The Uprising (2026): Death, Taxes, and Shaky Cam

“The Uprising” is directed by Paul Greengrass (News of the World, The Bourne Supremacy) and stars Andrew Garfield (The Amazing Spider-Man, Hacksaw Ridge), Jamie Bell (Fantastic Four, The Adventures of Tintin), Stephen Dillane (Game of Thrones, John Adams), Tom Hollander (Harley Quinn, Pirates of the Caribbean: Dead Man’s Chest), Cosmo Jarvis (The Alto Knights, Warfare), Thomasin McKenzie (Last Night in Soho, Fackham Hall), Jonny Lee Miller (Trainspotting, Hackers), Woody Norman (Cobweb, C’mon C’mon), and Katherine Waterson (Fantastic Beasts and Where to Find Them, Fackham Hall). Inspired by the 1381 Peasants’ Revolt, this film is about a group of people who rebel against King Richard II.

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To be real, there were not a ton of movies coming out in September that I was beyond excited to see. There were a couple titles that stood out to me, but when it comes to “The Uprising,” I felt like I was taking a chance on it. I knew little to nothing about the film other than listening to people talk about it online. I do not even recall if I watched a trailer for the movie prior to checking it out in theaters. That said, there are some promising things about the film at a glance, including star Andrew Garfield.

Andrew Garfield is a fantastic actor. I had iffy thoughts on his Spider-Man to a degree back in the day, but “No Way Home” gave him a bit of a boost for me. If anything, having seen that movie, I think part of that boost is because he was given much better material to work with than what was handed to him in the Marc Webb movies. But Garfield is more than Spidey. For example, he’s received Oscar nominations for “Hacksaw Ridge” and “Tick…Tick…BOOM!.” With each role, Garfield continues to prove he has chops and charisma. The same can be said for “The Uprising.” While Garfield himself is fairly recognizable in the role of a Ploughman, it does not change the fact that he does well as the story’s center. Is his performance the best of the year? No. But it is perhaps precisely what this movie needed due to Garfield’s range. Sometimes he is commanding. Other times he is a bit soft. It depends on the context of the scene, but Garfield plays his part well no matter what the role requires. Garfield is not the only actor who stands out. Others include Woody Norman as King Richard II, Jamie Bell as John Ball, and Thomasin McKenzie, the latter of whom has a particularly compelling backstory.

As for the film itself, it is quite good. The story is never boring and there is a healthy mix of engaging dialogue and thrilling action sequences to balance out the pace. Some might say the film is slow, which frankly, I kind of get, but do not wholly agree with. I prefer to call the film steady. It’s by no means a slog, but not a sprint either. It aims for the middle and does not miss.

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Despite being set in the 14th century, “The Uprising” is a fitting movie for today’s times. For the record, I live in the United States, and it is not like this is a problem that is exclusive to this part of the world, but in recent years, it has become noticeable that prices for just about everything have been going up. That’s not an unusual concept, but the rate at which it has been happening has been exorbitant. So, it feels like perfect timing to have a movie come out where its heroes are trying to confront the reality that on top of already struggling as they are, they now have to put up with more taxes.

“The Uprising” is directed by Paul Greengrass. I have not seen all of his movies, but I tend to like the ones that I did see. Although this movie has a bit in common with his 2020 outing, “News of the World.” In addition to both films being somewhat action-centric, they also deal with topics relevant to their time of release, even if the films themselves are set long before said period. “News of the World,” which is about a man who goes around reading newspapers to audiences, came out a few years after the term “fake news” popularized with certain people. This film features political controversy and complaints over taxes. Those two topics are arguably evergreen, but as someone living in the United States, it is not hard to notice them making the rounds today.

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Much like Greengrass’s other projects, there is quite a bit of shaky cam in this film. If that is not your thing, you may be turned off by this film’s production elements. Frankly, sometimes it works, and other times it feels quite clunky. There are one or two battle sequences that I thought the shaky cam ended up blending perfectly with the chaos. That said, there are moments where I felt the handheld videography came off as a bit overdone. One could argue that this speaks more to my personal preferences as a viewer than anything else. Heck, to this day I have not watched a ton of “The Office” and yes, one of the reasons why is because I don’t find it funny. Sorry not sorry. But another, perhaps dumber reason is because all the camerawork is handheld and it throws me off. The handheld camerawork in “The Uprising” is by no means the worst thing I have ever seen, I can make out what is going on in just about every scene, but there are a lot of moments where it feels a bit unnatural. To be fair though, this is a dramatic narrative, and in some ways, the handheld nature of the film does contribute to said drama.

No spoilers for those who have not seen the movie, but I dug the ending. If anything, this film almost crosses a line to the point where it becomes something else entirely during this specific moment. In actuality, the ending is fitting given what the story is, but its delivery is perhaps intentionally linked to another famous character. The ending is well done and has some solid action to back it up. Look forward to it. Sadly, the film’s marketing does spoil this moment, so chances are some of you reading this already have an idea as to the connection I am talking about. But if you did miss the trailers somehow, the ending is a fitting, yet almost out of left field treat.

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In the end, “The Uprising” is a good flick. Is it the most exciting film of 2026? Not even close. It is not even the most exciting movie to come out this month… More on that in the next review. But the film is nevertheless engaging in more ways than one. It features a solid lead performance by Andrew Garfield and is incredibly relevant for today’s audience despite being set in the late 14th century. This is not a film that is going to have massive replay value, at least from me. Maybe if I am scrolling channels and I come across it, I will put it on. But it is nevertheless beautifully made and executed. I am going to give “The Uprising” a 7/10.

“The Uprising” is now playing in select theatres and is available to rent or buy on VOD.

Thanks for reading this review! If you want to keep the party going, check out my latest episode of the Scene Before original series Movie Requests! In this episode, Rosario Dawson requests that I should talk about “Legend,” the fantasy film from 1985. To find out what I thought about it, click the video above!

Also, look forward to my next episode of Movie Requests, which will feature comedian Joe Gatto! You may know him from “Impractical Jokers” and “The Misery Index!” The official upload date is unclear at this time, but if you want to stay updated on that episode and others, please subscribe to my YouTube channel! And if you enjoy the last episode, please give it a like! It really helps out!

My next review is going to be for “Forgotten Island!” Stay tuned! Also coming soon, I will be sharing my thoughts on “Primetime,” “The Weight,” and “Digger.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Uprising?” What did you think about it? Or, what is your favorite Paul Greengrass movie? Let me know down below! Scene Before is your click to the flicks!

Rocketman (2019): Elton John: The Musical

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“Rocketman” is directed by Dexter Fletcher (Eddie the Eagle, Bohemian Rhapsody) and stars Taron Egerton (Kingsman: The Secret Service, Sing), Jamie Bell (Fantastic Four, Jumper), Richard Madden (Game of Thrones, Bodyguard), and Bryce Dallas Howard (Spider-Man 3, Jurassic World). This film is based on a portion of the life of music icon Elton John. It goes over his origins as an artist, as a person, and as someone who eventually must overcome various personal weaknesses or quirks.

I don’t know much about Elton John as an artist, and he’s not the first musician I go to when I need some music to soothe the mood. It’s not to say I hate him, but unlike other artists including AC/DC or Metallica, I just don’t think to myself, “Oh yeah, Elton John! I’ll leave myself on this station for him!” However, going into this movie, I did have some expectations. One of them, specifically the least important expectation, is that it would be better than “Godzilla: King of the Monsters.” Why? Because “Rocketman” came out the same weekend as that movie, I already saw “King of the Monsters,” and now I unfortunately can’t unsee it. As for other expectations, I did think that “Rocketman” would be rather fun and maybe not as much a downer type of film compared to other music-related biopics. For one thing as an example, unlike the main character of last year’s “Bohemian Rhapsody,” Freddie Mercury, Elton John is still alive. It’s not like we’re going to see a movie and feel like it is asking the audience, “Oh, remember him?” I’m not saying I’m bored of the whole “memory” thing, if you remember the movie “Ray,” I thought that was one of the best movies of the 2000’s and it showcased some serious downs of Ray Charles’ life. Even with that being said, I was still expecting this movie to go in a slightly different direction. “Rocketman” from the trailers looked vibrant, immersive, while at the same time, a true escape from reality. After all, one of the movie’s taglines is “Based on a true fantasy.” And I certainly did get a true escape from reality, almost a little too much. “Rocketman” is based on true events, and I know a lot of movies don’t have every detail of accuracy when it comes to basing them on reality. But “Rocketman” went into a direction that I for one did not see coming. The Wikipedia page for “Rocketman” describes the flick as a “biographical musical film.” I was expecting “biographical,” but not “musical.” In fact, this movie’s early attempts at being a musical kind of felt forced. It did become slightly more acceptable and a tad less cringeworthy as time passed, but due to my limited research on the film prior to seeing it, not to mention having certain expectations, this kind of came off as a surprise.

To put this in a short amount of words, if you went into “Rocketman” thinking you’re going to get a glimpse of what happened during Elton John’s life, I must point out that you are in fact going to get that. But it is all surrounded by tons of musical numbers, some of which kind of felt admittedly cringeworthy at first. It almost made me think I accidentally bought tickets for a Disney flick or something! Although that would be kind of amazing because this is rated R. And as the movie went on, the numbers actually almost became the biggest highlight. After all, while I am not a musical guy, one thing I can appreciate about certain musicals is the spectacle, which at times, this movie truly does have. It pulls you into the lively, flashy concerts, and takes an idea that I usually think would not fit in a biopic, but somehow the crew would manage to make it all work.

Also, Taron Egerton as Elton John? Hell yeah. I bought it completely. Definitely one of the best performances of the year so far. But it’s not even summer yet so I cannot confirm or speculate how many awards he’s going to win. And I have a feeling that part of why Egerton may have encapsulated the essential elements of Elton John is because the two have previously interacted with each other. If you remember 2017’s “Kingsman: The Golden Circle,” which to me was a fun, but slightly disposable action flick, Taron Egerton plays the main character. During that film, Elton John made an appearance as himself.

Don’t go breakin’ my heart? More like, “Go breakin’ some bones!”

Does Egerton have a shot at an Oscar from here? I dunno, we’ve still got time to wonder. But much like Bradley Cooper in “A Star Is Born” from 2018, one of the biggest praises I can give to Taron Egerton is that he does his own singing. I never saw Taron Egerton as a singer, and the fact that he even made the effort to sing on his own is magnificent. Big thumbs up from me!

I also admire the direction that this film tends to go, because the way it starts off, it’s almost glamorous, almost as if I went to see a movie that takes place in a cinematic universe where all the contestants from “RuPaul’s Drag Race” team up to fight crime. Then without going into spoilers, it turns out to be… well, not that. I mentioned that this movie isn’t really the most “downer-like” of biopics, but some serious stuff manages to happen in one overarching part of the story, not to mention other parts of the film. I’m not saying the film is having trouble knowing what it wants to be, in fact, I think the tone in its entirety works for a movie like “Rocketman.” It’s big, it’s exciting, but also at the same time, slightly grounded in some sort of reality here and there. I guess I am not that surprised to see an Elton John film. A lot of famous people will get their own movie if their story can be told while being interesting and profitable. But what I am somewhat surprised by is the fashion in which we managed to get a movie like this. Because for those of you who don’t know, Elton John himself has an executive producer credit for this film. While he didn’t direct or write the film himself, this almost must have been a glimpse back, not just for the audience, but for Elton John more than anyone else. I have seen some of the film’s marketing, but I can’t say I knew everything about it going in, so let me just say, consider my last statement and see how this movie is presented. Trust me.

And I do mean this, “Rocketman” has the flair of Elton John himself, whilst presenting some peaks and valleys from his youth. He had trouble living with his parents, not to mention getting care from both of his parents, especially his father, who is nothing short of a jerkface with an extreme lack of tact.

One last thing, I also really like some of the scenes where Elton John has to present himself and his musical talent to executives. I thought those were some of the better parts of the movie and there’s one scene where an executive just keeps criticizing every music-related choice Elton John is making. It’s kind chuckle-worthy, maybe even funnier than that.

In the end, “Rocketman” is not the best movie of the year, but it probably qualifies as the most interesting. It’s quirky, it has spectacular direction, and a stellar performance by Taron Egerton. It’s no wonder that Egerton likely had John’s blessing, and if they make another movie together, whether it is another “Kingsman” or something completely different, sign me up! I will say however, to me, this is probably going to be a movie that does not have much replay value. A lot of the movie’s standout scenes, at least to me, may make for good YouTube clips, but unless I needed something to watch on a big 4K TV, I probably wouldn’t go straight back to watching “Rocketman” this instant. It’s kind of a one-off, but it’s a good one-off. I’m going to give “Rocketman” a 7/10.

But before we go any further, I do have to bring one thing up, I went to see this movie with my mother and sister, and as far as I know, this is probably the most anticipated my mother in particular has ever been for a film. And she had a ball watching it. In fact, she brought up something I would have never expected to have ever heard from her. She mentioned the movie “brought her back to her childhood.” I don’t talk about my family life much on here, but this came off as a shock to me because my mother, at least when I’m in the room, NEVER gets nostalgic over anything. And out of all the nostalgia bombs arriving in theaters today, there are few, if any, that ever brought my mother back to her youth. I think only exception in my entire life when it comes to this sort of thing would have be 2015’s  “Pixels” because it inspired my mother to play an 80’s playlist. I’m just glad that in this postmodern era of media, it’s not just people like myself who obsess over “Star Wars” or “The Incredibles” can return to the days of being a kid. Even my own mom, who to my knowledge, never tends to go back in time, just experienced time travel.

Thanks for reading this review! I just want to let everyone know that I scored a couple of passes to go see “Men In Black: International” next week, which is the first spinoff in the popular “Men In Black” film franchise starring Chris Hemsworth and Tessa Thompson, who coincidentally, worked closely together in “Thor: Ragnarok.” I also want to remind you all that if you have not checked it out already, I recently released my 300th post on Scene Before, which is a glance at my Blu-ray collection. It features a YouTube video going over every single solitary copy I own including special editions like 4K, 3D, Steelbook, etc. To view the post, click the link right here! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Rocketman?” What did you think about it? Or, what is your favorite song by Elton John? Let me know down below! Scene Before is your click to the flicks!