“The LEGO Movie 2: The Second Part,” AKA “The LEGO Movie 2,” AKA “The LEGO Movie 2: Part 2,” AKA “The LEGO Movie 2: The Fourth LEGO Movie In This Current Franchise,” AKA “The LEGO Movie 2: The One After The LEGO Movie” is directed by Mike Mitchell. This film stars Chris Pratt (Guardians of the Galaxy, Jurassic World), Elizabeth Banks (Power Rangers, The Hunger Games), Will Arnett (Teenage Mutant Ninja Turtles, Arrested Development), Tiffany Haddish (Girls Trip, Uncle Drew), Stephanie Beatriz (Brooklyn Nine-Nine, Ice Age: Collision Course), Charlie Day (Fist Fight, Pacific Rim), Alison Brie (BoJack Horseman, The Disaster Artist), Nick Offerman (Parks and Recreation, The Founder), and Maya Rudolph (Grown Ups, Saturday Night Live). This film takes place five years after its predecessor, exposing what exactly happened as a new, invasive LEGO army referred to as LEGO Duplo turns the happy go-lucky land of all its LEGO citizens into pieces of crap. Survivors are camping out in a city referred to as Apocalypseburg, which is basically a Mad Max-like wasteland in LEGO form. However, that’s not all, because the main character of Emmet must go on a quest to save his recently captured friends.
This film is the sequel to the box office and critical success that is “The LEGO Movie,” which to me is one of the most surprising flicks ever made. On paper, “The LEGO Movie” is one of the dumbest ideas of all time, despite how it somehow worked for video games over the years. It’s a movie about plastic building blocks that take forever to assemble and will instantly kill you once you step on them, and it somehow worked. And I don’t just mean worked, it’s up there with “The Hobbit: The Battle of the Five Armies,” “Whiplash,” and “Interstellar” as one of my favorite movies of 2014. Such a great year for movies. AND I’M STILL PISSED IT DIDN’T GET NOMINATED FOR BEST ANIMATION AT THE ACADEMY AWARDS! Dumb f*ckery indeed! In fact, when I go to the movies, one of my frequent partners is my father, and I never see him have such a passion for many of the new releases we go see together. “The LEGO Movie” is one of the few exceptions. In fact, I’d say I’m willing to bet he likes “The LEGO Movie” more than I do, which says something especially given how I gave it a 10/10 score when I reviewed it here on Scene Before.
When it comes to the sequel however, it’s… just… good.
I am somewhat disappointed with the results of “The LEGO Movie 2: The Second Part.” While there is still LOTS of fun to be had, while there is still TONS of humor, while there are still MANY grand ideas, it just suffers from being less of a “family” movie, and catering a little more towards the kids. “The LEGO Movie 2” may be an enjoyable experience, but it drags a bit from its occasionally kiddy and less than satisfying original song track. I am not saying that the original “LEGO Movie” had no original songs put in, “Everything Is Awesome” was the definition of “catchy pop earworm.” In fact, I think there’s a song from “The LEGO Movie” that is significantly underappreciated.
Darkness!
No parents!
Continued darkness!
More darkness, get it?
The opposite of light!
Genius! Those are the actual f*cking lyrics to Batman’s Untitled Self Portrait! Sadly, we don’t get any songs as cool as that, or even as cool as the kick-ass opening number in “The LEGO Batman Movie.” However, I must say, Batman is as cool as ever.
Comic book nerds, if you guys are having a debate as to who the best on-screen Batman happens to be, this universe’s LEGO Batman (Will Arnett) interpretation BETTER qualify in your future debates, because he is freaking spectacular! There’s a meta joke in this movie between him and another character where he goes on about how awesome he is just because there were “nine movies already made about him and three currently in development.” Batman shines once again as being the ultimate version of a superhero narcissist. I can’t dive much deeper than that because, well, spoilers.
When it comes to the main character of Emmet (Chris Pratt), one part of this movie that I kind of dug is how despite being able to save an entire universe, Emmet is still technically lacking any special traits, which is pointed out in the first few moments of the flick. In fact, he’s literally back to being the same old hyperactive, giddy, happy go-lucky optimist that we were introduced to into the first movie. There’s a rehash of the first scene from the original movie when Emmet wakes up and says good morning to his city, but this time it is to his apocalyptic wasteland.
Speaking of things taken from the first movie, the movie continues its meta humor trend. I already mentioned the Batman thing, but there is a vast amount of other insertions of meta humor throughout. They make fun of convenient movie tropes. For example, hasn’t anyone ever noticed how slow doors close in movies for dramatic effect? There’s a brooding scene where the characters realize exactly how angsty they are. And there’s even an entire character dedicated to making fun of Chris Pratt!
“The name’s Rex. Rex Dangervest. GALAXY-DEFEDING ARCHAEOLOGIST, COWBOY, AND RAPTOR TRAINER WHO LIKES BUILDING FURNITURE, BUSTIN HEADS, AND HAVING CHISELED FEATURES PREVIOUSLY HIDDEN UNDER BABY FAT!”
In other words, you have Chris Pratt from other movies, combining his own characters from “Guardians of the Galaxy,” “The Magnificent Seven,” “Jurassic World,” and even Emmet himself! THANK! YOU! WRITERS! I will say, he was not as funny as I was expecting him to be (I may have hyped him up a little more than necessary), but he was still pretty dope. I will say, should they make another “LEGO Movie,” I really hope Universal undoes the cancellation of “Cowboy Ninja Viking,” because that was supposed to star Chris Pratt and if that movie comes out before “The LEGO Movie 3” and if Rex Dangervest makes a return, it would be interesting to see a modernized version of him where he partially contains the personality of the main character of that movie. That way, instead of being a galaxy-defending archaeologist, cowboy, and raptor trainer, he will then become a galaxy-defending archaeologist, cowboy ninja viking, and raptor trainer. Make it happen Warner Animation Group! Also, Universal, make that other project happen too.
If worst comes to worst, they can evolve him to “galaxy-defending archaeologist, cowboy, raptor trainer, and ship roamer.”
If you don’t get that last one, just watch “Passengers.”
On second thought, don’t watch “Passengers,” it’s not a good movie.
This movie, much like the first one, has a handful of cameos. You’ve got the DC Universe, Gandalf, Abraham Lincoln, Ruth Bader Ginsberg, Gary Payton, Sheryl Swoopes, even John McClane from “Die Hard” (or if you are IMDb, Bruce Willis)! And by the way, Bruce Willis actually has a voice in this movie! That is brilliant in every sense of the word! When it comes to this movie, it is a frenzy of fantastic ideas that are sadly hindered by musical numbers that are occasionally a pain to get through (although there is a good one featuring DC characters). I just feel like this movie is a kiddier version of its predecessor. Granted, it could definitely be worse. There aren’t many poop jokes that I recall, which is DEFINITELY a good thing.
Phil Lord and Christopher Miller worked on this movie, not the in the directing department, but they still worked on it, just like they did with the first one, and the duo are becoming two of my favorite people working in the industry. Between “The LEGO Movie,” “Spider-Man: Into the Spider-Verse,” “Cloudy with a Chance of Meatballs,” and what I imagine would could MAYBE be a better version of “Solo: A Star Wars Story???” I feel that this duo is becoming more and more relevant by the day, with this movie being the duo’s latest success. Granted it falls more into “Cloudy with a Chance of Meatballs” territory as opposed to “Spider-Man: Into the Spider-Verse” territory, but still. These two have a pretty solid track record thus far, and it is quite possible they could end up building a legacy similar to that of Christopher Nolan, Steven Spielberg, or Wes Anderson in the near future. Granted, I have not seen all of Lord and Miller’s work. I still haven’t seen “21 Jump Street” despite having owned it on Blu-ray for quite some time. I have faith in the Lord and Miller duo, and while this is be one of their inferior films, they still have my respect.
In the end, “The LEGO Movie 2” is a solid time at the movie theater. I’d say bring the kids, chances are they will end up enjoying it. If you really enjoyed the first “LEGO Movie,” you might find enjoyment in this as well. I will give praise to the “The LEGO Movie” franchise as a whole for having a consistent feel that doesn’t really come off as tiring. It’s lighthearted, wacky, creative, and amazingly fast-paced. I can’t confirm entirely given how I skipped on “The LEGO Ninjago Movie,” but I’ve seen three of this universe’s films at this point, and all of them have been at the very least, entertaining from start to finish. Is this the worst of the LEGO franchise? Yes, but it’s better than stepping on a LEGO brick. But to be completely real, just about anything is. I’m going to give “The LEGO Movie 2: The Second Part” a 7/10. Thanks for reading this review! If you are subscribed to this blog, stay tuned because it is currently Oscar season, and there is a good chance that I’ll have at least one post related to the Academy Awards coming up in the near future. I’ve made it a tradition to do a recap, which I may do again this year. And to be honest, I have the exact opposite of good feelings for this year’s ceremony. Between how the Academy has treated its technical members, to nearly implementing a Best Popular Film category, to not having a host this year, I am just scared at this point! But fear not! Because I just did my own awards show! If you want to view the 1st Annual Jackoff Awards, there’s a box down below that will take you right where you need to go! I should warn everyone who plans on reading this thing, BUCKLE UP, because it is a LONG post. But it is intentionally long, it’s a creative choice! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see “The LEGO Movie 2: The Second Part?” What did you think about it? Or, of the current franchise of LEGO movies, which is your favorite? Let me know down below! Scene Before is your click to the flicks!
WARNING: The following post is nearly 11,000 words long. If you are able to make it through this entire post, I applaud you. However, your life is under your control, and you should decide how long you can read this for. I am not the judge of you, nor am I your boss. You should be able to decide how long you should gloss. Enjoy!
*All copyrights belong to their respective owners*
Hey everyone, Jack Drees here! You have now entered the Cinema Zone. You are now about to witness the most important awards ceremony of all time. An event so grand that every celebrity earning such an award will brag about it to their friends and family. *Drumroll* The Movie Reviewing Moron presents… The Jackoffs!
*SEES NO AUDIENCE*
Disappointing.
But the show must go on! Today we are going to be celebrating and reflecting on what the Movie Reviewing Moron seems to see as the best in film. Similar to other awards ceremonies related to movies, there will categories dedicated to acting, directing, music, categories such as those. Also, much like those award shows, these are all appetizers for Best Picture, which I can guarantee you, will be the TRUE best picture this year. All of those other fake award ceremonies? Forget them! This is serious business! There’s also going to be some stuff on the side as well, so stay tuned. However, if you have seen my top 10 BEST movies of 2018, you’d already know what my best picture is. With that in mind, I decided to do something a little different than me picking a Best Picture winner. Given how my mind can change on what the top 10 movies of 2018 are, and I have an audience who also goes out to support film, I decided to reveal my top 10 best movies as of the point where I announce the nominees, and have others pick the best movie of the year. And for those who are curious to look back at my top 10 list from this past year, I will spoil the fact that the list has changed slightly since I’ve completed it. As for other categories, every other category from Best Actor to Best Original Song to Best Sound Editing to Best Original Screenplay is all from my mind.
Before we get to the nominees and winners however, I would like to point out that I have not seen every single film in 2018, therefore some of the nominations probably would be something where you’d beg to differ. One movie that has been getting a ton of buzz this Winter for example is Disney’s “Mary Poppins Returns.” Many people have enjoyed the movie, noted Emily Blunt’s performance, not to mention its music. I can’t say I’ve seen that movie, and I haven’t seen the original either. With that in mind, it just makes no sense for me to see this movie at this point for sake of putting it in any of the categories.
So, before we start revealing who was nominated and who won, I have to remind everyone, this IS an award ceremony. Most award ceremonies tend to be lighthearted, fun, and have some random jabs intact. This is a segment brought on despite no demand, “Jack Drees Tells Jokes to Nobody in Order to Please Himself.”
I’m going to state some facts about this year in film, and since there is no audience here, there will be no laughs. But since I want people in my life, I guess I will have to imagine there will be people laughing at my jokes, no matter how stupid the jokes really are. And I must say, 2018 really has been an excellent year for film, and I’m not just saying that. It’s one of the best years for film ever, as long as you weren’t dusted by Thanos, Tom Cruise’s broken leg, eaten by a Megalodon, or Tom Hardy attached to a parasite.
In January, the final installment of the “Maze Runner” trilogy, “Maze Runner: The Death Cure” released to the public. The main antagonistic side of the movie involves a corporation called “WCKD,” which is pronounced similarly to “wicked.” Viewers haven’t heard the word “wicked” so much since that one trip they took to Boston. Coincidentally, that last trip some of you might have taken was to see grown men and a supposed cheater hold a properly inflated trophy.
Emily Blunt appeared in a couple movies this past year, specifically “A Quiet Place” and “Mary Poppins Returns.” Both movies have a notable segment involving a bathtub. So far, Blunt has no movies scheduled for 2019, but I have a thought on the title of the movie Blunt will take on next. It’s called “The Shower.”
“First Man” released this year in October. While not everyone found it to be great, I found it personally to be one of the best films of the year. This film is partially about the Apollo 11 moon landing, and it is confirmed in this movie, that Ryan Gosling and Damien Chazelle fake the moon landing. IT WAS SHOT ON EARTH! IT’S A FAKE! IT WAS ON A FILM SET THE WHOLE TIME!
AMC Theatres introduced a new subscription service as part of their Stubs membership lineup. For $19.95 a month you can see 3 movies a week without charge in any format at an AMC location. The plan is called AMC Stubs A-List. This would be great for juvenile delinquents, because now you can sneak in the back of the theater in a slightly more sophisticated manner.
This recently mentioned plan was known to be a competitor to cheaper organizations such as MoviePass and Sinemia. I gotta give some props to MoviePass though, because the company’s CEO also happened to once be an executive at Netflix, so it’s possible they secretly have partial rights to the word “chill.” Imagine you’re a guy texting your girlfriend, “Hey, MoviePass and chill? ;)” You two decide to go to the cinema and see a romantic comedy. Then the sex scene arrives, and it’s time to take off your clothes and make physical contact with each other! The guy is probably going, “I have never been so immersed in a movie in my life!”
The guy’s probably young and got an uncontrollable sex drive.
However, it is also true that MoviePass has had some struggles this year. Their stock kept decreasing, they did a reverse stock split, the app crashed, and there were occasionally limited options of movies you were allowed to see. In other news, sneaking in the back of the theater is still free.
One of the later releases of December was “Holmes & Watson.” The movie earned lowscores from critics, with many giving it the final verdict of “S*it, Sherlock.”
John Cena was in a couple films this year, including “Blockers” and “Bumblebee.” While both films aren’t widely regarded as horrible, the biggest problem is that we could actually see John Cena.
One of the releases we’ve gotten over the summer is a movie called “Billionaire Boys Club,” starring Ansel Elgort, Taron Egerton, Kevin Spacey, Jeremy Irvine, Cary Elwes, Emma Roberts, Billie Lourd, Suki Waterhouse, and Judd Nelson. This movie earned $126 on opening day, making it the worst thing Kevin Spacey’s ever d—whoops! Sorry! Did I really just say that?! I sincerely apologize!
“Unsane,” a rather unique flick, released this year. What makes it unique? It was shot using an iPhone 7 Plus. It’s a good movie, but the problem is that every time it is shown in a movie theater, there would always be at least one person who wouldn’t turn off their phone.
Here is a fact some people might not know about. As of last year, Tom Cruise has starred in two films which are at the very least, partially named after Bethesda video games, Cruise did “Oblivion” in 2013, and just last year he did “Mission: Impossible: Fallout.” Neither of those movies are linked to the video game franchises, they just borrow the name. But in all seriousness, I just can’t wait for one of his future films, “The Mummy 2: The Evil Within.”
James Gunn, director of the two recent “Guardians of the Galaxy” flicks, was fired by Disney and prevented from directing the third installment in the franchise. He was eventually hired by Warner Bros. to work on “Suicide Squad 2,” which he is going to improve by adding in one thousand talking trees. Each one of them is going to say “Hodor.”
So it’s a “Game of Thrones” crossover. It’s gonna be great.
One of the more successful movies of the year, both critically and financially, is Bradley Cooper’s “A Star Is Born.”
It featured Lady Gaga’s most brilliant performance since her portrayal of the crazy lady hanging on wires from the Super Bowl 51 Pepsi Halftime Show.
“Black Panther” was a huge success this year, making the second highest box office total worldwide for 2018, not to mention, more money in the United States than “Avengers: Infinity War.” In other words, “Black Panther” is the most popular creation associated with the “What Are Those?” meme of all time.
One film that unfortunately cancelled production this year is a graphic novel-based project called “Cowboy Ninja Viking.” This movie was originally supposed to be called “The Overpolished Halloween Costume.”
Speaking of Halloween, A new “Halloween” movie came out this year, which simply went by the title, “Halloween.” Keep in mind, while some might call this lazy marketing, this just goes to show that nothing is superior to the original.
“Mamma Mia!: Here We Go Again,”came out this year, featuring Meryl Streep, and just for having a job this year, Streep automatically gets an award!
“Incredibles 2” came out this June after a 14 year wait from the release of the original installment. For the parents raising kids who grew up with the first movie, you didn’t have to teach them patience. Disney and Pixar had that covered.
I remember as a kid, one of the movies I rented from Blockbuster multiple times was the original installment of the “The Incredibles.” Sadly, the store I frequented has been closed for over a decade now. And as of this point, there is only one Blockbuster Video still open. When there were three open this year, two of them were located in Alaska. A state whose stores surprisingly, seemed to have disappeared faster than the ice caps.
Hey, I said in the preview this wouldn’t be politically heavy! This is a human issue! Also, one for polar bears.
The HBO show “Last Week Tonight with John Oliver” tried to help keep the Alaskan Blockbuster stores in business by buying items from Russell Crowe’s divorce auction and donating the purchases to the stores. One of the notable purchases was a jockstrap worn by Crowe during Ron Howard’s “Cinderella Man.” Imagine if somebody wanted to rent that thing! “I’ll take this for five days, I just need it to win a contest at Comic-Con, and I’ll give it back.”
Speaking of Blockbuster, the company’s one remaining store is located in Bend, Oregon. This store managed to create its own beer to celebrate its lonely status. I didn’t do any research, but I’m pretty sure it gets you drunk really fast. So fast in fact for those who drank it, the biggest side effect was renting all the “Sharknado” movies.
It has been announced earlier this year that Illumination, the creators of “Despicable Me,” plan to make an animated “Super Mario Bros.” movie. In this movie, two brothers will show off their secret weapon, jumping.
“The Favourite” was one of the best reviewed films of the year, containing praise-worthy performances from actors including Olivia Colman, Rachel Weisz, and Emma Stone. The movie is also an accurate description of everyone’s worst experience while riding a horse.
One of the final releases from 2018 is the highly-praised “Vice,” directed by Adam McKay. This movie is about Dick Cheney, making it one of the longest dick pics in history.
“If Beale Street Could Talk” was also a big hit this year with critics. For those of you who don’t know, “If Beale Street Could Talk” is directed by Barry Jenkins, the same guy who helmed 2016’s “Moonlight.” Today, in honor of that, I’m going to announce who won Best Picture, and give a special, honorary participation trophy for reading the wrong card.
Now since this is an award ceremony dedicated to honoring film, I might as well recognize movies everywhere, no matter what genre, franchise, time length, or even overall quality rating. Before we get to our first set of nominees, let’s take a look back what Jack Drees saw in 2018.
Maze Runner: The Death Cure
The 15:17 to Paris
Black Panther
Annihilation
Tomb Raider
Ready Player One
Blockers
Pacific Rim: Uprising
A Quiet Place
Avengers: Infinity War
Isle of Dogs
The Commuter
Life of the Party
I Feel Pretty
Solo: A Star Wars Story
Revenge
Adrift
Tag
Incredibles 2
Deadpool 2
Won’t You Be My Neighbor?
Uncle Drew
A Wrinkle in Time
Ant-Man and the Wasp
Hereditary
Mamma Mia!: Here We Go Again
Skyscraper
Mission: Impossible: Fallout
The Last Movie Star
How to Talk to Girls at Parties
The Hurricane Heist
Gringo
Eighth Grade
Love, Simon
Game Night
Kin
Peppermint
The Meg
The House with a Clock in Its Walls
Venom
A Star Is Born
First Man
Marrowbone/The Secret of Marrowbone (same movie)
Bohemian Rhapsody
The Grinch
Second Act
The Spy Who Dumped Me
Ralph Breaks the Internet
Red Sparrow
Sorry to Bother You
Operation Finale
12 Strong
Spider-Man: Into the Spider-Verse
Gotti
Welcome to Marwen
First Reformed
Unsane
Vice
The Favourite
Aquaman
Hotel Artemis
The Mule
Instant Family
Beautiful Boy
Green Book
Roma
Cold War
BlacKkKlansman
Let’s announce some winners!
First up, is Best Supporting Actor. In the world of superheroes, they’d be the sidekick. In the world of gaming, they’d be player two. In the world of driving, they’d be in the passenger seat. However, in the world of acting, they are compelling characters who have come to enlighten generations. These five nominees are likely to do the same. Here are the nominees for Best Supporting Actor.
Sam Elliot (A Star Is Born)
Timothée Chalamet (Beautiful Boy)
Michael B. Jordan (Black Panther)
Mahershala Ali (Green Book)
Sam Rockwell (Vice)
And the Jackoff goes to…
Mahershala Ali in “Green Book!”
Deciding on a winning nominee for this category was not easy. When you compare Ali to the other performers on the list, Chalamet is a brilliant, young performer who has a bright future ahead. Rockwell did a terrific portrayal as George W. Bush in “Vice.” For awhile I thought Sam Elliott could take the cake because he was perhaps my favorite part of “A Star Is Born” in the acting department when I think about the film sometimes. However, Ali is a fine actor, as proven already in 2016’s “Moonlight,” and once again in “Green Book.” He has played a character who starts out as stoic and emotionless to occasionally belting out a mix of feelings as the film continues. As the first winner of the very prestigious and important Jackoff Awards, Ali should feel proud of himself, congrats! Here is a clip of Mahershala Ali in “Green Book.”
Our next couple of categories involve sound. One understandable question that can be looked up on Google is the difference between sound EDITING and sound MIXING. The sound editing involves the incorporation of sound in general, but the sound mixing involves determining how exactly an audience will hear all of the movie’s sound. The hint to remember all of this, E comes before M. Appropriately, the award for sound editing will be done first. Here are the nominees for Best Sound Editing.
A Quiet Place
Avengers: Infinity War
First Man
Mission: Impossible: Fallout
Ready Player One
And the Jackoff goes to…
“Ready Player One!”
“Ready Player One” is a movie that to me, excelled in just about every technical category imaginable. When it comes to sound editing, “Ready Player One” shines for having some of the most unique sounds of the year. Some of my favorites include the coins, the automobiles, and the Holy Hand Grenade. “Ready Player One” made my top 10 list of 2018 marking my personal best spot this year for sci-fi, and based on how the sound can immerse a viewer like me, it is easy to see why. Congrats to “Ready Player One,” hopefully its sound crew will be able to buy some bottles of wine with some nifty in-game coins as an indulgence for this award.
Let’s take a break from awards and focus on something that totally isn’t deceiving. Marketing.
For each Best Picture nominee, we are going to give them a special preview. I have copied and pasted a trailer for each movie directly from YouTube, so feel free to watch for your own pleasure.
Our first Best Picture nominee is proof that sometimes, sequels can be better than the original. Having seen several movies this year, many of the experiences of watching them have been great, but there were little to none that would get me to say to myself, “holy crap,” once the movie concluded. The film’s star, Tom Cruise, has gone through tremendous obstacles including a broken leg, helicopter flight training, real-life HALO jumping, and one of the most ambitious running scenes put on screen. The director, Christopher McQuarrie, has worked with the star before, delivering sick action, a continuation of what audiences have come to witness before, and perhaps one of the best sixth installments in a franchise ever made. Nominated for 5 Jackoff awards, THIS is “Mission: Impossible: Fallout.”
Going back to nominees, and moving away from the totally not deceptive concept of marketing, I have nearly decided to skip the sound mixing category, but that would make me more deceptive than a lot of movie trailers coming out today. Nevertheless, the sound mixing department in film is the group of people that not only lets an audience hear magic, but a certain level of magic. Here are the nominees for Best Sound Mixing.
Annihilation
A Star Is Born
First Man
Mission: Impossible: Fallout
Ready Player One
And the award goes to…
“Mission: Impossible: Fallout!”
“Mission: Impossible: Fallout” manages to immerse me into the movie by not only having a great, up-to-date sound selection, but by making me feel like my ears are occasionally being pierced by a bullet hole. The helicopter scene puts you right in the middle of the action with an obnoxious machine, followed by a feast of flying bullets at a magnificent volume. While it is nowhere near as loud or obnoxious as last year’s “Dunkirk,” it is a feast for the ears. Well done to the “MI” team and congrats on the award, should you choose to accept it!
Up next is an award that honors all who assemble the film’s cast. They say that it does not matter what is on the outside, it’s on the inside that counts. However, some feeling inside me has decided to award a certain group of people who have dedicated their time and effort to making sure one’s outside is as presentable as possible. Here are the nominees for Best Makeup & Hairstyling.
Aquaman
Bohemian Rhapsody
The Favourite
Operation Finale
Vice
And the Jackoff goes to…
“Vice!”
“Vice” is a movie about Dick Cheney and how he practically oversaw the operations of the US government while W. Bush was in charge. This movie actually partially took place during the 2000s, but I gotta say, you know that meme going around now that tells others how you look now compared to a decade ago? I would love to do a post on Twitter or Instagram or something for these people in real life and their film counterparts just to show how identical they look to each other. Plus, regardless of how Cheney even turned out, whether this is really a Cheney look-a-like or not, and this movie’s Cheney IS a look-a-like, don’t argue with me. I will give enormous props to the makeup department for taking Christian Bale, a guy who is in his forties, and making him look like an uppity grandad! It kind of reminds me of “Darkest Hour” which takes Gary Oldman and turns him into Winston Churchill. Overall, “Vice” is a polished film and made up for whatever faults it made before.
Our second Best Picture nominee, if you think about it, took ten years to actually complete and release to the public. Maybe six depending on who you talk to. This film is based on a comic book franchise, so if you think about it, it’s like the “Boyhood” of comic book movies. This is a film that has been built up for a decade, for nearly twenty installments in a single series, with two of them having the identical franchise name. For many comic book fans and general audiences alike, this film managed to go in a different direction as opposed to what some would traditionally expect. Many of the characters people have come to love in this film series have returned for an epic showdown against the no good, terrible, absolutely revolting, Barney the Dinosaur who wears a glove all the time. Nominated for 4 Jackoffs, THIS is “Avengers: Infinity War.”
I honestly think this movie’s crew should feel sympathetic. It stole all the money that other movies may have deserved. But then again, it’s nice to call something the highest grossing comic book film of all time so this is also something I find to be cool.
Anyway, going back to acting, here are the nominees for Best Supporting Actress!
Emily Blunt (A Quiet Place)
Claire Foy (First Man)
Rachel Weisz (The Favourite)
Amy Adams (Vice)
Leslie Mann (Welcome to Marwen)
And the Jackoff goes to…
Claire Foy in “First Man!”
Claire Foy is an actress who has been gaining tons of momentum in recent years. She is well known already for her lead role in Netflix’s “The Crown.” She starred in last year’s “Breathe” alongside Andrew Garfield. And she appeared in three films this year alone, with two having Foy as the star. I have actually seen Claire Foy this year in “Unsane,” which is a creepy, intriguing thrill-ride where she shines. But Foy is a different kind of shiny in “First Man.” Captivating, emotional, and a great description of everything I felt as an audience member during the experience, not to mention everyone who grew up in the 1960s. Congratulations to Claire Foy! Here is a clip of Claire Foy in her role as Neil Armstrong’s wife, Janet, in “First Man.”
The next category of nominations is dedicated to the makers of magnificently crafted, well-realized apparel of all sorts. These pieces of clothing are all worn on set during recording and behind the scenes. No matter how beautiful, glorious, or in some cases, how hard it is to actually wear, these pieces are all created by minds who have put time and effort into letting someone have a fashionable outlook for a given motion picture. Here are the nominees for Best Costume Design.
Kym Barrett (Aquaman)
Julian Day (Bohemian Rhapsody)
Sandy Powell (The Favourite)
Marlene Stewart (The House with a Clock in Its Walls)
Trish Summerville (Red Sparrow)
And the award goes to…
“The Favourite!”
No matter how the movie turned out, “The Favourite” has a plethora of costumes capable enough to take me into a time of old British royalty. The level of detail of just about every outfit was astounding and very fitting for the time period involved. “The Favourite” actually got a low score for me this year, specifically a 4/10. Said score still stands, but it does not mean I was unable to recognize whatever effort was actually put into the film. Olivia Colman actually felt like an entitled, reclusive, and occasionally helpless queen in her outfit. Kudos. Well done, and congrats to “The Favourite!”
Our third Best Picture nominee is a movie that comes from the mind of a legend in the filmmaking industry, Steven Spielberg. Based on the hit book of the same name, this movie tells a story set in 2045, where people have studied pop culture of the past as they try to win a special prize. Going through a virtual world created by a Steve Jobs-like nerd, the film’s characters and audience can gaze in wonder as they notice pop culture icons including the Iron Giant, King Kong, the Back to the Future DeLorean, the Akira bike, the Rubik’s Cube, and even Chucky. As one of this year’s most visually appealing films, not to mention one of the best sounding films, both in a pitch meeting and literally, it excels to please audiences looking for an immersive experience. Nominated for 4 Jackoffs, THIS is “Ready Player One.”
Our next award category is dedicated to the makers of the sets, the builders of dreams, and the masters of visual atmosphere. It is a production designer’s job to make sure a film presents itself in the best looking way possible. Here are the nominees for Best Production Design!
Bill Brzeski (Aquaman)
Curt Beech (BlacKkKlansman)
Fiona Crombie (The Favourite)
Nathan Crowley, Katherine Lucas (First Man)
Eugenio Caballero (Roma)
And the award goes to…
Nathan Crowley and Katherine Lucas for “First Man!”
The biggest praise I can give to “First Man” overall is its seemingly real vibe. When it comes to the filming locations and set design, that is shown off to the tenth degree. The interior scenes in the space center felt raw, and maybe even contributed to the feeling of danger and creeps throughout the film. A house was built in Georgia just for this movie alone, which may be unneeded, but also kind of interesting. Everything in the film had not only the appropriate feel for a space movie based on true events, but a movie that took place during the 1960s. Congratulations to “First Man” for the film’s SECOND win!
While production design may be the art that allows audiences to see pure joy. There is another category to be touched upon that allows audiences to hear pure joy. These five nominees have all created music to set the mood, set the tone, set the vibe, and remind us that a world without music is a world without emotion. Here are the nominees for Best Original Score.
Geoff Barrow, Ben Salisbury (Annihilation)
Marco Beltrami (A Quiet Place)
Justin Hurwitz (First Man)
Alexandre Desplat (Isle of Dogs)
Lorne Balfe (Mission: Impossible: Fallout)
And the Jackoff goes to…
Geoff Barrow and Ben Salisbury for “Annihilation!”
Wow! Another team win! Part of the reason why “Annihilation” won in the first place has to do with the overall experience of watching the movie. I was very much looking forward to the film’s release, but I wondered what the music would be like. In fact, during the trailer for the film, one of the film’s iconic tunes, “The Alien” can be heard. This sounded a bit odd at first. Not life-ending, but odd. In the film however, I cannot imagine any other song replacing it when it plays. It was literally an experience of endless vibrations when I first heard this thing of beauty in the theater! This film also manages to have a nice blend of calm, joyful music, alongside a mix of creepy-crawly music. It’s this mix, and the amount of talent behind the crew that lead to this win. Congrats to “Annihilation!”
Our fourth Best Picture nominee comes from a rather strange place, Netflix. This film comes from the mind of acclaimed director Alfonso Caurón. He has had experience working with a popular IP, such as “Harry Potter,” while simultaneously producing well done original material such as “Gravity.” After those big, boisterous films, Caurón has decided to make a project that apparently people would want to watch in a select number of theaters, and for others, on cell phones. This is a film that takes place near Mexico City as a family and their housemaid go through their daily lives. We also witness joy, drama, and heartbreak in a compelling story about life itself, and how difficult it can be. Nominated for 7 Jackoffs, THIS is “Roma.”
As I have previously exposed, I have seen a lot of movies in the year of 2018. A lot of them by the way, were great! In fact, I’d say the positives for 2018 definitely outweigh the negatives. However, there is a saying for movies, much like a ton of other art forms, there is no such thing as the “perfect movie.” Even the best movie ever, like “The Godfather,” “The Shawshank Redemption,” “The Dark Knight,” “Star Wars,” “Pulp Fiction,” even “Jaws,” all of those movies don’t have what it takes to be technically perfect. You know what? Maybe that saying is right. That’s why I decided to take some movies I saw this past year and tweak them just a little bit to make them a more quality product. Enjoy.
The next category belongs to the makers of computerized and practical effects. No matter how complex, how flashy, how realistic, the five artists and crews behind the visual effects of their respective films have all demonstrated excellence in allowing an audience to be dazzled, wowed, and in awe. From taking them to new worlds, to providing them with previously unknown feelings, and introducing them to concepts beyond one’s imagination, all of the nominees should feel proud of themselves. Here are the nominees for Best Visual Effects.
Annihilation
Aquaman
Avengers: Infinity War
First Man
Ready Player One
And the Jackoff goes to…
“Ready Player One!”
To me, there was literally no other movie that even held a candle to “Ready Player One” this year from a visual perspective. Watching “Ready Player One” was like watching two different movies in one because you have this story that takes place in an entirely digital universe and you have the other one which is in the real world. While there are certain effects to be seen in the real world, it is the digital world that shines as bright as Albert Einstein. The amount of time that must have taken to actually blend a feel of realism while simultaneously feeling like a video game is seemingly unfathomable. Steven Spielberg said this movie was one of the harder ones he had to create, and understandably so. I have to give massive credit to the other contenders. “Avengers: Infinity War” is a visual effects extravaganza that looks great on the big screen. The same can also be said for “Aquaman.” “First Man” actually took me to the moon and back. F*cking well done if you ask me. And for “Annihilation,” the visual effects not only looked great, but they fit the crazy feel of the film which gave it a “2001” vibe at times. However, congrats to “Ready Player One,” and its effects are a hi-five/hi-five.
As mentioned in my nomination announcements, I didn’t announce EVERYTHING that was going to be in this post. I wanted to leave some surprises to my viewers. One of which includes TWO lifetime achievement awards.
But, before we announce the winners, I have to ask one question. What is the meaning of life? That is a question all of us seem to ask at least once. To some, life may be an overrated board game. Life could be the reason for anything. The ups, the downs, even the mediocrity. Here and now, it is my honor as mentioned, to present not one, but two lifetime achievement awards. For those of you who are wondering, I did not plan some in memorium video or line of text for this ceremony. Maybe I’ll do that in years to come, but that was not my original intention. Instead, I figured what I’d do is for one of my lifetime achievement awards, I’d figure honoring someone who is currently still with us, and someone who is no longer with us. The first prize is going to be given to the living soul, because as Agent Smith once said, in “The Matrix: Revolutions,” “Everything with a beginning has an end.” We start off with life, and finish with an inevitable death.
The winner of the first ever Jackoff Lifetime Achievement Award is a cameraman known for his work which has been around since 1975. Since then, he has collaborated with actors including Ryan Gosling, Morgan Freeman, Emily Blunt, Jeff Bridges, John Goodman, Harrison Ford, Hailee Steinfeld, Matt Damon, Daniel Craig, Josh Brolin, Tommy Lee Jones, Ana De Armas, Amanda Seyfried, Bryce Dallas Howard, Joaquin Phoenix, Tim Robbins, and Adrien Brody. His resume consists of works of art directed by Frank Darabont, Joel Coen, Ethan Coen, Denis Villeneuve, M. Night Shyamalan, Sam Mendes, Angelina Jolie, Ron Howard, and Martin Scorsese. He has been nominated and recognized for several prestigious awards, 9 BAFTAs, an AFI, 6 Critics’ Choices, and 14 Oscars. And for those of you who don’t know his story, it’s not like he is part of the New York Yankees and he keeps on winning Academy Awards. This man was nominated for 14, and out of all of them, he only won one. Also, it’s not like he could get one off the bat, because guess how long he had to wait? FOURTEEN TIMES! Now keep in mind, this is the very first Jackoff Awards ceremony. For all I know it could be the only one, we’ll just have to see. But no matter the number of award shows we have, if it is one, two, fourteen, over a thousand, I dunno, I am proud to present the first ever Jackoff Lifetime Achievement Award to Roger Deakins.
Congratulations to Roger Deakins, had he known he was getting this award, he would probably have something to say. But I have to say, I love his camerawork, his style never ceases to amaze, and I hope his future work will continue showcasing his excellence!
Our fifth Best Picture nominee is a documentary. Given how I have seen very little documentary titles this year, there will be no category for Best Documentary, but this film managed to stand out to me. They say the world is full of ridiculous people who are idiotic, lacking care, and selfish. This movie manages to show a man who only wanted to spread joy to the world and all of its children, Mister Fred Rogers. It also shows a man who is the perfect embodiment of a friendly, loving, and caring person. Revealing steps forward in diversity, tolerance towards minorities and sexual orientation, and proof that silence can be a great gift, this documentary succeeds to please its audience and deliver an emotionally charging feel good story. Best Picture happens to be the only nomination this film is receiving during this ceremony, but keep in mind, this is a documentary, and had I done a documentary category, this movie would win it. For the record, this is the only documentary I have seen this year. THIS is “Won’t You Be My Neighbor?.”
Before moving onto the rest of the show, I would just like to have everyone know in case they are reading this at a time that is later than February 10th, 2019 or if they aren’t from the US, the Super Bowl happened a week prior to this. Now, the Super Bowl is often regarded as one of the biggest televised events ever. However, this year, some people would call it a failure, including myself. Maybe everyone is getting bored of the New England Patriots constantly being involved, but one fact to take into consideration regardless is that the ratings for this year’s Super Bowl is the lowest its been in a decade. To be fair though, this has applied to various types of live broadcasts all over as time has progressed. For those who did watch though, they got to watch what many to be found a boring game, with only 3 points scored by one team in the first half. The final score was the lowest in Super Bowl history (13-3), with only one touchdown executed during the entire game. However, if you’re me. One thing that I found absolutely atrocious and ridiculous this year was the Pepsi Halftime Show. For those who don’t know me, the Halftime Show is something I don’t tend to care about. Don’t get me wrong, even though I don’t care, some of the shows were pretty well done. Part of me was surprised that I actually liked the Lady Gaga Halftime Show from a couple years ago. No, I’m being serious, I’m not saying that only because I nominated her for Best Actress. She was pretty good! This year however, a petition was going around to get “Sweet Victory,” a song made famous from the “Spongebob Squarepants” episode “Band Geeks,” to be performed at this year’s halftime show as a tribute to the recently deceased Stephen Hillenburg, the show’s creator. The petition actually gained quite a bit of traction. So much in fact that it currently has over a million signatures. In fact, I signed it when it first came up. For the record, this song was performed during the show’s version of the Super Bowl, making it more than appropriate for this type of setting.
After awhile, it seems that the crew behind the Super Bowl responded. Just look at this tweet right here.
After all the teasing and announcements that lead to the absolute possibility of this happening… It did.
Well, sort of.
(Video unavailable to WordPress, click Watch on YouTube to view video)
Some time into Maroon 5’s performance, audiences saw a clip of Squidward Tentacles introducing “a true musical genius who needs no introduction.” We then see the opening horn fanfare of the song. This was getting EPIC. Then… It stopped. Instead of “Sweet Victory,” we get Travis Scott performing “Sicko Mode.”
What. The. Actual. Ass?
As a “Spongebob” fan, and someone who NEVER watches the Super Bowl for the Halftime Show, NOT EVEN FOR THE FOOTBALL, I cannot possibly feel more ashamed to have witnessed this in my lifetime, and I think the crew behind the next Super Bowl ought to make it a TOP PRIORITY to REDO “Sweet Victory” and actually PERFORM the song to millions of people! How about that? Well, I’m just a nobody. I have no power. But I do have editing skills. I don’t think I’ll ever do this again, but in honor of Stephen Hillenburg, the legendary creator of “Spongebob Squarepants,” a Nickelodeon cartoon which defined many childhoods of my generation… THIS… IS THE JACKOFF AWARDS HALFTIME MONTAGE!
And THAT… NFL and Pepsi, is how you pay tribute to a legend!
The next nominees are the ones who have taken the work of writers and directors, and realized them even further than they previously been realized. With constant time and effort on computers, software, flipping through video files, and more, these five nominees have taken moving images and audio, then eventually turned them into ambitious compilations. These are the nominees for Best Film Editing.
Barry Alexander Brown (BlacKkKlansman)
Tom Cross (First Man)
Benjamin Rodriguez Jr. (First Reformed)
Alfonso Caurón, Adam Gough (Roma)
Hank Corwin (Vice)
And the Jackoff goes to…
Alfonso Caurón and Adam Gough for “Roma!”
Another team win! Who knew? The nominees here were all equally excellent, making this one of the harder categories which I had to determine a winner. The reason why I chose “Roma” is a reason I feel could also associate with direction, screenplay, and cinematography. Keep in mind, this movie is nominated for all three of those other categories. With the excellence of those other categories in mind, the way those were executed in an editing job such as this, honestly makes this movie better as a whole. Another thing to keep in mind is how personal of a project this is for Alfonso Caurón, because all those things I just mentioned: the screenplay, cinematography, and direction. He did all those things for this one movie. I have a soft spot for people who are willing to take on projects with personal values. Granted, that is something Tommy Wiseau tried with “The Room,” but still. Congrats to “Roma” and its editors!
We live in a world where an apple can fall on one man’s had and enable him to create the “laws of motion.” However, in cinematic environments, not everyone comes from the same place. Sometimes there are worlds entirely dedicated to a religious holiday. Sometimes there is a world of heroes desperately waiting for work. Sometimes there is a multiverse of a Spider-people waiting to unite. Sometimes there is a world where arcade game characters can interact with each other and even go inside each other’s games. Sometimes there is a world where believe it or not, dogs talk and often like saying the word “I.” These five nominees have shown excellence in animated film and have inspired many to think outside the box. Here are the nominees for Best Animated Feature.
The Grinch (Yarrow Cheney, Scott Mosier)
Incredibles 2 (Brad Bird)
Isle of Dogs (Wes Anderson)
Ralph Breaks the Internet (Phil Johnston, Rich Moore)
Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman)
And the award goes to…
“Spider-Man: Into the Spider-Verse!”
If you were thinking anything else, I want you to think again. Because out of every movie that I’ve seen this year that’s animated, this was the only one which I gave a Best Picture nom to. In fact, one of these films is a dishonorable mention on my worst list. “Spider-Man: Into the Spider-Verse” is not only a surprisingly great film during such a fantastic time for comic books and superheroes, but also a unique take on the typical superhero flick. This is the film debut of the Miles Morales Spider-Man, and it is easy to say, I want more. Aside from the likable story and acid-trippy experience, this movie manages to separate itself from every other animated film this year based on its style alone. Literally every frame resembles a comic book! This is the 2nd best standalone “Spider-Man” film I’ve seen to date, so congrats to “Spider-Man: Into the Spider-Verse!”
Our sixth Best Picture nominee is a little independent film that tackles big topics. To me, I found it to be the perfect combination of science and religion coming together. This film begs the questions, should we stop having children? Is having children a sin in this current age? How much longer do we have before the Earth is no more? From a technical perspective, this film delivers excellent cinematography and images, all of which are presented in a full screen aspect ratio. With stellar performances from actors including Ethan Hawke and Amanda Seyfried, this film manages to have a place in a constantly changing world that may not be around forever. Nominated for 3 Jackoff awards, THIS is “First Reformed.”
These next two categories involve something a film can’t live without. A screenplay. Having gone through years of movie-watching, the screenplay has always been one of the most crucial elements to whether or not a movie could succeed. A comedy can’t succeed without humorous lines. A horror flick can’t succeed without outrageous scares. An action film can’t succeed without thrilling sequences. The nominees represented in these two categories have brought visions from the pages to the screen. Here are the nominees for Best Adapted Screenplay!
A Star Is Born (Eric Roth, Bradley Cooper, and Will Fetters)
Avengers: Infinity War (Christopher Markus, Stephen McFeely)
BlacKkKlansman (Charlie Wachtel, David Rabinowitz, Kevin Willmot, Spike Lee)
First Man (Josh Singer)
Welcome to Marwen (Robert Zemeckis, Caroline Thompson)
And the Jackoff goes to…
Eric Roth, Bradley Cooper, and Will Fetters for “A Star Is Born!”
Yet another category that could have been won by almost any of its nominees. I will admit, when I did my review for “A Star Is Born,” one of my minor criticisms involves some of the song lyrics. The same can be said about Lady Gaga’s nose, which I was not able to buy. But let’s be real about the movie. It’s a damn good story. It’s a story about two singers who find each other, make each other’s careers better, never back down from each other, and find love. It’s basically a perfect analogy for what happens when you become super popular and end up becoming a product as opposed to someone who just wants to share their visions with the world. Also, I got to give kudos to Bradley Cooper because he’s more known for acting, which he does in this movie, but now I am curious to see more of his writing material in the near future. Congrats to the writers of “A Star Is Born!”
Moving right along and sticking with the screenplay motif, here are the nominees for Best Original Screenplay!
A Quiet Place (Bryan Woods, Scott Beck, and John Krasinski)
Eighth Grade (Bo Burnham)
First Reformed (Paul Schrader)
Roma (Alfonso Caurón)
Vice (Adam McKay)
And the Jackoff goes to…
Alfonso Caurón for “Roma!”
Thought I was done talking about Caurón? Think again. While all five screenplays were worthy of a nomination, while some made me laugh, while some got me intrigued, there is not one screenplay to display the intensity and shock that I’ve seen this year than what I’ve received with “Roma.” There’s a lot of lines that make you want to feel like a part of the family in the movie. Some lines make you feel like you are along for the ride in this slice of life. And then there’s other moments where I almost wanted to crawl into the fetal position. There are many elements that go into the screenplay of “Roma.” Insanity, unexpected moments, complexity of life, tearjerkers, humor, sensuality, and perhaps even moments that nearly qualify as ones that can fulfill thrills. Congratulations to “Roma!”
Our seventh Best Picture nominee is a film that may be, to me, under a lot of people’s radars. Or, maybe I’m just plain stupid, and this nomination is an unpopular opinion. Steve Carell has shown himself to be one of 2018’s hardest working and overall best performing actors. His performances in “Beautiful Boy” and “Vice” were great, but there is one other film he was heavily involved in aside from those two. With his unique performance and collaboration with critically acclaimed director Robert Zemeckis, Carell manages to tell the true story of a grown man who plays an expansive version of dollhouse, and is absolutely proud of it. Nominated for 3 Jackoffs, THIS is “Welcome to Marwen.”
The next set of nominees have demonstrated excellence in camerawork. From wides done brilliantly to mediums done well and close-ups done extreme, the five nominees have all put in a tremendous amount of effort into their craft. Similar to how a movie’s story cannot exist without a screenplay, a movie’s display of a story cannot exist without camerawork. Here’s to those who have taken their best shots. Here are the nominees for Best Cinematography!
Cold War (Lukasz Zal)
First Reformed (Alexander Dynan)
Hereditary (Pawel Pogorzelski)
Mission: Impossible: Fallout (Rob Hardy)
Roma (Alfonso Caurón)
And the Jackoff goes to…
Alfonso Caurón for “Roma!”
And Alfonso strikes once more! If you ask me, one talent I find amazing in films is when one can produce a very long shot. Granted, there are times in “Roma” where they make it look easy. In fact, if you want to see a film that makes it look hard, I recommend “Mission: Impossible: Fallout!” However, there are several sequences where the camera never cuts and it is really just a thing of beauty. Part of me even wonders how they came up with a good amount of the material presented in the film. Plus, the rehearsals must have been tedious, but worth it. This is especially considering the fact that the star actually had no prior acting experience up to this point. Well done, “Roma!” Congratulations!
While a film’s score may often be recognized as its signature music, it does not mean that it is the only kind of signature music. While a film’s score can develop a reputation for being catchy, iconic, or magnificently crafted, it is the original songs that will likely receive many downloads on iTunes. These five songs have been partially synonymous with their specific films this year. Here are the nominees for Best Original Song!
I’ll Never Love Again- Lady Gaga, Bradley Cooper (A Star Is Born)
Shallow- Lady Gaga, Bradley Cooper (A Star Is Born)
Ashes- Celine Deon (Deadpool 2)
A Place Called Slaughter Race– Sarah Silverman, Gal Gadot (Ralph Breaks the Internet)
What’s Up Danger- Blackway & Black Caviar (Spider-Man: Into the Spider-Verse)
And the Jackoff goes to…
“Shallow” from “A Star Is Born!”
Did I mention in my review that I had lyric problems when it comes to the songs shown in “A Star Is Born?” Yes. However, this song was actually perfect. Not only was it a well crafted song, but the way it was executed during the movie was brilliant. You have a song written by the character of Ally, who has never performed live before. When she actually has the guts to perform live, the way Lady Gaga portrays her character is unbelievable when you remember that Lady Gaga herself has actually been singing for years. The song has perhaps been in association with this movie more than any other song, and honestly, I think it deserves to be that way. Congratulations to Bradley Cooper and Lady Gaga!
Our eighth Best Picture nominee is a film that either tells a true story that took place in outer space, or a faked attempt meant to fool TV viewers on a soundstage. This film is a look into the buildup, drama, and execution of one of the most ambitious scientific projects of the 1960s. Helmed by “Whiplash” and “La La Land” director, Damien Chazelle, one man and his crew prepare forever for a life-changing mission that takes them into the stars, and it is almost seemingly impossible that they’ll ever return home. It is a story of hope, aspiration, courage, and danger. Nominated for a shattering 10 Jackoff awards, THIS is “First Man.”
If you remember the bit I did earlier with the three movies where I slightly improve them, let me remind you, that was just the beginning. Because I really only improved one minor portion of the film. However, there is one film where I decided to improve a good chunk of it. If you have ever seen the movie “Ready Player One,” it is seemingly regarded as one of the nerdiest movies of 2018. Tons of Easter eggs, references, and inclusions of various IPs are seen throughout. Honestly, despite being one of my favorite movies of 2018, part of me is willing to argue that it’s not nerdy enough. Some of you might be thinking, “Hey, Jackass! Are you out of your mind?” No. Because I just made it nerdier! Ladies and gentlemen, I give you… “Ready Player One: NERDVANA EDITION!” Take a look!
Going back to the nominees, we have got some heavy hitters remaining, it is only a matter of time until Best Picture, but let’s just build up to it. Starting with Best Director. The director of the film is the one responsible for overseeing the key components of production. It is the director’s duty to guide, aid, and encourage people to complete a project. These five nominees have all created cinematic achievements that are likely to stand the test of time. Here are the nominees for Best Director!
John Krasinski (A Quiet Place)
Damien Chazelle (First Man)
Ari Aster (Hereditary)
Alfonso Caurón (Roma)
Adam McKay (Vice)
And the Jackoff goes to…
Alfonso Caurón for “Roma!”
Unreal! This is the FOURTH win during the same ceremony by Alfonso Caurón! Can you guys tell this is a passion project? “Roma” was one of the final movies I saw before I announced my nominations, and I knew before going in that some considered it to be a wonderful piece of art. Those people who have made those claims are absolutely right! Not only is this one of the most moving, emotional movies of 2018, it is also one of the most well put together movies of 2018! Again, with the efforts of Caurón in multiple positions, this movie just shows a little passion goes a long way. When I saw “Gravity” a few years ago, also directed by Alfonso Caurón, I was wowed. When I saw “Roma,” I wondered how Caruón still had a hint of sanity left in him. Congratulations, once again, to Alfonso Caurón!
Our ninth Best Picture nominee is a film that is filled to the brim with truth. It’s a film that shows how truly awful middle school can be. It’s a film that shows how truly stressful making friends can be. It’s a film that shows how truly confusing talking to your first crush can be. With the breakout performance given by the young Elsie Fisher, not to mention the brilliant screenplay and direction delivered by Bo Burnham, the two crew members and many more reveal the horrors of being a teenage girl in the 2010s. It also successfully showcases the pressure and stress of being a small YouTuber, who may be delivering positive content meant to please everyone, but doesn’t get enough attention in return. Nominated for 3 Jackoff awards, THIS is “Eighth Grade.”
Let’s move onto the final acting categories!
Each and every day on set, it is an actor’s job to obey the director, follow the script, and break a leg. From playing pretend as a kid to being a part of a production crew, acting is a universal pasttime. For actresses in 2018, some highlights include a singer who won’t sing her own songs, a teenager trapped in a world of social media and pleas for popularity, a queen who requires assistance maintaining the throne, a mother who must deal with the worst events of her family’s lives, and a housemaid who may be an employee, but also a welcome member to an alternate family. Here are the nominees for Best Actress!
Lady Gaga (A Star Is Born)
Elsie Fisher (Eighth Grade)
Olivia Colman (The Favourite)
Toni Collette (Hereditary)
Yalitza Aparicio (Roma)
And the Jackoff goes to…
Toni Collette in “Hereditary!”
“Hereditary” is a movie that is mainly solid due to its execution of technical genius. The opening shot is a thing of beauty. However, with technical stuff aside, Toni Collette doesn’t fail to impress in the realm of acting. In “Hereditary,” Collette plays a mother to a couple of kids. This is not to say her life as a mother is normal, which could be explained, but that would involve spoiling the movie. There are several scenes where I still recall Collette’s excellence as a performer since my first viewing of “Hereditary” in July. One example is during a scene where she, along with her husband and son, are sitting together at the dinner table. Such a scene can remind you of how to talk to your mother, not to mention how awkward family dinners truly can be. In fact, I have the scene down below! Here’s a glance at Toni Collette in “Hereditary!”
And now… after watching that clip, you have been hypnotized to NEVER sit at a table full of food with your family ever again.
Sticking with acting, it would be impossible to forget 5 more nominees who have dedicated their voice, physicality, and time into their respective roles. For actors in 2018, some highlights include a music star who finds love, a talented showman and vocalist who has inspired millions, a cop who tracked down white supremacists, a priest who is concerned for future generations of the Earth, and an artist who developed his own village of dolls. Here are the nominees for Best Actor!
Bradley Cooper (A Star Is Born)
John David Washington (BlackKkKlansman)
Rami Malek (Bohemian Rhapsody)
Ethan Hawke (First Reformed)
Steve Carell (Welcome to Marwen)
And the Jackoff goes to…
Rami Malek in “Bohemian Rhapsody!”
Well well well, well well. Yet another tough category! All of these actors are deserving of their nomination and have all killed it in their respective roles, but at the end of the day, I have to pick one. The reason why I chose Rami Malek is because he took someone who I have known about, I even did a project heavily involving him in sixth grade, and the actor transformed himself into this other person with excellence. “Bohemian Rhapsody” may not have made me look at all of its characters as much as Mercury, although that may just be a personal issue more than anything else, but I have to give it respect because it turned Malek into Mercury in the blink of an eye. Another thing I must point out, that might be significantly underrated is Malek’s ability to recreate Mercury’s movements. There is a comparison video online that can show the difference between Mercury and Malek during the Live Aid concert. Rami Malek, well done! Here is a clip of Rami Malek in “Bohemian Rhapsody!”
Our tenth and final Best Picture nominee is a film about what it means to be a hero. Well, guess what? It is what everybody asked for. ANOTHER “Spider-Man” movie! But this time, it’s animated. In a year of great superhero movies, this is one of the definite highlights. As one of the few movies this year featuring “Spider-Man” or characters related to his franchise, this film not only shows that Spider-Man is a role model type of hero that can truly take names, but that there is more than one “Spider-Man” out there. As the film debut of the Miles Morales “Spider-Man,” I personally almost couldn’t be giddier about how this film turned out. It has a unique animation style resembling a comic book, whacky action scenes, and fast-paced writing with smart humor that is delivered with excellence. Nominated for 3 Jackoffs, THIS is “Spider-Man: Into the Spider-Verse.”
All that remains for movie award giving tonight is Best Picture, however, we are not there just yet. First things first, I am handing out the second Lifetime Achievement Award of the ceremony.
The Jackoff Posthumous Lifetime Achievement Award is appropriately, being given towards the ceremony’s conclusion. While this year’s recipient is no longer with us, their legacy shall live on. The winner of the award is a man who has dedicated his life to inspiring millions, and unleashing his own imagination to share with the world. While he may not primarily be known for film, his inspiration over the years has translated into the art form, including a modern trend of comic book-based films, an innovative and successful cinematic universe, and a plethora of memorable cameos. Some of his notable movie lines include “I think I know that guy,” “I thought he’d be taller,” and “Oh man, I am so fired.” This winner is known for creating many of the characters that readers, TV and movie watchers, gamers, and nerd culture junkies have followed as time has passed. From Spider-Man to Iron Man. From The Incredible Hulk to the Fantastic Four. From Captain America to Captain Marvel. From Black Panther to Black Widow. All of these characters have established a legacy under one similar brand name, much like the creator himself. To this day, all of these characters have a place in popular culture, and are constantly changing the game in various art forms. It is my honor to declare the first winner of the Jackoff Posthumous Lifetime Achievement Award, is Stan Lee.
If Stan Lee were here today, he probably wouldn’t give two craps about this award unless I did a video of him doing a walk-on cameo. However, Stan Lee has proven to the world that he has had a magnificent life to share with mankind. Lee has given a tremendous gift to millions, so why not have someone hand a gift to him? Congratulations to Stan Lee, and should there be a second Jackoff Awards next year, this award will be named after him!
And finally, the moment you have probably all skipped to by endlessly scrolling down, Best Picture. These ten movies have all made an impact on me personally this year, however, it is not my decision to declare one of these films the best of the best under this current scenario. The reality is, all of these films are great, but to determine which film is the best, I left it up to the people to decide, and you guys decided! These are YOUR votes, not mine! According to the results, the poll for Best Picture has received 17 responses, and luckily, there is a true winner without any sort of tie. These ten movies were created for audiences everywhere to think, be entertained, enjoy themselves, and escape from reality. Through the hard work and ideas of crews of all sorts, it is hard to imagine another ten movies worthy of replacing this lineup. Here are the nominees for Best Picture!
Avengers: Infinity War (Kevin Feige)
Eighth Grade (Scott Rudin, Eli Bush, Lila Yacoub, Christopher Storer)
First Man (Wyck Godfrey, Marty Bowen, Isaac Klausner, Damien Chazelle)
First Reformed (Jack Binder, Greg Clark, Victoria Hill, Gary Hamilton, Deepak Sikka, Christine Vachon, David Hinojosa, Frank Murray)
Mission: Impossible: Fallout (J.J. Abrams, Tom Cruise, Christopher McQuarrie, Jake Myers)
Ready Player One (Steven Spielberg, Donald De Line, Dan Farah, Kristie Macosko Krieger)
Roma (Alfonso Caurón, Gabriela Rodriguez, Nicolas Celis)
Spider-Man: Into the Spider-Verse (Avi Arad, Amy Pascal, Phil Lord, Christopher Miller, Christina Steinberg)
Welcome to Marwen (Jack Rapke, Steve Starkey, Robert Zemeckis)
Won’t You Be My Neighbor? (Morgan Neville, Caryn Capotosto, Nicholas Ma)
And the Jackoff goes to…
“Avengers: Infinity War!”
“Avengers: Infinity War” has gathered its first and sole win of the ceremony. The movie was also nominated for three other Jackoffs including Best Sound Editing, Best Visual Effects, and Best Adapted Screenplay.
It just goes to show, when you give an audience the power to choose a movie to win Best Picture, chances are they’re going to snap their fingers and dust the other films away. This is a film that has been in development for a long, but effectively put together time. It takes the iterations of characters people have followed for a decade and puts them all in a love letter to blockbusters and comic book films. The screenplay is one of the most unique ever written for a comic book film, to the point where people in my life were shocked and dismayed by it, but based on their final verdicts of the film, they felt such feelings were delivered in a positive way. My review for the film was also unique, because I had to hide SO MANY THINGS from the eyes of the public because the reality is that “Avengers: Infinity War” has details that are meant to be witnessed for the sake of shock or surprise. Even now, almost a full year after the release of “Avengers: Infinity War,” there is a chance that someone would want to end my life, or at least threaten to do so over the Internet depending on what I say about “Avengers: Infinity War.” I personally to this day, find the film to be a game-changer. Sure, it is the nineteenth installment of a comic book-based movie series that has been going on for years, but that is part of the point. There are many movies out there that can succeed for being an original hit. There are many movies that can have stellar technical aspects or acting. However, how often can you say that we have a cinematic universe which has been built for ten years, with about twenty films, with the nineteenth being an ambitious culmination that made billions of dollars, became the highest grossing comic book film ever, and somehow manages to be a new favorite film for many people? Should Marvel Studios continue their efforts, is it possible that their cinematic universe could become more important than the “Star Wars” franchise? And if it is, that is certainly saying a lot. Congratulations to Kevin Feige and everybody else who worked on “Avengers: Infinity War!” You have won Best Picture!
Thanks for reading whatever this is! If you made it to the end of the post, I congratulate you for doing so. Well done. If you felt bored the entire time, I will remind you, there are worse things out there: jury duty, root canals, losing all your gambling money! This is the most experimental post I have ever done, I would appreciate any and all feedback if you feel it is necessary. If I listen to said feedback is currently a mystery, but I’ll certainly at least keep it in mind. I personally enjoyed doing this, despite how much time it actually took to complete the damn thing, but I found myself having a ball nonetheless. Will I do another one of these in the future? It MIGHT depend on the response, but I already have ideas for what I am going to do should I do a second year. Thanks to everyone for reading this! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, do you agree with my picks for the Jackoff Awards? What would you change, if anything? Let me know down below! Scene Before is your click to the flicks!
“Serenity” is directed by Steven Knight, who also directed “Locke” starring Tom Hardy, and this film stars Matthew McConaughey (Interstellar, Ghosts of Girlfriends Past), Anne Hathaway (Colossal, Ocean’s 8), Diane Lane (Inside Out, Man of Steel), Jason Clarke (Terminator: Genisys, Everest), Djimon Hounsou (Blood Diamond, Guardians of the Galaxy), and Jeremy Strong (Zero Dark Thirty, Molly’s Game). This film takes place on an isolated piece of land called Plymouth Island. Matthew McConaughey’s character of Baker Dill lives on the island, having a quiet life to himself. However, things become more obnoxious once his ex-wife (Anne Hathaway) comes to town with the hope that Dill would leave her current husband for dead in the ocean.
I saw this film over a week ago, and I know it is a January flick, but I still couldn’t help but feel somewhat excited for this film’s arrival. As strange as this thought may come off, I was kind of giddy because it starred Matthew McConaughey and Anne Hathaway. Not only are the two good actors, but they starred alongside each other in “Interstellar,” one of my favorite films ever made. So in a way, this is almost like a reunion. It would be cool if Christopher Nolan were directing, but still. I remember going to see “Peppermint” back in September and kind of being intrigued by the trailer for this film. I wouldn’t call “Serenity” my most anticipated film of the year or anything, in fact it’s hard to give that title to a January film anyway, but I was undoubtedly looking forward to it. I don’t know why I thought this was going to be a disaster movie walking into it (I rewatched the trailer to see if the marketing was deceptive, which it wasn’t), but still, I had expectations. Aaaaaaand they were shattered.
To quote the YouTube channel RedLetterMedia,
That’s right! While this post is being done in the just as crappy month of February, I have been exposed to the true cancer and filth of a January movie! Feelin’ the spirit!
What makes this January movie so bad? For one thing, the characters are just not likable. I was somewhat curious as to seeing what Matthew McConaughey would do with his character, and it pains me to say that the first impression I’ve gotten with such a character was just abominable. I have been thinking a bit lately about first impressions, and now that I am thinking about them, I have been reminded on how much they matter and how much of an impact they can leave on people. I have a friend who went to go see “Star Wars: The Last Jedi” when it came out who thought they were in for a wild ride once they heard one of the film’s early jokes. They walked out of the film hating the damn thing! I remember when I saw “La La Land” in the theater for the first time, and the first number comes on. It was a true masterpiece in terms of choreography and cinematography. That impression carried on through the rest of the film to the point where I left, did my review, and gave the film a well deserved 9/10. FIRST IMPRESSIONS MATTER.
Granted, my first impression of Anne Hathaway was that she was kind of stunning in the film, but the reality that this is not a porno, it is a movie. I am not watching an x-rated video where I go “Look at this lady! Five out five stars!” As a character however, she wasn’t the worst on screen. There was nothing I loved about her. Although there was nothing I really hated about her either. She’s just kind of “eh.”
Speaking of sex, I was actually thinking a bit to myself about that during the film, because there is some of that in this film. Granted, I imagine there’s a good chunk of women out there who think Matthew McConaughey is a national treasure, even if he is soon turning fifty years old. There are a couple of themes where I looked at Matthew McConaughey and compared him to a selfish, overwhelmed, depressed guy who must be great in the bedroom. And sadly, there are moments that I think the sex in “Serenity” is more entertaining than the film’s actual plot.
Out of all the uninteresting and unlikable characters in “Serenity,” not one really got on my nerves more than Jeremy Strong’s character of Reid Miller. This guy displays just about every unlikable quality you can think of in a door-to-door salesperson. I won’t go into complete detail, but he is pretty annoying, and he’s basically in the movie whenever it is convenient for the plot. It’s not to say that his character was entirely pointless, but it also not to say that said character wasn’t horribly written and maybe made me want to ignore every aspect of having a consciousness a couple of times. Just… why is here? Why?
“Serenity” as bad as it is, could have been a really awesome movie, but the characterization is sloppy enough to make me hate it. After all, I won’t go into detail, this movie kind of reminded me of “Interstellar.” Granted, it has both Matthew McConaughey and Anne Hathaway as recently mentioned, but that is not the main point. Plot-wise, as the movie develops, the story goes into a direction that somewhat has an “Interstellar” feel. Granted the film is not in space, I didn’t feel anywhere as much emotion as I did during “Interstellar,” and the overall lack of quality this movie seems to provide made me ultimately not care for whatever it was I was watching. I felt like I had two brains in my head operating at once. One brain was completely bored while the other was enjoying itself. Granted, that notion about the second brain is sort of an overstatement based on all of the other s*it I said about this movie, but still. I thought to myself, there is a good movie somewhere in “Serenity,” and the filmmakers are seemingly trying to unlock the door to let this good movie out, but the sad fact is the lock is hard to undo. I sort of feel bad, while simultaneously disappointed.
I will give kudos to this film on a technical perspective though because there are times when it did have a nice atmosphere. The island did feel like something that would actually exist from the way it looked on camera, and a lot of the water shots provide a breathtaking vibe. I don’t know what it is about movies and water. Somehow a camera taking shots around water just makes movies better. Even with a film like “Adrift,” which made my top 10 WORST last year, still looked dazzling because of the atmosphere provided with all the shots containing water. I’m not saying I like being on the ocean in real life. I’m a little more urban, I even think the beach is overrated. I just think that on camera, watery oceans can look very appealing, there’s something about them. Perhaps a personal thing, I don’t know. Whatever, doesn’t save this movie from being a dumpster fire though.
In the end, part of me was screaming this at the end of the film…
“Serenity” really is a somewhat intriguing, mysterious flick, but it is ruined by its story and characters who managed to underwhelm and disappoint me. When your movie starts off and Matthew McConaughey (at least in my eyes) treats his pals in a dickish manner, it’s gonna be hard to leave me impressed. As I was writing this review, I found out that this was apparently the worst opening of Anne Hathaway’s career. I can see why. As much as I loved seeing McConaughey and Hathaway reunite for another movie, it would have been cooler had the movie been worth my time. I’m going to give “Serenity” a 3/10. Thanks for reading this review! Next week I’m going to be releasing the kraken! The dragon! The man! The myth! The legend! The Jackoff Awards! This is going to be one of my longest, jam-packed, most ambitious posts that I have ever done. If you frequent my blog and are actually curious to know about this, I should have you know this is not going to be something NEARLY as short as what I’m reading to you right now. There’s going to be segments where I digress, segments that go on for some time, videos, etc. I’m filling this post to the brim with epic entertainment for all to enjoy, so I hope you all enjoy it! If you want to see this upcoming post, or more great content from Scene Before, be sure to follow my blog either with an email or WordPress account! I want to know, did you see “Serenity?” What did you think about it? Or, since it is kinda sorta maybe relevant, what are your thoughts on the TV series “Firefly?” Do you think it should be brought back? Let me know down below! Scene Before is your click to the flicks!
“Cold War” is directed by Pawel Pawlikowski (Ida, My Summer of Love) and stars Joanna Kulig and Tomasz Kot as a music director and a singer who eventually find themselves in an unlikely romance. The music director is also trying to get the singer to flee Poland and enter France alongside him.
I actually heard some things about “Cold War” before going into it, but my prior knowledge didn’t really encompass of much. The main thing I did know however is something that I imagine a number of people don’t truly care about, which is the fact that this movie, at least in the United States, released on the infamous December weekend of death. It was released alongside big features including “Aquaman,” “Bumblebee,” and “Mary Poppins Returns.” Not to mention, another disadvantage this movie had is that it is a foreign film. And as much as everybody hates America right now for how it is being run as a country, many Americans can’t turn down a Hollywood film. I am usually the type of person who doesn’t care what country a film comes from. As long as a film is properly executed or well done, I can approve of it. And regardless of where this film in particular comes from, I enjoyed it.
From a technical perspective, “Cold War” shines. The film is presented in a 4:3 aspect ratio, which is rare for a film nowadays, but at the same time, has happened in the past with recent films like “The Grand Budapest Hotel.” It successfully provides an old-timey feel. Speaking of old-timey things, the film is also in black and white. Artistically speaking, I can approve of such a choice because this film does take place between the 1940s to 1960s, when not everything has been put in color yet. Speaking of things that are quirky by today’s standards, one thing I found interesting is that if the film makes a time jump, it cuts to black and goes back to providing images in a snap. There are also various shots containing a plethora of information and it is just f*cking beautiful. I won’t go into detail, but the ending shot reminded me of Orson Welles’ “The Third Man” and Robert Zemeckis’ “Cast Away.” And I’m surprised to say that because this movie, again, is entirely shot in 4:3. Although at the same time, the more square-like images can make the information provided feel crammed, and I don’t mean that in a bad way. It almost reminds me of when I go to see certain movies in IMAX like “First Man” or “Star Wars: The Force Awakens” because those have scenes shot in IMAX and when you go into the IMAX theater to see the movie, the screen fills up for a period of time, taking a break from the scope aspect ratio.
Moving onto our two main characters, Zula and Wiktor, the best thing I can say about them is that they actually feel like a real couple at times. Not all the time, but there are many times where their relationship feels extremely authentic. I will say however, I did see the movie earlier this week, specifically Tuesday, and to give you a sense as to how I feel about this film as a story, I will remind you that I saw this in an art-deco theater. If you live in the Boston area, there’s a possibility you may have heard of the Coolidge Corner Theatre. It’s probably one of the most gorgeous and state of the art cinemas I’ve ever set foot in. I saw this movie in their largest auditorium, which has the old-timey red curtain, and I found myself to enjoy it. But days after viewing the movie, I almost don’t even recall a good portion of it. Whereas just the other day, specifically Saturday, January 19th, I just saw “Roma” at that same theater. I still remember it, I can’t stop thinking about it, and I can’t recommend it enough. “Cold War” on the other hand is a good movie, but really stands out more from a technical point of view as opposed to a character point of view.
When it comes to “Cold War” as a movie, it sort of reminds me of “Hail, Caesar!” directed by the Coen Brothers. “Hail, Caesar!” is a beautifully shot movie, which is not that surprising since it was done by Roger Deakins, who recently, FINALLY won an Academy Award for his work on “Blade Runner 2049.” Hell, both movies even have great moments of music and choreography! However, in terms of overall quality from characterization and other parts related to the story, that’s where the movie leaves a little bit to be desired. Granted, on paper, the movie sounds like a good, intriguing story, but the fact is, much of it is actually not that memorable. “Cold War” is kind of the same thing. It sort of attempts to harken back to a certain time period with as much purposeful authenticity intact. Granted, there is fiction inserted throughout the entire runtime, but said fiction is taking place in a time that realistically happened, and such a thing manages to provide a quirky vibe for both films. They aren’t exactly the same considering how “Hail, Caesar!” is sort of marketed to be more fun, but “Cold War” is advertised as a more serious, compelling drama.
I’m not saying I have the inability to sit through movies like “Cold War” that are sometimes slow in terms of pacing, which coincidentally is a minor problem at times. Although what I am saying is that this movie just kind of underwhelmed me. Granted, it didn’t underwhelm me all that much. When I watched it, I had a certain positive score for it in my mind once I left the theater, which by the way still stands. Plus, this movie is not even that long. The total runtime comes out to an hour and twenty-nine minutes. Although at the same time, maybe it did feel long because I did something I am somewhat ashamed to have done.
*Clears throat*
Forgive me father for I have sinned.
I had my phone on during the movie. Now don’t worry, the ringer was off! I often leave my phone on with my ringer silent during many of my moviegoing experiences. But given how I don’t have a watch on me, and since I don’t have an iPhone, nor do I care to possess an iPhone, meaning I never wasted hundreds of bucks on an Apple Watch, I put my hand in my pocket, took my phone out, and checked the time. If I recall correctly, the brightness was low. Also, don’t worry that much! There were a few other people in the cinema alongside me, I only had it on for a few seconds to check the time, the screen was hidden from everyone’s sight, then I shut it down and put it away!
Man, that felt good and horrible at the same time.
In the end, “Cold War” is kind of an enigma. I don’t really hate the movie, but over the past few days, bits and pieces of it are continually being erased from my mind. Granted, now that I am back in college, certain assignments and classes are affecting my time to keep this blog up to date, but still. Although on the bright side, the fact that I am reviewing this now as opposed to immediately once I get home from the theater might actually be a positive thing because I reviewed certain movies like “Star Wars: The Last Jedi.” I gave that film a 9/10 when I first saw it. Why did I give it a 9/10? Because I was a crazy fanboy that had certain requests I wanted fulfilled with the film. And while at the time, I had those requests fulfilled, little did I realize how much I would come to hate the movie in the very end. To sum it up, “Cold War” is one of the best-looking movies of the year, but story-wise, needs a boost, at least for me. I don’t know if this grade will make sense, or surprise some of you, but this movie was still enjoyable enough, and likable enough, that I’m going to ultimately give “Cold War” a 7/10. And who knows? Maybe the second time watching this will be better. It is coming to Prime pretty soon since it is an Amazon movie, so I can watch it for free in the future if need be. For all I know, maybe it will somehow be worse. It’s hard to tell. We’ll just have to see what happens. Thanks for reading this review! And if you have made it to the end of this post when it was released, congratulations! You picked a good post to read! Because this Sunday, I am planning to release my ultimate list of my nominees for the upcoming Scene Before Jackoff Awards ceremony. I am not going to say whether “Cold War” actually is nominated or not, but I will point out that this might be the last 2018 movie I watch before the nominees are announced. I might be going to see “On the Basis of Sex” this weekend, I don’t know for sure, but it is a possibility. But speaking of movies, I will admit that I have seen a 2019 movie recently by the name of “Serenity.” And no, this is not attached to the “Firefly” franchise, this is entirely different. My review for that will be up very soon, I’m not sure if I’ll release my “Serenity” review before or after the nominations, but it is a 2019 movie so it won’t even count in this current ceremony. Be sure to follow Scene Before either with a WordPress account or an email so you can stay tuned for more great content! I want to know, did you see “Cold War?” What did you think about it? Or, since I can praise this movie’s final shot, what is your favorite concluding shot to a movie? Let me know down below! Scene Before is your click to the flicks!
“Roma” is directed by Alfonso Caurón (Gravity, Harry Potter and the Prisoner of Azkaban), stars Yalitiza Aparicio and Marina de Tavira and takes place during the early 1970s in Mexico City. The movie focuses on a house maid, alongside the owners of said house as they go through their daily lives.
This movie actually is kind of special to me, because it is a certain type of movie that I have refused to see for years, and that is a Netflix movie. I make fun of Disney all the time, to the point where I wonder if someone dressed as Mickey Mouse would show up at my house and decide to strangle me. But the thing I can respect about Disney is they seem to be willing to keep the movie theater industry alive, even if all they do now consists of sequels, live-action remakes, Marvel movies, “Star Wars” movies, and an occasional based on book adaptation here and there. But the thing about Netflix that drives me nuts is that they already decided to kill the movie rental industry, the physical media industry, and they are still taking some money out of the movie theater industry. Come watch Sandra Bullock execute her most blinding role to date! …IN “BIRD BOX!” Now playing on a headphone jackless iPhone 7 near you! To this day, I have never chosen to sat down to watch a Netflix film, but if you have viewed my last post, I mentioned that this film was playing near me in 70mm, making Netflix look like a slightly bigger force in the cinema industry than I once witnessed. For that reason alone, I was able to forget about my Netflix avoidance for a couple of hours.
And I gotta say, on Netflix, aside from whatever you pay in advance per month, this movie is actually free. I looked at the tickets and found out they were nearly $20 each. But I gotta be real, it was worth every penny. This is one of the best 2018 movies I’ve seen! THE HYPE IS REAL! Alfonso Caurón, the director, writer, producer, cinematographer, and editor behind this film gave his 110% effort on this amazing thing they call a movie. I’ve heard prior to going into “Roma” that the movie happened to be Caurón’s most personal project to date, and it shows! This movie starts out with the camera endlessly gazing upon a floor, and we see water flowing back and forth. I imagine some people would find that as boring as watching paint dry (plus it is in black and white), after all titles are finished, the camera pans up as we see water inserting a drain. Without going into spoilers, and trust me, this is a common theme here, we see the movie end in a similar manner.
I first heard about “Roma” in December, and I’ve heard some people in the industry have found this film to be a true delight. And again, had I not known this was a Netflix movie, I probably would have looked for tickets immediately. But if I stayed away from this movie, chances are I wouldn’t have been able to experience its utter beauty both from a story and technical perspective. The film is shot digitally on an Arri Alexa 65, which is actually kind of interesting to me because the filmmaker chose to present this film in black and white, which is somewhat unique in my eyes for a widescreen movie, usually I think of the full frame aspect ratio when it comes to black and white. Not to mention in certain places, it got a 70mm release as mentioned. This movie managed to blend the feeling of old Hollywood together with new Hollywood in the best of ways.
I will say though, on paper, this movie reminds me of “Schindler’s List.” I say on paper only because I have yet to check out “Schindler’s List” and heard enough about it to realize how traumatizing of an experience it can be to watch such a movie. “Roma” was THAT movie. And I will warn everyone, I have not seen a single trailer for this film. I’ve seen posters, images, but no trailers as far as marketing goes. Aside from those little tiny glimmers of marketing and reviews from other people, I have heard practically nothing about “Roma” itself prior to going out and watching it in the theater. I figured for the sake of getting this review out as early as possible, while also trying to aid in providing the best possible experience for “Roma’s” potential audience, I don’t give a shred of the plot away. If you are curious, there is a synopsis on IMDb, and while I did know about certain things about this film going in, I didn’t know EXACTLY what was going to happen.
I will say though, one of the absolute best parts of the film is undoubtedly the main character of Cleo. For starters, she is played by Yalitiza Aparicio, and if that name does not sound familiar to you, I can understand why. After all, this movie was her debut as an actress, which honestly makes her performance more compelling than it already is. On IMDb, Aparicio is listed to be in “Roma” under “actress” and “soundtrack” and she only has two other credits overall, specifically her appearance at this year’s Golden Globes ceremony and her appearance on “Jimmy Kimmel Live!” during one of 2018’s final episodes. The way that Aparicio in this film is able to convey happiness, sadness, regret, calmness, and pain in just a single performance is amazing to me.
Speaking of Cleo’s character, one thing I found interesting is the way she was written in this film, because the character is a housemaid, and while she always has to be forced to do work all the time, she is almost like another member of the family. There are certain scenes where I get a vibe where she is treated like a servant to royalty and others where I get a sense that she is treated like someone who is higher up on the ladder for opportunity. I won’t go into detail, because, again, I have to be vague.
Technically speaking, “Roma” is one of the best films of the year, because it manages to execute a couple of things I don’t traditionally see in a film. From the black and white presentation to the beautiful cinematography to the stellar direction, I was wholeheartedly impressed. Aside from the once mentioned opening and closing shots in the film, “Roma” has numerous scenes which go on for a long time, and they are actually more impressive than said opening and closing. Like, mind-blowing impressive. I honestly have to thank Netflix for actually keeping my people in mind, because if it weren’t for your actions of actually showing this movie in theaters, I would have avoided it at all costs.
In the end, “Roma” is the best Netflix movie I have seen to date!
NOTE: It’s also the only one, so it is also the worst.
Will “Roma” actually get me to buy Netflix’s service? Maybe encourage me to seek out more Netflix content? Perhaps get me to choose Netflix over chilling? No. Maybe the second part would happen should more content from Netflix be put in theaters, but this movie was a surprise if there ever was one. It is nice to see movies that can provide a personal touch, the director of this movie had such a large amount of control over the project to the point where no studio could basically interfere with his work. And what do we get? This. “Roma” had not even a singular, solitary flaw present. Maybe the pacing could turn off some people, but once we get to the twenty minute or thirty minute mark, this movie starts getting GOOD. I also wouldn’t say I’d recommend for everyone to go see this movie. After all, it’s already on your cell phone. But in all seriousness, “Roma” was worth every penny, and it is deserving of a 10/10! Also, Netflix, not to sound demanding, I know physical media isn’t your first idea of a hoot, but I would be willing to buy your movie on Blu-ray should you decide to put in that format. You hear that Netflix? I’m actually willing to buy something from you! Take that into consideration while you can! Thanks for reading this rare Netflix movie review! Speaking of streaming services releasing movies in theaters, Amazon just came out with a film recently and I happened to go see it. Be sure to stay tuned for my review of “Cold War,” coming soon. Also, next week, I am planning to release my nominees list for the 1st Annual Jackoff Awards, the most serious and prestigious awards ceremony of all time! Eat your heart out, Academy! Be sure to follow Scene Before for free with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Roma?” What did you think about it? Or, what is your favorite Netflix movie? Let me know down below! Scene Before is your click to the flicks!
“Green Book” is directed by Peter Farrelly (There’s Something About Mary, Hall Pass) and stars Viggo Mortensen (Captain Fantastic, Lord of the Rings) and Mahershala Ali (House of Cards, Moonlight) as an Italian guy who is down on his luck and a black guy who seems to have ten times the luck the Italian guy has. These two eventually meet each other, get to know each other, drive around the country together while simultaneously making stops for the black guy’s trio tour. Throughout we see the bits and pieces of 1960s racism, a bond between two men which at the time, seemed unlikely, and the development of our main characters to adapt into alternate versions of themselves by teaching each other hallmark traits associating with one person or the other.
This movie is based on the true story of Tony Vallelonga and Don Shirley, who surprisingly I don’t know much about. To be completely clear, I am not surprised I don’t know about Don Shirley, I am not that much of a loyal follower when it comes to the music industry. However, it has recently come to my attention that Vallelonga has done acting jobs over a few points of his life. He appeared in eleven episodes of “The Sopranos,” and by an enormous coincidence, he played a character in “Goodfellas.” I say enormous coincidence because I recently purchased the 4K edition of the film. Not that it matters entirely, just saying. Nevertheless, despite my lack of knowledge towards these two individuals, I gotta say this movie was really quite enjoyable. In fact, a part of me shouldn’t be surprised that is the case. After all, I just watched the Golden Globes and this movie was nominated for five awards, taking home three, including Best Musical or Comedy.
I saw “Green Book” last Friday, and to be honest, I probably would have still watched this movie at some point, regardless of whether or not it actually took home Best Picture. I’ve pondered over seeing it for months, but now is the time when I finally get around to it. One of my highest expectations was towards the performances by our two leads, Viggo Mortensen and Mahershala Ali. Those two performances did not disappoint. One thing that almost sounds crazy at first is the thought of them having decent chemistry because one person (Mortensen) is rather dynamic and the other person (Ali) is almost robotic. My first sight of Ali in this film made me think of him as a robotic religious figure.
One of the best parts of the movie to me is something that I perhaps started thinking about a little more as I age. A question that sometimes comes up in my mind is: How many people have to follow their own market? As my brain has developed over the years, I realize I am coming across more and more stereotypes as days go by. In this film, one of the scenes where the duo are in the car together shows them listening to music and one of the songs is done by an artist who according to Mortensen is “Ali’s people.” It almost makes me think about my own life. I am going to name a number of movies I still have not seen and chances are that I am going to make you mad once I tell you what those said movies are.
Rocky
A Fistful of Dollars
The Godfather
Goodfellas
The Wolf of Wall Street
Forrest Gump
The Green Mile
Gremlins
12 Angry Men
A Clockwork Orange
The Departed
Get Out
Airplane
You guys mad? I could go on, but I’ll spare you all from getting any angrier.
The point is, with that scene in mind, I was reminded that you don’t HAVE to like something just because society tells you to. Just because I’m a straight white male, doesn’t mean I have to love Nickelback. Just because I live in the United States, where Donald Trump is currently president, it does not mean I have to like Donald Trump. Just because I don’t like Donald Trump, it does not mean I have to like Hillary Clinton even though that is apparently how some members of society like to put things into perspective.
Also, this movie is surprisingly funny. Sure, there is a comedy aspect to this film from the way it is marketed. But I didn’t think it would be as funny as it was. Granted, it’s not roll on the floor laughing funny like “Anchorman” or “Game Night” or “The Hangover.” However, when considering the number of lines that gave me a happy go lucky feeling, it sort of felt surprising. I mean, when I found out this was directed by one of the guys who did “There’s Something About Mary” it kind of makes sense. Nevertheless, this movie, while it was definitely intended to be comedic, was surprisingly, well, comedic. It’s especially surprising when you consider the storyline, the vibe, and the time period which this movie takes place. I figured some serious s*it would be going down at a certain point. And it does, but it does not take away the fact that this movie delivered comedy effectively while simultaneously being kind of a shocker.
But really, at its heart, what “Green Book” truly is from my point of view, is a feel good story. It almost feels like that end of the day story you’d hear on CBS Evening News. With the formation of a friendship that seemed rather unlikely at the time, and some laughable moments, it is easy to call this film something that associates with feeling fulfilled. I talk a lot about comic book movies and how I sometimes wish the script sometimes has more dark moments as opposed to moments that come off as safe or kid-friendly. But in a movie about two different races interacting with each other, trying to change who they are, or in some cases, the other person, I wouldn’t settle for anything else but a feel good story. More specifically, in this particular case I wouldn’t settle for anything else.
Also, without spoiling anything, there is this one moment in the film involving a green rock. It’s actually surprisingly funny and also kind of clever. I won’t go into detail, I’ll just say, see the movie for yourself to find out what I’m talking about.
In the end, “Green Book” is a well done, well put together, and overall interesting flick. It blends comedy and drama with excellence, the chemistry between the two leads almost couldn’t be any better, and the story was very fascinating to observe. I also must point out, there are a couple scenes involving Kentucky Fried Chicken in this film, and while the movie didn’t exactly make me hungry for KFC, it did however make me think that this is actually pretty effective product placement. It doesn’t feel over the top, and it’s actually kind of hilarious. This movie is based on a true story, but the product placement feels incredibly well done to the point where I didn’t even care whether or not the KFC bit actually happened in real life. As someone who had to suffer through “Uncle Drew” months back, I truly appreciate this. I’m going to give “Green Book” an 8/10. Thanks for reading this review! I just want everyone to know that I am going to see a movie this weekend, but I’m not going to reveal what it is, because I would prefer to reveal it in a surprise post which will be up by the end of the week. Speaking of posts, I will have everyone know that I decided on the EARLIEST POSSIBLE DATE for the announcements of my personal nominations of my first annual Jackoff Awards ceremony. That earliest date is going to be Sunday, January 27th. If something happens before then, I’ll probably postpone the announcements to maybe a day or two after, perhaps even into the month of February depending on how things work out. Nevertheless, look forward to that and more great content coming soon! If you want to see such great content, be sure to follow Scene Before either with a WordPress account or email! I want to know, did you see “Green Book?” What did you think about it? Or, what is a movie you enjoy involving long car trips? Let me know down below! Scene Before is your click to the flicks!
“The Upside” is directed by Neil Burger (Divergent, Limitless) and stars Kevin Hart (Ride Along, The Wedding Ringer) and Bryan Cranston (Breaking Bad, Godzilla) as a seemingly unlikely pair who meet each other, develop a friendship, and therefore we have our movie. Cranston plays a paraplegic and Hart plays an ex-con who also manages to become Cranston’s caretaker. The movie is based on the true story of Philippe Pozzo di Borgo, who suffered from a paragliding accident, therefore giving him unfortunate injuries.
Does this movie sound familiar to you? Well guess what? It exists, not just in the form of “The Upside,” but it also exists in the form of “The Intouchables,” an early 2010s French film. The film was nominated for a Golden Globe for Best Foreign Language Film, but lost to an Austrian film by the name of “Amour.” However, this didn’t deteriorate the overall quality of “The Intouchables” because on IMDb, it made the #40 spot on the site’s “Top 250” list. However, when it comes to my experience with “The Intouchables,” I can say it is very limited given how I never sat down and watched it. I might as well say that the main reason why I even went to the theater and watched “The Upside” in the first place is because it was a free movie. I subscribe to alerts of free screenings, and this is one of the things I got in my inbox. And knowing how my mother tends to enjoy comedies, not to mention Kevin Hart, I thought this would be good for us to see together.
But one thing got in the way, the ratings. Prior to going to the screening, I looked at the movie from a research perspective and one thing that stood out to me was its low IMDb score. In fact, as of doing this review, it’s still pretty low, it’s actually less than a 4! Why is that the case? I have no idea. For all I know, the low scores may have come from hardcore supporters of “The Intouchables,” people who hate remakes, or those who don’t want Kevin Hart hosting the Oscars. However, this movie released in 2017 at TIFF, and part of me wonders if the low verdicts came from negative reviews at the festival. Either that, or another thing that is highly possible is a bit of information that may not be on everyone’s mind. If anyone is curious as to what movies Harvey Weinstein’s production company would have been associated with in 2018, “The Upside” was supposed to be one of them. However, with the destruction of Harvey Weinstein’s film career, this movie was given to STX, which is a newer studio known for films such as “I Feel Pretty,” “Hardcore Henry,” “Bad Moms,” and “The Circle.” Maybe the verdicts had to do with that, I don’t know the full story. But the reality is I personally enjoyed myself while watching “The Upside.”
This is the first 2019 release I have watched. Some may argue it is a 2017 release, but as far as I am concerned, it’s a 2019 flick. And I got to say, this was a good way to kick off the year in film. Is it perfect? No it’s not. In fact, part of me wonders if I am overhyping it. This movie had heart, it had good chemistry, and a surprising amount of laughs packed into it. I walked out of the movie alongside my mother, moments later we talked about it, and she pointed out my laughing. If you have seen a couple of my posts or know me in real life, you’d probably get the gist that when it comes to comedy, there are times where I feel like I’ve seen it all. I wouldn’t go as far as to say that “The Upside” brings anything new to the table, but despite some cliche moments, all of them seem to be delivered with a sense of passion. There’s a good amount of physical comedy, sexual humor, and some occasional yells. Speaking of which, let’s talk about Kevin Hart.
When I think of annoying, crazy, loud comedians who occasionally pop up in movies, I think of Melissa McCarthy. Kevin Hart is pretty much the same person, although he’s a black male. Wait did I really just say that? I take that back, because I assure you, Kevin Hart is the complete opposite of annoying. Hart is always that comedian that raises his voice, but manages to do it with charm. He’s basically Tyler Perry with a superior agent. One minor critique I’d give to Kevin Hart as an actor is his range. He always tends to be the very person I described. He always manages to play himself or someone that has identical qualities to Hart: An arrogant loudmouth who likes to joke around. However, when it comes to his performance in “The Upside,” this slightly made me rethink my critique, partially because this may be the best performance I’ve seen from Kevin Hart yet. If you have seen a Kevin Hart movie, you’re probably familiar with his shtick. Just watch “Ride Along,” “Central Intelligence,” even “The Secret Life of Pets.” He yells A LOT. He’s even like that in real life, go on YouTube and watch Kevin Hart’s 2013 appearance on SportsCenter as he does the top 10. It’s one of the funniest things to ever exist. Seriously. The reason why I consider this to be the best Kevin Hart performance is because it tends to shy away from the cliches we see from him. Hart seems to tone down his voice a little more often, not to mention he’s more serious as opposed to a joker. Granted, it’s not the best performance I’ve seen from an actor, but it made me look at Kevin Hart in a whole new light. His strength will always be full-fledged comedy, but if someone asked me whether or not Hart has the potential to land some serious roles in the future, I wouldn’t say Hart can’t do such a thing. His performance as Dell is done with serious skill.
When it comes to Cranston, I must say he performed with excellence too. Compared to Hart, Cranston seemed to deliver drier humor. He seems to have less emotion than a good number of characters in the film, but at the same time, it is hard to display emotion when you are seriously injured. This does not suggest his character lacks personality, as we see one of the most commonly exposed gags of the film happens to be Cranston’s extreme obsession with opera.
I will say one thing though about the movie, as heartfelt and funny as this movie may be, it has a glaring problem in my opinion. I can sit for a couple of hours in a dark room with images on a screen at moving on a screen at twenty-four frames per second. But there are times when I felt there was nothing happening. There is an argument to be made that the entire movie revolves around the friendship of the two leads, but one of the things that might as well be an important part of any movie is a central problem. There are moments of conflict in the film, but they are resolved quickly and sort of feel rushed. Remember how in “Spider-Man 2” Peter Parker decided to quit being Spider-Man? It almost felt like if there was a complete change in that movie, where Parker puts his suit in the garbage, walks through the alley, then scoots back around only to put it on again. The conflict in this film just feels like something small, when you can’t find the TV remote and are looking all over the place for it, as opposed to something huge, such as the loss of your life savings or your identity. However, this critique is highly forgivable due to the admirable chemistry between the leads, the humor, and the performances.
In the end, “The Upside” was a surprise if there ever was one. And it just goes to show that not all remakes suck. Granted, this is coming from someone who has still yet to see “The Intouchables,” so maybe my opinion could change over time, but if you want a funny movie with heart, I do recommend “The Upside.” Is it a tad cliche? At times. Is it somewhat forgettable? Certainly. But it is also a good time at the movies. If you want to see Kevin Hart at his best, I must declare that “The Upside” is definitely for you. I am going to give “The Upside” a 6/10. Thanks for reading this review! Pretty soon I am going to be announcing the nominees for my upcoming awards ceremony, the Jackoff Awards, but before I do that, I have a few more 2018 films to watch including “Roma,” “Green Book,” and “On the Basis of Sex.” Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see “The Upside?” What did you think about it? Or, did you see “The Intouchables?” What did you think about that? Which is the better movie? Let me know down below! Scene Before is your click to the flicks!
Hey everyone, Jack Drees here! It is time to talk s*it about s*itty movies! Now that I have done my top 10 BEST movies of 2018, it’s time to count down my top 10 WORST movies of 2018. In complete honesty, the movies this year have been fantastic for the most part. The number of positive verdicts I had this year were high compared to the negative. So while I will say my list this year definitely has some stinkers, it’s nowhere near as awful as last year. Speaking of opinions, this is a reminder that this is my countdown, therefore everything on this post is strictly my opinion. I am not trying to tell anyone that these are the OBJECTIVELY WORST movies of the year. Art does not work that way. If you like a film on here, that’s cool. Also, I have not seen every single film to have come out in 2018, meaning certain notable titles like “Fifty Shades Freed,” “Mile 22,” or “The Nutcracker and the Four Realms” do not appear on the list. Speaking of which, like the last couple of years I have seen a new “Sharknado” movie, but another rule that applies here is that the movie has to be theatrically released, otherwise it does not qualify to make the list. That means certain films like “Zoe” (straight to Prime Video), “The Cloverfield Paradox” (straight to Netflix), and of course, “The Last Sharknado: It’s About Time” (straight to Syfy) do not qualify for this list. Before we count down my ten worst of the year, I am going to announce three dishonorable mentions that were quite bad, but they are the kind of bad that makes them slightly more watchable than the ten movies below them.
Dishonorable Mention: Peppermint
The first dishonorable mention spot goes to “Peppermint.” There are some decent qualities about “Peppermint.” Jennifer Garner is a decent action star at times, I liked some of the editing, and there were one or two laughable lines. But overall, “Peppermint” was kind of disposable and something I wouldn’t really want to watch again in the near future.
Dishonorable Mention: I Feel Pretty
My second dishonorable mention is “I Feel Pretty.” I know it’s kind of “cool” to hate Amy Schumer right now, but the reality is, when it comes to this movie, Amy Schumer is not the main part I hate. I’m not saying she was the best part, but still. I hated the way her character was written, but given her material, she did what she could with her character despite how much I hated said character. Plus, this movie’s overall message, the notion that people can be beautiful just the way they are, is a good message. But sadly, from my viewpoint, based on the movie’s script, that message is SHATTERED.
Dishonorable Mention: The Grinch
And finally for dishonorable mentions, we have “The Grinch.” This is a terrible animation which despite Benedict Cumberbatch’s decent voiceover performance and some stunning visuals, turned me into a green, vile being. Kenan Thompson’s character made me cringe, some of the writing didn’t make sense, and honestly, that narrator DID NOT WORK. I know it’s a narrator, to some people it might be weird to bring up a narrator as a problem in a movie, but the voice just didn’t come off the way I would have preferred.
Without any more dilly-dallying, let’s talk some s*it about certain movies that are in fact, the opposite of the s*it. These are my top 10 WORST movies of 2018.
#10: The 15:17 To Paris
Coming in at #10 is “The 15:17 To Paris!” Clint Eastwood came out with a couple of films this year. He released this one and “The Mule.” I actually just saw “The Mule” and it was, alright, I guess. Disappointing, but alright. This movie? Don’t even bother, it’s basically unwatchable. I will admit, from an experimental point of view, it was kind of cool to see a visual story of a few men reenacting a significant event from their lives. But the reality is that we have “actors” for a reason. Plus, if you consider what this movie is, a majority of it almost makes it feel like a road trip movie. Granted, this movie mainly involves intercontinental travel as opposed to cross-country travel, but I almost felt more like I was experiencing an European tour as opposed to a story. I’ve been talking quite a bit to my family recently, and they seem to LOVE Clint Eastwood. I would love to sit down with them one day in perhaps my living room and we all watch this movie together to see if anyone changes their mind. Eastwood, you’re a household name, but this was a seriously mediocre year for you! Just stating the facts.
#9: Adrift
Some of my favorite movies of all time tell their stories in a way that stays away from the word “conventional.” This movie however tells its story in a less than conventional way that just makes me question the filmmakers, studios, and everyone who actually thought this was a good movie. “Adrift” can go to hell! I’m a sucker for non-linear storytelling, where everything comes together in the end. But what whackjob actually thought constantly going back and forth between the main couple’s story would make the movie better? I didn’t care for anything, anyone, at anytime. There are certain movies out there that feel like puzzles, and puzzles can be fun sometimes. When you finish a puzzle, that can give you some sort of sense of accomplishment. But this is like going through a puzzle of a clear sky during the day. Literally everything is the same color and it’s just plain irritating! I’ll be honest and say that I have never walked out of a movie, but if movies were like puzzles, this is probably a movie I’d eventually give up on. This movie had some alright marketing, I was somewhat sold, but the final product was truly abominable, as explained here in this countdown.
#8: Pacific Rim: Uprising
This entry on my list might just be not only one of the worst movies I’ve seen this year, but also one of the most disappointing movies too. I’m talking about “Pacific Rim: Uprising.” I enjoyed the first “Pacific Rim.” I find it to almost be a throwaway movie, but at the same time, it’s better than most of “Transformers” movies that Michael Bay has put out, which if anything, is nothing short of a compliment. “Pacific Rim: Uprising” on the other hand is a letdown! John Boyega himself performed well in the movie, but his character just had nothing for me to write home about. I mean, he wasn’t even the worst character there! That obsessive fangirl got on my nerves REAL fast, and I just couldn’t stop wanting to eliminate her from society. I was curious to see a “Pacific Rim” sequel, but in reality this turned out to be “Independence Day: Resurgence” all over again. This movie takes place YEARS after the first one, lacks the characters we’ve gotten from the first one, and might as well just exist to continue a franchise. It just feels really uninspired and just a reason to grab some cash. Oh and Charlie Day! HOLY F*CK I forgot about Charlie Day. I won’t go into spoilers, but his character in this film is like watching Doc Brown from “Back To the Future” in the most poorly written of remakes! But to avoid being a complete Negative Nancy, there were some neat battle sequences and some nice shots at times. But in all seriousness, avoid “Pacific Rim: Uprising.” Watch the first one though.
#7: Second Act
From STX Entertainment comes their latest film, “Jennifer Lopez Is a Showoff.” That’s not the actual title of the movie, but it might as well be my personal nickname title for “Second Act.” “Second Act” is about a girl who is not that educated, she has more street smarts than book smarts, but she wants to show Madison Ave in New York City that she’s the f*cking boss. And in reality, the movie felt like an abusive boss at times. I went to see this movie with a friend of mine and we basically talked about it on the way home just in ways that simply associate with trashing it. Leah Remini is in the movie and I like her because she’s in “King of Queens” and that’s one of my preferred sitcoms. But that’s like saying Kate McKinnon, who I happen to like from “Saturday Night Live,” is in the 2016 “Ghostbusters” film. Good actress, terrible movie, boom! Mediocre combo. On the bright side, I didn’t even owe the theater a cent for this film! I saw this at an early screening, so I didn’t have to pay up! Jennifer Lopez cannot be bought as her character, her outfits sometimes are questionable, and the comedy in this film either goes one or two ways. It’s either crap everyone’s seen before, or it’s just plain stupid!
#6: Gringo
On Amazon’s quest against Disney, Apple, Google, Walmart, McDonald’s, Netflix, Sony, Nintendo, Microsoft, Comcast, all of the big corporations out there, their mission to take over the world and make all of the consumers out there their slaves, did they ever think distributing “Gringo” was the best way to keep this quest going? I sure hope not, because 1, Amazon’s growth in society is kinda scary, and 2, “Gringo” is just terrible! “Gringo” stars David Oyelowo, who played Martin Luther King for crying out loud, and while I wouldn’t say his performance here was abysmal, it’s just cringeworthy realizing you have this talented actor in a position like this. That’s notthe only talented actor here, because Charlize Theron was admittedly, great at playing a character I absolutely hated, but I can also look at this movie saying, “Oh, s*it, Charlize Theron’s in here.” To me, “Gringo” just felt like an excuse for Joel and Nash Edgerton to work together and to give each other some attention. Joel stars in the movie while Nash is directing, and I must say it’s nice to see family members come together on a project. But I have a sister and if I’m making a movie, she’s begging to be in it, and I agree to let her be in it perhaps playing the starring role or something, not only would that be nepotism, but let’s say I’m a thousand times more well known then her in the film industry, people would automatically question my casting choice! I mean, I’m not saying no family members can work on a professionally made or widely released movie together. Just look at what the Francos did with “The Disaster Artist!” Also, this won’t be the last you hear of me talking about family members or a couple of people that have some sort of relation to each other working on a project together on this list. Just you wait…
#5: Venom
Spider-Man is my favorite superhero of all time. He is such a relatable character and totally has some great movies which he happens to appear. Now Sony wants to cash in on the name without exactly using Spider-Man and it f*cking sucked! Ladies and gentlemen, I give you “Venom.” I’m not joking with you when I say this is not only one of the worst comic book movies of the year, but it makes a comic book movie like “Batman & Robin” almost look watchable. At least that movie was cheesy fun. This piece of crap? I felt it wasn’t dark enough. OK, well, lighting-wise and when it comes to costume design, sure, it’s pretty dark, but I’m talking about the vibe. This movie should have been rated R. Maybe it didn’t need as much language as “Deadpool,” but it certainly needs more blood! This movie is essentially about a guy who merges together with a monster who has a desire to eat tons of people. Let us see more of the action! Don’t cut away from the good stuff! I don’t care about how many children are watching, the fact is this movie would have been a quality product had it been R rated. But no, let’s make it corporate. Let’s just make it a cash cow. Let’s make this thing as studio-oriented as possible, with little to no passion whatsoever. I still remember when I saw this in theaters when I was staying in New York. When the movie ended, I heard everybody applauding and I just turned into the snobby critic in the room. I basically did a Peter Griffin impression saying, “That sucked.” Also, seriously? This movie made more money than “Spider-Verse” on its first weekend? Are you kidding me?
#4: Uncle Drew
Hey guys, you want a Pepsi? How about a Gatorade? Maybe some Tropicana juice? After seeing “Uncle Drew,” I’ve nearly decided that I’m giving all mine up. I saw “Uncle Drew” on one of the first shows on its opening Friday, and having seen this movie, it made me realize how long I’ve been hiding under a rock. I like basketball, but I don’t follow sports as much as I did as a youngster, and when I saw the movie, I purely saw it because I had time to kill. Unfortunately, time seemingly killed ME in the process. Going into this mess, I had no idea that this was an intellectual property that already exists! I had no idea that this was based on a web-series, but somehow it is, and seeing this movie only made me want to avoid the web-series. The Shaq wasn’t even funny in “Uncle Drew.” My gosh. Remember “Grown-Ups 2?” Not many people would consider that a quality movie, but at least the Shaq was pretty cool in it. But seriously though, guys, watch “Uncle Drew” and I dare you to tell me that it’s not a commercial for Pepsi, just go do it and report back to me telling me it’s not a Pepsi ad.
#3: Gotti
Coming in at this next spot is “Gotti,” starring the classically trained actor, John Travolta. Why the f*ck do I watch his movies after what he did in “Battlefield Earth?” This film is about the life of John Gotti, a crime boss who was a very… very much talked about man. What do I remember from this film? Well nothing good to be completely honest. I will give some kudos to this film however because there is an argument to be made that this is one of those movies to watch with your friends and poke fun at it. After a short amount of time of being on my screen, I wanted to get into “Mystery Science Theater” mode. How bad is this movie you ask? Well guess what? When it started, a part of me thought I was watching Tommy Wiseau’s “The Room.” Granted, in terms of production value, this movie exceeds “The Room.” But in all seriousness, I heard “Gotti” was terrible before watching it, and I heard the same about “The Room” before I watched that, but in terms of establishing shots, “Gotti” doesn’t blow into full-fledged carbon copy mode, but it did remind me of Tommy Wiseau’sdisasterpiece. Even the music choices are a thing of beauty. One music choice during an action scene made me compare an attempt at murder to a lively party. If you have Prime Video, this movie is probably free for you at the time this list goes up, but brace for either hilarity, cringe, creeps, boredom, or perhaps some combination of those things.
#2: The Hurricane Heist
If you thought “Sharknado” was bad, let me just keep it simple with “The Hurricane Heist,” it’s not any better. What the hell did I watch?! This movie was directed by Rob Cohen, and he is relatively known for directing other movies that either have huge followings, fall into the guilty pleasure category, but this movie didn’t even fall into one of those categories! It fell into category -10, because ya know, it ended up on my top 10 worst list! This wasn’t even fun, it was just boring. The characters were bland, the writing was stale, the directing had nothing to write home about, and even the ADR was seemingly cringeworthy! When you market your movie saying it is from the director of “The Fast and the Furious,” and with the song “Rock You Like a Hurricane,” is it wrong to expect some corny, stupid fun? Also, Toby Kebbell is in this film and I am starting to get worried about his track record. He has done “Fant4stic,” “Warcraft,” the “Ben-Hur” remake, “Wrath of the Titans,” and now this! Then again, he’s also in the newer “Planet of the Apes” films and many people seem to like those. I didn’t expect Shakespeare material from “The Hurricane Heist,” but can we at least get fun material? Is that too much to ask for?
#1: Life of the Party
And finally, #1! They say that a story is only as good as its villain. We have now arrived to the ultimate antagonist of the list! I don’t go to parties all that often, and I will point out, I am not a party person. I’m probably not even the most fun person on the planet, but in a world where movies are people, this movie is the ultimate party pooper. Melissa McCarthy? Ben Falcone? F*ck y’all! My worst movie of 2018 is “Life of the Party.” One recent trend that I have been doing for the past few years is that I would go see a movie on Mother’s Day. Sadly, all of those movies have been nothing but hot trash! The trend continues here and it sucks! Melissa McCarthy and her husband, Ben Falcone work on yet another movie together and while I have not seen Ben Falcone’s other movies that he directed, I have been given another reason to continuously avoid checking them out. 2018 may have been the one of the best years for comedy I’ve personally been through, but this abomination stood out as that, well, abomination. Melissa McCarthy plays the cliche mother who tries to be goofy, but really comes off as one of the most corny individuals of all time! This feels more like a bad episode of a situation comedy on ABC as opposed to something that is trying to be a movie. Some of the scenes between the mother and daughter were awkward, the characters were uninteresting, almost none of the comedy landed for me. I distinctly remember one scene from my theatrical experience on Mother’s Day where I was hearing everyone react to what was happening on screen either with shock, laughter, or faint applause. I already checked out. I legit did not care about anyone in the film and throughout my experience I wanted to die. The fact that this flick even got made is probably funnier than what happens in “Life of the Party” as a comedy. Aside from that, the movie is cliche, both predictable and unpredictable in the worst possible ways, and overall the movie just made me feel dumber as I walked out of it. And HOLY CRAP! I almost forgot! Christina Aguilera plays herself in this film, and it might just be the ALL TIME WORST occurrence of someone playing him or herself, that I’ve ever seen. NOTE: I have not seen Adam Sandler’s “Jack and Jill.” This is a spoiler, and you know what? I don’t care, this movie ruined my brain, so I might as well ruin it. As mentioned, Christina Aguilera is in the film, and she happens to be a cousin to one of the more prominent characters. I knew this movie was dumb, but at no point did I think it would be, nor did I ask for, a complete eradication of my own brain cells! Also, just a fun fact, when I saw “Ghostbusters” in 2016 that actually made my worst movie of the year when I saw it. That was a couple years ago. McCarthy has done public work in 2017, but none of it involved theatrically released movies. Out of the three years I’ve done these countdowns, Melissa McCarthy has now been in TWO of the #1 worst films of the year! Congratulations! You won the award! …For making me feel like I wasted hours of my life multiple times! And apparently, Maya Rudolph was in this too, making this HER second time being attached to the worst movie of the year on here, with the first one being last year’s “The Emoji Movie.” Don’t see “Life of the Party,” and if you do, I AM SORRY FOR YOU, and I hope you somehow liked it better than I did. But for me, “Life of the Party” is my worst movie of 2018.
Thanks for reading this countdown! You guys are now aware of my very objective and totally not at all opinionated list! I want to thank you all for coming along with me on an epic journey through 2018 in film, and I hope 2019 goes well for you as it does for me! I will say, I’ve got a ton of big plans for this year, including my own awards ceremony, more reviews, from old movies to new movies, I’m going to be going to Hollywood this year, and since that is a movie-oriented city, maybe I’ll do a post related to it. I’ve got plans to do an update on my Blu-ray collection. I can’t guarantee it, but there’s a good chance I’ll do a series of “Star Wars” movie reviews sometime this year. Maybe I’ll continue to be that crazy IMAX guy, who knows? But I gotta be real. Part of me is gonna miss 2018. Sure, I won’t miss the continuation of Trump being in office. Sure, I won’t miss a couple of my local Sears stores going out of business. Sure, and I know a lot of people value education, but truth be told, I will not miss high school (or at least certain parts of it). But this was seriously a good year. Despite what I said about high school, I actually graduated this year. My favorite game show of all time, “Deal or No Deal” is now airing new episodes on CNBC. I went to New York Comic Con for the first time. Speaking of which, this year I went to New York City for the first time! Also, this year, as far as film goes, possibly might be the best I’ve experienced all decade. I saw a lot of movies, not to mention a lot of good movies! But it’s time to forget 2018 and move onto 2019! Let’s grab this year by the balls and make something good out of it! Happy new year everyone, and let’s make it a fun one! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, what are your worst movies of 2018? Do you have a countdown? A select few? Just one you want to point out? Do you agree with my picks? Do you disagree? But let’s be real, what is the Internet without a little disagreement? Feel free to share your honest thoughts! Scene Before is your click to the flicks!
Hey everyone, Jack Drees here! We have reached that time! The year is over, which means we get to one of my favorite parts of doing Scene Before, my annual countdowns! That’s right, it’s time to count down my top 10 BEST movies of 2018! Before we get into the countdown however, let me just have you know that when it comes to this year in film, just like every other, there are movies that I have missed. If there is a certain movie you thought might have been on my list that is not on my list, I have a newsflash for you. I either didn’t see it or I just didn’t like it enough to call it top 10 list worthy. One example is “Mary Poppins Returns.” Not only is it not my type of movie, but I also never saw the original film, so I missed out on that. When it comes to bigger budget films to come out in December, “Aquaman” was more important. Also, this is a subjective list. Art creates all sorts of opinions across the board, therefore it is subjective. If you think that a certain movie on this list is your least favorite movie of the year, you are entitled to that opinion and I respect you completely. However, maybe this will encourage you to make your own top 10 list when it comes to this year in film. In my countdowns last year, I stated a couple of honorable mentions before I got on to doing my top ten. However, this year, I’ve seen a few more movies compared to last year, so I decided instead of two honorable mentions, I’d include three. Let’s state them right now.
Honorable Mention: Blockers
My first honorable mention is “Blockers.” 2018 was admittedly a surprisingly great year for comedy. This movie is basically a female-oriented “American Pie” for a new generation. There is also an argument to be made that this is also “Revenge of the Nerds” for a new generation because of how many layers this movie surprisingly manages to pack in despite being marketed as what looks like a disposable comedy. Overall, I ate this movie up.
Honorable Mention: Deadpool 2
My next honorable mention is “Deadpool 2.” I saw this film when I was staying in Disney World, which is basically a combination of two polar opposites, and I don’t regret it in the least. “Deadpool 2” is a sequel that is not as good as the first, but still manages to deliver quality action, humor, and possibly even better opening titles than the original! I’d like to give a special shoutout to one of the two guys who killed the dog in “John Wick!”
Honorable Mention: Hereditary
And finally for honorable mentions, we have “Hereditary.” A24 manages to deliver an excellent horror story with quality directing, cinematography, a killer performance by Toni Collette, and some of the most disturbing scenes of the year! Speaking of scenes, it’s possible that “Hereditary” contains my favorite standalone scene of the year, specifically the one towards the middle to end, at the dinner table.
Without further ado, let’s start the annual tradition with a bang! These are my 10 BEST movies of 2018!
#10: Incredibles 2
2018 is FINALLY the year we get a sequel to my favorite animation of all time, “The Incredibles,” and I must say that “Incredibles 2” did not disappoint! Brad Bird returns once again, both with his own screenplay and in the director’s chair! And I must say, animation is where Bird excels. I’ve seen a couple of movies he directed in live-action form, specifically “Mission: Impossible: Ghost Protocol” and “Tomorrowland,” and while they were decent, they were nowhere near as masterfully done as say, “The Incredibles” or “Ratatoullie.” Most of the original cast made a return to play their roles they’ve portrayed in the first film (it’s hard to keep Dash’s young and hyper-sounding voice going on forever), and I’ll say while I do consider “The Incredibles” to be better than “Incredibles 2,” I will personally add that I find “Incredibles 2” to be the funniest of both films. Jack-Jack is a scene stealer, the part where the family is at the restaurant is a gutbuster considering what Violet has to go through, and while this movie displays the harsh reality of being a stay-at-home parent, it’s just done with charm and wit. “Incredibles 2” just goes to show that Pixar played their cards right, not only with marketing, but with waiting to make a sequel that could potentially rival the original film in terms of likability.
#9: Spider-Man: Into the Spider-Verse
Coming in at #9 is “Spider-Man: Into the Spider-Verse!” One of my favorite movies of all time is 2004’s “Spider-Man 2,” directed by the very talented Sam Raimi. “Spider-Verse” does not quite match “Spider-Man 2,” however, it is the second best “Spider-Man” film I’ve ever seen. It is also one of the trippiest movies I have seen all year, and I mean that in the absolute best possible way. When I first heard about this movie, I kind of thought it was mainly trying to cash in on the name Spider-Man. Boy was I wrong! This is a movie that has heart, humor, action, and likable characters! Usually I’m used to seeing Peter Parker on screen, but it was interesting to see a different Spidey behind the mask for one film. Granted, Peter Parker is in the movie, but he’s not the main character. Also, Aunt May in “Spider-Verse” might just be the best Aunt May I’ve ever seen. I mean, holy f*ck! All the characters here were awesome, Kingpin is an excellent villain, the animation style, while it seemed to be tacky at first when seeing trailers, paid off and was only a benefit to the final product!
#8: Eighth Grade
John Hughes gave us some great coming of age stories revolving around teenagers like “Ferris Bueller’s Day Off.” Unfortunately, he passed away in 2009, so his wonderful writing can only be a reflection. However, Bo Burnham is still alive and we have a new coming of age story to remember. I’m talking about “Eighth Grade!” There are still days where I look at my life in middle school and realize that in some ways that my life is a hell lot better than it was back then. I’ve met nicer people, more mature people, people who want to get to know me better. “Eighth Grade” reminded me of the horrors of middle school, of not only presenting experiences that were relatable, but by also showcasing other happenings that I can’t really say I’ve had. One of my lesser preferred genres when it comes to film is horror, only because I don’t get terrified all that easily therefore destroying the purpose of the genre. This is not a horror movie, but seeing Kayla, played by the amazingly talented Elsie Fisher, in various situations, was almost heart-stopping based on the potential horrors that could be unleashed.
#7: First Man
I was never alive back in the 1960s, so I never got to experience the space race or the moon landing, but it’s always been a subject I’ve personally been fascinated with. With that being said, it’s no surprise that I adored “First Man.” This movie has always been something I’ve personally been looking forward to since it was announced, and when it came out, I was extremely pleased. Nobody went to see it, but this guy did and he doesn’t regret it in the least. In terms of directing, this movie shines. There are several scenes where shaky cam is used, and if you know me, I’m kind of anti-shaky cam. When I watch something such as an action movie, I find it much more preferable for all of the action scenes to be played out with a much more standstill approach. This movie, while it didn’t make me pro-shaky cam for all of eternity, made me reconsider my anti-shaky cam motives. When it comes to the score, the cinematography, the atmosphere, the vibe was perfect. It was a somewhat terrifying and jaw-dropping adventure. One of my favorite scenes in the film involves a conversation before Neil Armstrong leaves his family to go to the moon. The pacing of all the dialogue which happened to be given and the acting was 100% spot on!
#6: Welcome To Marwen
I can usually agree with a majority of people that a certain movie is good or bad. However there are times when I fall into a minority. That is the case with my next pick, “Welcome To Marwen.” PLEASE DON’T SHOOT ME! This is a movie that I went to see early, and when I saw it, it was truly revolutionary. One of the best animated franchises of all time is “Toy Story.” “Welcome To Marwen” is essentially a live-action version of that, featuring someone who has PTSD. The performances are top notch, the directing is beautiful, the concept is wonderful to tenth degree! I stand by my statements, even if that means I’m going to die within the next few days. But this is a film that is HATED by critics. I can probably say the same applies to moviegoers as well given how the film has a 5.5/10 on IMDb. Then again, the Cinemascore rating was a B-, so it does have some positive reviews from audience members. Nevertheless, this is a film that is not only original, but reminded me of why I love telling stories and listening to stories. Well done, Robert Zemeckis!
#5: First Reformed
Coming in at #5 is a film I actually didn’t get around to reviewing this year but enjoyed watching nevertheless, “First Reformed.” One of the most pressing issues of my time is climate change, this movie paints a picture of climate change like I’ve never seen before. There is one scene in the film where the main character, a priest, sits down with somebody whose wife is currently pregnant. He wants his future child aborted so it does not have to live in a nearly or perhaps inevitably uninhabitable world. I said to myself before that when I grow to be a certain age, specifically the time when perhaps most people would want kids, I’d probably pass up on that opportunity. I’d usually say that I just don’t want to screw up someone’s life because I’d be nervous about the responsibility at hand, I’d possibly even screw up my own life. Now, this movie made me think, I’d feel deeply sorry if I had to bring a child into this world. Granted, having children is not a bad thing necessarily, but I would feel more than terrible bringing in someone who has to deal with constantly changing normality in terms of climate and weather, decreasing resources, and the fact that ways we try to amuse ourselves and survive affects our very own planet. In fact, part of me wonders if I’ll be one of the last generations to survive on Earth. Part of me wonders if we’ll ever even see a shift to another planet to start a new way of life. “First Reformed” truly got me thinking about my own future. Not only that, but it manages to make a Christian priest skeptical about his own beliefs, which is something I never tend to think about when someone has a high religious position. The acting in this movie from performers like Ethan Hawke and Amanda Seyfried is simply lovable. The directing by Paul Schrader is basically the definition of a vision. It kind of reminded me of “No Country For Old Men” meets “La La Land” meets “The Grand Budapest Hotel.” Bravo!
#4: Won’t You Be My Neighbor?
Who says people don’t go out to see documentaries nowadays? Well guess what, this guy did, and this guy saw “Won’t You Be My Neighbor?.” Talk about an amazing, sweet, memorable experience. I never had Mr. Rogers in my childhood, however my grandmother always sang the opening song to “Mister Rogers’ Neighborhood” to me. This movie made me want more of him in my life. I was reminded of how a lot of shows that children are subjected to are flashy and noisy and all other sorts of stuff. As a child I watched “Power Rangers,” where grown people are flipping around uttering random sounds as they annihilate others. Had I watched “Mister Rogers’ Neighborhood” however, I would probably have had a better childhood, by whichI mean, I would have been a smarter, and perhaps a more well-behaved child. This movie must be seen by every individual in the universe, even if you are the toughest manly man out there with tons of facial hair who rides a motorcycle across the country occasionally stopping to chow down the biggest baddest burgers and steaks in the world, you will enjoy this documentary!
#3: Ready Player One
I’ve read the book for “Ready Player One,” it was awesome! Then I saw the movie for “Ready Player One,” that was awesome too! While there are many changes from the book, I will say that I’m not complaining about it. What we’ve got with “Ready Player One” is nothing short of just a plain old epic adventure with a bunch of people who wish they grew up in the 1980s. I will say, I am not a psychic, but if “Ready Player One” wins Best Visual Effects at the Academy Awards, that would be killer! Also, may I add, if you like Chucky or “Child’s Play,” do yourself a favor and check this movie out just for the thirty seconds Chucky happens to be on screen! Do I have problems with the movie? Yes, I have problems with many movies I see and some like this one that happened to make it on the list, but it does not change the fact that this movie not only was fun, glorious, and all-around just immersive, but it also had a chase sequence towards the end that is sitting somewhere in my top 10 of all time.
#2: Avengers: Infinity War
Coming in at #2 is the movie event of the year, and some of you might be thinking like the last couple of years, it’s a “Star Wars” movie. Nope, this year’s “Star Wars” flick was painfully average so that’s not making the list. Instead, I’m talking about “Avengers: Infinity War!” I remember a couple years ago I saw “Captain America: Civil War” and I once declared it to be my favorite movie of 2016. Not only that, but it was also my favorite MCU movie. Forget I said that, because this movie is not just a good comic book movie. It’s a good MOVIE. While I might have my gripes for Marvel for seeming to never want to end their cinematic universe at any given point, it also allows us to see something truly groundbreaking. Because the reality is that “Avengers: Infinity War” is a culmination to a franchise that has been built up for ten years. It’s almost like watching a nearly conclusive TV show finale. I mean, originally, “Infinity War” was supposed to be marketed as a two part thing, but that’s not happening anymore. Not to mention, it provided one of the most epic experiences I’ve had at the movies this year. It was basically like watching a big sporting event as opposed to a movie in the theater, especially on opening Thursday night in a sold out IMAX. Another reason why I love this movie so much is because without getting into spoilers, is because it did a couple of things that I wouldn’t really see in something like a Marvel movie or some film featuring superheroes. Other than that, it’s really just a fun yet emotional ride. I don’t run the Oscars, but if the voters happened to pay more attention to big blockbusters, this would possibly get nominated, or even win Best Picture. Did I mention Thanos? Oh my gosh! Thanos! THANOS IS ONE OF THE GREATEST VILLAINS EVER PUT ON SCREEN! I am not sure how 2019’s list of films to come out is going to be compared to 2018, but hopefully, “Avengers: Endgame” does not suck, or even ruin “Avengers: Infinity War.”
#1: Mission: Impossible: Fallout
Alright, we have reached the #1 spot! We finally made it! This is the movie that I had the most fun watching, I had a great time reviewing, and once it finished, my first words were “HOLY CRAP.” What movie could get me to say that? How about Tom Cruise’s latest attempt at killing himself? At the #1 spot, we have “Mission: Impossible: Fallout!” The latest installment to the “Mission: Impossible” franchise was something I was looking forward to as its release got closer and closer. Little did I know how much I’d love it! If “First Reformed” is the definition of a vision for an independent film, then “Mission: Impossible: Fallout” is the definition of a vision for a big blockbuster film. Much like the MCU, the “Mission: Impossible” movies have been going on for a long time. “Mission: Impossible: Fallout” is not necessarily a culmination, but it takes a lot of the characters you know from previous “Mission: Impossible” films and inserts them in one epic story. Not only that, but Tom Cruise provides the best stunt performance I’ve ever seen from him. If you ever thought there was no way he would ever top hanging on the side of an airplane in “Rogue Nation,” I personally thought he topped it 110% in “Fallout!” The cinematography, the score, the sound, the editing, HOLY CRAP the editing. There is a scene towards the end of the movie that I remember being in awe watching it during my second viewing! Seeing this film in a theater was an experience. Twists, turns, craziness, the action scenes in this film are all memorable! The helicopter scene is a thing of f*cking beauty! When your lead actor breaks his leg during a stunt, and chooses to go on with a scene like nothing happened, you know you have a movie worth watching. Tom Cruise has still got the goods when it comes to action and stuntwork! This is possibly the best Tom Cruise movie I have seen personally since 1983’s “Risky Business!” I would like to thank Tom Cruise, Christopher McQuarrie, Paramount, Bad Robot for making an action-packed extravaganza that I will probably watch many years to come! I’m glad to call “Mission: Impossible: Fallout” my favorite movie of 2018!
Thanks for reading this countdown! Tomorrow I am gonna have a new post for you all to read, and I know it is a new year and it is time to celebrate, but the reality is, sometimes it is reasonable to relieve some stress. That is why tomorrow I’m switching my mood, and I’m going to be talking about my top 10 WORST movies of 2018. I will admit, this year for movies has been awesome. I’ve seen A LOT of movies that have come out this year, a third of which I currently consider to be at least an 8/10. I’m serious. I will say that with at the very least, a majority of these movies, and possibly others that I’ve yet to see, these are going to apply in a future event I’m going to unveil to you all here on Scene Before. In my first awards show that I’m doing here weeks from now, I’m going to be including my top 10 movies for my Best Picture category. Instead of having me choose the Best Picture, partially due to already revealing my personal favorite film of the year, I’m going to have viewers and followers vote for what they think should win Best Picture of the year. Once the nominees are announced, voting will be open. My nominees are to be announced in a few weeks from now or so, and I officially have no date for the awards ceremony to be posted, but trust me when I say that it is going to be one of the most ambitious posts I’ve ever done. Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, what are your favorite movies of 2018? Feel free to count down your picks, or if you want to be exclusive and only include one film, feel free to do that too. The top 10 WORST is coming tomorrow, stay tuned! Scene Before is your click to the flicks!
“Instant Family” is directed by Sean Anders (Daddy’s Home, That’s My Boy) and stars Mark Wahlberg, Rose Byrne (Neighbors, Insidious), Isabella Moner (Transformers: The Last Knight, 100 Things To Do Before High School), Margo Martindale (The Americans, Justified), Julie Hagerty (Family Guy, Airplane!), Tig Notaro (In a World…, One Mississippi), and Octavia Spencer (Hidden Figures, Gifted). This movie is inspired by true events experienced by director Sean Anders. It’s about a couple who decided to adopt three children who have no idea what exactly they’ve signed up for.
This movie is directed and co-written by Sean Anders, who actually wrote the screenplay basing it upon his own experiences and before I tell you whether or not this is actually a good movie, this notion gave me the urge to dive deeper into Anders as a person. He, much like the main couple in the movie, appeared to be against the idea of adopting at first, but he eventually adapted to the idea, which seems to have lead to him making this movie a reality. Regardless of the overall quality of “Instant Family,” it is an interesting motive to make a movie based on something that significantly changed your life. That being said, I REALLY don’t know how to feel about this movie.
They say that some movies and stories can be “emotional rollercoasters.” Movies that, logically speaking, can provide multiple feelings throughout such as happiness, sadness, gladness, disappointment, etc. This is that movie, and I don’t think I can say it is quite the emotional rollercoaster I would traditionally ask for. Because this movie manages to make my heart warm, make me laugh, but also question whatever is happening on screen.
One movie I saw in 2018 was “Eighth Grade,” part of why I loved that movie so much is because of how that made me cringe. The idea of cringe is such a strange word in that scenario because in reality, cringing can be seen as a synonym for getting embarrassed. Maybe I have a slight bias towards “Eighth Grade” as an idea and a script because for one thing, I don’t have adopted children. I’m not even a parent for crying out loud. I’ve been through “Eighth Grade,” much like a good portion of other people. The cringe I’ve gotten out of that movie was reminiscent of how I would feel getting scared during certain horror movies. “Instant Family” seemingly tries to replicate an uncomfortable feeling of being a parent, not to mention, being a part of a family, but that’s all I get sometimes during scenes, discomfort. I don’t relate to what is happening to the fullest like I’d want to, or maybe I do, but I just felt more like I was watching “How To Be a Latin Lover,” one of the worst attempts at a comedy of the decade, as opposed to a compelling story.
“Instant Family” started out in a pretty solid manner, it could have been funnier, it could have been better, but it was serviceable. Then somewhere in the middle of the movie, I start to feel uncomfortable. Granted, I will say, the discomfort overall could be a lot worse, because I have a strong feeling that was what the writers happened to be going for. The way this movie this movie plays out is kind of like playing a nearly lucky game of bingo. You have your free space taken, the first three numbers called are all in a row which includes the free space, then for the rest of the game, it does not go the way you planned. All the rest of the numbers either don’t connect the way you want to, or are not even on your board.
I will say though, I gotta give credit to the performances, and when it comes to comedies, that is something that I feel may occasionally be overlooked. Granted, I sometimes make the excuse that a comedy has to make an effort at delivering humor before anything else. I stand by my statement, but performances are an important part of any film regardless of whether it is a drama going for an Academy Award, a horror flick trying to scare audiences everywhere, or in this case, a comedy made specifically to get people to laugh. Granted, compared to some other comedies I’ve seen recently, this seems to have more layers and substance attached to it. The two parents in the movie actually feel like a married couple who are trying to adopt children. The children feel like they act their age, and are quite charming. There’s also a grandmother in the movie that personality-wise, is kind of hyperactive, and while I do consider the character to be rather cliche in ways, I thought she was portrayed and written well for a film like this.
Mark Wahlberg plays Pete in the movie, and as mentioned, he’s portrayed with excellence. Granted, it’s not worthy of awards, but Wahlberg did well with the provided material. With that in mind, it is also worth mentioning that Wahlberg kind of already played this character before. In fact, you can also say that Sean Anders, the director of this film, also directed this character before, played by the exact same person. Anders directed “Daddy’s Home,” which stars Mark Wahlberg as a biological father to multiple kids. The children are living with their stepdad (Will Ferrell), but for some time, Wahlberg is in town so the two raise the kids together. Aside from being a father, one thing that really stood out to me about Mark Wahlberg’s character is that he would teach his kids to be tough and stand up to others. Thinking back on “Instant Family,” I must have achieved a similar vibe during one scene. There is one scene that I thought was completely entertaining where Wahlberg is with his adopted teenage daughter and they break s*it with a hammer.
One minor issue I have with the movie is actually something I’ve been experiencing a lot lately. While this movie has a solid runtime to avoid complete agitation, the pacing could have been better. There are a couple moments where this movie feels climactic, where it feels like it could have a solid ending, but it just chooses to go on. It’s just like the climax to “Deadpool 2” although much less interesting and entertaining.
Let’s be real, “Instant Family” is no masterpiece, and part of me thinks that this movie isn’t for everyone. Sure, it’s heartwarming. Sure, it’s funny. Sure, it’s raw. But it almost at times feels like a surface level movie in certain aspects. The humor at times is barely passable, and the does have that studio feel I bring up from time to time. I feel like a number of people are gonna sit down, watch this movie, and probably enjoy themselves for a couple of hours. However, due to my lack of relatibility to the movie, not to mention my personal critiques, I can’t say it’s a movie for me. I wouldn’t say however to avoid it, but I feel like some people will have more fun than others.
In the end, “Instant Family” is an alright attempt at a feel good comedy. However, it feels more like a reality check on parenting that focuses more on crazy visions of realistic situations than a story that’s supposed to make you smile. I appreciate the vision, but it just didn’t work for me. Plus, if I’m not at that point already, I seem to be getting to the point where I’ve practically seen it all when it comes to comedy. Nothing feels new or fresh. “Instant Family” is by no means 2018’s worst attempt at a comedy, but it adds cliches I have already seen and just doesn’t feel like the best possible product it can truly be. I am going to give “Instant Family” a 5/10. I will say once again, this is an emotional rollercoaster. When I began to leave the theater, the one word I could use to describe my experience was “confusing.” Don’t get me wrong, I understood the movie, it’s not like I watched a deep puzzle-like flick or something, it’s a simple attempt at comedy. But I had a mix of positive and negative emotions throughout the film, and while I had fun watching the movie, I don’t think I have any desire to watch it again anytime soon. There’s a good chance this score could change in the future. What will it change to? I honestly don’t know. Only time will tell. Thanks for reading this review! Next week I’ll be going to see an advance screening of “The Upside.” This movie is a remake of 2011’s “The Intouchables” and I’ll have my review of “The Upside” on the web as early as possible. Also, I’ve talked about them for sometime, I’ve been building them up like Thanos, and now they are going to arrive! My next two posts are going to be my top 10 BEST movies of 2018 and my top 10 WORST movies of 2018! I’m so excited to release these to you all, and I’m looking forward to a great 2019, happy new year everyone! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see “Instant Family?” What did you think about it? Or, what is a movie where you cringed due to a relatable moment, scene, or segment? Let me know down below! Scene Before is your click to the flicks!