Top Movies of the 2010s (THE DISAPPOINTING 25)

Top Movies of the 2010s OFFICIAL POSTER

*WARNING: This post is over 11,000 words long*

Hey everyone, Jack Drees here! Never thought you’d see this again, did you? Well, I originally marketed the Top Movies of the 2010s countdowns as an event, so you know what? If I really want to give this the event treatment it deserves, let’s keep it going! This time, we are going to be focusing on the twenty-five films that I watched either with full attention, anticipation, or curiosity, and was flat-out let down in some way. It’s time for the disappointing 25! Before we go any further, this countdown is subjective. All these entries are based on my own experiences and opinions, and are therefore no way supposed to represent the thoughts and opinions of other individuals. Keep in mind, just because I think a certain movie is disappointing, doesn’t mean you have to agree. This world would be boring if that were the case. Although… I’ll take less fighting in the comment sections any day. Also, even though I have had lots of time during this period of isolation to go back and watch more films, I have not seen every single film that has come out during the 2010s. It’s too big of a task to handle. So movies that I’ve heard from others that were disappointing like “Battle Los Angeles,” “Terminator: Dark Fate,” and “Jurassic World: Fallen Kingdom” do not qualify to be on the list. I will also add, if a movie is to be included on here, I must have watched it from beginning to end. So, as much as I could count a movie like “Frozen,” that’s not happening.

Also, keep in mind this is a list of the most DISAPPOINTING movies and it is not to be confused with the WORST movies. The worst movies are just movies that I flat out don’t like. Disappointing movies on the other hand are the movies that I have expectations for in some way and end up being let down. In fact, some of these entries are movies that I like. They just have qualities attached that make them underwhelming, or in some cases, just a plain bad movie. So with that being said, if you had high expectations for this countdown, prepare to hopefully not be let down! These are my top 25 DISAPPOINTING movies of the 2010s!

#25: The Aeronauts (2019)

Starting off this list is “The Aeronauts,” otherwise known as what was supposed to be Amazon’s first attempt at an IMAX run. Unfortunately, that never happened, and it makes the movie slightly more unwatchable the more I think about it. This is a movie that I would probably watch again, but there are scenes in it that are slower than others. There’s the main plot of the movie that involves two people on a hot air balloon, and there’s a sideplot on land. And when the movie takes place on land, it’s almost worth tuning out. Did I mention this movie is based on true events and yet the main characters are fundamentally changed? I like what this movie did with the aspect ratio, because whenever this movie took place up in the air, the picture stretches to fit a traditional TV screen, whereas when the movie is anywhere else, it’s in a scope aspect ratio. It reminds me of the vibe the movie is going for whenever it wants to be adventurous or just drop back to reality. The cinematography is not bad either. A lot of the framing is lovely to look at. Another reason why this is not higher on the list is because this is one of the few movies that I’ve seen that I can consider the end credits to be the best part. Why is that? Because while the credits don’t really have any special background compared to… say… what a lot of animated films have presented over the past number of years, they have what could be one of the best original songs I have EVER heard in a movie, titled “Home to You” by Sigrid. Not only does it completely fit the vibe of “The Aeronauts,” it’s just a good song. Honestly, once this world goes back to normal, and I don’t mean the new normal, I mean normal period, it might be the first song I play as a sigh of relief. Because I know it’s easy to stay home, but after all I’ve done all this time, the song would be a great reminder of the journey I have been through and whatever positivity could lie ahead. I don’t like a lot of modern music, so it REALLY says something that I am giving a thumbs up for a song like this. But if you do want to watch the movie, it’s free on Prime Video, see what you think.

#24: Coco (2017)

For the record, I like this film, but the reason why I am putting it on the list is probably because of the expectations I’ve had for it. Ladies and gentlemen, I give you “Coco.” Even though I constantly make fun of Disney for their greed and desire to dominate the world, Pixar is probably one of the best studios working today, because they always manage to put out quality content that not only makes money, but is fantastically made. “Coco” is yet another example of why Pixar might have the best looking modern animations. It is also another effective story in the Pixar collection of films, even if it does remind me of a better of a better film, specifically “Kubo and the Two Strings.” But the reason why this film is on the list to begin with is a similar reason why I found “Manchester by the Sea” to admittedly be somewhat disappointing. By the way, that movie is not on the list. I’d probably put it as an honorable mention though. One of the core elements of “Coco” that I’ve heard from viewers prior to seeing it is that it is emotionally charged. I expected something maybe towards the end that could get me to almost shed a tear. I did not really get any of that from my experience. I will also say that maybe I am not part of the target audience that would usually feel that. In fact, many of the people I know who happen to be related or close to me are still alive. My core grandparents on both sides have not passed away, and I feel lucky to have them in my life. If somebody I know, whether it be a friend or family member passes away, maybe this movie will hit me more the second time I watch it. And no, none of this disappointment has to do with the extended “Frozen” short film they presented in theaters prior to “Coco” as I only watched this movie at home on a 4K disc.

#23: Seventh Son (2014)

Out of all the movies on this list, “Seventh Son” is one of the few that I’ve had little attachment to before seeing it. I was into the marketing, and the fact that it had gotten an IMAX run also pleased me. Little did I know how short of a run it would have in theaters. In fact, I was pretty lucky that I got to see it at all, because I found a screening of it when I was in Florida, and that’s how I managed to check out this flick. Unlike the other two movies that I mentioned previously, “Seventh Son” made it onto my worst 25 list for this series, meaning that it is not just disappointing, it’s beyond terrible! In fact, I’ll mention something I uttered in the worst list, I went to see this movie with somebody else, and while the screen did have my attention the whole time, the same cannot be said for my partner, who at this point, I might as well apologize for taking to the movie because they fell asleep! “Seventh Son?” More like “Seventh Snore!” “Seventh Son” is honestly one of the worst fantasy movies I have seen in my life, but part of me wonders if part of it has more to do with my experience of watching the movie because I will admit that the sound in my theater could have been better. Maybe if the theater provided a more quality experience, I could have at least felt like I was watching something worthwhile. Does this invalidate the #23 spot on the list? Frankly, no. Because the movie from what I recall felt generic. And speaking of recalling things, recalling everything about this movie is harder than Minesweeper! Remember that game?

#22: Jupiter Ascending (2015)

Fun fact about this next movie, in regards to release dates in the United States, this next film came out the same weekend as the one I just talked about. What is this next film? “Jupiter Ascending!” That’s what it is! “Jupiter Ascending” is quite honestly a film that I was desperately looking forward to. I was very disappointed that it was delayed from its original July 2014 release date into February 2015. The trailers looked great, the effects were eye candy, and it looked like it would make for a fun theatrical experience. It had good actors attached like Mila Kunis (Family Guy, Ted) along with the directors behind “The Matrix,” AKA the Wachowskis, but this film becomes more disposable the more I think about it. While it was, admittedly, an AMAZING theater experience, watching it on a standard TV does not really provide the same effect. Because while the film has an awesome musical score and great visuals, the story and dialogue are not the finest at times. I would definitely watch this film again for the action scenes, but definitely not for any of the writing. Channing Tatum didn’t even promote this movie when it was coming out. It’s that bad! As for Jupiter Jones, she does not really do much to resemble a proper protagonist other than simply be the center of the film just… because. For someone who is such a core character in the film, it feels weird that she is in distress as much as she is. Again, the visuals are breathtaking, and I would watch this movie as part of a tech demo, but I’d rather watch the “Matrix” sequels again than whatever this is.

“I love dogs, I’ve always loved dogs.” -Jupiter Jones

Shut up, Meg.

#21: Suicide Squad (2016)

Much like “Jupiter Ascending,” “Suicide Squad” was a fun time at the movies, but a lackluster experience watching it at home. I will say though, having already watched this film at home, the only time I watched it at home was at the beginning of 2017 and I popped in the extended cut of the film. I didn’t really feel much of a difference in terms of content, but in regards to the main movie, I became angrier than I thought I would about it. While Viola Davis is a solid actress, her character, specifically Amanda Waller, is one that I did not really enjoy watching. I didn’t really approve of all her actions in the film and she just left a bad taste in my mouth. Harley Quinn steals the show due to Margot Robbie’s performance, making her a solid character. But unfortunately, when it comes to the main heroes, Quinn is almost the only one who happens to shine. Deadshot’s okay, Katana’s alright, Killer Croc… looks pretty cool. But if I were to tell you who my favorite character in “Suicide Squad” happened to be, I’d go straight to Harley Quinn because she was pretty much the only one who had any charisma. I will say, when it comes to The Joker, he was not that bad. Of the Jokers I’ve seen on screen, he’s definitely inferior to others, but he’s also not a travesty by any means. Jared Leto played the part well and when it comes to this universe, I’d say his portrayal worked fine. Although I do think the movie maybe could have been better if they’ve utilized him more. This is also one of those movies, again like “Jupiter Ascending,” that had fantastic marketing leading up to it. The early trailer for “Suicide Squad” with Bohemian Rhapsody playing in the background was worthy of two thumbs up and raised the bar of excitement for me. “Suicide Squad” to me is the worst of the Detective Comics Extended Universe films. At least it’s uphill from there with films like “Wonder Woman” and “Shazam!.”

#20: Grown Ups (2010)

I don’t have a magical crystal ball, so I cannot go back in time and see exactly how many people were looking forward to “Grown Ups” when it was coming out. While I did not go see this movie in the theater, it was one I was curious about. But as I watched it, it didn’t stick with me. Now, from what I’ve heard, when it comes to Adam Sandler movies, “Grown Ups” is not as bad as “Jack and Jill,” which I have not seen. But this is one of those movies that the more I think about it, isn’t really as funny as I would want it to be. When you have renowned comedians like Adam Sandler and Kevin James in the mix, I probably would want a little more. And this comes from someone who likes Sandler’s earlier movies like “Happy Gilmore” and “Big Daddy.” This also comes from someone who really enjoys “King of Queens,” the nine-season sitcom starring Kevin James. RIP Jerry Stiller. Arthur Spooner for life. These two comedians have provided some thumbs up-worthy content for me over the years, and it’s disappointing to see these two, along with other cast members such as Salma Hayek, in something like this. I will also point out, even though the sequel is probably not remembered as the greatest of all time, I honestly think I enjoyed “Grown Ups 2” more than the original. Feels weird to say that, but it’s true. I did catch the movie on TV a few times and it did catch my attention, but it’s not one I’ll always remember for its quality. At this point, I only remember one or two scenes being remotely comical and well executed, and it was fun to see Cape Cod on screen. I say that mainly because I was at the waterpark where they shot part of the movie almost around the same time when filming took place.

#19: Under the Skin (2013)

Kind of like “Coco,” I do have some respect for this movie. It has a likable lead actress, some of the music suits it very well, and the vibe is seemingly perfect. So when it comes to “Under the Skin,” I have to ask… What exactly went wrong? That is a tough question to answer. Because for one thing, there are positive aspects about this movie. It just however wasn’t enough to keep me entertained. It is a seductive, hypnotizing film, and it honestly goes on to reveal the proper acting chops of Scarlett Johansson. Although the more I reflect on the film, the less I remember. I remember scenes in the car, I remember all the trippy s*it, but can I describe it all in detail? Absolutely not. This is probably one of those films that I probably need to watch again to fully appreciate, but with so many other movies out there, I am going to have to debate on whether or not such a notion is a proper idea. And if you think I am one of those people who cannot watch a film that is “too slow,” ask me what I think about “2001: A Space Odyssey” and I’ll tell you that it is arguably in my top 5 sci-fi films of all time. At times I was bored during “Under the Skin,” there just wasn’t enough for me. And that’s really disappointing. The film has an 85% on Rotten Tomatoes. It was nominated for a BAFTA! It was made by A24! It has the associations of what could mark the label of a solid movie. But it just wasn’t for me. But… Scarlett Johansson is dreamy, I’ll say that.

#18: New Year’s Eve (2011)

Before I saw this movie, I heard from others about how bad it was, but I went in with curiosity. I have not seen all of Garry Marshall’s holiday-themed movies, but they are not good, man. And “New Year’s Eve” is just a prime example of that! This movie takes a bunch of prominent actors who have perfected their craft and wastes all of them! Halle Berry is in this movie? You might as well be watching “Catwoman” at this point! Sofia Vergara showed up here? Just because she’s in an award-winning sitcom, doesn’t mean that will automatically make this movie good! Robert De Niro’s here?! Oh, the horror! There’s almost no redeemable, likable, or watchable scenes in this mess. Out of all the big holidays, New Year’s Eve is one of the few that I bend over for more than others. And honestly, this year, it’s gonna be pretty f*cking rad if you ask me, because I have never wanted to say goodbye to a year more. I’m just hoping we find a cure to COVID-19 by December, otherwise the ball drop would be just as boring as me dropping a ball from my hand to my bedroom floor. The problem with this movie is that there is no real center of the story to attach to. Yes, it’s called New Year’s Eve, and that’s what the movie is about, but it just doesn’t have one specific character that I can attach myself to more than any other. It’s kind of like “Dunkirk,” except that “Dunkirk” is a freaking awesome movie! “New Year’s Eve” is just a waste of time. And this comes from somebody who was really curious about this movie just from the title alone. I will also add, the scene where the ball actually drops is not even that great. Your movie is called New Year’s Eve, centers around the ball drop in Times Square, and you manage to f*ck that up out of everything! Unbelievable!

#17: Allegiant (2016)

If you ask me, I was never a huge fanatic when it comes to the young adult genre. If I had to pick what movies within the genre would have to be the best in regards to this previous decade, it would probably have to be “The Maze Runner,” although it doesn’t say much. One of the franchises that I thought had a lot of potential is “Divergent.” I went to see the first movie in the theater, enjoyed it. Saw the second one, liked that one even more. Then the dreaded third one, otherwise known as “Allegiant,” happened. Out of the three movies in this franchise, this one is easily the most forgettable. It had the worst box office total out of these movies, and it was also one that I will admit, was not the best in terms of marketing. When I saw marketing for the first movie in the franchise, “Divergent,” it felt badass, it felt raw in some ways. This however, just focused too much on the lovey dovey s*it. I didn’t really care about any of the characters, even though most of the actors give halfway serviceable performances. It’s not Oscar-worthy or anything, it just works. As for the visual effects, they feel like visual effects from 2007 that’s trying to gloss itself up for 2016 standards. It felt like everything was out of an overpolished Nintendo game! Even the people behind this movie must understand what exactly they’ve put out, because this movie we know today as “Allegiant” was once going to follow the footsteps of “Harry Potter” and “The Hunger Games” and get f*cking greddy by splitting the last film into two parts. For those of you who have read the “Divergent” books, which I have not done by the way if this adds anything to the table, “Allegiant” is the third and final installment to the franchise. Or, at least the original trilogy, because there is additional material afterwards. If you are wondering where that second part to “Allegiant” is, forget about it. It was supposed to go straight to TV, but it never got made! So this franchise remains unfinished! And don’t even get me started on how much they surprisingly succeeded on making Miles Teller the most annoying piece of s*it of all time. His character… Is something else. He’s honestly headache inducing, which is really sad as this movie truly does waste this actor who based on his performance in movies like “Whiplash,” has terrific chops. I may have alleged myself to the “Divergent” franchise at the beginning, but in the end, it crashed and burned. What else can I say?

#16: Sully (2016)

For the record, this is another movie that I honestly enjoyed. It is a film that I bought on Blu-ray and continue to own to this day, I just felt underwhelmed by it when I watched it. I’m talking about “Sully,” directed by Clint Eastwood, who honestly has not done his finest work in recent years, and this is just one example. There are essentials to a good flick here. Tom Hanks gives a solid performance, which should not be surprising at this point. Everything involving the plane crash had my attention. In fact, given how that is a major selling point of the movie, I applaud the crew for sticking the landing on that. No pun intended. Everything else in the movie is technically entertaining, but it doesn’t mean I was not almost bored with what was on screen. I think one of the main problems with this movie is that it starts with something that honestly feels kind of climactic, and as it goes, nothing really matches that or has that tremendous of an effect. A plane crash feels like something that would happen to symbolize an end of a movie rather than the beginning. But because everything else feels like it has the vibe of buildup when it is really what is supposed to come later, it just feels unfulfilling. I understood what was happening and the movie itself was competent, but it just did not give me an impact that felt happened to be gripping or enormous. The movie doesn’t crash land into disaster territory, it’s just not maybe as satisfying as I would have hoped.

#15: Flight (2012)

Speaking of movies with plane crashes that start out with perhaps the most climactic part of the movie, the next entry to the list is “Flight” starring Denzel Washington and directed by Robert Zemeckis. Honestly, even though I will forever credit Robert Zemeckis for directing the entire “Back to the Future” trilogy, I will also call him out because “Flight” might be his worst movie. And kind of like “Under the Skin,” this is a notion that I am disappointed to say, because this did get some awards buzz. And to be fair, the production value and acting is not that bad in this movie. I can see why Denzel Washington got an Oscar nomination. But this movie honestly bored me. I will admit, it has been years since I watched it. But all I remember is the plane crash and anything that happens after it is on a downward spiral in terms of pacing and enjoyability. I will say, I bought this movie on Blu-ray, and having paid $3.99 for it, I could have ended up with worse. At the same time, I expect more out of movie like this. Even though it did get a nomination for Best Original Screenplay at the Academy Awards, it did not have my attention. Although it has been years since I popped it in my player and last watched it. Maybe it’s better the second time, but I don’t know for sure.

#14: The Revenant (2015)

Leonardo DiCaprio won his first Oscar for this movie… Which, yeah, he was great, even though I really wanted Matt Damon to win for “The Martian.” Just being honest. With that said, “The Revenant” is not as great as some make it out to be. Yes, it won Best Picture-Drama at the Golden Globes. It was nominated for get this, TWELVE Academy Awards! It had a pretty good trailer leading up to it. I really did have interest in this movie to get me to go see it in the theater. In fact, when I saw it in the theater, it was worth the price of admission because of how well presented it was. The cinematography is outstanding, which should not be surprising as it is directed and shot by the same duo who worked on “Birdman” together. “The Revenant” has some of best individual frames of the decade. The bear attack in this film was… alright, I guess. It was probably not as hyped up as I have heard from other people. At a runtime of two hours and thirty-six minutes, I kind of wish much of that runtime gave me something a little more epic. This movie is surprisingly slow at times. At times it works, but some of the time it doesn’t. I will admit, the effort put into the movie through performances by Leonardo DiCaprio and Tom Hardy plus the directing from Alejandro G. Iñárritu makes up for its faults. However, when it comes to movies nominated for Best Picture at the 88th Academy Awards, I’d rather go back and watch “The Martian,” I’d rather go back and watch “Room!” Those movies are killer, by the way!

#13: The Hunger Games (2012)

I was 12 years old and in middle school when this movie came out, and everyone in my classes DID. NOT. STOP. TALKING. ABOUT THIS FRANCHISE. I read the first book for the franchise and put it down, and while I enjoyed this movie the first time, it just got worse the more I thought about it. I’m talking about “The Hunger Games.” Now, was I looking forward to watching the movie based on “The Hunger Games” when it was coming out? Most likely. Because it was the big phenomenon of 2012. Thankfully, my cousin gave me the book to read. I didn’t even make it halfway. That should have been a sign of what was to come during the movie, which I nevertheless looked forward to. I was a little nervous going into the movie the first time I watched it because I didn’t finish the book (this was a couple months after I started reading it) and I probably had some sort of unfulfilled commitment. While I did enjoy the movie the first time I saw it, I watched it a couple more times and it really does not hold up. The dramatic portions of the film don’t feel as high as I’d want them to be, I don’t like the color grading at times, and some of the cinematography is not that great. Jennifer Lawrence is a likable actress. In fact, she’s in this movie with Stanley Tucci and Elizabeth Banks, who are also respectable names in the industry, but this film is dramatically overhyped. There was even a point where I wrote an entry specifically for my 25 worst films of the decade, but I did not use it mainly because I feel that this film is more overhyped than it is incompetent. In fact, I’ve used part of what I’ve written for that entry at the beginning of this specific entry. Want to know what I ended with? Well, here ya go!

I own the movie on Blu-ray, but perhaps the only reason why I still own it to this day is because a lot of my friends who have connected with me throughout my life know what “The Hunger Games” is, and if the opportunity strikes to just sit down and watch a movie, chances are they might choose that. Although I am not completely sure because knowing our disposable society, “The Hunger Games” was likely just a fad for the time being. I am honestly not even a fan of the franchise, I do like the second film, but I still have yet to see the third and fourth, and the reason is because I refuse to pay for two parts. Thanks a lot, Lionsgate!

#12: Ant-Man and the Wasp (2018)

“Ant-Man” is currently in my top 5 MCU films. When they announced a sequel to “Ant-Man,” I was pretty excited because the first one was a total surprise. I didn’t really expect much from it, I thought it had one good trailer, but I was not sure if that was going to translate to a great movie. However, it was brilliantly written, nicely weaved in one specific outside Marvel character, and Paul Rudd plays a really good “Ant-Man.” Now let’s jump to 2018. The first trailer for “Ant-Man and the Wasp” drops… Ehhhh… Then “Avengers: Infinity War” comes out, it’s my favorite Marvel Cinematic Universe movie yet, and then all of sudden, I’m excited for “Ant-Man and the Wasp” again. Then I saw the movie… The movie is not bad by any means, in fact, when it comes to 2018’s comic book movies, I’d rather watch this again than “Venom.” But “Ant-Man and the Wasp” is a massive step down from not just the recently mentioned “Avengers: Infinity War,” but also, and perhaps more importantly, the first “Ant-Man” film. The first “Ant-Man” was an exciting heist adventure with compelling characters and Paul Rudd at the center of it all. Here, Evangeline Lilly, who I happen to like as an actress, becomes more of a prominent character as she becomes The Wasp. Their chemistry is fine, but while the film is trying its hardest to be lighthearted fun, the stakes almost don’t even feel like they are there. And while this could be somewhat intentional due to “Avengers: Infinity War” probably being the biggest film Marvel has done in terms of stakes up to this point, it feels like a sacrifice as the film is fun, but nearly uneventful. Oddly enough, this film has what could be the most useless end credits scene in the history of the MCU, where a human-sized ant is playing the drums because… Paul Rudd did it in the movie, so it needs payoff for some reason. However, I will admit, this movie also has what could arguably be the best end credit scene in the MCU, where it basically teases where the movie’s characters are going to be and what they’ll be doing in “Avengers: Endgame.” In fact, I put up a tweet regarding the end credit scene shortly after going to see “Ant-Man and the Wasp” in the theater.

I love how the MCU is such a unique movie property trying to tie in so many characters and stories in at once, but when the main story is not as good as what comes after it, it’s kind of a weakness.

#11: Moonlight (2016)

Coming in at #11 is a movie that is probably going to piss a lot of people off, partially because it was not only nominated for Best Picture at the Academy Awards, but it actually won it. Ladies and gentlemen, I give you “Moonlight.” The Best Picture? Of the Academy Awards? Are we sure it’s not “La La Land?” Now, I saw the movie after it won Best Picture, because it was still playing in theaters and I thought I’d give it a shot. While I did think the coming of age story was definitely watchable, I did not feel compelled the entire time. There’s one specific scene that I feel goes on for way too long, the movie starts out pretty solid, and while it continues to be pretty good, it’s on a downward slope in terms of quality. And I will admit, the movie is well made. The cinematography is beautiful. The color grading fits the tone quite well. The acting is top notch. Mahershala Ali earned his Oscar win for Best Supporting Actor. Also, it felt natural seeing Chiron’s character age, it did not feel like watching three different characters. Maybe I’m not in the right audience for this movie. I’m a straight white male. This movie deals with sexuality and identity, which are issues that I don’t struggle with. While can say I connected somewhat emotionally to the protagonist of the film, I cannot say I specifically embody the same traits as him. If you ask me, if the real Best Picture of 2016 was “La La Land” and that was not a mistake, I would approve, because I’d rather watch that movie again.

#10: Logan Lucky (2017)

Coming in at #10 is a film with a terrific cast, an acclaimed director, and a somewhat intriguing concept behind it. So, what went wrong? I don’t know! Nevertheless, “Logan Lucky” is probably one of the biggest drags of a film I have seen in recent memory. And it’s really sad to say that because this film has so many big names attached who are respectable in the industry, just from the cast alone! Channing Tatum! Adam Driver! Daniel Craig! Sebastian Stan! Seth MacFarlane for crying out loud! All these people are talented, but unfortunately, I could barely keep myself awake for whatever fresh hell this was. The funny thing about this movie, looking into the future, is that it is directed by Steven Soderbergh, who is known for films like “Ocean’s Eleven.” But what’s funny about that notion is that months later Soderbergh would come out with another movie by the name of “Unsane,” which by the way is free on Prime Video. Unlike “Logan Lucky,” which was beautifully photographed through a Red Epic Dragon camera, “Unsane” was shot primarily using an iPhone 7 Plus! Just goes to show that looks are not everything and without a good story, your movie is probably not going to be all that watchable. It was hard for me to connect with anybody, and it’s just as dull as watching paint dry. That’s even with the utterly wacky Daniel Craig performance somewhere in the mix! Kind of crazy if you ask me!

#9: Night at the Museum: Secret of the Tomb (2014)

One of my most nostalgic films is 2006’s “Night at the Museum,” it was one of the first films I have seen in the theater, and to this day, it is one of the more experiential films I have seen. As a comedy, it’s fun for all ages. It’s sequel, “Battle of the Smithsonian,” could arguably be better than the original due to Hank Azaria’s performance as Kahmunrah, and a good of number of the gags. I don’t know how many people would agree with me, but that’s just how I feel. “Night at the Museum: Secret of the Tomb” however is a film that quite honestly did not hit me the way I wanted it to. While I will say that the trailer for the film is not the finest in the world, I was still stoked because I love the property. Ben Stiller as Larry Daley is one of the better roles I’ve seen him in. The plot of “Secret of the Tomb” talks a good game, because it does that traditional sequel thing where you supposedly have to go bigger than the previous films. The first film took place entirely in New York. The second one expanded to Washington DC. As for this one, it’s out of the United States. Bigger doesn’t always mean better. And yes, much like the other two “Night at the Museum” films, this one has comedy that lands. There’s a great bit where the character Lancelot comes across a play of “Camelot” featuring Hugh Jackman and Alice Eve. Jedediah and Octavius spend some time on mini Pompeii before the volcano explodes. The movie does have some creative elements intact and some enjoyable aspects tied into it. But I’d rather go back and watch the first and second movies again. Oh, and Rebel Wilson is in this film too… Why is she here? Who invited her to this sham of a party?

#8: Transcendence (2014)

There are particular facts that you have to carry with you all your life. The only things that are certain happen to be death and taxes. In the event of a tornado, driving into a tornado is not the smartest idea to keep yourself safe. Also, “Transcendence” is f*cking boring! Johnny Depp is an enigma of an actor, because over the years, despite being credited with some solid performances, he’s had a good amount of bad days at the office. Maybe because he got too attached to Tim Burton for all I know. Out of all the bad days at the office, this is probably the one where the TPS reports make you want to break your computer. “Transcendence” is one of those movies that has a cool concept, but is executed in such a poor manner. The trailers leading up to “Transcendence” were attention-grabbing and seemed to promise something worth watching. While I did miss “Transcendence” in the theater, I bought the DVD and it’s safe to say that it is one of the least worthwhile purchases I’ve made in my life. I’ve popped the movie in once or twice and fell asleep. The time I did watch the film and I actually managed to make it through the whole thing, sleeping probably felt like the best option as this movie was a complete borefest and a trainwreck. I could barely tell you anything that happens in this movie past the second half. All I remember is that it takes place in a desert, things go crazy, and no semblance of quality exists. Plus, this movie is directed by Wally Pfister, the cinematographer of “The Dark Knight.” While this is his directorial debut, it is very disappointing to know that even after doing a few movies alongside Christopher Nolan, he cannot whip up a quality product himself. Nobody could save this movie! Not Johnny Depp! Not Rebecca Hall! Not Paul Bettany! Not Cillian Murphy! As for the screenplay written by Jack Paigen, it’s got the pacing of a turtle! Believe it or not, this is his first screenplay he’s officially credited for, so maybe I’m being a little harsh, but it’s not always the best indicator of fine art when you have this $100 million movie and both the screenwriter and director have never been credited for anything in this spectrum of their craft! GAH! …At least Pfister will forever have my respect for being the first cinematographer to shoot a major Hollywood movie with an IMAX camera, so there’s that.

#7: Pacific Rim: Uprising (2018)

“Pacific Rim” is a fun movie. It has the concept of “Power Rangers” and blends it excellently with the vibe of “Transformers.” I saw the film in IMAX, enjoyed it, and eventually got the 4K Blu-ray for Christmas, so I have fond memories of this film. Oh, wait did I say “Pacific Rim?” I’m sorry! That’s the good one! “Pacific Rim: Uprising” on the other hand is a total bitch of a movie! This is yet another movie that I was looking forward to simply from the concept, but what really got me onboard was the first trailer for it. Just like the first movie, it looked like it was trying to pack in as much fun as possible. And with a mega-star like John Boyega at the forefront, it must have been a recipe for excellence! Fun fact… This movie takes place ten years after the point where the original leaves off. Here’s another fun fact, it nearly feels as if it takes about ten years to get through this stinkin’ mess! Unlike the first “Pacific Rim” directed by Academy Award winner Guillermo del Toro, which had tons of soul put into it, this film was directed by Steven S. DeKnight, who has never directed a film prior to “Pacific Rim: Uprising.” He’s done TV shows like “Daredevil” and “Smallville,” but when it comes to films, this is his debut. “Pacific Rim: Uprising” honestly feels more like a movie that was a studio plot to start a franchise than anything else. Aside from that, Charlie Day’s character may be more annoying than Flo from Progressive trying to change every conversation at a party to be about insurance! “Pacific Rim: Uprising” reminds me a lot of “Independence Day: Resurgence,” which was a sequel that was perhaps more long-awaited, although maybe less wanted at the same time, but both movies make massive time jumps, yet cannot help but force reflections that tie into their original counterparts. Where did all my IQ points go? Guess a Kaiju destroyed all of them! That’s the only solution I can come up with at this point!

#6: Shrek Forever After (2010)

Coming in at #6, is the worst animated movie on this list, “Shrek Forever After!” Now “Shrek Forever After” is marketed as the fourth and final chapter in the “Shrek” franchise, that is unless you count the 2011 spinoff “Puss in Boots,” which is a pretty good movie. As for this one, it’s kind of like that TV show that your friend tells you to watch. It’s that show where your friend warns you, “The first couple seasons are good, but don’t watch the final one!” Although, “Shrek the Third” was not that well received either technically speaking, but I find that movie to be more watchable than this. It has been years since I watched “Shrek Forever After,” but I still remember being let down. When you market your movie as the final chapter, there has to be something that puts a bow on the franchise that makes the finale grand. This, honestly just didn’t work. And the ending, if you ask me, is rushed and barely even counts as climactic. The first couple of “Shrek” films had better endings than this travesty! Especially “Shrek 2,” which may have put have put out a cover song of Bonnie Tyler’s “Holding Out For A Hero” that might be twice as good as the original! The concept is interesting, seeing Shrek wanting to return to his roots at times was quite entertaining. But in a franchise full of happily ever afters, this movie is the one that brought me at the closest point to becoming an ogre than any other.

#5: The Favourite (2018)

Between massive awards potential, a stunning cast, and an acclaimed filmmaker, “The Favourite” may have had a formula for success. Guess what? It succeeded! …At failing to impress me. Given how this film was getting tons of awards buzz, I figured I’d give it a shot at the cinema. However, this movie tied me to a horse and dragged me across grass for a couple hours! It’s boring, it’s nearly feels pretentious, it’s horribly paced, and I couldn’t stop wondering when it would actually end. If you ask me, the performances are fine. Olivia Colman is alright, I wouldn’t say she was my pick to win an Oscar, in fact of the nominees listed for that specific ceremony, I probably would have picked Lady Gaga for “A Star is Born,” but that’s just me. Emma Stone and Rachel Weisz are also competent as their own characters. Technically speaking, “The Favourite” is a solid movie with detailed set design, gorgeous framing, well put-together costumes, and a somewhat neat score. Story-wise however, while I was compelled at times, it did not do much to leave me satisfied. As the movie went on, I began to tune out, just being honest. For a movie called “The Favourite,” it’s really ironic how this turned out to be one of my least favorite films of 2018. It nearly made it into my honorable mentions on my worst list for that year! This is also yet another example kind of like “Jupiter Ascending,” of how a movie can look visually appealing, but fail to deliver on the story. This movie nearly touches the two hour mark, but if you ask me, I think based on my experience, it felt like three hours! It’s a drag!

#4: Guardians of the Galaxy Vol. 2 (2017)

Coming in at #4 is “Guardians of the Galaxy Vol. 2!” The original “Guardians of the Galaxy” is a FUN movie. It has comedy! It has a killer soundtrack! It has a likable group of characters from Starlord to Gamora to Rocket! When it comes to 2014, it might as well have been the movie of the summer, as it became the year’s highest grossing superhero film, not to mention the year’s third highest grossing film period. Since this was a big box office hit, a sequel was perhaps inevitable. And when the first main trailer came out, I was hyped, because much like the first film, the comedy stood out. There was one joke that was shown at the end that introduces Mantis that made me switch between the mood of simply checking the movie out “because, why not,” to “absolutely needing to see it now.” Aside from “Wonder Woman,” “Guardians of the Galaxy Vol. 2” was my most anticipated film of 2017. But when I saw it with 500 other people, I wondered if I was on drugs, or if everyone else was on drugs. I say so because the audience I was with pretty much laughed at every joke that came up, but I on the other hand remained silent for perhaps most of the film. And honestly, Baby Groot sucks. Even though inserting Baby Groot is technically appropriate for picking up where the Guardians left off, it almost feels something as simple as a ploy to get people to buy more toys. Now I understand that Marvel movies are expensive, it costs a lot to make them, but still! I didn’t find him cute, I didn’t find him that charming, maybe I’m just a horrible person! It feels like there are too many scenes in the film where the characters are doing something and Groot just is shoved in there because… Baby Groot’s gotta Baby Groot! I will admit, when I first saw this movie, it was at a sold out IMAX and I was in the front row, so I was not in the best mood. But if you must know, I did see it again on a separate occasion. I laughed more, but I also remembered how much I didn’t like Baby Groot, and how much of a step down this was compared to its original counterpart. Even though there is an argument to make that the original “Guardians of the Galaxy” is slightly overrated, it lives up to the hype. It’s hilarious, fun, and visually stunning. Sure, some of the fun is there in “Vol. 2,” but the comedy feels absent! The effects and shots in “Vol. 2” however are some of the finest I’ve witnessed in the MCU, so I’ll give credit where it’s due. I have respect for James Gunn, because he’s kind of a wacky director, and this does feel like a personal movie from his end, but in some ways, the movie failed to hit me. Sure, it had a great villain, which at some points, is rather odd to say in regards to the MCU, but it’s true! Still, if it were a Friday night and I had some friends around, I’d probably pop in the first film as opposed to its sequel.

#3: Avengers: Age of Ultron (2015)

Speaking of the Marvel Cinematic Universe, one of the most anticipated films of 2015 for me was “Avengers: Age of Ultron.” Now… Is it fun? Yes. Is it action-packed? Absolutely. …But it’s “The Avengers,” man! The freaking “Avengers” of all the heroes! Why is it that apparently “Guardians of the Galaxy” and “Captain America: The Winter Soldier” are some of the most solid films in phase 2 of the MCU and “Age of Ultron” is nearly the worst? Heck, even “Ant-Man,” which was the much smaller (in a literal sense) MCU installment to come out in 2015, is twice as good! I will say that this film is better than “Thor: The Dark World,” but when it comes to the MCU, that film is not hard to beat. This was a film that I felt an enormous need to see opening weekend. Every trailer captivated me and made me want to go see it. Joss Whedon, who did a solid job with the first “Avengers” film in 2012, is back in the chair again. The movie almost looked like it could be pretty dark as Robert Downey Jr.’s character of Tony Stark seemed to be going on a bit of a downward spiral from what I have seen in marketing. The trailers always caught my attention and promised something absolutely special. But instead, I got mediocrity shoved right in my face. Ultron is a slightly charismatic villain, but again, in Marvel’s first couple of phases, the villains did not always stand out. Also, you know how a lot of blockbusters are often defined as explosive popcorn movies? “Avengers: Age of Ultron” not only fits that bracket quite well, but to my surprise, it focuses way too much on being stylistic than effectively dramatic. It almost feels like Zack Snyder or Michael Bay could have directed this film at times. There are positives to it. It’s got funny at moments here and there. Some of the hero characters stand out, which they should. There’s a great gag involving mjolnir, AKA Thor’s hammer, and this also features one of the better Stan Lee cameos. Surprisingly, if you ask me what my thoughts are on the moments between Hulk and Black Widow, those did not annoy me as much as other people. In fact, “Age of Ultron” did little to annoy me, but I figured in a sequel as big and as highly anticipated as this, it could have lived up to a higher standard. I say this specifically not just regarding “Avengers,” but perhaps all Marvel movies, “Age of Ultron” has one of the weaker climaxes. While it is fun to look at, it doesn’t feel like there’s more to it than eye candy. This movie just feels like an excuse for Disney/Marvel to throw $365 million out the window. Which, in the end, probably wasn’t the worst idea as this movie joined the billion dollar club. Although I will admit, even though I think Joss Whedon, alongside everyone else involved, did a better job with the original “Avengers” movie, I do feel bad for some of the harsh feedback he got, because it’s a major factor that got the famous director to quit Twitter. Nevertheless, “Age of Ultron” is not only the worst “Avengers” movie, it is almost the worst movie of the MCU’s phase 2.

#2: Midsommar (2019)

These last two movies on the list are from 2019, which makes me even more satisfied that the year ended with a ton of solid movies from “Parasite” to “Ford v Ferrari” to “Knives Out” to “Uncut Gems.” In the middle of the year, specifically, July, my most anticipated film of the summer came out. While I did wait a month to see it and happened to be rather giddy when I finally got my chance, it was not even close to worthwhile! Ladies and gentlemen, I give you the runner-up of the disappointing list, “Midsommar!” This is a disappointment if there ever was one. “Hereditary” is probably one of the best directorial debuts in recent memory. Ari Aster made me believe that he had a very bright future ahead… Then we got “Midsommar.” Leading up to this film, “Midsommar” was described by Ari Aster himself to be “a ‘Wizard of Oz’ for perverts.” Having seen the film, it’s not that! “The Wizard of Oz” is a story that takes place in a magical and mystical land! It’s all happy and colorful! Here, it tries to be colorful, it tries to be quirky, but it is perhaps almost the most annoying movie I have ever seen. While the cinematography is beautiful and the directing job from Aster is worthy of a thumbs up, the movie itself pisses me off to no end. Even though Florence Pugh is a likable actress, I cannot say that her character is as likable or charming as her. She honestly probably gives what could be the weirdest and one of the most unreal cries I have heard in a movie. If anybody has seen the first few minutes of “Midsommar” and remembers the cry that Florence Pugh gives, do you cry like that? Do you know anyone who cries like that? I don’t, personally. It’s a thing that I’ve noticed from Ari Aster, because I remember there was a scene from “Midsommar” where I noticed some weird crying as well. If anybody really does cry like this, I want to know because I may be keeping my head in somebody’s ass here, but… I just don’t have much experience hearing cries like the ones from Ari Aster’s films. As if Florence Pugh didn’t play a fine character, the supporting characters are also nearly unwatchable. Most specifically, Florence Pugh’s so-called friends. There was almost nobody I really rooted for in the film. And while this film tries to be pretty scary, it fails. Again, it’s more annoying than anything else! Even the delightfully strange moments don’t make up for its faults! Maybe if I had less anticipation for this film, it would either not make the list or be somewhere on it that’s lower. But again, this was one of my most anticipated films in regards to the summer of 2019. What was the most anticipated? Not sure. Could have been this, maybe “Ready or Not.” Because that had a kick-ass trailer! To add more disappointment, this opened around the same time as “Spider-Man: Far from Home,” which even though Spidey is my favorite superhero, the trailers for “Far from Home” were pretty terrible. Between an underwhelming first trailer, and unexpectedly dropping massive spoilers for “Avengers: Endgame” in a later trailer, it left a bad taste in my mouth. “Midsommar” was a film that felt like a pretty unique experience. Plus, it’s from A24, which is a studio I often respect. They helped put out some of my favorite movies from the past decade including “Room,” “The Disaster Artist,” and “Eighth Grade.” “Midsommar” is in competition with “The Witch” to perhaps be my least favorite A24 film. It’s kind of sad if you ask me. Again, this film is not scary. And I know some people have probably pointed out how “gross” it is. I never really found it to be disgusting or gross. I just found it to be an annoyance.

But you know what the sad part is? It’s not the most disappointing film of the decade! Not even the most disappointing of 2019 as a matter of fact! This past year came so close to being a lackluster year for film.

#1: ???

Alright, we’ve made it! #1! What could it be? Well, here’s some things I’ll say! This movie, as mentioned, came out in 2019. It’s a movie that has been featured on Top 10 WORST Movies of 2019, and in regards to this series, I put it in THE WORST 25 countdown. What is it exactly? Well, it’s not “The Aeronauts.” That did not make it on my top 10 worst, and it’s already #25 here. It’s not “Midsommar,” I just talked about that. It’s not “IT: Chapter Two,” it’s not “Serenity,” it’s not “Star Wars: The Rise of Skywalker,” it’s not “Dora and the Lost City of Gold,” and it’s DEFINITELY not “Cats” as I had no expectations going into it. My #1 most disappointing film of the 2010s is… FEATURED IN THE CLIP BELOW!

Oh my God. Zilla. I’ve said that before, but that saying has never made more sense than it does right now. Because my #1 most disappointing film of the 2010s is “Godzilla: King of the Monsters.” I am not the biggest “Godzilla” fanatic, but even I was uber-excited for this movie. At 2018’s San Diego Comic-Con, they dropped the first trailer for this film and it pumped me up like a balloon! Aside from having stunning visuals and some cool monster action, it had a BEAUTIFUL redo of “Clair de Lune” playing in the background. But little did I know at the time, that distracted me from the reality that this movie was visually beautiful, but as a story, it is a complete wreck! Nearly none of the original human characters make a return. Instead, we get new characters played by some well-known actors including Vera Farmiga, Kyle Chandler, Thomas Middleditch, and Charles Dance. All of these actors have experience and are culturally respected. Just because this movie has big names, does not mean it’ll be a big success. In fact, it’s a monster-sized failure! Even though it made about double it’s budget, it’s still a disappointment after raking in $386 million worldwide. The movie made less money than its predecessor from 2014, simply titled “Godzilla,” which took in $529 million worldwide against a slightly smaller budget than this dreaded sequel. Why did this movie fail? It’s hard to come up with one simple answer. It’s one of those movies, probably like “Batman v. Superman: Dawn of Justice” that did not sit well with critics, but for casual moviegoers and people who are simply fans of “Godzilla,” it was worth watching. After all, the audience score for “King of the Monsters” is 83%, nearly double of the critic score, which sits at 42%. Maybe the low critic score influenced the audience’s thinking patterns. But then again, “Aladdin” came out the week before, so maybe people were still into that.

When I come across a good number of positive thoughts for “Godzilla: King of the Monsters,” they sometimes have one thing in common. People sometimes point out that in terms of characters, this movie is lackluster, and despite that, they still give it a positive score. Some would say that monsters fighting each other is entertaining enough. With that being said, I will admit one of the slight positives of “Godzilla: King of the Monsters” is that the monster fighting is expanded in this movie, but it’s also a negative because even though it was minimal in 2014’s “Godzilla,” it nevertheless felt special. In “King of the Monsters,” some of the camerawork during the fights is nothing to write home about, although some scenes are better than others. As for characterization, this is just like the “Transformers” movies where even though there are alternate subjects in the title, the movie chooses to focus primarily on disposable and one-dimensional human characters. They’re poorly written, they’re poorly realized, even though the actors do what they can with them. Even though an actress like Millie Bobby Brown was somewhat wasted in this film, she gave it her all, which is probably a sign that she is going to have a bright future that involves a lot more than “Godzilla” and “Stranger Things.” I have come to a point in my movie watching journey where I require more than flat characters and all pretty visuals. This is “Jupiter Ascending” all over again!

Speaking of these pretty visuals, even getting to say that they are pretty in the first place is kind of sad. Because there is a sign that people put some effort into this movie. In fact, I imagine everyone across the board did all they can to make the finest movie possible, but for some reason, when it was trying to stick the landing, it plummeted as hard as s*it! This is one of the few movies that from a visual and audio perspective, made me nearly leave the theater with a headache. I like obnoxious films that are incredibly immersive, but there was so much going on at once! It felt like I was at a concert where three bands where competing to see which one can get the crowd roaring the loudest! This movie honestly feels like that “Family Guy” cutaway where The Emperor from “Star Wars” is speaking through the formula for great dialogue in the franchise. Specifically, he says “Something something something dark side. Something something something complete.” While “Godzilla” is not “Star Wars,” replace “dark side” with “monsters,” and “complete” with “fight in Boston,” you have “Godzilla: King of the Monsters.” Yes, it does have a standout story involving a major motivation from Vera Farmiga’s character, but again, all these characters feel incredibly disposable. I mean no harm, and people are allowed to like what they like, I don’t know how all the viewers who like “Godzilla: King of the Monsters” can get past the underwhelming characters who are played by big name actors, but have to deal with a s*itty ass script! It’s cheesy, boring, and forgettable! I can have fun with a big budget blockbuster, just not this one!

To add to the disappointment, this movie could have some unfortunate ramifications going forward. After all, “Godzilla: King of the Monsters” is the third installment to the current Warner Bros. Monsterverse, which currently features prime titans Godzilla and King Kong. In fact, both titans are supposed to duke it out against each other in a future film that is supposedly coming out this year. The more I hear about that film, or more specifically, what little I even hear about that film, the less I manage to look forward to it. But when it comes to what could happen to it regarding “Godzilla: King of the Monsters,” the poor box office total of that film could be a bad sign of what’s to come. Plus, it’s been a few years since people have seen “Kong: Skull Island,” which to be fair, was a success. “Godzilla vs. Kong” could although continue a trend of box office disappointment as it is part of a universe that might as well be shrinking in terms of relevance. One of the reasons why the Marvel Cinematic Universe is still working today is because they’re constantly cranking out films. It took a couple years between one “Iron Man” or “Avengers” film to get to the next one. Plus, in between those sorts of properties, we get other characters getting movies including Thor and Captain America. “Godzilla” took its time, and maybe was on less people’s minds. Plus, given the quality of “Godzilla: King of the Monsters,” it sort of hit me in a way that made me less excited for what’s to come. Going back to Marvel, “Avengers: Infinity War” made me excited for future movies including “Ant-Man and the Wasp” and the then untitled “Avengers: Endgame.” A bad movie can do more than just leave a bad taste in the mouth. It can leave an aftertaste that might stick for years. This aftertaste makes me look into the future and ultimately feel a tad pessimistic.

As for what that future looks like specifically, it looks like everyone might not be learning from their mistakes. After all, Eiza Gonzalez, who is set to star alongside Millie Bobby Brown as a couple human characters in “Godzilla vs. Kong,” was intereviewed in March while promoting the all-new Vin Diesel film, “Bloodshot.” She said the following during an interview for The Hollywood Reporter

“Yeah, everything’s been done. These movies take a long time because there’s a lot of CGI in them. But, yeah, we’ve done everything, and they’re just going through and creating these incredible characters. I’m just really excited to see it because it’s these two worlds colliding. The fan base for “Godzilla vs. Kong” is incredible. When I say I’m in the movie, people are like, “Oh my God.” Seeing that fanaticism and seeing how excited they are to see this movie makes me really excited; I think they’re going to be really happy. [Director] Adam Wingard is so talented. Both stories are going parallel, as you’ll see, without giving anything away. It’s a large cast as well, and it was really fun to be part of it. There’s so much going on, but the heart of it is two young girls as well, which is such a positive message for society nowadays. It’s just incredible.” -Eiza Gonzalez

So unless these two young girls are Godzilla vs. Kong bitchin’ it out against each other, I would imagine it involves Millie Bobby Brown and perhaps a character played by Gonzalez herself. Since this movie chooses to focus on humans again, I really hope there is a sense of strong effort put into the script. Because the last one made me want to go out and topple some skyscrapers!

Also, as someone who lives near Boston, this movie is an insult.

Thanks for reading this countdown! Kind of like the previous lists I’ve done in the Top Movies of the 2010s series, this could easily change as it does span an entire decade as opposed to an entire year. In fact, now that I’m in isolation, I have all the time in the world to watch more movies from the 2010s, so who knows? All these picks may be outdated in a month or two. However, if you are interested in seeing more of Top Movies of the 2010s, feel free to check out my other lists titled THE BEST 25 and THE WORST 25. Now that content becoming harder to make in these times, I am thinking of doing more of these. Maybe I’ll also do more than top 25s. Maybe I’ll go short and do top 11s or top 15s, or if I really want to cover such a massive topic, I’ll go for top 50 or top 100. I’ll have to think of a topic that can truly fit a hundred films if that’s the case, but it’s still a thought that I have. If you want to see more great content from Scene Before, follow this blog via an email or WordPress account! Also, be sure to check out my Facebook page if you are interested, I post content updates, random thoughts, and if you don’t want to follow the actual Scene Before blog, I also automatically post new content from Scene Before onto the page if you would like to check it out. But it’s your world and I just live in it! I want to know, what are your most disappointing movies of the 2010s? Is there a title I missed? Or, what other countdowns would you like to see come to life in the Top Movies of the 2010s series? Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 7

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Hey everyone, Jack Drees here! It is now time for part 7 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As much as I want to continue to create informative content, I’m getting to the point where this series has become an annoyance. But I continue to do it anyway because historians can look back on this and remember it as a dire time for the film industry, which it really is. And those reviews I’ve been saving for months cannot go to waste. So Scene Before is STILL your place for the apocalypse! But who knows how much longer this will last? If I have to do more than twelve or thirteen, I might shove an aluminum soda can down my throat. In other news, I still know how to put on pants, I have not been going outside, and if I’m not back in the cinema by the end of July, I am going to throw all my DVDs and Blu-rays out the window like I’m a stubborn child!

And since we are still on a downward spiral, let’s get to the news of the world!

Starting in New York, we have news regarding what could be the United States’ most famous public transportation system, the MTA (Metropolitan Transportation Authority). Andrew Cuomo, governor of New York state, made a major change to the system. The MTA is known for having a 24/7 schedule, so they never stop running. However, under Cuomo’s order, the system will be shutting down from 1 AM to 5 AM. This is likely a financially responsible decision, as nightlife in New York is nonexistent at this point. Plus, ridership is down 90% as far as the system goes. With less money, there’s more of a willingness to engage in the system’s preservation. This is also part of an effort to properly disinfect MTA property and machines, making a safer and cleaner ride for customers.

While some states are going to have to wait a bit longer to reopen, some like Georgia and Texas have begun easing on restrictions. Another state that has announced some easing on restrictions is the New England state of New Hampshire. The state plans to partially reopen starting May 11th. Certain pieces of economic industry including golf courses, campgrounds, and hair salons are permitted to reopen. Outdoor dining is also permitted to take place. Strict guidelines are still in place however as there is still a tendency to keep people 6 feet apart. New Hampshire currently has over twenty-five hundred confirmed COVID-19 cases so far. That is more than neighboring states Maine and Vermont, but is significantly less than its other neighboring state, Massachusetts, which has over seventy thousand cases.

Let’s go over to the United Kingdom and talk about Prime Minister Boris Johnson. Previously diagnosed with COVID-19, Johnson spent time in intensive care and was monitored health-wise. As he gets back into his routine, he stated that doctors were ready to announce his death in an event that he refers to as a “death of Stalin’-type scenario.” Johnson told UK newspaper The Sun that he required “liters and liters of oxygen.” During hospitalization, the Prime Minister kept asking himself: “How am I going to get out of this?” In other news, Johnson and his wife recently named their newborn son Wilfred Lawrie Nicholas Johnson. The “Nicholas” in this full name is chosen in honor of a doctor who helped aid Johnson.

Before we dive into our main topics, here’s a conglomerate of news that I ought to share because it can be packaged into a little box. While most theaters in the United States seem to have a plan on opening back up in the summer, because nothing’s out until then, some theaters are already opening their doors. For example, in Rhode Island, the Rustic Tri-View Drive-In, located in North Smithfield, is now part of the state’s reopen plan according to Governor Gina Raimondo. As for non-drive ins, Texas has three Santikos theaters reopening with a $5 ticket deal. For the record, this is a third of the company’s locations. Honestly, while it is good news for business that these theaters are reopening, I think it is also good news for health that they are taking it slow. The major chains like AMC and Cinemark still plan on a July reopening, which I think is fine, because it builds up anticipation and there’s nothing really new playing until then. Outside the U.S., Norway is reopening its theaters starting May 7th, capping the limit at 50 people per screening. The movie theater to me is a place beyond the imagination. It’s also a place where I occasionally get to see masterpieces. These masterpieces often get awards, such as Oscars. Speaking of the Oscars, let’s talk about them!

THE ACADEMY CHANGES RULES FOR THE 93RD ANNUAL OSCARS

One of my favorite days of the year is Oscar Sunday. When this crisis first started, I was a little worried that would not even be able to see an Academy Awards show next year, much less get more movies that could potentially be nominated. After all, when you are a studio or crew and cannot come out with your movie, it’s kind of a struggle. However, The Academy may have something planned next year. One indicator of this is them announcing changes to their rules and layout. Most notably, the Academy is putting its traditional rule of its nominees needing to have a theatrical release on hold. Specifically, the rule that a movie must play in Los Angeles county cinemas for at least a week with daily screenings taking place at least thrice. So if you play your movie in cities such as Los Angeles, Burbank, Santa Monica, Long Beach, Glendale, Pasadena, Culver City, or anywhere else in Los Angeles county that may have a movie theater under certain requirements, it could potentially be nominated for an Academy Award. Due to the COVID-19 crisis, the Academy is making an exception for this year. The following quote is taken from The Academy’s website, oscars.org.

“Until further notice, and for the 93rd Awards year only, films that had a previously planned theatrical release but are initially made available on a commercial streaming or VOD service may qualify in the Best Picture, general entry and specialty categories for the 93rd Academy Awards under these provisions:

  1. The film must be made available on the secure Academy Screening Room member-only streaming site within 60 days of the film’s streaming or VOD release;
  2. The film must meet all other eligibility requirements.”

So this means that films like “Trolls: World Tour,” “Scoob!,” and “The King of Staten Island,” which are either already On Demand or will be dropping towards On Demand soon, are considered eligible for the Academy Awards. Films that barely even got a theatrical release like “Bloodshot” or “The Hunt” also qualify. I’m willing to imagine to some extent that this *may* count a film such as “The Lovebirds,” which was going to theatrically release this year and make a debut at South by Southwest. Although the festival was canceled and Paramount is no longer putting the film out in cinemas. But unlike films such as “Trolls: World Tour,” which is available on platforms including Prime Video, Google Play, Vudu, FandangoNOW, AMC Theatres On-Demand, iTunes, and cable outlets such as Xfinity and Fios, “The Lovebirds” is going straight to Netflix. Given how Netflix has made a major presence at the Academy Awards in past years, films like “The Lovebirds” could be considered eligible, but is the Academy only considering certain platforms? Are exclusive platform deals going to tie in somehow? What about “Artemis Fowl” on Disney+? That movie was supposed to come out this month, but unfortunately that’s not happening.

Also keeping fine print in mind, these rules pertain to films that were once planning on theatrically releasing. So films like Netflix’s “Extraction,” which was intended for a streaming platform, or HBO’s “Bad Education,” which went straight to television, will not qualify. This policy is also not permanent, as the Academy intends to make this only apply for this year’s ceremony, and anticipates an end date in the future when there is a sense of normalcy, not to mention when theaters re-open. However, the Academy is also planning on expanding qualifying theaters to U.S. areas including New York City, the San Francisco Bay Area, Atlanta, Chicago, and Miami. As one who lives fairly close to Boston, I am disappointed, but we can’t have everything, even if sports prove otherwise. By the way, I hate football. I said it.

PHYSICAL MEDIA (and other electronic) SALES GO UP

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Now I imagine some people will flat out not care about this, but to me, physical media is the best way to watch a movie at home. Because when you buy a movie on Prime Video for example, you don’t own it. Yes, you possess the film digitally, but if the service goes down, crashes, or the company behind it closes its doors forever, you’ll probably never be able to watch it again. With physical media, it is all up to you. Now it is not a surprise that we have had more time on our hands to go on Netflix and watch “Extraction,” to flock over to Disney+ and watch “Star Wars,” to jump on over to FandangoNOW and give “Trolls: World Tour” a rent. But what KIND OF surprises me, and I say kind of, is how much of a presence physical media has in this pandemic. According to recent statistics, DVD and Blu-ray players went up 27% during the pandemic. Keep in mind, this is a market that Samsung recently abandoned.

Another thing to keep in mind is that DVD and Blu-ray players, which went up by 27% is not the only winner here, in fact, the increase is not as big as other categories such as TV mounts (41%), printers (61%), and streaming players (67%). So rather than just being a great boost for physical media, it is also a great boost for tech. TVs have been doing well, and so have computers. As for where the actual total of sales for DVD and Blu-ray DISCS stand, that’s another question. Although, based on this quote from NPD’s Tom Baker, that type of electronic may be doing just fine.

“Sales are up as consumers stay at home and look for multiple forms of entertainment. These include DVDs and Blu-ray discs to entertain children while their parents are working, backup access devices if Internet access is challenged by streaming, or simply the consumers’ realization that they may need a physical disc player as an alternative to streaming and either they didn’t already have one or the one they do have needs an upgrade.”

Honestly, in a time like this, I think some people are going to want physical media. Sure, it involves getting up and putting in a disc, but one of the reasons why I am such an advocate for it is the technical side of it. Outlets like YouTube and Netflix have lowered the default quality of content to standard definition. With Blu-ray, the default quality is 1080p, or if you have a smaller setup, it’ll work in 720p. Yes, standard definition is the quality of DVD, which is 480p, but again, I’ll bring up the fact that you have control over your content. Netflix, or more specifically, Warnermedia, is not going to snatch “Friends” away whenever the year ends like they did months ago. If you don’t want it, just sell it and get some money back! Plus, you get all the bonus features which can help you pass the time. I just got the “Star Wars: The Rise of Skywalker” 4K Blu-ray last month, I still need to watch the bonus content! So I still have something to do! Also, what if the Internet goes down? You don’t need any Internet to watch a DVD! If I had to come up with any downsides, maybe it involves a little more activity, but since we refuse to go outside, it could be worth taking a couple steps to the collection and popping a disc in. Or, since places like Walmart sells them, there’s always a chance, given how grocery stores are becoming petri dishes right now, that other people touched the DVDs or Blu-rays and spread their germs, which may not be the most pleasant happening for a time like this. But of course, worst case scenario, you can always order these things online. Although I can also imagine that some people are buying these devices because they have smart capabilities as well, allowing them to contain apps like Netflix, YouTube, and Prime Video.

NO MORE KEANU DAY, BUT HERE’S MORE DELAYS!

One of the actors who arguably was the “winner” of 2019 is Keanu Reeves. His year in acting brought him success through films like “John Wick: Chapter 3 – Parabellum” and “Toy Story 4.” He did films like “Replicas,” which honestly sucked, but he also became a heavy hitting piece of promotion for the upcoming game “Cyberpunk 2077,” by making a surprise appearance at E3 last year. And honestly, this might have spawned my favorite slice of all the content that went viral on the Internet last year.

In fact this year, the Keanussance is likely going to continue. After all, he is making an appearance in the third “SpongeBob SquarePants” movie in a minor role. The movie by the way for those who don’t know is titled “The SpongeBob Movie: Sponge on the Run.” Speaking of known properties, Reeves is also going to be reuniting with Alex Winter to star in “Bill & Ted Face the Music.” Although, if you are a fan of one of Keanu Reeves’ most popular franchises, specifically “John Wick,” prepare to be disappointed. “John Wick: Chapter 4,” once scheduled to come out May 21st, 2021, will now be releasing May 27th, 2022, a full year later. Taking the spot of “John Wick” is the “Saw” reboot titled “Spiral,” which was supposed to be out May 15th of this year. Speaking of Lionsgate films, “The Hitman’s Wife’s Bodyguard,” which is a sequel to 2017’s “The Hitman’s Bodyguard,” will be hitting theaters August 20th, 2021, as opposed to its prior date of August 28th, 2020. An upcoming horror drama, “Antebellum,” is set to release August 21st, 2020, as opposed to its original date which has already passed, April 24th, 2020.

However, sticking with “John Wick: Chapter 4,” this delay is a particularly interesting one. Not just because it involves a meme-worthy actor and a hit action franchise, but this film was originally supposed to come out the same day as another Keanu Reeves movie. And it’s not some indie film made by a studio like A24 or Neon. It’s not, THANKFULLY, a sequel to “Replicas,” a film Reeves starred in that turned out to be one of the worst films of 2019. It’s “The Matrix 4.” Now if you asked me five years ago about the possibility of a “Matrix 4,” I’d probably toss the idea behind my head. There didn’t seem to be much place else that the story could go. But hey, everything’s getting a reboot and a remake now, so why not “The Matrix?” I honestly don’t know what to expect from it, but the fact that this is a reboot and not a remake pleases me. Nevertheless, both films prior to the delay of “John Wick: Chapter 4” were scheduled to come out May 21st, 2021. The Internet has often called this “Keanu Day.” I will say that the delay of “John Wick: Chapter 4” is both a good thing and a bad thing. It’s good because it avoids having the crew rush on making the film, but it’s also unfortunate because as a Keanu Reeves follower, I figured it would be fun to go to the theater and do a Keanu Reeves double feature. However, if more good news needs to be said, I should also point out it’s perhaps likely that these films, which by the way, are from different companies, will be marketed to similar groups of people, and maybe both could lose their respective studios money as a result. Both films debuting on their own release dates could not only benefit Lionsgate, who is delaying “John Wick: Chapter 4,” but also Warner Bros., who is responsible for “Matrix 4.” Not everyone has the money and time to go see two seemingly similar movies. While “John Wick” fans may have to wait, this could give Lionsgate a greater chance of creating a “John Wick: Chapter 5,” because what if “John Wick: Chapter 4” doesn’t warrant a sequel after losing lots of money to “Matrix 4?” At least the studio has a “Hunger Games” prequel and “Knives Out 2” potentially coming soon so it’s not like they’ll spend years losing money from here on out.

AMC THEATRES AND REGAL ENTERTAINMENT GROUP BAN UNIVERSAL FILMS

Can I get some popcorn?! Because I’d say it’s time to enjoy the greatest battle in cinematic history, and it’s not even in a movie! Tonight’s fighters are… movie theaters and Universal Pictures! Now, “Trolls: World Tour” is a one of a kind movie, mainly because Universal decided that it should be released directly onto VOD. Universal bragged about the film’s progress so far to the point where they thought it would be a good idea to release more of their films On Demand while also putting them into theaters.

Now, I’m going to have to be very careful here, because several different outlets have reported similar sounding items that might contextualize something different.

The story here begins by bringing the mega-chain AMC Theatres into the mix. AMC Theatres saw Universal’s plan to simultaneously release movies theatrically and at home and responded by saying that they will not play any of Universal’s movies if that’s the case. While a source like The Hollywood Reporter did a story on this and cited from AMC CEO Adam Aron that the company will no longer play any of Universal’s films in its theaters worldwide, one quote from Deadline’s article suggests, also from Adam Aron, that they will not do so “on these terms.” By that, it likely means that AMC will not release Universal’s films if they just follow a simultaneous home video rollout. Keep in mind, it is traditional for films to follow a strict theatrical window. While there have been cases of films like “Black Panther” that you can still see in some theaters while it becomes available at home, tradition has suggested that a movie released for theaters must be out for about ninty days before it comes home. Universal doing a release like this not only ignores the theatrical window, but it also makes the theater potentially lose money because people could just stay home and put the movie on their TV. In fact, movie theaters were against Universal since this pandemic started. While they did manage to have a rather solid idea of making “Trolls: World Tour” a straight to On Demand movie, other studios seemingly have concretely laid out their plans and avoided giving such a last minute notice like Universal appeared to. NATO (National Association of Theater Owners) head John Fithian was against this from day one.

“Only Universal, and only on ‘Trolls,’ did one studio skip the theatrical model and go straight to the home. Universal continues to advertise to consumers that ‘Trolls’ will be released simultaneously to theaters and the home on April 10. And they are lying to consumers. Universal knows that theaters will still be closed on April 10, so unlike every other distributor who must simply delay their releases in that time period, but still understand that theatrical release is essential to their business model, Universal on ‘Trolls’ didn’t make that decision. Exhibitors will not forget this.”

Fithian also shares his thoughts on the current matter of AMC abandoning Universal films with this quote…

“Universal does not have reason to use unusual circumstances in an unprecedented environment as a springboard to bypass true theatrical releases. Theaters provide a beloved immersive, shared experience that cannot be replicated — an experience that many of the VOD viewers of this film would have participated in had the world not been sequestered at home, desperate for something new to watch with their families. We are confident that when theaters reopen, studios will continue to benefit from the global theatrical box office, followed by traditional home release.”

Let me just say that if Universal is planning on releasing “F9” through VOD the same day as in theaters, that might be one of the worst decisions they’ve ever made. People go to those movies because they provide adrenaline rushes, the effect is not as great if watched on a TV, tablet, phone, or computer. This is why before this whole pandemic, I bought opening Thursday tickets. Luckily, I did get my money back. So if all Universal films are never coming to AMC again, it’s going to make it harder for me to review them as AMC locations are easy for me to access. The theater is a huge money-maker for Universal, to have hundreds of screens lost is not a great investment in the long run. People are inevitably going to get back into routines, and part of that routine is the movie theater. It might take awhile for some people, but if you’re someone like me who sees a difference in the experience from watching at home and in the theater, I’m going to choose the theater by a long mile. This is why I want to see “Tenet” in July. Heck, before this all happened, I probably had little to no intention of going to see the remake for “Mulan,” but I’ll show up because I want to support movie theaters.

But just you wait! There’s more! Universal, if you do nothing, cinema chains will double the offer! That’s two cinema chains not playing your movies, for a chance to lose more money! Cineworld, which currently owns the U.S. staple, Regal Entertainment Group, also said that they “will not be showing movies that fail to respect the windows.” So, should Universal continue to release movies On Demand early, Regal, along with AMC, will not be playing those films in their venues. Alternate chains like Showcase Cinemas, Alamo Drafthouse, and Arclight for example have not really said much about this matter. But remember, the theatrical window is a sacred bond of trust. If you’re putting a movie in theaters, chances are you have to follow it or face consequences.

Also, I wonder how much longer this will go on for, because guess what? If you go to Universal Studios Hollywood, you’ll notice on the CityWalk that there is a movie theater that currently goes by the name Universal Cinema. The theater has reserved seating, recliners, a Director’s Lounge, and an IMAX with Laser. By the way, that IMAX is also equipped with a 70mm projector, which if the theaters open back up in time for “Tenet,” will probably be used. Guess who owns that theater? AMC of all possible names! Who knows what is going to happen there?! As for Universal Orlando Resort, they’re safer in this circumstance as they currently have a Cinemark. They had an AMC at one point, but that has now closed. Gotta love drama.

NEW HOME VIDEO RELEASES

First off, it is Tuesday, May the 5th! Meaning it is the day after “Star Wars Day,” AKA May the 4th! For those who have not heard it already, May the 4th be with you and as for today, enjoy your Revenge of the Fifth! With that being said, there’s some new “Star Wars” content on Disney+, including a documentary on “The Mandalorian,” the series finale of “The Clone Wars,” and since we talk about movies on here, one of the new additions is “Star Wars: The Rise of Skywalker,” the conclusion to “The Skywalker Saga.” As of now, the full “Skywalker Saga” is available on the service. The only theatrically released “Star Wars” movie not available on Disney+ at the moment is “Solo: A Star Wars Story.” However, the movie is currently on Netflix. If you are wondering when “Solo” will be coming to Disney+, it will be available starting July 9th, 2020. As for what’s coming On Demand, one example is “The Lodge,” which is about a soon-to-be-stepmom who is staying with her finace’s children at a holiday village, where strange events begin to occur. The film is available today, May 5th, on DVD, Blu-ray, and Digital. Another film getting such a release on May 5th is “Arkansas” starring Liam Hemsworth and Vince Vaughn. It is the directorial debut of Clark Duke and was supposed to be shown at this year’s South by Southwest Festival. The film is a thriller about two men who live under the orders of a kingpin whom they’ve never met. Unfortunately, a deal goes wrong, meaning they could end up facing harsh consequences. “Arkansas” was supposed to theatrically release on May 1st, the same day that “Black Widow” would have hit theaters had it not been delayed. However, it is now available physically and digitally starting today, May 5th. One more film to avoid skipping over is “I Still Believe,” which is now out on DVD and Blu-ray as of today. The film is based on the true story and journey of Christian music star Jeremy Camp.

Thanks for reading the seventh part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Happy Revenge of the Fifth, hope all the “Star Wars” fanatics in the world are happily going about their lives and not getting into fights in comments sections, because that’s impossible, right? Also, Happy Cinco de Mayo, on a Taco Tuesday coincidentally! Two days that go together quite well! Also, if you want remind yourself of a simpler time when movie theaters were open, be sure to check out my latest YouTube video where I document my experience of going to see “Star Wars: The Rise of Skywalker” on opening night. Disney has already put copyright claims on it, but I really don’t care as I enjoyed making the video. Also, if you like the video, leave a like, if you want to subscribe, go ahead! Speaking of leaving likes, be sure to check out my Facebook page and immerse yourself to posts much shorter than these while also getting the latest updates from Scene Before! Since we’re still on the topic of likes, be sure to like this post if you’re enjoying the content, and as we’re continuing promotion, why not give this blog a follow either with a WordPress account or your email? I want to know, what is the biggest piece of movie news for you in regards to the COVID-19 crisis this past week or so? Did I miss anything? Also, how did you celebrate “Star Wars” day? Me personally, I started on May 3rd! TBS had a marathon and I watched for hours! Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 6

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Hey everyone, Jack Drees here! It is now time for part 6 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

I’m telling you guys, this is getting annoying! We now have as many entries to this series, as “Sharknado” does within its own series! This is wrong! And honestly, this may be the biggest post yet, because a lot has happened in the entertainment realm! But of course, let’s get to the real world news first! By the way, if you’re asking, none of it has to do with Kim Jung Un. I’m only counting COVID-19 matters.

Today we’ll start in a film capital, California. Last week, Florida’s Duval County was in the news because people spent time at the area’s beaches that were recently reopened. This was referenced a ton on social media, which lead to the trend #FloridaMorons. While I never found #CaliforniaMorons to be trending on Twitter, some people did make tweets with that hashtag inserted. Before we go any further, here’s some highlights related to this subject, even if all of them don’t use the hashtag.

Once again, I did not see #CaliforniaMorons trending, but just to prove that I am not the only person who is noticing this…

I know, right?! I love California! I was just there a month ago! But, holy crap! This weekend, California was hit with warm weather, reaching 80 and 90 degrees. Since it is so warm, a lot of people thought it would be a good time to go to the beach. But of course, because COVID-19 ruins fun, there is a massive chance of spreading the infection. Naturally, much of the response on social media to this matter has been particularly negative. Speaking of beaches getting traffic, San Diego officially reopened their beaches starting Monday April 27th. However, this does come with restrictions. People cannot gather in groups, park, or lie down to get some rays. Question about parking, does Uber count? Drivers need to get by in these times! Plus, Fiesta Island, piers, and boardwalks will be closed. However, you can still swim, you can still fish, you can still surf. This is part of phase 1 rules in regards to San Diego beaches. California Governor Gavin Newsom had this to say about the matter…

“This virus doesn’t go home because it’s a beautiful sunny day around our coasts.”

Although, California is not done with announcing closures, because the Orange County Fair will officially be shut down for this year. This year’s fair was supposed to last for 23 days, on every day of the week except for Mondays and Tuesdays starting July 17th and ending August 16th. The fair, held in Costa Mesa, California, has previously seen over a million visitors in a year.

Two of the celebrities who have been taking up lots of spotlight in this time of a pandemic are Tom Hanks and Rita Wilson, both of whom previously been tested positive for COVID-19. However, time has passed, and the two seem to be better then they were a month ago. Although they are back in the news for better reasons. Hanks and Wilson agreed to donate blood and plasma for a possible vaccine. After all, both individuals carry needed antibodies. I will be real, I f*cking hate needles. Even if they are necessary. I feel as if I’m gonna make it out of a burning building should a vaccine be injected into me in order to avoid getting COVID-19. However, if you want to convince an anti-vaxxer to get a vaccine, tell them that Tom Hanks will now be a part of you.

Speaking of Tom Hanks, the man known for such films like “Cast Away” and “Bridge of Spies” defended a child the other day. While he was not able to get physically involved, partially because of physical distancing limitations, he did take action. When Hanks and his wife, Wilson, were diagnosed with coronavirus, an 8-year-old male Australian student by the name of Corona De Vries wrote a letter to the couple saying he loved his own name, but he was often called the coronavirus, making him “sad and angry.” Hanks saw the letter and responded back suggesting “You got a friend in me,” a phrase inspired by “Toy Story,” another film Hanks is famous for.

Say what you want about celebrities being selfish and entitled, even in these times. Tom Hanks suggests otherwise.

Now I’ve talked quite a bit about Donald Trump, who as of recently, just invented the “Noble Prizes!”

By the way, if you are wondering why I am not using Trump’s tweet for this, it no longer exists!

Last week, after Trump suggested that the coronavirus “may not come back at all” for a second time, Dr. Anthony Fauci begs to differ. He suggested the possibility of a second outbreak after having a discussion with Robert Redfield, director of the CDC. This outbreak could hit in the fall, and be more complexing considering how the flu pops up at the end of the year.

Speaking of Trump, time for some bleach drinking! In the ambitious search for a COVID-19 cure, Donald Trump has suggested the possibility of injecting disinfectant in order to rid one’s body of COVID-19. Let me just start off by saying, yes, injecting disinfectant will VERY LIKELY get rid of COVID-19, because you’re about to f*cking go down along with it. Putting bleach in the body is good for a lot of things. Erasing the lyrics of “Baby Shark” from your head! Forgetting whatever the “Cats” movie was! Oh, and trying to become a f*cking ghost! The COVID-19 crisis is not going to be solved through disinfectant going inside you! Besides, everyone’s afraid to go to the supermarket right now! You think everyone’s gonna want to pile on top of each other in the same aisle grabbing Clorox?!

I’m done! I’m really just done! I just want to go to a restaurant and the movies, is that too much to ask?! Wait…

Before we go any further, I’m going to remind everyone that in my post from last week, I documented that Georgia was planning to reopen on April 27th. Well, that was yesterday. But when it comes to movie theaters, those are not reopening. I mentioned this specific before, but I thought I’d bring it up as a refresher. Georgia Theater Company, otherwise known as GTC Movies, is not planning on reopening theaters anytime soon. They intend on waiting until July, when Christopher Nolan’s “Tenet” comes out, a movie which we’ll talk about later. Speaking of which, Greg Abbott, the governor of Texas, has given theaters the green light to open starting Friday with 25% capacity. Chains like AMC and Cinemark do not plan on opening until the summer. Although in addition to that, a movie theater chain that is absolutely critical to Texas is taking similar actions. Specifically, Alamo Drafthouse. For the record, these theaters are not entirely shuttered, as some are open for takeout and delivery. After all, Alamo Drafthouse is known for its food selection. However, an Alamo Drafthouse spokesperson had this to say in regards to possibly reopening…

“Opening safely is a very complex project that involves countless new procedures and equipment, all of which require extensive training. This is something we cannot and will not do casually or quickly. We will not be opening this weekend. But know this, when we do open, we will be providing the safest possible experience for both our staff and our guests and we can’t wait to see you all again!”

It seems that Alamo going to follow the footsteps of other chains and maybe reopen during mid-summer. That is, should COVID-19 not affect the safety of theater patrons. Besides, not much material is coming out in theaters these days, including a movie I am going to talk about right now.

SCOOB! GOES STRAIGHT TO DIGITAL

One of the family films that was set to come out this year is “Scoob!,” which if you cannot tell, belongs to the “Scooby-Doo” IP. Now “Scooby-Doo” has had a lot of content over the years, but in May 2020 the franchise was about to have its latest theatrically released title. A couple of films within the IP have been presented this way already, and they were written by James Gunn, who of course is now famous for his work on the “Guardians of the Galaxy” films. This film was set to release May 15th, 2020, but Warner Bros. took it off the release calendar in response to the pandemic. Turns out, it will be coming out that day all along, BUT it won’t be in theaters, given how none are practically open right now. Instead, it is going to follow in the footsteps of “Trolls: World Tour,” the animated sequel by DreamWorks, now owned by Comcast, and release onto VOD. Meaning that services including Prime Video, Vudu, FandangoNOW, and Google Play will be getting the film. I’ll be honest, had this pandemic not been going on this year, there’s a solid chance that I might miss out on “Scoob!” if it were in the theater. The only reason why I would even consider seeing it, is because I feel the need to see five animated flicks by the end of the year, because I need enough nominees at the Jackoff Awards that I do in the winter. Although, it definitely does have a market. Families would probably have gone to see it. Generations who grew up with “Scooby-Doo” will recognize the movie and pass the torch to their children. Had it stayed in theaters, it could have made for a fun outing. But of course, it’s not in theaters.

“Trolls: World Tour” was not the worst option of all the movies that could go straight to VOD instead of theaters. A lot of younger kids recognize the film, and since sometimes bringing kids to the movies can be obnoxious, putting it in a home environment is not the worst idea. That is until Amazon’s 48 hour rental period expires and they beg for the parents to spend another $20. “Trolls: World Tour” landed one of the biggest digital debuts ever, and “Scoob!” could do the same, but that is going to depend on how many kids are looking forward to it. I think there was more of an appetite for a “Trolls” sequel among children than there was for a “Scooby-Doo” movie. At the same time however, “Scooby-Doo” has had a long history of being a product for the home environment. I grew up having a piece “Scooby-Doo” media in my collection. A lot of television shows and cartoons have been a part of the “Scooby-Doo” brand. From a production standpoint, this could come off as something that was meant for theaters, but may be remembered as another fine entry to the “Scooby-Doo” home media collection.

THE KING OF STATEN ISLAND GOES STRAIGHT TO DIGITAL

Had South by Southwest happened this year, one of the films that I would have been eager to see was Judd Apatow’s “The King of Staten Island.” The film had an advantage of being a higher-profile title, alongside such movies including “The Lovebirds,” which is now going to Netflix. This film had a bright future on the big screen. Aside from a SXSW debut this March, it was supposed to come out June 19th of this year in theaters. I have some good news and some bad news. The good news is that “The King of Staten Island” is getting bumped up a week to June 12th, 2020. So it’ll come out a week earlier. The bad news is, if you were looking forward to seeing Judd Apatow’s latest film in theaters, that’s not happening, and this does not come as a surprise. I have a feeling that part of this not only has to do with analyzing the potential box office results ahead, but maybe it has a bit to do with “Tenet,” which I think is going to be a better example of a film that is going to try to entice people to get back in the theaters (again, more on that later). However, starting June 12th, “The King of Staten Island,” a semi-autobiographical comedy-drama starring Pete Davidson will be available On Demand through various services. This is a release technique similar to the recently mentioned “Scoob!.” The film also features notable names including Marisa Tomei (Spider-Man: Homecoming, My Cousin Vinny), Pamela Adlon (Bob’s Burgers, Better Things), Steve Buscemi (Miracle Workers, Fargo), and Bill Burr (Breaking Bad, Date Night).

While this technique has been done for a film like “Trolls: World Tour,” which again, was fairly successful. A film with this much name power that was supposed to be in theaters has not really gotten this treatment all that much during the pandemic. I see at light at the end of the tunnel, but as of now, “The King of Staten Island” is perhaps an adult version of the “Trolls: World Tour” experiment. I honestly don’t know how this is going to go, as “Trolls: World Tour” likely had several advantages. First, that movie was going for a wider audience including children, families, etc. “The King of Staten Island” is an R rated picture. No kids allowed on this flick! Plus, since this film probably won’t be heading to a platform like Netflix, where you can watch the movie for free as long as you have a monthly subscription, it could suffer from less views because people are cheap and they’d rather watch something free than pay a rental price. “Trolls: World Tour” might as well be a product that can be put on bunches of times just to shut kids up on some occasions. It may be expensive, but the peace and quiet could be worth it. Although, Comcast’s streaming service, Peacock, which is now available for Xfinity customers, is hoping to expand its customer base starting July 15th. Maybe “The King of Staten Island” will end up on the service as soon as possible for everyone to enjoy.

Also, side note, this movie is incorrect. Pete Davidson IS NOT the king of Staten Island. The Impractical Jokers are the kings of Staten Island. That’s a fact. Prove. Me. Wrong. I dare you.

A SURPRISING SUCCESS FOR TROLLS: WORLD TOUR

Thought I was done talking about “Trolls: World Tour?” Well, I’m not! Because according to The Wall Street Journal, it turns out “Trolls: World Tour” has officially made over $100 million in a matter of just a few weeks! This ultimately means that this digital experiment Universal was trying out happened to be relatively successful so far. Again, I think part of this mainly has to do with “Trolls: World Tour” being a family movie that kids will probably be watching over and over again to the point of becoming annoying. However, it’s an interesting success story as movies like this, including “Trolls: World Tour’s” predecessor, happen to gain massive successes from big theatrical runs. I should also point out that the first film currently has made more money at the domestic box office, specifically $153.7 million. But who knows? Maybe that will be broken. Will this mean Universal does more straight-to-digital releases in the future? Honestly, I hope not. While this may have worked for a film like “Trolls: World Tour,” which I think kids were going to watch no matter what, movies in general are often built up best by word of mouth in an attempt to get people out of the house. I just hope for the love of Pete that the ninth “Fast & Furious” DOES NOT get a straight to digital treatment. As for other factors to consider, “Trolls: World Tour” is also one of the only new films to watch right now, and since we can’t leave our house, maybe that has a contributing factor to how willing we are to stay in and pay a rental price on the movie. If we were in normalcy, who knows how this would have played out? But if you ask me, EVERY MOVIE is better in a theater. Mark my words.

SPIDER-DELAY! SPIDER-DELAY! DOES WHATEVER A SPIDER-DELAY DOES!

In part 5, I’ve practically given DC Comics its own section to talk about in terms of delays. This time, I’m going to be doing this for Marvel, both on the sides of Disney and Sony. Starting off with Sony, one of their hit movies, the Academy Award-winning “Spider-Man: Into the Spider-Verse” was supposed to get a sequel released on April 8th, 2022. That’s not happening anymore as the sequel has officially been pushed back to October 7th, 2022. It is hard to know what could come of “Spider-Verse 2” from this release date. Maybe it could do what “Venom” did and be able to separate itself in a month full of horror movies, not that “Venom” didn’t have some elements of the genre. For all I know this could work, because the first film won an Oscar, a Golden Globe, a Critics’ Choice, and seven Annies. The first film by the way released in December. I feel like the Best Animated Feature category is the least important one when it comes to releasing a film at a certain time, but experience has suggested that when a film releases later in the year, it usually gets some awards buzz. “Spider-Verse 2” could not just be a big hit, but another award winner.

Speaking of “Spider-Man,” the third Tom Holland “Spider-Man” movie was delayed! This third “Spider-Man” film was supposed to be connected to the MCU and release in theaters July 16th, 2021 as part of Marvel’s fourth phase of films. However, the film now sits in the month of November, taking a spot on the fifth day of the month. I am disappointed that I have to wait for the film, but the film opens on my birthday weekend, so I’ll take the wins as they come along. This news may have ties to how filming has not really been happening, and I am willing to bet that the delay for Sony’s “Venom: Let There Be Carnage,” now coming out on June 25th, 2021, plays a bit into this. After all, that too is technically a “Spider-Man” property. Having these two movies very close to each other could potentially be weird. Speaking of Marvel…

THOUGHT SPIDEY WAS ALONE? THE MARVEL RELEASE CHANGES SHALL ASSEMBLE!

One of the most complex questions right now in regards to the pandemic is the wonder of what is going to happen to the Marvel Cinematic Universe. It was not that long ago that “Black Widow” was delayed from this May to November, taking “Eternals'” spot on the release calendar. This resulted in pushback upon pushback upon pushback. Guess what? “Spider-Man” is not the only Marvel character affected this week. “Doctor Strange in the Multiverse of Madness,” which was supposed to release the same weekend as “Spider-Man 3,” is now getting pushed back to March 25th, 2022. Interestingly however, “Thor: Love and Thunder,” which was supposed to come out February 18th, 2022 as of recent times, is getting bumped up a week and is now coming out February 11th, 2022. Why is that? I don’t know for sure, but maybe to get couples to go see it on Valentine’s Day. With a title like “Love and Thunder,” that’s probably the reason. And now, for everything else!

THE DELAYS NEVER END!

Going back to Sony, one of the interesting projects that they have held onto for some time is a movie based on the popular video game franchise “Uncharted,” which, appropriately, is a Playstation exclusive. Even though Tom Holland’s “Spider-Man 3” is getting pushed back to November 2021, “Uncharted,” which he is set star in, is getting bumped up. Finally! Some positive news about this movie! I have never played the video games, even though I have heard solid things about them, but as for the movie, it just goes to show that even in development, video game movies are cursed. However, “Uncharted,” which was supposed to release October 16th, 2021, is moving up to the summer of that year! As of now, it is taking the spot where “Spider-Man 3” once was! Hopefully, this optimistic bump means that production will be happening as soon as possible, considering how filming was shut down due to COVID-19 on day one. Who knows what’ll happen? This movie is an enigma! As for other projects under Sony’s control, “Fatherhood,” a new comedy starring Kevin Hart is being pushed back from October 23rd, 2020 to April 2nd, 2021. Speaking of Kevin Hart, another movie where he’ll appear, “Man From Toronto,” once set for a September 17th, 2021 release, is now coming out November 20th, 2021. And if you thought “Spider-Verse 2” was going to be the only affected animated title, you’re wrong. “Connected,” the upcoming film produced by Phil Lord and Christopher Miller, was delayed a month. The film, which was previously expected September 18th, 2020, will now be coming out October 23rd, 2020. “Vivo,” featuring songs from Lin-Manuel Miranda of “Hamilton” fame, was supposed to release April 26, 2021, but now is getting pushed back to June 4, 2021. Can’t believe this is a thing, “Hotel Transylvania 4!” I guess this is also known as, “Adam Sandler needs an excuse be in a movie that won’t go straight to Netflix.” By the way, “Uncut Gems” is brilliant and you should watch it if you haven’t done so already. That is even if it does try to convince an audience that the Mohegan Sun casino in Connecticut has a sportsbook. Anyway, “Hotel Transylvania 4” is yet another movie that is not going down the calendar, but up! Originally set for a December 22nd, 2021 release, the animated sequel will now take the August 6th, 2021 spot. This could be a strategic move as it could give families something to do over the summer, while not having to compete with Universal’s “Sing 2,” which is set to release the same day “Hotel Transylvania 4” was once supposed to come out.

Also getting delayed, Tom Cruise is gonna have to wait a little bit longer before he attempts to kill himself once more, or more specifically, twice more. The seventh and eighth installments to the “Mission: Impossible” franchise, which will be directed by Christopher McQuarrie, also known for helming the fifth and sixth installments in the franchise, both have previous release dates set to self-destruct. The seventh “Mission: Impossible” installment was supposed to come out July 23rd, 2021, once again standing out as a summer staple. As of now, the film is coming out November 19th, 2021, just before Thanksgiving. As for the eighth installment, once planned to release August 5th, 2022, that is now set for a release date that I am personally digging, November 4th, 2022. Why am I stoked? Because it’s my birthday. From what I could imagine however, these two movies may have quite a bit to do with each other and could probably go well together in back to back viewings. Kind of similar to putting “Avengers: Infinity War” and “Avengers: Endgame” together. There is always a chance that “Mission: Impossible 7” could suck more than anything that has sucked before, thus lowering my hype levels for the eighth installment. However, “Mission: Impossible” is a peculiar series that honestly has gotten better with each installment, so anything is possible.

NEW HOME RELEASES

I usually save this for last, but this time, my next post has more of a climactic vibe, so this is going to be my penultimate section. When it comes to digital releases, perhaps one of the most notable titles coming out this week is “The Photograph.” This debuted in theaters last February, stars LaKeith Stanfield (Sorry To Bother You, Knives Out) alongside Chelsea Peretti and features intertwining love stories. This seems appropriate, because, again, this movie came out in February. Although for Netflix, one movie that just came out is “Extraction,” starring Chris Hemsworth (Thor, Ghostbusters) as a black market mercenary. The film is not one that I plan to review, however it is also one that I am hearing solid things about. Granted, the story is nothing to write home about, but if this film were to be solely judged based on action, I’m hearing it slaps. And this honestly does not surprise me as it is written by Anthony and Joe Russo and directed by Sam Hargrave, a stunt coordinator behind “The Hunger Games: Catching Fire,” “Atomic Blonde,” and “Avengers: Endgame.” As for whether or not this is the next “John Wick” is something that you will have to decide for yourself. Also, if you have any plans to tune into Amazon, the SXSW lineup is now available, which was made in response to the cancellation of the ambitious annual event held in Austin, TX. If you have Disney+, your inner “Star Wars” nerd is going to be happy, because not only are you soon going to be getting more of “The Clone Wars,” you’re not only getting a documentary on “The Mandalorian,” but “Star Wars: The Rise of Skywalker” will be available on Disney+ starting May 4th, known by the fan community as “Star Wars Day.” From then on, the complete “Skywalker Saga” will be available on the service. Speaking of action-packed films…

TENET IS LOCKED FOR JULY 17TH

This is going to be the main topic of this entire post. For those of you who don’t know, Christopher Nolan is coming out with his latest blockbuster title, “Tenet,” which had a trailer release this past winter. At the same time, a short preview attached to IMAX screenings of “Star Wars: The Rise of Skywalker,” was shown for a limited time. This film, among all others, HAS NOT been delayed. And if you have talked to me at all recently, it is a film that is almost my most anticipated of the year. It’s just one spot under “Dune” if you are all curious. “Tenet” is a film that has literally been designed for the movie theater experience. It was shot using film stock through IMAX and 70mm cameras, it’s got a labyrinth of a concept similar to Nolan’s other films, and the cast looks promising. Some attached names include John David Washington, Robert Pattinson, Kenneth Branagh, and of course, the one and only Michael Caine. I have been worried for the longest time that this film would get gravitated from this summer, taking away yet another big movie. It’s happened with “Top Gun: Maverick,” it’s happened with “Ghostbusters: Afterlife,” it’s also happened with “Morbius.” However, “Tenet” happens to be one of the last men standing in this battle against the invisible enemy. That’s also what it will continue to be going forward, because IndieWire suggests that “Tenet” will be ready to open July 17th of THIS YEAR unless theaters are closed. Is this wishful thinking? It’s possible, but this article gives me hope, and I will state, this is not the first time I am hearing this statement. However, just to hear this be reinforced a month later, is extremely fulfilling. One of my big worries when it comes to “Tenet” is the possibility of it being a lone wolf in the movie theater, there is not much of a reason for the film to play in seemingly dead space. But at the same time, Christopher Nolan has constantly marketed “Tenet” as an event film. It’s an expensive blockbuster clearly meant for the summer. It’s got a similar vibe to Nolan’s own “Inception.” I will also point out that should quarantine end around the country starting July, Christopher Nolan can utilize a huge marketing push at the end of the game, maybe reminding people how exciting it is to go see a movie in a theater. Nolan is all about that atmosphere. Nolan is not a streaming guy. In fact, when this all started in the US, Nolan wrote an opinion article in The Washington Post where he called movie theaters “a vital part of American social life.” Before hearing what IndieWire suggests in their article, I had a rather bleak thought process as to what theaters would look like only being able to show “Tenet.” A few screens would be open, while every other one is some classic title that maybe not everybody is gonna pay $12 to see when they can they rent it on Amazon. Turns out, IndieWire sees a much more optimistic point of view. IndieWire suggests the following:

“Even if theaters start opening in June (Georgia’s aggressive early plan could permit openings in early May, but NATO has stated it prefers a nationwide, concerted rollout), few will attend without new films. Going before other big films would allow “Tenet” to play on virtually every screen in the country.”

Think about it. How many films have been delayed? From smaller titles that nobody has even heard of to the big blockbusters like those that Marvel cranks out every few months, despite their differences, they have something in common. They got delayed. A few got delayed not too far up calendar while others got kicked into another year, but nevertheless, they got delayed. “Tenet,” as the last man standing, could literally possess every auditorium in every theater, at least in the United States. This is something that during NORMAL times, I would be scared of a movie doing, but now, it makes sense and I am flat out encouraging it, because something needs to light the spark. Plus, should theaters reduce capacity for safety concerns, “Tenet” has themselves covered. They have more theaters and auditoriums that could supply everybody. If you have an AMC near you that has a bunch of standard screens, an IMAX screen, a Dolby Cinema screen all in one place, there’s a solid chance that they’ll use one or two, maybe another auditorium for standard screenings of a blockbuster. In addition, the IMAX or Dolby, depending on the deal they’ve made regarding the film, will also feature said blockbuster. If you have a decent-sized theater, for all I know, “Tenet” could take every screening possible. Can you imagine a 25 screen theater with “Tenet” on virtually every single one? It’s going to be the State of the Union Address of movies. There’s no alternate program you can resort to, it’s “Tenet” or bust! And if this were a film that could easily fit in for a streaming environment, had a small budget, or lacked some of name recognition, I’d probably say maybe this theater project is overblown and a bit beyond one’s reach. However, the film was designed for the theatrical experience, is a blockbuster, and is helmed by the man who I personally think is my favorite director of all time. For all I know, he could get another Oscar nomination for this film depending on how this year pans out.

The slogan of “Tenet” by the way, and hopefully I am not scaring anybody, is “time runs out.” Let’s just hope that time will not run out on this film and our chances of seeing it as early as possible, in as lively of an environment as possible. In a season of movies getting delayed like flights for United Airlines, “Tenet” is possibly going to be the last man standing. The fight against the invisible enemy shall continue, and we shall not stop until we can successfully get millions of butts sitting in cinema seats. Warner Bros., Christopher Nolan, the entire cast and crew of “Tenet,” to say I am rooting for you is an understatement. For all I know, if “Tenet” successfully enters theaters in July, I will be there opening night for IMAX 70mm. This virus is ruining Hollywood, and now we need to give it the Hollywood ending it absolutely deserves.

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Thanks for reading the sixth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Look, I love doing Scene Before, but if this is what I’ll be talking about for the rest of my life, it’s going to get tiresome. I will point out that I left the house for the first time all month on the 25th. There’s that. I just want to go see a movie. If movie theaters collectively do not survive this crisis, I think I might almost be done with movies. One of the reasons why I love movies is because they are experiences, and these experiences are best had in a distraction-free environment either by myself, a few other people, or even a full house. Are the tickets and food sometimes overpriced? Sure, but moviegoing is a staple of the economy and I would flat out scream up to sky if they disappeared. PLEASE… Stay home as much as you can. Do *your* part if you want a better chance of me giving my thoughts on movies for you to possibly see. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! While it may not cure the coronavirus, if you want a better use of your time than drinking bleach, check out the Scene Before Facebook page! I want to know, did I miss anything related to COVID-19 and film? What big piece of news stands out to you? Or, since it relates to this post, what do you think are the odds of “Tenet” getting delayed? At this point, it’s a competitive and strategic game of chess. Who knows at this point? Leave your thoughts down below! Scene Before is your click to the flicks!

Scene Before 2019 HALFTIME REPORT (And Glance Into the Future)

WARNING: The following post is over 8,000 words long. Disappointingly, it’s not over 9,000.

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Hey everyone, Jack Drees here! 2019 is midway through and this year is going by fast! As far as my personal life goes, I’m in between my first and second year of college, I am enjoying my time off, and I’m the same movie reviewing moron as usual. Things have changed, but at the same time, I’m still the same flick nerd I have always been. And I mean that literally, but we’ll get to that later. However, I wanted to try something I haven’t done before on this blog. At the end of the year, I tend to do some reflective work, most notably countdowns. And while I am not going to do that at this current midway point, I would at least like to sit myself down and go over some recent highlights related to Scene Before. At the same time, I’d like to also look into the future. Admittedly, some of this is still in planning stages, but still.

I’d like to start off with something I’d like to call “TERRIFIC 3” and “TERRIBLE 3.” I am going to list 3 movies that I have watched this year that I would recommend to people and 3 other movies that I would tell people to avoid. Now, of course, these picks are subjective, if you think differently about these films than I, it might be slightly harder to talk to each other, but you are nevertheless entitled to your different thoughts. In fact, these are not supposed to be my top 3 best or worst of the year so far. If I like a film, I’ll list it, if I don’t like a film, I’ll also list it. These are not meant to be in any particular order. Anyway, let’s begin!

TERRIFIC 3!

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Starting off the Terrific 3 is “John Wick: Chapter 3!” I went to see this film in Dolby Cinema alongside my dad, who might be a bigger “John Wick” fan than anyone else I know. He and I walked out agreeing that the action in the film is absolutely top-notch. The action in “John Wick” films is certainly the aspect that would grab my attention more than any other. Long takes, innovative setpieces, gritty violence, all of it adds up to make some of my favorite action scenes of all time. When it comes to current action franchises, I am having some slight trouble deciding whether I prefer this or “Mission: Impossible.” It’s that good!

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Up next is a stellar DreamWorks animation whose franchise I never watched religiously, but always liked, “How To Train Your Dragon: The Hidden World.” If you have ever seen the game show “Deal or No Deal,” the show always highlights the phrase “timing is everything,” and when it comes to “How To Train Your Dragon: The Hidden World,” that phrase becomes more relevant than ever. This movie came out in the middle of my second semester of college, and I could not help but feel like the people behind the movie were trying to consider me in its target audience. After all, while “How To Train Your Dragon” may be a franchise directed towards families and children, this growing adult could not help but feel like a kid again. In fact, to add more to this true masterpiece of an animated film, I became more emotional during this movie than I did during perhaps more than any other. Even more than “Toy Story 3.”

Last but not least for the Terrific 3 is a movie that I decided to list because it’s on a slightly different end of the spectrum. Because let’s face it, I’m kind of recommending movies to you, and why recommend “Avengers: Endgame” when almost everyone went to see it? So let’s recommend a smaller movie, such as Terry Gilliam’s “The Man Who Killed Don Quixote.” Now some would argue that this is a 2018 flick, but in the United States, which is where I live, this didn’t come out until 2019. For those of you who don’t know this movie, “The Man Who Killed Don Quixote” took decades to make, and it’s about a guy who reunites with someone he worked with during a production. This person he meets with is convinced that he is Don Quixote. This did not get that big of a release in theaters, but it is worth seeing just because of its history, because despite going through “development hell,” it managed to turn out quite well! The movie is now available on home video including various VOD options.

Now let’s move onto something that probably doesn’t deserve any attention, but because I believe in equality, we’re talking about it anyway, the Terrible 3!

TERRIBLE 3!

First up is a movie that I want to put on here because what’s the harm with having an unpopular opinion? Oh wait, everything. Who cares? One of the most successful movies of the year, “Captain Marvel,” just didn’t stick the landing for me. This had a lot of hype building up to it, but I personally just couldn’t relate. And when I saw the final product, I felt like… Wait, why’s everybody laughing and cheering? Yes, there are a couple of cool moments in the movie. For example, I dug the 90’s references such as Blockbuster Video and Dial-Up Internet. Brie Larson and Samuel L. Jackson have some good chemistry, but when it comes to Larson in general, her performance was kind of mediocre. Granted, I know grade-A acting isn’t the biggest component of a comic book movie, but Brie Larson, an Academy Award winner, felt more like she was in a couple straight to DVD films and that’s it. Granted, I think she did a slightly better job in “Avengers: Endgame,” but her performance here simply underwhelmed me. Plus, there’s a moment in this movie that references a significant part of the MCU lore (having to do with Samuel L. Jackson) and quite honestly, the way they go about it just killed my brain.

Up next is a movie that could have been great but was simply wasted. From the creators of NOT “Firefly” comes “Serenity.” “Serenity” could be somewhat fun, not to mention a great “thinker” movie, but it manages to become more boring the more I think about it. I love the movie “Interstellar,” so I was somewhat excited to see Matthew McConaughey and Anne Hathaway unite once again for another project. Both have talent as actors and they’ve proven they have great chemistry. Honestly, I’d just go back to watching “Interstellar” if this is the movie we’re getting. Although this movie came out in January so it should not be surprising that we would get a movie of this quality.

And finally, we have what may be my worst movie of the year should nothing surpass it, “Godzilla: King of the Monsters.” The sad thing about “Godzilla: King of the Monsters” is that I was actually desperately anticipating this movie. When I went to see it, I was ready for what was about to happen. Or was I? Seeing movies in IMAX may be great because it feels so big, but when they’re a big mess, what is the point? Maybe the monster fights could be fun, but if I wanted to watch this movie again, I’d probably have to be heavily drugged. Because let’s face it, as cool as big monsters are, the unforgivable part of “Godzilla: King of the Monsters” are the one-dimensional human characters. This could be slightly less intolerable if the human characters were less of a focal point during the movie, but they made me want to go back and check out some of the “Transformers” movies again! They’re THAT horrible!

I just showed you all my terrific and terrible picks, now let’s go over a few recent highlights from my blogging journey.

As usual, I kicked off my 2019 with my traditional countdowns to reflect on the year of 2018 in film. I went over the best of the year along with the worst of the year. Some of my top picks included “Spider-Man: Into the Spider-Verse,” “Eighth Grade,” and “Mission: Impossible: Fallout.” Some of my bottom picks included “The 15:17 To Paris,” “Uncle Drew,” and “Life of the Party.” I enjoy doing these countdowns every year and this is the first year that I started writing what I would put in the countdowns as early as August. I did not do this for every single movie, but I visualized the lists a long time prior to actually releasing them. This does not suggest that I avoided considering movies released past August, as evidenced by some of my picks.

After I did my lists, I saw my first 2019 release, which according to IMDb, is actually a 2017 release. Based on my experience and research, I’d call it a 2019 release, but still. That film by the way is “The Upside,” which is a remake of 2011’s “The Intouchables.” I personally have not seen “The Intouchables,” and while “The Upside” from my perspective is not really anything special when it comes to cinema, it is still a fun time. I went to see it at a press screening, and there were tons of laughs to be heard.

A couple weeks later I went to one of my local arthouse theatres to see a flick that I almost ended up passing on. Specifically, “Roma.” Why? Because when it comes to today’s media, Netflix is a company that I traditionally tend to avoid. But one of my local theaters managed to get access to a 70mm film print of “Roma,” which would be presented for a limited time. I took advantage of the opportunity and purchased a few tickets for a matinee show. Not only was the experience breathtaking, but the movie was one of the best of the past year. If I had to redo my top 10 lists of 2018, this would be on the best list, but I saw “Roma” after completing said lists.

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I also decided to try out a new concept this year which I have decided to make an annual tradition, the Jackoff Awards. For awhile, over the past year, I have grown to admire the Oscars based on how much respect they tend to pay towards the film industry. Granted, they’re not perfect, but what they’ve done over the years is absolutely intriguing. I thought to myself, why not do a big awards related post? Present similar categories to other major shows, I do my own comedy bits, and it was perhaps the most ambitious post I have ever done. As for Best Picture, I decided to present what was then my top 10 of 2018, which DID include “Roma,” and instead of having me choose Best Picture, I would allow my audience to choose the winner. I figured it would allow for diversity in terms of opinions, and I managed to get a surprisingly diverse number of votes. I got some votes for “Spider-Man: Into the Spider-Verse,” “First Man,” “Ready Player One,” but the winner turned out to be last year’s biggest comic book movie, “Avengers: Infinity War.” Honestly, if there were any movie to put in my Blu-ray player on a Friday night at this point, it would most certainly be that one.

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I then continued my journey in March by going to the place that I would associate with film more than any other, Los Angeles. My family and I stayed right near Hollywood Boulevard and I got to visit a few media-related sights including Warner Brothers Studios, the TCL Chinese Theatre (where I saw “Captain Marvel”), and Universal Studios Hollywood. I also got the chance to witness a live taping of “Conan.” While I didn’t make a big post related to this, I managed to briefly discuss some of my highlights here and there.

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For those of you who are curious about my “Conan” taping experience, I managed to witness almost two full shows. Why? Conan O’Brien had to be somewhere when his Thursday show would air, so naturally, he had a demand, he wanted us, Thursday’s audience, to “make Tuesday’s audience look like s*it.” We got see all of Tuesday’s show, which had a couple comedy bits and an interview with Timothy Olyphant (Live Free or Die Hard, Santa Clarita Diet) and a good fraction of a Thursday night show which featured comedian Moses Storm, who joked about cell phone users, “Shark Tank,” and revealed a story where he would tape episodes of Conan O’Brien’s older talk show episodes over his religion-related educational programming. By the way, Conan in person looks like a real life action figure. Maybe it’s the makeup. Maybe it’s the lighting in the studio, but my gosh.

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I also got to visit an RPX venue for the first time. For those who don’t know about RPX, they are a premium format that can be found exclusively in cinemas under Regal Entertainment Group ownership. I didn’t plan on attending RPX when I did, but I managed to get something off my list of movie-related things to do before I died. After all, “Us” just came out, and I was in the Boston area. I figured just to save time, I’d go for the earlier, but more expensive show that Regal Cinemas Fenway was providing, as opposed to another show which would be starting a half hour later. For your information, I was aware that I was going into an RPX screen. I didn’t mind my decision, I figured if I wanted to see “Us,” I’d go see it in full scale glory because I was really anticipating it. While I have still yet to see “Get Out” to this day, I have heard about its overwhelmingly positive reception and I was expecting that Jordan Peele would deliver another sick movie. While “Us” was not perfect, it was definitely worth seeing, and I wouldn’t mind watching it again. As for the RPX experience itself, I thought the seats were not too bad. The capacity was through the roof, the screen, while not entirely wall to wall, was huge. As for the sound… It is undeniably better than a standard theater, but I was a little underwhelmed. Maybe I went to see the wrong movie, maybe the employees turned the speakers down, but when I compare the sound to something like IMAX or Dolby Cinema at AMC, I would go back to both of those places first.

Moving onto April, I managed to survive the whole “Avengers: Endgame” ticket buying craze. For those not fully immersed into what I just stated, I must point out that “Avengers: Endgame” tickets went on sale April 2nd, and the Internet went balls to the wall nuts when it came to snagging tickets. I had to wait in Fandango’s line, AMC was having problems, and it got to the point where I had to buy tickets from a somewhat local cinema chain, on their own, slightly buggy website, just to make sure I could get into school on time. I almost took the train to one of my local AMCs because I could stop by there on the way to school. If I did that, I am willing to bet I would have missed out on opening night of “Endgame,” which was the day I was shooting for. After all I did want to get my review out as soon as possible, and I did manage to score a couple tickets on remaining good seats for a 9PM show. Not at an AMC, but at a Showcase Cinemas. While it was not my first choice, I don’t regret going there, because an hour before going into the cinema, I got a glimpse at everyone leaving the 22 MCU movie marathon the theater was showing over a few days. Everyone was being applauded, and they left with some merch. I recorded this aftermath on Facebook Live, and despite my camera’s focusing problems and poor cellular service, I managed to get some respectable footage. Also as a Bostonian, I was proud of myself to catch a reporter from one of my local news channels, WBZ, or CBS Channel 4. To be specific, Tashanea Whitlow. As for the premiere itself, the movie was fun, and the three hour runtime was rather justified given what we as an audience received. I didn’t think it was perfect, I’d much rather watch “Infinity War,” but it was a great finale to over ten years of films. I will also say, this may be due to where I went to see the movie, seeing “Infinity War” was also a better experience. Because I went to see it at a 7PM show on opening Thursday on an eight story IMAX screen. If you have ever gone to see an event-type film in India, that is one of the most solid comparisons I could make to my experience. It was like going to a Stanley Cup game or something. “Endgame,” which was in a sold out theater in regular 2D, had barely any applause (although some reactions here and there), and out of everyone in the theater, I may have been the most obnoxious. If I had to make a sports comparison, I’d probably say it was like going to a slightly more competitive golf tournament. It was lively at times, but not like the roof was being blown off the place. I know some people are not particularly fans of going to theaters where everyone is reacting to the film’s key moments, but as a fan of the MCU, it’s something that I considered to be a privilege during my “Infinity War” experience.

May was an interesting month for me, because I just finished my first year of college, so I got a little more active on the Scene Before side of things. I’m now trying to earn revenue with the blog, I saw more movies than I did in months such as March or February, and I even changed my domain name. Unfortunately, scenebefore.com was taken, so I wanted to make sure I can fit something that would associate with me, but also be precise. I thought something like moviereviewingmoron.com, while definitely appropriate, is a tad too long. Luckily, after some searching, I found out that flicknerd.com was available. Did I ever call myself “flick nerd” on this blog? No, but I figured it would be a cool name to have because its simplicity will probably gain enough traction overtime. It’s hard to tell though, because this advanced blogging journey, at least from my point of view, is just getting started. I’m looking for sponsors, more potential viewers, but I’m also trying to be the same movie reviewing moron that everyone has come to know.

One of my highlight posts of the month is titled “What THE BIG BANG THEORY Has Meant To Me: A Nerd’s Perspective.” For those who are unaware, CBS’s “The Big Bang Theory” just finished it’s twelfth and final season on the air, so I figured I’d take some time to remind the world of what the show has meant to me as a fan, as someone who would constantly tune in to new episodes, and most of all, as a nerd on the autism spectrum. I probably won’t have time to give a detailed description of everything I said, so if you want to read the post, click this link!

I also saw another one of my favorite films so far this year, “John Wick: Chapter 3 – Parabellum!” Not only that, but like I mentioned earlier, I managed to catch a Dolby Cinema presentation of it, which surprisingly, didn’t make me feel like I was getting shot in the head, which may be a good thing. Seriously though, “John Wick: Chapter 3” is probably the best installment of the franchise yet, and Keanu Reeves might now just have a better trilogy than “The Matrix!”

But I cannot say the end of the month was great, because “Godzilla: King of the Monsters” happened. Sad day. Even though I went to see the film in full scale IMAX glory, it didn’t feel like something worth my time.

Moving onto June, I managed to do something pretty cool with my dad. He and I go to the movies together a lot because for the most part we have similar tastes. We match together when it comes to sci-fi, action, comic book-based material, comedy, etc. However he has never been to an advance press screening, so I thought just for fun he and I could do so for the new movie, “Men In Black: International.” It’s a movie that I probably would have checked out had I waited for it to release everywhere. After all, “Men In Black 3” is my favorite movie of 2012. However, since this was free, not to mention, early, I thought dad and I could trek to the theater and see what this movie had in store. I personally enjoyed it. I know some people were scared of how this movie would turn out based on the marketing (Then again, it’s a Sony film, whaddya expect these days?). I thought the first trailer was alright, but not great. The second trailer was an improvement and actually got me more interested in the film. As for the film itself, it is not Shakespeare, but it’s a fun time at the movies. Chris Hemsworth and Tessa Thompson have great chemistry together and I think Kumail Nanjiani’s character is a fantastic comic relief.

The best movie I saw this month was “Toy Story 4,” which I must point out, I probably was not even looking forward to back when it was announced. Boy, times do change! Unfortunately, I had to witness brain cell erasers such as “Replicas,” which I bought on Blu-ray since I had some Best Buy rewards to waste. I also saw “The Secret Life of Pets 2,” which is worse than getting scratched in the eye by a cat. Yes, Harrison Ford is in it. Yes, he is the best part of the movie. But I might as well be at the point where I would rather have a dog sniff my butt then go so that film again!

Now that I have recapped my highlights, I just want to remind everyone of what’s being planned for the future. Here is my unofficial schedule for the second half of 2019!

JULY:

Throughout the month of July, there are not that many movies coming out compared to other months in the year (at least according to Wikipedia), but I am planning on catching a few blockbuster highlights such as “Spider-Man: Far From Home,” despite how little anticipation I have for it. I also really want to catch Disney’s live-action remake of “The Lion King.” I am not a fan of the Disney live-action remake trend, but I feel that this movie will be a great theater experience and also rather compelling. I don’t know how much it is going to be a carbon copy of the original or how much it’ll go in its own direction, but I am somewhat curious as to what will come of it. I know it is longer than the original, which slightly worries me, because it could add something that perhaps the 1990s film didn’t even need, therefore ruining my experience. Plus, it’s being directed by Jon Faverau, who also worked on 2016’s “The Jungle Book,” another Disney live-action remake, which was one of my favorite movies of said year. I also really want to check out “Crawl.” The trailer didn’t have me fully onboard, but I am still curious as to how this film will turn out. Plus, it’s being produced by Sam Raimi, who is known for his work in the horror industry, and one of my favorite comic book movie directors.

This does not mean that I want to ignore independent work, because on the same weekend as “Spider-Man: Far From Home,” A24 is releasing one of my most anticipated movies of the summer. Specifically, “Midsommar.” When your movie is A: Directed by Ari Aster, who had a phenomenal feature-length directorial debut last year with “Hereditary,” another A24 film, and B: Described by Aster as “a Wizard of Oz for perverts,” I am instantly intrigued. “Midsommar” takes place in rural Sweden as a young couple takes a vacation and settles in the area. Alongside their friends, they eventually discover that this area has a festival that takes place once every ninety years, which creeps them all out. I want to see Ari Aster succeed, so hopefully this film does well.

Speaking of successful filmmakers, another well-known director in the industry, specifically Quentin Tarantino, is going to be releasing his ninth film, “Once Upon a Time In Hollywood.” And to be honest, as anticipated as I am to see this film, I have to let something out. I have not seen much of Tarantino’s work. I will most likely be going to see “Once Upon a Time In Hollywood” when it comes out, maybe in 35mm, but before I do that, I am going to be doing a small series of reviews for Quentin Tarantino movies. In fact, I already have a few lined up. Specifically, “Pulp Fiction,” “Django Unchained,” and “The Hateful Eight.” Those reviews will be done as weekly projects and they should all be up before the official release date of “Once Upon a Time In Hollywood,” July 26th.

 

AUGUST:

SAMSUNG CAMERA PICTURESRemember how I would occasionally announce I am going to cons from time to time? For some reason I have failed to do that this year. It’s not like I am not going anywhere, but I have just failed to put myself in front of my keyboard and try to say, “Hey guys, here’s where I’m going, stalk me!” Not that don’t mind the attention, I’m just saying. But if you really want to know about my next con, I do have it booked, and I will be going to Terrificon, which for those of you who have been following me for some time, you’d know that is also the first con I ever documented on this blog. And I am thinking of doing something a little different this time, just to spice things up. I’m trying to push more video content into my posts, maybe I’ll insert a compilation of the con’s highlights. I’ll record it on my camera, maybe my phone, whichever has more memory at the time. Maybe I’ll post it on YouTube and link it here. Who knows? But here on Scene Before I am trying find ways to innovate, and maybe this could be one of them.

Speaking of cons, this is NO GUARANTEE, partially because I have not even bought tickets, but there is one convention that is about a half hour away from my house that I kind of want to go to. Whether or not I am going, that’s a different story, but should things go in a certain direction, I may end up going to Fan Expo Boston, which is a con I have surprisingly never been to. And the guest list this year, aside from a couple big cancellations, is solid so far. You’ve got Zachary Levi (Shazam!, Tangled), who I will say, even if you are not into his work, he is a fun guy to meet, he is upbeat and has a massive sense of charm. Part of the cast of “Blade Runner” is going to be there including Sean Young, Rutger Hauer, and Edward James Olmos. I have a feeling there are more guest announcements coming our way, and if there are, I cannot wait to hear them, because there have been a lot of cool names who were there over the years to the point where I almost have slight regrets on missing out. If I were to get tickets to Fan Expo, I’d probably just go for one day. After all, Terrificon is the week prior, and I am staying overnight during that weekend, so my budget might be slightly higher at that event compared to Fan Expo.

Moving away from cons, I will say that my biggest film catches for August right now have to be “Hobbs & Shaw,” “Dora and the Lost City of Gold,” “Good Boys,” “Where’d You Go Bernadette?,” and “Scary Stories to Tell in the Dark.” There is not much from August that I am truly anticipating, but I will inevitably go see a few things here and there. And if you want to know something, I only put down “Dora and the Lost City of Gold” because let’s face it, “Dora the Explorer” was a part of my childhood, and nostalgia equals money nowadays. Granted, this movie looks a tad more adult-friendly than the cartoon. But am I looking forward to it? Hell no. In fact, I am thinking it is only going to ruin my childhood, but I might as well give it a chance just because I am a nice guy. I saw the recent “Power Rangers” film partially out of nostalgia and that worked for me, might as well do it with “Dora” and see if that works.

 

SEPTEMBER:
If I had to predict my least active month for the rest of the year, I have to call it right now, September is certainly a contender. For one thing, I’m going back to college, so I need to adjust to a new routine. I’m still going to keep my promise of doing at least one post within every 7 days or so, that way you can keep witnessing my constant dedication to this blog. I’m probably not gonna go see “IT: Chapter Two” mainly because I still have not seen the first one. Although the cast is pretty nifty from what I have experienced. But I am interested in “The Goldfinch,” I have some slight intrigue towards “The Report,” and maybe I’ll check out “Abominable.” I saw one of the trailers for it, and it looks like it might not be a new animated classic or anything, but I am somewhat curious to check it out, partially because even as an adult, I still have a slight need to check out animations from time to time. Plus, it is from DreamWorks, and I’m currently trying to seek out their next big thing. “Kung Fu Panda” is done, “How to Train Your Dragon” seems to be done, maybe this, or something else, can be their next kickstarter to a solid franchise. Then again, apparently they’re making sequels to “The Boss Baby,” “The Croods,” and “Trolls,” so why should I expect absolute quality? Nevertheless, it’s worth a shot.

Although if you had to ask me what my most anticipated movie would be for the month of September, it’s a no brainer, “Ad Astra.” I love space, I love compelling, dramatic stories involving space travel, even if it is close to Earth. Plus, the second half of the year for numerous ages of my life have typically contained at least one epic space movie. Maybe “Ad Astra” will be the next to join the ranks with other movies from this decade like “The Martian” and “Interstellar.”

 

OCTOBER:

This October is pretty interesting to me, because there will be a weekend where my mother and sister are out of the house and I will quite honestly, need something to do. I can’t just stay trapped behind walls! I have to see the world! Nevertheless, that particular weekend is the release of “Joker,” which I am inevitably going to check out no matter what, but for the sake of having an early review, I’m going to check it out as soon as possible. I have Fridays off from school this upcoming semester, maybe I’ll do it then. The following week is the release of Will Smith’s “Gemini Man,” directed by Ang Lee, so I might see that. And the week after is slightly bigger because Taika Waititi is coming out with his latest directorial feature, “Jojo Rabbit,” where believe it or not, Waititi himself plays Hitler. I never pictured that, but this film certainly has my attention. That same week is also the release of “Zombieland: Double Tap.” I had fun with the first “Zombieland.” I enjoyed the chemistry between Jesse Eisenberg and Woody Harrelson, and it has, at least to me, a pure highlight from Bill Murray’s acting career. And to my surprise, he’s coming back for this movie! I also want to check out “The Aeronauts” which is being released by Amazon, and the reason why I want to check it out is because it is Amazon’s first attempt at an IMAX run and it is also being released a week early in that format. The film will technically be in standard theaters in November after it’s week-long IMAX run. And if this is the case, this reminds me of the excitement I had for Robert Zemeckis’ “The Walk,” because that released a week early in IMAX and that was quite an experience.

Speaking of lesser known films, one other thing I want to check out is the South Korean flick “Parasite.” It’s getting tons of buzz at film festivals, having earned Palme d’Or at Cannes, winning the Sydney Film Festival, and already making tons of money in Korea. The film’s US release is this October, which would put it in a reasonable spot to be remembered by Academy and Golden Globe voters.

 

NOVEMBER:
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This November is particularly interesting. Because November 1st is the day I’m heading off to Providence for Rhode Island Comic Con, and that’s the day after Halloween! I’m not cosplaying (at least I have no plans to right now) at this con, but I just want to walk around the convention floor for hours and stumble upon every costumed individual and wish them a Happy Halloween. Nevertheless, I am staying true to my annual tradition of going to Rhode Island Comic Con. The guest list is usually filled to the brim, so I cannot wait to hear more announcements over these upcoming months. Even so, the convention has had some huge announcements for guests thus far. Some guests include Dave Bautista (Guardians of the Galaxy, Blade Runner 2049), William Shatner (Star Trek: The Original Series, Boston Legal), George Takei (Star Trek: The Original Series, Kim Possible), Steven Yeun (The Walking Dead, Final Space), and to my utter surprise, and possible delight, Chevy Chase. By the way, Chase made an announcement about his upcoming appearance online and the video he made for it is very funny.

Sticking to the announcement wishlist concept, I recently made a submission on the con’s website suggesting names of five possible guests that I want to see. They include: James Murray, Curtis Armstrong, Kunal Nayyar, Doug Walker, and James Holzhauer. I could be mistaking Doug Walker for somebody else, but even if I am, he would be fun to see at the con. Of all these names, the one that really stands out to me is James Holzhauer. Out of all the people on this list, he is the least “celebrity-like” of all of them. James Murray comes close, but barely misses the mark. For those who are unaware, Holzhauer is the name of the recent “Jeopardy!” contestant who wouldn’t stop taking the show’s money. He has nearly broken Ken Jennings’ regular winnings record, only to be stopped by an opponent who beat him by more than double his final total for the game he lost. I think Holzhauer appearing at Rhode Island Comic Con would not just be unique, but also entirely appropriate. After all, it would probably bring in a new audience of people who would otherwise skip out on cons. Plus, as a game show enthusiast, I cannot help but keep talking about Holzhauer like he’s my own child. It’s almost as if being able to catch the latest “Jeopardy!” episode or at least reading up on the latest stats was the ultimate bragging right. Also, this year I’m going with a VIP ticket, which comes with various perks.

VIP Ticket Perks:

  • 3 day admission
  • Early bird admission (9AM Sat & Sun)
  • Private VIP Entrance
  • Private VIP Lounge
  • 3 Exclusive RI Comic Con Show Prints
  • Rhode Island Comic Con Swag Bag
  • 20% off RICC Branded Merchandise
  • Exclusive VIP 2019 RI Comic Con Badge
  • Exclusive RICC AR Comics-Comic Book
  • Exclusive RICC Comic Book
  • VIP Autograph Fast Pass Line
  • VIP Photo Op Fast Pass Line
  • Chance to Win 2020 VIP Pass
  • One Exclusive Mystery Item

I am personally excited for the con, and believe it or not, it is not the first time I’m getting a VIP badge, because the first time I went, which was in 2015, I managed to get said badge as well.

That same weekend is also the release of the new “Terminator” film, “Terminator: Dark Fate.” It is a cliche title, but its first trailer, personally had me intrigued. I’m excited to see what Tim Miller has up his sleeve in terms of direction. I am somewhat excited to see James Cameron involved again, although I am slightly worried because we now have more disposable “Terminator” movies than memorable “Terminator” movies. Let’s just hope we can change that.

Some of my other most anticipated films of the month include “Ford v. Ferrari,” “Knives Out,” and “A Beautiful Day in the Neighborhood.” “Ford v. Ferrari” takes place during a race to determine which of the two recently specified car brands will dominate. “Knives Out” is an upcoming mystery crime film directed by Rian Johnson. I did not like his interpretation of the “Star Wars” universe, but it does not mean I am not willing to check out his future work. Plus, this movie has a number of big names that I imagine a lot of people would like to see. Some include Daniel Craig (Casino Royale, Logan Lucky), Chris Evans (Captain America: The First Avenger, Gifted), Lakeith Stanfield (Black Panther, Sorry To Bother You), Ana de Armas (Blade Runner 2049, War Dogs), Jamie Lee Curtis (Halloween, Scream Queens), the world’s best Kevin Spacey impersonator, Christopher Plummer (All the Money in the World, A Beautiful Mind), and recent Jackoff winner Toni Collette (Hereditary, The Sixth Sense). As for “A Beautiful Day in the Neighborhood,” it is in the current conversation to be my most anticipated film for the remainder of the year. For one thing, I saw “Won’t You Be My Neighbor?” last year, which much like “A Beautiful Day in the Neighborhood,” is about Mister Rogers. That documentary not only compelled me, but reminded me of my personal flaws in my childhood, and maybe inspired me to be a better person. I still rage out on this blog a lot, but it’s something that I don’t really do for me, I do it for the entertainment of others, so that’s different. But it reminded me of how much it pays to respect those around you. Plus, TOM HANKS IS PLAYING THE STARRING ROLE?! Who else could do that?! He’s practically the nicest guy in Hollywood! SIGN ME UP! Believe it or not, that comes out the same weekend as “Frozen II,” but who cares about that?! Rogers for life!

 

DECEMBER:

The end of the year is always a crazy time for me, but just like last year, it’ll perhaps be less busy than it has been in other years. My fall semester will end during the month, and I’ll be in the cycle of watching previous movies from the year at home. This does not mean that I’ll be skipping theatrical releases, because award season is in full swing. This means I’ll be paying extra close attention to films that receive Golden Globe nominations, and as for reviewing movies I watch at home, the chances of that are very slim. But this does not mean that big blockbusters are entirely off the table. For one thing, they tend to sometimes do pretty well in certain technical categories, and we have another “Star Wars” film this year. I have intentions to go see “Star Wars: The Rise of Skywalker” opening Thursday night, mainly because I want to buy tickets as early as possible. If I can’t do that, I am going to try extra hard to find an available press screening, because aside from “Endgame,” “The Rise of Skywalker” is perhaps the biggest movie of 2019. Aside from being titled “Star Wars,” it is supposed to end “The Skywalker Saga,” and J.J. Abrams is directing again. I was not a huge fan of “The Last Jedi,” but I love “The Force Awakens” like it is my own brother. I am honestly more excited for “The Rise of Skywalker” than I was for “The Last Jedi” before that came out because I was somewhat worried that “The Last Jedi” would be a carbon copy of “The Empire Strikes Back.” Turns out it wasn’t, despite similarities to older films in the saga. And I even say this knowing how some things in “The Last Jedi” turned out. Having seen the trailer back in April, knowing certain plot points that could play out, and realizing J.J. Abrams could save this sequel trilogy, I am rather giddy for this December. But despite my excitement, I gotta ask. HOW IS PALPATINE STILL ALIVE?! I am excited to possibly see him in this film, but really?! When he was thrown down the pit in “Return of the Jedi,” yeeaah, HE F*CKING DIED. There is no coming back from that. I’m intrigued, I just need to be convinced.

When it comes to smaller films, one such film I am very excited for is “Little Women.” The film is supposed to explore the lives of sisters as they live in 1860s Massachusetts. It may not be my type of movie on paper, but one reason why I am excited is because the film is being directed by Greta Gerwig, who also helmed one of the best coming of age stories I have seen in recent years, “Lady Bird.” In addition to that, the cast is killer! This movie’s got Meryl Streep (Sophie’s Choice, The Iron Lady), Emma Watson (Beauty and the Beast, Harry Potter and the Philosopher’s Stone), Laura Dern (Big Little Lies, Jurassic Park), Saoirse Ronan (Lady Bird, Mary Queen of Scots), and Timothée Chalamet (Interstellar, Beautiful Boy)! I am also probably going to be looking into “1917,” which is a war film. Those tend to often go for awards, which is why I have my sights set on it. There are a couple films that I might check out that I would probably regret seeing, but the only real film that I’d struggle with reviewing is “Fair and Balanced.” Granted, this does not mean I am not looking forward to the film, nor am I expecting to be underwhelmed with it, in fact it sounds rather intriguing from a storytelling point of view. But the movie is about relationships between women and Fox News owner Roger Ailes, and I feel that it is going to be rather hard to keep my political opinions out of the review. I’m not saying I am a core conservative that keeps a closed mind, I try to see all sides and then form my own opinion. I have made various political jokes here and there on Scene Before, but politics is not my top priority, especially when you consider how divided we are as a country right now. Although I did manage to check out “Vice” last year, which was pretty good, but part of it had to do with the buzz it has been getting. Who knows? Maybe I’ll check out “Fair and Balanced,” for all I know it could be the best movie of the year, but I feel like it would be hard to review if I’m going to have to inject my experience with how the world operates in terms of politics. We’ll just have to see.

And of course, I’ll be finishing off the year, or perhaps more likely, kicking off next year, by recapping my top 10 BEST and WORST movies of 2019. I enjoy doing these countdowns every year, because I get to honor films one more time, and also give myself a minor stress release.

Although I must remind you, it is 2019, and here on Scene Before I am trying to constantly find new ways to deliver exciting content to you all. In 2017, I did a couple of cutaway style parodies, in 2018 I did a post talking about my Blu-ray collection, and just this year I introduced the world to the Jackoff Awards. The question is, where I do I go next? I’ve done tons of countdowns, reviews of the past, reviews of the present, what could be next? I know! ALL OF IT IN ONE. Ladies and gentlemen, if you have been following Scene Before and saw one of my posts in April, you’d know that I put out a trailer for something I once referred to as “Project 2020.” Although, based on statistics, I doubt many of you have even glanced at that post. But for those of you who know what I’m talking about, good for you. You get a “good job” sticker! But for those of you who don’t know, watch this trailer down below!

*ALL COPYRIGHTS BELONG TO THEIR RESPECTIVE OWNERS*

That’s right! I am going to be crafting a list of my highlight movies of the 2010’s, and I must have you know, I am setting this list up to be bigger than the lists I traditionally do at the end of the year. While this is still in planning stages, I will be intending to make this list perhaps a top 25, maybe a top 50. I was also debating on a top 100 as well. Depends on how much time I have. I am honestly MORE THAN EXCITED to work on this list, and release it to you all. I started Scene Before in 2016, which means I did not get too many chances to talk about films from years prior, so not only is this a personal reflection of various films I watched during my blogging journey, but a reflection of an entire ten year span that I lived through before becoming this active on the Internet. I’m not gonna say anything, but 2014 was a great year for film as far I’m concerned, so depending on how the rest of 2019 plays out, we might see a good number of films I’m passionate about from that year make the list. This is not to put down any other year from this decade, I’m just giddy of what’s to come…

And by the way, a worst list is in the works too.

At home I am making an effort to watch various films that have come out this decade just to catch up, and maybe add something to the best or worst list at the end of the year. I’m not gonna get into too much detail, because I do want to save some secrets for when the list comes out, but I am stoked just to be working on this.

Thanks for reading this post! If you like Scene Before and want to see more content, consider following me either with an email or WordPress account! As for upcoming content, I want to remind everyone, in case they forgot by now, I will soon be starting my Quentin Tarantino review series, which will eventually culminate with a review either at the end of July or beginning of August with my thoughts on “Once Upon a Time in Hollywood.” I cannot wait to get started on this, Tarantino is a filmmaker I have often admired behind the scenes, but I have barely seen any of his material. Now is a good time to start! Also, be sure to check out my Facebook page! Get your latest updates from the movie reviewing moron by using Facebook, the home of some of the all-time laziest efforts at wishing someone a happy birthday. Be sure to stay tuned for more great content! I want to know, is there something that you would like to see be done here on Scene Before, perhaps for this half of 2019? Or, what is your favorite Scene Before moment, post, anything that I have done so far this year? It can even be this one for all I care! Let me know down below! Scene Before is your click to the flicks!

91st Academy Awards Recap

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Hey everyone, Jack Drees here! Before we dive into this post, I would like to kick off by offering my sincere apologies. Part of me wanted to do a post on my hopes and predictions going into this year’s Academy Awards show, but unfortunately, I literally lacked any time in the world to do such a thing. Apparently paying for my education is not enough to make my head spin, I need to be handed a bloated supply of homework as well! I wasn’t given this during the Super Bowl (REALLY DON’T CARE ABOUT THAT SHOW), so why should I get it on Oscar weekend? Anyway, earlier this week, I watched the 91st edition of the Academy Awards. I went into it with a few expectations. However, there was a part of me that thought this show was going to SUCK, and I even say that with my picks winning. Fortunately, that was not the case!

The first red flag in my sights for this year’s show is that there was no host this year. You guys may already know that Kevin Hart opted out at a point and nobody else happened to sign on. They did however announce names for a bunch of celebrities who will be present to give random speeches and nominee presentations. While not all of them were great, they did have a number of them which I was actually able to appreciate. And I can’t even believe I’m saying this.

Melissa McCarthy actually made me laugh! Throughout my 3 year experience of blogging on Scene Before, McCarthy has appeared in the #1 spot for my worst films of the year lists not just once, but twice! Although sometimes I kind of fail to give her credit where it is due, because there are a couple of occasions where she did make me laugh. When she played former White House Press Secretary Sean Spicer on “Saturday Night Live,” it was literally a plethora of some of the most gutbusting moments that I’ve encountered in the show’s recent years. McCarthy’s appearance during the Academy Awards ceremony was perhaps on the Sean Spicer level of funny. McCarthy comes out to present the Costume Design award. Doing so in this costume that is quite possibly inspired by “The Favourite.” She gives this speech about some of the best costumes and how they are not meant to have distracting elements. It’s just spectacular. So spectacular in fact that I almost forgot that Melissa McCarthy was a recent Razzie winner!

I will admit, when it comes to other celebrities, there are not that many other speeches worth pointing out. Although there is one moment where I appreciated John Mulaney’s line “I want these people to like me to a degree which I find embarrassing.” It’s not to say that they were bad, but there was not many others which I happened to find as interesting as say Melissa McCarthy.

When it comes to having no host, I was somewhat surprised, because I was highly skeptical going in on whether or not such a thing was going to work out. Turns out it did! Before this recent Oscars show, I thought to myself that this was all going to be a trainwreck. Without a host, it’s toast! Not anymore! But if the Academy were to announce for the 92nd show that they aren’t getting anyone to host that year, I’d just say, “Fine, whatever, you do you.” I wouldn’t care if there’s a host. Would I want a host? Certainly, but I’d be open to another Oscars show where nobody hosts. Because a couple of benefits to having no host is that the show focuses more on the awards, and it allows a diverse amounts of celebrities to present themselves to an audience. Because let’s face it. Not everyone likes Jimmy Kimmel, not everyone likes Seth MacFarlane, not everyone likes Ellen DeGeneres. Having one of those people host puts them in a certain spotlight, and even though certain people like The Oscars, they might not be satisfied with the person who may as well be taking up the biggest portion of the show’s screentime. Almost every celebrity onstage had their moment, and it allowed for a quick pace that was respectful. Granted, I am the rare find in the wild that does not mind staying up for eternity while watching The Oscars. However, there is a part of me that realizes that The Oscars is being shown to “everyone.” And there is a vast majority of people who want to see certain things throughout the show. The hostless ceremony is a good way to keep time short, and have the awards delivered as immediate as possible.

By the way, I recently saw this killer tweet from recent Academy Awards host Jimmy Kimmel:

I love you, Jimmy.

Now let’s move onto the awards. Had I done a prediction post a little bit ago, this would definitely be the main focal point. I’m not going to dive into every single award, but I am going to go over the ones that I found to be highlights.

Believe it or not, I have actually managed to expand my award palette this year, because just recently, specifically on February 9th, I went to a local theater in the Boston area because they were showing all of the animated short films that earned a nomination this year. They showed the five potential winners, along with some others that the Academy found to be “highly commendable.” Now I actually had a favorite of these films, but before I do that, let’s give out the nominees.

  • Bao- Domee Shi, Becky Neiman (WINNER!)
  • Weekends- Trevor Jimenez
  • Animal Behaviour- Alison Snowden, David Fine
  • One Small Step- Andrew Chesworth, Bobby Pontillas
  • Late Afternoon- Louise Bagnall, Nuria González Blanco

Now keep in mind, I actually have watched all of these films from start to finish. I actually had been exposed to “Bao” prior to seeing all of the four other films. The reason why that is is due to how it was presented before Pixar’s “Incredibles 2,” making it Pixar’s short film to present this year. I kind of liked “Bao,” but it is something that I think would not appeal to everyone. I understand the message behind it, but in reality, there are a couple of animated shorts on this list that I found to be more interesting. For example, “One Small Step.” Granted, this may be coming with a little bit of bias since I am a nerd, and nerds like space. I still found the main character’s journey to be intriguing and sort of, pun intended, down to Earth. But my personal favorite out of all of these is without question, “Animal Behavior.” This film was made in Canada, and might I just say, this film reminds me of how awesome Canada is. It gave us Ryan Gosling, Ryan Reynolds, Alex Trebek, Howie Mandel, and now… “Animal Behavior.” “Animal Behavior” takes a bunch of different living creatures and puts them all in a therapy session. One of the main characters is a gorilla who is in extreme denial, and often gets very angry. The results of this film, hilarious. One of the best jokes has to do with the mantis, because for those who are unaware, praying mantises eat their mate during intercourse. There are certain parts of the short where we see that sort of thing come into play, and overall it left me feeling very impressed. Plus, one thing that made this film different compared to all of the others, is that they were all trying to be serious. This one, while still having some sort of message intact, it still goes for as much comedy as possible. Kudos to the brilliant writing! Granted, the Academy goes for more serious material, and I do respect that, but I feel like was more impressed by the comedic efforts of “Animal Behaviour” as opposed to the serious efforts of “Late Afternoon” or “Bao.”

Moving onto another category, it’s Best Documentary! Let’s look at the nominees!

  • Free Solo- Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes, Shannon Dill (WINNER!)
  • RBG- Betsy West, Julie Cohen
  • Hale County This Morning, This Evening- RaMell Ross, Joslyn Barnes, Su Kim
  • Of Fathers and Sons- Talal Derki, Ansgar Frerich, Eva Kemme, Tobias N. Siebert
  • Minding the Gap- Bing Liu, Diane Quon

Wait, “Won’t You Be My Neighbor?” wasn’t nominated?! F*ck this! Moving on!

Let’s try a different documentary category! Best Documentary Short! Let’s look at the nominees!

  • Period. End of Sentence.- Rayka Zehtabchi, Melissa Berton (WINNER!)
  • Black Sheep- Ed Perkins, Jonathan Chinn
  • End Game- Rob Epstein, Jeffrey Friedman
  • Lifeboat- Skye Fitzgerald, Bryn Mooser
  • A Night at the Garden- Marshall Curry

OK, these look much better. I haven’t seen any of these films, but they sound much better. Now I am not going to call one of these films superior to all of the others, all of my opinions related to such a thing would technically be invalid. But, the victory speech, holy f*ck. Quite possibly the best speech of the night!

“I’m not crying because I’m on my period or anything! I can’t believe a film about menstruation just won an Oscar!” -Rayka Zehtabchi

“A period should end a sentence, not a girl’s education!” -Melissa Berton

Enough said. Period. End of sentence.

Another category that stood out to me was Best Visual Effects, mainly because there was one movie that I felt should win, but didn’t win. Granted, the winner to me has extremely competent visuals, but the reality is, I had my pick. Here are the nominees.

Ryan Gosling in First Man (2018)

  • First Man- Paul LambertIan HunterTristan MylesJ.D. Schwalm (WINNER!)
  • Avengers: Infinity War- Dan DeLeeuwKelly PortRussell EarlDaniel Sudick
  • Solo: A Star Wars Story- Rob BredowPatrick TubachNeal ScanlanDominic Tuohy
  • Ready Player One- Roger GuyettGrady CoferMatthew E. ButlerDavid Shirk
  • Christopher Robin- Chris LawrenceMike EamesTheo JonesChris Corbould

Let’s take some things into perspective. While I kinda hated “Solo,” I could see it being nominated for visual effects. I didn’t want it to win, but still. “Christopher Robin” was an alright movie, nothing really that special. But then again, I have a bare attachment to “Winnie the Pooh.” The CGI characters were not bad though. “Avengers: Infinity War” was probably my second or third pick to win, right along with “First Man,” which did win. Aside from all of the huge scale glory happening everywhere on screen, you also have to give credit to the effects team for creating Thanos. To me, Thanos is up there with Smaug and Gollum as one of the greats when it comes to CGI character creations. Now with that being said, “READY PLAYER ONE” WAS SNUBBED! Granted, I already awarded “Ready Player One” myself because I now do the Jackoff Awards, but I would have given a thumbs up to the voters had they let “Ready Player One” win! Let’s take another set of ideas into perspective. “Avengers: Infinity War” has comic book style action, random computer effects flying everywhere, and a well done CGI character. I’ve seen that before. In fact, “Christopher Robin” had several of those. Granted, I liked “Infinity War’s” effects better, but still. “Solo” had several effects that I’ve seen in many other movies, and when it comes to the “Star Wars” franchise, it’s not even my favorite movie in terms of visuals. While I will say that “The Last Jedi” is actually worse than “Solo” as a movie, which I am honestly shocked to say. It actually looked nicer! “Solo” has its moments, but when comparing it to the rest of the franchise, it’s in between Obi-Wan and Anakin, because ya know, it kinda has the middle ground. For “Ready Player One,” I wanted that to win, because I felt it was the most visually unique movie of the year. Not only did it manage to visually create its own characters, but it actually recreated segments from other works of art! There is a scene in the film that actually takes place in a location from “The Shining.” Not only that, but you have two different worlds being dealt with in the movie, meaning there are two different places to insert various visuals. The effects team, personally, outdid themselves! I am not a crybaby over “First Man” getting the gold, but at the same time, I’m also wondering why it even got it because “Ready Player One” was just a unique trip. And this goes back to my recent statements. I’ve seen visuals like “First Man” in the past. I’ve seen it in “Apollo 13.” I’ve seen it in “Gravity.” I’ve seen it in “Interstellar.” Although at the same time, I said after I saw the movie that it was not my favorite movie of the year in terms of the story, but from a technical perspective, it was definitely the most well made movie of the year. So while it is not my #1 pick for visual effects, they are by NO MEANS incompetent. Granted, that comment I made after I saw “First Man,” that likely changed overtime after I saw “Roma,” but nevertheless.

Another highlight of the night, for anything but good reason (for the most part) is Best Makeup & Hairstyling. Here are the nominees.

  • Vice- Greg CannomKate BiscoePatricia Dehaney (WINNER!)
  • Mary Queen of Scots- Göran LundströmPamela Goldammer
  • Border- Jenny ShircoreMarc PilcherJessica Brooks

As I once predicted, “Vice” came out on top. The makeup might actually be the best part of the entire movie. So I was excited to see it win. Then… I saw the speech. The three winners practically did not even know what it was they were supposed to say. They had a paper in front of them, which is fine, I have nothing against that, but at least put a little preparation into your speech! At least, have a plan! Visualize! Get together on a Google Hangout or something! I mean, it was slow, it was like watching three people who had recently received amnesia! I’m just waiting for them to get hit in the head with coconuts and suddenly talk like they’re Peter Griffin after he drank Red Bull! They almost didn’t even remember anybody’s name! Ah well, still, congrats I guess.

Anyway, moving onto another category, which I guarantee has a better speech, let’s go onto Best Animated Feature. I do think it is a somewhat unnecessary category, given how it sort of diminishes the art of the animated movie as a whole, but I still want to talk about it. Here are the nominees!

  • Spider-Man: Into the Spider-Verse- Bob PersichettiPeter RamseyRodney RothmanPhil LordChristopher Miller (WINNER!)
  • Incredibles 2- Brad BirdJohn WalkerNicole Paradis Grindle
  • Ralph Breaks the Internet- Rich MoorePhil JohnstonClark Spencer
  • Isle of Dogs- Wes AndersonScott RudinSteven RalesJeremy Dawson
  • Mirai- Mamoru HosodaYûichirô Saitô

Out of the five films listed, I have seen every single one except “Mirai,” but then again, it wasn’t really marketed around here so I don’t really have much to say about it overall. “Ralph Breaks the Internet” was not only enjoyable, but it honestly shocked me to no end. Because let’s be real, I thought the marketing was, *snobby voice* an abomination! I thought that movie was going to be the most obvious cash-in from Disney this past year (somehow I forgot about “The Nutcracker and the Four Realms”). Turns out that it is not only a good movie experience, but also a great parody on the Disney company! Just watch what Vanellope has to go through in the film to see what I mean! Then we have “Isle of Dogs” which is the only stop-motion film on the list. Over these last months, Wes Anderson has grown on me a bit as a director, and his work in this film supports my statement. Plus, I actually hate dogs, so the fact that I like this movie actually says something! “Incredibles 2” is a worthy sequel to what is, quite literally, my favorite animated film of all-time. Not only is it a part of my childhood, but it is just a well crafted movie. For awhile, it was my favorite film of the year, that is… until the release of “Spider-Man: Into the Spider-Verse!” And might I just say, JUSTICE HAS BEEN SERVED! Because two people behind “Spider-Verse,” specifically as writers and producers, have also worked on “The LEGO Movie.” That is one of the best movies of 2014, and probably one of the best animations I’ve ever seen. And not only did that movie not win an Oscar, it didn’t even get nominated! Sure, it was nominated for Best Original Song due to the presence of “Everything Is Awesome,” but that’s not even the best part of the movie! Heck, that wasn’t even the best song in the movie! Ah well, catchy tunes can be catchy. Phil Lord and Christopher Miller get an Oscar! They didn’t have to wait as long as say Kevin O’Connell (sound mixer who waited 21 times), Roger Deakins (cinematographer who waited 14 times), or Glenn Close (actress nominated 7 times and still waiting), but they’ve each got one! “Spider-Man: Into the Spider-Verse” is one of the best superhero movies of 2018, and I’d even say it’s better than “Black Panther,” which actually received more nominations than this movie! Speaking of which, let’s talk about that.

Based on the results of the recent Academy Awards show, “Black Panther,” my fourth place pick this year for superhero films, managed to take home three Academy Awards. None of them were in super major categories. Granted, one of them was score, which to me, is usually a major factor on whether or not your movie is in my top movies of the year for some reason. If I remember your music, chances are I’m going to like your movie. Now, “Black Panther” is nowhere close to being my favorite superhero flick of 2018. But with that in mind, I still gotta give the movie respect, because it did something for comic book movies that has never been done before. Over the years, several movies in the Marvel Cinematic Universe have received nominations for the Academy Awards. Some include “Doctor Strange,” “Guardians of the Galaxy,” “Guardians of the Galaxy Vol. 2,” “The Avengers,” “Iron Man,” “Iron Man 2,” and “Iron Man 3.” None of them have ever won an Oscar. Just this year, “Black Panther” changed that. Because it won 3. While I would say that for every of its categories for which the film was nominated, I was actually rooting for other films, including “The Favourite!” That actually says something because that film was nominated for best picture and I’m still not happy about it to this day! Nevertheless, it won three awards, which to me, shows that the Academy is getting more serious about the action movie genre and the comic book movie genre. They have progressively been doing such a thing in some of their more recent ceremonies with movies like “The Dark Knight” and “Logan.” Although, when it comes to comic-book based films, this is probably the best year Oscar-wise because with the MCU’s first three wins ever, they have another nomination on top of that (Avengers: Infinity War). Plus, as recently mentioned, “Spider-Verse” won Best Animated Feature. In fact, “Black Panther” was one of the eight movies nominated for Best Picture this year. I’m not saying I want more inclusion from comic-book movies, but I love how the Academy is recognizing that comic-book movies can be more than just entertainment. They can be works of art. Maybe I don’t see “Black Panther” the same way as they do, but I see where they may be coming from with it. Although I will say, I’m white. Just pointing that out. Congrats to the comic-book film genre.

Another highlight in terms of awards including some of the acting sections. Starting with Best Supporting Actor, here are the nominees!

  • Mahershala Ali- Green Book (WINNER!)
  • Adam Driver (BlacKkKlansman)
  • Richard E. Grant (Can You Ever Forgive Me?)
  • Sam Elliott (A Star Is Born)
  • Sam Rockwell (Vice)

Ah, seems very familiar. I nominated four of these people for the Jackoffs. If Timothée Chalamet was nominated here than that would be five. But whatever. And just like the Jackoffs, Mahershala Ali won! Ali to me is deserving of his win because of the range provided in his performance. Sam Elliott is great, the same can be said for someone like Sam Rockwell. But they seem to play the same character the whole movie. While Ali is technically one guy during the movie, he almost seems to play two. You have this robotic priest, and I won’t go into much more detail, but he reveals more emotion as he develops. Ali is well deserving of his award if you ask me.

Moving onto Best Supporting Actress!

  • Regina King (If Beale Street Could Talk)
  • Marina de Tavira (Roma)
  • Amy Adams (Vice)
  • Emma Stone (The Favourite)
  • Rachel Weisz (The Favourite)

Out of all of these, I have interestingly witnessed all of these performances EXCEPT Regina King, which is too bad, because I heard good things about “If Beale Street Could Talk.” And I was watching the Red Carpet buildup before the Oscars started, and having seen people commentate on the broadcast, this made King’s win no surprise because it was practically a lock. Out of the ones I’ve seen, my personally favorite without a doubt has to be Amy Adams. She transformed into her character in “Vice!” I will give credit to “The Favourite” in the acting department, especially when you consider two of its actors are nominated in the same category, but it does not save “The Favourite” from being a less than satisfying movie. As far as Marina de Tavira goes, I almost wonder why she was nominated to begin with. I’m not saying she performed badly in “Roma,” in fact she did a great job. But it’s kind of surprising considering how she was never really nominated for the same role anywhere else during this award season.

Now onto Best Actress! Here are the nominees!

  • Olivia Colman (The Favourite)
  • Yalitza Aparicio (Roma)
  • Lady Gaga (A Star Is Born)
  • Glenn Close (The Wife)
  • Melissa McCarthy (Can You Ever Forgive Me?)

Melissa McCarthy? What the?! It’s raining cats and dogs! I’ve seen three of these performances, and while there is a part of me that was able appreciate Olivia Colman as a performer in “The Favourite,” I found the performances from say Lady Gaga and Yalitza Aparicio a bit more compelling. And part of my reasoning behind such a statement may be because the two aren’t known for their acting. Gaga is primarily a singer, which also kind of means she has an advantage in her role. But what really wowed me is Yalitza Aparicio, because this is actually the first acting job she ever did in her entire life. For a first-time actor, you’d expect them to give a C performance, maybe a B performance at best. But this to me was no doubt, an A+ performance! And to be honest, part of me was expecting Glenn Close to win. Plus it would have been fascinating because she has been waiting awhile for her award. But if you have seen the Jackoffs, you might be able to gather my opinion on this. TONI COLLETTE WAS SNUBBED!

Lastly for acting, we have Best Actor. Here are the nominees!

  • Rami Malek- Bohemian Rhapsody (WINNER!)
  • Bradley Cooper- A Star Is Born
  • Viggo Mortensen- Green Book
  • Willem Dafoe- At Eternity’s Gate
  • Christian Bale- Vice

To me, Malek’s win was a no brainer. I was appreciative of this performance because of how it was able to transform this actor into a beloved celebrity of another kind. Granted, it is all him, because part of it was due to someone else doing his vocals and I think costume design and makeup go into play with my appreciation as well, but still, he was my pick to win. My second pick would have been Bradley Cooper because he had to learn to sing for his role, and it actually paid off! Out of these performances, I will point out that I’ve seen four of them, the one that I didn’t see is Willem Dafoe, but I also liked the performances from Bale and Mortensen. If I had to choose between them, I’d say Mortensen was the better performer, but if Bale had won, I would have loved to have seen his speech. Because when it comes to the crew on “Vice,” one terrible speech was already provided in the Makeup & Hairstyling category, but had he gone up, I would have been interested to see his speech. I say so because he gave perhaps my favorite speech at the Golden Globes this year, specifically where he says this:

“Thank you to Satan for giving me inspiration on how to play this role!”

HAHAHAHAHAHA! How often do you hear that?! While that might make certain people upset or offended, I thought personally that was one of the highlights of that show.

We have a few more categories to go over, a couple of which include the screenplay categories. Here are the original screenplay nominees!

  • Green Book- Nick Vallelonga, Brian Hayes Currie, Peter Farrelly (WINNER!)
  • First Reformed (Paul Schrader)
  • Roma (Alfonso Cuarón)
  • Vice (Adam McKay)
  • The Favourite (Deborah Davis, Tony McNamara)

I’m sorry, “The Favourite,” while it has some memorable lines, the screenplay was not even close to being something special. In fact, that’s one of the biggest problems I have with the movie, because this story was trying its best to be compelling, but it felt more drawn out than I expected! And I will admit, I am guy who is willing to appreciate film no matter what kind of movie we are talking about, but even for me, this was too slow! I think the biggest problem was the chapter layout. Because when I first saw it, I thought the chapters represented a three or five act structure, if I recall correctly, it was like nine. I am with “Green Book” as  the winner however. It’s a good story with compelling characters, and some quirkiness behind it too. Then again, it is hard to avoid expecting a good script from a guy who worked on “There’s Something About Mary.” If it weren’t for “Green Book” winning, I would have either picked “Roma” or “Vice.” With “Roma,” it was a script that took a bit of time to get me fully intrigued, but once I was hooked, I was not able to let go. It was investing, emotionally charged, and is capable of showing the occasional unpredictably of life. “Vice” however is rather interesting to me because while it was based on true events, it was able to have some satirical fun. One of the best written scenes of the year comes during the middle of the film where the acts like it is about to end saying the characters live happily ever after and never get in politics ever again. GEN-I-US!

As for the adapted screenplays, here are the nominees!

  • BlacKkKlansman- Charlie Wachtel, David Rabinowitz, Kevin Willmont, Spike Lee (WINNER!)
  • A Star Is Born- Eric Roth, Bradley Cooper, Will Fetters
  • Can You Ever Forgive Me?- Nicole HolofcenerJeff Whitty
  • The Ballad of Buster Scruggs- Joel Coen, Ethan Coen
  • If Beale Street Could Talk- Barry Jenkins

Surprisingly, while I’ve seen a number of things in the listed this categories this year, this is a category where I’ve seen only two things. To be specific, “A Star Is Born” and “BlacKkKlansman.” I missed out on “Can You Ever Forgive Me?” and “If Beale Street Could Talk.” As far as “The Ballad of Buster Scruggs” goes, it’s on Netflix and I have don’t Netflix, nor do I ever plan to get it. Enough said. Luckily, of the two I did see, I nominated both for the Jackoffs in this exact category. Granted, I gave the 1 up to “A Star Is Born,” but “BlacKkKansman” is also worthy of your support. Interestingly, and if you watch the movie, this shouldn’t really come as a shock, Spike Lee’s speech was rather critical of Donald Trump. Let’s see how President Orange responded.

REMINDER: This guy won multiple Razzies this year!

A couple more categories to go, let’s move onto Best Director!

  • Alfonso Cuarón (Roma)
  • Spike Lee (BlacKkKlansman)
  • Pawel Pawlikowski (Cold War)
  • Adam McKay (Vice)
  • Yorgos Lanthimos (The Favourite)

“The Favourite” might just be one of the best worst movies of all time, because I can clearly tell people are giving their 110% effort throughout the production, but it just didn’t work for me. The directing in the film is actually not that bad and I see why it received a nomination. In fact, all of these directors are worthy of their nominations if you ask me. Although there is no questioning it. Cuarón directed the hell out of “Roma.” Based on how he did this movie, the project felt extremely personal, and the direction felt like everything came right out of his mind. Nothing felt like it came from an outsider or a studio. I am well aware that in life you can’t always get what you want, but it’s nice to get what you want when you are look at things from a directorial point of view. Plus, Cuarón had his hands full with this film. Not only did he have a credit for directing, but he also has a credit for the screenplay, the editing, the cinematography, and even as a producer. He did a lot for one film! He’s like Tommy Wiseau, only difference is that Cuarón was able to create a critically successful movie. I hate Netflix, like with a burning passion, but I will give them credit for quite possibly saying “You know what Alfonso, you’re so f*cking talented. Make whatever movie you want!” I’m imagining something like that went on behind the scenes.

Two more categories to go, let’s pay attention towards the Best Cinematography category! Here are the nominees!

  • Alfonso Cuarón- Roma (WINNER!)
  • Lukasz Zal- Cold War
  • Matthew Libatique- A Star Is Born
  • Robbie Ryan- The Favourite
  • Caleb Deschanel- Never Look Away

And to my lack of surprise, Cuarón takes this award too! If you have seen my last Academy Awards recap, chances are that you’d know that cinematography was probably the category I was most passionate about that year. The reason was due to how one of the nominees was Roger Deakins, who FINALLY won an Oscar for his work in “Blade Runner 2049!” This year, I don’t really have the same passion for that category, but I was able to appreciate a couple of the nominees. “Roma” is a movie that I thought was technically brilliant, and its cinematography absolutely showcases that. SUPER GLAD IT WON! That movie had many shots that made me wonder how they even came about! Netflix, PLEASE. Release a Blu-ray for “Roma!” I want my bonus features! In fact, for the Jackoffs, that movie also won Best Cinematography. Speaking of which, I also nominated “Cold War,” which is unique because it featured a 4:3 aspect ratio, and like “Roma,” it’s in black and white. When I reviewed “Cold War,” I felt that the film’s technical specs were something I could appreciate more than the film’s story, and the cinematography was the biggest standout to me. I can approve of “The Favourite” being nominated, but when it comes to “A Star Is Born.” Some of the shots were nice, but I don’t see why it is nominated. Maybe the set design and the lighting stood out to me, but standard shots are not the biggest standout when it comes to “A Star Is Born.” In fact, a similar movie, “Bohemian Rhapsody,” actually comes to mind when I think of this nomination. There are a number of shots that truly immerse me into the film. This is especially true during the Live Aid scene. The extended run through the audience set the mood entirely for that scene alone. There are certain shots that give you a sense of scope, it’s almost mind-boggling. As for “Never Look Away,” I never saw that movie, so I have nothing to say about it.

And now, for Best Picture. This year there were eight nominees. Out of all of them, I actually had something that I truly wanted to win. Last year I wanted “Dunkirk” to win, but I also missed out on many of last year’s Best Picture nominees. This year however, I actually saw all eight of them. If you wanted to know my pick for Best Picture this year, it was “Roma.” What a f*cking movie. Anyway, here are the nominees!

  • Green Book- Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga (WINNER!)
  • Black Panther- Kevin Feige
  • The Favourite- Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos
  • Bohemian Rhapsody- Graham King
  • A Star Is Born- Bill Gerber, Bradley Cooper and Lynette Howell Taylor
  • Vice- Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick
  • Roma- Gabriela Rodríguez and Alfonso Cuarón
  • BlacKkKlansman- Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee

I’m gonna do this by talking about the movies that didn’t win first. “The Favourite” and “Black Panther?” You can honestly forget about those two! The pacing in “The Favourite” is horrible and “Black Panther” is not even the best comic book movie of the year! A lot of people go around saying that film is “socially important,” but that has nothing to do with how good a movie is. Just because your film has a black person in it, it doesn’t make it good. What matters is how it was executed. You know what comic book movie was socially important? “Wonder Woman!” And that’s a masterpiece compared to “Black Panther!” AND it wasn’t nominated for any Oscars for its respective year! When I like “Aquaman,” “Deadpool 2,” “Spider-Man: Into the Spider-Verse,” and “Avengers: Infinity War” more than “Black Panther,” you can probably tell what I’m trying to say here about it. “Vice” was pretty good, but ultimately lacking in some sort of substance that didn’t seem to be there as I watched the movie. I appreciate the work that went into it, but some parts of the movie were better than others. “Bohemian Rhapsody” is sort of interesting. I think it is a good tribute to Queen and Freddie Mercury, but it is ultimately just that, nothing more. Sure, there’s good cinematography and a rock solid performance from Rami Malek, but it doesn’t really change the game. Then there is “A Star Is Born.” I thought Bradley Cooper did a great job with that movie because he had a lot to do on it, and not just as a performer. Although when it comes to his performance skills on that film, that’s probably the best part because of how he needed to not just talk, but play an instrument and sing. “BlacKkKlansman” may have been a well written, well directed, and well acted film. But even if you remove all of those qualities from the table, you still have a great concept. An African-American police officer pretends he’s white and infiltrates the Ku Klux Klan! And it’s based on a true story!

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When it comes to the two films left to talk about, I already said what I need to say about “Roma.” It is such a masterful movie. Plus, it partially made me change my mind about how serious Netflix could possibly be in the movie theater industry. Granted, they still have some ways to go, just ask Steven Spielberg, but they’re making progress. I really wanted that film to win, and I actually had high confidence that it was going to win this year. Then Julia Roberts gets onstage, and says the words “Green Book.”

Did not expect that.

But you know what? It’s cool, that was my second pick anyway! I know there’s a lot of controversy surrounding “Green Book” right now, it almost reminds me of “The Greatest Showman.” Part of me might regret watching “Green Book” for that reason alone, but I also have to keep in mind that when I did see the film, I enjoyed what I saw. I thought the screenplay was well done. The chemistry between the main characters went together like bread and butter. And the acting is superb! “Green Book” may not be my pick for Best Picture, but it was certainly worth a watch. It’s got some serious parts in it, but it is almost like a feel good story at times. It’s nice to see the formation of two unlikely friends. Plus, it’s one of those rare times where product placement WORKS. Will I watch “Green Book” again sometime in the future? Most likely. It is a fun watch, and definitely worth your time. Congrats to “Green Book!” Congrats to all of the other nominees!

Thanks for reading this post! The 91st Academy Awards was definitely a surprise! I was expect a mediocre show at best, and it turned out to be pretty good. Would I like a host next year? Certainly. But I am also now open to the idea of a hostless Oscars ceremony. Now that I’ve seen it, it worked out! I gotta give massive respect for the Academy for including all of the awards, and I also want to give a shoutout to Lady Gaga and Bradley Cooper for an awesome performance of “Shallow!” You guys rock! Speaking of which, Queen, great opening! Well done! When it comes to my future content, I will be doing a review of “How to Train Your Dragon: The Hidden World!” And also, as of writing this, Scene Before is now three years old! It just turned three recently, I want to do something for the three year anniversary, but if I actually manage to do something, it probably won’t be up soon, because college is keeping me busy. Like, insanely busy. I have some ideas, who knows? Maybe I’ll do the same thing as the two year anniversary? But only time will tell! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see the 91st Academy Awards? What are your thoughts? Any snubs? Great moments? Do you agree with everything? Let me know down below! Scene Before is your click to the flicks!

Is the 91st Academy Awards the Least Anticipated In History?

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Hey everyone, Jack Drees here! I don’t know how this happened! But I have just discovered this year’s theme music for the Academy Awards! Check it out down below!

Welcome to the 91st Academy Awards! The most ambitious trainwreck in Hollywood history!

This Sunday is the night of the Academy Awards, and while I do have a golden vibe set inside my head, I cannot help but feel bronze. The Academy Awards is one of my favorite times of the year. It takes my favorite art form and celebrates it to the tenth degree! In fact, part of me wants to go back in time to last year’s show, because I had a GREAT time watching it. From the effective hosting job done by Jimmy Kimmel to seeing celebrities crash a movie screening to seeing Roger Deakins FINALLY get an Oscar, I had a fun time!

However, that show kind of made me wonder what was in store for The Academy’s future. Because a while after it aired, reports went around suggesting last year’s show, specifically the 90th Academy Awards, received the lowest ratings in the show’s history. I wouldn’t say this suggests that movies are dying. After all, several other awards shows suffered through the same situation. The VMAs had a massive ratings drop this year. Compared to 2017, the Primetime Emmys dropped 11% during its previous show. And according to The Hollywood Reporter, this year’s SAG Awards had ratings that were the lowest they’ve been in “at least eight years.”

Honestly, I would not be surprised if this year’s ratings for the Academy Awards were actually lower than last year.

Sure, there is a ton of competition now in the TV industry, and the entertainment industry in general. A lot more people would rather go online and find out who won either through YouTube, articles, or perhaps Wikipedia or IMDb. More people are settling for Netflix and other streaming services, all the kids are still somehow playing “Fortnite,” not everyone wants to spend a few hours watching people hold trophies, and in today’s politically heated climate, the Academy Awards might almost be unbearable to a certain number of people. Unless you’re James Woods, Gary Busey, or Clint Eastwood, chances are you can’t live/work in Hollywood and be a Trump supporter at the same time.

What I just stated is perhaps valid, but it is not all, because none of this has to do with the absolute enormous shop of horrors that can also be referred to as the buildup to the 91st Academy Awards.

Last year I did a few posts on the Academy Awards possibly implementing the stupidest idea for an award, possibly in history. They somehow thought it was a GRRREAAAAT idea to do a Best Popular Film category! How do we get more people to watch the show? Let’s f*ck excellence in the ass and just say a movie like “Black Panther” earned the all time greatest participation trophy! Thankfully, that is not happening this year, but the fact that the Academy even thought of it, and they are STILL CONSIDERING IT, gets me angry!

While that disaster may be averted (for now), then we get towards the end of the fall, and they begin announcing a host. Their choice, Kevin Hart. And I think he is a good choice to host the Oscars! He has comedy chops and he’s a big movie personality. What more is needed? However, because we live in an era where people’s lives apparently get ruined over something they said a long time ago, and seemingly done with no intentions to call anybody an idiot, Kevin Hart opted out. As time went on, the Academy never settled on a host. They couldn’t find anyone willing to take on such a position. But that didn’t stop them, because they decided to instead gather an ensemble of people to appear at random times during the ceremony. The names were recently announced through social media. Some notable names include Brie Larson, Chris Evans, Whoppi Goldberg, Maya Rudolph, Daniel Craig, and Charlize Theron. I’d be curious to see how this will work, but the idea of not having a host feels very weird. The host is that one person that will take viewers along for the ride, and now we’re hitting speed bumps. I’d honestly host the Oscars if I have a chance, even if that means someone having to dig up some big dark secret from my past. Who knows? Maybe it would make for good comedy material.

While hosting might make some Academy members apprehensive or perhaps in some cases, protective of their own past, there is something else that has recently made Academy members angry instead.

When I think of the average viewer of the Academy Awards, there is a good chance that they are going to only care about certain categories. These typically include Best Actor, Best Actress, Best Picture, and one or two others. Although the technical awards are not the ones I would usually see as categories general audiences would usually be intrigued by at first. However, as someone who reveres the film industry, I appreciate the technical awards. And I imagine other people, including some general audience members, feel the same way, even if that doesn’t mean everyone. There are perhaps some people who would prefer to see their favorite awards presented while some other awards are forgotten about. I personally would like to see all the awards presented if possible, but if not, at least keep the ones that are “important.”

With that in mind, the Academy recently decided to eliminate four categories, not from the ceremony, but from being presented live during the ceremony. These four categories were then given the intention to be presented during the commercial breaks and edited to be aired later during the broadcast. The categories included Live-Action Short, Makeup and Hairstyling, Film Editing, and Cinematography. I am honestly disappointed to see any category get pushed to the side, because I feel that everyone in their respective fields put a lot of hard work into their craft. However, EDITING AND CINEMATOGRAPHY ARE THE FOUNDATIONS OF CINEMA!

I am not alone on this argument, because you know who agrees with me? Roger Deakins (cinematographer), Christopher Nolan (director), Denis Villeneuve (director), Russel Crowe (actor), Patty Jenkins (director), Edgar Wright (director), Wally Pfister (cinematographer), and more! In fact, I was on Twitter recently, and I came across this one tweet which spoke to me, delivering immediate importance.

Holy f*ck, Elias Toufexis! That is the stuff of nightmares!

Donald Trump thinks the border wall situation is a national emergency? No! THIS IS THE NATIONAL EMERGENCY! Thankfully, for the sake of humanity, the Academy reversed their decision. Will this affect the ratings? I am honestly not sure. Because for all I know, there is a majority in agreement that this idea is complete bull, or I am just in my own little bubble. But if the Academy wanted me to watch their show, I would rather have them air all of the categories. We live in a world consisting of countries becoming more and more representative of minorities. And somehow the Academy is going through a process of ass-backwards thinking. I get that some people want the show shortened up. I get that not everyone can sit down and watch a three to four hour telecast where people say “thank you” every few minutes. But guess what? I’ve sat down to watch the Super Bowl for years, and part of me didn’t want to! In fact, after Super Bowl 53, part of me never wants to do such a thing ever again. GIVE ME MY SHOW! If I can’t have “King of the Nerds,” if I can’t have the old format of “Who Wants to be a Millionaire?,” and if I can’t have “Wipeout,” then I might as well have my Oscars show!

In fact, this is not like I am hearing all of this news for the first time. Because when they first announced the Best Popular film, they also announced the commitment to a three hour show, and the idea of airing certain categories during commercial breaks. I’ll be honest, I was skeptical about the fates those categories even at that time! In my post titled “Academy Awards Adds Popularity Contest?! *AN UNACCEPTANCE SPEECH*,” I state that I don’t really know how I feel about this idea and I would have to wait until I actually see it through. I may have just been being nice at that time. The reality is that the Academy Awards is not just a show. It’s not just a chance for audience members at home to glance at all of their favorite stars, but it encapsulates the art of cinema as a whole. It is supposed to be a celebration of a whole year in film, not to mention those who worked in the industry during said year.

I am glad that the Academy listened to its members and followers and decided to remove the commercial break categories, much like when they removed the Best Popular Film category. But the buildup to the 91st Academy Awards has been a trainwreck. It’s like owning an older Xbox 360! Each one of these controversial moments is the Academy Awards equivalent to getting the red ring of death! These are unexpected, unwanted, unneeded, and most certainly, make you need anger management classes once setting your eyes upon them! I am honestly anticipating within the next few days, another cataclysmic and controversial thing coming out of the Academy’s butt. Who knows? Maybe that will be reversed too. But I honestly wouldn’t be surprised at this point. Part of me would not be surprised if some of the current showrunners behind the Academy Awards soon search for other work, perhaps even president John Bailey.

And if the Academy really wants to condense the ceremony and run it for three hours at max, I do have one recommendation. This might be controversial, because some people totally admire the speeches, but sometimes sacrifices have to be made. There is a parody of the Nobel Prizes called the Ig Nobel Prizes. The Ig Nobel Prizes have been held in the Boston area every year since 1991. If you watch recent ceremonies, you may see a young girl, specially one who is slightly different every year. She is often referred to as “Miss Sweetie Poo.” She walks up to recipients of the Ig Nobel Prize. The results? This. Just to warn you, this video is not short, feel free to stop watching at any time.

As the video suggests, Miss Sweetie Poo is easily bored by grown, professional adults, ast they give long acceptance speeches. If the Academy wanted to spice up their show, and for the sake of some general audience members, shorten it up so they can go to bed earlier, they show consider implementing their own version of Miss Sweetey Poo. And it doesn’t even have to be a young, eight year old girl. It could be a young, eight year old boy. Perhaps a teenager who won’t stop staring at their cell phone. It could even be a famous celebrity. Can you imagine an Academy Awards ceremony where someone like Steven Spielberg wins Best Director and a celebrity such as Liam Neeson manages to walk onstage either talking into Spielberg’s ear saying “You’re ruining everything!,” repeatedly, or perhaps loudly snoring like a stereotypical lazy fatass dad. Or, what if they got JK Simmons to dress up as Terrence Fletcher from “Whiplash” and either yell at the speaker, bang a cowbell, or have him be in front of a drum playing it at a designated time? I know the Oscars is a family friendly show so he can’t really go too far in terms of language, but it is certainly a solid idea. Although I am perhaps biased since I came up with it.

So, Academy, if you want to spice up your show for the better, and reduce time, I think you ought to consider what I just said. I will be watching your show on Sunday (from start to finish), I will be reacting to it through social media, and I will most likely be sharing my thoughts on it afterwards in a separate blog post. But in all seriousness, you guys have been demonstrating nothing but incompetence for the past few months! Incompetence so bad that it makes Wile E Coyote seem capable of actually catching the Road Runner for once! A Best Popular film category? What the hell?! Nobody is going to host this year? Oh, great.. Taking away categories and deeming them less important than others? INCLUDING CINEMATOGRAPHY AND EDITING?! YOU PEOPLE ARE SICK!

But I guess I’ll watch anyway…

Thanks for reading this post! If you want to see more on the Oscars, fear not my friends! I will be reacting to the show on social media as it airs (most likely through Twitter), and updates may be provided if I decide to post something on here before the show airs. Although I will guarantee you all that I have some content coming soon for this blog because I’m going to see a movie today, specifically Stephen Merchant’s “Fighting with My Family.” I’m actually seeing this film early considering there is a free screening in my area, so I shall have a review of that up very soon. Be sure to follow Scene Before with an email or WordPress account for content that is Oscar-worthy, and as of recently, Jackoff-worthy! I want to know, are you excited for the Oscars this year? I’m honestly a bit apprehensive about the show itself, but I’m still going to watch. Movies are my religion and the Oscars might as well be mass at church. Even if the show sucks, I would rather avoid any consequences for possible sins. Let’s just hope they don’t wreck the show! Scene Before is your click to the flicks!

Who Should Host the 91st Academy Awards?

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Hey everyone, Jack Drees here! If you have been following some recent news lately, you may have been made aware that Kevin Hart was set to host the Oscars this year. However, that’s not the case anymore. This is due to his recent encounter with his own past, thanks to other people bringing it up. Hart once tweeted jokes that were considered anti-gay and homophobic, thus he decided it would be best to avoid letting himself be a distraction on Oscar night.

As for my thoughts on this, I am personally disappointed. I wanted to see Hart host the Oscars. Not only is he a likable movie personality, but he’s an effective comedian too so he probably could have executed some of the monologues with ease. Not to mention, he’s had hosting experience with CBS’s “TKO: In the Zone.” Also, the departure from the Academy hosting role reminds me of a similar case that happened this year, specifically with “Guardians of the Galaxy” director James Gunn. If you remember, James Gunn had old tweets which resurfaced, causeing his business relationship with Disney to be severed. I want people to be the best person they can be, but the fact is, everyone makes mistakes. Why are we not allowed to reflect on our own mistakes? Nevertheless, the Oscars needs a new host, so I figured since I have time to kill, I wanted to whip up a list of five (or six depending on my mood) capable people, regardless of their past actions, who have the potential to host this year’s Academy Awards show.

Dwayne “The Rock” Johnson

My first pick on this list is, appropriately, someone who has worked with Kevin Hart in the past on “Central Intelligence” and “Jumanji: Welcome to the Jungle,” Dwayne Johnson. As far as hosting experience goes, he has hosted “Saturday Night Live” five times, and he has a new show coming up on NBC in January called “The Titan Games.” If a new host is not decided by the time “The Titan Games” is on TV, and Dwayne Johnson gets kudos for stellar hosting skills, the chances of him taking on the Oscars is only going to skyrocket. Not to mention, when I see him do any sort of project, I always have this sense that he is not only doing it for himself, but doing it for other people. He clearly is a happy man, even when he does s*it like “Skyscraper.” I think Johnson would add a shred of enthusiasm and deliver some excellent comedy with smile on the Academy stage.

Patton Oswalt

This next pick is more of a jump on a bandwagon than anything else, but it’s my list, so I’m going with it. I’m talkin’ about Patton Oswalt. Not only has Patton Oswalt been a legitimate movie personality for his work in films like “Ratatouille,” “Young Adult,” and “The Secret Life of Walter Mitty,” but he’s had some excellent roots in comedy as well. He has appeared in multiple episodes of situation comedies including “Two and a Half Men,” “King of Queens,” and now he’s a regular on NBC’s “A.P. Bio.” To add onto his comedy background, he has done several stand-up specials on HBO and Comedy Central. As far as hosting, he has taken on numerous award shows in the past. The Oscars is a step further from what he’s hosted, but I think Oswalt’s got the guts to step up to the plate.

Howie Mandel

Up next, we have Howie Mandel. Known for his comedy since the 1980s, this guy has had experience in both the film industry and hosting. When it comes to hosting, he has done “Deal or No Deal” from 2005 to 2010, that is until it has been recently brought back this year, and the 2009 Game Show Awards on GSN. When it comes to the films he’s done, he is known for “Gremlins,” “Little Monsters,” and “Walk Like a Man.” I think Mandel has the comedy chops to deliver excellent monologues, funny jokes, and a lovable stage presence. He could probably joke about how hard it is to host the Oscars compared to a game where he has to stare at beautiful women opening cases. Plus, when it comes to politics, this is something I never tended to associate with Howie. This may be just me talking, but even if Howie had to joke about politics onstage, I don’t know if they would tend to associate with his political views since he never usually tends to reveal them, at least according to my experience.

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It has been a trend that talk show hosts have been stepping up to the plate for hosting big award shows. Just this year alone, Seth Meyers hosted the 75th Golden Globes, Jimmy Kimmel hosted the 90th Academy Awards, Stephen Colbert hosted the celebration of Julia Louis-Dreyfus as she received the Mark Twain prize, and James Corden hosted the 60th Grammys. Why not have a talk show host duo? I would like to not only see Conan O’Brien host the Oscars, which would be an awesome thought by itself, but it would also be cool if Andy Richter was there alongside him. The two work flawlessly together, and it is easy to see after so many years. The possibilities are endless for comedy with these two. Also, when Seth Meyers hosted the Golden Globes, he actually took a bit from his own show, “Jokes Seth Can’t Tell,” which takes jokes that wouldn’t be funny coming from Seth Meyers, and lets them fly out of the mouths of other people. I think there are tons of bits that can be taken from Conan’s show and put into the Oscars. I wonder if there would be a rights issue since “Conan” airs on TBS and the Oscars airs on ABC, but I would love it if this were to happen. One bit could be “What Am I Watching?,” which takes TV shows and gives them fake descriptions that can be found with a click of the “info button.” Although instead of TV shows, it could be movie themed. Another one could be “Celebrity Survey,” which takes simple questions about a celebrity’s life, and there are a number of goofy answers that stand out compared to the normal answers. An example for the case of the Oscars would be:

“I don’t want to stop _______”

STEVEN SPIELBERG: Showing off my imagination to moviegoers.

GAL GADOT: Inspiring my fans.

MERYL STREEP: Stealing well-deserved wins and nominations from my fellow acting peers.

One other idea I have for Conan and Andy is at one point, they can come out as Batman and Robin. Conan is Batman while Andy is Robin, and given how Andy is often viewed as nothing more than Conan’s sidekick, that can make for some excellent comedy.

Alec Baldwin

And finally, we have Alec Baldwin. This guy is a triple threat. He does comedy. He does film. He does hosting. In fact, if it weren’t for “Deal or No Deal” coming back on CNBC, Baldwin would be hosting my favorite game show on TV right now, specifically “Match Game.” He has also been a significant part of “Saturday Night Live,” especially in recent years now that Donald Trump is in office. This does bring in my minor concern that maybe the politics will go overboard, but knowing Baldwin, he is able to make politics funny. When it comes to movies, Baldwin’s résumé includes notable credits from “The Departed,” a couple of “Mission: Impossible” films, “The Boss Baby,” and “It’s Complicated.” In fact, of all the potential hosts I listed here, Baldwin is the only one who has been nominated for an Oscar. So it would only be fitting for him to host since he’s had partial experience with the ceremony before.

These are just my picks, and chances are that some of you will disagree me. All of these are just one crazy moron’s opinion, so I want to know, do you have any ideas on who should host the next Oscars? Or, what or who do you think will be nominated this year and for which categories will such a thing or person be nominated? Let me know down below! Thanks for reading this post! This weekend I am gonna try planning to go see a movie, either “Spider-Man: Into the Spider-Verse,” or “Mortal Engines.” I will also say, this is my last week in my first semester of college, so I currently have a good amount of time on my hands to go see movie. Since it’s December, I have absolute intentions to see a lot of them. I actually wanted to see “The Favourite” yesterday since it was playing at a couple theaters near me on the way home but I passed up on the opportunity. Oh well. Be sure to follow Scene Before either with your email or WordPress account so you can stay tuned for more great content! Scene Before is your click to the flicks!

Oscars Best Popular Film Category CONFIRMED To Be Implemented To Boost Ratings

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Hey everyone, Jack Drees here! I usually don’t talk much about TV, but today is one of those once in a blue moon occasions where I have to bring it up. Although this one is especially appropriate because it heavily involves movies, celebrating movies, and perhaps the future of how film itself is viewed. In August, The Academy came up with some ideas to spice up the upcoming Oscars ceremonies. Two of them were ideas I thought would have little to no effect on how the show is run (earlier airdate, commitment to three hour telecast). I still question them to this day, but at the same time, they are nowhere near as questionable as the one we are going to talk about today. As you may or may not know, one recent idea that has come out of at least a single brain of The Academy is the introduction of a category based on “Popular Film.”

What does that mean? Well, the answer isn’t exactly 100% clear. But in all likelihood it has to do with films that have a huge fan followings prior to or after its release. Box office may be a huge determining factor so the Marvel movies are one true example of the films that can get nominated. And one thing about this that seems very obvious, it might be an excuse to say that a certain movie that wasn’t “good enough” can get nominated, or even win an Academy Award. Let’s take “Black Panther” for example. It’s a superhero movie, based on a comic book, with a diverse cast, it made more money than most of the movies released in 2018. Critics loved it, and so did fans. Keep in mind, there is not one single film released in the Marvel Cinematic Universe that has ever won an Academy Award. There have been several nominations over the years, but not one movie was ever victorious. So one of these movies finally wins, and it happens to be “Black Panther.” Well, what does it win? Best Visual Effects? Best Sound Mixing? Best Cinematography? No! Nothing of excellence! Best Popular Picture!

ME: But that truly doesn’t measure how good a movie is!

THE ACADEMY: But it’s popular!

ME: Doesn’t make a difference!

THE ACADEMY: But they won!

ME: How do you think the Chicago Cubs would feel or be measured if they won “Most Popular Team” in 2016 instead of the World Series?

THE ACADEMY: But “Black Panther’s” a great superhero movie!

ME: Listen to me, measure FILM AS A WHOLE, or die!

This Best Popular Film category is literally going against all that the Oscars is about! It basically takes the idea of excellence, and literally meshes it into something along the lines of the Teen Choice Awards or the MTV Movie Awards! I’m bringing this up today mainly because there was a recent piece written by Vanity Fair that I feel needs to be talked about. Let’s take a look at this first statement from a suggestion.

“The best-popular-film category might not be presented at next year’s Oscars, but the Academy is still keeping the idea in its back pocket.”

Is that another way to say you’re keeping it alongside your ass? Because while you may not be doing such a thing intentionally, this sure as hell feels like such a thing is happening. That’s not the statement we’re going to dive into supreme detail about however, because we haven’t even taken a look at the next statement.

“Bailey also confirmed that the award was designed as a direct response to the ceremony’s disappointing ratings, which have fallen steadily over the last few years. Drawing viewers in by catering to mainstream hits “seemed like a good idea” to the board at the time, he said, but the pushback against the proposed new category was strong enough that the Academy ultimately announced that it would no longer introduce the prize at the 2019 ceremony. However, that is “not to say that the idea is dead,” he added. “Even after a stake was driven through its heart, there’s still interest.””

With that in mind, let me just remind you that I was one of the people who sat down for the most recent Oscars ceremony, which received the lowest ratings out of any of its telecasts. Some choose to blame the long runtime, while others will speak towards the political talk, and a certain orange individual will point out the following:

All opinions aside, the Oscars had its lowest ratings this year with 26.5 million viewers tuning in, which does not include people watching through digital or mobile platforms. Slight digression here, but this is just one of the event programs airing this year which has just hit a new low. The Emmys and Country Music Awards have both suffered to the point where they too have received the lowest ratings of all their telecasts. The Super Bowl just received its lowest ratings since 2009. The MTV VMAs also had their lowest rated show this year, which believe it or not, means they went two years in a row having their lowest rated show. This is a problem for sure, and I’m willing to bet part of it has to do with politics, a lack of attention span, and maybe the fact that streaming doesn’t always get tracked in ratings (although Hulu with Live TV and YouTube TV are slight exceptions).

But speaking of ratings, I cannot see into the future, but I don’t see how this popular award is going to help! The fact that you guys are even still thinking about it NOW is baffling to me. I remember it was said that this award was going to be “postponed” from the next ceremony, but now that conversations about it have resurfaced, I feel the need to add in my two cents about it. The fact that the Oscars is considering doing this is just sad. It’s sad because I’m a movie fan, and as a movie fan, I watch the Oscars not because I’m saluting movies that make lots of money, but because I’m saluting movies in terms of brilliance and the very idea of film as a whole. In fact, this category, Best Popular Film, is an insult to moneymaking films. I said it once before, this reminds me of the Best Animated Feature category. It’s a category for movies that MIGHT NOT BE GOOD ENOUGH for Best Picture or other categories, but hey! We have more nominations to gloss over! Maybe there’s an argument to be made that the Oscars is already somewhat of a popularity contest because you have a group of people voting on movies that they’ve experienced in the past and everything on the nomination list is from their perspective. My response, try making your own award show, where you are the control center of all operations, and avoid putting your opinion into one thing related to it.

With that in mind, let’s move onto another part of the article.

“Bailey pointed out that there is Oscar precedent for handing out two different sorts of best-picture awards. At the very first Academy Awards ceremony in 1929, the best-picture category was split into two sections, with one recognizing the best-box-office hit (“Wings”), and the other the best artistic production (“Sunrise”).”

You understand the meaning of “worst for first,” right? This somewhat reminds me of what the Golden Globes tends to do every year, because for their awards, they seem to split the awards by genre. For certain awards in both movies and TV, we see the label towards the end, “Comedy or Musical” or “Drama.” While that may make the awards somewhat less prestigious, it still works better than the Academy’s popular film idea because at least it has nothing to do with how much money a film makes, or the amount of people who follow it simply because it is either trendy or in the moment. I’ll be honest, while to some people this might be a stretch, should “Avengers: Infinity War” be nominated for Best Picture, I’d be very happy for it. We are getting towards the end of the year, I don’t know how long such a thought will stay in my mind, but still. If it were nominated for Best Popular Picture, it would be an insult to the movie. Hey, movie! You’ve got a fan following! Ignore the critics! The fans love you! Here’s your kiddie table!

And speaking of fans, let’s take one word in the first quote and talk about it in depth. Catering.

Catering is fine when you’re having a special event such as a party or a wedding. Other than that, catering sucks! The fact that the Oscars might ignore their previous ways and CATER to mainstream audiences is just abysmal! You know who does that? The MTV Movie Awards! Most of the awards are for films that mainstream audiences know! That’s not always a bad thing, but what if there’s a year that all the mainstream audiences watch whatever happens to be disposable garbage? To the mainstream audiences, watching films is entertaining, not a job. Not only that, but some of the movies you’ll find are ones that critics are not even giving deep attention towards! When you have Kristen Stewart winning THREE awards for her performance in the “Twilight” franchise, that is a not a positive sign.

Now this is the part where things get a whole lot worse:

“Bailey also tipped off some of the Academy’s ongoing conversations about the future of the organization and the televised Oscar ceremony, noting that Disney, which owns ABC, is trying to “expand the awards to millennials,” in order to help the telecast thrive through ABC’s 2028 contract.”

I KNEW IT! DISNEY WAS BEHIND THIS ALL ALONG! HOLY F*CKING MICKEY MOUSE I WAS RIGHT!

OK, well, maybe not entirely. I’m not sure if Disney has a hand in the Best Popular Film category or not, it’s hard to say. But the fact that the Oscars is going from the most prestigious award show in movie history to a yearly event that solely depends on ratings means that it is basically going through a humongous downfall. This is an issue that is worse than the politics! This is an issue that is worse than the long hours that I’ll honestly sit through but others can’t take! This is an issue that relates heavily to one of the biggest complaints associated with sports for younger athletes, especially some in the millennial generation. The participation trophy. What’s going on here is that the Best Popular Film award is the kiddie table award that says a movie wins something but in reality, wins nothing. They get the award equivalent of a sticker. Yay! You voted in the election! Chances are you just killed us all! But hey, here’s a sticker for your valuable efforts!

I got to ask a serious question though, how exactly is the Oscars going to target millennials? What are they, going to advertise the show with glossy backgrounds and everyone has Snapchat dog filters on their heads? Are they going to go nostalgic and celebrate the movies the nineties’ kids used to watch? Maybe put all of the older Oscars telecasts on Netflix or the new Disney streaming service? But if you are only trying to force voters to vote for movies that mostly millennials watch, then the Academy has crossed the line. I could go into catering, but I’ve already done enough of that, haven’t I?

I may have calmed down about this a couple of months ago, especially when you consider that it was announced that this award was postponed. But to me this is something the movie nerd community is likely to talk about. It’s like the comic book nerd community trying so hard to talk about the latest updates on the supposed “Gambit” movie that should be happening sometime soon. Maybe never, I don’t know. I thought the reason the Oscars was going to implement this was to boost ratings, and boosting ratings is not a bad idea considering what their audience consisted of this year, but this is not the way to do such a thing. The Oscars, is about prestige. It’s about celebrating the best in film. Let’s keep it that way.

Thanks for reading this post! If you are interested in more of my content be sure to check out my review for this year’s Rhode Island Comic Con! I went for the fourth year in a row and there are so many reasons to love it! Please check out my post! I will say I have no scheduled reviews for this weekend (that could change though), but there is a movie I did see on Monday called “Second Act.” I’m not going into detail about it whatsoever, my lips are sealed, it doesn’t even come out until December 21st. I don’t know when the review embargo lifts, but I can guarantee you’ll see my review when the Rotten Tomatoes ratings are revealed. There’s already verdicts on Facebook, but let’s face it, it’s Facebook. Who really cares at this point? Be sure to follow Scene Before with your email or WordPress account so you can stay tuned for more great content! I want to know, did you read the Vanity Fair article or hear about this whole fiasco somewhere else? Or, since we are taking shots at the Oscars, what do you think is the worst thing about the Academy or the Oscars? Let me know down below, and speaking of down below, if you want to read the Vanity Fair article I’m talking about, click the link at the end of the post! Scene Before is your click to the flicks!

VANITY FAIR ARTICLE: https://www.vanityfair.com/hollywood/2018/11/best-popular-oscar-ratings-john-bailey

RHODE ISLAND COMIC CON 2018 REVIEW/HAUL https://scenebefore.wordpress.com/2018/11/11/rhode-island-comic-con-2018-review-haul/

Gravity (2013): Life in Space Is Impossible

Hey everyone, Jack Drees here! Some of you may be aware that I am currently doing a series of reviews which involve space movies. Last week I did my review for “2001: A Space Odyssey.” I’m pretty sure I HAVE NOT talked about the movie before. LOL. Now it is time for my second entry in the series. After this week, I will be tackling another space movie, which is all being done in preparation for the upcoming Damien Chazelle directed “First Man.” This movie is going to release on October 12th everywhere in 2D and IMAX so look around for your local showtimes regarding the film. As for the movie we’re going to be talking about today, that is going to be the 2013 flick “Gravity.” In fact, coincidentally, this review is being brought to you EXACTLY FIVE YEARS AFTER “GRAVITY” CAME OUT IN THEATERS EVERYWHERE. Therefore, this review feels very fitting. Without further ado, let’s blast off, and get going with the review!

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“Gravity” was directed by Alfonso Cuarón (Harry Potter and the Prisoner of Azkaban, Children of Men), stars Sandra Bullock (The Proposal, The Heat) alongside George Clooney (The American, Batman & Robin) and revolves around a girl by the name of Ryan Stone (Bullock). She is in space working with Matt Kowalski (Clooney) when all of sudden their mission doesn’t go according to plan. A bunch of debris coming towards them causes a separation in crew members, and now it is up to Kowalski and Stone to survive together in space.

Now this is the start of the review so I might as well set the mood.

AT 600KM ABOVE PLANET EARTH THE TEMPERATURE FLUCTUATES BETWEEN +258 AND -148 DEGREES FAHRENHEIT

THERE IS NOTHING TO CARRY SOUND
NO AIR PRESSURE
NO OXYGEN

LIFE IN SPACE IS IMPOSSIBLE

Aside from the Warner Brothers logo which happens to introduce the movie, this is the first thing that can be seen on screen regarding “Gravity.” There are many introductions to a movie that can either remind you what you’re in for or get you excited for what’s to come. This one succeeds at both tasks. The rise in the music, the black screen, and the fades of the text. All of these remind you that you’re in for a ride. You have to strap yourself in. Many bumps are ahead. There’s even some sounds in the background that might as well associate with what a disaster in space would end up being.

Then… you cut to…

SPACE.

Much like the space shots in the last movie I reviewed, specifically “2001: A Space Odyssey,” pretty much all of them are insanely gorgeous. I will probably give the 1 up to “2001” over “Gravity” when it comes to space shots based on what it is shot on and how they actually crafted everything in space as supposed to using CGI (you can’t really do that in 1968), but given how realistic the CGI looks in this movie, I am almost convinced at times that this actually is space. I had a conversation with a companion months after this movie came out where she uttered this movie is basically “all visual effects.” She’s right. The amount of effective green screen used in “Gravity” actually blows my mind. It’s almost like we’re witnessing “Jurassic Park” in space. I say that because “Gravity,” like “Jurassic Park” relies heavily on CGI and the way they’ve executed visual effects in both movies just feel like they can blow your mind out of the water.

Speaking of shots, this movie came out in 2013, and as far as movies released that year go, this one won Best Cinematography at the Academy Awards. And holy crap this movie deserves it. Let’s talk about some of the unique shots in “Gravity.” When it comes to “Gravity,” the first shot I think of is actually the earliest one we see in the film. We see Earth, and a spacecraft is coming in. We also get to see our characters. If you have never seen this movie, this is probably gonna get you to want to check this movie out. That shot goes on for somewhere around ten minutes! Can you imagine how much rehearsing went into that shot? Can you imagine how much preparation the director and people behind the camera had to go through? I wonder what the storyboards must have been like!

Another cool shot is one that is pretty much reminiscent of a first-person game. And I mean that literally, they have FIRST-PERSON shots in this movie. There’s one in the middle of the film that has Ryan Stone trying to get into the International Space Station and as she opens the door to get inside, you can get a view into her helmet just before the door flies as she tugs onto it.

Take that, “Hardcore Henry!” You stole “Gravity’s” idea! I’ve seen this movie in IMAX, and as I reflect on what this movie has, it just makes me want to create a petition to rerelease this film in the format so I can experience shots like the ones I mentioned in such an immersive way.

Going back to visual effects, we need to talk about 3D. There are VERY few movies that I think have been worth the extra money for 3D. Some include “The Hobbit” trilogy, “Mad Max: Fury Road,” and f*ck it, even the stupid “Ghostbusters” remake. Gotta give it credit for something, ya know. “Gravity” is also in such a category. You have many scenes where debris and characters are flying everywhere and it’s all just a visual spectacle to the face. It’s like you’re in space and you’re constantly getting hit in the head with debris! Only thing is you’re much more likely to survive because in all practicality you might as well be Dominic Toretto from “Fast & Furious.”

I can’t wait for “Fast & Furious” in space. It’s gonna be great.

One of the most immersive scenes in the movie comes from when Ryan Stone changes spacesuits and is outside the ISS. More debris is incoming, and all of a sudden, the ISS is doomed. You’re seeing bits and pieces flying everywhere and it is just like going on a ride at Universal. While Ryan Stone is certainly in danger, you feel like you’re in danger as well. I also love the line given by Ryan after she is free from any more suffering in this incident.

“I hate space.”

One of the main characters in “Gravity” is played by George Clooney. His name is Matt Kowalski, and he seems to have a knack for telling stories. As I watched this movie, I noticed that when the mood seems to be light, he would tell a story, maybe it is one the characters have heard before. If not, he tells one that has a similar vibe or structure to it.

Another main character, and I’m talking about someone who is technically THE main character is Sandra Bullock’s Ryan Stone. Talk about one of the best established characters of the decade. She starts off this movie as a seemingly normal character and then you get into her backstory. It’s almost like watching a Pixar movie that doesn’t really gear itself towards children. I mean, HER KID DIED. All she does when she isn’t in space, is go to work and drive. That’s gotta be the most boring life imaginable. I mean, she doesn’t clean McDonald’s restrooms, but even so. Given her backstory and the fact that she is TRULY pulling through, it just makes you root for the character that much more.

I gotta say though, when it comes to the end, that’s where this movie falls flat. This film is an hour and thirty-one minutes, but I don’t know how to feel about the ending. Without going into spoilers, it’s not an out of place ending, but I don’t know, I kind of wanted to see more than just what we got. Also, speaking of out of place, there’s a song that you can hear at the end of the movie and the credits, one of the weirdest song choices in movie history.

Also, regarding out of place stuff that I won’t really spoil, George Clooney’s character does something towards the end of the movie that really, honestly, makes zero sense. If you want to get technical with me, I might even say there are two things. I don’t even know, it just feels out of place. If anything, I could say it might be associated with an illusion or some sort of vision, maybe symbolism, it just makes the movie feel very strange and I just don’t understand why he would be doing what he’s doing.

Now it is time to get…

NITPICKY!

I’ll be honest with you, I don’t do work with rockets, I have no scientific background in anything related to space, I don’t work for NASA. My friend does, but she’s busy doing her own thing, so no, I didn’t ask her to help me out with this post. And you know what? I’d probably do a fine job noting some inaccuracies that can be seen in “Gravity,” but the fact is, I’d really be taking the words out of someone’s mouth. To be specific, the words of Dr. Neil DeGrasse Tyson.

Some of you might remember the pointing out of scientific inaccuracies since early on in this movie’s release. But one of the more notable bits when it comes to that is from Tyson. He went on Twitter and had a few things to say.

Again, it’s nitpicky, it’s not like we have everybody in the world going around saying the same thing as this guy. Maybe some people would complain about the single-dimension of George Clooney or the cheesy lines that occasionally pop up. But at the same time, science is something that I’m willing to bet a number of filmmakers want to get right in their movies. If your movie has something that maybe in the screenplay was written to be completely compelling, but on screen has the most glaring scientific flaw, some people might point out the scientific flaw as opposed to what makes the scene a thing of beauty. In fact, you know that friend at NASA I was talking about? Even she sometimes says that Hollywood and science don’t always mix and she is not into that sort of thing.

And for those of you who think Dr. Tyson hated “Gravity…”

And this is something that can be taken seriously. While you can certainly enjoy a movie for what it is, there is certainly no shame in pointing out problems, even if they are nitpicky. After all, the more accurate the science is in the movie, the more I might end up enjoying it. “Gravity,” according to my memory, might as well be the first movie where I didn’t exactly question the science on screen, but it had me realizing that when it comes to science, not everything was perfect. In that sort of way, this movie is kind of special to me. How often can you say you remember a movie for its flaws? OK, well, more than you think, I still remember “The Emoji Movie.” But at least these flaws aren’t game-breaking.

In the end, “Gravity” is scary, it’s suspenseful, it’s what you can totally ask for in a space disaster film. To this day it is by far one of the most immersive movies I’ve ever seen. Some of the camerawork is not only masterful, but just so brilliant that it basically changes the game of how future movies could be made. And it did in a way if you think about it given how “Hardcore Henry” took the first-person concept and made an entire movie out of it. I could be wrong. Maybe video games were a bigger inspiration, I don’t know for sure. But if “Gravity” was bigger, cool. Not to mention, “Hardcore Henry” uses GoPro as its source of cinematography whereas this movie’s main source happens to be Arri Alexas. Like Dr. Tyson, I enjoyed this movie very much and I’m going to give “Gravity” an 8/10. While this movie does have some problems, what really gives “Gravity” the 8 mark for me is the journey of watching this film. Our main hero who is just trying to survive is definitely one of the more compelling characters I’ve come across over the past few years. The sound work done in this film is scary as s*it. The visual effects feel like in a way that they may be somewhat groundbreaking, or in some cases, International Space Station breaking. And the cinematography is just so brilliantly done.

*IF YOU LIKE RAMBLING OR BEING INFORMED ABOUT THINGS, READ ON FROM HERE*

Thanks for reading this review! Next week will be my final installment in my space movie review series in preparation for “First Man.” Just a reminder, “First Man” is in theaters everywhere on October 12th, but the day before I will have my review up for “Apollo 13.” I’ll be honest with you, and I’ll let you guys know in advance, I’m not sure how this review will turn out. I’m not saying it’s gonna suck. In fact, if I knew it was gonna suck, I’d scrap the review altogether. But compared to this movie and the other one I’ve reviewed in this series, “2001,” “Apollo 13” just happens to be a film I don’t have as much experience with. I will say one thing I’ve noticed with reviews for older movies is if I know the movie, I put more detail into the review. In my Tom Cruise series, I barely put anything into my review for “The Firm” because my review for it was composed after my first viewing whereas “Risky Business” was something I not only seen before but also happened to have a deep passion towards. My “Firm” review ended up at over 1800 words and my “Risky Business” review ended up at over 3400 words. Then again, it’s not about quantity, it’s about quality. And I may be underestimating myself. I have seen “Apollo 13,” but it’s been years and I only deeply remember various parts. Plus I’m going to New York this weekend and I haven’t even watched the movie yet. Maybe I’ll watch it, go to sleep, wake up, and start my review on the train ride to New York, I dunno.

Speaking of New York, be sure to stay tuned for my thoughts on this year’s New York Comic Con! I will be going to the con on Friday and Sunday. I do have Columbus Day off, so if I have time, maybe I’ll use it reviewing the con and telling you what I purchased there. For those of you who want to see more of my work, be sure to follow Scene Before with a WordPress account or an email so you can stay tuned for more great content! I want to know, did you see “Gravity?” What did you think about it? Or, what is your personal worst scientific inaccuracy you’ve ever seen in a movie? Doesn’t even have to be scientific, maybe history-related. Your choice. You have the power.

Only you can control your future. -Dr. Seuss

Scene Before is your click to the flicks!

The Academy Postpones BEST POPULAR FILM: Thank Heavens!

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Hey everyone, Jack Drees here! Last month I talked about perhaps the all-time dumbest idea that has ever come about in the history of the Academy Awards, that idea being the introduction of an all new award that celebrates POPULAR FILM. Like, why? As if the idea was bad enough, part of me wondered why it was even introduced in the first place. Yes, the Academy Awards had its least watched show ever this year, and they are trying to find ways to get its ratings higher next year and years down the road. But part of me wondered if ABC, the channel that airs the Oscars, stepped in and said, PRAISE US! And I don’t mean that literally, because ABC doesn’t make movies set to release in theaters. What I mean is that ABC is owned by Disney, the creator of the animated film “Dumbo,” which is just an understatement for how ridiculous this popular film award idea truly is. Disney has had a pretty successful year so far, releasing three films this that have surpassed $1 billion mark at the worldwide box office, and one of those films actually reached the $2 billion mark (“Avengers: Infinity War”). And it’s not just money that talks here, it’s also the critics and moviegoers. “Black Panther” and “Avengers: Infinity War” happened to be two of the best reviewed comic book movies in recent memory. It’s possible that Disney wants an Oscar, just to say they’ve won an Oscar. “Black Panther,” which is getting tons of phrase left and right, seems to be a big contender, and certainly would also have that title attached to it if this category were to exist, but if you nominate “Black Panther,” or if that movie WINS the Oscar for “Best Popular Film,” I just see it as an insult. It makes the Oscars look like a popularity contest, and it somewhat diminishes the value of the movie itself. Maybe “Black Panther” ended up not taking Best Picture, but hey! It’s popular!

Gimmie a f*cking break.

Luckily, after about a month of a storm that is almost on the disaster level of a sharknado, The Academy answered the prayers of many in the movie community by saying that the award WILL NOT be presented in the 2019 Oscars telecast.

*APPLAUSE FROM SELF*

Now let me just say, from what I’ve read, I wouldn’t say this concept of an award is gone for good, because I’m hearing from various sources like The Wrap and Indie Wire that it’s been delayed, but still, IT’S NOT GONNA BE A THING! For those of you who have read my post that I completed last month about this, I must say, I had a wish to pick the host of the 2020 Oscars if this award idea was still going to be executed, and as much as I wanted either Mark Hamill, Conan O’Brien, or Howie Mandel to host the Oscars, the eradication (sort of) that this popular award idea has received is certainly something I’ll take.

And it’s not just me who has been raging about this whole Oscar popular award fiasco, people in the industry such as Steven Spielberg (Ready Player One, Schindler’s List), Laura Dern (Star Wars: The Last Jedi, Big Little Lies), were highly against this idea. Not just them, but movie bloggers, vloggers, websites everywhere just so happened to be calling this a s*itshow! Another notable celebrity included Rob Lowe (Parks and Recreation, St. Elmo’s Fire), who tweeted saying that this idea was the worst thing the Oscars has done since he was supposed to come on the show and sing onstage with Snow White, which did happen by the way, as I was writing this, I watched a video of what exactly went down (below). It says it’s just over eleven minutes, which is a total lie, allow me to declare, IT NEVER ENDS! And if you were to ask me which Oscars idea was the worst, having seen this Snow White bulls*it, it’s close, but this popular award frenzy would CERTAINLY be my answer.

Let me once again state, this award is DOWN, not OUT. I gotta ask though, WHY THE F*CK IS THAT THE CASE?! Before I get too selfish here, I ought to calm down and realize that sometimes a little experimentation can’t do all that much harm. Because if you have been following this site and read that other post I did about this, you may remember I went over a couple of other new ideas the Academy has come up with. These include a commitment to making the show a three hour telecast, and setting an earlier airdate for the 92nd Oscars. And while I do have minor concerns related to both the first and second idea, my concern level isn’t as enormous as it is for the main topic. While I’m relieved that we’re not getting this award, it almost makes me think in a couple different ways. Does the Oscars have an idea related to this award that maybe the general public and reporters are absolutely missing? Because the way I see this idea is that it’s just an excuse to make the Oscars a popularity contest for a moment. F*ck craftsmanship! F*ck hard work! F*ck not putting how much money something makes into a situation like this!

To me, Best Popular Film, is basically the same thing as Best Animated Feature, only dumber. It’s an exclusive category for films that MIGHT not be good enough for Best Picture, or other prestigious categories, but hey, at least they’re nominated. If a film like “Thor: Ragnarok” won this award at the most recent Academy Awards, it’s just gonna be that one kid at the small table, stuck with his juice box and grilled cheese sandwich, whereas the grown-ups like “The Shape of Water,” “Dunkirk,” and “Call Me by Your Name” all get to enjoy the liquor at the bar while simultaneously chowing down on some fresh steak.

One highlight from all of this is some of the words spoken by Dawn Hudson, the CEO of The Academy.

“There has been a wide range of reactions to the introduction of a new award, and we recognize the need for further discussion with our members.”

Wide range? OK, I’ve talked to a number of people I know about this, but I’m pretty sure only ONE of them thought it was a good idea. In fact, if I remember correctly, this person could have changed their mind! But for the most part, the reactions all over have been “F*ck this idea!” So this, “wide range” that apparently is on your mind right now, forget about it, f*ck it!

And let me just say one thing, should the Academy decide to bring this award back to life, they should pay attention to my statement. Just because something is popular, it doesn’t make it good or Oscar-worthy. “Twilight” is popular, doesn’t make it good or Oscar-worthy. “Fifty Shades of Grey” is popular, doesn’t make it good or Oscar-worthy. “Mission: Impossible II” was the highest worldwide grossing movie of 2000, but was it good or Oscar-worthy? No. And you could make a case saying by stating fantastic popular films to come out in the years the other, inferior popular films came out. “Twilight” came out in 2008, but so did “The Dark Knight.” It was nominated for eight Oscars and ended up taking home two. “Fifty Shades of Grey” came out in 2015, but so did “Mad Max: Fury Road.” It was nominated for ten Oscars, including Best Picture, and ended up taking home six. And yes, “Fifty Shades of Grey” was nominated for an Oscar, but it’s for Best Original Song,” so who cares? “Mission: Impossible II” came out in 2000, but so did “Gladiator.”  It was nominated for twelve Oscars, and ended up taking home five, including Best Picture. I’ll just remind everyone that there is a place for popular films, but it’s not the Oscars, you know, unless it was masterfully created and executed. If someone were to create a show that celebrated everything that people know or follow, then OK, at least it’s honest. “Black Panther” will probably end up taking home a ton of awards, it’ll be a close race between that and “Infinity War” for Best Picture. But if you are creating a show that’s meant to celebrate the best of the best, don’t bring popularity into it.

And going back to Best Animated Feature, let’s consider that for a second. What if we find ourselves in a year which there are no good animated films? Some of the animations we’re getting next year include “Toy Story 4,” “Wonder Park,” “The Lego Movie 2: The Second Part,” “UglyDolls,” “The Addams Family,” “The Secret Life of Pets 2,” “Farmageddon: A Shaun the Sheep Movie,” and “How to Train Your Dragon: The Hidden World.” Based on the trailer for that last movie I mentioned, I’d say we’re gonna have at least one good animated feature next year, but what if in future years, all of the animated features suck? So, what if the future popular movies are simply phenomenons? They just make money, and therefore they are popular. It would take a kiddy table award and just shrink it into a baby table. So, Academy, listen to me, if you don’t want me getting closer to choosing a future Oscars host again, ERASE THE IDEA COMPLETELY. YOU GET IT?!

If you want to find out more of my thoughts on this whole fiasco, I have a link to my other post that I did on this, be sure to check it out, back when life was harder and I wasn’t jumping for joy. This award may not be dead, but the progress of a full disappearance may be near completion. Let’s just hope it goes away as soon as possible.

Academy Awards Adds Popularity Contest?! *AN UNACCEPTANCE SPEECH*

Thanks for reading this post! I also want to invite you to check out some of my recent movie reviews. Be sure to click the links down below if you’re interested! Be sure to follow Scene Before with your email or WordPress account so you can stay tuned for more great content! I want to know, what are your thoughts on the Best Popular Film Oscar being postponed? Or, do you think they should have kept it? Is there any reason why? Let me know down below! Scene Before is your click to the flicks!

“KIN” (2018) REVIEW

“EIGHTH GRADE” (2018) REVIEW

“GRINGO” (2018) REVIEW