re not as successful as I feel they could or should be. Just look at the box office totals for 2017 thus far. I checked Wikipedia’s “2017 in film” page, and the top 10 films in terms of what they earned at the box office are currently all unoriginal.

The movies I found on the list in order from the highest earned total to the lowest happen to be “Beauty and the Beast,” “The Fate of the Furious,” “Despicable Me 3,” “Guardians of the Galaxy Vol. 2,” “Wonder Woman,” “Pirates of the Caribbean: Dead Men Tell No Tales,” “Spider-Man: Homecoming,” “Wolf Warriors 2,” “Logan,” and “Transformers: The Last Knight.” After seeing this, I went to a page on Box Office Mojo dedicated to the box office results of 2017, and the highest grossing movie I saw on the list which was original happened to be “Your Name,” an animation from Studio Ghibli. I’ve heard fantastic things about the film so far, I haven’t watched it, but I heard great things. This film is at the #15 spot on the list, which interested me. The movie didn’t make much money where I live, which is the US, but it did make money in other countries. I noticed it made lots in Japan, which didn’t really shock me considering how Studio Ghibli is a Japanese animation company. But I also took into account that it made loads in China and South Korea. It’s easy to see why it would make money in countries like Japan, Studio Ghibli is Japanese, it’s an animation which is going to encourage people to bring younger audiences along for the ride, “Spirited Away,” another piece of work from Studio Ghibli was Japan’s highest grossing film ever when that came out, and Studio Ghibli has an excellent track record with their movies. Don’t understand? Just look up films such as “When Marnie Was There,” “My Neighbor Totoro,” “Howl’s Moving Castle,” and “Castle in the Sky.” In a way, Studio Ghibli, may as well be viewed by Japanese audiences in a similar way to how American audiences view Pixar.

One time period that interested me when it came to the making of original content is the 1980s. This was something that came to mind after reading Curtis Armstrong’s new memoir, “Revenge of the Nerd.” In case you don’t know who Curtis Armstrong is, he is a famous actor, and in this book, he talks about his days as a stage actor, converting into a film actor, and everything before and after. At multiple points throughout the book, he’s talking about the “Revenge of the Nerds” series, a series which may contain a defining role for Curtis, Dudley “Booger” Dawson. In case you didn’t know, that series has four installments, although it almost didn’t even make it to two. The first installment came out in 1984, and 20th Century Fox, the studio who owns the movie, thought it was a travesty that belonged in movie hell. For the record, this became a cult classic and perhaps one of the most quotable comedies ever. Just the “Nerds!” chant alone is stuck in my head. 20th Century Fox thought that because of this movie, they should put an embargo against any sequels. Armstrong states in a chapter dedicated to “Revenge of the Nerds II: Nerds in Paradise,” “Fox still considered Revenge of the Nerds a misstep and, in addition, had implemented a strict studio-wide no-sequel rule as part of their new “quality-control” policy. As far as quality control went, it was successful in eliminating sequels but it didn’t stop them from continuing to release plenty of inferior product. But it was “original” inferior product, so that was okay.” I’ll say, just be glad that “Return of the Jedi” came out in 1983 or we probably would have less of a chance of seeing that movie come to life, perhaps zero chance even! Although, if the sequel embargo were still around, “The Phantom Menace” would have probably never been made so that’s one disappointment of the embargo going away. Well, as long as prequels count here too and not just sequels. “Revenge of the Nerds II: Nerds in Paradise” was actually the first sequel to be green-lit by Fox once the sequel embargo was no more, as Curtis heard from one of the cast members from the series, Robert Carradine, who’s known for playing the character of Lewis. What people like Curtis and Bobby saw from Fox in the 1980s is pretty much the opposite of what everyone’s seeing today from just about every film studio. Boy have times changed!

When I look at studios today, not to mention people making pitches to studios, I kind of feel bad at times. Part of me imagines a reason why we aren’t seeing original ideas anymore. That reason being, is that studios are afraid. What are they afraid of? Not getting enough money, and they see a movie that has been successful in the past and their brain is directed towards remaking that movie instead of new and fresh movie. Just look at Disney right now!

Here’s a question. When was the last time Disney made an original movie? OK, it actually wasn’t that long ago with films like “Zootopia” and “Moana,” but they’ve released LOTS of unoriginal content over the past few years! Disney seems to have a fetish for live action remakes, with movies like “Cinderella,” “The Jungle Book,” “Pete’s Dragon,” “Beauty and the Beast,” and you even have remakes for “Aladdin” and “The Lion King” currently in the works. Lucasfilm, which has “Star Wars,” was once owned by Fox, but now they’re part of Disney! So you can basically say that Leia is now technically a “Disney Princess!” Disney even owns Marvel, so basically every single movie in the Marvel Cinematic Universe is a Disney movie! Fox still has the rights to “Fantastic Four” and “X-Men,” but Disney has “Iron Man,” “The Avengers,” “The Incredible Hulk,” “Captain America,” “Doctor Strange,” “Thor,” “Guardians of the Galaxy,” “Ant-Man,” and part of the rights to “Spider-Man.” They are continuing to make separate stories about superheroes including “Black Panther” and “Captain Marvel.”

Despite what I’m seeing with all of these unoriginal ideas, I still occasionally take a glance at original ideas every once in a while when the opportunity comes up. This year, when it comes to original ideas, I’ve seen movies like “Baby Driver,” “You Can’t Have It,” “Gifted,” “Snatched,” and “Colossal.” Believe it or not, I actually dislike three out of these five films. Although I wouldn’t say they’re absolute atrocities, except for “Snatched.” I walked out of “Baby Driver” and “Colossal” with grades of at least 9/10. This is a sign that original films can still rock. When it comes to the box office, “Baby Driver” was on the higher end of the spectrum this year, not as high as “Your Name,” but so far it’s beating unoriginal content like “Power Rangers,” “The Emoji Movie” if that counts, “Rings,” and “Captain Underpants: The First Epic Movie.” For “Colossal,” that film’s in the middle when it comes to the box office as a whole this year, but keep in mind that it’s a film from a studio that’s just starting out and it wasn’t in too many theaters. “Colossal” is an independent film directed by Nacho Vigalondo, and it’s being distributed by Neon, and according to Wikipedia, this is the first film Neon ever distributed. For home video, they have a distribution deal with Universal, which part of me dislikes because they’re owned by Comcast and I hate those psychos right now, but whatever. They haven’t done many films right now, so if you’re perhaps an independent filmmaker and looking for a distributor, try looking into Neon.

Another hope for originality, believe it or not, is Amazon. How do I know? Recently I Googled, “how long does it take for an amazon original movie to become free” because I wanted to check out an Amazon Studios movie called “The Wall,” but I was also curious, as an Amazon Prime member, the average time it takes for a movie under Amazon to become free to Prime members. I clicked on the first result that came up, stating: “Amazon Studios Frequently Asked Questions : Amazon Studios.” Before we get any further into this, Amazon has done original movies including “Manchester by the Sea,” “Paterson,” and “The Neon Demon,” and even done original TV shows including “Transparent,” “Goliath,” and “Sneaky Pete.” When it comes to the process of making something such as a movie or TV show which can be distributed by Amazon, it’s all explained where I checked. This whole process is not for minors, however if you are 18 or over you can submit your ideas to Amazon all you want, which honestly just excites me. Why? I turn 18 in November. So if I have an idea that I feel could make a good script and it’s completed when I’m 18 or older, I can submit it to Amazon! As far as I know, Amazon hasn’t done much unoriginal content whatsoever, they’ve taken content that revolves in one way or another around past events including “The Man in the High Castle,” “The Big Sick,” and “Gleason.” Another part that a lot of consumers might enjoy is one that I somewhat hinted at not long ago, if an Amazon Prime member ends up watching your movie on Amazon once its out of theaters and releases on home video, chances are it might be free, because Amazon has a list of exclusive films and they’re all free for Prime members.

I want to know, do you have an original idea for a movie or TV show? Well, if you do, I recommend pitching it somewhere, probably Amazon, but if you want to leave a comment as to what your original idea is, go ahead! But be careful, because if you don’t pitch it, that idea could be someone else’s, possibly mine! I would give my own ideas, but there could be a chance that some schmuck could see it and possibly steal it in a couple months!

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Thanks for reading this post, I once again want to remind everyone that next weekend I’ll be at Mohegan Sun in Uncasville, CT for Terrificon, a three day convention lasting from Friday August 18, to Sunday August 20. I’ll be at the convention center on Friday and Saturday, but I will be in the building all three days, although I won’t be there for long on Sunday. I’m planning on possibly livestreaming for some of the convention on Twitter, so follow my account, @JackDrees, if you want to check some of that out, but that’s if I actually livestream. Also, if you are at Mohegan Sun for the weekend, don’t hesitate to give a hello to me if you know who I am or recognize me. You might just find me somewhere wearing blue sunglasses. And no, not for cosplay purposes. I’m not sure if I want to do any future posts on the convention, like on what I get there or anything like that, but only time will tell. But if you do want to check out my post that I did, exposing some details about the convention itself, I’ll have a link to that down below, and if you want to check out the website for Terrificon, I’ll have a link to that down below as well! Stay tuned for more posts and reviews! Scene Before is your click to the flicks!

MY TERRIFICON PREVIEW: https://scenebefore.wordpress.com/2017/07/13/announcement-im-going-to-terrificon-at-mohegan-sun-in-uncasville-ct/

TERRIFICON WEBSITE: http://www.terrificon.com/

Revenge of the Nerd: A PROMOTION (Plus a Personal Story)

Posted on by Jack Drees

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Hey everyone, Jack Drees here! Today I little wanted to do something for someone I admire. If you remember months back on this blog, I did a post on the TV show, “King of the Nerds,” a reality competition on TBS that aired from 2013-2015. I honestly want it on the air longer, but that’s not something I want to talk about right now. One of the hosts of that show is Curtis Armstrong.

Even you haven’t seen the show “King of the Nerds,” you may be familiar with this name. If you don’t know the name, there’s a chance you may know the face. Aside from “King of the Nerds,” you may have seen or heard Armstrong in “New Girl,” “Supernatural,” “Ray,” “Risky Business,” “Revenge of the Nerds,” “Moonlighting,” “Dan Vs.,” and “American Dad!.” In real life, Armstrong, seemingly has numerous qualities of a nerd. Although I am looking at his IMDb and it kind of says otherwise, “I’m not an improv guy. I’m not a nerd, I play one on television.” He’s also revealed to be a bibliophile, Beatles fanatic, and Sherlock lover. I also consider Armstrong to be a fine role model and one of my all time biggest idols.

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I’ve also met him in person at Rhode Island Comic Con in 2015. The moment I met him and got a picture with him is currently my profile pic on WordPress along with other social media including my Twitter and Google accounts. I mean, why not? It’s a picture I personally revere. Not to mention, I’m wearing my favorite t-shirt, a “King of the Nerds” t-shirt I won in a contest which shows the hosts, Curtis Armstrong and Robert Carradine, and it shows them in a bunch of different colors and facial expressions. You may also notice I have sunglasses as well, those also have a “King of the Nerds” logo. When I met Curtis I didn’t show that part to him, it could’ve slipped out of my mouth, but who knows? The same day, I actually got an autograph from him. Then I came back the following day to tell him he was the best part of the con. I wasn’t lying when I said that. Curtis was nice, we talked together more than I did with other guests, not to mention when I was talking to Curtis, it felt like I was talking with an actual person. I’m not saying the other guests weren’t friendly or nice. It’s just when I talked to Curtis, it almost felt like he didn’t want me to leave. Did he want me leave? Probably, there were other people waiting in line, and that always is a justifiable reason to leave. But I was having fun with him and I would imagine he was having some sort of fun with me. I felt that when we talked on the last day of the con, when we left, it almost felt as if I was in a movie. Curtis said he’ll see me “next time.” If that were a movie, it might as well be called “Jack and Curtis,” it would be less than 4 minutes long and probably wouldn’t make it to theaters, although it would definitely have more substance than the new “Transformers.”

I may be rambling here, but I feel it’s worth it, because if you’re new to this blog, or if you just want to hear a personal story of mine, this is one I enjoy telling, and it makes sense for what I’m doing. Because Curtis Armstrong has a new book coming out in a few days. This book is going to be called “Revenge of the Nerd” and it features the subtitle, “Or… The Singular Adventures of the Man Who Would Be Booger.” Why am I doing this? With everything Curtis does for me, I feel the need to do things for him, and this is one of those things.

“Revenge of the Nerd” is an autobiography Curtis has begun creating earlier this decade. This is going to contain some information on his early years in Detroit, a city which actually coined the term “nerd.” There’s also gonna be a focus directed towards his acting career, including some things behind the scenes of some of Curtis’s various projects.

I have not read this book yet, nor has many other people, so I can’t really give my own thoughts on it, it’s actually yet to come out. The official release date for this book is next Tuesday, July 11. This seems like a short promotion, and yeah, I did basically say just about everything worth saying about the book itself, however I’m not done.

Curtis has been going around various places promoting his book, in fact, when the book releases, there are more promotions coming up. I actually have a list right here. Right now, Curtis is actually at Indy Pop Con, in Indianapolis, but once that’s over, plenty of more promotions are on the rise.

NEW YORK, NY: Barnes & Noble Tribecca (July 11, release date of the book)

BOSTON, MA: Brookline Booksmith (July 12)

PORTLAND, OR: Powell’s Books (July 13)

PASADENA, CA: Vroman’s Books (July 18)

CHICAGO, IL: Chicago Flashback Weekend (August 4-6)

TULSA, OK: Circle Cinema *INCLUDES REVENGE OF THE NERDS SCREENING* (August 26)

BURBANK, CA: Monsterpalooza (September 15-17)

HUNT VALLEY, MD: Monster Mania (September 29-October 1)

PROVIDENCE, RI: Rhode Island Comic Con *INCLUDES REVENGE OF THE NERDS CAST REUNION* (November 10-12)

DOMINICAN REPUBLIC: 80’s in the Sand (November 13-18)

You know how I mentioned, looking back, I felt like I was in a movie when saying goodbye to Curtis? Well, my plans which are set for this Wednesday may as well be considered the sequel. In case you guys wanted to know, I’m going to at least one of these promotions. I’m gonna be going to the one in Boston on July 12, and it’s quite possible I’ll be at Rhode Island Comic Con from November 10-12. I mean, I went the past two years, so why wouldn’t I be there? If you didn’t know, Armstrong is famous for playing Booger on “Revenge of the Nerds,” and he often finds people who recognize him as Booger, he’s not offended at all, he’s actually delighted by it. So viewers, I want to know in the comments, out of curiosity, do people ever call you nicknames? This can also include ones people don’t call you much anymore. Also, I REALLY want to know, have you ever had a nickname that had some sort of relation to something disgusting? For me, I don’t recall receiving any disgusting nicknames throughout my life, but I want to know if you’re any different. I’ve received some nicknames throughout my life including J-Man, Dr. J, Jackson 5, and Dr. Ees. Also, guys, I got another Christopher Nolan movie review coming up pretty soon. Stay tuned for that. As far as new theater releases go, I’m not sure which movie I’ll see next, maybe “War for the Planet of the Apes” even though I haven’t seen many of the other movies. Only time will tell. Stay tuned for more great content! Scene Before is your click to the flicks!

TAKASHI: Excuse please, but why do they call you “booger?”

BOOGER: *Picks his nose* I don’t know.