Everything Everywhere All at Once

The 10 BEST Movies of the 2020s (2020-2024)

Posted on by Jack Drees

Hey everyone, Jack Drees here! After a long series of lists, we are getting to the end! And we are closing things off with a bang! After the worst movies of 2024, the best movies of 2024, and the worst movies so far to come out in the 2020s, we are capping things off with a look back the best movies of the 2020s. That is, up until the end of 2024. Same rules apply here as the worst of the decade list. First off, I have to have seen the movie. Obviously. Second, our lists are likely not going to be the same. If you have a movie that is not on here, make your own list. Third, all the films have to be theatrical releases. Fourth, with this being a bit of a halftime report, I have decided that I am not going to list these films in order from least favorite to most favorite, or the other way around. Instead, I am going in alphabetical order. If I keep updating Scene Before up until 2030, I might unleash something with a little more pomp and circumstance, kind of like my top movies of the 2010s series I did when this current decade began. Just like my worst of the 2020s list, there will be no honorable mentions. We are diving straight into my 10 faves. These are my 10 BEST movies of the first half of the 2020s.

Belle (2021)

Starting off this list is “Belle!” Just a spoiler alert, I reviewed most of the movies on this list, and each one I talked about earned a perfect score. That is unless you technically count this movie, which I gave an 8/10. But with this film’s everlasting replay value, stunning animation, great voicework, fantastic score and soundtrack, I would instantaneously change my mind on the verdict if I were to redo my review today. It would definitely be a 10. I love “Belle” not only because it is an entertaining film about a young girl who becomes a popular online singer, but it is a story that the more I think about it, I would have needed at some point in my life when I was younger. Because I will admit straight up when I got started on social media, I cared so deeply about how many followers I would get. How popular I could become. I did not know this about myself at the time. But I simply wanted attention. This movie would have been a great reminder to just be me, perhaps be grateful to make some friends, and maybe I would be more satisfied with myself when I was online. Even though this film does tap into the negatives of social media behavior such as bullying or not thinking before you post, it has a refreshingly positive lean on the concept. It is a movie that by the end of it, sees our hero not only helping herself get through her own problems, but also being there for people who are impacted by her and need her at a time of great distress. I love Suzu as a protagonist. The Beast is a fascinating character responsible for spawning a compelling mystery. Justin is a great interpretation of an Internet troll. Also, genuinely, “A Million Miles Away” is one of my favorite songs. Not just in movies, but in the history of ever. It is that good.

CODA (2021)

Speaking of movies with great protagonists, let’s talk about “CODA.” I experienced “CODA” in the cinema a little more than a week after it won its three Academy Awards, including Best Picture. The film is honestly one of my all time favorite coming of age stories, containing likable characters and a compelling narrative. Is it cliche at times? Sure. Can you predict one or two story beats from a mile away? Perhaps. But it does not change the fact that I was engaged with this from the moment it began to the emotionally satisfying conclusion. The concept proves itself to be very intriguing. The film is not just a great look at the life of a child of deaf adults, hence the title. But on top of that, this child is heavily into music, something that her parents cannot fully experience. The execution of this concept is beautiful, phenomenally edited, and done in such a way where you root for the protagonist but you understand every single side once you are presented with the full picture. This is also a film that is surprisingly funny, and its successful attempts at humor result in perhaps one of the most unique film experiences I had in a theatre. Because this film gets so quiet at times, then all of a sudden, you hear an audience bursting out laughing. It is a fine example of polar opposites attracting themselves to each other so perfectly.

Everything Everywhere All at Once (2022)

Out of all the movies on this list, this is the only one I saw in the theater three times. “Everything Everywhere All at Once” is one of the wildest rides I ever took in my life. While some might shame me for going with a mainstream title, I cannot tell a lie. This is my favorite film from A24. I cannot fathom how much work went into the performances of this film. All of these actors have to play different variants of the same character, and sometimes embody those variants in one version of the character. The film gets weirder as it goes, and equally as entertaining. I watched this film long before it won Best Picture at the Academy Awards, and I was ecstatic when it won. This film is as the title says, everything. It is a comedy. It has elements of sci-fi and fantasy. It is an action flick. By the end, it becomes a tear-jerking drama. This is a movie where in one moment Ke Huy Quan takes a bunch of people out with a fanny pack, and then in another, we see our main character learn pinky finger kung fu, and then in another, we have a simple moment where said main character tries to make things right with her daughter. The multiverse is a common tool used throughout this decade of cinema, particularly in comic book films. But if there is a film that does it best, it is the refreshingly original and zany “Everything Everywhere All at Once.”

The First Slam Dunk (2023)

Even after watching this movie, I still have not exposed myself to any of the other material this franchise has to offer, but it does not change how much I adored “The First Slam Dunk” when I saw it in the cinema. When I walked out of this movie, one of my first thoughts was that this was the best sports-related film I have seen in a long time. This film powers itself to the max with incredibly fast-moving animation and basketball sequences. The sound design is also crazy good. There was a simple moment at the beginning of the film that honestly reminded me of playing basketball across the street from my house when I was eight, nine years old. It really took me back. This film is a non-linear narrative that is done very well, but at always harkens back to one important game that by the end of it, becomes a nail-biter. This film has one of my favorite slow motion sequences in the history of cinema. If you have seen the movie you probably know exactly what I am talking about.

Godzilla Minus One (2023)

When this movie ended, in addition to applauding the efforts of the cast and crew, I simply asked myself, “THAT was a ‘Godzilla’ movie?” I could not believe a movie “Godzilla Minus One” actually exists. I am not going to pretend this is the first serious “Godzilla” movie. Heck, if you look back at the original 1954 “Godzilla” film, you would know the film is an allegory regarding the dangers of nuclear weapons. Similarly, this 2023 highlights how little we as human beings sometimes tend to value life. The film is about a kamikaze pilot who fled his duty and is dealing with survivor’s guilt. Throughout he meets a girl, and the two end up raising a kid that is not theirs, but it ended up in their hands. The chemistry between all three of these people is magical. Is the film a bit predictable? You can say that. But you can also say that these predictable moments were earned. As much as I love the spectacle of Warner Brothers’ current MonsterVerse, Toho’s “Godzilla Minus One” has that in addition to great characters who I rooted for the entire time. Also, the ending, whether it makes sense or not, gets me teary-eyed just thinking about it. I hear a sequel to this film is in development and I could not be happier. I will be first in line to check it out when possible.

The Mitchells vs. the Machines (2021)

When it comes to modern animated movies, I often cite Pixar as the gold standard. But it does not mean other studios are incapable of unleashing something magical. Case in point, Sony Pictures Animation’s “The Mitchells vs. the Machines.” I laughed so hard the first time I watched this movie. It is hard to find an animation that does not have attempts at comedy. In fact, a lot of the times I watch animated movies, I usually end up appreciating the humor. That said, this is probably the hardest I laughed at an animated film since “The LEGO Movie,” and I do not think I have laughed as hard watching an animated film since. The film goes above and beyond funny lines and visuals, there are also some creative gags that broke my brain. There are some blink you’ll miss it Easter Eggs in the background that make me want to watch this movie several times in a row just to see what other minor details I can find. I mean, the film literally has a character whose online handle is “Jade_Runner2049.” Gosh, I love this movie. I also love this film’s approach to the villains. Like a lot of other sci-fi concepts, artificial intelligence is the big bad. But this movie in particular does a great job at matching the tone of our modern world with some enhancements. This film is not just hilarious, but also becomes very heartfelt towards the end.

Over the Moon (2020)

Like many people, I thought 2020 was an outright atrocious year. The movies honestly did not save it. That said, the year also gave me one of my most pleasant surprises throughout my years of moviegoing. Netflix’s “Over the Moon” made me break down in tears by the time the film was coming to an end. Kind of like “Belle,” this is a film I really would have loved to have in my life when I was younger. Throughout a good portion of my coming of age, I grew up with one parent in the household. Granted, I do not envy the reason why this film’s protagonist deals with such a situation. My parents separated whereas her mother literally died minutes into the runtime. Even so, this film deals with a scenario I ended up seeing in my own life, particularly the moment when the protagonist’s single parent starts dating. This film heavily reminded me of what it was like to meet a potential replacement for my own parent and having my household overwhelmingly expand. On top of all of this, the film is a fun, colorful, clever space adventure with some really good original songs. Steven Price’s score is also a banger. Again, this is a Netflix movie which came out in 2020, so not many people saw this in theaters. I was one of the lucky few. If I could watch it in a theater a second time, I will take that chance in a heartbeat because it delivers on style, spectacle, and emotion.

Spider-Man: Across the Spider-Verse (2023)

Here we have another animated film! I have come to notice that there are at least one or two animations per year that I think are not just good, but epic. That said, calling “Spider-Man: Across the Spider-Verse” epic is kind of an understatement. I have a couple drawbacks with the film. For the most part, it is setup. This is a part one and refuses to hide it. That said, I thought the execution of each one of the film’s elements resulted in something amazing. The film has several animation styles, each one as creative as the last. The action sequences are super fun to watch and are perhaps some of the most comic book-like I have seen in one of these films. The voice cast is not just good, I cannot see anyone else in some of these roles. Shameik Moore is a phenomenal choice to play Miles Morales. Oscar Isaac is perfect as Miguel O’Hara. Karan Soni is an utter riot as Spider-Man India. But perhaps my favorite of these voices is Hailee Steinfeld as Spider-Gwen. She has this wondrous yet relatable presence to her. Hearing her voice in this film makes me want to watch an IMAX documentary where she narrates about space. The score for this film is so lively and heart-pumping that even when I watch the film at home, I feel like I am in the middle of a concert. We are supposed to get a followup to this movie at some point, “Spider-Man: Beyond the Spider-Verse.” As the days go by I sense the chances of that film coming out are becoming increasingly unlikely. Although if that movie ends up releasing and is as good as these last two, then the “Spider-Verse” movies will have to be in the discussion as one of the greatest cinematic trilogies ever.

The Suicide Squad (2021)

What I am about to say will probably vary based on who you ask, but I thought 2021 was a very good year for comic book movies. “Eternals” was a glorious vision from Chloe Zhao. “Spider-Man: No Way Home” is a cinematic event that celebrates several generations of the titular character. But my favorite comic book movie of 2021 is the only one we got from DC, “The Suicide Squad.” The film is from “Guardians of the Galaxy” director James Gunn, and much like “Guardians of the Galaxy,” this movie left me in stitches. I was laughing like an utter maniac at certain parts of the film. But also like “Guardians of the Galaxy,” the film is not short on heart. Despite his simple-minded nature, the film does a great job fleshing out King Shark, a giant fish who wears trunks and wants nothing except to have friends. Of course, returning characters like Margot Robbie’s Harley Quinn and Joel Kinnaman’s Rick Flagg also steal various scenes. This is also a film where I would say John Cena, who has a knack for comedy, got to cut his teeth with some more serious material as Peacemaker. Sure, he also did 2017’s “The Wall,” but who cares about that? This film showed Cena’s range as an actor, and I am glad he got to continue playing Peacemaker in his own Max series. This film is a factory of nonsensical wonder. At one moment you have me rooting for a guy whose superpower is spewing polka dots. At another, I am laughing my brains out as a series of characters wonder who the heck “Milton” is. Then in another, I am cheering as Amanda Waller gets what she deserves. Then in another, I am almost tearing up as an army of rats make their way towards a giant kaiju who was just happy staring at the stars. The film is capable of unleashing every emotion ever conceived. I am not in love with every James Gunn comic book movie. I think “Guardians of the Galaxy Vol. 2” is not that great. But if there is any reason why I should be excited for “Superman” this year, it is because of Gunn’s impressive resume that contains epic wins like this one.

West Side Story (2021)

If you look at some of my opinions regarding the past year for film, you might think I loathe every musical ever made. Although I am hopeful that the number of times I use the 2021 adaptation of “West Side Story” as a positive in my reviews have lessened those assumptions to some degree. I am not a theater nerd. I have never seen a Broadway show. Nevertheless, this film practically put me on a Broadway stage through its large cast, magnificent setpieces, and bombastic numbers. This is also the film that introduced me to two actresses whose careers I remain quite optimistic about, Rachel Zegler and Ariana DeBose. Both can sing like there is no tomorrow and just so happen to be perfectly cast in their roles. As much as the 2022 Oscars has unfortunately been scarred with the slap incident between Will Smith and Chris Rock, I must acknowledge that a lot of the winners that year were deserving of their hardware, including DeBose. The film is mostly spoken in English, though there are a couple instances where the characters are speaking in Spanish. Despite there being no subtitles for the Spanish dialogue, the characters’ conversations were still able to hit me based on Spielberg’s direction of the scene and proper use of tone. Not a lot of people saw this movie when it came out, and if the reason is because of Ansel Elgort’s sexual assault allegation, I cannot blame those people. But trust me when I say this movie solidifies Steven Spielberg as one of the best directors working today, even at his age. He is not only capable of taking on any genre or medium he can, but in some cases, he essentially perfects those genres and mediums. I have no idea how many more directorial efforts Spielberg has up his sleeve, but if we get another one as exciting as this, I am going to be blown away.

Thanks for reading this list! With four separate rankings out of the way, I think we are good to get 2025 into gear. Although like other years, it is possible that I could slip in a review of a 2024 movie. I still have not seen “The Brutalist.” I still not have seen “Emilia Pérez.” I still have not seen “Nickel Boys.” Maybe I will review one of those movies next, or perhaps even one from this year! If you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, what are your best movies of the 2020s so far? Do we have anything in common? Did I miss something? Let me know your picks down below! Scene Before is your click to the flicks!

Top 10 BEST Movies of 2022

Posted on by Jack Drees

Hey everyone, Jack Drees here! It is time once again to reflect on the year’s cinematic calendar! It is time to list my top 10 BEST movies of 2022! If you have not read any of these countdowns before, the rules look a little something like this. First, I must have seen the movie for it to qualify for the list, obviously. There are certain titles I missed out on this year like “Minions: The Rise of Gru,” “Fantastic Beasts: The Secrets of Dumbledore,” “Father Stu,” “RRR,” “Blonde,” and “Crimes of the Future.” I can only see so many things in one span of 365 days. Also, this is a subjective list. I am not saying these are the movies you should like, I am only giving my recommendations. Maybe you’ll like them, maybe not. I am not trying to force anyone to love these titles. Also, these movies must have had some theatrical release over the past year, even if it just played in one theater. If it is a straight to Disney+ or HBO Max title for example, the film does not qualify. Although on that note, I will be listing where you can find these movies as of writing this post. If you are reading this months from now, they might be somewhere else, but still. Also, if I reviewed the movie, which is the case for almost all of the entries on this list, I have attached links to my reviews of these projects. Check them out if you are interested in knowing more about my thoughts! With that out of the way, it is time to start counting down the movies, and we will start with these honorable mentions.

Honorable Mention: Top Gun: Maverick (available on Paramount+)

The first of six honorable mentions this year is “Top Gun: Maverick.” I saw “Top Gun: Maverick” three times this year, with two of those times being in a giant IMAX theater. It is probably the most immersive movie that has come out in 2022. Yes, even more than “Avatar: The Way of Water.” I like the first “Top Gun,” but I can easily claim this sequel is superior. This film is action-packed, funny, and ultimately has something for everyone.

Honorable Mention: Nope (available on Peacock)

Speaking of movies I saw three times this year, “Nope” is a Spielberg-like effort that offers stunning cinematography, a creepy UFO, and charismatic characters. What more could you want? While it is probably not in contention for any Oscars, Keke Palmer gives a performance that displays her talent and personality in full force. This is my least favorite film from Jordan Peele, but it also stands out for being his most fun. Give it a watch sometime.

Honorable Mention: Clerks III (available on VOD)

“Clerks III” is one of my favorite comedies of the year. Like some of the other films on this list, this is a love letter to filmmaking. But what makes this one stand out from say the recently mentioned “Nope,” is that it feels less like a love letter to Hollywood, perhaps industrial filmmaking. And instead, more of a shoutout to those working in independent films or those who just want to make movies with their friends. “Clerks III” is not only funny, but utilizes a true event from Kevin Smith’s life to add plenty of emotion. It is the best “Clerks” movie of the trilogy.

Honorable Mention: The Adam Project (available on Netflix)

“The Adam Project” is the latest collaboration from star Ryan Reynolds and director Shawn Levy. This film has a clever concept, a talented cast, and some slick action sequences. Alongside Ryan Reynolds, Walker Scobell plays a younger version of his character and delivers plenty of palatable chemistry. It is also a great watch for younger viewers, because I think they can take something away from the film in addition to being entertained by it.

Honorable Mention: Babylon (in theaters)

Similar to how “Nope” is my least favorite Jordan Peele directorial effort, I can say the same when it comes to “Babylon” directed by Damien Chazelle. Although despite that claim, I can nevertheless point out that “Babylon” is an absolute must see for lovers of film. The lead performances by stars like Margot Robbie and Brad Pitt are unspeakably grand. Some of the sets are among the most eye-popping of the year. For the most part, “Babylon” mixes comedy and drama to excellent results. It is another spectacular effort from Damien Chazelle.

Honorable Mention: Emergency (available on Prime Video)

Lastly for honorable mentions is “Emergency.” I watched “Emergency” late into the year, but I am glad I had the chance to check it out. This movie is responsible for some of 2022’s most gutbusting scenes, palatable chemistry between talent, and a simple concept done brilliantly. Like “Babylon,” there are certain moments that successfully blend comedy and drama, in addition to quite a few thrills.

With those out of the way, it is to talk about my favorite movies of the year one more time. These are my top 10 BEST movies of 2022!

#10. Smile (available on Paramount+)

Coming in at #10 is “Smile!” 2022 might be the best year for horror I have experienced while doing Scene Before, and this film is exhibit A as to why that is the case. This is a film that did not cost a ton of money to make, in fact it was intended to be a straight to Paramount+ release until they did test screenings. The test screenings had enormously positive results, the film was put in theaters, and people ate it up. Not to mention, Paramount must have been popping bottles over the humungous profit. This film has a terrific lead performance by Sosie Bacon, a captivating supporting cast, and a neat concept. Sosie Bacon is responsible for one of my favorite lead performances in a horror film since Toni Collete in “Hereditary.” The way she has to navigate the lead role through such terrifying, strange, and outlandish happenings is brilliantly realized and I bought into all of it. The horror genre has a history of delivering scares through repeated, expectedly horrifying concepts like clowns, ghosts, and monsters. “Smile” on the other hand effectively takes an everyday concept, specifically smiling, and makes it scary. Nevertheless, this movie was grin-inducing. “Smile” has elements of other horror movies, but uses those elements to create something delightfully fresh. This is the feature-length debut for Parker Finn, and I cannot wait to see what idea he comes up with next.

#9. Barbarian (available on HBO Max)

Speaking of top tier horror, #9 is “Barbarian.” This film is simple in its concept, but balls to the wall crazy good in its execution. Essentially, a woman rents a home while visiting a spot away from where she lives but she ends up finding another guest staying in the house when she arrives. Despite the confusion, the two end up staying together. Georgina Campbell and Bill Skarsgård have great chemistry and had my attention from the first act and beyond. Justin Long has a significant role in the movie and he does an outstanding job playing one of the most fascinatingly written characters of any movie I have seen this year. In addition, this film is scary, gory, and tense. There is a sense of conflict even in the most miniscule of moments. While there are some expected horror elements in “Barbarian,” the film stands out for how well it uses the relationship between Tess (Campbell) and Keith (Skarsgård) to not only further the story, but further the sense of unease for the former. After all, Tess is a woman entering a home with which she is unfamiliar and there is a seemingly strange man inside. Classic stranger danger. The ending feels a tad abrupt, but that is forgiven with one of the year’s most well-written scripts and some genuinely creepy moments.

#8. Turning Red (available on Disney+)

Up next on this list is “Turning Red!” Some of you might be thinking that this film goes against my theatrical only rule because it is a Disney+ release. Technically speaking, yes, it is primarily a Disney+ release. Although the film also released in select theaters at the same time. In fact, I had the privilege of getting to watch this film earlier this year at the El Capitan in Los Angeles. “Turning Red” is marvelously animated in addition to being ridiculously fun. The music in the film is occasionally catchy, the characters are likable, and I always rooted for the protagonist of Meilin Lee. “Turning Red” is my favorite Pixar film of the decade thus far because much like some of my other favorite Pixar movies like “Up,” it is a story that perfectly balances fun and emotion. It is a story that I adored because of how likable of a character Meilin is but also because of how it reminded me of how some people in my family, possibly including myself, may have had to adjust to me as I was growing up and becoming an adult. Granted, this film is a metaphor for puberty, and as a man, part of that metaphor involves something that I cannot experience firsthand. But that also goes to show how impactful this film is. It is a film that despite its subject matter, is accessible to a multitude of audiences and manages to keep me interested the whole way.

#7. Puss in Boots: The Last Wish (in theaters, available on VOD)

If you thought “Turning Red” was a cool animation, then guess what? “Puss in Boots: The Last Wish” is freaking spectacular. While I care about Pixar, the studio that made “Turning Red,” a bit more than DreamWorks, when the studio has a hit, I am not afraid to acknowledge it. “Puss in Boots: The Last Wish” is a movie that did not deserve to be this good. It is not just fun, but it is hilarious, fast-paced, and surprisingly dark. I enjoyed the first “Puss in Boots” for what it was, but “The Last Wish” makes the original “Puss in Boots” look like “Shrek the Third” when I compare it to the first “Shrek” installment. Not only is the concept brilliant despite its simplicity, but it also delivers a great lesson for children. Antonio Banderas kills it as Puss, the supporting cast from Florence Pugh to John Mulaney all bring their A-game, and the writing does them all favors. Aside from that, this is one of the prettiest looking films of the year with stunningly realized action sequences. If anything, I would say “Puss in Boots: The Last Wish,” to my delightful surprise, is this year’s “Spider-Man: Into the Spider-Verse.” Not only does the movie excellently bring forth such an epic journey with likable characters, memorable moments, and tons of laughs. It also manages to break new ground in terms of delivering an unconventional, but attractive animation style. “Puss in Boots: The Last Wish” is a movie I would recommend for all ages.

#6. The Fabelmans (in theaters, available on VOD)

Steven Spielberg is one of the greatest filmmakers of all time and he continues to prove it this year with his brand-new movie, “The Fabelmans.” This movie was practically made for me. It is about a young boy growing up in a kooky family who just wants to make movies. I was sold with the premise, but little did I know how much said premise would translate to a great story on its own. “The Fabelmans” is not just a solid story, but it reminded me of why I do what I do. Specifically anything and everything around film and video. Whether it means making it or reviewing it. I do it for myself, obviously, but like this post, or anything else deemed artistic, I do it for an audience. If the audience continues to come back, I will keep making this for them. “The Fabelmans” showcases the importance of family while also highlighting the spirit of one’s hopes and dreams. The film is funny, dramatic, and heartwarming. This is one of the most fun watches of 2022 for a plethora of reasons. One reason why this movie is not higher on the list is because the second act, while still good, slightly falters at a certain point and shifts the tone dramatically before getting back on the horse in the third act, but it does not change the fact that I left “The Fabelmans” a happy camper. If you have ever had a dream, you will adore this movie.

#5. Pearl (available on VOD)

Up next is a movie I did not get to review this year, and that is “Pearl!” This year, Ti West created “X,” which I thought was a solid horror flick. Then months later we got this prequel. I waited a bit to watch both films, I nailed em both in a day, and I cannot be happier that I did. What a great series of films so far. “Pearl” surprised me because of how quick it came after “X.” Speaking of surprises, I was amazed in regard to how much more “Pearl” stuck with me compared to “X” after watching it. While films like “Glass Onion” have a more recognizable cast, the ensemble in “Pearl” is by far the cream of the crop for 2022. Mia Goth is a freaking legend as Pearl. Emma Jenkins-Purro plays her friend, Mitsy, to perfection. Pearl’s mom, played by Tandi Wright, is incredible. There is a particular argument between Wright and Goth that sent chills down my spine. Most horror movies give me chills through action. Maybe someone gets beaten, bloodied, killed. But despite how actions often speak louder than words, this is a film where words, not to mention moments of silence, become the elephants in the room. There is a five-minute monologue that is perfectly executed in every way from Ti West and crew behind the camera, and Mia Goth in front of it. It is almost the greatest scene of the year, and possibly the best acting of the year. For those who read this post, I recommend “X.” Give it a shot if you have not seen it. But if you must know, its follow-up prequel, “Pearl,” is jaw-dropping, mind-boggling, and I could not stop thinking about it the moment it was over. Give “Pearl” a watch sometime.

#4. The Banshees of Inisherin (in theaters, available on HBO Max)

What is the concept of “The Banshees of Inisherin?” Two friends break up. Sounds kind of boring, right? Well, it is not! In fact it is one of the most satisfying movies I have seen in recent memory! This movie had happiness, sadness, and everything in between. This is a simple concept that becomes more twisted by the second. The locations in this movie are easy on the eyes and some of the most attractive I have seen on screen this year. In an industry that is increasingly relying on green screens and new technologies like StageCraft, it is nice to see movies like “The Banshees of Inisherin” show the power of what shooting on location can do. Colin Farrell and Brendan Gleeson are brilliant together. Never have I wanted to spend so much time watching two characters who hate each other this much. This movie is directed by Martin McDonagh, who also helmed “Three Billboards Outside Ebbing, Missouri.” While I liked “Three Billboards,” I loved “Banshees” and I cannot wait to see it again.

#3. Marcel the Shell with Shoes On (available on VOD)

Up next is one of the cutest movies I have seen in my entire life, “Marcel the Shell with Shoes On!” I have not seen the “Marcel the Shell” web series that this movie bases itself on, but this does not change the fact that this movie offers the most adorable scenes and characters I have seen in recent film. I have seen a lot of movies, therefore I have witnessed plenty of comedic scenes, but “Marcel the Shell” offers a possible first for me through my moviegoing experiences. There was a segment in the film that had me laughing so hard that I drooled by an armrest. This is one of the few gems that audiences witnessed this year from A24, and it is undoubtedly one of my favorite movies from the studio. I think as far as family friendly movies go, there is almost no better option in regards to this year’s cinematic calendar. This is the kind of movie that will enlighten imaginations and entertain everyone. Despite being based on previously established materials, this is one of the most original and fresh stories of the year. On paper, this sounds ridiculous, but the execution is perfect. Give “Marcel the Shell” a shot, you might be surprised on how great it is!

#2. The Menu (in theaters, available on HBO Max)

Anya Taylor-Joy has been on a roll lately doing one interesting project after the next. Projects like “Emma.” and “Last Night in Soho.” While she made an okay movie with “The Northman,” I can declare that “The Menu” is a feast in every way. All the characters, even those as minor as can be, are charming. The editing is some of the cleanest and funniest of the year. The script is incredible. If I could relive one theatrical experience this year, my first experience of “The Menu” would be up there because of how hard I laughed. Very few movies have been this funny and haunting at the same time. I also loved John Leguizamo’s character. Hong Chau is excellent in her supporting role. Ralph Fiennes however practically steals the show as the eccentric chef Julian Slowik. I saw the trailer for this movie during almost every screening I went to for some time at the theater. It gladdens me to say despite how many times that trailer played, this movie still felt fresh and delivered plenty of moments to savor. Once again, this year has been chock full of great horror like the few films already mentioned on this list such as “Smile.” Although if I had to pick a favorite project within the horror genre, it would probably be “The Menu.” This movie delivers some of the best dark comedy in recent cinema. The laughs were neither short or quiet. Above all, “The Menu” is this year’s greatest encapsulation of what horror can be.

#1. Everything Everywhere All at Once (available on Paramount+, Showtime)

Through all the ups and downs, peaks and valleys, and all that jazz, we have arrived to my favorite film that I saw for the first time in theaters this year, excluding “Belle,” which despite being on some of this year’s best lists, is technically a 2021 film. I would love to include it, but I cannot, because reasons.

That said, I can include the greatest multiverse story ever told, one so great that it is unfathomable as to how it can ever be beaten. My #1 best movie of 2022 is “Everything Everywhere All at Once.” Between the recently mentioned “Marcel the Shell,” the “X” movies, and even movies like “Bodies Bodies Bodies,” A24 killed it with this year’s slate, and “Everything Everywhere All at Once” is the holy grail of this great slew of films. There is so much to love about “Everything Everywhere All at Once” that I am not sure I would have time to list all the reasons. To start, here is some talk about the film’s originality. For those of you who say original filmmaking is dead, let me just remind you that in recent times, there is an executive who thought a movie about a woman who tries to save all of reality while dealing with the IRS and her family was a good idea. This is one of the best concepts for a film I have ever heard, and it has led to one of the best films I have ever seen. I try to avoid seeing movies twice in theaters, but this is one where I made an exception. This is the kind of film that would make for an outstanding watch with friends who have no idea what it is. I would love to invite a friend or two over who have never seen the movie and see how they react to certain scenes because I am sure some of those reactions will either stand out, or vary across the board. Either way, despite following the recent multiverse trend Marvel has been doing lately, this movie is a one of a kind. I have never seen anything like it, and it is possible I will never see anything like it again.

Every single cast member had to take on perhaps one of the toughest, most complex roles they had to face in their lives. Because they are not just playing one character, they’re playing two, three, four, sometimes hundreds of different iterations of the same character. Each one is unique enough to pass as its own, but they are all a small part of this massive story. Michelle Yeoh plays the lead role of Evelyn, and said character is the perfect center to this movie as she is perhaps a representation of everyone who had a dream. This movie begs the question as to what our lives could have been if we made a certain choice, or if our lives are planned out to be super exciting or totally boring from the getgo. Joining Yeoh is Jamie Lee Curtis as a cranky IRS inspector, in addition to Stephanie Hsu as a massively layered character by the name of Joy, and you have Ke Huy Quan making a comeback as Waymond, Evelyn’s husband. All of these performances are terrific and each one of their characters maintain a great deal of pizzazz and personality.

This film has perhaps the most ridiculous, absurd, jaw-dropping use of quantity, and therefore, it all adds up to what can only be described as god tier quality. The amount of universes we visit, the varied characters we see, the concepts that feel new, fresh, and exciting, it all makes the film so thrilling, and yet, mind-numbing to describe. There are so many exciting things going on in “Everything Everywhere All at Once,” that there has to be more than one definitive, perfect, sellable way to tell people what this movie actually is on the surface. Although the best thing about this film is that despite its convolution, despite so many different things going on all at once, it does not keep itself from neglecting the core of its story. Evelyn is easily the most likable protagonist of the year because while she does whatever she can to succeed in accomplishing her goals, we also see other versions of her who are practically superior, and while they may be happy, it makes me feel sympathetic toward the central Evelyn who is spending her days running a laundromat. We see hints of her other interests throughout the movie. Perhaps her other creative aspirations. There are others in this great multiverse who are living dreams that she failed to achieve, so in a way, I feel bad for this Evelyn most of all. This movie got me to care about rocks sitting next to each other. I cannot remember the the last time I said that. I sometimes think about and appreciate how animations can successfully turn inanimate things like toys into lively, emotional figures. “Everything Everywhere All at Once” on the other hand is live-action, and I found myself surprisingly captivated by rocks. This movie takes big swings, and every hit is a grand slam. While “Everything Everywhere All at Once” is not my favorite movie of all time, it is one that is so unique, so one of a kind in its nature, that I do not know how it could possibly be done as a sequel or how people could rip it off with pleasing results. “Everything Everywhere All at Once” is a representation of what people’s lives could have been, and yet, shows us what life is all about. That is why it is my favorite movie of 2022.

Thanks for reading this countdown! First off, I want to shoutout everyone who made a movie in 2022, good or bad. You kept this moron inside the cinema or in front of the television, and I call that an achievement. If you want me to be real, 2022 did not have a lot of exceptionally great movies compared to other years, same with the exceptionally bad. There were plenty of good movies though. Although some, like the recently mentioned “Everything Everywhere All at Once,” falls under the category of exceptional. It is that epic. That said, the time for 2022 movies is coming to a close, and it is time to move on to 2023! I want to announce some time this year, we will be doing the 5th Annual Jack Awards. For those who do not know, I do this thing every year called the Jackoff Awards, where I celebrate the year in film. It is like the poor man’s version of the Oscars. And yes, I said Jack Awards. I am changing the name. It is my show, I can do what I want! The other name is kind of getting old. It did win a Twitter poll, and that is why I stuck with it, but this year I decided, enough is enough. Stay tuned for the 5th Annual Jack Awards, coming later this winter! Some of the films mentioned here, possibly all of them, could contend for Best Picture when the awards arrive. Stay tuned! If you want to see more of my recent countdowns, check out my top 10 WORST movies of 2022, and speaking of leaping into the new year, also be sure to check out my top 10 MOST ANTICIPATED movies of 2023! If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, what are your favorite movies of 2022? Did I miss anything? Do you agree with my list? Disagree? List your picks down below! Scene Before is your click to the flicks!

Everything Everywhere All at Once (2022): A Bloated, Mind-Melting, Exciting Ride Through the Multiverse

Posted on by Jack Drees

“Everything Everywhere All at Once” is directed by Daniels, the same team behind the 2016 film “Swiss Army Man” featuring Daniel Radcliffe as a dead body who communicates by farting. And if you think that is weird, you are not ready for “Everything Everywhere All at Once,” possibly the greatest title in film history. That said, “Everything Everywhere All at Once” stars Michelle Yeoh (Shang-Chi and the Legend of the Ten Rings, Crazy Rich Asians), Stephanie Hsu (The Path, The Marvelous Mrs. Maisel), Ke Hey Quan (Indiana Jones and the Temple of Doom, The Goonies), Jenny Slate (The Secret Life of Pets, Gifted), Harry Shum Jr. (Glee, Shadowhunters), James Hong (Revenge of the Nerds II: Nerds in Paradise, Blade Runner), and Jamie Lee Curtis (Halloween, Knives Out). This film, or in a case like the one we are dealing with, this drug trip, centers around the character of Evelyn Quan Wang, a Chinese immigrant who owns a laundromat with her husband. When financial stability becomes an issue for Wang, she suddenly finds herself on a journey through the multiverse where she learns about the many lives she could have lived. She uses this newfound knowledge to hopefully save her own universe, along with several others, from a cataclysm.

I want to start off this review by reminding you that I waited a couple months to see this movie. I knew what it was. I knew the plot. I knew that a lot of people liked it. But due to other commitments, other movies, not to mention planning to see it once or twice only to have my plans scrapped, I had to wait on “Everything Everywhere All at Once” like I was in line at comic con. Fun fact, I am at a time of my life where I typically enjoy going to the movies by myself. I have nothing against going with friends, but there are many cases where I would prefer going to the cinema alone because as a reviewer, this allows me to concentrate harder on what’s on screen. But one reason why I waited so long to see “Everything Everywhere All at Once” is because if I wanted to go see this movie by myself, I could have. I would have probably had a good time. That said, this looked like a movie I had to see with someone else. So I invited my dad, told him I think he would like the film, and we were going to hopefully have a ball.

Without giving much detail, I think my previous sentiment is one to keep in mind, should you decide to watch “Everything Everywhere All at Once,” because it is a movie that is watchable on your own, but the more people you have around you, the better the experience will probably end up being. It is the same reason why comedy shows are better with sold out crowds. The laughter is that much more contagious.

Also I will remind you, this is a multiverse-spanning movie. The previous two Marvel Cinematic Universe movies have brought audiences into the multiverse in their own ways and have done ridiculous numbers in terms of the box office. Unlike those films, “Everything Everywhere All at Once” is an original idea. Of those two previously indicated unoriginal ideas, one of them literally has the words “Multiverse of Madness” in the title. That said, “Everything Everywhere All at Once,” is THE REAL MULTIVERSE OF MADNESS. Eat your heart out, Doctor Strange! I contend that “Everything Everywhere All at Once” could end up permanently owning the crown for the greatest multiverse-centric movie of all time. It is that good.

If you have been following me this year, I have talked about a specific idea within certain films. “CODA” and “Belle” are prime examples of this. That theme is a perfect bridging between extraordinary and ordinary. While those films showcase this idea to excellent degrees with a non-deaf, music-obsessed child living in a deaf family and a shy, rural-housed teenage girl entering a social media paradise where she becomes a star, these are not new ideas. Heroes always start off ordinary and then find ways to become extraordinary throughout their adventure. If they stayed ordinary, they would be one-dimensional or boring. But if you break down “Everything Everywhere All at Once,” it is not necessarily a film about saving the multiverse as much as it is about keeping a family together, keeping each other from going bizzerk. Because within the confines of alternate realities, mastering kung fu, superstardom, the main family of the film has to deal with the potential closure of their business, potential divorce, and as far as the parents are concerned, potential rebellion from the daughter.

Speaking of potential, I think “Everything Everywhere All at Once” had a ton of potential, and that potential was perfectly realized within this film’s small budget. For comparison, another recent multiverse-centric story, “Doctor Strange in the Multiverse of Madness,” had a budget of $200 million. “Everything Everywhere All at Once” on the other hand… A non-sequel, original idea not based on any preexisting intellectual property, not set in a cinematic universe whatsoever, cost $25 million to make. That is nothing to sweat at by any means. $25 million is a lot of money. Plus, there are movies that came out this year that cost less to make. “Hustle,” the last movie I reviewed, was less expensive. But to be fair, it was more limited in its theatrical release. That said, “Everything Everywhere All at Once” supports the notion that smaller can be better. The more time you spend on crafting a compelling story and the less time you spend on the spectacle and paying Patrick Stewart to play Professor X again, the better the payoff.

Through her portrayal of Evelyn, Michelle Yeoh encapsulates what it is like to be a normal human being with financial issues. We see her trek through the film while her ordinary life continues to go down the crapper. Changes come in every which way and it is not only affecting her, but the people she knows. This movie plays around with the idea of one person seeing not only other versions of themselves, but their jealousy towards the lives the alternate selves tend to enjoy. Evelyn sees versions of herself that excel at kung fu or acting. If I saw myself in other universes living as say a successful singer or a baseball player, I would definitely consider rethinking my life choices or finding a way to embody my other selves.

Throughout the film’s runtime, we are heavily exposed to other members of the Wang family. Those who appear alongside Evelyn are her husband, Waymond (Ke Huy Quan), her daughter, Joy (Stephanie Hsu), and her father, Gong Gong (James Hong). Each character has their own individualities and quirks that make the film worthwhile. There is an incredible element of the film where we see the supposed differences between Evelyn and Joy in terms of how they live their lives, how they view the world. It makes for some entertaining moments of the film while also effectively progressing each character arc.

I also have to give a major shoutout to Jamie Lee Curtis, who gives an incredible performance as Deirdre Beaubeirdre, an IRS inspector who takes no nonsense whatsoever. I admire Jamie Lee Curtis as an actress, so I hope this is not taken the wrong way, but her character does such a great job at appearing so boring and yet so fiendish. She looks like she could ruin someone’s life in a snap. Of the film’s supporting characters, she is arguably the highlight.

“Everything Everywhere All at Once” is an arguable contender to be the strangest and yet most ambitious film I have watched in my life. One of my biggest compliments I gave to “Doctor Strange in the Multiverse of Madness” is how they handled Benedict Cumberbatch’s variants from a looks perspective. When it comes to Evelyn in “Everything Everywhere All at Once,” I would say a similar assessment applies. But the script and direction of “Everything Everywhere All at Once” gives Michelle Yeoh a greater excuse to provide a more solid, perhaps down to earth performance than the one Cumberbatch gave in his multiversal feature. There is so much that happens in this movie, not only in terms of the story, but the overall scope of… everything… At various points, the movie hinges to a precipice where things are almost completely out of control. There is a moment in this movie where I could see a lot of people thinking it is crazy enough, only to shock themselves in a matter of minutes with what comes up afterwards. If you are looking for a predictable movie, you have come to the wrong place. “Everything Everywhere All at Once” is probably the most unpredictable movie I have seen since “Parasite.”

If you have not watched it yet, you need to check this movie out, and as much as I could go on about it, I am going to let you see for yourself, because if you are anything like my dad when he sat next to me in the theater, taking every single scene in… I think you should prepare to drop some unexpected f-bombs at the screen the moment you witness some of the wondrous sights this one of a kind feature seals within its doors.

In the end, “Everything Everywhere All at Once” is one of the best movies I have ever seen. A24 is a crazy distributor. I either truly like a movie from them, which was the case with say “Eighth Grade” or “The Disaster Artist.” Or I attempt to make a case as to why some of their films are atrociously awful like “Midsommar” or “Zola.” There never feels like there is an between at times. And even if there is, I still have something supposedly notable or passionate to say about their films. Even “The Last Movie Star,” starring Burt Reynolds, which I thought was the definition of mediocre, elicited a passionate reaction out of me as to why I did not particularly think that film was the best. “Everything Everywhere All at Once,” which is certainly above mediocre, is no exception to letting me bring out the passion. Oddly enough, I have a feeling I could somehow end up appreciating it more with a second viewing. If the jump after a second viewing is anything like the one I had for “Belle” recently, it could potentially be in the conversation for my top 5 movies of all time. If there is one movie that you should see by the end of the year, it is this one. I am going to give “Everything Everywhere All at Once” a 10/10.

“Everything Everywhere All at Once” is now playing in theaters and is available to watch on VOD.

Thanks for reading this review! Stay tuned for my next reviews, which are for the brand new blockbusters, “Jurassic World: Dominion” and “Lightyear!” I watched both movies this week and I am excited to share my thoughts! If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Everything Everywhere All at Once?” What did you think about it? Or, what is your favorite movie that you saw this year? New or old, doesn’t matter. Let me know down below! Scene Before is your click to the flicks!