Snack Shack (2024): Hot Dog!

“Snack Shack” is written and directed by Adam Rehmeier (Jonas, Dinner in America) and stars Conor Sherry (Are You Afraid of the Dark?, The Terminal List), Gabriel LaBelle (The Fabelmans, American Gigolo), Mika Abdalla (Sex Appeal, The Flash), David Costabile (Breaking Bad, Suits), and Nick Robinson (Love, Simon, The Fifth Wave). This film is about two boys who find themselves in a situation where they end up running a snack shack by an outdoor swimming pool. The film dives into their attempts to make money, find romance, and cook up the best summer they can.

It almost feels like yesterday when I was a teenager. Frankly, I do not miss that time of my life, but I will admit it had its moments. That said, to some people, it is an undeniably special time. If I were to miss one thing about being a teenager, it is having a summer to just chill. It was a relaxing time with few worries. This brings me to what made me gravitate towards seeing “Snack Shack” in the first place, it looked like a wonderfully nostalgic story. In more ways than one, “Snack Shack,” at least from the marketing, reminded me of “The Sandlot.” Both films involve multiple teens trying to have the time of their lives during the summer, it is very much a slice of life tale, and as a bonus, both movies involve swimming pools! In terms of plot and characters, the movies have their fair share of differences, but that is perhaps the easiest comparison I can make off the bat.

Now, is “Snack Shack” as good as “The Sandlot?” Not really. In fact, I would recommend not going into this movie expecting to watch this generation’s version of that film. These are two different projects with completely different ideas and structures. But is “Snack Shack” a fine movie? For sure. It is one of the better watches I had so far this year.

What ties this film together is the leading duo of A.J. and Moose, played excellently by Conor Sherry and Gabriel LaBelle. As for Sherry, this is my first time watching him in anything. He has experience with other projects, but I cannot say I bothered to check them out. That said, I like him in his respective role. When it comes to LaBelle, I was pleasantly shocked to know that he was in this movie given how much I enjoyed “The Fabelmans,” which he starred in. Compared to that project, LaBelle ends up giving a much more energetic and upbeat performance to match the mood of a film like this. He does a good job. These two friends feel legitimate and have solid chemistry. Every moment these two are on screen together shows they are perfectly cast and play off each other well. The movie goes to show that these two will do anything, even at such a young age, to make a buck. But when I look at these two best friends, it does not come off as if money is the only thing they care about. They seem to enjoy hanging out, they enjoy life, even if it means getting into a little trouble. They seem like fun dudes.

This film is marketed mainly as a comedy. You could say it falls into that “coming of age” bracket as well, but if I had to name one genre to associate with “Snack Shack,” it would be comedy. Thankfully, the movie is quite funny. It has plenty of laughs. The movie has a fair amount of visual gags. There was one moment that got a chuckle out of me where we see the two friends trying to buy the “Snack Shack.” From a visual perspective, the duo’s choice of outfits in that scene was already funny enough. But on top of that, you also have the community’s reaction to their investment, and the overall pacing of the dialogue. Simply put, the scene could not have been any better. One of my other favorite visual gags of the movie is when the guys start selling a foul hot dog. This is not to say the hot dog looks, smells, or tastes bad. But the guys find a way to get creative with condiments and write a swear word on the sausage itself. The way this is executed is one of my favorite parts of the movie from the way it starts to seeing customers react to the whole idea.

Another highlight of the film is Mika Abdalla as Brooke, who serves as this story’s love interest of sorts. It becomes clear that both of the boys fall for her. But the way this connection goes about only intensifies and gets in the way of the boys’ relationship. When it comes to Mika’s character, there is one part of the story I enjoyed where we see her using a camera. There are several moments of the movie where a camera comes into play that had me immersed. The object basically becomes a part of the character’s personality.

If I have to give any negatives for the film, I would say the supporting characters are not that memorable. Did I like most of the supporting characters as I watched them? Sure. I will not deny that. But if you had to ask me about them right now, I would almost not even be able to tell you a single thing about them. At the same time though, my lack of knowledge towards the supporting cast does not take away from the fun I had watching A.J., Moose, and Brooke, the three most integral characters to the story.

I mentioned this movie is kind of a slice of life story. And in that sense, it really does feel like it is a part of someone’s life. The film is a semi-autobiographical tale from the viewpoint of writer-director Adam Rehmeier. It is inspired by his time working at a snack shack. The way the movie goes feels less like a linear story, though it is told in chronological order, and more like a topsy turvy journey. It is kind of like life itself. A series of ups and downs until it is all over. You just never know what is going to come next.

This film has been out since last March. And this is not to say that the film is unwatchable. I’m clearly giving this a positive review. I do not know why the people behind this film decided to release it at such an early point of the year. Maybe the strikes put a damper on things, I do not know. Although I bring this up because “Snack Shack” feels like a fine summer watch. This is a movie could easily get you in the mood to jump in the pool or go outside and bask in the sun. Maybe the studio thought the season would be overcrowded with blockbusters or people might be, I don’t know, actually going outside. But if you need a movie to get you in the summer mood, I think “Snack Shack” will satisfy your cravings.

In the end, “Snack Shack” is delicious. Between the stellar main characters, intriguing story, well executed dialogue, and overall energetic flow of the script, the movie has a lot of strengths. The film is not perfect. But again, summer is around the corner. If it is a rainy day and you want to be inspired to go outside by the next time the sun comes out, “Snack Shack” is an effective watch. One last positive, the film made me thirsty. Now, as someone who has seen a lot of movies, I kind of groan when a movie has obvious product placement. That said, when I looked at the drink cups the snack shack had in stock, all I can say is that I immediately wanted a Diet Coke from the drink fountain. So, props to the movie for selling me on Coca-Cola products. I am going to give “Snack Shack” a 7/10.

“Snack Shack” is now available to rent or buy on VOD.

Thanks for reading this review! If you enjoyed this review, good news! I have more coming! Be sure to stay tuned for my thoughts on “Godzilla x Kong: The New Empire,” “Monkey Man,” “Abigail, “Civil War,” “Boy Kills World,” and “Challengers.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Snack Shack?” What did you think about it? Or, what is the one food that comes to mind that screams “summer” to you? Just writing this is making me want a basket of french fries. Let me know down below! Scene Before is your click to the flicks!

The Fabelmans (2022): Why I Do What I Do

“The Fabelmans” is directed by Steven Spielberg and stars Michelle Williams (Venom, My Week with Marilyn), Paul Dano (The Batman, Love & Mercy), Seth Rogen (Neighbors, The Guilt Trip), Gabriel LaBelle (Love Shack, The Predator), and Judd Hirsch (Independence Day, Dear John). This film is slightly based on Steven Spielberg’s adolescence and is about a young boy who uses the power of movies to navigate himself through the ups and downs of life.

I love movies. Obviously, as someone who has written movie reviews for several years, this should not come as a surprise. But I love the process that goes into making them, the marketing, the theatrical experiences, the stories, the fandoms, the lessons we take away. Everything. I love movies. I love cinema. I love everything about it. When I hear Steven Spielberg is making a film, of course I have to pay attention just because his name is attached. But when I hear he is making a film that somewhat has to do with his passion for movies, I am all ears. It is the classic saying, write what you know. If there is anybody on this planet who knows movies, it is the guy who made “Jaws.” It is the guy who made “Raiders of the Lost Ark.” It is the guy who made “E.T. the Extra-Terrestrial.” It is the guy who made “The Post” and “Ready Player One” within months of each other. Safe to say, I was looking forward to this movie where we kind of get a semi-autobiographical tale on Steven Spielberg’s end.

“The Fabelmans” is a spectacular movie in every way. But should I really be surprised? Heck no.

Hollywood has a tendency to create self-indulgent stories where the script highlights the spotlight of the industry. Films like “La La Land” and “Once Upon a Time in Hollywood” have done this with excellence for different reasons. Given the context of the story and what it is about, this is not a movie where Hollywood celebrates Hollywood and instead, gives more of a shoutout to people who are just learning filmmaking or are perhaps working in smaller conditions, limited crews, or tinier budgets. Of course, as someone who has spent his years making productions since high school either for educational, fun, or work purposes, I can say that my experience must have been a lot different than Spielberg’s, and therefore, different than this film’s main character of Sammy Fabelman. Watching this movie made me realize how much easier I have it now with digital technology and editing tools that I did not have to buy a separate space-consuming machine for. Well, apart from the monthly subscription I have to give to Adobe, I realize how much easier I have it.

Above all, this movie is about dreams. Steven Spielberg has obviously accomplished his dream of making films, and he is one of the best to ever do it. Therefore it makes sense that Sammy spends the entire movie hoping to do the same thing. We see him watching movies, making films with his friends, and showing his work off to others. That is all part of the dream. We see Mitzi, played by Michelle Williams, show off some artistic talents of her own with the piano. While she still plays it as a hobby, we come to learn that maybe she could have done something more with it. The one in the family whose dreams are supposedly realized are those of Sammy’s father, Burt, played by Paul Dano. As the movie progresses, we see him talking about his job, moving to a bigger company, and he has found his place in STEM. I think STEM is important, and even though this movie is about an aspiring artist, one of the best things about it is that it does not necessarily come off as propaganda to disregard or ignore STEM. I say this as someone who wants to spend his life in the arts himself. What I took from “The Fabelmans” is that if you have a dream, you would be a fool not to see it all the way through. Unfortunately, sometimes the dreams of others can interfere with dreams of your own.

Apart from this, kind of like some other standout movies this year such as “Top Gun: Maverick” and “Everything Everywhere All at Once,” “The Fabelmans” is a win because it has everything in it. Drama. Comedy. Even a little action. Like those two films, “The Fabelmans” does not just check those boxes just to give something for everyone. It is giving something that the audience will be able to take away with them. I walked out of “The Fabelmans” with a dash of happiness because I got to spend two and a half hours feeling every emotion possible.

Spielberg is a name that is taken seriously nowadays, so you must be thinking, “‘The Fabelmans’ is perfect. Right?” I would not jump to that conclusion. As much as I enjoyed the movie, there were certain scenes that felt a bit extravagant or over the top for a story that mainly centers a round a family like this one. While this is a semi-autobiographical movie about a young boy growing up in a Jewish family, there is one aspect of the film, specifically the character of Monica (Chloe East), that felt like a poppy guest character in a sitcom. Monica is a Christian. She is also obsessed with Jesus, it is practically her defining character trait. I think people can be crazy fanatical over anyone, but the way her character was written and executed in this movie felt less down to earth than some of the movie’s other scenes. If Spielberg ever reflects on this movie and the character of Monica, and I find out she is based on someone he actually knew, my thoughts on this aspect of the film could possibly change. But in a film that stays in a lane between drama and comedy, this felt overly goofy.

For those of you who know me outside of Scene Before, you would know that I have a YouTube channel. One of the things I used to do on it for fun was record my trips on various elevators. I would take a small camera or a phone, go up, go down, maybe repeat the process to a varying degree. When I was visiting a particular elevator at a Macy’s one time with a friend, I ran into a mother and her son. The mother saw what I was doing and got super excited because she and her son apparently knew about these videos and watched them in the past. I do not do these videos anymore due to a lack of interest. You may wonder, why on earth would I be telling you this? It is because this movie reinforces why I did those videos and the backbone behind why I kept making content over time, even if they do not have elevators in them. I did it to entertain people. I did it so people can have an experience. I did it so people can be happy. Of course, like Sammy, I make art as a passion. To me, it is not a hobby, it is a lifestyle. But at the end of the day, art is all the more rewarding when you have people you can share it with. Even “Morbius,” as much as I hated that movie, generated a reaction out of me. The people who made that movie, regardless of how little or how much collective passion was put into it, had an end goal to get an audience’s attention. As for the audience themselves, it is up to them to decide whether “Morbius” did an excellent job at accomplishing its goals. I cannot say it did, but someone else on this planet might beg to differ. “The Fabelmans” starts with Mitzi telling young Sammy, “movies are dreams that you never forget.” “The Fabelmans” reminded me of my dreams and made me want to pursue them even more.

Time will tell how much this movie will hold up. Although if Spielberg’s track record shows anything, the likelihood of “The Fabelmans” holding up seems high. I do not say this a lot, and while “The Fabelmans” is not my favorite movie of the year, I think that this is a film I need right now. There is a moment towards the final 10 to 20 minutes where I saw myself in Sammy. Especially as a recent college grad. I think if even if you are not trying to pursue film, you will relate to Sammy in this moment. As someone who is, I would give the moment bonus points if possible. “The Fabelmans” reminds me of why I do what I do. Why I make videos, why I write, why I blog. I do it for you. At the end of the day, I am sometimes the one who calls the shots as to how something gets done or I make a decision that impacts an outcome. But all of that is for the audience to enjoy, or despise because art is subjective, and for people to think about amongst themselves. We all have a story, but it means more when there is an audience to take it all in. If the audience I sat alongside for “The Fabelmans” suggests anything, Spielberg made a story that gets their approval.

In the end, “The Fabelmans” is cinematic bliss. If you are still with family at the moment and need something to do, I implore you to get together, go to the cinema, and watch “The Fabelmans.” It is a movie that not only has something for everyone, but it is a story that delivers some of the best examples of those somethings. This year for movies, if you want me to be honest, while it has standouts, did not have many of them thus far compared to other years. “The Fabelmans” is one of standouts that I will carry with me to the end of the year where it is probably going to get a spot on my annual top 10s. This is a film that I would imagine is going to inspire young filmmakers, not to mention anyone who simply has a dream. Possibly those who have yet to find that dream, and it may come with this film. I am happy to say “The Fabelmans” is one of the best movies of 2022, and I am going to give it a 9/10.

Last but not least, this movie unsurprisingly once again proves that Steven Spielberg may be the GOAT of filmmaking. Meanwhile, I would suggest that it also supports the notion that John Williams may be the GOAT of film scoring. The music in this film, like a lot of movies he worked on, stands out. I cannot wait to listen to it in my own time.

“The Fabelmans” is now playing in theatres everywhere. Tickets are available now.

Thanks for reading this review! If you want to see more of my reviews on Steven Spielberg films, I want to remind you that I just recently did a Steven Spielberg Month on Scene Before! Last October, I reviewed “Close Encounters of the Third Kind,” “E.T. the Extra-Terrestrial,” “The Post,” and “West Side Story.” Check out those reviews if you have a chance! Also, coming soon, I will be sharing my thoughts on “Glass Onion: A Knives Out Mystery.” The film is in theaters for one week, and hits Netflix on December 23rd. If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Fabelmans?” What did you think about it? Or, which story inspired by glimmers of the director’s childhood is the superior film? “The Fabelmans?” or “Belfast?” Make your choices in the comments! Scene Before is your click to the flicks!

Last Night in Soho (2021): BEST NIGHT EVER!

“Last Night in Soho” is directed by Edgar Wright (Scott Pilgrim vs. the World, Baby Driver), and stars Thomasin McKenzie (Leave No Trace, Jojo Rabbit), Anya Taylor-Joy (Emma., The Queen’s Gambit), Matt Smith (Doctor Who, The Crown), Michael Ajao (Silent Witness, Attack the Block), Terence Stamp (Superman, Billy Budd), and Diana Rigg (On Her Majesty’s Secret Service, Game of Thrones). This film is about a young girl named Eloise, or Ellie, who aspires to be a fashion designer. She decides that she’s gonna try to make it big and in doing so, she moves to London to study at the London College of Fashion. One night, Ellie finds herself magically transported to the 1960s, where she encounters a young singer named Sandie. Throughout we follow Ellie’s journey as she stalks the singer and finds out more about her, maybe more than one would prefer.

“Last Night in Soho” was a particularly interesting movie on the surface in terms of its marketing, because it is one of the few movies I’ve barely seen marketed either through movie trailers in the theater, social media, or television, but every time I saw it, I found myself intrigued. If anything, it’s because of colors. I think ever since I was a kid, I’ve always been enamored with neon. To this point, and I’ve probably mentioned this once or twice in Scene Before history, neon is probably my favorite chemical element. And when you are setting a film in a city and passage of times like the ones at hand, there are quite a few opportunities for dazzlingly colorful scenes, which spoiler, this film has plenty of. It feels weird to say that though, because this film often presents itself as a horror show.

From start to finish, if you look at the film from a certain point of view, it is the less than fortunate life of a rising star, that being Anya Taylor-Joy’s character of Sandie. The character has immense talent and confidence, but she also is in a way being controlled by men, which we see throughout the film. Although that is not the main story, and instead, just a fraction of it.

I’m gonna be real with you. This film f*cking slaps. I was gonna go see this at a press screening, but I ended up not going. But once I saw that one of my local venues was showing this movie in 35mm film, I jumped at the opportunity to watch it. Having seen it, the film is bloody magical, mystical, kind of in a realistic rainbow and unicorn kind of way, but somehow, it finds a way to be scary. I remember seeing the trailer for this film back in the spring, and I was slightly jarred by it, not because it didn’t look good, but I was not sure what they were trying to go for. Is it a horror movie? Is it about music? Something maybe more erotic? At the same time though, this is a good example of how trailers should be done. Give a basic taste and feel of how the movie could go, but don’t spoonfeed the audience. Granted, that was just a teaser trailer. I actually never saw the legit, full-length trailer they put out before the film hit theaters which gives more of an indication of how things go, but that may have made me kind of glad. I went in somewhat blind, but walked out happy. Very happy in fact.

At its heart, I would not call “Last Night in Soho” a thriller nor a horror, I’d call it a coming of age story. I don’t mean that in a John Hughes kind of way where there’s comedy and shenanigans going on like in “Ferris Bueller’s Day Off” or “Weird Science,” but in the OTHER John Hughes kind of way where a young kid is trying to become an adult and they have to adapt to something unfamiliar or something they may prefer to avoid. In our main protagonist’s case, she’s been living in a rural environment all her life, but one day, she decides to make this enormous transition by going to college, and living in London. And of course, moving to the big city in a case like this can feel incredibly overwhelming. You almost don’t even know where to start. This would be a hard enough story for our main character to go through, but then you have a rabbit hole that develops in the 1960s from which she cannot stray away.

The other thing that ties this film together is the performances. Much of the film, specifically in the 1960s portion is about the chemistry, if you really want to call it that, between Thomasin McKenzie and Anya Taylor-Joy. I really like these two whenever they’re in the same scenes together because you have McKenzie who is young, curious, and wants to find her way in the world. Meanwhile, you have Anya Taylor-Joy’s character, who like McKenzie, is not that old either, but she has maybe had some experience that hindered with her ability to do things from one day to the next. The whole idea of Thomasin McKenzie going to London was to be something bigger than herself, follow her passion of fashion design. Anya Taylor-Joy is sort of going through the same thing as an entertainer, a singer. And we see McKenzie, prior to her time travel adventures, she is obsessed with the 1960s period from a fashion perspective, so to have her travel here would be somewhat appropriate while also providing an increasingly edge of your seat story.

Honestly, I don’t know if Anya Taylor-Joy will win an Oscar this year, but when it comes to showing the physical beauty of the 1960s, she shines, but there’s also another side to her character, Sandie, where she seemingly refuses to embrace such beauty. After all, even though she is kind of finding her passion right in front of her, she’s also being followed and affected by all these men surrounding her.

Now this is the part of the review where I am supposed to come in with some sort of random flaw that I experienced with the film. Something like pacing, which was great. Maybe the music was not that memorable. There actually was some decent music to be honest, maybe not my favorite score of the year, I’d have to listen to it separately to fully judge. Maybe there was one performance that didn’t line up with the others. Not true, everyone felt like they were in sync. I’m sure if I thought hard enough, I could come up with something, because no movie’s perfect. But at the top of my head, I cannot think of anything. This movie had a promising beginning with a likable character, and capped itself off with one of the most mind-blowing endings I have seen in some time. My jaw was on the floor in the last twenty minutes. There are definitely scarier horror flicks out there depending on what you’re looking for, but I don’t choose to see it in that light. If you look at this film, like I did, as a coming of age story, it is one of the most entertaining and thrilling that has ever been done. Edgar Wright directed the crap out of this. Technically, this has some of my favorite shots and lighting of the year. If I were getting a new television, this would be a phenomenal test movie.

In the end, “Last Night in Soho,” oh my god! I have not seen anything like this in a long time! As for whether it will end up as my favorite movie of 2021, I am not sure. I have another movie that could take that spot, but if you want to know how much I enjoyed “Last Night in Soho,” this movie took me much longer to review than the other potential favorite, and the fact that I am still thinking about it, perhaps more than the NEXT movies I’m going to review, says something. If you go into this movie expecting a horror or thriller, I will warn you, you won’t walk out disappointed, but I did not walk out of this film having enjoyed one of those types of films. I walked out having enjoyed one of the single greatest coming of age tales I have ever watched. Whether it is a horror, thriller, or a coming of age story like I suggested, it does not change the fact that I’m going to give “Last Night in Soho” a 10/10!

“Last Night in Soho” is now playing in theaters everywhere and is available to buy on a VOD service of your choice.

Thanks for reading this review! My next review is going to be for the all new MCU film, “Eternals.” FINALLY, I’m talking about this! There’s literally another MCU film around the corner! So for that reason, this review needs to be to done! I also have reviews coming for “Red Notice,” “Ron’s Gone Wrong,” “King Richard,” “Encanto,” and “Sing 2.” Six reviews coming up! That’s quite a list! And I’m also planning to see “Ghostbusters: Afterlife” pretty soon, so yeah, I’ve got a lot on my plate. If you want to see all this and more on Scene Before, follow the blog either with an email or WordPress account! Also, be sure to check out the official Facebook page! I want to know, did you see “Last Night in Soho?” What did you think about it? Or, what is your favorite decade? Fabulous Fifties? Rad Eighties? Maybe we’re going really retro with somewhere in Medieval Times? Let me know what your favorite decade is down below! Scene Before is your click to the flicks!

Honey Boy (2019): Shia LaBeouf Has Transformed Into a Brilliant Writer

mv5bzwq5ythjzjatnwm3zc00mdjjlwizndkty2y2y2fmmtfinwjmxkeyxkfqcgdeqxvymta2mdq3mtq3._v1_sy1000_sx675_al_

“Honey Boy” is the directorial debut of Alma Har’el and is written by Shia LaBeouf, who also stars in the film as an abusive father. This film also stars Lucas Hedges (Manchester by the Sea, Lady Bird), Noah Jupe (Wonder, The Night Manager), and FKA Twigs in a film partially based on Shia LaBeouf’s own life. The film centers around the relationship of a father and son, the father is on drugs, he’s often irritated, and the son is moving himself up in his acting career. Based on the inner workings of the duo’s relationship, it’s not all that pretty. At the same time, we also get a look at the child’s early adult years, which tends to allow some significance to be inserted regarding events earlier in life.

I go into several movies at least having seen a trailer, a little bit of ad marketing, maybe a description as to what it is about. I knew some things about “Honey Boy.” But if I told you that I went into this film knowing lots about it, I’d be lying to you. I was notified of a nearby free screening, I wouldn’t call it an advance screening since certain sources suggest the film had been released in the US about a week before I saw it. Although maybe it technically is, because in my area specifically, which is Boston, there are almost no showtimes for this movie whatsoever. I recently Googled showtimes for “Honey Boy” and only found it to be available for two different times at one theater this upcoming Thursday. Nothing before, nothing after.

Safe to say, this movie is probably not going to get too much attention at this point. I almost wonder if Amazon, the distributor behind this film, is going to try to get this film more attention when it comes to streaming. After all, Amazon has their own streaming service, Prime Video, and they usually make their original movies free for Prime members. Let me just tell you something though. I saw this film, by myself, knowing almost nothing about it. I walked out of this film, just simply wanting to talk about it with others. “Honey Boy” is a surprise. This is the first feature-length screenplay from Shia LeBeouf. It is EASILY one of the best of the year. I’ll also mention once again that this is being helmed by a first time feature director, specifically Alma Har’el. I should point out that she has also helmed various shorts and documentaries prior to directing “Honey Boy,” but as a feature-length debut, this is beyond where you’d want to go as a director. There are several scenes that I would love to screenshot and maybe frame in a museum, use them perhaps as a desktop photo on my computer. There is a clip of the movie where pie is being thrown in the lead kid’s face and it is still in my head. There is a lot to like in “Honey Boy” if you are into technical aspects. I think the only small nitpick that I can come up with, and this honestly takes NOTHING away the movie and all its absolute brilliance is that there are scenes where the camerawork is handheld and at times it almost feels like I’m watching a family vlog or a YouTube video as opposed to a film. If I had to compare it to another film, I’d say it reminded me a little bit of “The Disaster Artist,” another REALLY GOOD movie. Possibly the best comedy of the decade. But this tiny little nitpick does not mean the cinematography is bad, it is competent. It’s not like I’m watching “Transformers: The Last Knight” or something. I’m just saying that if it were me in the director’s chair or behind the camera, I would have done things perhaps slightly different.

But in all seriousness, “Honey Boy” is one hell of a movie. From start to finish. And honestly, it’s an experience that I don’t always tend to get. In recent years, I have discovered that replay value really matters when it comes to liking a movie. In 2018 I watched “Ready Player One” once in the theater, bought the Target exclusive 4K Blu-ray, watched it three more times on 4K before the year ended, and brought it over to my grandparents’ house to watch on their Blu-ray player to pass time with them and relatives over Thanksgiving. That movie ended up being #3 on my best of the year list for a reason. I have a feeling that I won’t go see “Honey Boy” in the theater again, partially because it has a very limited run and there are barely any showtimes available, but if I had the chance I would not mind taking it. I say that because this is a movie that I was able fully appreciate through various aspects on my initial watch. Despite that, I feel like I missed one or two things that could alter my perspective on how I look at the movie. That does not mean the movie had bad pacing, in fact, the pacing was really good. I just feel as a viewer, this movie is going to require multiple watches to have a complete grasp of everything. Interestingly though, despite how I said that, the movie is straightforward and overall not that complicated.

As a coming of age story, this is arguably my favorite in recent years. The 2010s has its fair share of likable coming of age stories. “Easy A,” “The Edge of Seventeen,” “Blockers.” I didn’t like “Honey Boy,” I LOVED IT. In fact, it sort of reminds me, maybe not entirely, but it has glimmers of elements that can be seen in another recent directorial debut, “Lady Bird.” Because while I did find the chemistry between the boy and his father in “Honey Boy” to be much more resemblant of an abusive relationship, the relationship between the two main characters in “Lady Bird,” specifically daughter Christine and mother Marion, is filled with tension for the entire runtime.

Screenshot (3)

Sticking with the topic of the leads having chemistry, I was able to buy into the chemistry between the main characters perhaps to the tenth degree. Even when there are moments or lines that clearly would never happen in real life, for some reason, perhaps based purely on spectacular direction I was able to just give a seal of approval. Just the other day, in fact, literally the same day I was going to see this movie, I was at a Best Buy and I bought “The Peanut Butter Falcon” because I have heard good things about it and I missed it in theaters, but unless Shia LaBeouf spends part of that movie literally breaking a leg, “Honey Boy” may contain his best performance yet. It overall makes sense though, because I could tell from the writing and the acting that this movie is incredibly personal and close to heart for LaBeouf. I don’t know how much attention this film will get this awards season, but if anything, unless the month of December KILLS this movie, I hope it gets a screenplay nom, because I personally think Shia LaBeouf has outdone himself, especially for someone who is often known to the public in a completely different fraction of filmmaking. But December is coming and for all I know, “Star Wars: The Rise of Skywalker” could focus less on getting people to buy toys and focus more on the chemistry between its characters. Maybe “Jumanji: The Next Level” will finally get people to see The Rock as more than just a goofy action star. Perhaps “Cats” will be the BEST MOVIE EVER. Tons of possibilities!

In the end, “Honey Boy” is a slice of cinema Heaven. When it comes to Marvel movies, debate on all you want about them being cinema. But with this, there is literally no debate. “Honey Boy” is not cinema, it’s practically God’s work. I have to do some minor thinking as to where I will eventually rank this on my films of the year, but one thing’s for sure, the ranking will be undeniably high. As far as theatrical releases go, this is the forty-ninth 2019 movie I have seen this year. Honestly, I wish I waited for fifty. Not because I wanted to wait a bit to see this movie. Had I known that I’d be writing a review like this I would have seen it sooner, but I would love to have called it the “fifty nifty” movie. Despite that, I. Love. “Honey Boy.” Again, the one complaint that I can state about the film is a couple shot choices. Does it affect my score? Hell no! I’m going to give “Honey Boy” a 10/10! Thanks for reading this review! I mentioned if I waited long enough, “Honey Boy” could have been a “fifty nifty” movie for me. Turns out, I found a movie that fits that criteria, because just this past weekend I went to my local IMAX and checked out “Ford v Ferrari.” I’ll hopefully have a review up for that sometime this week, so look forward to it! If you want to see more great content from Scene Before, be sure to follow Scene Before either with an email or WordPress account! If you like movie reviewing morons and Facebook, do yourself (and me) a favor and like the Scene Before Facebook page! I want to know, did you see “Honey Boy?” What did you think about it? Or, what is your favorite movie written by someone who is primarily known for acting? Let me know down below! Scene Before is your click to the flicks!

It: Chapter Two (2019): Hiya, Sequel!

mv5bytjlnjlkztktnjewos00nzi5ltlkndatzmewzdfmymm2mju2xkeyxkfqcgdeqxvynjg2njqwmdq40._v1_sy1000_cr006741000_al_

“It: Chapter Two” is directed by Andy Muschietti, director of the 2017 “It” installment. This film stars Jessica Chastain (Zero Dark Thirty, Interstellar), James McAvoy (Split, Wanted), Bill Hader (Cloudy with a Chance of Meatballs, Power Rangers), Isaiah Mustafa (Shadowhunters, Horrible Bosses), Jay Ryan (Go Girls, Sea Patrol), James Ransone (Sinister, The Wire), Andy Bean (Swamp Thing, Power), and Bill Skarsgård (Deadpool 2, Allegiant). “It: Chapter Two” takes place 27 years after its predecessor, specifically 2016. If you have not seen 2017’s “It,” it’s established in that film that the main antagonist, Pennywise the Dancing Clown, wreaks havoc amongst certain individuals every 27 years. In 1989, we were introduced to the Losers Club, a group of mocked teens who unite to conquer their fears and take down the clown. At the end of the movie, the group forms a pact that if Pennywise ever happens to be alive or makes a return, they will meet up to face him once more. After all this time, the adult versions of these characters join forces once again, discuss where they’ve ended up all these years, while Pennywise happens to be on the loose.

If you have followed Scene Before over the past couple of years, you’d know that I talk about a lot of big movies. However, due to a lack of interest or commitment on the subject matter, I never got around to reviewing the first chapter of “It.” I also never watched the version of “It” where Tim Curry plays Pennywise (although I did watch Doug Walker’s Nostalgia Critic review). And one more thing… What was it? Oh, right. I NEVER READ THE BOOK! To this day, I have yet to read a single page of “It.” Movies are more fun, sorry books! I almost avoided any commitment I could possibly have with this movie, but there were certain factors about it that eventually intrigued me. I went to Best Buy one day, picked up 2017’s “It” on Blu-ray, which came with a $8 off sticker for the sequel (which I must have thrown out, like an idiot). I then waited almost a month to watch the movie, and when I finally witnessed what I’ve been missing for the past couple of years, I lost my mind. The main characters are so relatable, so charming, and when you put them together, it’s the recipe for perfection. Ultimately, “It” was a scary horror movie, but above all, an excellent coming of age story.

This brings us to the opening weekend of “It: Chapter Two.” I’ve heard a lot about this movie before I went into the auditorium. I’ve heard it’s got scares, people seem to like it for the most part, the cast is great, especially Bill Hader as Richie. While seemingly liked, it is not perfect, it does have notable problems here and there. And these statements, for the most part, are pretty much on the money. “It: Chapter Two,” from my perspective, is a film that feels as if it is trying to be “Return of the King.” The runtime is nearly three hours, it covers the finale of the written material from the books, and much like “Lord of the Rings,” this movie significantly showcases the power of companionship. Did this movie really need to be three hours? Probably not. I wouldn’t have minded a extended runtime, but it didn’t need to as long as “Interstellar.” I say that because when it comes to the material presented in the three hours of “It: Chapter Two,” a lot of it almost feels tacked on.

Remember “Suicide Squad?” One of the big problems with that movie is that it couldn’t focus too much on the present and instead relied heavily upon various flashbacks that would constantly appear out of nowhere. This movie has a good amount of flashback footage that isn’t off-putting, but pretty exorbitant. It kind of gets to the point where the flashbacks are charming, I guess, but they overstay their welcome.

But when focusing on the present, the characters are in fact the some of the best parts of this movie. It’s nice getting to know these new versions of previously established losers, especially considering how they all turned out to be winners in the very end. Richie became a stand-up comedian, Beverly is a fashion designer, Bill writes mystery novels, etc. I really admire how everyone in the Losers Club, which is appropriately named as it consists of people who were picked on, comes out on top in the end. But it’s not like everyone’s lives turned out to be rainbows and unicorns upon becoming adults. Beverly starts out the movie in an abusive relationship with her husband. Bill, while he seems to be a fine writer, doesn’t seem to stick the landing on his endings. Richie even has a little mishap upon returning to Derry, because he apparently yelled at a fan because he forgot a line he said during one of his gigs. Not everything’s perfect.

And speaking of imperfections, let’s talk about Pennywise. I’m not saying he’s a flawed character or anything, just saying he’s a psychopath. Bill Skarsgård is a f*cking boss in this film! This shouldn’t be too surprising because Pennywise was a standout in the original film. Films like this also remind me of how much fun it is to play a villain. Who wouldn’t want to play a vicious, horrifying killer clown that eats people? Everything about Pennywise was what I wanted out of this movie. The voice, the dialogue, the makeup, the crazy antics, the exploration of lore, whatever was presented was as delicious as pizza! That even includes one or two moments that are a bit heavy on CGI to the point where it is easy to pick up if you look hard enough.

But I will say, I don’t know if this movie will end up having the same replay value that I think the first one will end up having. It’s a bit early to say since I just saw this film on Saturday, plus I waited until last Thursday to watch the original. But if I were alone on Halloween and needed something to watch in the living room while handing out candy to children, I currently much prefer the original. Both films are effectively scary, and in this film, there are a lot of gross, disturbing, and shocking moments to witness. Remember that trailer with Jessica Chastain visiting the old lady? Get ready. That scene where Pennywise is surrounded by black and utters “Hello?” F*cking nuts. And the climax, while a bit extended, is undoubtedly entertaining. But as a story, this film is a tad more convoluted and a bit more poorly paced compared to the original. The original has a bit of an advantage due to the shorter runtime, but I can live with films going past three hours (which this one almost does). With that being said however, everything in those three hours has to matter, or be something that I as an audience member can care about, and unfortunately, that’s not the case for everything presented in that time.

Also, speaking of time, the ending takes FOREVER to fully establish itself. There are like two, three, four, perhaps even five or six points during the climax where the movie could stop, and wrap itself in a bow that is satisfying. Unfortunately, it goes ahead and says “Look at me, I’m ‘It: Chapter Two!’ There’s no stopping me now! Ha ha! Yeah!” And it’s kind of unfortunate because 2019, in my view, has not been the all-time best year for movies, but if there is one thing that stands out this year compared to others, it’s the eternal positive impact many endings will have on me as a viewer. We’ve had “How to Train Your Dragon: The Hidden World,” “Avengers: Endgame,” “Once Upon a Time in Hollywood,” “Ready or Not,” and “Toy Story 4.” All of these movies have magnificent final moments that I will perhaps forever appreciate. The ending of “It: Chapter Two” tries as hard as it can to leave a big impact, and I imagine for a chunk of people, it will. However, for me, I was appreciative of what was happening, while also hoping to get out of my chair because I feel like I have seen more than enough. It wasn’t like Pennywise bit my arm or anything, but it was like I was in line in a crowded Burger King or something.

In the end, “It: Chapter Two” is dark and gorey, but part of the mess associated with this movie is the less than pleasant pacing. The characters are great, the transitions they seem to make from teens to adults make sense for the most part. I find it a tad interesting that Ben is much more physically fit as an adult compared to how he was as teen, but Tom Brady is still winning Super Bowls, so anything can happen if you put your mind to it. If the movie were at least ten or so minutes shorter, perhaps fifteen, I think the pacing would be fair and square. But just because the movie is a bit sloppy on pacing, doesn’t mean it wasn’t enjoyable. So with that being said, I’m going to give “It: Chapter Two” a 7/10. Thanks for reading this review! I have no idea what my next review is going to be, at least for films out in theaters right now. I’m still trying to get my ass to a “Hobbs and Shaw” screening before it’s too late, maybe that’ll be the one I go to next. But I also heard a lot recently about this movie called “The Fanatic,” starring John Travolta. It’s not a big moneymaker, nor is it playing at too many cinemas, but I’m hearing a lot about this movie. It even got a Hilariocity Review from YouTuber Chris Stuckmann! And this film looks like it could be the next “The Room.” Perhaps even better than “The Room” in terms of how enjoyable yet horrible it really is. It’s available On Demand, maybe I’ll rent it, check it out, see what it’s all about, because as of recently, I’ve kind of been dying to see it in order to know what I’ve been missing. If you want to see that review or other great content, consider following Scene Before with an email or WordPress account, tell your friends about the blog, it really helps me out! Also, check out my Facebook page! I want to know, did you see “It: Chapter Two?” What did you think about it? Or, did you ever read the “It” book? Is it better than this movie? Is it better than the Tim Curry “It?” Let me know down below! Scene Before is your click to the flicks!

Love, Simon (2018): A Movie About Emails, Love, and the Weirdest Principal Ever

mv5bntmyzddimzutzjcxns00mjc3ltljy2utyji4ymy5nzjlyjc1xkeyxkfqcgdeqxvymta5otkwntc-_v1_sy1000_cr006771000_al_

“Love, Simon” is directed by Greg Berlanti, who you may know as a producer for a lot of content that’s coming out in relation to DC Comics and this movie stars Nick Robinson (The Fifth Wave, Jurassic World), Jennifer Garner (Juno, Daredevil), and Josh Duhamel (Transformers, Safe Haven). This movie is about a teenage boy who is nearly done with high school and all of his life he’s been hiding the fact that he’s gay. His parents don’t know, his friends don’t know, his family doesn’t know, nobody knows. One day, Simon comes across something online about someone who has never come out, seeing this, he begins communicating with the individual who happens to be just like him. This leads STRAIGHT into this coming of GAYGE story.

I bought this movie on Blu-ray for 25% less than the sticker price (originally $34.99), and I will bring up the fact that despite its recent release date, I missed “Love, Simon” in the theater. My sister saw it, but on the same day, she was with her own demographic and I was off with someone else seeing another movie at a different theater, specifically “Tomb Raider.” However, when I saw a couple of Blu-ray copies available at a store I went to multiple times while on vacation, I asked my sister if she thought I should pick up this movie, mainly considering how she’s one of the few people I know who saw it. Once I got her seal of approval, I thought I should take a gander at what this was. Having seen this movie now, it’s fine. Just fine. Did I expect it to be great? Not really. I thought it was gonna be really good, and while it didn’t quite MEET my expectations, I can’t say my disappointment levels are enormous, because “Love, Simon” is an entertaining, somewhat fast-moving, enjoyable experience I guess.

Let me just get something straight. I’m straight. I can’t say I completely relate to Simon entirely because I’m not gay, but with ways not having to do with sexual orientation, the writers did a really fine job at making the character of Simon feel like a normal everyday person just like he himself says he is at the start of the flick in narration form. And that is one of the biggest compliments I can give to “Love, Simon,” as a coming of age story, the script does its job (FOR THE MOST PART, THE FLAT-OUT ODD AND OVERUSED SEX JOKES, NOT TO MENTION OTHER CRINGE GOT IN THE WAY). Not only that, but all of the characters around Simon’s age seem to come off as authentic high-schoolers. And I will say, that if I were talking about the first half of this movie, I probably would have a gun to my head while threatened to say what somebody else wanted. I’m not saying the first half was terrible, but certain parts of the first half were not really as lovable the other half. There is some cringe to be had throughout the movie that was rather unexpected.

One such moment comes into play during a scene in a Waffle House. While everyone is reading a play script, A character by the name of Martin, who might as well be young Lex Luthor in “Batman v. Superman,” has a crush on Abby, and it just leads to one of the weirdest exchanges of dialogue I’ve seen in a movie this entire year.

Speaking of cringe, let’s talk about the principal. Ooooh the principal. You know how sometimes maybe you’d think of a school principal as a big, tough, menacing figure? I wouldn’t say that’s who this guy is, I’d say he’s a combination of a clown without makeup, and a f*cking whackjob! Listen, I would sometimes consider myself a horrible person who doesn’t mind talking about sex, I’ll admit it. But in what universe does a principal go up to students and talk about their Tinder date in detail? And this movie also goes to show how ridiculous it’s gotten in terms of people not being able to have control of their own phones in school in perhaps the creepiest way possible! It’s like watching a really bad episode of a cheesy sitcom on ABC. If you remember the movie “Fist Fight,” which I’d honestly be surprised if you do at this point, at least they made the phone controversy that’s going on in schools all over today rather funny!

I already talked about Simon, but when it comes to the way Nick Robinson portrayed this character, I’d say he did a fine job at being authentic, not putting himself over the top, and just acting like a typical teenager. I’ve seen a few other flicks where Nick Robinson happened to be present, but “Love, Simon” is the first one where I happen to see him stand out. I remember bits and pieces of him in “Jurassic World,” I’ll admit it’s been awhile since I’ve watched that movie. I also watched him in “The Fifth Wave,” which was just AWFUL, but his few seconds in that movie worked for me. “Love, Simon” took me from being intrigued into looking for more of Robinson’s work to keeping a good eye on him now.

One thing I’m kind of surprised by when it comes to this movie, and I wouldn’t consider this a huge negative is how tolerant this movie’s list of characters appear to be about alternate orientations. I say this because in real life there’s probably gonna be that one person who either thinks differently than everyone else, or just two sides clashing with each other. While I’m not complaining, this does come off as a shock to me. Although at the same time, considering how much more open-minded we get as a society each and every day, that sort of idea becomes a tad less surprising. When I was in high school, I never really ran into anyone who was flat-out AGAINST homosexuality or the LGBT community, and if there were anyone that falls into that class, no names related to that come to mind. My parents seem to have nothing against said community, some people related to me I can probably tell have nothing against them. I can’t speak for everyone in my family, I don’t discuss this sort of thing with them. Even so, I didn’t expect the world of “Love, Simon” to be so one-sided. Granted, it could be to establish that there are more people that are accepting of the LGBT community than one would think, but still. And also, I will say, despite how many people appear to be on one specific side altogether during this movie, one character, specifically the character Simon is emailing all the time happens to have people who would disapprove of his ways in his family, but other than them, nobody else stands out in that side of the spectrum.

In the end, I gotta say “Love, Simon,” while it did make a neat turnaround in quality as the movie progressed still didn’t have enough in order to make me go “wow.” In fact, while I’ll mention again, the screenplay is one of the better parts of what make up “Love, Simon,” it had too many moments of cringe mixed into all of the decent parts. I didn’t even get into the football field scene which I’m avoiding for the sake of possible spoilers. As a coming of age story, it does its job, but I wouldn’t go all out in saying it does its job well. Plus considering what might be a small potential replay value, an ending that could have worked but had some dissatisfying elements mixed in, and some moments of the movie that might feel forgettable, I wouldn’t say I loved, “Love, Simon.” I’m gonna give “Love, Simon” a 7/10. I have a feeling however based on some thoughts spinning around in my head that I am gonna eventually change “Love, Simon” to a 6. I dunno, only time will tell. Thanks for reading this review! Pretty soon I’m going to post my review for “Game Night,” which I do intend on watching sometime this week. Be sure to look out for that, make sure you follow me here on Scene Before that way you can stay tuned for more great content! I want to know, did you see “Love, Simon?” What did you think about it? Or, what is one of the most cringeworthy movies you’ve watched in recent memory? Let me know down below! Scene Before is your click to the flicks!

Eighth Grade (2018): YouTube Channel of a Wimpy Kid

mv5bmzvlyzgxyjatyzhhzi00mdc1ltlkzdmtmtrhzwi0mtg5ytrjxkeyxkfqcgdeqxvyntazmty4mda-_v1_sy1000_cr006401000_al_

“Eighth Grade” is directed by Bo Burnham and stars Elsie Fisher (McFarland, USA, Despicable Me), Josh Hamilton (Kicking & Screaming, Alive), and Emily Robinson in a movie where a girl by the name of Kayla Day is going through her wreck of a year in eighth grade. With her struggles of her introverted personality, struggles with other students in school, and struggles of simply trying to survive her last week, things aren’t looking too good for Kayla.

“Eighth Grade” happened to be one of my most anticipated movies of the year going into it. Not only did I LOVE the trailer and think this was going to be a fun yet maybe somewhat disturbing time, but the critical reception, while it didn’t really shock me, revealed excellence. There was a point where this movie had 100% on Rotten Tomatoes! As of right now it has a 98% with just a few of the many reviews on the site being rotten. Also, I’ll be honest, school sucks. It doesn’t matter what grade you’re in. If you were me, you’d realize that just about not one single school year was all that perfect. Elementary school was mostly just me being stupid, middle school was just confusing and perhaps full of me being judgmental and in all honestly, a tad more mature than other people in certain ways. In high school, something had to go wrong every single year, most unfortunately my senior year. Sure, it was a fun year, but with all of the ridiculous changes and unexpected happenings I had, it just didn’t flow the way I would have preferred. Let me just say though, if there is one year I hated in middle school–

*thinks*

…You know what? That’s tough to say, sixth grade was awesome, all the others were unlikable for the most part, but eighth grade certainly didn’t go the way I would have hoped. When it comes to this movie, I think it does a great job at capturing not only how awkward eighth grade can be, but also how different people with different personalities handle said year both in and out of school.

When it comes to Kayla Day and how magnificent of a job the writing happened to be for her character, that’s probably where this movie shines most. Just about every single moment she was on screen was either me thinking to myself, this movie accurately depicts someone of her generation, or I’m so scared for her that I want to s*it myself. Her character is very quiet in school to the point where she wins the superlative “Most quiet” in school, while at home she is a YouTuber who barely gets any views on a channel that really has content that matters. It’s not exactly complicated, but it probably has more of a purpose than whatever clickbait video PewDiePie has coming out of his ass. I doubt many people in my generation sign off using the word “gucci,” I’m sorry for not being “lit af” enough to truly know whether or not that’s the truth, although they do talk about it a lot.

When it comes to the chemistry between Kayla and her dad, Mark, that’s another place where this movie tends to excel. Mark seems to be very calm, but might not have the best connection with her daughter, partially because she tends to be on her phone all the time, including at the dinner table. Every scene with them together is either a feast of great writing or just plain near-emotional.

You may have read my previous review, which I did for “Gringo,” where I basically said the main character is one of the most down-on-their-luck I’ve seen in recent history, the same can be said for “Eighth Grade.” Not only does everyone, not essentially hate Kayla, but happen to be kind of against her, but a key difference between this movie and “Gringo” is that I don’t hate everyone enough to not care about Kayla. You aren’t really invested in the main character of “Gringo,” at least I wasn’t. Kayla just felt relatable and like she would be someone you’d encounter on the street. Some of the mannerisms that I should probably give total props to Bo Burnham for is her overusing the word “like” in one of the earliest videos she makes during the film. She’s kind of shy, quiet, and for what I can assume, wants the best for people but just doesn’t let her thoughts out except when she’s online.

If there are movies that this reminds me of in a way in terms of the vibe, it’s probably a combination of “Whiplash” and a stereotypical piece of work done by John Hughes. The writing for this coming of age story is nothing short of perfection. And while Kayla doesn’t really have a rivalry with a teacher, she certainly has a rivalry with her school. In fact, connecting this even more to “Whiplash,” there are so many scenes where I could I imagine watching them in the future with the need to bite my nails. You know how you get to certain scenes in “Whiplash” where the main character is with the teacher and it’s just intense because you don’t want the main character to f*ck up. That’s what certain situations in this movie are like, while this may be considered a comedy or a drama, it’s as haunting as a horror movie. It not only shows how scary school is, but how scary life outside of school can be.

I will say though, one thing I find interesting about this movie’s puberty instruction video is how “current” it is. Watch the movie and you’ll see what I mean, but there’s this female instructor talking to the camera saying that exploring everyone’s changing bodies is “gonna be lit.” I already found my classes’s health videos when I had to take those classes cringeworthy enough just because they felt basic or poorly made, and it honestly makes me kind of jealous that the class in this movie would get a video like that.

And you know what? This does bring up one question though, as much as I ADORE this movie and think it is a masterfully made film, what exactly was the writer and director going for? This movie was written and directed by Bo Burnham, and I am willing to bet he was going for a realistic depiction of how stressful eighth grade can be, and this is a bit nitpicky, some of these fictional elements brought into this realistic movie, while extremely effective, take a bit of the realism away. It doesn’t take too much away from this fantastic movie, but my complaint stands.

In the end, “Eighth Grade” delivered pretty much what I wanted out of it. The movie had moments that just haunted me. It reminded me, as an individual, of how much I can relate to Kayla, and most of all, the screenplay just made me bend over repeatedly. I know it’s only August, but I think “Eighth Grade” has a tremendous shot at winning “Best Original Screenplay” at the Academy Awards. A24 once again proves that they are one of the best studios working today, Elsie Fisher is going to move on to do great things in life, and despite the minor, and I do mean minor flaws, that this movie has, I think Bo Burnham not only did a spectacular job with “Eighth Grade,” but I’d love to see what he’d do in the future in terms of writing and directing. I’m going to give “Eighth Grade” a 9/10. And I gotta say, competition is heating up for best movie of the year so far! This movie IS a 9/10, but I feel like it could either change to a 10 in the meantime, kind of like “Blade Runner 2049” did for me, but I feel like with the fantastic screenplay, the possible replay value, and the relatability factor, this has a significant chance of being, maybe not my favorite movie of the year, but somewhere very close to that when we get to the year’s end. Thanks for reading this review! Pretty soon I’m gonna have some reviews up for “Love, Simon” and “Game Night,” be sure follow me here on Scene Before and stay tuned for more great content! I want to know, did you see “Eighth Grade?” What did you think about it? Or, what are some of your memories of eighth grade? Let me know down below! Scene Before is your click to the flicks! Gucci!

Wonder (2017): Face the Facts

mv5byjfhowy0otgtndkzmc00ywjkltk1ngetywuxnjhmmmq5zjyyxkeyxkfqcgdeqxvymjmxote0oda-_v1_sy1000_cr006481000_al_

“Wonder” is directed by Stephen Chbosky, and stars Jacob Tremblay (Room, The Smurfs 2), Julia Roberts (Pretty Woman, Ocean’s Eleven), Owen Wilson (Wedding Crashers, Cars), Izabela Vidovic (About a Boy, The Fosters), and the movie revolves around a young boy named August Pullman. He is what one would consider unique, and if you watch this film and observe his face, you’d understand why. The movie covers what’s going on as this boy enters the fifth grade and goes to a regular elementary school for the first time.

This movie is based on a New York Times Bestselling Novel. Now, I’m gonna restate something I said about books in a review I made prior to this one, specifically in my review for “The Firm.”

“…movies are more fun! Sorry, books!”

As a movie reviewing moron, you might already know I enjoy watching movies as opposed to reading books. Even though I imagine this book is very good, I just haven’t gotten around to reading it. Although as for the movie, I’d say it was enjoyable, but not perfect. It has a great cast, I like Owen Wilson in a lot of the stuff he’s in and he’s great here. In fact when it comes to casting, the resemblance between him and the young main character is hard to top! Just look at their hairstyles! Julia Roberts was also on her A-game, I haven’t really seen much of her work, but I know how much others praise her. Jacob Tremblay proves that he means business. I honestly think he’s one of the best child actors working today. Months before going to see this, I’ll have you know I watched “Room” and I thought that was one of the best movies of 2015. It’s in my top 3 with “The Martian” and “Star Wars Episode VII.” That movie had one of the best screenplays of the decade, Brie Larson and Jacob Tremblay had some of the greatest chemistry in a movie released that year, and there’s a part of me that wants to talk about it with everybody. Seriously! If you haven’t watched “Room,” see it now! If you have Amazon Prime then it’s free to watch!

This movie also has an intriguing screenplay that offers moments of happiness, sadness, and laughs. However, it also offers moments that I just want written off entirely. I remember having my verdict in mind as the movie was coming to an end and I hear this one line given by Owen Wilson’s character given to Jacob Tremblay’s character and it took that grade I had and I shrunk it down. I won’t say what it is, but it made me think of the line as unrealistic not only by the standards of what’s happening in the film but it also made me think that if I were the age of Jacob Tremblay’s character, I’d go through the scene reacting in a much different way. Let’s just say it starts with Jacob Tremblay freaking out over something and then he suddenly is calmed down by a line I assume that was supposed to get the audience to remember what this movie’s main point is. Speaking of Jacob Tremblay, let’s move onto him.

Jacob Tremblay plays the film’s main character, August Pullman. He has a facial deformity, which triggers a bunch of reactions from various characters. While his family seems to understand what happened to his face, after all, it’s his family I’m talking about, I don’t know why they wouldn’t understand, other people are either freaked out by it, think he’s a loser, or simply different. I honestly don’t know many people with facial deformities, but I’d say for younger viewers watching, this character can be important for those who have deformities or even if they don’t, regardless of whether or not they know someone with deformities. Luckily this movie is PG, so I’d say parents would be more likely to bring their kid to the movie theater to see this than some other films. I will also say I can relate to this character, and it kind of has to do with the part that makes him a kid. I say this because legally speaking, I’m an adult, but simultaneously, I still have childish traits, mainly the fact that I have a deep fanaticism for “Star Wars.” Yes, many adults enjoy “Star Wars,” but George Lucas, director of several installments of the “Star Wars” saga once said “it’s a film for 12-year-olds.”

Speaking of “Star Wars,” this film also interjects brief appearances from multiple “Star Wars” characters, including Darth Sidious and Chewbacca. I can only wonder how much this cost because this film is from Lionsgate, and “Star Wars” is owned by Disney. I never read the book, and it’s possible that this is faithful to the source material, maybe it cost nothing and Disney thought this was cool. By the way, the guy who plays Chewbacca (Michael Alan Healy) actually pretty much only plays him and nobody else. I checked his IMDb and that’s the only character that would show up on his page. He played Chewbacca on the “Today” show, he was on two “Nickelodeon Kids Choice Awards” shows as the character, he was Chewie on “Jimmy Kimmel Live!,” and he was even on “Deal or no Deal” as the same wookie. In fact, I remember the episode he was on because I’ve seen it, and it was a special episode with a “Star Wars” theme where it was a “Winner Take All” match between two contestants. Chewbacca appeared alongside R2-D2 to support the contestant. Also, the other contestant actually had Carrie Fisher rooting for her! Not only that, but for the Carrie Fisher contestant, she was playing a game where the models were Stormtroopers. And Darth Vader was the banker for both contestants!

Alright, those are my “Star Wars” and “Deal or no Deal” rants for now, sorry if those inconvenienced you. Anyway, back to business.

As far as the parents go in this movie, I already said a few things about them, but in all seriousness, their chemistry with each other was completely believable. I also bought into the chemistry between them and August. This is an interesting moment when you have a child actor playing a major character in the movie and instead of the traditional situation where the child can’t act and the adults can, the adults tend to be more of a highlight than a downfall, everyone here however tends to shine. It doesn’t really surprise me. All of these people have received positive criticism as time passed, and honestly, Jacob Tremblay might even be a better actor than a lot of adults. Although to be fair you can put any kid up against Tommy Wiseau from “The Room” and consider them to be a better actor.

JOHNNY (played by Tommy Wiseau): (GOING THROUGH DOOR ONTO ROOFTOP) I did not hit her, it’s not true! It’s bulls*it! I did not hit her! (WHILE THROWING WATER BOTTLE ONTO GROUND) I did *not*. Oh hi, Mark.

August also has a sister in this movie named Olivia, or Via for short. There weren’t too many good images I could find of this character, so I hope this poster isn’t too bad. What kind of surprised me about her character is how nice and considerate she was to others, even to her own brother. I often come across and imagine many relationships where siblings fight each other. In reality, this would be rather odd considering Via’s age, but still. I liked her story, for the most part. I say for the most part because she does interact someone in the movie and at times I felt that the way their relationship was going just came off as a bit forced. Not to mention, some of the dialogue regarding this relationship was rather cheesy, not as bad as say “Star Wars Episode II” but it felt like I was reading some crappy fanfiction written on someone’s Blackberry. No, not “Fifty Shades of Grey,” I’m thinking of something imaginary and a lot less on the mature side of the spectrum.

There are a number of kids August meets in the movie, one of the first ones he talks to when he enters school goes by the name of Julian, who you may know as Herman from “Walk the Prank,” and there was one moment of the movie that just caught my eye. There was a point where the film basically villainized him and he was talking with the school’s principal. Speaking of the principal, his character goes by the name of Mr. Tushman, played by Mandy Patinkin, who you may know from “The Princess Bride” and “Homeland.” His character honestly brought some very forced humor that just didn’t land. Going back to Julian, he was talking with the principal and his parents are there. The focal point of the conversation is August, and Julian is basically saying that he is against August and his parents side with him. They even say there’s a reason to be against him just because of the way he looks. It just makes me wonder, how many people are like this? It might as well show that either parents will defend their children no matter what, maybe they think their kid is “always right,” the parents might have a bias because their kid says something, and not everyone has the same experiences with certain people. It also sometimes just goes to show how people will judge you based on your appearance. I can’t really say I’m male model material, but I imagine some people think I look presentable. How often do people get past what they see and just focus on what they learn through basic conversation? What if Meg from “Family Guy,” a character usually considered ugly not only by society, but also by her own family, had more friends just because they were interested in what she had to say? By the way, it’s always interested me she’s that way because she’s played by Mila Kunis and she’s f*cking gorgeous!

In the end, “Wonder” is a film that I believe many people wouldn’t mind watching at least once. I’d say it’s got problems, but at the same time, I don’t think people should stay away from it completely because it is a good story for families and children. I really do think that younger audiences can enjoy and take something from this movie, and not just because it partially involves “Star Wars” but because the movie’s about inclusion, fitting in, and how certain friends can surprise you in both pleasant and unfortunate ways. Upon looking at his IMDb, this is the third thing I’ve seen featuring Jacob Tremblay, the other two things were “Room” and one episode of “American Dad!,” I can’t wait to see him in future works if I get the chance. I’m gonna give “Wonder” a 7/10. Thanks for reading this review, I just want you to know if you haven’t already, you should try checking out Stardust.

Stardust is a free app you can download on the App Store and Google Play. It can be used by people to provide reactions to movies and TV shows. Let’s say you finished watching the latest episode of “Game of Thrones,” you can record a thirty second video (at maximum) where you reveal your thoughts and you can provide a rating from 1-5 stars towards the episode you’re focusing on. Worried about revealing spoilers? Keep those worries away! Stardust has an option that can warn others that your video contains spoilers! In fact, you don’t even have to see whatever it is you’re watching. If you haven’t seen “Revenge of the Nerds,” by the way, watch it, you can still talk about it. Maybe you’re about to watch it and you decide to give your thoughts going into it, or maybe you’ve seen the trailer or something, I don’t know. You can do all of that and you can also follow other people to see their latest reactions, by the way, follow my handle, JackDrees! Be sure to download the app, I recommend it, the app’s free, which makes it even better, and I hope to see you there!

I just want you to know that I’m a nerd, I might even be king of the nerds, and as the possible ruler, I want you to know that I recently posted a piece of nerdy material, otherwise known as my post documenting my time at 2017’s Rhode Island Comic Con. I went there, met more people than I’ve met at any other con I went to. I met someone who I’ve met in the past, and I even confused one guest for another! So if you’re interested in reading that post, I’ll have the link down below, that way you can go to the post and enjoy it! Stay tuned for more great content! Also, I want to know, what are your thoughts on Jacob Tremblay? Do you like him as an actor? Let me know down below! Scene Before is your click to the flicks!

RHODE ISLAND COMIC CON 2017 REVIEW AND HAUL: https://scenebefore.wordpress.com/2017/11/15/rhode-island-comic-con-2017-review-and-haul/

Risky Business (1983): There Is No Substitute

Hey everyone, Jack Drees here! Today I’m continuing my series of Tom Cruise movie reviews. Tom Cruise is one of the most revered actors working today. Over his lifetime, he’s had a lot of movies under his belt, no Oscars, but he was nominated for three of those bad boys. His film acting career began in 1981 with the romantic comedy “Endless Love,” and on September 29, 2017, as far as the United States goes, a new film starring Cruise will be released, which is called “American Made.” Leading up to that film, we’re gonna dive into some of Cruise’s earlier work. To start off the series, I did my review for “The Last Samurai,” which came out in 2003. Today, we’re going back to 1983, to review “Risky Business.” So without further ado, let’s start the review!

mv5bmjvhnde4ymqtnzblmy00ytdkltkwntetzgrmmdvkmmywyja5xkeyxkfqcgdeqxvyndk3nzu2mtq-_v1_sy1000_cr006491000_al_

“Risky Business” is directed Paul Brickman, stars Tom Cruise and Rebecca De Mornay (Flipped, Wedding Crashers), and is about a teenage boy whose parents go away and leave him alone at his house. While this happens, the boy is looking for chances to have fun, but this situation gets out of hand soon.

I own the DVD for “Risky Business” and when I actually first got the DVD, my mother said I’d love this movie, and love it I did. This movie seems to be one of those films a lot of people like for one reason or another. It features iconic scenes such as when Tom Cruise is sliding on the floor and dancing in his house to “Old School Rock and Roll.” It has a stellar cast, they all seem to ace their role and pull you into the movie. It feels realistic, it doesn’t feel like a cartoon like “Blues Brothers,” which works as a cartoon-like film, but if you put “Risky Business” side-by-side with “Blues Brothers” right in front of me, chances are I’m gonna say “Blues Brothers” is a fun ride with interesting characters and great humor, but I’m also gonna say “Risky Business” is an art film. It’s not complete goofiness, it’s not absolute absurdity, it’s unquestionable authenticity. Granted there are moments in the film that feel like they can’t be done in real life, but the whole vibe of the movie and the scenes it has can be convincing enough to let you know that this can happen. In some ways this almost feels like a John Hughes film, which is kind of interesting to me because this came out around a time before a lot of his famous movies which he wrote were released. Movies like “The Breakfast Club,” “Ferris Bueller’s Day Off,” “Weird Science,” and “Home Alone,” that is if any of those films were rated R, so this is more like “The Edge of Seventeen,” in some ways when it comes to the mood, which came out in 2016.

Let’s talk about the main character of Joel Goodsen, played by Tom Cruise. Joel is the character that is staying home while his parents are away. While this happens, we see him taking on various responsibilities, hanging with his friends, dancing in his underwear, trying to increase his chances of getting into a high-achieving college, shaping his future, and screwing around with a chick, we’ll get to her in a second. If you ever saw the movie “Home Alone” and ever felt that Kevin in that movie was having the time of his life because his family was away, that is something these two had in common at a point in this movie. The two characters also find themselves in troublesome situations. If you put these two movies alongside each other and tweak them a little bit, you get almost the exact same movie. Joel is simply just a kid trying his best to succeed and at the same time he’s just trying to have some fun, I can relate to that. I might not call a sex worker, I’m 17 after all so I can’t really do that. I live in an area where the age of consent is 16 years old, but still I can’t really do that.

Rebecca De Mornay plays Lana, when we first witness her in the film, she’s actually a call girl who Joel calls one night, and their one night interaction eventually turns into something more. When it comes to casting, there COULD NOT have been a better pick when this movie was in production back in 1982. If you look at De Mornay, she’s basically a dream girl. I’ve gathered this based on her seductive attitude that is executed throughout the film, in terms of overall acting ability, I never really discovered a moment when she was out of character, and JUST LOOK AT HER! She’s also rather funny at times, there’s one line in particular given by her that I find laughable, not sure how many of you agree, but if you watch the movie and hear the tone which it’s delivered and have a realization of the situation at hand, it’s probably gonna make some people laugh. I personally think it’s humorous, so I don’t see why someone else wouldn’t.

JOEL: Don’t steal anything. If I come back here and anything’s missing, I’m going straight to the police. I mean it.

LANA: Joel, go to school. Go learn something.

As far as their relationship goes, this is a relationship that almost seems like it can’t happen in real life, but when watching this movie, you can totally buy into it. This is one of multiple reasons why I’d say this is one of my favorite relationships in all of cinema. Not to mention, how the relationship itself begins is interesting. You see, Lana is a call girl, and she’s someone who Joel calls one night when he has nothing better to do while his parents are gone. When Joel calls Lana, Joel doesn’t even say his actual name to her. Instead of referring to himself as Joel, he says his name is Ralph. Unfortunately for Joel, he failed to realize the cost of what was originally meant to be a one-night stand, which happened to be $300. The acting was perfect during the scene, Joel was questioning Lana, getting a little nervous, and tries to find a way to pay her.

There are a number of supporting characters in “Risky Business,” however my personal favorite would have to be the one in the red shirt you can see in the image above on the left. If you don’t know who I’m talking about, that’s Miles, played by Curtis Armstrong (Revenge of the Nerds, Better Off Dead). And speaking of favoritism, I’m actually going to be talking about something in association with the topic in just a moment, but for now, let’s focus on Miles. Miles is basically a bad influence to Joel, and out of all the supporting characters shown throughout the movie, Miles definitely moved the story along more than any other. One of the redeeming qualities of “Risky Business,” at least to me, is the screenplay. In fact, if you have seen my recent countdown, “Top 10 BEST Movie Quotes,” one of the quotes from this movie, given specifically by Miles himself, is on that list, in fact, let’s reveal that quote once more.

MILES: “Every now and then, say, “What the f*ck.” “What the f*ck” gives you freedom, freedom brings opportunity. Opportunity makes your future.”

In my countdown I described the quote as something that can apply a lot to reality. Think about it. In life, people have ideas, doesn’t matter how brilliant or dumb said ideas are, they’re just around. When it comes to certain ideas, one may be uncertain of how it’ll turn out, it could work out, it might not. But some people might say “What the f*ck,” or “What the hell,” or “What the heck,” because while they have no idea where this idea will lead to or how it will turn out, they feel the show must go on. This is not the only great line Miles gives in this movie, there’s more, including this one early on in the film.

MILES: “I don’t believe this! I’ve got a trig midterm tomorrow, and I’m being chased by Guido the killer pimp.”

That line actually took place during a chase scene, and this took place in a Porsche, speaking of which, let’s talk about this exchange between Miles and Joel once the chase ends.

JOEL: Porsche. There is no substitute.
MILES: (Face peeps from back seat of the car) F*ck you.

Curtis Armstrong literally nailed his performance, and keep in mind, this was his first movie. Then again he has done stage work prior to the making of this film. Much like Tom Cruise, if Curtis wasn’t in this movie, he probably wouldn’t have a film career the size he does today. If Tom weren’t in this movie and showed himself off in a breakout role, it’s possible the chance of Cruise starring in the “Mission: Impossible” movies would be impossible, we would have never seen him ask Goose to talk to him in “Top Gun,” we would have never witnessed him live the same day over and over again in “Groundhog Da–err I mean “Edge of Tomorrow.” Regardless of how much you might end up enjoying this film, this film set the stage for both of these careers to take off. The film was a big hit when it came out, film enthusiasts admired it, both actors played likable characters while giving off good performances. Armstrong may have played the character he was most well known for in the next movie he did, “Revenge of the Nerds,” but if it weren’t for “Risky Business,” it’s quite possible that Armstrong would have never had roles in various pieces of work including “Better Off Dead” and “Moonlighting.” Now let’s bring the subject of favoritism back into play here.

I mentioned this before, and I’ll mention this again. From a fanatical standpoint, I admire Curtis Armstrong. You guys may be thinking that I’m just talking about all of this because of my admiration for the man himself, and while my admiration has encouraged me to discover more about him, he has proven from a critical standpoint, not just in my mind, but in other people’s minds, to be a respectable actor. If you watch some of his work you’d understand. Just watch this movie, “Revenge of the Nerds,” “Ray,” or even some of his voiceover work in shows like “American Dad!.”

Anyway, back to the review. One thing I don’t want to forget is the perhaps slightly overlooked performances given by Joel’s parents. Part of this may have to do with some of the movie’s writing, but as I watched this movie more and more, I’ve grown in terms of admiration towards these two characters. The mother is played by Janet Carroll and the father is played by Nicolas Pryor. While these two barely have any screentime, they certainly serve their purpose. The father comes off as stern, although he never really goes over the top with it with obnoxious yelling and the mother seems to be rather worried. She doesn’t really show it emotionally, but it’s something I picked up on while Joel was with her and the father in the airport as she handed money to Joel. If you watch “Risky Business,” listen very carefully to the dialogue in that scene to see what I mean. A line that’s somehow funny to me that comes out of the father’s mouth is “Do I hear others there?” If this line were given in some other way as opposed to how it sounds in this movie than it wouldn’t be funny, but the delivery here is what makes it humorous to me.

There are a lot of things that I like about this movie, but it doesn’t mean it doesn’t have flaws. One of the most interesting things I discovered concerning the movie’s production is how the ending turned out. The ending that everyone who has watched the film from beginning to end witnessed was not the ending that director Paul Brickman had in mind. His original ending was mostly similar to the one you see in the movie. However when we get to a conversation which takes place in a restaurant Joel and Lana are eating in, we don’t cut away from it. We do get the same cutaways to a couple of young folks giving speeches about their products and the profits they made. Although in the theatrical ending, we cut away from the restaurant and the two are in a park, they’re talking to each other. The talking consists of lines reminiscent of a conversation the two had earlier in the film. Soon we hear this line:

JOEL: “My name is Joel Goodsen. I deal in human fulfillment. I grossed over eight thousand dollars in one night. Time of your life, huh kid?”

The alternate ending is basically the same thing without the cutaway, we see a continuation given to Joel and Lana’s conversation, then Lana sits on Joel’s lap as the two begin to show affection for each other. Then we hear this line:

JOEL: “My name is Joel Goodsen. I deal in human fulfillment. I grossed over eight thousand dollars in one night. Isn’t life grand?”

I personally prefer the alternate ending, and so does Brickman. I prefer it because the original ending feels very tacked on. It doesn’t entirely fit with the movie itself. That’s not to say the ending’s an abomination, it’s not as bad as say, “The Amazing Spider-Man 2,” but it just feels like something that would belong in a different movie. The original ending has a rather comedic vibe, and yes, the movie is funny, but the dramatic tone of the alternate ending seems to fit the movie better and highlight how life isn’t always going to be pretty. Not only that, but it also makes Joel and Lana’s relationship more believable. Now, I mentioned before, there are parts that feel fantastical, but this ending makes this relationship feel more like a relationship. It’s not often that you are in a boyfriend/girlfriend status and talk about bonds in the bank twice in a short period of time. I mean, heck, I can’t recall many times in my life where I hear people talk about bonds in any sort of perspective! Unless we’re talking about possibly Daniel Craig, Sean Connery, Roger Moore, David Niven, Timothy Dalton, Pierce Brosnan, Barry Nelson, or George Lazenby.

If there’s one common genre of movies to come out during the eighties whose movies still hold up today according to many people, that is in fact, the coming of age genre. One guy who has mastered this is John Hughes. Now “Risky Business” came out in 1983, John Hughes has done some work before it came out, including “National Lampoon’s Vacation” which actually came out the week prior to “Risky Business.” Although a lot of John Hughes’s movies came out after “Risky Business” and when I watch this movie, I can’t help but connect them together sometimes with comparisons. Between this movie and “Ferris Bueller’s Day Off,” both have an incident involving a valuable car. Based on my memory, the movie also has a similar vibe to “Sixteen Candles” at various times. Another John Hughes film I like is “Weird Science,” and much like this movie, that one has a fast-paced scene in a car, a rather seductive woman, and younger people doing things that their parents would find troublesome. So in a way, it’s possible that John Hughes’s writing may have been inspired by this movie.

Speaking of kids getting into trouble, part of this movie’s conclusion involves Joel having to own up to actions which occurred earlier in the movie. I love this because it shows the imperfections of Joel, he doesn’t exactly earn complete victory. There are lots of movies where we see someone go down, then go completely up. In this movie, we see someone fluctuating up and down as time goes on.

Another part of the movie I’ve found out others admire is the music. The music in this movie is done by Tangerine Dream, who you may also know as the composer of the music heard in 1984’s “Flashpoint,” the 2013 video game “Grand Theft Auto V,” and the 1987 movie “Three O’Clock High.” The score in this movie overall flows naturally and at times it really takes the movie from being a movie and turns it into art. This is shown during the train scene when Joel and Lana are removing each other’s clothes and are about to make love to each other. Not to mention, when it comes to the movie’s music from a general perspective, it’s kinda catchy. Also the inclusion of outside songs worked too for the scenes they were in. A lot of people say that the “Old School Rock and Roll” scene is iconic, but one scene that I personally feel is overlooked is the scene featuring the song “In the Air Tonight.” This is in the same scene towards the end of the movie that Joel and Lana are about to make love to each other on a train. I love how this music blends into this scene. This just screams sensual. The song is not only groovy, but it does a good job at providing the perfect vibe to the scene that’s at hand, and when it comes to Tangerine Dream’s score, that’s something I can say for that too.

In the end, “Risky Business” is a movie that gets better the more I think about it. There are multiple great characters in the movie. Joel, Lana, Joel’s parents, Miles, Guido, a lot of people shine here. From an editing perspective, this film is amazing. The music blends perfectly with every scene it’s featured in, and the screenplay has numerous quotable lines. On IMDb, this film has less than a 7/10. I think this is a little bit underappreciated as far as entertainment value goes, and as far as moviemaking goes. I’m kind of disappointed that Paul Brickman didn’t do much other work after this movie because this is something I’d watch over and over again. I’m gonna give “Risky Business” a 10/10. But wait! Some of you might be thinking, “Jack! You imbecile! You said this movie had flaws!” A movie can still be a 10/10 and contain flaws. YouTube user Chris Stuckmann reviewed “Batman Begins” and said it had an editing problem but ended up giving it an A+, another YouTuber named Jeremy Jahns reviewed “Baby Driver” and said it was ten minutes too long and ended giving it an “awesometacular,” which is his highest grade. I love “Star Wars Episode VII,” I currently have that as a 10/10 movie, but that movie borrows a lot from the original “Star Wars” trilogy. I loved that movie so much in fact that it was my favorite movie of 2015! So yeah, for now I stand by my 10, it could change, who knows? I originally had this movie at a 9/10. This doesn’t mean the movie’s perfect, it just needs a little extra pieces to complete the puzzle and than I’d say bingo. But seriously, this movie’s underrated and depending on what happens, might be my favorite movie I review in this series of Tom Cruise reviews. Thanks for reading this review, I would like to let you know that next week we will be looking at the final entry in the Tom Cruise series, I’m still deciding on what that movie should be, but if you have any suggestions, leave a comment as to what that movie should be down below and who knows, I might review it. If you want to check out my previous entry to the Tom Cruise series, be sure to check out my review for “The Last Samurai.” If you want to read that review, you’ll either find a red box down below that will take you to it or if you’re on my page where all my posts are in order, it’s the post right below this one. Stay tuned for more reviews! Also, I want to know, what are some interesting stories you have about being home alone without your parents? Or if you are someone who is still living with their parents, perhaps a teenager, what are some interesting things you would do if your parents are gone? Let me know all that down below! Scene Before is your click to the flicks!

The Glass Castle (2017): A Tamer and Less Intriguing Version of a Bestselling Memoir

mv5bmty2nzk0mde3nl5bml5banbnxkftztgwoti0odc0mji-_v1_sy1000_cr006481000_al_

“The Glass Castle” is directed by Destin Daniel Cretton and stars Brie Larson (Room, 21 Jump Street), Woody Harrelson (Zombieland, The Edge of Seventeen), and Naomi Watts (Insurgent, The Ring), and is based on the memoir written by Jeannette Walls that essentially describes the coming of age for a girl growing up in a dysfunctional, poverty-stricken family with a mother who is an eccentric artist and a father who abuses alcohol.

Before watching this movie I knew a bit about this story, I actually read this book before. I didn’t read all of it, but a good portion of it. I still remember various parts of it and they are somewhat drilled into my memory. I don’t read often but if I had nothing to do I’d pick up this title and give it a read, maybe if I were on a long flight or something. So, is the movie watchable just like how the book is readable? Well, if I lived in a universe where no meant you should go see the movie, I wouldn’t be here right now in THIS universe. So no, this movie is not worth your time. My mother personally gave this movie a 7/10. I’m not here to tell her she’s wrong, she can defend her verdict all she wants, I just probably wasn’t as intrigued by what this movie had to offer. Although before we get into negatives, let’s talk about the movie’s positives.

From a technical perspective, the movie’s not bad, everything is shot well, the vibe of the movie was definitely correct, the locations are well-chosen, and the score was a little repetitive, but overall, not displeasing. The acting was also very good, everyone seemed to be in character. The casting did a fine job when choosing actors to play certain characters, the child actors didn’t do all too bad as well. Woody Harrelson’s performance was pretty stellar, but then again he played my least favorite character in the movie. We’ll get to him later. I’ll mention once more, I read a portion of the book, and from what I read, the book is better. One thing I noticed about this movie is that it was told in nonlinear order, now movies have done this before and I ended up liking those films. Films like “Arrival” and “Memento,” both of those are great movies. This movie, not so much.

The way this movie starts is that it takes place in a fancy restaurant, and Jeannette Walls, the author of the book, is talking about how the book came to be with three other people. The movie soon goes back in time to her childhood, then later on it switches back to her adulthood, it goes back and forth and it doesn’t really flow. I don’t think we needed much of her adulthood story. It BARELY added anything to the movie. Also, I will say that the movie doesn’t include everything that you’re told in the book. It’s not the first time it’s happened, the “Lord of the Rings” trilogy didn’t include everything the books had to offer. I will say however, I thought on the way home there was one massive con I had. I thought something very important to the plot was slightly altered that kind of made the movie, maybe a little more tame or possibly inaccurate. Luckily that’s not the case. OK to be honest, the movie actually is tamer than the book, part of the book includes a story that wasn’t in the movie involving Jeannette touching a boy’s penis at a very young age. And if you’re asking, no, it wasn’t sexual, it was more of a self-defense technique.

Let’s talk about the character of Jeannette Walls. She was played by multiple actresses, including Brie Larson, Ella Anderson, and Chandler Head. In the book, I thought this character was rather intriguing, and her overall story, for what I read, interested me. In the movie, I didn’t have that same interest. I rooted for her, but at the same time, watching her as an adult, made me have different thoughts about her. Not only that, but I’ll mention once again, I didn’t care about the story she had as an adult.

One reason why I rooted for young Jeannette is that she was living with her bats*it crazy dad, Rex. I get that this is based on a true story, but seeing Rex in this movie made furious. There are so many times I thought to myself, “What an asshole!” Sure, he was somewhat unstable, but at the same time, his way of teaching certain things to Jeannette made me angry. Seeing his character in this movie, endlessly irked me. Sure, what happened was true, some of those things were in the book and not in the movie, but it doesn’t mean I liked his character. There was also a point I thought the mom was an idiot too, but I’m not gonna get into that. The two characters worth going in-depth about are Jeannette and Rex.

Another thing that I actually didn’t understand about Jeannette, is that she had a terrible childhood, she had a father that didn’t treat her properly, and later in the movie, she went on saying that she thought her father was likable in a number of aspects. I will admit, there are moments when Rex is likable in some ways, but her childhood, as the movie displayed, was basically a pile of baloney when you insert Rex into the mix. I kind of get that we’re talking about Jeannette’s father, and this is someone Jeannette grew up seeing every single day, but as a viewer, I couldn’t side with her. So basically for parts of the movie I couldn’t side with Jeannette, or her parents. That’s not good.

I also don’t like the movie’s ending, I won’t get into it because it will basically be in spoiler territory. Although on the bright side it’s not as bad as “The Circle,” another stinker which came out this year.

In the end, I didn’t find myself enjoying “The Glass Castle,” which I really hate to say because that means it continues my streak of less than average newer releases. Brie Larson is in this movie, and if you want a good movie with Brie Larson in it, just watch “Room,” it’s free on Amazon if you’re a Prime member. “The Glass Castle” had a couple interesting moments, but it had characters that I personally hoped I’d end up caring about more once I left the theater, especially considering I made it through a portion of the book without hating anyone written there. Jeannette Walls might be a nice person, but I’m sorry, this movie sucks, it’s just the way it is. I’m gonna give “The Glass Castle” a 3/10. Thanks for reading this review, I’m not sure what movie I’m gonna watch in theaters next, but if you want some more content to pass the time, I’ll post a few things down below that I think you might enjoy. Also if you want some info on newer content, I’ll let you know I’m gonna be doing a series of Tom Cruise related movie reviews before “American Made” releases in the US. Stay tuned for those, and be sure to check out my older content such as the content you see down below! Scene Before is your click to the flicks!

“LOGAN LUCKY” REVIEW: https://scenebefore.wordpress.com/2017/09/03/logan-lucky-2017-a-very-unlucky-movie/

TOP 10 BEST MOVIE QUOTES: https://scenebefore.wordpress.com/2017/08/29/top-10-best-movie-quotes/

MARVEL CINEMATIC UNIVERSE WILL CONTINUE FOR DECADES: https://scenebefore.wordpress.com/2017/08/24/marvel-cinematic-universe-will-continue-for-decades-not-surprising-although-slightly-concerning/