Why “And Then There Were Fewer” is the Best Family Guy Episode *MAJOR SPOILERS*

PREVIOUSLY ON SCENE BEFORE:

“What happens here? You know what? I’m not even gonna specify, because spoiling this particular episode, while hard, isn’t worth it.”

“I could go on forever about this episode, but I’d be wasting precious time.”

SOURCE: Top 10 “Family Guy” Episodes *SPOILERS*

AND NOW…

FAMILY GUY: When the residents of Quahog are invited to a stately mansion for a weekend getaway, the retreat turns into a real murder mystery when guests end up dead and everyone scrambles to solve the crime on the one-hour season premiere episode of FAMILY GUY airing Sunday, Sept. 26 (9:00-10:00 PM ET/PT) on FOX. FAMILY GUY © and ª 2010 TTCFFC ALL RIGHTS RESERVED.

Hey everyone, Jack Drees here! I do not talk about TV that much here on Scene Before, but it has been over three and a half years since I talked about ten of my all time favorite “Family Guy” episodes. Some examples from the time include “PTV,” (S4E14) “Wasted Talent,” (S2E20) “The Simpsons Guy,” (S13E01), and “Blue Harvest” (S6E01). If you are wondering, no, I do not have any current plans to update the countdown anytime soon. Maybe in a couple years if I’m desperate, but who knows? Besides, even though “Family Guy” is still on the air today, many of the newer episodes are either unfunny, disposable, overly cruel, or downright unwatchable. But there have been some diamonds in the rough, most notably “Three Directors,” (S16E05) where it is one short story presented in the “visions” of Quentin Tarantino, Wes Anderson, and Michael Bay, and “Trump Guy,” (S17E11) where Peter works for the Trump administration. But my favorite episode has aired during a time where “Family Guy” was just getting into the HD age.

Today, September 26th, 2020, is the tenth anniversary of my favorite “Family Guy” episode of all time, “And Then There Were Fewer.” Now I have a lot of respect for the “Family Guy” series. It is a show that I started watching at one point, and convinced my father to watch alongside me. I guess I got lucky, because at this point my father thinks Seth MacFarlane is a genius. In fact, I’m attempting to work on a bit of a “Family Guy” project myself. I can’t say much about it, but if Seth MacFarlane, Fox, or Disney reads this, I will be happy to talk with them about an idea or two I have!

When it comes to the adult animation genre, I think “Family Guy” reigns supreme in terms of humor and likable characters. From Peter to Stewie to Joe to Quagmire, the list goes on. Throughout the seasons, they all have their highlights in various episodes. And even if the episodes themselves are not that great, I still like the characters because at the end of the day, they have a likable presence or personality to keep the show afloat. Peter is a lovable idiot. While he is somewhat entitled and lazy, he plays the part great. I’m not a dog person, but Brian is probably one of my favorite dogs in media, mainly because of how well executed he is as a voice of wisdom. I occasionally enjoy myself realizing that Seth MacFarlane sometimes puts a bit of his own personality into Brian’s character. As for Stewie… He is probably in my top 10 most relatable characters of all time. Well, minus the desire to kill my own mother.

The supporting characters of “Family Guy” show themselves to be quite admirable too. From Tom Tucker, the charming newscaster who has a knack for dry commentary, to Mayor West, who is basically a college frat boy in a geezer’s body (RIP Adam West), and even though the actor himself is a controversial name as of today, James Woods had some of the greatest moments of screentime in the entire series.

This all adds up to something… That, kinda feels like a culmination.

The reason why I enjoy “And Then There Were Fewer” more than any other “Family Guy” episode is the same reason why I consider “Avengers: Infinity War” to be the best installment in the Marvel Cinematic Universe. Every other movie felt like they played a part in a series of buildup. These movies eventually let “Infinity War” take elements from them to give a big, grand story that stands on its own and recognizes what came before, and even builds the story further in the end.

Keep in mind, “And Then There Were Fewer” is the premiere episode of “Family Guy’s” ninth season, but at times, it feels more like a finale. People die. The vibe is incredibly grand and massive. Also keep in mind, even though I mentioned “Infinity War,” this is not exactly like an epic. After all, this episode is a quirky but somewhat serious murder mystery. This episode relies a ton on its own, heavy, unique atmosphere that quite frankly, I have not seen in too many other “Family Guy” episodes. Your typical “Family Guy” episode goes straight for humor. Maybe it’s dark humor, controversial humor, or some plethora of pop culture references. And those are not always bad. These are in the show’s collective wheelhouse. In “And Then There Were Fewer,” the humor is there, but I stay for the story and characterization.

Let’s go over how the episode goes down, and I’ll give some of my thoughts along the way. *MAJOR SPOILERS AHEAD*

The episode begins with the Griffins finding out they were invited to a party at Rocky Point Manor, a massive location where the rest of the episode would take place. This episode is the first one in series to be presented in 16:9 widescreen and high definition. In fact, the intro that is not often shown on television due to time constraints (it can be found on the DVD version of the episode, however) tries to make the viewer aware that they are in for something new. Not just in regards to looks, but the overall vibe. The scope is massive, almost movie-like perhaps. Instead of the traditional intro where they show the main characters in the Griffin House and an alternate venue singing, they rely on scenery and atmosphere. When the main location of the episode is revealed, the music, which by the way is a full-blown orchestra, is kind of bombastic and triggers an emotional punch. The music does a solid job of reminding me as a viewer of the beauty regarding the massive mansion up ahead. The colors and animation in these opening scenes are vibrant and finely detailed.

Now, this is a cartoon, meaning that you can get away with more in a presentation of its kind compared to something in live-action. Thus, this episode handles a crossover sort of situation at hand. Turns out the Griffins were not the only ones to get the party invitation, but as Lois points out, “the whole town got invited.” Not only did they get invited, but they got invited “in their honor.”

This brings every single character imaginable into the episode. Your main tag team including Mayor West, Quagmire, and the Swansons. They’ve also got Mort and Muriel Goldman, the Channel 5 news team, Dr. Hartman, you name it. This episode seems to open with big promise, but does it deliver above and beyond the idea of bringing tons of people together? You betcha.

“Good evening, everyone.” -James Woods

I know a lot of people are currently divided over James Woods as a person, but regardless of his personal views of the world, I will say that he has appeared in some of the best “Family Guy” episodes, and this one is no exception. His role in here is perfect as it solidly relies on previous buildup. “Family Guy” has had a history of using James Woods as an antagonist against several characters, including Peter, when he tried to copy several aspects of his life. He ruined Brian’s TV pilot, changing the core aspects of the script and overall vibe of the production. Throughout the episode, there are a couple of other things that other characters briefly bring up that make Woods look like an undesirable monster. Quagmire reveals Woods stole Cheryl Tiegs from him, Tom Tucker mentions Woods kept him from being the star of “A Nightmare on Elm Street,” and Mayor Adam West says James Woods took the Twitter name @MayorWest, meaning he had to then use @Mayor_West. His presence in the episode is a reminder of how far this series has come and raises questions as to where it goes from there, and I admire that about Woods here.

Woods reveals he has recently become a born-again Christian thanks to his girlfriend, Priscilla (voiced by Ashley Tisdale). Because he’s just become a man of god, he felt it was necessary to invite all the people he wronged to make amends. The guests wonder why they should trust him, but James Woods begs for said guests to give him a chance.

When Woods exits the dining room where everybody happens to be sitting, waiting for dinner, Priscilla tags along. Quagmire’s annoying girlfriend, Stephanie, goes over to the Woods’ chair and sits down. Soon thereafter, blood pours out of her chest.

She dies. Head flat on the table.

To quote Agatha the Pre-Cog from “Minority Report…”

“Murrrrderrrrr.”

This is the perfect catalyst to bring darkness to this episode. “Family Guy” is usually known for being dark, but that’s usually just from a comedic perspective. From this moment, it might as well be gathered that some serious stuff is about to go down.

Everyone assumes James Woods killed Stephanie, thus leading them to flee to their cars. Upon beginning their drive, a tree collapses a bridge, the only way they can go in their escape.

Retrieved from TVGag

So it’s back to the mansion!

Unfortunately, nobody is getting reception on their cell phones, and even though there’s a landline, it’s dead. Everyone is in panic mode. until James Woods enters the room, where such panic is dialed up a couple notches. After a penis joke, scolding, and further realization that Stephanie is kind of a gag character. James and Priscilla are confused by everyone’s fear. James claims he’s unaware of what’s going on. So they go to the next room, where Stephanie’s body no longer remains. A power outage ensues, summoning a series of black frames, and “Family Guy” does what it does best.

“Oh my god! Is this what black people see all the time?” -Peter Griffin

James Woods dies with a knife in his back.

We don’t see who strikes Woods down, nor does anybody in the mansion. Joe Swanson catalyzes the rest of the episode.

JOE: What I’m saying is James Woods isn’t the murderer. The murderer… is one of us.”

*Collective gasps*

JOE: And someone ate the last goat cheese tartlet.

*Collective yammering*

PETER: Now I hope I die next!

Criss Cross GIF - Criss Cross Family - Discover & Share GIFs

We soon see that Stephanie died due to a timed gun, which went off as soon as Stephanie sat down in the chair that was supposed to be for James Woods. Nobody admits to wanting James Woods dead, so it’s time to play Clue!

Unfortunately for Joe, he’s soon knocked unconscious by Peter, who takes over the investigation. The characters remind us, the audience, that everyone at the dinner had a motive for wanting James Woods dead, but one was willing enough to get revenge. We see tons of finger-pointing. Diane Simmons points at Tom Tucker, who points at Seamus the pirate, who then points at Mayor Adam West. We get into a finger-pointing frenzy! No answers in sight!

Carl shoves Chris into a bookshelf, causing books to gravitate downward. One hits a particular floor tile that pushes down, making the bookshelf slide, thus revealing an opening to the basement.

Everyone goes downstairs, Peter opens a book revealing James’ misdeeds. He’s written each one down so he remembers who to make amends to. Upon some investigation, Brian comes across tons of Oxycontin bottles with James Woods’ name on it. All of it comes from Goldman’s Pharmacy, appropriately owned by Mort and Muriel Goldman. James Woods blackmailed Muriel specifically, as he was being supplied with free medicine. Everyone assumes Muriel is the killer, but she escapes before she can be captured.

Peter divides everyone into teams, and if you watch “Family Guy,” a couple of these combinations make complete sense.

“Chris, you check the basement with Herbert.”

*Herbert stretches over to Chris, emitting a twiggish sound*

Perfect.

Peter even points out Joe and Priscilla, who are currently passed out, therefore they’re labeled the “unconscious team.”

We see these teams in action. Derek and Jillian investigate an attic, where a black cat, voiced by Patrick Stewart, jumps out. There’s even an inside joke to “X-Men” where the cat reveals himself as a “professor.” Chris and Herbert collaborate, and Herbert makes a request to Chris to burn his house down if he dies. Diane Simmons and Tom Tucker enter an art gallery, where Tom clicks a button with his shoe, thus sliding a painting automatically. Tom goes inside, but he gets trapped! Diane raises some concern, but where did Tom go?!

Meg and Carl enter a billiard room, as if this wasn’t like “Clue” enough already. Meg bumps into the stuffed bear from “The Great Outdoors” written by John Hughes.

CARL: Oh, it’s okay. It’s just the stuffed bear from “The Great Outdoors.” Did you see “The Great Outdoors?”

MEG: No.

CARL: You suck.

FAMILY GUY: A swanky retreat turns into a real murder mystery when guests end up dead, and Meg scrambles to solve the crime on the one-hour season premiere episode of FAMILY GUY airing Sunday, Sept. 26 (9:00-10:00 PM ET/PT) on FOX. FAMILY GUY © and ™ 2010 TTCFFC ALL RIGHTS RESERVED.

Even though the duo are searching for Muriel, they decide to take a break and play some pool. Meg finds the pool cues, but she falls down a chute as soon as she grabs one of them.

We see Brian and Stewie humming TV themes to each other, when suddenly, a shriek is heard in the distance. The two run to the scene.

Retrieved from CutawayGuyHD (YouTube)

Muriel lies down with the knife inside her. Everyone else comes in as well.

And if you’re wondering, the thing I love about this death, not to mention a couple others in this episode, is that the people who died here have not been revived. In fact, the only person to die in this episode who has been revived is James Woods.

The clock ticks. The lightning strikes. The tension could not be higher. There is no other episode in the “Family Guy” series that I can think of that has given stakes like this.

Meg and Tom Tucker reveal their journey through an underground passageway to the rest of the crew, who are all standing together in the dining room. This is where we get one of the best jokes in the episode, and honestly, it has aged like a fine wine.

Derek reveals he’s getting reception on his cell phone. Peter speaks up.

PETER: Oh my god is that–…

*reveal Derek’s phone cover picture, him in front of the Hollywood sign

PETER: Are you holding up the whole Hollywood sign?

DEREK: No no no no, the sign was way in the background. I was standing in the foreground going like this (raises his arms) while Jillian took the picture. So, by forced perspective it looks like I’m holding up the whole sign.

PETER: I don’t believe you. I think you are a god. And I would die for you or kill others.

It’s stupid, but simultaneously brilliant, which to me is a core element of what makes “Family Guy” worthy of its cultural relevance.

Derek goes to the roof to call the police. Unfortunately, not everyone heard him say that. As evidenced by this next quote…

“Oh my god, Priscilla’s gone!” -Brian Griffin

We angle on the couch where Priscilla was laid to rest. We don’t know her fate, but she is nevertheless gone. But guess who isn’t gone? Joe! He’s back!

Some assume Priscilla’s the murderer. Some think there’s more data needed to confirm if that’s true. Then we get arguably the funniest outburst of the episode. Everyone’s arguing about the situation. Peter just jumps in being himself.

PETER: Derek lifted up the Hollywood sign.

*Collective yammering*

PETER: He did too, I saw the picture!

Derek reaches a balcony, dials for the police, but he’s smacked off. Splat! He hits the ground. Dr. Hartman steps in, confirms he’s dead, also noting his head was hit by a blunt object.

Everyone flies back into the mansion, gathers together in a room. Lois assumes Priscilla’s up to this, then Consuela discovers James Woods’ Golden Globe is missing. Everyone gathers around Joe, who suggests that if anyone leaves the group, they’re assumed to be the killer. They investigate Glenn Quagmire’s room, which doesn’t have anything of note. Although Stephanie’s huge underpants get some screentime, which provides for some funny lines.

LOIS: Oh it’s got flowers! I mean, why bother? Who’s gonna see em?

CHRIS: Maybe someone in space!

*Collective laughter*

The gang moves onto Tom Tucker’s room. They search around, Meg gasps, slowly revealing a bloody Golden Globe in her hand.

Everyone turns on Tom Tucker, Joe wheels himself over prepared to possibly turn him in. Tucker brings up Priscilla, noting that nobody knows what she’s up to. Joe suggests that’s possible, then blood starts dripping from the ceiling.

Peter lifts Joe to the ceiling, Joe opens a vent, and a dead Priscilla is revealed, everyone screams. Tom Tucker flees the room as many of the men track him down. They capture him in the dining room, where he’s cuffed. The police take him in once the sun rises.

The music in all of these scenes, and the entire episode for that matter, is simply put, “ear porn.” That’s the best way I can describe it. I know “Family Guy” is often known for their numbers that they’ve sprinkled into various episodes, but this episode has my favorite musical score, or my favorite musical job without lyrics, particularly in the “Family Guy series.” It’s intense, grand, and it pulls you right in. It’s kind of like some movies such as “Star Wars” where the music practically plays a supporting role.

The episode’s not over. We’ve just witnessed the main course. Now it’s time for dessert.

Retrieved from CutawayGuyHD (YouTube)

Everyone’s about to leave, Peter and Lois are packing up. Peter checks his stuff and notices his Hot Wheels fire engine does not appear to be in his luggage. He asks Lois if they’re in the bathroom, but she suggests she put them all in his bag. Lois walks down the hall, enters Diane Simmons’ room. She asks if Diane’s okay, to which she responds saying she’s managing. Then comes… this quote.

Retrieved from CutawayGuyHD (YouTube)

“You sound like my mother, she actually bought me this blouse for my first solo broadcast. I guess that’s sweet, huh.” -Diane Simmons

Lois is confused, until she puts what Diane said together.

As Peter often says, “Holy crap!”

Retrieved from CutawayGuyHD (YouTube)

Lois backs away, suggesting she’s looking for Peter’s fire engine, but Diane points a gun at her. She’s the killer.

As if this wasn’t exciting enough, the backstory behind all of this is incredible. At times when I watch it, I feel like I am viewing this story from the point where Diane is the protagonist. It kind of gives a grand, emotional “John Wick” vibe. I even teared up a couple times by watching the last 5 to 10 minutes of the episode because it’s that good.

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Diane reveals that she and James Woods met at a press event, but their relationship was a secret from the media. Then she does something that NO CARTOONS EVER DO. Age. The footage reveals she turned 40, and around this time, James dumps her. Speaking of being left behind by straight, white men, Tom Tucker started promoting a younger blonde anchor, who we now know by the name Joyce Kinney. This anchor was set to take Diane’s place in a matter of weeks.

“I saw my career and my love life crumble, and I wasn’t gonna stand by and take it.” -Diane Simmons

From here, Diane reveals she has previously taken advantage of an intern named Priscilla. Sound familiar? At Diane’s discretion, Priscilla persuades James Woods to become a born-again Christian. This inspired the dinner where Woods invited everyone he wronged. Diane wanted everything to go as smooth as possible so she could kill James Woods and frame Tom Tucker.

“Oh my god. You’re 40?” -Lois Griffin

As for Diane killing everyone else, this was not part of the plan. Stephanie, as suggested earlier in the episode, was an accident. As soon as the power went out, Diane took advantage of the darkness and put a knife in James Woods’ back. From here, she reveals that due to Priscilla and Muriel realizing Diane’s true motivations, they had to die as well. For Priscilla specifically, Diane hid her in Tom Tucker’s room. Muriel was left on the ground as everyone gathered around, and Diane was lucky enough to be “part of the scene.”

When everyone gathers in the dining room, Diane notices Derek running to the balcony.

Remember this line?

“Derek lifted up the Hollywood sign.”

Yeah, you want to know why that’s possibly the best line in the episode? Because even though it was delivered in a manner where Peter was pretty much being a smartass, Diane Simmons utilizes it and takes it seriously.

“When Peter was yelling at everybody about that picture of Derek holding up the Hollywood sign, I grabbed the Golden Globe and slipped out. I followed Derek outside and did what I had to do.” -Diane Simmons

She then reveals the rest of her plan was a success as everyone turned on Tom Tucker.

But what about Stephanie? She was the first to die! But Diane didn’t acknowledge what happened to her body and where she went!

Turns out, Quagmire had Stephanie’s body locked in his trunk. Because when your annoying girlfriend dies, you might as well keep their body as a memento! It’s a lesson for everyone!

But of course, Diane has one thing left to do. Kill Lois.

Retrieved from CutawayGuyHD (YouTube)

Peter comes in the room, asks Lois if she’s on her way, and adds the notion that he wants to listen to tapes, but he can’t do that without the car key. Diane says she and Lois are going to take a quick walk. So Peter just asks for the key.

Retrieved from CutawayGuyHD (YouTube)

Lois awkwardly hands the key, Peter runs out of the room, and Lois is forced to follow Diane’s orders. Realization sets in that these may be Lois’s final moments. She and Diane walk to the back of the property, they stumble upon a cliff. Diane is set for the kill.

LOIS: Diane, please! You don’t have to do this! I won’t tell anybody, I swear to god!

DIANE: That’s right, you won’t. Goodbye, Lois.

By the way, the music here is glorious.

*GUNSHOT*

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We zoom out on Lois, looking as normal as ever. Then we cut to a close-up of Diane, who has a bullet through her chest. She falls off a high cliff into the water. This is the last we’ve seen of her since.

Now who killed Diane? Lois didn’t do it! Nobody else was at the scene! So who killed her? Tom Tucker? Joe? Peter? Nope!

Retrieved from CutawayGuyHD (YouTube)

The answer is all kinds of badass, none other than Stewie Griffin himself!

“If anybody’s gonna take that bitch down, it’s gonna be me.”

Not only does this support Stewie being one of the most kick-ass cartoon characters of all time, but from a story standpoint, I am curious to know exactly he did this. I’m not saying there’s a plot hole behind it or anything, but for years, one of the biggest storylines in “Family Guy” history is that Stewie continuously desires to kill his own mother. The series even dedicated a two-part special where Stewie and Lois try to kill each other! This is how far they’ve taken this concept! Now, Stewie subversively SAVES Lois from danger. Why does he do this? Does he love his mother? Does he realize he needs a mother figure in his life? Did Diane piss him off one time? Does he just hate the news? I’m probably asking more questions than I need to! This is a complete twist, but I love it!

Chevapravatdumrong at the San Diego Comic-Con International in July 2017

This episode is written by Cherry Chevapravatdumrong, and she honestly went above and beyond with it. All the characters within this massive cast had a purpose of some kind. Each one a motive, something to do, and unfortunately this episode has quite a few clips that cannot be shown on most TV broadcasts due to timing purposes. So I will definitely recommend you check this episode out if it plays on TBS or Adult Swim or something, but if you have the motivation, buy the DVD. I know the series is on Hulu as well, but I am not sure how long the episode is on there.

And Then There Were Fewer also uses a classical orchestra to its fullest potential, providing for a soundtrack that I still wonder why is not on iTunes or something. The opening theme for this episode is also used in a “Family Guy” mobile game, subtitled “The Quest for Stuff.”

The animation in this episode is incredible. Not only do we get to see everything in high-definition, but they utilize flashy water, crisp skies, and I must say that the manor inside and out is wonderfully detailed. I must say, this being the first episode in widescreen must have really set the tone, because this episode goes long. Not only because it’s an hour, but because there’s so much that goes on. A vast of number of characters! Plot point after plot point! Stakes dialed up to an 11! The episode barely has any dead air.

But I think the best part about this episode is that it relies less on comedy than usual. “Family Guy” is one of my favorite shows of all time, and I will say part of the reason why is because it makes me laugh harder than perhaps any other show I can think of. But when the show can do something different, make me feel emotions, almost get me to tear up WHILE STILL BEING FUNNY, that is a sign of a masterpiece. This thing gives me chills, man! I felt for everyone during the episode. Everyone who wondered if they were the next to die. Those who were perhaps about to die. Maybe not Stephanie, but she was a gag character, so it’s not like I was supposed to get emotionally invested in her. I even felt bad for Diane by the end of it. I understood her motivation despite the reveal that she killed everybody, because I got a sense of her struggle. This is a character that has appeared every now and then on the show, and to see her at this point, where she defends herself for her deadly actions, is kind of hauntingly beautiful.

But just a reminder, the most important thing we all learned in this episode iiiiiissssss…

“Derek lifted up the Hollywood sign.” -Peter Griffin

Don’t you forget it!

In the end, And Then There Were Fewer is incredibly rewatchable, insanely beautiful, and provides perhaps the greatest blend of comedy and emotion in the entire series. Characters develop, thus allowing the show to develop down the road. It’s something I kind of wish this show would do more. Yes, it said goodbye to a few characters, but with an ending like this, comes a new beginning. We say goodbye to Diane Simmons, but now we have Joyce Kinney. They say change is inevitable, but I think “Family Guy” handles such an inevitability brilliantly. And Then There Were Fewer to this day, officially ten years after it came out, is my favorite “Family Guy” episode, and may just be my favorite television episode of all time.

You want to know how good this episode is? Even Seth MacFarlane himself says that this is favorite episode!

“I think this is my favorite episode of the series. A classic format, great-looking direction, and, I hope, a genuinely surprising ending. It was also the first episode to air in HD. It was really cool to finally see Lois’ pores.” -Seth MacFarlane (Retrieved from: Seth MacFarlane Reveals His 20 Favorite ‘Family Guy’ Episodes)

If the creator says its the best, that says something! Also goes to show that great minds think alike!

Today, “Family Guy” is continuously losing steam despite a few great episodes here and there. Although I will give the show credit for being a pioneer in adult animation for going where say “The Simpsons” can’t, and essentially making the cutaway gag a trademark. Season 19, not to mention the show’s 350th episode, is set to premiere on Fox tomorrow. I will most likely be watching, but “And Then There Were Fewer” is an episode that reminds me of what makes this series so watchable. The characters, the storylines, the brilliant writing. It all comes together beautifully. I will be looking forward to season 19 of “Family Guy,” not to mention the recently announced seasons 20 and 21. But I long for the day where “Family Guy” makes an episode as good as this. Although, just remember one thing, and one thing only.

“Derek lifted up the Hollywood sign.” -Peter Griffin

It’s in the picture!

Thanks for reading this post! It’s not every day that I decide to talk about television, but I figured since And Then There Were Fewer turns ten today, that would make for a good opportunity to do a post like this. But if you are interested in my movie content, feel free to check out my review for “Tenet!” Or, as some call it, the only movie in theaters right now! I’m not sure when I’ll get to talk about TV again. Maybe when another streaming service comes out or something, but we shall see. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! You know what grinds my gears? The fact that more people are not checking out my Facebook page! So do yourself a favor, and check out the official Scene Before Facebook page! I want to know, did you ever watch the “Family Guy” episode titled And Then There Were Fewer? What did you think about it? Or, what is your favorite “Family Guy” episode? As of today, you have 349 to choose from, which is quite a buttload! Leave your freakin’ comments down below! Scene Before is your click to the flicks!

The Personal History of David Copperfield (2019): A Well-Adapted, Modern Take on a Dickens Story

“The Personal History of David Copperfield” is directed by Armando Iannucchi (The Death of Stalin, Veep) and stars Dev Petel (Slumdog Millionaire, The Best Exotic Marigold Hotel), Anuerin Bernard (War & Peace, Dunkirk), Peter Capaldi (Doctor Who, Paddington), Morfydd Clark (The Man Who Invented Christmas, Crawl), Daisy May Cooper (This Country, Avenue 5), Rosalind Eleazer (Howards End, Death in Paradise), Hugh Laurie (Stuart Little, Tomorrowland), Tilda Swinton (Doctor Strange, We Need to Talk About Kevin), and Ben Whislaw (Skyfall, Paddington).

This film is based on the similarly titled book written by Charles Dickens and follows David Copperfield, an orphan who finds himself needing to get through a series of obstacles.

“The Personal History of David Copperfield” already released in several film festivals last year, which eventually led to the film being nominated for a Best Casting BAFTA. The movie has not hit the United States until this past March, specifically at a festival, and has gotten a full fledged release in August. In my view, that officially makes this a 2020 movie. IMDb says this is a 2019 film, but it has not had an official theatrical release until this year, so I rest my case for now. As of late August, “The Personal History of David Copperfield” has hit several theaters in the United States, and so far has earned over a million dollars. Now, that’s a great total if I went on NBC’s “The Wall,” but the film’s budget is $15.6 million. The collective total at the box office worldwide is $11.6 million. That’s not entirely pleasing so far, but given how movie theaters are coming back to life at this point, it should not be too surprising. Nevertheless, I used one of my A-List tickets to see this movie last Sunday, and having never once read the “David Copperfield” book, I did not really know what to expect. I will have you all know, when movie theaters were allowed to reopen in my state, the first screening I attended contained one trailer, which was for this exact movie. That’s all. I could tell you I really enjoyed the trailer, but the reality was that I was more focused on the notion that a movie theater was actually open.

Even so, this movie had an advantage, because it was *that first trailer* I’ve seen in a while, it stuck in my mind like a catchy tune. So was this movie worth my time when I finally saw it? I’d say so.

Going into “The Personal History of David Copperfield,” I did not entirely know what to expect. Keep in mind that this review is written by someone who never read the book. I walked out of the movie fairly delighted. There was a series of well-directed, marvelously written scenes. I could thank the writers for this film, but maybe I should thank Charles Dickens considering how he wrote the material. It also goes to show how timeless this movie feels, and how one can possibly connect to some guy living in the 19th century. All the factory scenes from this film are incredible. Not only are they atmospheric, but they allow for this movie’s writing to shine. I felt for Dev Patel’s character of David Copperfield several steps of the way.

This movie manages to maintain its own vision from beginning to end, and I was massively entertained by said vision. While “The Personal History of David Copperfield” is not my favorite movie of the year, I will not deny that this movie manages to maintain its own flair every step of the way. I do not feel like I will end up remembering every character’s name, although I do imagine if I read the book maybe I will. Speaking of which, this brings up another point.

A lot of people tend a read a book, watch a movie, compare the two side by side. Personally, I see books and movies as two separate entities and I don’t always think they should be compared just to be one thing since they are two different mediums. However, let’s reverse what I just brought up for a moment. I watch a ton more movies than I read books, but if I were to take this movie, “The Personal History of David Copperfield,” I would definitely read the book that inspired it because I enjoyed the end product of the film. I don’t know when I’ll dedicate time to it, but it is a thought that I am intrigued by.

In terms of performances, I think everyone across the board did a great job from Dev Patel to Hugh Laurie to Peter Capaldi and Benedict Wong. Their performances help provide a refreshing take on what must be a classic. One of my favorite performances in this movie however comes from Darren Boyd, who plays Mr. Murdstone, who marries Copperfield’s once widowed mother. In addition to that, Copperfield has to work for Murdstone in his factory, which as previously suggested, makes for some of the finest scenes in the movie. This movie is PG, so according to the MPAA, kids can watch this and feel fine. There are some notable scenes where that PG rating shows, but at the same time, as I watched those scenes, I got the feeling I was watching somebody who was pushing the barrier a little higher. They say a movie is only as good as its villain, and “The Personal History of David Copperfield” utilizes that saying to full potential.

There are few other antagonists from movies this year that I can think of that I will remember for years to come. Maybe Dr. Robotnik from “Sonic the Hedgehog,” perhaps Sator from “Tenet,” and this might shock you, Paula Abdul from “Impractical Jokers: The Movie.” Just being honest. Murdstone is up there with the greats for me. I really hope we get a couple more comic book movies this year, because I am curious to see Taskmaster in “Black Widow” and see how he ranks against the rest of the Marvel villain crew. IF “BLACK WIDOW” MOVES AGAIN OR GOES STRAIGHT TO DISNEY+ I MIGHT BE DONE WITH MOVIES. Nevertheless, Murdstone is one of my favorite characters in this movie and his attitude says a lot about who he is.

If I have anything else to say, I also enjoyed the score in this film. I don’t know if I’ll end up listening to it during free time later, but hearing it in the theater was most certainly atmospheric and occasionally gave a larger than life vibe. The score is done by Christopher Willis, who has also done work for a couple Disney television shows and HBO’s “Veep.”

In the end, “The Personal History of David Copperfield” is a fine adaptation of the well-known Charles Dickens novel. I have never read the book, but after seeing this movie, who knows? Maybe I’ll give it a shot. I imagine it is better than the movie, given how Dickens is a household name. Even so, I found myself delighted with “The Personal History of David Copperfield” and I am going to give it a 7/10.

Thanks for reading this review! My next review is going to be for “Becky,” which stars Lulu Wilson, Joel McHale, and Kevin James. I just got the Blu-ray recently, watched it, and I want to say some things about it. I’m not sure what my next review after that is going to be. I’m thinking either “Bill & Ted Face the Music” or there is also this one movie that has supposedly been out for a month called “Tesla.” I saw trailers for it at one theater, it never showed up, but it is also available On Demand for a cheap price. Maybe I’ll watch that. Although one of my local theaters, the Lexington Venue, just recently opened once more, so maybe I’ll check something out there if I have time. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “The Personal History of David Copperfield?” What did you think about it? Or, did you read the original “David Copperfield” book? Tell me your thoughts on that! Let me know down below! Scene Before is your click to the flicks!

The New Mutants (2020): This Review Has Been Delayed 2 and a Half Years

“The New Mutants” is directed by Josh Boone, who also directed the 2014 film “The Fault in Our Stars,” based on the hit book of the same name. This film stars Maisie Williams (Gen: Lock, Game of Thrones), Anya Taylor-Joy (Emma, Split), Charlie Heaton (Stranger Things, Marrowbone), Alice Braga (City of God, Queen of the South), Blu Hunt (The Originals, Another Life), and Henry Zaga (Teen Wolf, 13 Reasons Why) in what could arguably be one of the bigger tragedies of 2018 and 2019, but such tragic outcomes helped this movie form some semblance of comedy by 2020. More on this in a second, but this film is about a group of mutant teenagers who all stay in a facility together. I won’t give too much away, but these teenagers meet someone new to the facility, Danielle Moonstar, who ends up making friends, enemies, and discovers more about mutant powers.

I saw “The New Mutants” in IMAX Laser this past Thursday. So at one point I thought in honor of this movie FINALLY coming out, after the merger, the delays, the pandemic getting into gear… I would make this review and not release it until early 2022. It’ll be just like creating the movie! But of course, I’d be insane! I’m not going to do that. So, let’s talk about “The New Mutants.” This movie is the latest installment to the “X-Men” universe, even though it really is a spinoff that has just about nothing to necessarily associate with the main franchise. I’ll be honest with you guys. I love comic book movies. I love superheroes. Give me a Marvel or DC movie any day!

…I have not seen one “X-Men” film from start to finish except “Deadpool” and “Deadpool 2.” I’ve seen part of 2013’s “The Wolverine,” but that’s about it!

Although I will point out, if you have not seen any “X-Men” films, it won’t really matter going into “The New Mutants,” which definitely helped someone like me who doesn’t want to waste a ton of time catching up on everything else. Granted, I was able to watch six “Fast & Furious” films in less than a week before watching “Furious 7” in the theater, but “X-Men” seems a little more daunting at this point.

Now, I’ve talked about the Disney Fox merger on here before. I’ve talked about how quite honestly I don’t happen to be a fan of the idea. But, I have no position in Hollywood, I have no power, and I can’t talk to mice. One of the things I respect Fox for is that when it comes to some of their recent work in the comic book movie genre, it has been fairly experimental. Yes, there have been R rated comic book movies before, “V For Vendetta” is one of my favorite films of the past fifteen years! but it doesn’t mean they’re common! “Deadpool” is basically “Family Guy” in comic book movie form. It makes fun of the genre, blockbusters, and takes comedy to another level. “Logan,” even though I have not seen it, is something that I recognize is not your traditional comic book movie. Not only do we get to see an R rated Wolverine, but there’s tons of added foul language, and one of my friends, and perhaps more accurately one of their friends, does not necessarily view “Logan” as a perfect comic book movie.

…They view it as a perfect “movie.”

As for “The New Mutants,” I respect the direction in which this movie was taken, because there’s no other comic book movie like it. The movie takes place in one location for the most part? There’s not really any bad guys?

…Horror? Sign me up!

I really like the vision for this movie as it is not only unique, but also because it barely has excuse to display bloated visual effects for a couple of hours. Now I like my big summer comic book action movies. This movie, like the typical fare, has action, but it’s not like we’re watching big, humongous fights like we’ve gotten in the MCU. I’d even say this movie is a bit more intimate than “Joker” because this film in particular takes place in one spot and has a fairly small cast. If anything, the best way I can describe “The New Mutants” is if “The Breakfast Club” took place in prison. You have these people who are placed together whether they like it or not, they have their individual personalities, and kind of like detention, you might as well wonder when time runs out.

I will say one thing about this movie, I like all the characters. I think Danielle is a well-written newcomer to the facility. I think the other teenagers in the building are also pleasing to watch. The woman in charge of the facility and everyone in it, AKA Dr. Reyes, was not only a likable character, but competently performed by Alice Braga.

I will say though, if there were one standout character in this movie, it would have to be Illyana Rasputin, played by the very talented Anya Taylor-Joy, an actress who I’d personally argue would happen to have 2020 be “her year” by the end of it if nothing else comes out. Then again, I may be somewhat biased… She showed up at a screening I attended. I liked her in “Emma.” “Radioactive,” which is now available on Prime Video, was pretty good. “The New Mutants” is another solid movie featuring said actress. I think overall Taylor-Joy had the best performance, and she played one of the more compelling characters in the movie. I really enjoyed seeing Rasputin and the puppet she carries around. Any scene with those two together is purely entertaining. I think Taylor-Joy does a really good voice transition with it too. I will say, the fact that I like her so much does feel really weird, because she has one of the more dynamic personalities of the group, but at the same time I’m supposed to hate her. Then again, take a movie like “Back to the Future.” Sure, I know Biff Tannen is a complete and total butthead, but he has a good personality that makes me as viewer simply like him. Sometimes movies have likable assholes. Maybe I don’t agree with them, maybe I don’t want to be them or emulate their behavior, but they’re likable nonetheless.

I will say though, even though I don’t have a ton of issues with “The New Mutants,” the biggest problem I will point out is probably the directing. Now, I like the vision of this film. If anything, it should not have been altered in any way. I think the horror elements of this film make it stand out amongst an overcrowded genre, and it’s nice to see a comic book movie that feels fairly intimate. However there was a scene in particular, where the teenagers are sitting around. I imagine all the actors are giving what they can to make sure they give the best performance possible, but I noticed they were having a conversation that quite honestly didn’t feel natural. It’s not the wording, phrasing, or anything like that, it’s more having to do with the way everybody talked. It didn’t feel like actual teenagers talking. There was just a second watching where one or two characters felt like robots, or maybe even exposition machines. Directors have a lot to do. One of the most essential duties of a director is to get solid performances out of their actors. And I think the cast, for the most part, do a good job with their performances. But there was just one scene that stood out to me where nobody felt natural, and I wouldn’t necessarily put any of the blame on the actors themselves.

If you were to ask me, “Jack, would you watch ‘The New Mutants’ a second time?” I’d probably respond with a “yes.” However, if you were to expand on that question and say “When is the second time you are watching ‘The New Mutants’?” I wouldn’t be able to answer to the best of my ability, but if I were to guess, I’d predict maybe when it hits HBO or FX or whatever cable network it happens to hit. I don’t see myself (for now) buying the Blu-ray for this film when it comes out. Talk to me again in a couple months, that could change, because I am an avid collector of comic book movies, and I am willing to expand my “X-Men” collection. But at the same time, even though a lot stood out to me, and I appreciated what made this movie differentiate itself from other entries to its genre, I don’t see myself going back to watch “The New Mutants” instantaneously. It’s rather unfortunate, as I did really like the movie. It was worth seeing in the theater, but it almost feels like a one and done type of deal.

Was this worth the two to three years of delays from April 2018 all the way to present day just to see this movie? I’d say so. It was worth my time. I had fun. If I had any other problems, looking back at this film, there are one or two borderline cheesy lines from one of the characters involving his/her reaction to another character using his/her power. But other than that, this is a pretty good movie, and for comic book movie fans who want to go back to the theater, I think that many of them will be relatively pleased with what “The New Mutants” has to offer.

In the end, “The New Mutants,” which really feels like “The Old Mutants” at this point based on how long it took to put this thing out, is fun, dark, and occasionally spooky. I will admit, horror is one of my weaker spots in my film palette. But I have often expressed my love for comic book movies, and to have one mix with horror and do so with excellence is certainly pleasing. I think the cast is admirable, both as individual performers and as parts of a group, and I hope even though Disney merged with Fox, which could end up equating to a slight loss in creativity if you ask me, we can still get some more experimental comic book films down the road if possible. Again, I enjoy movies like those in the Marvel Cinematic Universe. I can’t wait for “Black Widow” this November, and even though I’ve often gotten “Mission: Impossible” vibes from the trailers, it takes a lot of elements from familiar aspects of the genre. I’m just hoping for more originality at this point. I don’t know, it’s just the way I feel. One last thing before I give my official verdict, I was also pleased to know that I happen to live less than hour away from where this movie was shot. Maybe I’ll do a post on that sometime soon if I ever get to see the major shooting location. Just saying. I’m going to give “The New Mutants” a 7/10.

Thanks for reading this review! Next week, guess what? I’m going to see “Tenet” not once, but TWICE! I already have my ticket booked for an early access screening slated for Tuesday! And I’m going again Thursday for IMAX! I cannot wait, this is going to kill! I am almost questioning myself for booking tickets for two different showtimes, but I also don’t care as I am supporting the film industry, my favorite industry, during this trying times, and I get to experience one of my most anticipated films of the year in two vastly different ways. If you want to see more great content from Scene Before, give this blog a follow either with an email or WordPress account! Also, check out my Facebook page! It’s been around for over two years, kind of like the delays for this movie! I want to know, did you see “The New Mutants?” What did you think about it? Or, are theaters open near you? Have you gone to the theater recently? What did you see? Is everyone following the rules? Let me know down below! Scene Before is your click to the flicks!

Star Wars Episode IV 4K Blu-ray Contains 2019 Disney+ “Maclunkey” Cut (And Other Thoughts on Star Wars in 4K)

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Hey everyone, Jack Drees here! As we are cooped up in our homes, I’ve been making more of a habit of buying my Blu-rays online given how we cannot go out into stores and buy them in as easy as a manner as we once could. Yes, Walmart and Target still have them, but those places are becoming more petri dish-like by the second. Best Buy is offering curbside pickup, but that takes the fun out of going into a massive electronics store. However, when surfing on BestBuy.com recently, I picked up some of the new “Star Wars” 4K Blu-rays. Is it a movie I already own? Yes. In fact I own multiple copies of several installments. But who cares? “Star Wars” rocks!

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Just last night, I watched my recently purchased 4K copy of “Star Wars Episode IV: A New Hope,” or as the old-timers call it, “Star Wars.” But if you are reading this and want to know my thoughts on it, I think the transfer overall is pretty satisfying. The color grading is off and on, but there are several scenes that look very stunning in 4K. The film also comes with Dolby Atmos and Dolby Vision. The sound quality is immersive, but also did not seem to come off as too obnoxious.

Although, if you are wondering if Disney has decided to release the same cut that has been put out in recent years, specifically one introduced through a Blu-ray set from 2011, back when 20th Century Fox still owned “Star Wars,” that’s not what has happened.

Yes, a lot of that 2011 Blu-ray is still intact. Some of the changes they have made specifically for that film is in this new 2020 4K edition as well. Between R2-D2 being improbably hidden by so many rocks on Tatooine to Obi-Wan’s introduction sounding more fantastical than the idea of White Castle serving monster-sized hamburgers, those changes, along with others over the years, have survived. But wait, there’s more!

May the maclunkey be with you!

For those who don’t know what I’m talking about. When Disney+ came out less than a year ago, one of the draw-ins for a lot of people was the large “Star Wars” collection, which included the all new series, “The Mandalorian,” and the most up to date versions of a good amount of the older movies. In Episode IV, people began to notice that there was a new change added, and it is as meme-worthy as Elon Musk.

Remember how George Lucas went back and changed the scene in the cantina where Han shoots Greedo, leaving him dead with his head on the table? Well, he did that in 1997, then again in 2004, once more in 2011, and even one more time just last year! The infamous change signifying that Han does not shoot first anymore was just the beginning, because recently they added Greedo’s new line, “Maclunkey,” which has been suggested to be Huttese for “I’ll end you.”

Having seen the new change myself on the 4K Blu-ray, I’m in three different mindsets. First and foremost… WHY? Greedo’s mouth almost moves like a Jumanji-esque vacuum, and the delivery of the line almost feels kind of cheesy. Second, this change, as awful as it is, is simultaneously hilarious. Granted, it would be weirder to have Greedo say something in English given how every other line he has given so far was not in English, but saying maclunkey is kind of like uttering cattywampus, or lollygag, or boobies. It just rolls off the tongue, it’s funny-sounding! And third, this is just yet another reason why I want an unaltered edition of these movies in a modernized format. I don’t know if Disney will have permission from George Lucas or if they just don’t care as long as they get their money, but if I were to show “Star Wars” to my kid one day, I don’t think I’d want him or her to remember the original movie due to the “maclunkey” scene as opposed to the moment where Han shoots Greedo like a boss. As for when the blaster firing occurs, the two fire each other around the same time, kind of like in the 2011 Blu-ray edition.

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There are other changes too, most notably the color palette. From my point of view, when watching “A New Hope,” some of the scenes look kind of pale, but there are some scenes where color stands out and there are not as many occurrences where someone looks like they got sunburned. I will also point out that I saw “The Empire Strikes Back” last night as well. The colors in that movie also look a little darker, but in that movie, I think it works because “The Empire Strikes Back” is a slightly more depressing movie whereas “A New Hope” is a fun, throwback adventure. A lot of the other changes are not that noticeable to the average viewer. There are scenes where colors are corrected to a certain form. Specifically, during the scene where Luke is training on the Millennium Falcon, his lightsaber has been corrected to match an appropriate blue color. The laser bolts fired by the training remote in said scene also had their colors restored to red.

One of my favorite alterations however is one that I don’t know exactly how many people think about. For those of you don’t know, “Star Wars” has a “Digital Movie Collection” that came out in 2015, which features the Lucasfilm logo in the beginning, but the movies have gotten rid of the 20th Century Fox logo. The only film that didn’t do that was “A New Hope” because 20th Century Fox owns permanent distribution rights. As of now, the 20th Century Fox logo is attached to all the older “Star Wars” movies again, which may likely be due to the merger between Disney and Fox from 2019. They use the 1994 20th Century Fox fanfare minus the tagline, “A News Corporation Company.” However, they did update the Lucasfilm logo to match those from “The Force Awakens” and so on. Speaking of restorations, the opening phrase “A long time ago in a galaxy far far away” was restored to the original typeface featured in the older cuts. This is a change from the typeface used in the 2004 DVDs to match the prequels.

If you purchased any of the 4K editions of the “Star Wars” movies, perhaps including ones I didn’t, please let me know your thoughts on them! I already own “The Last Jedi” on 4K, which I will admit the sound could probably be better. By the way, I have the Best Buy Steelbook Collector’s Edition as well. I also own the “Solo: A Star Wars Story” Collector’s steelbook, which is still in the wrap, which may signify that I probably never want to watch the film again. But, the collector’s gotta collect. I also own the 4K Best Buy Steelbook for “The Rise of Skywalker,” which has adequate sound quality and stunning picture quality. I saw the boxset of The Skywalker Saga, but I didn’t get that because it contains movies I already own on 4K, so as cool as it would be to own, I didn’t think it was all that necessary.

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Thanks for reading this post! TOMORROW, ten years return, because we need those ten years now more than ever! It is the return of the original countdown series “Top Movies of the 2010s!” I’m going to be debuting an all new category, THE DISAPPOINTING 25, where I talk about 25 movies that I went into with expectations only to be underwhelmed or let down. If you want to check out the trailer for the countdown, go to the end of this post and see it for yourself! Want to see more great content? Follow Scene Before either with an email or WordPress account! Also, check out the blog’s Facebook page as opposed to getting into fights in the comments section from the latest political post from your local news outlet! If you are going to watch “Star Wars” on 4K anytime soon, may the 4K be with you! Scene Before is your click to the flicks!

Onward (2020): Peter Parker and Peter Quill Cast Spells

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“Onward” is directed by Dan Scanlon and stars Tom Holland (Captain America: Civil War, Spies In Disguise) alongside Chris Pratt (Guardians of the Galaxy, Jurassic World) as two brothers. These two brothers live together in a magical realm, or more specifically, a magical realm that has increasingly evolved over the years due to advances in convenience and technology. Now that both brothers are of appropriate age, they are able to execute a magical spell that can help them bring back their father for one day. When they are only able to bring part of their father back to reality, the two brothers go on a quest together to figure out how they can get the rest of him back.

First and foremost. It’s good to be back. While we are not back to normal yet, and yes, NORMAL, I’m tired of whatever the “new normal” is supposed to be! It is still nice to talk about a movie that has come out this year without as much distraction towards the greater pain of reality. “Onward” was one of the last movies I saw in a theater before everything ground to a halt. The film started off with a somewhat underwhelming box office performance, perhaps likely due to COVID-19 taking effect, but I did see it opening weekend, so I feel glad to be one of the chosen people. While there were other movies I was looking forward to this year more, many of which I won’t get to see for awhile, “Onward” was definitely one that had my attention. For starters, it’s a Pixar movie. And Pixar, kind of like Marvel Studios or A24, is one of those distributors that always delivers a midas touch. Heck, I even like all the “Cars” movies! I’ll go as far to say that I really enjoyed “Cars 2!” If you want action, that’s a Pixar movie I’d recommend. So even though “Onward” was not my most anticipated film of 2020, it was one that I thought would be at the very least, solid. And that’s what it was. A solid movie. As much as I make fun of Disney for their business practices, which work for them even though I don’t fully support them, I will forever love Pixar, which might be the mega-corporation’s greatest asset in terms of quality. Over the years, a lot of their films have been well-written, conceptually creative, and of course, beautifully animated. Especially over recent years, even if one of their films was never in my top 5 from them, I would not deny the amount of work that must have been put into those films to make them family-friendly, while also trying to keep not just kids, but adults interested. Even though I was, and I hate to say it, disappointed, with their late 2017 film, “Coco,” it is some of the studio’s finer work in terms of color and animation detail. Even though “Toy Story 4” is probably the worst movie in the series, there is a shot of a cat in that movie that looked like something out of real life. For the record, I saw “Cats” later in the year that “Toy Story 4” came out and none of the cats from “Cats” hold a candle to that digitally animated feline! That’s how much I appreciate Pixar as a studio.

Once again, Pixar does not let me down from an animation standpoint. Everything fits its respective environment, it’s crisp, and the attention to detail is spot on. I saw this film in IMAX and the animated shots of this movie shine on the big screen. I cannot say that it is Pixar’s best technical work, but it is absolutely superb nevertheless. The film is now on Disney+, and I imagine that the film does look pretty good on Disney+, but since movie theaters are starting to reopen, if “Onward” is playing near you, take the opportunity to see it! Because even if the movie is not that great for you story-wise I imagine it will still be fun to look at. It is a film, kind of like recent Pixar entries, that I see holding up for years if you want a tech demo.

As for the screenplay, I think it is at times predictable, but that is also what makes it work in certain moments to deliver a satisfying story. There is conflict in just about every single moment, there’s a good amount of setup and payoff that is done effectively. The playaround and mashup between this fantastical, dungeons and dragons-like sort of environment and our modern lives is undoubtedly entertaining and creative. It makes for some fun scenes and ideas. In a way, it almost reminded me of Disney’s “Zootopia” which came out four years ago. That’s a really good movie by the way! Because that movie took a bunch of talking animals, put them in a world like ours, and while that film more or less was a satire on modern society, it was cool to see a blend of fantasy and reality put together to deliver a fun time.

As for Tom Holland and Chris Pratt, I think both characters are well-written, but when it comes to casting. That is where things begin to become questionable. Now, I will say, Tom Holland as the younger brother is definitely worth keeping. But when it comes to Chris Pratt, I like him as an actor, but I feel like he’s more closer to a father figure than an older brother in this film. That’s just the first impression I got from him. After all in real life, Tom Holland is 23 right now. As for Chris Pratt, he’s 40! Now I know you can get away with a lot more in animation in terms of details, actions, voices, personalities, but hearing Chris Pratt’s voice attached to someone perhaps close to my age is a little bit weird. I’m not saying it’s off-putting, it’s just weird. Both characters are great, serve the movie well, and have likable chemistry, but I just don’t think Chris Pratt was the right choice for the character of Barley Lightfoot. Nothing against him, I respect Pratt as an actor, he’s got decent talent, but I think he was a little bit miscast.

As for Tom Holland, I think his casting was perfect. He plays a teenage boy, and I am willing to bet that due to his marvelous (no pun intended) performance as Peter Parker, that there may be some worries down the road that he may be typecast. Because Holland’s still in his early twenties, and he has tons of charisma that can convince somebody he’s likely able to play an older teen for a while. But nevertheless, when it comes to this animated role, his voice completely fits the character. It’s in this tone that is almost in what I would call a “downer” mood, I just made that up on the spot! I don’t even know what I’d call it! But Holland’s pitch matches his lanky character to a high degree. I will also give props to Julia Louis-Dreyfus (Seinfeld, Veep) and Octavia Spencer (Hidden Figures, Ma) who also stood out for their fine performances, plus the solid casting on someone else’s part.

Funny thing is, going back to Pixar’s quality, I will admit that I have not checked out all their films yet. I own “The Good Dinosaur,” but I have yet to watch it. I also still need sit through “Monsters University” and “Brave.” When I was at university this semester, I had a screenwriting professor who saw “Onward” and he pointed out that when it comes to Pixar, it’s one of their inferior movies. He also went on to suggest that bad Pixar is better than a lot of movies. He’s got a point. From an animation standpoint, “Onward” is pristine. Story-wise, everything adds up, makes sense from beginning to end. Compared to some other notable animations or family movies that completely rely on immature fart jokes, “Onward” just tries to tell a needed story from beginning to end, which is usually what I go to movies for. And yes, the occasional visual spectacle of “Onward” is a much-desired and satisfying cherry on top of the sundae, but story must come first, which Pixar typically succeeds with, even in cases like this when it is not their finest work. Pixar was supposed to come out with another movie in June, specifically by the name of “Soul,” but that unfortunately has been delayed. Much like “Onward,” “Soul” is an idea that has not been tested out before by the studio. Going into these movies, I am always looking forward to where Pixar takes their characters and its creative concepts. When “Soul” comes out later this year, I will continue to anticipate attention to detail, but at the center, a dang good story.

In the end, “Onward” is a fun ride from start to finish. It is a movie that you can watch with your kids without really feeling the need to tune much of anything out. Pixar’s always had that intention and plan of execution in mind. I remember the first time I saw “Up” in the theater, and years later, my dad and I still remember the movie, and if I’m not mistaken, he’d probably watch it again if it were in front of him. Would I watch “Onward” again? Probably. Maybe not right away, but I can see the effort put into this film and that is something I totally respect. I’m going to give “Onward” a 7/10. Fun fact, a 7/10 is honestly a low score for the Pixar brand given their resume. So even though this is one of, and as weird as it is to say, Pixar’s worst movies, I think it is still worth your time. I’d probably rather watch this again than “Coco,” which, was good! But I expected a lot more from it. Maybe one of the downsides of that film is waiting until 2019 to watch this, whereas I watched “Onward” right away. But I could be sticking my feet into hazardous mud here.

Thanks for reading this review! Once again, it’s finally nice to talk about something that is not specifically about COVID-19! I wish I could do this more often. I don’t know if I’ll be doing a part 8 next week to my Movies and COVID-19: Behind the Scenes series, but I’ll have to find out what I’m doing, what kind of mood I’m in, and so on. But if I were to review a new movie, my next one is likely going to be for “The Way Back” starring Ben Affleck. I will say, given how it has been a couple months since I’ve seen that movie, I wonder how much of a challenge it’ll be for me to talk about the film in detail, but that question shall be answered as we cross that bridge. Maybe I’ll rent the movie if I need to watch it again, but I also don’t to waste $5 or $6 for the sake of wasting $5 or $6. These reviews typically regard my first impressions, and I had little intention on changing anything in regards to how I do my blog, but this pandemic did it for me. It took some control away from how I operate everything I do at Scene Before. Or, maybe I’ll soon do my review for “My Spy” which is about to debut on Prime Video. I am officially one of the few that has ever seen “My Spy” in a theater, which I feel pretty lucky for doing. But as of recently, the film changed plans, and instead of getting STX to release it in theaters, the plan is to get the film on Prime Video as an exclusive. Given how very few, if any, sources in the U.S. have even talked about or reviewed the film at this point, it might be necessary to hold that review off for a little bit longer. It’s a truth that is difficult to handle at this point, but what isn’t difficult to handle during a pandemic? If you want to see more great content from Scene Before, give the blog a follow either through an email or WordPress account! Like this post, share it with your friends, show some appreciation for the Movie Reviewing Moron! Also, instead of scrolling across some clickbait articles with misleading information about COVID-19, check out the Scene Before Facebook page and give it a like! I want to know, did you see “Onward?” What did you think about it? Or, what is your LEAST favorite Pixar movie? Why? Would you still consider it to be “enjoyable?” Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 7

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Hey everyone, Jack Drees here! It is now time for part 7 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As much as I want to continue to create informative content, I’m getting to the point where this series has become an annoyance. But I continue to do it anyway because historians can look back on this and remember it as a dire time for the film industry, which it really is. And those reviews I’ve been saving for months cannot go to waste. So Scene Before is STILL your place for the apocalypse! But who knows how much longer this will last? If I have to do more than twelve or thirteen, I might shove an aluminum soda can down my throat. In other news, I still know how to put on pants, I have not been going outside, and if I’m not back in the cinema by the end of July, I am going to throw all my DVDs and Blu-rays out the window like I’m a stubborn child!

And since we are still on a downward spiral, let’s get to the news of the world!

Starting in New York, we have news regarding what could be the United States’ most famous public transportation system, the MTA (Metropolitan Transportation Authority). Andrew Cuomo, governor of New York state, made a major change to the system. The MTA is known for having a 24/7 schedule, so they never stop running. However, under Cuomo’s order, the system will be shutting down from 1 AM to 5 AM. This is likely a financially responsible decision, as nightlife in New York is nonexistent at this point. Plus, ridership is down 90% as far as the system goes. With less money, there’s more of a willingness to engage in the system’s preservation. This is also part of an effort to properly disinfect MTA property and machines, making a safer and cleaner ride for customers.

While some states are going to have to wait a bit longer to reopen, some like Georgia and Texas have begun easing on restrictions. Another state that has announced some easing on restrictions is the New England state of New Hampshire. The state plans to partially reopen starting May 11th. Certain pieces of economic industry including golf courses, campgrounds, and hair salons are permitted to reopen. Outdoor dining is also permitted to take place. Strict guidelines are still in place however as there is still a tendency to keep people 6 feet apart. New Hampshire currently has over twenty-five hundred confirmed COVID-19 cases so far. That is more than neighboring states Maine and Vermont, but is significantly less than its other neighboring state, Massachusetts, which has over seventy thousand cases.

Let’s go over to the United Kingdom and talk about Prime Minister Boris Johnson. Previously diagnosed with COVID-19, Johnson spent time in intensive care and was monitored health-wise. As he gets back into his routine, he stated that doctors were ready to announce his death in an event that he refers to as a “death of Stalin’-type scenario.” Johnson told UK newspaper The Sun that he required “liters and liters of oxygen.” During hospitalization, the Prime Minister kept asking himself: “How am I going to get out of this?” In other news, Johnson and his wife recently named their newborn son Wilfred Lawrie Nicholas Johnson. The “Nicholas” in this full name is chosen in honor of a doctor who helped aid Johnson.

Before we dive into our main topics, here’s a conglomerate of news that I ought to share because it can be packaged into a little box. While most theaters in the United States seem to have a plan on opening back up in the summer, because nothing’s out until then, some theaters are already opening their doors. For example, in Rhode Island, the Rustic Tri-View Drive-In, located in North Smithfield, is now part of the state’s reopen plan according to Governor Gina Raimondo. As for non-drive ins, Texas has three Santikos theaters reopening with a $5 ticket deal. For the record, this is a third of the company’s locations. Honestly, while it is good news for business that these theaters are reopening, I think it is also good news for health that they are taking it slow. The major chains like AMC and Cinemark still plan on a July reopening, which I think is fine, because it builds up anticipation and there’s nothing really new playing until then. Outside the U.S., Norway is reopening its theaters starting May 7th, capping the limit at 50 people per screening. The movie theater to me is a place beyond the imagination. It’s also a place where I occasionally get to see masterpieces. These masterpieces often get awards, such as Oscars. Speaking of the Oscars, let’s talk about them!

THE ACADEMY CHANGES RULES FOR THE 93RD ANNUAL OSCARS

One of my favorite days of the year is Oscar Sunday. When this crisis first started, I was a little worried that would not even be able to see an Academy Awards show next year, much less get more movies that could potentially be nominated. After all, when you are a studio or crew and cannot come out with your movie, it’s kind of a struggle. However, The Academy may have something planned next year. One indicator of this is them announcing changes to their rules and layout. Most notably, the Academy is putting its traditional rule of its nominees needing to have a theatrical release on hold. Specifically, the rule that a movie must play in Los Angeles county cinemas for at least a week with daily screenings taking place at least thrice. So if you play your movie in cities such as Los Angeles, Burbank, Santa Monica, Long Beach, Glendale, Pasadena, Culver City, or anywhere else in Los Angeles county that may have a movie theater under certain requirements, it could potentially be nominated for an Academy Award. Due to the COVID-19 crisis, the Academy is making an exception for this year. The following quote is taken from The Academy’s website, oscars.org.

“Until further notice, and for the 93rd Awards year only, films that had a previously planned theatrical release but are initially made available on a commercial streaming or VOD service may qualify in the Best Picture, general entry and specialty categories for the 93rd Academy Awards under these provisions:

  1. The film must be made available on the secure Academy Screening Room member-only streaming site within 60 days of the film’s streaming or VOD release;
  2. The film must meet all other eligibility requirements.”

So this means that films like “Trolls: World Tour,” “Scoob!,” and “The King of Staten Island,” which are either already On Demand or will be dropping towards On Demand soon, are considered eligible for the Academy Awards. Films that barely even got a theatrical release like “Bloodshot” or “The Hunt” also qualify. I’m willing to imagine to some extent that this *may* count a film such as “The Lovebirds,” which was going to theatrically release this year and make a debut at South by Southwest. Although the festival was canceled and Paramount is no longer putting the film out in cinemas. But unlike films such as “Trolls: World Tour,” which is available on platforms including Prime Video, Google Play, Vudu, FandangoNOW, AMC Theatres On-Demand, iTunes, and cable outlets such as Xfinity and Fios, “The Lovebirds” is going straight to Netflix. Given how Netflix has made a major presence at the Academy Awards in past years, films like “The Lovebirds” could be considered eligible, but is the Academy only considering certain platforms? Are exclusive platform deals going to tie in somehow? What about “Artemis Fowl” on Disney+? That movie was supposed to come out this month, but unfortunately that’s not happening.

Also keeping fine print in mind, these rules pertain to films that were once planning on theatrically releasing. So films like Netflix’s “Extraction,” which was intended for a streaming platform, or HBO’s “Bad Education,” which went straight to television, will not qualify. This policy is also not permanent, as the Academy intends to make this only apply for this year’s ceremony, and anticipates an end date in the future when there is a sense of normalcy, not to mention when theaters re-open. However, the Academy is also planning on expanding qualifying theaters to U.S. areas including New York City, the San Francisco Bay Area, Atlanta, Chicago, and Miami. As one who lives fairly close to Boston, I am disappointed, but we can’t have everything, even if sports prove otherwise. By the way, I hate football. I said it.

PHYSICAL MEDIA (and other electronic) SALES GO UP

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Now I imagine some people will flat out not care about this, but to me, physical media is the best way to watch a movie at home. Because when you buy a movie on Prime Video for example, you don’t own it. Yes, you possess the film digitally, but if the service goes down, crashes, or the company behind it closes its doors forever, you’ll probably never be able to watch it again. With physical media, it is all up to you. Now it is not a surprise that we have had more time on our hands to go on Netflix and watch “Extraction,” to flock over to Disney+ and watch “Star Wars,” to jump on over to FandangoNOW and give “Trolls: World Tour” a rent. But what KIND OF surprises me, and I say kind of, is how much of a presence physical media has in this pandemic. According to recent statistics, DVD and Blu-ray players went up 27% during the pandemic. Keep in mind, this is a market that Samsung recently abandoned.

Another thing to keep in mind is that DVD and Blu-ray players, which went up by 27% is not the only winner here, in fact, the increase is not as big as other categories such as TV mounts (41%), printers (61%), and streaming players (67%). So rather than just being a great boost for physical media, it is also a great boost for tech. TVs have been doing well, and so have computers. As for where the actual total of sales for DVD and Blu-ray DISCS stand, that’s another question. Although, based on this quote from NPD’s Tom Baker, that type of electronic may be doing just fine.

“Sales are up as consumers stay at home and look for multiple forms of entertainment. These include DVDs and Blu-ray discs to entertain children while their parents are working, backup access devices if Internet access is challenged by streaming, or simply the consumers’ realization that they may need a physical disc player as an alternative to streaming and either they didn’t already have one or the one they do have needs an upgrade.”

Honestly, in a time like this, I think some people are going to want physical media. Sure, it involves getting up and putting in a disc, but one of the reasons why I am such an advocate for it is the technical side of it. Outlets like YouTube and Netflix have lowered the default quality of content to standard definition. With Blu-ray, the default quality is 1080p, or if you have a smaller setup, it’ll work in 720p. Yes, standard definition is the quality of DVD, which is 480p, but again, I’ll bring up the fact that you have control over your content. Netflix, or more specifically, Warnermedia, is not going to snatch “Friends” away whenever the year ends like they did months ago. If you don’t want it, just sell it and get some money back! Plus, you get all the bonus features which can help you pass the time. I just got the “Star Wars: The Rise of Skywalker” 4K Blu-ray last month, I still need to watch the bonus content! So I still have something to do! Also, what if the Internet goes down? You don’t need any Internet to watch a DVD! If I had to come up with any downsides, maybe it involves a little more activity, but since we refuse to go outside, it could be worth taking a couple steps to the collection and popping a disc in. Or, since places like Walmart sells them, there’s always a chance, given how grocery stores are becoming petri dishes right now, that other people touched the DVDs or Blu-rays and spread their germs, which may not be the most pleasant happening for a time like this. But of course, worst case scenario, you can always order these things online. Although I can also imagine that some people are buying these devices because they have smart capabilities as well, allowing them to contain apps like Netflix, YouTube, and Prime Video.

NO MORE KEANU DAY, BUT HERE’S MORE DELAYS!

One of the actors who arguably was the “winner” of 2019 is Keanu Reeves. His year in acting brought him success through films like “John Wick: Chapter 3 – Parabellum” and “Toy Story 4.” He did films like “Replicas,” which honestly sucked, but he also became a heavy hitting piece of promotion for the upcoming game “Cyberpunk 2077,” by making a surprise appearance at E3 last year. And honestly, this might have spawned my favorite slice of all the content that went viral on the Internet last year.

In fact this year, the Keanussance is likely going to continue. After all, he is making an appearance in the third “SpongeBob SquarePants” movie in a minor role. The movie by the way for those who don’t know is titled “The SpongeBob Movie: Sponge on the Run.” Speaking of known properties, Reeves is also going to be reuniting with Alex Winter to star in “Bill & Ted Face the Music.” Although, if you are a fan of one of Keanu Reeves’ most popular franchises, specifically “John Wick,” prepare to be disappointed. “John Wick: Chapter 4,” once scheduled to come out May 21st, 2021, will now be releasing May 27th, 2022, a full year later. Taking the spot of “John Wick” is the “Saw” reboot titled “Spiral,” which was supposed to be out May 15th of this year. Speaking of Lionsgate films, “The Hitman’s Wife’s Bodyguard,” which is a sequel to 2017’s “The Hitman’s Bodyguard,” will be hitting theaters August 20th, 2021, as opposed to its prior date of August 28th, 2020. An upcoming horror drama, “Antebellum,” is set to release August 21st, 2020, as opposed to its original date which has already passed, April 24th, 2020.

However, sticking with “John Wick: Chapter 4,” this delay is a particularly interesting one. Not just because it involves a meme-worthy actor and a hit action franchise, but this film was originally supposed to come out the same day as another Keanu Reeves movie. And it’s not some indie film made by a studio like A24 or Neon. It’s not, THANKFULLY, a sequel to “Replicas,” a film Reeves starred in that turned out to be one of the worst films of 2019. It’s “The Matrix 4.” Now if you asked me five years ago about the possibility of a “Matrix 4,” I’d probably toss the idea behind my head. There didn’t seem to be much place else that the story could go. But hey, everything’s getting a reboot and a remake now, so why not “The Matrix?” I honestly don’t know what to expect from it, but the fact that this is a reboot and not a remake pleases me. Nevertheless, both films prior to the delay of “John Wick: Chapter 4” were scheduled to come out May 21st, 2021. The Internet has often called this “Keanu Day.” I will say that the delay of “John Wick: Chapter 4” is both a good thing and a bad thing. It’s good because it avoids having the crew rush on making the film, but it’s also unfortunate because as a Keanu Reeves follower, I figured it would be fun to go to the theater and do a Keanu Reeves double feature. However, if more good news needs to be said, I should also point out it’s perhaps likely that these films, which by the way, are from different companies, will be marketed to similar groups of people, and maybe both could lose their respective studios money as a result. Both films debuting on their own release dates could not only benefit Lionsgate, who is delaying “John Wick: Chapter 4,” but also Warner Bros., who is responsible for “Matrix 4.” Not everyone has the money and time to go see two seemingly similar movies. While “John Wick” fans may have to wait, this could give Lionsgate a greater chance of creating a “John Wick: Chapter 5,” because what if “John Wick: Chapter 4” doesn’t warrant a sequel after losing lots of money to “Matrix 4?” At least the studio has a “Hunger Games” prequel and “Knives Out 2” potentially coming soon so it’s not like they’ll spend years losing money from here on out.

AMC THEATRES AND REGAL ENTERTAINMENT GROUP BAN UNIVERSAL FILMS

Can I get some popcorn?! Because I’d say it’s time to enjoy the greatest battle in cinematic history, and it’s not even in a movie! Tonight’s fighters are… movie theaters and Universal Pictures! Now, “Trolls: World Tour” is a one of a kind movie, mainly because Universal decided that it should be released directly onto VOD. Universal bragged about the film’s progress so far to the point where they thought it would be a good idea to release more of their films On Demand while also putting them into theaters.

Now, I’m going to have to be very careful here, because several different outlets have reported similar sounding items that might contextualize something different.

The story here begins by bringing the mega-chain AMC Theatres into the mix. AMC Theatres saw Universal’s plan to simultaneously release movies theatrically and at home and responded by saying that they will not play any of Universal’s movies if that’s the case. While a source like The Hollywood Reporter did a story on this and cited from AMC CEO Adam Aron that the company will no longer play any of Universal’s films in its theaters worldwide, one quote from Deadline’s article suggests, also from Adam Aron, that they will not do so “on these terms.” By that, it likely means that AMC will not release Universal’s films if they just follow a simultaneous home video rollout. Keep in mind, it is traditional for films to follow a strict theatrical window. While there have been cases of films like “Black Panther” that you can still see in some theaters while it becomes available at home, tradition has suggested that a movie released for theaters must be out for about ninty days before it comes home. Universal doing a release like this not only ignores the theatrical window, but it also makes the theater potentially lose money because people could just stay home and put the movie on their TV. In fact, movie theaters were against Universal since this pandemic started. While they did manage to have a rather solid idea of making “Trolls: World Tour” a straight to On Demand movie, other studios seemingly have concretely laid out their plans and avoided giving such a last minute notice like Universal appeared to. NATO (National Association of Theater Owners) head John Fithian was against this from day one.

“Only Universal, and only on ‘Trolls,’ did one studio skip the theatrical model and go straight to the home. Universal continues to advertise to consumers that ‘Trolls’ will be released simultaneously to theaters and the home on April 10. And they are lying to consumers. Universal knows that theaters will still be closed on April 10, so unlike every other distributor who must simply delay their releases in that time period, but still understand that theatrical release is essential to their business model, Universal on ‘Trolls’ didn’t make that decision. Exhibitors will not forget this.”

Fithian also shares his thoughts on the current matter of AMC abandoning Universal films with this quote…

“Universal does not have reason to use unusual circumstances in an unprecedented environment as a springboard to bypass true theatrical releases. Theaters provide a beloved immersive, shared experience that cannot be replicated — an experience that many of the VOD viewers of this film would have participated in had the world not been sequestered at home, desperate for something new to watch with their families. We are confident that when theaters reopen, studios will continue to benefit from the global theatrical box office, followed by traditional home release.”

Let me just say that if Universal is planning on releasing “F9” through VOD the same day as in theaters, that might be one of the worst decisions they’ve ever made. People go to those movies because they provide adrenaline rushes, the effect is not as great if watched on a TV, tablet, phone, or computer. This is why before this whole pandemic, I bought opening Thursday tickets. Luckily, I did get my money back. So if all Universal films are never coming to AMC again, it’s going to make it harder for me to review them as AMC locations are easy for me to access. The theater is a huge money-maker for Universal, to have hundreds of screens lost is not a great investment in the long run. People are inevitably going to get back into routines, and part of that routine is the movie theater. It might take awhile for some people, but if you’re someone like me who sees a difference in the experience from watching at home and in the theater, I’m going to choose the theater by a long mile. This is why I want to see “Tenet” in July. Heck, before this all happened, I probably had little to no intention of going to see the remake for “Mulan,” but I’ll show up because I want to support movie theaters.

But just you wait! There’s more! Universal, if you do nothing, cinema chains will double the offer! That’s two cinema chains not playing your movies, for a chance to lose more money! Cineworld, which currently owns the U.S. staple, Regal Entertainment Group, also said that they “will not be showing movies that fail to respect the windows.” So, should Universal continue to release movies On Demand early, Regal, along with AMC, will not be playing those films in their venues. Alternate chains like Showcase Cinemas, Alamo Drafthouse, and Arclight for example have not really said much about this matter. But remember, the theatrical window is a sacred bond of trust. If you’re putting a movie in theaters, chances are you have to follow it or face consequences.

Also, I wonder how much longer this will go on for, because guess what? If you go to Universal Studios Hollywood, you’ll notice on the CityWalk that there is a movie theater that currently goes by the name Universal Cinema. The theater has reserved seating, recliners, a Director’s Lounge, and an IMAX with Laser. By the way, that IMAX is also equipped with a 70mm projector, which if the theaters open back up in time for “Tenet,” will probably be used. Guess who owns that theater? AMC of all possible names! Who knows what is going to happen there?! As for Universal Orlando Resort, they’re safer in this circumstance as they currently have a Cinemark. They had an AMC at one point, but that has now closed. Gotta love drama.

NEW HOME VIDEO RELEASES

First off, it is Tuesday, May the 5th! Meaning it is the day after “Star Wars Day,” AKA May the 4th! For those who have not heard it already, May the 4th be with you and as for today, enjoy your Revenge of the Fifth! With that being said, there’s some new “Star Wars” content on Disney+, including a documentary on “The Mandalorian,” the series finale of “The Clone Wars,” and since we talk about movies on here, one of the new additions is “Star Wars: The Rise of Skywalker,” the conclusion to “The Skywalker Saga.” As of now, the full “Skywalker Saga” is available on the service. The only theatrically released “Star Wars” movie not available on Disney+ at the moment is “Solo: A Star Wars Story.” However, the movie is currently on Netflix. If you are wondering when “Solo” will be coming to Disney+, it will be available starting July 9th, 2020. As for what’s coming On Demand, one example is “The Lodge,” which is about a soon-to-be-stepmom who is staying with her finace’s children at a holiday village, where strange events begin to occur. The film is available today, May 5th, on DVD, Blu-ray, and Digital. Another film getting such a release on May 5th is “Arkansas” starring Liam Hemsworth and Vince Vaughn. It is the directorial debut of Clark Duke and was supposed to be shown at this year’s South by Southwest Festival. The film is a thriller about two men who live under the orders of a kingpin whom they’ve never met. Unfortunately, a deal goes wrong, meaning they could end up facing harsh consequences. “Arkansas” was supposed to theatrically release on May 1st, the same day that “Black Widow” would have hit theaters had it not been delayed. However, it is now available physically and digitally starting today, May 5th. One more film to avoid skipping over is “I Still Believe,” which is now out on DVD and Blu-ray as of today. The film is based on the true story and journey of Christian music star Jeremy Camp.

Thanks for reading the seventh part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Happy Revenge of the Fifth, hope all the “Star Wars” fanatics in the world are happily going about their lives and not getting into fights in comments sections, because that’s impossible, right? Also, Happy Cinco de Mayo, on a Taco Tuesday coincidentally! Two days that go together quite well! Also, if you want remind yourself of a simpler time when movie theaters were open, be sure to check out my latest YouTube video where I document my experience of going to see “Star Wars: The Rise of Skywalker” on opening night. Disney has already put copyright claims on it, but I really don’t care as I enjoyed making the video. Also, if you like the video, leave a like, if you want to subscribe, go ahead! Speaking of leaving likes, be sure to check out my Facebook page and immerse yourself to posts much shorter than these while also getting the latest updates from Scene Before! Since we’re still on the topic of likes, be sure to like this post if you’re enjoying the content, and as we’re continuing promotion, why not give this blog a follow either with a WordPress account or your email? I want to know, what is the biggest piece of movie news for you in regards to the COVID-19 crisis this past week or so? Did I miss anything? Also, how did you celebrate “Star Wars” day? Me personally, I started on May 3rd! TBS had a marathon and I watched for hours! Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 6

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Hey everyone, Jack Drees here! It is now time for part 6 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

I’m telling you guys, this is getting annoying! We now have as many entries to this series, as “Sharknado” does within its own series! This is wrong! And honestly, this may be the biggest post yet, because a lot has happened in the entertainment realm! But of course, let’s get to the real world news first! By the way, if you’re asking, none of it has to do with Kim Jung Un. I’m only counting COVID-19 matters.

Today we’ll start in a film capital, California. Last week, Florida’s Duval County was in the news because people spent time at the area’s beaches that were recently reopened. This was referenced a ton on social media, which lead to the trend #FloridaMorons. While I never found #CaliforniaMorons to be trending on Twitter, some people did make tweets with that hashtag inserted. Before we go any further, here’s some highlights related to this subject, even if all of them don’t use the hashtag.

Once again, I did not see #CaliforniaMorons trending, but just to prove that I am not the only person who is noticing this…

I know, right?! I love California! I was just there a month ago! But, holy crap! This weekend, California was hit with warm weather, reaching 80 and 90 degrees. Since it is so warm, a lot of people thought it would be a good time to go to the beach. But of course, because COVID-19 ruins fun, there is a massive chance of spreading the infection. Naturally, much of the response on social media to this matter has been particularly negative. Speaking of beaches getting traffic, San Diego officially reopened their beaches starting Monday April 27th. However, this does come with restrictions. People cannot gather in groups, park, or lie down to get some rays. Question about parking, does Uber count? Drivers need to get by in these times! Plus, Fiesta Island, piers, and boardwalks will be closed. However, you can still swim, you can still fish, you can still surf. This is part of phase 1 rules in regards to San Diego beaches. California Governor Gavin Newsom had this to say about the matter…

“This virus doesn’t go home because it’s a beautiful sunny day around our coasts.”

Although, California is not done with announcing closures, because the Orange County Fair will officially be shut down for this year. This year’s fair was supposed to last for 23 days, on every day of the week except for Mondays and Tuesdays starting July 17th and ending August 16th. The fair, held in Costa Mesa, California, has previously seen over a million visitors in a year.

Two of the celebrities who have been taking up lots of spotlight in this time of a pandemic are Tom Hanks and Rita Wilson, both of whom previously been tested positive for COVID-19. However, time has passed, and the two seem to be better then they were a month ago. Although they are back in the news for better reasons. Hanks and Wilson agreed to donate blood and plasma for a possible vaccine. After all, both individuals carry needed antibodies. I will be real, I f*cking hate needles. Even if they are necessary. I feel as if I’m gonna make it out of a burning building should a vaccine be injected into me in order to avoid getting COVID-19. However, if you want to convince an anti-vaxxer to get a vaccine, tell them that Tom Hanks will now be a part of you.

Speaking of Tom Hanks, the man known for such films like “Cast Away” and “Bridge of Spies” defended a child the other day. While he was not able to get physically involved, partially because of physical distancing limitations, he did take action. When Hanks and his wife, Wilson, were diagnosed with coronavirus, an 8-year-old male Australian student by the name of Corona De Vries wrote a letter to the couple saying he loved his own name, but he was often called the coronavirus, making him “sad and angry.” Hanks saw the letter and responded back suggesting “You got a friend in me,” a phrase inspired by “Toy Story,” another film Hanks is famous for.

Say what you want about celebrities being selfish and entitled, even in these times. Tom Hanks suggests otherwise.

Now I’ve talked quite a bit about Donald Trump, who as of recently, just invented the “Noble Prizes!”

By the way, if you are wondering why I am not using Trump’s tweet for this, it no longer exists!

Last week, after Trump suggested that the coronavirus “may not come back at all” for a second time, Dr. Anthony Fauci begs to differ. He suggested the possibility of a second outbreak after having a discussion with Robert Redfield, director of the CDC. This outbreak could hit in the fall, and be more complexing considering how the flu pops up at the end of the year.

Speaking of Trump, time for some bleach drinking! In the ambitious search for a COVID-19 cure, Donald Trump has suggested the possibility of injecting disinfectant in order to rid one’s body of COVID-19. Let me just start off by saying, yes, injecting disinfectant will VERY LIKELY get rid of COVID-19, because you’re about to f*cking go down along with it. Putting bleach in the body is good for a lot of things. Erasing the lyrics of “Baby Shark” from your head! Forgetting whatever the “Cats” movie was! Oh, and trying to become a f*cking ghost! The COVID-19 crisis is not going to be solved through disinfectant going inside you! Besides, everyone’s afraid to go to the supermarket right now! You think everyone’s gonna want to pile on top of each other in the same aisle grabbing Clorox?!

I’m done! I’m really just done! I just want to go to a restaurant and the movies, is that too much to ask?! Wait…

Before we go any further, I’m going to remind everyone that in my post from last week, I documented that Georgia was planning to reopen on April 27th. Well, that was yesterday. But when it comes to movie theaters, those are not reopening. I mentioned this specific before, but I thought I’d bring it up as a refresher. Georgia Theater Company, otherwise known as GTC Movies, is not planning on reopening theaters anytime soon. They intend on waiting until July, when Christopher Nolan’s “Tenet” comes out, a movie which we’ll talk about later. Speaking of which, Greg Abbott, the governor of Texas, has given theaters the green light to open starting Friday with 25% capacity. Chains like AMC and Cinemark do not plan on opening until the summer. Although in addition to that, a movie theater chain that is absolutely critical to Texas is taking similar actions. Specifically, Alamo Drafthouse. For the record, these theaters are not entirely shuttered, as some are open for takeout and delivery. After all, Alamo Drafthouse is known for its food selection. However, an Alamo Drafthouse spokesperson had this to say in regards to possibly reopening…

“Opening safely is a very complex project that involves countless new procedures and equipment, all of which require extensive training. This is something we cannot and will not do casually or quickly. We will not be opening this weekend. But know this, when we do open, we will be providing the safest possible experience for both our staff and our guests and we can’t wait to see you all again!”

It seems that Alamo going to follow the footsteps of other chains and maybe reopen during mid-summer. That is, should COVID-19 not affect the safety of theater patrons. Besides, not much material is coming out in theaters these days, including a movie I am going to talk about right now.

SCOOB! GOES STRAIGHT TO DIGITAL

One of the family films that was set to come out this year is “Scoob!,” which if you cannot tell, belongs to the “Scooby-Doo” IP. Now “Scooby-Doo” has had a lot of content over the years, but in May 2020 the franchise was about to have its latest theatrically released title. A couple of films within the IP have been presented this way already, and they were written by James Gunn, who of course is now famous for his work on the “Guardians of the Galaxy” films. This film was set to release May 15th, 2020, but Warner Bros. took it off the release calendar in response to the pandemic. Turns out, it will be coming out that day all along, BUT it won’t be in theaters, given how none are practically open right now. Instead, it is going to follow in the footsteps of “Trolls: World Tour,” the animated sequel by DreamWorks, now owned by Comcast, and release onto VOD. Meaning that services including Prime Video, Vudu, FandangoNOW, and Google Play will be getting the film. I’ll be honest, had this pandemic not been going on this year, there’s a solid chance that I might miss out on “Scoob!” if it were in the theater. The only reason why I would even consider seeing it, is because I feel the need to see five animated flicks by the end of the year, because I need enough nominees at the Jackoff Awards that I do in the winter. Although, it definitely does have a market. Families would probably have gone to see it. Generations who grew up with “Scooby-Doo” will recognize the movie and pass the torch to their children. Had it stayed in theaters, it could have made for a fun outing. But of course, it’s not in theaters.

“Trolls: World Tour” was not the worst option of all the movies that could go straight to VOD instead of theaters. A lot of younger kids recognize the film, and since sometimes bringing kids to the movies can be obnoxious, putting it in a home environment is not the worst idea. That is until Amazon’s 48 hour rental period expires and they beg for the parents to spend another $20. “Trolls: World Tour” landed one of the biggest digital debuts ever, and “Scoob!” could do the same, but that is going to depend on how many kids are looking forward to it. I think there was more of an appetite for a “Trolls” sequel among children than there was for a “Scooby-Doo” movie. At the same time however, “Scooby-Doo” has had a long history of being a product for the home environment. I grew up having a piece “Scooby-Doo” media in my collection. A lot of television shows and cartoons have been a part of the “Scooby-Doo” brand. From a production standpoint, this could come off as something that was meant for theaters, but may be remembered as another fine entry to the “Scooby-Doo” home media collection.

THE KING OF STATEN ISLAND GOES STRAIGHT TO DIGITAL

Had South by Southwest happened this year, one of the films that I would have been eager to see was Judd Apatow’s “The King of Staten Island.” The film had an advantage of being a higher-profile title, alongside such movies including “The Lovebirds,” which is now going to Netflix. This film had a bright future on the big screen. Aside from a SXSW debut this March, it was supposed to come out June 19th of this year in theaters. I have some good news and some bad news. The good news is that “The King of Staten Island” is getting bumped up a week to June 12th, 2020. So it’ll come out a week earlier. The bad news is, if you were looking forward to seeing Judd Apatow’s latest film in theaters, that’s not happening, and this does not come as a surprise. I have a feeling that part of this not only has to do with analyzing the potential box office results ahead, but maybe it has a bit to do with “Tenet,” which I think is going to be a better example of a film that is going to try to entice people to get back in the theaters (again, more on that later). However, starting June 12th, “The King of Staten Island,” a semi-autobiographical comedy-drama starring Pete Davidson will be available On Demand through various services. This is a release technique similar to the recently mentioned “Scoob!.” The film also features notable names including Marisa Tomei (Spider-Man: Homecoming, My Cousin Vinny), Pamela Adlon (Bob’s Burgers, Better Things), Steve Buscemi (Miracle Workers, Fargo), and Bill Burr (Breaking Bad, Date Night).

While this technique has been done for a film like “Trolls: World Tour,” which again, was fairly successful. A film with this much name power that was supposed to be in theaters has not really gotten this treatment all that much during the pandemic. I see at light at the end of the tunnel, but as of now, “The King of Staten Island” is perhaps an adult version of the “Trolls: World Tour” experiment. I honestly don’t know how this is going to go, as “Trolls: World Tour” likely had several advantages. First, that movie was going for a wider audience including children, families, etc. “The King of Staten Island” is an R rated picture. No kids allowed on this flick! Plus, since this film probably won’t be heading to a platform like Netflix, where you can watch the movie for free as long as you have a monthly subscription, it could suffer from less views because people are cheap and they’d rather watch something free than pay a rental price. “Trolls: World Tour” might as well be a product that can be put on bunches of times just to shut kids up on some occasions. It may be expensive, but the peace and quiet could be worth it. Although, Comcast’s streaming service, Peacock, which is now available for Xfinity customers, is hoping to expand its customer base starting July 15th. Maybe “The King of Staten Island” will end up on the service as soon as possible for everyone to enjoy.

Also, side note, this movie is incorrect. Pete Davidson IS NOT the king of Staten Island. The Impractical Jokers are the kings of Staten Island. That’s a fact. Prove. Me. Wrong. I dare you.

A SURPRISING SUCCESS FOR TROLLS: WORLD TOUR

Thought I was done talking about “Trolls: World Tour?” Well, I’m not! Because according to The Wall Street Journal, it turns out “Trolls: World Tour” has officially made over $100 million in a matter of just a few weeks! This ultimately means that this digital experiment Universal was trying out happened to be relatively successful so far. Again, I think part of this mainly has to do with “Trolls: World Tour” being a family movie that kids will probably be watching over and over again to the point of becoming annoying. However, it’s an interesting success story as movies like this, including “Trolls: World Tour’s” predecessor, happen to gain massive successes from big theatrical runs. I should also point out that the first film currently has made more money at the domestic box office, specifically $153.7 million. But who knows? Maybe that will be broken. Will this mean Universal does more straight-to-digital releases in the future? Honestly, I hope not. While this may have worked for a film like “Trolls: World Tour,” which I think kids were going to watch no matter what, movies in general are often built up best by word of mouth in an attempt to get people out of the house. I just hope for the love of Pete that the ninth “Fast & Furious” DOES NOT get a straight to digital treatment. As for other factors to consider, “Trolls: World Tour” is also one of the only new films to watch right now, and since we can’t leave our house, maybe that has a contributing factor to how willing we are to stay in and pay a rental price on the movie. If we were in normalcy, who knows how this would have played out? But if you ask me, EVERY MOVIE is better in a theater. Mark my words.

SPIDER-DELAY! SPIDER-DELAY! DOES WHATEVER A SPIDER-DELAY DOES!

In part 5, I’ve practically given DC Comics its own section to talk about in terms of delays. This time, I’m going to be doing this for Marvel, both on the sides of Disney and Sony. Starting off with Sony, one of their hit movies, the Academy Award-winning “Spider-Man: Into the Spider-Verse” was supposed to get a sequel released on April 8th, 2022. That’s not happening anymore as the sequel has officially been pushed back to October 7th, 2022. It is hard to know what could come of “Spider-Verse 2” from this release date. Maybe it could do what “Venom” did and be able to separate itself in a month full of horror movies, not that “Venom” didn’t have some elements of the genre. For all I know this could work, because the first film won an Oscar, a Golden Globe, a Critics’ Choice, and seven Annies. The first film by the way released in December. I feel like the Best Animated Feature category is the least important one when it comes to releasing a film at a certain time, but experience has suggested that when a film releases later in the year, it usually gets some awards buzz. “Spider-Verse 2” could not just be a big hit, but another award winner.

Speaking of “Spider-Man,” the third Tom Holland “Spider-Man” movie was delayed! This third “Spider-Man” film was supposed to be connected to the MCU and release in theaters July 16th, 2021 as part of Marvel’s fourth phase of films. However, the film now sits in the month of November, taking a spot on the fifth day of the month. I am disappointed that I have to wait for the film, but the film opens on my birthday weekend, so I’ll take the wins as they come along. This news may have ties to how filming has not really been happening, and I am willing to bet that the delay for Sony’s “Venom: Let There Be Carnage,” now coming out on June 25th, 2021, plays a bit into this. After all, that too is technically a “Spider-Man” property. Having these two movies very close to each other could potentially be weird. Speaking of Marvel…

THOUGHT SPIDEY WAS ALONE? THE MARVEL RELEASE CHANGES SHALL ASSEMBLE!

One of the most complex questions right now in regards to the pandemic is the wonder of what is going to happen to the Marvel Cinematic Universe. It was not that long ago that “Black Widow” was delayed from this May to November, taking “Eternals'” spot on the release calendar. This resulted in pushback upon pushback upon pushback. Guess what? “Spider-Man” is not the only Marvel character affected this week. “Doctor Strange in the Multiverse of Madness,” which was supposed to release the same weekend as “Spider-Man 3,” is now getting pushed back to March 25th, 2022. Interestingly however, “Thor: Love and Thunder,” which was supposed to come out February 18th, 2022 as of recent times, is getting bumped up a week and is now coming out February 11th, 2022. Why is that? I don’t know for sure, but maybe to get couples to go see it on Valentine’s Day. With a title like “Love and Thunder,” that’s probably the reason. And now, for everything else!

THE DELAYS NEVER END!

Going back to Sony, one of the interesting projects that they have held onto for some time is a movie based on the popular video game franchise “Uncharted,” which, appropriately, is a Playstation exclusive. Even though Tom Holland’s “Spider-Man 3” is getting pushed back to November 2021, “Uncharted,” which he is set star in, is getting bumped up. Finally! Some positive news about this movie! I have never played the video games, even though I have heard solid things about them, but as for the movie, it just goes to show that even in development, video game movies are cursed. However, “Uncharted,” which was supposed to release October 16th, 2021, is moving up to the summer of that year! As of now, it is taking the spot where “Spider-Man 3” once was! Hopefully, this optimistic bump means that production will be happening as soon as possible, considering how filming was shut down due to COVID-19 on day one. Who knows what’ll happen? This movie is an enigma! As for other projects under Sony’s control, “Fatherhood,” a new comedy starring Kevin Hart is being pushed back from October 23rd, 2020 to April 2nd, 2021. Speaking of Kevin Hart, another movie where he’ll appear, “Man From Toronto,” once set for a September 17th, 2021 release, is now coming out November 20th, 2021. And if you thought “Spider-Verse 2” was going to be the only affected animated title, you’re wrong. “Connected,” the upcoming film produced by Phil Lord and Christopher Miller, was delayed a month. The film, which was previously expected September 18th, 2020, will now be coming out October 23rd, 2020. “Vivo,” featuring songs from Lin-Manuel Miranda of “Hamilton” fame, was supposed to release April 26, 2021, but now is getting pushed back to June 4, 2021. Can’t believe this is a thing, “Hotel Transylvania 4!” I guess this is also known as, “Adam Sandler needs an excuse be in a movie that won’t go straight to Netflix.” By the way, “Uncut Gems” is brilliant and you should watch it if you haven’t done so already. That is even if it does try to convince an audience that the Mohegan Sun casino in Connecticut has a sportsbook. Anyway, “Hotel Transylvania 4” is yet another movie that is not going down the calendar, but up! Originally set for a December 22nd, 2021 release, the animated sequel will now take the August 6th, 2021 spot. This could be a strategic move as it could give families something to do over the summer, while not having to compete with Universal’s “Sing 2,” which is set to release the same day “Hotel Transylvania 4” was once supposed to come out.

Also getting delayed, Tom Cruise is gonna have to wait a little bit longer before he attempts to kill himself once more, or more specifically, twice more. The seventh and eighth installments to the “Mission: Impossible” franchise, which will be directed by Christopher McQuarrie, also known for helming the fifth and sixth installments in the franchise, both have previous release dates set to self-destruct. The seventh “Mission: Impossible” installment was supposed to come out July 23rd, 2021, once again standing out as a summer staple. As of now, the film is coming out November 19th, 2021, just before Thanksgiving. As for the eighth installment, once planned to release August 5th, 2022, that is now set for a release date that I am personally digging, November 4th, 2022. Why am I stoked? Because it’s my birthday. From what I could imagine however, these two movies may have quite a bit to do with each other and could probably go well together in back to back viewings. Kind of similar to putting “Avengers: Infinity War” and “Avengers: Endgame” together. There is always a chance that “Mission: Impossible 7” could suck more than anything that has sucked before, thus lowering my hype levels for the eighth installment. However, “Mission: Impossible” is a peculiar series that honestly has gotten better with each installment, so anything is possible.

NEW HOME RELEASES

I usually save this for last, but this time, my next post has more of a climactic vibe, so this is going to be my penultimate section. When it comes to digital releases, perhaps one of the most notable titles coming out this week is “The Photograph.” This debuted in theaters last February, stars LaKeith Stanfield (Sorry To Bother You, Knives Out) alongside Chelsea Peretti and features intertwining love stories. This seems appropriate, because, again, this movie came out in February. Although for Netflix, one movie that just came out is “Extraction,” starring Chris Hemsworth (Thor, Ghostbusters) as a black market mercenary. The film is not one that I plan to review, however it is also one that I am hearing solid things about. Granted, the story is nothing to write home about, but if this film were to be solely judged based on action, I’m hearing it slaps. And this honestly does not surprise me as it is written by Anthony and Joe Russo and directed by Sam Hargrave, a stunt coordinator behind “The Hunger Games: Catching Fire,” “Atomic Blonde,” and “Avengers: Endgame.” As for whether or not this is the next “John Wick” is something that you will have to decide for yourself. Also, if you have any plans to tune into Amazon, the SXSW lineup is now available, which was made in response to the cancellation of the ambitious annual event held in Austin, TX. If you have Disney+, your inner “Star Wars” nerd is going to be happy, because not only are you soon going to be getting more of “The Clone Wars,” you’re not only getting a documentary on “The Mandalorian,” but “Star Wars: The Rise of Skywalker” will be available on Disney+ starting May 4th, known by the fan community as “Star Wars Day.” From then on, the complete “Skywalker Saga” will be available on the service. Speaking of action-packed films…

TENET IS LOCKED FOR JULY 17TH

This is going to be the main topic of this entire post. For those of you who don’t know, Christopher Nolan is coming out with his latest blockbuster title, “Tenet,” which had a trailer release this past winter. At the same time, a short preview attached to IMAX screenings of “Star Wars: The Rise of Skywalker,” was shown for a limited time. This film, among all others, HAS NOT been delayed. And if you have talked to me at all recently, it is a film that is almost my most anticipated of the year. It’s just one spot under “Dune” if you are all curious. “Tenet” is a film that has literally been designed for the movie theater experience. It was shot using film stock through IMAX and 70mm cameras, it’s got a labyrinth of a concept similar to Nolan’s other films, and the cast looks promising. Some attached names include John David Washington, Robert Pattinson, Kenneth Branagh, and of course, the one and only Michael Caine. I have been worried for the longest time that this film would get gravitated from this summer, taking away yet another big movie. It’s happened with “Top Gun: Maverick,” it’s happened with “Ghostbusters: Afterlife,” it’s also happened with “Morbius.” However, “Tenet” happens to be one of the last men standing in this battle against the invisible enemy. That’s also what it will continue to be going forward, because IndieWire suggests that “Tenet” will be ready to open July 17th of THIS YEAR unless theaters are closed. Is this wishful thinking? It’s possible, but this article gives me hope, and I will state, this is not the first time I am hearing this statement. However, just to hear this be reinforced a month later, is extremely fulfilling. One of my big worries when it comes to “Tenet” is the possibility of it being a lone wolf in the movie theater, there is not much of a reason for the film to play in seemingly dead space. But at the same time, Christopher Nolan has constantly marketed “Tenet” as an event film. It’s an expensive blockbuster clearly meant for the summer. It’s got a similar vibe to Nolan’s own “Inception.” I will also point out that should quarantine end around the country starting July, Christopher Nolan can utilize a huge marketing push at the end of the game, maybe reminding people how exciting it is to go see a movie in a theater. Nolan is all about that atmosphere. Nolan is not a streaming guy. In fact, when this all started in the US, Nolan wrote an opinion article in The Washington Post where he called movie theaters “a vital part of American social life.” Before hearing what IndieWire suggests in their article, I had a rather bleak thought process as to what theaters would look like only being able to show “Tenet.” A few screens would be open, while every other one is some classic title that maybe not everybody is gonna pay $12 to see when they can they rent it on Amazon. Turns out, IndieWire sees a much more optimistic point of view. IndieWire suggests the following:

“Even if theaters start opening in June (Georgia’s aggressive early plan could permit openings in early May, but NATO has stated it prefers a nationwide, concerted rollout), few will attend without new films. Going before other big films would allow “Tenet” to play on virtually every screen in the country.”

Think about it. How many films have been delayed? From smaller titles that nobody has even heard of to the big blockbusters like those that Marvel cranks out every few months, despite their differences, they have something in common. They got delayed. A few got delayed not too far up calendar while others got kicked into another year, but nevertheless, they got delayed. “Tenet,” as the last man standing, could literally possess every auditorium in every theater, at least in the United States. This is something that during NORMAL times, I would be scared of a movie doing, but now, it makes sense and I am flat out encouraging it, because something needs to light the spark. Plus, should theaters reduce capacity for safety concerns, “Tenet” has themselves covered. They have more theaters and auditoriums that could supply everybody. If you have an AMC near you that has a bunch of standard screens, an IMAX screen, a Dolby Cinema screen all in one place, there’s a solid chance that they’ll use one or two, maybe another auditorium for standard screenings of a blockbuster. In addition, the IMAX or Dolby, depending on the deal they’ve made regarding the film, will also feature said blockbuster. If you have a decent-sized theater, for all I know, “Tenet” could take every screening possible. Can you imagine a 25 screen theater with “Tenet” on virtually every single one? It’s going to be the State of the Union Address of movies. There’s no alternate program you can resort to, it’s “Tenet” or bust! And if this were a film that could easily fit in for a streaming environment, had a small budget, or lacked some of name recognition, I’d probably say maybe this theater project is overblown and a bit beyond one’s reach. However, the film was designed for the theatrical experience, is a blockbuster, and is helmed by the man who I personally think is my favorite director of all time. For all I know, he could get another Oscar nomination for this film depending on how this year pans out.

The slogan of “Tenet” by the way, and hopefully I am not scaring anybody, is “time runs out.” Let’s just hope that time will not run out on this film and our chances of seeing it as early as possible, in as lively of an environment as possible. In a season of movies getting delayed like flights for United Airlines, “Tenet” is possibly going to be the last man standing. The fight against the invisible enemy shall continue, and we shall not stop until we can successfully get millions of butts sitting in cinema seats. Warner Bros., Christopher Nolan, the entire cast and crew of “Tenet,” to say I am rooting for you is an understatement. For all I know, if “Tenet” successfully enters theaters in July, I will be there opening night for IMAX 70mm. This virus is ruining Hollywood, and now we need to give it the Hollywood ending it absolutely deserves.

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Thanks for reading the sixth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Look, I love doing Scene Before, but if this is what I’ll be talking about for the rest of my life, it’s going to get tiresome. I will point out that I left the house for the first time all month on the 25th. There’s that. I just want to go see a movie. If movie theaters collectively do not survive this crisis, I think I might almost be done with movies. One of the reasons why I love movies is because they are experiences, and these experiences are best had in a distraction-free environment either by myself, a few other people, or even a full house. Are the tickets and food sometimes overpriced? Sure, but moviegoing is a staple of the economy and I would flat out scream up to sky if they disappeared. PLEASE… Stay home as much as you can. Do *your* part if you want a better chance of me giving my thoughts on movies for you to possibly see. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! While it may not cure the coronavirus, if you want a better use of your time than drinking bleach, check out the Scene Before Facebook page! I want to know, did I miss anything related to COVID-19 and film? What big piece of news stands out to you? Or, since it relates to this post, what do you think are the odds of “Tenet” getting delayed? At this point, it’s a competitive and strategic game of chess. Who knows at this point? Leave your thoughts down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 5

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Hey everyone, Jack Drees here! It is now time for part 5 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

Per usual, real world matters first! Because life sucks! The United Kingdom is currently in a bit of trouble as evidenced from actions taken this past Thursday. Britain has confirmed they have extended their countrywide lockdown for a total of three more weeks. This was announced by foreign secretary Dominic Raab, who is taking on responsibilities in place of Prime Minister Boris Johnson, who was previously announced to have a positive case of COVID-19. With this extension, the country’s lockdown is likely going to last until the second week of May unless things change.

For the record, a good number of people in my country, specifically the United States, often point out that the economy is likely to collapse should we keep these restrictions going for any longer. One take that I found interesting mainly because I don’t hear it all that much, is the one given by the recently mentioned Dominic Raab. He suggests the opposite and thinks if we loosen these restrictions, the economy is going to go to hell. After all, since there’s always a chance of a second outbreak, there’s always a chance of a second economic downfall.

Although here in America, people clearly want the economy opened back up, including medical expert Anthony Fauci. The well-known director of the National Institute of Allergy and Infectious Diseases was on the Snapchat show “Good Luck America,” which discusses the role young people have in spreading the virus. He explained on the show that he’s likely missing baseball season as he suggests, “I’m living in Washington, we have the world champion Washington Nationals. I want to see them play again.” He also thinks that sporting events like baseball and football could happen should there be a lack of an audience in stadiums.

President Donald J. Trump, who Fauci has been seen alongside for much of this crisis through cameras, wants the economy opened back up by May 1st, as I mentioned in part 4. As of suggesting that notion, certain states have declared the idea of opening back up on said day like Trump is opting for. One notable state is Ohio, which much like much of America, is planning to follow phases as to what exactly will open at supposed times. Restaurants may be more essential than bars, and bars may be more essential than football stadiums.

Speaking of U.S. states, one of the most talked about states in general regarding this crisis, has been New York. Governor Andrew Cuomo, whose brother is a CNN reporter who has been tested positive for COVID-19, has been a significant voice in not only trying to pull his state into the right direction, but for the rest of the country as everybody deals with this. Although another voice that New Yorkers heard last week was former presidential candidate and current New York City Mayor Bill De Blasio, who had some unfortunate news for the state. De Blasio suggested that all major gatherings for the month of May have been canceled except for certain events like farmers’ markets. So if you are expecting to attend a “Last Week Tonight” taping this May, sorry to say, you’re gonna have to continue staring at John Oliver in front of a white void.

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Well, at least he got the rat painting he’s been searching a month to find.

Fun fact, when this whole crisis initiated, I was in Florida, which may be one of the worst hit states when it comes to this mess. For the record, Florida does not have the most cases for the virus, in fact none of them hold a candle to New York. In fact, my state, Massachusetts, has more cases to my surprise! But when it comes to properly closing everything in the state, those ends have not been met. In fact, Governor Rick DeSantis just opened a crucial element to what makes Florida Florida, the beaches. I should note that not all beaches have been opened, and they are NOT open for the purposes of bringing blankets, chairs, and coolers. They are specifically open for exercise-related purposes, plus taking care of pets. Individuals are still supposed to keep their distance from others and avoid gatherings of 50 people. Many of south Florida’s beaches, such as those in Miami, continue to remain closed, but if you live in Duval County (Jacksonville), there’s a good chance that you can find an open beach near you.

The beaches managed to receive a major turnout. However, not everyone is happy, as partially evidenced by the reaction that surfaced on social media. One of the top trending topics of the past weekend is #FloridaMorons. Here’s some of the tweets that surfaced.

Just because we talk about movies here…

Also, one man wanted to drop a public service announcement…

Thank you, sir! Very informative!

Now that we are done with our continuously depressing and ridiculous reality, let’s move onto movie topics. This first part is not a main topic since it may not have as much relevance as others, but I do feel it needs to be talked about. One of the topics I discussed last week is “Parasite’s” Hulu debut. Now Hulu has been a pretty popular streaming service that has been relevant for a few years. In fact, now that Disney oversees them, they are included in a bundle package with their other streaming services including Disney+ and ESPN+. But for a streaming service overseen by a company that does not make many independent features, “Parasite” has earned an ASTOUNDING success on the service so far. The movie dropped on Hulu Wednesday April 8th, where from then on, it was not long before the film immediately became the most streamed foreign or independent feature on the service in just a week. According to IndieWire, the film is also the second most watched film on the platform of all time. This beats the likes of mega-titles such as “Transformers: The Last Knight,” “A Quiet Place,” and “How to Train Your Dragon: The Hidden World.” Given the film’s Korean background, how Hulu does not even serve Korea, plus the necessity for non-Korean viewers to read subtitles, it should come as a surprise that “Parasite” is as popular as it is on Hulu. Although keep in mind, the film has already been a critical success in the states, not only having major buzz from reviews, but tons of award wins as well, including the Academy’s Best Picture, which no international feature has received prior to “Parasite.” The film has made over $50 million at the U.S. box office, indicating success. So either everybody wanted a chance to watch the film again, or there’s a possibility that a majority of Hulu users missed out on the theater experience but now have an opportunity to watch at home.

Speaking of theater experiences and watching something at home, Lionsgate is trying to recreate the communal theater atmosphere while keeping movie watchers on their couch. One of the best parts of going to the movies sometimes is the reactions people can blurt out during a presentation. If you have seen the last two “Avengers” movies, you’d understand. Lionsgate is attempting to get people together to react to their favorite movies without hearing anybody else and with the intention of keeping viewers behind closed doors.

FRIDAY NIGHT LIONSGATE MOVIES ON YOUTUBE

Throughout the series, I have often touched upon the goings on behind some of the bigger studios. Disney and Universal have shuttered theme parks, delayed films, and have decided to put some of their films like “Artemis Fowl” and “Trolls: World Tour” straight to a digital streaming service. Paramount delayed a ton of films, but some of their classics will be airing on CBS soon. Warner Bros. has stated in the past about its optimism to release “Tenet” in theaters on time, all the while delaying big films like “Wonder Woman 1984.” But one of the major studios I have not talked about all that much yet in this series is Lionsgate. While they don’t have the franchise power that a company like Disney has, they do possess the rights to iconic properties including “The Hunger Games” and “John Wick,” which are relevant to this topic.

Recently, specifically Friday April 17th, Lionsgate teamed up with Fandango, YouTube, and NATO (National Association of Theatre Owners) to get people to watch “The Hunger Games” on YouTube for free. This is part of an event called “Lionsgate Live! A Night at the Movies.” These are movie night events hosted by Jamie Lee Curtis (Halloween, Scream Queens), will feature celebrity guests, special programming, and opportunities for fans to interact via YouTube live. While the odds of watching “The Hunger Games” on one of these Fridays will no longer be ever in your favor, there are still a few movies listed for this special occasion. These include…

  • DIRTY DANCING (APRIL 24)
  • LA LA LAND (MAY 1)
  • JOHN WICK (MAY 8)

Just a reminder, if you want to watch “John Wick” during this occasion on YouTube, there is an age restriction. For the record, “John Wick” is rated R whereas the other films listed are rated PG-13. So if you want to watch your fan favorites with OTHER PEOPLE, I never thought I’d say that ever again! go to the Movieclips YouTube channel, check to see if one of the movies is playing or will be playing, and enjoy! This event will benefit the Will Rogers Motion Picture Pioneers Foundation, a foundation dedicated to helping workers within the motion picture industry. This even includes the many theater employees affected by the COVID-19 crisis. Even companies behind food are getting in on this, which does make sense as cinemas and food go together like bread and butt–, sorry. Popcorn and butter. I don’t always agree with that statement, my apologies to all popcorn eaters who butter on their popcorn at the movies, but still, it makes sense here. So feel free to amuse yourselves over my forced statement all damn day.

Popcornopolis, which judging by the name, you can probably tell makes popcorn, will be donating 10% of its sales to the cause. Meanwhile, SnackNation, typically known for being a healthy snack delivery service for offices and homes, will be giving away a specially priced box of goodies for these movie nights. The box will include fruity candy, chips, puffs, popcorn, and more. The box is priced at $9.95 and shipping is free. So if you are tired of going to Target to get some Sour Patch Kids while also buying tons of toilet paper, give this snack box a shot, and if you don’t use it for one of these movie nights, it could always work for something else you pop on at home. “Tiger King” is pretty hip right now, why not give that a shot? If you wanted to get some grub from SnackNation for “Dirty Dancing,” there is a solid chance that you might not get it on time. But if you wanted something for “La La Land” or “John Wick,” by all means place your order!

Also in on this are major movie theater chains including AMC Theatres (Please make it through this!), Regal Entertainment Group, and Cinemark Theatres.

SAN DIEGO COMIC-CON CANCELLED FOR FIRST TIME EVER

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Alright, my fellow nerds. Buckle up. This is possibly the most dissatisfying news any comic convention fanatic will ever hear. San Diego Comic-Con, known for pioneering the comic con name and blueprint has officially been cancelled for the first time ever. The event started out small and has grown ever since. It has achieved fame for its success at bringing together communities of nerds of all kinds from comic book collectors, sci-fi fanatics, movie buffs, fantasy lovers, and TV junkies. It’s even gotten so big that “Conan” on TBS has done shows in San Diego as the con goes on! It’s an event so lively that even if you don’t get to go, you are guaranteed to hear something from it that is extravagant in the nerd world, mainly because there is heavy self-promotion going on in the sacred “Hall H,” where celebrities talk to fans, crews behind projects promote trailers, and the effort to get in is just as hard as it is to get through waiting at the DMV. Sadly, this year, there won’t be any of that. Last year, SDCC brought some great news to the nerd sphere, especially within Marvel, because that is where they laid the groundwork for phase 4, advertising plans for each theatrical movie set to release, and even the shows they’re planning to drop onto Disney+. Unfortunately, this news is already outdated as we won’t be seeing one of those projects, specifically “Black Widow,” this May and instead wait until November, which is when “Eternals” was originally supposed to release.

Who knows what could have happened this year? Would we finally get another trailer to “Godzilla vs. Kong?” Would we get a look at footage for James Gunn’s “The Suicide Squad?” Maybe we’d get word that Warner Bros. will release the Snyder Cut the same day that Universal plans on releasing the Butthole Cut for “Cats.” Who knows?

Not to get selfish here, but I go to a couple cons every year, and I don’t know if I’ll even get to go to one based on this information. San Diego Comic-Con is such a powerful name in this industry. So powerful in fact that they even felt it was necessary to call out another con for using their name, even when this has been a thing that has been done for years to the point where it has become commonplace. It’s a comic convention where people get together to be happy, not an international format of “Who Wants To Be a Millionaire!” But with the first sentence of this paragraph in mind, with a name San-Diego cancelling, I have a feeling that others may eventually follow in the con’s footsteps because of name power. For all I know, that could be different because every area of this Earth is dealing with COVID-19 in its own way, but I figured that the U.S., or at least most of it, would be done with this virus in a couple months that way we can gain a sense of normalcy. But who knows at this point?

By the way, I could go for a massive bucket of overpriced movie theater popcorn right now.

MOVIES THEATERS ON REOPENING

AMC Shore 8 - Huntington, New York 11743 - AMC Theatres

Remember how in part 3 I was talking about the possibility of AMC falling into its grave? Well, turns out they have a plan! To specify, a $500 million plan. Has a nice ring to it. Keep in mind, AMC has MASSIVE debts, so while $500 million does not cover everything, it’s likely to help during this time. Wall Street has officially parsed AMC, giving them the thumbs up. This will give AMC some time to prevent themselves from heading into dreaded Chapter 11 bankruptcy territory. Stock-wise, AMC is now at $3.20, up 31% reaching their highest level in a couple of weeks. Similarly, Cinemark, a nationwide chain whose subsidiaries include Rave Cinemas and Century Theatres, is also up. While not as high as the 31% for AMC, it bounced up 16% to achieve $13.48 per share.

Speaking of AMC and Cinemark, movie theater operators such as these have planned for a hopeful summer reboot. After all, the kids are out of school, you can only go to the beach so many times before getting sunburned all over, so the cinema is a great outing. Cinemark themselves stated that they are planning for an opening on July 1st, suggesting that they plan on spending June rehiring employees and will screen some classic films during the summer. How classic? I don’t know. Could be black and white, color, old, new, across the board. But I would kill to see “Endgame” in a theater again. I would love to take someone who hasn’t seen the movie just to see how’d they react to it in a theatrical environment, because that movie, plus the Jackoff-winning Best Picture “Infinity War” were literally built for audiences to come together. And while it is disappointing for a film like “Black Widow” to not come out until November instead of May, I would much prefer that, when I can likely see it with a crowd, then curling up in my room watching it as it goes straight to streaming. In fact, I still have no plans to get Disney+. HBO Max might be on my radar though (I’ll get back to that).

While I did talk about reality before, I should bring it up again. The Governor of Georgia, otherwise known as Brian Kemp, has recently announced that he gave the green light to businesses to reopen their doors beginning April 27th. Regardless of whether or not this is stupid, which I personally think it is, movie theater chains will likely need longer than a week to rehire and retrain people before opening doors again, as insiders suggest. As for local theaters, I don’t know what the case will be, but chains are likely to follow a structured process. Maybe they will open all their theaters at once, maybe vary state by state, do a few at a time, but who knows?

THESE DELAY STORIES ARE GETTING TIRESOME!

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So… “Black Widow” has been delayed. “Eternals” has been delayed. “The New Mutants” has been delayed. “Top Gun: Maverick” has been delayed. “Infinite” has been delayed. “A Quiet Place Part II” has been delayed. Now the Caped Crusader has something he’d like to say to all of those movies.

That’s right guys! Unfortunately, Matt Reeves’ upcoming “The Batman,” starring Robert Pattinson (Twilight, The Lighthouse), has been pushed back from it’s original release date, June 25th, 2021, and will now hit theaters October 1st, 2021. If you had to ask me, here’s my response.

If you ask me, “The Batman” is a film that I am definitely looking forward to, and I am disappointed by the announcement. Despite the flack Pattinson sometimes gets for his past roles, most notably “Twilight,” he has generated an excellent acting method over the past number of years. Plus, it’s f*cking Batman, how could I not get excited over a movie with Batman in it?

Well, okay, maybe not all of them are that exciting. By the way, f*ck the convenient Bat Credit Card.

Although I will state, as disappointed as I am, it could still be worse. After all, movies like “Top Gun: Maverick,” which I’ve previously talked about had trailers and a marketing campaign all set up. “Batman” hasn’t even finished filming yet. In fact, production shut down earlier this year due to the virus. While I am underwhelmed and dissatisfied with the news, I cannot say I’m scarred for life. Although not having a “Batman” movie during summer blockbuster season does feel a little weird. Maybe this is a case, much like “Joker” where the delay to October can be favorable for “The Batman” as there COULD be an effort to get some awards buzz for the movie. There could be a possibility that “The Batman” is also intentionally made for mature audiences, perhaps the MPAA will give it an R rating, making the Dark Knight the DARKEST Knight. Even so, this is NOT the delay we deserve. NOR is it the one eager movie and comic book fans need right now.

“The Batman” is being put out by Warnermedia, which should not be surprising as DC Comics and Warner Bros. go together like peanut butter and jelly. Speaking of Warnermedia delays, a movie set in the universe of HBO’s hit series “The Sopranos,” originally set to release September 25th, 2020, is now coming out March 12th, 2021. The film is a prequel to the recently mentioned title and is currently going by the name of “The Many Saints of Newark.”

Also in DC Comics movie news, a couple more titles have been moved around. “Shazam 2,” which was supposed to release April 1st, 2022, is being pushed back seven months to a new November 4th release. I have no problem with this, because that just means I have probably already figured out what I might want to do on my 23rd birthday about 2.5 years before it even arrives.

Alright, kids. Buckle up. This movie deserves its own paragraph, because while I am busy bitching about all of these movies that have been pushed back like a skinny dude in a wrestling match, there’s one movie that has believe it or not, been pushed FORWARD. I’m talking about another DC movie, “The Flash!” The film was supposed to release July 1st, 2022 but has recently been pushed forward to its new June 2nd release date, also in 2022. I have NO IDEA if this movie will be out by this time, and to be honest, it’s almost wishful thinking. This film was supposed to come out in 2018 as the DCEU’s sixth installment. Phil Lord and Christopher Miller, famous for movies including “21 Jump Street” and TV shows including “The Last Man on Earth” were supposed to get the ground running. They sent a treatment, but they couldn’t direct the film because they were busy. Seth-Grahame Smith was hired to direct, but he dropped out in 2016 due to creative differences. Then, Rick Famuyiwa said he was directing as of June 2016, and production was going to start in January 2017. But by the looks of things, that did not seem to last, as Screen Junkies reported that Robert Zemeckis was on a shortlist of directors to take on “The Flash.” Also on the shortlist, Sam Raimi and Matthew Vaughn, two famous directors within the comic movie realm. This comes three months after a Variety report that Joby Harold (Edge of Tomorrow, Underground) was going to rewrite the script. FLASH (see what I did there?) forward to June 2017, look who’s back! Lord and Miller, that’s who! While things did not seem to go far, the Wrap reported that the dynamic duo were in talks to direct the film again. Then in February 2018, another duo popped up, this time it was John Francis Daley and Jonathan Goldstein. These two managed to create one of the best comedies of the past five years, “Game Night,” and they also acquired comic book movie experience through writing the Disney/Sony collaboration, “Spider-Man: Homecoming.” Then came July 2019, where the duo announced their departure from the project! As of now, the project is expected to be helmed by Andy Muschietti (It, Mama) and Christina Hodson (Birds of Prey, Bumblebee). Also joining the project as a producer is Barbara Muschietti, Andy’s sister. As for Ezra Miller, who plays The Flash in the DCEU, who knows what’ll happen to him after the recent controversial video of him released where he chokes a woman? This project is going GREAT so far!

Holy crap, that was a mouthful. You think “The New Mutants” is having trouble? At least that movie got f*cking shot! “The Flash” has not even reached “production” level! It’s insanity! I remain hopeful that this film comes out in June 2022, but this is one of those cases of where I’ll believe this movie when I see it.

Warnermedia has also delayed two movies to November 2021. One of which was the movie Tom Hanks was shooting in Australia when tested positive for COVID-19, an untitled Elvis film. The film was originally supposed to come out October of next year. However, one film got the “F9” treatment where it won’t even see the light of day this year. It was once set to come out this November, but that will not be happening.

Moving away from Warnermedia, let’s talk about Sony. Recently I discussed that the studio pretty much abandoned the summer of 2020, pushing back films including “Ghostbusters: Afterlife” and “Morbius.” But it just so appears that they have delayed one of their Fall projects as well, specifically “Venom 2,” which is now titled “Venom: Let There Be Carnage.” Based on the title, the film is likely to have the comic book villain Carnage as the main antagonist, information that has been teased since the first movie. I’ll be blunt here, I am not looking forward to “Venom 2.” This is a delay that I am not personally offended by. I will say, I do feel bad for the people behind the film, because the first one came out in an October as well and grossed over $800 million. Then again, that piece of crap people like to call “Venom” grossed over $800 million even though it is most likely the worst movie that I have seen which is related to “Spider-Man.” This sequel has one thing giving me mixed thoughts, and that is the director. I feel like the vision for the first “Venom” is entirely corporate and lacks soul. I still wonder why people even clapped at the end of the movie. Even though Ruben Fleischer did some decent stuff in the past, like “Zombieland,” this was an idea that felt rushed and underwhelming. And honestly, they should have gone for the R rating. But this time, it is being directed by Andy Serkis, who definitely has a knack for visual effects, both in terms of acting and behind the scenes. However, I’ve heard “Mowgli: Legend of the Jungle” was not the best work in the world. It has a 53% on Rotten Tomatoes, indicating that a majority of critics liked it, but it’s also not the finest number of all time. I like Andy Serkis, but I have vivid memories of the first “Venom” and they’re not pretty. I still have a bad taste in my mouth. The “Venom” sequel hits theaters June 25, 2021, which was “The Batman’s” former release date, as opposed to when “Venom: Let There Be Carnage” was supposed to hit theaters, October 2nd, 2020.

HBO MAX LAUNCH DATE ANNOUNCED

Now I love physical media, and I will likely continue to buy it even in a time where I cannot leave my house. It is by far the best way to watch a movie. Although if I were to invest in a streaming service anytime soon, one of my options is likely going to be HBO Max, which, yes, it will have HBO content. This service will be launching May 27th, as announced in a trailer down below.

Doesn’t HBO have a couple fancy streaming services already? Sure, but this is one may be worth your time. Aside from including bunches of HBO content including “Game of Thrones,” “Westworld,” and “The Sopranos,” they will also be shipping in content from alternate channels such as TBS, TNT, Cartoon Network, and truTV, all of which are owned by Warnermedia. So this means in addition to all of the HBO programming available at launch, viewers will have access to content including “Conan,” “Impractical Jokers,” “Rick and Morty,” and “Miracle Workers.” Also available for TV are all the seasons of “Friends” and “The Big Bang Theory,” two of the longest running situation comedies of all-time. Another really long series that you can invest some time in is “South Park,” the long-running animated series that caters to an adult demographic. That series in particular will join the service this June. They’re even using content from a streaming service that I don’t know how many of you knew existed, DC Universe. From this, it can be confirmed that one of the starters for this service is “Doom Patrol,” based on a previously established superhero team. One show I am still wondering about is DC’s “Harley Quinn,” which recently dropped season 2 on DC Universe, but who knows what’ll happen in regards to coming to HBO Max? But don’t worry, there’s movies too! Some of the upcoming titles are “2001: A Space Odyssey,” “A Star is Born,” “The Dark Knight,” “Joker,” “The Matrix,” “Pokemon: Detective Pikachu,” the DCEU movies, and the Studio Ghibli library. The service is likely to serve around 10,000 hours of content at launch, which is more than Disney+ and Comcast’s Peacock, which is now available for Xfinity customers, but will be available for everybody else starting July 15th.

The downside however, is the price. At $14.99/month, which is more than what one would pay for Hulu, which has significantly more content, it is not the cheapest service out there. However, HBO has been known for their premium programming, therefore it is no surprise that a premium price would be placed for HBO Max. But if you are a Charter customer, it is free as long as you are currently paying for HBO. Certain AT&T customers, specifically those paying premium prices for AT&T’s services, will also be given HBO Max for free. Nevertheless, even though I don’t stream much, I think I would get some use out of HBO Max if I were to buy a subscription. Warner Bros. is my favorite movie studio, HBO is a notable channel with a lot of content known for quality, and TBS, plus truTV, have done some originals I like, plus some that I have missed out on that I want to check out like “Wrecked.” I just hope that said originals make it to the service in the first place.

Speaking of originals, there is some original content coming to HBO Max. Season 3 of “Search Party,” which originally aired on TBS, will debut on the service. Anna Kendrick will be starring in a new comedy, “Love Life,” which comes from Lionsgate Television. But if you have kids, there will also be content related to “Sesame Street” and “Looney Tunes.” HBO Max was going to have a “Friends” reunion at launch, but it has been delayed due to COVID-19 complications. Sorry, they will not be there for you.

Going back to my original point, HBO Max launches May 27th on smart devices, so if you cut the cord but miss many of the cable-based shows, or you just want some acclaimed TV and movies to watch, HBO Max may get your seal of approval.

HOME VIDEO RELEASES

Going back to my comment on physical media, it is fun to collect, but not everyone does it anymore. In fact, it’s getting hard to do in these times now that places like the mall have basically shut their doors down. Walmart’s still open, so there’s that. And if you do want to know what new releases are on DVD and Blu-ray, some notable titles include “Bad Boys For Life,” “Ip Man 4: The Finale,” “The Gentlemen,” and “Like a Boss,” which already released on digital, but needed some time to come out on physical formats. Out of these films, the only one I’ve seen is “The Gentlemen,” which honestly underwhelmed me. Hopefully that won’t be the same case should some of you give it a shot.

As for digital media, there is not much new content to pick from. However, “Wendy,” a movie that takes place on an island and follows a young girl in world that is increasingly facing destruction, has just dropped on services as of April 17th. So if you are expecting me to talk about any blockbuster titles dropping, think again.

Thanks for reading the fifth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” This was a long one to make, so I’ll try to wrap things up quick. If you’re wondering where my reviews are, I want to make them, but the apocalypse is currently my priority. Plus, “My Spy” hasn’t dropped on Prime yet, so there’s that. But should things still be hectic next week, which they most likely will, there’s a good chance you’ll see a part 6 to this series. Because life sucks! I have not left my house for *anything,* even a walk, for almost a month now. How did the country, no, the WORLD even get here?! Be sure to follow Scene Before either with an email or WordPress account so you can tuned for more great content! Speaking of great content, why not check out my Facebook page? Give it a like and keep up with the latest info through Mark Zuckerberg’s wonderland! I want to know, did I miss anything for this past week? What are some your big points as of late regarding film and COVID-19? It could even be something I already mentioned! Or, what are you looking forward to seeing on HBO Max? Is there something you want to see that has not been fully announced? If they drop TBS’s “King of the Nerds” on the service, I’m sucking all my money into it. Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 4

Hey everyone, Jack Drees here! It is now time for part 4 of the all new Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As usual, we deal with real world matters first. Since Easter was this past weekend, gatherings at churches and homes within one’s collective connections of a family that was commonplace in years past managed to take a backseat this year.

California has recently extended its stay at home order from April 19th to May 15th. Speaking of California, the state recently joined forces with other nearby states including Oregon and Washington in what they call the Western States Pact. The three announced a plan to put health first and deliver a more scientific-based focus compared to a political focus to stopping the coronavirus. The states are still building specific plans for their area, but they are nevertheless working together to stop the spread.

Speaking of which, the northeast portion of the United States is engaging in something similar. Massachusetts, Rhode Island, Connecticut, New York, New Jersey, Delaware, and Pennsylvania are joining forces in their own coalition. So, remember all those requests for Andrew Cuomo to run for President of the United States? That won’t be happening anytime soon, but when it comes to coronavirus matters, he is currently dealing with more than just New York. Speaking of Presidents of the United States…

President Donald J. Trump stated this Monday that he is the one that should have control on opening the country back up. He suggests, “When somebody is president of the United States, the authority is total.” Trump also stated he wants to open the United States back up by May 1st, which close medical expert Anthony Fauci declares is “a bit overly optimistic.”

Just today, Andrew Cuomo referred to Trump this morning on NBC’s “Today,” suggesting “We do not have a king, we have a president.” Cuomo is doing what he can to make sure that the state of New York opens back up at what he considers to be the right time for everyone’s health. While Trump is suggesting May 1st, Cuomo fears that this all-powerful decision made by Trump will lead to “a constitutional crisis like you haven’t seen in decades,” as he stated in MSNBC’s “Morning Joe.” Speaking of Andrew Cuomo, and somewhat transitioning to movie news a bit early here, he suggested the possibility of making drive-in theaters an exception to non-essential businesses that remain closed. Keep in mind, drive-ins have still been in operation during the ongoing crisis, but it does not mean that there are some that are not in operation, plus there are others that are just closed because it’s not the proper season for a drive-in to be open. Cuomo suggested, “Where is the public safety issue? It’s a drive-in theater. You’re in the car with the same people.” He is not wrong. Drive-ins make for a fun night out while also promoting social distancing. I would not mind drive-ins opening up, but the problem is… What movies are they going to play? Are just going to play “Trolls: World Tour” over and over? Maybe they’ll bring back some classics since there’s nothing else to do.

Going outside the United States, specifically in Wuhan, China, where early cases of the virus originated, the city opened back up after a lively lightshow and countdown declaring the disappearance of COVID-19. Despite the reopening, restrictions still appear to be in place including the closure of schools, shops, and sadly, cinemas. But one thing that has opened is the region’s wet markets. Outsiders are suggesting immediate closure of said wet markets as it serves live animals, including bats, which sources suggest is the reason why COVID-19 spread in the first place.

But of course, we have some movie news to talk about like usual. More delays, more new releases on DVD, Blu-ray, and digital, and some big news involving acclaimed filmmaker Bong Joon Ho (don’t worry, that part is all good news). Also, there’s a big movie that tried something new this weekend, going straight to digital while also having a theatrical release. Before we dive into that, I do want to point out that despite there being a major pandemic, some movie theaters are still open. Keep in mind, many of these theaters are drive-ins. This is now old news, but according to Deadline, 14 movie theaters remained open on the first weekend of April. I also want to point out another article I saw from The Wrap, which suggests that “Trolls: World Tour” played in 21 drive-in theaters this weekend. Even in desperate times, theaters are still active. Speaking of optimistic news, here’s more!

JAMES GUNN SAYS GUARDIANS 3 AND THE SUICIDE SQUAD WON’T BE DELAYED

Usually when I dive into these main topics during the series, I have often emphasized the bad news at hand. A common example is when a major film gets delayed such as “F9,” “Ghostbusters: Afterlife,” or “Top Gun: Maverick.” However, it’s about time we get some good news in here and talk about a couple of films that are not being affected by the outbreak, both of which are being directed by James Gunn. To specify, “Guardians of the Galaxy Vol. 3,” which is a big movie, especially since it’s the third consecutive entry to the franchise being helmed by Gunn himself, but also “The Suicide Squad,” which has finished filming in February and is set to release August 6th, 2021. Gunn spent time on Twitter recently taking questions from fans and he had some notable things to say regarding these two films.

Alright, this resembles some decent progress on the film, and it shows that even in a time like this, people like Gunn in the entertainment industry are still working. But let’s see the next tweet.

Keep in mind, “The Suicide Squad” is not set to come out for a bit under a year and half, so there is plenty of time to edit the film, develop a marketing campaign, and lay out all the elements needed for the film’s post-production process. So the film is coming, and should this pandemic fizzle, there is a solid chance that “The Suicide Squad” will be in theaters during 2021. Now what about that other big comic book James Gunn has up his sleeve?

“Guardians of the Galaxy Vol. 3” is not currently listed in the Marvel Cinematic Universe’s fourth phase, but there have been previously established plans to make the film. Unfortunately, the film was supposed to come out this year, but due to James Gunn’s controversial tweets leaking, his business relationship with Disney was no more and he was no longer attached to direct the third installment to the franchise. Judging by this tweet right here, Gunn still seems to be working on the film, but an official release date seems rather uncertain at this point. IMDb lists it to come out in 2021, but given how Marvel has many other projects going on, “Guardians of the Galaxy Vol. 3” might have to wait. But “Guardians of the Galaxy Vol. 3” is nevertheless a film that I will see should I get the chance to witness it come out, so this information pleases me to say the least. I was not the biggest fan of “Vol. 2,” but I am curious to see what Gunn could deliver to this third installment.

MORE MOVIES GET DELAYED

But of course, with good news, comes bad news. In this case, the bad news is that yet another delay is happening. As if Pixar didn’t suffer enough already by having to put “Onward” on digital early, they just pushed back “Soul” to November. Nobody behind Pixar seems to be popping bottles at this point. “Soul” was originally supposed to come out June 19th, but now has been pushed back to November 20th. By the way, this is releasing the same day as “Godzilla vs. Kong.” I honestly have no idea how well that movie is going to do box-office wise, but given Pixar’s name recognition and since there already has been some anticipation towards this film, there could be a chance that “Soul” is the box office champ of the two when it comes to seeing how they play out on opening weekend. The film is directed by Pete Docter, who also directed 2015’s “Inside Out,” which this film honestly reminds me of. Kemp Powers will co-direct by the way. While conceptually different, “Soul” seems to present the vibe of “Inside Out,” not to mention a somewhat similar concept. The film follows a musician (Jamie Foxx) who loses his passion for music. After being transported out of his body, he interacts with an infant soul while trying to return to said body. The film definitely sounds like it could be emotional, which would not be much of a shocker for a film by Pixar. But now here’s a problem for not just this film, but a bunch of others coming out this year. I don’t know if it is just me, but it now feels like November is CRAMMED with popular titles. From “Soul” to “No Time to Die” to “Black Widow.” While I could look at this as a benefit because it likely means this November will be a pop culture haven, it’s also a negative because I imagine some films that could potentially be big will underperform because they are in such a congested schedule. Or to make matters more interesting, November is also a big month for award season, and now there is probably a bigger focus on pop culture titles that might not be awarded much of anything as opposed to what could be nominated for the Academy’s Best Picture in a couple months.

Also, remember how “The SpongeBob Movie: Sponge on the Run” got delayed to late July? Paramount’s “Infinite,” an upcoming sci-fi flick starring Mark Wahlberg (Transformers: Age of Extinction, Ted), which was originally come out July 31st, has officially been pushed back to Memorial Day weekend in 2021. The film follows a man whose hallucinations are visions of his past lives. I would like to go into some of my past lives at this point just to get away from whatever the hell is going on right now. Think I was done talking about “SpongeBob?” Well I’m not! I say so because the film has been delayed again, but this time only by a week. As of now, “The SpongeBob Movie: Sponge on the Run” is coming out August 7th.

TROLLS: WORLD TOUR DEBUTS DIGITALLY

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I’ve talked about this news already, but given how this does document a rare incident, I might as well talk about it. Certain movies like “The Irishman” have a limited run in theaters before being put on Netflix, but for “Trolls: World Tour,” the sequel to DreamWorks’ successful 2016 flick, that’s a different story. You won’t be able to find it on Netflix, but you will be able to find it through services including Prime Video, FandangoNOW, and Vudu. The reason, Universal wanted to put “Trolls: World Tour” out on digital the same day they put it out in theaters. This is kind of an unprecedented situation as movies typically start in theaters and there is a waiting period until the movie comes out on digital and DVD. But nope, Universal thought it would be better to just digitally release the film. I have not seen the film, in fact, I have no plans on seeing the film given how I have not watched the original, but others did manage to show up for this new installment. The movie managed to make more through its digital run than “Jurassic World: Fallen Kingdom” did when it debuted digitally. “Trolls: World Tour” managed to make around $30 million according to reports. This is compared to “Fallen Kingdom,” which managed to rack up $2-3 million. Keep in mind, these reports are exclusive to the United States. Also, another thing to keep in mind, that even though many of the purchases were through digital platforms, theaters were open during the initial days of “Trolls: World Tour,” many of which are drive-ins, so it is not like everybody had to be stuck in their house to watch it. Also, while $30 million may be considered successful in this circumstance, the movie cost $90 million to make, so there could be a chance that Universal will lose money over this. Even though a $19.99 rental for 48 hours can cost more than a single movie ticket, the target demographic for “Trolls: World Tour” is families, especially kids. You can take a family of four to the theater and pay double that price to see the movie, maybe even more. It’s also short of what the first movie raked in on its opening weekend back in 2016, which was over $46 million. If this sequel was in theaters, it probably could have surpassed that due to factors such as name recognition. My biggest wonder for “Trolls: World Tour” is how well it will do over these next few days, not to mention next weekend. I say that because, sure, the movie can have excellent debut to rave about. But if we are treating this as the closest thing to a theatrical release we can get, we have to consider how much of a drop it could make this following weekend. Will it make $15 million? $12 million? $10 million? Could it possibly make more this weekend than it did last weekend? Only time will tell. This straight to digital rollout is an experiment if there ever was one, and its chances towards success have recently shown that maybe theaters COULD have been much better for “Trolls: World Tour,” but this is a new way of doing things, and if we are still in this crisis, things could change.

MY SPY GOES STRAIGHT TO PRIME VIDEO

For those of you who don’t know, “My Spy,” the film where Dave Bautista goes undercover and makes a connection with a nine-year old girl, is a movie that has been promoted from time to time by STX here in the states has already released theatrically in select regions including Canada, Australia, New Zealand, Hong Kong, and the United Kingdom. But for the United States, it’s a different story. The film has already had free screenings before it was supposed to come out, one of which I went to in January by the way. But the film has had a rough history when it comes to getting a proper release. “My Spy” was supposed to release on August 23rd, 2019. The film had a trailer put out a year ago, so the promotion and marketing process was getting into gear. However, it was pulled from STX’s release schedule in July. The next release date that was announced for the film was March 13th, 2020. And of course, to get the ball rolling on word of mouth and that sort of thing, free screenings started popping up and I got to attend one of them. But, just in the snap of a finger, the release date changed from March 13th to April 17th. I would imagine that the COVID-19 crisis could be a contributing factor, but I also wonder if STX thought if it would be a better time for the film to release in terms of financial gain compared to competition. Nevertheless, it was just announced on April 8th that the film is now going to be distributed by Amazon Studios and instead of going to theaters, it is going directly to Prime Video. So if you are a Prime member, you are likely going to be able to watch “My Spy” for free on the service.

CBS SCHEDULES SUNDAY MOVIE NIGHTS

CBS is a leading name for television. Their standard channels air daytime staples like “The Price Is Right” and “The Young and the Restless” along with notable shows at night such as “Young Sheldon,” “MacGyver,” and “Mom.” Meanwhile, they have been building a name for themselves through streaming by providing material such as a couple of “Star Trek” original shows and a spinoff of “The Good Wife” known as “The Good Fight” through CBS All Access. But if you get access to the main CBS channel, which I’m sure a lot of you do, one thing you might want to keep an eye on is their schedule for May. Every Sunday, CBS is going to air movies under the Paramount label. This will begin with a movie that is very likely to garner attention, “Raiders of the Lost Ark.” In addition to that “Indiana Jones” film, the network is also airing “The Last Crusade.” Oddly enough, they are skipping over “Temple of Doom.” Other movies to be aired by CBS will include “Titanic,” “Forrest Gump,” and “Mission: Impossible.” This run will last for five Sundays from May 3rd to May 31st. By the way, all the movies are scheduled to begin at 8PM, except for “Titanic,” which will start at 7PM. Earlier on in the series, I discussed that ESPN was going to air movies on Friday nights, said movies are all Disney-owned and focus on sports. One thing that I think would help CBS in a case like this compared to ESPN just a little bit is its accessibility. CBS is a slightly more recognizable channel and unlike ESPN, you can get it on an antenna.

HULU ACHIEVES BEST PICTURE WINNER PARASITE

One of my favorite films of the past year is the Bong Joon Ho-directed masterpiece, “Parasite.” Lucky for me, I own the Blu-ray, therefore I have the ability to watch the film as much as I please through a physical disc. But if you have Hulu, you can consider yourself lucky because “Parasite” is now available on the service. For the record, the film is not the first of its kind to be on Hulu. To be clear, the film was distributed in the States by Neon, which also helped distribute titles including “I, Tonya,” “The Beach Bum,” and “Honeyland.” Films like these have also made it to Hulu. So if you wanted to watch “Parasite” without paying much, just make sure you have a Hulu subscription and you’re good to go. And remember, it won the Academy’s vote for Best Picture, so every film aficionado will tell you that it is bloody important. If you are a little skeptical on watching “Parasite” because it is in Korean, let me just remind you of this quote given by director Bong Joon Ho himself.

“Once you overcome the one-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.”

Speaking of Bong Joon Ho, his 2013 work “Snowpiercer,” which is being adapted into a series set to air on TNT, is coming out for the first time in the United Kingdom on DVD and Blu-ray. The film is set to release on May 25th. It’s one heck of a time to be Bong Joon Ho.

NEW HOME VIDEO RELEASES

Stuck at home? Jack’s here to help! This week for digital has got a few new movies coming your way. For starters, we have “Underwater,” one of the last films to display the 20th Century Fox label. For the record, Disney did complete their acquisition of Fox’s assets during March 2019, but for a little under a year, they kept putting out films like “Ford v Ferrari” that had the studio label that has achieved fame. Although, with the recent release of “The Call of the Wild,” they are now using 20th Century Studios instead. Sticking with “Underwater,” the film stars Kristen Stewart alongside a crew of researchers as their underwater facility is hit with an earthquake. The film is a box office bomb, making $37.2 million on a $50 million budget. It has a 47% critic rating on Rotten Tomatoes and a 60% audience rating, so it’s hard to know what exactly you’ll think of it upon first glance. The film is also now available on DVD and Blu-ray if you prefer the physical copy.

“Fantasy Island,” which is based on a TV show of the same name, is now available for digital purchase. If you want to wait for a rental option, that is coming May 12th, the same day the film comes out on DVD and Blu-ray. Keep in mind, the film has a 4.6 on IMDb, which might not be the best of signs.

Also coming out, “The Rhythm Section.” This action flick stars Blake Lively and Jude Law, and is about a woman whose family dies in a plane crash. This woman joins the world of espionage as she seeks vengeance. The film is not out on DVD and Blu-ray until April 28th, but it is available for digital purchase today.

Thanks for reading the fourth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Even in the apocalypse, there is one thing I can promise, and that my friends, is content. Maybe not the content that I want to make, but content nevertheless. Last week I said that I’d probably get shoved into an abyss by STX executives if I talk about “My Spy” at this point. So with that in mind, now that it is owned by Amazon and has no official release date, I will probably be shoved into an abyss by Amazon executives, or maybe even Jeff Bezos himself, if I talk about “My Spy” at this point. So what is happening with the movie is clear, but when I will review it, is unclear. Only time will tell. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, is there any big news I missed regarding COVID-19 and entertainment over the past week? Also, since it is appropriate, what are your thoughts on “Parasite?” Personally, I think it is one of the most twisted movies I have seen in recent memory and it is a blast from start to finish. Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes Part 3

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Hey everyone, Jack Drees here! It is now time for part 3 of the all new Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

The spread continues! The United States is still the most affected country by this virus and one can only wonder when collective optimism will set in. What is happening? Masks weren’t safe then but they’re safe now? The New England Patriots sent protective equipment to New York? Speaking of New York, apparently it is just recently reported that the state has suffered its highest death toll yet. Although at the same time, Gov. Andrew Cuomo feels that the decrease in hospitalizations could bring hope. Speaking of hope, the death toll in Italy and Spain seem to be falling.

There’s also continuous talk about about a drug. President Trump is suggesting to use hydroxychloroquine in order to stop the virus. For the record, this is a drug that is used to cure malaria and mosquito bites. Trump has a financial interest in Sanofi, which is a French drugmaker that makes a brand-name edition of the drug. He also suggested that if the drug is combined with azithromycin, an antibiotic, it could be “a game-changer.” However, not everyone is onboard, including expert Anthony Fauci, who has stood alongside Trump from day to day during this crisis. Fauci suggests that there is only “anecdotal evidence” of the drug helping people.

Also, Easter is this Sunday, and given how there are strong recommendations for people to stay home nowadays, there is a high likelihood that family gatherings will be avoided. I often visit relatives out of town on Easter Sunday, but given the current situation, that does not seem to be happening. But, if you live in New Zealand and you have kids that are feeling down, feel free to cheer them up by letting them know that the Prime Minister, Jacinda Ardern, considers the Easter Bunny an essential worker.

As stated in the video, it may be tough for the bunny to get everywhere, but if you want to spread some positivity to your children, here you go. Also, remind them that the Tooth Fairy is essential as well. Although if that Tooth Fairy shows up as The Rock, then reconsider what I just said.

Once again, this has been a rather uneventful weekend for the box office, and one of the biggest concerns as far as box office goes has to do with AMC Theatres, which I’ll get to eventually. But as a continual substitute to the theater, many movies are constantly being dropped onto VOD services early. Some recent highlights include “Bad Boys For Life,” the highest grossing January film of all time, and “Impractical Jokers: The Movie,” which appropriately dropped on April Fools Day. But with physical life in abandonment for the time being, there may be some concerns about big festivals. San Diego Comic-Con, arguably the most important comic convention in relation to film, is still on. However, weeks ago, Cannes, the annual festival held in France, has been postponed from May to sometime in June or July. And it was just announced from festival director Thierry Fremaux that there are no plans to digitally transform the event, suggesting that “it’s a model that won’t work.” And this doesn’t even cover all of the festival news that is relevant for this post. Here’s more!

SOUTH BY SOUTHWEST IS BACK ON (Sort of)

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One of the benefits of a large gathering like South by Southwest is the ability to mix the intention of interacting with other people, networking, while also putting the idea of entertainment into the mix. In fact, I was going to go to South by Southwest this year, but unfortunately, it got canceled the week I was supposed to depart. I also highly detest the recent actions of South by Southwest, because even though they are allowing people to move their purchased tickets to an alternate date in an upcoming year (which my mother did do for 2021), there is no option for a refund. While I am all for making money, SXSW is the kind of organization to me that purely resembles greed. In fact, they didn’t even cancel their event, the city of Austin did!  However, they do seem to be somewhat sympathetic to their vendors. According to various sources, Amazon Prime Video is going to be digitally showcasing various projects that were supposed to play at the festival last month. All the people behind the projects need to present a fee in order to let their work shine. Keep in mind that the revealing of work that was supposed to be presented in person in front of the masses on Prime is optional, so if you were expecting to see something in particular at the festival, maybe it won’t make it to Amazon’s service. Also keep in mind, if you are planning seeing on these pieces of work, you do not need to pay for Amazon Prime, but you do need an Amazon account. As long as you have that, you’re good to go.

VENICE FILM FESTIVAL DENIES GOING DIGITAL

Last year, the Venice Film Festival honored Todd Phillips’ “Joker” with the Golden Lion, which is the festival’s highest honor. This year, there is perhaps some wonder if it would be a joke to keep the festival running in September. Keep in mind that Italy has the second highest count of COVID-19 cases to date and who knows about a second wave and if that’s a possibility? However, according to Variety, a Venice spokesperson reported “The Venice Film Festival cannot be replaced by an online event.” This is in response to a recent interview between festival director Alberto Barbera and Italian news agency ANSA who said he is not weighing digital options. That by the way, is in response to what is happening with the Toronto International Film Festival, where there is consideration for both physical and digital aspects. At this point, it may be too early to tell given how the festival is about five months into the future. We’ll have to see if Italy is stable by then, and if there is enough reason to keep the festival on in person.

DELAYED MOVIES AND NEW RELEASE DATES

Well, it appears that COVID-19 is doing its own stunts now. “Top Gun: Maverick” has officially been delayed, which honestly disappoints me because it was one of my most anticipated films of the summer. It looked like another one of those films, kind of like the recent “Mission: Impossible” movies, where Tom Cruise does everything he can to nearly kill himself. Instead, the film is now coming out in December, which really has me scared, because this puts my most anticipated film of the year, “Dune” in a tough position. While I have no real idea how much money “Dune” will make, this is giving me the creeps because while I cannot exactly anticipate how well of a marketing campaign “Dune” is going to have, if it weren’t for a nostalgic, somewhat recognizable property stepping in, I figured “Dune” would have a massive chance at succeeding. Plus, I recall early reports of one person suggesting that the footage that has already been seen of “Dune” is on the level that matches “Lord of the Rings” and “Star Wars.” Can the praise get any better than that?! The 2020 adaptation of “Dune” could arguably be the greatest story ever told if the movie matches this previous word of mouth! Although at the same time, I’ll mention it again, as far as this summer goes, “Top Gun: Maverick” is one of my most anticipated films. Don’t think I’m trying to take it out behind the barn and shoot it. If anything, I want the movie to succeed, but I also want “Dune” to succeed. Maybe this could be a case where “Dune” heavily succeeds, thus leaving “Top Gun: Maverick” in the dust, which would also be disappointing. It feels like there’s no winning in this case. Speaking of Paramount films, they are also delaying “The SpongeBob Movie: Sponge on the Run,” the third “SpongeBob SquarePants” idea that will ultimately be brought to the big screen. The movie will follow the titular sponge as he goes on a quest with Patrick Star to find his missing snail, Gary. Also in Paramount movie news, “A Quiet Place Part II” has a new release date, specifically September 4th, giving it a Labor Day weekend slot. For the record, the movie has already been delayed as of March 12th from its original release date, March 20th, but has not received a new date until now. I am beyond thankful that “A Quiet Place Part II” is not considering the streaming route, because having seen the original installment, it is one of those movies that you have to be in the theater to truly feel its impact. At least that’s what I got with the first one. When I saw “A Quiet Place” a couple years back, it was a highlight in my movie experience journey because it was one of the few movies that FORCED me to be quiet to fully enjoy the product. I could barely chew my popcorn, I almost couldn’t even take as big of sips of my drink as I usually would, it was a one of a kind time at the movies. I’m willing to bet that John Krasinski made “A Quiet Place Part II” with the same thoughts in mind that he had for the first one. SILENCE THE AUDITORIUM AS MUCH AS POSSIBLE. I’m looking forward to September, let’s just hope that there are enough reasons to go to the movies by then.

While “A Quiet Place Part II” is sticking to a theatrical release, one movie that I was kind of looking forward to seeing in theaters is no longer going to be there, and will end up heading straight to that tenth streaming service you guys have, Disney+. Ladies and gentlemen, I’m talking about “Artemis Fowl.” For those of you who don’t know, “Artemis Fowl” is based on a book about a 12-year-old criminal mastermind who must find his father while facing underground fairies. I was kind of looking forward to seeing “Artemis Fowl” even though I have not read the book personally. The movie sort of looked like a visual trip, and if successful, could have spawned the next big fantasy franchise. I wonder if this is a sign that Disney may end up throwing in the towel on the franchise before it even starts. After all, the film was made on a $125 million budget, so I guess they were expecting a return of hundreds of millions. The real question is, could the film have broken even? Who knows? I have not heard much word of mouth about “Artemis Fowl” from anybody else, but the trailers do intrigue me. It at least had my attention.

Speaking of Disney+, one of the suggestions people happened to make is to release “Black Widow” early on the service. Quite honestly, I think that is a ridiculous idea that could cost Disney a lot of money, and it seems that we are sharing a thinking cap because Disney has officially pushed back the MCU timeline, and placed “Black Widow” on the November 6 release slot. When I say the MCU timeline, I mean it almost 100%. Every movie that is supposed to eventually come out in the MCU has been delayed except “Black Panther 2.” Even “Captain Marvel 2,” originally set to release in June 2022, is moving up a couple weeks for a new July 8th release during the year. For those who don’t know, “Eternals” was originally supposed to come out November of this year, but having two MCU films come out at once is a little extreme, so now it is coming out February 12th, 2021. At this point, November is looking like a respectable month for popular nerd culture. Between “Black Widow,” a movie that Marvel fans are FINALLY getting to see. “No Time to Die,” the 25th Bond film that is supposed to be Daniel Craig’s final outing as the character. Plus, “Godzilla vs. Kong,” which I am curious to hear more about. I think one of these is going to get bumped to a different release date to guarantee avoidance of being a box office bomb, because November is a pretty big month for movies, and even though there are blockbusters at the time, a lot of focus from those who are heavily invested is going to be leaning towards the Oscar bait films.

As far Disney’s live-action “Mulan” remake goes, that is now coming out on July 24th. Should it get delayed again, I think that is another film that Disney is going to keep in theaters with all their might, because part of the marketing emphasizes the big battles of the film, and those could be stellar to see on the silver screen. The one thing that I think will be diminished though is its IMAX run. Because unless Christopher Nolan’s “Tenet” gets delayed and “Mulan” still comes out, “Tenet” is going to have a long run in many IMAX theaters. It was shot on IMAX cameras after all! “Mulan” now takes the place of theme park ride-inspired “Jungle Cruise,” starring Dwayne Johnson and Emily Blunt, which has now been pushed back to July 30th, 2021. Another big pushback comes from the Lucasfilm side of things, specifically for “Indiana Jones 5,” which is kind of unfortunate because Harrison Ford ain’t getting any younger. At this point with a film like “Indiana Jones 5,” I will believe it when I see it.

Remember how Disney bought Fox? Guess what? Their slate is getting kicked in the ass too! Wes Anderson was supposed to come out with “The French Dispatch” on July 24th, but now it is being pushed back to October. This could be some good news for Wes Anderson as the director behind the film has a history of being acclaimed, and having a unique style to his films. This unique style can be reinserted into everyone’s heads and perhaps bring up a reason for this film to contend for awards. If this came out in the summer, maybe it would have as much of a chance, but keep in mind. Award season pretty much gets into full swing in the fall. Summer is mainly for blockbusters and popcorn movies. Those movies don’t usually rack up the Oscars.

Universal is also in the news, because they recently pushed back Illumination Entertainment’s “Minions: The Rise of Gru.” That film was supposed to come out July 3rd this year, but it has been pushed back to July 2nd of next year. In addition, “Sing 2,” which is a sequel to a well-liked film starring Matthew McConaughey as a mouse who runs a theater, is also getting pushed back. “Minions: The Rise of Gru” is currently sitting where “Sing 2” was originally going to be, but much like the situation I mentioned earlier with Marvel, it could be weird to have two of the same types of movies releasing at once. Therefore, “Sing 2” will be coming out December 22nd, 2021. Keep in mind, the film was supposed to come out this year in December, but was delayed to its previous July spot. Honestly, this delay is not that bad, because the original “Sing” came out in December 2016, and ended up being a hit for Illumination. Maybe this sequel will do the same. Speaking of keeping things in mind, Universal was making a movie based on the popular play “Wicked,” which was set to release in the current spot where “Sing 2” resides. Due to “Sing 2’s” recent pushback, it could be possible that “Wicked” will be out in 2022. By the way, not steering away from animated features, this week is interesting for film, because remember “Trolls: World Tour?” It’s in the middle of its marketing campaign and if you are a parent who wants to torture yourself in order to please your kids, it comes out digitally this Friday, April 10th. Advertisements have suggested that the movie will also be playing in theaters. But the real question is, what theater in the United States is still open at this point? When you are increasingly going to get shamed for not wearing a mask outside, what theater is open?

AMC MAY NOT SURVIVE

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Now I understand that there are more important things in life than film. There’s health, happiness, and safety. Unfortunately, the news makes me feel ill, unhappy, and like I’ll never ever be safe again. If you all know me, you’d be aware that my safe place in life is the movie theater, and one of my regular stops for my experiences happen to be AMC locations. It’s where I often go for my press screenings, as an excuse to use Stubs points, and on occasion, for Dolby and IMAX. Depending on where you live in the United States, there is a solid chance that you have at least one AMC location near you. In fact, I recently went to downtown Burbank, California and they have three locations within minutes of each other, and this is walking distance I’m talking about! Even though AMC technically is a large chain that owns a lot of theaters, they do a good job at giving a sense of prioritization on the moviegoing experience. In fact, in recent years, they’ve been expanding their fleet, renovating theaters, putting in new seats (which admittedly, sometimes underwhelmed me), implementing reserved seating options, and one of their most notable innovations to the American movie market was their Stubs A-List program, which is basically their response to MoviePass as it began to die down. They even have an On Demand service now! In fact, even though I am a physical media junkie, that is probably a place where I’ll consider renting a movie one night (as long as Sony Android TVs) can get it. AMC just recently used to be the biggest chain in North America, but has recently been dethroned since Europe’s Cineworld bought the Canadian chain Cineplex. Now that Cineworld owns both Cineplex and Regal Entertainment Group, they are now the largest theater chain in regards to the continent.

Having said that, AMC Theatres is a pretty big chain. But the bigger they are, the harder they fall. AMC Theatres has spent a lot of money on changes in recent years, recently laid off a ton of employees, and is currently in debt. To make matters worse, S&P Global has recently downgraded AMC Theatres to a CCC-. The association to insert here is “Default imminent, with little prospect for recovery.” Keep in mind, that if you live in the United States, that means if AMC Theatres closes down for good, you are likely to lose a country-wide total of over six hundred cinemas. Just a couple weeks ago, I was reminding people that the smaller, indie theaters might be in a bit of trouble right now. They’re making AMC look like RadioShack! In fact, one of the cool ideas I have been seeing recently is that theaters are doing pop-up sales, where they are selling popcorn to paying customers even though there are no movies going on. This has happened at a couple locations near my house, specifically the Somerville Theatre and Capitol Theatre, both of which are in Massachusetts and owned by Frame One Theatres. I don’t know if a chain like AMC would do that, because I think they are more concerned about protecting what they have by letting people go than continuing operations and getting mocked. But, again, if any theater wants to take up my suggestion on a popcorn or candy delivery service, be my guest! I’ll probably order from it twice a day just to provide some support. That, and I love my movie theater popcorn. It could be through the organization itself, maybe through Uber Eats, maybe Grubhub could be a good idea. After all, pretty much the only thing I can do in life right now is stay inside and put on a movie. I need decent popcorn to go with it! But sticking with the main idea, the loss of AMC, can bring a tremendously dark impact to the industry. Because that means no more Prime Theatres, no more specifically branded Dolby Cinema, and no more A-List. But also, keep in mind the large theater count the chain has and how much of a reduction this truly can provide. There will be significantly less places to go to watch a movie. If you’re lucky enough to have somewhere like a Regal or Cinemark nearby, then you’re probably in luck. I’ve got Showcase Cinemas. Even though I’ve been to their theaters a number of times, I really think they are overhyped and their setup is occasionally bonkers (although their Providence location might have my favorite IMAX theater). And I don’t know if another chain is going to swoop in and take all the AMC locations that could die as a result of this. AMC is not the only chain hurting here. For all I know, maybe one of the big toilet paper companies can come in and start something new. Come on in to “Angel Soft Theater!” Your ass is safe on both our toilets and our auditorium chairs!

One YouTuber I regularly watch goes by the name of John Campea (Collider Movie Talk, The John Campea Show) and he suggested that studios should step in and help AMC financially during this dire time. If the studios have enough money, this is a swell idea. After all, there is a strong bond between movie theaters and studios. One cannot essentially exist without the other. And given how studios are perhaps likely to lose money should they rely on digital sales for their films, they are probably well off giving some of what they have to a chain that has given them tons of strength over the years. I often make fun of how much money Disney has, but wouldn’t it be a great story if Disney gave some money to AMC? I’d dig it. Time will tell when it comes determining the fate of AMC Theatres, but that is largely going to depend on when this crisis diminishes or ends, if people are not too scared to go out into the masses again, and if movies are even going to release by the time this ends. Again, if “Tenet” is not in theaters this July, I think I can officially call it quits on this year for film. Because that news will break me. Pixar’s “Soul” hasn’t been delayed yet. Maybe that will come out in June. Again, it’s hard to tell at this point given how confusing this virus really is.

NEW RELEASES GOING ON DEMAND

I did do this last week, and to be honest, I don’t know if I’ll continue this trend, but given how On Demand is becoming more of a core element to the movie-viewing experience given the current situation, I figured I’d share some new releases that are out On Demand this week. First off is “Ip Man 4: The Finale.” I have not seen any of these movies, but one things that intrigues me is that it stars Donnie Yen, who has been brought to my attention in recent years. The actor is probably one of the more badass men I have seen in an action film as far as newer material goes. While I will declare that “xXx: Return of Xander Cage” is not exactly the “Citizen Kane” of action, Donnie Yen may have been the best part of the movie. Up next is “Like a Boss,” which came out in January. This does not look or feel like my type of movie, but I believe I almost went to a press screening for it. Not sure though. The film stars Tiffany Haddish, Rose Byrne, alongside Salma Hayek and it is about friends who are trying to start a beauty company. The film clocks in with a total of an hour and twenty-three minutes. Did the editor want to finish their job as soon as possible or something? By the way, for those of you who prefer buying the physical copy, both films are scheduled to come out on DVD and Blu-ray on April 21st. If you have Disney+, there is heavy promotion going on right now to get people to watch Pixar’s “Onward,” and if you have the service, it is now watchable any time you want.

Thanks for reading the third part of the ongoing series “Movies and COVID-19: Behind the Scenes!” As long as this crisis is unfortunately still with us, this series is going to continue, and maybe even get me to delay my scheduled film reviews. Although, for all I know, my review of “My Spy” might not even come out until next year given how I would probably be shoved into an abyss by STX executives if I open my mouth about it right now. As for myself, I have not left my house in awhile, and I continue to remain healthy. If you want to use your time wisely, be sure to follow Scene Before either through an email or WordPress account so you can stay tuned for more great content! Since we’re all online right now, why not take a break from learning how to use Zoom for a quick second and check out the Scene Before Facebook page! You won’t regret it! I want to know, is there any COVID-19 movie news that happens to be significant that I missed? What have you been doing during this crazy time? Any movies you want to recommend? TV shows maybe? Let me know down below! Scene Before is your click to the flicks!