The 3rd Annual Jackoff Awards

WARNING: Like 2020, this post is LONG. Like, over 14,000 words long. And that’s just written content! Feel free to take breaks in between, grab a drink once or twice, or do whatever you do to keep yourself sane. Enjoy the show!

Hello, everybody! This is the 3rd Annual Jackoff Awards, where winning is not cancelled! Per usual, this is not in front of a large audience. It is instead online with something that technically qualifies as a group of people gathering together to celebrate film. Not much had to be changed for this ceremony, and in a way, I would say that when it comes to the recent pandemic, I was somewhat ahead of my time. You never had to see my face. You didn’t have to actively boo at anything I did, while I stood around taking it all in. And as for the recipients and nominees, the people who worked on 2020’s films, they don’t have to leave their multi-million-dollar mansions in Los Angeles to sit in a chair for hours. They can sit in their own chair if they want to! The Jackoff Awards are the way of the future, and I will guarantee it is the perfect “new normal” material, as I’ve already had years to practice perfecting it. 

Now, here are some rules for today’s ceremony. As usual, I will be presenting nominees in various categories. For instance, these include Best Animated Feature, Best Original Screenplay, Best Cinematography, and Best Director. All of these are appetizers as we go up the ladder, rung by rung, til we reach the top, where we reveal 2020’s Best Picture! Traditional rules apply, I must have seen the movie for it to officially be nominated, so if I missed one movie during this ceremony, there’s a good chance that I did not see it, I did not like it, or maybe I just forgot about it. I mean, it has been eleventy thousand years since the SECOND Jackoffs we’ve done here on Scene Before! So, you know, anything’s possible! Also, for Best Picture, this is once again going be done through the People’s Choice protocol, where I present ten films that I think are worthy of the nomination, of course I’ll have my personal #1 pick, but given how I do my Top 10 BEST films of the year countdowns and those sorts of things, it would be unfair for me to decide what gets Best Picture, and it will end up making things a bit predictable. If you voted for one of the ten films I selected for Best Picture, it counts! 

Also, here’s a new rule that I have never thought I would have to implement, but we are implementing it for the first time ever. While it is tradition for the Jackoffs to mainly recognize films that are specifically brought to the big screen, whether it be 2D, 3D, IMAX, Dolby, drive-in, you name it, for this ceremony, I am going to accept nominations for films that have not hit theaters. Due to the fact that many cinema venues have closed in March 2020 and caused an alteration in terms of how people consume content, I am going to accept movies that have taken route toward direct to home platforms. Now keep in mind, just because of this, does not mean that I am going all in. Because again, if you want to be nominated for a Jackoff, you have to meet particular criteria. You must have had previous intentions of some kind to bring your movie to the big screen, either through a traditional 90-day theatrical release, a limited release, even just for one day! And unlike a ceremony such as the Oscars, you don’t just have to play your movie in Los Angeles, you can play it somewhere else. For example, if your movie was going to play at South by Southwest this year, which was canceled, and was eventually going to be seen in theaters, and never got that chance, you qualify for the 3rd Annual Jackoff Awards. But if your movie is produced for a direct-to-TV format without any intention to put it in the theater, such as a “Netflix-only” movie like “Extraction,” that will not qualify because it was never going to be put in the theater in the first place. Same can be said for a movie like “Bad Education,” which went directly to HBO this year. In this time of social distancing, we intend to bring some movies closer together. 

All good everybody? I think we’re ready to start! 

If you’ve seen awards ceremonies before, you may know that they often start with a monologue, and the Jackoffs, as proven in recent years, is no exception. Why do awards shows start with a monologue? Because bursting into laughter is the best medicine, and Hollywood needs something to burst that bubble they seem to be living in. So, this ought to do the trick! It is time for the third edition of “Jack Drees Tells Jokes to Others in Order to Please Himself.” 

I am going to be stating facts about this year in film, and since there is no audience, there shall be no laughs. But if you are experiencing this ceremony right now, pretend you are in an auditorium, nobody else is there except you and me. You can be my cheerleader, you can be a heckler, you can be a critic, you can be a fanatic, you can even be an asshole! The point is, pretend I’m telling these jokes to you with the absolute intention of going at a particular pace to make you laugh. And when it comes to 2020 in film, let’s all be honest here. Even if you made a movie in 2020 that you were proud of, this year may have hurt you in some way. I will admit, there were some good films, but overall, and I’m sure a lot of my viewers can agree, this year could have been better, both in terms of quantity and quality. Nevertheless, there were some good times to be had in 2020. Unless you were stabbed by Wonder Woman, slammed by Russell Crowe’s truck, hit by Harley Quinn’s baseball bat, ran over by Sonic the Hedgehog, or killed in reverse. 

Wait a minute, doesn’t that mean you come back to life? I don’t care! I stand by that joke! 

Let’s start off with the obvious. 2020 SUCKED! Not just for me, but for anyone else you can imagine. 2020 is so bad that ABC is reportedly considering changing the name of the show “20/20” to “Who Gives a Crap!” 

I mean in the United States you have yet another controversial election season, it’s the first year in forever without a “Star Wars” or MCU movie, every other day someone you love dies. Maybe they’re a part of your family, or a beloved celebrity you invited to be in your family. Seriously! Regis Philbin, Sean Connery, Max von Sydow, Wilford Brimley! Chadwick Boseman! Kobe Bryant of all people! Alex Trebek! 2020 even somehow managed to ruin “Jeopardy!” of all things! I would watch that show with my mother every night! I don’t even have an oddball remark to give, this is just sad! 

Of course… We cannot go on without discussing the elephant in the room. COVID-19. You utter jerkface on a platter. COVID-19 turned the whole world upside down. Infections spreading everywhere. Businesses shutting down. A wonder if anything will ever return to normal. Yeah, it’s been crazy. Sony announced the title of their upcoming “Spider-Man” movie, “Spider-Man: Home Really Sucks.”

By the way, really looking forward to “Spider-Man: No Way Home.” It’s gonna kick butt!

Many films that were supposed to come out this year ended up getting delayed due to the pandemic. Some include “F9,” the latest “Fast & Furious” film, “Top Gun: Maverick,” “Godzilla vs. Kong,” and “Ghostbusters: Afterlife.” I wonder how the Ghostbusters have been navigating through the pandemic. Oh, I know! There is no Microsoft Teams, only Zoom! 

Based on the hit truTV series of the same name, “Impractical Jokers: The Movie” became a hit early on in the year, because despite starting out with a limited release against “Call of the Wild,” the film had the highest per theater average on its opening weekend. The film went on to gross $10.7 million on a $3 million budget. Originally while budgeting the movie, they planned to give $1 million to three of the Jokers and the other one got punished and couldn’t be in the movie. 

When COVID-19 started coming to the U.S., a lot of movie theaters shut down, but one of the big exceptions happened to be drive-in venues. This ultimately formed the biggest antagonist of the summer… Rainstorms. 

“Sonic the Hedgehog” has officially become one of the biggest video game movies ever, receiving positive reviews and a decent box office total for the first half of 2020. Remember kids, looks don’t matter. But if you see hedgehogs without big eyes, share it over the Internet so everyone knows your opinion. It can pay off in the long run! 

“Sonic the Hedgehog” was not only big fun at the movie theater, but big fun for everybody who loves product placement. That is, if there is… anyone who loves product placement.

Still, the movie was big fun for everybody who loves product placement. as that movie has references to Olive Garden, Amazon, and Zillow. Yeah. A lot of product placement. Feels like a Michael Bay movie. Also, since nobody else cares to do so, I’d like to thank the official sponsors of 2020. Charmin’, Purell, GrubHub, Zoom, Netflix, Bath and Body Works, and Walmart. Thank you for your service. 

You sneaky morons. 

“Tenet” became one of the biggest films of 2020. In fact, tonight it has a shattering 9 nominations including Best Visual Effects, Best Sound Editing, Best Original Score, Best Production Design, Best Film Editing, Best Cinematography, Best Original Song, Best Director, and Best Picture. Once sought to be the savior of this year in cinema with a July 17th release date, it got pushed back a couple times until it finally arrived on varying dates depending on territories. Christopher Nolan wanted movie watchers to see the film on the biggest screen they can. Critics agree, “Tenet” is the greatest way to lose your hearing!

Hey, speaking of Christopher Nolan! The mega-hit movie “Inception,” starring Leonardo DiCaprio, just turned 10 years old this year! “Inception” was recognized for its tenth anniversary by being brought back to theaters and IMAX. Critics are calling it, “Rick Dalton’s greatest performance in years.”

Here’s a joke. “Cats.”

Okay, that’s not the joke… In all seriousness, as 2020 struck, the 2019 movie “Cats” did not lose its relevance. Andrew Lloyd Webber, the composer for the “Cats” Broadway musical, was part of the crowd who continued to talk about it. And he didn’t have positive things to say. Webber called the movie “ridiculous” and he was not afraid to put some blame towards the film’s director, Tom Hooper. Until we have an Oscar category called “Best Picture featuring Cat-Like Human Licking a Plate,” I can’t say Andrew Lloyd Webber is objectively wrong.

“The New Mutants” FINALLY came out this year on August 28th in theaters. For those who don’t know, “The New Mutants” was supposed to come out seven thousand years ago… Only to get delayed FOUR TIMES over two and a half years! While Fox and Disney were trying to put this thing on the big screen, Sony kept running around in circles shouting, “We’ve made nineteen more Spider-Man movies!” 

Even though streaming is rising, physical media has had a year to celebrate. Some big classics were finally released on 4K Blu-ray. Some include the entire “Star Wars” saga, the “Back to the Future” trilogy, and “Jaws.” Some said the “Jaws” 4K Blu-ray is so crystal clear that the shark looks four times as fake as before. 

San Diego Comic-Con, which is usually a big hub for nerd culture and the latest news on big blockbuster movies, cancelled their in-person convention this year and did first ever “Comic Con @ Home” event. Comic-Con finally solved a problem for one core demographic. Going outside. 

One big film pushback that really hit me where it hurts was for “Dune,” directed by Denis Villeneuve. The movie was supposed to come out December but got delayed to October 2021. Cinephiles like myself, felt very disappointed by this news. Although there happens to be someone who’s happy by the news, proud sand-hater, Anakin Skywalker. 

Sand gets everywhere, man! 

Ryan Reynolds had a tremendous year. They just debuted his new game show, “Don’t,” on ABC this past summer, he’s also in “The Croods: A New Age,” he was a clue presenter on the “Jeopardy: Greatest of All Time Tournament,” and get this! ACTING is technically his SIDE GIG! Ryan Reynolds, arguably one of the biggest movie stars working today, freakin’ Deadpool! Acting is not his highest paying job! Because Ryan Reynolds sold his stake in Aviation Gin (although he is going to maintain an “ongoing ownership interest”) to Diageo for somewhere up to $610 million! Ryan Reynolds has recently helped develop Aviation’s company motto, “Aviation Gin: The perfect drink to make you forget about ‘Green Lantern!’” 

Pixar’s Soul became the first feature film from the critically acclaimed animation studio to debut on Disney+, the streaming service for everything Disney and nostalgia. And with evolving technology, the rumored “Toy Story 5” will debut exclusively on a jumping lamp you can purchase at Disney stores $1000 apiece! 

It’s funny that “Soul” is debuting digitally. Not the most surprising news with everything going on, but if you remember, “Toy Story 2” was supposed to be a straight to home video release, but they put the film in theaters at the last minute. Remember how in that movie, Al has to go to work on a Saturday? He’s gets in his car, complains, but drives across the street and parks. Watching that today is kind of unsettling. If that movie took place in modern times, some would call Al a Karen, others would be jealous that they can’t get out of the house, and others may get a close look at Al and ask, “Why is he wearing pants?” 

The answer, he can’t believe that he has to go all the way to work on a Saturday! All the way to work!

Speaking of history, the Academy Awards made history this year by announcing its first Best Picture winner for an international feature. Bong Joon Ho’s “Parasite,” which was nominated for 7 Jackoffs last year, took home the gold, and Ho himself tied Walt Disney as the record-holder for most Oscars taken home in one ceremony. To me, 2020 is likely divided into two time frames. The first few months will be “The Celebration of ‘Parasite,’” but the rest of it will be “The Devastation of a Parasite.” 

A lot of big bombshells dropped this year. Surprisingly none about Charlize Theron… But one of the big stories toward the end of the year was “Wonder Woman 1984” debuting simultaneously on HBO Max and in theaters. It was eventually announced, much to the delight of shareholders, but to the dismay of movie theaters, that Warner Brothers was going to implement this method during the entirety of their 2021 release schedule. Now you can watch “Matrix 4” the way it was intended. In a glitchy digital machine that occasionally does a few cool tricks. It’s called a smart TV. …Or a phone. 

“Over the Moon” was nominated for multiple Best Original Song awards, not to mention the honors of Best Animated Feature and Best Picture. “Over the Moon,” a Netflix animated musical from industry legend Glen Keane, follows a young girl named Fei Fei as she designs a rocket as part of her quest to find an ancient moon goddess. I personally find rockets amusing. They’re big, loud, and if they’re named Johnny they can make an excellent burger! 

“Promising Young Woman” was nominated for Best Picture. “Promising Young Woman” is about a girl who seeks vengeance as she reflects on an event from her past. The film’s main character, Cassandra Thomas, is 26 and lives with her parents. Thanks, COVID! 

Also nominated for Best Picture, “The Last Shift,” starring Richard Jenkins and Shane Paul McGhie as an unlikely pair who form a bond in a fast-food joint. Here’s what critics have to say about “The Last Shift.” New York Post says “The Last Shift” appreciates life’s banalities and the struggles of ordinary people. AARP Movies for Grownups calls “The Last Shift” a thoroughly entertaining take on race, class, age, retirement, and morality. Meanwhile, the fast-food chain Wendy’s says “Nobody ate a Baconater, one star!” 

“Emma.” was nominated for this ceremony, receiving the honors of Best Makeup & Hairstyling, Best Production Design, Best Costume Design, and Best Adapted Screenplay. According to director Autumn de Wilde, the film’s title has a period at the end of it, in order to symbolize that the movie is a period film. Originally, when I came up for the concept of the Jackoffs, I wanted the title to have an exclamation point at the end of it because I get to yell in your face all the time! 

AND THIS STUPID AWARD GOES TO!… SHARKNADO 69: IT NEVER EVER EVER EVER ENDS!

Ladies and gentlemen, let me just take a moment to remind you that this is my 3rd year doing the Jackoffs here on Scene Before. And we are just beginning what is hopefully the most epic year for Scene Before yet. After all, this month, we have just reached five full years of the Scene Before name, and I am going big. We are going to gloss over a ton of movies, I’ll have some countdowns sprinkled here and there, I’ll discuss news when possible. All the basics will still be here, and to be quite frank, I don’t have a complete layout of how this year is going to go. I have concepts, which I’ll dive deeper into later on in the show, but still. After 2020, all I can say is that I have to expect the unexpected. For all I know, Elon Musk will release a robot army to destroy us all. But I have plans to debut a review series that I have been waiting to do for the longest time. The movies that I will be focusing on have been a part of my life since my childhood, and childhoods of many others. Generation after generation have celebrated these movies whenever possible, some would say that many hardcore fans not only enjoy these movies, they live them. Ladies and gentlemen, it is my great pleasure to introduce the trailer to my all new review series, “7 DAYS OF STAR WARS!”

That’s right! “7 Days of Star Wars!” This is a full week of “Star Wars” content. That means from May 2nd to May 8th, that is an all new Flicknerd.com exclusive review for an installment to the “Star Wars” franchise! Here’s how the schedule will go! “The Phantom Menace” on May 2nd! “Attack of the Clones” on May 3rd! “Revenge of the Sith” on May 4th! “A New Hope” on May 5th! “The Empire Strikes Back” on May 6th! “Return of the Jedi” on May 7th! And “The Force Awakens” on May 8th! All the main saga “Star Wars” movies that you may be wondering why I haven’t tackled yet will FINALLY be tackled! The month of May will rock your world! As a long follower of the “Star Wars” franchise, I assure you it will rock mine! Until then, MAY THE FLIPPIN’ FORCE BE WITH YOU! Emphasis, on the freaking MAY! 

YEAH! But of course, we have a ceremony to get through. The year of March cannot be ignored. And a little sidenote before we move on, special thanks to Arvid Olson, he created the music used in the trailer, so shoutout to him. Well done, sir.

Before we dive into the awards, I do want to remind people, in case they are tuning into Flicknerd.com for the first time ever, or if they simply don’t know who I happen to be, I am a critic. Or at least that’s what I often call myself. But as a critic, one thing I’ve often forgotten is that it takes serious skill and effort from an ambitious crew to making a movie. That’s often the case, even for movies I don’t end up particularly liking. Per usual, as a way of honoring this entire year in film, let’s do a rundown of all the new movies I ended up seeing in 2020.

  1. The Murder of Nicole Brown Simpson
  2. Dolittle
  3. The Gentlemen
  4. My Spy
  5. Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn
  6. Sonic the Hedgehog
  7. Impractical Jokers: The Movie
  8. Emma.
  9. Onward
  10. The Way Back
  11. Bloodshot
  12. Scoob!
  13. Irresistible
  14. The Vast of Night
  15. Hope Gap
  16. Once Were Brothers: Robbie Robertson and the Band
  17. Radioactive
  18. Vivarium
  19. Gretel & Hansel
  20. Capone
  21. The Burnt Orange Heresy
  22. Made in Italy
  23. An American Pickle
  24. Summerland
  25. Words on Bathroom Walls
  26. The New Mutants
  27. Unhinged
  28. Tenet
  29. The Rhythm Section
  30. All in: The Fight for Democracy
  31. The Personal History of David Copperfield
  32. Becky
  33. You Should Have Left
  34. The Last Shift
  35. Time
  36. The War with Grandpa
  37. Yellow Rose
  38. Honest Thief
  39. Over the Moon
  40. The Witches
  41. The Hunt
  42. Fantasy Island
  43. Synchronic
  44. Freaky
  45. I Am Greta
  46. Sound of Metal
  47. Bill & Ted Face the Music
  48. The Croods: A New Age
  49. Superintelligence
  50. Mulan
  51. The Last Vermeer
  52. Half Brothers
  53. The Call of the Wild
  54. Mank
  55. The Midnight Sky
  56. Greenland
  57. The Quarry
  58. Monster Hunter
  59. Wolfwalkers
  60. Ava
  61. Soul
  62. Artemis Fowl
  63. Promising Young Woman
  64. Wonder Woman 1984
  65. Happiest Season
  66. Big Time Adolescence
  67. Palm Springs
  68. Fatale
  69. Never Rarely Sometimes Always
  70. I’m Your Woman
  71. Antebellum
  72. Run
  73. News of the World
  74. The King of Staten Island
  75. Death of Me
  76. The High Note
  77. The Jesus Rolls
  78. One Night in Miami
  79. Herself
  80. Nomadland
  81. Minari
  82. Color Out of Space
  83. Boys State

With this out of the way, let the ceremony begin! The brawl for the best picture of 2020 is on! 

We are, appropriately, going to be doing a first with our first category today. All the other categories being represented here today have been a part of the Jackoffs since year 1. Now it is year 3, it is time to expand the roster. There is no confirmation that this category will stick around for next year, but given the way my content lineup went down this year, this category is somewhat warranted. For this award, we will be looking at five documentaries that brought visual information on their respective subject matters. Here are the nominees for Best Documentary.

BEST DOCUMENTARY

  • All In: The Fight For Democracy (Liz Garbuz, Lisa Cortés, Dan Cogan, Stacey Abrams)
  • Boys State (Jesse Moss, Amanda McBaine)
  • I Am Greta (Nathan Grossman, Fredrik Heinig, Cecilia Nessen)
  • Once Were Brothers: Robbie Robertson and the Band (Daniel Roher, Lana Belle Mauro, Andrew Munger, Stephen Paniccia, Sam Sutherland)
  • Time (Garrett Bradley, Lauren Domino, Kellen Quinn)

And the Jackoff goes to…

“Boys State!”

Not only do we have a first time for the Best Documentary category being presented, but we also have a first for Apple. One significant point about “Boys State” is that this is the first time that a film made for Apple TV+ was nominated, tied with “Wolfwalkers,” which is in the next category coming up. “Boys State” takes a story centered around a ton of guys in Texas who come together to form their own government. And all of those boys would likely agree that they see the government as a device for the people. Something where everyone involved hopefully gets what they need. In the same way, this movie listened to me, heard me, and delivered something that I asked for. Congratulations to “Boys State” for being the first documentary to win an award on the Jackoffs!

Moving onto the next genre-based category, let’s take a look at some of the films we have here without specifically naming them. A galactic tale. A magical story. A shapeshifting adventure. A family journey. And, this one’s my favorite… A film… For the SOUL. I sincerely apologize. These five films have made us laugh, made us sing, made us cheer, made us smile, and made us cry. Here are the nominees for Best Animated Feature.

BEST ANIMATED FEATURE

  • The Croods: A New Age (Joel Crawford, Dan Hageman, Kevin Hageman, Paul Fisher, Bob Logan)
  • Onward (Dan Scanlon, Kori Rae)
  • Over the Moon (Glen Keane, John Kahrs, Gennie Rim, Peilin Chou)
  • Soul (Pete Docter, Kemp Powers, Dana Murray)
  • Wolfwalkers (Tomm Moore, Ross Stewart, Paul Young, Nora Twomey, Stéphan Roelants)

And the Jackoff goes to…

“Over the Moon!”

Sticking with more firsts, “Over the Moon” is the first Netflix animation to not only be nominated, but also win a Jackoff! And BOY does it deserve it! With the only 10/10 score I gave this year, two Best Original song nominations, and Best Picture, the only nomination of that kind I gave this year to an animation by the way, “Over the Moon” shines as one of the best animated films I have seen in years. The film follows a young girl named Fei Fei who must prove to her father that the moon goddess, Chang’e, of Chinese mythology, is real. With lessons about the importance of family, exploration, curiosity, and moving on, “Over the Moon” started off by moving me, then wowing me, then making me cry, all the way to the point where a part of me was able to smile again. Directors Glen Keane and John Kahrs alongside an all Asian cast helped bring this extraordinary adventure to life. Congratulations to “Over the Moon!”

If you want the truth, “Over the Moon” qualifies to be one of the more visually stunning films of the year. Both the earth and galactic environments add up for some of the most gorgeous eye candy of 2020. And speaking of eye candy, let’s talk about more of it. These five films have tremendous visual and practical effects of all kinds. Here are the nominees for Best Visual Effects.

BEST VISUAL EFFECTS

  • Color Out of Space
  • Greenland
  • The Midnight Sky
  • Tenet
  • Wonder Woman 1984

And the Jackoff goes to…

“Tenet!”

“Tenet” is the latest directorial effort of Christopher Nolan. And like his prior films including “The Dark Knight,” “Inception,” and “Interstellar,” there is a massive use of practical effects. As Nolan himself stated, some romantic comedies have special effects shots than “Tenet,” which when it comes to a massive blockbuster like the one discussed, that is an accomplishment. “Tenet” is a film where you can see a Boeing 747 wheel itself into a building set to explode, sedans flipping around forwards and backwards, and beautiful, rich environments on multiple continents. All I have for you is a word. Gorgeous.

It is now time to introduce our Best Pictures. They will not be awarded yet, but for those of you who want a reminder of how Best Picture will work, it is entirely based on the Top 10 BEST Movies of 2020 list posted earlier this year on Scene Before. 10 movies are selected and the one that receives the highest vote count based on the people’s choice, will win it all. We will introduce them one by one throughout the show, with a trailer included, starting with this one…

Our first Best Picture nominee is everything that movie theaters were designed to display. Shot on IMAX film, 70mm, directed by a master class filmmaker, a talented cast, and a complex plot that makes you want more. John David Washington and Robert Pattinson cycle through time, forward and backward, as they pull off one of the most boisterous spy missions in history. It is bold, daring, and pushes the limits of what film is able to pull off. A few examples supporting this were already mentioned, but they dared to name their main protagonist, well, the Protagonist. Guess that makes the writing process a little easier. This is yet another worthy addition to Christopher Nolan’s cinematic library. Nominated for 9 Jackoff awards, the highest total tonight, and it has already won one of them, this is “Tenet.”

Up next are the sound categories, for those of you who have tuned into the Jackoffs before, the sound categories are presented based on which aspect comes first. The little hint I’ll give as I found out myself, E comes before M, therefore editing comes before mixing. With that being said, here are the nominees for Best Sound Editing.

BEST SOUND EDITING

  • Greenland
  • Over the Moon
  • Sonic the Hedgehog
  • Sound of Metal
  • Tenet

And the award goes to…

“Tenet!”

When I saw “Tenet,” I was impressed by the vast library and execution of sounds coming out of the speakers. Gunshots, ticking time bombs, explosions, big doors, everything felt immersive and exciting, and I congratulate “Tenet” for supplying that library and putting it all to good use. The reason why I nominated this film for Sound Editing was because they were able to use all of these sounds and perhaps put me, the viewer, into every single scene. Part of me felt like I would have died in the opera house. Part of me felt like I could have heard an inverted bullet flying past my ear. Part of me felt like chunks of gold were falling in front of my seat. And speaking of gold, “Tenet” is 2 for 2 so far. If it racks up 7 more wins, including Best Picture, that is a clean sweep. Congratulations!

Onto the second sound category, here are the nominees for Best Sound Mixing.

BEST SOUND MIXING

  • Greenland
  • Mank
  • Sound of Metal
  • Unhinged
  • The Way Back

And the Jackoff goes to…

“Sound of Metal!”

How could this NOT win? It literally has SOUND in the title! It was destined to win! Let me harken back to one thing I said during my top 10 best movies of 2020 list, specifically, that “Sound of Metal” does for audio what “Birdman” and “1917” do for camerawork. While that may be a stretch, that is what “Sound of Metal” felt like it was trying to go for. The reason why this film won is because while films like “Greenland” and “Unhinged” stood out for being wonderfully obnoxious, “Sound of Metal” does that at times, but also blends in peaceful silence, making the audio-filled points stand out. This is “Sound of Metal’s” first win of the night, and it while it will not win everything based on the previous category, the film may have a shot at Best Picture. We’ll have to see. Congratulations!

Our second Best Picture nominee comes from Great Britain. Like a few other great films that yours truly has talked about in recent years, this is a film that honors storytelling. It centers around an Englishwoman living in World War II who must take care of an evacuee. The two become friendly with each other, and we dive into the backgrounds of both characters. By the end of the journey, this film is one of the most emotional stories of the year. After all, stories have to come from somewhere. And if that’s the truth, this story must have come from a goldmine. Nominated for 4 Jackoff Awards, this is “Summerland.”

We will now move on to the first of two music categories. The second one will presented towards the other half of the show, which is Best Original Song, but for this category, we will dive into the instruments, the tunes, the bangs, and the notes that defined the movies this year. All crafted by talented and respected composers, here are the nominees for Best Original Score.

BEST ORIGINAL SCORE

  • Michael Giacchino (An American Pickle)
  • Steven Price (Over the Moon)
  • Ludwig Göransson (Tenet)
  • Alan Silvestri (The Witches)
  • Hans Zimmer (Wonder Woman 1984)

And the award goes to…

HOLLYWOOD, CA – FEBRUARY 24: Composer Ludwig Goransson poses with the Best Original Score award for “Black Panther” in the press room during at Hollywood and Highland on February 24, 2019 in Hollywood, California. (Photo by Jeff Kravitz/FilmMagic)

Ludwig Göransson for “Tenet!”

The run for a sweep continues! “Tenet” is 3 for 3! This is Ludwig Göransson’s first nomination and win, but I have a feeling he will have many more. Göransson is known for his work not only on “Tenet,” but also on “Black Panther” and “The Mandalorian.” One factor that went into deciding the winner for this category was how often I ended up listening to the scores after watching the film. The scores for “Tenet” and “Over the Moon” are two that I would pop on every other day. “Tenet” is not only just a magnificent score on its own, but it showcases the gimmick of the entire film, time inversion. Some songs have a backwards vibe, making the film slightly more exciting. There are a couple tracks that are all over the place, and when it comes to the percussion, it is some of the best that has ever been executed for a musical lineup. Here is a track from Ludwig Göransson’s official score of “Tenet.”

And now we move onto Makeup & Hairstyling, one of the categories “Tenet” IS NOT mentioned for, but it’ll still win anyway because apparently it has magic powers now. It’s kind of like Meryl Streep. She might not even be in the movie but somehow she is still amazing in it! The five movies represented here have stylists who gave it their all and some looks that really pop. Here are the nominees for Best Makeup & Hairstyling.

BEST MAKEUP & HAIRSTYLING

  • Birds of Prey and the Fantabulous Emancipation of One Harley Quinn (Deborah La Mia Denaver)
  • Emma. (Marese Langan)
  • Mank (Gigi Williams, Michelle Audrina Kim)
  • Promising Young Woman (Angie Wells, Daniel Crest)
  • Summerland (Lisa Cavalli-Green, Liberty Haynes)

And the award goes to…

Marese Langan for “Emma.!”

Before these unprecedented times went into full circle, I’ve personally had the privilege of attending a special screening of “Emma..” Now for those of you who know the story, you’d know that Jane Austen’s original book was published on December 23rd, 1815, making it over two centuries old. At this special screening, the director, Autumn de Wilde, came out with the film’s lead star, Anya-Taylor Joy, who recently won a Golden Globe for her role in Netflix’s “The Queen’s Gambit,” and talked about the film. One interesting point that was brought up was the title of the film. If you look at the title “Emma.” you’ll notice a period at the end. That is to highlight the film is a period piece. And when it comes to the film’s many hairstyles, no matter how pristine or funky they may appear, they all fit the time beautifully. It perhaps goes to show that beauty knows no age. It can stand the test of time. Congratulations to “Emma.!”

Our third Best Picture nominee is the first Netflix animated feature yours truly has seen. From legendary Disney animators Glen Keane and John Kahrs, comes a Netflix animated musical that feels like a true throwback to another era, despite the 3D animation. Featuring the likes of the young, bright Cathy Ang, unmasker Ken Jeong, and “Hamilton” star Phillipa Soo, this brings classic Disney to a new generation of viewers, and allows those who grew up watching such films to experience something of old, while really watching something new. Songs like “Hey Boy,” “Rocket to the Moon,” and “Ultraluminary” are all brilliantly executed by their respective vocalists. And I should note, two of those three pieces are nominated for Best Original Song. Despite there being a journey quite out of this world, the themes and messages presented here will bring viewers down to earth. Nominated for 6 Jackoff Awards, this is “Over the Moon.”

They say that no film is perfect. Well, they’re right. In fact, 2020 has proven that wholeheartedly. Many of this year’s films, especially in the first half, have given lackluster results across the board. And even the best films this year are by no means flawless, especially compared to 2018 and 2019. Although, even the most critically acclaimed films of all time, “The Dark Knight,” “Back to the Future,” “Forrest Gump,” “Halloween,” “Toy Story,” even “Citizen Kane,” they all can be improved in some way. So, I decided to look back at 2020’s films and see what adjustments I could make in order to improve them, whether they need these improvements or not. Ladies and gentlemen, it is time for the third edition of “Film Improvements.”

Wow! They aren’t stopping with those Spider-Man movies! Even Warner Bros. is making them now! They’ll never run out!

We’re now going to move onto the acting categories. Specifically, actors in a supporting role. Some of the roles these men play include a father who is highly against the work system in the United States, a successful singer who spent a night in Miami, and a crazy psychopath who is obsessed with killing an animated hedgehog. Did I just say that out loud? Here are the nominees for Best Supporting Actor.

BEST SUPPORTING ACTOR

  • Kevin James (Becky)
  • Shane Paul McGhie (The Last Shift)
  • Arliss Howard (Mank)
  • Leslie Odom Jr. (One Night in Miami)
  • Jim Carrey (Sonic the Hedgehog)

And the Jackoff goes to…

Leslie Odom Jr. in “One Night in Miami!”

Last year, Amazon made its presence in Jackoffs history. While the studio did receive a nomination in this exact category for Timothee Chalamet’s performance in “Beautiful Boy,” they had a ceremony until they got a win, which they did in the Best Original Song category for Sigrid’s piece, “Home to You,” which was featured in “The Aeronauts.” Today, Amazon now has TWO wins in the same ceremony! They are THAT MUCH CLOSER to ruling the world! But when it comes to Leslie Odom Jr.’s win, it is well-deserved. The four leads in the film all find a way to have an engaging presence and sense of chemistry with one another, but Odom Jr. has risen to the top and does so with a commanding vibe. He moves, he sings, he talks, he does it all. His portrayal of Sam Cooke is the definite highlight of the film. No shame here to the other actors. Shane Paul McGhie portrayed someone who is worried about the American class system with excellence. Kevin James took a unique role for his career in a smaller production and had fun with everything and everyone around him. Arliss Howard played a figure who demanded my attention at the beginning of “Mank,” and went on to become someone as a character who I go back and forth between. Jim Carrey, who was almost my winner, took on a character that comes off as a complete cartoon and brought him to life like no one else could. However, of the five, Odom Jr. is the winner and him being the highlight of “One Night of Miami” helped cement that. Congratulations to Leslie Odom Jr., and here is a clip from his performance in “One Night in Miami.”

Moving onto actresses, let’s take a look at a few characters they played this year. When it comes to the prestigious nominations, some of the roles these women play include a mother who is separated from her daughter by Immigration and Customs Enforcement, the partner of a drummer who is losing a defining characteristic, and an actress. So, wait… Does that mean one of these women play themselves? I’m very confused. Here are the nominees for Best Supporting Actress.

BEST SUPPORTING ACTRESS:

  • Elizabeth Debicki (The Burnt Orange Heresy)
  • Amanda Seyfried (Mank)
  • Helena Zengel (News of the World)
  • Olivia Cooke (Sound of Metal)
  • Princess Punzalan (Yellow Rose)

And the Jackoff goes to…

Amanda Seyfried for “Mank!”

While actors including Arliss Howard and Gary Oldman had their fair of moments where they played their part well, the real star of the show could arguably be Amanda Seyfried. Not only does she look the part thanks to the film’s undoubtedly talented team of costume designers and stylists, but her looks are just a small part of why her character was the scene stealer. One of the best things about Amanda Seyfried’s performance, and this is nothing against her as an actor, because she is talented, is that this did not feel like Amanda Seyfried. Almost every time I glanced upon that big screen and saw Seyfried’s character, Marion Davies, I got a sense that I escaped into the Golden Age of Hollywood and she was there to greet me every time. For those of you who don’t know Marion Davies, she is an actress known for arguably being a piece of inspiration behind “Citizen Kane,” which the movie “Mank” centers around. She’s also known for her roles in “The Patsy,” “Going Hollywood,” and “Show People.” While Davies has been long gone, she may be looking down on Seyfried with pride. Congrats to Seyfried, and speaking of which, here is a clip of her performance in “Mank!”

Our fourth Best Picture nominee is one of the most important films in Scene Before history. To this day, I refer to it as the film that made me excited to review movies again. This film comes from Andrew Patterson, who brought some of the most exciting camerawork, environments, settings, and tricks that have been displayed on screens this year. They say that video killed the radio star, but this nominee not only makes for a good movie, but also for good radio. The film centers around a DJ and switchboard operator who discover a strange frequency that becomes the talk of the town, kind of like this film at one point became the talk through the curiosity and praise from several viewers like myself. Nominated for 3 Jackoff awards, this is “The Vast of Night.”

Now we will move into production design. Here we will recognize the extravagant sets, gorgeous locations, and distant time periods these movies took us to in 2020. Some locations include a hotel where no mouse or kid is safe, a vast environment where there is a very little sense of time, and enormous deserts as far as the eye can see. Here are the nominees for Best Production Design.

BEST PRODUCTION DESIGN

  • The Burnt Orange Heresy (Totoi Santoro)
  • Emma. (Kave Quinn)
  • News of the World (David Crank, Elizabeth Keenan)
  • Tenet (Nathan Crowley)
  • The Witches (Gary Freeman)

And the Jackoff goes to…

Nathan Crowley for “Tenet!”

The streak continues, and we have a record tie! We’ll get to that in a second, but this goes to show the magnificent craft that went into “Tenet” as a production. And that is where the film excels the most, behind the scenes. Although in this sense, you can technically say that you can see a lot of what this category is all about in the various shots of the film. “Tenet” was shot in seven countries on three continents, with each environment being as sweet as the last. While “Tenet” almost comes off as a grounded adventure at times, it has the excitement of a fantasy at other times. One of the more notable feats in the film are the sliding doors where they obnoxiously open and close like a freight elevator. The climax felt mysterious and exciting due to the weirdly authentic atmosphere of the deserted city and everything around it. This was a hard category to determine, because there are a few good picks here. “Tenet” was just the one that spoke to me the most. Congratulations to “Tenet,” which is 4 for 4 so far!

Also, unbelievable! We are not even halfway through the show, and a significant record has already been tied! For those of you who have followed the Jackoffs during its first two years, a couple films should stand out. Specifically “Roma,” which was represented during the first ceremony, and “1917,” which was represented during the second ceremony. Neither film won every category it was nominated for, that could be achieved depending on how “Tenet” keeps up the pace, but the film also tied “Roma” and “1917” as the winningest film in Jackoffs history. Here are the categories that remain for “Tenet.” Best Film Editing, Best Cinematography, Best Original Song, Best Director, and Best Picture. If it takes one more award, it beats “Roma” and “1917” as the winningest film in the show’s history. If it takes the rest of the categories it is nominated for tonight, then it is a clean sweep. Exciting stuff, guys! We’ll see what happens! But anything’s possible, look at the original Jackoffs! “Avengers: Infinity War” won Best Picture without taking another one of its nominated categories. Or even look at the 5th Academy Awards! “Grand Hotel” won Best Picture without even being nominated for another category! We’ll have to see! It all comes down to one man’s opinion and your votes!

Moving back to NON-“Tenet” categories, let’s talk about costumes. Production design and costume design seem to almost go hand-in-hand at times. They’re both aspects of the film you place in front of the camera to the point where one would hopefully be wowed. Whether they are dresses, military outfits, or fashionable superhero gear, the apparel worn by the characters presented in the following films stood out to the naked eye. Here are the nominees for Best Costume Design.

BEST COSTUME DESIGN

  • Birds of Prey and the Fantabulous Emancipation of One Harley Quinn (Erin Benach, Helen Huang)
  • Emma. (Alexandra Byrne)
  • Mulan (Bina Daigeler)
  • The Personal History of David Copperfield (Suzie Harman, Robert Worley)
  • The Witches (Joanna Johnston)

And the Jackoff goes to…

Joanna Johnston for “The Witches!”

Collectively, the costumes featured in “The Witches” feel like they come out of a children’s book, which is appropriate, given how “The Witches” originally was a Roald Dahl novel. The film goes to show that witches are not just evil, they know a good outfit when they see one. The film overall feels like it takes place in some backend portion of a Wes Anderson film like “The Grand Budapest Hotel,” which is appropriate because much of “The Witches” takes place in a hotel. When it comes to characters, the Grand High Witch played by Anne Hathaway is the biggest standout, rocking multiple dazzling outfits in a span of less than a couple hours. Everything in this movie despite having some darkish moments feels colorful and goes along that vibe of being safe enough to show children, but also horrific enough to have a balance. Joanna Johnston is a costume designer known for collaborating on many of Robert Zemeckis’s productions including “Back to the Future Part II,” “Allied,” and “Welcome to Marwen.” She also worked on 2016’s “The BFG” directed by Steven Spielberg, so she is no stranger to the Roald Dahl universe. Johnston whipped up some colorful, vibrant, and quirky outfits worn by regular people and witches alike. Congratulations to Joanna Johnston!

Our fifth Best Picture nominee encapsulates one of the most life-altering events a person can have, the loss of one of their senses. In this case, our lead character of Ruben loses his hearing, arguably his most essential sense as a drummer. Played with sheer brilliance by Riz Ahmed, Ruben as a character took a movie where its main character cannot hear anything, and executed a product that made me want to audibly shout from the rooftops. If you want to be stoked, watch a drum solo. If you want to be floored, watch our fifth Best Picture nominee. Nominated for 7 Jackoff Awards, this is “Sound of Metal.”

“Sound of Metal” is available right now exclusively on Prime, and no, it doesn’t come with free shipping, it’s a digital file.

This year, like the past years we have done the Jackoff Awards, we will not be giving a lifetime achievement, we’ll be giving two. One for someone who is currently alive, and for somebody who unfortunately is no longer with us. Per usual, we will start off by presenting the first award for the living individual. It is time for the Roger Deakins award.

This award has been presented in the honor of Roger Deakins, the acclaimed cinematographer behind films including “The Big Lebowski” and “Blade Runner 2049.” And Bill Murray, the iconic actor famous for his roles in “Ghostbusters,” “Charlie’s Angels,” and “Fantastic Mr. Fox.” Today, we’ll be honoring a well-known director who has been at the top of their craft for numerous decades. And yes, this person is still making movies today. The 3rd Roger Deakins award goes to a man who made his directorial debut with the short film “The Last Gun.” He shot, starred, and crafted the film at the young age of 13 years old. From then on, he crafted more shorts until his feature length directorial debut, “Firelight” released in 1964. And it certainly was not his last. The man ventured forth, creating some of the most iconic films of all time. “Jaws,” “Close Encounters of the Third Kind,” “Raiders of the Lost Ark,” “E.T. the Extra-Terrestrial,” “Jurassic Park,” “Schindler’s List,” “Minority Report,” “The Terminal,” “The Adventures of Tintin,” and “Lincoln” just to name a few. He has won 3 Oscars, 2 Golden Globes, 4 Primetime Emmys, and 3 BAFTAs. None of these include Lifetime Achievements or honorary awards. He is also a notable producer and executive who has continued to bring many big movies to the public, including “Back to the Future,” “Who Framed Roger Rabbit,” “Men in Black,” “Transformers,” “Super 8,” and even the record-holder for Jackoff nominations at a total of 10, “First Man.” He has collaborated with some of the most influential minds in the industry. Michael Bay, Robert Zemeckis, George Lucas, J.J. Abrams, and Kathleen Kennedy. The guy can do it all. Action, drama, thriller, sci-fi, horror, animation, period piece, adventure, you name it, there is a good chance he has done it. For filmmakers everywhere, he has been the pinnacle, the holy grail, the definition, the master of them all. Almost anyone who has ever watched or enjoyed a movie will know his name or something he did. Maybe it affected them personally, maybe it made them want to get into filmmaking, or it made them want more of his content. The 3rd Roger Deakins award goes to a deserving name, a man who despite receiving a steady stream of words, needs no introduction. Steven Spielberg.

SAN DIEGO, CA – JULY 22: Director Steven Spielberg attends the Warner Bros. Pictures Presentation during Comic-Con International 2017 at San Diego Convention Center on July 22, 2017 in San Diego, California. (Photo by Kevin Winter/Getty Images)

Spielberg, you’re gonna need a bigger shelf! Because on top of all the other accolades you have received over the years, you are now the proud recipient of the Roger Deakins award! If he accepted this award and was honored to receive it, he’ll probably go home and put it in his office or something. If he took the award and didn’t want it, he’d probably feed it to a CGI dinosaur. Either way, he wins. Congrats to Steven Spielberg! The man, the myth, the blockbuster filmmaker!

Moving onto our next sketch, it’s no secret that we’ve all been stuck at home. We’ve been attached to our couches, our beds, our recliners, we’ve practically become slaves to our television sets. Sometimes we’re busy flipping channels to see what’s on. For all we know, if there’s nothing on, we’ll just put on a movie. Specifically, on a TV channel of some sort. Even the major networks like ABC and CBS have been getting into the game where they’ve aired movies from their particular studio to fill time slots. But you may flip to that channel and wonder what the movie’s about. That’s where the info button comes in. You click the button, you see the description, bingo! That’s what this next segment of the Jackoffs is about. Ladies and gentlemen, it’s time for a little bit I like to call “Infomovies.”

Our sixth Best picture nominee is a story takes an age gap, the problems of the old and young, and puts them together in a story that feels ageless. Aside from age, this deals with problems having to do with race, culture, and class. When one man is about to leave his job at a local fast-food restaurant, a new, lesser-aged individual is about to fill his shoes. The wise guy teaches the young man the ropes of working at a fast-food joint, all the while developing a seemingly unlikely friendship that stabilizes as much as it can despite some imperfections. This movie may be about fast-food, but the result is quite luxurious. Nominated for 3 Jackoff awards, this is “The Last Shift.”

We are now about to move onto the screenplay categories. This year, we will be starting with adapted screenplays and following it up with original screenplays. This year we have seen movies that have taken us to many worlds, including those from authors such as Jane Austen and Charles Dickens, who told iconic tales of fiction. But you also have authors including Lauren Redniss and Jessica Bruder, who tell stories that have happened in history, only to have those stories be spun in a visionary direction for the screen. Here are the nominees for Best Adapted Screenplay

BEST ADAPTED SCREENPLAY

  • Emma. (Eleanor Catton)
  • News of the World (Paul Greengrass, Luke Davies)
  • The Personal History of David Copperfield (Simon Blackwell, Armando Iannucchi)
  • Nomadland (Chloe Zhao)
  • Radioactive (Jack Thorne)

And the Jackoff goes to…

Chloe Zhao for “Nomadland!”

What makes “Nomadland” such an interesting film not only to watch, but to talk about, is that it is not really a story about someone who wants something bigger than themselves. There are characters, including the main one, who show that they want more, but what makes “Nomadland” fascinating is the showcasing of regular people trying to get by from day to day, enjoying what they have in their lives, and having fun even in the toughest of situations. “Nomadland” comes with one of the best lines of 2020, specifically spoken by Bob Wells, who plays himself in the film.

“You know, I’ve met hundreds of people out here and I don’t ever say a final goodbye. I always just say, ‘I’ll see you down the road’.”

That’s what I have been trying to say to normalcy for the past year. I do not think normalcy will go away, but I always hope it is only taking a temporary break. There is no goodbye. Plus, this film came out at the perfect time. It shows a story of people who are thankful and appreciative of what they have and the people in their lives. And I think during the COVID-19 pandemic, a lot of people, including myself, can relate to that. Congratulations to Chloe Zhao, who is also nominated for Best Director! Will she win two awards tonight? We shall see!

Progressing onto the original screenplays, some of these written scripts showcase stories about a Korean family trying to live the American dream, a country singer trying to make it big in Texas, and an unlikely pair who bond while working the night shift. Here are the nominees for Best Original Screenplay.

BEST ORIGINAL SCREENPLAY

  • The Last Shift (Andrew Cohn)
  • Minari (Lee Isaac Chung)
  • Promising Young Woman (Emerald Fennell)
  • Sound of Metal (Darius Marder, Abraham Marder)
  • Yellow Rose (Diane Paragas, Annie Howell, Celena Cipriaso)

And the Jackoff goes to…

Lee Isaac Chung for “Minari!”

Well, here’s another first! This is the first year that no film nominated for Best Picture also won one of the two screenplay awards! That is despite having one of them be nominated for Adapted Screenplay and four of them be nominated for Original Screenplay. So why did “Minari” win despite having the fewest nominations of all these films? The answer is simple, when it comes to slice of life stories, this film excels. Some would say that the American dream is a myth. In “Minari,” not only do we see a tale of people who take the American dream by the balls and go to town with it, but a cute tale where a family bonds together even during what they may see as the most unsettling of times. Life for the characters in this film is like a see-saw. One side is happy go lucky, the other is not, and sometimes as a viewer, I could understand both sides. “Minari” is a wonderful film. Congratulations!

Our seventh Best Picture nominee is from the mind of Emerald Fennell, a name you may know from such projects including “Call the Midwife” and “The Crown.” Now she has created her own directorial debut with Carey Mulligan as the starring role. In this white-knuckle thriller, a character by the name of Cassandra stops at nothing to right the wrongs of an event in her past. Mulligan is joined by actors including the talented Alison Brie, Clancy Brown, Adam Brody, and Bo Burnham, who earned a nomination during the 1st Annual Jackoffs for Best Original Screenplay, which he received on account of his work on “Eighth Grade.” Here, he not only proves he is a talented force behind the camera, but he is capable of compelling an audience in front as well. Nominated for 5 Jackoff awards, this is “Promising Young Woman.”

We are now going to focus on two of the most essential categories to filmmaking. Editing and cinematography. Without these two elements, movies would likely cease to exist. No scenes to splice together. No frames to cherish over the years. No lights to enhance a scene. The first five films we will discuss in this segment are the ones that are cut together to present a compilation for the ages. Here are the nominees for Best Film Editing.

BEST FILM EDITING

  • Mank (Kirk Baxter)
  • Nomadland (Chloe Zhao)
  • Radioactive (Stéphane Roche)
  • Tenet (Jennifer Lame)
  • The Vast of Night (Andrew Patterson)

And the Jackoff goes to…

Ladies and gentlemen, we have a new record. Jennifer Lame for “Tenet!”

5 for 5! While “Tenet” was not my favorite film of the year, it is the one that I did see the most times. And with each viewing I begun to appreciate it a little more. There is a sense of wonder as to how they did certain tricks in the film, which I say despite having seen behind the scenes footage, but one of my biggest wonders is how they got such a masterful edit. And you know what? I should not be surprised. After all, this is the second year in a row Jennifer Lame has received a Best Film Editing nomination, with the first one being for her work on Netflix’s “Marriage Story,” a wonderfully put together film that ended up winning two Jackoffs last year. “Tenet” earned its win for not only being a well-presented edit, but for doing so by taking a concept that is amazingly hard to execute on paper and having a field day with it. All the film’s action scenes are top-notch, everything on screen, forwards and backwards, falls within the boisterous vibe of the film, and this is a reminder that “Tenet” is not just a movie, it is a roller-coaster. The thrills can’t stop, the thrills won’t stop, and part of the reason is due to Jennifer Lame’s excellent bringing to life of the obnoxious concept at hand. Congratulations to Jennifer Lame, and we now have a record for the winningest film in Jackoffs history!

Now the next five nominations are dedicated to cinematography. These are the films that utilized cameras and lights to create works of magic. Whether the films were shot on digital, film, or IMAX, these five moving pictures literally moved audiences this year. Here are the nominees for Best Cinematography!

BEST CINEMATOGRAPHY

  • News of the World (Dariusz Wolski)
  • Nomadland (Joshua James Richards)
  • Summerland (Laurie Rose)
  • Tenet (Hoyte von Hoytema)
  • The Vast of Night (M.I. Littin-Menz)

And the Jackoff goes to…

M.I. Littin-Menz for “The Vast of Night!”

This is “The Vast of Night’s” first win of the show, making it one for two so far. The film is also nominated for Best Picture, so we’ll see what happens there. For those of you who have witnessed the Jackoffs in recent years, you’ll notice a common theme when it comes to the Best Cinematography category. The winners in past years, specifically “Roma” and “1917” have scenes that are not only beautifully presented on screen with rich environments in front of them, but they also have scenes that contain extensively long shots. In “The Vast of Night,” the film’s prime highlight is a four minute-long tracking shot that goes from place to place where the camera keeps moving and never stops. I said in my review, also earlier in the show, that “The Vast of Night” is the movie that made excited to review movies again, because after months of watching underwhelming movie after underwhelming movie that barely impressed at best, I finally found something that floored me, and it came in the form of “The Vast of Night!” Bravo to “The Vast of Night,” and as for “Tenet,” the film’s streak is over. Will it win anything else? It is possible! It had 9 nominations leading into the ceremony, anything could happen!

Our eighth Best Picture nomination is a story about two people, one an adult man, the other a young girl. Shortly after the main duo find each other one day, it is the adult man’s responsibility to bring the young girl to safety by bringing her to a place that she can call home. With all the excitement and action of a western tied in with all the drama and division that comes from the news, this duo must trek through woods, deserts, and towns while overcoming various obstacles. Directed by Paul Greengrass with stars Tom Hanks and Helena Zengel, this film is a fine western road trip. Nominated for 7 Jackoffs, this is “News of the World.”

It is now time for the second lifetime achievement award, otherwise known as the Stan Lee award.

Like the past couple years, this is a lifetime achievement award given to someone who has done something significant or left a tremendous impact on the film industry. Even if that impact is small, it can still influence the way films are produced today. The past two winners, Stan Lee and Syd Mead lived full lives doing one project after another. They’re no longer with us, but their long lives were spent endlessly entertaining millions, perhaps billions of people. The Jackoffs celebrated these two, whose lives were fully realized. Today, we are recognizing the accomplishments of an individual who also lived a full life and is celebrated by their fans, community, and even by those who took a second to look at their work and walked away. The winner of the 3rd Stan Lee Award is the creator of various musical tunes you hear today. Now I am not talking about rock, not hip hop, not rap, I am talking classical. You may wonder why I bring this up, because the winner of the 3rd Stan Lee Award has become one of the most iconic composers not just in film history, but in all of pop culture. This winner was born in Rome, and he also recently passed in Rome. Known for his work including “The Battle of Algiers,” “Once Upon a Time in the West,” and “The Untouchables,” this man set a standard for how movie scores should be done and how they should compel an audience even after the movie reaches its conclusion. From 1979 to 2001, he would be nominated for five Oscars, all in the category of Best Music, Original Score. A couple of the movies specifically include “Days of Heaven” and “The Mission.” He won a BAFTA for the former and a Golden Globe for the latter. When it comes to the Academy, it was not until his next score nomination for his work in 2015 that he would finally take home the gold for the category. The movie, Quentin Tarantino’s “The Hateful Eight.” In between all of this, specifically 2007, Morricone would receive an| Honorary Award from the Academy “for his magnificent and multifaceted contributions to the art of film music.” Aside from the two technical Oscars on his shelf, Morricone has officially won three Golden Globes, a Critics Choice Award, and all six of the BAFTAs for which he was nominated. His work is copied over today not just as a piece of inspiration for many, but his original songs have been moved over into various spots in our modern culture, including movies such as “Madagascar Escape 2 Africa,” “Kick-Ass,” and “The SpongeBob Movie: Sponge Out of Water.” We shall also not forget TV shows including “The Simpsons,” “Curb Your Enthusiasm,” and “Mystery Science Theater 3000.” Ladies and gentlemen, it is time to honor the maestro of westerns and as a result, our culture, Ennio Morricone!

Ennio Morricone may no longer be with us, but if time is on our side, we will continue to use his work in more media to come. Once Upon a Time at the Jackoffs, there lived a lifetime achievement award, and it went to one of the most iconic composers of all time. Congratulations to Ennio Morricone!

Time to give out some more awards! We are down to the final five. The Best Original Song category has honored artists including Lady Gaga, Bradley Cooper, and Sigrid. The question is, who will join them? These five songs have defined the movies in which they appear. In addition, they can make for a listenable tune down the road. Here are the nominees for Best Original Song.

BEST ORIGINAL SONG

  • Rocket to the Moon – Christopher Curtis, Marjorie Duffield, Helen Park (writers), Cathy Ang (vocals) (Over the Moon)
  • Ultraluminary – Christopher Curtis, Marjorie Duffield, Helen Park (writers), Phillipa Soo (vocals) (Over the Moon)
  • Speed Me Up – Wiz Khalifa, Ty Dolla Sign, Lil Yachty, Sueco the Child (Sonic the Hedgehog)
  • The Plan – Travis Scott (lyrics), Ludwig Göransson, WondaGurl (producers) (Tenet)
  • Square Peg – Eva Noblezada (lyrics), Christopher Hoyt Knight (writer) (Yellow Rose)

And the Jackoff goes to…

Christopher Curtis, Marjorie Duffield, Helen Park, and Cathy Ang for “Rocket to the Moon” in “Over the Moon!”

I’ll be honest, if I could give an award to both “Over the Moon” songs, I would, but in reality I just had to choose one. “Over the Moon” is a Netflix original, but this song along with a few others gave it the same spirit of the traditional Disney animation from beloved classics like “The Lion King” to recent hits like “Moana.” The song appears three times throughout the film. Once during the opening act, not too long after as a reprise, and once more during the credits where the original song and reprise are mixed together. Each time that I heard it, it always evoked the vibe of a proper “I want” song where a character aspires to achieve something and they have to belt out the right words to express their motivation, something which Cathy Ang’s character of Fei Fei does exquisitely. The reason why I have given “Over the Moon” so much love to the point where I do not know anyone else in my demographic that has raved about it as much as me is because of how much it took me back to a confusing, unsettling time in my teen years, even without copying every single note of that time. Hint: Both my parents are alive. Up next I have listed a music video for “Rocket to the Moon” along with the actual song. You can listen to one, neither, both, your choice, I do not make the rules. But either way, if you choose to listen, enjoy the original song… “Rocket to the Moon.”

I hope you enjoyed the song, but now we must get back to handing trophies to entitled celebrities. It’s very important!

This next category is what some suggest to be of the highest importance. This position is responsible for managing and creating the vision that they hope their audiences would see and hear. When they are face to face with actors, they must collaborate in order to achieve the performance that will most likely compel the viewer. But above all, they are… the director. Here are the nominees for Best Director.

  • Paul Greengrass (News of the World)
  • Chloe Zhao (Nomadland)
  • Emerald Fennell (Promising Young Woman)
  • Darius Marder (Sound of Metal)
  • Christopher Nolan (Tenet)

And the Jackoff goes to…

DEAUVILLE, FRANCE – SEPTEMBER 06: Chloe Zhao attends the ‘Jamais Entre Amis’ Premiere during the 41st Deauville American Film Festival on September 6, 2015 in Deauville, France. (Photo by Marc Piasecki/Getty Images)

Chloe Zhao for “Nomadland!”

While “Nomadland” was not nominated for Best Picture, this win does speak volumes because it is not only the first film helmed by a woman to win the directing category at the Jackoff Awards, but it is also Chloe Zhao’s second win of the night! She also won Best Adapted Screenplay earlier in the show. I should also note that Chloe Zhao was also nominated for Best Film Editing, which means she had three nominations in this one ceremony! If I had to be completely real, I would give an award to all of these films if I could, because each one, in a way or another, feels special. But I had to choose one. “Nomadland” comes off as a rustic, realistic drama with hints of comedy in between. The film knows how to be serious, but it also knows how to have fun, and when you put those things together, you have an excellent film. Just a reminder to everybody that “Nomadland” is now available in theaters and on Hulu, so go support it if you can! Congrats to Chloe Zhao on her second Jackoffs win, both for this event and all-time.

Our ninth Best Picture nomination comes packed with surprises, thrills, and chills. From Gavin O’Connor, known for his touch on sports movies such as 2004’s “Miracle,” comes a drama where a basketball coach must take a team of high school players and lead them to victory. The only thing, this coach, who has been on the team when he was younger, is dealing with a name that has been on a massive losing streak since he left. The film is not just filled with excitement for basketball lovers, but slices in human drama with a moving story on alcoholism. Director O’Connor reunites with the captivating Ben Affleck, a pair who also previously worked together on 2016’s “The Accountant.” Nominated for 3 Jackoffs, this is “The Way Back.”

Three more categories to go until we reach the coveted Best Picture. The final nominee will be detailed soon. But now, let’s focus on acting. The star of the show is supposed to shine as the heart, nucleus, and reflection of one crew’s vision. These legendary actors have played characters including a newsman who read from the paper, a father who wants to provide a great life for his family, and a hyper basketball coach. Here are the nominees for Best Actor.

BEST ACTOR

  • Steven Yeun (Minari)
  • Tom Hanks (News of the World)
  • Dev Patel (The Personal History of David Copperfield)
  • Riz Ahmed (Sound of Metal)
  • Ben Affleck (The Way Back)

And the Jackoff goes to…

Riz Ahmed for “Sound of Metal!”

This is the second award of the night taken home by the crew behind “Sound of Metal,” with the first being for Best Sound Mixing. While I did say that “Sound of Metal” is an unprecedented accomplishment for audio, it is as equally triumphant from an acting perspective with stellar performances given by Paul Raci, Olivia Cooke, who was also nominated for Best Supporting Actress, and as you can tell, Riz Ahmed as the lead character of Ruben who constantly gives it his all to bring in the best drumming performance possible. Ahmed took it upon himself to learn how to play the drums, which is executed brilliantly throughout the film, but given the film’s plot, he also learned how to communicate in American Sign Language, which the actor embraced on set during filming. All of the actors in this category deserve to be here. Ben Affleck gave one of his most personal performances to date. Dev Patel brought the character from the book to the screen, and ultimately to life. Steven Yeun proves that he can be a good Korean-American dad, and Tom Hanks continues to prove that he may be everyone’s long lost dad. If his performance in “A Beautiful Day in the Neighborhood” did not show that already, then “News of the World” certainly did. Congratulations to all these actors, but Riz Ahmed is the winner of Best Actor this year. Keep breaking legs! Here is a clip of Riz Ahmed in “Sound of Metal!”

Now before we move onto Best Actress, sponsored by Meryl Streep, let’s take a look at some of the characters the nominees have played. These extraordinary actresses have played characters including a revered scientist who made an impact in her field, a recluse who adjusts to having a young boy enter her private life, and a killer and a victim at the same time. Here are the nominees for Best Actress.

BEST ACTRESS

  • Kathryn Newton (Freaky)
  • Carey Mulligan (Promising Young Woman)
  • Rosamund Pike (Radioactive)
  • Gemma Arterton (Summerland)
  • Eva Noblezada (Yellow Rose)

And the Jackoff goes to…

Eva Noblezada for “Yellow Rose!”

While “Yellow Rose” did make an impact at several film festivals in 2019, its official theatrical release was not until 2020. I ended up seeing the film in the theater, then I ended up buying the Blu-ray when that came out for home viewing. For the first viewing, I viewed it simply as opportunity to see a movie with my mother. For the second viewing, one big factor behind it was the compelling mix of dialogue and lyrics that came out of Eva Noblezada’s mouth. Eva Noblezada is a multitalented woman who already has a Grammy on her shelf for the play “Hadestown,” for which she also received a Tony nomination. She also earned a Tony nomination for “Miss Saigon,” and now she has a Jackoff for “Yellow Rose.” Sort of in the same way that “Over the Moon” took me back to a time in my teens, “Yellow Rose,” mostly due to the magnificent chops from Noblezada herself, has circled through reminders of who I have been throughout my entire life. I have aspirations, and sometimes they seem so far away. But in addition to that, Noblezada manages to capture the spirit of the American dream while also having to deal with a lack of citizenship. When I did my review for “Yellow Rose,” I noted Noblezada’s performance saying I do not think she will win Best Actress. I may be right when it comes to the Oscars, given how “Yellow Rose” is a smaller film, but not when it comes to the Jackoffs! “Yellow Rose” is up there for me as one of the greatest music films of all time. Up there with “Ray” and “Whiplash,” and Eva Noblezada defines why this film has a presence among the greats. Here is a clip of Eva Noblezada in “Yellow Rose!”

Eva Noblezada was also nominated for Best Original Song, and in this clip, the song you hear, “Square Peg” is the song for which she received the nomination. It is a great song, and you should check it out on its own.

We will get to Best Picture in just a moment, but before we do, I just want to remind everyone once again that the special review series, 7 Days of Star Wars will be exclusively available on Scene Before, with a new review popping up every day from May 2nd to May 8th. But what if I told you that is just a fraction of what I had planned for 2021? Because I have laid out 6 review series concepts I have planned for the upcoming months, all the way to December. I will still continue to review new movies, those will not be forgotten, but I am dedicating this year to talking about some films that fall in line with a theme, or films that I have wanted to talk about for a long time, but have yet to talk about for one reason or another. Here are the movies I will be talking about in 2021!

My first small series will be “Mortal Kombat: Finish the Reviews,” where I will touch upon two movies as we build our way to the all new “Mortal Kombat” film releasing in theaters and on HBO Max this April. I will be talking about “Mortal Kombat” on April 5th and “Mortal Kombat: Annihilation” on April 12th!

Up next, a series I have already talked about, “7 Days of Star Wars,” where I will dive into a new “Star Wars” film every day from May 2nd to May 8th. Again, the order will be “The Phantom Menace” on May 2nd, “Attack of the Clones” on May 3rd, “Revenge of the Sith” on May 4th, “A New Hope” on May 5th, “The Empire Strikes Back” on May 6th, “Return of the Jedi” on May 7th, and “The Force Awakens” on May 8th. May the force be with you until then.

In July, we will be talking pirates in a series called, “Pirates of the Caribbean: Movie Reviewing Moron’s Chest of Reviews.” Throughout the month of July, we will talk about all five “Pirates of the Caribbean” films in honor of Disney’s other upcoming theme park ride-based film, “Jungle Cruise.” We will start with “The Curse of the Black Pearl” on July 1st, move onto “Dead Man’s Chest” on July 8th, then “At World’s End” on July 15th, followed by “On Stranger Tides” on July 22nd, and finally “Dead Men Tell No Tales” on July 29th.

Then in August we will be talking one franchise I have been waiting to do for the longest time. We are doing a series titled “Revenge of the Nerds: Nerds in Review.” Judging by the name, we will obviously be touching upon the cult classic comedy franchise, “Revenge of the Nerds,” and yes, this also includes the two films made for television. So that means we will be discussing “Revenge of the Nerds,” the original film, on August 9th. The first sequel, “Nerds in Paradise” will be reviewed on August 16th. The first made for TV film, “The Next Generation,” will be talked about on August 23rd. My review for “Nerds in Love,” the most recent film in the franchise has a current release date of August 30th. To this day I have watched these films multiple times and I have met a good portion of the cast so I cannot wait to talk about it!

In October and November, we are going to be doing a Halloween special, tied in with a leadup to an upcoming film that is currently receiving high anticipation, “Ghostbusters: Afterlife.” In the upcoming review series, “Ghostbusters: Before Afterlife,” we will spend Halloween 2021, that is October 31st, talking about the original “Ghostbusters,” followed by “Ghostbusters II” on November 7th. For those who are wondering about “Ghostbusters” 2016, we will not be talking about that film as I already reviewed it when it came out.

Our final review series, which will take place in December will be a buildup to the upcoming “Matrix 4” film. “The Matrix Reviewed” will focus on the three films that have come out in the iconic trilogy whose original film has set standards for modern sci-fi and helped Keanu Reeves, the most meme-worthy actor of this generation find work. All three films are amongst the highest-grossing R rated films of all time. We will discuss “The Matrix” on December 5th, “The Matrix Reloaded” on December 12th, and “The Matrix Revolutions” on December 19th! I may not know kung fu, but I do know how to talk about sci-fi! So I cannot wait to discuss these films!

All of these segments are being done in honor of Scene Before’s five full years of existence. Dates and reviews are subject to change. For all I know, they could be cancelled. Hopefully, they are not, but anything is possible at this point. Stay tuned, get excited, get ready!

Now, we all know about COVID-19, maybe a little too much. Even when we would try to relax this year, we could not catch a break. Even when we turn on the television, the news is all about coronavirus. Sometimes when I’m trying to watch “Jeopardy!” or “The Price is Right,” Gov. Baker of Massachusetts or Mayor Marty Walsh of Boston would come on and talk about coronavirus. There was no escaping this mess! And unfortunately, some scumbags, I don’t know their names. Might be Turd Ferguson, Ralph Bohner, Disfatt Bidge, I do not even know who is responsible for this, but apparently, they found a way to put all of this into our movies. If you go and watch a movie now, it is not the same as it used to be. Who is responsible for this? George Lucas?! Is he trying to get viruses to learn about CGI now? What is going on? Either way, we will dive into this in a bit that I like to call, “Shut Up, COVID! I’m Trying to Watch the Movie!”.

Our tenth and final Best Picture nomination is a compelling tale of the American dream and never backing down. This film was first screened in 2019 at a series of festivals, but publicly released in theatres last fall. The film follows a young girl who aspires to be a musician in Austin, Texas, who has to deal with complications of adjusting to a life she had never hoped to live. Featuring original songs like “Square Peg,” this film is not only a compelling drama on life turning upside down, but is also a musical treat. Eva Noblezada, known for her stage work, shines in her feature film debut as the lead character of Rose Garcia. Nominated for 5 Jackoff awards, this is “Yellow Rose.”

We’ve made it. We’ve done it. We’ve conquered it. Now, the moment you’ve all been waiting for. It is time to declare the Best Picture of the worst year. This is your ultimate reminder, no matter what struggles get in your way, no matter how hard life can get, no matter the barriers that lay in your path, winning cannot, should not, and most definitely, will not be cancelled! After a year unlike any other, it is time to honor ten films above all others. These are the films that moved me, got me excited, or in some cases, brought me to tears. Like the past two years, the people voted and made their voices heard. The most popular film of the bunch will take home the award. It is my great pleasure to introduce the nominees for Best Picture!

  • The Last Shift (Albert Berger, Ron Yerxa, Sam Bisbee, Alex Lipschultz, Bert Kern)
  • News of the World (Gary Goetzman, Gail Mutrux, Gregory Goodman)
  • Over the Moon (Gennie Rim, Peilin Chou)
  • Promising Young Woman (Margot Robbie, Josey McNamara, Tom Ackerley, Ben Browning, Ashley Fox, Emerald Fennell)
  • Sound of Metal (Bert Hamelinck, Sacha Ben Harroche, Bill Benz, Kathy Benz)
  • Summerland (Guy Heely, Adrian Sturges)
  • Tenet (Emma Thomas, Christopher Nolan)
  • The Vast of Night (James Montague, Melissa Kirkendall, Adam Dietrich)
  • The Way Back (Gordon Gray, Jennifer Todd, Gavin O’Connor, Ravi Mehta)
  • Yellow Rose (Cecilia R. Mejia, Rey Cuerdo, Diane Paragas, Orian Williams, Jeremiah Abraham)

And the Jackoff goes to…

“Tenet!”

This is the sixth win and ninth nomination for “Tenet.” “Tenet” also won Best Visual Effects, Best Sound Editing, Best Original Score, Best Production Design, and Best Film Editing. The film was also nominated for Best Cinematography, Best Original Song, and Best Director. This is the first Best Picture win for a Warner Brothers film.

The record now stands at six wins! What a way to end the ceremony and this long, weird, crazy year in film. Christopher Nolan has had a long history as being an innovative, challenge-ready director. He’ll take crazy concepts such as presenting a movie in reverse, building dreams on top of dreams, being the first Hollywood filmmaker to do a big blockbuster with an IMAX camera in “The Dark Knight,” which he brought back for his latest outing in “Tenet.” The modern auteur known for his gargantuan scale represented in one film to the next went all-in and somehow ended up having to go bigger than he could have ever predicted. In a blockbuster-less summer that some would prefer to forget. One where we could not go see highly anticipated titles like “Ghostbusters: Afterlife,” “Morbius,” “Jungle Cruise,” and so on, Nolan and Warner Bros. experimented to see if people would even show up to a movie in 2020. The experiment had mixed results. Box office-wise, it could have been more pleasing. Quality-wise, the results usually did not disappoint. As for myself, I watched “Tenet” three times in the cinema, once on 4K Blu-ray, and each time my eyes and ears were amazed. I originally gave the film an 8/10. Since then, it may have jumped to a 9/10. Despite not having a perfect score, “Tenet” is almost a technical masterpiece. If it were not for the boisterous sound mixing, it may have a complete chance. However, “Tenet” has my favorite score of the past few years, it is up there with “Blade Runner 2049” as one of my top bangers. “Tenet” has arguably my favorite first scene of the past few years, maybe even in film history. “Tenet” also packs in an action-filled climax that in terms of viewing it at the cinema, felt like a gritty, more adult-centered Universal theme park ride. John David Washington and Robert Pattinson are a pair fit for a king, and having seen them in this unbelievable thrill ride that is too good for words, I would love to see them do a buddy cop movie together. Let’s not forget the incredible talents of Dimple Kapadia, Kenneth Branagh, and Elizabeth Debicki who just happened to be nominated for Best Supporting Actress due to her performance in “The Burnt Orange Heresy.” Also making an appearance, like usual in a Christopher Nolan film, Michael Caine, this time as “Sir Michael.” He is a man truly deserving of that name. The film did not just impress me, it did not just impress other moviegoers, but critics as well. “Tenet” has a 70% on Rotten Tomatoes, a Best Original Score nomination at the Golden Globes, 5 Critics Choice nominations including a win for Visual Effects, and speaking of which, the film received a Special Visual Effects nomination at the BAFTAs, and 9 Saturn Award nominations, which for those who do not know, those are usually centered around sci-fi, fantasy, and horror. And now, it has won the Jackoff! Or, maybe it won it in the past and now it somehow it got taken away, I’m still figuring out how time inversion works… Congratulations to the producers, cast, crew, and everyone else behind “Tenet!” You have won Best Picture!

Thanks for reading the 3rd Annual Jackoff Awards! Wow! This show is almost as long as the usual quarantine! Either way, if you read this all the way through, pat yourself on the back! You earned it! Congratulations to all this year’s nominees and winners! Congrats to “Tenet” for its record-breaking six wins! A fourth edition may be coming next year depending on how many films I end up seeing, because 2020 taught me that seeing only a few films is an outright possibility. We’ll see what happens!

That’s our show! Hope you enjoyed this crazy long awards ceremony! Follow Scene Before through an email or WordPress account for content, like the Facebook page, and I have reviews coming for “Tom & Jerry,” “Raya and the Last Dragon,” and “Chaos Walking!” Stay tuned! Scene Before is your click to the flicks!

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

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Hey everyone, Jack Drees here! This is a post that I never wanted to make, but feared one day that I would have to put out. It is an entry to Scene Before that I wish had never been thought of, prophecized, or conceptualized. But here we are. It is that day. Ladies and gentlemen, I give you the worst movie news of 2020…

That’s… WHAT I THOUGHT I WOULD HAVE SAID.

Instead, we get some rather unfortunate news. Followed by SOME INFORMATION THAT MADE MY BRAIN RUN ON A HAMSTER WHEEL!

But first, the bad news, and man is it ugly. As described by the title, the Warner Bros. film “Tenet,” directed by Christopher Nolan, my second most anticipated movie of the year, which we just got a trailer for by the way, has officially been delayed. But only by two weeks. To add fuel to the fire, guess what? “Wonder Woman 1984” is pushed back to October! “Unhinged,” which was supposed to come out early July, has been delayed, kind of like “Tenet,” not far into the future, but July 10th. “Matrix 4” has been delayed again, “Godzilla vs. Kong” was delayed as well and it will be going into “Matrix 4’s” spot on the release calendar. Although oddly enough, “Bill & Ted Face the Music,” from MGM/Orion, will be releasing August 14th, a week earlier than originally anticipated. By the way, August 14th is also the date “Wonder Woman 1984” was originally pushed back to when this COVID-19 frenzy started.

I said to myself a couple times during this pandemic that if “Tenet” gets pushed back by like a week or two, maybe somewhere in early August, I’d be fine. Having realized this delay as of now, I am admittedly, a little peeved, especially considering how there seemed to be some recent commitment across the United States at the very least to reopening the economy. After that latest trailer from the previous month, I thought it was a lock that we would be seeing “Tenet” on July 17th. Granted, the trailer itself never suggested it, but if you go to YouTube and check the description of the trailer, it would have suggested a July 17th release date. There seemed to be some sort of commitment! I’m glad it’s not going past July, but “Tenet” looked like it would be the savior of cinema. My big question is… Will “Mulan” be the new savior? After all, it is scheduled to release on July 24th. I would not be surprised if Disney either sticks to it or releases it via On Demand. That movie should be fine as long as it doesn’t go to Disney+, kind of “Artemis Fowl,” which I am hearing is probably one of the worst Disney movies ever made. Will this change the game in terms of how people return to the theater and see new movies?

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One of the big draw-ins for “Tenet” is the massive potential to be had with a theatrical experience, and I will say if that element of the marketing goes away, it’s gonna be a little harder to get me to watch the film, because such news of it going onto VOD could leave a bad taste in my mouth, thus making me want to avoid it at least for some time. Christopher Nolan has always been a director that relies on story, but also immersion. A lot of his films have been shot with 70mm, IMAX cameras, or made specifically for the IMAX experience.

But… This does not mean all hope is lost.

While Christopher Nolan’s “Tenet” is no longer available to be seen on July 17th, one of Nolan’s older films… will.

One of my favorite Christopher Nolan films is the very successful 2010 flick, “Inception.” That film is so mind-twisting, so visually brilliant, so masterfully produced, I love it. It even made it into my 25 favorite films of the past decade! As suggested, this film turns ten this year, and what a better way to celebrate than to bring it back into theaters, where it ended up earning a whopping $829.9 million at the box office, which many original titles nowadays would have to break an arm and a leg to earn.

The film will be returning to theaters on July 17th, however there is currently no absolute specification as to where it will be playing. I am willing to bet, considering how Christopher Nolan is involved, there will be IMAX screenings of some sort. Maybe there are a few 70mm prints from 2010 lying around that have neither fully deteriorated or been destroyed, perhaps they could be played at some of the bigger chain venues like the AMC Metreon in San Francisco, California. Maybe one or two museums can pitch in. Either that or they can make a few new prints. Maybe some screens will do 35mm, the possibilities are endless! “Inception” is a movie I missed in the theater. For the record, “Inception” was PG-13, I was ten years old, and quite honestly, I have little memory of ever truly knowing about it to a large extent at such a young age. I didn’t really discover who Christopher Nolan was until I was say 12 or 13 years old, which is when I watched his “Batman” movies for the first time. I would be truly excited to go see “Inception” in a way that it is perhaps meant to be seen. I will admit, when it comes to the story, even though it is coherent, it still takes a minor toll on my brain as I witness everything happen. But it doesn’t take away from all the glory that is to be seen.

This was just recently announced, so there are currently no tickets on sale as of yet. But I would suspect that they would be on sale during the beginning of July at the latest, maybe Independence Day. After all, Christopher Nolan’s last film he directed, “Dunkirk,” had its advance tickets go on sale about two weeks in advance. Maybe this would be the case for “Inception,” unless Warner Bros. thinks it would not matter because this is a ten year old movie that a lot of people have already seen.

And no, “Inception” is not a ten year old movie. It’s a ten year old work of art. Learn your facts, everyone. Okay… well, it’s still nine years old, actually… It released on July the 16th. So it TURNS ten literally in a month! I’m sticking with what I said!

Nevertheless, I must say, if it were not for this I am your father-esque plot twist where “Inception” swoops in at the last minute to announce its presence, I probably would have destroyed my entire neighborhood at this point. Now, I would not be lying if I told you there was another movie I was looking forward to more that I think will be better than “Tenet.” By the way, that one movie, and one movie only, at least for the moment, is “Dune.” I will also point out however, when it comes to “Tenet,” it has come to this point that when it comes to all the movies I have ever known, there is not one I would want to see more right now than “Tenet.” Not only is this due to the fact that I’ve been staying inside my house for eternity upon eternity, but Christopher Nolan is honestly the holy grail of modern filmmakers for me at this point. I want just about every movie to succeed, but when it comes to “Tenet,” a movie helmed by my favorite director, from my favorite film studio, that is going to be, and I apologize for nerding out here, my favorite theatrical format in IMAX 70mm, I don’t think there is a better time for what I would call the Hollywood happy ending. Yes, “Tenet” was delayed, but part of me doubts that the delay was going to hurt the industry, nor was it a sign of a complete lack of confidence either in the film itself or how well it will do financially.

My question is this… Is this a test? To maybe get moviegoers to speak with their wallet? Is there enough reason for the average moviegoer, or even the movie buff to show up at the cinema in a pandemic like this? If “Inception” makes less than a million bucks, will “Tenet” still come out on July 31st? If you know me, you’d know I’d be there day one, even if I have to go out of state. But I am just one movie reviewing moron. There are so many other people out there.

I will also point out that this reinstates something I have thought about for some time, specifically the theory that “Tenet” is secretly an “Inception” sequel, or at least a story taking place in the “Inception” universe. Yes, these screenings that are coming up could be a tenth anniversary celebration, but at the same time, this could be a marketing technique. This could be a way to get “Inception” fresh in everybody’s minds again that way the impact of being in the same universe would be that much greater. Then again, if you do want to refresh your memory on “Inception” right now, a month before July 2020, it is available on Netflix. Although it is also available on other streaming platforms and physical media through DVD, Blu-ray, and my preferred option, because I’m a snob, 4K Blu-ray.

Nevertheless, I am glad “Inception” is coming back for more screenings. I will happily show up in a mask, wearing a hazmat suit, and bring my own hand sanitizer if necessary! As for “Tenet,” I will be seeing it as early as possible, when it comes out on July 31st, unless of course there is a press screening, which I kind of doubt there will be since that occasionally involves a heavy crowd. That and… (whispers) “Tenet” sounds like a movie where you can’t say anything about it before the spoiler police knock you out.

“Inception” will return to theaters July 17th, hopefully that date is a lock and it won’t get changed, and “Tenet” will be in theaters in digital, 35mm, 70mm, and ALL IMAX formats July 31st. Tickets are not on sale yet, but hopefully there will be tickets soon. Thanks for reading this post! This is my 399th post on Scene Before, unless you count one that was deleted. Keeping with the tradition of the past, my next post, which is my 400th, will be a Blu-ray collection update. I’m going to be going over my entire movie-based collection. I could do TV, but that would divert from the movie theme of Scene Before and I would only show like three items if that were the case. I will have this up sometime next week, same with my review for “Days of Thunder,” starring Tom Cruise, as I continue June’s theme for the blog, Tom Cruise month. I also plan to review “The King of Staten Island” pretty soon, maybe I’ll watch something else and review it as well. Who knows? Like I said before, although in an alternate context, the possibilities are endless. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Check out my Facebook page and give it a like, and speaking of likes, if you have the proper account credentials, give this post a like! Otherwise, just share with your friends who probably are just like me and really want an excuse to go back to a flippin’ movie theater. I want to know, what are your thoughts on “Tenet” getting delayed? Are you willing to go into a theater to see this movie? I know I am! Also, what are your thoughts on “Inception” coming back to theaters? I’ve been waiting for a train for a long time, and I hope it takes me to the cinema! Let’s go already! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 7

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Hey everyone, Jack Drees here! It is now time for part 7 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As much as I want to continue to create informative content, I’m getting to the point where this series has become an annoyance. But I continue to do it anyway because historians can look back on this and remember it as a dire time for the film industry, which it really is. And those reviews I’ve been saving for months cannot go to waste. So Scene Before is STILL your place for the apocalypse! But who knows how much longer this will last? If I have to do more than twelve or thirteen, I might shove an aluminum soda can down my throat. In other news, I still know how to put on pants, I have not been going outside, and if I’m not back in the cinema by the end of July, I am going to throw all my DVDs and Blu-rays out the window like I’m a stubborn child!

And since we are still on a downward spiral, let’s get to the news of the world!

Starting in New York, we have news regarding what could be the United States’ most famous public transportation system, the MTA (Metropolitan Transportation Authority). Andrew Cuomo, governor of New York state, made a major change to the system. The MTA is known for having a 24/7 schedule, so they never stop running. However, under Cuomo’s order, the system will be shutting down from 1 AM to 5 AM. This is likely a financially responsible decision, as nightlife in New York is nonexistent at this point. Plus, ridership is down 90% as far as the system goes. With less money, there’s more of a willingness to engage in the system’s preservation. This is also part of an effort to properly disinfect MTA property and machines, making a safer and cleaner ride for customers.

While some states are going to have to wait a bit longer to reopen, some like Georgia and Texas have begun easing on restrictions. Another state that has announced some easing on restrictions is the New England state of New Hampshire. The state plans to partially reopen starting May 11th. Certain pieces of economic industry including golf courses, campgrounds, and hair salons are permitted to reopen. Outdoor dining is also permitted to take place. Strict guidelines are still in place however as there is still a tendency to keep people 6 feet apart. New Hampshire currently has over twenty-five hundred confirmed COVID-19 cases so far. That is more than neighboring states Maine and Vermont, but is significantly less than its other neighboring state, Massachusetts, which has over seventy thousand cases.

Let’s go over to the United Kingdom and talk about Prime Minister Boris Johnson. Previously diagnosed with COVID-19, Johnson spent time in intensive care and was monitored health-wise. As he gets back into his routine, he stated that doctors were ready to announce his death in an event that he refers to as a “death of Stalin’-type scenario.” Johnson told UK newspaper The Sun that he required “liters and liters of oxygen.” During hospitalization, the Prime Minister kept asking himself: “How am I going to get out of this?” In other news, Johnson and his wife recently named their newborn son Wilfred Lawrie Nicholas Johnson. The “Nicholas” in this full name is chosen in honor of a doctor who helped aid Johnson.

Before we dive into our main topics, here’s a conglomerate of news that I ought to share because it can be packaged into a little box. While most theaters in the United States seem to have a plan on opening back up in the summer, because nothing’s out until then, some theaters are already opening their doors. For example, in Rhode Island, the Rustic Tri-View Drive-In, located in North Smithfield, is now part of the state’s reopen plan according to Governor Gina Raimondo. As for non-drive ins, Texas has three Santikos theaters reopening with a $5 ticket deal. For the record, this is a third of the company’s locations. Honestly, while it is good news for business that these theaters are reopening, I think it is also good news for health that they are taking it slow. The major chains like AMC and Cinemark still plan on a July reopening, which I think is fine, because it builds up anticipation and there’s nothing really new playing until then. Outside the U.S., Norway is reopening its theaters starting May 7th, capping the limit at 50 people per screening. The movie theater to me is a place beyond the imagination. It’s also a place where I occasionally get to see masterpieces. These masterpieces often get awards, such as Oscars. Speaking of the Oscars, let’s talk about them!

THE ACADEMY CHANGES RULES FOR THE 93RD ANNUAL OSCARS

One of my favorite days of the year is Oscar Sunday. When this crisis first started, I was a little worried that would not even be able to see an Academy Awards show next year, much less get more movies that could potentially be nominated. After all, when you are a studio or crew and cannot come out with your movie, it’s kind of a struggle. However, The Academy may have something planned next year. One indicator of this is them announcing changes to their rules and layout. Most notably, the Academy is putting its traditional rule of its nominees needing to have a theatrical release on hold. Specifically, the rule that a movie must play in Los Angeles county cinemas for at least a week with daily screenings taking place at least thrice. So if you play your movie in cities such as Los Angeles, Burbank, Santa Monica, Long Beach, Glendale, Pasadena, Culver City, or anywhere else in Los Angeles county that may have a movie theater under certain requirements, it could potentially be nominated for an Academy Award. Due to the COVID-19 crisis, the Academy is making an exception for this year. The following quote is taken from The Academy’s website, oscars.org.

“Until further notice, and for the 93rd Awards year only, films that had a previously planned theatrical release but are initially made available on a commercial streaming or VOD service may qualify in the Best Picture, general entry and specialty categories for the 93rd Academy Awards under these provisions:

  1. The film must be made available on the secure Academy Screening Room member-only streaming site within 60 days of the film’s streaming or VOD release;
  2. The film must meet all other eligibility requirements.”

So this means that films like “Trolls: World Tour,” “Scoob!,” and “The King of Staten Island,” which are either already On Demand or will be dropping towards On Demand soon, are considered eligible for the Academy Awards. Films that barely even got a theatrical release like “Bloodshot” or “The Hunt” also qualify. I’m willing to imagine to some extent that this *may* count a film such as “The Lovebirds,” which was going to theatrically release this year and make a debut at South by Southwest. Although the festival was canceled and Paramount is no longer putting the film out in cinemas. But unlike films such as “Trolls: World Tour,” which is available on platforms including Prime Video, Google Play, Vudu, FandangoNOW, AMC Theatres On-Demand, iTunes, and cable outlets such as Xfinity and Fios, “The Lovebirds” is going straight to Netflix. Given how Netflix has made a major presence at the Academy Awards in past years, films like “The Lovebirds” could be considered eligible, but is the Academy only considering certain platforms? Are exclusive platform deals going to tie in somehow? What about “Artemis Fowl” on Disney+? That movie was supposed to come out this month, but unfortunately that’s not happening.

Also keeping fine print in mind, these rules pertain to films that were once planning on theatrically releasing. So films like Netflix’s “Extraction,” which was intended for a streaming platform, or HBO’s “Bad Education,” which went straight to television, will not qualify. This policy is also not permanent, as the Academy intends to make this only apply for this year’s ceremony, and anticipates an end date in the future when there is a sense of normalcy, not to mention when theaters re-open. However, the Academy is also planning on expanding qualifying theaters to U.S. areas including New York City, the San Francisco Bay Area, Atlanta, Chicago, and Miami. As one who lives fairly close to Boston, I am disappointed, but we can’t have everything, even if sports prove otherwise. By the way, I hate football. I said it.

PHYSICAL MEDIA (and other electronic) SALES GO UP

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Now I imagine some people will flat out not care about this, but to me, physical media is the best way to watch a movie at home. Because when you buy a movie on Prime Video for example, you don’t own it. Yes, you possess the film digitally, but if the service goes down, crashes, or the company behind it closes its doors forever, you’ll probably never be able to watch it again. With physical media, it is all up to you. Now it is not a surprise that we have had more time on our hands to go on Netflix and watch “Extraction,” to flock over to Disney+ and watch “Star Wars,” to jump on over to FandangoNOW and give “Trolls: World Tour” a rent. But what KIND OF surprises me, and I say kind of, is how much of a presence physical media has in this pandemic. According to recent statistics, DVD and Blu-ray players went up 27% during the pandemic. Keep in mind, this is a market that Samsung recently abandoned.

Another thing to keep in mind is that DVD and Blu-ray players, which went up by 27% is not the only winner here, in fact, the increase is not as big as other categories such as TV mounts (41%), printers (61%), and streaming players (67%). So rather than just being a great boost for physical media, it is also a great boost for tech. TVs have been doing well, and so have computers. As for where the actual total of sales for DVD and Blu-ray DISCS stand, that’s another question. Although, based on this quote from NPD’s Tom Baker, that type of electronic may be doing just fine.

“Sales are up as consumers stay at home and look for multiple forms of entertainment. These include DVDs and Blu-ray discs to entertain children while their parents are working, backup access devices if Internet access is challenged by streaming, or simply the consumers’ realization that they may need a physical disc player as an alternative to streaming and either they didn’t already have one or the one they do have needs an upgrade.”

Honestly, in a time like this, I think some people are going to want physical media. Sure, it involves getting up and putting in a disc, but one of the reasons why I am such an advocate for it is the technical side of it. Outlets like YouTube and Netflix have lowered the default quality of content to standard definition. With Blu-ray, the default quality is 1080p, or if you have a smaller setup, it’ll work in 720p. Yes, standard definition is the quality of DVD, which is 480p, but again, I’ll bring up the fact that you have control over your content. Netflix, or more specifically, Warnermedia, is not going to snatch “Friends” away whenever the year ends like they did months ago. If you don’t want it, just sell it and get some money back! Plus, you get all the bonus features which can help you pass the time. I just got the “Star Wars: The Rise of Skywalker” 4K Blu-ray last month, I still need to watch the bonus content! So I still have something to do! Also, what if the Internet goes down? You don’t need any Internet to watch a DVD! If I had to come up with any downsides, maybe it involves a little more activity, but since we refuse to go outside, it could be worth taking a couple steps to the collection and popping a disc in. Or, since places like Walmart sells them, there’s always a chance, given how grocery stores are becoming petri dishes right now, that other people touched the DVDs or Blu-rays and spread their germs, which may not be the most pleasant happening for a time like this. But of course, worst case scenario, you can always order these things online. Although I can also imagine that some people are buying these devices because they have smart capabilities as well, allowing them to contain apps like Netflix, YouTube, and Prime Video.

NO MORE KEANU DAY, BUT HERE’S MORE DELAYS!

One of the actors who arguably was the “winner” of 2019 is Keanu Reeves. His year in acting brought him success through films like “John Wick: Chapter 3 – Parabellum” and “Toy Story 4.” He did films like “Replicas,” which honestly sucked, but he also became a heavy hitting piece of promotion for the upcoming game “Cyberpunk 2077,” by making a surprise appearance at E3 last year. And honestly, this might have spawned my favorite slice of all the content that went viral on the Internet last year.

In fact this year, the Keanussance is likely going to continue. After all, he is making an appearance in the third “SpongeBob SquarePants” movie in a minor role. The movie by the way for those who don’t know is titled “The SpongeBob Movie: Sponge on the Run.” Speaking of known properties, Reeves is also going to be reuniting with Alex Winter to star in “Bill & Ted Face the Music.” Although, if you are a fan of one of Keanu Reeves’ most popular franchises, specifically “John Wick,” prepare to be disappointed. “John Wick: Chapter 4,” once scheduled to come out May 21st, 2021, will now be releasing May 27th, 2022, a full year later. Taking the spot of “John Wick” is the “Saw” reboot titled “Spiral,” which was supposed to be out May 15th of this year. Speaking of Lionsgate films, “The Hitman’s Wife’s Bodyguard,” which is a sequel to 2017’s “The Hitman’s Bodyguard,” will be hitting theaters August 20th, 2021, as opposed to its prior date of August 28th, 2020. An upcoming horror drama, “Antebellum,” is set to release August 21st, 2020, as opposed to its original date which has already passed, April 24th, 2020.

However, sticking with “John Wick: Chapter 4,” this delay is a particularly interesting one. Not just because it involves a meme-worthy actor and a hit action franchise, but this film was originally supposed to come out the same day as another Keanu Reeves movie. And it’s not some indie film made by a studio like A24 or Neon. It’s not, THANKFULLY, a sequel to “Replicas,” a film Reeves starred in that turned out to be one of the worst films of 2019. It’s “The Matrix 4.” Now if you asked me five years ago about the possibility of a “Matrix 4,” I’d probably toss the idea behind my head. There didn’t seem to be much place else that the story could go. But hey, everything’s getting a reboot and a remake now, so why not “The Matrix?” I honestly don’t know what to expect from it, but the fact that this is a reboot and not a remake pleases me. Nevertheless, both films prior to the delay of “John Wick: Chapter 4” were scheduled to come out May 21st, 2021. The Internet has often called this “Keanu Day.” I will say that the delay of “John Wick: Chapter 4” is both a good thing and a bad thing. It’s good because it avoids having the crew rush on making the film, but it’s also unfortunate because as a Keanu Reeves follower, I figured it would be fun to go to the theater and do a Keanu Reeves double feature. However, if more good news needs to be said, I should also point out it’s perhaps likely that these films, which by the way, are from different companies, will be marketed to similar groups of people, and maybe both could lose their respective studios money as a result. Both films debuting on their own release dates could not only benefit Lionsgate, who is delaying “John Wick: Chapter 4,” but also Warner Bros., who is responsible for “Matrix 4.” Not everyone has the money and time to go see two seemingly similar movies. While “John Wick” fans may have to wait, this could give Lionsgate a greater chance of creating a “John Wick: Chapter 5,” because what if “John Wick: Chapter 4” doesn’t warrant a sequel after losing lots of money to “Matrix 4?” At least the studio has a “Hunger Games” prequel and “Knives Out 2” potentially coming soon so it’s not like they’ll spend years losing money from here on out.

AMC THEATRES AND REGAL ENTERTAINMENT GROUP BAN UNIVERSAL FILMS

Can I get some popcorn?! Because I’d say it’s time to enjoy the greatest battle in cinematic history, and it’s not even in a movie! Tonight’s fighters are… movie theaters and Universal Pictures! Now, “Trolls: World Tour” is a one of a kind movie, mainly because Universal decided that it should be released directly onto VOD. Universal bragged about the film’s progress so far to the point where they thought it would be a good idea to release more of their films On Demand while also putting them into theaters.

Now, I’m going to have to be very careful here, because several different outlets have reported similar sounding items that might contextualize something different.

The story here begins by bringing the mega-chain AMC Theatres into the mix. AMC Theatres saw Universal’s plan to simultaneously release movies theatrically and at home and responded by saying that they will not play any of Universal’s movies if that’s the case. While a source like The Hollywood Reporter did a story on this and cited from AMC CEO Adam Aron that the company will no longer play any of Universal’s films in its theaters worldwide, one quote from Deadline’s article suggests, also from Adam Aron, that they will not do so “on these terms.” By that, it likely means that AMC will not release Universal’s films if they just follow a simultaneous home video rollout. Keep in mind, it is traditional for films to follow a strict theatrical window. While there have been cases of films like “Black Panther” that you can still see in some theaters while it becomes available at home, tradition has suggested that a movie released for theaters must be out for about ninty days before it comes home. Universal doing a release like this not only ignores the theatrical window, but it also makes the theater potentially lose money because people could just stay home and put the movie on their TV. In fact, movie theaters were against Universal since this pandemic started. While they did manage to have a rather solid idea of making “Trolls: World Tour” a straight to On Demand movie, other studios seemingly have concretely laid out their plans and avoided giving such a last minute notice like Universal appeared to. NATO (National Association of Theater Owners) head John Fithian was against this from day one.

“Only Universal, and only on ‘Trolls,’ did one studio skip the theatrical model and go straight to the home. Universal continues to advertise to consumers that ‘Trolls’ will be released simultaneously to theaters and the home on April 10. And they are lying to consumers. Universal knows that theaters will still be closed on April 10, so unlike every other distributor who must simply delay their releases in that time period, but still understand that theatrical release is essential to their business model, Universal on ‘Trolls’ didn’t make that decision. Exhibitors will not forget this.”

Fithian also shares his thoughts on the current matter of AMC abandoning Universal films with this quote…

“Universal does not have reason to use unusual circumstances in an unprecedented environment as a springboard to bypass true theatrical releases. Theaters provide a beloved immersive, shared experience that cannot be replicated — an experience that many of the VOD viewers of this film would have participated in had the world not been sequestered at home, desperate for something new to watch with their families. We are confident that when theaters reopen, studios will continue to benefit from the global theatrical box office, followed by traditional home release.”

Let me just say that if Universal is planning on releasing “F9” through VOD the same day as in theaters, that might be one of the worst decisions they’ve ever made. People go to those movies because they provide adrenaline rushes, the effect is not as great if watched on a TV, tablet, phone, or computer. This is why before this whole pandemic, I bought opening Thursday tickets. Luckily, I did get my money back. So if all Universal films are never coming to AMC again, it’s going to make it harder for me to review them as AMC locations are easy for me to access. The theater is a huge money-maker for Universal, to have hundreds of screens lost is not a great investment in the long run. People are inevitably going to get back into routines, and part of that routine is the movie theater. It might take awhile for some people, but if you’re someone like me who sees a difference in the experience from watching at home and in the theater, I’m going to choose the theater by a long mile. This is why I want to see “Tenet” in July. Heck, before this all happened, I probably had little to no intention of going to see the remake for “Mulan,” but I’ll show up because I want to support movie theaters.

But just you wait! There’s more! Universal, if you do nothing, cinema chains will double the offer! That’s two cinema chains not playing your movies, for a chance to lose more money! Cineworld, which currently owns the U.S. staple, Regal Entertainment Group, also said that they “will not be showing movies that fail to respect the windows.” So, should Universal continue to release movies On Demand early, Regal, along with AMC, will not be playing those films in their venues. Alternate chains like Showcase Cinemas, Alamo Drafthouse, and Arclight for example have not really said much about this matter. But remember, the theatrical window is a sacred bond of trust. If you’re putting a movie in theaters, chances are you have to follow it or face consequences.

Also, I wonder how much longer this will go on for, because guess what? If you go to Universal Studios Hollywood, you’ll notice on the CityWalk that there is a movie theater that currently goes by the name Universal Cinema. The theater has reserved seating, recliners, a Director’s Lounge, and an IMAX with Laser. By the way, that IMAX is also equipped with a 70mm projector, which if the theaters open back up in time for “Tenet,” will probably be used. Guess who owns that theater? AMC of all possible names! Who knows what is going to happen there?! As for Universal Orlando Resort, they’re safer in this circumstance as they currently have a Cinemark. They had an AMC at one point, but that has now closed. Gotta love drama.

NEW HOME VIDEO RELEASES

First off, it is Tuesday, May the 5th! Meaning it is the day after “Star Wars Day,” AKA May the 4th! For those who have not heard it already, May the 4th be with you and as for today, enjoy your Revenge of the Fifth! With that being said, there’s some new “Star Wars” content on Disney+, including a documentary on “The Mandalorian,” the series finale of “The Clone Wars,” and since we talk about movies on here, one of the new additions is “Star Wars: The Rise of Skywalker,” the conclusion to “The Skywalker Saga.” As of now, the full “Skywalker Saga” is available on the service. The only theatrically released “Star Wars” movie not available on Disney+ at the moment is “Solo: A Star Wars Story.” However, the movie is currently on Netflix. If you are wondering when “Solo” will be coming to Disney+, it will be available starting July 9th, 2020. As for what’s coming On Demand, one example is “The Lodge,” which is about a soon-to-be-stepmom who is staying with her finace’s children at a holiday village, where strange events begin to occur. The film is available today, May 5th, on DVD, Blu-ray, and Digital. Another film getting such a release on May 5th is “Arkansas” starring Liam Hemsworth and Vince Vaughn. It is the directorial debut of Clark Duke and was supposed to be shown at this year’s South by Southwest Festival. The film is a thriller about two men who live under the orders of a kingpin whom they’ve never met. Unfortunately, a deal goes wrong, meaning they could end up facing harsh consequences. “Arkansas” was supposed to theatrically release on May 1st, the same day that “Black Widow” would have hit theaters had it not been delayed. However, it is now available physically and digitally starting today, May 5th. One more film to avoid skipping over is “I Still Believe,” which is now out on DVD and Blu-ray as of today. The film is based on the true story and journey of Christian music star Jeremy Camp.

Thanks for reading the seventh part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Happy Revenge of the Fifth, hope all the “Star Wars” fanatics in the world are happily going about their lives and not getting into fights in comments sections, because that’s impossible, right? Also, Happy Cinco de Mayo, on a Taco Tuesday coincidentally! Two days that go together quite well! Also, if you want remind yourself of a simpler time when movie theaters were open, be sure to check out my latest YouTube video where I document my experience of going to see “Star Wars: The Rise of Skywalker” on opening night. Disney has already put copyright claims on it, but I really don’t care as I enjoyed making the video. Also, if you like the video, leave a like, if you want to subscribe, go ahead! Speaking of leaving likes, be sure to check out my Facebook page and immerse yourself to posts much shorter than these while also getting the latest updates from Scene Before! Since we’re still on the topic of likes, be sure to like this post if you’re enjoying the content, and as we’re continuing promotion, why not give this blog a follow either with a WordPress account or your email? I want to know, what is the biggest piece of movie news for you in regards to the COVID-19 crisis this past week or so? Did I miss anything? Also, how did you celebrate “Star Wars” day? Me personally, I started on May 3rd! TBS had a marathon and I watched for hours! Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 6

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Hey everyone, Jack Drees here! It is now time for part 6 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

I’m telling you guys, this is getting annoying! We now have as many entries to this series, as “Sharknado” does within its own series! This is wrong! And honestly, this may be the biggest post yet, because a lot has happened in the entertainment realm! But of course, let’s get to the real world news first! By the way, if you’re asking, none of it has to do with Kim Jung Un. I’m only counting COVID-19 matters.

Today we’ll start in a film capital, California. Last week, Florida’s Duval County was in the news because people spent time at the area’s beaches that were recently reopened. This was referenced a ton on social media, which lead to the trend #FloridaMorons. While I never found #CaliforniaMorons to be trending on Twitter, some people did make tweets with that hashtag inserted. Before we go any further, here’s some highlights related to this subject, even if all of them don’t use the hashtag.

Once again, I did not see #CaliforniaMorons trending, but just to prove that I am not the only person who is noticing this…

I know, right?! I love California! I was just there a month ago! But, holy crap! This weekend, California was hit with warm weather, reaching 80 and 90 degrees. Since it is so warm, a lot of people thought it would be a good time to go to the beach. But of course, because COVID-19 ruins fun, there is a massive chance of spreading the infection. Naturally, much of the response on social media to this matter has been particularly negative. Speaking of beaches getting traffic, San Diego officially reopened their beaches starting Monday April 27th. However, this does come with restrictions. People cannot gather in groups, park, or lie down to get some rays. Question about parking, does Uber count? Drivers need to get by in these times! Plus, Fiesta Island, piers, and boardwalks will be closed. However, you can still swim, you can still fish, you can still surf. This is part of phase 1 rules in regards to San Diego beaches. California Governor Gavin Newsom had this to say about the matter…

“This virus doesn’t go home because it’s a beautiful sunny day around our coasts.”

Although, California is not done with announcing closures, because the Orange County Fair will officially be shut down for this year. This year’s fair was supposed to last for 23 days, on every day of the week except for Mondays and Tuesdays starting July 17th and ending August 16th. The fair, held in Costa Mesa, California, has previously seen over a million visitors in a year.

Two of the celebrities who have been taking up lots of spotlight in this time of a pandemic are Tom Hanks and Rita Wilson, both of whom previously been tested positive for COVID-19. However, time has passed, and the two seem to be better then they were a month ago. Although they are back in the news for better reasons. Hanks and Wilson agreed to donate blood and plasma for a possible vaccine. After all, both individuals carry needed antibodies. I will be real, I f*cking hate needles. Even if they are necessary. I feel as if I’m gonna make it out of a burning building should a vaccine be injected into me in order to avoid getting COVID-19. However, if you want to convince an anti-vaxxer to get a vaccine, tell them that Tom Hanks will now be a part of you.

Speaking of Tom Hanks, the man known for such films like “Cast Away” and “Bridge of Spies” defended a child the other day. While he was not able to get physically involved, partially because of physical distancing limitations, he did take action. When Hanks and his wife, Wilson, were diagnosed with coronavirus, an 8-year-old male Australian student by the name of Corona De Vries wrote a letter to the couple saying he loved his own name, but he was often called the coronavirus, making him “sad and angry.” Hanks saw the letter and responded back suggesting “You got a friend in me,” a phrase inspired by “Toy Story,” another film Hanks is famous for.

Say what you want about celebrities being selfish and entitled, even in these times. Tom Hanks suggests otherwise.

Now I’ve talked quite a bit about Donald Trump, who as of recently, just invented the “Noble Prizes!”

By the way, if you are wondering why I am not using Trump’s tweet for this, it no longer exists!

Last week, after Trump suggested that the coronavirus “may not come back at all” for a second time, Dr. Anthony Fauci begs to differ. He suggested the possibility of a second outbreak after having a discussion with Robert Redfield, director of the CDC. This outbreak could hit in the fall, and be more complexing considering how the flu pops up at the end of the year.

Speaking of Trump, time for some bleach drinking! In the ambitious search for a COVID-19 cure, Donald Trump has suggested the possibility of injecting disinfectant in order to rid one’s body of COVID-19. Let me just start off by saying, yes, injecting disinfectant will VERY LIKELY get rid of COVID-19, because you’re about to f*cking go down along with it. Putting bleach in the body is good for a lot of things. Erasing the lyrics of “Baby Shark” from your head! Forgetting whatever the “Cats” movie was! Oh, and trying to become a f*cking ghost! The COVID-19 crisis is not going to be solved through disinfectant going inside you! Besides, everyone’s afraid to go to the supermarket right now! You think everyone’s gonna want to pile on top of each other in the same aisle grabbing Clorox?!

I’m done! I’m really just done! I just want to go to a restaurant and the movies, is that too much to ask?! Wait…

Before we go any further, I’m going to remind everyone that in my post from last week, I documented that Georgia was planning to reopen on April 27th. Well, that was yesterday. But when it comes to movie theaters, those are not reopening. I mentioned this specific before, but I thought I’d bring it up as a refresher. Georgia Theater Company, otherwise known as GTC Movies, is not planning on reopening theaters anytime soon. They intend on waiting until July, when Christopher Nolan’s “Tenet” comes out, a movie which we’ll talk about later. Speaking of which, Greg Abbott, the governor of Texas, has given theaters the green light to open starting Friday with 25% capacity. Chains like AMC and Cinemark do not plan on opening until the summer. Although in addition to that, a movie theater chain that is absolutely critical to Texas is taking similar actions. Specifically, Alamo Drafthouse. For the record, these theaters are not entirely shuttered, as some are open for takeout and delivery. After all, Alamo Drafthouse is known for its food selection. However, an Alamo Drafthouse spokesperson had this to say in regards to possibly reopening…

“Opening safely is a very complex project that involves countless new procedures and equipment, all of which require extensive training. This is something we cannot and will not do casually or quickly. We will not be opening this weekend. But know this, when we do open, we will be providing the safest possible experience for both our staff and our guests and we can’t wait to see you all again!”

It seems that Alamo going to follow the footsteps of other chains and maybe reopen during mid-summer. That is, should COVID-19 not affect the safety of theater patrons. Besides, not much material is coming out in theaters these days, including a movie I am going to talk about right now.

SCOOB! GOES STRAIGHT TO DIGITAL

One of the family films that was set to come out this year is “Scoob!,” which if you cannot tell, belongs to the “Scooby-Doo” IP. Now “Scooby-Doo” has had a lot of content over the years, but in May 2020 the franchise was about to have its latest theatrically released title. A couple of films within the IP have been presented this way already, and they were written by James Gunn, who of course is now famous for his work on the “Guardians of the Galaxy” films. This film was set to release May 15th, 2020, but Warner Bros. took it off the release calendar in response to the pandemic. Turns out, it will be coming out that day all along, BUT it won’t be in theaters, given how none are practically open right now. Instead, it is going to follow in the footsteps of “Trolls: World Tour,” the animated sequel by DreamWorks, now owned by Comcast, and release onto VOD. Meaning that services including Prime Video, Vudu, FandangoNOW, and Google Play will be getting the film. I’ll be honest, had this pandemic not been going on this year, there’s a solid chance that I might miss out on “Scoob!” if it were in the theater. The only reason why I would even consider seeing it, is because I feel the need to see five animated flicks by the end of the year, because I need enough nominees at the Jackoff Awards that I do in the winter. Although, it definitely does have a market. Families would probably have gone to see it. Generations who grew up with “Scooby-Doo” will recognize the movie and pass the torch to their children. Had it stayed in theaters, it could have made for a fun outing. But of course, it’s not in theaters.

“Trolls: World Tour” was not the worst option of all the movies that could go straight to VOD instead of theaters. A lot of younger kids recognize the film, and since sometimes bringing kids to the movies can be obnoxious, putting it in a home environment is not the worst idea. That is until Amazon’s 48 hour rental period expires and they beg for the parents to spend another $20. “Trolls: World Tour” landed one of the biggest digital debuts ever, and “Scoob!” could do the same, but that is going to depend on how many kids are looking forward to it. I think there was more of an appetite for a “Trolls” sequel among children than there was for a “Scooby-Doo” movie. At the same time however, “Scooby-Doo” has had a long history of being a product for the home environment. I grew up having a piece “Scooby-Doo” media in my collection. A lot of television shows and cartoons have been a part of the “Scooby-Doo” brand. From a production standpoint, this could come off as something that was meant for theaters, but may be remembered as another fine entry to the “Scooby-Doo” home media collection.

THE KING OF STATEN ISLAND GOES STRAIGHT TO DIGITAL

Had South by Southwest happened this year, one of the films that I would have been eager to see was Judd Apatow’s “The King of Staten Island.” The film had an advantage of being a higher-profile title, alongside such movies including “The Lovebirds,” which is now going to Netflix. This film had a bright future on the big screen. Aside from a SXSW debut this March, it was supposed to come out June 19th of this year in theaters. I have some good news and some bad news. The good news is that “The King of Staten Island” is getting bumped up a week to June 12th, 2020. So it’ll come out a week earlier. The bad news is, if you were looking forward to seeing Judd Apatow’s latest film in theaters, that’s not happening, and this does not come as a surprise. I have a feeling that part of this not only has to do with analyzing the potential box office results ahead, but maybe it has a bit to do with “Tenet,” which I think is going to be a better example of a film that is going to try to entice people to get back in the theaters (again, more on that later). However, starting June 12th, “The King of Staten Island,” a semi-autobiographical comedy-drama starring Pete Davidson will be available On Demand through various services. This is a release technique similar to the recently mentioned “Scoob!.” The film also features notable names including Marisa Tomei (Spider-Man: Homecoming, My Cousin Vinny), Pamela Adlon (Bob’s Burgers, Better Things), Steve Buscemi (Miracle Workers, Fargo), and Bill Burr (Breaking Bad, Date Night).

While this technique has been done for a film like “Trolls: World Tour,” which again, was fairly successful. A film with this much name power that was supposed to be in theaters has not really gotten this treatment all that much during the pandemic. I see at light at the end of the tunnel, but as of now, “The King of Staten Island” is perhaps an adult version of the “Trolls: World Tour” experiment. I honestly don’t know how this is going to go, as “Trolls: World Tour” likely had several advantages. First, that movie was going for a wider audience including children, families, etc. “The King of Staten Island” is an R rated picture. No kids allowed on this flick! Plus, since this film probably won’t be heading to a platform like Netflix, where you can watch the movie for free as long as you have a monthly subscription, it could suffer from less views because people are cheap and they’d rather watch something free than pay a rental price. “Trolls: World Tour” might as well be a product that can be put on bunches of times just to shut kids up on some occasions. It may be expensive, but the peace and quiet could be worth it. Although, Comcast’s streaming service, Peacock, which is now available for Xfinity customers, is hoping to expand its customer base starting July 15th. Maybe “The King of Staten Island” will end up on the service as soon as possible for everyone to enjoy.

Also, side note, this movie is incorrect. Pete Davidson IS NOT the king of Staten Island. The Impractical Jokers are the kings of Staten Island. That’s a fact. Prove. Me. Wrong. I dare you.

A SURPRISING SUCCESS FOR TROLLS: WORLD TOUR

Thought I was done talking about “Trolls: World Tour?” Well, I’m not! Because according to The Wall Street Journal, it turns out “Trolls: World Tour” has officially made over $100 million in a matter of just a few weeks! This ultimately means that this digital experiment Universal was trying out happened to be relatively successful so far. Again, I think part of this mainly has to do with “Trolls: World Tour” being a family movie that kids will probably be watching over and over again to the point of becoming annoying. However, it’s an interesting success story as movies like this, including “Trolls: World Tour’s” predecessor, happen to gain massive successes from big theatrical runs. I should also point out that the first film currently has made more money at the domestic box office, specifically $153.7 million. But who knows? Maybe that will be broken. Will this mean Universal does more straight-to-digital releases in the future? Honestly, I hope not. While this may have worked for a film like “Trolls: World Tour,” which I think kids were going to watch no matter what, movies in general are often built up best by word of mouth in an attempt to get people out of the house. I just hope for the love of Pete that the ninth “Fast & Furious” DOES NOT get a straight to digital treatment. As for other factors to consider, “Trolls: World Tour” is also one of the only new films to watch right now, and since we can’t leave our house, maybe that has a contributing factor to how willing we are to stay in and pay a rental price on the movie. If we were in normalcy, who knows how this would have played out? But if you ask me, EVERY MOVIE is better in a theater. Mark my words.

SPIDER-DELAY! SPIDER-DELAY! DOES WHATEVER A SPIDER-DELAY DOES!

In part 5, I’ve practically given DC Comics its own section to talk about in terms of delays. This time, I’m going to be doing this for Marvel, both on the sides of Disney and Sony. Starting off with Sony, one of their hit movies, the Academy Award-winning “Spider-Man: Into the Spider-Verse” was supposed to get a sequel released on April 8th, 2022. That’s not happening anymore as the sequel has officially been pushed back to October 7th, 2022. It is hard to know what could come of “Spider-Verse 2” from this release date. Maybe it could do what “Venom” did and be able to separate itself in a month full of horror movies, not that “Venom” didn’t have some elements of the genre. For all I know this could work, because the first film won an Oscar, a Golden Globe, a Critics’ Choice, and seven Annies. The first film by the way released in December. I feel like the Best Animated Feature category is the least important one when it comes to releasing a film at a certain time, but experience has suggested that when a film releases later in the year, it usually gets some awards buzz. “Spider-Verse 2” could not just be a big hit, but another award winner.

Speaking of “Spider-Man,” the third Tom Holland “Spider-Man” movie was delayed! This third “Spider-Man” film was supposed to be connected to the MCU and release in theaters July 16th, 2021 as part of Marvel’s fourth phase of films. However, the film now sits in the month of November, taking a spot on the fifth day of the month. I am disappointed that I have to wait for the film, but the film opens on my birthday weekend, so I’ll take the wins as they come along. This news may have ties to how filming has not really been happening, and I am willing to bet that the delay for Sony’s “Venom: Let There Be Carnage,” now coming out on June 25th, 2021, plays a bit into this. After all, that too is technically a “Spider-Man” property. Having these two movies very close to each other could potentially be weird. Speaking of Marvel…

THOUGHT SPIDEY WAS ALONE? THE MARVEL RELEASE CHANGES SHALL ASSEMBLE!

One of the most complex questions right now in regards to the pandemic is the wonder of what is going to happen to the Marvel Cinematic Universe. It was not that long ago that “Black Widow” was delayed from this May to November, taking “Eternals'” spot on the release calendar. This resulted in pushback upon pushback upon pushback. Guess what? “Spider-Man” is not the only Marvel character affected this week. “Doctor Strange in the Multiverse of Madness,” which was supposed to release the same weekend as “Spider-Man 3,” is now getting pushed back to March 25th, 2022. Interestingly however, “Thor: Love and Thunder,” which was supposed to come out February 18th, 2022 as of recent times, is getting bumped up a week and is now coming out February 11th, 2022. Why is that? I don’t know for sure, but maybe to get couples to go see it on Valentine’s Day. With a title like “Love and Thunder,” that’s probably the reason. And now, for everything else!

THE DELAYS NEVER END!

Going back to Sony, one of the interesting projects that they have held onto for some time is a movie based on the popular video game franchise “Uncharted,” which, appropriately, is a Playstation exclusive. Even though Tom Holland’s “Spider-Man 3” is getting pushed back to November 2021, “Uncharted,” which he is set star in, is getting bumped up. Finally! Some positive news about this movie! I have never played the video games, even though I have heard solid things about them, but as for the movie, it just goes to show that even in development, video game movies are cursed. However, “Uncharted,” which was supposed to release October 16th, 2021, is moving up to the summer of that year! As of now, it is taking the spot where “Spider-Man 3” once was! Hopefully, this optimistic bump means that production will be happening as soon as possible, considering how filming was shut down due to COVID-19 on day one. Who knows what’ll happen? This movie is an enigma! As for other projects under Sony’s control, “Fatherhood,” a new comedy starring Kevin Hart is being pushed back from October 23rd, 2020 to April 2nd, 2021. Speaking of Kevin Hart, another movie where he’ll appear, “Man From Toronto,” once set for a September 17th, 2021 release, is now coming out November 20th, 2021. And if you thought “Spider-Verse 2” was going to be the only affected animated title, you’re wrong. “Connected,” the upcoming film produced by Phil Lord and Christopher Miller, was delayed a month. The film, which was previously expected September 18th, 2020, will now be coming out October 23rd, 2020. “Vivo,” featuring songs from Lin-Manuel Miranda of “Hamilton” fame, was supposed to release April 26, 2021, but now is getting pushed back to June 4, 2021. Can’t believe this is a thing, “Hotel Transylvania 4!” I guess this is also known as, “Adam Sandler needs an excuse be in a movie that won’t go straight to Netflix.” By the way, “Uncut Gems” is brilliant and you should watch it if you haven’t done so already. That is even if it does try to convince an audience that the Mohegan Sun casino in Connecticut has a sportsbook. Anyway, “Hotel Transylvania 4” is yet another movie that is not going down the calendar, but up! Originally set for a December 22nd, 2021 release, the animated sequel will now take the August 6th, 2021 spot. This could be a strategic move as it could give families something to do over the summer, while not having to compete with Universal’s “Sing 2,” which is set to release the same day “Hotel Transylvania 4” was once supposed to come out.

Also getting delayed, Tom Cruise is gonna have to wait a little bit longer before he attempts to kill himself once more, or more specifically, twice more. The seventh and eighth installments to the “Mission: Impossible” franchise, which will be directed by Christopher McQuarrie, also known for helming the fifth and sixth installments in the franchise, both have previous release dates set to self-destruct. The seventh “Mission: Impossible” installment was supposed to come out July 23rd, 2021, once again standing out as a summer staple. As of now, the film is coming out November 19th, 2021, just before Thanksgiving. As for the eighth installment, once planned to release August 5th, 2022, that is now set for a release date that I am personally digging, November 4th, 2022. Why am I stoked? Because it’s my birthday. From what I could imagine however, these two movies may have quite a bit to do with each other and could probably go well together in back to back viewings. Kind of similar to putting “Avengers: Infinity War” and “Avengers: Endgame” together. There is always a chance that “Mission: Impossible 7” could suck more than anything that has sucked before, thus lowering my hype levels for the eighth installment. However, “Mission: Impossible” is a peculiar series that honestly has gotten better with each installment, so anything is possible.

NEW HOME RELEASES

I usually save this for last, but this time, my next post has more of a climactic vibe, so this is going to be my penultimate section. When it comes to digital releases, perhaps one of the most notable titles coming out this week is “The Photograph.” This debuted in theaters last February, stars LaKeith Stanfield (Sorry To Bother You, Knives Out) alongside Chelsea Peretti and features intertwining love stories. This seems appropriate, because, again, this movie came out in February. Although for Netflix, one movie that just came out is “Extraction,” starring Chris Hemsworth (Thor, Ghostbusters) as a black market mercenary. The film is not one that I plan to review, however it is also one that I am hearing solid things about. Granted, the story is nothing to write home about, but if this film were to be solely judged based on action, I’m hearing it slaps. And this honestly does not surprise me as it is written by Anthony and Joe Russo and directed by Sam Hargrave, a stunt coordinator behind “The Hunger Games: Catching Fire,” “Atomic Blonde,” and “Avengers: Endgame.” As for whether or not this is the next “John Wick” is something that you will have to decide for yourself. Also, if you have any plans to tune into Amazon, the SXSW lineup is now available, which was made in response to the cancellation of the ambitious annual event held in Austin, TX. If you have Disney+, your inner “Star Wars” nerd is going to be happy, because not only are you soon going to be getting more of “The Clone Wars,” you’re not only getting a documentary on “The Mandalorian,” but “Star Wars: The Rise of Skywalker” will be available on Disney+ starting May 4th, known by the fan community as “Star Wars Day.” From then on, the complete “Skywalker Saga” will be available on the service. Speaking of action-packed films…

TENET IS LOCKED FOR JULY 17TH

This is going to be the main topic of this entire post. For those of you who don’t know, Christopher Nolan is coming out with his latest blockbuster title, “Tenet,” which had a trailer release this past winter. At the same time, a short preview attached to IMAX screenings of “Star Wars: The Rise of Skywalker,” was shown for a limited time. This film, among all others, HAS NOT been delayed. And if you have talked to me at all recently, it is a film that is almost my most anticipated of the year. It’s just one spot under “Dune” if you are all curious. “Tenet” is a film that has literally been designed for the movie theater experience. It was shot using film stock through IMAX and 70mm cameras, it’s got a labyrinth of a concept similar to Nolan’s other films, and the cast looks promising. Some attached names include John David Washington, Robert Pattinson, Kenneth Branagh, and of course, the one and only Michael Caine. I have been worried for the longest time that this film would get gravitated from this summer, taking away yet another big movie. It’s happened with “Top Gun: Maverick,” it’s happened with “Ghostbusters: Afterlife,” it’s also happened with “Morbius.” However, “Tenet” happens to be one of the last men standing in this battle against the invisible enemy. That’s also what it will continue to be going forward, because IndieWire suggests that “Tenet” will be ready to open July 17th of THIS YEAR unless theaters are closed. Is this wishful thinking? It’s possible, but this article gives me hope, and I will state, this is not the first time I am hearing this statement. However, just to hear this be reinforced a month later, is extremely fulfilling. One of my big worries when it comes to “Tenet” is the possibility of it being a lone wolf in the movie theater, there is not much of a reason for the film to play in seemingly dead space. But at the same time, Christopher Nolan has constantly marketed “Tenet” as an event film. It’s an expensive blockbuster clearly meant for the summer. It’s got a similar vibe to Nolan’s own “Inception.” I will also point out that should quarantine end around the country starting July, Christopher Nolan can utilize a huge marketing push at the end of the game, maybe reminding people how exciting it is to go see a movie in a theater. Nolan is all about that atmosphere. Nolan is not a streaming guy. In fact, when this all started in the US, Nolan wrote an opinion article in The Washington Post where he called movie theaters “a vital part of American social life.” Before hearing what IndieWire suggests in their article, I had a rather bleak thought process as to what theaters would look like only being able to show “Tenet.” A few screens would be open, while every other one is some classic title that maybe not everybody is gonna pay $12 to see when they can they rent it on Amazon. Turns out, IndieWire sees a much more optimistic point of view. IndieWire suggests the following:

“Even if theaters start opening in June (Georgia’s aggressive early plan could permit openings in early May, but NATO has stated it prefers a nationwide, concerted rollout), few will attend without new films. Going before other big films would allow “Tenet” to play on virtually every screen in the country.”

Think about it. How many films have been delayed? From smaller titles that nobody has even heard of to the big blockbusters like those that Marvel cranks out every few months, despite their differences, they have something in common. They got delayed. A few got delayed not too far up calendar while others got kicked into another year, but nevertheless, they got delayed. “Tenet,” as the last man standing, could literally possess every auditorium in every theater, at least in the United States. This is something that during NORMAL times, I would be scared of a movie doing, but now, it makes sense and I am flat out encouraging it, because something needs to light the spark. Plus, should theaters reduce capacity for safety concerns, “Tenet” has themselves covered. They have more theaters and auditoriums that could supply everybody. If you have an AMC near you that has a bunch of standard screens, an IMAX screen, a Dolby Cinema screen all in one place, there’s a solid chance that they’ll use one or two, maybe another auditorium for standard screenings of a blockbuster. In addition, the IMAX or Dolby, depending on the deal they’ve made regarding the film, will also feature said blockbuster. If you have a decent-sized theater, for all I know, “Tenet” could take every screening possible. Can you imagine a 25 screen theater with “Tenet” on virtually every single one? It’s going to be the State of the Union Address of movies. There’s no alternate program you can resort to, it’s “Tenet” or bust! And if this were a film that could easily fit in for a streaming environment, had a small budget, or lacked some of name recognition, I’d probably say maybe this theater project is overblown and a bit beyond one’s reach. However, the film was designed for the theatrical experience, is a blockbuster, and is helmed by the man who I personally think is my favorite director of all time. For all I know, he could get another Oscar nomination for this film depending on how this year pans out.

The slogan of “Tenet” by the way, and hopefully I am not scaring anybody, is “time runs out.” Let’s just hope that time will not run out on this film and our chances of seeing it as early as possible, in as lively of an environment as possible. In a season of movies getting delayed like flights for United Airlines, “Tenet” is possibly going to be the last man standing. The fight against the invisible enemy shall continue, and we shall not stop until we can successfully get millions of butts sitting in cinema seats. Warner Bros., Christopher Nolan, the entire cast and crew of “Tenet,” to say I am rooting for you is an understatement. For all I know, if “Tenet” successfully enters theaters in July, I will be there opening night for IMAX 70mm. This virus is ruining Hollywood, and now we need to give it the Hollywood ending it absolutely deserves.

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Thanks for reading the sixth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Look, I love doing Scene Before, but if this is what I’ll be talking about for the rest of my life, it’s going to get tiresome. I will point out that I left the house for the first time all month on the 25th. There’s that. I just want to go see a movie. If movie theaters collectively do not survive this crisis, I think I might almost be done with movies. One of the reasons why I love movies is because they are experiences, and these experiences are best had in a distraction-free environment either by myself, a few other people, or even a full house. Are the tickets and food sometimes overpriced? Sure, but moviegoing is a staple of the economy and I would flat out scream up to sky if they disappeared. PLEASE… Stay home as much as you can. Do *your* part if you want a better chance of me giving my thoughts on movies for you to possibly see. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! While it may not cure the coronavirus, if you want a better use of your time than drinking bleach, check out the Scene Before Facebook page! I want to know, did I miss anything related to COVID-19 and film? What big piece of news stands out to you? Or, since it relates to this post, what do you think are the odds of “Tenet” getting delayed? At this point, it’s a competitive and strategic game of chess. Who knows at this point? Leave your thoughts down below! Scene Before is your click to the flicks!