Movies and COVID-19: Behind the Scenes – Part 7

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Hey everyone, Jack Drees here! It is now time for part 7 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

As much as I want to continue to create informative content, I’m getting to the point where this series has become an annoyance. But I continue to do it anyway because historians can look back on this and remember it as a dire time for the film industry, which it really is. And those reviews I’ve been saving for months cannot go to waste. So Scene Before is STILL your place for the apocalypse! But who knows how much longer this will last? If I have to do more than twelve or thirteen, I might shove an aluminum soda can down my throat. In other news, I still know how to put on pants, I have not been going outside, and if I’m not back in the cinema by the end of July, I am going to throw all my DVDs and Blu-rays out the window like I’m a stubborn child!

And since we are still on a downward spiral, let’s get to the news of the world!

Starting in New York, we have news regarding what could be the United States’ most famous public transportation system, the MTA (Metropolitan Transportation Authority). Andrew Cuomo, governor of New York state, made a major change to the system. The MTA is known for having a 24/7 schedule, so they never stop running. However, under Cuomo’s order, the system will be shutting down from 1 AM to 5 AM. This is likely a financially responsible decision, as nightlife in New York is nonexistent at this point. Plus, ridership is down 90% as far as the system goes. With less money, there’s more of a willingness to engage in the system’s preservation. This is also part of an effort to properly disinfect MTA property and machines, making a safer and cleaner ride for customers.

While some states are going to have to wait a bit longer to reopen, some like Georgia and Texas have begun easing on restrictions. Another state that has announced some easing on restrictions is the New England state of New Hampshire. The state plans to partially reopen starting May 11th. Certain pieces of economic industry including golf courses, campgrounds, and hair salons are permitted to reopen. Outdoor dining is also permitted to take place. Strict guidelines are still in place however as there is still a tendency to keep people 6 feet apart. New Hampshire currently has over twenty-five hundred confirmed COVID-19 cases so far. That is more than neighboring states Maine and Vermont, but is significantly less than its other neighboring state, Massachusetts, which has over seventy thousand cases.

Let’s go over to the United Kingdom and talk about Prime Minister Boris Johnson. Previously diagnosed with COVID-19, Johnson spent time in intensive care and was monitored health-wise. As he gets back into his routine, he stated that doctors were ready to announce his death in an event that he refers to as a “death of Stalin’-type scenario.” Johnson told UK newspaper The Sun that he required “liters and liters of oxygen.” During hospitalization, the Prime Minister kept asking himself: “How am I going to get out of this?” In other news, Johnson and his wife recently named their newborn son Wilfred Lawrie Nicholas Johnson. The “Nicholas” in this full name is chosen in honor of a doctor who helped aid Johnson.

Before we dive into our main topics, here’s a conglomerate of news that I ought to share because it can be packaged into a little box. While most theaters in the United States seem to have a plan on opening back up in the summer, because nothing’s out until then, some theaters are already opening their doors. For example, in Rhode Island, the Rustic Tri-View Drive-In, located in North Smithfield, is now part of the state’s reopen plan according to Governor Gina Raimondo. As for non-drive ins, Texas has three Santikos theaters reopening with a $5 ticket deal. For the record, this is a third of the company’s locations. Honestly, while it is good news for business that these theaters are reopening, I think it is also good news for health that they are taking it slow. The major chains like AMC and Cinemark still plan on a July reopening, which I think is fine, because it builds up anticipation and there’s nothing really new playing until then. Outside the U.S., Norway is reopening its theaters starting May 7th, capping the limit at 50 people per screening. The movie theater to me is a place beyond the imagination. It’s also a place where I occasionally get to see masterpieces. These masterpieces often get awards, such as Oscars. Speaking of the Oscars, let’s talk about them!

THE ACADEMY CHANGES RULES FOR THE 93RD ANNUAL OSCARS

One of my favorite days of the year is Oscar Sunday. When this crisis first started, I was a little worried that would not even be able to see an Academy Awards show next year, much less get more movies that could potentially be nominated. After all, when you are a studio or crew and cannot come out with your movie, it’s kind of a struggle. However, The Academy may have something planned next year. One indicator of this is them announcing changes to their rules and layout. Most notably, the Academy is putting its traditional rule of its nominees needing to have a theatrical release on hold. Specifically, the rule that a movie must play in Los Angeles county cinemas for at least a week with daily screenings taking place at least thrice. So if you play your movie in cities such as Los Angeles, Burbank, Santa Monica, Long Beach, Glendale, Pasadena, Culver City, or anywhere else in Los Angeles county that may have a movie theater under certain requirements, it could potentially be nominated for an Academy Award. Due to the COVID-19 crisis, the Academy is making an exception for this year. The following quote is taken from The Academy’s website, oscars.org.

“Until further notice, and for the 93rd Awards year only, films that had a previously planned theatrical release but are initially made available on a commercial streaming or VOD service may qualify in the Best Picture, general entry and specialty categories for the 93rd Academy Awards under these provisions:

  1. The film must be made available on the secure Academy Screening Room member-only streaming site within 60 days of the film’s streaming or VOD release;
  2. The film must meet all other eligibility requirements.”

So this means that films like “Trolls: World Tour,” “Scoob!,” and “The King of Staten Island,” which are either already On Demand or will be dropping towards On Demand soon, are considered eligible for the Academy Awards. Films that barely even got a theatrical release like “Bloodshot” or “The Hunt” also qualify. I’m willing to imagine to some extent that this *may* count a film such as “The Lovebirds,” which was going to theatrically release this year and make a debut at South by Southwest. Although the festival was canceled and Paramount is no longer putting the film out in cinemas. But unlike films such as “Trolls: World Tour,” which is available on platforms including Prime Video, Google Play, Vudu, FandangoNOW, AMC Theatres On-Demand, iTunes, and cable outlets such as Xfinity and Fios, “The Lovebirds” is going straight to Netflix. Given how Netflix has made a major presence at the Academy Awards in past years, films like “The Lovebirds” could be considered eligible, but is the Academy only considering certain platforms? Are exclusive platform deals going to tie in somehow? What about “Artemis Fowl” on Disney+? That movie was supposed to come out this month, but unfortunately that’s not happening.

Also keeping fine print in mind, these rules pertain to films that were once planning on theatrically releasing. So films like Netflix’s “Extraction,” which was intended for a streaming platform, or HBO’s “Bad Education,” which went straight to television, will not qualify. This policy is also not permanent, as the Academy intends to make this only apply for this year’s ceremony, and anticipates an end date in the future when there is a sense of normalcy, not to mention when theaters re-open. However, the Academy is also planning on expanding qualifying theaters to U.S. areas including New York City, the San Francisco Bay Area, Atlanta, Chicago, and Miami. As one who lives fairly close to Boston, I am disappointed, but we can’t have everything, even if sports prove otherwise. By the way, I hate football. I said it.

PHYSICAL MEDIA (and other electronic) SALES GO UP

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Now I imagine some people will flat out not care about this, but to me, physical media is the best way to watch a movie at home. Because when you buy a movie on Prime Video for example, you don’t own it. Yes, you possess the film digitally, but if the service goes down, crashes, or the company behind it closes its doors forever, you’ll probably never be able to watch it again. With physical media, it is all up to you. Now it is not a surprise that we have had more time on our hands to go on Netflix and watch “Extraction,” to flock over to Disney+ and watch “Star Wars,” to jump on over to FandangoNOW and give “Trolls: World Tour” a rent. But what KIND OF surprises me, and I say kind of, is how much of a presence physical media has in this pandemic. According to recent statistics, DVD and Blu-ray players went up 27% during the pandemic. Keep in mind, this is a market that Samsung recently abandoned.

Another thing to keep in mind is that DVD and Blu-ray players, which went up by 27% is not the only winner here, in fact, the increase is not as big as other categories such as TV mounts (41%), printers (61%), and streaming players (67%). So rather than just being a great boost for physical media, it is also a great boost for tech. TVs have been doing well, and so have computers. As for where the actual total of sales for DVD and Blu-ray DISCS stand, that’s another question. Although, based on this quote from NPD’s Tom Baker, that type of electronic may be doing just fine.

“Sales are up as consumers stay at home and look for multiple forms of entertainment. These include DVDs and Blu-ray discs to entertain children while their parents are working, backup access devices if Internet access is challenged by streaming, or simply the consumers’ realization that they may need a physical disc player as an alternative to streaming and either they didn’t already have one or the one they do have needs an upgrade.”

Honestly, in a time like this, I think some people are going to want physical media. Sure, it involves getting up and putting in a disc, but one of the reasons why I am such an advocate for it is the technical side of it. Outlets like YouTube and Netflix have lowered the default quality of content to standard definition. With Blu-ray, the default quality is 1080p, or if you have a smaller setup, it’ll work in 720p. Yes, standard definition is the quality of DVD, which is 480p, but again, I’ll bring up the fact that you have control over your content. Netflix, or more specifically, Warnermedia, is not going to snatch “Friends” away whenever the year ends like they did months ago. If you don’t want it, just sell it and get some money back! Plus, you get all the bonus features which can help you pass the time. I just got the “Star Wars: The Rise of Skywalker” 4K Blu-ray last month, I still need to watch the bonus content! So I still have something to do! Also, what if the Internet goes down? You don’t need any Internet to watch a DVD! If I had to come up with any downsides, maybe it involves a little more activity, but since we refuse to go outside, it could be worth taking a couple steps to the collection and popping a disc in. Or, since places like Walmart sells them, there’s always a chance, given how grocery stores are becoming petri dishes right now, that other people touched the DVDs or Blu-rays and spread their germs, which may not be the most pleasant happening for a time like this. But of course, worst case scenario, you can always order these things online. Although I can also imagine that some people are buying these devices because they have smart capabilities as well, allowing them to contain apps like Netflix, YouTube, and Prime Video.

NO MORE KEANU DAY, BUT HERE’S MORE DELAYS!

One of the actors who arguably was the “winner” of 2019 is Keanu Reeves. His year in acting brought him success through films like “John Wick: Chapter 3 – Parabellum” and “Toy Story 4.” He did films like “Replicas,” which honestly sucked, but he also became a heavy hitting piece of promotion for the upcoming game “Cyberpunk 2077,” by making a surprise appearance at E3 last year. And honestly, this might have spawned my favorite slice of all the content that went viral on the Internet last year.

In fact this year, the Keanussance is likely going to continue. After all, he is making an appearance in the third “SpongeBob SquarePants” movie in a minor role. The movie by the way for those who don’t know is titled “The SpongeBob Movie: Sponge on the Run.” Speaking of known properties, Reeves is also going to be reuniting with Alex Winter to star in “Bill & Ted Face the Music.” Although, if you are a fan of one of Keanu Reeves’ most popular franchises, specifically “John Wick,” prepare to be disappointed. “John Wick: Chapter 4,” once scheduled to come out May 21st, 2021, will now be releasing May 27th, 2022, a full year later. Taking the spot of “John Wick” is the “Saw” reboot titled “Spiral,” which was supposed to be out May 15th of this year. Speaking of Lionsgate films, “The Hitman’s Wife’s Bodyguard,” which is a sequel to 2017’s “The Hitman’s Bodyguard,” will be hitting theaters August 20th, 2021, as opposed to its prior date of August 28th, 2020. An upcoming horror drama, “Antebellum,” is set to release August 21st, 2020, as opposed to its original date which has already passed, April 24th, 2020.

However, sticking with “John Wick: Chapter 4,” this delay is a particularly interesting one. Not just because it involves a meme-worthy actor and a hit action franchise, but this film was originally supposed to come out the same day as another Keanu Reeves movie. And it’s not some indie film made by a studio like A24 or Neon. It’s not, THANKFULLY, a sequel to “Replicas,” a film Reeves starred in that turned out to be one of the worst films of 2019. It’s “The Matrix 4.” Now if you asked me five years ago about the possibility of a “Matrix 4,” I’d probably toss the idea behind my head. There didn’t seem to be much place else that the story could go. But hey, everything’s getting a reboot and a remake now, so why not “The Matrix?” I honestly don’t know what to expect from it, but the fact that this is a reboot and not a remake pleases me. Nevertheless, both films prior to the delay of “John Wick: Chapter 4” were scheduled to come out May 21st, 2021. The Internet has often called this “Keanu Day.” I will say that the delay of “John Wick: Chapter 4” is both a good thing and a bad thing. It’s good because it avoids having the crew rush on making the film, but it’s also unfortunate because as a Keanu Reeves follower, I figured it would be fun to go to the theater and do a Keanu Reeves double feature. However, if more good news needs to be said, I should also point out it’s perhaps likely that these films, which by the way, are from different companies, will be marketed to similar groups of people, and maybe both could lose their respective studios money as a result. Both films debuting on their own release dates could not only benefit Lionsgate, who is delaying “John Wick: Chapter 4,” but also Warner Bros., who is responsible for “Matrix 4.” Not everyone has the money and time to go see two seemingly similar movies. While “John Wick” fans may have to wait, this could give Lionsgate a greater chance of creating a “John Wick: Chapter 5,” because what if “John Wick: Chapter 4” doesn’t warrant a sequel after losing lots of money to “Matrix 4?” At least the studio has a “Hunger Games” prequel and “Knives Out 2” potentially coming soon so it’s not like they’ll spend years losing money from here on out.

AMC THEATRES AND REGAL ENTERTAINMENT GROUP BAN UNIVERSAL FILMS

Can I get some popcorn?! Because I’d say it’s time to enjoy the greatest battle in cinematic history, and it’s not even in a movie! Tonight’s fighters are… movie theaters and Universal Pictures! Now, “Trolls: World Tour” is a one of a kind movie, mainly because Universal decided that it should be released directly onto VOD. Universal bragged about the film’s progress so far to the point where they thought it would be a good idea to release more of their films On Demand while also putting them into theaters.

Now, I’m going to have to be very careful here, because several different outlets have reported similar sounding items that might contextualize something different.

The story here begins by bringing the mega-chain AMC Theatres into the mix. AMC Theatres saw Universal’s plan to simultaneously release movies theatrically and at home and responded by saying that they will not play any of Universal’s movies if that’s the case. While a source like The Hollywood Reporter did a story on this and cited from AMC CEO Adam Aron that the company will no longer play any of Universal’s films in its theaters worldwide, one quote from Deadline’s article suggests, also from Adam Aron, that they will not do so “on these terms.” By that, it likely means that AMC will not release Universal’s films if they just follow a simultaneous home video rollout. Keep in mind, it is traditional for films to follow a strict theatrical window. While there have been cases of films like “Black Panther” that you can still see in some theaters while it becomes available at home, tradition has suggested that a movie released for theaters must be out for about ninty days before it comes home. Universal doing a release like this not only ignores the theatrical window, but it also makes the theater potentially lose money because people could just stay home and put the movie on their TV. In fact, movie theaters were against Universal since this pandemic started. While they did manage to have a rather solid idea of making “Trolls: World Tour” a straight to On Demand movie, other studios seemingly have concretely laid out their plans and avoided giving such a last minute notice like Universal appeared to. NATO (National Association of Theater Owners) head John Fithian was against this from day one.

“Only Universal, and only on ‘Trolls,’ did one studio skip the theatrical model and go straight to the home. Universal continues to advertise to consumers that ‘Trolls’ will be released simultaneously to theaters and the home on April 10. And they are lying to consumers. Universal knows that theaters will still be closed on April 10, so unlike every other distributor who must simply delay their releases in that time period, but still understand that theatrical release is essential to their business model, Universal on ‘Trolls’ didn’t make that decision. Exhibitors will not forget this.”

Fithian also shares his thoughts on the current matter of AMC abandoning Universal films with this quote…

“Universal does not have reason to use unusual circumstances in an unprecedented environment as a springboard to bypass true theatrical releases. Theaters provide a beloved immersive, shared experience that cannot be replicated — an experience that many of the VOD viewers of this film would have participated in had the world not been sequestered at home, desperate for something new to watch with their families. We are confident that when theaters reopen, studios will continue to benefit from the global theatrical box office, followed by traditional home release.”

Let me just say that if Universal is planning on releasing “F9” through VOD the same day as in theaters, that might be one of the worst decisions they’ve ever made. People go to those movies because they provide adrenaline rushes, the effect is not as great if watched on a TV, tablet, phone, or computer. This is why before this whole pandemic, I bought opening Thursday tickets. Luckily, I did get my money back. So if all Universal films are never coming to AMC again, it’s going to make it harder for me to review them as AMC locations are easy for me to access. The theater is a huge money-maker for Universal, to have hundreds of screens lost is not a great investment in the long run. People are inevitably going to get back into routines, and part of that routine is the movie theater. It might take awhile for some people, but if you’re someone like me who sees a difference in the experience from watching at home and in the theater, I’m going to choose the theater by a long mile. This is why I want to see “Tenet” in July. Heck, before this all happened, I probably had little to no intention of going to see the remake for “Mulan,” but I’ll show up because I want to support movie theaters.

But just you wait! There’s more! Universal, if you do nothing, cinema chains will double the offer! That’s two cinema chains not playing your movies, for a chance to lose more money! Cineworld, which currently owns the U.S. staple, Regal Entertainment Group, also said that they “will not be showing movies that fail to respect the windows.” So, should Universal continue to release movies On Demand early, Regal, along with AMC, will not be playing those films in their venues. Alternate chains like Showcase Cinemas, Alamo Drafthouse, and Arclight for example have not really said much about this matter. But remember, the theatrical window is a sacred bond of trust. If you’re putting a movie in theaters, chances are you have to follow it or face consequences.

Also, I wonder how much longer this will go on for, because guess what? If you go to Universal Studios Hollywood, you’ll notice on the CityWalk that there is a movie theater that currently goes by the name Universal Cinema. The theater has reserved seating, recliners, a Director’s Lounge, and an IMAX with Laser. By the way, that IMAX is also equipped with a 70mm projector, which if the theaters open back up in time for “Tenet,” will probably be used. Guess who owns that theater? AMC of all possible names! Who knows what is going to happen there?! As for Universal Orlando Resort, they’re safer in this circumstance as they currently have a Cinemark. They had an AMC at one point, but that has now closed. Gotta love drama.

NEW HOME VIDEO RELEASES

First off, it is Tuesday, May the 5th! Meaning it is the day after “Star Wars Day,” AKA May the 4th! For those who have not heard it already, May the 4th be with you and as for today, enjoy your Revenge of the Fifth! With that being said, there’s some new “Star Wars” content on Disney+, including a documentary on “The Mandalorian,” the series finale of “The Clone Wars,” and since we talk about movies on here, one of the new additions is “Star Wars: The Rise of Skywalker,” the conclusion to “The Skywalker Saga.” As of now, the full “Skywalker Saga” is available on the service. The only theatrically released “Star Wars” movie not available on Disney+ at the moment is “Solo: A Star Wars Story.” However, the movie is currently on Netflix. If you are wondering when “Solo” will be coming to Disney+, it will be available starting July 9th, 2020. As for what’s coming On Demand, one example is “The Lodge,” which is about a soon-to-be-stepmom who is staying with her finace’s children at a holiday village, where strange events begin to occur. The film is available today, May 5th, on DVD, Blu-ray, and Digital. Another film getting such a release on May 5th is “Arkansas” starring Liam Hemsworth and Vince Vaughn. It is the directorial debut of Clark Duke and was supposed to be shown at this year’s South by Southwest Festival. The film is a thriller about two men who live under the orders of a kingpin whom they’ve never met. Unfortunately, a deal goes wrong, meaning they could end up facing harsh consequences. “Arkansas” was supposed to theatrically release on May 1st, the same day that “Black Widow” would have hit theaters had it not been delayed. However, it is now available physically and digitally starting today, May 5th. One more film to avoid skipping over is “I Still Believe,” which is now out on DVD and Blu-ray as of today. The film is based on the true story and journey of Christian music star Jeremy Camp.

Thanks for reading the seventh part of the ongoing series “Movies and COVID-19: Behind the Scenes!” Happy Revenge of the Fifth, hope all the “Star Wars” fanatics in the world are happily going about their lives and not getting into fights in comments sections, because that’s impossible, right? Also, Happy Cinco de Mayo, on a Taco Tuesday coincidentally! Two days that go together quite well! Also, if you want remind yourself of a simpler time when movie theaters were open, be sure to check out my latest YouTube video where I document my experience of going to see “Star Wars: The Rise of Skywalker” on opening night. Disney has already put copyright claims on it, but I really don’t care as I enjoyed making the video. Also, if you like the video, leave a like, if you want to subscribe, go ahead! Speaking of leaving likes, be sure to check out my Facebook page and immerse yourself to posts much shorter than these while also getting the latest updates from Scene Before! Since we’re still on the topic of likes, be sure to like this post if you’re enjoying the content, and as we’re continuing promotion, why not give this blog a follow either with a WordPress account or your email? I want to know, what is the biggest piece of movie news for you in regards to the COVID-19 crisis this past week or so? Did I miss anything? Also, how did you celebrate “Star Wars” day? Me personally, I started on May 3rd! TBS had a marathon and I watched for hours! Let me know down below! Scene Before is your click to the flicks!

The 2nd Annual JACKOFF Awards

WARNING: They said it couldn’t be done. They said it shouldn’t be done. BUT I DID IT ANYWAY! The 2nd Annual Jackoffs is officially longer than The 1st Annual Jackoff Awards. Clocking in with a word count between 12,000 to 13,000. Feel free to take breaks and pauses and come back later if this is a stretch. Enjoy, and happy Jackoffs!

Hey everyone, how you all doing? I’m Jack Drees and it is time for the 2nd Annual Jackoff Awards, the most important blog awards show in history, because it is run by one man with many opinions! Last year, yours truly started a tradition, and this year, it is carried on with new nominees, specifically the best of 2019’s film lineup! And since this thing goes on as long as “The Irishman,” you are all in for a ride!

How does this show work? Each of the movies represented here are all films that I saw in 2019. Keep in mind, if there is a movie here that I did not nominate, there’s a possible chance that I did not see it. Much like many other award shows, individual categories will be presented including Best Sound Editing, Best Costume Design, Best Cinematography, all the way to the pinnacle of the show, Best Picture. A list of nominees will be presented and one will be victorious while others may or may not go home with the shirt on their back. Speaking of which, while all the other award winners will be chosen by me, I have decided once again to let the people speak for the Best Picture category. Upon announcing the nominees, I have decided to put out a poll and have you all choose what you think should win. After all, this list is mostly based on my Top 10 BEST Movies of 2019, therefore if I were choosing Best Picture, it would be partially predictable, and it might not be as significant of a win as opposed to the people’s choice option. The people choice’s last year has led to Disney’s “Avengers: Infinity War” taking home Best Picture last year! So the question is, who will win this year? That will be revealed at the end! Until then, I have to get through the rest of the ceremony, and to do so I am going to start by doing a monologue. Many award shows have one, because without them they would not be as funny or joyful. I am here today to chew bubble gum, and spread some laughs. And I’m all out of bubble gum. It is now time for “Jack Drees Tells Jokes to Others in Order to Please Himself.”

I’m going to state some facts about the year in film, and since there is no audience here, there shall be no laughs. With that in mind, I encourage you to imagine yourself as my only attendee in the crowd. Feel free to laugh, chuckle, boo, fall asleep, even heckle if you please. And I must say, when it comes to 2019 in film, I personally have been impressed with a majority of the films that I have witnessed over these past number of months. Overall, 2019 has been a fine year for movies. Unless you are a wasted spork, killed by the Joker, scared s*itless by Pennywise, stuck in a hurricane in Florida, or trying to run for your life while playing hide and seek.

 

This first thing should surprise some of you if you lived under a rock these past number of years. The 2010s are now over! Throughout that time you’ve seen, let’s see… um… what was it? SIX “Sharknado” movies? Yeah, it was. Crazy! Also, there was 5 “Spider-Man” movies. 5 “Fast & Furious” movies. 4 “Transformers” movies. 5 “Star Wars” movies. 4 “Avengers” movies. Surprisingly, no “Avatar” sequels. Feels strange.

 

During last year’s Jackoffs, I talked a little bit about Blockbuster Video and how they have very few stores left. Turns out, I was missing an important piece of the puzzle, because I only talked about Blockbusters in the United States. However, this March, the final Blockbuster in Australia shut their doors for good, making the Blockbuster in Bend, Oregon the last Blockbuster in the world. I would not mind making a trip to that Blockbuster, I’ll probably rent the video game “The Last of Us.”

 

This year is not just a big year in cinematic history, but it is also a big year for home viewing. Netflix just recently dropped “The Irishman,” which has been nominated for awards including Best Supporting Actor and Best Makeup & Hairstyling. Martin Scorsese does not care if you like or dislike the movie as long as you follow the one rule. Call it “cinema.”

 

It was suggested that a streaming service floodgate is opening at this point. There’s going to be a new streaming service called Peacock, which is going to be put out by Comcast, which owns NBC and Universal. So if you still have cable, think twice before getting rid of Comcast.

Cause ya might be stuck with them.

 

HBO Max is going to hit app stores and smart devices this May, which despite having HBO in the name, will partially be focusing on content from other divisions of AT&T-owned Warnermedia. Content from TV channels like TBS, TNT, truTV, along with other divisions of Warnermedia will have a presence on the service. Once again, AT&T owns the platform, so don’t be surprised if the “service” eventually goes down.

 

One of the biggest entertainment stories of the year is the launch of Disney+, which just came out in November. The service contains old Disney, new Disney, Marvel, Star Wars, National Geographic, Pixar, and more. Their slogan: We know you want to exterminate mice, but why not invite one into your home for $6.99? A-ha!

 

Marvel announced plans for phase 4 and onward in the MCU. Some highlights include: “Blade,” “Doctor Strange in the Multiverse of Madness,” “Thor: Love and Thunder,” and “Eternals.” Based on details regarding the film’s plot, “Eternals” is going to take place over 7000 years. So… Just short of how long the Marvel Cinematic Universe has been going on in real life!

 

Speaking of Marvel Studios, Sony, alongside Marvel, will be making a third standalone “Spider-Man” movie starring Tom Holland. It’s going to be called “Spider-Man: With Unlimited Reboots and Sequels Come Unlimited Possibilities.”

 

Speaking of “Spider-Man,” otherwise known as the real-life movie equivalent of “The Neverending Story,” A sequel to the 2018 critically acclaimed animated film “Spider-Man: Into the Spider-Verse” was announced to release in April of 2022. Just in the time that it has taken for me to announce all of this, Sony has already announced ten sequels, a reboot, and a crossover with Tom Hardy’s “Venom.”

 

“Spider-Man: Far from Home” is now officially the highest-grossing Sony film of all time! Just in the time that it has taken for me to announce this, Sony has already announced a “Spider-Gwen” film, a Tobey Maguire/Andrew Garfield crossover, and a “Night Monkey” spinoff!

 

“Avengers: Endgame” became one of the biggest box office hits in history, earning over $2 billion, being the fastest film to reach $1 billion, the fastest to reach $2 billion, and having the biggest worldwide opening weekend. As of right now, they are ahead of James Cameron’s “Avatar” as the highest-grossing film of all time. How did they do that? I’m pretty sure Bob Iger and everyone at Disney snapped the Infinity Gauntlet to generate money. Gotta pay those electric bills.

 

Speaking of Disney and Bob Iger, one of the highlights for amusement parks this year is the new “Star Wars: Galaxy’s Edge,” which just opened this May at Disneyland and also this August at Disney World. And because it’s Disney, it can cost some an arm and a leg to get in. But don’t worry, just find the nearest lightsaber and you’re good to go!

 

If you are an adult, don’t like “Star Wars,” or hate going to amusement parks in general, let me just remind you, “Star Wars: Galaxy’s Edge” is alcohol-friendly. But don’t drink too much, because some side effects include: a willingness to force choke others, NOT TO MENTION yourself, and a willingness to watch “Star Wars: The Holiday Special.” Also, based on recent events, Disney has also outlawed drunk pod-racing.

 

Upon the opening of the attraction, Deadline Hollywood has pointed out that “Star Wars: Galaxy’s Edge” is a “wildly immersive experience.” Now I can’t say I have been there myself, but this probably suggests one thing. The Stormtroopers there always try to shoot you, but don’t worry! THEY MISS EVERY TIME!

 

To say Disney did not have record-breaking year would be an absolute lie. From their performance in 2020, Disney’s the first studio to achieve a combined box office return of $10 billion on all of their released films.  Who knows what they’ll do with that money? Probably something that highly associates with the company… Maybe they’ll scientifically create a genie. Maybe they’ll build a Mickey Mouse-shaped Death Star. Maybe they’ll just let it go.

I did not see “Frozen 2” by the way, just saying. You know, in case it matters.

 

Even though Netflix is a popular choice for home viewers, they have recently been expanding their cinematic palette. In fact, just this year, plans were announced to buy a movie theater on Hollywood Boulevard in Los Angeles, California! Yeah, in April, it was announced that Netflix was seeking a purchase of Grauman’s Egyptian Theater! And with Netflix being Netflix, they will put a movie in there for about a year, only to have everyone complain once they finally get rid of it!

 

Following in the steps of programs like AMC Stubs A-List, Cinemark Movie Club, and Showcase Subscribe, one of the popular movie theater chains in the United States, Regal Entertainment Group has just unveiled their new moviegoing subscription service called Regal Unlimited. And by Unlimited, Regal means unlimited trailers. Maybe you’ll get a movie or two.

 

In all seriousness though, the program comes with various perks. For somewhere between $18 to $23.50 per month, you can watch as many movies as you want in Regal locations nationwide. And from anywhere between $0 to a $250,000 fine plus jail time, you can PIRATE as many movies as you want. You decide for yourself.

 

If you are a Regal Unlimited customer, chances are you used it to go see a flick or two, maybe even three. One such example… is “Cats.” “Cats,” a $95 million film, struggled at the box office. Many people have been disappointed with “Cats,” making this a loss for Universal, but a win for mice.

 

According to Taylor Swift, who plays a role in “Cats,” the cast attended “Cat School,” where you would learn the ways of a cat and how to behave like a cat. This is real! Apparently the “Cats” cast would adapt to crawling on fours, and get this, I think this is the best part… SNIFFING AND LICKING EACH OTHER! That’s one way to see if your senses work.

 

Also, apparently Taylor Swift graduated early compared to other actors. According to Rolling Stone, alternate cast members Francesca Hayward and Robbie Fairchild attended for six weeks whereas Taylor Swift attended for one week because based on the words given by, get this… Cat School professor Sarah Dowling, “Taylor is a natural cat.” Now that’s a breakup worth singing about!

 

When it comes to actors, one person who has had a hit year is Scarlett Johansson, who had appeared early on in the record-breaking “Avengers: Endgame,” and was eventually shown in other acclaimed films including “Jojo Rabbit” and “Marriage Story.” I personally love her in “Marriage Story,” I think she gave a great performance in that film. The film makes you feel like Black Widow is divorcing you! It’s that good! All she needs to do is kick her potential ex-husband in the face, maybe change her hair once or twice, and boom! Black Widow movie!

 

Scarlett Johansson also made a controversial comment earlier this year saying “You know, as an actor I should be able to play any person, or any tree, or any animal, because as an actor, that’s my job and the requirements of my job.” Never thought I’d say this, but if anybody is looking to reboot “Guardians of the Galaxy,” you now know who to contact for an audition. She is Groot! #SheIsGroot!

 

“1917” has received several nominations including Best Cinematography, Best Production Design, and Best Picture. Have any of you seen that movie? The film is designed to look like it is all done in one shot. Yeah, one shot is also the number of chances I have tell you that “Moonlight” won Best Picture tonight.

 

“Joker,” a case study on the iconic “Batman” villain is the first R-rated film to surpass the $1 billion mark. It has received a number of nominations including Best Film Editing, Best Actor, Best Costume Design, and Best Production Design. Think twice before showing this comic book movie to your kids, because the film is “rated R for strong bloody violence, disturbing behavior, language and brief sexual images.” Those are all solid reasons, but they also forgot to list the fact that the Joker suggests that it is okay to dance like crazy down the stairs! “Mom! Look at me! I’m doing the Joker dance!” “That’s great kiddo, now do it with scissors!”

 

In “Joker,” there is a scene where the title character dances on an exterior stairwell. This scene was shot on an actual stairwell on West 167th street in the Bronx area of New York City. Due to the success of “Joker,” tourists have come to visit the iconic stairs, leaving locals in dismay. One local resident said in regards to this matter, “we feel disrespected.” The only way residents would be more disrespected by this, is if it were revealed that the tourists were all Red Sox fans.

 

“The LEGO Movie 2: The Second Part” released last February, which has received a Best Animated Feature nomination for this ceremony! If “The LEGO Movie 2: The Second Part” loses the Best Animated Feature award during the show, they will have bricked it.

Too soon? Too soon.

 

“Toy Story 4” was also nominated for Best Animated Feature! “Toy Story 4” introduces a disposable spork character named Forky, who desires to end up in the trash. If “Toy Story 4” wins tonight, in honor of this, I’ll congratulate all the other nominees, but then note that when compared to “Toy Story 4,” they are TRRRRAAAASH!

 

“Fast & Furious Presents: Hobbs & Shaw” was one of the biggest box office hits of the past year! “Hobbs & Shaw” is also the title of the anticipated remake “Dude, Where’s My Flying Car?”

Although speaking of “Hobbs and Shaw,” some of you may have gathered that the crew behind the film worked very hard to give audiences the most bombastic and enjoyable popcorn flick of the summer. Between Dwayne Johnson, Jason Statham, director David Leitch, among others, they brought their A game to delivering a proper blockbuster. The film definitely does its best to be an entertaining ride, but there was something I couldn’t help but notice. A lot of vehicles get destroyed. Now this would have made for a really good collaborative ad campaign. In fact, one company in particular, unbeknownst to the public, approached the fine folks behind “Hobbs and Shaw” and agreed to make a commercial partially using footage from the movie that would air on television. Unfortunately, however, that commercial never made it on the air. And honestly, I’m kinda disappointed, because I had a chance to witness the ad and it was almost Super Bowl-worthy. In fact, courtesy of the people who made the ad, I was able to get ahold of it to reveal what you all have been missing! Guys, I hope you enjoy the commercial, take a look.

This is a ceremony dedicated to honoring film as a collective realm. As one who has been a part of multiple productions, I understand how hard it is to make a film. This is why I wanted to take this time to at least shout out each film from 2019 I have seen as of nominating all of the films for this current ceremony. Let’s take a look back at what Jack Drees saw in 2019.

  1. The Upside
  2. Serenity
  3. The LEGO Movie 2: The Second Part
  4. Fighting with My Family
  5. How to Train Your Dragon: The Hidden World
  6. Captain Marvel
  7. Us
  8. The Man Who Killed Don Quixote
  9. Shazam!
  10. Apollo 11
  11. Avengers: Endgame
  12. Long Shot
  13. Pokemon: Detective Pikachu
  14. John Wick: Chapter 3 – Parabellum
  15. Cold Pursuit
  16. Booksmart
  17. The Kid Who Would be King
  18. Godzilla: King of the Monsters
  19. Rocketman
  20. Men in Black: International
  21. Replicas
  22. Toy Story 4
  23. The Secret Life of Pets 2
  24. Stuber
  25. Spider-Man: Far from Home
  26. Yesterday
  27. Once Upon a Time in Hollywood
  28. Alita: Battle Angel
  29. Missing Link
  30. Midsommar
  31. Crawl
  32. Ready or Not
  33. The Haunting of Sharon Tate
  34. Blinded by the Light
  35. Dora and the Lost City of Gold
  36. IT: Chapter Two
  37. Brightburn
  38. Ad Astra
  39. Black and Blue
  40. The Fanatic
  41. Joker
  42. Isn’t It Romantic?
  43. Zombieland: Double Tap
  44. Countdown
  45. Jexi
  46. Parasite
  47. The Lighthouse
  48. Last Christmas
  49. Honey Boy
  50. Jojo Rabbit
  51. Ford v Ferrari
  52. Knives Out
  53. Dark Waters
  54. A Beautiful Day in the Neighborhood
  55. Uncut Gems
  56. Jumanji: The Next Level
  57. The Peanut Butter Falcon
  58. Cats
  59. Star Wars: The Rise of Skywalker
  60. The Aeronauts
  61. The Irishman
  62. Marriage Story
  63. Late Night
  64. Spies in Disguise
  65. 1917
  66. Little Women
  67. The Farewell
  68. Judy
  69. The Report

A big and hearty congratulations to those who made the films audiences everywhere went to see in 2019. Apologies if I missed something, but I am pretty sure I got all of the movies I saw. Without further ado, let’s announce some winners!

First up, is Best Animated Feature. These are the films that many families went to see to escape from reality, and I mean that in every sense of the word. After all, with these films, once the lights go down, you instantly leave your own big wide world, to enter alternate vast worlds of talking branded plastic pieces, living toys, and high-flying dragons. Within each one of these worlds, it is the lessons that we take, both as kids and adults that will have these stories stand the test of time. Maybe in some ways, their worlds of imagination, are just like our reality. Here are the nominees for Best Animated Feature!

  • How to Train Your Dragon: The Hidden World (Dean DeBlois, Bradford Lewis, Bonnie Arnold)
  • The LEGO Movie 2: The Second Part (Jinko Gotoh, Roy Lee, Dan Lin, Phil Lord, Christopher Miller)
  • Missing Link (Chris Butler, Travis Knight, Arianne Sutner)
  • Spies in Disguise (Peter Chernin, Jenno Topping, Michael J. Travers)
  • Toy Story 4 (Josh Cooley, Mark Nielsen, Jonas Rivera)

And the Jackoff goes to…

“How to Train Your Dragon: The Hidden World!”

“How to Train Your Dragon: The Hidden World” is an animated masterpiece. Director Dean DeBlois has officially closed the book on the “How to Train Your Dragon” trilogy with an absolute bang and it shows with the everlasting fun this film can deliver. One thing that makes movies what they are is the experiences they can provide. DreamWorks animated films have been around for about two full decades now, and they have had a number of hits. “Shrek,” “Shrek 2,” “Madagascar,” “Kung Fu Panda,” “Megamind,” “Kung Fu Panda 2,” but if you ask a lot of people what they think the best DreamWorks franchise is, there is a chance that “How to Train Your Dragon” will be a contender. As this franchise has evolved, so have details in the animation, the hidden world sequence in this film shows off a dragon land beyond the imagination. Ending off everything with an emotionally satisfying note, “How to Train Your Dragon: The Hidden World” is a movie that made this guy cry, but just like a dragon, he was ready to fly. Congrats to “How to Train Your Dragon: The Hidden World,” the third, and maybe final, “How to Train Your Dragon” flick.

Speaking of visual animation, one of the most controversial subject matters that has been addressed in the film cycle of 2019 is the art of visual effects. In July, Disney’s live-action remake of “The Lion King” has lead many of its viewers scratching their heads because despite often being labeled as a live-action remake, others would say that since almost everything in that film has been made on a computer, it is within the animation genre. I did not see “The Lion King” this year, but regardless, it is something to think about. Similarly, Paramount’s “Sonic the Hedgehog” received criticism for its visual design of the titular speedy character, which prompted the crew behind that film to get back to work after the first trailer dropped. But one thing that is not controversial is that these are the nominees for Best Visual Effects. And they are…

  • Ad Astra
  • Alita: Battle Angel
  • Avengers: Endgame
  • Spider-Man: Far from Home
  • Star Wars: The Rise of Skywalker

And the Jackoff goes to…

“Alita: Battle Angel!”

The film “Alita: Battle Angel” is based off a manga series, and like the live-action redo of “Ghost in the Shell,” which comes from similar origins, “Alita: Battle Angel” as a visual story jumps off the screen to the point where its own future feels not only possible, but in some ways, desirable. “Alita: Battle Angel” does what films of its kind do best, immerse the audience with an experience that is as glamorous as much as it fills a hole by providing good old fast-paced entertainment. James Cameron has a credit for this film, and it is no surprise considering how much he is revered in the visual effects space of film. “Alita: Battle Angel” is as visually compelling as an intense game of Motorball. To all who have visually designed this film to its finest detail, pat yourselves on the back. Well done!

Now it is time for a segment that will be occurring ten times throughout the show, where we take a break from awarding, and show trailers for this year’s Best Picture nominees. The first one shall be revealed in just one second, but here is a description of what this first movie encompasses.

Marriage. Dealing with in-laws. Graphic violence. These are core elements of some of the Best Picture nominees here at this current ceremony. Although, this film has all three of those things. As Fox Searchlight celebrated its 25th anniversary, these characters celebrated togetherness in one moment, and then engaged in a hunt to kill within the next. Yours truly dubbed this film as “The Greatest Hide and Seek Story Ever Told.” After all, the film follows a newly married woman as she is forced to play Hide and Seek, with a sinister twist. Starring Samara Weaving as Grace, it is her objective to survive to the end while avoiding her recently established tradition-based in-laws who must eliminate their newcomer to the family if they too want to continue their own lives. Nominated for 5 Jackoff awards, THIS is “Ready or Not!”

“Ready or Not:” the perfect film to watch with your in-laws.

The next two categories are dedicated to sound. To specify, sound editing and sound mixing. Just like last year, sound editing will be presented first considering how sound editing is a process that comes earlier when making a film. As mentioned in 2019, one way to remember this is that E comes before M. These five movies have the best overall sound collections of the past year, and whether they are explosions, gunshots, or lightsabers, each one pulled the audience into the world of their respective films with ease. Here are the nominees for Best Sound Editing.

  • 1917
  • Alita: Battle Angel
  • Ford v Ferrari
  • John Wick: Chapter 3 – Parabellum
  • Star Wars: The Rise of Skywalker

And the Jackoff goes to…

“Ford v Ferrari!”

It’s official, “Ford v Ferrari” has received its first award show equivalent to the first sight of a checkered flag during a race! Personally, I experienced “Ford v Ferrari” in a large IMAX theater, allowing me to put myself in an atmosphere full of fast cars, Coca-Cola everywhere, and if you had to ask me what the best part of my experience was, it was undoubtedly the eargasmic sound work put into the film. Some people will tell you to wait for a movie to come out on DVD or On Demand and skip out on the theatrical experience, which I disagree with because the theater makes ANY movie better. That’s just a fact. With that being said, if you all have not seen “Ford v Ferrari” in a theatrical setting, you’re doing yourself a disservice and missing out on some of the most energetic racing scenes ever, and part of it has to do with the killer audio. “Ford v Ferrari” may be a rivalry story, but your ears will not be rivaled by the contents of this film!

Piggybacking off of sound editing, it is now time to move onto sound mixing. This category is dedicated to the artists who have turned up the volume, raised the decibel levels, and blown the roof off the place. These are the nominees for Best Sound Mixing.

  • 1917
  • Alita: Battle Angel
  • Avengers: Endgame
  • Ford v Ferrari
  • Star Wars: The Rise of Skywalker

And the Jackoff goes to…

“Ford v Ferrari!”

This is “Ford v Ferrari’s” second win meaning a couple things. First off, it has officially dominated the sound categories! Quite honestly, this should not come off as that big of a shocker. This is a film that is clearly designed for the big screen, meant to be obnoxious and immersive in every way, and it is beautifully pulled off. I have never been to a NASCAR race in my life, and I have no intention on going to one in the near future, but I am not going to deny that “Ford v Ferrari” absolutely feels like a NASCAR experience in a cinema. Not only are sounds for this film wonderfully implemented through conceptual thinking, but they also are leveled properly and add to the film’s fast pace. Congratulations to “Ford v Ferrari,” how many more awards will it get? It is too early to tell, but it has currently two of the awards it was nominated for. If it wins Best Supporting Actor and Best Picture, it will have won all the awards it was recognized for. But for now, a hearty congrats to “Ford v Ferrari,” the overall sound king of 2019.

Our second Best Picture nominee is a tale of class. Not only is it a classy motion picture from start to finish, but it highlights the differences between the thriving rich and barely surviving poor. The film follows a family who is trying to make ends meet, and miraculously manages to do so each and every day. As they begin to become a centerpiece of a rich family’s life, their own lives begin to alter. It is a twisty and turny ride to the very end. Brilliantly directed by Bong Joon Ho, it is a film that makes you, as an audience member wonder, how much planning went into it from the first draft, to the final cut. But for all we know, maybe there was not much planning in the first place. As Kang Ho-Song’s character Kim Ki-taek suggests, there is one kind of plan that never fails at all. The plan being… “No plan. No plan at all.” Nominated for 7 Jackoff awards, THIS is “Parasite.”

When a concept falls into place, it must be met with a proper setting. Similarly, when a design of an area or structure on paper or on a computer falls into place, it must be met with a proper set. They say that in life, looks are not everything, but a proper background and utilized sense of surroundings will always pack an extra punch into making a great film. Here are the nominees for Best Production Design.

  • 1917 (Dennis Gassner)
  • Joker (Mark Friedberg, Kris Moran)
  • Knives Out (David Crank)
  • Parasite (Ha-jun Lee)
  • Ready or Not (Andrew M. Stearn)

And the award goes to…

Dennis Gassner for “1917!”

Now, if this were a film that was presented like any other, this would probably have a decrease in its chances of winning, but keep in mind that not only did set design matter in terms of how compelling the movie itself could turn out, but how it was shot. “1917” is meant to look as if it is all done in one shot, making set design that much harder to accomplish and perfect. The main purpose of a set like this, at least if I were to build it, is to provoke a sense of detail and believability. If I as a viewer am not able to buy the “1917” set, then why am I watching the movie? However, the designers pulled it off and put yours truly into war. This is a sentence meant to be stated in the best possible way. Well done to Dennis Gassner, the production designer of “1917!”

Moving onto costume design, fun for Halloween, but a lifestyle for the makers of films. These five nominated costume designers have taken the following traits into account: Authenticity, detail, and glamour. It is the work of the costume designer that allows an actor to embody their character, because without them, there’s a good chance we’d be just be watching pornography. It’s the truth. Here are the nominees for Best Costume Design.

  • The Aeronauts (Alexandra Byrne)
  • Joker (Mark Bridges)
  • Knives Out (Jenny Eagan)
  • Little Women (Jacqueline Durran)
  • Ready or Not (Avery Plewes)

And the Jackoff award goes to…

Jacqueline Durran for “Little Women!”

Durran has been recognized over the years for many of her costume-related achievements. Some include 2017’s “Beauty and the Beast,” 2006’s “Pride and Prejudice,” 2017’s “Darkest Hour,” and she even did another noteworthy film this year, “1917,” which to be fair, did fairly well in this category, but only five films can make the cut. “Little Women” has had many media adaptations over the years, meaning there have been multiple interpretations of the cultural hit many would call a book. From Greta Gerwig’s personal touch to the well-thought-out filming locations to the chemistry provided between actors like Saoirse Ronan, Florence Pugh, and Emma Watson, it is no surprise that “Little Women” is a film that is fairly attentive to detail, which also shows in the realistic and gorgeous costumes worn by many of the film’s actors. Congratulations to Jacqueline Durran!

Our third Best Picture nominee is a love letter and tribute to the film industry of old, created from the visionary mind of Quentin Tarantino, one of film’s most ecstatic fans. Starring Leonardo DiCaprio as an actor, and Brad Pitt as his stunt double, it is a film displaying the decline of said actor, not to mention the alteration of his own industry. Taking place in the 1960s era of Hollywood, the film is a lively, fine display of Californian culture that is slightly interrupted with gory violence and bloody scenes. Above all, the film is a reminder of friendship, ageism, and the fact that Quentin Tarantino… REALLY likes feet. Nominated for 6 Jackoff awards, THIS is “Once Upon a Time in Hollywood.”

Just a fair warning before I present the next category, two of the movies represented here feature main characters who happen to be clowns. So if you want to avoid having night terrors, look away now in case one of those movies win. But believe me, they look good in make up, alongside three other films. Here are the nominees for Best Makeup & Hairstyling!

  • The Aeronauts (Jacqueline Bhavnani)
  • The Irishman (Sean Flanigan, Nicki Ledermann)
  • Joker (Nicki Ledermann and Kay Georgiou)
  • Judy (Jeremy Woodhead)
  • IT: Chapter Two (Sean Sansom, Shane Zander, Iantha Goldberg)

And the Jackoff goes to…

Nicki Ledermann and Kay Georgiou for “Joker!”

Fun fact, “Joker” is the first R-rated film to gross over $1 billion at the box office! Based on the iconic DC Comics character, he has been through multiple visions over the years from numerous actors, and given how this film takes place in a depressing time where nobody has hope, Joker himself can not be more appropriately designed. Now, “IT: Chapter Two” was nominated, which is an earned nomination. Pennywise’s makeup is incredibly well done and I will say other characters like Beverly looked appealing. Then again, it’s Jessica Chastain, she looks appealing no matter the situation. But between the two clown movies, “Joker” pops the balloons with gunshots and comes out on top. Ledermann and Georgiou, clown around!

Our next category is for Best Original Score, where by the way, John Williams has been nominated for the one millionth, five-hundred fifty-seventh thousandth, and second time in any of the award shows that he has been in! This should not however take away from the other artists who have created their own pieces of modern music people listen to not containing Taylor Swift’s breakups or what happened after you took a DNA test. Here are the nominees for Best Original Score.

  • Avengers: Endgame (Alan Silvestri)
  • How to Train Your Dragon: The Hidden World (John Powell)
  • Star Wars: The Rise of Skywalker (John Williams)
  • Uncut Gems (Daniel Lopatin)
  • Us (Michael Abels)

And the Jackoff goes to…

Alan Silvestri for “Avengers: Endgame!”

Here’s the truth about the Marvel Cinematic Universe movies. Over the years, yours truly has praised the MCU for the visual effects, the action, and its tendency to properly develop the stories of many of its characters. One lackluster element of many MCU films in my personal opinion has been the original score. While sometimes effective, it’s often nothing I want to listen to by myself the next day. Although in the past, films like “Iron Man 3” have been an exception with a hum-worthy and grand theme. And with Alan Silverstri in command, his work on both “Avengers: Infinity War” and “Avengers: Endgame” are both some of his absolute best, not to mention some of the all-time best in Marvel’s respective universe. If the Detective Comics Extended Universe had done one thing better than its Marvel competitor, it’s creating great original music from artists like Hans Zimmer (Man of Steel) and Rupert Gregson-Williams (Wonder Woman). However, with Silvestri’s previous efforts given in “Infinity War” and “Endgame,” it makes me think the scores have potential to be more memorable down the road. Will they be? We’ll have to see with films like “Black Widow” and “Eternals” hitting theaters this year. Congratulations to Alan Silvestri, your achievement must have been inevitable!

I have one shot to tell you what this fourth Best Picture nominee is, so I am not going to waste any time. It is a simple story involving two men at war who need to get from point A to point B with one thought in mind. Just don’t die. For these two, it is their mission to send a message in order to save sixteen-hundred men. Shot by last year’s Lifetime Achievement Award winner Roger Deakins, this film presents a concept lacking complexity, but fully displaying brutality. Perhaps one of the most innovative additions to the war film genre, Sam Mendes has written, directed, and produced a technical masterpiece that may, like World War I was supposed to, end all technical masterpieces. I personally hope there’s more to come, but you cannot deny how much work went into this piece of art. Nominated for 6 Jackoff awards, THIS is “1917.”

During last year’s Jackoffs, one of the pieces of work introduced was something I like to call “Film Improvements,” it is where I take a piece or a clip of a movie, in last year’s case it would involve films from 2018, and slightly alter it to maybe make it better or more meaningful than it already is. This year I have decided to revisit the concept given how no film is perfect. “Jaws” has a fake looking shark, “The Wizard of Oz” has a random bucket of water that can take out the Wicked Witch, and “Star Wars,” ironically, does not have stars fighting for supremacy. No film is perfect, but why not make the imperfect better? Here is my latest edition of “Film Improvements.”

Last year, I presented THIS award first, but now I need reasons to SUPPORT why I am putting this award here. Why am I doing this? Because it is my show and I can do whatever the hell I want! That’s a reason to support my statement! But let’s talk about supporting actors. Just because they are not at the forefront does not suggest they are any less important compared to other characters on screen. Between helping our main characters further unravel the story and meaning of the film and delivering a sense of charisma I would like to see from those who supported me in my life, the supporting actors of 2019 have broken their legs while audiences everywhere settle their legs on a chair. Here are the nominees for Best Supporting Actor!

  • Tom Hanks (A Beautiful Day in the Neighborhood)
  • Tracy Letts (Ford v Ferrari)
  • Shia LeBeouf (Honey Boy)
  • Al Pacino (The Irishman)
  • Brad Pitt (Once Upon a Time in Hollywood)

And the Jackoff goes to…

Brad Pitt for “Once Upon a Time in Hollywood!”

Pitt excels in his performance to a degree that I am unable to comprehend. Adding quirky flair and tons of personality, Brad Pitt plays one of the best characters who killed their wife I have ever seen, all the while having me in stitches and in an everlasting smile! What really sells Pitt’s character is his tendency to be charismatic and well-paced. Between the chemistry he brings to the table as Cliff Booth alongside main character Rick Dalton (Leonardo DiCaprio) and the perfect delivery of lines given to him in the scene where he trips on acid, Booth plays one of this year’s funniest characters and does so in true Quentin Tarantino fashion. There is a reason why additional supporting actor Timothy Olyphant suggested, “I’d never leave my wife for another woman. But there’s a chance, I might leave her for Brad Pitt.” Congratulations to Brad Pitt, and because he won the award, here is a clip of Brad Pitt’s performance in “Once Upon a Time in Hollywood.”

But of course, you cannot have a Best Supporting Actor category without a Best Supporting Actress category. The five supporting actresses represented here have delivered lines with excellence, portrayed their characters with proficiency, and fulfilled the director’s vision by embodying the spirit of the film. Here are the nominees for Best Supporting Actress!

  • Shuzhen Zhao (The Farewell)
  • Scarlett Johansson (Jojo Rabbit)
  • Toni Collette (Knives Out)
  • Laura Dern (Marriage Story)
  • Annette Bening (The Report)

And the Jackoff goes to…

Laura Dern for “Marriage Story!”

Dern has been a prolific actor in recent years appearing in films such as “Star Wars: The Last Jedi,” “Downsizing,” “The Founder,” and she’s even done some notable TV work as well including “Big Little Lies” and “F Is for Family.” However, there is no denying that when it comes to “Marriage Story,” Dern provides an overall fantastic presence as her character of Nora Fanshaw. A lawyer who needs to defend her client, Nicole, who is currently going through her divorce. Not only does Dern play an appropriate character for the role at hand, but she does so with the most proper of possible mannerisms and her attitude is top notch to the point where it matches the character’s personality. If there is one strong point to talk about in “Marriage Story,” it is in all likelihood, the acting. Three of the film’s actors are nominated as part of this ceremony, and tying in with “Knives Out,” “Marriage Story” has the most acting nominations at this year’s ceremony! To be specific, 3 in total. Congrats to Laura Dern, and with that being said, here is a clip of Laura Dern in “Marriage Story.”

Our fifth Best Picture nominee is inspired by true events and stars its own writer, Shia LeBeouf. Originally conceived during Shia LeBeouf’s personal experience in rehab, the film goes over the struggles of having an abusive parent. It not only dives into a series of hard times during childhood, but it reveals the after effects once the abused child reaches a certain age. As the feature-length debut given to us by Alma Har’el, this first-time directorial effort comes off like a culmination of somebody’s life’s work. Slight digression, but I will also make the argument that this nominee may have the all-time greatest film shot featuring pie. Nominated for 4 Jackoffs, THIS is “Honey Boy.” 

It is now time for this year’s Lifetime Achievement Award. As promised last year, the recipient of last year’s Lifetime Achievement Award will officially have future Lifetime Achievement Awards named after them, so this year, I am going to be presenting the Roger Deakins Lifetime Achievement Award! Also like last year, I did not plan a video in advance for the winner. In fact, this is as spontaneous as a Lifetime Achievement Award can possibly get. Of course, there will also be another Lifetime Achievement Award, specifically presented to someone who is no longer with us, but has been graceful through the many years of the art of filmmaking.

The winner of the 2020 Roger Deakins Award is a BAFTA Winner, a Golden Globe Winner, an Emmy winner, and an Oscar nominee. He is an actor who has been in the business since the 1970s, making his prominent field debut in a short known as “The Hat Act.” He would eventually go on to embody iconic characters in many classic films. Some include Carl Specklar in “Caddyshack,” John from “Stripes,” Dr. Peter Venkman from “Ghostbusters,” and eventually recapturing the magic of a character like Bosley in “Charlie’s Angels,” not to mention Baloo in 2016’s “The Jungle Book.” He also played Phil in “Groundhog Day.” He also played Phil in “Groundhog Day.” He also played Phil in “Groundhog Day.” He also played Phil in “Groundhog Day.” He also played Phil in “Groundhog Day.” It’s a movie where Phil lives the same day over and over again. The man has lived long enough to play himself in films like “Space Jam” and “Zombieland,” where he was not afraid to suck the brains out of his own work in “Garfield,” which he must hate more than Mondays. He has a proper relationship in the business with director Wes Anderson, appearing in all of his films with the exception of “Bottle Rocket,” Anderson’s independent debut. Films like “Rushmore,” “Fantastic Mr. Fox,” “The Grand Budapest Hotel,” and “Isle of Dogs.” If there’s something gold, and it really looks good, who ya gonna call? BILL MURR-AY! This year’s Roger Deakins award is given to the one, the only, Bill Murray!

If this were a Nickelodeon Kids’ Choice Award, Bill Murray would definitely be slimed, but since it is the Jackoffs, it is my pleasure to simply hand over the gold. Congratulations to Bill Murray, a man of talent, humor, and charisma. This year he is appearing in “Ghostbusters: Afterlife,” so hopefully his work will continue to represent an amazing level of quality.

One of the most popular types of films over the previous decade has been the superhero and comic book movie. I am willing to bet that a lot of people who go to see these movies enjoy them, but don’t read the comic books. Not that there’s anything wrong with that, of course. Comic book movies have been, and with the ongoing success of say the Marvel Cinematic Universe, will continue to be a major force in the industry. This past fall, I took a trip to one of my local comic book shops by the name of Harrison’s Comics, located in the historic and spooky Salem, MA, and interviewed the owner. I figured, comic book films are the thing right now, but why not get in touch with someone who surrounds himself with more than just the movies, more than just the TV shows on networks like CW. Here is my interview with Larry Harrison, the owner of Harrison’s Comics.

I just want to continue on from this with a true story. Before I even did the interview, I figured I’d get Larry a gift card to thank him for his participation. I had no clue what he would say to the questions I gave him, but he clearly represented himself as someone who does not buy anything digitally. I should have thought of that before giving him a card from Amazon. I swear to you this is true, I told him I got him a gift card, I had an envelope prepared and everything. I told him to just be prepared for what I’m about to give him, because based on recent utterances, he might throw the gift out the window! I even took the liberty of OPENING THE ENVELOPE FOR LARRY instead of letting him do it himself! I felt like a “Price is Right” model! I then take the letter out, open it, reveal the gift card, and being a classy dude and good sport, he just goes, “You know who’d like this, my wife.” Special thanks to Larry Harrison, and let me know if you need a new gift card in the future.

Our sixth Best Picture nominee is the only animated film on the list and the concluding chapter to one of DreamWorks’ most beloved franchises. When a city full of humans and dragons becomes overpopulated, it is up to its citizens to find a new home where everyone can thrive. At the same time, the vicious dragon hunter Grimmel will not stop until he captures the Night Fury audiences everywhere have come to know over the years. Throughout, viewers witnessed a story of companionship and growth, to the point where the film reveals that sometimes it is best to let things go. Stunningly animated and full of emotion, it is a step in the right direction for DreamWorks, not to mention their new parent company, Universal, who made this film together to kick off their partnership. Nominated for 5 Jackoff awards, THIS is “How to Train Your Dragon: The Hidden World.”

Our next two categories of awards belong to screenplays. Specifically, adaptations and originals. Starting off with the adaptation category, it is the job of the writers behind these screenplays to take preexisting material and define it for a specific era. It is also their job to continue the stories and traditions that may go far back from generation to generation, bringing said material to the forefront for our current generation. These five nominees have put a little originality or vision into the works of several storytelling gods. Here are the nominees for Best Adapted Screenplay!

  • A Beautiful Day in the Neighborhood (Micah Fitzerman-Blue, Noah Harpster)
  • Blinded by the Light (Sarfraz Manzoor, Gurinder Chadha, Paul Mayeda Berges)
  • How to Train Your Dragon: The Hidden World (Dean DeBlois)
  • Jojo Rabbit (Taika Waititi)
  • Joker (Todd Phillips, Scott Silver)

And the award goes to…

Taika Waititi for “Jojo Rabbit!”

One of the most prolific people in the film industry right now is Taika Waititi. The dude can act, he can direct, he can write, he can do all sorts of things! “Jojo Rabbit” earned its nomination, not to mention its win for basically packing in all sorts of genres within one movie and doing so effectively. It’s a satirical comedy where Adolf Hitler just happens to be a scene stealer! It’s a coming of age tale about a young boy who is raised in Nazi Germany! It’s a tragic war story! And if none of those elements came together and worked like a charm, this movie would not be getting the praise it deserves. Taika Waititi, you have outdone yourself! And even though I failed to nominate you for your performance as Hitler, that was a killer portrayal! Well done!

As for original screenplays, it is the job of the writer of said projects to create something innovative, magical, and something beyond the imagination. But much like adapted screenplays, it is also the job of the writer to trigger emotion, reactions, and attention. These five nominees have adapted a style to be original. Here are the nominees for Best Original Screenplay!

  • Honey Boy (Shia LeBeouf)
  • Marriage Story (Noah Baumbach)
  • Once Upon a Time in Hollywood (Quentin Tarantino)
  • Parasite (Bong Joon Ho, Jin Won Han)
  • Ready or Not (Guy Busick, R. Christopher Murphy)

And the award goes to…

Guy Busick and R. Christopher Murphy for “Ready or Not!”

“Ready or Not” is my #1 favorite film of the year 2019 for many reasons, and part of it has to do with the bonkers script that takes a crazy concept and turns it into gold! How many times have all of you seen a movie where a couple gets married and has to play a game to get the newcomer to join the family? The game, hide and seek! As a horror, the movie is suspenseful and scary! As a comedy, it’s hilarious! As something that falls in the mystery genre, it is absolutely brilliant! “Ready or Not” has a sense of consistency to the end, making my second viewing of the film very fun. The characters all have phenomenal chemistry, even when there is absolute hell going down. Well done to the writers of “Ready or Not,” you kept me on the edge of my seat in a way very few films this year did!

Our seventh Best Picture nominee is the perfect film to watch with your family. I say so because it does highlight a lot of what can go on during a family gathering. Maybe you’ll fight to the point where you want to murder somebody…  Maybe you’ll want to leave with somebody else to avoid all sorts of chaos… Maybe you’ll tell everyone around you to eat s*it because you hate them so much, there’s so much truth to this film! Anyway, helmed by Rian Johnson, this original murder mystery is likely to entertain the many viewers who tune in, but let’s just hope it does not make them hate time with their loved ones. With an ensemble including Daniel Craig, Jamie Lee Curtis, Toni Collette, Christopher Plummer, and Chris Evans, this film contains many actors who have established their name, all the while making this film as SHARP as it could be. Nominated for 7 Jackoff awards, THIS is “Knives Out.”

The Jackoff Awards are meant to be a celebratory event. With that being said, one of the biggest film news stories of 2019 is that the Academy Awards was going to potentially avoid presenting Best Film Editing and Best Cinematography live and instead, present them during the commercial breaks and show them to home viewers later on. That did not sit well with people, especially those in the industry, so the Academy quickly backtracked on the idea. I can officially confirm that at this year’s Jackoffs, all categories are presented equally. This even includes my next categories, the recently mentioned Best Film Editing and Best Cinematography. As for these next five nominees, they have officially established themselves… as cut gems. Here are the nominees for Best Film Editing.

  • Joker (Jeff Groth)
  • John Wick: Chapter 3 – Parabellum (Evan Schiff)
  • Marriage Story (Jennifer Lame)
  • Once Upon a Time in Hollywood (Fred Raskin)
  • Parasite (Jinmo Yang)

And the Jackoff goes to…

Jinmo Yang for “Parasite!”

The movie “Parasite” is no joke whatsoever. It is EVERYTHING that you all have heard. It’s creative, brilliant, and top-notch! As for the editing, this is something I failed to appreciate for a little bit, but the reality is that this contains one of the most well-put-together scenes of its respective year. There is an extended montage in the film about a third of the way through that not only contains great shots and stellar ideas brought to the screen that are executed well, but it even has a great score behind it! Scenes like this, and many others, that easily manage to implement proper timing in lines, dialogue, music, and cinematography, are why “Parasite” deserves as much praise as it is getting. It’s not too fast, not too slow, it’s just a masterpiece. “Parasite” is cut out to be the winner!

Continuing on, we dive to a category that is fairly exclusive to the art of film, not to mention television, Best Cinematography. Whether a movie is shot conventionally, as if it were ongoing, or in old timey black and white and full screen, the cinematographer behind each of these five nominees have not only helped the director carry out their vision, but let us, as an audience, visualize the surroundings of each story. Here are the nominees for Best Cinematography!

  • 1917 (Roger Deakins)
  • Ad Astra (Hoyte Van Hoytema)
  • The Lighthouse (Jarin Blaschke)
  • Parasite (Kyung-pyo Hong)
  • Us (Mike Gioulakis)

And the Jackoff goes to…

Roger Deakins for “1917!”

This is “1917’s” second win of the ceremony! Good news for Roger Deakins, not only did he get a Lifetime Achievement Award here named after him, but he does not have to wait ten, eleven, twelve, thirteen times to finally possess a respective award like this. “1917” is some of Deakins’ most innovative and groundbreaking work. Yours truly would probably consider “1917” up there with films like “Birdman” in the top 5 cinematography-related achievements of all time. Knowing Deakins’ achievements like “The Shawshank Redemption,” “The Big Lebowski,” and “Skyfall,” this certainly suggests something. Universal Pictures is responsible for “1917,” if Universal ever wanted to make a war themed ride to put out at one of their amusement parks, “1917” would be a great piece of inspiration for the product, and maybe it could be heavily based on the movie. Deakins, you are a god, and so is this spiritual experience of a film.

Our eighth Best Picture nominee is a glimpse into something that I myself have been through… Divorce. While I personally have never been married, as a child of divorce, I was able to emulate the emotions of at least what one person was going through during this motion picture. Featuring some of the year’s finest chemistry between leads Adam Driver and Scarlett Johansson, director Noah Baumbach has taken a concept often associated with struggle and turned it all into a slice of life roller coaster. It is a film that reminds us that we all have our own paths in life and they may not be easy to follow. Plus, even though they often say divorce is hardest on the children, the film displays hardships on the divorcing couple of Titanic-level tragedy. Nominated for 6 Jackoffs, THIS is “Marriage Story.”

One of the biggest film stories of 2019 is Disney’s finalized takeover of their recently purchased Fox assets. This included notable film studio names including 20th Century Fox, Fox Searchlight, and Fox 2000 (officially no more). They also have ownership of FOX-related networks like FX, FXX, and National Geographic. The Walt Disney Company now owns current movie franchises like “X-Men,” “Kingsman,” “Planet of the Apes,” and “Avatar.” They also own current TV shows like “The Simpsons,” “Family Guy,” “Bob’s Burgers,” and “9-1-1.” These additions have increased Disney’s empire-like presence over the media industry, leaving certain cinephiles worried about the history of film itself. In fact, one of my worries was that Disney was going to prevent making any R rated films in the future. I’m still scared that we may be getting a PG-13 “Deadpool” (despite various pieces of evidence that we are not), I am scared of the lack of diverse voices and types of films we could get down the line, and I am also scared of how Disney is going to be handling Fox’s past work. And with the new Disney+ app being successful, the company’s growth is definitely not grinding to a halt. Much to my surprise, Disney has since become less family-friendly, because they decided to go full George Lucas and change some Fox films of the past slightly. These changes are not the best for your next family movie night. For the record, I am one of the only people who has actually seen these changes, so it is my pleasure to share these with you. Here are some surprising changes Disney has made to Fox films of the past in a bit I like to call “Disbleep.”

Songs are more than music. Songs are more than just those tunes that get inside your head while on your way to work. To some, songs are a way of life and just a simple lyric can define the path one will ultimately take. These five songs here and now have demonstrated excellence through the combination of vocals and instruments. Here are the nominees for Best Original Song.

  • The Hide and Seek Song- Headquarters Music (Ready or Not)
  • Home to You- Sigrid (The Aeronauts)
  • I Can’t Let You Throw Yourself Away- Randy Newman (Toy Story 4)
  • I’m Gonna Love Me Again- Elton John, Taron Egerton (Rocketman)
  • Together From Afar- Jónsi (How to Train Your Dragon: The Hidden World)

And the Jackoff goes to…

“Home to You” by Sigrid, featured in “The Aeronauts!”

Fun fact about this particular win, this is the first win ever at the Jackoffs for an Amazon movie. Last year, “Cold War” was nominated for cinematography, which it ended up losing to one of the frontrunners, “Roma!” This year, Amazon has multiple movies represented including “The Report,” “Honey Boy,” and as of now, the Jackoff-winning film “The Aeronauts.” Amazon’s “The Aeronauts” never really sat well with yours truly as a story, partially because it involved a huge alteration regarding the main characters. However, once the movie ended and Sigrid’s “Home to You” began playing during the end credits, it sort of the captured the spirit the film seemed to be going for. The film does have an advantage compared to films like “Toy Story 4” and “Rocketman,” where I watched those films only once earlier on in the year. But the original songs from those films, as charming and well done as they are, never stuck with me. “Home to You” sounds like what I would want to hear out of a film presented in the style of what “The Aeronauts” was trying to be. Plus, “Home to You” in general comes off like a solid example of what an end credits song should be. It sort of adds a satisfying feeling to the table that I as a viewer probably did not think I would have needed. Sigrid sang her notes with serious skills, the song overall is soft, yet sweet, but because of the way it is presented, I personally cannot imagine a song like “Home to You” being done differently. Congratulations to Sigrid and to Amazon for earning their first ever Jackoff award! Don’t worry, the shipping’s free! If you want to listen to “Home to You” click the video below!

If actors are puppets, then directors are puppet masters. In case you all have recently lost track of time, it is the year 2020. Many people have put this year together with “20/20 vision.” As far as year the goes for 2019, its predecessor, specifically in films, these five directors have officially realized their own visions before a year of solid eyesight. Speaking of eyesight, it is through our eyes that we see these visions come to life on the big screen, and it is through future generations’ eyes where they see these visions on small screens. Here are the nominees for Best Director.

  • Sam Mendes (1917)
  • Alma Har’el (Honey Boy)
  • Rian Johnson (Knives Out)
  • Quentin Tarantino (Once Upon a Time in Hollywood)
  • Bong Joon Ho (Parasite)

And the Jackoff goes to…

Sam Mendes for “1917!”

Earlier in the decade, Mendes helmed two James Bond titles, “Skyfall,” and “Spectre.” At the end of this decade, Mendes took on the ambitious project of “1917,” the story of two soldiers who need to hand-deliver an important message. Mendes, through the power of solid directing, delivered a message too. The message that he does not mess around! All five nominees are incredibly deserving of being credited here, but Mendes delivered something with “1917” that was not only the product of a vision, but something that appears to be incredibly hard to make. Lucky for Mendes, he surrounded himself with solid talent including recently crowned cinematographer Roger Deakins, well-known actors including Colin Firth and Benedict Cumberbatch, not to mention some solid artists behind sound and visuals. “1917” is a jaw-dropping epic from aspects including the stellar chemistry between characters to the groundbreaking “one-shot” idea that has been done before, but there is no denying that it is deserving of applause based on how well-executed it is here. One of the main goals of many war films is to make the audience feel as if they are a part of the action, maybe in a near-uncomfortable way. “1917” does that, and a lot more to satisfy someone like me. A hearty congratulations to Sam Mendes, and if Bong Joon Ho is reading this, sorry if this keeps you from having a drink. But nobody’s stopping you! So go party!

Our ninth Best Picture nominee is not a goodbye, nor a departure, but more of a welcoming to its audience to experience a story centered around tradition. Set mostly in China, it is the story of a woman who is terminally ill unbeknownst to her while she is surrounded by the family she has come to know, including a “stupid child.” Starring Awkwafina of “Crazy Rich Asians” fame, this film reveals the tragedy of loss while also reminding us that our own lives are beautiful in each of their own ways. In a year of phenomenal endings, this film delivers one of the most emotionally satisfying conclusions to a flick that yours truly has watched in 2019. Nominated for 3 Jackoff awards, THIS is the “The Farewell.”

This, like many awards shows, has probably taken as long as “Avengers: Endgame,” but three categories remain until you can all be disappointed that there is no end credit scene and just move yourselves away from here.

While it is certainly the director’s job convey the actions and emotions of a film, the job of a director, much like many other positions would likely not be possible in the film industry if it were not for the actors who show up to set, ready to interact with their ensemble. Actors can disappear in one moment from their real life persona, and magically reappear as a fictional character, or an icon that is about to deliver grace to the screen through the power of showmanship. These five actors, not to mention actresses, who we’ll get to in a second, have embodied well-contrived characters with proper execution. Here are the nominees for best actor!

  • Joaquin Phoenix (Joker)
  • Daniel Craig (Knives Out)
  • Adam Driver (Marriage Story)
  • Leonardo DiCaprio (Once Upon a Time in Hollywood)
  • Adam Sandler (Uncut Gems)

And the Jackoff goes to…

Joaquin Phoenix for “Joker!”

This may be the single-hardest category of the ceremony, sort of like last year. Sandler delivered what may have been a career-best performance that can make a viewer have a heart attack. DiCaprio portrayed a fine character and matched through great chemistry with supporting actor Brad Pitt. Speaking of chemistry, Driver killed it in the film “Marriage Story,” where his chemistry with Scarlett Johansson delivered one of the best argument scenes of the past few years. Craig helped craft something special with his performance of Benoit Blanc in Rian Johnson’s “Knives Out,” where he develops a southern accent and ignites the quirky fun to be had. But a Phoenix has risen. One reason why Rami Malek won last year for his performance as “Bohemian Rhapsody’s” Freddie Mercury is because of not only his ability to deliver lines, but to also be physically convincing. I cannot think about the “Joker” without directing mental attention to the “stairs” scene. It is something so simple, but it is also weirdly magical. The performance has everything from dramatic delivery of lines to convincing physical motions and endless laughter! As a comic book movie fan, I have noticed that throughout many performances given by those who played the villainous clown by the name of “The Joker,” they all feel like they belong in their respective environment. Even though I and many others are not particularly fond of Jared Leto’s “Joker” introduced in “Suicide Squad,” it is a decent representation of the character when considering its surroundings. “Joker” takes place in a depressing 1981, and Arthur Fleck is a fine embodiment to portray what could be an opposite for those meant to represent said time. Many of the characters in “Joker” are either serious or down. While Fleck definitely shows signs of being down, he is slightly more hyperactive, a little more upbeat. I left “Joker” feeling like I witnessed something kind of nuts, and part of it has to do with the bonkers, but serious portrayal of Batman’s arch nemesis. Here is a clip of Joaquin Phoenix in “Joker!”

And with a Best Actor win, also comes a Best Actress win. Here are the nominees for Best Actress!

  • Awkwafina (The Farewell)
  • Ana de Armas (Knives Out)
  • Scarlett Johansson (Marriage Story)
  • Yeo-jeong Jo (Parasite)
  • Lupita Nyong’o (Us)

And the award goes to…

Scarlett Johansson for “Marriage Story!”

I was not lying earlier! The acting in “Marriage Story” is easily the best part of the movie. When it comes to actors, I have been debating who exactly this has been the year of. Is it Keanu Reeves? Is it Tom Holland? Is it Brad Pitt? Tom Hanks? Adam Driver? Chris Hemsworth, maybe? Let me direct your attention to an actress who may have had one of, if not her best year yet, official Jackoff winner Scarlett Johansson. While her first appearance in a film this year was uncredited, specifically in “Captain Marvel,” she quickly found a presence in the MCU’s next film, “Avengers: Endgame,” which without spoilers, she had a crucial role in. The film went on to gross over not one, but two billion bucks, eventually leading to its official crowning of the biggest film of all-time, beating James Cameron’s “Avatar.” Then she gives one of the finest supporting performances this year in Taika Waititi’s “Jojo Rabbit,” which she was also nominated for. But nothing beats “Marriage Story.” The film is not only a great look inside what happens when a divorce-bound couple is driving themselves up a wall, but it is enhanced through its performances, including Johansson’s. The actress portrays Nicole, who wants to make a life for herself in LA, as opposed to New York, a location where her husband (Adam Driver) seems to be more fond of. Partially through the excellent writing and direction, Johansson plays her character with absolute power, especially during the argument scenes. I felt the pain of this couple as they broke themselves down, mocking each other, and eventually setting themselves on fire internally. Here is a quick glance at Scarlett Johansson in “Marriage Story.”

We are nearing the very end of the ceremony, and we still have one more award to present, Best Picture. But before we get to that, we need to continue on with the show by awarding tonight’s second Lifetime Achievement Award. Specifically, the Stan Lee Award. For those of you unfamiliar with the Stan Lee Award, I gave myself the opportunity to award a posthumous Lifetime Achievement to one individual, which in the previous show’s case happened to be Stan Lee. Much like the Roger Deakins award, this award will forever remain named after the legendary comic book creator. Given how Stan Lee passed in 2018, it is now time to honor someone who passed in 2019. After all, we are the reaching the end of the road. Why not end said road… with the end? This year’s Stan Lee award is given to an influential name throughout the film industry. Born July 18th, 1933 in St. Paul, Minnesota, this individual was about to make a mark on movies like few ever would in terms of how they are presented. Given what he would do later in the realm of filmmaking, it should be no surprise that his father would read him pulp magazines like “Flash Gordon.” After graduating high school, he served in the U.S. Army, and went to Art Center School in California. Soon thereafter, he worked with Ford Motor Co.’s Advanced Styling Studio, and eventually started his own company in 1970. Phillips was a grand supporter of this fellow, becoming an early client who would receive designs down the road. Did I mention books yet? Yes, in an illustrious life of his, he took time to illustrate books too! This illustrious career also led to him providing architectural renderings for establishments including Intercontinental Hotels. It is no surprise that in a career that involves visuals, he would use those for the art of filmmaking. Providing an outlook for films including “Aliens,” “Tron,” “2010: The Year We Make Contact,” “Mission: Impossible III,” and “Tomorrowland,” the man has built quite the resume. Many of his credits come from the Art Department, including one of his finest achievements, “Blade Runner,” the influential noir flick from “1982” that would become a cult classic. He even came back for the sequel, “Blade Runner 2049,” thirty-five years later. Speaking of influence, while the man himself never had a credit for any portion of “Star Wars,” George Lucas suggested the design for the AT-AT is inspired by this gentleman’s art. Said gentleman released his autobiography in 2018 titled “A Future Remembered.” I’m sure your work, as far as the future goes, will be remembered for generations. This year’s Stan Lee award goes to Syd Mead!

In “Back to the Future Part III,” Doc Brown said “Your future is whatever you make it.” For Syd Mead, not only was he determined to make his future a great one, but develop many other futures along the way. From “Star Trek: The Motion Picture” to “Blade Runner 2049” these written futures would not be possible if it were not for Mead. Congratulations, and may you forever rest in peace.

Our tenth and final Best Picture is a triumphant story for the American car industry. During an unfortunate time for the Ford Motor Co., the organization must come up with a plan to remain relevant and avoid running out of gas. It is eventually thought out that the company must make a racecar to beat Italy’s Ferrari at the 24 Hours of Le Mans of 1966. With such thoughts in a drivers’ seat position, engineer Caroll Shelby, portrayed with excellence by Matt Damon alongside car driver Ken Miles come together to build the ultimate racing machine. The film dives deep into a revolutionary story for driving, but it does not take away from the just as revolutionary sound and overall theatrical experience such a film can deliver. Nominated for 4 Jackoff awards, THIS is “Ford v Ferrari.”

We are now in the final moments of the ceremony. Warren Beatty and Faye Dunaway can now say with pride that they DO NOT have to present Best Picture. So guess what? The Movie Reviewing Moron will do so himself! 2019 has been a haven for film fans everywhere. We were introduced to some fascinating titles like “Just Mercy,” “Richard Jewell,” “Queen & Slim,” and “The Two Popes.” How are they fascinating? I don’t know! I have not seen any of them! But, these ten films I am about to present to you right now have defined my film cycle of 2019. These are the films that I walked into with curiosity, watched with attention, and left with satisfaction, or maybe the desire for more. Although, this is not all about me, because these are YOUR VOTES, even though these ten movies are my personal faves, 13 of you got to choose which of these was your fave. Here are the nominees for Best Picture!

  • 1917 (Pippa Harris, Callum McDougal, Sam Mendes, Brian Oliver, Jayne-Ann Tengren)
  • The Farewell (Anita Gou, Daniele Melia, Andrew Miano, Peter Saraf, Marc Turtletaub, Lulu Wang, Chris Weitz, Jane Zheng)
  • Ford v Ferrari (Peter Chernin, James Mangold, Jenno Topping)
  • Honey Boy (Brian Kavanaugh-Jones, Christopher Legget, Daniela Taplin Lundberg)
  • How to Train Your Dragon: The Hidden World (Dean DeBlois, Bradford Lewis, Bonnie Arnold)
  • Knives Out (Ram Bergman, Rian Johnson)
  • Marriage Story (Noah Baumbach, David Heyman)
  • Once Upon a Time in Hollywood (David Heyman, Shannon McIntosh, Quentin Tarantino)
  • Parasite (Sin-ae Kwak, Bong Joon Ho)
  • Ready or Not (Bradley J. Fischer, Willem Sherak, James Vanderbilt, Tripp Vinson)

And the Jackoff goes to…

“1917!”

This is “1917’s” FOURTH win of the ceremony! Of the six nominations “1917” has received prior to today’s show, it has also won Best Cinematography, Best Production Design, and Best Director. The film has also been nominated for Best Sound Editing and Best Sound Mixing. It is also the first Best Picture winner distributed by Universal Pictures.

Films tell you a lot of things based on what is visually represented. But they can be provide great emphasis on the meaning of life. The reality of life is that you only live once, you have one opportunity to make your life the best it can be. YOU GET ONE SHOT. No do-overs. No mulligans. Just one shot. “1917” is a film that put me into a war zone by literally making the camera another set of eyes for about a couple of hours. With virtual reality becoming increasingly popular, it is safe to say that “1917” is one of the closest attempts in regards to filmmaking of getting to the scale and scope of virtual reality without goggles. One weird fact about “1917” is that despite being what one would technically refer to as a 2019 film, it released in most areas, at least most areas in the United States, in 2020. It’s safe to say that good things do come to those who wait. Stories involving war have always been a target for award shows. “Schindler’s List,” “Saving Private Ryan,” “Dunkirk,” and now “1917.” Other Best Picture competitors such as “Knives Out” or “Ready or Not” mostly made me have fun and ignited my willingness to cheer at the screen at least once. “1917” on the other hand left me in silence as I tried to process whatever in the ever-living f*ck I just witnessed. Because the reality is that “1917” is one of the most competently made films I have seen from a technical perspective. I left the auditorium, after being in awe of what I just witnessed, applauding as a sign of respect to the crew who made the best possible movie they could, feeling as numb as a tooth in its last moments before getting a cavity filled. Critics have responded to this film with positive reviews, leading to its 78 on Metacritic and 89% on Rotten Tomatoes. Audiences have also responded to this film with a current score of 88% on Rotten Tomatoes and a decent run at the box office so far. Therefore it is no surprise that “1917” has won the popular vote! The film really has had quite the run in regards to this year’s award season. It spun the Golden Globes to receive Best Picture-Drama. Not only did it win the DGA, but also the PGA! It flocked across the pond to take home a BAFTA. And now, it has received the most important movie blogging award in history, the Jackoff! Congratulations to the producers, cast, crew, and all others behind “1917!” You have won Best Picture!

Thanks for tuning to the 2nd Annual Jackoff Awards! An epic as stretched out as “Avengers: Endgame!” If you made it to the end, I love you 3,000! You’re unbelievable! I hope you enjoyed this one of a kind style of award shows that maybe unintentionally puts a person to sleep, and I will hopefully be doing a third edition come 2021. I should point out, I’m thinking of changing the name, but that is not a certainty at this point. Congratulations to “1917!” for winning Best Picture, plus the other four victories it snatched at this point! Congratulations to “Parasite” and “Knives Out” for receiving the most nominations for tonight’s ceremony! Congrats to all the other nominees! You’re all breathtaking!

That’s the show! Follow Scene Before through an email or WordPress account, check out the blog’s Facebook page, and my personal Twitter account (@JackDrees) for the latest shenanigans from the Movie Reviewing Moron! Peace out! Stay tuned for more great content! Scene Before is your click to the flicks!

The 2nd Annual Jackoff Awards (NOMINATIONS)

2nd Annual Jackoffs LOGO

Hey everyone, Jack Drees here! It is Super Bowl Sunday here in the United States, meaning that everyone around here has a day centered around football, food, and company. I on the other hand, want to sprinkle in a pinch of movie magic for all of you tuning in on this bash of a day. After all, this is the first post of the year specifically dedicated to what I call my Super Bowl of movies, The Jackoff Awards, an epic awards show with a crappy title! For those of you who are not familiar with the Jackoff Awards, this past February I have started an all new tradition, an awards ceremony specifically run by me. Why? Because MY opinions are better than all of yours! Well, that and because it’s fun. I can’t forget that. The ceremony will include the traditions of many others where I present five nominees and announce one winner. And of course, this all leads to Best Picture, where I will be doing something slightly different than the other categories, specifically where I let YOU pick the winner! We’ll get to that later. But this post is going to be dedicated specifically to announcing this year’s nominations. If you are interested in the ceremony itself, that will be available on Sunday February 16th! I will point out one thing though, since it is my ceremony, I am only going to be recognizing films that I have seen. That means films like “Just Mercy,” “Hustlers,” “The Lion King” remake, and “Frozen II” will not be recognized for awards simply because I never particularly dedicated any time to watching any such films. But I did see a bunch of other films this year, many of which I have reviewed, a few of which I didn’t review. I am going to picking from that slate for awards.

I will announce again, each category will have FIVE nominees, except for Best Picture, which will be receiving TEN.

Without further ado, here are the nominees for the 2nd Annual Jackoff Awards!

BEST ANIMATED FEATURE:

  • How to Train Your Dragon: The Hidden World (Dean DeBlois, Bradford Lewis, Bonnie Arnold)
  • The LEGO Movie 2: The Second Part (Jinko Gotoh, Roy Lee, Dan Lin, Phil Lord, Christopher Miller)
  • Missing Link (Chris Butler, Travis Knight, Arianne Sutner)
  • Spies in Disguise (Peter Chernin, Jenno Topping, Michael J. Travers)
  • Toy Story 4 (Josh Cooley, Mark Nielsen, Jonas Rivera)

BEST VISUAL EFFECTS:

  • Ad Astra
  • Alita: Battle Angel
  • Avengers: Endgame
  • Spider-Man: Far from Home
  • Star Wars: The Rise of Skywalker

BEST SOUND EDITING:

  • 1917
  • Alita: Battle Angel
  • Ford v Ferrari
  • John Wick: Chapter 3 – Parabellum
  • Star Wars: The Rise of Skywalker

BEST SOUND MIXING:

  • 1917
  • Alita: Battle Angel
  • Avengers: Endgame
  • Ford v Ferrari
  • Star Wars: The Rise of Skywalker

BEST PRODUCTION DESIGN:

  • 1917 (Dennis Gassner)
  • Joker (Mark Friedberg, Kris Moran)
  • Knives Out (David Crank)
  • Parasite (Ha-jun Lee)
  • Ready or Not (Andrew M. Stearn)

BEST COSTUME DESIGN:

  • The Aeronauts (Alexandra Byrne)
  • Joker (Mark Bridges)
  • Knives Out (Jenny Eagan)
  • Little Women (Jacqueline Durran)
  • Ready or Not (Avery Plewes)

BEST MAKEUP & HAIRSTYLING:

  • The Aeronauts (Jacqueline Bhavnani)
  • The Irishman (Sean Flanigan, Nicki Ledermann)
  • Joker (Nicki Ledermann and Kay Georgiou)
  • Judy (Jeremy Woodhead)
  • IT: Chapter Two (Sean Sansom, Shane Zander, Iantha Goldberg)

BEST ORIGINAL SCORE:

  • Avengers: Endgame (Alan Silvestri)
  • How to Train Your Dragon: The Hidden World (John Powell)
  • Star Wars: The Rise of Skywalker (John Williams)
  • Uncut Gems (Daniel Lopatin)
  • Us (Michael Abels)

BEST SUPPORTING ACTOR:

  • Tom Hanks (A Beautiful Day in the Neighborhood)
  • Tracy Letts (Ford v Ferrari)
  • Shia LeBeouf (Honey Boy)
  • Al Pacino (The Irishman)
  • Brad Pitt (Once Upon a Time in Hollywood)

BEST SUPPORTING ACTRESS:

  • Shuzhen Zhao (The Farewell)
  • Scarlett Johansson (Jojo Rabbit)
  • Toni Collette (Knives Out)
  • Laura Dern (Marriage Story)
  • Annette Bening (The Report)

BEST ADAPTED SCREENPLAY:

  • A Beautiful Day in the Neighborhood (Micah Fitzerman-Blue, Noah Harpster)
  • Blinded by the Light (Sarfraz Manzoor, Gurinder Chadha, Paul Mayeda Berges)
  • How to Train Your Dragon: The Hidden World (Dean DeBlois)
  • Jojo Rabbit (Taika Waititi)
  • Joker (Todd Phillips, Scott Silver)

BEST ORIGINAL SCREENPLAY:

  • Honey Boy (Shia LeBeouf)
  • Once Upon a Time in Hollywood (Quentin Tarantino)
  • Marriage Story (Noah Baumbach)
  • Parasite (Bong Joon Ho, Jin Won Han)
  • Ready or Not (Guy Busick, R. Christopher Murphy)

BEST FILM EDITING:

  • Joker (Jeff Groth)
  • John Wick: Chapter 3 – Parabellum (Evan Schiff)
  • Marriage Story (Jennifer Lame)
  • Once Upon a Time in Hollywood (Fred Raskin)
  • Parasite (Jinmo Yang)

BEST CINEMATOGRAPHY:

  • 1917 (Roger Deakins)
  • Ad Astra (Hoyte Van Hoytema)
  • The Lighthouse (Jarin Blaschke)
  • Parasite (Kyung-pyo Hong)
  • Us (Mike Gioulakis)

BEST ORIGINAL SONG:

  • The Hide and Seek Song- Headquarters Music (Ready or Not)
  • Home to You- Sigrid (The Aeronauts)
  • I Can’t Let You Throw Yourself Away- Randy Newman (Toy Story 4)
  • I’m Gonna Love Me Again- Elton John, Taron Egerton (Rocketman)
  • Together From Afar- Jónsi (How to Train Your Dragon: The Hidden World)

BEST DIRECTOR:

  • Sam Mendes (1917)
  • Alma Har’el (Honey Boy)
  • Rian Johnson (Knives Out)
  • Quentin Tarantino (Once Upon a Time in Hollywood)
  • Bong Joon Ho (Parasite)

BEST ACTOR:

  • Joaquin Phoenix (Joker)
  • Daniel Craig (Knives Out)
  • Adam Driver (Marriage Story)
  • Leonardo DiCaprio (Once Upon a Time in Hollywood)
  • Adam Sandler (Uncut Gems)

BEST ACTRESS:

  • Awkwafina (The Farewell)
  • Ana de Armas (Knives Out)
  • Scarlett Johansson (Marriage Story)
  • Yeo-jeong Jo (Parasite)
  • Lupita Nyong’o (Us)

BEST PICTURE:

  • 1917 (Pippa Harris, Callum McDougal, Sam Mendes, Brian Oliver Jayne-Ann Tengren)
  • The Farewell (Anita Gou, Daniele Melia, Andrew Miano, Peter Saraf, Marc Turtletaub, Lulu Wang, Chris Weitz, Jane Zheng)
  • Ford v Ferrari (Peter Chernin, James Mangold, Jenno Topping)
  • Honey Boy (Brian Kavanaugh-Jones, Christopher Legget, Daniela Taplin Lundberg)
  • How to Train Your Dragon: The Hidden World (Dean DeBlois, Bradford Lewis, Bonnie Arnold)
  • Knives Out (Ram Bergman, Rian Johnson)
  • Marriage Story (Noah Baumbach, David Heyman)
  • Once Upon a Time in Hollywood (David Heyman, Shannon McIntosh, Quentin Tarantino)
  • Parasite (Sin-ae Kwak, Bong Joon Ho)
  • Ready or Not (Bradley J. Fischer, Willem Sherak, James Vanderbilt, Tripp Vinson)

BEST PICTURE VOTING FORM

If you want to partake in the voting for this year’s Best Picture winner, CLICK THE LINK ABOVE if you want to access the poll that will allow you to choose whatever movie you want to come out on top! Keep in mind that voting DOES NOT last forever, in fact this poll is scheduled to be closed once the clock hits 12AM eastern time in the US, so make your voice heard as soon as possible! Because for all we know, one of you reading this may have a movie that you personally want to win, but if you don’t vote for it, there’s a good chance it cannot take home the gold! Get crackin’ people! Be sure to stay tuned for the 2nd Annual Jackoff Awards, coming February 16th to Scene Before, which is the day before Presidents’ Day, so if you do not have any work or school in the way, this is your opportunity to waste some time staring at a screen! It’s your time, so use it wisely! Thanks for reading this post! If you want to be up to date on the latest content such as the Jackoffs from Flicknerd.com, give the blog a follow either with an email or WordPress account! Also, check out my Facebook page! I want to know, do you agree with my picks and nominations? Do you disagree? Do you think I missed something? Let me know down below! Scene Before is your click to the flicks!

By the way, the official intro is done and ready to go! If you want to check it out, it is located down below! It also doubles as a trailer, and it will give you a sense of some of the films that will reflected upon and honored during the Jackoffs ceremony. Check it out down below if you are interested! Or, if you want to be surprised, just wait until February 16th when the ceremony is in full swing! Literally the only difference that you’ll notice then is that the final title won’t be a release date. If you want to watch, enjoy! Until then, vote for Best Picture, continue supporting the Movie Reviewing Moron, and stay tuned for the Jackoffs coming Sunday February 16th!

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Top 10 BEST Movies of 2019

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Hey everyone, Jack Drees here! 2019 has officially concluded, Happy New Year! Happy New Decade, as well! We are now in the 2020s! And with new years, come new countdowns. It is time for me to count down my top 10 BEST movies of 2019. I just want to remind everyone, before I start this countdown, this is a subjective list. Therefore, each and every entry to this list is strictly my opinion, and in no way a fact. With that being said, listen to me! I’m important! The movies on this list may be slightly different, or maybe entirely different from the movies on your list. Maybe by some coincidence they are the same, I don’t know. I am not here to settle debates; I am just here to have some fun and spread some joy. Also, I have not seen every single movie that has come out in 2019. There have been quite a few Disney live action remakes that have come out like “Aladdin” and “The Lion King.” Guess what? Haven’t seen them, so those are off the list. I even missed out on a couple comic book movies this year, I haven’t seen “Hellboy” and I also haven’t seen “X-Men: Dark Phoenix.” So many movies, so little time. With that out of the way, I do want to address a few honorable mentions before we dive into the main event.

Honorable Mention: Joker

My first honorable mention is “Joker.” This is a comic book film that I heard about a couple years back and I was a bit confused as to why we’re getting it. I felt general audience members would be a bit turned off by a villain-centered comic book film. It could work in a comic book, but still. Ultimately, this film is a beautifully shot, well-written, expertly crafted piece of work. If Joaquin Phoenix is not nominated for best actor at the Academy Awards, there will be riots.

Honorable Mention: Blinded by the Light

The next honorable mention is “Blinded by the Light,” a film that is lovely, charming, and all round just a good time. I was never that into Bruce Springsteen, I mean, I like him, but I am not a die hard fan or anything. But “Blinded by the Light” made me feel very fulfilled as a cinemagoer. It’s a film I did not expect to end up watching, but based on the pleasantly fun time I had, I do not regret going.

Honorable Mention: Spider-Man: Far from Home

Finally, for honorable mentions, is “Spider-Man: Far from Home.” Personally, “Spider-Man: Far from Home” is my favorite comic book film of the year. More than the previously stated honorable mention, “Joker,” not to mention more than “Avengers: Endgame.” It is a film that is honestly better than its predecessor, 2017’s “Spider-Man: Homecoming,” which continues piggybacking off of its preexisting film universe material with brilliance, and if you ask me, it has one of the better villain roles in its genre.

With that out of the way, let’s dive into the goldmine! These are my top 10 BEST movies of 2019!

#10: Alita: Battle Angel

Coming in at #10 is a film that I did not think I’d particularly be fond of when the marketing started, became more worried for when it was delayed into the month of February of this year, but ended up being one of 2019’s biggest surprises, “Alita: Battle Angel.” I don’t know how many people ended up loving this movie, but I managed to find out that the community who happens to love this movie is perhaps bigger than I originally thought it would be. Either that, or they just do a really good job through social media tactics by making their voices heard. One or the other. One sign that this movie happened to be really good is that it makes me want to be a part of this futuristic world. After all, it does have some of the finest visuals I have seen all year. I am not that familiar with the original source material, and I have no real plans to go back and look upon said source material, but the filmmakers did a really good job at bringing a story like this one to life. And even though I enjoyed viewing this at home with the volume up high on my 4K TV, this is one of those movies that I honestly regret not seeing in the theater. Also, why isn’t Motorball a thing? I don’t care if it’s dangerous, it’s really f*cking cool! “Alita: Battle Angel” is ridiculously fast-paced, fun, and one of the prettiest movies of the year.

#9: John Wick: Chapter 3 – Parabellum

They say 2019 truly is the year of Keanu Reeves, and one point of evidence that everyone seems to go to in their argument is “John Wick: Chapter 3 – Parabellum.” I have been looking forward to this film ever since I saw the ending to the second installment of this franchise! My gosh! This film has the essentials for a proper modern action flick. It’s not afraid to be brutal, it’s got a variety of fight scenes that are all done well, and it has assassin dogs! I hate dogs in real life, but this movie made me root for dogs for at least one particular scene! A lot of people tend to say that in a lot of movies, the sequels usually don’t live up to its predecessors. Turns out, this is my favorite “John Wick” movie yet. I think each “John Wick” has improved upon the one that came before it. The first movie was a simple revenge story about a guy who lost his lover and dog, it was solid and had a pretty good action sequence in a nightclub. Chapter 2 was a little more upbeat, lively, and had some of the best cinematography of the decade (at least for an action movie). This third movie raises the stakes, puts you right in the action from scene one, and never backs down from being fun, yet gritty.

#8: Ford v Ferrari

Up next is “Ford v Ferrari,” one of the finest racing films ever made. Between James Mangold’s solid direction, the admirable chemistry between leads played wonderfully by Matt Damon and Christian Bale, this flick is just a damn good time. Out of the many theater experiences I have been a part of this year, “Ford v Ferrari” is by far one of the most spectacular, especially considering how I saw it in IMAX. While I don’t think this film will win Best Picture (although I do think it could potentially come close), it could end up dominating in the sound categories for sure. Just hearing the various vrooms and revs from this film alone provides an instant adrenaline rush. On top of that, this film is based on a true story that I did not really know much about, but it is one that I quickly grown to admire as soon as I saw its events play out on screen. I think the one problem is that the film comes close to overstaying its welcome when it comes to Coca-Cola product placement, but other than that, it is just about as good as a racing film can get. The movie itself is fast-paced, attention-grabbing, and intense. What more could you want? Go see this thing!

#7: Knives Out

I liked “Star Wars: The Last Jedi” when it came out, but the more I thought about it, the worse it got. At this point, it’s mediocre. Part of it mainly has to do with the screenplay delivered from Rian Johnson. However, this year, I saw “Knives Out” and it honestly blew my socks off! The cast is great, the direction is spectacular, the cinematography is some of the best of the year, and if I had to be honest, of the few movies that I have seen from Rian Johnson, this might be his best one yet! For the record, I still haven’t seen “Brick,” but I hear it’s good. Also, can we just talk about that title? Not that it has much to do with the film’s overall quality, but “Knives Out” honestly might be the sickest and most badass title of the year. As I write this, the film is still in theaters, and there’s a good chance that it might still be in theaters for some time considering how much buzz it’s getting. I was talking to a friend on social media recently and they made an interesting point. Chris Evans is in this movie, and he plays one of the major characters. If you have seen trailers or marketing for the movie, you might know that there is a moment where he points at a bunch of family members around him and tells them to “eat s*it.” This is Captain America! The embodiment of a proud, mighty, generous man who wants to do what he can to help those in need of saving. So… I guess he really IS America’s ass. Also, speaking of well-delivered and brilliantly executed performances, we need to talk about Daniel Craig and Ana de Armas. Both actors give 110% and I feel that even if they were written badly, which they ARE NOT AT ALL, they’d still be worth praising. I love how Ana de Armas’ character cannot tell a lie or else she’d throw up. It’s a really solid character trait, especially for a murder mystery. I’d enjoy seeing more adventures of Daniel Craig’s character, should Rian Johnson or Lionsgate decide to make more of these movies. Overall, it’s a really fun time at the cinema and a great movie to see with a crowd. Rian Johnson, you are officially forgiven for “The Last Jedi.”

#6: Parasite

I walked into “Parasite” thinking it was going to be really good. I was wrong, it was really GREAT. There is just about no issue that I can come up with regarding this movie. Bong Joon Ho directs the ever living crap out of this thing and it shows! The actors, even children, ALL give tremendous performances! I know the Academy is mainly an American tradition, but this better be getting some Oscar nominations for more than just Foreign film. “Parasite” is one of the craziest movies I have seen in recent memory. It’s about a poor family that eventually becomes a centerpiece of a rich family’s collective lives because they start taking up jobs to help them out, and they are not exactly how they tend to present themselves. This is one of those movies where I was watching it, expecting it to go in one particular direction, I should have known a lot better! Especially when considering how this movie won a freaking Palme D’Or from the Cannes festival! I went to see this movie by myself, and to this day, I have no memory of watching foreign films, or films that are not mainly in the English language with my parents. But if it were movie night, they were in the room, and I were in control of the movie we watch, I’d ask them to give this film a chance. Because it is THAT good.

#5: Once Upon a Time in Hollywood

2019 was the year that I finally went full depth into some of Tarantino’s work. And in July, I instantly felt hyped and prepared for one of the all-time greatest theater experiences I’ll have in my life. I’m talking about “Once Upon a Time in Hollywood!” This movie is a celebration of Hollywood’s glory, an entertaining tale about an actor and his stunt double, and it has one of the best endings I’ve ever seen in a movie. In fact, for a Tarantino film, at least from my perspective, this is kind of tame. There’s not much action or blood, but even when action ensues, the comedic vibe of this film seems to always be intact. Granted, that point can actually apply to multiple Tarantino films, but as a comedy, this may have arguably been the best of the year! Plus, both Leonardo DiCaprio and Brad Pitt give performances that are not only worthy of award nominations, but ones that make me want to have excellent bromances with others.

#4: Marriage Story

At #4, we have a film that I felt connected with probably before even setting foot in the theater, “Marriage Story,” which… is really about divorce, not marriage, but… marketing. Anyway, I think this is a film that I still kind of have to marinate on as it is one of the last films that I saw this year, but “Marriage Story” is a movie that made me want to continue glancing at the screen, and after the two hour and seventeen minute runtime, I left the theater with my head and body feeling like a wreck. If you must know, I am a child of divorce. My parents separated when I was a teenager, and as a kid, I was honestly concerned with how I felt. You know that saying about how “divorce is hardest on the children?” This movie does not really dive into that, even though the couple did have a kid, but it does dive into the multiple struggles of the divorce process and how hard it is to leave someone you have known for some time and ultimately move on with your life. Plus, the best part, for me at least, is that I could personally view both people as either heroes or monsters. Adam Driver and Scarlett Johansson give two of the finest performances of 2019. There is an argument in the middle of the film between them that’s shot and edited with quality, and the two leads just go at it with each other! It felt too real. Not in a bad way though. I am not sure what is going to happen at the Oscars this year, but Driver and Johansson deserve nominations for acting at the VERY least. It’s a different level of compelling that we’re talking about here.

#3: Honey Boy

I liked Shia LaBeouf before he did “Honey Boy.” But after seeing “Honey Boy,” I think he is a national treasure. I saw this film at a free screening at a Landmark Theatres location, and having seen the movie, it feels like one that I would have willingly paid a million dollars to see. Shia LaBeouf not only acts his heart out in this film, but he also shares some phenomenal chemistry with the lead child actor, Noah Jupe. He is someone that I believe we all have to look out for in future years, just keep an eye out. For the record, LeBeouf is not just one of the leads in this film, he wrote the damn thing, and he wrote it freaking well! In fact, I cannot say I have seen every single one of LeBeouf’s performances, but part of me is willing to bet that maybe he can write better than he can act. Also keep in mind, this is his first feature-length screenplay, and I’d say that this is beyond what I would expect for a first attempt at making one of these bad boys. Speaking of first attempts, this film is directed by Alma Har’el, making this film in particular, the first feature-length production she’s ever helmed. “Honey Boy” is one of the best, if not the best, coming of age story that I have seen in the 2010s. The cinematography and editing combine together to form a love child worth holding up into the horizon. “Honey Boy” is not just a great tale of a father and son relationship spiraling out of control, but it is also based on true events, which may make this movie just slightly better.

#2: How to Train Your Dragon: The Hidden World

They say that the months of January and Februrary are full of garbage movies. This year is no exception with films like “Serenity” and “Isn’t It Romantic?,” but this past February also contained one of my favorite DreamWorks animations of all time. Ladies and gentlemen, I give you “How to Train Your Dragon: The Hidden World.” I swear to you, I thought for a long time that this was going to be my #1. It has everything that I want out of a movie like this. Fun, wit, and rewatchability. That’s not all by the way, because this third installment to the “How to Train Your Dragon” franchise completes the trilogy and does so magnificently. I will say, I don’t watch the other two “How to Train Your Dragon” films that often, but I found them to be very enjoyable films that I felt could be watched at practically any age. Even with a couple minor criticisms I have with the film, I find it to be the best of the trilogy simply because it did pretty much everything not only a movie of its kind needed to do, which is to entertain kids and adults alike, but everything a finale needed to do. Even with movies like “Avengers: Endgame” and “Star Wars: The Rise of Skywalker,” who knew that the finale I’d be talking about most of the time would come from the “How to Train Your Dragon” franchise? I sure didn’t see this coming! Plus, this movie felt special to me. As someone who is growing up and has started college back in September of 2018, this film reminded me of the importance of friends, not to mention family, while also reminding me the significance of one day realizing that I’d most likely separate myself from them. The ending scenes of this film is the only occurrence of yours truly CRYING in a cinema. I just want to remind everyone that this is coming from a guy who saw “Toy Story 3.” I still need some time to think, but I think “How to Train Your Dragon” made a slightly better ending to its trilogy than “Toy Story” did, and that says a lot considering how I consider that film to be one of the best animations of all time. I will never forget that first time watching this movie, it is an experience that I will likely continue to carry with me until the day I die. The reasons that keep this film from going slightly higher have to do with a couple jokes that did not always land, the cliché (but rather effective) villain, and the fact that unlike my #1 pick, I do not recall this movie getting that much better on the second or third watch. Although I will give the film credit for actually being good enough for three watches in a single year. “How to Train Your Dragon: The Hidden World,” based on its popularity, is a not so hidden gem. I do not want a fourth movie though, don’t force a sequel on us! But with “Toy Story 4” being good, anything’s possible at this point.

#1: Ready or Not

Viola! #1! Do you want to hear about my top pick of my year? The most perfect of all the films on the list? The pinnacle of 2019 in film for me? Well, I’m gonna tell you about regardless of whether you are… “Ready or Not!” No other movie this year made me enjoy myself as much as this one for sure! I will say, having seen the trailer before the film came out, I was instantly intrigued by whatever could have been afoot. As far as the final product goes, it starts out great, maintains a solid pace, and packs a punch of personal shock, laughter, and cheers by the end. One complaint I heard around the time “Ready or Not” happened to be coming out was that its trailer pretty much revealed the core elements of the film. Couple things: 1. This film still has plenty of moments that aren’t in the trailer that can catalyze a solid reaction. 2. As much as I understand this complaint, I will say that given how much I enjoyed the trailer and considered it to be one of the year’s best, it shouldn’t be all that surprising that the movie ended up giving me pretty much everything I asked and hoped for. It’s a film with a neat concept that sounds silly, but for some reason, it ends up working. Seriously! How many other films have a plot where a woman needs to play a game of hide and seek, thinking that the playing of this game will allow her to be part of a family she is marrying herself into, only to eventually realize that she may be killed by her newly established in-laws?! It’s a f*cking plot. A F*CKING PLOT! As far as endings go, this film has one of the best of the year. It’s satisfying, it’s silly, and BRILLIANTLY written. Just thinking about it makes me want to go back and pop in the Blu-ray for this film! I don’t watch many horror movies, and when it comes to “Ready or Not,” it is sort of a comedy, and sort of horror, and if enough people consider it horror, I will point out that this may be my favorite horror flick of the decade. I don’t really know many of the actors in this film by name, but “Ready or Not” introduced me to an admirable cast of actors who I would love to follow more down the road. Samara Weaving kills it in this film as the lead character of Grace and I could tell that everyone here was having fun. This film looks sick due to the awesome production design and the color palette that fits right in with everything, it is just plain fun, which in reality many of these films should come down to. Can I have fun watching it? If not, why am I watching this movie to begin with? I should also point out another thing. This is one of the first Fox titles to have come out since their merger with Disney. Keep in mind, when the film opens, the first logo to be seen is from Fox Searchlight. I do not know how things will go from here, but if we keep getting films like this, and as long as the art of a lower-budget feature does not die, I will be very happy. For those who are curious the budget for this film is $6 million. Honestly, to me, this is a billion dollar film. It is a goldmine of everything that cinema itself is all about, and “Ready or Not” is my favorite movie of 2019.

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Thanks for reading this countdown! 2019 has certainly blessed me with some movies to cherish and celebrate. Movies that are fun, emotional, gritty, or just plain solid. These films have shaped the year for me. But just a reminder to everyone, that you cannot have the good without the bad. That’s right, pretty soon, specifically tomorrow, I am gonna be diving into my top 10 WORST films of 2019. We will get through this dire time, I promise you that. But if you do want to remain on the positive side of the spectrum, I will have you know that on January 11th, I am going to be releasing the first installment to my Top Movies of the 2010s countdown series, where I will kick everything off by talking about my favorite movies of the decade. If you want to get in the mood, feel free to watch a trailer I released on Christmas Eve down below!

*All copyrights belong to their respective owners*

With that being said, I hope you eventually tune into the series, I’m really excited to release it. And also check out my top 10 WORST movies of 2019, coming January 2nd! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! If you are interested in supporting me further, if you have an applicable account, give this post a like and if you have Facebook, check out my Facebook page! I want to know, what are your favorite movies of 2019? What are your top 10? Top 15? Top 20? Maybe if you didn’t see that many you can make like a top 3 or 5 or something. What did you enjoy this year? Let me know down below! Scene Before is your click to the flicks!

Marriage Story (2019): A Child of Divorce Gives His Two Cents

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“Marriage Story” is directed by Noah Baumbach (The Meyerowitz Stories, Francis Ha) and stars Adam Driver (Star Wars: The Force Awakens, The Man Who Killed Don Quixote) and Scarlett Johansson (Iron Man 2, Lucy) as a couple who are going through a divorce. This film dives into the events that unfold as the once married couple try to move on with their lives, work, and whether or not they get to see their own kid again.

Earlier this week, I could have stayed home, turned on Netflix, and watched not one, but two films already on the service! But, I like the theatrical experience, so I went to see both “The Irishman,” which I enjoyed, and then that was followed by this film right here! I went into this film knowing little about the material itself. I know it involves heavy dialogue, and based on the plot, it’s a serious situation. I was also made aware of various positive verdicts beforehand, therefore I had rather high expectations. Plus, it’s got Adam Driver, a fine actor who may have ended up being the best part of the new “Star Wars” trilogy. Alongside Driver is Scarlett Johansson who I, unashamedly, consider to be a celebrity crush. I think both actors are great and to see them together is a dream I did not even realize I had.

I was not even sure if I was going to watch this movie, because as much as I am beginning to appreciate Netflix’s efforts to expand itself into the realm of cinema, even to the point where even Martin Scorsese has considered Netflix to be more cinematic than Marvel, I don’t pay for their streaming service and I am not that invested in the company. Again, when it comes to media consumption, I’m kind of a dinosaur, I can’t help myself. That, and this award season has kept me pretty busy with films like “Uncut Gems,” “Knives Out,” “Jojo Rabbit,” and more. Well that, and blockbusters like “The Rise of Skywalker.” I still haven’t even seen “Queen & Slim” yet! That’s how busy I have been with this blog!

I have waited a little while to talk about this movie, keeping in mind that it has been since Monday since I walked out of the theater. With that being said, I was focused on getting my review out for “The Irishman,” which does not necessarily mean I wanted to delay my review for this movie, but with Christmas and other projects getting in my way, I am getting my thoughts out later than I expected, so I do apologize. Again, I walked out of the theater after seeing this film this past Monday. How did I feel then?

One word. NUMB.

HOLY F*CKING F*CK I FELT NUMB.

This movie captured perhaps everything I wanted it to capture and more. “Marriage Story” is an emotional, enthralling, not to mention exciting piece of art that did pretty much everything it needed to do. I walked out of this film not exactly in tears, but I did walk out feeling like my skin had gone through a paper shredder. It can remind you of how unbearable the idea of divorce really is from all sides.

Now I think I have a somewhat interesting perspective regarding this film. Okay… Maybe not, depending on how you look at it. I’ll have to do more concrete research, but I often remind myself of the statistic that flies around regarding how over 50% of marriages end in divorce. That’s what happened to my parents when I was 13 years old, they announced their separation, and it took them quite awhile from that point for a full divorce to finally occur, but it happened. And I felt a part of my life had been destroyed. I am not joking. Look, have I adapted to a situation where I was able to live with one parent? You betcha. But behind the skin that conceals my mind, there was a part of me that wanted my mother and father living together. It just felt like the natural thing. Even at twenty years old, it is still something I beg for. I know it is a situation that is beyond my control, and if I were to interfere, I would probably be facing a head dunk in the toilet at best, or a fatality at worst. But this movie reminded me of everything in my life from my teen years to today.

I still live with my mother. So… Hit me up girls. You’ll find me very charming. For the record, I love my mother. I am eternally thankful that she is in my life. But not having a father figure in my life all the time is something that I feel has slightly diminished me as a person. I had no brothers, and even though some of you might think this is progressive or cool, most of the people I knew in my life, at least when this whole divorce thing first started, happened to be women. I felt like I could barely surround myself with anyone I knew. As if there were anyone in school that wanted to hang out with me. I still surrounded myself in activities that guys my age would typically enjoy. Video games, Internet surfing, and of course, film. But when it comes to people I could relate to who could take part in certain activities that others in my family or social circles wouldn’t really take part in, it would be dad. Did he want to do every single thing with me? I would not say yes, there’s a good chance that he had better things to do from time to time, but I felt there was a sense of brotherhood between us.

This is why I have forever feared “replacements.” I think some people at my age would have understood what I am talking about. When my parents separated, it seems that my mother did not usually have much trouble finding a date. I mean, she’s an amazing woman, why wouldn’t she? Why wouldn’t any guy want her? But whenever my mother got close with someone she dated, I was worried because that equated to certain transitions that I would have to adapt to whether I liked it or not. There also may have been a possibility that there was something about the person she dated that I felt would affect the way I grew up. Maybe I would have someone in my life that I am supposed to see as “my parent,” but a certain part of my brain would keep me from doing such a thing. There’s only one “mom” and “dad” for me, and I am thankful to have them both in my life, even if they are apart. But this movie sort of took me back to my childhood struggles. There is a certain event in this film that felt all too real for me.

Now I am going to avoid spoilers as much as I can, but I am going to dive a bit deep into this film as I talk about what happens during Halloween. This is not something that has happened to me personally. Partially because I never trick or treated when my parents got divorced, but with that in mind, there is a part of the movie that takes place during Halloween, where the parents decide at one point to have “two Halloweens.” The mother takes the kid out for a period of time, and then it’s dad’s turn. By the way, the kid’s name is Henry, and he is played by Azhy Robertson and he does a fine job in this movie.

I have never been in the situation where I had to have two Halloweens, but I imagine that I am not alone when I have to note that I celebrate “multiple Christmases” every year for now on. Now, prior to the divorce, I have celebrated Christmas at multiple venues for both sides of the family at different times. And as much as I continue to enjoy Christmas every year, including this past year, I found that it sort of deteriorates the specialty of the holiday. There are a lot of things in life that I would like to have more than one of during the year. Of course I’ll take multiple “Star Wars” related holidays! May the fourth be with you, and I shall have my revenge of the fifth! I would love to have more than one Marvel movie within a number of months! As long as they make them as good as they are at this point, I’d say they should keep crankin’ them out! But Christmas is that one day of the year that maybe in my childhood I looked forward to more than most others. Even though I still find Christmas to be unbelievably fun, I still long for the days of togetherness between the family I once knew. The very idea of this double Halloween alone brought such thoughts to my mind.

But I will say, the events of this divorce in this movie does not play out like it did in my life. In fact, why should it? If it did, then all divorces would supposedly be the same to me, making life very boring. One thing I will say that I sort of related to is the idea that maybe I would have a favorite parent. I think about that a lot less today, mainly because I am doing whatever I can to rely less on my parents and focus more on myself. But this movie does a really good job at highlighting the less than pleasant chemistry between Charlie, the father, and his kid Henry. There are some moments where the movie flat out reveals Henry’s love and affection for his mother, Nicole, that I clearly did not see between him and Charlie. Little things like that got me. Despite how they say divorce is hardest on the children, this movie is not exactly about how a child handles the situation of divorce, in fact, this child seems to be handling it in a way that I never could, especially at his age.

As for Nicole and Charlie, their screen presence together make for some of my favorite scenes of the year. There’s a scene at the beginning of the film where they seem to be seeking some counseling that give a basic idea of how high tensions are between them. Later on, past the halfway point, there is an extended argument that could be an Oscar reel clip for both of these people. I felt every moment of the dialogue and everything from their setup and onward was nothing short of fantastic. I think one of the best parts of both characters, at least to me, is that I could point out flaws from both sides and be able to realize that not only are these two demonstrating how they may not be right for each other, but I could equally argue that one person or the other is an asshole based on random actions that happen during the film. As nice as they may seem, they have their dark sides, and that’s what makes this marriage stor–sorry, DIVORCE story, so interesting. It’s not one side causing everything, it’s actions from both sides combining to form an eventual reaction.

The movie also does a really good job at providing depth to its two leads. I really enjoyed the backstories to both of the main characters. Scarlett Johansson plays someone who aspired to be an actress. In fact, we see her early on in a fake film flashing herself, which does come up a couple times later in some interesting ways. But she gave up her life in Los Angeles to allow Adam Driver’s character to focus on his career in theater. This not only feels like a story where a couple fights because of lost love or random attacks, it feels like something that has been gradually built up, which is why much of the dialogue in this film between the leads feels, in a way, climactic, that’s probably the best word I can use to describe all of it. There is an argument in this film that might as well be the human resemblance of what happens when a house is on fire.

I think one of the best things about this movie is how it handles getting custody over the kid. For one thing, it delivers more out of the two main actors, who also show off their chops here. In addition to that, Laura Dern shows up and gives an excellent performance as well. From a story perspective, I was almost on the edge of my seat, and this is not even a flashy action movie. There have been some films that I have seen where I honestly don’t know who precisely I am supposed to be rooting for, because maybe the film goes in an unexpected direction, or it is just flat-out stupid. Here, I feel the same way, I don’t know who exactly to root for, but that’s because I feel it is almost hard to pick a side. On the one hand, the kid could end up getting full custody from his mother, who he clearly likes more. On the other hand, if such a thing happens, the father, who wants to see his own child grow up, won’t get that opportunity. This is one of those movies that knows how to set up stakes and tension within its overall story. As a story, it is relatable, somewhat charming, and yet at the same time, depressing. It’s everything I could want out of this movie.

If I had to slide in any complaints, it might be for one scene in particular. Now this involves a scene that I overall enjoyed, so I personally would consider this a nitpick more than anything else. But kind of like much of the movie “Parasite,” another amazing film from this year, there is one moment that is borderline convenient in terms of moving the plot along. Maybe if I watch the movie again, I’ll change my mind, but having watched it once, this is just how I feel at the moment. Even so, I cannot think of too many other flaws regarding “Marriage Story,” and even though Netflix does not usually consider releasing physical copies of their material, I would pay hundreds for a copy of “Marriage Story.” I mean, Criterion is releasing “Roma” next year, so anything’s possible!

In the end, “Marriage Story” is a movie that I really enjoyed as I saw it, one that destroyed me upon leaving it, and one that has honestly gotten better the more I thought about it over these past few days. If I had any other flaws, I probably would have forgotten about them by now because I feel I am delaying my review a little bit, but even so, this is a film that I will probably to continue to carry in my memory. In fact, it is perhaps one of the most relatable pieces of art I have witnessed in my entire life. I think in terms of chemistry, or lack thereof depending on how you look at it, I think Driver and Johansson might make for the best on-screen pair of the year. Laura Dern does a really good job with the film. The directing, cinematography, and editing are a terrific trio. As for the screenplay, I want to frame it. There is very little that I could consider to be problematic with this movie. “Marriage Story” might not end up being my favorite film of the year, although I do have a few days left to decide for sure, but it is one of the few to hit me where I live and remind me of the ups and downs my current or prior experiences. Especially now, because during the time of another “split Christmas,” which again, I did enjoy, this felt like a story that I could potentially be a part of. I am going to give “Marriage Story” a 10/10!

Thanks for reading this review! I will be completely honest with you, I am not gonna make any guarantees, but it is a possibility that this is my final review of 2019. I might go see one more movie, but I am not too sure. If that’s the case, I do hope to have a review up on New Year’s Eve, hopefully New Year’s Day at the latest. After all, I am getting closer to sharing my picks for my top 10 favorite and least favorite movies of 2019! If I do have one more review to do, I will hopefully separate it long enough before you are all able to read my countdowns, which may be hard because of the millions of other projects I have going on right now. At least that’s what my life feels like at this moment. Nevertheless, if you want to see upcoming content like my countdowns or more reviews, be sure to follow Scene Before! Also, check out my Facebook page! I want to know, did you see “Marriage Story?” What did you think about it? Or, have you ever been through divorce of any kind? As a kid? Partner? Tell me about it if you feel like it! Scene Before is your click to the flicks!

Knives Out (2019): 2019’s Pop Culture Murder Mystery Dinner

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“Knives Out” is directed by Rian Johnson (Star Wars: The Last Jedi, Looper) and stars… well, pretty much everyone you know. To be completely serious though, “Knives Out” stars Ana de Armas (Blade Runner 2049, Exposed), Chris Evans (Captain America: The First Avenger, Gifted), Daniel Craig (Skyfall, Logan Lucky), Jamie Lee Curtis (Halloween, Scream Queens), Michael Shannon (Take Shelter, The Shape of Water), Don Johnson (Miami Vice, Nash Bridges), Toni Collette (Hereditary, The Sixth Sense), Lakeith Stanfield (Sorry To Bother You, Get Out), Katherine Langford (13 Reasons Why, Love, Simon), Jaeden Martell (It, The Book of Henry), and Christopher Plummer (All the Money in the World, The Sound of Music). Holy crap, that’s a lot of names.

“Knives Out” takes place in the middle of Massachusetts and it typically centers around the interactions of a family after the death of a patriarch. Everybody gathers around a large house, everybody’s got a story, everybody’s got a motivation, but it is also up to a detective (Daniel Craig) to settle everyone down and find out the truth regarding what happened.

The murder mystery genre for me is kind of like horror, because I never take too many chances to dive into the genre itself. Granted, horror, at least to me, is a tad more predictable because it seems to have more of a staying power in today’s society, so I personally prefer the murder mystery genre. In fact, my favorite “Family Guy” episode ever, “And Then There Were Fewer,” is a murder mystery, so I do have some respect for the genre. And honestly, when it comes to Rian Johnson, I will admit that I have had a slight bad taste in my mouth because of the way he handled “Star Wars: The Last Jedi.” It’s a film that just got significantly worse after I first saw it. In fact, when I watched it a second time, I was kind of turned off by the result. I say that because I wanted the movie to go in a different direction than say “The Empire Strikes Back,” which is a great movie. However, despite the everlasting love and affection I have for 2015’s “The Force Awakens,” one minor flaw with that movie is the way they manage to basically rehash the earliest “Star Wars.” Granted, it’s a fantastic homage which had many repeat viewings for me. But as much as I originally appreciated it for going in a different direction, a lot of the choices they made to go in such a direction were sort of faulty and questionable.

However, having seen that movie, I now know that Johnson might as well be one to subvert expectations. Here’s the thing. Murder mysteries are supposed to keep you guessing. If this movie could keep me on the edge of my seat and questioning everything, then I’d walk out satisfied.

Honestly, I went into this movie with an idea of what is going to be. It turns out, I got something better than what I thought I would get. And that says a lot because the hype behind this movie felt real for me. The production design is some of the best I have seen all year. The acting, not to mention casting in general, is perfect. Everyone from Daniel Craig to Ana De Armas to Toni Collette, everyone served their roles properly and put a smile on my face.

I’ll just say though, I think the two most popular award ceremonies that have to with movies are the Golden Globes and the Academy Awards. I have had a history of talking about both ceremonies on here, especially the Academy. But I never usually talk about another popular ceremony, the SAG (Screen Actors Guild) Awards. One of the biggest awards they present on the night of the ceremony is one given to the entire ensemble of actors. We still have about a month left before 2019 is over, and a little longer than that until the ceremony takes place, but I’d argue that at this point, “Knives Out” has an extremely solid chance at winning such an award. I think purely based on how Rian Johnson has to handle so many actors at once, many of whom happened to already establish their name in the industry, including a couple who are a bit lesser known, there is a chance “Knives Out” could walk away with the biggest award from that ceremony.

One of the more solid examples that could let that case be true is Daniel Craig, who plays Benoit Blanc in the film. His performance, was part of what set the tone for the entire movie for me. Daniel Craig, while taking his performance seriously, realizes that this movie is sort of supposed to be fun. His introduction scene almost made me think I was watching something from Wes Anderson, because it is charming, quirky, and based on the way it was directed, I was perhaps hypnotized to leave the film, regardless of whether or not I liked it, admiring Craig in all his glory.

Another standout performer to me is one of the leads, Chris Evans. I think most of what I love about this performance has mainly to do with the screenplay and how the character is written. I say that because the movie is full of tense dialogue between characters, which allows serious vibes to kick in, but Evans manages to play a character who is incredibly laid back and sort of a smartass. Do I think other people could have played his character? Personally, yes, I think I could have played it if I tried, because if I were in this situation, this is probably how I would act. I’d try to have fun with the seriousness at hand, while also trying to deal with the current situation.

As for smaller roles, I think there are a number of them that stand out. Jamie Lee Curtis, Jaeden Martell, but the one I want to talk about is the one given by Toni Collette. I think Collette is not only a great performer here, but brought such life to her character that I cannot imagine anyone else bringing at all, or at least without being cringeworthy. Collette’s character sort of reminds me of a crazy aunt who likes to party. Maybe another good example is the mother from ABC’s “The Goldbergs,” minus the toxic affection she has for offspring. In a way, she’s almost like Chris Evans’ character, because as much as everyone else may be moody or depressed, which she kind of is at times, but still, she has a somewhat happy outlook on current happenings. Either that or she may just have some sort of God-given charisma that nobody else can have.

But if you ask me, I think the best performance in the film is given by Ana de Armas, an actress who I personally happened to have liked before this film came out, and someone who may been the main reason why this film was originally put on my radar. For the record, Ana de Armas was one of the supporting roles in my 2nd favorite film of 2017, and one of my favorite sci-fi films of the decade, “Blade Runner 2049.” She has this ability to take a challenging role and own it. Because in that movie she played a holographic woman that was supposed to have a connection to whoever owned them. The complexity of that role involved being someone who is robotic enough to serve their master, while also being human enough to understand emotion, because in that movie she was someone who happened to be in love with the main character. At the same time, it was almost as if she was a product of the main character’s desires.

As for this movie, we get more of a glance at a character where Ana de Armas has a personality where she is more worried about saving herself. In fact, I mentioned earlier that Daniel Craig presented himself as this quirky, out of nowhere detective. If you ask me, I think the biggest quirk in the movie didn’t necessarily come from him, and instead, came from Ana de Armas. Because she plays a character who practically cannot lie. If all other people were like her, she’d make the lie detector test obsolete. I say that because her character cannot tell a lie, otherwise she throws up. This makes every scene where Armas is forced to tell a truth or where she is being questioned all the more intriguing because not only was I, as an audience member, hypnotized to follow the mystery as it was unraveled, but I was also somewhat concerned for the character’s sanity, health, and sense of self.

From a technical standpoint, the cinematography in the film is amazing. The various dutch angles fit a number of the scenes and sort of had an old Hollywood vibe. The music is outstanding. By the way, such music is composed by Rian Johnson’s cousin, Nathan Johnson, who also worked with him in films like “Brick” and “Looper.” I think Rian Johnson could have a chance for being nominated in the Best Director category, I think his vision helped this movie immensely. This honestly feels like a movie that only he could have done. Maybe one or two other people could do this, but this feels like a personal project. And as much as I despise “The Last Jedi,” I could see what Rian Johnson was trying to do with that movie, because he not only directed that film, but he wrote it as well. “Star Wars” to me, must be a more collaborative piece of media to work on at this point, and with “The Force Awakens” pointing in a certain direction, it admittedly feels odd looking back to see one man with perhaps a sole vision take over for a big film that could expand on previous lore and build up to the next one which happens to conclude a trilogy. These are the kinds of films that I would prefer to see Johnson tackle. Could he do another big franchise in the future? Maybe, but I want to see more of his original work. Media that feels like something only he could own.

I honestly don’t even know what problems come to mind with “Knives Out.” The camerawork is some of the best I have seen all year. The characters are all charismatic. The screenplay is nothing short of outstanding. The ending, as well done as it is, is little choppy in buildup. As for other problems, if there are any, they are a bit hard to point out. Overall, this movie kicks ass!

In the end, “Knives Out,” the movie with perhaps the most badass title of all time, packs a brutal punch of bloody goodness. It is easily one of the best movies of the year, and a step in the right direction for Rian Johnson as a filmmaker. I have not checked out his earlier work, but I really want to check out “Looper.” Films like these are the ones I’ll be excited for when it comes to Rian Johnson’s filmography. Films that are original, exhilarating, and keep me on the edge of my seat. If I have to say one more thing, I will suggest that you’d go see this movie with the biggest crowd you can. If you have one of those theaters with reserved seating near you, buy your tickets online and see how many people have already reserved seats. If there many seats reserved already, I implore you, PLEASE buy a ticket to that show because this is a movie where crowd reactions enhance the experience to the tenth degree. I’m going to give “Knives Out” a 9/10.

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Thanks for reading this review! Just want to announce to everyone reading that during this Thanksgiving weekend, I am going to be showing off my newest trailer for “Top Movies of the 2010s,” a project I plan to release this January, it is going to be the most ambitious countdown series I have done yet, and I cannot wait to share it with you all! If you want to be notified about this trailer, here’s what you can do. Follow Scene Before with an email, or if you want greater access, use a WordPress account! If you are on Facebook, check out MY PAGE and give it a like! I want to know, did you see “Knives Out?” What did you think about it? Or, who happens to be your favorite fictional dysfunctional family? It can be from anything, books, movies, TV, you name it! Let me know down below! Scene Before is your click to the flicks!

Scene Before 2019 HALFTIME REPORT (And Glance Into the Future)

WARNING: The following post is over 8,000 words long. Disappointingly, it’s not over 9,000.

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Hey everyone, Jack Drees here! 2019 is midway through and this year is going by fast! As far as my personal life goes, I’m in between my first and second year of college, I am enjoying my time off, and I’m the same movie reviewing moron as usual. Things have changed, but at the same time, I’m still the same flick nerd I have always been. And I mean that literally, but we’ll get to that later. However, I wanted to try something I haven’t done before on this blog. At the end of the year, I tend to do some reflective work, most notably countdowns. And while I am not going to do that at this current midway point, I would at least like to sit myself down and go over some recent highlights related to Scene Before. At the same time, I’d like to also look into the future. Admittedly, some of this is still in planning stages, but still.

I’d like to start off with something I’d like to call “TERRIFIC 3” and “TERRIBLE 3.” I am going to list 3 movies that I have watched this year that I would recommend to people and 3 other movies that I would tell people to avoid. Now, of course, these picks are subjective, if you think differently about these films than I, it might be slightly harder to talk to each other, but you are nevertheless entitled to your different thoughts. In fact, these are not supposed to be my top 3 best or worst of the year so far. If I like a film, I’ll list it, if I don’t like a film, I’ll also list it. These are not meant to be in any particular order. Anyway, let’s begin!

TERRIFIC 3!

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Starting off the Terrific 3 is “John Wick: Chapter 3!” I went to see this film in Dolby Cinema alongside my dad, who might be a bigger “John Wick” fan than anyone else I know. He and I walked out agreeing that the action in the film is absolutely top-notch. The action in “John Wick” films is certainly the aspect that would grab my attention more than any other. Long takes, innovative setpieces, gritty violence, all of it adds up to make some of my favorite action scenes of all time. When it comes to current action franchises, I am having some slight trouble deciding whether I prefer this or “Mission: Impossible.” It’s that good!

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Up next is a stellar DreamWorks animation whose franchise I never watched religiously, but always liked, “How To Train Your Dragon: The Hidden World.” If you have ever seen the game show “Deal or No Deal,” the show always highlights the phrase “timing is everything,” and when it comes to “How To Train Your Dragon: The Hidden World,” that phrase becomes more relevant than ever. This movie came out in the middle of my second semester of college, and I could not help but feel like the people behind the movie were trying to consider me in its target audience. After all, while “How To Train Your Dragon” may be a franchise directed towards families and children, this growing adult could not help but feel like a kid again. In fact, to add more to this true masterpiece of an animated film, I became more emotional during this movie than I did during perhaps more than any other. Even more than “Toy Story 3.”

Last but not least for the Terrific 3 is a movie that I decided to list because it’s on a slightly different end of the spectrum. Because let’s face it, I’m kind of recommending movies to you, and why recommend “Avengers: Endgame” when almost everyone went to see it? So let’s recommend a smaller movie, such as Terry Gilliam’s “The Man Who Killed Don Quixote.” Now some would argue that this is a 2018 flick, but in the United States, which is where I live, this didn’t come out until 2019. For those of you who don’t know this movie, “The Man Who Killed Don Quixote” took decades to make, and it’s about a guy who reunites with someone he worked with during a production. This person he meets with is convinced that he is Don Quixote. This did not get that big of a release in theaters, but it is worth seeing just because of its history, because despite going through “development hell,” it managed to turn out quite well! The movie is now available on home video including various VOD options.

Now let’s move onto something that probably doesn’t deserve any attention, but because I believe in equality, we’re talking about it anyway, the Terrible 3!

TERRIBLE 3!

First up is a movie that I want to put on here because what’s the harm with having an unpopular opinion? Oh wait, everything. Who cares? One of the most successful movies of the year, “Captain Marvel,” just didn’t stick the landing for me. This had a lot of hype building up to it, but I personally just couldn’t relate. And when I saw the final product, I felt like… Wait, why’s everybody laughing and cheering? Yes, there are a couple of cool moments in the movie. For example, I dug the 90’s references such as Blockbuster Video and Dial-Up Internet. Brie Larson and Samuel L. Jackson have some good chemistry, but when it comes to Larson in general, her performance was kind of mediocre. Granted, I know grade-A acting isn’t the biggest component of a comic book movie, but Brie Larson, an Academy Award winner, felt more like she was in a couple straight to DVD films and that’s it. Granted, I think she did a slightly better job in “Avengers: Endgame,” but her performance here simply underwhelmed me. Plus, there’s a moment in this movie that references a significant part of the MCU lore (having to do with Samuel L. Jackson) and quite honestly, the way they go about it just killed my brain.

Up next is a movie that could have been great but was simply wasted. From the creators of NOT “Firefly” comes “Serenity.” “Serenity” could be somewhat fun, not to mention a great “thinker” movie, but it manages to become more boring the more I think about it. I love the movie “Interstellar,” so I was somewhat excited to see Matthew McConaughey and Anne Hathaway unite once again for another project. Both have talent as actors and they’ve proven they have great chemistry. Honestly, I’d just go back to watching “Interstellar” if this is the movie we’re getting. Although this movie came out in January so it should not be surprising that we would get a movie of this quality.

And finally, we have what may be my worst movie of the year should nothing surpass it, “Godzilla: King of the Monsters.” The sad thing about “Godzilla: King of the Monsters” is that I was actually desperately anticipating this movie. When I went to see it, I was ready for what was about to happen. Or was I? Seeing movies in IMAX may be great because it feels so big, but when they’re a big mess, what is the point? Maybe the monster fights could be fun, but if I wanted to watch this movie again, I’d probably have to be heavily drugged. Because let’s face it, as cool as big monsters are, the unforgivable part of “Godzilla: King of the Monsters” are the one-dimensional human characters. This could be slightly less intolerable if the human characters were less of a focal point during the movie, but they made me want to go back and check out some of the “Transformers” movies again! They’re THAT horrible!

I just showed you all my terrific and terrible picks, now let’s go over a few recent highlights from my blogging journey.

As usual, I kicked off my 2019 with my traditional countdowns to reflect on the year of 2018 in film. I went over the best of the year along with the worst of the year. Some of my top picks included “Spider-Man: Into the Spider-Verse,” “Eighth Grade,” and “Mission: Impossible: Fallout.” Some of my bottom picks included “The 15:17 To Paris,” “Uncle Drew,” and “Life of the Party.” I enjoy doing these countdowns every year and this is the first year that I started writing what I would put in the countdowns as early as August. I did not do this for every single movie, but I visualized the lists a long time prior to actually releasing them. This does not suggest that I avoided considering movies released past August, as evidenced by some of my picks.

After I did my lists, I saw my first 2019 release, which according to IMDb, is actually a 2017 release. Based on my experience and research, I’d call it a 2019 release, but still. That film by the way is “The Upside,” which is a remake of 2011’s “The Intouchables.” I personally have not seen “The Intouchables,” and while “The Upside” from my perspective is not really anything special when it comes to cinema, it is still a fun time. I went to see it at a press screening, and there were tons of laughs to be heard.

A couple weeks later I went to one of my local arthouse theatres to see a flick that I almost ended up passing on. Specifically, “Roma.” Why? Because when it comes to today’s media, Netflix is a company that I traditionally tend to avoid. But one of my local theaters managed to get access to a 70mm film print of “Roma,” which would be presented for a limited time. I took advantage of the opportunity and purchased a few tickets for a matinee show. Not only was the experience breathtaking, but the movie was one of the best of the past year. If I had to redo my top 10 lists of 2018, this would be on the best list, but I saw “Roma” after completing said lists.

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I also decided to try out a new concept this year which I have decided to make an annual tradition, the Jackoff Awards. For awhile, over the past year, I have grown to admire the Oscars based on how much respect they tend to pay towards the film industry. Granted, they’re not perfect, but what they’ve done over the years is absolutely intriguing. I thought to myself, why not do a big awards related post? Present similar categories to other major shows, I do my own comedy bits, and it was perhaps the most ambitious post I have ever done. As for Best Picture, I decided to present what was then my top 10 of 2018, which DID include “Roma,” and instead of having me choose Best Picture, I would allow my audience to choose the winner. I figured it would allow for diversity in terms of opinions, and I managed to get a surprisingly diverse number of votes. I got some votes for “Spider-Man: Into the Spider-Verse,” “First Man,” “Ready Player One,” but the winner turned out to be last year’s biggest comic book movie, “Avengers: Infinity War.” Honestly, if there were any movie to put in my Blu-ray player on a Friday night at this point, it would most certainly be that one.

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I then continued my journey in March by going to the place that I would associate with film more than any other, Los Angeles. My family and I stayed right near Hollywood Boulevard and I got to visit a few media-related sights including Warner Brothers Studios, the TCL Chinese Theatre (where I saw “Captain Marvel”), and Universal Studios Hollywood. I also got the chance to witness a live taping of “Conan.” While I didn’t make a big post related to this, I managed to briefly discuss some of my highlights here and there.

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For those of you who are curious about my “Conan” taping experience, I managed to witness almost two full shows. Why? Conan O’Brien had to be somewhere when his Thursday show would air, so naturally, he had a demand, he wanted us, Thursday’s audience, to “make Tuesday’s audience look like s*it.” We got see all of Tuesday’s show, which had a couple comedy bits and an interview with Timothy Olyphant (Live Free or Die Hard, Santa Clarita Diet) and a good fraction of a Thursday night show which featured comedian Moses Storm, who joked about cell phone users, “Shark Tank,” and revealed a story where he would tape episodes of Conan O’Brien’s older talk show episodes over his religion-related educational programming. By the way, Conan in person looks like a real life action figure. Maybe it’s the makeup. Maybe it’s the lighting in the studio, but my gosh.

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I also got to visit an RPX venue for the first time. For those who don’t know about RPX, they are a premium format that can be found exclusively in cinemas under Regal Entertainment Group ownership. I didn’t plan on attending RPX when I did, but I managed to get something off my list of movie-related things to do before I died. After all, “Us” just came out, and I was in the Boston area. I figured just to save time, I’d go for the earlier, but more expensive show that Regal Cinemas Fenway was providing, as opposed to another show which would be starting a half hour later. For your information, I was aware that I was going into an RPX screen. I didn’t mind my decision, I figured if I wanted to see “Us,” I’d go see it in full scale glory because I was really anticipating it. While I have still yet to see “Get Out” to this day, I have heard about its overwhelmingly positive reception and I was expecting that Jordan Peele would deliver another sick movie. While “Us” was not perfect, it was definitely worth seeing, and I wouldn’t mind watching it again. As for the RPX experience itself, I thought the seats were not too bad. The capacity was through the roof, the screen, while not entirely wall to wall, was huge. As for the sound… It is undeniably better than a standard theater, but I was a little underwhelmed. Maybe I went to see the wrong movie, maybe the employees turned the speakers down, but when I compare the sound to something like IMAX or Dolby Cinema at AMC, I would go back to both of those places first.

Moving onto April, I managed to survive the whole “Avengers: Endgame” ticket buying craze. For those not fully immersed into what I just stated, I must point out that “Avengers: Endgame” tickets went on sale April 2nd, and the Internet went balls to the wall nuts when it came to snagging tickets. I had to wait in Fandango’s line, AMC was having problems, and it got to the point where I had to buy tickets from a somewhat local cinema chain, on their own, slightly buggy website, just to make sure I could get into school on time. I almost took the train to one of my local AMCs because I could stop by there on the way to school. If I did that, I am willing to bet I would have missed out on opening night of “Endgame,” which was the day I was shooting for. After all I did want to get my review out as soon as possible, and I did manage to score a couple tickets on remaining good seats for a 9PM show. Not at an AMC, but at a Showcase Cinemas. While it was not my first choice, I don’t regret going there, because an hour before going into the cinema, I got a glimpse at everyone leaving the 22 MCU movie marathon the theater was showing over a few days. Everyone was being applauded, and they left with some merch. I recorded this aftermath on Facebook Live, and despite my camera’s focusing problems and poor cellular service, I managed to get some respectable footage. Also as a Bostonian, I was proud of myself to catch a reporter from one of my local news channels, WBZ, or CBS Channel 4. To be specific, Tashanea Whitlow. As for the premiere itself, the movie was fun, and the three hour runtime was rather justified given what we as an audience received. I didn’t think it was perfect, I’d much rather watch “Infinity War,” but it was a great finale to over ten years of films. I will also say, this may be due to where I went to see the movie, seeing “Infinity War” was also a better experience. Because I went to see it at a 7PM show on opening Thursday on an eight story IMAX screen. If you have ever gone to see an event-type film in India, that is one of the most solid comparisons I could make to my experience. It was like going to a Stanley Cup game or something. “Endgame,” which was in a sold out theater in regular 2D, had barely any applause (although some reactions here and there), and out of everyone in the theater, I may have been the most obnoxious. If I had to make a sports comparison, I’d probably say it was like going to a slightly more competitive golf tournament. It was lively at times, but not like the roof was being blown off the place. I know some people are not particularly fans of going to theaters where everyone is reacting to the film’s key moments, but as a fan of the MCU, it’s something that I considered to be a privilege during my “Infinity War” experience.

May was an interesting month for me, because I just finished my first year of college, so I got a little more active on the Scene Before side of things. I’m now trying to earn revenue with the blog, I saw more movies than I did in months such as March or February, and I even changed my domain name. Unfortunately, scenebefore.com was taken, so I wanted to make sure I can fit something that would associate with me, but also be precise. I thought something like moviereviewingmoron.com, while definitely appropriate, is a tad too long. Luckily, after some searching, I found out that flicknerd.com was available. Did I ever call myself “flick nerd” on this blog? No, but I figured it would be a cool name to have because its simplicity will probably gain enough traction overtime. It’s hard to tell though, because this advanced blogging journey, at least from my point of view, is just getting started. I’m looking for sponsors, more potential viewers, but I’m also trying to be the same movie reviewing moron that everyone has come to know.

One of my highlight posts of the month is titled “What THE BIG BANG THEORY Has Meant To Me: A Nerd’s Perspective.” For those who are unaware, CBS’s “The Big Bang Theory” just finished it’s twelfth and final season on the air, so I figured I’d take some time to remind the world of what the show has meant to me as a fan, as someone who would constantly tune in to new episodes, and most of all, as a nerd on the autism spectrum. I probably won’t have time to give a detailed description of everything I said, so if you want to read the post, click this link!

I also saw another one of my favorite films so far this year, “John Wick: Chapter 3 – Parabellum!” Not only that, but like I mentioned earlier, I managed to catch a Dolby Cinema presentation of it, which surprisingly, didn’t make me feel like I was getting shot in the head, which may be a good thing. Seriously though, “John Wick: Chapter 3” is probably the best installment of the franchise yet, and Keanu Reeves might now just have a better trilogy than “The Matrix!”

But I cannot say the end of the month was great, because “Godzilla: King of the Monsters” happened. Sad day. Even though I went to see the film in full scale IMAX glory, it didn’t feel like something worth my time.

Moving onto June, I managed to do something pretty cool with my dad. He and I go to the movies together a lot because for the most part we have similar tastes. We match together when it comes to sci-fi, action, comic book-based material, comedy, etc. However he has never been to an advance press screening, so I thought just for fun he and I could do so for the new movie, “Men In Black: International.” It’s a movie that I probably would have checked out had I waited for it to release everywhere. After all, “Men In Black 3” is my favorite movie of 2012. However, since this was free, not to mention, early, I thought dad and I could trek to the theater and see what this movie had in store. I personally enjoyed it. I know some people were scared of how this movie would turn out based on the marketing (Then again, it’s a Sony film, whaddya expect these days?). I thought the first trailer was alright, but not great. The second trailer was an improvement and actually got me more interested in the film. As for the film itself, it is not Shakespeare, but it’s a fun time at the movies. Chris Hemsworth and Tessa Thompson have great chemistry together and I think Kumail Nanjiani’s character is a fantastic comic relief.

The best movie I saw this month was “Toy Story 4,” which I must point out, I probably was not even looking forward to back when it was announced. Boy, times do change! Unfortunately, I had to witness brain cell erasers such as “Replicas,” which I bought on Blu-ray since I had some Best Buy rewards to waste. I also saw “The Secret Life of Pets 2,” which is worse than getting scratched in the eye by a cat. Yes, Harrison Ford is in it. Yes, he is the best part of the movie. But I might as well be at the point where I would rather have a dog sniff my butt then go so that film again!

Now that I have recapped my highlights, I just want to remind everyone of what’s being planned for the future. Here is my unofficial schedule for the second half of 2019!

JULY:

Throughout the month of July, there are not that many movies coming out compared to other months in the year (at least according to Wikipedia), but I am planning on catching a few blockbuster highlights such as “Spider-Man: Far From Home,” despite how little anticipation I have for it. I also really want to catch Disney’s live-action remake of “The Lion King.” I am not a fan of the Disney live-action remake trend, but I feel that this movie will be a great theater experience and also rather compelling. I don’t know how much it is going to be a carbon copy of the original or how much it’ll go in its own direction, but I am somewhat curious as to what will come of it. I know it is longer than the original, which slightly worries me, because it could add something that perhaps the 1990s film didn’t even need, therefore ruining my experience. Plus, it’s being directed by Jon Faverau, who also worked on 2016’s “The Jungle Book,” another Disney live-action remake, which was one of my favorite movies of said year. I also really want to check out “Crawl.” The trailer didn’t have me fully onboard, but I am still curious as to how this film will turn out. Plus, it’s being produced by Sam Raimi, who is known for his work in the horror industry, and one of my favorite comic book movie directors.

This does not mean that I want to ignore independent work, because on the same weekend as “Spider-Man: Far From Home,” A24 is releasing one of my most anticipated movies of the summer. Specifically, “Midsommar.” When your movie is A: Directed by Ari Aster, who had a phenomenal feature-length directorial debut last year with “Hereditary,” another A24 film, and B: Described by Aster as “a Wizard of Oz for perverts,” I am instantly intrigued. “Midsommar” takes place in rural Sweden as a young couple takes a vacation and settles in the area. Alongside their friends, they eventually discover that this area has a festival that takes place once every ninety years, which creeps them all out. I want to see Ari Aster succeed, so hopefully this film does well.

Speaking of successful filmmakers, another well-known director in the industry, specifically Quentin Tarantino, is going to be releasing his ninth film, “Once Upon a Time In Hollywood.” And to be honest, as anticipated as I am to see this film, I have to let something out. I have not seen much of Tarantino’s work. I will most likely be going to see “Once Upon a Time In Hollywood” when it comes out, maybe in 35mm, but before I do that, I am going to be doing a small series of reviews for Quentin Tarantino movies. In fact, I already have a few lined up. Specifically, “Pulp Fiction,” “Django Unchained,” and “The Hateful Eight.” Those reviews will be done as weekly projects and they should all be up before the official release date of “Once Upon a Time In Hollywood,” July 26th.

 

AUGUST:

SAMSUNG CAMERA PICTURESRemember how I would occasionally announce I am going to cons from time to time? For some reason I have failed to do that this year. It’s not like I am not going anywhere, but I have just failed to put myself in front of my keyboard and try to say, “Hey guys, here’s where I’m going, stalk me!” Not that don’t mind the attention, I’m just saying. But if you really want to know about my next con, I do have it booked, and I will be going to Terrificon, which for those of you who have been following me for some time, you’d know that is also the first con I ever documented on this blog. And I am thinking of doing something a little different this time, just to spice things up. I’m trying to push more video content into my posts, maybe I’ll insert a compilation of the con’s highlights. I’ll record it on my camera, maybe my phone, whichever has more memory at the time. Maybe I’ll post it on YouTube and link it here. Who knows? But here on Scene Before I am trying find ways to innovate, and maybe this could be one of them.

Speaking of cons, this is NO GUARANTEE, partially because I have not even bought tickets, but there is one convention that is about a half hour away from my house that I kind of want to go to. Whether or not I am going, that’s a different story, but should things go in a certain direction, I may end up going to Fan Expo Boston, which is a con I have surprisingly never been to. And the guest list this year, aside from a couple big cancellations, is solid so far. You’ve got Zachary Levi (Shazam!, Tangled), who I will say, even if you are not into his work, he is a fun guy to meet, he is upbeat and has a massive sense of charm. Part of the cast of “Blade Runner” is going to be there including Sean Young, Rutger Hauer, and Edward James Olmos. I have a feeling there are more guest announcements coming our way, and if there are, I cannot wait to hear them, because there have been a lot of cool names who were there over the years to the point where I almost have slight regrets on missing out. If I were to get tickets to Fan Expo, I’d probably just go for one day. After all, Terrificon is the week prior, and I am staying overnight during that weekend, so my budget might be slightly higher at that event compared to Fan Expo.

Moving away from cons, I will say that my biggest film catches for August right now have to be “Hobbs & Shaw,” “Dora and the Lost City of Gold,” “Good Boys,” “Where’d You Go Bernadette?,” and “Scary Stories to Tell in the Dark.” There is not much from August that I am truly anticipating, but I will inevitably go see a few things here and there. And if you want to know something, I only put down “Dora and the Lost City of Gold” because let’s face it, “Dora the Explorer” was a part of my childhood, and nostalgia equals money nowadays. Granted, this movie looks a tad more adult-friendly than the cartoon. But am I looking forward to it? Hell no. In fact, I am thinking it is only going to ruin my childhood, but I might as well give it a chance just because I am a nice guy. I saw the recent “Power Rangers” film partially out of nostalgia and that worked for me, might as well do it with “Dora” and see if that works.

 

SEPTEMBER:
If I had to predict my least active month for the rest of the year, I have to call it right now, September is certainly a contender. For one thing, I’m going back to college, so I need to adjust to a new routine. I’m still going to keep my promise of doing at least one post within every 7 days or so, that way you can keep witnessing my constant dedication to this blog. I’m probably not gonna go see “IT: Chapter Two” mainly because I still have not seen the first one. Although the cast is pretty nifty from what I have experienced. But I am interested in “The Goldfinch,” I have some slight intrigue towards “The Report,” and maybe I’ll check out “Abominable.” I saw one of the trailers for it, and it looks like it might not be a new animated classic or anything, but I am somewhat curious to check it out, partially because even as an adult, I still have a slight need to check out animations from time to time. Plus, it is from DreamWorks, and I’m currently trying to seek out their next big thing. “Kung Fu Panda” is done, “How to Train Your Dragon” seems to be done, maybe this, or something else, can be their next kickstarter to a solid franchise. Then again, apparently they’re making sequels to “The Boss Baby,” “The Croods,” and “Trolls,” so why should I expect absolute quality? Nevertheless, it’s worth a shot.

Although if you had to ask me what my most anticipated movie would be for the month of September, it’s a no brainer, “Ad Astra.” I love space, I love compelling, dramatic stories involving space travel, even if it is close to Earth. Plus, the second half of the year for numerous ages of my life have typically contained at least one epic space movie. Maybe “Ad Astra” will be the next to join the ranks with other movies from this decade like “The Martian” and “Interstellar.”

 

OCTOBER:

This October is pretty interesting to me, because there will be a weekend where my mother and sister are out of the house and I will quite honestly, need something to do. I can’t just stay trapped behind walls! I have to see the world! Nevertheless, that particular weekend is the release of “Joker,” which I am inevitably going to check out no matter what, but for the sake of having an early review, I’m going to check it out as soon as possible. I have Fridays off from school this upcoming semester, maybe I’ll do it then. The following week is the release of Will Smith’s “Gemini Man,” directed by Ang Lee, so I might see that. And the week after is slightly bigger because Taika Waititi is coming out with his latest directorial feature, “Jojo Rabbit,” where believe it or not, Waititi himself plays Hitler. I never pictured that, but this film certainly has my attention. That same week is also the release of “Zombieland: Double Tap.” I had fun with the first “Zombieland.” I enjoyed the chemistry between Jesse Eisenberg and Woody Harrelson, and it has, at least to me, a pure highlight from Bill Murray’s acting career. And to my surprise, he’s coming back for this movie! I also want to check out “The Aeronauts” which is being released by Amazon, and the reason why I want to check it out is because it is Amazon’s first attempt at an IMAX run and it is also being released a week early in that format. The film will technically be in standard theaters in November after it’s week-long IMAX run. And if this is the case, this reminds me of the excitement I had for Robert Zemeckis’ “The Walk,” because that released a week early in IMAX and that was quite an experience.

Speaking of lesser known films, one other thing I want to check out is the South Korean flick “Parasite.” It’s getting tons of buzz at film festivals, having earned Palme d’Or at Cannes, winning the Sydney Film Festival, and already making tons of money in Korea. The film’s US release is this October, which would put it in a reasonable spot to be remembered by Academy and Golden Globe voters.

 

NOVEMBER:
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This November is particularly interesting. Because November 1st is the day I’m heading off to Providence for Rhode Island Comic Con, and that’s the day after Halloween! I’m not cosplaying (at least I have no plans to right now) at this con, but I just want to walk around the convention floor for hours and stumble upon every costumed individual and wish them a Happy Halloween. Nevertheless, I am staying true to my annual tradition of going to Rhode Island Comic Con. The guest list is usually filled to the brim, so I cannot wait to hear more announcements over these upcoming months. Even so, the convention has had some huge announcements for guests thus far. Some guests include Dave Bautista (Guardians of the Galaxy, Blade Runner 2049), William Shatner (Star Trek: The Original Series, Boston Legal), George Takei (Star Trek: The Original Series, Kim Possible), Steven Yeun (The Walking Dead, Final Space), and to my utter surprise, and possible delight, Chevy Chase. By the way, Chase made an announcement about his upcoming appearance online and the video he made for it is very funny.

Sticking to the announcement wishlist concept, I recently made a submission on the con’s website suggesting names of five possible guests that I want to see. They include: James Murray, Curtis Armstrong, Kunal Nayyar, Doug Walker, and James Holzhauer. I could be mistaking Doug Walker for somebody else, but even if I am, he would be fun to see at the con. Of all these names, the one that really stands out to me is James Holzhauer. Out of all the people on this list, he is the least “celebrity-like” of all of them. James Murray comes close, but barely misses the mark. For those who are unaware, Holzhauer is the name of the recent “Jeopardy!” contestant who wouldn’t stop taking the show’s money. He has nearly broken Ken Jennings’ regular winnings record, only to be stopped by an opponent who beat him by more than double his final total for the game he lost. I think Holzhauer appearing at Rhode Island Comic Con would not just be unique, but also entirely appropriate. After all, it would probably bring in a new audience of people who would otherwise skip out on cons. Plus, as a game show enthusiast, I cannot help but keep talking about Holzhauer like he’s my own child. It’s almost as if being able to catch the latest “Jeopardy!” episode or at least reading up on the latest stats was the ultimate bragging right. Also, this year I’m going with a VIP ticket, which comes with various perks.

VIP Ticket Perks:

  • 3 day admission
  • Early bird admission (9AM Sat & Sun)
  • Private VIP Entrance
  • Private VIP Lounge
  • 3 Exclusive RI Comic Con Show Prints
  • Rhode Island Comic Con Swag Bag
  • 20% off RICC Branded Merchandise
  • Exclusive VIP 2019 RI Comic Con Badge
  • Exclusive RICC AR Comics-Comic Book
  • Exclusive RICC Comic Book
  • VIP Autograph Fast Pass Line
  • VIP Photo Op Fast Pass Line
  • Chance to Win 2020 VIP Pass
  • One Exclusive Mystery Item

I am personally excited for the con, and believe it or not, it is not the first time I’m getting a VIP badge, because the first time I went, which was in 2015, I managed to get said badge as well.

That same weekend is also the release of the new “Terminator” film, “Terminator: Dark Fate.” It is a cliche title, but its first trailer, personally had me intrigued. I’m excited to see what Tim Miller has up his sleeve in terms of direction. I am somewhat excited to see James Cameron involved again, although I am slightly worried because we now have more disposable “Terminator” movies than memorable “Terminator” movies. Let’s just hope we can change that.

Some of my other most anticipated films of the month include “Ford v. Ferrari,” “Knives Out,” and “A Beautiful Day in the Neighborhood.” “Ford v. Ferrari” takes place during a race to determine which of the two recently specified car brands will dominate. “Knives Out” is an upcoming mystery crime film directed by Rian Johnson. I did not like his interpretation of the “Star Wars” universe, but it does not mean I am not willing to check out his future work. Plus, this movie has a number of big names that I imagine a lot of people would like to see. Some include Daniel Craig (Casino Royale, Logan Lucky), Chris Evans (Captain America: The First Avenger, Gifted), Lakeith Stanfield (Black Panther, Sorry To Bother You), Ana de Armas (Blade Runner 2049, War Dogs), Jamie Lee Curtis (Halloween, Scream Queens), the world’s best Kevin Spacey impersonator, Christopher Plummer (All the Money in the World, A Beautiful Mind), and recent Jackoff winner Toni Collette (Hereditary, The Sixth Sense). As for “A Beautiful Day in the Neighborhood,” it is in the current conversation to be my most anticipated film for the remainder of the year. For one thing, I saw “Won’t You Be My Neighbor?” last year, which much like “A Beautiful Day in the Neighborhood,” is about Mister Rogers. That documentary not only compelled me, but reminded me of my personal flaws in my childhood, and maybe inspired me to be a better person. I still rage out on this blog a lot, but it’s something that I don’t really do for me, I do it for the entertainment of others, so that’s different. But it reminded me of how much it pays to respect those around you. Plus, TOM HANKS IS PLAYING THE STARRING ROLE?! Who else could do that?! He’s practically the nicest guy in Hollywood! SIGN ME UP! Believe it or not, that comes out the same weekend as “Frozen II,” but who cares about that?! Rogers for life!

 

DECEMBER:

The end of the year is always a crazy time for me, but just like last year, it’ll perhaps be less busy than it has been in other years. My fall semester will end during the month, and I’ll be in the cycle of watching previous movies from the year at home. This does not mean that I’ll be skipping theatrical releases, because award season is in full swing. This means I’ll be paying extra close attention to films that receive Golden Globe nominations, and as for reviewing movies I watch at home, the chances of that are very slim. But this does not mean that big blockbusters are entirely off the table. For one thing, they tend to sometimes do pretty well in certain technical categories, and we have another “Star Wars” film this year. I have intentions to go see “Star Wars: The Rise of Skywalker” opening Thursday night, mainly because I want to buy tickets as early as possible. If I can’t do that, I am going to try extra hard to find an available press screening, because aside from “Endgame,” “The Rise of Skywalker” is perhaps the biggest movie of 2019. Aside from being titled “Star Wars,” it is supposed to end “The Skywalker Saga,” and J.J. Abrams is directing again. I was not a huge fan of “The Last Jedi,” but I love “The Force Awakens” like it is my own brother. I am honestly more excited for “The Rise of Skywalker” than I was for “The Last Jedi” before that came out because I was somewhat worried that “The Last Jedi” would be a carbon copy of “The Empire Strikes Back.” Turns out it wasn’t, despite similarities to older films in the saga. And I even say this knowing how some things in “The Last Jedi” turned out. Having seen the trailer back in April, knowing certain plot points that could play out, and realizing J.J. Abrams could save this sequel trilogy, I am rather giddy for this December. But despite my excitement, I gotta ask. HOW IS PALPATINE STILL ALIVE?! I am excited to possibly see him in this film, but really?! When he was thrown down the pit in “Return of the Jedi,” yeeaah, HE F*CKING DIED. There is no coming back from that. I’m intrigued, I just need to be convinced.

When it comes to smaller films, one such film I am very excited for is “Little Women.” The film is supposed to explore the lives of sisters as they live in 1860s Massachusetts. It may not be my type of movie on paper, but one reason why I am excited is because the film is being directed by Greta Gerwig, who also helmed one of the best coming of age stories I have seen in recent years, “Lady Bird.” In addition to that, the cast is killer! This movie’s got Meryl Streep (Sophie’s Choice, The Iron Lady), Emma Watson (Beauty and the Beast, Harry Potter and the Philosopher’s Stone), Laura Dern (Big Little Lies, Jurassic Park), Saoirse Ronan (Lady Bird, Mary Queen of Scots), and Timothée Chalamet (Interstellar, Beautiful Boy)! I am also probably going to be looking into “1917,” which is a war film. Those tend to often go for awards, which is why I have my sights set on it. There are a couple films that I might check out that I would probably regret seeing, but the only real film that I’d struggle with reviewing is “Fair and Balanced.” Granted, this does not mean I am not looking forward to the film, nor am I expecting to be underwhelmed with it, in fact it sounds rather intriguing from a storytelling point of view. But the movie is about relationships between women and Fox News owner Roger Ailes, and I feel that it is going to be rather hard to keep my political opinions out of the review. I’m not saying I am a core conservative that keeps a closed mind, I try to see all sides and then form my own opinion. I have made various political jokes here and there on Scene Before, but politics is not my top priority, especially when you consider how divided we are as a country right now. Although I did manage to check out “Vice” last year, which was pretty good, but part of it had to do with the buzz it has been getting. Who knows? Maybe I’ll check out “Fair and Balanced,” for all I know it could be the best movie of the year, but I feel like it would be hard to review if I’m going to have to inject my experience with how the world operates in terms of politics. We’ll just have to see.

And of course, I’ll be finishing off the year, or perhaps more likely, kicking off next year, by recapping my top 10 BEST and WORST movies of 2019. I enjoy doing these countdowns every year, because I get to honor films one more time, and also give myself a minor stress release.

Although I must remind you, it is 2019, and here on Scene Before I am trying to constantly find new ways to deliver exciting content to you all. In 2017, I did a couple of cutaway style parodies, in 2018 I did a post talking about my Blu-ray collection, and just this year I introduced the world to the Jackoff Awards. The question is, where I do I go next? I’ve done tons of countdowns, reviews of the past, reviews of the present, what could be next? I know! ALL OF IT IN ONE. Ladies and gentlemen, if you have been following Scene Before and saw one of my posts in April, you’d know that I put out a trailer for something I once referred to as “Project 2020.” Although, based on statistics, I doubt many of you have even glanced at that post. But for those of you who know what I’m talking about, good for you. You get a “good job” sticker! But for those of you who don’t know, watch this trailer down below!

*ALL COPYRIGHTS BELONG TO THEIR RESPECTIVE OWNERS*

That’s right! I am going to be crafting a list of my highlight movies of the 2010’s, and I must have you know, I am setting this list up to be bigger than the lists I traditionally do at the end of the year. While this is still in planning stages, I will be intending to make this list perhaps a top 25, maybe a top 50. I was also debating on a top 100 as well. Depends on how much time I have. I am honestly MORE THAN EXCITED to work on this list, and release it to you all. I started Scene Before in 2016, which means I did not get too many chances to talk about films from years prior, so not only is this a personal reflection of various films I watched during my blogging journey, but a reflection of an entire ten year span that I lived through before becoming this active on the Internet. I’m not gonna say anything, but 2014 was a great year for film as far I’m concerned, so depending on how the rest of 2019 plays out, we might see a good number of films I’m passionate about from that year make the list. This is not to put down any other year from this decade, I’m just giddy of what’s to come…

And by the way, a worst list is in the works too.

At home I am making an effort to watch various films that have come out this decade just to catch up, and maybe add something to the best or worst list at the end of the year. I’m not gonna get into too much detail, because I do want to save some secrets for when the list comes out, but I am stoked just to be working on this.

Thanks for reading this post! If you like Scene Before and want to see more content, consider following me either with an email or WordPress account! As for upcoming content, I want to remind everyone, in case they forgot by now, I will soon be starting my Quentin Tarantino review series, which will eventually culminate with a review either at the end of July or beginning of August with my thoughts on “Once Upon a Time in Hollywood.” I cannot wait to get started on this, Tarantino is a filmmaker I have often admired behind the scenes, but I have barely seen any of his material. Now is a good time to start! Also, be sure to check out my Facebook page! Get your latest updates from the movie reviewing moron by using Facebook, the home of some of the all-time laziest efforts at wishing someone a happy birthday. Be sure to stay tuned for more great content! I want to know, is there something that you would like to see be done here on Scene Before, perhaps for this half of 2019? Or, what is your favorite Scene Before moment, post, anything that I have done so far this year? It can even be this one for all I care! Let me know down below! Scene Before is your click to the flicks!