TENET is Delayed Again: New Release Date: August 12th, 2020

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Hey guys! Welcome to the latest apocalypse-related update of 2020! A year so bad that it made fully regret ever giving “Cats” a negative review. That hour and fifty minute movie which really ended up feeling like an utter eternity was a blessing compared whatever the f*ck is going on right now! Remember how I posted this s*it down below just a couple weeks ago?

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

Guess what? That s*it’s outdated! Welcome to 2020! A one-way ticket to a dark room full of deadly lasers, accompanied with a bloody water tank with a giant shark that is about to eat you whole! WORST! YEAR! EVER! With that being said, I’m going to try my best… My absolute… Best. To avoid going ABSOLUTELY OVER THE TOP WITH THIS POST! Gah! I already failed! Let’s just do this!

Hey everyone, Jack Drees here! In case you’re reading this, I have somehow survived being disintegrated by tons of deadly lasers and a giant shark that was about to eat me. For all I know, maybe the shark thought I was pitching a terrible product, and said “I’m out.”

…Which reminds me, I gotta cross that shark-raid whistle thingy off the pitch list. Here we go.

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A couple weeks back, we have had an announcement that “Tenet” was getting a pushback, which I think at the time, could have arguably been the most shocking pushback for a film we’ve seen all year. “Tenet” was one of the few pictures to not move a muscle so far in 2020, so to see it gravitate towards a later, granted two weeks later, but later nevertheless, release date on the calendar is a little shocking. However, in my post talking about it, I mentioned there was probably a good reason, one of the notable pieces of news sticking out to me being the plan to rerelease 2010’s “Inception,” allowing for a perfect reason to recognize the film’s 10th anniversary. Not to mention, I thought it was just a damn fine consolation prize. “Inception” will be brought back to theaters around the same exact time it came out, it would be a good way to get audiences back into the theater, see how many people are willing to go to the theater, and as for me, I get to see one of my favorite movies on the big screen, which I did not get to do when I was younger. However, this week, it was announced that “Tenet” has been delayed once more. Time runs out? More like, we need more time to put out our movie.

Before we go any further, “Tenet” is not the only film moving in this case. “Inception” is in on this as well. “Inception” is now going to be taking up the July 31st release slot previously held by “Tenet.” As for “Tenet,” that film will be taking a spot in the middle of the second week of August, allowing it to come out on August 12th.

Let’s start with the good news. The good news, I can’t believe there is good news available in 2020… It’s not that big of a delay. That can be a sign of pure optimism from Warner Bros., Christopher Nolan, or both. While we don’t know where we’ll be in days or weeks from now, it does show that somebody somewhere is sticking to a commitment to put the movie out in theaters. Let’s face it. If I were to shoot a movie on the largest format possible, which Christopher Nolan did. Release it on the largest format possible, which is currently planned. You bet I, as a studio executive, would surely keep a promise to put this damn movie in the theater. I saw previews for this film on my TV, and it looks good on my TV. But why does it look so good? Because it gave me the urge to get off my ass, into my onmyassmobile, and head to a freaking movie theater to enjoy myself for hours!

Wait, that sounds very familiar…

“This film (Dunkirk) is what actually going to the theater is all about. Not renting a movie on DVD, not streaming it on Netflix, but getting off your ass, getting in your onmyassmobile, and heading straight to the movie theater.” –Top 10 BEST Movies of 2017

Nolan is all about the “get off your ass” mentality when it comes to releasing films, and that is part of why I will remain committed to checking out his work. I am all about the experience when it comes to moviegoing. There are very few feelings like entering a movie theater and seeing a movie in general, but when Nolan makes a movie, it’s almost guaranteed to be a ride. To see at the very least, the notion regarding this movie not losing sight of the theater experience delights me to no end.

Now, for the bad news… What if this is not the last delay? Because I feel like the factors determining whether or not we will get to see this movie in theaters as soon as possible have little to do with whether or not theaters are ready. In fact, the major chains including AMC, Regal, and Alamo Drafthouse, have all announced plans to open in July, with precautions in mind. Some of these include deep sanitizing of the auditoriums and often-touched spaces through advanced equipment and materials, allowing extra time to clean auditoriums, reduced capacities and spaced seating to encourage social distancing, and enforcing the use of masks. And yes, I’ll wear a mask, because I’ll happily allow my mask to possibly smell like popcorn. Just because they’re ready does not automatically equate to the public being ready. Am I ready to head back to the movie theater? I’ve been motivated to go pretty much as soon as everything shut down. Granted, knowing myself, I am a little biased. I would have risked my life during the pandemic to go see new movies because this was the routine for my blog. Go to the movies. See a new release. Review said new release. Repeat. Instead, I had to take a break, report whatever fresh hell was happening during the apocalypse to point where I wanted to smash my F*CKING BRAIN INTO SPIKES! Save myself some money so my family and I don’t go broke. Occasionally review a new movie if possible, and so on. I would not deny that there is at least some sort of craving from various demographics to live in some sense of normalcy at this point. Movie theaters are a part of that normalcy. But would the public automatically leap themselves back into theaters? That’s going to depend on who you ask. Some would definitely go back in a heartbeat, but if you scour social media, there are some that are hoping for more at-home releases and those sorts of things.

Not only that, but let’s also look at statistics. One of the biggest catalysts that likely caused this delay in the first place is the notion that New York had no plans to reopen theaters in phase 4, which supposedly starts in a couple weeks for a great portion of the state. New York is one of the biggest movie theater markets out there. They have a large moviegoing population and a ton of theaters to back them up. New York City has also been home to many big film events, including premieres. Although if I’m not mistaken, if “Tenet” releases on time, if Manhattan remains closed, the run could still work if many other theaters in the state as long they remain open in other areas. Speaking of which, New York, Massachusetts, Connecticut, and New Jersey, are trending pretty positive right now when it comes to handling the virus overall. This is as opposed to states like Florida, Texas, Arizona, and California, where the virus is proving to be a little more effective and deadly. Hospitals are filling up by the second, states are seeing record cases, and if they keep going up, who knows what’s gonna happen next? And besides, I just mentioned California, like New York, it is one of the biggest movie markets in the world. It’s where many red carpet events occur, the culture in various cities revolve around film, and it’s home to many historic venues. Plus, Los Angeles county is currently the most populous of the U.S. counties, if you don’t let them for example go see a movie in their local area, that’s potentially a lot of lost customers.

Not to get sidetracked, but I wonder if this means anything for the other big movies coming out soon like “Unhinged” and “Mulan.” Will they bump their dates somewhere else as well? Although Regal Cinemas, the second largest chain in the United States, is supposed to reopen the day that movie comes out, so I doubt they want to move as they have a sweet spot. As for “Mulan,” I feel like Disney could move it, but they also have a good spot should things turn around. They don’t have to worry much about what could be opening the week after, and a lot can happen in a month from now. As much as I would not be TOTALLY surprised if they put the movie on VOD eventually, I feel like from an executive standpoint, this is a movie that like “Tenet” is specifically made to be seen in a theater. Putting the film on VOD would be a sacrifice from one kind of perspective. Plus, based on what I’m hearing from people who have already seen the movie, it may have solid enough verdicts to avoid getting dumped onto Disney+ like “Artemis Fowl” did, which currently has a 10% on Rotten Tomatoes.

One thing I will point out, when it comes to this new release date, it presents a fairly interesting idea given by a Warner Bros. spokesperson.

“In this moment what we need to be is flexible, and we are not treating this as a traditional movie release. We are choosing to open the movie mid-week to allow audiences to discover the film in their own time, and we plan to play longer, over an extended play period far beyond the norm, to develop a very different yet successful release strategy.”

Before this delay, in fact, even before the first delay, what I thought was going to happen was that Warner Bros. was going to attempt to pull the throttle as far ahead as possible. What could have been done is that they’d release the movie, allowing it to play on virtually every available screen in the facility, say this is all happening in a multiplex, allowing for everybody to go see this one movie at practically anytime, with an outright guarantee for social distancing. Granted, with the current plans to bring throwback releases into the mix, that would now be impossible, but again, I’m talking about the past. Now I’m noticing a fairly slow approach that Warner Bros. seems to be taking. I don’t know how well it’ll work out. But if they keep it in theaters for a long enough time, there’s a solid chance that it could be profitable. It’s likely going to depend on word of mouth, positive reviews, and maybe even some hint of rewatchability. For all I know, it could also depend on cases. But this blog is being documented by someone who lives in the United States of America, where we are perhaps all brainwashed into thinking the economy is more “essential” than lives. Am I sick of staying home for the longest time? You betcha. I have gone through several periods of not even exiting my house doors. In fact, this entire post pretty much sums up my distaste with the fact that I’ve had to stay home. But if we all really get back outside, we need to understand that the world is not going to be pretty. We need masks (which I detest, but I understand why we need them). We need clean hands. We need to do our best to stay apart. If we want to have what we love in front of us at some point during 2020, we need to understand the meaning of sacrifice amongst ourselves. And how this even became a political issue here in the United States, I will never understand! Apparently in this country, science equals politics! It’s global warming all over again!

Just so you all know, if you didn’t already, I hate needles with a burning passion. This is the one time, I repeat, the one time in my life, where I want a vaccine for something! I don’t care if it kills me quicker than the virus, but I just want to have a sense of normalcy at this point. I’ve had it with all this! I just want to go see a movie! It’s the one place where I can feel like I’m at home, because I’ve been at my house for so long that it doesn’t even feel like a home anymore! I love my house, but with isolation and everything! It has basically become a prison with people who love and care about you, not to mention better food options! I need to get out at least once to cleanse my brain from whatever spasms it has at this point! Walking won’t do the trick! Am I overreacting? Most likely! But this is my life! Art is the quintessential element that makes me whole, and now I feel like that has been snatched away. I turn 21 in November, so I think I have picked the wrong time to supposedly “build my life.” I want safety for all. But I want to do things.

“Tenet,” please help me. I’m more excited for “Dune” to come out in December, but as of now, I don’t know if there has ever been a movie I wanted to see succeed more than “Tenet.” It’s from my favorite studio, my favorite director, and will be shown in my favorite format. And I surely hope this delay is the last one we get. For all I know, should things continue to trend positively in certain states, I can almost see Warner Bros. releasing the movie in states that are trending positive, then adding a phase 2 to areas that trend positive later. It’s like the government, but it’s all about a $200 million+ movie. “Tenet” HOPEFULLY, and I cannot stress that enough, releases in theaters August 12th, 2020. The film will be available in digital, various large formats including IMAX, 35mm, 70mm, and IMAX 70mm. And you bet I will be striving to catch an IMAX 70mm presentation should one pop up in my area, and given how I don’t live far from Providence, RI, and I do expect the movie to end up playing at their IMAX venue, I will probably make it to one of these shows whatever it takes.

Thanks for reading this incredibly emotional post! And by incredibly emotional, I mean a post where I turn into an absolute brat who simultaneously wants what’s best for society. How did we get here?! Do we even deserve to live at this point? Bring on the alien invasion! Bring on dinosaurs! Bring on giant asteroids! Bring on dogs and cats living together! Mass hysteria! What are we still doing here anywhere? It’s not like we’re… DOING ANYTHING! By the way, right now on Scene Before I am focusing on Tom Cruise Month here in June, which will conclude next week with my review for “Minority Report!” Until then, check out my review for “Top Gun,” a movie which had a sequel that was supposed to come out this exact week, but of course, COVID sucks. It really does. July is coming up, and I’m hoping for my sake at this point that I get to talk about at least one new movie. I’ve spent so much time talking about the past that the future looks mighty fine right now. This universe is punching me in the gut every day. Be sure to follow Scene Before if you want to see new content, and check out the blog’s official Facebook page! I want to know, what are your thoughts on the “Tenet” delay? Personally, I kinda saw it coming, but unlike the last one, this one hurt me a little more. I am more than likely overreacting, but as a guy who doesn’t really care if sports come back at this point, I at least want a movie. Or, here’s another question. Do you plan on going back to the movies anytime soon? Let me know down below! Scene Before is your click to the flicks!

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

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Hey everyone, Jack Drees here! This is a post that I never wanted to make, but feared one day that I would have to put out. It is an entry to Scene Before that I wish had never been thought of, prophecized, or conceptualized. But here we are. It is that day. Ladies and gentlemen, I give you the worst movie news of 2020…

That’s… WHAT I THOUGHT I WOULD HAVE SAID.

Instead, we get some rather unfortunate news. Followed by SOME INFORMATION THAT MADE MY BRAIN RUN ON A HAMSTER WHEEL!

But first, the bad news, and man is it ugly. As described by the title, the Warner Bros. film “Tenet,” directed by Christopher Nolan, my second most anticipated movie of the year, which we just got a trailer for by the way, has officially been delayed. But only by two weeks. To add fuel to the fire, guess what? “Wonder Woman 1984” is pushed back to October! “Unhinged,” which was supposed to come out early July, has been delayed, kind of like “Tenet,” not far into the future, but July 10th. “Matrix 4” has been delayed again, “Godzilla vs. Kong” was delayed as well and it will be going into “Matrix 4’s” spot on the release calendar. Although oddly enough, “Bill & Ted Face the Music,” from MGM/Orion, will be releasing August 14th, a week earlier than originally anticipated. By the way, August 14th is also the date “Wonder Woman 1984” was originally pushed back to when this COVID-19 frenzy started.

I said to myself a couple times during this pandemic that if “Tenet” gets pushed back by like a week or two, maybe somewhere in early August, I’d be fine. Having realized this delay as of now, I am admittedly, a little peeved, especially considering how there seemed to be some recent commitment across the United States at the very least to reopening the economy. After that latest trailer from the previous month, I thought it was a lock that we would be seeing “Tenet” on July 17th. Granted, the trailer itself never suggested it, but if you go to YouTube and check the description of the trailer, it would have suggested a July 17th release date. There seemed to be some sort of commitment! I’m glad it’s not going past July, but “Tenet” looked like it would be the savior of cinema. My big question is… Will “Mulan” be the new savior? After all, it is scheduled to release on July 24th. I would not be surprised if Disney either sticks to it or releases it via On Demand. That movie should be fine as long as it doesn’t go to Disney+, kind of “Artemis Fowl,” which I am hearing is probably one of the worst Disney movies ever made. Will this change the game in terms of how people return to the theater and see new movies?

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One of the big draw-ins for “Tenet” is the massive potential to be had with a theatrical experience, and I will say if that element of the marketing goes away, it’s gonna be a little harder to get me to watch the film, because such news of it going onto VOD could leave a bad taste in my mouth, thus making me want to avoid it at least for some time. Christopher Nolan has always been a director that relies on story, but also immersion. A lot of his films have been shot with 70mm, IMAX cameras, or made specifically for the IMAX experience.

But… This does not mean all hope is lost.

While Christopher Nolan’s “Tenet” is no longer available to be seen on July 17th, one of Nolan’s older films… will.

One of my favorite Christopher Nolan films is the very successful 2010 flick, “Inception.” That film is so mind-twisting, so visually brilliant, so masterfully produced, I love it. It even made it into my 25 favorite films of the past decade! As suggested, this film turns ten this year, and what a better way to celebrate than to bring it back into theaters, where it ended up earning a whopping $829.9 million at the box office, which many original titles nowadays would have to break an arm and a leg to earn.

The film will be returning to theaters on July 17th, however there is currently no absolute specification as to where it will be playing. I am willing to bet, considering how Christopher Nolan is involved, there will be IMAX screenings of some sort. Maybe there are a few 70mm prints from 2010 lying around that have neither fully deteriorated or been destroyed, perhaps they could be played at some of the bigger chain venues like the AMC Metreon in San Francisco, California. Maybe one or two museums can pitch in. Either that or they can make a few new prints. Maybe some screens will do 35mm, the possibilities are endless! “Inception” is a movie I missed in the theater. For the record, “Inception” was PG-13, I was ten years old, and quite honestly, I have little memory of ever truly knowing about it to a large extent at such a young age. I didn’t really discover who Christopher Nolan was until I was say 12 or 13 years old, which is when I watched his “Batman” movies for the first time. I would be truly excited to go see “Inception” in a way that it is perhaps meant to be seen. I will admit, when it comes to the story, even though it is coherent, it still takes a minor toll on my brain as I witness everything happen. But it doesn’t take away from all the glory that is to be seen.

This was just recently announced, so there are currently no tickets on sale as of yet. But I would suspect that they would be on sale during the beginning of July at the latest, maybe Independence Day. After all, Christopher Nolan’s last film he directed, “Dunkirk,” had its advance tickets go on sale about two weeks in advance. Maybe this would be the case for “Inception,” unless Warner Bros. thinks it would not matter because this is a ten year old movie that a lot of people have already seen.

And no, “Inception” is not a ten year old movie. It’s a ten year old work of art. Learn your facts, everyone. Okay… well, it’s still nine years old, actually… It released on July the 16th. So it TURNS ten literally in a month! I’m sticking with what I said!

Nevertheless, I must say, if it were not for this I am your father-esque plot twist where “Inception” swoops in at the last minute to announce its presence, I probably would have destroyed my entire neighborhood at this point. Now, I would not be lying if I told you there was another movie I was looking forward to more that I think will be better than “Tenet.” By the way, that one movie, and one movie only, at least for the moment, is “Dune.” I will also point out however, when it comes to “Tenet,” it has come to this point that when it comes to all the movies I have ever known, there is not one I would want to see more right now than “Tenet.” Not only is this due to the fact that I’ve been staying inside my house for eternity upon eternity, but Christopher Nolan is honestly the holy grail of modern filmmakers for me at this point. I want just about every movie to succeed, but when it comes to “Tenet,” a movie helmed by my favorite director, from my favorite film studio, that is going to be, and I apologize for nerding out here, my favorite theatrical format in IMAX 70mm, I don’t think there is a better time for what I would call the Hollywood happy ending. Yes, “Tenet” was delayed, but part of me doubts that the delay was going to hurt the industry, nor was it a sign of a complete lack of confidence either in the film itself or how well it will do financially.

My question is this… Is this a test? To maybe get moviegoers to speak with their wallet? Is there enough reason for the average moviegoer, or even the movie buff to show up at the cinema in a pandemic like this? If “Inception” makes less than a million bucks, will “Tenet” still come out on July 31st? If you know me, you’d know I’d be there day one, even if I have to go out of state. But I am just one movie reviewing moron. There are so many other people out there.

I will also point out that this reinstates something I have thought about for some time, specifically the theory that “Tenet” is secretly an “Inception” sequel, or at least a story taking place in the “Inception” universe. Yes, these screenings that are coming up could be a tenth anniversary celebration, but at the same time, this could be a marketing technique. This could be a way to get “Inception” fresh in everybody’s minds again that way the impact of being in the same universe would be that much greater. Then again, if you do want to refresh your memory on “Inception” right now, a month before July 2020, it is available on Netflix. Although it is also available on other streaming platforms and physical media through DVD, Blu-ray, and my preferred option, because I’m a snob, 4K Blu-ray.

Nevertheless, I am glad “Inception” is coming back for more screenings. I will happily show up in a mask, wearing a hazmat suit, and bring my own hand sanitizer if necessary! As for “Tenet,” I will be seeing it as early as possible, when it comes out on July 31st, unless of course there is a press screening, which I kind of doubt there will be since that occasionally involves a heavy crowd. That and… (whispers) “Tenet” sounds like a movie where you can’t say anything about it before the spoiler police knock you out.

“Inception” will return to theaters July 17th, hopefully that date is a lock and it won’t get changed, and “Tenet” will be in theaters in digital, 35mm, 70mm, and ALL IMAX formats July 31st. Tickets are not on sale yet, but hopefully there will be tickets soon. Thanks for reading this post! This is my 399th post on Scene Before, unless you count one that was deleted. Keeping with the tradition of the past, my next post, which is my 400th, will be a Blu-ray collection update. I’m going to be going over my entire movie-based collection. I could do TV, but that would divert from the movie theme of Scene Before and I would only show like three items if that were the case. I will have this up sometime next week, same with my review for “Days of Thunder,” starring Tom Cruise, as I continue June’s theme for the blog, Tom Cruise month. I also plan to review “The King of Staten Island” pretty soon, maybe I’ll watch something else and review it as well. Who knows? Like I said before, although in an alternate context, the possibilities are endless. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Check out my Facebook page and give it a like, and speaking of likes, if you have the proper account credentials, give this post a like! Otherwise, just share with your friends who probably are just like me and really want an excuse to go back to a flippin’ movie theater. I want to know, what are your thoughts on “Tenet” getting delayed? Are you willing to go into a theater to see this movie? I know I am! Also, what are your thoughts on “Inception” coming back to theaters? I’ve been waiting for a train for a long time, and I hope it takes me to the cinema! Let’s go already! Scene Before is your click to the flicks!

Christopher Nolan’s TENET (2020) Has A $225 Million Budget?! Should Warner Bros. Be Worried?

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Hey everyone, Jack Drees here! Over a month ago I discussed what has previously been established about Christopher Nolan’s upcoming flick, “Tenet.” And as of recently, something else has been brought up that needs to be talked about. Specifically, the budget. Why? Because it is one of the biggest in history, not to mention, Christopher Nolan’s second highest budget ever, regardless of whether or not you adjust the others for inflation. It has been announced by several sources that this film has a budget of $225 million. How big is that? Well, let’s just put it this way. Christopher Nolan also directed 2012’s “The Dark Knight Rises,” which had a budget of $230 million. According to Wikipedia, that film ties “Spectre,” “Captain America: Civil War,” “The Fate of the Furious,” and “Pirates of the Caribbean: Dead Men Tell No Tales” for the 18th highest budget for a movie. If what is being said about “Tenet” actually happens to be true, turns out it would tie the budgets of films like “Man of Steel,” “Pirates of the Caribbean: Dead Man’s Chest,” “The Chronicles of Narnia: Prince Caspian,” and “The Lone Ranger.” All of these budgets are in the top 30!

My question is this. Is it worth it? Because one simple fact about this movie and my relationship to it is that I am perhaps one of the most likely individuals to end up going to see it. I love Christopher Nolan, I am well aware of his track record, which is much more than solid, and he made some of my favorite films of all time. He is practically a movie god in my book. And if this movie were coming out some time after say “The Dark Knight” or the “The Dark Knight Rises” I think this would be a guaranteed success. However, it is coming out in 2020.

I want to bring up some numbers here regarding Christopher Nolan’s previous films, and I want to set a point straight. People love the man as a filmmaker, but I wonder if his name is going to be enough to carry this next film.

INCEPTION (2010) (released between TDK and TDKR)
Budget: $160 million
Box office: $828.3 million

INTERSTELLAR (2014) (released after TDKR)
Budget: $165 million
Box office: $677.5 million

DUNKIRK (2017)
Budget: $100-150 million
Box office: $526.9 million

By the way, for those who really want to know, the last two films in “The Dark Knight” grossed over $1 billion.

If you ask me, part of why films like “Inception” and “Interstellar” have been mega-successes is because they were released when Christopher Nolan and “The Dark Knight” were fresh in people’s minds. But I am wondering if Christopher Nolan’s clock is ticking. Because we live in a time where CGI superhero movies, Disney flicks, nostalgia bombs, and pretty much anything having to do with spectacle is what “the people” happen to be checking out.

Although at the same time, the description for “Tenet” makes it fall along the lines of a spectacle-type movie. Some have referred to “Tenet” as a “massive, innovative, action blockbuster” and “an action epic evolving from the world of international espionage.”

I will say, this film has a chance, but partially because it is not based on any preexisting material, it almost seems impossible for it to become a box office success. Besides, the summer it comes out, it will be competing against films like “Bob’s Burgers: The Movie,” “Ghostbusters 2020,” and because Disney is still running out of original ideas, “Jungle Cruise.” Granted, “Tenet” is probably not going after the family demographic, but let’s face it, it’s probably gonna lose those kinds of people to “Jungle Cruise.” If you ask me, I’d prefer seeing “Tenet” over all these movies, but I’m me, not everyone else. And basing purely on statistics and predictions, “Tenet” is probably going to have some trouble. Especially when you consider how “Tenet” is from Warner Bros., unlike these films. In fact, the only other July release announced for Warner Bros. is “Green Lantern Corps,” which I honestly wonder if it actually will happen to see the light of day. And if I must add something else to the table, one of Nolan’s recent films, “Interstellar,” didn’t win the box office on its opening weekend, instead that honor went to Disney’s “Big Hero 6,” an animated family film about the formation of a superhero team.

I have no idea what was going on when this movie was originally pitched. I would not be surprised, because I sometimes have this particular image in my head, if Christopher Nolan simply went to Warner Brothers, walked in the door, exchanged greetings with someone, said “I’d like to pitch a movie,” to which Warner Brothers responded, “We don’t care what it is, we want it!” Because Warner Brothers has helped distribute many of Nolan’s flicks, usually to be met with extremely positive feedback. Therefore, their bond is amazingly strong.

Christopher Nolan’s last few non-Batman films have been box office successes, making more than thrice their original budget. But I am wondering if based on their ultimate totals, it is perhaps a downward spiral. “Inception” came out after “The Dark Knight,” which is the #4 movie on IMDb right now. “The Dark Knight Rises” came out in 2012, which was positively received, but not to the same levels as “The Dark Knight,” which may have caused some audience members to lack the same level of faith in Nolan. Although based on the successes of “Interstellar” and “Dunkirk,” that did not seem to stop him. It’s still a question to keep in mind though because “Batman,” despite its nerdy association, is popular. Then again, a lot of nerdy things have officially become “cool” so what do I know? You’re not as likely to go to a bar and see everyone having a conversation about “Dunkirk.”

I do think “Tenet” has a chance at being a success, but it also has significant odds of failing as well. It’s an original film with an abnormally huge budget, and if the box office has taught us anything recently, most audiences are flocking to what they know. They know Christopher Nolan. But do they know him enough?

So if “Tenet” is to succeed, I do have some ideas as to how it could potentially win people over through its marketing campaign. It should insert the following:

“FROM THE DIRECTOR OF THE DARK KNIGHT TRILOGY”
The name “Christopher Nolan” in a significant manner
“GOLDEN GLOBE NOMINEE John David Washington”
Michael Caine (either the name, the actor in the film, or both)
Visually stunning moments
Enough to hide the movie’s overall structure
SHOT WITH IMAX CAMERAS

In fact on that last one, what I recommend is doing something that Nolan did for “Dunkirk.” When a big movie comes out this year or next year, perhaps maybe “Star Wars: The Rise of Skywalker,” “Black Widow,” “Birds of Prey,” “Godzilla vs. Kong,” or “Wonder Woman 1984,” perhaps attach a 5 minute preview of “Tenet” to one of these films to emphasize the scope of the film. In fact, “Wonder Woman 1984” is also being shot with IMAX cameras, this would be like an appetizer for that film.

Granted, there is a sign of hope when it comes to Nolan’s time of release, which is the fact that he is putting his film out during the third weekend of July. A lot of people have free time since it is summer, but most importantly, mainly for Nolan, is that said weekend is “a lucky date,” as once stated by Deadline Hollywood. He released four of his most recent projects at that time, to have them all be met with eventual success.

Although another thing that could help Nolan is that none of his competing films (as of now) are listed to be in IMAX. On Wikipedia’s List of films released in IMAX, “Tenet” is the only film confirmed to be released in that format during the month of July. I am willing to bet this list will change to include films like “Jungle Cruise,” but based on the specs of “Tenet,” I have a feeling that the IMAX brand is going to put more emphasis on that film during the summer more than any other. Kind of like how “Dunkirk” got an unusually long run in many of IMAX’s theaters.

At the very end though, “Tenet’s” success, at least from my point of view, is going to come down to a number of things. Positive reactions, originality, solid marketing, and giving audiences enough reasons to avoid checking out other similar films to be released in summer 2020. From what I have heard so far, the film has me onboard. I am looking for more original material to gloss over that will hopefully be remembered as time marches on. While I didn’t go see it in the theater, “Inception” won a number of people over for being innovative and something that some viewers have yet to see. I am willing to bet that “Tenet” is able to have the same effect that “Inception” did with its viewers. The film involves action and espionage, which makes the middle of summer a good time to release it. But the film should be thankful it is not going up against a “Mission: Impossible” movie.

I feel like this is a very neck and neck situation. On one hand you have a director with name power, a great track record, multiple successes. But not only is this a property nobody has ever witnessed, but the actors are not box office draws, there’s some competition for the time being, including some films that’ll probably be more likely to get kids in the theater. What’ll happen? I literally have no idea. After all, it’s more than a year until “Tenet” releases, so only time will tell.

I want to know, what are your thoughts on the budget for “Tenet?” Personally, it makes me excited for how the film will turn out, and I imagine some other people will feel the same way. Even without the budget, this is already my most anticipated film of 2020 based on everything I have heard so far. However, do you think this is financially responsible enough to allow a future box office success? If so, I’m curious, how much do you think “Tenet” will make? If you think it is going to fail, how much money do you think it’ll earn? Let me know down below! Thanks for reading this post! I just want to let everyone know that this week I am likely going to be seeing the movie “Yesterday,” directed by Danny Boyle. I’m not sure what day I am going yet, but that is on my radar at some point. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Scene Before is your click to the flicks!

What We Know So Far About Christopher Nolan’s TENET (2020)

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Hey everyone, Jack Drees here! As you may know, I am massive fan of Christopher Nolan (The Dark Knight, Memento). I have seen almost every single one of his films. And if you have been following the news this year, you’d know that Nolan is coming out with a new movie called “Tenet.” Prior to the reveal of the title, this was first leaked as an “event” film. I had no idea what this would entail, and I figured by event, it would be a follow-up to one of Nolan’s recent films such as “Inception” or “Interstellar.” Because let’s face it, whether you like those films or not, they felt like events. And what would be more “event-like” than a follow-up to a Nolan film that received overwhelmingly positive reception and good box office returns? Especially “Inception,” because that movie came out in 2010. What if we got a sequel in 2020? It would be marketed as “the one movie we get every ten years.” And if that’s successful, we’d get another “Inception” in 2030. But that’s not the case, and I’m also not disappointed because originality is ALWAYS something I’m asking for in Hollywood, so I’m proud to see Christopher Nolan deliver it. Without further ado, let’s dive into some things that could easily be gathered about Christopher Nolan’s upcoming movie, “Tenet.”

THE FILM WILL BE IN THE ACTION GENRE
We now know that Nolan’s new movie is an original project. The film is being described as a “massive, innovative, action blockbuster.” Recent news has pointed out a more detailed description of what this film would entail, specifically that it is “an action epic evolving from the world of international espionage.” I personally consider action to be one of my favorite genres, in fact, action is also a genre that Nolan has nailed thus far. After all, he helmed the entire “Dark Knight” trilogy and “Inception.” Both movies have bits and pieces of memorable action scenes and I have a feeling that Nolan can use his prior knowledge and put it into this movie.

THE CAST
John David Washington (BlacKkKlansman, Ballers)
Robert Pattinson (Twilight, Good Time)
Elizabeth Debicki (Guardians of the Galaxy Vol. 2, The Cloverfield Paradox)
Aaron Taylor-Johnson (Godzilla, Kick-Ass)
Kenneth Branagh (Dunkirk, Much Ado About Nothing)
Clémence Poésy (Last Love, Harry Potter and the Deathly Hallows: Part 1)
Dimple Kapadia (Bobby, Luck by Chance)
Michael Caine (Batman Begins, Interstellar)

Let me just say, of course Michael Caine was gonna be in this. I mean, he’s Michael Caine. Christopher Nolan literally goes to bed every night in a room containing at least three posters. There’s one in the middle that says “MICHAEL CAINE IS GOD,” and it is accompanied left and right by posters for “Dirty Rotten Scoundrels” and “The Cider House Rules.” This is a long way of saying, Christopher Nolan clearly loves Michael Caine and they are working together again. Can’t wait to see what Caine can bring to the table. As for some of these actors including John David Washington and Aaron Taylor-Johnson, I am well aware of their names and have liked them as performers in what they’ve done. I just saw Washington in “BlacKkKlansman” this January and his performance was good enough to get a nomination from me in the Jackoff Awards. As for Taylor-Johnson, I remember reviewing Amazon’s “The Wall” months after it came out and calling it a pile of crap, but I also gave praise to his particular performance. A win’s a win, even when it’s a loss. Yes, Robert Pattinson from “Twilight” is being cast here but for one thing, I have not seen much of his work. In fact, I’ve heard he’s been pretty solid in some indie flicks. And for another thing, if he’s not only being cast as Batman, but also in a Nolan film, I have a feeling his name could grow on me. Only time will tell. But Nolan is not a stranger to odd casting choices, because if you all remember “Dunkirk,” he somehow managed to cast One Direction member Harry Styles, and he turned out to be solid! I’ll wait for the movie, but for the most part, the cast looks promising.

THE FILM IS BEING SHOT WITH IMAX AND 65MM CAMERAS
For those of you who follow Nolan, you’d probably know that he has, no pun intended, experience with IMAX. “The Dark Knight” was the first feature film to be shot in IMAX. Since then, he has used the same technology in “The Dark Knight Rises,” “Interstellar,” and “Dunkirk.” All of those films are shot using advanced IMAX cameras that use horizontal 65mm film. It should therefore come as no surprise that he is bringing the technology up to the plate once again for “Tenet.” Plus, the movie will bring back Hoyte Van Hoytema to man the shots, who also was involved with the cinematography for “Interstellar” and “Dunkirk.” I remember one of the first announced details was that this film was going to be shot in IMAX, and when I hear that about a film, I am automatically intrigued. Also, according to IMDb, the film is also being shot with a Panavision 65 HR Camera, which uses standard, old school 65mm technology. I am pretty interested to see what Nolan would do with the IMAX technology in a film involving espionage. This would definitely provide a big scope for the action scenes when viewed in IMAX theaters and maybe provide a few jaw-dropping shots. I remember “Mission: Impossible: Ghost Protocol” being shot with IMAX cameras, but unfortunately, I never went to an IMAX to watch the movie. I really don’t know how this movie will play out, but part of me hopes to walk out saying “this is a “Mission: Impossible” film that only Nolan could create.” Then again, based on other details I’m hearing about this movie, this might be a bigger idea than “missions, should people choose to accept them.” Speaking of old school technology…

THE FILM WILL BE PRESENTED IN 35MM, 70MM, AND IMAX 70MM
This may have already been implied, but in case it didn’t, “Tenet” is going to be screened not just in today’s traditional digital formats found in multiplexes everywhere, but also in a select number of auditoriums featuring film stock projection. Christopher Nolan’s most recent films have marketed themselves as being “experiences” and part of said experiences involve presentations in analog formats, which honestly, I prefer over digital projection. Seeing “2001: A Space Odyssey” in 70mm last year (twice) was game-changingly epic. It’s partially due to the experience of going into an arthouse-style theater while also having projection that provides greater material than my local chain locations. And since “Tenet” is seemingly being shot entirely using 65mm technology, the film will fit very well when projected on film. Granted, I imagine it will look great almost matter where it’s shown, but there are places where I can probably tell you to see it as opposed to others. Since it is being shown in IMAX 70mm, I can guarantee that the film will have select sequences where the aspect ratio changes to fill the entire screen from top to bottom.

And for those of you who don’t know, this is why I went to a theater over an hour away from my house to see “Interstellar” and “Dunkirk” and people close to me probably think I’m insane.

But it was SOOOOO worth it.

HANS ZIMMER IS NOT INVOLVED
Unfortunately, for all of the Christopher Nolan fans who liked movies such as “Inception” or “Interstellar” partially because of Hans Zimmer’s scores (I’m one of those fans as well), I’ve got some news for you. He’s not gonna be around for “Tenet.” In fact, the reason for this is due to Zimmer currently being busy with another acclaimed director who I happen to like, Denis Villeneuve (Blade Runner 2049, Arrival) as he is scoring the upcoming movie “Dune.” As for other movies next year he is focusing on, he is involved with “Wonder Woman 1984,” which I’m currently anticipating. He’s also doing “Top Gun: Maverick,” which only makes me more intrigued for how that movie is going to play out. And he’s also scoring “The Spongebob Movie: It’s a Wonderful Sponge,” which was once scheduled to compete with “Tenet” on its opening weekend, but the movies are now a further distance away from each other on the current release schedule.

LUDWIG GÖRANSSON IS COMPOSING
As for who will be composing the music in “Tenet,” that position will held by Ludwig Göransson. I have slightly mixed thoughts on how this is going to pan out, but I like to remain optimistic. For one thing, Nolan and Zimmer go together like bread and butter. Plus, Ludwig Göransson is also responsible for scoring “Venom,” and the score was not really the highlight of that film. Then again, what was the highlight of that film in the first place? The score felt manufactured, generic, and kinda dull. You know, like the movie “Venom” itself. Although at the same time, he scored another comic book movie, which like “Venom,” I don’t think I enjoyed as much as other people, and by other people I don’t just mean general audiences, I’m also referring to The Academy. Y’know, the gods of the movie industry? That movie by the way, is “Black Panther,” and while I think that movie is tremendously overrated (but still a solid flick) it had one of the better scores I’ve heard from a movie in the Marvel Cinematic Universe. It’s not my all time fave, but if I were to do a countdown on my favorite MCU scores, “Black Panther” would probably be high on the list. I am quite curious if Goransson will deliver an epic score to remember forever or if there will be some sort of disconnect between him and Nolan that will make me wish Zimmer would’ve been involved. Göransson’s music has been used in recent television programs including TBS’s “Angie Tribeca” and Fox’s “New Girl.” He’s also recently scored movies like “Creed II” and the 2018 remake for “Death Wish.”

PALINDROMES MAY BE AN IMPORTANT FEATURE IN THE SCRIPT
Now if you thought that Christopher Nolan is going to change his ways and simplify his movies, think again. Because from what I’m gathering so far, this movie sounds like it is going to be heavy. For one thing, look closely at the word “Tenet,” and you’d know that it is a palindrome. One of my favorite sci-fi movies of the decade, “Arrival,” directed by the recently mentioned Denis Villeneuve made palindromes play a bit into that movie, and if this movie manages to do the same, I would not be surprised, and I have faith that the palindrome insertion could be more than just a cheap gimmick.

Screenshot (5)

Also, last week, I shared a post on Facebook from a page with the handle @ChristopherNolan.info on what I thought was an official poster for “Tenet” but it turns out that’s more than likely not the case. However, one detail that stood to me regarding what I’ve shared is the number inside the image, 2701072, which like the word tenet, is a palindrome. People have pointed out in the comments that if you rearrange the numbers in that image, you can get the release date for this movie, July 17th, 2020. I also did some research regarding that number and this is not the first time that the account did a post with that number in it. On January 28th, the same Facebook page made a post that was literally just this exact number. Unless they had insider information about this movie and Nolan’s life/career, it’s almost as if they predicted that the title will be a palindrome or the movie would heavily involve palindromes. However, this Facebook page was not the first social media account to post something like this, because data suggests another Christopher Nolan-related account on Twitter by the name of @nolantalkcom did so on January 27th. Based on this information, and based on differences in followers, this is probably a bit of a stretch. I’m willing to bet the operator of that Twitter also operates the Facebook page. If you want to check this out for yourself, click the links below!

@ChristopherNolan.info

@nolantalkcom

THE FILM MAY HEAVILY INVOLVE TIME
Speaking of expected traditions from Christopher Nolan, it would not be surprising if he made time a major element in this film. Heck, one of the posters features numbers from one to twelve with arrows sticking toward multiple twelves. It’s a like an ongoing watch or something! I don’t know how time will play into this film, but it is an action film involving espionage, so maybe there will be some sort of race against the clock. Maybe there’s a bomb that has to be diffused. But knowing Nolan, it may as well be something completely unthinkable.

In a way, this poster almost reminds of “Interstellar” because if you remember the Endurance from that film, you may notice that the ship resembles a clock. “Interstellar” is easily one of my favorite sci-fi flicks of the decade, so I cannot wait to see what happens with “Tenet” and if it could possibly be compared with “Interstellar.”

There are a few other things I could talk about related to “Tenet,” but I already have gone way past scratching the surface when it comes to this movie. I even have a growing theory of this movie being part of a universe that Christopher Nolan previously established, specifically “Inception,” which I think could be a plot twist in this movie based on certain factors. As much as I would like to get into that, it would involve heavily digressing from the main topic, so I might make a separate post for that one day. But only time will tell, so who knows? I’m really looking forward to “Tenet,” and as of right now it is probably my most anticipated film of 2020. Anything Marvel announces next year? Forget it! There is a reason why Christopher Nolan is my favorite director of all time!

So I gotta ask all of you, how are you currently feeling about “Tenet” as we build up to its release? Are you excited? Worried? Could you avoid caring about the movie whatsoever? Do you think Christopher Nolan is a hack who deserves to die? Let me know your thoughts down below!

Thanks for reading this post! This Saturday I’m going to see “Godzilla: King of the Monsters.” It’s a film a part of me is REALLY looking forward to from an entertainment perspective, but from a critical perspective, I’m simultaneously nervous. I kinda don’t know how to feel going into the movie, so we’ll just see what happens. But I am going to see it in IMAX, which I think is the best way to see big scale movies like this, so I am still pretty excited. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Scene Before is your click to the flicks!

Dunkirk (2017): A Bloodless, Yet Realistic Depiction of War

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Now before we begin my review for “Dunkirk,” I want to remind you that this movie is playing in several formats all over the world. If you want more information on that or if you want help on deciding how or where you should see the movie, I’ve got a couple links down below. The first link is to a post I did about a month ago concerning this movie, and if you aren’t satisfied with that, the second link is to a Vox article on the same topic, and personally, even though the first link is my own work, I will admit I think the Vox article does a better job on showcasing all of its information and including all of the necessary details whereas I might leave certain things out or focus on certain ideas more than others, so make your pick. Nevertheless, both of these are informative reads and don’t worry, neither of these contain spoilers for “Dunkirk.” Anyway, on with the review!

MY POST: https://scenebefore.wordpress.com/2017/06/19/why-dunkirk-must-be-seen-on-35mm-film-70mm-film-imax-70mm-film-or-imax-laser/

VOX ARTICLE: https://www.vox.com/culture/2017/7/19/15985474/dunkirk-explainer-format-imax-digital-70mm-35mm-buy-ticket

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“Dunkirk” is directed by Christopher Nolan (The Dark Knight, Interstellar), one of my favorite directors of all time. The movie has characters played by Fionn Whitehead (Him), Aneurin Barnard (War & Peace, Citadel), Kenneth Branagh (Jack Ryan: Shadow Recruit, Henry V), Tom Hardy (The Dark Knight Rises, Mad Max: Fury Road), Mark Rylance (The BFG, Bridge of Spies), Barry Keoghan (Rebellion, ’71), Jack Lowden (Denial, The Tunnel), Tom Glynn-Carney, and Harry Styles, which if you’re a dad and you have a teenage daughter, there’s a chance to your misfortune that she probably dragged you to a concert he has performed at one point.

This movie is based on a true story which took place during World War II. Basically, the entire movie revolves around a battle which the Allied soldiers of Britain, Belgium, and France are surrounded by the Germans. At this time, the Allies are trying to flee away from the beaches and harbor of Dunkirk, France.

If there’s one thing I was anticipating about this film, perhaps near the top of list of things to anticipate in this film, it was the experience itself. This movie was shot partially with IMAX cameras and the rest was shot with standard 65mm cameras. No matter where this movie was going to be shown, it was probably gonna end up looking beautiful based on footage I witnessed before going to see this film in the theater, but if it was shown on a high quality projector, it might just be like looking at something with a naked eye. Now I saw this movie at a theater which is over an hour away from my house, it’s an IMAX theater and it’s located in Providence, RI, and I went for a number of reasons. To see the film the way Christopher Nolan intended, to see the film on film, and possibly catch details that my friends seeing this movie at a standard theater like AMC, Regal, Showcase, Carmike, Warren, Cinemark, Alamo Drafthouse, or Santikos won’t see if they actually happen to check out this movie at a theater like that. As I’m writing this review, not only do I recommend you see this movie on film, preferably on higher quality film, if you see this in digital, unless it’s IMAX probably, especially laser, you may as well be missing out on a film experience to remember. Because this may be in my top 5 (wild guess) movie experiences, based on picture and sound, I’ve ever encountered. Regardless of what you think of this movie in terms of content or story, this will definitely be something to remember based on senses. Also, if you want a link to where you can find all of the theaters playing the movie in 70mm, including IMAX, here’s a link to where you can find them, and I’ll give credit to these guys because the image displayed above showing a format comparison, that’s something I found in this link.

http://nofilmschool.com/2017/07/christopher-nolan-dunkirk-70mm-release

Before going into the theater, I’ve seen a number of a reviews for this film, and one complaint I’ve often heard is the lack of characterization in this film. Now, THAT IS TRUE, there is a lack of characterization. But you know what? I don’t f*cking care! Because believe it or not, it actually works! Let’s face it, this is a film about war, this is a film about survival. There’s action throughout the ENTIRE movie, not to mention this is based on true events. I can imagine some people talked with others during this scenario a little bit, but I think there aren’t many times when someone makes friends or just has time to chit chat when they’re in the middle of a big, loud battle of a war. Don’t get me wrong, characterization can work in movies, but not every movie needs it. And there definitely have been times where it didn’t work. Just look at the “Star Wars” prequels! I got to say, this is one of those movies I really appreciate, even though I barely know anybody’s name or much of their background aside from which side they’re on.

This paragraph is gonna focus one of my biggest fears going into this film, and then I’m gonna drift off track a bit, then we’ll get back into gear. You may be curious, what is this big fear? Well, ladies and gentlemen, that fear happened to be, Harry Styles. If you don’t know who Harry Styles is, he’s actually never acted in a movie before. He’s done few things prior to “Dunkirk” in terms of acting, but ultimately, he hasn’t really done that much. What does he typically do? Well, if you are aware of the boy band, One Direction, Styles is actually a singer-songwriter for the band. I have NO INTEREST in One Direction, in fact I’m not a teenage girl who has posters of hunks in his room. I’m a teenage boy with posters of superheroes in his room. On the topic of teenage fangirls going into this movie, many of them, based on tweets I read, were looking forward to see Styles on the big screen. In fact, when they were watching this in the theater, apparently they thought to themselves, and this is, in writing, my very own Harry Styles fangirl impression: “OMG! GIVE THAT HUNKY HARRY ALL THE OSCARS! 😍💞” Based on this evidence before going to the theater, I honestly thought this was pure fangirling, although at the same time maybe they were complimenting his performance. I’m not insinuating every Harry Styles fangirl will like something just because Harry Styles is in it, maybe some do, I don’t know, but this did sound like pure fangirling. Now I will admit, I’m a fanboy in many aspects. I’m a fanboy of “Spider-Man,” “Star Wars,” “King of the Nerds,” Christopher Nolan, IMAX, JK Simmons, “Portal,” Howie Mandel, Curtis Armstrong, Robert Carradine, Gal Gadot, and many game shows. Although as a fanboy, believe it or not, I don’t automatically fully appreciate something just because there’s something specific attached to it. I might fully appreciate something if there’s something specific DONE RIGHT attached to it. What do I mean? For “Star Wars,” something I consider done right for example is the most recent film in the franchise, “Rogue One,” and something I consider wrong in the franchise is “The Phantom Menace.” For Gal Gadot, I think she’s sexy, I love her as Wonder Woman, and I will even say she partially saved “Batman v. Superman” from being a total catastrophe, although she was in the movie “Criminal” which came out in 2016, which was rather underwhelming, she was alright in it though.

Sticking with the original topic, how was Styles in this movie? He wasn’t bad at all, as far as his performance went, fangirls, this your warning to keep your cool, it didn’t stand out. I’m not complaining when I say that, but you also have to consider who else was cast in this movie. And I’m not saying they were better, OK, I actually am saying that, but that’s not my point. My point is that you have a lot of characters in this movie, and they were mostly white males with similar hairstyles. You may as well also consider the whole characterization thing I mentioned not long ago, the fact that Harry hasn’t done acting all that much, and performances across the board had many similarities. Besides, this movie revolved around men at war. By the way, out of all the Harry Styles look-a-likes in this movie, I gotta say Fionn Whitehead probably gave the best performance out of all of them. After seeing this movie though, I will say I wouldn’t mind seeing Harry Styles in more movies. His acting is certainly better than his singing. Then again, I’ll mention, I’M TEENAGE BOY, WHAT CAN I SAY? Although I gotta say there is a performance that stood out to me.

The guy on the left, Tom Glynn-Carney played a character in this film. It may be the red sweater talking, I don’t know, but I liked his performance. It felt really authentic, I felt like I was at a doctor’s office going into some medical procedure and the doctor said to me, “Don’t worry sir, you’ll be alright,” although in reality he’s about to shove some crap inside me I can’t even describe, and probably don’t even want to describe. I’m not saying that’s how his character was in the movie, it’s just what his character, performance-wise, reminded me of.

Since I’m bringing up fears I had going into this film on this post, I’ll bring up more. Another fear I had, is the fact that the film was PG-13. This wasn’t really a huge fear of mine, but it was still there. In films containing some sort of war such as “Saving Private Ryan” or “The Patriot,” you might expect some blood, therefore contributing to the R rating. Although then again “Lord of the Rings” has a lot of war in it and yet for what I recall that barely has any blood. In fact the extended edition of “Return of the King” is actually said to have the highest body count ever recorded in a movie. After seeing this movie, the sound, the effects, the atmosphere, and the performances all felt realistic. There wasn’t much blood, I did see some, but it wasn’t all that much and it wasn’t moving. By the way, if you watch this movie, look forward to the dogfights, seeing this in full frame IMAX from first person perspective is as the kids call it now, lit. I’ll even go as far as to say that these moments in first person are actually more fun to watch than the entirety of “Hardcore Henry,” and that movie was basically in first person from beginning to end!

Speaking of the film’s highlights, Hans Zimmer scored this film. If you ask me, it’s hard to choose a favorite movie composer, however, it is easy to say which movie was composed best out of all the ones I’ve seen. That to me, would be “Interstellar,” also directed by Christopher Nolan and composed by Hans Zimmer. Now this is the seventh project these two have worked on together, and yes, I’m also including “Man of Steel” even though Nolan didn’t direct it. He did write and produce it though. I’ve seen a lot of films these two have done and I’m impressed with a lot of their work. “Dunkirk’s” soundtrack, much like others I’ve heard from Zimmer, along with all the sound I heard in this movie, made my ears have orgasms! Is the music exactly hummable? I wouldn’t say so, however if I listen to it a few times, I might have it down. Although it was awesome nevertheless. This score also does something you might hear in the “Interstellar” and “Inception” scores. If you pay close attention when watching the movie or when listening to the soundtrack, you may hear ticking and tocking. It’s almost as if it’s saying that time is not on the side of the hero. Although when it comes to displaying time, “Interstellar” does that best out of these three scores, which is saying something since the “Inception” soundtrack has a song literally called “Time.”

One of my personal favorite one word movie quotes comes from “The Matrix,” and it’s Keanu Reeves’s character of Neo saying “Whoa.” And BOY was I uttering that throughout the movie. Although when I said “whoa,” it was more of a soft exclamation than a declaration. I mentioned I love how this movie was presented in terms of clarity and how it was shot, but I also love the sound. The first bullet that goes off in this movie, literally set me up for nonstop action and motivated me for what’s to come. The sound overall felt real, especially the bombs and planes. This is just a fraction of the incredible immersion I felt from this astoundingly audible and picture perfect film.

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In the end, I enjoyed the crap out of this movie. I don’t watch many war films, but this is one of those films, that was a visual experience. I’ve had many of these films which I came across throughout my lifetime. There’s “Interstellar” (YES, I’M MENTIONING IT AGAIN, I’M SORRY, IT’S THAT GOOD OF A MOVIE), “Mad Max: Fury Road,” “The Matrix,” “Kingsman: The Secret Service,” “Gravity,” “La La Land,” the entire “Lord of the Rings” saga, and “Terminator 2: Judgement Day.” There’s very little dialogue, you don’t really get to know the characters, and while many other movies or TV shows work because you get to know the characters, this movie works because you DON’T get to know the characters. The technical aspects in this movie AUTOMATICALLY make me want to run all the way back to the theater to see this again! This is one of the LOUDEST movies I’ve witnessed in my life! I want to buy the Blu-Ray, although if there’s a 4K edition I’ll probably snatch that. What else can I say except, Christopher Nolan has done it again! This is not my favorite flick from Nolan, but it is certainly some of his best work. I’m gonna give “Dunkirk” a 9/10. I’m giving this a 9 because this is a movie that I would HIGHLY recommend. Definite seal of approval from me! The characters aren’t developed, but I don’t care, because given the situations the characters are facing throughout the movie, it was enough for me to root for them. And I’ll say, this MIGHT, and I say MIGHT jump to a 10 later. It’ll probably depend on the movie’s replay value and if I pick up on any details I may have missed the first time I watched this movie, and part of me is willing to bet I did miss something. Also, PLEASE SEE THIS IN A THEATER IN THE LARGEST FORMAT POSSIBLE OR ON FILM. Don’t pirate this movie, don’t wait for Netflix, this film IS worth your money. Thanks for reading this review, as you can obviously tell, I really appreciated the movie, and right now I might put this in my top 5 best of the year. As far as upcoming reviews go, pretty soon I’m gonna try to see “Atomic Blonde” or “Valerian and the City of a Thousand Planets.” Stay tuned for those reviews if I ever get around to them, and I hope I can get those out soon. …Wait a sec, I feel like I’m forgetting something… Oh right, that piece of crap. If you want me to see the horse’s ass I like to call “The Emoji Movie,” leave a comment with the hashtag #GOSCREWYOURSELFEMOJIMOVIE and while it’s not guaranteed I’ll see it, the chances of me seeing it will definitely increase the more users I see commenting. Leave a comment if that’s something that interests you.

Also, if you are interested in Christopher Nolan much like myself, or if you want to know my thoughts on his movies, be sure to check out my reviews for “Interstellar,” “Inception,” and “Insomnia.” The links are down below, check those out, and stay tuned for more reviews! I hope to see this movie again, hopefully in the theater, I know a theater close to my house is playing this in 70mm film and another is playing it in IMAX laser, we’ll see what happens! Scene Before is your click to the flicks!

“INCEPTION” REVIEW: https://scenebefore.wordpress.com/2017/07/19/inception-2010-beyond-your-wildest-dreams/

“INSOMNIA” REVIEW: https://scenebefore.wordpress.com/2017/07/11/insomnia-2002-a-movie-thats-better-the-second-time-watching-it/

“INTERSTELLAR” REVIEW: https://scenebefore.wordpress.com/2017/07/04/interstellar-a-beautiful-intense-breathtaking-brilliant-sci-fi-marvel/