Robert Pattinson

The Odyssey (2026): The Ultimate Sword and Sandal Experience

Posted on by Jack Drees

“The Odyssey” is directed by Christopher Nolan (The Dark Knight, Oppenheimer) and stars Matt Damon (Saving Private Ryan, The Martian), Tom Holland (Spider-Man: Homecoming, Cherry), Zendaya (Spider-Man: Homecoming, Challengers), Anne Hathaway (Interstellar, The Intern), Robert Pattinson (The Batman, Tenet), Lupita Nyong’o (Star Wars: The Force Awakens, The Wild Robot), Samantha Morton (The Walking Dead, Elizabeth: The Golden Age) and Charlize Theron (A Million Ways to Die in the West, Atomic Blonde). This film is based on Homer’s epic poem of the same name and follows Odysseus as he makes a dangerous journey back home to Ithaca to reunite with his wife, Penelope (Hathaway).

Well… It is finally here. The movie that may as well be my most anticipated of the year, perhaps even of the decade. 

“The Odyssey” is more than a movie. It is a story that follows an epic that has been around for several thousand years. Despite being an old story, there is a sense of innovation being brought to the table with this film. During my time in high school, “The Odyssey,” or at least adaptations of it, happened to be assigned to me as required reading in English class. I enjoyed getting to know about the story of Odysseus. It was a grand adventure tale that sparked the imagination. While I cannot say that it prompted a fascination with Greek myth in the way it may have with other readers, I found the material to make for a good read.

I even thought “The Odyssey” could make for a decent flick. Granted, the story is old, so there are, unsurprisingly, screen adaptations of it already. But I thought perhaps, unfairly, this would be a decent film from the likes of Peter Jackson, who is a master of sword and sandal cinema. Little did I know that my all time favorite director would one day be stepping in to handle this highly celebrated story.

Christopher Nolan is responsible for some of my favorite films ever, including 2014’s “Interstellar,” which came up in a conversation recently with family. My uncle asked me if I thought this new movie could surpass “Interstellar” in terms of quality. My response at the time, “It’s possible…” Having now seen “The Odyssey,” this did not surpass the quality “Interstellar,” but it finds a way to nearly match that cinematic masterpiece’s high bar. “The Odyssey” is gargantuan in every way. In fact, that is one of the reasons why I found “Interstellar” to have such tremendous replay value. It is a movie that feels larger than life. “The Odyssey” goes by the same philosophy. It is a story that emits endless verisimilitude.

Every frame of this movie, despite being part of a mythical epic, felt real. I believed in the film’s world. Its environment. Its characters. Its sets. If you are looking for peak immersion, this is the movie for you, regardless of what format in which you see it. I kid you not when I say every shot looks beautiful. Just about everything on screen was done for real, in camera. Nolan is a master of practicality. I genuinely could not believe what I was looking at during certain moments. Everything from the various interiors that fill your vision to a Cyclops that made my jaw drop to a crucial night scene in the water that showcases the wrath of a storm.

Given how much I love this movie, and believe me, I love this movie, I think it is arguably fair that I get into my flaws early on in the review. The biggest flaw I have in this film is the lighting. I have seen this movie three times, and the lighting is by no means atrocious overall, but there is a scene or two where I think it could have been pinched up a little. During my first viewing, I do not know if it is more of a fault of the projector than anything else, but it was somewhat hard to pick up all the details in several frames during the Cyclops scene. It is a dark cave, and as immersed as I was in the movie, one could debate that I was too immersed. I think the frames could have been brighter to better highlight essential information. Some of the dialogue is borderline cheesy and out of place, but we are talking bits and pieces. For the most part, I do not have a problem with the writing, but the problems I do have may as well be addressed.

And yes, I made sure as a die-hard IMAX fanatic, that my first viewing of this movie would be in 15/70mm film. I bought my ticket a year ago, as soon as they went on sale, dedicating myself so heavily to this film and its technical glory by buying a ticket in a completely different part of the country from where I live. For the record, I live in Massachusetts. New England forever! I bought a ticket to see this film in Fort Lauderdale, Florida. I am the last person who wants to spend time in Florida in July. I remember walking around Disney World in June when I was 18 years old… I am shocked I did not melt in the middle of Tomorrowland. My trip to see this movie, or my odyssey rather, was worth it despite my apprehensions, and eventually finding out that a theater in Providence, Rhode Island would also be getting the movie in the premium format. Not only is this a great movie, but it is one that I urge everyone reading this to watch in a theater at least once.

When I look back at Nolan’s last movie, “Oppenheimer,” I was amazed by the use of IMAX film in that project. It was most certainly worth the extra money for the IMAX experience. But I will not deny that of all the projects in which Nolan used IMAX to shoot it, “Oppenheimer” might have been the one of the bunch that was not as essential to view on an IMAX screen. This is not a diss. If “Oppenheimer” is playing in an IMAX near you, go check it out. You’d be doing yourself a favor. The trinity test and the black and white scenes are cool to see on a giant screen. That said, I think if you were to view “Oppenheimer” on a traditional cinema screen, you will not miss a whole ton, even if the aspect ratio suggests otherwise. On the other hand, “The Odyssey,” while excellent on any screen, becomes an event when bringing the IMAX experience into play. I have been to many IMAX experiences. This has to easily be a top 5 IMAX experience of all time. “The Odyssey” in IMAX is better than sex. “The Odyssey” in IMAX is better than winning the lottery. Once that IMAX logo flashes on the screen, get ready for 172 minutes of some of the most amazing cinema of your life. Not just because every frame fills the screen, showcasing some of the best imagery of any movie I have seen this decade courtesy of Hoyte van Hoytema’s brilliant camerawork, but because the movie is just that good.

Also, this review is being published after three viewings of the film, the last of which included a four-minute preview of “Dune: Part Three,” which is exclusive to IMAX 70mm screenings. My friends, YOU ARE NOT READY. Anyway, I digress. I just figured I should add that in as a bonus incentive.

The story may be simple and not every character has significant depth, but the movie does a great job at handling Odysseus (Matt Damon) as the center of the story. Damon’s struggle here is that he just wants to get home. He finished fighting in the Trojan War, he is surrounded by his men, and together, they work to overcome the various obstacles that stand in their path. Everything from a Cyclops to Laestrygonians to Sirens. The movie does a great job in its less action-packed moments, of which there are plenty, of showcasing Odysseus’ personal connections to his beliefs, his love, and his family.

Speaking of which, Anne Hathaway plays Penelope in what is her third Christopher Nolan movie. This is her best performance of the three. Hathaway constantly has to deal with the struggle that her husband is gone, and the dilemma as to whether he is gone gone. Meanwhile, tons of suitors are vying for her hand in marriage, thus making them king of Ithaca.

As this is going on, we see Tom Holland as Telemachus watching all of this from the sidelines, believing that “his dad is coming home.” Yes, weird line. There is one of those questionable dialogue choices. But even with some odd dialogue here and there, Tom Holland handles every line given to him with brilliance. This is one of the best performances of his career so far. Holland’s essential presence towards the end of the film is a highlight. That said, if I have one thing to say, of all the actors in the cast, Holland is perhaps the least disguisable. There are a lot of recognizable stars in this ensemble, and if I had to pick a weak link of the performances, Holland may be it. That is not to say he is doing a bad job with his role. But his transformation is not as noticeable as others in the cast. Even with what I just said in mind, if the Academy were to nominate him for his efforts, I would understand it. He is tremendous.

I am not kidding when I say this movie is full of recognizable stars. This feels like the “Super Smash Bros. Ultimate” of movie casts. Everyone is here. Zendaya. Charize Theron. Jon Bernthal. Robert Pattinson. John Leguizamo. Elliot Page. Lupita Nyong’o. Even Travis Scott. Much like one of Nolan’s previous projects, “Tenet,” Scott made an original song for this film.

Sadly, there is no Michael Caine. I cannot blame him though. He says he is getting old, and I respect his choice to stay out of this project.

Although if I had to name a favorite secondary character in this film, it is not Telemachus. It is not Athena. It is not Menelaus. It is the score.

It is so great to acknowledge the extraordinary talents of Ludwig Göransson, especially after watching “The Mandalorian and Grogu,” which I not only found to be his worst work yet, but the first time I recall watching a “Star Wars” project and being turned off by the music. This is Göransson’s third project with Christopher Nolan, and like a certain song suggests, three is indeed the magic number. I thought Göransson’s earliest collaboration with Nolan through “Tenet” was already a contender for the best score of the decade. This might beat that. The score almost serves as a hint of irony, especially when considering how this movie was entirely shot on a format as huge as IMAX. Compared to some of Nolan’s other works, the music is not that complicated. There is no huge, sweeping orchestra. Though much like “Tenet,” there is a lot of percussion. There are several scenes in which the tunes stand out, including one that dives into some background about the Trojan Horse. There is a particular beat that repeats, but every other second that beat increases speed. It is almost like a track you would put in a trailer for a horror movie. Another piece I love is a particular tune that sounds off every time Odysseus readies his bow. It is almost like his superhero theme. When you hear a specific set of four notes towards the final 10 minutes of the movie, they mean business.

I do not approve of filming in movie theaters while the film is playing. No, seriously. Stop it. This has gotten out of control. But I did see a video online where the four note leitmotif plays in the final 10 minutes and the audience just starts losing their minds like they are at a concert. Having seen this exact moment, I get why.

While there is still debate as to whether “The Odyssey” is the year’s best film so far, I am more than certain I witnessed my favorite climax so far this year. Having been exposed to “The Odyssey” in high school, I was familiar with some of what was about to go down, but even with beforehand knowledge, the final 20, 30 minutes of the film were unbelievably satisfying and come after an entire movie whose buildup is immaculate. There is a scene towards the end where Odysseus narrates about something that happened during the war, and just when I thought his words were powerful enough, the visuals were just as emotionally charged. The final ten minutes deliver a well put together action scene that had me glued to the screen. “The Odyssey” is a several thousand-year-old text, so I have no idea if how much I would be spoiling here, but holy heck… Parts of this ending may leave you with all kinds of chills.

And of course, those chills are best experienced in IMAX… For more reasons than one.

IMAX screenings for this movie, whether they are in 70mm, dual-laser, XT laser, or even 2K digital, are selling like there’s no tomorrow. I have an IMAX 10 minutes from home. And it is not part of a multiplex. It is a proper, 8 story IMAX. Trying to get a ticket there is harder than solving a Rubik’s Cube! But if you can see this film in IMAX at least once, consider yourself blessed. For one thing, this is the first Hollywood feature shot entirely on IMAX film. There have been movies shot entirely on IMAX cameras, like “Avengers: Infinity War” and “Avengers: Endgame,” but those were shot digitally, and in lower resolutions. As for IMAX film in Hollywood cinema, Christopher Nolan has always been at the forefront when it comes to utilizing the technology ever since his first go with it in “The Dark Knight.” The results are always a feast for the eyes and allow the movie to reach full immersion. But never did I think we would see an IMAX movie entirely shot with the company’s film cameras. Leave it to Sir Nolan to prove me wrong, and put a gigantic grin on my face. This is something I have been dying to see for a good chunk of my life, if I could not make it happen myself. I have been obsessed with the IMAX film format since my early teens. I am happy to know Nolan has done everything in his power to keep it going.

One surprise I discovered in this film is that I was just about able to make out each line of dialogue given by the characters. As much as I enjoyed “Tenet,” I thought the sound mixing in that film was sometimes a failure. There is one scene in that movie that takes place on the water where subtitles are essentially required to understand everything that is being said. Not here. Nolan seems to understand this problem. On top of making new IMAX cameras, one thing that was made specifically for this production was a blimp that would cover the IMAX camera while it was in use. This was to solve issues related to background noise, including how much noise the camera itself makes. Yet the same time, having such a big blimp creates its own problems. On top of making the cameras themselves heavier to lug around during certain scenes, it can make it harder for the actors to see each other. So, a mirror system was built that way the actors could maintain eye contact. Despite the source material being old, “The Odyssey” feels like a generational product that is not only fun to watch, but brings new tricks to the table when it comes to filmmaking.

It is hard to tell if “The Odyssey” is going to be a one time thing, or if we are going to see more movies shot on IMAX film from start to finish. In fact, where does Nolan go from here? Nolan is at the center of implementing IMAX into Hollywood cinema, but in a way, this feels like the ultimate goal. It is his equivalent to climbing Mount Everest. He has not shot anything on IMAX 3D cameras. I do not think he is a fan of 3D, but that has to be the next step, right?

Do not get me wrong, any theatre is worth the price of admission for “The Odyssey.” IMAX… LIEMAX… NO-MAX… But I stand here saying that I do not think there is a single film in history that has been worth the price of admission for IMAX more than “The Odyssey.” This film is big, loud, clear, and most importantly, an excellent time regardless of the technical aspects.

In the end, “The Odyssey” is my favorite Christopher Nolan movie since “Interstellar.” There are movies, there are epics, and then there is Christopher Nolan’s latest masterpiece. Going back to “Interstellar,” which I have seen 5 times in theaters ranging from 2014 to 2025, “The Odyssey” is likely going to get at least three viewings from yours truly during its initial theatrical run. For awhile I was thinking that “Project Hail Mary” had a straight shot at being my favorite film of the year. I am not saying I like “The Odyssey” more, but if there was a runner-up right now for my top movies list of 2026, this is it. “The Odyssey” is the cinematic form at its absolute peak. This movie has already made more than a billion dollars at the box office, it is a hit with critics and audiences, and I can see why. The entire cast is on their A-game. The score is stupendous. The techniques that went into the making of this film look incredible in the finished product, and those are just the ones that you can see for yourself. I do have some slight nitpicks with the lighting, but they do not take much away from what is an excellent time at the movies. I am ecstatic to know that premium and IMAX screens are selling out for this film, even about a month after its release. If there is one movie you should see on the big screen this year, it is “The Odyssey.” I was talking to cousins recently and they said they might wait for streaming to watch “The Odyssey” as it is not their type of movie. I get that completely, but I think if you wait for streaming to watch “The Odyssey,” you are going to be doing yourself a massive disservice. If everything I just said has not yet convinced you to buy a ticket for “The Odyssey,” then maybe my score will, because I am going to give the film a 9/10.

As far as I am concerned, this film’s legacy is not going to fizzle anytime soon. I studied “The Odyssey” in high school, and if that continues to be a part of students’ required material, I am going to be so jealous. Nolan’s film is rated R, so we shall see if students, particularly those in certain years of high school or below, will be able to watch it in class, but if they are given permission, they are going to be introduced to one of the finest masterpieces of cinema ever created with a crowd of their peers. Frankly, if I were in an English class, and I got to watch “The Odyssey” as a required assignment, I would probably kiss my teacher on the mouth. Please go see this movie. You will thank me later.

“The Odyssey” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! If you have not done so already, check out my latest episode of Movie Requests featuring Elijah Wood, Frodo from “Lord of the Rings” himself! In the video, he requested I should watch “Festen,” or “The Celebration” as it is known in English. To find out what I thought of the movie, click the video above! If you enjoy the video, please leave a like and subscribe to my YouTube channel!

Also, I will let everyone know that my next guest in the series is going to be Amy Sedaris! You may know Sedaris from films like “Elf,” “Is This Thing On,” “Jennifer’s Body,” and “Puss in Boots.” You can also find her on television shows like “Strangers with Candy,” “The Mandalorian,” “At Home with Amy Sedaris,” and “Unbreakable Kimmy Schmidt.” She has quite the prolific resume! Work has already started on her episode, I will have more details soon, but look forward to it. It is gonna be a good one.

My next review is going to be for “Her Private Hell!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Haunted Heist,” “Spider-Man: Brand New Day,” “I Want Your Sex,” “The Invite,” and “Cookie Queens.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Odyssey?” What did you think about it? Or, what is the greatest movie theater experience you ever had? And I am not just talking about the quality of the movie… What is a cinema experience that checked every box for you? The film looked great, sounded fantastic, and truly felt like a once in a lifetime event? Let me know down below! Scene Before is your click to the flicks!

The Drama (2026): Zendaya and Robert Pattinson Kill it as a Couple Caught in Personal Chaos

Posted on by Jack Drees

“The Drama” is written and directed by Kristoffer Borgli (Dream Scenario, Sick of Myself) and stars Zendaya (Spider-Man: Homecoming, The Greatest Showman) and Robert Pattinson (The Batman, Tenet) as a couple who are preparing for their wedding. While the two get ready for their big day, they have a conversation with some friends that ends up becoming much bigger than any of them could have anticipated. When Emma reveals a key part of her past, it changes the way everyone sees her, including her future spouse, Charlie (Pattinson).

“The Drama” has one of the best trailers I have seen in recent memory due to its quick pace and effective messaging of the film’s main idea. Add a pinch of star power, and you have a recipe for hype. Zendaya and Robert Pattinson not only have busy years ahead of them, but they are in a few films together, including this one. Naturally, I was excited for this movie.

I am not saying skip the trailer before you see the movie, because, again, it is a great piece of marketing. It got me in the door. But if you want my two cents, the trailer does not even do this movie justice. It does a great job giving a spec of the main idea, and what unfolds from said main idea is completely bonkers. This is a film that is likely to inspire conversations, make people think, and whether for good or bad, could potentially ruin a relationship.

I am a believer that nobody, including myself, is perfect. Everyone does something stupid at some point in their life. This movie does a great job at showcasing the dangers of having your past come back to haunt you in the worst possible way. This is done through a simple conversation where two couples talk to each other discussing the worst things they have ever done. It is an innocent game where harsh truths come to light, but everyone seems to take the information and brush it aside. That is until Zendaya’s character, Emma Harwood, reveals something she has not even told her partner. I am not going to say what she did, as I had no idea what it was prior to watching the movie, but this ruins her friendship with the couple across from her, and puts a bad taste in her partner’s mouth.

Harwood’s revelation sets the tone for what’s next, and could not come at a worse possible time. Throughout the film we see her and Charlie Thompson (Pattinson) get ready for their wedding. Planning for a wedding, as exciting as it can be, is already stressful enough between getting people together, choosing and setting up the venue, making sure everyone assumes their role, and now it has become ten times harder.

Throughout the film, we see Thompson writing his wedding vows. We see him tinker with the document where he has them stored. It is not just a matter of giving a speech from the heart. It is a matter of knowing his partner. The revelation essentially turned things upside down for Thompson. He does not feel like he knows her the way he did before. He sees an entirely new side to her. The longer the film goes on, the more we find Thompson in a sense of personal debate. Does he know his partner? Or is she a complete enigma? What else does he not know?

This movie kind of makes me glad I am single. What if I end up doing something stupid that I will have to bring up to my partner one day? Will they accept it? Or perhaps vice versa? What if I am dating someone and I find out they killed a guy? I find myself to be quite an accepting person, but if I find out my partner killed a guy, I think it would be an understatement to suggest that idea gives off a bad vibe.

I also dig the start of the movie. The movie begins with our main couple meeting each other in a cafe, where Thompson notices Harwood reading a book and tries to win her over by saying he loves said book. We find out early on that Harwood is deaf in one ear. The way the movie establishes this point is rather cute.

Perhaps the biggest strength, arguably to no one’s surprise, is the on-screen talent. Of course, Robert Pattinson and Zendaya lead this film, both of whom are great actors on their own. But this film does them favors by putting them together. I buy that these two are a couple from, as mentioned recently, the moment they meet in a cafe, to their eventual decline. As good as they are together, the two are not alone when it comes to showcasing tour de performances.

While Zendaya and Robert Pattinson are naturally going to be the first two people that come to mind when I think of this movie, trailing ever so slightly behind them is Alana Haim, who plays Rachel, Emma’s maid of honor. The movie easily allows her to shine due to the already excellent material she is given, but it also helps that Haim takes said material and goes to town with it. Everything from finding out about her personal revelation, which as much as the other characters seem to let it slide, made me gulp in my throat a bit, to what she ends up doing as the film gets to the big wedding itself. This film is called “The Drama” for a reason, and as it progresses, Rachel often accentuates it.

While there is a somewhat grounded feel to this movie, if there is any character that most resembles a cartoon, Rachel would probably be the closest candidate. This is not meant to come off as a dig. If anything, her exaggerated tendencies seem to stand out. As much as I did not like “Licorice Pizza,” one thing is for sure, it put Alana Haim on the map for me. She did a terrific job in that movie. Not only does she do just as swell of a job in “The Drama,” but it also helps that the movie itself is just as riveting.

In the end, “The Drama” is one of those films that you kind of have to see to believe. Just about everything in this film stands out in some way. The acting. The location choices. The dialogue. The direction. Everything in this movie works. I do not think “The Drama” is going to end up being the best movie of the year. In fact, part of me thinks it could have been slightly shorter. But it does not change the fact that “The Drama” lives up to its name. It is a film that for better or worse, is going to make you think. I am going to give “The Drama” an 8/10.

Also, I would like a personal note. Between this movie and “Dream Scenario,” both of which are helmed by Kristoffer Borgli, the filmmaker seems to have an attachment to setting his work in Massachusetts. It seems like a minute point, but I am glad Borgli is not only making good movies, but manages to do so while shining a spotlight on my home state. If Borgli is ever in the Boston area again, let me know if you’re up for some candlepin bowling.

“The Drama” is now playing in theaters. Tickets are available now.

Thanks for reading this review! I have an update regarding my ongoing video series Movie Requests, where I take film suggestions from other people and talk about them. I am pleased to announce that the fourth episode is coming soon and it is going to feature none other than “The Mandalorian” star Katee Sackhoff! She suggested a movie for me to review last November, and I am finally going to talk about it on May the 4th, otherwise known as “Star Wars Day.” How appropriate. What movie do you think she requested? Leave your comments! You can catch the video as soon as it drops on Flicknerd.com or my YouTube channel, which you should absolutely and positively subscribe to. You’ll get it faster that way.

And if you have not done so by now, please check out my last episode of Movie Requests, featuring “Avatar” actor Joel David Moore! He requested I should watch “Force Majeure.” What did I think about it? Click the video and find out for yourself!

My next review is going to be for “Exit 8.” Stay tuned! Also coming soon, I will be sharing my thoughts on “Normal,” “Lorne,” and “Michael.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Drama?” What did you think about it? Or, what is your favorite movie about a couple who happen to be in a not so perfect relationship? If you want my two cents, please go check out “Marriage Story” if you have not done so already. It is on Netflix, but if you prefer your physical media, like me, it is available on the Criterion Collection. Give it a shot. Scene Before is your click to the flicks!

Dune: Part Three Sells Out Limited IMAX 70mm Screenings Months Before Release – The Eventification of Moviegoing

Posted on by Jack Drees

Hey everyone, Jack Drees here! My most anticipated movie of 2026 is Christopher Nolan’s “The Odyssey,” based on Homer’s epic poem of the same name. You may remember nearly 9 months ago, tickets went on sale for some of the movie’s IMAX 70mm screenings. And by sheer luck, I managed to grab a ticket for the first show in Fort Lauderdale, Florida when the movie opens this July.

Naturally, Warner Brothers must have seen this and decided to follow suit with another film I am looking forward to… “Dune: Part Three.” Around noon on the east coast, which is where I live, a list of theaters were selling tickets for the movie. I had very little notice to buy tickets, but I was scrolling on Instagram and saw a couple posts suggesting that tickets were going to go on sale in a half hour. Not next week, not the next day, but literally the next half hour. So, I go through the list of theaters and make a game plan… Opening multiple tabs, having different devices out… I was ready. After checking a couple websites, I go to IMAX’s official site and click on a link that brings me to the AMC Lincoln Square 13 in New York, New York… And lone behold… Tickets went on sale minutes before their scheduled time at 12 p.m.. So, I click on the 7 p.m. show for Friday, December 18th.

For the first time in my life, I had to go through multiple seat selections just to get something that will take me to the landing page. It took me three tries, and knowing how many seats were sold already, I am shocked the count was not higher. And if someone can get Hans Zimmer on the phone to play some victory music, that would be amazing! Why? Because I got my tickets! …And so did everyone else in the world, apparently. Less than a half hour after I buy the tickets, I check the “view” tab on my screening, and it says the show sold out. And so did other showtimes! Keep in mind, I bought tickets for Friday. There was also a show being held the day before that I had no idea about. When I checked AMC’s site originally, I did not see a listing for it. Not that I am complaining. Friday is still quite early in the release schedule and I am sure the crowd going to see it Friday will be just as enthusiastic as the crowd going the night before.

My theater is not alone. For this push, 19 IMAX theaters were selling tickets. Only two are located outside of North America. More than seven hours after tickets went on sale, most of these theaters say they “sold out” on IMAX’s website. All of these theaters were selling one show per day from opening Thursday to the following Sunday. Since buying my tickets, more showtimes have been added, and those are already selling too.

Though my ticket-buying experience makes me wonder if we are seeing a shift in how movie tickets are sold. Between “Dune: Part Three” and “The Odyssey,” buying movie tickets, in certain regards anyway, is starting to feel like buying concert tickets. The concept may not be resemblant to every concert, but these past couple of instances of buying tickets felt like the cinephile’s equivalent to scoring seats for Taylor Swift’s The Eras Tour a few years back. Between how early the tickets are going on sale, the specific venues that are allowing tickets to sell immediately, the fact that people like me are fighting to get the seat they want, as well as the price… These are not only hottest tickets in town, but buying one almost guarantees jealousy from others who did not acquire theirs in time. That is, if you choose to keep the ticket. There are already some users online selling them for several times their original price. Morons.

I bought two tickets for my screening at the AMC Lincoln Square 13. Each ticket cost me $30.49. It would have cost me more if my AMC Stubs memberships did not cover my convenience fees. Sadly, this film is excluded from my A-List reservations, but in actuality, I do not mind it that much. If anything, it saves me the trouble from having one less slot I can use for the next 8 months. For the record, the price is not that much different from what I would pay now for an IMAX movie at the same location. Not to give AMC any ideas, but I am a tad surprised the cost is not higher.

The reason why I say that is because not only is Lincoln Square home to one of the biggest IMAX screens in the country, but due to it being in New York City, I would expect the price to be more than some of the other markets selling tickets early. Yet to my surprise, there are a few less populated areas that are selling the same experience, but charging more money for it.

I was going through X, and found a couple of people posting about the prices some of these theaters were charging…

Including one in Nashville, Tennessee…

As well as another located about 35 miles away from Atlanta, Georgia…

I should also note, both of these are Regal locations. I am noticing a trend here…

In fact, since the theaters have added more showtimes, it has only given me a smidge more material to work with for this post. I checked a 10:45 p.m. showtime for the Regal in King of Prussia, Pennsylvania. This theater probably would have been my backup if I could not get into Lincoln Square as the distance is somewhat drivable from home, and the fact that I have always wanted to check out the King of Prussia Mall. Though I likely saved myself a hassle, as tickets are $50 a pop.

Meanwhile, a Cinemark that is somewhat drivable from home, located in Rochester, NY, is also listing early showtimes. Having checked an 11 p.m. show on opening Thursday, they do not seem to be showcasing the same level of greed as Regal, considering how tickets are half the price at $25.

The pricing for this event does appear to be a bit out of control, especially when you consider that a ticket for an evening IMAX show set around the same timeframe for both Nashville and the Mall of Georgia is typically around $30 for adults. If I were to go see “The Super Mario Galaxy Movie” this week during the evening, that is how much I would pay just for a single ticket prior to fees. As much as I do not mind the trend of premium screenings selling tickets early, I do think there is a limit on how high one of these screenings should be priced. $40 for a movie ticket in 2026 feels like overkill. $50 is just outrageous.

I have paid 50 bucks for a movie ticket before, but I felt that price was somewhat justified as the director of said movie showed up to introduce the screening and stay after to do a Q&A. By the way, the screening was for the 25th anniversary of “Dogma,” and getting to see Kevin Smith before and after was a complete blast. This was a standard 2D screening, but it had a unique luxury on top of it.

I have a feeling that should we continue to do events like these, theaters could end up taking advantage of their customers and make them spend more money than perhaps one realistically should on something as simple as a movie. And that is important to note. I have no problem spending a good chunk of money to see a comedy show or a baseball game, because you are witnessing the event live. Movies are on a screen, therefore you are not watching real people. It does not make as much sense to charge $10 more than what a typical ticket would cost around an identical timeframe in the same auditorium, even if the detail on the screen is going to be incredibly lifelike.

Interesting enough, if I were to see “The Super Mario Galaxy Movie” this week during the evening at Lincoln Square’s IMAX, where fate decided I should have a “Dune: Part Three” ticket waiting for me, I would be paying $30.49 for the adult tier. That is the same price as a single ticket for “Dune: Part Three.” It gives me the sense that Regal is jacking up the price on purpose… Again, going back to the eventification of moviegoing, this shows that even if a movie theater charges a higher price, someone will pay it just to be in the building. In fact, my backup option if Lincoln Square sold out was to buy a ticket at the Regal in King of Prussia, Pennsylvania. But knowing myself as an IMAX fanboy, there is a good chance I would have paid whatever the ticket cost just to get my hands on it.

The $30.49 ticket price packs quite a bit into it. In addition to being part of one of the first audiences to experience “Dune: Part Three,” we are watching it in IMAX 70mm, one of clearest formats of all time. Any instance in which I can see something on one of the clearest formats of all time, I will most definitely take. There are very few theaters in the world with capable, working equipment to make this possible. The film is also shot on IMAX technology, including IMAX film. The screen is one of the largest in the country. There will be no trailers before the movie starts, which for AMC is almost unheard of. For my commitment, the theater is giving me a collectible filmstrip. The theater is giving a lot for 30 bucks. I would not pay that much for a movie each and every day, but I would for something like this.

Going back to what I said earlier about the “Dogma” screening and how cool it was to see Kevin Smith there, if we really want to eventize these screenings even further, here is an idea… Have the stars show up. Granted, these are 19 locations in different parts of the world, so it may not be possible for this to happen. But in theory, it would be cool to be welcomed to “Dune: Part Three” on opening weekend by Zendaya or Denis Villeneuve or Robert Pattinson. It is almost like a reward for buying tickets early.

Between “The Odyssey” and “Dune: Part Three,” movies are truly becoming much bigger events for yours truly then they have ever been. Granted, I have gone to press screenings and premieres in my area. I have been to screenings where celebrities show up. But these two movies have gotten me to consider crossing state lines just to watch them. I am flying to Florida in July. FLORIDA. IN JULY. Just to watch a movie. I think air conditioning is going to be my best friend when that time arrives. These are more than adventures to catch flicks. These are practically turning into vacations. Heck, since I am seeing “Dune: Part Three” a week before Christmas, I am already debating on what time would be best to visit Rockefeller Center to check out the big Christmas tree.

Could I watch these movies closer to home? Perhaps. In fact, I live 10 minutes away from the largest IMAX in New England, located at Jordan’s Furniture in Reading, Massachusetts, which is an amazing place to see a movie. …But it is not currently 70mm capable. If I waited months to buy tickets there, I would not be mad at myself. In fact, I would be excited. That theater is amazing and it would be fun to see something as hotly anticipated as “Dune: Part Three” there. But this screening is getting me more excited by the minute. It feels electric just knowing that I am going to be in a room with a group of people who are likely just as committed to seeing this film as me.

To add even further excitement… Unless Disney decides to change their mind, “Avengers: Doomsday,” which could end up making $2 billion at the box office, even without IMAX screens, releases the exact same day as “Dune: Part Three,” thus inspiring the term “Dunesday.” If both Warner Brothers and Disney are committed to this event, it is possible that we could witness the biggest moviegoing weekend in history. Now that I have my ticket for “Dune: Part Three” it makes me wonder when exactly I should plan to buy a ticket for “Avengers: Doomsday.” Should I do a screening the same day hours before? Should I do it the day before? It would let me easily avoid spoilers. Should I watch that film closer to home? I still have not figured out how I am getting to New York, so we shall see what happens. Part of me thinks deep down that “Dunesday” could end up hurting both “Dune” and “Avengers.” But after seeing the response “Dune: Part Three” is getting months before release with these ticket sales and the first trailer, I think this less diverse edition of “Barbenheimer” could pay off for both parties.

“Dune” and “Dune: Part Two” are movies that have given me some fond memories upon watching them, so it is no surprise that I am looking forward to “Dune: Part Three,” no matter how I see it. That said, I am thrilled to experience the film the way the director intended. Judging from what has been shown so far and the track record of the previous installments, I would not be surprised if this ends up being a Best Picture nominee at the next Academy Awards. Until then, if anybody else already has their “Dune: Part Three” tickets, congratulations! Maybe I will see you at Lincoln Square. Much like Paul Atreides’ promise at the end of “Dune: Part Two,” I am sure that IMAX and Warner Brothers are going to lead me to paradise this December. I cannot wait.

Thanks for reading this post! As a reminder, be sure to check out my latest episode of Movie Requests! This is a brand new series where I take movie suggestions from celebrities and talk about them. The latest episode features “Clerks” actor Jason Mewes. Check it out, give it a like, and if you want to see more videos in the series, consider subscribing to my YouTube channel!

My next review is coming later this week, and it is going to be for “Ready or Not 2: Here I Come.” I love the first “Ready or Not” to death, so it should not be a surprise that I eagerly awaited the sequel. I will share my thoughts on it soon. If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you get tickets for “Dune: Part Three?” Where and when are you seeing it? And how much did you have to pay? Also, if you are a scalper, please find something better to do with your time. Scene Before is your click to the flicks!

The Odyssey IMAX 70mm Tickets Going on Sale One Year Early – Let the Hype Begin

Posted on by Jack Drees

© Courtesy of NBCUniversal

Hey everyone, Jack Drees here! You know that feeling when you were going Black Friday shopping in the 1990s or the 2000s? You found a parking spot at Walmart, and you were trying your best to get your hands on that new TV and would push hundreds of people out of the way just to get your hands on it? Imagine that, but online, and with movie tickets. “The Odyssey” is about to do something that as far as I know, no movie in history has done before. Not even a “Star Wars” or Marvel title.

Tickets are going on sale for “The Odyssey” a full year before its scheduled release. If I had to be honest though, part of me is not surprised this is happening. The film, which comes out July 2026, is expected to be one of the biggest of that year and unleash a first in cinematic history.

If you look on several ticketing sites right now, you will notice that there are times available for Christopher Nolan’s “The Odyssey” a year in advance. This kind of push rarely, if ever, happens for films. If the tickets are not sold out by the time you are reading this, they are likely ready to buy. This post is being published on July 16th, 2025, one day before these tickets officially drop. That said, if you are reading this hours after publication, check Fandango. Check AMC. Tickets are available!

There are a few caveats however… The showtime options are limited, and the tickets are only available at select locations. “The Odyssey” is expected to have a wide release, but if you are looking for times in cities like Boston, which is where I live for example, be patient. Also, these are for IMAX 70mm screenings. If you want to see the film in a standard theater or another format such as Dolby Cinema or IMAX digital, you will have to wait a bit longer. But if you are eager to see the film early the way it was intended, now may be a good time to buy your tickets.

Based on Homer’s epic poem of the same name, “The Odyssey” centers around the character of Odysseus as he ventures home following the end of the Trojan War. The film features an all star cast including Matt Damon, Tom Holland, Zendaya, Jon Bernthal, Robert Pattinson, Lupita Nyong’o, Charlize Theron and Anne Hathaway. That is just scratching the surface! Christopher Nolan is writing and directing the film, as well as producing it alongside his wife Emma Thomas. You might think with an all star cast and an Oscar-winning filmmaker who is hot off of “Oppenheimer” these reasons would be enough to sell tickets early. But perhaps the biggest selling point for me is the opportunity to see the film in IMAX 70mm. 

Those who know Christopher Nolan are well aware that he champions the IMAX format, most especially IMAX 70mm, the company’s original film format that has decreased in use throughout the current century with the rise of digital filmmaking and projection. But in recent years, it has regained popularity following the releases of certain movies. Christopher Nolan’s most recent film, “Oppenheimer,” released in a list of theaters playing it in IMAX 70mm. The presentation allows the IMAX-shot scenes to cover the entire screen in a resolution that is theoretically as high as 18K. That movie was Nolan’s latest effort where he would combine traditional 35mm or 70mm film with IMAX film while shooting. But “The Odyssey,” which is also showing in IMAX 70mm, is a different story.

“The Odyssey” has many distinctions of being a cinematic event, including the fact that this is the first Hollywood feature to be shot entirely on IMAX film cameras. This is a feat that yours truly thought might never see the light of day. IMAX film cameras are traditionally known for being loud and bulky, Despite their magnificent results through the lens, they are not always the most realistic camera to use. One reason why “Dunkirk” in particular has so much IMAX-shot footage is due to the film having minimal dialogue.

Dropping the tickets this far in advance is not just a great way to get people talking and push this film’s marketing campaign into gear, but it is essentially an invitation to be a part of history. People who buy tickets for these shows on opening weekend not only get to see the movie, but they earn the right to say that they are the first people to see a Hollywood film shot entirely on IMAX film. Seeing any movie on IMAX film is worth bragging about, especially today when much of the moviegoing market is digital. I had the opportunity, by complete coincidence, to see Ryan Coogler’s “Sinners” on IMAX film a week into its release while it was playing in Fort Lauderdale, Florida. Like some of Christopher Nolan’s previous movies, “Sinners” combines multiple film formats. But “The Odyssey” is a different animal. Whereas with the “Sinners” IMAX experience, where that movie will switch between black bars and full screen, “The Odyssey” will show the entire movie with the picture covering the screen from top to bottom.

Do any extra perks come with these tickets? Other than bragging rights, it does not look like that will be the case. At least for now. That said, it would be cool to include something special for the attendees whether it means a Q&A, getting to meet one of the film’s stars, or maybe an exclusive t-shirt or popcorn bucket. Just spitballing ideas.

Thankfully, if these theaters are too far for you, IMAX film has a digital equivalent capable of showcasing the IMAX-shot scenes in all their glory through their 4K laser projection system. The projector is available at a short list of IMAX’s “true” theaters, and definitely worth seeking out if you cannot watch the movie on film. That said, tickets are not on sale for any of those locations. But it is nice to have options closer to the film’s release.

As of writing this, a part of me is planning to buy a ticket for one of these screenings, perhaps at the AMC Lincoln Square 13 in New York City since as of now, it appears to be the closest theater to me with showtimes. If you know me, I am such an avid Christopher Nolan and IMAX fanatic that being one of the first to see this film in IMAX 70mm would be a dream. I am honestly willing to fly to another state if New York starts selling out and they have tickets over there. Move over, Taylor Swift, the Eras Tour is so 2023! As a cinephile, my moment is here, and I am “ready for it!” For my fellow New Englanders, the Providence Place Cinemas in Providence, Rhode Island has an IMAX with a film projector. However, due to certain issues it had during “Oppenheimer’s” run there, I do not think that theater is going to end up screening “The Odyssey” in IMAX 70mm. One can hope, but I am worried it will not make the list.

Do you have to buy “The Odyssey” tickets right now? Not necessarily. Again, the showtimes available are limited. The film is not out for a year and they are inevitably going to add more times. Heck, the film could end up getting delayed, thereby making all these advance purchases irrelevant. But if you want to guarantee your spot as a part of film history, this might be a solid investment. Should the ticket gods by on my side, I plan to be a part of this cinematic event, and I hope to see you there in July 2026.

I also very much look forward to potentially bonding with my new best friend, the “refresh icon.”

Thanks for reading this post! This was a bit impromptu, but I had to get this off my chest because to be honest, the hype is real and I choose to be a part of it. There are probably people reading this right now, including my own friends and family that think I would be a madman for buying a movie ticket a year in advance in a theater far from home. They might be right, but I make no apologies. What if I move to that city? Who’s crazy now? That’s one less travel ticket I have to buy! That’s less gas in the car! I should not have to apologize for being a fan. That said, if you are getting tickets for “The Odyssey” a year in advance? What theater are you going to? What showtime? Maybe we will run into each other. I would love to meet my fellow movie fans. Let me know down below! In the meantime, please check out the official Facebook page if you want to be updated on my latest posts through social media! Scene Before is your click to the flicks!

PS: If you plan to sell scalp tickets for this, do the world a favor and get off this page. In fact, even better, get off the Internet.

Mickey 17 (2025): More Robert Pattinsons Means More Fun in Bong Joon Ho’s Latest Movie

Posted on by Jack Drees

“Mickey 17” is directed by Bong Joon Ho (Parasite, Okja) and stars Robert Pattinson (The Batman, Tenet), Naomi Ackie (Star Wars: The Rise of Skywalker, Master of None), Steven Yeun (The Walking Dead, Minari), Toni Collette (Knives Out, Hereditary), and Mark Ruffalo (The Avengers, Dark Waters). This film is set during a group’s mission to colonize a planet and mainly follows the journey of a disposable employee who we see living his 17th life.

I have waited desperately for the day I could watch “Mickey 17.” As a science fiction fanatic, this film looked like my jam. It had a clever concept, intriguing cast, and it was helmed by Bong Joon Ho, whose previous film became the Academy’s first Best Picture recipient not made specifically in the United States. I have a feeling that if this film were in the hands of, say a first time director, it might still sell me, but Bong Joon Ho’s involvement basically put me over the edge.

Is “Mickey 17” likely going to follow in the footsteps of “Parasite” and win Best Picture next year? It is still too early to say, but I would assume that to be a “no.” Although if the Academy Awards were tomorrow, I could see the film at least being nominated. That said, it is not for everyone. The film has heavy commentary, but also happens to cross a line to where it can be silly. If Bong Joon Ho did not direct this movie, I would have been convinced that this was a Taika Waititi film in the style of “Jojo Rabbit,” which seamlessly blends comedy and drama despite the movie sometimes falling into an extreme on one side or the other.

The movie has Robert Pattinson playing a character who we get to see repeatedly die, sometimes in brutal ways. That is something to put on the more comedic side of the spectrum. Yet on the dramatic side, the movie uses this disposable character as a foundation for highlighting the human condition.

Going back to comedy, this movie also has Mark Ruffalo and Toni Collette playing a couple who tend to be more concerned with blood spilling on their carpet as opposed to having someone die on said carpet. At the same time, on the dramatic end, the narrative also shows how people with prominence or power can affect the way people think.

There are multiple adjectives I could use to describe “Mickey 17.” Fun, brisk, grand, ambitious… I was not expecting “horny” to be one of those adjectives. At times, the vibe of this film reminded me of the 2021 flick “Voyagers,” which like this film, is mainly set in a spaceship with a decent amount of characters. The films have their differences, one of them being that “Mickey 17” is much more watchable. Although one similarity the two movies have is that they feature characters or storylines that have something to do with sexuality and urges. The movie features a sizzling connection between Robert Pattinson’s Mickey variants and a security agent named Nasha (Ackie) for example. This movie is about a group’s journey to colonize a new planet, and the individual at the forefront of this mission is politician Kenneth Marshall (Ruffalo) who early on, gives this dramatic speech to an audience encouraging them to “spread their seed” upon their arrival.

This is Bong Joon Ho’s first feature film following the Oscar Best Picture winner “Parasite.” While the film itself is not on the same level as “Parasite,” there are some scenes from “Mickey 17” that made me shake in the same way I did watching the former. “Mickey 17” has a halfway decent amount of unpredictability, but nothing as out of left field as “Parasite.” The structure of the film feels familiar, but it is done in a way where certain moments feel fresh or one of a kind. Much like “Parasite,” “Mickey 17” does a good job at handling commentary. Sometimes it is a little on the nose, but it is still decently delivered. For example, there is a scene early on where we notice a massive sea of supporters for Kenneth Marshall, a politician this movie clearly paints as the antagonist, and a fair amount of those supporters are wearing red hats. Sound familiar? If not, then maybe this movie will have to try harder and make commentary great again.

I can get by the not so subtle commentary because despite it being played up, it does feel reminiscent of current times. In fact, it only feels more on the nose by coincidence considering who was elected President in the U.S. before this film came out. The true test however is to see how the film ages with the world’s political landscapes. That said, society is not perfect. So odds are this film could age decently.

Tonally, “Mickey 17” is an enigma. It is certainly unconventional, but I kind of love it. That said, I could see some people comparing this film to a Saturday morning cartoon at certain points. Aside from that, there is not a ton else that bothers me in the film aside from the fact that some of the effects look fake. The exterior of the spaceship looks like something out of a TV series. That bothered me in the marketing for this movie. When I saw that spaceship for the first time, I thought I was watching an animation. That gripe remains in the final product. Many of the effects in this film look okay, but that spaceship stood out to me. I will not doubt that a lot of work was put into the CGI, but the film’s budget is at least $118 million. It could definitely be more expensive, but for that much money, I sometimes expected something a little more polished.

I am curious to know how this film will do with general audiences. For science fiction nerds like myself, this film is a complete and total blast. I think some casual moviegoers will be riveted by the film’s spectacle, and they will also enjoy seeing Robert Pattinson give it his all in two roles. Bong Joon Ho has had a prominent boost in the past number of years, and “Mickey 17” will likely garner certain people’s attention in my country, the U.S., since the film is in English, unlike his previous outing. But I am not sure if this film is going to have the spark to bring everyone together. Plus, again, I will mention that Mark Ruffalo is essentially playing a Donald Trump wannabe. Should word of that spread around just enough, I can imagine more people wanting to give their hard earned money to something else that will feel more like an escape. Although if I am being honest with you, this film is kind of an escape. The film took me to space, and I found it to be a fine journey. I give the movie a recommendation.

In the end, “Mickey 17” is an experience that is going to stick with me for a long time. This movie is grounded yet wonderfully odd. It is full of tiny, admirable quirks. The performances are to die for. Everyone is great in this film. Mark Ruffalo, Robert Pattinson of course. But if I had to name a favorite, I would have to say Toni Collette takes the cake. By the end of the film, I loved her simply because of how fiendish this film makes her out to be. She is very well directed. “Mickey 17” is another win for Bong Joon Ho and I am going to give it a 7/10.

“Mickey 17” is now playing in theaters and is available to rent or buy on VOD.

Thanks for reading this review! I keep beating a dead horse, but I apologize if I am behind on my reviews. The truth is, I am most definitely behind. I have been busy. I am still catching up on posting about the movies I watched while making the 7th Annual Jack Awards. A ceremony which by the way, you should totally check out. Here are some of the reviews you can expect going forward, and I have seen all these movies by the way. Coming soon, you can read my thoughts on “Locked,” “Hans Zimmer & Friends: Diamond in the Desert,” “The Luckiest Man in America,” “The Penguin Lessons,” “Novocaine,” “The Ballad of Wallis Island,” “Secret Mall Apartment,” and “A Minecraft Movie.”

I cannot wait for you to see my reviews on all these movies. No, seriously. I have been putting these off for quite some time so I cannot wait any longer. And you can be notified about these reviews as soon as they drop. Please follow Scene Before either with an email or WordPress account, and be sure to check out the official Facebook page! I want to know, did you see “Mickey 17?” What did you think about it? Or, what is your favorite Bong Joon Ho film? Let me know down below! Scene Before is your click to the flicks!

The Batman (2022): The Longest Sight of the Darkest Knight

Posted on by Jack Drees

“The Batman” is directed by Matt Reeves (Rise of the Planet of the Apes, Cloverfield) and stars Robert Pattinson (Twilight, The Lighthouse), Zoë Kravitz (Mad Max: Fury Road, X-Men: First Class), Paul Dano (Little Miss Sunshine, There Will Be Blood), Jeffrey Wright (The French Dispatch, Westworld), John Turturro (Transformers, The Big Lebowski), Peter Sarsgaard (Dopesick, Green Lantern), Andy Serkis (The Lord of the Rings: The Two Towers, Star Wars: The Force Awakens), and Colin Farrell (Total Recall, The Lobster). This film is the umpteenth reboot/remake/cash cow on a platter of the Caped Crusader. And I assume Warner Brothers already happens to have three more in development. This time around, Robert Pattinson plays Batman, or Vengeance, it can go either way at this point, who is forced to chase down the Riddler (Paul Dano) and follow himself down the rabbit hole to determine his family’s involvement in Gotham’s ongoing crime.

My excitement for “The Batman” was always something I kept in my head. And unlike other superhero stories in recent months like “The Suicide Squad” or “Eternals,” I had those expectations at a moderate level, but not at one that made me feel somewhat pessimistic. If you want a fair comparison, I would say it is almost equal to the excitement I had for “Shang-Chi” before all the reviews came out. I was immersed into the trailers we were given, and looking forward to seeing how Matt Reeves could potentially pull off a “Batman” movie that speaks to a 2022 audience.

While I will admit I think there are days where “The Dark Knight” may get a tad too much hype, I have always admired the film. I thought it was the definitive comic book film that delivered a little bit of fun, a little bit of dark, and a whole lot of epic. Christopher Nolan’s direction and Hans Zimmer’s score definitely add to the scope and vibe of the film. I would have been happy if “The Batman” were half as good as the “The Dark Knight” because even in that case, it would be a good movie.

Now “The Batman,” per my opinion, is no “The Dark Knight,” but it is a watchable film. And like “The Dark Knight,” the tone is incredibly set by the music, perhaps more effectively than the 2008 counterpart. Michael Giacchino’s score, even in its more subtle moments, feels prominent and difficult to ignore. Now unlike “The Dark Knight,” which I think has a really good opening scene, I think the opening scene of “The Batman” does a much better job at measuring the tone and stakes of everything at hand. This film’s introduction to the Riddler is chill-inducing, and almost horror-like. Granted, this movie does take place on Halloween, hence the Long Halloween inspiration.

Now, Batman and Spider-Man are often seen as two of the most popular heroes of all time. So much so that their characters reboot almost on the frequency of Tom Brady winning Super Bowls. Similar to seeing a couple movies where Peter Parker, AKA Spider-Man, loses his uncle, we also have seen a couple movies where Bruce Wayne, AKA Batman, loses his parents. “The Batman” takes the MCU or “Spider-Man: Homecoming” route and skips the deaths of Wayne’s parents. For a movie like this, I like this approach. Partially because it allows us to get straight into the character of Batman, whose first main scene in this movie provides one of the grittiest action sequences the character has gone through, and also because THIS MOVIE IS SO FREAKING LONG!

Maybe I should not have said that. This is not the longest Halloween–err I mean, longest comic book movie I have sat through. “Avengers: Endgame” was over three hours. But the reason why “Avengers: Endgame,” to me, gets away with its three hour runtime is because I have realized more and more over the years that it is not necessarily a matter of how long a movie is, but how long it feels when it comes to keeping me entertained. I cannot tell you how many times I have watched “Blade Runner 2049” from start to finish. That movie is two hours and forty-four minutes, which by today’s standards, is rather long. It flies by every single time I watch it. However, there were one or two moments when I watched “The Batman” and thought, “When’s the credits? Why aren’t they popping up yet?” I feel like this movie could have been better paced if they shaved off 5, 10, even 20 minutes. I do think the slow burn feel fits the narrative and characters at hand, but it also almost made me want to fall asleep.

But I’ll tell you what didn’t make me fall asleep…

ONE OF THE BEST CAR CHASES IN YEARS!

It’s been a few years since I have seen a truly exciting, immersive, compelling car chase. The last one that comes to mind is from 2018 during “Ready Player One,” where we keep transitioning from the real world to the virtual world where the people are driving and Wade is trying to get the key in the hole. The chase between Batman and the Penguin sent chills down my spine from frame one. For starters, the sound in this chase is some of the most heart-pumping I heard in a recent movie. I knew how amazing this chase would be ever since I saw the trailers, and I was not wrong. That moment where Colin Farrell, who looks almost unrecognizable as Penguin, shouts to himself, followed by the Batmobile’s reveal behind him, provides for pure satisfaction. Speaking of which, as soon as the Batmobile flicks on, I knew I was in for one of the boldest, almost self-transition into slow motion moments in recent film history. You know that feeling when you are out on the street and see someone so attractive that you’ve never seen before, it’s like time almost stops when you are taking every moment in.

And I think a lot of these slow, bold, yet exciting moments would not happen, or would be less likely to happen if this were not the first story we saw with Robert Pattinson’s interpretation of Batman. There’s a first time for everything, and we might as well let this first time last as long as possible. Speaking of Robert Pattinson, let’s talk about him.

Let me be clear on something. I have NEVER seen “Twlight” or its sequels. I also have never read the books. Some might say I am a better person for not partaking in these stories. I know Robert Pattinson, prior to suiting up for Batman, was perhaps a teenage heartthrob in those films, which gives him a bit of an image that some may think will hinder the film. Similar to One Direction’s Harry Styles in “Dunkirk,” put those thoughts aside because “The Batman” supports the notion that Pattinson is committed to what he does and that he is a genuinely great thespian. And if you do not believe me. Watch “Good Time,” where his performance partially adds up to a good time. Watch “Tenet,” he’s practically my favorite character in the film in terms of line delivery. And PLEASE. PLEASE. Watch “The Lighthouse.” SOOO GOOD. I was not one of these people, but I had maybe a friend or two who despite Robert Pattinson’s continuous career buildup, still felt skeptical of this film’s quality partially because of Pattinson’s past in the “Twilight” series. Either that or Bruce’s emo look, which admittedly works for me. Don’t worry. Pattinson IS Batman. Both literally and figuratively.

Unlike say Ben Affleck or Christian Bale where the difference between Bruce Wayne and Batman is often very clear, I feel like this interpretation of Batman leaves the character of Bruce Wayne, who technically still exists, almost in the background entirely. I don’t mean this in a bad way, because this shows how much Wayne himself has been consumed by the Bat. You know that theory that people have about children? The one where they apparently see something in a video game and decide it is okay to do in real life? While this is not exactly a complete replica of that, Pattinson’s interpretation reminds me of that because of how much Bruce and the Bat have basically become one with each other.

So please? Can we stop already? Can we stop making fun of Robert Pattinson? He’s a genuinely good actor, and he can show that. Matt Reeves accentuates that with his eye-popping and marvelous direction. So let’s get back to talking about the more important things…

Like THE SLAP AT THE OSCAR–Ooohh wait, wait, wait, never mind.

I will also add that Robert Pattinson is not the only standout here performance-wise, Zoe Kravitz makes a fine addition to the movie as Catwoman, and her presence is as commanding as can be. Her chemistry with Pattinson is spot on. Speaking of spot on, aside from maybe Pattinson, I’d say the best performance in the movie probably goes to none other than Paul Dano. I never thought much about Dano as an actor much before “The Batman” came out, but he’s been one of the few things I could not stop thinking about once this movie ended. And this goes back to what I said about the film’s opening scene where we first see the Riddler. They say a movie is only as good as its villain, and they also say that first impressions matter. The Riddler killed it in this film, and had my attention throughout because of that first scene. Every other moment, he kept that same maniacal vibe up. This interpretation of the Riddler is not my favorite Batman on-screen translation ever, but it is up there. And that is part of why this movie is worth watching. Not just for Batman himself, but the people he runs into along the way.

In the end, “The Batman” is the best comic book movie of the year! Why is that? Well, partially because “Morbius” exists. And that’s another story for another time. But I’ll be real with you. There are plenty of “Batman” movies out there, ranging from standalones to crossovers. Out of the many Batman stories that exist on screen, this is not the first one I would pick to watch on a Friday night. Replay value-wise, this movie is not high on my list. But I also think it is beautifully made. It encapsulates a dark vibe that feels modern, but also brings us a masked hero who maybe had much of his personality altered because of his transition. I like that idea brought to the table, and I would not mind seeing a sequel at some point. I am going to give “The Batman” a 7/10.

“The Batman” is now playing in theaters. Tickets are available now. The film will be available to stream on HBO Max starting April 19th.

Thanks for reading this review! My next review is going to be for Pixar’s “Turning Red,” the brand new animated film that is now streaming on Disney+ for free as long as you are subscribed! Also, stay tuned for my thoughts on “Morbius!” I gave a little tease, but we shall dive deeper at some point! If you want to see this and more on Scene Before, follow the blog either with an email or WordPress account! Also, be sure to like the official Facebook page! I want to know, did you see “The Batman?” What did you think about it? Or, who plays the best on-screen Batman? Is it Keaton? Bale? Kevin Conroy? Someone else? Let me know down below! Scene Before is your click to the flicks!

Tenet (2020): This Review Hasn’t Happened Yet

Posted on by Jack Drees

Before we dive into this review, I just want to remind everyone that this is spoiler free. “Tenet” is one of the biggest movies of 2020 for a lot of reasons. There are not only a lot of people waiting desperately to see this movie, like myself, but there are also many people who might want to wait to see this movie depending on how safe it is to do such a thing. There’s also some areas like New York, California, the country of Japan that for the most part, cannot obtain access to this movie yet. With this in mind, I am going to attempt to be as vague as possible with my thoughts on “Tenet.” Kind of like its own trailers. What did we learn? Not much, which I don’t mind because I’d rather go into a movie knowing as little as possible. What’s the point of a trailer if it’s going to simply show the entire movie? I do go into detail on one or two things, but the things I take the deepest dives into don’t have much to do with plot, story, or characterization. Without further ado, it is time to start my review for “Tenet,” otherwise known as the movie I have waited since the Jurassic era to witness on the big screen.

The day we’ve waited for has arrived…

“Tenet” is written and directed by Christopher Nolan (The Dark Knight, Dunkirk) and stars John David Washington (BlacKkKlansman, Ballers), Robert Pattinson (Good Time, The Lighthouse), Elizabeth Debicki (The Burnt Orange Heresy, Guardians of the Galaxy Vol. 2), Dimple Kapadia (Bobby, Fearless), Michael Caine (The Cider House Rules, Interstellar), and Kenneth Branagh (Jack Ryan: Shadow Recruit, Hamlet) in a film involving NOT time travel, but time INVERSION, which makes time move backward. John David Washington plays The Protagonist (yes, that’s his actual name) who journeys through a twilight world and faces a mission that could mean the difference between peace… or World War III.

It’s finally here! “Tenet” is arguably my most anticipated movie of 2020, not to mention of all time. For the record, I keep saying “Dune” is my most anticipated film of the year, but given how “Tenet” is supposedly the movie that will “save cinema,” that’s an added bonus for me. I’ve talked about this movie long before it came out. I reviewed one of the trailers, I did a couple posts on what we knew about the movie at the time, and I even brought it up a couple times during my temporary “Movies and COVID-19: Behind the Scenes” series. I don’t think I’ll be updating that anytime soon, because I can only take so much talk about COVID-19 at this point. “Tenet” is also directed by Christopher Nolan, my favorite director working today. “Dunkirk” ended up being one of my favorite movies of 2017, taking my #4 spot at my end of the year countdown series. Two of his movies showed up in my “Top Movies of the 2010s (THE BEST 25)” countdown, which by the way, one of them ended up being my #1 pick! That movie by the way is “Interstellar,” which is one of my favorite movies of all time! Christopher Nolan is a director who individualizes his work in the industry, partially because he’s developed a distinctive style himself, but also because a studio as big as Warner Bros. trusts him at this point to make “his movie.” Plus, this movie was shot entirely in 65mm film, much of which was through IMAX. I’m a sucker for large format filmmaking, and I knew that this movie was gonna look CRISP.

To this day, Christopher Nolan has not made a bad film. Keep in mind, I still have not watched “Following,” but I’ve seen every other film from him. I really enjoyed “Memento” and I thought its storytelling methods were pretty solid. His “Dark Knight” trilogy is not only fun, but kind of refreshing in a world full of big CGI comic book movies. “Interstellar” is incredibly rewatchable and I stand by it being arguably my most cherished movie experience. “The Prestige,” while I don’t recall much about it, was fairly enjoyable. “Insomnia” is an entertainingly gritty thriller and features a fine performance from Al Pacino. “Dunkirk” is proof that you don’t always need a centralized character to tell a story, and I kind of like that. As if “Inception” wasn’t already cool enough, I rewatched it four times this year! Two of those times were in IMAX! It’s that good! So, is this the movie we’ve been waiting for? Is this the savior of cinema? Is “Tenet” 2020’s goldmine? Is it worth the hype?

Honestly, I’d say yes. The best way I can describe “Tenet” is this. If you’ve never been to Fenway Park in Boston before, they have this one section where all the seats happen to be green, except for one. Why? Because former Red Sox player Ted Williams hit a 502 ft home run towards that seat, and even though all the other seats remain green to this day, that one seat, which is 502 ft from home plate, is red. I feel like in my imagination, all the other movies that I’ve seen this year, all possess the typical green seats, but “Tenet,” because of how much I enjoyed it, gets the special spot. I say that because as I’ve discussed on here before, 2020 sucks, not just in general, but in the case of what I focus on regarding Scene Before, our cinematic calendar is pretty much a waste.

We’ve barely had any animated features this year, and while they are not my goto genre, I’ve watched at least five per year in the past couple years. It’s something I miss, and I really hope more can come out because Best Animated Feature is a category I do during my awards show that I put on here. There’s one movie that I have lost all motivation to review partially because of the pandemic, and partially because I’ve pretty much put it out of my mind upon leaving the theatre (That movie is “Bloodshot,” by the way.) All the big blockbusters like “Ghostbusters: Afterlife,” “F9,” “Morbius,” “Eternals,” and “Top Gun: Maverick” have all been pushed back about a year. “Tenet” is not only a movie that, unexpectedly, would supposedly “save cinema,” but it was one that was made to specifically show off the power of cinema.

I saw “Tenet” at a regular 2D screening at an AMC, and it felt like I was at an RPX or something. It really felt like the audio was cranked up beyond the maximum limit. This movie has some of the most immersive, and all time best sound editing I’ve heard in my life. Everything from the opening scene to the grand climax is magic for the ears. As for sound MIXING… That’s a different story, and quite honestly, it’s my biggest problem of the film.

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I’ve witnessed a few reviews before going to see “Tenet,” not mainly because I wanted to know how the movie was, but because I want to support the content from those who created it. Anyway, they seem to be having the same issue as me. “Tenet” is an audible, earth-shattering movie. Christopher Nolan is no stranger to this description. Have you guys seen “Dunkirk?” That’s gotta be one of the loudest movies I’ve heard in my life! Nolan is my favorite director of all time, but if there is one valid critique I will give to him, and this even stands true for “Interstellar,” my favorite movie of his. Christopher Nolan seems to be hyper-obsessed with having the sound mix be as obnoxious as possible, allowing sounds in the background like shotgun blasts, explosions, even music to take over the ears, thus making us lose some of what could be important dialogue. This wasn’t a huge dealbreaker because as someone who is an aspiring screenwriter, I know that words are not always necessary. Film is a visual medium. As long as I can see what’s going on and do so coherently, everything seems to be fine. Granted, I will always take good dialogue whenever possible, but what’s the point of making a movie when you can’t see or hear what people are “doing?”

I will also say, this movie has a lovable ensemble. Everyone from John David Washington to Elizabeth Debicki to Kenneth Branagh all happen to be great in the film. I enjoyed the presence of all their characters. I will point out though, once again, John David Washington plays a character whose name happens to be “The Protagonist.” I won’t say much about it, but I like the direction in which the movie took that meaning. I’ve read some things about “Tenet” before seeing it and I had no idea what that name could have to do with the movie, but the way they handled it was surprisingly pleasant, so kudos!

Speaking of “Tenet’s” ensemble, I will also bring up Michael Caine. For those of you who don’t follow Christopher Nolan, I should have you know that Michael Caine has been in every one of his movies since “Batman Begins.” He even had an uncredited role in “Dunkirk!” I’ve read about this before the film, and this is not spoiler, but Michael Caine’s character in the movie… is named Michael. Because, he’s already played everybody else in Nolan’s imagination, right? I won’t say much about Caine’s appearance in this film, but there’s a moment in the movie where The Protagonist ends a chat with him and my brain clicked as soon as I heard The Protagonist refer to Caine’s character as “Sir Michael.” Did Christopher Nolan originally write this movie with himself in mind for the lead role? I seriously want to know at this point!

I have already raved about this movie from an audio perspective, calling it one of the most immersive experiences I’ve had all year. I’ll also point out, I have never seen a movie “live in concert” before, but if they ever get to a point where they do such a thing for “Tenet,” I will IMMEDIATELY buy a ticket! Because let me just tell you one thing right now. “Tenet” may just have my favorite film score that I have heard in years!

One thing I’ve gathered about Christopher Nolan as a director is his tendency to work with people he’s worked with in the past. I recently mentioned Michael Caine. Nolan’s worked with Tom Hardy a couple times. Same goes with Anne Hathaway. He brought back Kenneth Branagh for this film. Hoyte Van Hoytema is the cinematographer for this movie, making this his third collaboration with Nolan. And if you ask me, this is another solid entry to his resume and I cannot wait to see how they used the IMAX cameras for this film. But I will point out one collaboration that I was shocked to see missing once I heard about it.

BEVERLY HILLS, CA – JANUARY 16: Composer Hans Zimmer arrives at the 68th Annual Golden Globe Awards held at The Beverly Hilton hotel on January 16, 2011 in Beverly Hills, California. (Photo by Jason Merritt/Getty Images)

No Hans Zimmer.

HOLLYWOOD, CA – FEBRUARY 24: Composer Ludwig Goransson poses with the Best Original Score award for “Black Panther” in the press room during at Hollywood and Highland on February 24, 2019 in Hollywood, California. (Photo by Jeff Kravitz/FilmMagic)

Why is he not here? He’s busy. He’s been doing “Wonder Woman 1984,” “No Time to Die,” “Hillbilly Elegy,” and perhaps the biggest reason why he couldn’t fit “Tenet” into his schedule, “Dune.” Hans Zimmer said “no” to doing the score for “Tenet” because he wanted to fit “Dune” into his busy calendar. There’s no beef between him and Christopher Nolan, but he just wants to do “Dune” so bad to the point where he had to give up doing the score for “Tenet.” I was a bit disappointed considering how Zimmer and Nolan are one of the best duos in Hollywood history. The score for “Interstellar” is one I listen to quite often. However, the movie ended up getting Ludwig Göransson (The Mandalorian, Black Panther) who I will point out, may have made my favorite main theme for all the characters in Disney’s Marvel Cinematic Universe, specifically for Black Panther.

RIP Chadwick Boseman and Wakanda forever.

I must say… This score very much reminded me of a few movies. It felt like something out of the “James Bond” franchise, which does make sense as this is a spy movie. But it also reminded me of the “Blade Runner” franchise, especially “Blade Runner 2049,” and I say that because, and pardon my unprofessional-sounding diction here, the score sounded “boomy” at times. That’s the best way I can describe it. There’s this occasional drum pattern of some sort that comes and goes, I cannot get it out of my head at this point. In fact, when I got home, I did something regarding this movie that I have never done before. I went online, and tried to see where I could buy a physical copy of the CD. There are a few movies like “Knives Out” or “Star Wars: The Rise of Skywalker” where I would watch it, enjoy the soundtrack, and maybe a couple days or a week later find the soundtrack on YouTube and listen to it. This is one of those rare times where I wanted to pay money for a physical copy.

Going with a different than usual composer for Christopher Nolan’s “Tenet” sounded like a rather bold, not to mention somewhat peculiar move when it comes to my first impression, but this may have been the best thing that could have happened to “Tenet” overall. Honestly, looking back, I don’t mind this change. Let me just say, the last film that Nolan did before “Tenet,” specifically “Dunkirk,” was undoubtedly amazing. And if you ask me, a couple parts of the score were worthy of a thumbs up. However, if I had compare that to many of the other entries to Hans Zimmer’s resume, not just the projects he’s done with Nolan, but even projects like “Man of Steel,” “The Lion King,” “Kung Fu Panda,” and “Batman v. Superman: Dawn of Justice,” the “Dunkirk” score felt kind of underwhelming.

The thing I really enjoyed about Ludwig Göransson’s score is that it really emphasized the scale of the movie. The entire time I felt like I was on an action-packed theme park ride that specifically caters to adults. Aside from that, it’s fast-paced, and I would not mind listening to it every single day for the rest of my life. I know funerals are supposed to be sad and that sort of thing, and honestly, the last thing I want to do is know that I will make everyone cry at my funeral, no matter what I bring to society. So, if anyone wants some epic music for my funeral that way not many people cry but it’ll still tie into a “Jack Drees” theme, download the “Tenet” soundtrack on your preferred service! Then again, when I die, why should I care? I can’t plan a funeral when I’m dead! It’s for the living to remember the dead as they choose! I can’t interfere! It’s improper!

Would I like to see Ludwig Göransson collaborate with Christopher Nolan again in the future? Yes and no. Let’s say they do a “Tenet 2.” I’m not implying I want a sequel. I’m not implying the movie ends highlighting plans to do a sequel. I’m just saying IF they do a “Tenet 2,” that’s an obvious yes from me. I cannot imagine anybody else handling this IP from a musical perspective at this point.However, I would either like to see Hans Zimmer come back because he and Nolan go together like bread and butter, or they get some other composer to come in like Danny Elfman or Alan Silvestri. It would also have to depend on the type of movie they do. I may be getting ahead of myself here, but I think Ludwig Göransson smashed this score so hard, that if he does another one, I will probably end up looking forward to it so much that I will just end up feeling underwhelmed upon hearing it no matter what happens. In addition, I don’t know how Göransson could top this score in another Nolan project. To be fair, he’s a musical genius and one of the more unique film composers I’ve heard, so he could find a way, but I also have my doubts. It’s kind of like when I watch “America’s Got Talent” sometimes during the quarterfinals or semifinals and there’s one act that does something so amazing that even though I WANT to see more from that act and I want them to succeed, I don’t see them topping what they just did, so it would be hard to tell if they could do something nearly as cool if they advance. It’s a compliment, but also kind of a curse.

“Tenet,” to be quite honest, is not my favorite Christopher Nolan movie. Nor is it my least favorite. As of right now, when it comes to my rankings, it ends up somewhere in the middle for me. I enjoyed it more than all the films in the “Dark Knight” trilogy, but I’d say that I enjoyed films like “Dunkirk” and “Inception” more. But as a filmmaker, Nolan is like Pixar. Bad Pixar is still better than a lot of movies. Remember “Onward?” I gave that movie a 7/10. That’s a low grade for Pixar, but a lot of filmmakers would kill to have their movie receive that positive of a review. But I will say that when it comes to “Tenet,” this movie has something going for it. Rewatchability.

Now, I already bought tickets for a second “Tenet” screening BEFORE going to my first one. The main reason is because I bought a ticket for myself, but I wanted to see the film in IMAX, but I didn’t buy an IMAX ticket, plus I figured it would make for a good outing with my father. So my second outing is so he could see the movie as well.

Not gonna lie, I’m already thinking of buying tickets to a third screening. Maybe I’ll do Dolby Cinema this time. I gotta check all the boxes for different formats I can see this movie in. In all seriousness, not only is this film rewatchable for entertainment purposes, but like some other Nolan flicks, I feel like I missed some things the first time around that could be picked up on a second, third, maybe even fourth viewing. And I’m not saying that as someone who feels like they HAVE to watch “Tenet” again, I’m saying that as someone who wants to. I don’t think I’ve wanted to go back to the movies to rewatch something this much since… I don’t know… Maybe ever. This film has some problems. The sound mixing is the most obvious and I think going forward, I’m not sure how much control Nolan has over the sound mixing process, I think that could be something that he needs to either stay away from, or something he should leave to others. Either that or just make a silent film. Nice little throw back. It could be shot in 4:3 on 8mm film. AMC could bring in special projectors for select screenings. It’s event cinema! Come on, Nolan! I’m writing your ideas for you! Use them! Although between the likable performances, the dazzling camerawork, the unreal use of practical effects, one of the most heart-pumping opening scenes I’ve witnessed in recent memory, one of the craziest climaxes I’ve witnessed in recent memory, and THAT. FREAKING. SCORE. “Tenet” is a good time at the movies. I repeat, AT THE MOVIES.

I cannot thank Warner Bros. enough to sticking to a theatrical release for this film. This is a movie that is literally MADE for the big screen, perhaps more so than any other this year. I’ll be honest, if this went straight to HBO Max… I don’t know if I would have watched it. Maybe I would have since I paid for the service and I want to get my money’s worth, but I would have been missing a lot of what I’ve gotten from my recent experience. Thank you, Warner Brothers, and I’m hoping you stick to your guns for films including “Wonder Woman 1984” and “Dune.” Cannot wait for those movies!

In the end, “Tenet” is exactly as it was advertised, an “event” film. It has the best and worst of Christopher Nolan’s cliches. Massive scale, but sometimes it’s too massive when it comes to the sound mix. Even so, it does not take away from this film’s long list of positives. Is “Tenet” my favorite movie of the year? No. I still think “Summerland” is my #1, and for all I know, it could stay at my #1 spot for some time. But again, “Tenet” comes off as an incredibly rewatchable film. If this film warrants enough repeat viewings, and maybe some more aspects regarding it stand out with greater positivity, “Tenet” could become my favorite film of 2020, but for now I’m going to give “Tenet” an 8/10!

“Tenet” warrants a viewing on the biggest screen possible. And I know that not everyone feels comfortable being inside a movie theater right now. But, if there is a drive-in open near you and it happens to be playing “Tenet,” it could make for a fun night out with an easier chance to remain socially distant. Otherwise, the film will probably be out on Blu-ray sometime in the future, but I really don’t know when. Because if I’m not mistaken, “Tenet” is supposed to be in cinemas for a long time, and if Warner Bros. wants to keep that promise alive, I would imagine that they’d go on long past the traditional theatrical window to keep exhibitors happy. I don’t know what’ll happen, but I highly recommend “Tenet” if you feel safe enough to get out of the house. Go see this damn thing! It’s freaking sweet!

Thanks for reading this review! I just want to remind everyone that “Tenet” is playing in several different formats to choose from. Many of the screenings perhaps near you happen to be in digital projection, but if you want other options, read this handy guide! I’m not sure what my next post is going to be as I am getting ready for my next year of college and I have a rather important family birthday coming up that requires major prioritization. But we’ll see what happens! Maybe it’s “Bill & Ted Face the Music,” maybe it’s “The Personal History of David Copperfield,” maybe it’s “Tesla,” who knows? Maybe I’ll cave in and get Disney+ so I can review “Mulan.” I really don’t want to, I think this is incredibly greedy, but who knows? I know you have seen more great content from Scene Before, it just hasn’t happened yet! With that in mind, do yourself a favor and follow Scene Before either with an email or WordPress account! Also, check out my Facebook page! I want to know, did you see “Tenet?” What did you think about it? Or, who is your favorite film director of all time? Let me know down below! Scene Before is your click to the flicks!

Ways To See TENET in Theaters (From Digital to Film Stock to IMAX)

Posted on by Jack Drees

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Hey everyone, Jack Drees here! I cannot believe I’m saying this, but for real this time, “Tenet” is almost here! The signs have been lighting up! Marketing has been increasing! Theaters have been opening! Sure, there are some key areas that may miss out on “Tenet” for now, but who’s to say markets like those can’t get the movie down the road? Nevertheless, this is something I have been looking forward to since last year, and it is finally here! I feel like a kid on Christmas!

For those of you who know anything about cinemas, there are some basic facts that can easily be picked up. For example, no matter what you are watching, it is usually on a big screen with high tech surround sound, but today, we are going to talk about one of the biggest movies of the year, and while we are not that far into the 2020s yet, I’ll go as far as to say it’s probably going to end up being one of the biggest and possibly defining films of the entire decade. That film my friends, is Christopher Nolan’s “Tenet,” which I have discussed on Scene Before in the past. In fact, I cannot think of many other movies that I have discussed more before it came out aside from a few “Star Wars” flicks. In the trailers for “Tenet,” there’s a lot that can be picked up. For example, it is shot on IMAX film, which is often claimed to be the highest quality shooting format in existence, which also happens to be the highest quality projection format in existence. We’ll talk more about that in just a sec…

You may be thinking, is “Tenet” worth seeing in a theater? Now, don’t take my word for it, because I myself have not sat down in a theater to watch “Tenet.” And thanks to the spreading of COVID-19, almost nobody else in the world has gotten the opportunity to do such a thing either. This movie was originally supposed to release on July 17th of this year! What is that that ten eras ago or something? I think dinosaurs were still around when “Tenet” was supposed to come out! But, keeping that in mind, there are a couple things that you should know about “Tenet.”

  1. This film is directed by Christopher Nolan, who typically goes all out and advocates for the theatrical experience. If Warner Bros. were to kick “Tenet” away from its current release date, there is one thing that they WOULDN’T do, which is put the movie directly to home-based platforms. Nolan does not make his movies to be viewed at home. After all, when you spend over $200 million on this movie, putting all the biggest tech into it, why would you not put it into theaters?
  2. “Tenet” is being shot entirely through old-fashioned, heavy-duty 65mm film, some vertical and some horizontal. Again, I mentioned how this film was shot with IMAX, that is part of the 65mm process. The rest of the movie is shot on Panavision cameras which support the same format just in a vertical direction as opposed to IMAX’s unusual horizontal film stock. The film used to shoot “Tenet” is high quality and will look detailed on a big screen.
  3. Aside from high tech, “Tenet” also packs in a high concept. While much of the plot to “Tenet” currently remains secret, it involves time inversion (not to be confused with time travel), meaning that the movie will contain scenes where characters have to go backwards in time. There is also an international espionage plot moving everything along. Speaking of big, this movie was shot in seven countries.

As I’ve stated on this blog in the past, my most “anticipated” film of 2020 is “Dune,” which may be subject to change if it gets pushed back and that sort of thing, but who knows? Although, if there is currently a film that I want to see come out and succeed right now, “Tenet” would be my #1 answer. “Tenet” has a lot going for it both from tech and story. And I encourage you all to see it (that is, if you feel safe going out in August or September depending on where you live). But if you were to see it, you may overlook something… Where do you go see it? Well, here’s some options…

Digital (Resolution: Varies, typically 2K, 4K)

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If you have been to one to ten movie theater experiences in the past decade, there is a good chance that at least one of them, if not a majority, have been in digital. This is the industry standard as the equipment used is light, environmentally friendly, and maybe also because James Cameron wanted this to be the big projection standard for 2009’s “Avatar.” 3D is much more common on modern digital projection. Just for the record, “Tenet” is shot entirely in 2D, and will not be converted to 3D. To this day, all of Nolan’s films had no relation to 3D shooting or 3D projection. But this projection is basically what you’d be able to find your local multiplex like an AMC or Regal. This is not to say that mom and pop theaters don’t have it, but if you walk into a big chain theater, this is what you would find in almost every auditorium. It’s clear, bright (except when someone doesn’t know what to do when changing the filter for 3D), and like everything else in this 21st century society, computerized. Unlike film, this will allow for no scratched, tampered, or deteriorated images. If you want to go see “Tenet” and get a bang for your buck, see it in a digital theater. Keep in mind, the projection equipment may vary and the resolution may be better in some places than others. This is a very broad category, so be wise with your theater decision.

35mm (Digital equivalent: Approx. 6K)

Before digital projection of all kinds took over, the main source for projection during moviegoing happened to be 35mm. While many theaters have gotten rid of it for the digital projection you see today, many arthouse style theaters tend to have this format. In fact, I’ve seen two presentations in 35mm within the past year or so. To specify, “Once Upon a Time in Hollywood” and “Little Women.” While I will admit one movie happened to be significantly more entertaining than the other, both looked crisp on the big screen. Given how 35mm is nearly equal to digital’s 6K, it is clearer than a vast majority of digital options on the cinema market today. Given how Nolan’s film was shot on 70mm however, some detail will be lost when projected. Which leads me to…

70mm (Digital equivalent: Approx. 12K)

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Back in the day, 65mm stock was used to shoot a number of big films that try encapsulate a large scope. After all, 70mm is such a large resolution and a feast for the eyes, which is why there’s a lot to love about it. And I can confirm that as I have seen “2001: A Space Odyssey” in the format twice. Pictures like the recently mentioned “2001: A Space Odyssey,” “Lawrence of Arabia,” and “Ben-Hur” were all shot with 65mm, making them worth projecting in 70mm to see in their full glory. Christopher Nolan is no stranger to this format. As mentioned, he’s shooting “Tenet” entirely in 65mm, but this is not his first time doing so. The same can be said for his previous movie, “Dunkirk,” which like “Tenet” was also shot using IMAX footage. As for the scenes shot in traditional 65mm, those were shot to be presented in a 2.20:1 aspect ratio, same thing can be said for “Tenet.” This format was also what exactly was used for when the film was projected. This allows for no cropping or adjustments during various scenes that were NOT shot in IMAX. Given how the IMAX scenes are taller, those are cropped. Note for all the other non-IMAX 1.43:1 formats, they feature cropped pictures as well.

IMAX Digital (Resolution: 2K)

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Sticking with IMAX, the most mind-blowing thing about the brand for me is how much it has expanded over the years to the point where its multiplex-style theaters outrank what made them famous, their 1.43:1 aspect ratio screens (more on those later). One reason for this, easy digital projection and for the most part, retrofitting. IMAX Digital is typically projected onto screens with a 1.90:1 aspect ratio (kind of like the one above). But they are also used on the older style screens depending on the theater, and in some cases, what movie is playing. The screens these are normally used on are traditionally larger than the average movie screen and are comparable to RPX or Cinemark XD. They are also in theaters usually packed in with IMAX’s traditional 6 channel surround sound system, offering around 12,000 watts of power. While the image is not exactly the highest quality you’d get in a theater, the IMAX scenes do expand in this format and get rid of the black bars that are visible in other scenes. It is a good step up compared to most digital screens, which are smaller in size. As for the sound, that can also be a step up too in a lot of cases.

IMAX Laser (Resolution: 4K)

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Here we have the biggest digital offering yet. A typical setup containing 12 channel surround sound, bright colors, and full support for screens that are anywhere between five to eight stories high. This takes what IMAX was built upon and digitalizes it. While the IMAX brand started with their spankin’ clear 70mm projection, they are modernizing their brand while also recognizing their tradition. Large format technology that literally aims high. This is true with their IMAX Laser technology, which began rolling out in 2014. IMAX Laser presents movies in vivid 4K images and supports the traditional IMAX 1.43:1 aspect ratio used to shoot several of Nolan’s films including “The Dark Knight,” “The Dark Knight Rises,” “Interstellar,” and “Dunkirk.” This means once “Tenet” enters theaters, the IMAX Laser experience will allow for not just crystal clear images, but for several scenes to lack the black bars no matter what screen it is on. Keep in mind, if you have an IMAX Laser projector in your theater, it won’t always show the movie in 1.43:1 as the results will vary based on the screen’s dimensions. Some, like the very famous TCL Chinese Theatre in California, will show the movie in 1.90:1, much like the regular IMAX digital projectors in their specific theaters. Once again, if you are seeing the movie in 1.43:1, you are paying for the TALLEST picture possible. This is one of the best digital formats out there but keep in mind, like IMAX digital, some of the movie will have black bars, and if changing aspect ratios happen to be distracting to you, there’s a chance you may want to look at a different format. The same can be said for the next format, IMAX 70mm.

IMAX 15/70mm (Digital equivalent: 18K)

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And now, onto the clearest format on the planet, IMAX’s 70mm technology. For those unfamiliar with the technology, IMAX started their company by using very large 70mm film that goes horizontal. As previously mentioned, it is used in their flagship 2D cameras, which were used during “Tenet’s” filming. Until sometime in the 2000s, it was the norm for IMAX to install theaters that have unheard of dimensions, installing screens that can rise up to a hundred feet. Once finished, they would have the IMAX GT (Grand Theatre) or IMAX SR (Small Rotor) projection systems along with 12,000 watts of surround sound, including speakers from the walls and behind the screen, which is a norm for IMAX. Although with IMAX’s newer 12 channel system, they have speakers on the ceiling. This system is meant to go with theaters that are converted or prepackaged with the Laser system, but are also used in several theaters that have BOTH the IMAX Laser and IMAX film projection models. Either way, you are getting the best the brand has to offer. Wall to wall, ceiling to floor picture. The clearest images of all time, many of which are shot to match the projector’s intentions. If you shell out the money to buy a ticket for an IMAX 70mm show, you are paying for the viewing experience Christopher Nolan literally intended for his viewers to get. One thing to note about both the IMAX Laser and IMAX film shows… Good news, they are presented the way in which the film was perhaps meant to be. Bad news, the theaters with the proper equipment for this are not dime a dozen, they are quite rare in fact. Not all of them will be used for “Tenet” for one reason or another. But, IMAX has a selection of theaters that are playing “Tenet” in the uncropped, true IMAX formats if you are curious to know more about them.

Now, I could go over other theatrical formats such as Dolby Cinema (includes dual 4K projection, DOLBY ATMOS, DOLBY VISION), AMC Prime (responsive subwoofer seats, enhanced sound and projection), RPX (large auditorium, large screen, high quality sound, exclusive to Regal-branded theatres), Cinemark XD (large auditorium, high quality sound, exclusive to Cinemark-branded theatres), and so on, but the reason why I am specifying on the formats above is because they are the basic projection features running today for this film. While formats like those are unique and specifically branded, they either offer something with “Tenet” that is very similar to what they’ve done before or it is too similar to other formats to go in depth about it. The reason why I included the three IMAX formats above is because Christopher Nolan treasures the IMAX experience and suggests that it is one of the best ways to see a movie, but the brand offers three somewhat distinctly different experiences today. As for 35mm and 70mm, these are classic formats that are not often used today and can enhance the movie experience for some. Plus, “Tenet” was shot in 70mm, so that’s another reason to bring the format into the discussion. I even brought up and broadened the digital category because chances are that if you have a movie theater near you, it is likely going to have that style of projection, but it can vary depending on where you go. Some of these experiences are rarely used for new releases and depending on which one you pick, you will achieve bragging rights, suggesting that you saw “Tenet” in a higher quality than the way your friends managed to.

By the way, if you are scrolling down because you hate reading, watch the very informative video listed above published by Slate (feel free to read more from their site) explaining some of the ways you can see this movie and how these formats work. NOTE: This is an explanation for “Dunkirk,” not “Tenet,” but the two are shot very similarly, so the information provided here can apply to both films.

“Tenet” is currently scheduled to release September 4th, 2020. Unless of you course you count early screenings starting August 31st. Due to COVID-19 restrictions, select states including New York, California, and Arizona are keeping their theaters closed for the time being. Please note: This is the release date for the United States. My international friends in countries like the United Kingdom, Australia, Thailand, South Korea, Ireland, and so on will be getting the movie as early as August 26th. You lucky ducks… Should coronavirus not continue to spiral out of control, the movie will likely release on time. Movie theaters have been closed since March due to COVID-19, but more are opening as areas continue to loosen restrictions and move along their calendar of phases. Whether or not they’ll remain open, is a mystery. Given how some theaters are already open and some will be opening soon, if said theaters open and operate without many issues, expect “Tenet” to come out on time.

Thanks for reading this post! If your movie theater is open and you do decide to go, please do yourself a favor. Respect their policies, don’t harass their employees, and be sure to distance yourself from other people. Remember, they’re a place of business, so even though the customer’s always right, there needs to be a collective effort from everyone to make sure the moviegoing experience is alive and well. When “Tenet” comes out, I’ll very likely see it whenever possible. I hope there’s an IMAX 70mm show near me, and if not, screw this world because Rhode Island and Connecticut have working projectors for this sort of thing. Just saying. My home state of Massachusetts does too but they’re not normally used for big Hollywood blockbusters. If you want to see more from Scene Before, be sure to follow this blog either with an email or WordPress account! Also, check out my Facebook page! I know you already liked it… It just hasn’t happened yet. I want to know, are you seeing “Tenet?” And where do you plan on seeing it? If not, do you plan on staying home and watching something instead? What is that you’re watching? Coincidentally, “Mulan” drops on Disney+ the same day that “Tenet” hits theaters in the United States, so I’m gonna be interested to see which movie ends up doing better on its first weekend. Let me know down below! Scene Before is your click to the flicks!

TENET is Delayed Again: New Release Date: August 12th, 2020

Posted on by Jack Drees

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Hey guys! Welcome to the latest apocalypse-related update of 2020! A year so bad that it made fully regret ever giving “Cats” a negative review. That hour and fifty minute movie which really ended up feeling like an utter eternity was a blessing compared whatever the f*ck is going on right now! Remember how I posted this s*it down below just a couple weeks ago?

TENET Gets Delayed to July 31st, INCEPTION Returns to Theatres July 17th

Guess what? That s*it’s outdated! Welcome to 2020! A one-way ticket to a dark room full of deadly lasers, accompanied with a bloody water tank with a giant shark that is about to eat you whole! WORST! YEAR! EVER! With that being said, I’m going to try my best… My absolute… Best. To avoid going ABSOLUTELY OVER THE TOP WITH THIS POST! Gah! I already failed! Let’s just do this!

Hey everyone, Jack Drees here! In case you’re reading this, I have somehow survived being disintegrated by tons of deadly lasers and a giant shark that was about to eat me. For all I know, maybe the shark thought I was pitching a terrible product, and said “I’m out.”

…Which reminds me, I gotta cross that shark-raid whistle thingy off the pitch list. Here we go.

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A couple weeks back, we have had an announcement that “Tenet” was getting a pushback, which I think at the time, could have arguably been the most shocking pushback for a film we’ve seen all year. “Tenet” was one of the few pictures to not move a muscle so far in 2020, so to see it gravitate towards a later, granted two weeks later, but later nevertheless, release date on the calendar is a little shocking. However, in my post talking about it, I mentioned there was probably a good reason, one of the notable pieces of news sticking out to me being the plan to rerelease 2010’s “Inception,” allowing for a perfect reason to recognize the film’s 10th anniversary. Not to mention, I thought it was just a damn fine consolation prize. “Inception” will be brought back to theaters around the same exact time it came out, it would be a good way to get audiences back into the theater, see how many people are willing to go to the theater, and as for me, I get to see one of my favorite movies on the big screen, which I did not get to do when I was younger. However, this week, it was announced that “Tenet” has been delayed once more. Time runs out? More like, we need more time to put out our movie.

Before we go any further, “Tenet” is not the only film moving in this case. “Inception” is in on this as well. “Inception” is now going to be taking up the July 31st release slot previously held by “Tenet.” As for “Tenet,” that film will be taking a spot in the middle of the second week of August, allowing it to come out on August 12th.

Let’s start with the good news. The good news, I can’t believe there is good news available in 2020… It’s not that big of a delay. That can be a sign of pure optimism from Warner Bros., Christopher Nolan, or both. While we don’t know where we’ll be in days or weeks from now, it does show that somebody somewhere is sticking to a commitment to put the movie out in theaters. Let’s face it. If I were to shoot a movie on the largest format possible, which Christopher Nolan did. Release it on the largest format possible, which is currently planned. You bet I, as a studio executive, would surely keep a promise to put this damn movie in the theater. I saw previews for this film on my TV, and it looks good on my TV. But why does it look so good? Because it gave me the urge to get off my ass, into my onmyassmobile, and head to a freaking movie theater to enjoy myself for hours!

Wait, that sounds very familiar…

“This film (Dunkirk) is what actually going to the theater is all about. Not renting a movie on DVD, not streaming it on Netflix, but getting off your ass, getting in your onmyassmobile, and heading straight to the movie theater.” –Top 10 BEST Movies of 2017

Nolan is all about the “get off your ass” mentality when it comes to releasing films, and that is part of why I will remain committed to checking out his work. I am all about the experience when it comes to moviegoing. There are very few feelings like entering a movie theater and seeing a movie in general, but when Nolan makes a movie, it’s almost guaranteed to be a ride. To see at the very least, the notion regarding this movie not losing sight of the theater experience delights me to no end.

Now, for the bad news… What if this is not the last delay? Because I feel like the factors determining whether or not we will get to see this movie in theaters as soon as possible have little to do with whether or not theaters are ready. In fact, the major chains including AMC, Regal, and Alamo Drafthouse, have all announced plans to open in July, with precautions in mind. Some of these include deep sanitizing of the auditoriums and often-touched spaces through advanced equipment and materials, allowing extra time to clean auditoriums, reduced capacities and spaced seating to encourage social distancing, and enforcing the use of masks. And yes, I’ll wear a mask, because I’ll happily allow my mask to possibly smell like popcorn. Just because they’re ready does not automatically equate to the public being ready. Am I ready to head back to the movie theater? I’ve been motivated to go pretty much as soon as everything shut down. Granted, knowing myself, I am a little biased. I would have risked my life during the pandemic to go see new movies because this was the routine for my blog. Go to the movies. See a new release. Review said new release. Repeat. Instead, I had to take a break, report whatever fresh hell was happening during the apocalypse to point where I wanted to smash my F*CKING BRAIN INTO SPIKES! Save myself some money so my family and I don’t go broke. Occasionally review a new movie if possible, and so on. I would not deny that there is at least some sort of craving from various demographics to live in some sense of normalcy at this point. Movie theaters are a part of that normalcy. But would the public automatically leap themselves back into theaters? That’s going to depend on who you ask. Some would definitely go back in a heartbeat, but if you scour social media, there are some that are hoping for more at-home releases and those sorts of things.

Not only that, but let’s also look at statistics. One of the biggest catalysts that likely caused this delay in the first place is the notion that New York had no plans to reopen theaters in phase 4, which supposedly starts in a couple weeks for a great portion of the state. New York is one of the biggest movie theater markets out there. They have a large moviegoing population and a ton of theaters to back them up. New York City has also been home to many big film events, including premieres. Although if I’m not mistaken, if “Tenet” releases on time, if Manhattan remains closed, the run could still work if many other theaters in the state as long they remain open in other areas. Speaking of which, New York, Massachusetts, Connecticut, and New Jersey, are trending pretty positive right now when it comes to handling the virus overall. This is as opposed to states like Florida, Texas, Arizona, and California, where the virus is proving to be a little more effective and deadly. Hospitals are filling up by the second, states are seeing record cases, and if they keep going up, who knows what’s gonna happen next? And besides, I just mentioned California, like New York, it is one of the biggest movie markets in the world. It’s where many red carpet events occur, the culture in various cities revolve around film, and it’s home to many historic venues. Plus, Los Angeles county is currently the most populous of the U.S. counties, if you don’t let them for example go see a movie in their local area, that’s potentially a lot of lost customers.

Not to get sidetracked, but I wonder if this means anything for the other big movies coming out soon like “Unhinged” and “Mulan.” Will they bump their dates somewhere else as well? Although Regal Cinemas, the second largest chain in the United States, is supposed to reopen the day that movie comes out, so I doubt they want to move as they have a sweet spot. As for “Mulan,” I feel like Disney could move it, but they also have a good spot should things turn around. They don’t have to worry much about what could be opening the week after, and a lot can happen in a month from now. As much as I would not be TOTALLY surprised if they put the movie on VOD eventually, I feel like from an executive standpoint, this is a movie that like “Tenet” is specifically made to be seen in a theater. Putting the film on VOD would be a sacrifice from one kind of perspective. Plus, based on what I’m hearing from people who have already seen the movie, it may have solid enough verdicts to avoid getting dumped onto Disney+ like “Artemis Fowl” did, which currently has a 10% on Rotten Tomatoes.

One thing I will point out, when it comes to this new release date, it presents a fairly interesting idea given by a Warner Bros. spokesperson.

“In this moment what we need to be is flexible, and we are not treating this as a traditional movie release. We are choosing to open the movie mid-week to allow audiences to discover the film in their own time, and we plan to play longer, over an extended play period far beyond the norm, to develop a very different yet successful release strategy.”

Before this delay, in fact, even before the first delay, what I thought was going to happen was that Warner Bros. was going to attempt to pull the throttle as far ahead as possible. What could have been done is that they’d release the movie, allowing it to play on virtually every available screen in the facility, say this is all happening in a multiplex, allowing for everybody to go see this one movie at practically anytime, with an outright guarantee for social distancing. Granted, with the current plans to bring throwback releases into the mix, that would now be impossible, but again, I’m talking about the past. Now I’m noticing a fairly slow approach that Warner Bros. seems to be taking. I don’t know how well it’ll work out. But if they keep it in theaters for a long enough time, there’s a solid chance that it could be profitable. It’s likely going to depend on word of mouth, positive reviews, and maybe even some hint of rewatchability. For all I know, it could also depend on cases. But this blog is being documented by someone who lives in the United States of America, where we are perhaps all brainwashed into thinking the economy is more “essential” than lives. Am I sick of staying home for the longest time? You betcha. I have gone through several periods of not even exiting my house doors. In fact, this entire post pretty much sums up my distaste with the fact that I’ve had to stay home. But if we all really get back outside, we need to understand that the world is not going to be pretty. We need masks (which I detest, but I understand why we need them). We need clean hands. We need to do our best to stay apart. If we want to have what we love in front of us at some point during 2020, we need to understand the meaning of sacrifice amongst ourselves. And how this even became a political issue here in the United States, I will never understand! Apparently in this country, science equals politics! It’s global warming all over again!

Just so you all know, if you didn’t already, I hate needles with a burning passion. This is the one time, I repeat, the one time in my life, where I want a vaccine for something! I don’t care if it kills me quicker than the virus, but I just want to have a sense of normalcy at this point. I’ve had it with all this! I just want to go see a movie! It’s the one place where I can feel like I’m at home, because I’ve been at my house for so long that it doesn’t even feel like a home anymore! I love my house, but with isolation and everything! It has basically become a prison with people who love and care about you, not to mention better food options! I need to get out at least once to cleanse my brain from whatever spasms it has at this point! Walking won’t do the trick! Am I overreacting? Most likely! But this is my life! Art is the quintessential element that makes me whole, and now I feel like that has been snatched away. I turn 21 in November, so I think I have picked the wrong time to supposedly “build my life.” I want safety for all. But I want to do things.

“Tenet,” please help me. I’m more excited for “Dune” to come out in December, but as of now, I don’t know if there has ever been a movie I wanted to see succeed more than “Tenet.” It’s from my favorite studio, my favorite director, and will be shown in my favorite format. And I surely hope this delay is the last one we get. For all I know, should things continue to trend positively in certain states, I can almost see Warner Bros. releasing the movie in states that are trending positive, then adding a phase 2 to areas that trend positive later. It’s like the government, but it’s all about a $200 million+ movie. “Tenet” HOPEFULLY, and I cannot stress that enough, releases in theaters August 12th, 2020. The film will be available in digital, various large formats including IMAX, 35mm, 70mm, and IMAX 70mm. And you bet I will be striving to catch an IMAX 70mm presentation should one pop up in my area, and given how I don’t live far from Providence, RI, and I do expect the movie to end up playing at their IMAX venue, I will probably make it to one of these shows whatever it takes.

Thanks for reading this incredibly emotional post! And by incredibly emotional, I mean a post where I turn into an absolute brat who simultaneously wants what’s best for society. How did we get here?! Do we even deserve to live at this point? Bring on the alien invasion! Bring on dinosaurs! Bring on giant asteroids! Bring on dogs and cats living together! Mass hysteria! What are we still doing here anywhere? It’s not like we’re… DOING ANYTHING! By the way, right now on Scene Before I am focusing on Tom Cruise Month here in June, which will conclude next week with my review for “Minority Report!” Until then, check out my review for “Top Gun,” a movie which had a sequel that was supposed to come out this exact week, but of course, COVID sucks. It really does. July is coming up, and I’m hoping for my sake at this point that I get to talk about at least one new movie. I’ve spent so much time talking about the past that the future looks mighty fine right now. This universe is punching me in the gut every day. Be sure to follow Scene Before if you want to see new content, and check out the blog’s official Facebook page! I want to know, what are your thoughts on the “Tenet” delay? Personally, I kinda saw it coming, but unlike the last one, this one hurt me a little more. I am more than likely overreacting, but as a guy who doesn’t really care if sports come back at this point, I at least want a movie. Or, here’s another question. Do you plan on going back to the movies anytime soon? Let me know down below! Scene Before is your click to the flicks!

Tenet TRAILER 2 Arrives (2020): Is the Movie Theater Experience Coming Back?

Posted on by Jack Drees

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Hey everyone, Jack Drees here! I have been asking the same question every single day since sometime in March. When will we get back to the movie theater? Well, based on a recent spot I saw during “Jimmy Kimmel Live!” the other night, there may be an answer…

 

Based on this short teaser, “Tenet” is still coming to theaters! This personally does not come as a surprise as “Tenet” has often been associated with the theatrical experience even when it was first announced. The upcoming movie has been said to be an event film from critically acclaimed director Christopher Nolan, known for films including “Memento,” “The Prestige,” “Interstellar,” and his famous “Dark Knight” trilogy. Nolan is currently my favorite director working today, and if I had to come up with a favorite of all time, I’d say Nolan would definitely be my pick at this point. Not only is his resume full of titles that are iconic, I don’t think he’s had a bad day at the office yet. The lowest score I gave to one of his titles happens to be a 7/10, which I previously handed to 2002’s “Insomnia” in a nearly three-year-old review. That’s his worst film if you ask me, but it’s still better than a lot of movies. I still need to see “Following,” but having seen all his other films, the man has a terrific lineup of content under his direction.

Sticking with “Tenet,” this movie is big. Yes, I just recently mentioned it is an event film. But the movie is shot entirely in 70mm film, with select footage shot with IMAX cameras. The film will be presented in select theaters in film formats, including IMAX 70mm film. If you have been following Christopher Nolan in recent years, this is normal. The movie has an estimated budget of $205 million, which in terms of Christopher Nolan movies, makes “Tenet” more expensive than “The Dark Knight” but less expensive than “The Dark Knight Rises.” In terms of plot, the movie is likely to revolve around time, even though it has been pointed out by Robert Pattinson, who stars in the film that his character is “not a time traveler.” As for what else he has spilled, “There’s actually no time traveling. That’s, like, the one thing I’m approved to say.” Nevertheless, given what has been presented so far through one or two “Inception”-esque scenes in the trailer and the tagline “Time runs out,” “Tenet” seems to implement time in a major way.

This continues through the new trailer that has just been put out, which before we go any further, may be one of the single most satisfying trailers I have seen in a long time. It’s like… trailer 1 of “Avengers: Infinity War” kind of good. Perhaps “Godzilla: King of the Monsters” Comic-Con teaser kind of good, which is unfortunate because, well, look how that movie turned out. Granted, maybe the Christopher Nolan fanboy part of my brain needs to calm down a little bit, but this trailer seems to promise something special. Again, I mentioned “Inception,” and having seen this trailer, I would not be surprised if this movie somehow takes place in the same universe. By the way, this idea is not my own, other people have theorized this before me. If you ask me, I will not be surprised if one of the big moments of the film reveal that this was all a dream inside of a dream inside of a dream. Or if we somehow get another look at the spinning top from the resolution of “Inception.” Remember that thing? Is Leonardo DiCaprio still dreaming? Who knows?!

Let’s go through the trailer, shall we? For those of you who have not seen the trailer, click the video above!

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The first shot of this trailer provides a basis on everything this movie contains from beginning to end. This shot, like some others, show everything going on not forward, but backward. It’s like we’re watching “Memento” the right way! That film is not going backwards! It’s a bunch of scenes that go in regular time then transition in reverse!

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“All I have for you is a word. Tenet.”

Yeah, that line’s back. And it’s as bold as ever.

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Of course we also get some quick bits of action, which Christopher Nolan has proven to be effective at creating when it comes to his directorial projects. From the climactic shoutout in “Insomnia” to the hotel scene in “Inception” I adore pretty much any action-based effort from this human being.

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I also love how clear everything looks. This is one of the advantages of shooting your movie on film. Because when you shoot on digital, the image is usually smaller and contains less information. Nolan ain’t messin’ around when it comes to “Tenet.” The shots look crisp, detailed, and regardless of the technology used, I will point out that they are beautifully framed. The final shot before the Warner Bros. logo shows up filled a hole in me. Kind of like the rest of this trailer.

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Speaking of repeats from the first trailer, we see a shot of a couple characters flying onto a building as they are about to walk on it. I don’t know if this is training or a stealth mission but it intrigues me nevertheless. The repeats don’t even end there. As we get a shot of some objects that may present some prominence, we get a line about trying to prevent World War III. That’s where we see John David Washington, or whatever his character’s name is pick up an object through perhaps this universe’s equivalent of the force. Through these scenes, I will give Nolan one compliment. One of his strongest abilities is being able to create a mystical-looking movie through style, while also making it feel somewhat down to Earth. There’s some sort of grit to his movies that I do not seem to get with other filmmakers nowadays.

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Now we are introduced to one of Christopher Nolan’s staples, Michael Caine, who has appeared in many of his films over the past number of years. I don’t know who he’s playing, how long he’ll be in the movie, but he and Nolan go way back, and even if he’s in the film for minimal screentime, Caine always delivers.

The titles that come afterward are just a reminder of how legendary Nolan is and how far his acclaim goes back. I don’t know who edited the trailer, but I would not be surprised if Nolan had some say on a majority of what went into it and said, “I’m the best director working today. Time to boast about my accomplishments!” There’s titles suggesting he is “the revolutionary director of the ‘Dark Knight’ trilogy,” which is followed by “Inception,” and “Dunkirk.”

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Going back to this movie’s meddling with time and the concept of time travel, I can confirm that this movie does not have time travel specifically, and instead, has a character that can “communicate with the future,” and that this movie will feature “time inversion,” or time reversal, which I think might open some mystery boxes to potential abilities from psychology to mind-reading to simply being able to change time in a snap, but this is just a trailer, I don’t need everything explained for me.

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“You’re not shooting the bullet. You’re catching it.”

So this scene essentially explains the time reversal process through the firing of a gun, or in this case, the unfiring of a gun. We see a bullet flying back in the hole and a shell flying into the air, signifying that time is going in the opposite direction. Although it’s not like everything in this universe is going backwards, as we see future shots of John David Washington walking forwards and a boat going straight.

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Afterwards we get a series of action shots while also getting dialogue on how serious and bold the movie’s ongoing situation is. There’s one clip where I’m noticing the bullet from a car’s rear window going in reverse, it looks pretty sick. It’s fun to see fire disappear in the blink of an eye. One thing’s for sure, if “Tenet” sucks from a story perspective, it will most certainly be at the very least fun to look at.

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We also get a look at Himesh Patel in his role, and to make another “Inception” comparison, he kind of resembles Dileep Rao’s character of Yusuf. They kind of look alike.

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We also get another look at would could be the best part of the movie, where we see cars flipping in reverse. What makes this even more sick is that next to one car flipping is an Audi going backwardsScreenshot (93), which may have technically been going in drive, but also next to the flipping car is a BMW that is driving forward in the shot but is perhaps really going backward! It’s really hard to describe, and for all I know there could be more to this than meets the eye, but this is what I love about Nolan films, I don’t feel like a moron watching them that needs info explained every two minutes.

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Next we get a shot of pierced glass through the shooting of a gun.

ROBERT PATTINSON: “The Hell happened here?”

JOHN DAVID WASHINGTON: “Hasn’t happened yet.”

If this foreshadows a potential delay, I’ll probably cry.

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Sticking to the point, these moments show the shattered glass once again as John David Washington’s character is caught in a fight with a covered individual when all of a sudden, the shattered glass goes away! I am really looking forward to how topsy-turvy this story going to be. It might break my brain, but it needs some exercise after flipping through TV channels and shutting itself off while watching crummy shows for hours.

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Then we cut to a scene in a concert hall, which feels like a trip down memory lane as I remember the short prologue they played for “Tenet” in IMAX theaters just before the beginning of “Star Wars: The Rise of Skywalker.” Most of the footage took place in an concert hall, and I while I will not be able to grasp all of it to explain to y’all, it was shot with IMAX footage and it is packed with a good amount of action.

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We also get a shot of a character played by Dimple Kapadia, who I will imagine will have at least two to five minutes of screentime in the film.

DIMPLE KAPADIA: “There are people in the future who need us… Who need Tenet.”

Thought I was lying about the action in the concert hall scene? Look at all the running and explosions! Feels like something out of a gritty Michael Bay film!

JOHN DAVID WASHINGTON: “This reversing the flow of time… doesn’t us being here now mean it never happened?”

After the epic title sequence takes place, we get a short clip between Pattinson and Washington once more.

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JOHN DAVID WASHINGTON: You want to crash a plane?

ROBERT PATTINSON: Well not from the air. Don’t be so dramatic.

JOHN DAVID WASHINGTON: Well, how big a plane?

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The answer to how big a plane will be used? A FREAKIN’ JUMBO JET! That’s how big! This thing has to be a Boeing 747 for sure, I don’t know what else it could be!

Oh, wait! I know what else! Flipping epic!

ROBERT PATTINSON: That part is a little dramatic.

Hey, future Batman! The more dramatic the better! Don’t be afraid to go big!

Then comes my favorite part…

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COMING TO THEATERS.

By the way, even though it is not currently stated, the movie will still release on the date it was originally planned for, July 17th, 2020, perhaps being one of the big catalysts to get customers back in the cinemas.

I think this second trailer for “Tenet” is probably the single best version of a second trailer we could get for a film like this. I think the only thing that could have made this trailer even better is if they put out the notification of when tickets go on sale. But in terms of business, it would not be the best idea as I think theaters would protest given how they may still be planning how they are going to be keeping people safe and how seating arrangements will play out in the future. If anyone wants my prediction, I think tickets will go on sale Wednesday, July 1st, to kick off a month of what could be called the “return of moviegoing.” Plus, who knows? Maybe “Tenet” gets delayed by some chance, which I think is highly unlikely at this point because now that they are releasing the trailer, Warner Bros. is definitely going all in with the film. While they did push back “Wonder Woman 1984” and put “Scoob!” straight to VOD, there may be something about “Tenet” that specifically warrants the July 17th, 2020 release date. Given how every other film has been pushed back, maybe this gives “Tenet” a reason to be seen. Nothing else is available. Maybe it’s more financially responsible to release it in July than to shove it off to a period when a lot of other movies are going to collide with it. Regardless of the release date, I am excited for “Tenet” and aside from “Dune,” it is my most anticipated film of 2020.

Hot take, and I may just be going off of a ton of hype right now, include hyping from myself… I think “Tenet” makes a billion dollars. While there will definitely be those people who will understandably avoid the cinema for some time, “Tenet” is possibly going to play on an unprecedented amount of screens, allowing for tons of opportunities for it to be seen, while also being one of the limited options available for moviegoers. I cannot wait. Also keep in mind, it’s not R, it’s PG-13. From this, it’s possible that some younger audiences are perhaps slightly more likely to see it, even though “Tenet” is not really for kids.

“Tenet” arrives in theaters July 17th, 2020 in digital, 35mm, 70mm, and IMAX, which also includes select screenings in IMAX 70mm. I guess I wasn’t wrong! 2020 IS a good year to be an IMAX fan! But I have to ask a really important question, and this will probably be a signal to Warner Bros., Christopher Nolan, and so on about whether or not they made the right decision. Are you planning on seeing “Tenet?” Were you planning on seeing “Tenet” before reading this? Will this pandemic affect your chances of seeing the movie? On that topic, do you think you’ll be comfortable going back to the theater in July, given how there will probably be safety precautions taken? Me personally, I don’t care! I’m seeing this movie no matter what! I’m not allowed to move my lips in the theater, so having a mask to cover them might just be fitting! Let me know down below!

Thanks for reading this post! I just want to let everyone know that my 400th post is going to be arriving soon and I will be giving my usual Blu-ray update. I’ll be going over my Blu-rays, my 3D Blu-rays, 4K Blu-rays, Steelbooks, and so on. I enjoy doing these, even if they do take a lot of time to complete. Be sure to follow Scene Before if you want to see this post, along with others in the future! Make sure you’re following through your email or WordPress account, or if you prefer the social media route, check out my Facebook page and give it a like! Stay tuned for more great content! Scene Before is your click to the flicks!