Thriller

John Wick: Chapter 3 – Parabellum (2019): He’s Knowin’ He’s Back

Posted on by Jack Drees

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“John Wick: Chapter 3 – Parabellum” is directed by Chad Stahelski (The Hunger Games: Catching Fire, Safe) and stars Keanu Reeves (Point Break, The Matrix), Halle Berry (Catwoman, Extant), Laurence Fishburne (Ant-Man and the Wasp, Ride Along), Mark Dacascos (Hawaii Five-0, Dancing with the Stars), Asia Kate Dillon (Orange Is the Black, Billions), Lance Reddick (Bosch, Fringe), Anjelica Huston (Tinker Bell, Transparent), and Ian McShane (Kung Fu Panda, American Gods). This film is the third installment in the extremely kick-ass “John Wick” franchise, where Keanu Reeves comes up with new, inventive ways of annihilating people. And it’s f*cking awesome. In this fast-paced, killer installment, John Wick has a multi-million dollar price tag on his head. Throughout the film, he must survive at every turn, and avoid every hitman/hitwoman in New York and beyond.

I have a pretty good relationship with the “John Wick” franchise thus far. While I may not enjoy the franchise as much as some other people, I am most certainly able to recognize its stance in the film industry today. In a time where many action flicks tend to have editing jobs where each fight/battle sequence tend to cut at the same speed at which Usain Bolt can run, “John Wick” is a breath of fresh air. It is a franchise that I adore for its frequent attempts to shoot long takes featuring badass, raw choreography on attention-grabbing setpieces. The lighting in some scenes from “John Wick” really gives a sense of some s*it going down, and I think it translated to another action movie I like from this decade, specifically “Atomic Blonde” starring Charlize Theron. Then again, that should not be too surprising because one of the co-directors behind the original “John Wick,” David Leitch, eventually went on to direct “Atomic Blonde.”

And when it comes to “John Wick: Chapter 3” in terms of anticipation, it grew like a weed. While “John Wick: Chapter 2” was not the best movie of 2017 (although it was good enough to get an honorable mention in my end of the year countdown), the ending seemed to have promised something big in this franchise’s future. Therefore, I began to have high expectations that I thought this installment would potentially deliver upon. And deliver it did! “John Wick: Chapter 3 – Parabellum” may just be the best “John Wick” movie yet. Granted, I may need some time to marinate, partially because I just saw the movie. But having seen it, this had two hours of superb action, compelling characters, and stakes that I rarely feel in movies nowadays. But I will say, the movie’s not perfect, and this is a minor problem, perhaps one that I could eventually take back, but it’s a problem nevertheless.

“John Wick” is a great franchise. It’s not for everyone, but I think it is definitely up there with my personal favorite action-oriented franchises. But much like other franchises such as the Marvel Cinematic Universe, “John Wick: Chapter 3” could slightly differ in a final verdict for those who are not as highly exposed to the franchise compared to more avid viewers. I feel my connection with “John Wick,” my anticipation for this movie, and the fact that I recall how “John Wick: Chapter 2” ended all contribute to my partial joy towards what was happening on screen. Because if you’re like me, chances are you saw the end of “John Wick: Chapter 2,” and felt that there were promises to be kept. If you have not seen “John Wick: Chapter 2” at this point, and I am mainly referring to the ending when I bring this up. I would still recommend “John Wick: Chapter 3,” but I am willing to bet your experience will be enhanced having background knowledge on John Wick’s character.

Speaking of John Wick, let’s just talk about him. Just when you think he cannot continue to find new ways to be the most insane ass-kicker in movie history, you would be proven DEAD wrong. In fact, I saw this movie with my dad and we came out agreeing that he and I basically witnessed the club scene from the original installment multiple times in this film. Regardless of what you may think of this movie as a story, there is no denying that John Wick, or Keanu Reeves, as an action star, is nothing short of sick. It is some of the most intense action I have witnessed in a movie in a long time, and I would recommend watching this movie on the biggest screen possible just for that. When that 4K Blu-ray comes out, I might need to blast the volume on my television!

Although at the same time, John Wick is not the only badass in this movie, because he is accompanied by Halle Berry, who much like Wick, has tricks of her own when it comes to action. Sadly though, I wouldn’t say from a story perspective, that I had much of a reason to care about her character. There was one moment in the film where I actually did, but it’s just a single moment, nothing more. Still, props to Halle Berry and the crew behind the film for making her come off as a force to be reckoned with.

But speaking of forces to be reckoned with, you know how in the first “John Wick” that the main character did what he did in that film because of the loss of his puppy? I had no idea on how prominent dogs would be in this franchise. I say that because as one who usually fears dogs, I could not help but appreciate what this movie did with them. You think Keanu Reeves and Halle Berry know how to kick ass? BRING ON THE F*CKING DOGS! This movie might now have my favorite scene featuring a dog (maybe aside from Up)! I will not go into much detail, but when you turn an animal associated with cuteness into something along the lines of a speedy great white shark, I cannot help but appreciate it. I’ll savor the flavor for you all, but look forward to this. I almost want to sit someone down who would probably usually avoid action movies and market this to them saying “Oh, it’s family flick with dogs in it, you’ll enjoy it!” I kind of want to see their reaction.

And as usual, the direction in this movie when it comes to action is spot on. There’s tons of spectacular setpieces, along with the thousands of sick, but realistic moves done by many of the movie’s characters. The film was shot on location, which I love, it added to the immersion factor that I love seeing in movies nowadays. And as usual, the camera only cuts when necessary, it doesn’t have ADHD, each displayed shot takes its time before moving onto the next. This movie, just like the first two “John Wick” films, is how you do action, and I might just think that this film might be the best in the franchise when it comes to action. However, when it comes to story and character development, it falls flat at a couple points. In fact, this movie partially reminds me of “The Hobbit: The Desolation of Smaug” because the beginning and end are pure adrenaline-rushes on their own. But the middle portion of the movie tends to slow down, and gives its audience a moment to breathe. It’s not really the highlight of the film, but it does feature a moment that is kind of shocking. Look forward to it.

In the end, “John Wick: Chapter 3 – Parabellum” is everything that an R-rated, white-knuckled action flick is supposed to be. Interesting characters (despite some of my prior criticisms), great sequences, surprises, stakes you can feel, and mind-blowing shots. There’s actually a shot in the film that sort of reminded me of “Skyfall” when the movie takes place in Shanghai. If you have seen that movie and gotten yourself to the theater to witness “John Wick: Chapter 3,” you might know what I’m talking about. Again, is the story perfect? It’s not, it definitely serves the purpose well for the most part, but there are minor flaws. Although if I had to judge “John Wick: Chapter 3” simply based on action, this might be a 10/10. But still, as of right now, I still have to marinate, but this is my favorite installment in the “John Wick” franchise thus far, and I’m going to give “John Wick: Chapter 3 – Parabellum” a 9/10. Thanks for reading this review! I just want to make an announcement to you all that I am reaching 300 posts pretty soon, and I already have a plan for what I’m going to do on that. I have decided like for my last number milestone post, I would show off my Blu-ray collection. But I’m actually going to present it in a different way than last time. I’ll have the post up as soon as possible, and I cannot wait to share it with you all. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “John Wick: Chapter 3 – Parabellum?” What did you think about it? Or, what is your favorite installment in the “John Wick” franchise? Let me know down below! Scene Before is your click to the flicks!

Serenity (2019): Not the Firefly Movie

Posted on by Jack Drees

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“Serenity” is directed by Steven Knight, who also directed “Locke” starring Tom Hardy, and this film stars Matthew McConaughey (Interstellar, Ghosts of Girlfriends Past), Anne Hathaway (Colossal, Ocean’s 8), Diane Lane (Inside Out, Man of Steel), Jason Clarke (Terminator: Genisys, Everest), Djimon Hounsou (Blood Diamond, Guardians of the Galaxy), and Jeremy Strong (Zero Dark Thirty, Molly’s Game). This film takes place on an isolated piece of land called Plymouth Island. Matthew McConaughey’s character of Baker Dill lives on the island, having a quiet life to himself. However, things become more obnoxious once his ex-wife (Anne Hathaway) comes to town with the hope that Dill would leave her current husband for dead in the ocean.

I saw this film over a week ago, and I know it is a January flick, but I still couldn’t help but feel somewhat excited for this film’s arrival. As strange as this thought may come off, I was kind of giddy because it starred Matthew McConaughey and Anne Hathaway. Not only are the two good actors, but they starred alongside each other in “Interstellar,” one of my favorite films ever made. So in a way, this is almost like a reunion. It would be cool if Christopher Nolan were directing, but still. I remember going to see “Peppermint” back in September and kind of being intrigued by the trailer for this film. I wouldn’t call “Serenity” my most anticipated film of the year or anything, in fact it’s hard to give that title to a January film anyway, but I was undoubtedly looking forward to it. I don’t know why I thought this was going to be a disaster movie walking into it (I rewatched the trailer to see if the marketing was deceptive, which it wasn’t), but still, I had expectations. Aaaaaaand they were shattered.

To quote the YouTube channel RedLetterMedia,

That’s right! While this post is being done in the just as crappy month of February, I have been exposed to the true cancer and filth of a January movie! Feelin’ the spirit!

What makes this January movie so bad? For one thing, the characters are just not likable. I was somewhat curious as to seeing what Matthew McConaughey would do with his character, and it pains me to say that the first impression I’ve gotten with such a character was just abominable. I have been thinking a bit lately about first impressions, and now that I am thinking about them, I have been reminded on how much they matter and how much of an impact they can leave on people. I have a friend who went to go see “Star Wars: The Last Jedi” when it came out who thought they were in for a wild ride once they heard one of the film’s early jokes. They walked out of the film hating the damn thing! I remember when I saw “La La Land” in the theater for the first time, and the first number comes on. It was a true masterpiece in terms of choreography and cinematography. That impression carried on through the rest of the film to the point where I left, did my review, and gave the film a well deserved 9/10. FIRST IMPRESSIONS MATTER.

Granted, my first impression of Anne Hathaway was that she was kind of stunning in the film, but the reality that this is not a porno, it is a movie. I am not watching an x-rated video where I go “Look at this lady! Five out five stars!” As a character however, she wasn’t the worst on screen. There was nothing I loved about her. Although there was nothing I really hated about her either. She’s just kind of “eh.”

Speaking of sex, I was actually thinking a bit to myself about that during the film, because there is some of that in this film. Granted, I imagine there’s a good chunk of women out there who think Matthew McConaughey is a national treasure, even if he is soon turning fifty years old. There are a couple of themes where I looked at Matthew McConaughey and compared him to a selfish, overwhelmed, depressed guy who must be great in the bedroom. And sadly, there are moments that I think the sex in “Serenity” is more entertaining than the film’s actual plot.

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Out of all the uninteresting and unlikable characters in “Serenity,” not one really got on my nerves more than Jeremy Strong’s character of Reid Miller. This guy displays just about every unlikable quality you can think of in a door-to-door salesperson. I won’t go into complete detail, but he is pretty annoying, and he’s basically in the movie whenever it is convenient for the plot. It’s not to say that his character was entirely pointless, but it also not to say that said character wasn’t horribly written and maybe made me want to ignore every aspect of having a consciousness a couple of times. Just… why is here? Why?

“Serenity” as bad as it is, could have been a really awesome movie, but the characterization is sloppy enough to make me hate it. After all, I won’t go into detail, this movie kind of reminded me of “Interstellar.” Granted, it has both Matthew McConaughey and Anne Hathaway as recently mentioned, but that is not the main point. Plot-wise, as the movie develops, the story goes into a direction that somewhat has an “Interstellar” feel. Granted the film is not in space, I didn’t feel anywhere as much emotion as I did during “Interstellar,” and the overall lack of quality this movie seems to provide made me ultimately not care for whatever it was I was watching. I felt like I had two brains in my head operating at once. One brain was completely bored while the other was enjoying itself. Granted, that notion about the second brain is sort of an overstatement based on all of the other s*it I said about this movie, but still. I thought to myself, there is a good movie somewhere in “Serenity,” and the filmmakers are seemingly trying to unlock the door to let this good movie out, but the sad fact is the lock is hard to undo. I sort of feel bad, while simultaneously disappointed.

I will give kudos to this film on a technical perspective though because there are times when it did have a nice atmosphere. The island did feel like something that would actually exist from the way it looked on camera, and a lot of the water shots provide a breathtaking vibe. I don’t know what it is about movies and water. Somehow a camera taking shots around water just makes movies better. Even with a film like “Adrift,” which made my top 10 WORST last year, still looked dazzling because of the atmosphere provided with all the shots containing water. I’m not saying I like being on the ocean in real life. I’m a little more urban, I even think the beach is overrated. I just think that on camera, watery oceans can look very appealing, there’s something about them. Perhaps a personal thing, I don’t know. Whatever, doesn’t save this movie from being a dumpster fire though.

In the end, part of me was screaming this at the end of the film…

“Serenity” really is a somewhat intriguing, mysterious flick, but it is ruined by its story and characters who managed to underwhelm and disappoint me. When your movie starts off and Matthew McConaughey (at least in my eyes) treats his pals in a dickish manner, it’s gonna be hard to leave me impressed. As I was writing this review, I found out that this was apparently the worst opening of Anne Hathaway’s career. I can see why. As much as I loved seeing McConaughey and Hathaway reunite for another movie, it would have been cooler had the movie been worth my time. I’m going to give “Serenity” a 3/10. Thanks for reading this review! Next week I’m going to be releasing the kraken! The dragon! The man! The myth! The legend! The Jackoff Awards! This is going to be one of my longest, jam-packed, most ambitious posts that I have ever done. If you frequent my blog and are actually curious to know about this, I should have you know this is not going to be something NEARLY as short as what I’m reading to you right now. There’s going to be segments where I digress, segments that go on for some time, videos, etc. I’m filling this post to the brim with epic entertainment for all to enjoy, so I hope you all enjoy it! If you want to see this upcoming post, or more great content from Scene Before, be sure to follow my blog either with an email or WordPress account! I want to know, did you see “Serenity?” What did you think about it? Or, since it is kinda sorta maybe relevant, what are your thoughts on the TV series “Firefly?” Do you think it should be brought back? Let me know down below! Scene Before is your click to the flicks!

The Mule (2018): Clint Eastwood’s Second Disappointment of 2018

Posted on by Jack Drees

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“The Mule” is directed by Clint Eastwood (Million Dollar Baby, Sully) and stars himself alongside Bradley Cooper (Guardians of the Galaxy, A Star Is Born), Laurence Fishburne (The Matrix, Batman v. Superman: Dawn of Justice), Michael Peña (American Hustle, Crash), Dianne Wiest (Life in Pieces, Law & Order), and Andy Garcia (Geostorm, Ocean’s Eleven). This movie is based on a true story and an article from The New York Time called “The Sinaloa Cartel’s 90-Year-Old Drug Mule.” It’s a about a guy by the name of Earl Stone, who is a war veteran, and he claims that he made the mistake of putting work before family. He missed a couple of important events, he cared for his plants more than his children, and he seems to be always doing something that will keep him from his family. Throughout the film, we see Stone trying to get cash for transporting loads on his truck under the responsibility of a Mexican drug cartel.

I haven’t seen much of Clint Eastwood’s work. As a film buff, or at least that’s what I like to call myself, part of me is slightly surprised that I have not looked into more of his stuff. I have seen “Sully,” “The 15:17 to Paris,” and “The Good, the Bad and the Ugly.” Now that “The Mule” is in cinemas everywhere, it allows me to dive deeper into seeing how talented Clint Eastwood really is, not only as an actor, but as a director. What I’ve seen from him acting-wise is pretty serviceable, including what I’ve seen from him in this movie. However, thus far, I have seen him direct competently, but there are other directors I prefer compared to him. I much prefer the work of filmmakers like Christopher Nolan (Interstellar, Memento), Wes Anderson (The Grand Budapest Hotel, Isle of Dogs), and Damien Chazelle (Whiplash, La La Land). While this is at times, a nice looking, and rather well done film from a technical and acting perspective, the fact is that I was honestly disappointed.

When I saw “The 15:17 To Paris” this year, I felt the same way as I do now. Clint Eastwood is a household name in Hollywood. But throughout a portion of the year, a part of me thought that was just Eastwood’s appetizer to get to the real film he wants to tackle in 2018. After all, the movie was released in February, which is one of the dumpster fire months for movies, so there’s a good chance that either the studio or Eastwood himself may have been dissatisfied over the outcome of what eventually became “The 15:17 To Paris.” The good news was that this was not the only film to be released in 2018 that is directed by Clint Eastwood. Maybe “The Mule” would be better than “The 15:17 To Paris.” Well, it was, but that’s not saying much because, again, I was disappointed.

Let’s talk about Clint Eastwood in this film, he does a good job performance-wise, but when it comes to his character, I have mixed thoughts about him. I can understand the way he felt at certain times. The way the character manages to develop is also charming. But there are certain qualities attached to him that are kind of off-putting. He would occasionally tell people they are stupid for using cell phones and the Internet, and there’s actually a scene that makes him come off as a less likable version of Hugh Hefner. I say that because Clint Eastwood is in his eighties, he’s playing a character around his age range. There’s a scene where we see him with some chicks in a bedroom, they’re all seducing him and removing his clothes, it’s not traditionally something that I would pay to see. Granted, “The Mule” is not a family movie, and I never asked for it to be. But I can’t recall the last time I said, I’m gonna go see Clint Eastwood f*ck someone twice as young as him. I also will say, age is just a number, and I’m not against someone dating a person much younger or older than them as long as it makes both partners of the relationship happy, but seeing an eighty-something year old Clint Eastwood engaging in sexual behavior with women that are much younger then him is not even close to my cup of tea. I don’t hate sex in movies, and this is based on a true story, so it could be worse, but it is cringeworthy as an idea.

I will say, despite my gripes with Eastwood’s character, I wouldn’t consider him the worst character in the movie, because a good portion of the film involves us as an audience getting a glance at the DEA investigators played by Bradley Cooper, Michael Peña, and Laurence Fishburne. I really didn’t care for any of these people. After all, the only time I legit gave a flying f*ck about them was towards the end of the movie. Oh yeah, I even completely forgot Laurence Fishburne’s character was even in the movie! Why are we here?!

This movie seems to pack in the moral that family is more important than work. It seems to suggest that being a part of a group of people you are attached to by relation is more important than being famous or busy. I will say, as a freshman in college, I did not choose to be busy for five days a week, other classmates who got to submit class choices before me did. But that’s not the point, my biggest wonder about the film is if Clint Eastwood has ever applied this moral that he seems to be hammering in towards his daily life. Granted, Eastwood did not write “The Mule” or the source material which it is based on, so therefore it cannot completely be his vision, but I wonder if someone as famous as Eastwood has been through his life making a similar mistake to this movie’s main character. Part of me wonders if Eastwood even relates to him. The regret of not seeing your family as much as one would desire can make for a compelling character, but the thing about Clint Eastwood is that he is such a famous actor and director. Not to mention he’s cheated many times. Granted, things are not as always as they seem, people change, and Eastwood is portraying a “character,” not himself. Nevertheless, despite a fine performance, part of me doesn’t completely buy Eastwood as his character.

I will say though, while I may be bashing this movie a little bit, one of the biggest positives I will point out is that there is one scene, I won’t specify, that has to do with death. It shows how people come together in a time of need, the fear of not knowing what’s going to happen when you’re going to die, not to mention the fear of dying itself. That is the best part of the movie and is probably the part I’ll admire the most as I reflect on “The Mule.”

In the end, “The Mule” is yet another dissatisfying attempt at a film from Clint Eastwood this year. I was talking with some family members as the year was coming to a close, and there are a few people I know who were anticipating and excited for “The Mule” to come out. I don’t know how many of them saw the movie by now, but in all seriousness, I don’t think got much good out of seeing “The Mule.” It’s not the worst movie of the year, not even close to be completely honest, but for a movie with Eastwood’s name on it, it seems that there could have been a lot more delivered to provide satisfaction than what was given to me as an audience member. I will say though, the acting is five times better than “The 15:17 To Paris” so that’s a plus! I’m gonna give “The 15:17 To Paris” a 6/10. Thanks for reading this review, pretty soon I’m gonna have my review up for “Instant Family,” a comedy starring Mark Wahlberg and from the same director who did “Daddy’s Home,” also starring Mark Wahlberg. Also, after I finish that review, be sure to stay tuned for my top 10 BEST movies of 2018 and my top 10 WORST movies of 2018! I will also say that the Golden Globes are on this Sunday, so if you want to see me talk about them, I might do a recap, but if I don’t, there’s a high chance I’ll be livetweeting throughout the show. To see my potential livetweets to the Golden Globes this Sunday, follow me on Twitter at @JackDrees, and feel free to hit the notification bell if you want Golden Globes tweets shoved right in your face. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “The Mule?” What did you think about it? Or, since Clint Eastwood has worked on both “The 15:17 To Paris” and “The Mule,” which of these two movies do you prefer? Let me know down below! Scene Before is your click to the flicks!

Marrowbone (2018): Crossing the Line Into An Unmemorable Horrorland

Posted on by Jack Drees

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“Marrowbone” is directed by Sergio G. Sánchez and stars George MacKay, Anya Taylor-Joy, Charlie Heaton, Mia Goth, and Matthew Stagg in a movie that starts as every happy-go-lucky story does, with the mother dying immediately. This mother’s death now leaves four children varying in age to take care of themselves. At the same time, this death has to remain in secret. If the secret gets out to the town lawyer, Tom Porter (Kyle Soller), it’ll be revealed that the new caretaker, Jack, the oldest of the children, has nobody in his home that is over the age of 21. This gives the alert that Jack, is illegally taking care of his younger siblings. That’s not all, because throughout the movie, they have to deal with a monster inside the house.

I bought this movie for $15 during my time at New York Comic Con, so why not watch it? Going into the flick, I was somewhat intrigued as to what I was about to see. I am not a complete and total stranger to the studio behind this movie, Magnolia Pictures, although in this case the studio label is Magnet. They made a movie that came out earlier in the decade, “Grand Piano,” starring Elijah Wood (Lord of the Rings, Happy Feet) and John Cusack (Better Off Dead, Say Anything), which I wholeheartedly admired. Naturally, while I wasn’t expecting to compare this movie to “Grand Piano” (different genres, different crew, etc), I did have some faith in Magnolia because their name is not as prominent as Disney or Sony, which for the most part, seems to be all about the money as opposed to quality. They operate on the more independent side of the spectrum, much like another prominent studio, which I honestly probably like a lot better than Magnolia, A24.

Another thing to consider is how good 2018’s movies have been so far, specifically in the horror genre. “A Quiet Place” came out in April and it was one of the most innovative horror flicks I’ve seen. What John Krasinski was able to do not only with as someone who had little materials to work with, but also as a first-time director is astounding to me. My favorite horror film of the year however, has to be, coincidentally, an A24 film. To be specific, “Hereditary.” Toni Collette better be nominated for an Academy Award, the cinematography was stylistically successful, and it is a truly wild ride.

“Marrowbone” is not as good as those two films.

Before the crew sends their pitchforks flying in the air, all the way to my house, let me just state, it’s good.

One of “Marrowbone’s” biggest strengths comes from the cast. The chemistry between all of the children is extremely believable, there’s even some chemistry between one couple I was able to buy into, and as far as everyone’s general acting ability goes, a job well done is in order.

Another aspect I totally found myself getting into was the score. It’s been days since I watched the film from start to finish, but it somewhat reminded me at times of what Howard Shore did for “Lord of the Rings.” Since I seem to be spitballing Shore’s name right now, I’ll also give a shoutout to Fernando Velázquez for creating the excellent score for this very film. The score also manages to accommodate the stellar cinematography, most notably the land shots. Will this receive any Best Cinematography awards during the upcoming season? Hard to tell, this movie didn’t make much money during its limited release and it is not even out on digital yet.

When it comes to the main characters, the oldest of the siblings goes by the name of Jack. He is the one responsible for hiding the family secret throughout the whole runtime. While there are moments in the movie where I do side with him, while there are moments where I do root for him, there’s also this thought that I’m currently having in my mind that is trying to get me to gather all of my other thoughts about him. Jack is a likable, although slightly unmemorable character. Then again, it’s not as easy for him to stand out when you have a young kid in the mix who occasionally serves as comic relief.

By the way, that young kid’s name is Sam and he is played by Matthew Stagg. Out of everyone in the film, I gotta say that he delivers the best performance. No, he is not the next Jacob Tremblay, he is not the next great child actor to be remembered for eternity (might need to see more work before my ultimate verdict on that though). I also got to give credit to the writing for the movie because some of the character’s most notable lines are pretty much what the audience might as well be thinking. He is curious, he is suggestive, and he is charming. Having seen Matthew Stagg perform as this character, I can’t imagine anyone else playing him.

Also, I can’t go without mentioning that this is a horror movie and there are supposed to be some scares in this thing. The scares are there, but I feel like maybe they could have been taken up a slight notch. I wasn’t really genuinely terrified by what I’ve witnessed. However I must say I will say that the monster this movie seems to heavily revolve around is very well done special effects-wise. Nice work! The scares are not horrible, but they are also not as memorable or outstanding as I’d hope they’d be.

In the end, I don’t really have much else to say about “Marrowbone” because everything else I really do have to say is in spoiler territory, and if I actually had the ability to remember more of the movie, I would be talking about it more. Again, it’s not a terrible movie. It could be some decent background noise on Halloween, but there’s not really much more credit I can give to it other than that. Well, maybe except the production value, that is excellent. Also, I must say, another factor that makes me think this is worth a second viewing is that there is a 4K Blu-ray for this. By the way, I used that for my review. So I guess that copy is a hearty $15 well spent. Perhaps this movie would also get the same verdict I gave to live-action “Ghost in the Shell” last year. It’s not a fantastic movie, but if you want a movie that can show off a new giant TV, this wouldn’t be a bad pick. Especially when you consider there’s a 4K edition of it available. Maybe part of my lack of remembrance towards “Marrowbone” has to do with my review coming days after seeing the movie, as opposed many of my other reviews which traditionally are posted in much less time compared to when I finished the movie. So in that case, maybe some human error applies to this. I’m going to give “Marrowbone” a 6/10. I have a strong feeling this grade could go up in the future during a potential rewatch, but for now, this verdict stands. But still, going back to the beginning, 2018 has been one of the best years for movies I’ve ever seen. By far the best year for movies since I started Scene Before. The good movies this year have certainly outweighed the bad. There were a number of all timers like “Avengers: Infinity War” and “Won’t You Be My Neighbor?.” Even some of the stinkers this year couldn’t rival some of my worst movies of the past couple of years. Maybe “The Hurricane Heist” sucked, but it was certainly better than “The Space Between Us.” Melissa McCarthy’s “Life of the Party” took every ounce of life I had and set it on fire, but it was not as bad as that 2016 “Ghostbusters” movie she starred in. “Marrowbone” is a slightly forgettable movie, but it still gets a 6 from me. Well done.

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Thanks for reading this review! I just want to say to everyone reading this that I wish you all a Happy Halloween and good luck avoiding teepees, eggs, and most importantly, police officers telling your kids they are too old to trick or treat. Speaking of treats, this weekend I’ll be my making 4th annual trip to Rhode Island Comic Con, and I’ll be documenting all of the craziness that is bound to go down. I should also have you all know that it is my birthday weekend, so hopefully, I can beg somebody to give a free autograph or photo. Cons are not cheap! Also, there’s a movie theater not far from me in the area, so if I have the time, maybe I’ll catch something there. I’m well aware that this weekend is the release of “Bohemian Rhapsody,” one of my most anticipated movies of the fall. And no, I’m not reviewing “The Nutcracker and the Four Realms” (depending on how many requests I end up getting)! Maybe if I want to torture myself I will do such a thing, but for now, I’m staying away! Be sure to follow Scene Before with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see “Marrowbone?” What did you think about it? Or, since it is Halloween, what is your favorite horror movie? Let me know down below! Scene Before is your click to the flicks!

Gravity (2013): Life in Space Is Impossible

Posted on by Jack Drees

Hey everyone, Jack Drees here! Some of you may be aware that I am currently doing a series of reviews which involve space movies. Last week I did my review for “2001: A Space Odyssey.” I’m pretty sure I HAVE NOT talked about the movie before. LOL. Now it is time for my second entry in the series. After this week, I will be tackling another space movie, which is all being done in preparation for the upcoming Damien Chazelle directed “First Man.” This movie is going to release on October 12th everywhere in 2D and IMAX so look around for your local showtimes regarding the film. As for the movie we’re going to be talking about today, that is going to be the 2013 flick “Gravity.” In fact, coincidentally, this review is being brought to you EXACTLY FIVE YEARS AFTER “GRAVITY” CAME OUT IN THEATERS EVERYWHERE. Therefore, this review feels very fitting. Without further ado, let’s blast off, and get going with the review!

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“Gravity” was directed by Alfonso Cuarón (Harry Potter and the Prisoner of Azkaban, Children of Men), stars Sandra Bullock (The Proposal, The Heat) alongside George Clooney (The American, Batman & Robin) and revolves around a girl by the name of Ryan Stone (Bullock). She is in space working with Matt Kowalski (Clooney) when all of sudden their mission doesn’t go according to plan. A bunch of debris coming towards them causes a separation in crew members, and now it is up to Kowalski and Stone to survive together in space.

Now this is the start of the review so I might as well set the mood.

AT 600KM ABOVE PLANET EARTH THE TEMPERATURE FLUCTUATES BETWEEN +258 AND -148 DEGREES FAHRENHEIT

THERE IS NOTHING TO CARRY SOUND
NO AIR PRESSURE
NO OXYGEN

LIFE IN SPACE IS IMPOSSIBLE

Aside from the Warner Brothers logo which happens to introduce the movie, this is the first thing that can be seen on screen regarding “Gravity.” There are many introductions to a movie that can either remind you what you’re in for or get you excited for what’s to come. This one succeeds at both tasks. The rise in the music, the black screen, and the fades of the text. All of these remind you that you’re in for a ride. You have to strap yourself in. Many bumps are ahead. There’s even some sounds in the background that might as well associate with what a disaster in space would end up being.

Then… you cut to…

SPACE.

Much like the space shots in the last movie I reviewed, specifically “2001: A Space Odyssey,” pretty much all of them are insanely gorgeous. I will probably give the 1 up to “2001” over “Gravity” when it comes to space shots based on what it is shot on and how they actually crafted everything in space as supposed to using CGI (you can’t really do that in 1968), but given how realistic the CGI looks in this movie, I am almost convinced at times that this actually is space. I had a conversation with a companion months after this movie came out where she uttered this movie is basically “all visual effects.” She’s right. The amount of effective green screen used in “Gravity” actually blows my mind. It’s almost like we’re witnessing “Jurassic Park” in space. I say that because “Gravity,” like “Jurassic Park” relies heavily on CGI and the way they’ve executed visual effects in both movies just feel like they can blow your mind out of the water.

Speaking of shots, this movie came out in 2013, and as far as movies released that year go, this one won Best Cinematography at the Academy Awards. And holy crap this movie deserves it. Let’s talk about some of the unique shots in “Gravity.” When it comes to “Gravity,” the first shot I think of is actually the earliest one we see in the film. We see Earth, and a spacecraft is coming in. We also get to see our characters. If you have never seen this movie, this is probably gonna get you to want to check this movie out. That shot goes on for somewhere around ten minutes! Can you imagine how much rehearsing went into that shot? Can you imagine how much preparation the director and people behind the camera had to go through? I wonder what the storyboards must have been like!

Another cool shot is one that is pretty much reminiscent of a first-person game. And I mean that literally, they have FIRST-PERSON shots in this movie. There’s one in the middle of the film that has Ryan Stone trying to get into the International Space Station and as she opens the door to get inside, you can get a view into her helmet just before the door flies as she tugs onto it.

Take that, “Hardcore Henry!” You stole “Gravity’s” idea! I’ve seen this movie in IMAX, and as I reflect on what this movie has, it just makes me want to create a petition to rerelease this film in the format so I can experience shots like the ones I mentioned in such an immersive way.

Going back to visual effects, we need to talk about 3D. There are VERY few movies that I think have been worth the extra money for 3D. Some include “The Hobbit” trilogy, “Mad Max: Fury Road,” and f*ck it, even the stupid “Ghostbusters” remake. Gotta give it credit for something, ya know. “Gravity” is also in such a category. You have many scenes where debris and characters are flying everywhere and it’s all just a visual spectacle to the face. It’s like you’re in space and you’re constantly getting hit in the head with debris! Only thing is you’re much more likely to survive because in all practicality you might as well be Dominic Toretto from “Fast & Furious.”

I can’t wait for “Fast & Furious” in space. It’s gonna be great.

One of the most immersive scenes in the movie comes from when Ryan Stone changes spacesuits and is outside the ISS. More debris is incoming, and all of a sudden, the ISS is doomed. You’re seeing bits and pieces flying everywhere and it is just like going on a ride at Universal. While Ryan Stone is certainly in danger, you feel like you’re in danger as well. I also love the line given by Ryan after she is free from any more suffering in this incident.

“I hate space.”

One of the main characters in “Gravity” is played by George Clooney. His name is Matt Kowalski, and he seems to have a knack for telling stories. As I watched this movie, I noticed that when the mood seems to be light, he would tell a story, maybe it is one the characters have heard before. If not, he tells one that has a similar vibe or structure to it.

Another main character, and I’m talking about someone who is technically THE main character is Sandra Bullock’s Ryan Stone. Talk about one of the best established characters of the decade. She starts off this movie as a seemingly normal character and then you get into her backstory. It’s almost like watching a Pixar movie that doesn’t really gear itself towards children. I mean, HER KID DIED. All she does when she isn’t in space, is go to work and drive. That’s gotta be the most boring life imaginable. I mean, she doesn’t clean McDonald’s restrooms, but even so. Given her backstory and the fact that she is TRULY pulling through, it just makes you root for the character that much more.

I gotta say though, when it comes to the end, that’s where this movie falls flat. This film is an hour and thirty-one minutes, but I don’t know how to feel about the ending. Without going into spoilers, it’s not an out of place ending, but I don’t know, I kind of wanted to see more than just what we got. Also, speaking of out of place, there’s a song that you can hear at the end of the movie and the credits, one of the weirdest song choices in movie history.

Also, regarding out of place stuff that I won’t really spoil, George Clooney’s character does something towards the end of the movie that really, honestly, makes zero sense. If you want to get technical with me, I might even say there are two things. I don’t even know, it just feels out of place. If anything, I could say it might be associated with an illusion or some sort of vision, maybe symbolism, it just makes the movie feel very strange and I just don’t understand why he would be doing what he’s doing.

Now it is time to get…

NITPICKY!

I’ll be honest with you, I don’t do work with rockets, I have no scientific background in anything related to space, I don’t work for NASA. My friend does, but she’s busy doing her own thing, so no, I didn’t ask her to help me out with this post. And you know what? I’d probably do a fine job noting some inaccuracies that can be seen in “Gravity,” but the fact is, I’d really be taking the words out of someone’s mouth. To be specific, the words of Dr. Neil DeGrasse Tyson.

Some of you might remember the pointing out of scientific inaccuracies since early on in this movie’s release. But one of the more notable bits when it comes to that is from Tyson. He went on Twitter and had a few things to say.

Again, it’s nitpicky, it’s not like we have everybody in the world going around saying the same thing as this guy. Maybe some people would complain about the single-dimension of George Clooney or the cheesy lines that occasionally pop up. But at the same time, science is something that I’m willing to bet a number of filmmakers want to get right in their movies. If your movie has something that maybe in the screenplay was written to be completely compelling, but on screen has the most glaring scientific flaw, some people might point out the scientific flaw as opposed to what makes the scene a thing of beauty. In fact, you know that friend at NASA I was talking about? Even she sometimes says that Hollywood and science don’t always mix and she is not into that sort of thing.

And for those of you who think Dr. Tyson hated “Gravity…”

And this is something that can be taken seriously. While you can certainly enjoy a movie for what it is, there is certainly no shame in pointing out problems, even if they are nitpicky. After all, the more accurate the science is in the movie, the more I might end up enjoying it. “Gravity,” according to my memory, might as well be the first movie where I didn’t exactly question the science on screen, but it had me realizing that when it comes to science, not everything was perfect. In that sort of way, this movie is kind of special to me. How often can you say you remember a movie for its flaws? OK, well, more than you think, I still remember “The Emoji Movie.” But at least these flaws aren’t game-breaking.

In the end, “Gravity” is scary, it’s suspenseful, it’s what you can totally ask for in a space disaster film. To this day it is by far one of the most immersive movies I’ve ever seen. Some of the camerawork is not only masterful, but just so brilliant that it basically changes the game of how future movies could be made. And it did in a way if you think about it given how “Hardcore Henry” took the first-person concept and made an entire movie out of it. I could be wrong. Maybe video games were a bigger inspiration, I don’t know for sure. But if “Gravity” was bigger, cool. Not to mention, “Hardcore Henry” uses GoPro as its source of cinematography whereas this movie’s main source happens to be Arri Alexas. Like Dr. Tyson, I enjoyed this movie very much and I’m going to give “Gravity” an 8/10. While this movie does have some problems, what really gives “Gravity” the 8 mark for me is the journey of watching this film. Our main hero who is just trying to survive is definitely one of the more compelling characters I’ve come across over the past few years. The sound work done in this film is scary as s*it. The visual effects feel like in a way that they may be somewhat groundbreaking, or in some cases, International Space Station breaking. And the cinematography is just so brilliantly done.

*IF YOU LIKE RAMBLING OR BEING INFORMED ABOUT THINGS, READ ON FROM HERE*

Thanks for reading this review! Next week will be my final installment in my space movie review series in preparation for “First Man.” Just a reminder, “First Man” is in theaters everywhere on October 12th, but the day before I will have my review up for “Apollo 13.” I’ll be honest with you, and I’ll let you guys know in advance, I’m not sure how this review will turn out. I’m not saying it’s gonna suck. In fact, if I knew it was gonna suck, I’d scrap the review altogether. But compared to this movie and the other one I’ve reviewed in this series, “2001,” “Apollo 13” just happens to be a film I don’t have as much experience with. I will say one thing I’ve noticed with reviews for older movies is if I know the movie, I put more detail into the review. In my Tom Cruise series, I barely put anything into my review for “The Firm” because my review for it was composed after my first viewing whereas “Risky Business” was something I not only seen before but also happened to have a deep passion towards. My “Firm” review ended up at over 1800 words and my “Risky Business” review ended up at over 3400 words. Then again, it’s not about quantity, it’s about quality. And I may be underestimating myself. I have seen “Apollo 13,” but it’s been years and I only deeply remember various parts. Plus I’m going to New York this weekend and I haven’t even watched the movie yet. Maybe I’ll watch it, go to sleep, wake up, and start my review on the train ride to New York, I dunno.

Speaking of New York, be sure to stay tuned for my thoughts on this year’s New York Comic Con! I will be going to the con on Friday and Sunday. I do have Columbus Day off, so if I have time, maybe I’ll use it reviewing the con and telling you what I purchased there. For those of you who want to see more of my work, be sure to follow Scene Before with a WordPress account or an email so you can stay tuned for more great content! I want to know, did you see “Gravity?” What did you think about it? Or, what is your personal worst scientific inaccuracy you’ve ever seen in a movie? Doesn’t even have to be scientific, maybe history-related. Your choice. You have the power.

Only you can control your future. -Dr. Seuss

Scene Before is your click to the flicks!

Peppermint (2018): A Cluster of Ice Cream, Badassery, and Lifetime

Posted on by Jack Drees

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“Peppermint” is directed by Pierre Morel (Taken, From Paris with Love) and stars Jennifer Garner (Juno, Daredevil), John Gallagher Jr. (Jonah Hex, 10 Cloverfield Lane), and John Ortiz (Silver Linings Playbook, American Gangster) and is about a woman who lost her family five years ago. After all this time, she plans to seek revenge on those who killed said family.

This movie is from the director of “Taken,” which contains my favorite line in movie history. To be more specific, Liam Neeson’s character, Bryan Mills, is giving a monologue, telling a kidnapper to let his daughter go before they face consequences. Here, it’s a pretty similar formula, you have a kid, although in this case you actually have a *kid* and not a teenager like in “Taken.” Also in this movie, the kid does not get captured, she actually gets brutally murdered alongside her father. Not to mention, “Taken” was PG-13 whereas this was rated R, allowing the movie to get away with more on screen. But I can tell you there is something this movie did not in fact get away with, and that is being forgettable, boring, and just plain bad.

I will say, the beginning of the movie was rather intriguing. The buildup until when the daughter gets killed is rather interesting, and even the stuff that happens afterwards was still worth sitting through. I didn’t really feel bored or insulted. Although factors such as predictability, Jennifer Garner in terms of how her character was written, and simply how I didn’t remember this movie all as well as I would have hoped sometime after walking out all contributed to what could simply be referred to as “a piece of crap.” But in all seriousness, Jennifer Garner, while she could have been written worse, she wasn’t written all that well to begin with. Although has nothing to do with her performance.

When it comes to Jennifer Garner as a performer, it’s just spot on, and it’s basically what you want out of an action movie like this. She’s a badass, she’s takes no nonsense whatsoever, and she is always. F*cking. PISSED. Although I will admit, that is also a slight deterioration in this situation because of how some of the writing is in this movie. Imagine if this were a movie about Facebook, no relation to the social network. Whenever someone on Facebook is doing something that may be somewhat questionable, but it is really hard for them to control, Jennifer Garner steps in really angry and just tries to stop them from doing whatever it is they are doing. OK, sure, you can try to stop them, but have you ever thought someone might be going through a hard time? If it’s not hurting anyone, let them continue on, although I wouldn’t jump onto that decision right away, maybe private message that person and just talk to them casually, ask them how they feel. I know this is an action movie that might not really be trying to go for any awards, but actions have consequences.

Did I seriously just quote “Fist Fight?” How is that movie still in my head?

This is what I think contributes to the film’s biggest weakness, the script. Not only is it predictable, but only certain moments are worth remembering and the rest might as well be tossed in the garbage. Not to mention, this movie was marketed as what seems to be a very typical action thriller similar to that of “Taken,” “John Wick,” or even “Deadpool,” all because they are about getting revenge. And while this movie is also kind of serious in the same way that “Taken” may have come off as somewhat serious, it doesn’t seem to have much fun being what it is. I get the summer movie season is coming to a close and the awards season is getting to that point where it is gonna be in full swing, but this feels like a cluster of an Oscar film and a summer movie. It’s not a summer blockbuster, but it’s still something you’d pay matinee price to see, or maybe now that we are in a new age, you’d pay with your AMC A-List perks, just to waste time. Think of a “Bourne” movie that doesn’t necessarily try as hard to be compelling. I say it feels like an Oscar film in ways because you have Jennifer Garner, who must have delivered with full force as far as her performance goes, and the tone just feels very dramatic and serious. In a way, I’d almost take back my “Oscar” statement and call this an action movie that may be meant to go straight to Lifetime! It’s just under two hours, Jennifer Garner seems to be the right age and person to play her character, and it has some occasional cringe!

And speaking of “Taken,” this is from the director of that movie as mentioned earlier. Although when comparing this to “Taken,” if these two movies were my children, and I had to decide which of the two would end up kidnapped, I’d say this one in a heartbeat. This movie feels more on the cliche side, the way the action is shot feels like it has less passion put into it compared to some other action films we’ve gotten throughout this decade. I mean, when you truly think about it, in fact, I don’t think much thinking would be required for this, but whatever. “Taken” would probably be just another action movie had I not admired it for just the way it executed its material. Then it would just be this movie.

Now let me just warn you, we are going to dive into this movie and how it manages to earn its title. They say never to judge a book by its cover. But this is a movie, so those rules, be damned! Plus, this was never based on any existing property so let’s just do whatever the f*ck I please! This movie is called “Peppermint.” And you may be wondering why that title exists. Maybe you think that’s the name or nickname given to the daughter who was killed. It could be a nickname for the killer. Or it just keeps getting mentioned or thrown around during the film. Guess what? None of that’s true! The reason why this film, at least from my assessment of what I’ve seen, is called “Peppermint,” is that there is an instance where just before the daughter dies that she gets ice cream. And what kind does she get?

…

…

…

…

Well, what the f*ck do YOU think, idiots?

This movie literally shares the name of the ice cream she gets before she dies. Granted there are worse names that could be stated. This movie could be called “John Wick” even though John Wick appears nowhere in the film. But this title almost either sounds like a working title, or a title that was slapped together at the least minute. Some flak could be given towards Dwayne Johnson’s recent film, “Skyscraper” for maybe sounding like a pitch movie, in fact, that’s almost what the title screams at some points. But at least it just sounded like it had things revolving around that title more than “Peppermint” did. I don’t know what title I would end up giving to “Peppermint” at this point if I had the power, but probably not “Peppermint.” Heck, even “Die Family Die!” would be a better title than this! It sounds stupid, but really f*cking intriguing.

Speaking of which, one thing that I found intriguing is the way this movie takes a look at Los Angeles and makes it look like this depressing wasteland. Bums are all over the place, it just seems trashy, and nothing of glory seems to be displayed. When I think of LA, I think of tall buildings, I think of movie stars, I think of culture. This movie gives a giant f*ck you to that and I kind of admire the movie for doing such a thing. I can’t wait for the sequel where they start the movie in New York and they show people asking for money on the street, horns honking everywhere, and creepy Disney character impersonators kidnapping children and their parents!

Guys, in the end, while I don’t think I have much else to say about “Peppermint,” most of what I have to say is not really all that positive. “Peppermint” could have been a fun movie, a compelling movie, or even a good movie. But the thing is that it probably doesn’t know what it wants to be. Is it trying to be an action-packed, made for audiences to go in and chew on popcorn time-waster? Is it trying to be a serious drama that would make you root for the mother? I don’t know. Guys, if you want a good movie about revenge, go watch “John Wick!” Go watch “V For Vendetta!” Not this crap. I’m gonna give “Peppermint” a 3/10. Thanks for reading this review! Tomorrow I’m gonna be going out to the theater to see “The Meg” so expect a review of that very soon, also if content consistency seems to be slower than usual, I should have you know, I’m in college now, so I apologize for any inconvenience this may be causing. However, let me just have you know that my resolution for 2018 is to deliver at least one Scene Before post each week. So I’m not saying this is dying. It’s still a serious commitment, it’s still going on, and I will make sure I deliver whatever content I can whenever I can. I may be doing something for someone else, but I’m also doing something for YOU, my 32 followers. With that being said, be sure to follow this blog if you haven’t already by clicking the follow button and following either with a WordPress account or an email so you can stay tuned for more great content! I want to know, did you see “Peppermint?” What did you think about it? Or, what is your favorite movie with Jennifer Garner in it? If you ask me, I gotta go with “Juno.” Let me know about your favorites in the comments! Scene Before is your click to the flicks!

The Hurricane Heist (2018): Fast Storm, Slow Movie

Posted on by Jack Drees

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“The Hurricane Heist” is directed Rob Cohen (xXx, The Fast and the Furious) and stars Toby Kebbell (Fantastic Four, Warcraft), Maggie Grace (Taken, Lost), and Ryan Kwanten (True Blood, The Right Kind of Wrong) in a movie that’s pretty much as exactly as it sounds. A group of people want to pull off a heist, but why not do it during a hurricane?! It’ll be great! F*ck me.

I bought this movie on Blu-ray when I was in Connecticut, and while I can say that for the most part, I didn’t go in expecting all that much, I was just hoping to have fun. The marketing for this movie made it look bad, but the kind of bad that I imagine you’d want to see. Appropriately, the advertising had “Rock You Like a Hurricane.” I was just like, alright, let’s embrace the stupid. Unfortunately, I couldn’t, because this movie was just too boring. Sure, you’ve got an epic storm. But there is NOTHING ELSE of interest! I felt like I was watching the most boring episode of Bob Ross’s “The Joy of Painting.” In that episode, you don’t watch Bob paint, you watch paint dry. I was watching this late at night, and I still remember shouting “BOOOORING!” four or five times throughout this piece of crap!

What’s so boring about it? You don’t like any of the characters! The casting is wrong on so many levels! The writing is unrealistic! And I even think some of the dubbing is a fail too! When I saw who was directing this film, I knew this was not going to be a masterpiece, but this was so much worse than I originally thought it would be. I say that because having viewed some of his work, his movies can kind of fall into a guilty pleasure category. If you’ve never seen “xXx,” I will say that it’s not really a good movie, but Vin Diesel is believable as Xander Cage, he has charisma, Samuel L. Jackson’s pretty good, and you’ve even got some neat one liners. I love the line, “Don’t be a dick, Dick.” This movie has no humor, it’s too serious and almost feels like there is no passion put into it. Also, let’s be honest, with a title like “The Hurricane Heist” and considering what goes down in terms of story, doesn’t this sound like a pitch movie?

It’s a heist film, with a hurricane! It’s a disaster film, with a heist! We’ll put in tons of CGI just to have something the audiences can look at! IT’S GONNA BE GREAT!

Let’s talk about Toby Kebbell in this movie. When it comes to Toby Kebbell, he plays a guy named Will, and what I have to say about his character is what can pretty much be said for everyone else’s characters. All of them suck, they have no personalities, not even their quirky southern accents could have saved this movie. Toby Kebbell just lacks wanted depth and charisma, sure we get a look at his backstory at the beginning of the film, but you just don’t end up caring about him, just like any other person in frame. His sibling rivalry with Breeze which we were introduced to during the film’s beginning is brought up one other time. Let me just back that statement up for a sec though, Will has a brother named BREEZE. What the hell?! Who names their kid Breeze?! I mean, I imagine there are some Breezes out there, but I’m sorry for everyone who has to live with such an unfortunate reality of a name you literally have to breeze through! It would probably be more believable if someone ends up naming their kid Jolly Green Giant. What kind of f*cked up situation would lead to that, I don’t know, but at least the name would sound AWESOME compared to Breeze. Also, I feel bad for Toby Kebbell, he played Dr. Doom in “Fant4stic,” he was in “Warcraft,” and now this! Not a good track record if you ask me!

As you can see in the image above, Maggie Grace’s character is there, but I’m not gonna talk about her! This movie doesn’t deserve such a thing! Now let’s kill the rest of it with thunder and lightning.

Although there’s one character I want to breeze over, and no, it’s not who you think it is. I want to talk about the character of Dixon, played by Ben Cross. I’d say that just about everyone in this movie is miscast, but Ben Cross sticks out like a sore thumb. If you watch this movie and observe Dixon, he almost comes across like a douchebag character The Rock would play when he still had hair and Director Krennic from “Rogue One: A Star Wars Story!” I don’t know how to describe it without cringing! It was like I was watching a cartoon!

I know I said this movie was boring, and sometimes saying that is an understatement. But I also gotta talk about how much of a disaster this is too. I know it’s a disaster film, but you probably get my point. And while we’re on that topic, another film I saw earlier this week was “The Last Sharknado: It’s About Time.” This movie not only had the absolute boredom I encountered while watching “Transcendence,” you guys remember that film where Johnny Depp played a computer? But I’ll also add this has the s*itty effects and stupidity of “The Last Sharknado.” And I will give this movie something, when it comes to stupidity, this movie is better at being stupid and fun than compared to “The Last Sharknado.” There’s this one sequence where it’s all very threatening, someone could get hurt, they could get shot, they could die, then suddenly we see breaking glass quickly rising into the atmosphere! I lost it at that scene, I was DYING laughing!

And this does bring something up, I’m not old enough to drink yet, and I probably never will drink. But let’s just say I’m at a party with my friends and there’s alcohol, I decide to put on “The Hurricane Heist” just for s*its and giggles. All of the moments where I’d endlessly be bored, I’d probably just end up appreciating everything and laughing my ass off. It’s almost like I’d be watching “The Room” at that point!

And this boredom factor that’s applied to the movie, it’s just sad that it’s there. Because I imagine that I could probably get through this movie with s*itty characters, maybe there’s some cool hurricane action. No, all of it was boring. Part of me felt dumber after watching this, I just don’t know if I could end up recommending this movie to anyone unless they have the right amount of alcohol.

In the end, “The Hurricane Heist” was as tough to get through as a natural disaster. I don’t even know how I survived this movie. There are a lot of movies I see that I want know how they did something in that movie. For example, I just saw “Mission: Impossible: Fallout,” I wanted to know how they did the helicopter sequence. Similarly, I wanted to know something about “The Hurricane Heist” as well. I wanted to know how it got made. I mean, how did this come to fruition? Which cigar-smoking studio executive thought this would work? This wasn’t even fun, it was just a drag. It had the pacing of C-SPAN and it lacked the guilty pleasure-like fun of “xXx,” a movie that this film’s director actually worked on! Also, the ending is one of the most abrupt I’ve seen in recent history. I don’t think I’ve seen an ending that abrupt since either “The Circle” or “Transformers: Dark of the Moon.” Luckily this post doesn’t end here, because I still need to give a verdict. I’m going to give “The Hurricane Heist” a 1/10. I will say though, despite my 1, this movie could be worse. It might be fun if you’re drunk with friends, but I was sober, so my brain just felt like it was taking a nap while I was trying to get the rest of my body to stay awake for over an hour and a half. Thanks for reading this review! Pretty soon I’m going to be doing a review for “Love, Simon” which I just bought on Blu-ray so look forward to that very soon. Be sure to follow me here on Scene Before either with your email or your WordPress account and be sure to stay tuned for more great content! I want to know, did you see “The Hurricane Heist?” What did you think about it? Or, what is a movie that looked like a guilty pleasure at first glance but turned out to be a piece of crap? Let me know down below! Scene Before is your click to the flicks!

Mission: Impossible: Fallout (2018): Tom Cruise Is A Madman!

Posted on by Jack Drees

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Your mission, should you choose to accept it, can simply be referred to as “out with the old, in with the new.” After reviewing five “Mission: Impossible” movies starring Tom Cruise, it is time to focus on a new chapter while it is still in theaters. With the same amount of Jackassery as ever, you will find some things that if you read the other Scene Before “Mission: Impossible” reviews, or even the Scene Before reviews that aren’t related to “Mission: Impossible,” they’d be like a trip down memory lane. Whether you choose to read this sitting down, standing up, or if you’re Tom Cruise, running around the world, be sure to observe every detail of the review very carefully. As always, should you or any of your Force be caught or killed, the Movie Reviewing Moron will disavow any of your actions. This message will self-destruct in five seconds.

“Mission: Impossible: Fallout” is directed by Christopher McQuarrie, the director of the previous “Mission: Impossible” film, “Rogue Nation,” and stars Tom Cruise (American Made, Risky Business), Henry Cavill (Man of Steel, The Man From U.N.C.L.E.), Ving Rhames (Pulp Fiction, Bringing Out the Dead), Simon Pegg (Star Trek, Shaun of the Dead), Rebecca Ferguson (Life, The Girl on the Train), Sean Harris (The Borgias, Harry Brown), Angela Bassett (Olympus Has Fallen, American Horror Story), Michelle Monaghan (Eagle Eye, Patriots Day), and Alec Baldwin (The Boss Baby, The Departed). This film is the sixth installment in the “Mission: Impossible” movie franchise that has been going on since 1996. While the plot of this film may have a familiar feel to it when compared to other installments in the franchise, there is no denying that it totally works. Now that the IMF is stable again, the same can’t be said for the world. The villain from “Rogue Nation,” Solomon Lane, has some remaining members of his terrorist organization, The Syndicate. These remaining members have now formed a new group by the name of The Apostles. Now it is up to Ethan Hunt and his allies to stop havoc from happening after The Apostles gain possession of plutonium. And no, they are not using it to power a DeLorean in order to travel through time, the reason is much more deadly.

Let me just start off this review as a flashback to those who read my stuff regularly and a newsflash to all of the newcomers or some of you viewers who don’t check out my content as much as some other people. Before the release of “Mission: Impossible: Fallout,” I made an effort to get through each one of the Tom Cruise “Mission: Impossible” installments. This would also help me in creating my review series for all of these movies before “Fallout” was even able to be witnessed by the public. One thing I noticed is that the franchise always seems to step up their game (personally) from one installment to the next. I thought the first movie was great, the second one, stupid, the third one, alright, the fourth one, pretty good, the fifth one, f*cking fantastic. I started to wonder, how would the sixth one be? I had tremendous faith based on how much I appreciated the trailers, the positive buzz, Christopher McQuarrie being in the director’s chair again, all that sort of jazz. I was beginning to wonder to myself, given how much I enjoyed “Mission: Impossible: Rogue Nation,” the fifth movie in the franchise, which just so happened to be my absolute favorite, how could this be topped? Is there any possible chance that they could top the awesome opening sequence with the A400 plane? Is there any possible chance they could top all of the crazy s*it that happened in the opera house? Is there any possible chance that they could top the scene where Tom has to deal with a security system underwater? Is there any possible chance that “Mission: Impossible: Fallout” could top “Mission: Impossible: Rogue Nation?”

Well, it did.

Actually, ya know what? I take that previous statement back. “Mission: Impossible: Fallout” DID NOT top “Mission: Impossible: Rogue Nation,” it DESTROYED it. I’ve seen a lot of movies over the past few years, many of which I’ve actually reviewed here on Scene Before, and I still find it amazing that after all of the movies I’ve seen, my jaw still drops to this day at new content. This movie literally has everything an action movie should have. Some may say the story is cliche or familiar. And while I’m not gonna say that’s an unfair or invalid criticism, I’d personally say that this familiar story was very well done. In fact, I’d say the “Mission: Impossible” movies are doing what the “Transformers” movies should be doing, because both movies seem to have plots or elements of the story that repeat from movie to movie, but the thing about “Mission: Impossible” is that it is either a little less obvious, or I care more about the characters, or perhaps both. This movie has scenes that feel raw. There is reliance on actual stunts as opposed to a green screen. You have your adrenaline rushes, you have exposition that isn’t really that boring, great characters, not too many jump cuts or quick cuts, and moments you just don’t want to end.

There have been many great action movies throughout the 2010s. Some of these include “John Wick,” “Atomic Blonde,” “Skyfall,” “Kingsman: The Secret Service,” “Deadpool,” “Baby Driver.” Comparing “Fallout” to all of the other movies I listed, this movie beats every single one of them. A couple movies on this list, they have an action sequence that I deeply remember. In “John Wick” you have the nightclub scene where Wick basically kills everyone to some kick-ass music. You also have “Atomic Blonde” where there is this beautifully shot one-take sequence where the main character of Lorraine is basically taking everyone down on a stairwell. It was magic. A good action movie can contain a memorable sequence. But an amazing action movie can contain a bunch of sequences worth talking about. In “Mission: Impossible: Fallout,” you get an awesome bathroom fight where Tom Cruise smashes a guy into a mirror. You get a killer chase in the streets where there’s cars, motorcycles, and it’s just epic. You get a great duel on a mountain near a cliff. You get what might possibly be the best chase scene of the decade, the one where there’s a duel between two helicopters. That scene is LIFE.

Seriously, that helicopter scene alone is worth the price of admission! You thought Tom Cruise hanging on the side of a plane in “Rogue Nation” was thrilling? The thrill levels only rise from there! Tom Cruise learned how to fly a helicopter for this movie! I’m not even going to get too much into the helicopter scene, because I want to savor the flavor for those who have not been exposed to the true work of art I like to call “Mission: Impossible: Fallout.” Although I will say once the scene started, not to mention progressed, I was on the edge of my seat with my jaw dropping. Once the scene ended, I wanted more! It was THAT GOOD. Another advantage I had with the helicopter scene is that it was one of the sequences which gave me a bigger image in IMAX theaters. I went to a local AMC which had an IMAX screen, which in reality, is not the IMAX that I would usually go for, but it’s still a very fun experience. Not to mention, since I’m a Stubs member, it was $5 ticket Tuesday so I got a pretty good deal. Once the scene began, the aspect ratio would go from scope format to covering the entire IMAX screen through a scrolling process. It was just epic! Now, without getting into spoiler territory, one thing that I didn’t complain about but I imagine some people seeing this in IMAX would probably complain about is that there is a scene that actually cuts in between moments of the helicopter chase, and the scene is in the scope aspect ratio, so there’s brief moments where you go from the bigger IMAX exclusive aspect ratio to the scope aspect ratio and back to IMAX once again. If this were “Transformers: The Last Knight,” I’d be complaining a whole lot, because all of the aspect ratio changes in that son of a bitch, just happens to be worse than finding lots of hair on a guestroom bed.

Guys, I think it’s especially clear at this point that Tom Cruise might just be one of the greatest action stars of all time! The guy is in his mid-fifties, he still looks and acts like he’s a lot younger than that, and he just commits to his craft. While I can definitely praise Cruise for his portrayal as Ethan Hunt, making it believable, charming, and an overall delight, most of my praise for Cruise has to do with his stunts. One of the reasons why I consider the “Mission: Impossible” franchise to be some of the better action movies is that this is not done on green screen sets. I actually remember hearing that Tom Cruise broke his ankle, which by the way, there’s a moment where the ankle break is caught in the movie. Not only that, but Cruise, as mentioned, learned how to fly a helicopter. He even trained awhile to do a HALO (high altitude low open) jump. This makes Cruise the first ever person to do a HALO jump on camera. There have been HALO jumps in movies before, there was one earlier this decade in “Godzilla,” but this is basically the first REAL HALO jump. It doesn’t rely as much on stock footage, CGI, green screen, none of those cheap tricks. The tricks here are f*cking expensive! These tricks are expensive enough to make this film have a $178 million budget!

Each movie in the “Mission: Impossible” franchise always seems to have at least one notable newcomer in the mix when it comes to the cast. This time, the most notable newcomer is Henry Cavill. He plays a character named August Walker. I liked a lot of things about this character. Seeing him in action was pretty cool, the chemistry he has with Ethan, not to mention Erica Sloan was definitely charming, and I also kind of dig his mustache.

Wait a minute… Should I say that? Henry Cavill had the same mustache in “Justice League” and I didn’t like that. I don’t want to look like a hypocrite!

Another personal standout character for me is also a standout from the last “Mission: Impossible” as well and that is the character of Benji played by Simon Pegg. To me, Benji just seems like a guy who would make a lovely assistant in life. If you need something done, just get Benji to help and you’re good! If you need moral support, Benji will be your cheerleader! If you need a question answered, Benji will do his best to get the best possible answer to you as soon as he can. There’s something about Benji that just makes me want to hang out with him, maybe grab some lunch. I dunno, Benji just seems like a pretty cool dude even though he may sound like a geek. Then again, I’m a geek so yeah…

One returning character is Alan Hunley, played by Alec Baldwin. At the end of “Rogue Nation” it is revealed that Hunley becomes the secretary of IMF. Here, you actually get to see Hunley in said position. Having seen this movie, I think Baldwin is definitely a good pick for this character. That previous thought probably sounds like something I would say in a review for “Rogue Nation,” but in all seriousness, given his transition from “Rogue Nation” to “Fallout,” Hunley is probably in a very believable position and Alec Baldwin continues to play his character very well. My one disappointment however, and this has nothing really much to do with the movie itself, it doesn’t affect my final verdict at all, but it is a thing that I want to bring up. There is a scene in the movie where CNN, the cable news channel, has a heavy presence. Alec Baldwin happens to play Donald Trump on “Saturday Night Live.” There’s not even one point in the script that just MAYBE could have utilized a fake news joke? I do think that there are times in my life where I’d go ahead and say that I’ve had it with politics and hearing about it, but I’d probably admire the use of that sort of joke if it were to have been uttered in the movie.

And of course, we have one of my favorite cast members/characters of the film, Ving Rhames returns once again as Luther. Rhames just knows how to be charming and maintain a presence that doesn’t feel over the top. One of my favorite scenes with his character actually occurs in the start of the movie, when the plot is just beginning to unfold. Without getting into specific details, there’s this one moment where Tom Cruise is just getting pumped with rage and he basically has to take it out on someone. Rhames is trying to avoid this from happening and attempts to calm Cruise down, it’s really engaging.

In the end, there are so many things I can continuously talk about that’s related to “Mission: Impossible: Fallout” until the day I die. From the action to the twists and turns to the cinematography, there’s so much to love about this movie. But one thing that needs to be addressed is that this is pretty much the opposite of what someone like myself would expect out of a movie franchise. Usually you start off good and your future is full of inferiority. While I wouldn’t call each movie a complete step up from the one before it, most of the movies in the franchise are worthy of that label, and “Fallout,” when compared to “Rogue Nation,” to my surprise, is no exception. The first thing I said once I finished watching the movie was a slow but steady “Holy crap.” There was multiple parts where I whispered to myself “Oh my gosh.” There were several moments where my jaw dropped. Every single frame had my attention and I was totally entertained, not to mention appreciative of the genius filmmaking efforts. Towards the end of the movie, I couldn’t breathe. It was one of the best feelings I had in my life, and when I was breathing, that felt equally fulfilling. When it comes to 2018 movies, I can declare that “Mission: Impossible: Fallout” has something in common with “Ready Player One,” “Avengers: Infinity War,” and “Won’t You Be My Neighbor?.” Why? That’s because I’m gonna give “Mission: Impossible: Fallout” a 10/10! This might just be my best movie of the year so far. I can’t say for sure, because a part of me is still trying to process what exactly I just saw, but I really couldn’t help but love every minute of my kick-ass experience. One last thing I will mention, Tom Cruise has an EPIC running scene in this movie. Look forward to it! Thanks for reading this review! I’d just like to take a moment to remind my viewers that I’m going to be utilizing a Facebook page specifically dedicated to Scene Before. If you want to like it or follow it, click the link below that way you can take yourself to the page and do your thing. Also, if you guys currently have “Mission: Impossible” fever, feel free to check out my reviews for the other “Mission: Impossible” movies. Be sure to check all of that out and stay tuned for more great content! I want to know, did you see “Mission: Impossible: Fallout?” What did you think about it? Or, which “Mission: Impossible” movie is your favorite of the bunch? Another question I’ll ask, what is your favorite action movie of the 2010s? I currently don’t have an answer for that as this is still certainly a contender and I am not sure where it should be ranked. But if it is not my favorite, my number one choice would something like “Inception.” Nevertheless, leave your comments below, check out my Facebook page, and be sure to follow me here on Scene Before to stay up to date on my latest reviews, countdowns, thoughts, and more! Scene Before is your click to the flicks!

SCENE BEFORE FACEBOOK PAGE: https://www.facebook.com/REALSceneBefore/

MISSION: IMPOSSIBLE REVIEW: https://scenebefore.wordpress.com/2018/03/30/mission-impossible-1996-this-movie-review-will-self-destruct-in-five-seconds/

MISSION: IMPOSSIBLE II REVIEW: https://scenebefore.wordpress.com/2018/04/29/mission-impossible-ii-2000-impossible-to-enjoy/

MISSION: IMPOSSIBLE III REVIEW https://scenebefore.wordpress.com/2018/05/24/mission-impossible-iii-2006-the-young-and-the-fearless-spoilers/

MISSION: IMPOSSIBLE: GHOST PROTOCOL REVIEW https://scenebefore.wordpress.com/2018/06/18/mission-impossible-ghost-protocol-2011-your-movie-review-should-you-choose-to-accept-it/

MISSION: IMPOSSIBLE: ROGUE NATION REVIEW https://scenebefore.wordpress.com/2018/07/25/mission-impossible-rogue-nation-2015-a-revisit-to-my-first-mission-impossible-movie/

Mission: Impossible: Rogue Nation (2015): A Revisit To My First Mission: Impossible Movie

Posted on by Jack Drees

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Your mission, should you choose to accept it, has been leading up to this point. The movie reviewing community’s biggest Jackass is about to review the last available “Mission: Impossible” movie before the release of the franchise’s upcoming film, “Mission: Impossible: Fallout.” Your mission is to read through the review. You will eventually discover that this movie is directed by Christopher McQuarrie, who also directed another film starring this film’s lead actor, Tom Cruise, “Jack Reacher.” McQuarrie, believe it or not, will also be directing “Mission: Impossible: Fallout,” making him the first director to do two “Mission: Impossible” movies. As always, should you or any of your Force be caught or killed, the Movie Reviewing Moron will disavow any of your actions. This message will self-destruct in five seconds.

“Mission: Impossible: Rogue Nation” is directed by Christopher McQuarrie (Jack Reacher, Way of the Gun) and stars Tom Cruise (Edge of Tomorrow, Oblivion), Jeremy Renner (The Avengers, The Bourne Legacy), Simon Pegg (Star Trek, Shaun of the Dead), Rebecca Ferguson (The White Queen, Hercules), Ving Rhames (Pulp Fiction, Lilo & Stitch), Sean Harris (The Borgias, Prometheus), and Alec Baldwin (The Departed, 30 Rock). This film is about IMF agent Ethan Hunt as he’s back for another round of action, as he cooperates alongside his team to take down an organization known as the Syndicate, an international rogue organization.

Back before this movie came out, I remember seeing the trailer for this film. I knew what “Mission: Impossible” was, but at the time I technically haven’t been exposed to any of its material. Having seen the trailer and hearing that this film is getting a special countdown in IMAX, I felt it was necessary to go ahead and check out this film in the IMAX format while it was still in theaters, which I did.

For all who happen to be judging me, SHUT UP! That is a PERFECTLY JUSTIFIABLE REASON! I didn’t go to use my phone! I didn’t go to fall asleep! I didn’t go to chit chat with those around me! I went for the experience! Speaking of the experience, I had a really fun time, therefore making me really excited to watch this movie again on Blu-ray, especially considering it has been nearly three years since my first watch. And guys, let me just tell you, out of all the “Mission: Impossible” movies I’ve seen thus far, this is definitely my absolute favorite in the franchise!

Over the past number of days, I’ve been thinking to myself, “Mission: Impossible” is just like “Fast & Furious,” the movies just get better as they go on. The main difference however between “Mission: Impossible” and “Fast & Furious” however is that when it comes to overall quality, it feels like that is something that more associated with the “Mission: Impossible” franchise. Both movies have similar feels that will give adrenaline rushes, but “Mission: Impossible” feels a lot like a movie made for smarter audiences. I’m not saying those who go see “Fast & Furious” are stupid, I enjoy those movies, and one of my personal friends from Texas has a huge fascination towards the franchise. But what I am saying is that when it comes to “Mission: Impossible” and “Fast & Furious,” two franchises that if you look at them, have many similarities, I’d say that “Mission: Impossible” comes off as more than just popcorn entertainment. “Fast & Furious” feels ludicrous, maybe that’s because it’s lighthearted and while perhaps there is stuff at stake, you as an audience member might be more focused on chewing on your popcorn. As I watch “Mission: Impossible” however, I’m absolutely curious to know more about it. Maybe because Tom Cruise has built this reputation of being the biggest daredevil action star of his generation, but when I watch these films, they don’t feel like products meant to feed to the throats of the masses (except “Mission: Impossible II”), these feel like movies. I seriously want to know about these characters because I truly deeply care about them, for example, Ethan Hunt! How could I not care about him at this point?

Ethan Hunt is great once again in this movie, I totally bought Tom Cruise as him, and I think I cared about his character here just about as much as I did in the first one. When it comes to his character, I wouldn’t necessarily say that my appreciation towards Cruise not specifically to just Hunt himself, but I rooted for him. The way his mission is set up in this movie is brilliant, awesome, and kind of sets the stage for what’s to come. Without going into detail, the terrorist organization Hunt is supposed up against, the Syndicate, just became a whole lot more threatening in just a short matter of exposition. However, they’re not the only thing standing in Hunt’s way. Again, without going into detail, Hunt is pursued by the CIA in this movie.

Speaking of Tom Cruise and Ethan Hunt, let’s talk about one of the most disturbing scenes I’ve watched in any movie. This scene might be more disturbing than most horror movies! Remember how in the first “Mission: Impossible” Ethan had to go down into this restricted area on a wire? It might be the most famous scene in all of the “Mission: Impossible” movies. As much as I love this scene, I think I have a much softer spot for another scene in “Rogue Nation.” There’s a scene that is conceptually similar to the famous wire scene in the first movie that appears in this one. But the thing about this scene, is that while Hunt is supposed to go into a restricted area for the sake of completing a mission. And as if this task weren’t already heavy enough, it involves constantly being in an area that’s UNDERWATER. I felt like I was on the edge of my seat during this scene! I am just amazed that five movies in, I STILL manage to feel like this is the original production and I’m watching this franchise for the very first time. Then again, maybe not, because I’ve seen Ethan Hunt grow as a character, therefore I care about him a lot more than I would than if I saw him for the first time (depending on the scenario).

I will say that there are definitely action movies out there that rely on entertaining audiences simply on great action, and maybe leaving story as an afterthought. I wouldn’t say that when it comes to “Mission: Impossible: Rogue Nation.” The story in this movie is pretty solid, I cared about the characters and where this movie happened to be going. But the action scenes in this movie are nothing short of top notch.

You know how I said that the exposition for the Syndicate really set the tone for what’s to come? Well, I was referring to a moment after the opening credits in a record shop. There is one scene that takes place before the opening credits involving a plane, and my gosh, it is one of the best openings to a movie I’ve ever seen. Everything from the cinematography, the music, the writing, it kind of gives you tension as an audience member, I just ate it up! Afterwards, the movie does its opening credits, and while I will give “Mission: Impossible: Ghost Protocol” some credit for being the most creative opening of the “Mission: Impossible” movies, I thought this opening might have been better. It’s a lot like the first movie’s opening, but the music is slightly different. While I did praise the first movie’s opening because it had a TV show feel, I may sound like a hypocrite here, but I really don’t care, this one deserves my praise for its movie feel. With five installments that are technically movies and not TV shows, I personally think that’s a fair sentiment to have.

Speaking of scenes with vehicles, let’s take about that scene where Tom Cruise rides a motorcycle! It’s awesome! It’s quite an amazing ride! Seeing Cruise blaze through the streets in this bad boy is nothing short of a treat, and it’s definitely better than that climax in “Mission: Impossible II.”

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One last scene I’m gonna talk about is the action sequence inside the Vienna State Opera. Before this whole scene begins, there is one line uttered by Ethan to Simon Pegg’s character of Benji that I will probably use so many times for the rest of my life.

“You want drama? Go to the opera.”

And drama there was indeed! This is one of the slower-paced scenes in the movie, but it completely worked. The intensity got higher and higher by the second, it was almost as if I didn’t know what was going to happen even though I watched this movie once, and it just reminds me why I think opera might be an underrated art form. In fact, this scene probably wouldn’t have worked if there was a different form of music. If this were a pop concert or jazz band or something, there would be a lot less intensity. The scene might still work and be effective, but it wouldn’t have that oomph that it got here.

In the end, “Mission: Impossible: Rogue Nation” is DEFINITELY the best the franchise has had to offer in all of its movies. Tom Cruise shines as Ethan Hunt, supporting cast members like Jeremy Renner, Alec Baldwin, Rebecca Ferguson, and Simon Pegg all do a great job as well. The direction and screenplay was probably what I’d want out of a summer blockbuster such as this, and speaking of that, Christopher McQuarrie, a screenwriter and the director behind this film, has his name on the credits of the next film, “Fallout,” which is set to come out not long after this post’s publication, once again in the director’s chair and as a screenwriter. Given the job he has done on this movie, it makes me extremely faithful in this upcoming installment. I’m going to give “Mission: Impossible: Rogue Nation” a 9/10. Thanks for reading this review! Be sure to stay tuned for my review of “Mission: Impossible: Fallout.” This completes my series of older Tom Cruise “Mission: Impossible” movie reviews, most of the movies have been good, one although has been a near-death experience. And I don’t know how long it’ll take me to get my “Fallout” review up and ready to go, but I’m making sure I can do it as soon as possible. As for other series’ of older movies I can review, I wanted to do a Jason Statham series since “The Meg” comes out August 10th, but I wanted to do one movie per week, and I’m not quite sure I actually have the time for that, so that’s cancelled. If I do come up with another series of older movie reviews, I’ll make an announcement in a future post, until then, stay tuned for more great content! I want to know, what are your thoughts on “Mission: Impossible: Rogue Nation?” Or, have you gotten a chance to see “Mission: Impossible: Fallout?” Tell me your thoughts on that! Also, if you want to check out my other “Mission: Impossible” reviews, links to those will be provided below! Check em out, follow me, enjoy your day, all that jazz! Scene Before is your click to the flicks!

MISSION: IMPOSSIBLE REVIEW: https://scenebefore.wordpress.com/2018/03/30/mission-impossible-1996-this-movie-review-will-self-destruct-in-five-seconds/

MISSION: IMPOSSIBLE II REVIEW: https://scenebefore.wordpress.com/2018/04/29/mission-impossible-ii-2000-impossible-to-enjoy/

MISSION: IMPOSSIBLE III REVIEW https://scenebefore.wordpress.com/2018/05/24/mission-impossible-iii-2006-the-young-and-the-fearless-spoilers/

MISSION: IMPOSSIBLE: GHOST PROTOCOL REVIEW https://scenebefore.wordpress.com/2018/06/18/mission-impossible-ghost-protocol-2011-your-movie-review-should-you-choose-to-accept-it/

Mission: Impossible: Ghost Protocol (2011): Your Movie Review, Should You Choose To Accept It

Posted on by Jack Drees

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Your mission, should you choose to accept it, is to read the fourth post brought to you by the ultimate Jackoff of movie reviewers in his Tom Cruise “Mission: Impossible” review series. This fourth review, appropriately, is for the fourth chronological movie in the series, “Mission: Impossible: Ghost Protocol.” If the number four does not give you any sort of satisfaction, click away from this review, and avoid reading the same Jackoff’s review for “Sharknado 4: The Fourth Awakens.” Although if you have a fondness for the numbers 1, 2, and 3, be sure to click the links below to go to the previous installments to this particular review series. You will eventually find that this movie is directed by Brad Bird, and the fact that the Jackoff has worked on this review the same weekend that his latest film, “Incredibles 2,” hits theaters, is purely coincidental. As always, should you or any of your Force be caught or killed, the Movie Reviewing Moron will disavow any of your actions. This message will self-destruct in five seconds.

MISSION: IMPOSSIBLE REVIEW: https://scenebefore.wordpress.com/2018/03/30/mission-impossible-1996-this-movie-review-will-self-destruct-in-five-seconds/

MISSION: IMPOSSIBLE II REVIEW: https://scenebefore.wordpress.com/2018/04/29/mission-impossible-ii-2000-impossible-to-enjoy/

MISSION: IMPOSSIBLE III REVIEW: https://scenebefore.wordpress.com/2018/05/24/mission-impossible-iii-2006-the-young-and-the-fearless-spoilers/

“Mission: Impossible: Ghost Protocol” is directed by Brad Bird (The Incredibles, Iron Giant) and stars Tom Cruise (Risky Business, Top Gun), Jeremy Renner (The Hurt Locker, The Town), Simon Pegg (Shaun of the Dead, Star Trek), and Paula Patton (Deja Vu, Precious). This film is the fourth installment in the “Mission: Impossible” film franchise. After the Kremlin is bombed, Ethan Hunt is in trouble. So much trouble in fact, that he is charged with bombing it! Not long into this mess, IMF is shut down and Hunt along with his new team have to go rogue.

As of now, I’ve only watched “Ghost Protocol” once and that one time was specifically for this review. Going into it, I was somewhat excited. I love Brad Bird, he has done some of the best animations I’ve ever seen. Not to mention, that moment when Tom Cruise is on the skyscraper was something I was highly anticipating. Also, this movie was partially shot with IMAX cameras. Some of my favorite movies have been shot on that sort of camera and part of me wanted to see how the crew behind “Ghost Protocol” would utilize that sort of technology. Disappointingly however, I didn’t get to see that. Some movies like “The Dark Knight” if you have the Blu-ray would differentiate the aspect ratio to allow you see which scenes were shot in IMAX, this movie didn’t have that. It’s a minor inconvenience but it still somewhat disappoints me. On the bright side, the movie was enjoyable. I wouldn’t call it the best “Mission: Impossible” movie however.

Maybe this is all because I was watching this at home and not in a theater, maybe it’s because I started this movie near the 10PM mark, but there were just small moments that I thought could have been slightly improved in terms of pacing. And that complaint is somewhat sad because this is a fast-paced movie and it should really keep your eyes glued towards the screen. There were definitely moments where my eyes were glued towards the screen, there’s no doubt to be given about that. However, at random times, I didn’t exactly check out, nor did I lose interest, but I kind of wanted the movie to move along.

The rest of the movie although is mostly positive as far as my thoughts are concerned. I think it’s well shot, well lit, the music is awesome! Seriously, Michael Giacchino is back and his work here makes me continue to appreciate him. Giacchino also did the score for “Mission: Impossible III,” and the more I think about it, I think this “Mission: Impossible” score might be better. As far as characterization goes here, I feel that was executed better in other movies. Obviously it’s better than the second one, but not as good as the first one. I will say that on the bright side that this movie was slightly less cringeworthy than particular moments of “Mission: Impossible III.” Although on the dark side of things, what was cringeworthy in “Mission: Impossible III” probably made me care a tad more for Ethan Hunt than I did in “Ghost Protocol.” Another downside is that my favorite recurring character in the franchise aside from Ethan Hunt, Luther Stickell, is barely in this movie at all. If you don’t know who I’m talking about, he’s played by Ving Rhames and has been present in the franchise ever since the first movie. Maybe I like him a lot because he does the voiceovers for the Arby’s commercials, which are some of my favorite commercials on television, but seriously, he adds a lot of charisma to the film. He’s in the movie, but if you look at IMDb, it’ll state that Ving Rhames’s role was “uncredited.”

Seriously though, one of the most enormous admirations I have for this movie, much like all the others in the franchise is Tom Cruise’s performance and overall commitment to his role of playing the character Ethan Hunt. “Mission: Impossible: Ghost Protocol” just continues to reveal why I love Tom Cruise. I’m no Scientologist, but with that aside, Cruise is one hell of an actor. He may not have the greatest ability to turn himself into another character, but with this “Mission: Impossible” franchise, Tom Cruise has really gotten to a point with the character of Ethan Hunt where he’s just synonymous with the man behind the mask that makes you appreciate both the character and the actor just a bit more. Not to mention, a number of the stunts you see in the film are real and Cruise is just one actor I continue to associate at this point with what one would call “real stuntwork.”

Speaking of characters, one problem I have here that kind of stands out is that the antagonist of the film is pretty forgettable. It might actually be in the conversation for the worst antagonist as far as “Mission: Impossible” movies go. The antagonist is known as Kurt Hendricks and while the villain wasn’t exactly flimsy or stupid, he was just rather disposable. This is not the villain of the franchise that would invest you more than any other, and if you read my review for another Brad Bird film, specifically “Incredibles 2,” this upcoming comment will sound rather reminiscent. Hendricks is coming after a certain point of the franchise where we got one particular awesome villain. Sure, the one in the first film was fine. The second film? Eh, I don’t want to talk about that crap ever again! The third film however, has a villain that just means BUSINESS. There’s one scene on a plane where Hunt is just trying to talk with him, the antagonist is giving threatening answers, it’s a whole thing. There’s a saying that a movie is as good as its villain, as much as I disagree on that statement, because I ended up giving “Mission: Impossible III” a 6/10 and yet it turned out to have the best villain in the franchise, I would agree in the thought that this movie would ultimately be better had the villain been better.

I feel like there a couple of reasons why I’m not liking this movie as much as I kind of hoped I would have. Starting off with Layman’s terms, and I can’t believe I’m saying this… Brad Bird.

Let me just say that Brad Bird is one of my favorite filmmakers working today, but most of the work I adore from him are in the realm of animation as opposed to live-action. He did my favorite animation, “The Incredibles.” He did a worthy follow-up, “Incredibles 2.” He also did another great Pixar film, “Ratatouille.” Before all of that, he did “Iron Giant.” Not only did he direct all of those films, but he also wrote them. This is Brad Bird’s directorial vision off of somebody else’s script, which is a normal thing in filmmaking nowadays, however, I don’t think that’s Brad Bird’s style. “Mission: Impossible: Ghost Protocol” is one of the first times has done something that’s entirely live-action. The only other movie that I can come up with which he’s done that is 2015’s “Tomorrowland,” which to me, is just about as good as this movie. It’s watchable, but I don’t want to go back to it right away. Although interestingly, unlike this film, Brad Bird actually wrote “Tomorrowland.” My advice to Brad Bird is to focus on where his strengths seem to lie. To be specific, animation. Whether it’s “Incredibles 3” (PLEASE START THAT SCRIPT) or something completely new and original, I imagine Brad Bird would make all of our wings fly into the theater.

In the end, I didn’t hate “Mission: Impossible: Ghost Protocol,” I thought it had some creative ideas behind it, there were definitely stakes, and Brad Bird’s reason to shoot the film in IMAX is spot on. He believes that it would bring back a level of showmanship that theaters are starting to lose given how most movies nowadays are shown in multiplexes, where screens are less grand and everything from the vibe to theater itself is shrunken down. And part of me wishes that I actually went out and saw this in theaters. That would have been tricky though because I was twelve years old at the time this came out and the movie is PG-13. Not only that, but I wouldn’t have watched one other “Mission: Impossible” film prior to this had I gone out and witnessed “Ghost Protocol” in a theater. If I went out and got the theatrical experience that I’m quite sure this movie probably deserved, I would probably have enjoyed it just a little bit more. I feel I like I should watch this movie again at a different time of day where I don’t feel the need to have anything else to worry about, perhaps my opinion will change then. I’m gonna give “Mission: Impossible: Ghost Protocol” a 7/10. Once again, a fairly enjoyable movie with some neat qualities behind it, I wouldn’t mind watching it again. Although as of now if I were to watch it again, it would for two reasons. 1. To see if the movie improves over the first watch. 2. I would probably have no distractions surrounding me, allowing myself to further immerse into the movie. As far as watching this movie again goes, only the future can decide such a thing for me.

Thanks for reading this post! If you currently have Brad Bird fever right now, feel free to go to the link at the end of this post and read my “Incredibles 2” review! I feel like I went over a lot that the movie has to offer without exactly giving away spoilers. So if you feel like checking out that review, hit that link below!

Also, this “Mission: Impossible” review series is almost at its closing point. The next entry will be the last review I do in the “Mission: Impossible” franchise prior to the release of “Mission: Impossible: Fallout.” So for the first time ever on Scene Before, I’d like to say, please stay tuned for my review for “Mission: Impossible: Rogue Nation.” That review will be up sometime in July before the release of “Mission: Impossible: Fallout,” which comes out on the 27th. I’ll give you all a warning though regarding my review for “Fallout” if you follow my blog. I don’t know when exactly I’ll be reviewing it. Because on the day it comes out I have to leave early to catch a train for New York City, which is part of a trip that will take several hours. And I also return home that same day. Once I get home, I’m going up to Maine with my family for a couple nights. Trust me, I WANT to see this movie. I know there are some theaters in the area, I’ve done my research. However, based on what the majority intends to do, I’m not quite sure I’ll be able to reach a theater during my stay. I’m not gonna make any guarantees because I’m not exactly sure how this stay is going to go down, but let me just say that for now unless I’m invited to an early screening of “Mission: Impossible: Fallout,” if you are expecting an early review of this particular movie, don’t get your hopes up. Nevertheless, be sure to stay tuned for those reviews, which I do want to post on here at some point, and other great content! I want to know, did you see “Mission: Impossible: Ghost Protocol?” What did you think about it? Or, do you think I should watch the movie again to see if my thoughts change? Let me know down below! Scene Before is your click to the flicks!

INCREDIBLES 2 REVIEW: https://scenebefore.wordpress.com/2018/06/14/incredibles-2-2018-too-late-fourteen-years-too-late/