The Way Back (2020): Batman Coaches a Basketball Team

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“The Way Back” is directed by Gavin O’Connor (The Accountant, Jane Got a Gun) and stars Ben Affleck (Batman v. Superman: Dawn of Justice, The Town), Al Madrigal (Night School, About a Boy), Michaela Watkins (Big Mouth, The Unicorn), and Janina Gavankar (Arrow, True Blood). This film is about Jack Cunningham, a man who grew up to reign as one of the finest players on the basketball team within the high school he went to. However, he did not really associate much with the game from that point forward. Now, he is given an opportunity to coach a younger generation of players, which could lead to redemption. Only thing is, the combined skills or legacy of the team was never as prominent as it was since Jack played.

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Well, if I had a couple words to give right now, it would be a phrase that begins with “holy” and ends with “crap.” For context, I originally saw “The Way Back” in March, just as the COVID-19 pandemic began to take a massive effect here in the United States. However, if you want me to be quite honest with you, even though I do my best to give a boisterous commitment to Scene Before, I saw no real rhyme or reason to review the film at the time. For the record, I saw the movie when I was staying in Los Angeles, so I was sort of in vacation mode. I was busy at Universal, trying new restaurants, checking out the scene in Burbank and Santa Monica, I was having too much of a blast to have anything else interfere. But… Another factor to consider is that when it comes to content on my blog, movie reviews didn’t really matter much for a long time. I felt that I needed to make a temporary shift to discuss the goings on of the COVID-19 pandemic in an attempt to stay relevant while also preserving the content I already have. I had to get a little conservative. So let me just start off by saying, this movie was good the first time I watched it in the theater. Remember the theater? Such a fun place. But, for all I know, things could change, so I bought the film on Blu-ray to see what I would think of it now.

To be completely truthful, it might be slightly better the second time. But you also have to consider something, I was in a MUCH BETTER mood. The day of my initial viewing had a ton of conflict. Everything started closing.  The audience for the “Who Wants To Be a Millionaire” taping I was set to go ended up getting cancelled. I had to deal with the fact that a relatively new virus could possibly kill me at any instant. If you’re wondering, I’m fine, I have never experienced any full-on symptoms of the virus as of yet. And now, with a great mood, comes a great responsibility. “The Way Back” is one of my favorite films of the year. To finish this familiar phrase, I’m gonna remind you that this year is 2020 and that REALLY does not say much.

This film is directed by Gavin O’Connor, who also directed “The Accountant” back in 2016, a superb action film that I related to at the time, and I still look back on today. Mainly because of its gritty and admirable portrayal of a man who happens to be on the autism spectrum. The film also has some cool action scenes and I really liked Anna Kendrick in the film as well, she was very charming. TheWrap's Awards Season Screening Series Presents "Warrior" - Q&AHere, this film is a little less action packed, but given how much of the film revolves around basketball, they did make the atmosphere around that sport feel like it could pack a punch or two here and there. The games were relatively fun to watch regardless of the scenario or matchup and the tone felt simple, but pure. That’s what the film as a whole kind of feels like. The movie, throughout, feels kind of gloomy, but I don’t mind that, it works. If you look at some of the marketing or the IMDb description of the film, you might think for a second that it is about a basketball team or a guy trying to coach the team to victory. It’s not, really.

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The film centers around Ben Affleck’s character of Jack Cunningham, and the movie does dive deep into his contributions to the high school’s legacy, his heavy relation to the sport of basketball, and how much of an impact he made in terms of those two things. But this movie also feels like an allegory on why you shouldn’t drink.

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Here’s the thing about men… They like their alcohol… But, here in “The Way Back” it is a case as to why you should be cautious with alcohol. “The Way Back” handles this sideplot very well. So well in fact that “The Way Back” really feels like two really good movies in one package. One of which is about the basketball side of things and the attempt to make a struggling team as relevant as it once was, and the other being the alcoholism allegory. When it comes to Ben Affleck in this film, I cannot imagine him taking his particular role in the film just so happening to be a coincidence. The movie represents a side of Ben Affleck that believe it or not appears to exist in real life. For those of you have followed Ben Affleck in recent years, you’d know that he plays the DCEU’s Batman, or more accurately, he used to. He quit the role due to fear that he’d drink himself to death. Knowing this prior to going into “The Way Back,” it makes Ben Affleck a stellar casting choice and therefore a seemingly personal film on his part. It doesn’t feel like a guy losing control over his life because of a drinking problem. It feels like Ben Affleck reenacting events from his life or providing a look into what he feels his future could have been or could end up being depending on the way time flows.

This movie is shot, graded, and compiled beautifully. As if the audio for the film made me feel like I was a part of it already based on the basketball scenes, the camerawork and other technical aspects made me want to jump in further. It matches well with the movie’s vibe, even though there are probably other movies I will go back to for their technical aspects first. However, I do need to say one thing, and I will need to revisit this topic at some point to see where I officially rank it, but “The Way Back” may have one of my single favorite final shots from a movie I have ever seen. The only other movies that may compete with this for me are “Blade Runner 2049,” “The Third Man,” “Roma,” “The Empire Strikes Back,” “Inception,” and “The Dark Knight.” “Spider-Man 2” might be somewhere up there too… Without going into much detail, the final shot not only looks crisp and beautiful, but when combined with the dramatic score, it seemed to symbolize everything that this movie was all about and gave a sense of satisfaction. I could not take my eyes off it!

There’s not many issues I have with “The Way Back.” I think if you are going to go into this movie expecting a coach trying to get through a basketball season and lead a team to victory, you’re going to get that. But it’s not necessarily that kind of movie when the puzzle is fully assembled. It’s about why drinking can be dangerous and what it can do to people. I enjoyed the basketball aspect, but I stayed for the drinking aspect.

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In the end, “The Way Back” is a really good movie and one of the finest of the year so far. Ben Affleck gives a stellar performance that, once again, feels personal. It feels like he really wanted to do this movie based on the effort he put in alone. I’m starting to like Gavin O’Connor as a director, and who knows? Maybe he and Affleck will continue to be a winning duo. Kind of like Michael Caine and Christopher Nolan. “The Way Back” was worth a rewatch specifically for this review, and will probably be worth more viewings in the future. I’m going to give “The Way Back” an 8/10.

Thanks for reading this review! Just want to remind everyone that I recently went to the movie theater for the first time since March! For those of you who don’t know, phase 3 was put into place in Massachusetts as of July 6th. As a result, a very limited number of theaters opened, and I went to see “Once Were Brothers: Robbie Robertson and the Band.” That movie will be the subject of a future review. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out the official Scene Before Facebook page! I want to know, did you see “The Way Back?” What did you think about it? Or, what is your favorite movie involving basketball? Let me know down below! Scene Before is your click to the flicks!

The Vast of Night (2020): Makes For Good Radio, Or a Good Movie

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“The Vast of Night” is directed by Andrew Patterson, AKA James Montague or Junius Tully. Look up this guy on IMDb, the man has three names! This film stars Sierra McCormick and Jake Horowitz in a film set during the 1950s. Two people, a switch operator and a DJ behind a radio station uncover the mystery of a strange audio frequency that could end up changing the nature of their town.

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First off, if you’re reading this, happy second half of 2020! I cannot believe we actually made it this far as a society! Yippee! Second, this film came out at a bunch of festivals including Fantastic Fest, Chicago International, TIFF, and Slamdance (not to be confused with Sundance). Although it did not really grant much access to the viewing public until 2020. Given how there’s a big pandemic, it didn’t have all that much of a theatrical release. However, it did have a limited run at drive-ins so it managed to have some of that theatrical flavor. Having seen this movie, I think it’s a perfect fit for a drive-in given its vibe, how it’s set in the 1950s, and the color grading has a hint of that old-time feel. But I didn’t see “The Vast of Night” at a drive-in, I saw it for free on Amazon Prime, considering how the movie is marketed as an Amazon Original. Who can turn down a free movie?

Here’s the truth about 2020. It’s the f*cking WORST! I cannot believe that a year could have ever been this tragic and infuriating! You ever had a dream that you wanted to achieve in 2020? Guess what? Go home! Time to find a new dream! I could make a whole post about this, but instead, let’s stick with movies. Because otherwise I would have eradicated all of humanity through brutal anger. Actually, you know what? Let’s mix the two topics up. Not a bad idea! This is honestly what could arguably the single least satisfying and anger-inducing year for film that I have witnessed not just while doing Scene Before, but also my life. I am not watching as much new material as I have in the past. All the theaters are closed, and of the new movies I have seen, nothing stands out. The highest grade I gave this year for a new film was a 7/10. Let me just say something about “The Vast of Night…”

It might be my favorite movie of 2020 so far.

2020, this is what movies are! Screw “My Spy!” Forget “Scoob!” F*ck “The Murder of Nicole Brown Simpson” to hell and back! “The Vast of Night” is a fun, engaging, and somewhat satisfying flick… That isn’t perfect, let me just be clear here.

Because it is 2020, the year of complaining, I’m gonna start off with some negatives. This is a 91 minute film. And surprisingly, it gets a little slow at times. When I look at the runtime of a film, I sometimes think “Oh wow! Ninety minutes? I can watch this in a breeze!” While “The Vast of Night” is not necessarily an exception to this belief, there are one or two scenes that I won’t specifically dive into, but they go on for a little longer than I would anticipate. There’s a lot of explanation to expose the happenings of the film and I get that exposition is a necessary part of storytelling, but it sort of felt like watching the 2019 Super Bowl, something that tried to have a fast pace but was missing something. This pacing problem did not ruin the movie, and I imagine if I saw this film at a drive-in like some people did, there’s a good chance that this complaint could be irrelevant, but it felt like there was one specific scene where a character drones on for a little too long.

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One of the standout things about this movie in general is that it comes from people I don’t know at all. The two stars, AKA Sierra McCormack and Jake Horowitz are people who I don’t really recognize from a lot of projects. The director, what do you call him? James Montague? Junius Tully? Andrew Patterson? Turd Ferguson? I looked this guy up on IMDb, this is currently his ONLY credit. This is his debut for directing, writing, producing, and if Andrew is ALSO known as Junius Tully and does not appear to be somebody else I should know, his debut for editing and being in the editorial department. Basically, it’s five debuts in one! A lot of times when I look at the credits of the film, maybe someone will write the film, they’ll also direct and produce the film, maybe play a role in it. It’s not every day that I see filmmakers do all these things at once though. Granted, if you look at acclaimed masters of the industry like Kevin Smith, Alfonso Cuarón, and the Coen Brothers, yeah they edit their own films. But it’s nice to have this mix, while also getting to see work from someone you haven’t really been exposed to yet.

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And I would imagine that prior to making this film, Andrew Patterson has had some proper training within the art. When it comes to editing and camerawork, it is some of the best I have seen all year. The color grading in this film is fantastic. As for the movie itself, it is genuinely mysterious and spooky. This movie kind of comes off like it is some ninety minute episode of “The Twilight Zone.” In fact the first shot of the movie is of an old television set that is playing the intro to a show that pretty much takes almost every single element from the intro of “The Twilight Zone.” Everything from the music to the suspenseful buildup and even the captivating voice. There are some notable differences, but nevertheless.

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I will also give credit to the actors in this film, who I might admittedly end up not necessarily remembering at the end of the year for their ability to convey their characters, but their ability to stay sane during a nine minute shot. There is one scene where much of the focus is on the main girl switch operator and we see everything going on from her perspective. I was amazed at how the crew pulled this off without much error. That’s one of the big compliments I can give this film from a cinematography and camerawork perspective, they do so much to make this film look so crisp while also doing these long, extended, neverending takes. It kept my eyes on the screen for a long, long time. Speaking of shots, there’s numerous scenes that take place on a basketball court, and it adds up to bring in some of the most insane filmmaking of the year. This may be the first time of 2020, that I legit had a mind-blowing moment while watching a film. The other one might have been “Sonic the Hedgehog” because if you know anything about video game movies, there’s an often-shared stigma that they’re lackluster and some of worst products put to screen. But unlike that movie, which at times felt like a product that was heavily commercialized, “The Vast of Night” comes off as a passion project made by a group of people who were really excited to show off their skills and experience, even if not everyone was that experienced to begin with.

I stand by and understand the notion that all movies, in some way, are made for the sake of profit or raking in money. “The Vast of Night” kind of reminded me of an advanced student film, and I mean that in a positive way. It felt like a movie that I would want to make, to the point where I go beyond my imagination with the production value, the cinematography, finding the right people, and every other technical aspect you can think of. There felt like there was just a little more than the idea of getting rich when it comes to the aspirations behind “The Vast of Night,” and other than “The Way Back,” starring Ben Affleck, which I saw in March and have not reviewed yet, I don’t think I have seen as personal of a film this year. For those who are curious, this was shot in 17 days during September 2016 on a Red Epic camera. The result, satisfying.

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In the end, “The Vast of Night” is vastly entertaining. This is the movie that made me perhaps somewhat excited to watch and review new movies once again. It’s not perfect, as stated before, but given the limitations that this film had during production, to have it come out the way did is nothing short of incredible. At the same time though, maybe those extended scenes can also serve as a blessing in disguise, because even though I can tell that the story is relatively simple, maybe I’ll pick up on something in the future in regards to this movie should I watch it again. This year, I haven’t given any 10s, I haven’t given any 9s. Not because I’m trying to get a little more strict with my ratings, I just really have not seen much of anything worth talking about. And unfortunately, this year will continue to lack 9s and 10s, BUT I’m going to give “The Vast of Night” my first 8/10 of the 2020 calendar! Sometimes it does not take much to impress me, and in this case that is certainly true. This movie was produced for under $1 million, which in many circumstances is a lot of money, but for some cases within in the film industry, a million bucks is nothing. It’s chump change. “The Vast of Night” felt like a film that was crafted by someone who knew what they wanted to do and it felt just a tiny tad more expensive than maybe it turned out to be. The only thing that takes such a notion away are some of the extended shots, which are marvelous by the way.

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Thanks for reading this review! If you enjoyed this post and have a WordPress account, consider leaving a like! Also, if you want to see more content, be sure to follow Scene Before for all the goings on here on Flicknerd.com. As for upcoming content, I was PLANNING on going to a Regal Cinemas location next week to see what they’re doing after all the shenanigans, but of course, they delayed their reopening because life sucks and nothing else matters anymore. In most cases, this comment sounds childish, but in the time of 2020, this is pretty tame. Just spreading the truth! However, there is some good news to share… I live in Massachusetts, and it was just announced by Governor Charlie Baker that phase 3 begins July 6th! That means movie theaters in the state of Massachusetts are permitted to reopen as long as they follow guidelines! I don’t know how many theaters would open, but to know that they are eligible excites me. So maybe I’ll do a post on how they are dealing with reopening and what it is like to go to a theater during this… (sigh) “new normal.” Hate saying that. There’s a good chance that I will review another movie within the next week should time allow such a thing to happen, but since I talk about “Tenet” a lot, maybe I’ll do something related to that, I dunno. But if you are bored and are tired of scrolling through my blog on WordPress, I have the solution for you. LIKE MY FACEBOOK PAGE! It’s like my blog, only different! More behind the scenes stuff and random s*it that you don’t get to see on here. I want to know, did you see “The Vast of Night?” What did you think about it? Or, what is your favorite movie that is set in the 1950s that did not come out in the 1950s? Let me know down below! Scene Before is your click to the flicks!

Onward (2020): Peter Parker and Peter Quill Cast Spells

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“Onward” is directed by Dan Scanlon and stars Tom Holland (Captain America: Civil War, Spies In Disguise) alongside Chris Pratt (Guardians of the Galaxy, Jurassic World) as two brothers. These two brothers live together in a magical realm, or more specifically, a magical realm that has increasingly evolved over the years due to advances in convenience and technology. Now that both brothers are of appropriate age, they are able to execute a magical spell that can help them bring back their father for one day. When they are only able to bring part of their father back to reality, the two brothers go on a quest together to figure out how they can get the rest of him back.

First and foremost. It’s good to be back. While we are not back to normal yet, and yes, NORMAL, I’m tired of whatever the “new normal” is supposed to be! It is still nice to talk about a movie that has come out this year without as much distraction towards the greater pain of reality. “Onward” was one of the last movies I saw in a theater before everything ground to a halt. The film started off with a somewhat underwhelming box office performance, perhaps likely due to COVID-19 taking effect, but I did see it opening weekend, so I feel glad to be one of the chosen people. While there were other movies I was looking forward to this year more, many of which I won’t get to see for awhile, “Onward” was definitely one that had my attention. For starters, it’s a Pixar movie. And Pixar, kind of like Marvel Studios or A24, is one of those distributors that always delivers a midas touch. Heck, I even like all the “Cars” movies! I’ll go as far to say that I really enjoyed “Cars 2!” If you want action, that’s a Pixar movie I’d recommend. So even though “Onward” was not my most anticipated film of 2020, it was one that I thought would be at the very least, solid. And that’s what it was. A solid movie. As much as I make fun of Disney for their business practices, which work for them even though I don’t fully support them, I will forever love Pixar, which might be the mega-corporation’s greatest asset in terms of quality. Over the years, a lot of their films have been well-written, conceptually creative, and of course, beautifully animated. Especially over recent years, even if one of their films was never in my top 5 from them, I would not deny the amount of work that must have been put into those films to make them family-friendly, while also trying to keep not just kids, but adults interested. Even though I was, and I hate to say it, disappointed, with their late 2017 film, “Coco,” it is some of the studio’s finer work in terms of color and animation detail. Even though “Toy Story 4” is probably the worst movie in the series, there is a shot of a cat in that movie that looked like something out of real life. For the record, I saw “Cats” later in the year that “Toy Story 4” came out and none of the cats from “Cats” hold a candle to that digitally animated feline! That’s how much I appreciate Pixar as a studio.

Once again, Pixar does not let me down from an animation standpoint. Everything fits its respective environment, it’s crisp, and the attention to detail is spot on. I saw this film in IMAX and the animated shots of this movie shine on the big screen. I cannot say that it is Pixar’s best technical work, but it is absolutely superb nevertheless. The film is now on Disney+, and I imagine that the film does look pretty good on Disney+, but since movie theaters are starting to reopen, if “Onward” is playing near you, take the opportunity to see it! Because even if the movie is not that great for you story-wise I imagine it will still be fun to look at. It is a film, kind of like recent Pixar entries, that I see holding up for years if you want a tech demo.

As for the screenplay, I think it is at times predictable, but that is also what makes it work in certain moments to deliver a satisfying story. There is conflict in just about every single moment, there’s a good amount of setup and payoff that is done effectively. The playaround and mashup between this fantastical, dungeons and dragons-like sort of environment and our modern lives is undoubtedly entertaining and creative. It makes for some fun scenes and ideas. In a way, it almost reminded me of Disney’s “Zootopia” which came out four years ago. That’s a really good movie by the way! Because that movie took a bunch of talking animals, put them in a world like ours, and while that film more or less was a satire on modern society, it was cool to see a blend of fantasy and reality put together to deliver a fun time.

As for Tom Holland and Chris Pratt, I think both characters are well-written, but when it comes to casting. That is where things begin to become questionable. Now, I will say, Tom Holland as the younger brother is definitely worth keeping. But when it comes to Chris Pratt, I like him as an actor, but I feel like he’s more closer to a father figure than an older brother in this film. That’s just the first impression I got from him. After all in real life, Tom Holland is 23 right now. As for Chris Pratt, he’s 40! Now I know you can get away with a lot more in animation in terms of details, actions, voices, personalities, but hearing Chris Pratt’s voice attached to someone perhaps close to my age is a little bit weird. I’m not saying it’s off-putting, it’s just weird. Both characters are great, serve the movie well, and have likable chemistry, but I just don’t think Chris Pratt was the right choice for the character of Barley Lightfoot. Nothing against him, I respect Pratt as an actor, he’s got decent talent, but I think he was a little bit miscast.

As for Tom Holland, I think his casting was perfect. He plays a teenage boy, and I am willing to bet that due to his marvelous (no pun intended) performance as Peter Parker, that there may be some worries down the road that he may be typecast. Because Holland’s still in his early twenties, and he has tons of charisma that can convince somebody he’s likely able to play an older teen for a while. But nevertheless, when it comes to this animated role, his voice completely fits the character. It’s in this tone that is almost in what I would call a “downer” mood, I just made that up on the spot! I don’t even know what I’d call it! But Holland’s pitch matches his lanky character to a high degree. I will also give props to Julia Louis-Dreyfus (Seinfeld, Veep) and Octavia Spencer (Hidden Figures, Ma) who also stood out for their fine performances, plus the solid casting on someone else’s part.

Funny thing is, going back to Pixar’s quality, I will admit that I have not checked out all their films yet. I own “The Good Dinosaur,” but I have yet to watch it. I also still need sit through “Monsters University” and “Brave.” When I was at university this semester, I had a screenwriting professor who saw “Onward” and he pointed out that when it comes to Pixar, it’s one of their inferior movies. He also went on to suggest that bad Pixar is better than a lot of movies. He’s got a point. From an animation standpoint, “Onward” is pristine. Story-wise, everything adds up, makes sense from beginning to end. Compared to some other notable animations or family movies that completely rely on immature fart jokes, “Onward” just tries to tell a needed story from beginning to end, which is usually what I go to movies for. And yes, the occasional visual spectacle of “Onward” is a much-desired and satisfying cherry on top of the sundae, but story must come first, which Pixar typically succeeds with, even in cases like this when it is not their finest work. Pixar was supposed to come out with another movie in June, specifically by the name of “Soul,” but that unfortunately has been delayed. Much like “Onward,” “Soul” is an idea that has not been tested out before by the studio. Going into these movies, I am always looking forward to where Pixar takes their characters and its creative concepts. When “Soul” comes out later this year, I will continue to anticipate attention to detail, but at the center, a dang good story.

In the end, “Onward” is a fun ride from start to finish. It is a movie that you can watch with your kids without really feeling the need to tune much of anything out. Pixar’s always had that intention and plan of execution in mind. I remember the first time I saw “Up” in the theater, and years later, my dad and I still remember the movie, and if I’m not mistaken, he’d probably watch it again if it were in front of him. Would I watch “Onward” again? Probably. Maybe not right away, but I can see the effort put into this film and that is something I totally respect. I’m going to give “Onward” a 7/10. Fun fact, a 7/10 is honestly a low score for the Pixar brand given their resume. So even though this is one of, and as weird as it is to say, Pixar’s worst movies, I think it is still worth your time. I’d probably rather watch this again than “Coco,” which, was good! But I expected a lot more from it. Maybe one of the downsides of that film is waiting until 2019 to watch this, whereas I watched “Onward” right away. But I could be sticking my feet into hazardous mud here.

Thanks for reading this review! Once again, it’s finally nice to talk about something that is not specifically about COVID-19! I wish I could do this more often. I don’t know if I’ll be doing a part 8 next week to my Movies and COVID-19: Behind the Scenes series, but I’ll have to find out what I’m doing, what kind of mood I’m in, and so on. But if I were to review a new movie, my next one is likely going to be for “The Way Back” starring Ben Affleck. I will say, given how it has been a couple months since I’ve seen that movie, I wonder how much of a challenge it’ll be for me to talk about the film in detail, but that question shall be answered as we cross that bridge. Maybe I’ll rent the movie if I need to watch it again, but I also don’t to waste $5 or $6 for the sake of wasting $5 or $6. These reviews typically regard my first impressions, and I had little intention on changing anything in regards to how I do my blog, but this pandemic did it for me. It took some control away from how I operate everything I do at Scene Before. Or, maybe I’ll soon do my review for “My Spy” which is about to debut on Prime Video. I am officially one of the few that has ever seen “My Spy” in a theater, which I feel pretty lucky for doing. But as of recently, the film changed plans, and instead of getting STX to release it in theaters, the plan is to get the film on Prime Video as an exclusive. Given how very few, if any, sources in the U.S. have even talked about or reviewed the film at this point, it might be necessary to hold that review off for a little bit longer. It’s a truth that is difficult to handle at this point, but what isn’t difficult to handle during a pandemic? If you want to see more great content from Scene Before, give the blog a follow either through an email or WordPress account! Like this post, share it with your friends, show some appreciation for the Movie Reviewing Moron! Also, instead of scrolling across some clickbait articles with misleading information about COVID-19, check out the Scene Before Facebook page and give it a like! I want to know, did you see “Onward?” What did you think about it? Or, what is your LEAST favorite Pixar movie? Why? Would you still consider it to be “enjoyable?” Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 1

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Hey everyone, Jack Drees here! Last week on Scene Before I addressed what my blog would be doing in regards to the ongoing COVID-19 crisis. As you may know, I type and upload all my posts via WordPress.com, and as long as that does not go down, I should be fine. I can also easily do some of the work I do for this blog at home, but given how this virus has taken a toll on the film industry as a whole, it has prevented me from doing my main goal for Scene Before, which is to go out and see new releases in the theater. Granted, I was able to go see “Bloodshot” during the previous week at an AMC Prime, so I did get my precious theater time before everything shut down. So I will have reviews coming. That’s a guarantee.

But a couple things are for sure. 1. I am not a doctor, so if I were to tell you that this virus were to go away by tomorrow, I’d probably be lying to you. 2. Even if I was a doctor, I would most certainly be aware that there is a lot of confusion going on when it comes to COVID-19, so I might not be able to pinpoint an exact moment when society would return to normal. It could be April, May, June, July, August, who knows? If I had to guess, we would still have SOME restrictions in April, but we would continue to grow from that point. That depends on how seriously precautions are taken. Will people go out? Will people stay home? How many essential or non-essential activities will we engage in? Will testing improve? These are questions that need answering, and they will likely be answered overtime. But it doesn’t look like this virus will be eradicated as long as things like this continue happening.

And I will admit, I did travel recently. In fact I went to LA and Fort Lauderdale, but this was sort of in the unraveling of the “social distancing” trend. I stayed in LA for the three nights I had scheduled, but my mother and I went home two days early from Fort Lauderdale. We may have realized that we made the right decision.

But I don’t want to make this post, or this series, depending on how often I update this, all about me. Instead, I want to focus towards the movie industry and how it is being impacted by the coronavirus. Because right now, it’s not lookin’ pretty, like at all. Sorry, but it’s true. Here are some reasons why.

THEATERS SHUT DOWN:

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I already mentioned this briefly, but theaters pretty much everywhere have either been forced to shut down or voluntarily shut down. There are a few that are still open, most notably drive-ins, but the traditional movie theater just about as a whole, has closed doors until further notice. Sadly, not only does this include big chains like AMC Theatres, Regal Entertainment Group, and Cinemark, but also some of my favorite local cinemas who do not belong to a bigger name, and some need help now more than ever. One of the first notable closings I bat an eye towards was for the Coolidge Corner Theatre in Brookline, MA.

Although I will respect some people in the industry such as acclaimed director Edgar Wright (Baby Driver, Scott Pilgrim vs. the World) for making a call to action when it comes to these smaller cinemas.

I will admit, at this time, I am trying to save my money in case this apocalypse becomes bigger than I can ever imagine, but this is an informative tweet and it has had me considering pulling some support towards theaters like the Coolidge. It’s a lovely theater that plays many films that are not traditionally found in typical venues, and they even have special events where industry professionals make appearances. Remember how I did my review for “Emma?” Well, when I saw the movie at the Coolidge, the film’s star Anya Taylor-Joy and its director, Autumn de Wilde, appeared together to talk about the film. I am still considering becoming a member in support of the theater. Maybe I’d make more visits to it as a result.

But speaking of which, I do feel bad not just for the establishments themselves, but their employees who work hard to keep the theaters running. Surprisingly, despite going to the theater a lot, I have never really developed a complex relationship with the employees who work there, but at the same time, I don’t want keep them from doing their job. With the recent closings of theaters, this automatically means that thousands of people cannot work. I could end this statement here and call it a day. However I have been reading from various users online who worked at outlets like Regal, and they said that they have been fired along with the rest of their staff. In fact, check out this little exchange I had on Twitter just the other day…

I looked into this and I saw a bunch of tweets from people who worked at Regal, reporting how poorly this situation has been handled by the company. In fact, as I right this, Cinemark employees seem to be going through the same deal.

Now I have heard about Regal’s situation much earlier, but I have not seen much news about this from major outlets. So I don’t know if I am planning to take this matter on any further, but I do want to know something. If anybody from a major movie theater chain like Cinemark or Regal was terminated, thought they were terminated and then corrected to not be terminated, or something else along those lines, feel free to send me an email, just go to my contact page and leave your information there. I also have a public Twitter, so if you want to DM me @JackDrees, feel free to let me know about what happened that either got you fired or even if you weren’t fired. How did your movie theater handle this matter? Were they justified? Unjustified? Let me know! I don’t know how far I might take this matter, but maybe, JUST MAYBE, I’ll address all of this in a future post.

NEW RELEASES COME HOME

I feel rather lucky that I got to see a number of 2020’s films prior to the big hit of COVID-19 here in the U.S.. Films like “Sonic the Hedgehog,” “Onward,” and “Emma.” However, these movies unfortunately all face a common problem. An extended chance at a theatrical experience will be missed for all of them. After all, since theaters are shut down, how is everyone going to see those movies? ON DEMAND TO THE RESCUE! Even though some films have recently released, studios happened to be kind enough to put their new releases onto VOD as soon as possible. Sony has done this with “Bloodshot,” Paramount has done this “Sonic the Hedgehog,” STX is going to do this with “The Gentlemen,” Warnermedia is doing this with “The Way Back,” and Comcast’s studios is not only putting out films like “Emma” or “The Hunt” on VOD, they are separating themselves from various studios such as Disney, who happen to be delaying all their future films until further notice, and putting DreamWorks’ newest film, “Trolls: World Tour” onto VOD the same day it is scheduled to release in theaters. Now I am willing to assume that some theaters, not all, but some, will be open around the time “Trolls: World Tour” comes out, specifically April 10th. So with that in mind, families can still go to the theater and maybe watch the movie together. But this also brings a unique opportunity for home viewing. And it’s not like it’s a new thing, because there have been movies that released through VOD around the same time that it has been put out in the theater, but given the type of movie that “Trolls: World Tour” happens to be, it’s somewhat unprecedented. Man, I hate that word! For the record, the movies that have recently been put on VOD early are only available to rent right now, specifically for $19.99. This is slightly less than one would pay for an individual IMAX ticket at some multiplexes during an evening or night show. When it comes to a film like “Onward” or “Trolls: World Tour,” $19.99 is not the worst of prices because if you are stuck with a family, it will make for time well spent compared to taking a group of four to the theater in the evening and spending $50 on tickets alone.

Then you add popcorn and candy into the mix. That crap full of calories ain’t cheap!

If you’re watching one of these new movies by yourself, it could be worth the price, but keep in mind that there happens to be little to no alternative right now. Let’s face it, ANY movie is better in the theater. But if you have a solid sound or screen setup, take advantage of it! Or if you want to brag to some socially distant friends that you saw the latest big film on TV as early as possible, give some of these films a rent! In fact, I have yet to see “The Hunt” in theaters, so maybe I’ll take advantage of the current situation and either rent it through services like FandangoNOW or Prime Video. In fact, if you have Prime Video, they just added a new section labeled “Prime Video Cinema” just in case you need help finding movies like these.

One of the bigger surprises to me when it comes to all of this is how much Disney seems to be getting involved. Granted, it doesn’t surprise me a ton that “Onward” did not take long to find a new home on VOD, but what did surprise me is how early it was declared that “Onward” would be on Disney’s new streaming service “Disney+.” Seriously! Not only is “Onward” now available digitally through various services, but it is coming to Disney+ on April 3rd. In fact, if you have young girls, chances are that their lives are about to be significantly better, while you are probably going to suffer through a tremendous meltdown, because Disney+ currently has “Frozen 2,” which I would have expected to appear on the service eventually, but due to its recent digital and physical media release, it sort of comes as a shock.

But one question still stands. How long will this crisis go on? Because if this goes on past August, then some trouble could be afoot. “Wonder Woman 1984” is coming out, and I have recently heard reports that the film could go straight to streaming. If it was still coming out in June and the crisis was still happening, it’s bad enough, but this film needs to see the light of day! There is a case to make for this streaming scenario, maybe the crisis will get out of hand, people will still spread the disease, and theaters need to keep their doors closed as a result. But my gosh, if my only option in August to watch “Wonder Woman 1984” is through streaming services, I will set my house on fire. Will I still watch “Wonder Woman 1984?” Probably. The review for it will probably be necessary given how comic book movies continue to be the big thing. If anything, I am optimistic enough that this abnormality could pass before “Wonder Woman 1984” comes out, but my question is, what will the people behind the movie do? I mean, think about it! There’s a lot of money to be made on this movie! It’s highly anticipated, the first one was Warner Brothers’ highest-grossing film of 2017, and speaking of the first movie, it pretty much set the basis of how you make a superhero film with a female lead. Sorry, “Captain Marvel!” “Wonder Woman” did this idea ten times better! I think if they stick with the rental route, the theatricality factor of the film will be lost and therefore make less money as a result. “Wonder Woman 1984” was also shot using IMAX cameras, so if anything, I am HOPING that the movie gets shown in IMAX theaters at least once! I think Disney and Marvel kind of made a solid call by delaying “Black Widow.” While it does disappoint me that we are not getting to see it as soon as possible, I am still looking forward to the theatrical experience to be had by all. Now as I write this, Warner Brothers has stated that they are going to plan on putting “Wonder Woman 1984” in theaters instead of streaming, but for all I know, maybe people are clumsy enough to prevent that from happening. Granted, it was already delayed once from June to August, but should this go on any longer than expected, I have every right to worry. Oh, and if they EVEN THINK about delaying “Tenet,” I will most likely be quitting movie watching for the rest of my life! I NEED THIS MOVIE NOW! IN IMAX 70MM FILM!

DRIVE-INS THRIVE

This crisis has brought a stunning reversal that maybe made me a little more surprised than I should have been. When one door closes, another one opens. In this case, the door slammed on movie theaters, but the doors seemed to have unlocked for drive-ins, and this kind of shocks me given how much we seem to forget about the drive-in based on everything else in our culture. Yes, every now and then, a conversation will come up and the drive-in will be part of the discussion and there will be talk about how cool it is, but not everybody goes. In fact, I have never been to a drive-in myself. Even the closest one to my house is a bit of a hike. But according to Deadline Hollywood, many of the more prominent exhibitors to continue operations in states like Arizona over the past weekend happened to be drive-ins. According to the article…

“Among Onward‘s top 30-grossing theaters this past weekend, drive-ins repped 25 of them. For Invisible Man, 20 out of its 30 theaters earned money from drive-ins, Call of the Wild‘s saw 15 out of 30, and Bloodshot 14 out of 30. All of Onward‘s top 20 theaters were drive-ins, led by the Glendale 9 in Glendale, AZ with close to $10K. Invisible Man‘s top 17 theaters were drive-ins, led by the Starlight 4 in Atlanta, GA with $11K. Bloodshot‘s top venue was also Atlanta’s Starlight with just over $7K, while Call of the Wild‘s top theater was the Swan drive-in Blue Ridge, GA with just under $5K.”

TO READ FULL DEADLINE HOLLYWOOD ARTICLE, CLICK HERE

And should movie theaters remain closed for a few more weeks, maybe six, this will bring a greater opportunity for those who run drive-ins or have a drive-in near where they live. I live in New England, where the weather is not the most pleasant as we speak, but more drive-ins will open as we get closer to eventual warmer weather. This can be a great alternative to the movie theater, while allowing customers to practice social distancing in the surroundings of their vehicle. And if you have a large family, it could make for a fun, not to mention relatively inexpensive night out, at least compared to a traditional theater where you pay per ticket as opposed to per car. Should this crisis eventually develop a fear of socializing or being close to others, maybe drive-ins could get an uptick overtime. This does not mean the traditional theaters could suffer, because they often have the advantage of not having to worry about weather, and a proper sound system.

BIG QUESTION: Are movie theaters in deep trouble?

There has been a conversation going on for years as for when movie theaters could potentially shut down for good. Sort of in the same way that some would wonder when physical media could go away. I already mentioned that movie theaters are closing their doors for the time being, yada yada yada, but I must not forget one more important notion. This crisis could be costly. A lot of studios are thinking in a certain direction, and it has somewhat paid off. They are losing money as a result. But what else are they gonna do? Release big movies to limited theaters? Have these movies be left in the dust? But if this crisis never happened, Paramount could have hit it big with “A Quiet Place Part II.” Disney could have another live-action remake monster hit with “Mulan,” and if Universal avoided postponing “F9,” their upcoming “Fast & Furious” flick, I would probably be willing to bet that the movie would be this year’s most precious piece of box office gold. If movie theaters open back up any time soon, there’s a solid chance that a lot of titles could be playing, but they wouldn’t make much money. Would we be going back to seeing “Bloodshot” again? For all I know, they could open back up in time for “Wonder Woman 1984” to have a solid start to the industry’s revitalization. Or, what if they simply waited until the middle of July to open “Tenet?” I doubt that the movie theater industry would intend on doing this, but “Tenet” is a movie that is being labeled as an “event.” Why not bring back the moviegoing experience with an event? I would immediately flock to it! Especially in this case if they have a nearby IMAX playing this movie in 70mm film. Granted… I also desperately want to see “Top Gun: Maverick” so… I will simply be looking forward to that. I think the business given to movie theaters once this is all ends is going to mostly depend on the films being presented. How many big movies are being pushed back towards eternity? What movies will remain once the movie theaters open? But if people don’t show up, and if the corporations don’t have enough money to pay workers or keep lights on, then there’s where trouble swoops in.

The ongoing COVID-19 crisis is continuously reminding me of the beginning of “Avengers: Endgame.” It almost feels like five years have passed in just a matter of a few days and everything is desolate, and completely abandoned. How much longer will this go on? It’s hard to tell. Countries like South Korea seemed to curb the spread, but Italy seems to be spiraling out of control. One light at the end of the tunnel is that China has recently reopened hundreds of movie theaters. Granted, it’s probably going to take some time for its people to return to the dark rooms of movie magic, but it at least provides some positivity to this negative crisis.

If you have a proper account setup, be sure to like this post if you want to see more of this series, specifically titled “Movies and COVID-19: Behind the Scenes,” that I am setting up for the time being. Also, be sure to follow Scene Before if you want to stay up to date on the latest posts provided by the Movie Reviewing Moron. To follow Scene Before, use an email or WordPress account! It really helps me out! Also, speaking of helping me out, be sure to like my Facebook page, because let’s face it. Life is boring right now! Scrolling through sites that are full of cat videos, epic fails, or jokes about toilet paper is exactly what we need! Get crackin’!

Thanks for reading this post! Again, if you want to see more of this content, follow the instructions above, and remember to stay safe and we’ll get through this together! In other words, I’m trying to come up with phrases that do not rhyme with “We’re all gonna die” so I can stay sane. Let’s just elbow bump our way through this crisis and let it pass! We’ve got this! In other news, my next review is going to be for Pixar’s “Onward” which is now available on digital! I hope to have the review up by the end of the week, and if not, maybe it’ll be up at the end of the month. Who knows? Be sure to follow Scene Before, like this post, and stay tuned for more great content! I want to know, how are you currently going about the COVID-19 crisis? Is it no big deal to you right now? Is it not in your county, your state, your province, your country? Or is it affecting you in some way? Or, what was the last movie you saw in the theater? ALSO, when was the last time you went to a drive-in? What did you see? How was your experience? Let me know down below! Scene Before is your click to the flicks!

How Scene Before Will Seemingly Adapt to Coronavirus Changes…

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Hey everyone, Jack Drees here! This is… Abnormal to say the least. Like, I never thought being an introvert would become as commonplace as it has today. I have never felt more numb than I do right now. Basically, the whole purpose behind Scene Before, which is to review the newest films for YOU, my viewers, has been diminished because of the ongoing COVID-19 pandemic, or at least I think that will be the case. After all, I live in Massachusetts and this just came in earlier this week.

“Gatherings of over 25 people will be prohibited, including all community, civic, public, leisure, faith-based events, sporting events with spectators, concerts, conventions and any similar event or activity that brings together 25 or more people in a single room or a single space at the same time. This includes venues like fitness centers, private clubs and theaters.”

Now does this mean I can no longer go to the movie theater in my state? That is most likely. After all, I never recall seeing many auditoriums that can hold less than 25 people. I recall certain popular chains stating they will permit 250 people per auditorium or a 50% reduction per auditorium, but I think that is going to be voided now. I mean, if theaters stay open, I’ll consider going, but I also don’t want to become the “crazy movie freak of Massachusetts.” In fact, a lot of theaters around the country are already closed, because as I write this, Regal Entertainment Group, one of the largest North American chains, has shut down until further notice. In addition to that, AMC has done the same. So basically, the two big movie theater chains in my country are now avoiding service to moviegoing customers. Showcase Cinemas, another popular chain in the northeast shut down entirely. Nearby theaters catering to smaller and indie films like the Coolidge Corner Theatre and CinemaSalem have shut their doors until specific dates in April. Los Angeles has been ordered to shut down all of their theaters. LOS ANGELES! THE MOVIE CAPITAL OF THE UNIVERSE! The same goes with New York! Worst. Thing. Ever.

Speaking of tragic situations, I almost wonder if next year will have an Oscars ceremony. In fact, one of the major rules of the Academy Awards is that the movies participating for the award must have a 7 day theatrical release in Los Angeles. If they want this ceremony to fall through, they’ve GOT to make an exception for this year. Some theaters are still open, yes, but we are seeing a shift, at least for now, in increased home viewing. Basically, the whole world is going to continue watching Netflix and we all won’t be able to chill BECAUSE THIS IS THE ABSOLUTE WORST! I can’t chill! I can’t calm down! Who is writing our lives and why aren’t they fired?! Is it Stephen King? R.L. Stine? John Carpenter? Whoever the hell is writing this needs to be terminated immediately! Allow me to take their place and allow the entire universe to live happily ever after! Sometimes the predictable and happy ending is the best one!

I will say though, this does not mean I’ll STOP reviewing new releases. Because for all I know, there could be a Blu-ray, DVD, or digital release coming up for a movie previously shown in theaters that I missed. There’s not much from 2020 that is coming out that I have not seen or am interested in seeing, but one movie I missed, “Underwater,” is scheduled to release on DVD April 14th. I could probably go get it in person. After all, places like Target and Walmart are still likely to be open during these times (although worst case scenario I could buy it online), maybe I could buy it in a store if I feel the urge to.

Plus, one of the saving graces early on in this pandemic is Comcast, which I am utterly amazed by. A few years ago, I was talking s*it about their cable service. Having switched to Verizon, I felt instant relief. But recently, Comcast announced their commitment to providing free Internet to low-income customers for the next 30 days. I think that is a class act and a smart idea for these dark times. And given how people are less likely to head to the movie theater, Comcast distributors like Universal Pictures and Focus Features will be putting movies that are already out like “Emma” and “The Hunt” on VOD services as soon as possible for home viewers to enjoy without having to leave their couch. While this does discard the 90 day agreement where a cinema holds a movie for a period of time before it is officially allowed elsewhere, I think it is a smart decision. I don’t think it should be done for all movies, because there are a number of movies coming out that are absolutely enhanced through a communal experience that can be witnessed at a theater. While I am disappointed that “No Time to Die” got delayed, I am glad it is being shelved to November, when the world can HOPEFULLY unite as one community again. I was looking forward to “F9,” the upcoming “Fast & Furious” installment, but given the ongoing fears, it would make this movie lose a lot of its audience, thus losing its community. Also, when it comes to John Krasinski’s “A Quiet Place Part II,” that was a movie that I wanted to see in a theater because the first one was easily one of the most unique experiences I have had while being surrounded by a group of people. I guess with all these delays, the theater is going to become “a quiet place.” Meanwhile, “Frozen 2” is getting an early release on Disney+, so if you have young girls, your place is going to become “the loud house.”

I think that some of these actions studios are taking are not only necessary, but simultaneously fulfilling, and some of them could help me, a guy who barely makes plans to leave his house, in the long run. Granted, I do hope this does not shatter the meaning of a communal experience at the movie theater, but I think I would be better off sharing thoughts related to such a topic another time. By the way, this suggests an idea I have in this case. Maybe I can fit in a series dedicated to the coronavirus, how it could *theoretically* impact the film industry, and maybe how it *is* impacting the film industry.

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But if you are loyal to this blog, you may be wondering if I have a concrete plan regarding the future of Scene Before and Flicknerd.com. The answer, yes and no. I have IDEAS, but there is no guarantee as to the absolute likelihood of every single part of my plan falling into place. But this is like how things have always been. I can plan ANYTHING on what my blog is going to entail, what posts I have coming soon, doesn’t make it a guarantee. The only guarantees I can make going forward is that I PLAN to continue making at least one post a week, hopefully within a cycle of every seven days and that I will have at least FOUR reviews coming within the next month or so. I still need to review “Emma,” “Onward,” “The Way Back,” and “Bloodshot.” These four movies will be reviewed at some point, and should things go according to plan, I will be reviewing each of these movies in the order of which I mentioned their names.

Now that I have mentioned that, I will also point out that I might plan on some movies that I haven’t given myself the chance to talk about. Now that a lot of big movies are getting pushed back, this prevents certain event-like experiences from happening. Maybe this period of nothingness will allow me to talk about films I don’t always get a chance to dive deep into into. I always wanted to do a four part “Revenge of the Nerds” review series, where I would talk about each of the films, this even includes the two that were made for television, in depth. Without talking much about the film critically, I have somewhat of a personal connection with the first “Revenge of the Nerds” installment, so reviewing it kind of feels somewhat overdue. If I had other series’ I could accomplish, I have all the “Underworld” installments, and I can review all the ones that I have not touched upon. I want to talk about “Star Wars” episodes I-VII, but at the same time, I want to save that for a special occasion. I’m putting that on the backburner for now. Maybe I could do a Pixar series since I have a number of those movies. The same goes with DreamWorks Animations. I also have a 4K boxset of the “Matrix” trilogy in my room sitting around. Part of me wants to unwrap it to see the films in 4K glory, and ultimately review them. Speaking of Keanu Reeves, while I did already review the second and third “John Wick” movies, I still need to talk about the first one. Maybe I could touch upon that! I also maybe could do films that are lacking in a franchise, allowing for more refreshing content that could stand on its own. It can either be a good reminder of standalone films that have come out over the years, maybe a PSA to those who have overlooked a particular title, or some other reason. For all I know I could be reviewing a movie that is beyond terrible and should never be watched for any reason. One other idea I had was to talk about some older movies. Thus far, the oldest film I have talked about in terms of reviews happens to be “2001: A Space Odyssey.” Maybe I could talk about some films older than that, maybe from the 1950s, 1940s, or even 1930s.

Speaking of reviews, one of the reviews I have waited LITERALLY FOREVER to put out is for STX’s “My Spy.” I cannot say anything about it, but what I can say about it is that it is going to have a difficult time getting into the public eye, as if it hasn’t had a hard time already. It already released in Australia in January, and in Britain just this past weekend. “My Spy” was supposed come out in August of last year, only to be delayed to the most recent weekend of this year. As we approached the release date of the movie, it just so happens that it managed to get pushed back AGAIN to April! Why? I doubt it has to with corona, and maybe it had more to do to with having less competition during the month. After all, now that “No Time to Die,” the latest Bond film has been pushed back to November, it opens up the opportunity for another spy film to swoop in its place. But I gotta be honest, I am not going to be shocked if the film gets pushed back again. However, I will also be disappointed. After all, I SAW THE FILM IN JANUARY AND I NEED SOMETHING TO TALK ABOUT! I have not finished a review for “My Spy,” but I still have my points that I want to talk about. We’ll have to see what happens to this movie, but my gosh! How is STX still holding onto this thing? I’m kind of surprised they haven’t dumped it out of their schedule entirely and sold the rights to Netflix!

I want to say that this ongoing trend could lead me to providing you all with more trailer reviews, because I could easily watch them on a device I have access to. Unfortunately, given the way things are going, it seems I won’t even get to watch a trailer for anything. After all, if the movie industry itself is in a major shutdown, there will barely be any trailers to support those that are still coming out.

I could dive into the realm of countdowns. One of the things I have honestly considered doing at this time is adding more installments to the series “Top Movies of the 2010s.” I say that because I labeled it as a countdown event. If I wanted it to be event-like, why not have it go on for some time? I don’t really have many ideas for original countdowns at this point. Although I have previously been thinking, and I might want to do a countdown on my favorite “Star Wars” battles, specifically ones fought with lightsabers. I almost did it around the release of “Star Wars: The Rise of Skywalker,” but that idea failed to see the light of day.

I was not going to originally reference this, but a friend of mine suggested that I should start reviewing TV shows from streaming services. First off, I am incredibly thankful for the idea. This gives me a TON of new material to work with. But that also brings in a problem. I don’t focus on TV in general. Yes, there has been the rare instance where I would do a random post on a TV show, but they would highlight something that stands out to me, or maybe it intertwines into movies. I appreciate the idea, but for now, Scene Before is not going to focus on television. Who knows? Maybe if this gets worse, maybe the government will insert a dome over the area most affected by the virus, isolating them from everyone else, and eventually attempt to blow the area up. Spoiler alert for those of you who have not seen “The Simpsons Movie.”

Now, one thing I should point out is that last month was the release of the 2nd Annual Jackoff Awards. Guess what? Even before the 2nd iteration of my personal film awards show, I started planning the 3rd. But with this new situation that could last forever, I am beginning to wonder if there will be a third. Because to do an award show like this, I need to see tons of movies, that way there is a variety of potential nominees. If I just have random movies that came out from January to March, it might not cut it. At this point, Best Picture would probably go to something like “Impractical Jokers: The Movie.” I want to be optimistic and say that I can probably start going to the theater again by May, June, July, but for all I know, this highly contagious disease could prosper and linger into our lives during 2021. If this affects me as a moviegoer, there’s a solid chance that I might have to cancel The 3rd Annual Jackoff Awards. Keep in mind that The Jackoffs are supposed to be a celebration of a year in film, and if I cannot celebrate a year, there is no point in doing it. And no, if 2021 turns around and I do The Jackoffs for that year in 2022, I ain’t including 2020’s films in it. It has to be a FULL year from January to December, NO EXCEPTIONS. I will say though that for maybe this one year, I might bend the rules to allow the presence of movies that were SUPPOSED to come out in theaters that were ultimately put out for home viewing because of COVID-19, but anything is possible when the world is hunting for hand sanitizer.

But in all seriousness, this is an ever-changing time. Not just for me. I am willing to experience it and live through it, even if that means shattering my brain wide open. I just tweeted this the other day, because the truth is, I love being by myself. Alone time is one of the things I value most. I rarely see friends, I don’t always make plans with others, I don’t socialize that often. But here’s what I said the other day. By the way, follow me on Twitter at @JackDrees if you haven’t done so already!

This really feels weird! Until COVID-19 hit, I felt like “that guy” who always wanted to be alone. And now the government, my country, and those around me, are forcing everyone to be alone. This is essentially a movie, I really hope they roll the f*cking credits soon, and I won’t be sticking around for any additional scenes! I’m done! This is anger! This is rage! THIS IS WHAT THE INTERNET IS ALL ABOUT!

Thanks for reading this post! These are simply ideas that I have going forward. I will continue to create material while I still have the opportunity, not to mention, the sanity. Nevertheless, here’s hoping your day is as cleansing as hand soap and nowhere near as crappy as toilet paper! My next post is hopefully going to be for my long overdue review of “Emma” directed by Autumn de Wilde. I will have my review up for that, along with other films that I managed to see while society was still doing things. Remember doing things? What time that was to be alive! Be sure to follow Scene Before either with an email or WordPress account, and DON’T WORRY! It’s free! I know it’s a dire time, but if you want some free material to gloss over whenever you have spare time, which is probably all the time now, give this blog a follow! Also, speaking of stalking the Scene Before blog, go over to Facebook and like the official Scene Before page! I want to know, what are some suggestions for material that you have for me as we elbow bump our way through the coronavirus? Or, what is a movie you recommend for isolation, or hanging away from everybody else? Leave your comments below, this can be great conversation starter for everybody tuning in! Who knows how long this is gonna go on? But holy crap, I need my head to stop spinning NOW. Scene Before is, and always will be, your click to the flicks, and your destination of all your movie needs during this apocalypse! Why couldn’t it have been zombies? Why this?!