The Garfield Movie (2024): A Case of the Mondays

“The Garfield Movie” is directed by Mark Dindal (Chicken Little, The Emperor’s New Groove) and stars Chris Pratt (The Super Mario Bros. Movie, The LEGO Movie), Samuel L. Jackson (The Avengers, Pulp Fiction), Hannah Waddingham (The Fall Guy, Ted Lasso), Ving Rhames (Mission: Impossible, Pulp Fiction), Nicholas Hoult (The Menu, Jack the Giant Slayer), Cecily Strong (Schmigadoon!, Saturday Night Live), Harvey Guillén (What We Do in the Shadows, Eye Candy), Brett Goldstein (Ted Lasso, SuperBob), Bowen Yang (Saturday Night Live, Awkwafina is Nora from Queens), and Snoop Dogg (The Joker’s Wild, Training Day). This film is inspired by the “Garfield” comic strip and centers around the iconic orange feline who reunites with his father all the while needing to complete a high-stakes heist.

The “Garfield” property is one that I never found myself overly attached to. As a child who grew up in the 2000s, I have come across the Bill Murray-led “Garfield: The Movie” and watched it a couple times. I did not have a passion for the material, personally. In my early double digit ages, I have also watched a couple episodes of Cartoon Network’s “The Garfield Show” when we had company at my house and I was not the one controlling the TV. Safe to say, with my limited exposure and lack of memory or experience with the comics, “Garfield” was not something I cared about a lot as a kid.

Speaking of not caring, I felt rather indifferent about “The Garfield Movie.” The only catalysts that could have gotten me invested in “The Garfield Movie” are the trailers looking uniquely bad, and the powers that be deciding some time ago that Chris Pratt is the only person who can lead big animated movies now for some reason. As soon I heard Chris Pratt was voicing Garfield, my first thought was the same when I heard he was voicing Super Mario. And that thought was, “Why?”

Now that I have seen “The Garfield Movie” and have now witnessed Chris Pratt’s performance as the title character, my thought was the same when I finally saw “The Super Mario Bros. Movie” and heard Pratt voice the title character in that. And that thought was, “Why?” Genuinely, I do not know how Chris Pratt could have worked in this role. The only defense I could possibly come up with is that Garfield, by nature, is a pretty lazy individual. And when I am hearing Chris Pratt talk, he kind of sounds rather mellow and unenthusiastic. That maybe could be what the movie’s going for, but it doesn’t work for me. And maybe this shows Pratt’s range because he also voiced Emmet in “The LEGO Movie,” which, sure, is pretty much the definition of an everyday, ordinary guy. But Pratt sounds enthusiastic enough in his performance there to put a spin on the everyday nature of the character. If anything, Chris Pratt in “The Garfield Movie” is about as interesting as a trip to DMV. He is lifeless, lacking in flair, and sounds as if he is just getting ready for the fat cat of a paycheck. The best way I can sum up Chris Pratt’s performance in “The Garfield Movie” is to say that I do not see a cat. I just see Chris Pratt in a soundbooth. It is the same problem I had with Dwayne Johnson voicing Krypto in “DC League of Super-Pets.” When you get a big name celebrity like that to be the lead voice of your film, sure, maybe it will boost credibility for select audience members. But to me it almost fails to come off as “acting.” I love “The LEGO Movie,” and Chris Pratt is a standout as the voice of Emmet. But “The Garfield Movie” is not a good fit for him. I did not think Chris Pratt could give a less interesting voiceover than “Onward.” Then “The Super Mario Bros. Movie” happened, and so did “The Garfield Movie.” What a world we live in.

That said, the movie’s supporting cast is a bit better. Samuel L. Jackson does an okay job as Vic (center). Hannah Waddingham, even though she could have been written better, does the best she can with Jinx. I thought Nicholas Hoult gave a much better performance as Jon than I anticipated. I like Hoult, but I was rather surprised he put as much passion as he did into the role. But by far the best performance in the movie is Ving Rhames as Otto, a bull who served as a mascot for a farm. Rhames currently has a consistent career in the voiceover game doing Arby’s commercials. But his performance as Otto proves that he not only has the meats, he has the goods. Also to his advantage, he has the best lines in the movie. There is one line, I cannot remember it verbatim, that he uses to mathematically determine how long it would take for Garfield and Vic to cooperate and work as a team. But for what I remember, based on the way it was executed, it delivered one of the bigger laughs I had during the film. And that transitions into another disappointment. I wish this film were funnier. After all, “Garfield” is an iconic comic strip. You’d expect humor out of something like “Garfield.” And sure, there are glimmers of “The Garfield Movie” that deliver a few laughs, but not a ton.

Animation-wise, the movie delivers a fairly wide color spectrum in certain scenes. There are moments, color-wise, that feel surprisingly bland. But I was impressed with the animation of the Italian restaurant we see at the beginning of the movie. Additionally, there are a few shots that tend to stand out and match the film’s mile a minute pacing. But I cannot say anything regarding the animation is revolutionary or changes the game. Although one compliment I would add is that Garfield himself is well designed. For the most part, he looks like he is straight out of the comic strip. They did a good job at bringing him to life. I just wish he were voiced more effectively.

One thing I took from “The Garfield Movie” is the notion that if this is how the title character is in his other material, then I probably do not have a passion for said character. On paper, Garfield may sound relatable, but his relatability is hard to balance for story like the one this movie is delivering. Garfield’s relatability comes from laziness, unwillingness to get outside, flawed dieting choices, things that make us human. Deep down, some of us can put ourselves in Garfield’s shoes, but throughout this film, no matter how much the plot chooses to progress, Garfield himself appears to lack dimension. In fact, going back to Ving Rhames as Otto, I think he had by far a much better journey in this movie than Garfield did. By the time we got to the end of his portion of the story, it delivered a greater sense of satisfaction to yours truly to what I felt as soon as we got the end of Garfield’s time in the film.

On another note, I was surprised to know how much product placement is in this film. Who directed this? Michael Bay?! Where are the explosions?! Where’s the corny, outdated dialogue? Come on, guys! What are you doing?! I’m guessing this what one of the “Transformers” movies changes into when it needs to shake things up. When it comes to animated movies, “The Garfield Movie” is not quite as bad as “The Emoji Movie” in terms of product placement, but there are obvious winks to FedEx, Popchips, and multiple instances of Olive Garden to the point where I thought I was watching a “Sonic the Hedgehog” movie instead of “The Garfield Movie.”

In the end, “The Garfield Movie” is predictable, disposable, and unmemorable. I would almost argue the movie is too chaotic. Everything gets into gear really quickly to the point where I never found myself fully invested with what was happening. The best phrase I can use to describe this movie is “run of the mill.” I have most definitely seen better, but it is not horrible. It is not the worst thing I ever seen. In fact, with “Madame Web” having released earlier this year, “The Garfield Movie” is not even the worst Columbia Pictures movie we got this year. But the first act at times is a chore to get through. Garfield is rather unadmirable as a character. The story, even with its more complex elements, is somewhat predictable. The ending almost overstays its welcome. And Chris Pratt is incredibly miscast as the titular role. I am going to give “The Garfield Movie” a 4/10.

“The Garfield Movie” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for “I Saw the TV Glow.” Stay tuned! Also coming soon, I will have reviews for “Back to Black,” “Summer Camp,” “Young Woman and the Sea,” and “Inside Out 2.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Garfield Movie?” What did you think about it? Also, Garfield clearly loves lasagna to such an insatiable degree. On that note, I must ask, what food would you say is your weakness? I have a number that come to mind, but pizza’s gotta be up there. I literally took a two hour drive from my house a month ago and stayed overnight in a hotel just to try a pizza place I have been eyeing for some time. With that said, let me know down your hunger-inducing weaknesses down below! Scene Before is your click to the flicks!

Guardians of the Galaxy Vol. 3 (2023): James Gunn Fires On All Cylinders in This Marvel Trilogy Finale

“Guardians of the Galaxy Vol. 3” is directed by James Gunn (The Suicide Squad, Slither) and stars Chris Pratt (The Super Mario Bros. Movie, The LEGO Movie), Zoe Saldana (Avatar, Star Trek), Dave Bautista (Stuber, My Spy), Karen Gillan (Jumanji: Welcome to the Jungle, Doctor Who), Pom Klementieff (Oldboy, Westworld), Vin Diesel (Bloodshot, The Fast and the Furious), Bradley Cooper (A Star is Born, Silver Linings Playbook), Will Poulter (We’re the Millers, The Maze Runner), Sean Gunn (Gilmore Girls, The Suicide Squad), Chukwudi Iwuji (Peacemaker, Designated Survivor), Linda Cardellini (ER, Freaks and Geeks), Nathan Fillion (The Rookie, Firefly), and Sylvester Stallone (Rocky, Cliffhanger). In this third installment to the “Guardians of the Galaxy” trilogy, the guardians must save the universe one last time, all the while protecting one of their own. Meanwhile, Peter continues to deal with the loss of Gamora, his love interest.

Of the Marvel Cinematic Universe titles out there, “Guardians of the Galaxy” may be the most distinct of the bunch. Sure, like all the others, it involves superheroes and saving the day. But it has a flavor to it that seperates it from “Iron Man,” “Captain America,” or “Ant-Man.” Part of it may be because of its off-world setting. Sure, a small part of the series is set on earth because Star Lord, the core member of the group, is an earthling. But he ends up becoming one with these faraway worlds. These films define escapism. Between the epic soundtracks, the heavy reliance on space, and the unique characters and surroundings, few Marvel films are as breathtakingly out of this world as these. That said, I am not going to pretend they do not have flaws.

Like many others, I love the first “Guardians of the Galaxy.” Although similar to many of Marvel’s films, the villain is kind of weak. Ronan does not stand out significantly, and he is kind of cliché. That said he does have his moments. Thankfully, “Guardians of the Galaxy Vol. 2” has a much more compelling antagonist in Ego. Unfortunately the movie did not stick the landing for me. It was not funny, overly cartoony, and I sometimes did not buy some of the things that were happening. Oh, and unpopular opinion, I am not a fan of Baby Groot. I did not find him charming, and the movie overuses him to the point where he becomes a bore. That said, I do like the addition of Mantis. As for “The Guardians of the Galaxy Holiday Special,” I was shocked with how much I ended up digging it. I thought the concept was brilliant, and the execution exceeded my expectations. As far as Disney+ MCU content goes, it is by far one of the better pieces of media on the platform. Even with the ups and downs of this franchise, there is a consistency that I often consider a highlight, and that is the touch of James Gunn.

James Gunn is one of my favorite people working in Hollywood. He makes great Marvel content, he makes great DC content, and I love his persona on Twitter. He will willingly call out horribly inaccurate or clickbaity journalism regarding his content. He strikes me, from his personality, as the right person to direct these movies, and it shows as I watched “Guardians of the Galaxy Vol. 3.” Many comic books have a stylized nature to them, and the “Guardians of the Galaxy” movie franchise, along with this particular installment, presents itself in a palatable style that comes off as comic booky. You have well-written quips, fast pacing, and charismatic characters. When it comes to that last aspect, it is through the roof. If there is any franchise within the MCU that has the most charisma from its characters, it is arguably this one. In fact, perhaps the most likable character of the titular team is getting some more spotlight this time around. How could I say no to that?

When I think of Rocket, I think of Bradley Cooper. In fact, “Guardians of the Galaxy” is typically the first movie I often visualize of when the thought of Bradley Cooper comes to mind. Either that or “A Star is Born.” However, what makes Rocket compelling this time around is not Bradley Cooper’s presence, if anything, it is his lack of it. Despite saying that, most of the movie centers around him. Specifically through transitions between his present adulthood and his past childhood. The younger Rocket is voiced by someone who I often forget probably does a lot of heavylifting in this franchise, Sean Gunn. Between playing Kraglin, being Rocket’s double, and now serving as the younger Rocket’s voice, Sean Gunn continues to show his range of skills in this franchise. What makes Rocket’s younger iteration absolutely compelling is not only seeing the ins and outs of his younger personality, but how much he transitions to the Rocket he is today based on everything he witnesses at that time. During these flashback scenes, we see Rocket befriend other tiny creatures, and they all have these dynamic, hyperactive, child-like airs about them.

While I complained about how Baby Groot, a younger character, was used in “Guardians of the Galaxy Vol. 2,” I think a highlight for this film is its younger character slate. Because even though this movie pulls a 2016 “Suicide Squad” and endlessly shows flashbacks, they managed to seamlessly connect them with the present while giving an entertaining narrative by itself. While I have become comfortable watching the wisecracking racoon from the past couple films, I found myself compelled by a much softer variant of the character, and his development is perfectly realized throughout. His relationship with supporting animal sidekicks Lylla, Teefs, and Floor made for a great ride in terms of the narrative and the roller coaster of emotions I ended up experiencing as a result of this film. James Gunn effectively plays with my emotions like a fiddle throughout the runtime, and I love him for that. Speaking of James Gunn, let’s dive into one of his trademarks.

One of James Gunn’s talents through his career, specifically in comic book movies, is giving CGI characters significantly more emotional attachment than I have seen some humans have in film. One of my favorite moments of the original “Guardians of the Galaxy” is from the third act, where we see Groot sacrifice himself and recognize the bond he has amongst his fellow teammates. It is a very simple moment, but because of his limited dialogue, both in terms of the number of times he speaks and his diction, the weight of that moment is paramount. The moment he says the words, “We are Groot,” I felt that. In the 2021 movie “The Suicide Squad,” we see King Shark’s story play out, where like Groot, he is kind of simple-minded. He has limited vocabulary, he speaks in fragments, and does not have the most thought-out ideas. But whenever the movie resorts to his arc regarding his desire for friendship, it clicked with me. This talent also transitions to “Guardians of the Galaxy Vol. 3” based on Rocket’s arc and his connection with his younger pals. I know James Cameron often talks about his “Avatar” films being the pinnacle of CGI, and I will agree with the notion that the films look stunningly beautiful. But those films deliver plenty of gloss while neglecting personality. “Guardians of the Galaxy” is the best of both worlds where the CGI characters not only look great and have a degree of verisimilitude, but their dialogue and interactions benefit the narrative.

I ended up caring about most of the other characters as well. I think Chris Pratt does a good job once again as Star Lord, possibly giving the angriest performance I have seen out of the character yet. Gamora was well explored with her new self. What makes this interpretation of Gamora interesting is not necessarily her, but how others perceive her. I enjoyed seeing Star Lord have to deal with a Gamora that had no memory of who he was. I think that made for a compelling side plot. Dave Bautista gives a killer performance out of Drax. It combines the character’s strengths from the previous two movies and happily marries them.

As much as I like the effects in this film, I think Groot in this installment has the worst design I have seen of the character thus far. He looks too bulky and cartoony. As much as I did not like the Baby Groot character in “Guardians of the Galaxy Vol. 2,” I liked the way he looked. I cannot say the same about this interpretation. It is not awful, but compared to his predecessors, Groot in this film looks more like a Disney+ original CGI character.

The other character I thought was not utilized properly was Cosmo. Unlike Groot, I have no problem with the way this dog looks. But I do not think Maria Bakalova’s voice was a good fit. I remember Cosmo appeared in the holiday special and I did not have this complaint then. And when I mention this complaint, I am not referring to Bakalova herself. I blame the direction based on the uniqueness of the voice performance not paying off. Maybe if I watch the film a second time I will change my mind on this. Who knows? Plus, her arc almost feels insignificant compared to other characters. There is not much to it. When it was resolved, it was not as satisfying as some of the others.

Funny thing about “Guardians of the Galaxy,” as much as I adore the first film, I think its weakest element is the antagonist, specifically Ronan the Accuser. Meanwhile, I find “Guardians of the Galaxy Vol. 2” to be an inferior installment, but Ego is a fantastic antagonist. With this film coming between those two for me, I would say the antagonist of “Vol. 3” does the same. The High Evolutionary is fantastically performed by Chukwudi Iwuji. He is a little over the top at times, but even some of his more over the top moments, fit with what is going on. Plus, he was fairly intimidating in terms of his actions, motivations, and line delivery. I would not want to be the one responsible for ruining his day.

When I look back at at the previous “Guardians of the Galaxy” films, I would sum this franchise up to be the “Star Wars” of the MCU. Because aside from taking place in space, there is a lot of crazy action, futuristic weaponry, and a rag tag team of charismatic individuals. Some could also make the comparison to “Star Trek” if they wanted to, I could see a ton of similarities there as well. As for this third movie, I feel like the “Trek” vibes increase with this installment because it feels more allegorical than the previous two. It is not to say the previous two had bad stories, but I picked up on the message of the film a bit more quickly in regards to how it handles experimentation and animal cruelty. “Star Trek” over the years, and more recently, “The Orville,” has dealt with serious issues that affect our society despite being set somewhat outside of it. Not to pick a fight, I am more of a “Star Wars” fan than a “Star Trek” fan. But a strength of “Guardians of the Galaxy Vol. 3” is that it does what the “Star Trek” franchise does best, and that tendency is going to stick with me. You could argue that “Star Wars: The Last Jedi” is an allegory for animal cruelty with the Canto Bight sequence, but that is a smaller chunk of the film. Plus, that sequence, not to mention that film, did not emotionally resonate with me as much.

One complaint I will bring up regarding movies I do not like is that sometimes they will feel like two movies in one. In fact, Marvel, despite me liking most of their movies recently, falls victim to this complaint as well. “Thor: Love and Thunder” mostly blends comedy and drama seamlessly at times, but there are times where the comedy is stretched too far. “Ant-Man and the Wasp: Quantumania” is in the same boat. It is a massive adventure that tries to maintain the small-scale lightheartedness of its predecessors. When it comes to this installment, it is overly silly at one moment, but quickly transitions to being flat out dramatic in another. There is almost no between. For the record, both of those movies barely received positive scores from me. Although the tonal inconsistency happens to be the biggest flaw for both projects. “Guardians of the Galaxy Vol. 3” is another movie that could have fallen victim to this flaw. However, it does not despite having two major stories dominating the screen at every other moment. The reason is because of one story’s seamless connection to the other, without making one feel out of place. They had an equal partnership that delivered equally satisfying results.

And ultimately, that is the best adjective I can use to sum up “Guardians of the Galaxy Vol. 3.” It is a satisfying finale. It takes the characters that people have come to know and love, and uses them in ways that triggers all sorts of emotions. Is this the best movie in the franchise? No. The first installment is still my favorite, but I find this latest sequel to be a significant step up from the second. James Gunn does not mess around with this film. It was said that this would be the finale for this group of characters, and as a finale, there are only a few ways it could have been executed better. But as far as this group of characters go, they end their arcs fantastically. No spoilers, but there was one line towards the end of the movie from one character that caught me off guard in the best possible way. I would not be surprised if we see some of these characters again in the future, say in an “Avengers” installment. But as far as the “Guardians of the Galaxy” franchise goes, I would be fine if we never get another one of these films as long as the MCU continues to exist. Maybe talk to me again in ten, fifteen years, we will see. But right now, I do not need to see any more knowing how things conclude. Plus, with James Gunn now at DC, all I can think about is what the process must be like to find a potential successor to him if this were to go on.

One last thing before we move on, if you have read many of my past Marvel reviews, my biggest fear regarding this universe is that with each movie, it feels like I, as an audience member, am being assigned homework. With the Disney+ shows now being a thing, the universe is starting to feel like overkill. Thankfully, “Guardians of the Galaxy Vol. 3” feels like less of a commercial for other Marvel content than say “The Falcon and the Winter Soldier” or “Black Widow,” which utilize themselves to advertise upcoming content that is not in their specific medium. Personally, it feels a bit tacky. Now, there is something exposed in “The Guardians of the Galaxy Holiday Special” that is addressed in this movie, but I do not think you would need to spend money on Disney+ to watch the special to find out what that something is. As for the theatrically released movies, I think the previous “Guardians” films and maybe the last two “Avengers” installments would be my recommended prerequisites. That said, you could probably have a good time watching this movie on its own without any prior material being fed to you. For a 32nd film in an ongoing universe, that is a huge compliment.

In the end, “Guardians of the Galaxy Vol. 3” is a thrill ride. Visually stunning, narratively pleasing, and massively satisfying. Another Marvel franchise now has a trilogy. It is amazing how far we have come. Is “Guardians of the Galaxy” my favorite of the Marvel trilogies? As much as liked this film in addition to the original, the second film keeps that from being a reality. It is a solid trilogy and despite my neverending flack for the second film, it does have its moments. But I think as far as a consistent run goes, I think “Iron Man,” “Spider-Man,” and “Captain America” reign supreme. I still think when I add up my scores for these films, the “Guardians” films outranks the first three “Thor” installments and the recently completed “Ant-Man” trilogy. But unlike the recent “Ant-Man” trilogy capper, “Guardians of the Galaxy Vol. 3” was a ton of fun. I went in hoping to have a good time, and I ended up having a great time. It is not without its flaws. Before I forget, I must admit the climax, while entertaining, is occasionally bloated and goes on for a bit longer than I would have anticipated. Although that statement feels like less of a problem when I also remember that it is responsible for what is now my favorite action sequence in the franchise. With that said, I am going to give “Guardians of the Galaxy Vol. 3” an 8/10.

“Guardians of the Galaxy Vol. 3” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! I have plenty of reviews coming soon including “Renfield,” “BlackBerry,” and “The Blackening,” the last of which does not widely release until June, but I got to see it last night through a free screening so I will have my thoughts on the film when possible. Tomorrow I will be going to see “Fast X,” which despite my appreciation for certain parts of the franchise, kind of feels like an obligation, but hey, it’s a movie. Either way, all of these reviews are coming soon! If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Guardians of the Galaxy Vol. 3?” What did you think about it? Or, what is your favorite MCU trilogy? Let me know down below! Scene Before is your click to the flicks!

The Super Mario Bros. Movie (2023): Illumination’s Shiny, Polished, Cliché-Riddled Take on the Mushroom Kingdom

“The Super Mario Bros. Movie” is directed by Aaron Horvath and Michael Jelenic, both of whom have worked on Cartoon Network’s “Teen Titans GO!”. This film stars Chris Pratt (The LEGO Movie, Guardians of the Galaxy), Anya Taylor-Joy (Emma., Last Night in Soho), Charlie Day (It’s Always Sunny in Philadelphia, Fist Fight), Jack Black (Kung Fu Panda, Jumanji: Welcome to the Jungle), Keegan-Michael Key (Let’s Be Cops, Keanu), Seth Rogen (Neighbors, Sausage Party), Fred Armisen (Saturday Night Live, Final Space), Sebastian Maniscalco (Green Book, The Irishman), Charles Martinet, and Kevin Michael Richardson (Like Family, Lilo & Stitch). In this adaptation inspired by the popular video game franchise, Brooklyn-based plumber Mario must save his brother, Luigi, from the wrath of Bowser, a fiendish Koopa who has his sights set on ruling the world.

Few things in my life have had more nostalgic attachment than “Mario.” It is one of the few standout things from my childhood that I have taken with me into my adulthood. I still enjoy playing the “Super Mario Bros.” games, “Mario Kart,” “Super Smash Bros.,” and many of the other “Mario” spinoff titles that have come to fruition. So it might surprise you to know that when I heard Illumination would be developing a movie based on the popular IP, I had reservations, despite being curious about the film. I was worried that a studio like Illumination would make the film overly immature and resort to fart jokes every other second. And having seen some of Illumination’s work myself before and after said announcement, my excitement for the film did not grow. These are the same guys who made “The Grinch,” they have also made another one of my least favorite animated films, “The Secret Life of Pets 2,” which follows up an average first film. The only films from this studio I ended up caring about, which still scream lowest common denominator, are the “Sing” movies.

At the same time though, I also think one of the biggest offenses to cinema is the 1993 flick “Super Mario Bros.,” starring Bob Hoskins and John Leguizamo as the main duo. Part of me also thought, if movies can be that bad, the IP can only go up. Having seen this new animated take on the “Super Mario Bros.” property, I would say it did. But even that is not saying a lot, because it is not Shakespeare. That said, if there is one thing that distinguishes this “Super Mario Bros.” outing compared to the 1993 predecessor, it is the film’s tendency to actually feel like it belongs in the same realm as the games.

The biggest compliment I can give “The Super Mario Bros. Movie” is that even though it makes room, rightfully so, for adaptation, it is extremely faithful to its source material. Granted, it has an advantage that a lot of other material does not, it has plenty to pick from. Nevertheless, I think if you are a fan of the video games, or have played them at least once in your life, this movie could bring back memories. This movie’s animation style, while still being a product of its own nature, is reminiscent of the games themselves. It is colorful, bright, and full of life. The characters themselves even have a distinguished sparkle and shine that many other properties do not possess. Even Bowser, who is this movie’s epitome of evil, has some gloss to him. Illumination has clearly taken all the money they and Universal have earned on selling Minions merch and thrown it straight to the wall.

Some might say that the style of “The Super Mario Bros. Movie” is too safe. If this refers to the design of the film, I do not see the problem. It looks beautiful and unlike the 1993 film, a great counterpart to the games. There are some far-fetched elements in this film, sure, but as an audience member I can suspend my disbelief to a certain point. There is one point two-thirds in, which looked cool, that kind of ruined said suspension, but the sequence itself was still kind of fun nevertheless.

Let’s talk about the elephant in the room, the voice acting. One of the most controversial aspects of this film for the past couple years were the voices of these characters. The burning question that has to be answered is this… How is Chris Pratt? To my surprise, he is fine. I am not going to say he stands out significantly, but he has developed a Mario that works for the universe at hand. Do I think they should have cast someone else? Maybe, but this could have been worse having seen the result. In my mind, I would prefer that maybe they found someone of Italian heritage to do the voice, but that is just me. But I think Pratt surprisingly fits as the Brooklyn plumber. Although Charlie Day is excellent as Luigi. I would say it is near perfect casting. It also makes sense because I have often imagined Charlie Day as a bit of a scrawny, timid type. While it is not the best movie, if you have ever seen “Fist Fight,” it is easy to see why Day could fit in as Luigi. I think when it comes to these two brothers, they have good chemistry, which is not only great because they are in the title, but much of the movie’s objective revolves around their bond.

I also like what they did with Peach in this film. I think Anya Taylor-Joy, who is an incredible actress, is a solid casting choice for the character. In real life, she has this aura to her, and I can say that having been to a Q&A where she was onstage. As for said aura, it is presented in this film from start to finish. Her voice is a perfect match for a highly respected princess. I like this film’s take on the character, also from a story perspective.

However the real standout of “The Super Mario Bros. Movie” in terms of voice casting is the one character I have been excited to witness ever since the first trailer, Jack Black as Bowser. Unlike Chris Pratt at times, who, again, does not do a bad job in this movie, it was difficult for me to see Jack Black through this rugged monster. Maybe part of it is because I am accustomed to seeing Jack Black in certain roles, to the point where it was difficult to picture him as a bad guy. While it may not be his best performance, after all “Jumanji” has proven how challenging it must have been for someone like Black to play someone who is technically a teenage girl, his work here stands out significantly. They say a movie is only as good as its villain, and while “The Super Mario Bros. Movie” is not a masterpiece, Bowser’s presence makes the film worth the price of admission. He is intimidating, ruthless, and funny. While he is evil, I almost wanted to root for him at times because Black makes the character as compelling as he can with his performance.

As mentioned, this film is not a masterpiece, and part of it is because of the writing. I will give credit to Illumination for possibly creating one of their more mature scripts in their library so far. There was less toilet humor than I thought there would be in a “Mario” movie made by Illumination. That said, while I have sometimes complained about some movies being too slow, this movie is special because it is actually too fast. Sure, it is simple to understand. Nothing major flew over my head. But when it comes to the film’s scenes, some of them went by too quickly. In a movie that is about a journey, much of that journey feels trimmed. I have complained about certain movies like “Wonder Woman 1984” or even movies I enjoyed such as “The Irishman” for being, or feeling, longer than they should be. “The Super Mario Bros. Movie” not only clocks in around 92 minutes, which is not the shortest runtime I have come across, but still. The movie also happens to gloss over moments that would make other events that happen in said movie feel more rewarding or satisfying. However, there are some humorous lines, the characters have finely tuned arcs, and for the most part, the voice actors execute these lines to the best of their ability.

If I have another critique, and this is something that is about as personal as it could get, it is the soundtrack. And I am not talking about Brian Tyler’s score. The score is quite good, there are some great songs, in addition to adaptations of prior material from the games. I am talking about the use of other songs like “Holding Out for Hero” or “Take On Me.” These are not bad songs, but not only are they overplayed in media, but when it comes to “Mario,” lyric-based songs like those are not the first things that come to mind. There is one song in the movie, specifically “No Sleep Till Brooklyn,” that fits in its scene, but that is it. I think the problem I have with the soundtrack is that the movie spends time in the Mushroom Kingdom, which establishes itself as this fantastical environment. It is somewhat disconnected from our reality. With that in mind, I have never once thought in my life, playing “Mario” titles, that I should play 1980s pop songs whilst hitting question blocks. I always say there is room for adaptation, but this did not work. I would prefer if for the whole time, the music would just be score-based. Maybe insert another original or something. I do not know, this is a personal preference. “The Super Mario Bros. Movie” is very much a fantasy title, and when it comes to fantasy, I wish less of our stuff were placed into it. Granted, the people of the Mushroom Kingdom do not know these songs, but I rest my case.

I would say this is a fine “Mario” movie that would give a large group of “Mario” fans what they want. As established, it is faithful to the source material, it looks like the games with some slight differences, the music choices for the most part are like the games, and the sound design does not spark any major differences. That said, whether it is going to win over someone who has never played the games is another story. Would this make people want to play the “Mario” games for the first time? Well, obviously if they like the movie, it is always a possibility. But I feel like if you are not tuned into the “Mario” universe through the games, the same might be true through this movie. But if you like the “Mario” games, I would recommend this movie. I am not endorsing the film as a must-see cinematic event, but if you can find a cheap matinee show or if you want to wait for streaming, be my guest. But even with this statement in mind, I give this recommendation with a certain looseness. There are better movies out right now. If you have played the “Mario” games and they are not your thing, it would be harder to recommend this title. Although if you have children, this could be a decent time at the movies with family. It is not going to significantly insult anyone’s intelligence, but it is definitely not going to help it either. It is a perfectly acceptable, but not great, “Mario” adaptation. Did I want more out of this movie? Sure, but on the bright side, it is brilliant compared to the 1993 disaster.

One last thing, before you leave the movie, there are two scenes during the credits. One in the middle and one at the very end. If post-credits material is your thing, then do not get up when the movie ends. Consider this your public service announcement.

In the end, “The Super Mario Bros. Movie” is a bit misleading. Because despite the title, it is not that super. If anything, it is super average. “The Super Mario Bros. Movie” does a lot of things in an okay manner. It is a little fun. It is a little humorous. But it is also a little paint by numbers. Is it cringe-inducing? No. But is it smile-inducing? Not necessarily. It is a middle of the road movie that takes one of the most popular IPs of all time and executes an ordinary script in its skin. Yes, many of the games are as simple as rescuing a princess from a monster. That said, these are not the games. I have fun playing various “Mario” titles because of how the gameplay is laid out. The main objective of the crew behind “The Super Mario Bros. Movie” is not to make the gameplay fun. In something like this, there is not, nor should there be gameplay. When you take the gameplay away, you have to enhance something else. I am not bringing my Switch Pro Controller into the theater to control these characters, I am watching the characters themselves. Therefore, I wish the characters, in addition to the story surrounding them, were enhanced. But both of those aspects feel thin. They could have gone deeper. Everything feels rushed. The most notable standouts of the movie are some of song choices, Jack Black as Bowser, and the animation. Everything else for the most part is a far cry. I am going to give “The Super Mario Bros. Movie” a 6/10.

“The Super Mario Bros. Movie” is now playing in theaters everywhere, including formats like 3D, IMAX, and Dolby Cinema. Tickets are available now.

Thanks for reading this review! Speaking of “Super Mario Bros.,” pretty soon I will be reviewing the 1993 “Super Mario Bros.” movie, which I have already watched. I will be writing my thoughts on it soon. I do not have an official date as to when the review will be dropping, but you can expect a review very soon.

Also, if you have been following Scene Before or have known me in real life, you would know that I have started watching particular anime titles in the past and have been trying to make the medium a part of my ongoing content. One of my next reviews, supposedly the very next, is going to be for “Suzume,” which hits U.S. theaters this weekend. I am very excited for this film, as it is directed by Makoto Shinkai, who has previously directed “Weathering with You,” in addition one to of my new favorite movies ever, “Your Name.” I am curious to see what he does here, and I hope the movie ends up being great. I will have my thoughts soon! If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Super Mario Bros. Movie?” What did you think about it? Or, what is your favorite “Mario” game? For me, I would say “Super Mario Galaxy.” I love the levels, the music, the style, everything. Plus, it is scientifically proven that the inclusion of outer space makes everything better. Let me know your picks down below! And I will include spinoff titles! “Paper Mario” is fair game. “Mario Party,” “Mario Kart,” “Luigi’s Mansion,” you name it! Scene Before is your click to the flicks!

Jurassic World: Dominion (2022): What in the Jurassic World Did I Just Watch?

“Jurassic World: Dominion” is directed by Colin Trevorrow, who also directed the 2015 “Jurassic World” film, which I thought was slightly flawed despite its neat visuals, booming score, and somewhat clever concept. This film stars Chris Pratt (The LEGO Movie, Guardians of the Galaxy), Bryce Dallas Howard (Spider-Man 3, The Help), Laura Dern (Star Wars: The Last Jedi, Marriage Story), Jeff Goldblum (Thor: Ragnarok, The World According to Jeff Goldblum), Sam Neill (Peaky Blinders, Crusoe), DeWanda Wise (She’s Gotta Have It, Fatherhood), Mamoudou Athie (The Circle, The Front Runner), BD Wong (Kingdom Hearts II, Mr. Robot), Omar Sy (Transformers: The Last Knight, The Intouchables), and Campbell Scott (The Amazing Spider-Man, House of Cards). This film is set in a time where dinosaurs are roaming the earth, they’re unleashed, there is no stopping them.

Actually, no… That was the promise that was given in that one short film that was shown in IMAX and eventually put online… But no! We have to settle for a comparatively boring story where the same dull human characters we have seen waltz through two movies, fight against a genetics research giant whose main goal is to conduct research on dinosaurs.

You hear that? That stomping on the ground? That is not a dinosaur. That is me, walking out of the theater in ire.

If you want a hint on what I thought of “Jurassic World: Dominion,” here it goes… “Jurassic World: Dominion” can be summed up in one word. And if I were writing this review for an outlet like The New York Times or The Boston Globe, I would probably be fired. Want another hint? It is literally a word in the title. It is not “ur,” and it is definitely not “sic.” Why would it be?

It is in between those two words, even if they do not spell exactly what I am trying to say.

Summer blockbuster season is in full swing! This means I will be talking about films including “Lightyear,” which will be my next review, “Thor: Love and Thunder,” which comes out in July, and “Bullet Train,” due in August for instance. But before we get to those films, we have to talk about “Jurassic World: Dominion,” exhibit A for what is wrong with Hollywood. I know this sounds like an exaggeration, but it is kind of true. “Jurassic World: Dominion” is continuing the trend where we see elder actors return to play their roles another time, giving either prominent screentime, fan service, or possibly both.

Sony, who to be clear, is not in any way responsible for the “Jurassic Park” franchise and its distribution, is no stranger to this given the recent release of “Ghostbusters: Afterlife” where we see the original cast, minus Harold Ramis (RIP) return to bust ghosts. “Spider-Man: No Way Home,” the biggest movie of the past year, saw a ton of older characters return with their respective actors portraying them one more time. But I actually liked those films. “Ghostbusters: Afterlife” was as charming as it was nostalgic. It was kind of like “The Force Awakens” but more intimate. “Spider-Man: No Way Home” is a concept that could have made for a fun YouTube video, but they some how managed to turn into a wildly entertaining two and a half hour movie that honestly felt shorter than it really was at times. It was perfectly paced, relatable, and surprisingly dramatic. Although I do have mixed thoughts on the ending.

Whereas “Spider-Man: No Way Home” could have been taken as a concept that presents itself as a boardroom idea from out of touch executives, Kevin Feige, Amy Pascal, and director Jon Watts managed to make a movie that I will watch again and again for years. “Jurassic World: Dominion” on the other hand deserves to be struck by an asteroid. This is the worst “Jurassic” movie yet. “Dominion” is worse than “Jurassic Park III,” which despite its awfulness, can almost be perceived as something watchable under the influence of alcohol. And at least it is the shortest film in the franchise.

“Jurassic World: Dominion” is the opposite. In addition to being the longest film in its series, it tries to pack in so many ideas, some of which could be cool, but does not understand what to do with them. When I went to see “F9: The Fast Saga,” another Universal tentpole that made me want to gouge my eyes out, I was treated to an exclusive short film set in the world of the “Jurassic” franchise where we see dinosaurs roaming the planet, invading life as we know it. There is a fun scene at a drive-in that is also featured in the marketing of this movie, including a Progressive Insurance ad. NOTHING in this movie was as entertaining or watchable as that short. In fact, the whole unleashing of the dinosaurs plotline takes a backseat during the film because the kiddies do not want to see dinosaurs eating people! No. No. No. They want to see what Tim Cook would do if he had dinosaurs in his sights. That is what the kids like!

If you are new to Scene Before, hi, my name is Jack, and I like “Star Wars!” Time for yet another of one of my “Star Wars” comparisons! If anything, “Jurassic World: Dominion” is “Jurassic Park’s” answer to “The Rise of Skywalker,” one of the most poorly received “Star Wars” films of all time. Both films attempt to bring back older characters, conclude several movies that came before it, and I would like to add another rung to this ladder. If anything, “Jurassic World: Dominion” also feels like “The Last Jedi” because in “Jurassic” speak, “Fallen Kingdom” ends a certain way, only to have its follow-up barely do anything noteworthy with that film’s ending. The first act of “Dominion” feels like a giant “no” to particular elements to the film that came before it. That “no” supposedly came from Colin Trevorrow, who, get this, was once attached to direct what would become “The Rise of Skywalker.” At least “The Rise of Skywalker” was fun despite its flaws. At least “The Last Jedi” came off as a bold attempt to do something fresh in a historic franchise. Sure, this movie introduces an Apple-esque, genetics-based company, which we have not seen in other installments, but “The Last Jedi” actually got genuine reactions out of me, whether it meant laughing or cringing. “The Last Jedi” was a movie that swung for the fences in such a dramatic fashion only to fail. You can say “Jurassic World: Dominion” did that with its stacked cast, including franchise veterans Sam Neill, Laura Dern, and Jeff Goldblum. But that is all shrouded within a film that feels like it was crafted in a single corporate meeting.

I caught up on all of the “Jurassic Park” movies prior to seeing “Jurassic World: Dominion.” If you ever read my review for Marvel’s “Black Panther,” I claimed that the film has the most forced kiss in cinematic history. Given the film’s not so perfect chemistry between Chris Pratt and Bryce Dallas Howard, 2015’s “Jurassic World” is an arguable competitor for such a throne. I have no idea how these two are still together. Their lines do not feel genuine, the only reason why they feel like they belong together is because the script has lines that indicate such a thing. Well that, and they are raising a child together at this point. Their relationship never feels earned, and I am not exactly fond of either of them. Sure, Chris Pratt has some occasional fun bits training and taming dinosaurs, and Bryce Dallas Howard has developed… Decency, I guess, since her 2015 debut. Compared to the 2015 “Jurassic World,” these two sequels have admittedly gone downhill in terms of story and character development in the same way that they have gone downhill with epic dinosaur action. While I was never a fan of Bryce Dallas Howard in the original “Jurassic World,” I at least thought her two nephews were well written for who they were. I barely remember anyone specific in this latest installment. Yes, I know of the characters in this movie, but I could barely tell you about any of their quirks or anything remotely positive about them. With each installment in the “Jurassic” saga, less and less soul is there. I am not as wowed or engaged as I once was with the ideas this franchise is known for.

That is not to say there is no tension or stakes in “Jurassic World” whatsoever. Speaking of Bryce Dallas Howard, there is one scene in the film that is exclusively between her and a dinosaur. It is one of the quietest moments of the entire picture. It goes on for a minute or two, but I thought it was easily the most engaging segment of the two and a half hours we got. In a film whose dinosaur action is comparatively lesser than its counterparts, this was a welcome highlight.

The original “Jurassic Park,” much like its sequels, was synonymous with epic dinosaur action, but it successfully interweaved a human story with excellence. The cast played their characters to the best of their abilities and the script did them favors. I often think of the 1993 film as a visual achievement before anything else, showcasing effects that continue to hold up to this day, but it does not mean the story is an afterthought. The idea is simple. People create dinosaurs, dinosaurs eat people, and the main characters try to survive to the very end. There is more to it, but the movie gives you enough reasons within a couple hours to make you invested in the story and characters. It makes you root for the characters running away from the dinosaurs. The characters in “Jurassic World: Dominion” lacked such charisma, and therefore, the movie suffers as a result.

Even when the film has an okay idea on how to give a proper motivation for its characters, such as Maisie Lockwood who spends the movie, wanting more, simply put, it does not result in a satisfying progression. Maisie’s respective performer, Isabella Sermon, does a fine job with the material given to her, but her lines and motivation seem surface level and do not add to the film’s entertainment value. That is if there even is any to begin with. This film had a couple okay concepts in addition to Maisie’s desires. There was a dinosaur black market. There was a chase scene between Chris Pratt and a dinosaur that had Tom Cruise “Mission: Impossible” vibes. Even bringing back the original cast could have worked! Although the script failed to bring these characters into a classy, compelling story. But you also have these comparatively boring concepts like a Tim Cook wannabe doing research on dinosaurs, not to mention locusts of all things antagonizing everyone it can find. Because when I think big, loud dinosaur movies… I think locusts… Come on.

“Jurassic Park” is one of the best major motion pictures of its time. What Steven Spielberg and crew were able to do with the aesthetical nature and effects in “Jurassic Park” influenced a multitude of content that came after. Sadly, the sequels, for the most part, fail to recapture the magic of the original, with “Dominion” being the latest example. If you want my two cents, if it is a Friday, you have nothing to do, “Jurassic Park” is a great option for your movie night. I also recommend “The Lost World” to a degree, and “Jurassic World,” despite its lackluster characterization, is pretty and thrilling enough to get you through two hours. It is not exactly insulting, but it is somewhat dumbed down compared to the 1993 original. “Jurassic World: Dominion” makes the original “Jurassic World” look like “The Shawshank Redemption” in comparison. Do not watch this movie, do not support this movie. If you want to watch a more entertaining summer popcorn movie, give your money to “Top Gun: Maverick.” As a legacy sequel, “Maverick” honors its original counterpart, while also effectively progressing the life of a core character that was introduced many years ago. “Jurassic World: Dominion” fails with its new characters, it fails with its old characters, and most of all, it fails with me, the one who paid $16, not including an online fee and a 3D surcharge, to see this unforgivable abomination.

In the end, “Jurassic World: Dominion” managed to do the impossible. It managed to make a feature-length, big budget story heavily revolving around dinosaurs, and have it come off as the most tiring concept ever realized. Even after watching “Fallen Kingdom” I did not feel as tired. Maybe it is because this is the sixth movie, but “Jurassic Park” does not feel special anymore. Its novelty has worn off. Sure, this is a huge moneymaker for Universal, and I would not be surprised if we saw more content with the “Jurassic” label attached in the coming years despite this movie being marketed as “the conclusion of the Jurassic era,” but my hope is that something is done to heavily revitalize this iconic brand. “Jurassic Park” is a literal innovation to cinema. Ever since, we have gotten uninteresting characters, cookie cutter dialogue, and despite some okay concepts, the execution ends up being a far cry from what such concepts can promise. I am going to give “Jurassic World: Dominion” a generous 3/10.

And I have a feeling that could change to a 2 at any point in time…

“Jurassic World: Dominion” is now playing in theatres everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for the brand new Pixar film, “Lightyear.” I went to go see this film twice, which should be a hint as to what I thought about it. Stay tuned for more thoughts as they come along! If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Jurassic World: Dominion?” What did you think about it? Or, what is a franchise you think has overstayed its welcome? I apologize to Universal, but unless “Fast X” delivers something fresh, “Fast & Furious” might be my answer… Either way, let me know down below! Scene Before is your click to the flicks!

Onward (2020): Peter Parker and Peter Quill Cast Spells

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“Onward” is directed by Dan Scanlon and stars Tom Holland (Captain America: Civil War, Spies In Disguise) alongside Chris Pratt (Guardians of the Galaxy, Jurassic World) as two brothers. These two brothers live together in a magical realm, or more specifically, a magical realm that has increasingly evolved over the years due to advances in convenience and technology. Now that both brothers are of appropriate age, they are able to execute a magical spell that can help them bring back their father for one day. When they are only able to bring part of their father back to reality, the two brothers go on a quest together to figure out how they can get the rest of him back.

First and foremost. It’s good to be back. While we are not back to normal yet, and yes, NORMAL, I’m tired of whatever the “new normal” is supposed to be! It is still nice to talk about a movie that has come out this year without as much distraction towards the greater pain of reality. “Onward” was one of the last movies I saw in a theater before everything ground to a halt. The film started off with a somewhat underwhelming box office performance, perhaps likely due to COVID-19 taking effect, but I did see it opening weekend, so I feel glad to be one of the chosen people. While there were other movies I was looking forward to this year more, many of which I won’t get to see for awhile, “Onward” was definitely one that had my attention. For starters, it’s a Pixar movie. And Pixar, kind of like Marvel Studios or A24, is one of those distributors that always delivers a midas touch. Heck, I even like all the “Cars” movies! I’ll go as far to say that I really enjoyed “Cars 2!” If you want action, that’s a Pixar movie I’d recommend. So even though “Onward” was not my most anticipated film of 2020, it was one that I thought would be at the very least, solid. And that’s what it was. A solid movie. As much as I make fun of Disney for their business practices, which work for them even though I don’t fully support them, I will forever love Pixar, which might be the mega-corporation’s greatest asset in terms of quality. Over the years, a lot of their films have been well-written, conceptually creative, and of course, beautifully animated. Especially over recent years, even if one of their films was never in my top 5 from them, I would not deny the amount of work that must have been put into those films to make them family-friendly, while also trying to keep not just kids, but adults interested. Even though I was, and I hate to say it, disappointed, with their late 2017 film, “Coco,” it is some of the studio’s finer work in terms of color and animation detail. Even though “Toy Story 4” is probably the worst movie in the series, there is a shot of a cat in that movie that looked like something out of real life. For the record, I saw “Cats” later in the year that “Toy Story 4” came out and none of the cats from “Cats” hold a candle to that digitally animated feline! That’s how much I appreciate Pixar as a studio.

Once again, Pixar does not let me down from an animation standpoint. Everything fits its respective environment, it’s crisp, and the attention to detail is spot on. I saw this film in IMAX and the animated shots of this movie shine on the big screen. I cannot say that it is Pixar’s best technical work, but it is absolutely superb nevertheless. The film is now on Disney+, and I imagine that the film does look pretty good on Disney+, but since movie theaters are starting to reopen, if “Onward” is playing near you, take the opportunity to see it! Because even if the movie is not that great for you story-wise I imagine it will still be fun to look at. It is a film, kind of like recent Pixar entries, that I see holding up for years if you want a tech demo.

As for the screenplay, I think it is at times predictable, but that is also what makes it work in certain moments to deliver a satisfying story. There is conflict in just about every single moment, there’s a good amount of setup and payoff that is done effectively. The playaround and mashup between this fantastical, dungeons and dragons-like sort of environment and our modern lives is undoubtedly entertaining and creative. It makes for some fun scenes and ideas. In a way, it almost reminded me of Disney’s “Zootopia” which came out four years ago. That’s a really good movie by the way! Because that movie took a bunch of talking animals, put them in a world like ours, and while that film more or less was a satire on modern society, it was cool to see a blend of fantasy and reality put together to deliver a fun time.

As for Tom Holland and Chris Pratt, I think both characters are well-written, but when it comes to casting. That is where things begin to become questionable. Now, I will say, Tom Holland as the younger brother is definitely worth keeping. But when it comes to Chris Pratt, I like him as an actor, but I feel like he’s more closer to a father figure than an older brother in this film. That’s just the first impression I got from him. After all in real life, Tom Holland is 23 right now. As for Chris Pratt, he’s 40! Now I know you can get away with a lot more in animation in terms of details, actions, voices, personalities, but hearing Chris Pratt’s voice attached to someone perhaps close to my age is a little bit weird. I’m not saying it’s off-putting, it’s just weird. Both characters are great, serve the movie well, and have likable chemistry, but I just don’t think Chris Pratt was the right choice for the character of Barley Lightfoot. Nothing against him, I respect Pratt as an actor, he’s got decent talent, but I think he was a little bit miscast.

As for Tom Holland, I think his casting was perfect. He plays a teenage boy, and I am willing to bet that due to his marvelous (no pun intended) performance as Peter Parker, that there may be some worries down the road that he may be typecast. Because Holland’s still in his early twenties, and he has tons of charisma that can convince somebody he’s likely able to play an older teen for a while. But nevertheless, when it comes to this animated role, his voice completely fits the character. It’s in this tone that is almost in what I would call a “downer” mood, I just made that up on the spot! I don’t even know what I’d call it! But Holland’s pitch matches his lanky character to a high degree. I will also give props to Julia Louis-Dreyfus (Seinfeld, Veep) and Octavia Spencer (Hidden Figures, Ma) who also stood out for their fine performances, plus the solid casting on someone else’s part.

Funny thing is, going back to Pixar’s quality, I will admit that I have not checked out all their films yet. I own “The Good Dinosaur,” but I have yet to watch it. I also still need sit through “Monsters University” and “Brave.” When I was at university this semester, I had a screenwriting professor who saw “Onward” and he pointed out that when it comes to Pixar, it’s one of their inferior movies. He also went on to suggest that bad Pixar is better than a lot of movies. He’s got a point. From an animation standpoint, “Onward” is pristine. Story-wise, everything adds up, makes sense from beginning to end. Compared to some other notable animations or family movies that completely rely on immature fart jokes, “Onward” just tries to tell a needed story from beginning to end, which is usually what I go to movies for. And yes, the occasional visual spectacle of “Onward” is a much-desired and satisfying cherry on top of the sundae, but story must come first, which Pixar typically succeeds with, even in cases like this when it is not their finest work. Pixar was supposed to come out with another movie in June, specifically by the name of “Soul,” but that unfortunately has been delayed. Much like “Onward,” “Soul” is an idea that has not been tested out before by the studio. Going into these movies, I am always looking forward to where Pixar takes their characters and its creative concepts. When “Soul” comes out later this year, I will continue to anticipate attention to detail, but at the center, a dang good story.

In the end, “Onward” is a fun ride from start to finish. It is a movie that you can watch with your kids without really feeling the need to tune much of anything out. Pixar’s always had that intention and plan of execution in mind. I remember the first time I saw “Up” in the theater, and years later, my dad and I still remember the movie, and if I’m not mistaken, he’d probably watch it again if it were in front of him. Would I watch “Onward” again? Probably. Maybe not right away, but I can see the effort put into this film and that is something I totally respect. I’m going to give “Onward” a 7/10. Fun fact, a 7/10 is honestly a low score for the Pixar brand given their resume. So even though this is one of, and as weird as it is to say, Pixar’s worst movies, I think it is still worth your time. I’d probably rather watch this again than “Coco,” which, was good! But I expected a lot more from it. Maybe one of the downsides of that film is waiting until 2019 to watch this, whereas I watched “Onward” right away. But I could be sticking my feet into hazardous mud here.

Thanks for reading this review! Once again, it’s finally nice to talk about something that is not specifically about COVID-19! I wish I could do this more often. I don’t know if I’ll be doing a part 8 next week to my Movies and COVID-19: Behind the Scenes series, but I’ll have to find out what I’m doing, what kind of mood I’m in, and so on. But if I were to review a new movie, my next one is likely going to be for “The Way Back” starring Ben Affleck. I will say, given how it has been a couple months since I’ve seen that movie, I wonder how much of a challenge it’ll be for me to talk about the film in detail, but that question shall be answered as we cross that bridge. Maybe I’ll rent the movie if I need to watch it again, but I also don’t to waste $5 or $6 for the sake of wasting $5 or $6. These reviews typically regard my first impressions, and I had little intention on changing anything in regards to how I do my blog, but this pandemic did it for me. It took some control away from how I operate everything I do at Scene Before. Or, maybe I’ll soon do my review for “My Spy” which is about to debut on Prime Video. I am officially one of the few that has ever seen “My Spy” in a theater, which I feel pretty lucky for doing. But as of recently, the film changed plans, and instead of getting STX to release it in theaters, the plan is to get the film on Prime Video as an exclusive. Given how very few, if any, sources in the U.S. have even talked about or reviewed the film at this point, it might be necessary to hold that review off for a little bit longer. It’s a truth that is difficult to handle at this point, but what isn’t difficult to handle during a pandemic? If you want to see more great content from Scene Before, give the blog a follow either through an email or WordPress account! Like this post, share it with your friends, show some appreciation for the Movie Reviewing Moron! Also, instead of scrolling across some clickbait articles with misleading information about COVID-19, check out the Scene Before Facebook page and give it a like! I want to know, did you see “Onward?” What did you think about it? Or, what is your LEAST favorite Pixar movie? Why? Would you still consider it to be “enjoyable?” Let me know down below! Scene Before is your click to the flicks!

The LEGO Movie 2: The Second Part: Another Excuse to Make a Batman Movie

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“The LEGO Movie 2: The Second Part,” AKA “The LEGO Movie 2,” AKA “The LEGO Movie 2: Part 2,” AKA “The LEGO Movie 2: The Fourth LEGO Movie In This Current Franchise,” AKA “The LEGO Movie 2: The One After The LEGO Movie” is directed by Mike Mitchell. This film stars Chris Pratt (Guardians of the Galaxy, Jurassic World), Elizabeth Banks (Power Rangers, The Hunger Games), Will Arnett (Teenage Mutant Ninja Turtles, Arrested Development), Tiffany Haddish (Girls Trip, Uncle Drew), Stephanie Beatriz (Brooklyn Nine-Nine, Ice Age: Collision Course), Charlie Day (Fist Fight, Pacific Rim), Alison Brie (BoJack Horseman, The Disaster Artist), Nick Offerman (Parks and Recreation, The Founder), and Maya Rudolph (Grown Ups, Saturday Night Live). This film takes place five years after its predecessor, exposing what exactly happened as a new, invasive LEGO army referred to as LEGO Duplo turns the happy go-lucky land of all its LEGO citizens into pieces of crap. Survivors are camping out in a city referred to as Apocalypseburg, which is basically a Mad Max-like wasteland in LEGO form. However, that’s not all, because the main character of Emmet must go on a quest to save his recently captured friends.

This film is the sequel to the box office and critical success that is “The LEGO Movie,” which to me is one of the most surprising flicks ever made. On paper, “The LEGO Movie” is one of the dumbest ideas of all time, despite how it somehow worked for video games over the years. It’s a movie about plastic building blocks that take forever to assemble and will instantly kill you once you step on them, and it somehow worked. And I don’t just mean worked, it’s up there with “The Hobbit: The Battle of the Five Armies,” “Whiplash,” and “Interstellar” as one of my favorite movies of 2014. Such a great year for movies. AND I’M STILL PISSED IT DIDN’T GET NOMINATED FOR BEST ANIMATION AT THE ACADEMY AWARDS! Dumb f*ckery indeed! In fact, when I go to the movies, one of my frequent partners is my father, and I never see him have such a passion for many of the new releases we go see together. “The LEGO Movie” is one of the few exceptions. In fact, I’d say I’m willing to bet he likes “The LEGO Movie” more than I do, which says something especially given how I gave it a 10/10 score when I reviewed it here on Scene Before.

When it comes to the sequel however, it’s… just… good.

I am somewhat disappointed with the results of “The LEGO Movie 2: The Second Part.” While there is still LOTS of fun to be had, while there is still TONS of humor, while there are still MANY grand ideas, it just suffers from being less of a “family” movie, and catering a little more towards the kids. “The LEGO Movie 2” may be an enjoyable experience, but it drags a bit from its occasionally kiddy and less than satisfying original song track. I am not saying that the original “LEGO Movie” had no original songs put in, “Everything Is Awesome” was the definition of “catchy pop earworm.” In fact, I think there’s a song from “The LEGO Movie” that is significantly underappreciated.

Darkness!
No parents!
Continued darkness!
More darkness, get it?
The opposite of light!

Genius! Those are the actual f*cking lyrics to Batman’s Untitled Self Portrait! Sadly, we don’t get any songs as cool as that, or even as cool as the kick-ass opening number in “The LEGO Batman Movie.” However, I must say, Batman is as cool as ever.

Comic book nerds, if you guys are having a debate as to who the best on-screen Batman happens to be, this universe’s LEGO Batman (Will Arnett) interpretation BETTER qualify in your future debates, because he is freaking spectacular! There’s a meta joke in this movie between him and another character where he goes on about how awesome he is just because there were “nine movies already made about him and three currently in development.” Batman shines once again as being the ultimate version of a superhero narcissist. I can’t dive much deeper than that because, well, spoilers.

When it comes to the main character of Emmet (Chris Pratt), one part of this movie that I kind of dug is how despite being able to save an entire universe, Emmet is still technically lacking any special traits, which is pointed out in the first few moments of the flick. In fact, he’s literally back to being the same old hyperactive, giddy, happy go-lucky optimist that we were introduced to into the first movie. There’s a rehash of the first scene from the original movie when Emmet wakes up and says good morning to his city, but this time it is to his apocalyptic wasteland.

Speaking of things taken from the first movie, the movie continues its meta humor trend. I already mentioned the Batman thing, but there is a vast amount of other insertions of meta humor throughout. They make fun of convenient movie tropes. For example, hasn’t anyone ever noticed how slow doors close in movies for dramatic effect? There’s a brooding scene where the characters realize exactly how angsty they are. And there’s even an entire character dedicated to making fun of Chris Pratt!

“The name’s Rex. Rex Dangervest. GALAXY-DEFEDING ARCHAEOLOGIST, COWBOY, AND RAPTOR TRAINER WHO LIKES BUILDING FURNITURE, BUSTIN HEADS, AND HAVING CHISELED FEATURES PREVIOUSLY HIDDEN UNDER BABY FAT!”

In other words, you have Chris Pratt from other movies, combining his own characters from “Guardians of the Galaxy,” “The Magnificent Seven,” “Jurassic World,” and even Emmet himself! THANK! YOU! WRITERS! I will say, he was not as funny as I was expecting him to be (I may have hyped him up a little more than necessary), but he was still pretty dope. I will say, should they make another “LEGO Movie,” I really hope Universal undoes the cancellation of “Cowboy Ninja Viking,” because that was supposed to star Chris Pratt and if that movie comes out before “The LEGO Movie 3” and if Rex Dangervest makes a return, it would be interesting to see a modernized version of him where he partially contains the personality of the main character of that movie. That way, instead of being a galaxy-defending archaeologist, cowboy, and raptor trainer, he will then become a galaxy-defending archaeologist, cowboy ninja viking, and raptor trainer. Make it happen Warner Animation Group! Also, Universal, make that other project happen too.

If worst comes to worst, they can evolve him to “galaxy-defending archaeologist, cowboy, raptor trainer, and ship roamer.”

If you don’t get that last one, just watch “Passengers.”

On second thought, don’t watch “Passengers,” it’s not a good movie.

This movie, much like the first one, has a handful of cameos. You’ve got the DC Universe, Gandalf, Abraham Lincoln, Ruth Bader Ginsberg, Gary Payton, Sheryl Swoopes, even John McClane from “Die Hard” (or if you are IMDb, Bruce Willis)! And by the way, Bruce Willis actually has a voice in this movie! That is brilliant in every sense of the word! When it comes to this movie, it is a frenzy of fantastic ideas that are sadly hindered by musical numbers that are occasionally a pain to get through (although there is a good one featuring DC characters). I just feel like this movie is a kiddier version of its predecessor. Granted, it could definitely be worse. There aren’t many poop jokes that I recall, which is DEFINITELY a good thing.

Phil Lord and Christopher Miller worked on this movie, not the in the directing department, but they still worked on it, just like they did with the first one, and the duo are becoming two of my favorite people working in the industry. Between “The LEGO Movie,” “Spider-Man: Into the Spider-Verse,” “Cloudy with a Chance of Meatballs,” and what I imagine would could MAYBE be a better version of “Solo: A Star Wars Story???” I feel that this duo is becoming more and more relevant by the day, with this movie being the duo’s latest success. Granted it falls more into “Cloudy with a Chance of Meatballs” territory as opposed to “Spider-Man: Into the Spider-Verse” territory, but still. These two have a pretty solid track record thus far, and it is quite possible they could end up building a legacy similar to that of Christopher Nolan, Steven Spielberg, or Wes Anderson in the near future. Granted, I have not seen all of Lord and Miller’s work. I still haven’t seen “21 Jump Street” despite having owned it on Blu-ray for quite some time. I have faith in the Lord and Miller duo, and while this is be one of their inferior films, they still have my respect.

In the end, “The LEGO Movie 2” is a solid time at the movie theater. I’d say bring the kids, chances are they will end up enjoying it. If you really enjoyed the first “LEGO Movie,” you might find enjoyment in this as well. I will give praise to the “The LEGO Movie” franchise as a whole for having a consistent feel that doesn’t really come off as tiring. It’s lighthearted, wacky, creative, and amazingly fast-paced. I can’t confirm entirely given how I skipped on “The LEGO Ninjago Movie,” but I’ve seen three of this universe’s films at this point, and all of them have been at the very least, entertaining from start to finish. Is this the worst of the LEGO franchise? Yes, but it’s better than stepping on a LEGO brick. But to be completely real, just about anything is. I’m going to give “The LEGO Movie 2: The Second Part” a 7/10. Thanks for reading this review! If you are subscribed to this blog, stay tuned because it is currently Oscar season, and there is a good chance that I’ll have at least one post related to the Academy Awards coming up in the near future. I’ve made it a tradition to do a recap, which I may do again this year. And to be honest, I have the exact opposite of good feelings for this year’s ceremony. Between how the Academy has treated its technical members, to nearly implementing a Best Popular Film category, to not having a host this year, I am just scared at this point! But fear not! Because I just did my own awards show! If you want to view the 1st Annual Jackoff Awards, there’s a box down below that will take you right where you need to go! I should warn everyone who plans on reading this thing, BUCKLE UP, because it is a LONG post. But it is intentionally long, it’s a creative choice! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see “The LEGO Movie 2: The Second Part?” What did you think about it? Or, of the current franchise of LEGO movies, which is your favorite? Let me know down below! Scene Before is your click to the flicks!

Avengers: Infinity War (2018): 2018’s Movie Event of the Year

Before we dive into what some may call my most important movie review of the year, I’m gonna go ahead and ask you something. How terrifying is Thanos? The answer, objectively, he’s a monster that might eat other villains in the Marvel Cinematic Universe for breakfast. One thing that’s probably just as terrifying, is responsibility, and a new responsibility will be handed over to a couple by the name of Genevieve and Paul. The two are trying their hardest to have a child, therefore increasing the absolutely scary idea of responsibility, but before they totally get scared, they get… failure. Specifically, the failure of making a child, which is all explained… in “What the IVF?!”

“What the IVF?” is a series on YouTube about a couple who are trying to have a baby but based on experience, trying is not enough effort to grant the couple’s wish. Genevieve and Paul go through an extended journey where trying is redefined. Throughout, they face victories and failures, and go through hell as they encounter unfortunate events when it comes to sex, tests, procedures, and EVERY. F*CKING. NEEDLE.

You know, kind of like this, but a little different. New episodes are uploaded to the channel every Monday and pretty much each one has their own little dramatic story for the couple to tell. The most recent episode however, strays away from the dramatic tone. In this latest installment titled “The Waiting Game,” the name pretty much says it all. When the couple is waiting for results on a test, they try to distract themselves and make themselves feel normal. Watch the episode, or if you want a more dramatic episode, watch a few of the earlier ones. If you like what you see, hit the subscribe button on their YouTube channel, like their videos, hit the notification bell, and if you want more of “What the IVF?” outside of the YouTube universe, be sure to check out their other social media profiles and their website! Also, be sure to to tell them I sent you over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“Avengers: Infinity War” is directed by Anthony and Joe Russo (Community, Arrested Development) and stars Robert Downey Jr. (Iron Man, The Judge), Chris Evans (Captain America: The First Avenger, Gifted) Mark Ruffalo (Foxcatcher, Spotlight), Chris Hemsworth (Thor, Rush), Chadwick Boseman (Black Panther, 42), Tom Holland (Spider-Man: Homecoming, The Lost City of Z), Benedict Cumberbatch (Doctor Strange, Star Trek: Into Darkness), Scarlett Johanson (Iron Man 2, Lucy), Don Cheadle (Iron Man 2, Crash), Paul Bettany (Iron Man, A Knight’s Tale), Elizabeth Olsen (Avengers: Age of Ultron, Godzilla), Anthony Mackie (Captain America: The Winter Soldier, The Hurt Locker), Sebastian Stan (Captain America: The First Avenger, The Covenant), Danai Gurira (Black Panther, The Visitor), Letitia Wright (Black Panther, The Commuter), Dave Bautista (Guardians of the Galaxy, Blade Runner 2049), Zoe Saldana (Guardians of the Galaxy, Avatar), Josh Brolin (The Goonies, No Country For Old Men), and Chris Pratt (Guardians of the Galaxy, Jurassic World). Just… HOLY CRAP. This is just scratching the surface on this movie’s overwhelming number of characters!

With the infinite (pun sort of intended) number of cast members/characters this movie is trying to fit in, they all are featured in this two and a half hour extravaganza where we reach one of the biggest points in the entire Marvel Cinematic Universe, and that’s when Thanos makes an attempt to unleash havoc and chaos upon the universe by destroying half of it.

Let me just get something out of the way, this review is being called “2018’s Movie Event of the Year,” and reasonably so. Because for one thing, it is the culmination that is ten years in the making (or six depending on who you ask). We are finally at the point that we get to see Thanos in action. Not to mention, this movie is RIDDLED TO THE BRIM with surprises! I can’t believe we’ve made it as far as we did, seriously! The birth of the Marvel Cinematic Universe, starting with the 2008 movie “Iron Man” is about to make its ten year mark on May 2nd! Unbelievable! Anyway, that movie and a bunch of others have all lead to this, and since I mentioned there are many surprises in this movie, I should have you all know that this review is going to be spoiler-free. A lot of people and I mean A LOT OF PEOPLE are going to see this movie after I get this review up, and this is pretty much a “Star Wars” situation. If I reveal one thing about this movie that is in spoiler territory, somebody in the comment section is going send me a death threat. So if I sound vague compared to some of my other reviews, you know why.

Now let’s get through some characters, but before we get to that, I could literally make a joke at this point saying that this movie featured every soul in existence. And I’ve heard some comments about this movie at times. I’ve heard comments saying that it feels cluttered, and that it has too many characters. I one-hundred percent disagree. And that’s because when it comes to utilizing these characters, I feel like just about each and every single one that has some sort of importance to the plot happened to have their moment. There are segments of this movie that stand out and those segments happen to be exclusive to certain characters. I don’t want to get into them however, because if I do, it will just mean I drop one character’s name, and now I allow each and every one of you to have a ruined surprise, which as mentioned, this movie has a lot of. If I were to go into them, I wouldn’t get all that specific, I’d just say a character’s name and kind of move on, but for the sake of humanity, sanity, and a decreased chance of getting killed by someone who may hunt me down after getting this review posted, I won’t do that. Another thing I will say, I will not be talking about all of the characters in this movie that has a bit of the importance to the plot. That will take forever and a half, and there’s not really as much to say about certain characters compared to others. So I’m sorry, there’s no explanation for characters like Iron Man, Captain America, and Doctor Strange. There are more that are unlisted, but these are just examples. I feel I should say less about them for the sake of a more quality review. You’re welcome, by the way.

I don’t have any order I want to go in when it comes to these characters, so let’s just talk about Spider-Man, because there is something that stands out about him that I need to bring up. As you may know, Spider-Man recently had his own movie and in that picture, he had some technology added to his suit. But this time around, if you watch the movie, you’ll notice that he has a new suit. And while I was not a fan of Peter Parker’s suit in “Spider-Man: Homecoming,” I thought this new suit, which is making the character of Spider-Man ultimately marketed to the public as Iron Spider, was a sack of crap. Sure, it looks kinda cool, but the idea of Spider-Man combining with Iron Man makes me think some people thought the idea of Spider-Man, and by that I mean SPIDER-MAN, was not cool enough. I would have said all of this before going to see the movie. As of right now, I change my mind. The Iron Spider outfit was properly utilized, had a purpose in the movie, mainly when it was first put on, but even so, and best of all, it didn’t have a stupid artificial intelligence that was literally holding Peter’s hand and telling him to kiss his crush. Thank gosh!

Another standout character in this movie is Scarlett Johansson’s Black Widow. Now her character as you know and would expect, is badass. But there is one thing that I consider what may be a flaw with this character, and it’s a nitpick, but it’s there. It makes me ask, why is she blonde? Don’t get me wrong, I’m not some douchebag who demands other people to have a certain hairstyle. Although not only does it feel weird, but given the fact that something like this is a change of pace after seeing many movies with Black Widow such as “Iron Man 2,” “The Avengers,” and “Captain America: The Winter Soldier,” which has the character having different, but in ways, alike hairstyles, you’d probably expect some explanation as to why Black Widow’s hair is blonde. Did she want to have more fun? Did she suddenly become a Marilyn Monroe fanatic? Did she get tired of people asking her if she was, I dunno, “REDy?” I’m not really taking many points off for this, but it kind of feels somewhat weird because this, again, feels like a change of pace. I don’t even remember there being a joke, even though there were a good number concerning other subjects, regarding Black Widow’s hair.

When it comes to who has the biggest presence in the entire movie in terms of the heroes, I gotta say that the Guardians of the Galaxy probably qualify as the number one spot. Their overall story has a tremendous effect on where everything goes in regards to a number of heroes and Thanos. As far as the Guardians go, I think their storyline is a contender to be the best storyline in the movie. It was somewhat dark and depressing while still allowing them to be the same hilarious crew we all grew to know.

And that does lead me into this movie’s overall tone. “Avengers: Infinity War” is marketed as this beyond dark, ambitious, important, bitchslap to the face f*ckstravaganza, and with bits of humor here and there. One worry I had that didn’t exactly stand out because I had faith in this being worked out well, was a clash in tones. I was somewhat worried that there would be too much humor in serious situations, but not only was the comedy incredibly hilarious, but it seemed to be utilized at the right times. I saw this movie with about 500 people, and based on their laughs, they seem to agree with me.

Now let’s move onto what is quite literally the biggest part of the entire movie, Thanos, which if you’re unfamiliar with Marvel…

Think of Terence Fletcher from “Whiplash” combined with Darth Vader from “Star Wars,” add in a hint of Count von Count from “Sesame Street,” you get this PURPLE GUY who CHUCKLES over the fact that he destroyed a NUMBER of planets, who is a FATHER per se of multiple heroic characters, and has a SHAVED head that will make you look at him as the INTIMIDATING, Jupiter-sized dickbag of Doucheville, otherwise known as Thanos. The character of Thanos is the probably the movie’s best character, and also the one that gets the majority of screentime. Also, if you have been following the Marvel Cinematic Universe, the villains have usually been disposable bad guys that are just there for the heroes to defeat. Recently however, I will say that every villain featured in a Marvel film since “Guardians of the Galaxy Vol. 2” has been incredible. The streak of awesomeness continues here in “Avengers: Infinity War.” And to be completely honest, Thanos is quite possibly the best villain in the Marvel Cinematic Universe, and definitely in the discussion of being the best comic book movie villain of all time. I don’t know if I’d say he’s as perfect as The Joker from “The Dark Knight,” but Thanos is up there. As mentioned, Thanos gets a majority of the movie’s screentime. And this is part of why his character is so great. Given his high amount of screentime, you get to know Thanos very much, and the film is more about him as opposed to anyone else. The film’s main point of focus is the journey to find the stones. The Avengers are the just the defenders (pun sort of intended). You view Thanos from the beginning as the very definition of evil, and he just f*cks s*it up no matter where he goes. If there’s one character that you should look forward to when seeing this movie, it’s Thanos.

Speaking of journeys, certain journeys have certain endings, and this journey has an ending to remember. Out of every ending I’ve seen in the MCU, this is BY FAR my favorite of them all. Like, holy f*ck! I saw this movie with three other people, a couple of the people next to me were just speechless, and so was I! I’m not even gonna say the ending! I don’t want to be a dick! That’s Moby’s job!

I APOLOGIZE TO EVERYONE NAMED MOBY, WHICH LUCKILY, DUE TO RESEARCH THERE AREN’T MANY PEOPLE NAMED MOBY THAT STAND OUT SO I WONDER IF APOLOGIZING IS EVEN NECESSARY.

Overall, the ending for this movie, is not only brilliantly written, beautifully directed, but also has some of my favorite editing in the MCU. Again, something I won’t go into for the sake of not getting anyone mad, but it’s freaking sick!

Also as mentioned, this movie is directed by the Russo Brothers, who directed the previous two “Captain America” films. When it comes to the cinematography, I was noticing lots of shaky cam, which is not new for a film directed by this duo. If you watch “Captain America: Civil War,” that film has tons of shaky cam, and I thought the action in that film actually happened to be some of the best in the MCU. It was fast paced, exciting, and as I watched the film, fun. When it comes to the action sequences in this film, you can say I had fun watching them, but this is one of those times, where I literally felt there were high stakes involved in this universe. As mentioned, Thanos has an intimidating and demanding presence, you’ve also got a bunch of Thanos’s minions, including those of the Black Order, and while some other Marvel movies seem to have some predictable action sequences and all that, you never really know exactly how every action scene here will conclude. You constantly root for the heroes, who are going up against the f*ck-up of purple people, and Thanos’ determination makes the rooting exist. I mean… For a guy who happened to be rather speechless once leaving the theater for this movie, it’s almost like a true feat for the amount of words shoved onto this review! What a revelation!

In the end, “Avengers: Infinity War” is EASILY one of the best movies in the Marvel Cinematic Universe! I LOVED just about every single second of this movie! It’s my favorite “Avengers” movie! The way they handled all of the characters in this movie was amazing! I mean, seriously! For a movie like this that has more characters than perhaps the number of lights people leave on for new visitors at a Motel 6 in a day, I can’t imagine many other directors taking on this project and doing a better job of balancing everything as masterfully as the Russos did. I said it before, just about every character had their personal moment to shine, and fans will be going crazy over at least one them. Maybe not as crazy as the crowd I had since I went on opening night in a crowded IMAX, but fans will go wild. Speaking of which, I do recommend you go see this in the IMAX format, because this is the first movie shot entirely on IMAX cameras. Not the ones I really like talking about, but this is kind of a big deal and the IMAX experience does add a bit to the movie in terms of immersion! With all of this being said, this movie is the Marvel Cinematic Universe edition of “The Empire Strikes Back,” and it is a f*cking ride from start to finish! I’m gonna give “Avengers: Infinity War” a 10/10! Once again, I’m trying to be as vague as possible in this review for a reason, and I’ll just remind you, when it comes to spoiling this movie, I don’t recommend it. If you spoil this movie, there’s a good chance you’re only just gonna make someone’s life only worse. You know, unless being spoiled is your thing then you’re OK there.

#ThanosDemandsYourSilence

But seriously though, this movie’s the s*it!

Thanks for reading this review! Pretty soon, as promised, I’ll have my review for “Mission: Impossible II.” I’m probably going to watch the movie tomorrow, and I’ll start the review soon after, and publish it some time following that. Stay tuned for that review, and also stay tuned for other reviews! I want to know, did you see “Avengers: Infinity War?” What did you think about it? Or, what is your favorite “Avengers” movie? Let me know down below! Scene Before is your click to the flicks!

Avengers: Infinity War (2018) Official Trailer 2: Do We Seriously Need This? I Was Already Satisfied!

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Hey everyone, Jack Drees here! I can’t believe I’m saying this. But this is my first trailer review of 2018. The last trailer review I did believe it or not, was for the same movie whose trailer I’m reviewing right now, otherwise known as “Avengers: Infinity War.” A lot of news has come in about it recently. Tickets have gone on sale! We have a new poster to gloss over! You know, just after we got another recent set of posters to gloss over! By the way, Spider-Man’s poster SUCKS. This new poster we got, the one you’re seeing up above, is actually really freaking badass. It’s got a f*ckton of characters, it’s indeed got some colors, and it just sets the tone for super duper destruction. You know s*it’s about to go down, and go down HARD when Iron Man is doing his version of Jesus symbolism. What is he Superman now? A lot of people call it cluttered, I don’t really mind it all that much, but that’s just me.

Before we dive into the trailer I do have to ask a question. What is the best ending to a movie you have ever seen? What is an ending to a movie that you personally think about when you think about satisfaction? You don’t need to see anything else, you don’t need to find out anything else, everything that’s been seen thus far is all that matters. I had a similar feeling inside me once I saw the first “Infinity War” trailer. I didn’t want another trailer. But apparently we got one. Am I mad? No. Am I disappointed? No. Do I think it is necessary? Not really. I was stoked to watch it when I had the chance, but in all seriousness, I didn’t think we needed something like this. Not to mention, the first “Infinity War” trailer, looked like A+ material. It restored my faith for the MCU, which has always been known as the current comic book movie group whose movies are the very definition of epic. I was highly underwhelmed with “Guardians of the Galaxy Vol. 2” when it released in 2017. In fact I rewatched the movie in school this year for a class and I hated the movie even more. “Spider-Man: Homecoming” wasn’t as good as I wanted it to be. It was a HUGE downfall after seeing Spidey in “Captain America: Civil War.” “Thor: Ragnarok” was better than both of those films, but to me, it felt like it tried too hard with the jokes. Also, to say that it’s a DIFFERENT type of Marvel movie like everyone else is, yeah, that’s f*cking bulls*it. It has humor, a Stan Lee cameo, end credit sequences, multiple heroes in there, there’s action, all that jazz. HOW IS THAT DIFFERENT? Also, I like “Immigrant Song,” but why did it have to play twice? You can argue it’s a different “Thor” movie, but even so, that’s one thing I didn’t like about it. I know a lot of people hate the first “Thor,” but I thought it was the best phase 1 MCU film! It actually, at times, felt similar to the second “Thor” film, you know, the one that should have never happened ever. I want it to rot in a dark world where it shall never escape. This year’s “Black Panther” was better than all of the three films of focus, but I found it to be somewhat overhyped. I saw it twice already, but I found it to be overhyped.

The first trailer given to us towards the end of the fall, made me think “Avengers: Infinity War,” could possibly, be the best movie in the MCU. Because I think I just saw one of the best trailers in the MCU. I’m not saying that this new end of winter trailer changed my thought process completely, but I considered it a step down from the first trailer. I will admit, I enjoyed parts of the trailer, but I can’t really call it the greatest thing on the face of the Earth. Now let’s dive into it!

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So the trailer starts off and we get this opening shot where the camera is starting off in a near-upside down position. The shot I’m seeing here believe it or not, reminds me of one shot I saw in “Black Panther.” One thing I couldn’t help but think of as well is, you know how all the phones that are out now? If you flip the screen left or right, the image will change position? It’s kind of like that. Someone who might as well been on a helicopter took a picture of New York City, this is their homescreen, and it somehow the homescreen can now move when the phone is rotated.

Then we move onto a montage of shots where we hear Gamora and Tony speaking about the film’s main villain. His motivation is to wipe out half of the universe. When I watched this for the first time, I thought to myself, wait a sec, not all of it? OK, that’s unique. This conversation sounds rather compelling if you ask me. This is especially true when Tony wants to hear the guy’s name again. Gamora reminds him the name is Thanos.

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Speaking of which, we get this shot of Gamora as she mentions Thanos’ name. I love this shot because looking it at closely enough, it almost seems to foreshadow the ultimate strength of Thanos himself. I can already tell that Thanos is about to kick some ass in this movie, maybe kill some Avengers in this movie, and possibly depending on what happens in “Avengers 4,” kill more in that movie. This purple glow you’re seeing all over the place, that’s saying something. Sure, there seems to be a portal in front of Gamora, but I honestly feel this is definitely foreshadowing.

On that topic, we also get the first reveal shot in this trailer of Thanos, which if you’re unfamiliar with Marvel…

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He has Doctorates in asskicking and being an ungrateful f*cking son of a bitch. If he’s your doctor and he’s got a needle, he’s not gonna give you a shot, which by itself, is painful. Chances are he’d shove that needle down your throat.

One relationship that has been revealed to us throughout the Marvel Cinematic Universe is the mentor-mentee relationship between Tony Stark and Peter Parker. So I see these two shots and they occur one after the other. You’ve got the shot of Spider-Man flying around, then you see Iron Man flying after some ship-like thing in the air. Maybe Spidey’s up there and Iron Man is trying to rescue him. That could totally just be there to get people to think that and this assumption actually is way off, and it could be, because look at the slight differences in the skies. I’m not saying that’s happening, but this does lead me to thinking that.

We also hear Stark say “We’ve got one advantage. He’s comin’ to us. We have what Thanos wants… so that’s what we use.” What does Thanos want? If you have not been following the overall storyline of the Marvel Cinematic Universe, you’d probably be unaware that Thanos wants the Infinity Stones. Hence why this movie’s called “Infinity War.” So we see one that has not exactly been revealed in any promotional material yet, and it is in the possession of Doctor Strange, and another one which we have seen, is in the possession of Vision. Basically, anytime while I’m at the theater to see this film, I can imagine at least one audience member gasping or getting chills when they see an Infinity Stone.

Next up we have some shots of Wakanda, which moviegoing audiences have been introduced to in “Black Panther.” Appropriately, we get a glance of “Black Panther.” He looks super noble, welcoming, and charming. A bunch of the “Avengers,” including the gorgeous Scarlett Johanson as Black Widow can be seen in one shot. And speaking of Black Widow, she has blonde hair for a reason I still don’t quite get, but maybe there will be a reason in the film. I’m not saying a hairstyle can’t be changed on a character, but it’s throwing me off. You know how in the “Divergent” movies, Shailene Woodley’s character of Tris would always have different hair in each installment? It just felt odd! You also have Steve Rogers shaking T’Challa’s hand, very wonderful to see. And I must say once again, Wakanda looks nice. Although I wouldn’t say it’s as nice as possible. Maybe a little color grading will change it all, but that’s just a nitpick.

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Then we get… THIS SHOT. This is something a good number of people have been waiting for. Stark and Star Lord are standing next to each other! I also love the way Tony is standing. In this frame you can see he has eyes kinda closed, but even when they’re open, you can look at the way he’s standing and find it to be chuckle-worthy. You can also see at this point, Star Lord IS Star Lord.

“Let’s talk about this plan of yours. I think it’s good, except, it sucks. So let ME do the plan and that way it might be really good.”

It almost reminds me of another role Chris Pratt did. You know how in “The LEGO Movie” he plays the main character of Emmett and he meets Wyldstyle? They’re in the old west and at one point, they’re talking about the main villain and the current state of what’s going on. So they’re talking to each other and Emmett says this:

“Great. I think I got it. But just in case… tell me the whole thing again, I wasn’t listening.”

Part of me was nervous about the “Guardians of the Galaxy” crew being in this movie because I thought with their humor combined with the tone of the main “Avengers” crew, I thought it would result in clashing tones. This clip gives me hope.

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So everyone seems to be getting ready for a big battle, they’re still on Wakanda, and this is probably gonna be some brutal s*it. You can also hear Thanos speaking over with the music, it just sounds awesome! Also, this is something that I’ve been waiting to see for a good bit of time in a Marvel movie. Despair. While I don’t think it’ll be as dark as the source material based on what I’ve heard, I’m quite excited to see a possibility that maybe Thanos could end up winning the battle. His destiny could be fulfilled. As you can see in the shot above, we have Thor, and from what I can tell, he’s still got no hammer, but lightning is a true force of his. Also, another thing he’s missing is an eye. If you’ve seen “Thor: Ragnarok,” you’d know the story. That however is more visible in this shot, the one where Thor is basically Thanos’ puppet.

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I mean… Holy s*it.

But before that shot occurred, we got to see what I consider to be one of the most defining moments of the entire trailer. We see Thanos’s hand, and you can also see a much smaller green hand. And based off of what I can tell, that is Gamora’s hand. Specifically, a young Gamora’s hand. The two are walking, and this must serve some purpose to the story. I can basically bet a million dollars that this is a flashback to Gamora’s youth. You know I’m right. Throughout, Thanos says this:

“When I’m done, half of humanity will still exist.”

This is once again restating the plan I mentioned at the beginning of this post. As I heard this, one thought went into my mind. What if Thanos knows the Infinity Stones aren’t powerful enough to kill all of humanity, and now he needs to find another way to kill the rest? Maybe in “Avengers 4?”

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The fighting continues, and we get to see perhaps an updated and more quality version of the big battle towards the end of “Star Wars Episode I.” Also, there’s gonna be big explosions everywhere, so I imagine if Michael Bay sees this trailer, he probably has his IMAX tickets already.

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Then we have one the most chilling shots of the trailer, Doctor Strange who looks like he’s getting the worst acupuncture session of all time. I’m almost convinced this is part of a dream sequence, and if it is, I’ll be somewhat disappointed, but this just shows how much our heroes are going to suffer in this event they call a movie.

I gotta talk about this moment too. The one where Thanos, from what I’m gathering, is saying to Iron Man, “I hope they remember you.” If this is not exactly a trailer trick and the line is actually being used where I think it is going to be used, specifically, in Iron Man’s last moments (I’ll get to this in a second), that is the perfect line that could be used for this!

Next up, is a moment of the trailer that so many people are talking about, and it associates with why Captain America is a great hero. You have Thanos here, looking like he’s ready to do some collateral damage to Cap, and all of a sudden, Cap’s itty bitty teeny tiny hands are grabbing onto Thanos’ mega Five Finger Death Punch fist. Thanos looks confused, and the shot where this is visible on the top left has actually been compared by some to a recently popularized meme. Specifically, Patrick Star’s “evil face.” And you can tell in the shot after, the one on the top right, CAP IS GIVING IT HIS *ALL*. I can’t wait to see how this plays out.

After the logo that seems to be taking as much time as it can to let everyone know what this movie is going to be called, we get one comedic moment. Or… at least that’s what people are saying. Because honestly, if this were comedy, it might as well be the cheapest form possible. I’m not gonna be too too hard on it, but it just feels out of place at least in this trailer, and it might be one of the weakest moments of comedy in the MCU. Essentially Spidey and Strange are introducing each other to one another. Spidey gives his real name of Peter and Strange is using his hero name, to which Peter says…

“Oh, so we’re using our made up names, then I am Spider-Man.”

Then we get a shot of Spidey swinging around through all sorts of destruction, everything looks like it has been f*cked over, and the trailer ends.

I’m not gonna say we NEEDED this trailer, but it also doesn’t mean it is bad. I think this is going to be a great film, but I was already all set after trailer 1. This just riddled my brain just a little bit. It gave me some things to be excited for, although part of me wonders how the comedy will play out. Now let’s talk about something we’ll all inevitably face in life.

That thing called death.

Seriously. SOMEONE HAS TO DIE IN THIS MOVIE. And I will probably give some major points if a death occurs to more than just a single character. If Hawkeye dies, I won’t f*cking give a damn. Hawkeye has done nothing for the MCU. Why should I care if he dies? The death has to pertain to someone I’d care about. Someone other people will care about. ALSO, IF THERE’S A FAKE DEATH IN THIS MOVIE I WILL SHOOT MYSELF IN THE FOOT! You know what Marvel? Pepper doesn’t die in “Iron Man 3?” Fine. Nick Fury doesn’t die in “Captain America: The Winter Soldier?” Alright, but it’s almost borderline stupid. As for the people whose death could affect the story, let me go down the list.

First and foremost is Iron Man. If Iron Man dies, this could be a perfect setup for a new story for Spider-Man, because obviously, Spider-Man is Iron Man’s mentee. This can lead to struggles in “Avengers 4” and the sequel to “Spider-Man: Homecoming.” Not only that, but it can also lead to struggles among the Avengers themselves. Tony is basically the spark to ignite the Avengers (unless you count Nick Fury). He’s the hero that defines the MCU Avengers. The rest of them have to cope with his death and fight in his honor.

Another death that could truly affect the story is if Gamora dies. Now Gamora’s a newer character but her death could be the point of the script where Thanos goes from being an evildoer to a jackass. Thanos raised Gamora, and based on what we’ve seen in the MCU’s material, they clearly have different views on society. Sure, Nebula’s death could do the same thing since Gamora was her sister but I feel that the death of Gamora could leave me mourning a lot more due to a larger attachment to Gamora. And… maybe… Because she’s a good-lookin… green chick… I dunno. Oh, and speaking of that! That can definitely affect Star Lord! The two are romantically linked and if Gamora dies, Star Lord is gonna freak out. Maybe he’ll endlessly shoot up Thanos in rage! Also if EITHER of the sisters die, it’ll obviously affect the other because, well, they’re sisters. Although I don’t think this death might end up happening for multiple reasons. First, “Guardians of the Galaxy Vol. 3” is scheduled for a 2020 release. Second, Gamora is part of perhaps the most family-friendly part of the MCU. Third, she’s not exactly a main Avenger, and if it were to happen that people were to die, I think it wouldn’t really affect the Guardians as much. But you never know, anything can happen.

Other deaths can affect the story, and other deaths can definitely tug the audience’s emotional strings. But these are the two (or three if you count Nebula) that’ll probably have the most dramatic effect on the story and the MCU going forward.

Also, one question I didn’t ask after the first trailer. WHERE THE HELL ARE ANT-MAN AND HAWKEYE? IMDb suggests both characters will be in the movie, but we’ve seen nothing from them in the previews. One thing I’ve been gathering from a number of people, is that it’s possible that their lack of appearance has to do with something secret. Maybe having to do with “Ant-Man and the Wasp” coming out this July. I mean, if Hawkeye doesn’t show up, I don’t freaking care, he’s useless as hell anyway. Nothing against Jeremy Renner, he’s a good actor, but his character’s useless. Or… What if Ant-Man is hidden somewhere in this movie? Maybe in a good amount of frames in the trailer? But since he’s so small, it’s incredibly hard to see him! Or maybe, they’re in the credits.

Overall, I’m pretty stoked for “Avengers: Infinity War,” I already got my tickets, I’m going opening Thursday night at my local IMAX theater with laser projection. I’m gonna be seeing the movie in 3D, it’s gonna probably be one of the wildest experiences I’ll ever have at the movies. I’m undoubtedly excited that I know even if the movie sucks, I’ll have an awesome experience. I already enthusiastically tweeted about it!

Thanks for reading this post! “Avengers: Infinity War” has opening night showings on April 26th and will be everywhere on April 27th. I honestly don’t think I’m AS hyped as I was once before. In fact, after watching a recent “Ready Player One” trailer, I’m a little more hyped for that, but this movie looks like GOLD. My review for the film will be out at the end of next month and I’ll also soon have one for Tom Cruise’s “Mission: Impossible” to kick off my series of “Mission: Impossible” reviews. Stay tuned for more great content! I want to know. Did you see this new “Infinity War” trailer? What are your thoughts? Do you think anyone will die in this upcoming film? If so, who? Will Disney actually allow the darkest possible film to happen? Let me know down below and if you haven’t already, get your tickets! Scene Before is your click to the flicks!

Avengers: Infinity War (2017) Official Trailer: Revived Hope For Marvel Studios?

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Hey everyone, Jack Drees here! Today I have a trailer review for you all, and it’s a trailer that pretty much everyone who is a Marvel fan has been asking to receive for quite some time. Now that it’s here, I imagine they’re all excited. Am I a Marvel fanboy? Sort of. I don’t read the comics but I enjoy the movies, and despite how I mainly watch the movies, I do actually sometimes discover information that has been covered in various comic books, and the same can be said for DC. Do I really like Marvel more than DC? From a movie perspective, you can say I do, but quite honestly after seeing DC’s movies this year, they’ve not only created better content movie-wise this year as a whole, but they’ve also given me the thought that they could create content that can compete and surpass the content we’ve gotten with the Marvel Cinematic Universe. As far as next year goes, Marvel has more movies coming out than DC, and one of them is “Avengers: Infinity War,” whose trailer we’ll be talking about today. For those of you who don’t know, “Avengers: Infinity War” will be the nineteenth installment in the Marvel Cinematic Universe. In this movie, the Avengers have to stop Thanos, played by Josh Brolin (The Goonies, No Country for Old Men) before he collects six Infinity Stones, and if this madness isn’t stopped, he will inflict his wicked will on reality itself. So without further ado, let’s talk about the trailer.

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So the trailer starts off and you hear a bunch of voices. These voices all come from members of the Avengers, and they all come together to form a phrase, saying that the Avengers was formed in order to take down people that the ordinary couldn’t defeat themselves. Throughout we get a bunch of shots of the Avengers, some of which look colorful by the way. We also get one where we see one of the Infinity Stones inside Vision’s head, which should set up some of what we get in this upcoming film.

Then we get one of the most unexpectedly long logo introductions I’ve ever seen in a trailer. It’s basically similar to the Marvel Studios logo you’d get in the MCU films that have come out since “Doctor Strange.” It’s not a bad logo, but it’s just a tad long for a trailer. Although I did see reactions to this trailer and people were geeking out over this, which I can respect.

Then we get something that I admire this trailer for showing, despair. We see a bunch of heroes together, a shake comes along, and next thing I notice, Tony Stark is walking out of a door. One criticism I have here is the shot arrangement as he does this. We see him walking, the camera is close to Tony from behind, and then all of a sudden, the shot changes to basically the same thing, except instead of being a close-up, it’s more like a medium shot. As this is going down, we begin to hear Thanos’s voice.

THANOS: “In time, you will know what it’s like to lose. To feel so desperately that you’re right. Yet to fail all the same. Dread it. Run from it. Destiny still arrives.

As Thanos is saying all of this, we get a shot of Spider-Man’s hairs raising, we also see the heroes looking at all of the s*it that’s going down, and we also see Loki holding the Tesseract, which you may remember as an important entity from the first “Avengers” movie. We then see Thanos exit the portal. Who is Thanos? If you’re unfamiliar with Marvel…

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He’s basically the Marvel villain equivalent of that one kid who stole your candy on Halloween, only he’s not wearing a poorly realized Barney the Dinosaur costume.

Seeing Thanos the way he is at this point is rather weird to me, because up until now, we’ve seen him in his armor. We still see armor, but one thing that’s noticeably gone is his helmet. According to Joe Russo, one of the two directors of “Avengers: Infinity War,” he has a more “casual” and “spiritual” look, Russo explained during his time at this year’s San Diego Comic-Con that this costume is symbolic for the character throughout his journey attempting to collect the stones. We then hear Black Panther speaking for the first time in this trailer, all the while getting some more cool looking shots.

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Afterwards, we get some action, and even a scene where Tony’s in his Hulkbuster suit, which was used in “Avengers: Age of Ultron” in a fight against the Hulk. One of the most important shots in this which I feel adds drama to the entire trailer is one shot where we see vision’s Infinity Stone removed from his head by Thanos’s staff. He places a stone in a compartment located on the armor which is on his person, right next to another stone. This signifies he has two stones and he still has more to look for.

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There aren’t that many shots left before the trailer comes to an end, but one shot I heard others talk about that I will bring to your attention is the one you see above. You can see a bunch of the Avengers running towards the camera fighting with all they’ve got in a field of grass. I watched one reaction video saying this looks like the new “team shot,” although I disagree considering how the team has Iron Man who looks like he’s out of this shot, and I don’t see Vision anywhere. Maybe he was killed as the stone was taken from him. I don’t know, what do you think?

After we see the logo for this upcoming film, we then get one final moment of footage. We see Thor, he has one eye, and he asks “Who the hell are you guys?” The next thing we see after that, a shot of the Guardians of the Galaxy! This means that for the first time, the Guardians will now cross into a Marvel film that isn’t standalone! The release date for this film, according to the trailer, is May 2018, although to be more technical it’s May 4th, 2018, which sounds more like a proper release date for a “Star Wars” film considering that’s what us geeks refer to as “Star Wars Day.”

So now we made it here, we’ve made it to the point that this whole cinematic universe was leading up to, Thanos. Regardless how the movie will be, this trailer was amazing. It does exactly what a trailer needs to do and unfortunately, a tad more, which we will get to. As far as shot composition, I’m pretty impressed. There’s a nice variety of shots all over the trailer, some of which show off neat CGI, granted I feel the color grading can be adjusted a little bit, but for the most part, they’re great shots. In fact, one thing that somewhat surprises me is the aspect ratio of the trailer. This movie is using the Arri Alexa IMAX camera to shoot the entire film. This means when the film is shown in all IMAX theaters, more of the screen will be covered by an image. My assumption is that this will only apply to when the film is shown in IMAX, and when it’s shown in other theaters, the aspect ratio will come off as it does here, which does lead me to some questions regarding the Blu-ray. Also, one thing that makes me wonder why they’re going with a 2.39:1 aspect ratio for this trailer is that it’s not shot with one other camera. Also, when this movie comes to theaters, it’s unlikely that it’ll change aspect ratios, so why’s it like this?

This movie is being directed by the Anthony and Joe Russo, the two have also directed prior MCU films including “Capatin America: The Winter Solider” and “Captain America: Civil War.” After seeing those films, I’m convinced that the two can create an excellent “Avengers” film. “Captain America: The Winter Soldier” is one of my favorite movies from 2014 and when I did my top 10 best movies list for 2016, “Captain America: Civil War” ended up being on the top spot. Quite honestly, I think that spot now belongs to “Arrival,” a conclusion which I’ve come to after watching it multiple times on Blu-ray. Nevertheless, to go two years this decade with top movies directed by the same people is an achievement worth appreciating. “Captain America: Civil War” also felt like a mini-“Avengers”-film, all the while focusing on Captain America. So based on what I’ve seen in that film from a directing standpoint, especially when it comes to action, I have confidence that these two directors can deliver a watchable product.

Paul Bettany, who you may know as Vision in this upcoming movie, was just at Rhode Island Comic Con, and while he was there, he was at a panel alongside Sebastian Stan, who you may know as Bucky Barnes in this film as well. While he was there, he described it as “badass” and “amazing.” If I were a total fanboy, I’d probably be saying the same thing. Am I right now? I wouldn’t say I am as much as I want to. The main reason is because of Marvel’s past work, specifically “Guardians of the Galaxy Vol. 2” and “Thor: Ragnarok.” Those two movies, while passable, weren’t satisfying. The main reason I thought this way was that the comedy given in both movies just didn’t work. There were times where it did work in both films, but for the most part, it fell flat and as the movie went on, I couldn’t help but think “Stop trying! Take a break!” That comment can apply to both movies, but just a bit more for “Thor: Ragnarok.” For “Guardians,” I wanted the comedy to go on, because the comedy is what makes me think of “Guardians” as “Guardians,” but none of the attempts worked. “Guardians of the Galaxy Vol. 2” took the original movie’s humor that sounds like something you’d hear in perhaps “Ghostbusters” or something and replaced it with humor you’d hear in some cheap animation from Sony Pictures Animation shoved down our throats. Let’s just say that you know that your movie is starting to lose me once you insert a joke about how big someone’s turds are. I don’t mind those sorts of jokes, but that made that installment suffer because of how much it felt like a different movie compared to the first one. The first one felt like a comedy with mature humor, not like “Deadpool,” but you’d get my point if you’ve seen the movie. The second one felt like a family comedy combined with “Fast & Furious.” And I say “Fast & Furious” not only because of how often comedy occurs and the fact that this film is explosive at times, but also because of this conversation from “GotG Vol. 2” that sounds like something you’d hear in “F & F.”

NEBULA: (to Gamora) All any of you do is yell at each other. You’re not friends.

DRAX: You’re right… we’re family.

The Guardians are also appearing in this movie, so as much as I’m kind of looking forward to what they’ll do here, I wonder if their constant joking that’s signature to them will bring clashing tones to the final product. “The Avengers,” much like “Guardians” and a bunch of other Marvel movies, has comedy of its own, but simultaneously, it remains serious, and as much as I appreciate good comedy, I want this to be one of the most serious Marvel movies of all time. Comedy can be interjected here and there, but all in all, having a being like Thanos in this movie means there needs to be some dark moments, and if you think I’m joking, I’m not.

And going on with my point, let me just say that this franchise hasn’t had ONE major character death yet. Despite my praise for “Captain America: Civil War,” one problem I have with it is that nobody dies. All of the Avengers fight each other and everyone turns out OK! The movie was so close to having Rhodes die, but it didn’t go all the way. If this movie goes all the way, I might consider it to be the best “Avengers” film yet. Now I’m not saying, at least at this point, that ANY Avenger has to die, I’m thinking if you pull out one such as the Hulk, Thor, or even Black Widow, I’ll care more. If you pull out Hawkeye, I seriously won’t care. All he’s done in these films is use a bow and arrow to partially impersonate Robin Hood and pretty much nothing else! From what I can tell, the Guardians of the Galaxy are going to survive in this movie. After all, not only is this their first “Avengers” installment, but they are also getting a standalone sequel in 2020. If there are any characters from that side of Marvel that will die, it wouldn’t be all of them. It would probably also piss off a good portion of younger audiences watching since they are probably the most family-friendly of the MCU characters. When it comes to Vision, it’s possible that he could die based on what we’ve seen from the trailer, while Thanos is getting the stone from his head, he could lose his life in the process. Would I care much if Vision dies? It’s hard to tell, I liked JARVIS, who is played by the same actor, but in order to get Vision, JARVIS had to go away. Has Vision really done that much as a character? Sure, he had one of the best scenes in “Age of Ultron” where he picks up Thor’s hammer, but other than that, what has he really done? His character has only been in a couple of films, he accidentally hurt War Machine, and he fell in love with Scarlet Witch. I’d care more if she died considering I felt more of a connection to her character in “Age of Ultron.” Not to mention she came off as slightly more kick-ass! But seriously, SOMEONE HAS TO DIE IN THIS MOVIE, OR IT’S POSSIBLE THAT MY SCORE WILL BE REDUCED! I am rather convinced that someone will die in this movie, but I don’t know if it’ll happen because it’s the nineteenth installment and we haven’t seen one person die, Marvel’s owned by Disney, and according to Kevin Feige, he says that there are 20 more films planned for the MCU after a fourth “Avengers” installment! MY F*CKING GOSH! At least James Bond USUALLY waits a few years until the release of another movie in the franchise. As far as Marvel’s neverending expansion, I don’t feel like talking about that, but as far as “Avengers: Infinity War,” it makes me think that we’ll finally see another great Marvel film. It has a lot going for it, and hopefully it can deliver. So we’ll just have to wait!

One last complaint I have is the whole dramatic moment of the trailer I was talking about earlier, as much as it may be great trailer material, it almost feels like a spoiler. Thanks for reading this post! I’ll have you know once again that “Avengers: Infinity War” is in theaters May 4th, 2018, and so far, things are looking pretty good for the movie. Part of me can’t wait to see it. I also want you to know that I’m currently working on my countdown pertaining to what I consider to be the worst changes made the original “Star Wars” trilogy. I don’t know when that’ll be out, but the new movie, “The Last Jedi,” opens in the middle of next month so I’ve got some time to finish it. I don’t know if I’ll be seeing this right away, but next week, “The Disaster Artist” comes out, and you guys probably don’t even know how much I want to see that! I’m not sure what will be going on this particular weekend, but I don’t know I’ll be going to see any movies this time around. Maybe I’ll watch a movie at home and review it, only time will tell! Stay tuned for more great content! And did you see the “Infinity War” trailer? What are your thoughts? Or, are there any major heroic characters in the MCU that you think will die in this upcoming movie? Let me know down below! Scene Before is your click to the flicks!

Top 10 BEST Movie Quotes

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Hey everyone, Jack Drees here with another countdown! When I watch movies, one thing I pay a lot of attention to happens to be the characters. After all, in most movies, the characters are the one thing that can make you decide whether the movie is either good or bad. There are a lot of characters I like, some more than others, but there are some times in movies when you witness one character, and they give a quote to remember forever. Whether it’s funny, original, deep, or epic, certain characters can compel me when they speak. Today I’m gonna talk about my top 10 favorite quotes from movies. Now, keep in mind, these are my personal picks. If you don’t like these quotes, that’s totally OK, you can make your own list with your own quotes, or you can leave a comment displaying your personal favorite movie quotes or why you disagree with me. Although just don’t be a dick about it and then we’ll most likely be cool. Anyway, let’s start the list, and get counting down on my top 10 BEST movie quotes.

10: Jaws

“Jaws” is probably the most famous shark movie ever made. It was one of the first big summer movies, it came out before other summer movie hits like the original “Star Wars” and “Alien,” and many people say it still stands the test of time despite having a fake shark. What quote from the movie belongs on this list? If you’re asking this question, you either haven’t seen or heard of “Jaws,” or your brain isn’t wired properly. Anyway, here’s the quote:

BRODY: You’re gonna need a bigger boat.

The first time I heard this quote I was watching the movie with my dad, it set the stage for some of what was to come, I got a laugh out of it, and it almost felt like hearing something that a teacher would say to you that you’d never forget as long as you live. The line delivery given by Roy Schneider in this instance is fabulous. Not to mention, when you see him in frame, he’s got a perfect posture and the image seems to have no flaws when it comes to the quote, the quote just seems to fit with literally everything this moment of the movie has going for it. The delivery itself gives a sense of danger and it pulls you in, John Williams’s music building up along with it is also perfect. If you haven’t watched “Jaws,” you’re either lying, under a rock, or some talking shark told you to never watch the movie otherwise it would eat you.

9: The Terminator

I don’t usually watch the “Terminator” franchise all that often, however I do find enjoyment out of it every once in awhile. I consider “Terminator 2: Judgment Day” to be one of the best action films ever made, but it doesn’t mean I keep the others (mainly 1, 3, and 5, the 4th one was dull) in consideration. OK well, to be fair, the fifth actually wasn’t the best movie ever. In fact, despite “Judgment Day” being my favorite of the bunch, I still think the original had the best line in the franchise. Don’t get me wrong, the second one had cool lines including Schwarzenegger’s “Hasta la vista, baby,” and the exchange between John Conner and Schwarzenegger after a chase scene early on in the movie.

JOHN: Who brought you here?

THE TERMINATOR: You did.

The best line is one I’ve been saying a lot all my life, and I imagine a lot of other people have as well. If you have seen the first movie, you’d probably agree with me when I say this is the film’s best line.

THE TERMINATOR: I’ll be back.

If that line were used in any random conversation, it would most likely fly over people’s heads, but the execution of this line is perfect. It gives you a feeling of suspense, a wonder for what’s to come. THEN BAM! A car comes crashing into a building driven by The Terminator himself! The thing that makes the line perfect, isn’t necessarily how it’s written, it’s more towards how it’s delivered. Also, think about it, this almost feels like a line only people like Arnold could ace. Imagine if someone like Gilbert Gottfried was playing the Terminator, imagine how that would turn out! It wouldn’t work as much.

8: The LEGO Movie

I love “The LEGO Movie.” To me, it’s one of the best animations ever made, and one of the characters in that movie is Will Arnett’s interpretation of Batman. He’s by far the funniest part of the movie and a definite scene stealer. When I was making this list, I was trying to think of quotes that made me roll on the floor, then I thought about this movie. When it comes to the best quotes in the entire film, it’s a really tough competition because the film’s screenplay is probably one of the funniest I’ve witnessed in my life! Although I ended up picking one quote over everything else. But before I show you the quote, let me give you some buildup. So there’s one point in this movie where our heroes are stuck in an ocean, they pop out of the cushions of a double decker coach. So Batman interrupts the conversation at hand, and lets everyone know of reality.

“I don’t mean to spoil the party, but does anyone else notice we’re stuck in the middle of the ocean on this couch? I mean, it’s not like a big gigantic ship is just gonna come out of nowhere and save us. (suddenly a big gigantic ship becomes visible as it comes over to them) My, gosh!”

So the heroes get on the ship, Metal Beard, a character who we knew earlier from the film, is there too. Not too long after getting on, Emmett, the main character played by Chris Pratt (Guardians of the Galaxy, Jurassic World), reveals his plan to save the world. Although, when it comes to a part involving a spaceship, the folks run into a problem. In order to complete the manufacturing of a spaceship, a hyperdrive is required, which none of the heroes have. At one point, Batman utters this:

“What do yo think, a spaceship’s just gonna appear out of the blue? (suddenly a spaceship appears behind them) Are you kidding me?! The same thing!”

I remember loving that when I first saw the film, but I recall watching it on HBO at one point and I laughed like a supervillain! There are few films I’ve watched that have the humor this film managed to deliver, and when I saw “The LEGO Batman Movie” a spinoff to “The LEGO Movie,” I knew this movie wasn’t a fluke. In fact, I love a quote from that movie which stands out as well, the one where Batman makes fun of the Suicide Squad. These movies are just factors behind why I’m excited to find out what “The LEGO Ninjago Movie” is going to be like.

7: Kingsman: The Secret Service

I love “Kingsman: The Secret Service.” As a movie, it knows it’s a ridiculous spy flick and it even sometimes compares itself to Bond. Not to mention there’s a dog in the movie whose name has the initials “JB,” when the main character of Gary “Eggsy” Unwin is talking with Michael Caine’s character of Arthur, Arthur asked if the initials meant “James Bond,” which they didn’t. He also asked if they meant “Jason Bourne,” which also wasn’t the case. By the way, they mean “Jack Bauer.” It has obvious product placement in one scene, but in ways it can probably bring chuckles. One of my favorite scenes in the entire movie takes place in a church. Colin Firth’s character of Harry Hart is there, this church is full of people in a hate group. The antagonist of the film, Valentine, played by Samuel L. Jackson is planning on initiating a test associated with the SIM cards introduced in the film. Harry gets up out of his seat, he tries getting by one lady, and she wonders where he’s going and what his problem is. Hart responds by uttering this:

HARRY HART: “I’m a Catholic whore, currently enjoying congress out of wedlock with my black, Jewish boyfriend who works at a military abortion clinic. So hail Satan, and have a lovely afternoon, madam.”

This is basically going against the ideas of this specific church and the way this line is delivered is pure quality. How often have you always wanted to say to anyone in a hate group, it could be anything, “You’re wrong, I’m right, everyone deserves to be happy, have a fine day.”? Not to mention this sets up one of my favorite action sequences in movie history. Valentine initiates the test, and then literally everyone in the church starts killing each other. It’s well shot, well choreographed, and the music choice, otherwise known as “Free Bird” by Lynyrd Skynyrd was a great pick for this scenario. If you haven’t seen this movie, I’ll remind you it’s not for everyone, but the church scene alone is a work of art. The cinematography and music, combined with the shock value in that scene is amazing. I honestly CANNOT wait for “Kingsman: The Golden Circle,” it’s gonna kill!

6: V For Vendetta

When it comes to some of my most recent discoveries throughout my movie watching experience, “V For Vendetta” is definitely up there with my favorites. This is a film that I bet some people don’t even realize is based on a DC Comics graphic novel. Maybe I’m wrong, but who knows really. There’s a lot I like about the movie, the characters, the effects, the story, the acting, and the score. Another thing that stood out to me is this quote near the end of the movie given by V, played by Hugo Weaving (The Matrix, Captain America: The First Avenger).

V: Beneath this mask there is more than flesh. Beneath this mask there is an idea, Mr. Creedy. And ideas are bulletproof.

What I love about this quote is specifically the last sentence. Before the given quote, V is interacting with the character of Creedy, and by interacting I mean fighting. It’s V for himself against a bunch of other people trying to take him down. What makes the quote so lovable to me, given time to marinate, has not really too much to do with the character of V or even the film itself, it’s mainly about how one can take an idea, try to put it into action, and regardless of whether or not it works out, the idea itself will never go away. This even includes stupid ideas, and I’m not just saying that to make people feel better about a stupid idea.

5: Inception

I LOVE CHRISTOPHER NOLAN. He is one of my favorite directors of all time. He’s done some movies revered by many people such as “The Dark Knight,” “Memento,” and the movie I’m gonna be talking about here, “Inception.” There’s a lot of great moments in this film, from the first time Ariadne and Cobb are in a dream together, to the hotel hallway fight, and the AMAZING climax. I already mentioned Cobb is a character in this movie, in fact, he’s the lead character played by none other than Jack from “Titanic” himself, Leonardo DiCaprio. There’s another character in this movie who goes by the name of Mal, she’s played by Marion Cotillard, who eventually went on to play Miranda in “The Dark Knight Rises.” The two in this movie were once married, I won’t go into any further details than that, but that’s an important element during the film. Although let’s get into a quote which can associate with that. This quote is mentioned more than once throughout the picture, and here it is:

MAL: I’ll tell you a riddle. You’re waiting for a train. A train that will take you far away. You know where you hope this train will take you; but you don’t know for sure. But it doesn’t matter. How can it not matter to you where that train will take you?

As stated, this is not the only time it’s mentioned in the movie, but this is just one example. This is also mentioned during a scene towards the end of the film that’s pretty much a reversal of this. There’s also a time that Mal mentions it again that gets more haunting the more I think about it. What I love about this quote is how much it goes along with a motif that we witness during the movie. We start off the movie, Cobb is on a train, and he says “I don’t like trains.” Then we get this quote, which comes up again later, and we also have a scene where a locomotive is sliding through a city street, which by the way, sounds awesome on Blu-Ray. Not only that, but once again, I’ll mention, the quote itself is haunting, and that is during the time Mal is saying the quote and Cobb is shouting at her. The last time it’s stated, there’s actually a train in the frame as it’s being spoken. If you haven’t watched “Inception” I highly recommend it, one of the greatest movies ever made.

4: Whiplash

I know a lot of people have been talking about the movie “La La Land” which was directed by Damien Chazelle, but I feel that a lot of people are either forgetting about or just don’t know the work he did before that came out. To be more specific, the work I’m referring to is “Whiplash.” This movie’s about an aspiring drummer named Andrew Neimann, played by Miles Teller (Fantastic Four, Divergent), he goes to a school which is basically THE music school to attend, and he meets JK Simmons’s (Juno, Oz) character of Terence Fletcher. This is also the movie which gave JK Simmons his first Golden Globe, and his first Oscar, both of which in my book are amazingly beyond well deserved. I also have to give credit to how his character is written along with casting JK Simmons in the first place because not only was his character well written, this kind of seems like a role that only someone such as JK Simmons could really play. Think about it, JK Simmons has done more than one role playing someone arrogant or bossy. Just watch Sam Raimi’s “Spider-Man” trilogy or TBS’s “Men at Work.” This movie’s character, to me, feels like a tribute to JK Simmons. So what’s my favorite line from the character? Well, it’s this:

TERENCE FLETCHER: You are a worthless, friendless, faggot-lipped little piece of s*it whose mommy left daddy when she figured out he wasn’t Eugene O’Neill, and who is now weeping and slobbering all over my drum set like a f*cking nine-year old girl! So for the final, FATHER-F*CKING time, SAY IT LOUDER!

I bet some of you are wondering what the hell is happening when this line is coming out of this character’s mouth. Well, I’ll tell you. Terence is instructing the students to play a certain song, and they’re all playing it. Andrew is playing the drums, and Terence Fletcher keeps telling Andrew, in a polite tone, that he’s not playing the way he should. Then all of a sudden, no more interruptions are happening, but soon thereafter, Terence throws a chair at Andrew. Soon, they start getting into a rivalry with words. Andrew is just trying to cooperate and Terence is basically yelling at him! At one point, Andrew even starts tearing up, Terence is embarrassing Andrew in a way telling him to yell the fact that he’s upset, which he does multiple times. After saying it once more, the line shown above comes into play, and after Terence shouts “SAY IT LOUDER,” at the end, Terence says he’s upset one last time. The reason why I love this line so much is because it’s well acted, well written, and it shows how intense certain teachers can get. If you watch this movie, chances are you could relate to this line, because teachers like this exist. Terence sounds more like a drill sergeant as opposed to a jazz teacher. This is not even the only great line this movie has, Terence also gives a memorable line that I still think about today.

TERENCE FLETCHER: There’s no two words in the English language more harmful, than “good job”.

This almost sounds like a quote worthy of being on the list, but I’m only giving my focal points toward one quote per movie series unless I think there are multiple lines that I like equally, and I like the one I showed you first a bit better.

3: Risky Business

When it came to doing this list, I knew a quote from “Risky Business” HAD to be on here somewhere, but the problem I had was, which one was worthy? To confirm whether or not a quote from “Risky Business” would even make the list in the first place, I actually rewatched it since I own the DVD. “Risky Business” is about a guy named Joel, played by Tom Cruise (Mission Impossible, Jack Reacher) whose parents go away on a trip. Joel is left responsible for the house, but it doesn’t end up going so smoothly. Oh yeah and we also get scenes with the gorgeous Rebecca De Mornay (Wedding Crashers, Flipped). So which quote did I pick? The image at the top should give you a hint if you seen the movie before. This quote comes from the very beginning of the film, Joel and Miles, played by Curtis Armstrong (Revenge of the Nerds, Supernatural), are outside Joel’s house. Miles is about to leave, but before he goes, he says the following:

MILES: “Every now and then, say, “What the f*ck.” “What the f*ck” gives you freedom, freedom brings opportunity. Opportunity makes your future.”

OK, as much as swearing might not usually mean much of anything except for the fact that someone may be angry about something, Miles’s character has an incredible point. Let’s say that you have an idea, and you don’t know how it’ll turn out, but you want to go along for the ride, you might say “What the f*ck.” Then you get to your creative freedom, you get to execute an idea and see what happens with it. Maybe the idea will get you noticed somehow depending on what said idea is. If you get noticed or revered in some fashion for that idea, chances are you possibly just won your entire future. This feels like something that would happen if someone doesn’t know what the future holds but they want to see it play out in the best way possible, and to do that, they have to take a chance. Now that I think about it, this almost sounds like a game show such as “Press Your Luck” or “Deal or no Deal.” In fact, if there’s one quote that can associate with the movie’s overall intended idea, it might as well be this one. Why? The director of the film, Paul Brickman thought that it would be a good idea in this film to show that greed can bring consequences. Also, fun fact, the ending of the film wasn’t something he intended. His original ending stuck to a less upbeat tone. I’ve seen both the theatrical ending and the director’s preferred ending, and as of the moment, I personally prefer the director’s ending, the way it’s written feels more memorable and the other ending, while not exactly terrible, contains some dialogue almost sounds like something that one wouldn’t really say. If you ask me, the director’s cut did suit the vibe more, but the first one regardless of suitability wasn’t too bad to begin with.

Also before I move on, if you know me, I’m actually a mega-fan of Curtis Armstrong, I even talked to him multiple times, and you’d know that about me if you met me in real life. I say this because I have a feeling some of you might think I’m just putting this here because of my fanaticism, I’m not, and if you watch this scene, it’s kind of easy to see why. Anyway, let’s continue!

2: Interstellar (Two quotes tie because I can’t decide which is better) *SPOLIERS*

When it comes to the sci-fi genre, to me there’s no better film than “Interstellar,” this film is well written, well directed, well shot, well acted, and has the greatest ending to a film I’ve ever seen. We’re gonna talk about two lines here. They’re both kind of in spoiler territory, but one is in greater spoiler territory as opposed to the other. Let’s talk about the one that’s less spoilery first.

So if you’ve watched this movie you may know about the sequence which Matthew McConaughey’s character of Cooper observes the messages sent by his kids. He gets a number of messages from his son, Tom, but he barely gets any from his daughter, Murph. Cooper is in space, and time is flowing at a different pace for him as opposed to his kids back on Earth. He just got back on the ship after going to a planet which contains a crapload of water. When the ship is back in space, Romilly, one of the astronauts in this movie, wakes up, and he hasn’t seen the other characters for twenty-three years. This is how long the messages span. Cooper plays all of the messages, which many people consider to be the most emotional part of the movie, which I personally disagree with, and once all of Tom’s messages are over, Murph’s face shows up, she looks different than how she did before considering this is the first time we are seeing her as an adult. Here’s what basically goes down here.

MURPH: Hey Dad.
COOPER: Hey, Murph.
MURPH: You son of a bitch. I never made one of these when you were still responding because I was so mad at you for leaving. And then when you went quiet, it felt like I should live with that decision, and I have. But today is my birthday. And it’s a special one, because you told me… you once told me that when you come back we might be the same age. And today I’m the same age you were when you left.
(SHE BEGINS TO CRY)
MURPH: So it would be a real good time for you to come back.
(MURPH WIPES THE TEARS FROM HER EYES AND ENDS THE MESSAGE)

I love this entire moment, you can argue this isn’t technically a quote, but Murph is saying all of this in a pre-recorded message that Cooper is viewing, so he can’t really talk to Murph. Nevertheless, I love it. Just imagine how it feels to realize that your kid is back on Earth, you’re in space, time is moving differently for the both of you. Hearing this just shows the speed which time is moving, and it shows how much of a connection this father and daughter have with each other. In this scene you feel the emotion between these two, I mean for crying out loud, Cooper has been in this important mission which is the key to mankind’s survival, and the time he’s been in space is longer than the time spent in both World War I and World War II COMBINED, even if you take the spans of both wars, which comes out to a total of 1,567+2,193, which simplified is 3,760, and if you multiply it by two, it still wouldn’t be as long as the time these folks have been in space. I thought waiting from a Saturday morning to a Wednesday afternoon for my mother to get back from Arizona in October 2011 was long, this is a whole new level of long!

Now onto the second quote, while the first quote may have been in spoiler territory, this next one is probably going to ruin the entire movie for you, so if you haven’t seen “Interstellar,” go watch it, it’s a great film, and this is your warning.

The next quote takes place during the film’s final act, where everything is coming together, and we get to one of the only parts of a movie, if not the only part, where I cried while watching. Our heroes are near a black hole, and to shed some weight on the ship, Cooper thinks it would a good idea to send TARS straight into the black hole. Sounds cruel, I know, but TARS is a robot, so he doesn’t really care. Once TARS goes down, Cooper is about to do the same, Brand, one of the other astronauts, is freaking out, she is questioning why Cooper is doing this, but Cooper does it anyway. So he’s going down, meanwhile we see Earth drama, then we cut back to what’s going on from Cooper’s perspective, he’s falling, then he ejects his seatbelt, he’s out of his ship, he’s floating, and we see, something. It’s a tesseract, and Cooper is falling inside it. He wonders what’s going on, and I know I’ve been spoiling a lot, but this is important. Cooper is pushing something, it’s moving, and it falls, we see Cooper’s daughter, Murph, at the age of 10. I won’t go into COMPLETE detail, but I’ll spill some things here and there. Cooper is looking at his daughter and he’s watching her leave her room, which is in another dimension Cooper is looking at while he’s inside the black hole. It turns out this isn’t the only daughter observing Cooper is doing. He’s also looking at her in other moments in time, including moments we’ve seen in this movie, moments Cooper himself was involved in. Cooper, in a way, is communicating with Murph, which connects to an event that occurs in the movie’s beginning. Then, we get to listen to what Hans Zimmer does best, create epic music. We cut between a “current” moment on Earth, and Cooper looking at Murph from a time which she was younger. The editing is flawless. Soon, we get to this quote:

COOPER: Tell him Murph. Make him stay. Make… Make him stay Murph. Make him stay Murph! Don’t let me leave, Murph! Don’t, don’t let me leave Murph! (CRIES) NO, NO, NO, NO!

In case you have gone on this long and haven’t seen the film, I should let you know I’m being merciful and leaving out a huge part. If you have seen the film and paid close attention at the end, you’d know what I’m talking about. This is just part of an entire ending that after multiple watches, had me in tears. I love the quote for its emotional impact, how it’s delivered, and there’s really barely any words I can use in order to describe it. “Interstellar” is a movie you have to truly see to believe, there’s a reason why I talk about it all the time. Please, watch “Interstellar,” there’s a chance you will remember at least one quote from the movie after you watch it. Trust me.

1: Taken

My #1 movie quote comes from the movie “Taken.” “Taken” is a sick action flick. The sequels don’t live up to the original, but at least Liam Neeson has proven to be pretty kick-ass in the first installment. The plot of taken is that Bryan Mills, a retired CIA agent played by Liam Neeson, has a daughter, the daughter goes to Paris, and then she gets captured by someone who’s basically gonna turn her into some sort of sex slave. What quote gets me going when it comes to this movie? Well, it’s the one that is abridged on the poster above, which is also the one that Liam Neeson stated after his daughter got captured. Bryan Mills is on the phone, he hears his daughter screaming, and seconds later we hear this:

BRYAN MILLS: “I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my daughter go now, that’ll be the end of it. I will not look for you, I will not pursue you. But if you don’t, I will look for you, I will find you, and I will kill you.”

This one quote sets the stage for whatever comes next. The rest of movie is a terrific thrill ride and has some action, especially when you compare it to “Taken 3.” That movie shouldn’t have even been called “Taken,” it’s just there to exist and make a trilogy. The plot almost has nobody being taken. In the first two movies, somebody was taken, not in the third one. Ah, whatever. This quote was mentioned by Bryan when his daughter was in Paris, he was instructing her to do all sorts of things in order to protect herself. As much as I love the quote based on its delivery, how its written, and simply the fact that it exists, it might just suggest one thing above all else, which is that Liam Neeson is a badass when it comes to action films. I haven’t really seen much of his other work, but seeing him in this film was enough to convince me he was a badass. Throughout the making of this list, it has been hard to decide what quotes should go where and even what quotes should appear on the list in the first place. This is #1 because of how memorable it is, how it set the tone for the movie, and made me root for Bryan Mills and his daugter, Kim, as characters. Other quotes from this list are either funny, intriguing, or important, but there’s something about this quote from “Taken” that makes it more than just words written on a script. You know, unlike how everything from “Taken 2” is just words written on a script.

Alright folks, these are my ten favorite movie quotes. Going through this list I realized how interesting my picks were considering how Michael Caine was in three of these films, a couple of these films have some sort of association with trains, and Christopher Nolan directed two of these films, by the way I almost included a quote from “The Dark Knight,” it almost made the cut. I want to know, what are your favorite movie quotes? Why do you like the quotes so much? Let me know in the comments! Pretty soon I’m going to have my review for “The Glass Castle,” I just got to get around to seeing it. Stay tuned for that review and more great content! Scene Before is your click to the flicks!