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Netflix FINALLY Wins Me Over! *By Theatrically Releasing Roma in 70mm*

Posted on by Jack Drees

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Hey everyone, Jack Drees here! If you have seen my recent post on the Scene Before Facebook page or if you have seen my recently posted “Green Book” review (check it out if you haven’t already), you may have noticed I have announced a “surprise post” coming your way. Well, surprise! Today we are going to talk about a company I am kind of opposed against, Netflix.

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My history with Netflix is pretty simple. I don’t use them. If you are the prime killer of one of my all time most prominent childhood memories (Blockbuster Video), chances are I’m gonna have to resist you. Plus, I still collect physical media to this day and that also seems to be a market Netflix is sort of killing, much like how iTunes, Spotify, YouTube, and Pandora seem to be killing physical media for music. Although if I am correct, I could be wrong because vinyl seems to be making a comeback in some ways. I have watched things on Netflix, but I never technically had a Netflix account. For a film studies class in high school, I watched “Moana” and “Altered Carbon” on Netflix with my class. My sister, who uses Netflix, was watching “Family Guy” and I happened to be in the room with her while it was playing on the service. Netflix also produces their own original content, none of which I have watched religiously, no matter how many good things I’ve heard about “Stranger Things,” “The Crown,” or even “House of Cards.” It’s not just TV shows, they even produce and distribute movies. A couple notable Netflix movie titles include “Death Note,” “The Cloverfield Paradox,” “Mowgli,” “Bright,” “The Ridiculous 6,” and motherf*cking “Bird Box.” When is everybody gonna stop talking about “Bird Box?!” These movies have gone straight to Netflix’s service for anyone to stream if they have an account. Some of these movies, kind of to my surprise, have done pretty well. Seemingly well enough to keep a number of people out of the movie theater, yet another industry I don’t want to see taken away because of these hooligans. This not to say that they haven’t done theatrical releases through these years. Orson Welles had a lost film in the vault which has been recently distributed by Netflix, which did play in theaters for a limited run. “Mudbound” is another film that comes to mind, which actually received four Oscar nominations in the 90th Academy Awards. But if I were to watch one of these movies, part of me would hate myself, because I feel like I partially killed the movie theater industry.

However, there has been a single exception to this list that I’m aware of (well, sort of). Last year, I watched “Annihilation” on its second weekend. Part of me was excited for that film because I saw it was directed by Alex Garland, who directed “Ex Machina,” an artsy, well put together sci-fi flick that shows what happens when we try to get robots to be as realistic and lifelike as possible, and perhaps contain emotional thoughts, including ones related to sexuality. I saw “Annihilation” because where I live, specifically the United States, they released the film in theaters. But I also took into consideration that the film is also a straight to Netflix flick in other countries. I even know someone who attended my high school film studies class I mentioned earlier who said they went to Brazil and they had “Annihilation” running on their Netflix service so that person watched the movie. I will also say, for the record, Netflix didn’t technically release the film in the United States, Paramount did. So from my point of view, I am supporting Paramount, not Netflix. If I saw Netflix was doing a complete worldwide distribution, chances are I would have skipped seeing “Annihilation.”

This leads me to my next point, which is actually going to be the main topic of this post, one of the most recent releases from Netflix, “Roma” has been getting a lot of buzz lately. It has a 96% on both Rotten Tomatoes and Metacritic. Popular and notable sources like Time, Variety, Rolling Stone, Vulture, and Vanity Fair have all considered it to be the Best Picture of the year. Not to mention, it won Best Foreign Film at the Golden Globes, and happened to be nominated for two other awards, including Best Director, which the movie took home. At the Critics Choice Awards, the movie was nominated for eight awards and ended up taking home four, including Best Picture. I heard a lot regarding this film, and even some people in the industry have noted this film’s excellence. Once I saw the Netflix brand name though, I took a step back and ignored all possible opportunities of trying to watch “Roma.” By the way, for those who have a Netflix account, the movie is free to watch at the moment. Hey, I said I’m against Netflix! Not their customer base!

I would love to be able and sit back, turn on Netflix, watch “Roma,” but based on personal values, I can’t. But something happened recently that caught my attention.

If you know me in real life, chances are I try to catch as many movie screenings on film as I can. Most of the movie theater industry has now settled for digital projection, which may be easier to operate, but the reality is that film projection is kind of an art form, and some would even point out differences in detail between film and digital with film being better. I’m on the side that says film is typically more detailed. “Roma” is taking advantage of film stock to my surprise. Now, the film was shot digitally on an Arri Alexa, so in terms of filmmaking, the advantage wasn’t present there, although the film is presented in black and white so that could add an old-timey touch. But the thing that stood out to me is that Netflix is surprisingly trying to put this in more theaters than I’d expect, INCLUDING ones with 70mm equipment.

Article from Last December on Roma’s 70mm Locations (Published by IndieWire)

When I first heard about this, I thought this was very cool. There is actually a list of theaters to be doing this online, but none of them were closeby. For the record, I live in eastern Massachusetts, and the closest theater to me was in Hartford, Connecticut. While I would have LOVED to go all the way to Hartford, I don’t have my own car, nor do I have a license. Plus, if I were to make the trek there with anyone else, they’d probably be bored driving out of their minds. But who knows? Maybe the trip would have been worth it. We could have grabbed some food on the way, watched the movie, maybe even stay in Hartford overnight and see some notable sights the following day. That is… if it already happened, but it didn’t. So I still have the opportunity to go to Hartford.

But I am not taking it. I just got back to college and I want to make sure I stay as close to home as possible on various occasions. I’ll still go out and see movies, I mean, why wouldn’t I? But just not in Hartford. Maybe in Providence if something is playing there in IMAX 70mm.

I am not suggesting or implying that there are no 70mm equipped theaters less than an hour or so away from me, even 35mm equipped theaters for that matter. In fact, there are a couple. In the Boston area, they have the Somerville Theatre and the Coolidge Corner Theatre. I went to both theaters last year and they are nothing short of fantastic. This brings me to another main point. I have a Twitter account.

*SHAMELESS SELF-PROMOTION ALERT*

Follow me on Twitter! If you want to see more of my moronic thoughts, go to Twitter, type JackDrees in the search bar, find my account, which as mentioned, has the handle “@JackDrees” and let the magic happen! Over there you’ll find crazy statements, livetweets (beware of spoilers), my quick two cents on things that I decided not to post on here, and occasional appearances in hashtag games. DO IT NOW!

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Anyway, on Twitter, I was typing away, trying to look over more grammatical mistakes than my current president tends to look over. One of my final posts of 2018 was this:

I tweeted this back on December 21st, and I don’t know whether or not Netflix, Alfonso Caurón, or someone else behind this movie happened to be stalking my account, but several days later, this could be found on Coolidge Corner Theatre’s Twitter feed.

Once I saw this, I knew there was a treat, and I was likely just about to be in for it.

AND I AM!

This Saturday, I’m actually going to see this movie at the Coolidge Corner in 70mm. I never thought that Netflix would actually consider being at least a minor force in the movie theater business, but now, they seem to be teaming up with theaters more often. Granted, they still have ways to go before they can become a true force, they need to do more releases in multiplexes as opposed to just doing limited releases. In fact, maybe what they could do is operate like Amazon. While Amazon is yet another one of those companies I can’t stand, I can tolerate them compared to Netflix because their business model is to come out with a movie in theaters, and after awhile, it becomes free on their service, while still managing to release physical media. The point is, Netflix won me over for once. I’m actually going to see “Roma.” I said some time ago that perhaps the only way that Netflix will get me to subscribe to their service is if they revive “King of the Nerds” for a fourth season. This will not get me to subscribe to their service, but it’s getting me to see Netflix content, which to me, is a true feat.

Again, I am seeing “Roma” on Saturday, and my review for it will be up maybe a day or two after. I am admittedly busy on Saturday and Sunday, but Monday is Martin Luther King Day so I may have some free time to do things like blogging. Only time will tell. Nevertheless, I want to thank Netflix for keeping moviegoers in mind in an age where digital streaming, not to mention digital projection, is seeming to trump other ways which we consume media. Thanks for reading this post! I don’t know how “surprised” you guys are, but to me, this felt like a surprise, so this is why I marketed the post as such a thing. But still, hope you enjoyed the post and look forward to my review for “Roma!” Speaking of movies, I might be going to see “On the Basis of Sex” pretty soon, so if I do, my review for that will be up as soon as possible. Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, have you checked out, or are you going to check out “Roma” in 70mm? I’m actually quite curious about it because the movie was actually shot digitally from start to finish so I don’t know what it will be like on the screen. Let me know down below! Scene Before is your click to the flicks!

New York Comic Con 2018 Review/Haul

Posted on by Jack Drees

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Hey everyone, Jack Drees here! It’s time to go over perhaps not just one of the biggest events I’ve attended all year, not just one of the biggest events I attended ever, but one of the biggest THINGS I’ve ever attended. A couple weeks ago I’ve been given the absolute privilege to go to New York Comic Con. A friend of mine who I have known for a few years decided to go all out for a graduation gift and give me the most badass thing ever. Given this post, you might be able to guess I got Comic-Con tickets. This is my first time at New York Comic Con, and my second time in New York throughout my life. My tickets were for Friday and Sunday, two out of four days the convention goes on for. As far as my Saturday went, I happened to go around New York City with my mother, but that’s irrelevant here. If you want my thoughts on that, it was fun, end of story. Now let’s focus on New York Comic Con.

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New York Comic Con is a yearly event held in New York, NY’s Jacob K. Javits Convention Center. As far as attendees go, these conventions usually get somewhere in the six digit range. According to Wikipedia, over 180,000 people attended this very convention in 2016. This year, many celebrities were present from ranges in entertainment, literature, gaming, and comics. The show’s basement has an ENORMOUS Artist Alley, but let me make it clear, I didn’t investigate any further into it. I also didn’t go to any panels, but there were some I would have gone to if I had the time or greater motivation. One was the “Mortal Engines” panel, but I couldn’t get in because once it started, I actually wasn’t in the convention center yet. However throughout my visit I did a bunch of other things that were definitely enjoyable. There is so much to go over when it comes to what New York Comic Con has that it is so easy to say that I am not gonna be able to hit all of it. But all of the highlights I did hit, I’ll document them here. Let’s start this off by going over some purchases.

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This first section relates heavily to what I do here at Scene Before. These con posts, I just do them as a hobby. I don’t get invited to cons. It would be nice if I had a chance to promote this site there at some booth or something though. As most of my followers probably already know, my main dedication goes toward movie reviewing. This is probably the con that I’ve gone to that relates closest to movies than any other. I say that because while some cons I go to I am well aware that they have those movies and TV shows that you can’t really buy in other stores (this con has that too), there is one space in this con that is actually a movie store, and that is FYE. I will say though, this is not my first time seeing an FYE at a con. At Rhode Island Comic Con, FYE actually happened to be present every year I went.

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In fact in 2016, I actually managed to buy a piece of wall art from there which had Gal Gadot’s Wonder Woman on it. I got it signed the next day for very low price of $125. That is $15 cheaper than a professional photo op alongside her.

Although when I went to that FYE, movies were not a priority. Sure, last year I remember seeing a bunch of Japanese anime-related film material. Although I usually don’t seek out anime. This year at New York Comic Con, they decided to show off some Funko Pop Vinyls, including exclusives from FYE and believe it or not, San Diego Comic Con. They also had their exclusive food such as 10th Anniversary MCU cereal, Breaking Bad blue meth, and because the game apparently is still relevant enough to be a thing, Five Nights At Freddy’s cereal. I didn’t buy any food however. Instead, I did buy a few movies. One of the exclusive steelbooks they had happened to be an early purchase of mine on Friday, which was the “Iron Giant” steelbook. I have seen “The Iron Giant” before on TV, however I have never owned it. It’s a really good movie and definitely showcases the absolute talent of director Brad Bird (The Incredibles, Mission: Impossible: Ghost Protocol). Speaking of exclusive steelbooks, I went back on Sunday and they still had plenty of steelbooks to choose from. They had a bunch of horror related ones, after all it is October, so I went in and got a couple. I picked up the FYE exclusive of John Carpenter’s “Halloween,” which I already watched, and it is pretty much like the 35th anniversary edition. They do have a 4K edition of the movie which came out recently around the same time as this copy did. I never got that, but I went to Best Buy the day after getting home from New York and they had it for a cheaper price. Wah. I also picked up “Halloween II,” more specifically, the Scream Factory steelbook for it. This is also my second possession from Scream Factory. My other Scream Factory product by the way is a steelbook copy of “They Live,” which I purchased a matter of months before I attended this event. Much like “They Live,” this steelbook has only 10,000 copies. It includes the theatrical cut and the TV cut. The TV cut has additional footage which has not been seen in the theatrical cut.

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Another purchase at FYE was an exclusive Funko, specifically one of Iron Man in “Avengers: Infinity War.” They had a decent selection of Funkos lined up, but Iron Man was the way to go for me. After all, when it comes to superheroes, “Iron Man” is easily up there as one of my all time favorites, Robert Downey Jr does a great job as the character and his screen presence is nothing short of a crowd pleaser. Although I’m surprised they didn’t make the label “Iron Man (Unmasked)” or “Iron Man/Tony Stark” because you can see his face. And like most of my other Pops, it’s still in the box. Speaking of which, I also happened to buy a Pop protector case. No, I am not using it for this Pop, because when I came home from the con, I went to the mall and stopped inside Thinkgeek. They had an E3 exclusive (also available in GameStop stores) of King Dice from the video game “Cuphead.” As of now, that is inside the protection case. For those of you who want to know more information about this FYE, I will have you know that the receipt actually lists the information for an actual FYE store out there. Similar to how at Rhode Island Comic Con I bought an item there and it tells me that the store happened to be from the Auburn Mall in Auburn, MA. This item is actually from the FYE at Smith Haven Mall in Lake Grove, NY. This mall is located on Long Island and is owned by Simon.

Speaking of places you can get movies, I actually happened to come upon a stand which I happened to recognize. It’s not a store, and it’s not for a particular person either. Instead, it was for a motion picture studio by the name of Magnet. For those of you who don’t know, Magnet Releasing is actually associated Magnolia Pictures, a studio founded in 2001. Magnet believe it or not is a name that is often associated with Magnolia’s genre and foreign films. I bought two movies at the stand, specifically “Marrowbone” and “RBG.” “Marrowbone,” or as it is referred to on IMDb, “The Secret of Marrowbone,” is about a man and three younger siblings who are cursed in a manor which they live. “RBG” is a documentary on the life of US Supreme Court Justice Ruth Bader Ginsberg. So one movie is about something that is haunting a house and the other is basically about a woman you can basically picture as a spirit in said haunted house.

I mean, just look at her! That open mouth will contribute to haunting your nightmares!

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Also, because I picked up two films, I got a free t-shirt that came with them. Yippee! As you can see, it has the Magnolia Pictures logo on a field of black. That was also the only t-shirt I picked up at the con. However I almost went ahead and picked up a New York Comic Con shirt because I feel like out of all the cons I’ve gone to in my life, this is the one that I would most likely buy a self-promoting t-shirt from. Not everybody wants to promote the fact that they went to Terrificon. Not many people have even heard of Terrificon! I’m not bashing against Terrificon, I went this year and I had more fun than I once expected to. By the way, if you haven’t thought about it already, go to Terrificon next year.

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My next purchase to go over is a Funko Pop Vinyl which happens to be retired. About a month I went into the New England-based nerd culture store Newbury Comics, they had a 25% off sale going around the store. I took heavy advantage of that. One of the purchases I made there was a Pac-Man Pop. Appropriately, when I saw that a place had a Pop for Ms. Pac-Man, I was intrigued. That place by the way was called Shorething Collectibles, which is based in Pennsylvania. They are a family owned business that sells Funko Pops, plush toys, and home goods.

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Moving onto another purchase I made, there was this one place that went by the name of Omakase Images. They can be found online at http://omakase-ltd.squarespace.com/, and they specialize in nerdy art with a slightly religious touch. My purchase happened to be a magnet that says “SAINT NEIL: THE INQUIRING.” As you can see in the picture above, it shows Neil DeGrasse Tyson, which I think is just plain cool because it kind of suggests that science and religion have come together. Two ideas that never seem to mesh together, happen to be completing a double-piece puzzle.

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That’s not all the purchases I’ve made. After all, I have gotten a couple autographs, which I will get to. Although one of the biggest praises I can give to New York Comic Con is how they handled crowd control. Given the size and popularity of the convention. The crowd control here is executed BRILLIANTLY. I don’t know exactly what went into everyone’s mind. But I arrived at the convention at sometime around 9:45 AM on Sunday. According to my badge, the doors didn’t open until 10 AM. I still was able to avoid a huge line through the security check. Keep in mind, the security gates are located outside, not too far from where you can enter the convention center. Part of me is willing to bet that maybe there’s something I am unaware of when it comes to this convention that I am truly missing. Although this convention actually manages to have some of it’s cool stuff outside. There’s an “American Gods” diner, some promotional stuff for shows like “Outlander” and “The Good Place.” There was some fun to be had outside. Maybe everyone lined up very early and were let in at 9 AM. Perhaps they all got to stay outside, because that is totally something nerds very often do. Either that or people with VIP tickets were scheduled to go in early and the staff didn’t care if anybody else walked in. It’s New York Comic Con! It’s a party! Some of you might not afford to go next year so let’s make this one count! Overall, it’s a pretty effective use of space and it gives you something to do when you want some breaths of fresh air.

Speaking of promotions, I also took a picture in front of a car promoting “Spider-Man: Into the Spider-Verse. I will say something though regarding my picture. It was not taken on any personal camera of mine. It was taken on a camera already set up at the event. Unfortunately, I cannot find the picture of me alongside the vehicle. I will admit I got badges from a friend, and with that in mind, I was willing to imagine that they were linked to one of our emails. As far as I know, it has no link to mine (I checked, even in spam), I asked my friend if they had it just in case, but there was no sign of it. Aw, well. It’s just a picture. Experiencing is what counts.

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And this is the one thing that I can imagine is a negative to New York Comic Con. I didn’t really mind this, but I can imagine someone coming here, ready to have a good time, and all of a sudden, they are overwhelmed with one bit of promotional material after the other. All of the convention you can see stuff for Capcom, Marvel, Disney, Funko, and Starz. The badges that I had on me were actually advertising AMC’s “The Walking Dead.” There’s even a Syfy Wire Fan Lounge and a Syfy Wire Live show! It kind of makes sense when you think about it because this convention is organized by ReedPop, which organizes PAX, which I’ve been to. There’s video game advertising up the wazoo. Everybody there is just trying to show off their latest and greatest video game whether your name is Nintendo, Bethesda, Square Enix, or Blizzard. This all kind of reminded me of one convention my friend went to in Las Vegas, specifically the one that celebrated “Star Trek’s” 50th anniversary. My friend explained that she went and was just comparing it to Dragon Con and how she feels that Dragon Con caters more to fans whereas the “Star Trek” convention she went to was more of an advertising effort. New York Comic Con in my personal opinion takes every chance it gets to advertise something, but it also simultaneously keeps everything in balance by providing a good show for the fans. In fact, I’d say it was a wise choice for Syfy to advertise at this event given how they often use the slogan “It’s a fan thing.”

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Although, one of my favorite promotions in the entire con has to be for Amazon’s upcoming show “The Boys.” This was one of the first things I saw once I walked inside the convention center. F*cking brilliant.

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One of my favorite video game franchises is “Super Smash Brothers.” Apparently the con had an area full of flat screen TVs and Nintendo GameCubes which all had the game “Super Smash Bros.: Melee.” This is one of my most nostalgic games, not to mention one of my all-time faves. On Sunday, I had time to play a round of Smash with three other people. I don’t know who they are, I don’t know their names, chances are I might never see them again. But they are fine people. I played as Donkey Kong, who is one of my mains. I wouldn’t say I have a “main” in Smash, but Donkey Kong is one of my preferred characters. Although I will say I have been playing the 3DS version a lot recently and Lucina is kind of my main there. Also, if you want my goto main on Melee, I gotta say, it’s Roy. However, he wasn’t unlocked yet. Marth was, but Roy wasn’t. Whatever, I like Donkey Kong. I didn’t win, however I got pretty close in a position of second place. A worthy competitor playing as Falco ended up taking the top position.

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Moving onto autographs, I actually managed to get two of them. One of them was from Friday and the other was given to me on Sunday. On Friday, Zachary Levi (Shazam, Chuck) happened to be present in the building. I came to his line at a time when it happened to be rather short. Levi was just finishing up with photo ops, and now he was ready for his next adventure in autographing. So I chucked up $80, no pun intended, and got Levi’s signature on a photo of him as Shazam chewing bubble gum. It’s a true feast for the eyes. It is truly kick-ass until you run out of bubble gum. We happened to chit chat for a moment. Levi said he is enjoying the con so far, and he comes off as a genuine nice guy who at that moment, just became $80 richer by writing his name.

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The other celebrity I met is not as well known. The celebrities who were well known had lines in the basement. This one is not really known for a specific TV show or movie, she is actually known for cosplaying. She goes by the name Yaya Han. Now I don’t follow cosplay. I don’t partake in cosplay. I have massive respect for those who do happen to be involved, although I never took part in it. Keep in mind, I said some of those words to her face. So she must be thinking, “What is this schmuck doing talking to me?” Then I got to the point. For those of you who have known me for awhile, one of my all-time biggest obsessions is the TBS reality competition “King of the Nerds.” Yaya Han was not heavily involved with the show, but she was the only guest I met who had some sort of association with it. Sure, there was another guest, Curtis Armstrong, who was at the con for a panel, but that happened on a day which I didn’t have a ticket. Yaya Han however was there when I was. Therefore, I told her I remember her as a guest judge for all three seasons of the show. When I did, I also thanked her for being a part of something that heavily makes me an individual. She commented saying “King of the Nerds” is an excellent production and she has enjoyed it. Shortly afterwards, I got an autograph from Han on a photo displaying her as Batgirl. Besides her name, she also wrote, “Gotham needs you!” The autograph was only $15 and to me it was well worth the money. Afterwards, I took a picture alongside her.

One person I ended up meeting also happened to be someone I was subscribed to on YouTube. If you know me in person, chances are you’d be aware that I watch “Family Guy.” The thing is… I met Peter Griffin.

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No, not Seth MacFarlane! I met Robert Franzese. If you don’t know who this guy is, I don’t blame you. On YouTube, his channel name is known as Real Life Peter Griffin. He is known for talking, dressing, and sounding like Peter Griffin. On YouTube, you can find videos of him doing his own version of some of “Family Guy’s” popular bits (Grinds My Gears is a common example), and whatever other funny material he can come up with. I told him I was subscribed to his channel and he said that’s “Freakin’ sweet.” As you can tell, I didn’t get a picture with him.

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New York Comic Con is basically a giant compared to other cons that I went to that when you consider how much I DIDN’T get to do. It all makes sense. I never got a pro photo op. I never went into a panel. There was a bunch of interactive stuff I never really took part in. I never tried out any of the upcoming video games like “Megaman 11” or “Kingdom Hearts III.” There was even one thing that I was kind of curious to do, which was take part in a VR game based on the recent film “Skyscraper.” This had you attempt to make what is referred to as “the impossible jump” and if you make it from the crane to the skyscraper, you will be entered to win $10,000. But the area was cluttered, so I avoided pressing my luck. And I have to say that I have the same excuse for the panels. I’d try going down and checking on them, but the case is either that I am not interested in something, or I just don’t want to wait in line with tons of people and risk getting a bad seat. Only thing is there is only one seat I’d get on the “Skyscraper” game. Regardless of the endless list of things I DIDN’T get to do, it did not make me think I did nothing, because all of the stuff I ended up doing, I really enjoyed.

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Guys, New York Comic Con is literally not just one of the best cons out there, but quite possibly one of the best THINGS ever created! The staff is really nice, everyone seems to be enjoying themselves, the organizers know their audience, and it’s as big as Kanye West’s ridiculous ego! If I have any cons regarding this convention, I do want it to have slightly cheaper tickets (tickets are $50 for just a single-day admission), but there’s also probably an argument to be made that maybe all that is in store is totally worth the $50 ticket price. I must say though, as a nerd, it has kind of been an objective to hit one of the big two comic-cons before I die. Aside from this one, a con in particular I wanted to hit was San Diego Comic-Con. And now I am super glad to have one of the big two off my bucket list. Will I be back next year? Tough to say. Tickets may be easier to get than San Diego, but I don’t live in New York, I live in Massachusetts, traveling ain’t cheap. Plus, again, just one day at the convention is worth $50. Maybe. Maybe not. Who knows? Thanks for reading my thoughts on New York Comic Con! If you want to find out more about my con adventures, I should have you know that Rhode Island Comic Con is upon us and I’ll be attending all three days. This is my fourth time going to Rhode Island Comic Con in a row, and as much as I’m excited for it, let’s just get serious and hope that when it comes to organization, they succeed and don’t piss people off. Look that s*it up, that’s usually their biggest flaw. Be sure to follow Scene Before with your WordPress account or email so you can stay tuned for more great content! I want to know, did you go to New York Comic Con? What did you think about it? Or, what is an expensive con that is worth the money? Also, in the comments section, feel free to suggest future cons for me to visit in the future, I’d LOVE to hear them. Scene Before is your click to the flicks!

Gringo (2018): I’ve Been Kidnapped!

Posted on by Jack Drees

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“Gringo” is directed by Nash Edgerton and stars David Oyelowo (Selma, Interstellar), Charlize Theron (The Fate of the Furious, Atomic Blonde), Joel Edgerton (The Gift, The Great Gatsby), Amanda Seyfried (Mamma Mia!, Ted 2), Thandie Newton (Mission: Impossible II, Crash), and Sharlto Copley (District 9, Chappie) and is about a guy by the name of Harold who finds himself in Mexico. As his life becomes a miserable wreck and while it seemingly couldn’t get any worse, his status eventually changes from law-abiding citizen to wanted criminal.

I’ve seen the trailer for “Gringo” some time before it came out in theaters on the 9th of March this year. From what I saw, I was rather intrigued. However, I never saw it in theaters. Funny enough, that same weekend, “A Wrinkle In Time” released, which actually features the actor playing this movie’s main character. I didn’t see that either. Instead I waited to watch that for free on a plane. Also, hilariously enough, I watched “Gringo” for free too. No, not on a plane, but at home. As an Amazon Prime member, I can watch all of the content made by Amazon with no cost. “Gringo” was just recently added to Prime for free. So while my expectations weren’t roof-raising, they were certainly existent. Going into “Gringo,” I just hoped my expectations would be fulfilled.

They weren’t.

In fact, having seen the trailer one more time, I was instantly reminded of what exactly ruined the experience for me. For one thing, all of the funny parts (if this movie really had any) were shown in the trailer, and judging by the trailer, I was thinking this movie was going to go in a very predictable direction. And I don’t mind having my expectations be met with a different result, but something happens in this movie that is so different from what the trailers reveal that it’s just plain jarring! I’m not gonna get into spoilers, but the trailers made me think that this was going to be about a guy who gets kidnapped in Mexico. What the movie really does in terms of the main plot is completely different to the point of utter insanity! I don’t remember the last time I went into a movie that is just different from what the trailer shows as much as this!

Also, keeping spoilers away from everyone, one of the big things the trailer showed to me, an audience member, when it was shown in the movie, not only wasn’t funny, it was kind of painful to watch. And no, it wasn’t bloody or scary or anything, it was just cringeworthy in a dark way. Like, why did I have to see this? I was watching this movie in my bedroom while I was lying down on my bed, paying attention to whatever s*it is going on, as I’m witnessing one of the biggest diversions from a trailer in movie history, I was basically just uttering random noises, with my body against the wall next to my bed.

Also, I gotta say, this is marketed as a comedy, but there are barely any laughs in this. Granted, it’s a dark comedy, and the jokes aren’t mile a minute, which could mean you get less corny and forced jokes, but I was expecting some comedy that was faster than what we got here. And basically whatever attempt at humor I witnessed on screen was seen in the trailer. I usually never complain about that sort of thing because I see all of this stuff coming but even when I do, there’s usually SOMETHING I have yet to see in terms of comedy. Here, I felt like there was nothing. I did laugh on one or two occasions. But that’s like saying Pac-Man would only eat one or two dots on occasion at a party. Either he’s having a rough time, or the party planning has gone to s*it.

Let’s talk about the closest thing to a likable character this piece of crap has, and that is David Oyelowo’s character of Harold Soyinka. I say that because just about everyone else is either a douche or you just don’t care about them. Speaking of that, Harold is probably one of the finest examples of a “down-on-luck” character I’ve seen in recent history. Having seen this, I don’t even know what to think. On one hand, I gotta give props to the movie for at least trying to make Harold the one character to root for while everyone else is against him. But on the other hand I gotta say that having too many s*itty characters can only mean one thing. You have a s*itty movie.

And in a movie full of s*itty characters, you might as well make an excuse for one of them saying, “Hey, at least this bitch is played by Charlize Theron!” Don’t get me wrong, Charlize Theron is a great actress, she can play the very definition of a badass if you give her the right script. Just go watch “Hancock,” “Kubo and the Two Strings,” “Atomic Blonde,” and heck, I’ll even say “A Million Ways to Die in the West!” And out of all of the performances in the movie, I think Theron might just take the cake as top performer. But I hate her character, just like everyone else in this movie, so why should I even care at this point?

Another thing I should point out is that there are two people in this movie with the last name Edgerton, and yes, they are related. You’ve got Joel Edgerton (left) playing Richard Rusk, who is often in scenes with Charlize Theron’s character, Elaine Markinson, and you’ve got the director of the film, Nash Edgerton (right). A lot of you might know Joel Edgerton as an actor, but when it comes to his brother, he is mainly involved in stuntwork. When it comes to directing, he mainly has done shorts up to this point. I don’t know exactly how the two ended up in this movie together. Maybe there was a favor to be fulfilled with one sibling, the other, or maybe someone else involved. Perhaps Joel wanted to kickstart Joel’s directing career. I dunno, but in all seriousness, this reminds me of Melissa McCarthy and her husband, Ben Falcone. Basically, almost every single thing that Ben Falcone has directed or written has Melissa McCarthy in it. “Gringo” almost might be an excuse for a couple of brothers to make a movie together. And just like McCarthy and Falcone, the Edgertons and I need to have a little discussion on how to make a good movie!

In the end, “Gringo” most likely kidnapped me. If you watch the trailer for this movie before going into it and see something different out of the trailer or the movie then good for you. For me, this was a ripoff. I had SOME expectations for “Gringo,” not a lot, but some. Whatever little expectations I had, somehow were not even met. “Gringo” is not funny, it’s full of unlikable characters, the director might as well be there partially because of his brother, and it can show you how important it is to market your movies properly. When I saw the trailer, I was sold. Turns out what I was sold happened to be fraudulent and expectation-altering to the point of wanting to die. I’m going to give “Gringo” a 2/10. Thanks for reading this review! Pretty soon I’m going to have my review for “Eighth Grade” so look forward to that very soon! Be sure to follow Scene Before either with your WordPress account or an email so you can stay tuned for more great content! I want to know, did you see “Gringo?” What did you think about it? Or, what is a movie that was completely different to you than what you got out of the trailer? Let me know down below! Scene Before is your click to the flicks!

How to Talk to Girls at Parties (2017): What the Punk?

Posted on by Jack Drees

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Before we get into this movie review, I need to ask something to all of my viewers, specifically those at least eighteen years of age. How is adulting? I will tell you right now, I have been an adult for only nine months, and I honestly don’t feel much of a difference than I did before that turning point. Then again, I spent most of my adulthood in high school, which is where I spent most of my teen years. Although I must say, while I do find certain things about being an adult rather fun and nifty, there are those days where I realize adulting is not all that enjoyable. To be honest, I don’t even think I am gonna end up wanting kids in the years to come. However, it doesn’t mean there is anything wrong with having them. If you want to judge me, go ahead, I judge movies all the time, so I can take whatever you’ve got. This even includes a couple by the name of Paul and Genevieve. These two can judge me as they realize how difficult their journey to conception has truly been. And while I do certainly recognize that raising a child is not the easiest thing in the world. Paul and Genevieve’s actions for years almost contend to be up there in the same levels of difficulty. This is all explained… in “What the IVF?!”

“What the IVF?” is a YouTube series where Paul and Genevieve “keep effin’ trying” to have a baby they have always been trying to make. New adventures pop up on the show’s specifically dedicated YouTube channel each and every Monday. These adventures dive into the latest in Paul and Genevieve’s quest to parenthood, focusing on topics like appointments, curse breaking, cycles, sex, “trying everything,” and objectively painful needles. IT’S A FACT! NEEDLES SUCK! Apparently it is a societal norm that you pay professionals to inject points that make you hate your life! IT’S THE TRUTH! Anyway, the latest episode, much like the one before it, is a bit on the rather calm side of things. Join Paul and Genevieve as they give a tour of the baby’s nursery! If you want to see other videos or be caught up on the latest content, be sure to visit the “WTIVF?” YouTube channel, subscribe, and hit the notification bell. If you want to find out where else you can find “WTIVF?” on the internet, click the links below which will take you to the show’s personal website and social media pages. Also, be sure to tell them that Jack Drees sent ya over!

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“How to Talk to Girls at Parties,” otherwise known as something I kinda need to learn, is directed by John Cameron Mitchell (Rabbit Hole, Shortbus) and stars Elle Fanning (Maleficent, The Neon Demon), Alex Sharp (Better Start Running, To the Bone), Nicole Kidman (Moulin Rouge!, The Hours), Ruth Locke (Saving Mr. Banks, Jane Eyre), and Matt Lucas (Alice in Wonderland, Bridesmaids). This film is about an alien who separates from a group she’s with as she is touring the galaxy. She just so happens to be in the London-suburb of Croydon where she meets young inhabitants.

When it comes to “How to Talk to Girls at Parties,” the marketing for it overall just comes off as somewhat quirky. The vibe of this movie when watching the trailers is a little hard to exactly recall because I have a feeling I watched a trailer a long time ago but I could be dead wrong. But if I were to watch a trailer to this, there’s a good chance I would have had some sort of fascination towards what this movie was trying to be. But as I got into the movie, it was starting out and the vibe happened to be what I expected, with a little more punk rock in the mix. What I didn’t expect from this movie though, is that this is one of those movies that turned out to be an overall surprise. From the very beginning, I was intrigued, but then start to notice a change in the footage. For some reason, the shutter speed slows down. I’ve seen this on a student film, that probably occurred by accident, but this film is not being directed by a student! Heck, the cinematographer has credits in the “cinematographer” category on IMDb going back to 1992! That’s two and a half decades before this movie released to the public! That’s not even the only time that happens during this film.

In fact, when it happens later during the film, I actually think it’s forgivable. And you know what? I take that back, I don’t think it’s forgivable. Because something like this probably would be a creative choice. Granted, that creative choice personally came off as ridiculous in the beginning, but as I saw more of it, I grew to admire it. And I saw that because from my point of view, the slower shutter speed seems to fit the later footage more than it does for the earlier footage. This is one of those movies that seems to start out lame then blows out this giant explosion of holy crap on a Ritz crackerjack! I probably should have seen my instant admiration for this movie coming especially considering it’s an A24 movie, but given some statistics that I’ve been made aware of prior to watching this damn thing, it almost felt like I was supposed to sit down and just take this movie and just try to survive. I mean, this has a 5.9/10 on IMDb! Not the best of signs if you ask me.

I will say though, when it comes to technical aspects, that’s probably one of the bigger problems of this movie. For the most part, I can’t complain about the lighting, the cinematography, or the editing. But there was one major occurrance in the movie’s footage aside from the shutter speed that kind of threw me off. There’s one scene that’s rather significant for the movie’s events, so I won’t get into spoilers. But the thing is about this scene, as much as I can approve of it moving the story along, and providing the correct feeling I’m supposed to have out of a scene like this, it just felt rather clunky in terms of cinematography. This is a sequence where you can tell that this was done handheld, and it almost feels like this was shot on a GoPro or something. According to IMDb, this movie was shot on an Arri Amira. As far as I’m aware, there’s no word of it being shot on a GoPro, even though that’s how the footage comes off to me. You can say to me a thousand times that the scene was shot with an Arri Amira, but at the end of the day, it feels like a GoPro. It felt like “Hardcore Henry” if it weren’t entirely in first-person.

Let’s talk about the characters of Enn (Alex Sharp) and Zan (Elle Fanning). First off, both names are pretty dope if you ask me! Enn is essentially the movie’s main character and he happens to build a bond with Zan. He also happens to be really into punk rock, and since this takes place around London during the 1970s, you certainly get to see lots of that in the movie! When it comes to the other character in the picture, Zan, she just so happens to be an alien. As I watched this movie, realizing what was happening and what was to come, I thought to myself, “Ohhhh no.” Why? Because I saw a movie last year by the name of “The Space Between Us” and simply put, it was one of the worst sci-fi films ever put on the big screen. One big reason for that was the unfathomably terrible relationship between the main character (Martian) and his love interest (Earthling). The chemistry was so horrible that not even the fact that the guy playing the Martian happened to be my personal choice to play the MCU’s Spider-Man (Asa Butterfield) saved the movie! Luckily, this film is smart. It has great writing, quirkiness, and lots of charm. When it came to the relationship, I totally bought into it. As the movie progressed, I grew to perhaps admire the couple even more. By the end of the movie I was deeply rooting for both characters given their situation! TAKE NOTES, “THE SPACE BETWEEN US!” THIS IS HOW A MOVIE IS DONE!

Speaking of the aliens, I think this is another thing that the movie surprisingly nailed. Because my first impression of them, once I saw one of the aliens, was that they looked very cheap or cliche. At times I wondered if I happened to be watching “Flash Gordon.” But then I saw more of them, what they did with each other, and even what they did with some of the humans they encountered, I grew attached to them as time went on. Not to mention, they also have some behavior that I think us humans would find peculiar, which does add to that alien feel. There’s a scene that Zan is talking to someone, I won’t say who, but they’re having a conversation and Zan is saying to this person that she had pancakes, she’s currently sitting on a toilet, and “excreting” them.

In fact, going back to the couple, I think the thing that really makes them likable, and this is kind of something that “The Space Between Us” should have been aware of, is that they weren’t robots or uncharismatic. If the aliens were robotic, I guess this could have worked in its own little way, but if we want to like characters from our own world, there’s a good chance that we’d want a character that either has personality, isn’t an asshole (unless you’re someone like Deadpool), and isn’t mopey. The couple, not only together, but as individuals, just so happen to come off as somewhat quirky. And I like quirky. You might as well have a quirky couple in a quirky movie.

In the end, I don’t really have much else to say about “How to Talk to Girls at Parties” because I went into the movie not having much information related to it on my mind. I feel like if you were to see this movie, you shouldn’t have too many details revealed about it in order to provide yourself with the best possible viewing experience. Also, I’ve gotta bring up the tagline for the movie, “Talk to the girl. Save the world.” NOW THAT’S A TAGLINE. I’m gonna give “How to Talk to Girls at Parties” an 8/10. Thanks for reading this review! Be sure to look forward to more reviews very soon, and also be sure to check out some of my older reviews such as my thoughts on “Mission: Impossible: Fallout,” which by the way, if you have not seen that movie, I seriously have to ask what you’re doing with your life. Make sure to follow me here on Scene Before, like this post, and stay tuned for more great content! I want to know, did you see “How to Talk to Girls at Parties?” What did you think about it? Or, if you have a fantasy of falling in love with an alien, what would the alien look like? Let me know, even if it is extreme, I’d love to hear what you have to say! Also, one more thing, if you watch this movie, stay tuned for the credits because they have a line of text saying “NO ALIENS WERE HARMED IN THE MAKING OF THIS FILM.” Just… Genius. Scene Before is your click to the flicks!

MISSION: IMPOSSIBLE: FALLOUT REVIEW: https://scenebefore.wordpress.com/2018/08/01/mission-impossible-fallout-2018-tom-cruise-is-a-madman/

The Last Movie Star (2017): The Secret Life of Waltzing Confusion

Posted on by Jack Drees

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“The Last Movie Star” is directed by Adam Rifkin (Detroit Rock City, Look) and stars Burt Reynolds (The Cannonball Run, Boogie Nights), Ariel Winter (Modern Family, Mr. Peabody & Sherman), Clark Duke (Kick-Ass, The Croods), Ellar Coltrane (Boyhood, The Circle), and Chevy Chase (National Lampoon’s Vacation, Caddyshack). This film is about a famous actor by the name of Vic Edwards as he is invited to a film festival in Nashville. According to the invitation, Edwards is said to receive a lifetime achievement award. Famed celebrities such as Clint Eastwood and Robert De Niro have also been invited and received this very award. Little does Vic know that his trip is about to go to hell real fast.

Going into “The Last Movie Star,” I can’t really say I knew all too much about it. The main reason why I watched this movie in the first place is because I have an Amazon Prime subscription, and this movie was free. And I was somewhat looking forward to it. After all, it was distributed by A24, one of the best studios out there today. Not to mention, there were some neat names attached. Burt Reynolds and Chevy Chase are highly revered actors. And even though “Modern Family” might be the most overrated TV show I’ve ever watched, I do like Ariel Winter and I think she has a ton of talent that she can show off to viewers. This movie had me with the actors attached, and the first few minutes, while not perfect, happened to be enough to keep me interested. Then I came across the movie’s first straight-in-my-face flaw, which occurred during the scene where it was so obvious that the movie was trying to make a parody of Southwest Airlines. There’s nothing wrong with that, but the thing that’s wrong is there’s this clerk that is probably the most overexaggerative person on the entire planet. It almost reminds me of one of those workers that is just trying to act all hyper just because they’re working at Disney World. Or if you guys have ever seen the atrocity of a comedy “How to Be a Latin Lover,” there’s one character played by Kristen Bell who is this cashier, it reminded me of that. It just came off as a bit too cartoony and it was like I just exited reality for a second there. And that’s just the kickoff of a downward spiral to Crashandburnville. Because the movie’s two main characters, at least from my personal perspective are DICKS.

I mean, seriously! How am I supposed to root for either of these characters in any sort of situation? Granted, as the movie progresses, they feel less dicky, but as I keep dredging through, I just don’t feel anything for them because of how moronic they came off earlier in the film. There is a point where the main character of Vic (right) breaks a camera that is specifically being used for the film festival! There’s also a point where Vic is calling everyone who attended the film festival losers! It reminded me of that SNL sketch that William Shatner did. There was this one sketch called “Trekkies.” A bunch of nerds are together at a convention, and they are near a booth where a guy is announcing what will be going on at the con. One big announcement is the introduction of William Shatner. He speaks, telling everyone to get a life, that all of the convention’s attendees made his work a waste of time. Granted, having seen that sketch, I understand the context and what it was trying to mock. I thought it was rather funny. But “The Last Movie Star” is not a comedy. If you watch this movie, you can probably make the argument that they were trying to either go for the “don’t meet your heroes” thing or they were trying to point out how much this guy has had to put up with during the trip thus far. Sure, for a guy of his stance, he did have to put up with a lot. It doesn’t really make his actions forgivable however. His actions made me care less for what was to come during the movie. And you know what? Saying that is somewhat sad because this could have been a really interesting film about realizing who you are even at an old age. If this were another character, I probably would have felt a tad more emotion that had been earned. And sure, I did feel emotion in some parts, but it didn’t feel as earned as it could have been. I say this because a part of my mind was asking if this dips*it really deserved all that he got.

As for the person alongside Vic in the picture above, Lil McDougal, she basically is driving and assisting Vic for the entire movie. But my first impression of her really ticked me off. How is someone THAT angry? I was able to kind of buy into the chemistry between her and Vic, but in all seriousness, when you take these two characters and put them together, you can’t help but think of them as two assholes selfishly traveling the Earth.

And I do mean SELFISHLY. The main story of the movie wouldn’t have happened if it weren’t for Vic the Dick not wanting to go back to the film festival. Granted, it was kind of a wreck, but you don’t have to be a big baby about it. At least try to impress those who made the effort to come. If you didn’t want to go, you shouldn’t have flown to Nashville in the first place. I will say, both actors did a fine job in both of their roles, but it doesn’t change the fact that both of their characters just plain suck!

I will say that the performances and cinematography do make up for this wreck. And there are I guess some rather “heartfelt” moments. Sort of. Maybe. I dunno. I was not fond of this movie. There’s not really much to say except that this movie was probably trying to be an interesting story about a guy remembering his past. That could have been really cool, but it was just bogged down by a couple of selfish and unlikable characters. I don’t really know what else to say except that one of my biggest problems aside from the characters is one moment that occurs as Lil is taking a bath. She has this TV in front of her which has smart features. Apparently one of them is an icon for Instagram, the very popular social media service where selfies on the beach are sometimes more important than a march for a good cause. I own a smart TV, and to be specific, I actually have a Sony Android TV in my room. In what universe can one actually use Instagram on their TV?! I will say, I do have a Samsung Blu-ray player that has a search engine, so you can search up Instagram on that thing. But this TV literally has a direct app! WHAT THE F*CK?! I’m not going to go into detail to avoid spoilers, but as I reflect on that moment, I continue to ask myself if I just witnessed the biggest plot convenience of the year. And I can probably guarantee you to the tenth degree that I just did. Whoope-f*ckin’-doo!

In the end “The Last Movie Star” just goes to show that not all good can come from A24. Granted, they’re a great studio. They released one of my favorite comedies of all time, “The Disaster Artist.” They’ve also released another one of my favorite films of the decade, “Room.” But this is a bit of a disappointment compared to some of A24’s other material. Although I did watch this film for free so I guess the movie does have its pros and cons. What I can say though is that this is one of those films that is DIFFICULT to rate. On one hand, the film managed to get a number of things right. But the characters really tarnished this bitch. So ultimately, this rating could change, but for now, I’m going to give “The Last Movie Star” a 5/10. I gotta say though, if part of this movie was trying to say “don’t meet your heroes,” it was a somewhat interesting take on it I guess, but I guess the unlikable parts about the main character got drilled in my head to the point that I just didn’t find this guy all that interesting. In fact, I’ll say, I met my heroes. And I feel proud to call them my heroes. They mean the world to me. I’m just proud to say that they were nothing like this guy. They were respectful, calm, and rather humble. Vic just embodies that celebrity you DON’T want to encounter. Similar to how I want to go back in time and not encounter this movie. Thanks for reading this review! For those of you who have been keeping up with my blog, you may know that I just finished reviewing all of the Tom Cruise “Mission: Impossible” movies. For those of you who haven’t gotten a chance to read any of them, links are provided down below to check them out! Be sure to follow me here on Scene Before and like this post! Stay tuned for more great content! I want to know, did you see “The Last Movie Star?” What did you think about it? Or, who is a celebrity you met who turned out to be a total asshole? Let me know down below! Scene Before is your click to the flicks!

MISSION: IMPOSSIBLE REVIEW: https://scenebefore.wordpress.com/2018/03/30/mission-impossible-1996-this-movie-review-will-self-destruct-in-five-seconds/

MISSION: IMPOSSIBLE II REVIEW: https://scenebefore.wordpress.com/2018/04/29/mission-impossible-ii-2000-impossible-to-enjoy/

MISSION: IMPOSSIBLE III REVIEW https://scenebefore.wordpress.com/2018/05/24/mission-impossible-iii-2006-the-young-and-the-fearless-spoilers/

MISSION: IMPOSSIBLE: GHOST PROTOCOL REVIEW https://scenebefore.wordpress.com/2018/06/18/mission-impossible-ghost-protocol-2011-your-movie-review-should-you-choose-to-accept-it/

MISSION: IMPOSSIBLE: ROGUE NATION REVIEW https://scenebefore.wordpress.com/2018/07/25/mission-impossible-rogue-nation-2015-a-revisit-to-my-first-mission-impossible-movie/

MISSION: IMPOSSIBLE: FALLOUT REVIEW https://scenebefore.wordpress.com/2018/08/01/mission-impossible-fallout-2018-tom-cruise-is-a-madman/

Why I Won’t Review The Cloverfield Paradox (2018)

Posted on by Jack Drees

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Hey everyone, Jack Drees here! Last night the Super Bowl aired on NBC and with another Super Bowl around that means another set of overpriced ads that are basically trying to become more important than life itself. The ads overall were underwhelming, however there were a few good ones personally. These good ones came from Bud Light, Amazon, Sprint, Groupon, and M&Ms. As usual, the Super Bowl featured a few movie ads. Some of which were trailers for trailers, which is the stupidest thing I’ve ever heard. One movie spot that specifically caught my attention was “The Cloverfield Paradox.”

I actually knew about this movie before it came out, but I didn’t think it would be coming out now. The movie was originally titled “God Particle” and it was going to be in theaters. This film had been in development since 2012 and its release had been delayed several times. After that, it has been confirmed that this is the third “Cloverfield” installment, following “Cloverfield” and “10 Cloverfield Lane.” As the trailer for this film aired during the Super Bowl, some people were surprised, and I was too. I’m not sure about other people, but I wasn’t surprised there was a trailer. I was surprised about three other things. The first surprise was that it was out in a couple of hours after the trailer dropped. The second surprise was that it wasn’t called “God Particle” and instead called “The Cloverfield Paradox,” but hey, you gotta make the title come off as something people know. The third, and biggest surprise, is that it’s coming out on Netflix.

As of now, a number of people have already watched “The Cloverfield Paradox.” Many of the final verdicts of the film are on the positive end. You want to know my verdict on the film? Well, I can’t tell you since I never saw it. As matter of fact, I don’t think there will come a day where I actually sit down and watch it. If you have seen “The Cloverfield Paradox” and enjoyed it, good for you, I’m glad you had a pleasurable experience. My reasons behind not watching the film don’t have anything to do with hate towards the “Cloverfield” films or the fact that I’m lazy. Also, if you hated it, I’m sorry, and you probably deserve your time back. Although now that I say that I’m lazy, I don’t really exercise as much as some people. My lack of review has more to do with my refusal to use Netflix.

I sound like a total weirdo that doesn’t belong in the generation I was born into, AKA the millennials, especially considering that almost everyone I know my age uses Netflix. Although I refuse to support them for a number of reasons.

The first reason behind this sounds absolutely crazy, but it still exists. I miss Blockbuster Video. Sure, I was a kid, so I never really had to deal with paying late fees or maintaining a Blockbuster membership card or driving to the place. Heck, even if I was my mother or father, I wouldn’t usually have to worry about that because we used to have one that was walking distance from my house. Even as a kid, there was such a joy to be had about that store that I could only replicate by going to someplace where you could buy a movie. Every time I went there felt like a small birthday present. You can’t get that with Netflix! Not only that, but on Netflix, you can’t actually get a deeper emphasis of the film you’re watching by looking all over the case, seeing images, descriptions, all sorts of information. Also, you don’t even need WiFi to play a DVD or Blu-ray. There’s something about streaming that’s kind of depressing. Granted I do use certain streaming services such as Amazon Video and Crackle, but if anything, Netflix was the biggest killer of Blockbuster. I can kind of understand certain movies going straight to streaming, much like how I can understand certain movies going straight to DVD or straight to TV. Although with Netflix’s exclusive content, it’s pretty much ALL straight to streaming.

Netflix began making exclusive content for some time now, and I can truly understand if Netflix wanted to make a TV show to put on its streaming service right away. I would prefer for Netflix to make their own TV channel, but apparently that concept is dwindling. I honestly don’t like that. It feels nice having a TV schedule as opposed to a TV clutter, and this is coming from a guy who hates schedules! The thing I really hate, is how every Netflix original movie has to be straight to streaming. People are saying that movie theaters are dying, and that is just UPSETTING. People are trying to get with the times by the endless recliner installation and renovation, which I think is overrated because you have a lot less seats than you would if you went to a theater with normal seats. Do you know why I go to see movies at the theater? Bigger screen, more audible sound, clearer images. Can you imagine someone watching “2001: A Space Odyssey” or “Cast Away” or “La La Land” and it happens to be on a TV? OK, maybe it’s not that bad of an experience depending on your setup, but what if someone is watching one of those movies on a computer or laptop? What if they’re watching it on a tablet? Or an even more terrifying thought, their phone. What Netflix is basically doing is destroying not only history, because people gather at these places for special events, but they’re also destroying one of a kind experiences.

Netflix’s idea of releasing films the way they do is baffling to me because for one thing, if they release their movies in theaters, they have a chance to make more money! Amazon has a strategy which involves them releasing films, putting them in theaters for ninety days, and around the end of the theatrical run, the movie comes out to home video media and streaming. If you’re an Amazon Prime member, you can stream the movie for free on Amazon Video. Amazon’s method of showing their films in theaters has brought me to check out their films for this blog. I didn’t review all of the ones I saw, but I kept their theatrical releases in mind. This idea is a good way to make money while at the same time, providing a decent experience. If someone really likes a movie released by Amazon as they watch it in theaters, chances are they could watch it again once it hits Prime. Netflix apparently isn’t as bright of a bulb as Amazon, no wonder they’re in debt.

Will I watch “The Cloverfield Paradox” sometime in the future? I’m not quite sure. Maybe if they put it out on Blu-ray and I find it for a good price I might take it, but I also hope that maybe by the end of the year they put it in the theater. I mean, I’m not gonna be surprised if Netflix doesn’t allow something like this, because they are going to be distributing Martin Scorsese’s “The Irishman” and there’s a good chance it won’t be in theaters. If you don’t know who Martin Scorsese is, he departed the wolves off of Wall Street and made them join an aviator in flying towards the movie theater. Seeing his name on a project can make some people interested in seeing how said project turns out. It’ll get them right into the theater! But no, Netflix is different, and that’s good! What a bunch of malarkey!

To this day, I never really used Netflix for anything. I’ve been with other people while they used it, but I never used Netflix for anything I wanted to do, and unless they start putting movies in theaters, or maybe pick up a reality TV show that has shaped my life for three seasons (“King of the Nerds”), I will not be using their services, and I will not be reviewing their content. Yes, I’m not even gonna watch “Stranger Things.” I won’t watch “Altered Carbon.” I will not be watching “The Crown.” I’m not watching “Orange is the New Black.” If you like these shows, good for you, enjoy them. I just won’t be watching them. Nor will I be watching “Cloverfield 3,” or “The Cloverfield Paradox,” or “God Particle,” I like that the name the best, it’s kind of kick-ass. Thanks for reading this non-review! I’m sorry if I disappointed anyone, but I can understand considering how Netflix disappointed me during the Super Bowl. Although if you actually want to know, I will be reviewing more movies soon, such as “The 15:17 To Paris.” That comes out in a few days, so I might see that movie rather soon! Stay tuned for more great content! I want to know, what are your thoughts on Netflix? What are your thoughts on streaming? Did you see “The Cloverfield Paradox?” If so, did you like it? Also, where would you rank it along with “Cloverfield” and “10 Cloverfield Lane?” Let me know down below! Scene Before is your click to the flicks!

The Wall (2017): Wait, Where’s John Cena? *STRONG LANGUAGE IN OPENING PARAGRAPH*

Posted on by Jack Drees

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The f*cking movie known as “The Wall” is f*cking directed by the motherf*cker known as Doug f*cking Liman (The Bourne Identity, Jumper), stars Aaron f*cking Taylor-Johnson (Godzilla, Nocturnal Animals) and f*cking John Cena (American Grit, Trainwreck), and is f*cking about two American f*cking soldiers, there’s a lethal f*cker, err I mean sniper that is standing in their f*cking way, but the two are divided by a f*cking wall. …Now I could make a f*cking paragraph, illustrating my motherf*cking point that the movie is full of f*cking language, especially f*cking f-bombs that are f*cking shoved down your throat as f*ck. To be extra clear, this paragraph had fifteen f-bombs. “The Wall” had more, in fact, the exact total came out to 185 in the whole movie. Can you f*cking believe that?! And there’s sixteen!

The word f*ck can associate with this movie significantly. In fact, I’d personally go as far to say that the word can associate with more than just the screenplay which has the word bloated all over. I’d even say the movie in general can associate with it. One of my biggest problems with the movie is the marketing, specifically, the poster.

According to the poster, John Cena is in this movie as one of the starring roles. Well guess what? He’s barely in it! Now, I don’t know how much people appreciate John Cena as an actor. I know he gets plenty of appreciation as a wrestler and a prank call meme. He’s also going to be in the “Bumblebee” movie which is scheduled to come out next year. Speaking of sports stars who also do acting on the side, I’d also like to say this isn’t the first time I’ve seen something like this happen this year. There was this movie that came out in select theaters and digital services in March called “You Can’t Have It.” On the main poster for the film, the one that’s actually the only image of the movie on IMDb, and the poster you’d find for the movie when searching for it on Amazon, Rob Gronkowski, tight end of the New England Patriots, was in the center of the poster. This pretty much suggests that Gronk’s character would have a big role in the movie. His character however, didn’t even come in until the end. In fact, when he came in, I felt like I was watching something that was very tacked on. Now, this movie was not as bad when it came to this, but Cena’s barely in this movie, and there’s one guy that should have been on the poster as opposed to John Cena, and that is Laith Nakli. Now, his face isn’t really shown all that much in the film so I wouldn’t really put it in the poster. Just put Taylor-Johnson’s character in the poster by himself, or make a silhouette of Nakli’s character, any of that would have worked in my book!

This movie’s directed by Doug Liman (left), a director who I personally like. He’s done some movies I’ve seen before, including a movie that came out this year, in fact it came out months after this one, and that’s “American Made.” That’s a better movie in my opinion, but let’s not get into that. Regardless of how this movie in particular is, Liman’s vision is not a bad one. The location which this film was shot is Antelope Valley, which is in Lancaster, CA. By the way, if you are wondering where that is it’s in a spot between Los Angeles and Bakersfield. This location gave me a feeling of silence but the silence wasn’t peaceful, it was completely deadly. It almost reminds me of “No Country for Old Men,” which is kind of funny because both this and that movie barely have any music. Speaking of things that I find amusing, this movie was shot on 16mm film. This format was also used to shoot “The Hurt Locker,” which is interesting considering the locations where the films take place and how similar they look. Also if it means anything, I have yet to watch “The Hurt Locker.” This fact amuses me because when it comes to shooting movies, it’s either usually digital nowadays or if a movie is shot on film, it would be 35mm.

Let’s talk about Aaron Taylor-Johnson, who plays a character named Isaac. I thought his performance was very well done in this movie given the script, which again, is f*cking full of f*cks. Also I didn’t really find the movie as a whole, all that interesting. It was mostly boring, I tuned out for part of it, I was making fun of how much it wanted to “f*ck” with the audience. Some of you reading this might think that my opinion should be adjusted because this movie comes off as slow and it’s just how it is. I’m not saying the movie should be fast, but I just want it to be interesting. And it wasn’t interesting in this circumstance.

I will say though that the slow pace of the film, might add a bit to the movie in terms of realism. However despite the realism, I still wasn’t able to appreciate the movie. Also, you may be aware of another war movie, specifically one that came out months after this one. The movie I’m talking about is “Dunkirk.” Now I consider “Dunkirk” to be one of my favorite movies of the year and part of it was due to how realistic it was as far as war goes. And keep in mind, this movie was PG-13. If it added in blood then it would have been just slightly realer, however it’s pretty realistic already. Although one thing I consider great about “Dunkirk” that I found to be missing from “The Wall” was investment in the story. I could have been invested in the story here, but little problems came up as the movie went on, which bogged down my interest for the movie on a complete scale. Now I saw “Dunkirk” in theaters, I saw “The Wall” at home. Maybe if I saw “The Wall” in theaters I would probably not be talking about this all that much, but I made a choice to wait on this movie because I’m an Amazon Prime member and I figured this movie in particular would be free for Prime members by the end of the year.

In the end, I’d say that I need a wall to separate me from the pile of boredom known as “The Wall.” This is a movie that looks great, has a talented director, and a good performance by Aaron Taylor-Johnson despite the fact that the script is f*cked up in a bad way. I don’t mind when the word f*ck is used in movies or TV, but part of me wondered if the amount of f*cks given in this film was even f*cking possible. I’m gonna give “The Wall” a 4/10. Thanks for reading this review, next Monday I will have my review for “Thor: The Dark World,” so stay tuned for that, along with more reviews coming soon! Speaking of which, this is not official, but on November 5th, I’m thinking of posting a review for “V for Vendetta,” and if you ever seen the movie you’d understand why. Also, I have a question. If you could magically create a wall to separate yourself from something for the rest of your life, what would it be? Keep in mind, I mean literally separate yourself. Just imagine that this thing can’t climb the wall or go around it. Let me know about that down below! Scene Before is your click to the flicks!

Where Are The Original Movies?

Posted on by Jack Drees

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Hey everyone, Jack Drees here! Let me ask you a question. What are some movies you’ve seen recently in the theater? I’m willing to bet some of you might say films like these: “Guardians of the Galaxy Vol. 2,” “Wonder Woman,” “Fifty Shades Darker,” “The LEGO Batman Movie,” “John Wick: Chapter 2,” “The Mummy,” “Kong: Skull Island,” “Transformers: The Last Knight,” “Beauty and the Beast,” “Spider-Man: Homecoming,” “War For the Planet of the Apes,” “Annabelle: Creation,” “The Fate of the Furious,” “Ghost in the Shell,” or “Power Rangers.” What do these films have in common? Well, none of them are original, they’re all based on something.

If something has been proven recently, at least from my observations, it’s that Hollywood has a desire for taking ideas which have been done in the past, either as an art form or as a real-life event, maybe in some cases regardless of how interesting they are, and making their own adaptations out of it. Even some of the greatest directors of all time have done this, directors who have come up with BRILLIANT original ideas. Christopher Nolan for example, he did the “The Dark Knight” trilogy and he also did “Insomnia,” which is a 2002 remake of a movie released in 1997 which goes by the same name. Robert Zemeckis, the director of the “Back to the Future” trilogy and “Cast Away” has done films based on true events, including “The Walk” and “Forrest Gump,” which were both well received. Joss Whedon, well known for creating original TV shows which have been well received by various people such as “Firefly” and “Buffy the Vampire Slayer,” has eventually gone on to direct Marvel’s “The Avengers,” released in 2012, along with “Avengers: Age of Ultron,” released in 2015. Don’t get me wrong, there are lots of times when unoriginal content can work.

There have been plenty of comic book movies that are making buttloads of money at the box office. If one thing has been proven over the past few years, it’s that people, no matter what age, love superheroes. I love em too. When it comes to superhero movies, I generally find them to be fun movies where I can just munch on popcorn for a couple of hours, enjoy some action, perhaps get a few laughs out of my system, or just simply get completely caught up with whatever is going on in a studio’s “cinematic universe,” which both Marvel and DC have going for them at the moment.

There have also been highly appreciated book-based adaptations, in fact, there are some movies that exist I don’t even think some people realize were based on books, or if they do realize that, they never bothered to read them, including “The Martian,” “Arrival,” “Room,” “Willy Wonka and the Chocolate Factory,” and the entire “Lord of the Rings” saga. Another set of unoriginal ideas that have usually worked include movies based on true events. You might see a number of these around the Oscar season including “Deepwater Horizon,” “The Lone Survivor,” “Zero Dark Thirty,” “Ray,” and “The Hurt Locker.” These films are usually powerful, while also paying tribute to someone or something associated with an event of focus shown throughout, and while they might not always be ENTIRELY TRUE bit by bit, they can make for compelling and interesting stories.

When it comes to misses on unoriginal ideas, one thing people often point to, are remakes and reboots. There are a number of comic book adaptations that are getting rebooted left and right, I’m looking at you “Spider-Man” and “Batman.” Although there have been remakes of movies that were done in the past that have been well received as original ideas, but poorly received as unoriginal ideas. These include “Point Break,” “Ghostbusters,” “Psycho,” “The Wicker Man,” and “Poltergeist.” I don’t work for Hollywood in any way, shape, or form, I’d like to, and I have some ideas for movies and TV shows, both original and unoriginal, but there’s no time to get into that. Although as one who doesn’t work for Hollywood, people like me usually assume that people who think remakes, reboots, and other unoriginal content are what studios should be putting out are just “lazy.” And it may be true, after all, people might sometimes go see a movie if it is something they’re familiar with. As a kid, I was familiar with “Diary of a Wimpy Kid,” both the books and the original movie, so when I heard “Diary of a Wimpy Kid: Rodrick Rules” was coming out in 2011, I figured I’d go see that. When “The Amazing Spider-Man” was coming out, I went to see that. I went through this phase for awhile, I barely saw any movies in theaters, although in 2013, that changed, I started getting into other material, and YouTube had an overload of trailers that I checked out and became interested in, therefore intriguing me to see movies involving original ideas such as “The Internship,” otherwise known as, a near 2 hour Google commercial, although not a bad one. “Pacific Rim,” which combines monster movies and “Power Rangers.” and “Gravity,” which might as well be called “The 3D Is So Amazing, You Can’t Even Tell It’s Post Converted!” Now that we’re here in 2017, I think original ideas aren’t happening as often, or, if they are still happening as often, they’re not as successful as I feel they could or should be. Just look at the box office totals for 2017 thus far. I checked Wikipedia’s “2017 in film” page, and the top 10 films in terms of what they earned at the box office are currently all unoriginal.

The movies I found on the list in order from the highest earned total to the lowest happen to be “Beauty and the Beast,” “The Fate of the Furious,” “Despicable Me 3,” “Guardians of the Galaxy Vol. 2,” “Wonder Woman,” “Pirates of the Caribbean: Dead Men Tell No Tales,” “Spider-Man: Homecoming,” “Wolf Warriors 2,” “Logan,” and “Transformers: The Last Knight.” After seeing this, I went to a page on Box Office Mojo dedicated to the box office results of 2017, and the highest grossing movie I saw on the list which was original happened to be “Your Name,” an animation from Studio Ghibli. I’ve heard fantastic things about the film so far, I haven’t watched it, but I heard great things. This film is at the #15 spot on the list, which interested me. The movie didn’t make much money where I live, which is the US, but it did make money in other countries. I noticed it made lots in Japan, which didn’t really shock me considering how Studio Ghibli is a Japanese animation company. But I also took into account that it made loads in China and South Korea. It’s easy to see why it would make money in countries like Japan, Studio Ghibli is Japanese, it’s an animation which is going to encourage people to bring younger audiences along for the ride, “Spirited Away,” another piece of work from Studio Ghibli was Japan’s highest grossing film ever when that came out, and Studio Ghibli has an excellent track record with their movies. Don’t understand? Just look up films such as “When Marnie Was There,” “My Neighbor Totoro,” “Howl’s Moving Castle,” and “Castle in the Sky.” In a way, Studio Ghibli, may as well be viewed by Japanese audiences in a similar way to how American audiences view Pixar.

One time period that interested me when it came to the making of original content is the 1980s. This was something that came to mind after reading Curtis Armstrong’s new memoir, “Revenge of the Nerd.” In case you don’t know who Curtis Armstrong is, he is a famous actor, and in this book, he talks about his days as a stage actor, converting into a film actor, and everything before and after. At multiple points throughout the book, he’s talking about the “Revenge of the Nerds” series, a series which may contain a defining role for Curtis, Dudley “Booger” Dawson. In case you didn’t know, that series has four installments, although it almost didn’t even make it to two. The first installment came out in 1984, and 20th Century Fox, the studio who owns the movie, thought it was a travesty that belonged in movie hell. For the record, this became a cult classic and perhaps one of the most quotable comedies ever. Just the “Nerds!” chant alone is stuck in my head. 20th Century Fox thought that because of this movie, they should put an embargo against any sequels. Armstrong states in a chapter dedicated to “Revenge of the Nerds II: Nerds in Paradise,” “Fox still considered Revenge of the Nerds a misstep and, in addition, had implemented a strict studio-wide no-sequel rule as part of their new “quality-control” policy. As far as quality control went, it was successful in eliminating sequels but it didn’t stop them from continuing to release plenty of inferior product. But it was “original” inferior product, so that was okay.” I’ll say, just be glad that “Return of the Jedi” came out in 1983 or we probably would have less of a chance of seeing that movie come to life, perhaps zero chance even! Although, if the sequel embargo were still around, “The Phantom Menace” would have probably never been made so that’s one disappointment of the embargo going away. Well, as long as prequels count here too and not just sequels. “Revenge of the Nerds II: Nerds in Paradise” was actually the first sequel to be green-lit by Fox once the sequel embargo was no more, as Curtis heard from one of the cast members from the series, Robert Carradine, who’s known for playing the character of Lewis. What people like Curtis and Bobby saw from Fox in the 1980s is pretty much the opposite of what everyone’s seeing today from just about every film studio. Boy have times changed!

When I look at studios today, not to mention people making pitches to studios, I kind of feel bad at times. Part of me imagines a reason why we aren’t seeing original ideas anymore. That reason being, is that studios are afraid. What are they afraid of? Not getting enough money, and they see a movie that has been successful in the past and their brain is directed towards remaking that movie instead of new and fresh movie. Just look at Disney right now!

Here’s a question. When was the last time Disney made an original movie? OK, it actually wasn’t that long ago with films like “Zootopia” and “Moana,” but they’ve released LOTS of unoriginal content over the past few years! Disney seems to have a fetish for live action remakes, with movies like “Cinderella,” “The Jungle Book,” “Pete’s Dragon,” “Beauty and the Beast,” and you even have remakes for “Aladdin” and “The Lion King” currently in the works. Lucasfilm, which has “Star Wars,” was once owned by Fox, but now they’re part of Disney! So you can basically say that Leia is now technically a “Disney Princess!” Disney even owns Marvel, so basically every single movie in the Marvel Cinematic Universe is a Disney movie! Fox still has the rights to “Fantastic Four” and “X-Men,” but Disney has “Iron Man,” “The Avengers,” “The Incredible Hulk,” “Captain America,” “Doctor Strange,” “Thor,” “Guardians of the Galaxy,” “Ant-Man,” and part of the rights to “Spider-Man.” They are continuing to make separate stories about superheroes including “Black Panther” and “Captain Marvel.”

Despite what I’m seeing with all of these unoriginal ideas, I still occasionally take a glance at original ideas every once in a while when the opportunity comes up. This year, when it comes to original ideas, I’ve seen movies like “Baby Driver,” “You Can’t Have It,” “Gifted,” “Snatched,” and “Colossal.” Believe it or not, I actually dislike three out of these five films. Although I wouldn’t say they’re absolute atrocities, except for “Snatched.” I walked out of “Baby Driver” and “Colossal” with grades of at least 9/10. This is a sign that original films can still rock. When it comes to the box office, “Baby Driver” was on the higher end of the spectrum this year, not as high as “Your Name,” but so far it’s beating unoriginal content like “Power Rangers,” “The Emoji Movie” if that counts, “Rings,” and “Captain Underpants: The First Epic Movie.” For “Colossal,” that film’s in the middle when it comes to the box office as a whole this year, but keep in mind that it’s a film from a studio that’s just starting out and it wasn’t in too many theaters. “Colossal” is an independent film directed by Nacho Vigalondo, and it’s being distributed by Neon, and according to Wikipedia, this is the first film Neon ever distributed. For home video, they have a distribution deal with Universal, which part of me dislikes because they’re owned by Comcast and I hate those psychos right now, but whatever. They haven’t done many films right now, so if you’re perhaps an independent filmmaker and looking for a distributor, try looking into Neon.

Another hope for originality, believe it or not, is Amazon. How do I know? Recently I Googled, “how long does it take for an amazon original movie to become free” because I wanted to check out an Amazon Studios movie called “The Wall,” but I was also curious, as an Amazon Prime member, the average time it takes for a movie under Amazon to become free to Prime members. I clicked on the first result that came up, stating: “Amazon Studios Frequently Asked Questions : Amazon Studios.” Before we get any further into this, Amazon has done original movies including “Manchester by the Sea,” “Paterson,” and “The Neon Demon,” and even done original TV shows including “Transparent,” “Goliath,” and “Sneaky Pete.” When it comes to the process of making something such as a movie or TV show which can be distributed by Amazon, it’s all explained where I checked. This whole process is not for minors, however if you are 18 or over you can submit your ideas to Amazon all you want, which honestly just excites me. Why? I turn 18 in November. So if I have an idea that I feel could make a good script and it’s completed when I’m 18 or older, I can submit it to Amazon! As far as I know, Amazon hasn’t done much unoriginal content whatsoever, they’ve taken content that revolves in one way or another around past events including “The Man in the High Castle,” “The Big Sick,” and “Gleason.” Another part that a lot of consumers might enjoy is one that I somewhat hinted at not long ago, if an Amazon Prime member ends up watching your movie on Amazon once its out of theaters and releases on home video, chances are it might be free, because Amazon has a list of exclusive films and they’re all free for Prime members.

I want to know, do you have an original idea for a movie or TV show? Well, if you do, I recommend pitching it somewhere, probably Amazon, but if you want to leave a comment as to what your original idea is, go ahead! But be careful, because if you don’t pitch it, that idea could be someone else’s, possibly mine! I would give my own ideas, but there could be a chance that some schmuck could see it and possibly steal it in a couple months!

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Thanks for reading this post, I once again want to remind everyone that next weekend I’ll be at Mohegan Sun in Uncasville, CT for Terrificon, a three day convention lasting from Friday August 18, to Sunday August 20. I’ll be at the convention center on Friday and Saturday, but I will be in the building all three days, although I won’t be there for long on Sunday. I’m planning on possibly livestreaming for some of the convention on Twitter, so follow my account, @JackDrees, if you want to check some of that out, but that’s if I actually livestream. Also, if you are at Mohegan Sun for the weekend, don’t hesitate to give a hello to me if you know who I am or recognize me. You might just find me somewhere wearing blue sunglasses. And no, not for cosplay purposes. I’m not sure if I want to do any future posts on the convention, like on what I get there or anything like that, but only time will tell. But if you do want to check out my post that I did, exposing some details about the convention itself, I’ll have a link to that down below, and if you want to check out the website for Terrificon, I’ll have a link to that down below as well! Stay tuned for more posts and reviews! Scene Before is your click to the flicks!

MY TERRIFICON PREVIEW: https://scenebefore.wordpress.com/2017/07/13/announcement-im-going-to-terrificon-at-mohegan-sun-in-uncasville-ct/

TERRIFICON WEBSITE: http://www.terrificon.com/

The Big Sick (2017): Kumail Nanjiani Plays Himself for Two Hours, and It’s Not Bad

Posted on by Jack Drees

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“The Big Sick” is directed by Michael Showalter and stars Kumail Nanjiani (Silicon Valley, Central Intelligence), Zoe Kazan (What If, Ruby Sparks), Holly Hunter (The Incredibles, Batman v. Superman: Dawn of Justice), and Ray Romano (Everybody Loves Raymond, Ice Age) in a movie which is marketed stating that it’s based on “an awkward true story.” This movie, starring Kumail Nanjiani, as actually about Kumail himself, and this is actually based on the relationship between Kumail and the movie’s love interest, Emily, whose relationship has some blunders having to do with their cultural differences.

Going into this film, I didn’t really know what to think, I believe I do remember seeing ads for this film on TV, and I like Kumail Nanjiani. I’m also a huge fan of Ray Romano, even though in my book he hasn’t really done much of anything worth remembering in recent years. And if you know me well enough in real life, I’m not the type of person who flocks to the theater for rom-coms, although I did see something special in this movie considering it’s based on a true story involving one of the movie’s stars, producers, and writers, not to mention it has excellent scores given by Rotten Tomatoes, IMDb users, Metacritic, etc.

Usually when I talk about characters in a movie, the traditional thing I do is find an image of them related to the movie they’re in. For Kumail Nanjiani’s character, you may notice I’m doing something a little different. Why? Well, as I mentioned earlier, Kumail is playing himself in this movie. In other movies, this would usually be a complaint from some people, like how Melissa McCarthy, Ed Helms, or Adam Sandler might play the same character from movie to movie in some way, shape, or form. Although here, since it’s based on a true story involving an actor playing a past version of himself, this should be the one of the easiest acting gigs in the entire universe. So how does Nanjiani do? He does quite well, I didn’t like him as a character at first, but watching him in this movie, it felt nice seeing him grow as a person. His character was a shining star through this movie, and at times I felt his pain. There’s also one action that happens just about a quarter of the way through the movie as the main plot is developing that took this movie from being good to great.

While we’re on the topic of actors playing themselves, we can’t say the same for the actress playing Emily in this film, however this is Emily in real life. In the movie, she’s played by Zoe Kazan, although I couldn’t find a picture of her in this movie where she’s alone, so this is what you’re gonna have to settle for. Anyways, Emily in this film had some of the funniest lines, I thought she was a truly compelling character, and I thought she brought a lot to the table, although when I say that, consider how she’s a main character in this movie.

As much as this is ultimately Kumail Nanjiani’s movie, he’s one of the people that came up with an idea for it as a whole, I gotta say that in terms of aspects I thought were compelling throughout the movie, Holly Hunter is probably at the top of my list. Casting, GREAT JOB! I have no idea how much this character relates to the actual story, but nevertheless, seeing Holly Hunter as Beth at several points of the runtime just made me want to see more of her. If this were a film released during the fall, Hunter would have a higher chance of being up for an Oscar in my book.

Also, let’s not forget, Ray Romano. As mentioned, this guy hasn’t really done much of anything worth mentioning, and by that, I mean anything relatively acceptable, since “Ice Age: Dawn of the Dinosaurs” back in 2009. He was on Parenthood, which I heard was good, although it’s not aimed at my demographic and I never watched it. I saw him as a guest on an episode of “Kevin Can Wait,” but I completely forgot about it because the show was barely watchable. I can officially say, Ray’s back! I thought he aced his role, I was able to buy into his character, and he played a really good older dad character.

The chemistry shown between Kumail and Emily throughout this movie was believable, and if it wasn’t believable I probably would have taken major points off of this movie’s score, because this is based on true events involving the film’s main character, who is being played by the same person who experienced said events, not to mention that guy wrote and produced the movie with someone else who’s crucial to the film itself. I can’t exactly tell you I’m a guru who oversees every single detail of every person’s life and confirm that what is being shown on screen is entirely true, because I don’t know everything. There’s a good chance that someone could be reading this right now and I don’t know who it is. Granted since WordPress allows you to view what country a reader is from, or the name of the source they found this post, or perhaps a search term somebody used, I might get to know something about a certain reader, but not every detail is revealed. All I can say is, this movie set a very believable mood throughout. Some of the dialogue almost crossed the border to cheesy but it doesn’t go overboard with it and who knows, maybe those cheesy words were spoken.

As far as other complaints in this movie go, I do have a couple. First off, let’s talk about the editing. Overall this movie is well crafted and doesn’t have many flaws when it comes to editing. Although just because it doesn’t have many flaws, doesn’t mean it can’t have a few. There’s one scene in this movie which we see Kumail on a cell phone, it just cuts randomly a couple times, and yet we’re still looking at the same subject, the subject being Kumail in the same situation. It almost reminded me of “You Can’t Have It,” a movie that only 23 users on IMDb gave a verdict to, including me, only that movie had a s*itton more jumpcuts than this movie did, by the way don’t watch “You Can’t Have It.” That’s just a minor problem I have and on the subject of minor problems, is the product placement. I get it, films need product placement sometimes. But I remember seeing numerous scenes with a laptop in it, and just about every time, there was a MacBook. Oh yeah, the same goes with an IPhone. I remember seeing an IPhone in a lot of this movie’s scenes as well. Granted I recall seeing a Dell laptop too, but I think that was only one time. I might be somewhat OK with this if every single product shown here is true to the story, although it might remain as an issue. Although I don’t think something like this would be true because I’m looking at the technology and from my memory, the technology probably looked a little too futuristic. There’s a black IPhone in the movie and I believe it’s a newer model because I RECALL seeing the home button not having a square on it, which is a flaw for this movie because in real life, this movie takes place in the 2000s based on research, and the first IPhone with a home button to not have a square on it was the IPhone 5S which was released to the public in 2013. MAYBE I’M WRONG, MAYBE I’M IMAGINING THINGS, BUT THIS COMPLAINT STANDS *FOR NOW.* However, this movie is from Amazon Studios and when it releases on home video, it’s very likely that this movie won’t take a long time to become free on Amazon so I could probably watch it again and see if I was imagining things or not.

In the end, “The Big Sick” is worth seeing. I thought the performances all around were excellent, I thought this movie was well written, and there were little to no issues overall when it comes to this movie. Admittedly, it starts off rather slow, but it didn’t take much longer until my eyes were glued to the screen. I’m gonna give “The Big Sick” an 8/10. Thanks for reading this review. This Tuesday, I’m going to see the movie, “Dunkirk” in IMAX 70mm, words can’t describe my excitement! Also, I just want everyone to know, in case it actually interests you, “The Emoji Movie” comes out this upcoming Friday, July 28th. I have no intentions to see it, but, I would imagine a lot of you would want me to see it because of how atrocious this movie looks, so I DON’T KNOW if I’ll deliver on this, we’ll see what happens. But, if you want me to see “The Emoji Movie,” and I’m also not saying I’ll do this opening weekend if this manages to be a common request, leave a comment to this post with the following hashtag, you can include it by itself or in a comment with other words in it: #GOSCREWYOURSELFEMOJIMOVIE. I’m not saying it has to be all capital letters, but you get my point. I interacted with some people in my school, and they want me to see this movie. I’m wondering if I’ll even do that, but I might do this movie review for you if I get enough requests. And besides, “Atomic Blonde” is coming out the same weekend and I kinda wanna see that, not to mention “Valerian and the City of a Thousand Planets” is out now too. Anyway, stay tuned for more reviews, and if you want to increase the chances of a review for “The Emoji Movie,” get cracking in the comments section. Scene Before is your click to the flicks!