Cinema

Black Panther (2018): Is the Revolution Worth the Hype?

Posted on by Jack Drees

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“Black Panther” is directed by Ryan Coogler (Creed, Fruitvale Station) and stars Chadwick Boseman (42, Get on Up), Michael B. Jordan (Creed, Fantastic Four), Lupita Nyong’o (12 Years a Slave, Star Wars: The Force Awakens), Danai Guira (All Eyez on Me, The Walking Dead), Martin Freeman (The Hobbit: An Unexpected Journey, Sherlock), Angela Basset (Olympus Has Fallen, Contact), Forest Whitaker (Rogue One: A Star Wars Story, Arrival), and Andy Serkis (Rise of the Planet of the Apes, Lord of the Rings: The Two Towers).

This is the, I can’t believe I’m saying this, EIGHTEENTH, installment in the Marvel Cinematic Universe, and the whole story hasn’t even been going for ten years yet! Nevertheless, in this next chapter, it’s main focus is directed towards the title character of Black Panther, or T’Challa. Wakanda, an African nation with isolation and advanced technology, needs a new king. Why? Well, T’Challa’s dad died. His father was a former king and now T’Challa is next in line for the throne.

Going into this film for the first time, I was terrified of what I’d end up thinking of it. I remember watching trailers for this film, and I watched the first trailer that came out and thought to myself, “What in the world did I just watch?” The music felt WAY off, the tone felt like something in between a slapstick comedy and a fantasy for all ages, and it didn’t feel like something I’d get invested in. The second trailer was an improvement over the first one, and it made the movie look more watchable. I will say though from both trailers, the movie looked like it was well directed and had some good action. However, I was still scared. Heck, even the teaser poster (the first image in this review) was giving me some weird thoughts! It felt stale and almost as if you could confuse the background as if it were Asgard in “Thor.”

Let’s also just get something out of the way… (sigh) I’m white.

Let me just say that none of my comments regarding this movie or review have to do with race. I don’t judge people by the color of their skin (unless someone is miscast in something and part of it has to do with skin tone and it doesn’t flow with material that came before something related to it was made or some other reason like that). I imagine A LOT of people were excited for this movie for reasons having to do with a lack of white people, and I get that. Let me just say, if this movie had all white people in it, I’d probably give it a lower verdict than I would in this current review. Why? Read the extended parentheses statement above. A LOT of people are giving this movie some of the most positive reviews I’ve seen for a film recently, and it has become one of the best reviewed superhero movies of all time. What are my personal thoughts on the movie itself? It’s good, but it’s overhyped.

Before you call me a racist for not giving the movie a 10/10, let me state once again, IT’S GOOD. If that’s not positive enough, I’m sorry, that’s my personal opinion. You can have your personal opinion, we’re still friends. I’ll actually state if you want to know who the real racists are, I will provide a link down below to a tragic story about this movie and what happened before it released. Either take a break from this review and click the link, continue on and come back once you’re finished with the review, or if you hate reading, don’t click it at all. Also, if you hate reading, what are you doing here? YOU’RE LITERALLY READING THIS! Go do something else! You know, unless this is your punishment and you hate reading!

TRAGIC AND RACIST “BLACK PANTHER” STORY: https://www.colorlines.com/articles/white-supremacist-groups-plan-tank-black-panther-rotten-tomatoes-score-fails

Also, regarding that article, no matter what your views are, why would you rate a movie before you see it? Did I give “The Emoji Movie” a 1/10 on this blog or IMDb without even taking a look at it for myself? Nope! I went to the theater, paid $5.99 at the ticket line, which is ultimately money I was robbed of, and then I destroyed every last trace of life it had!

I will say though, “Black Panther” might actually be better than I thought it would have turned out. I thought it was just gonna be a middle of the road movie, but it turns out, it’s just slightly above that range. Now, I gotta become Mr. Movie Reviewing Moron, and tell you some things I found wrong with the movie. Wait a minute, I’m missing something. I’ll be right back.

*MAKES TRIP TO MEN’S WEARHOUSE, BUYS EXPENSIVE CLOTHING, RETURNS HOME, REMOVES GREY RALPH LAUREN SWEATSHIRT, BLACK “YOU’RE NOT GROOT” (FEATURING WHITE TEXT) T-SHIRT, BLACK (WITH WHITE STRIPES) ADIDAS SWEATPANTS, BLACK SKECHERS AIR-COOLED CLASSIC FIT MEMORY FOAM SHOES, AND ’47 GREY AND WHITE BOSTON RED SOX SOCKS, SOME HINTS OF BLACK ARE FEATURED TOO, INCLUDING THE COLOR OF THE RED SOX LOGO. PUTS ON WHITE DRESS SHIRT, BLACK SUIT, BLACK TIE, MATCHING DRESS PANTS, BLACK SOCKS, AND BLACK LEATHER SHOES, I DON’T EVEN CARE ABOUT THE BRAND NAMES FOR THOSE FOUR RECENTLY MENTIONED PRODUCTS, USE YOUR IMAGINATION. USE OF IMAGINATION IS SOMETHING I’M TRYING TO PROMOTE, SO UTILIZE IT!*

Alright, I’m back. Let’s get cracking.

This movie ended up being two hours and fourteen minutes long. Honestly, it felt a tad longer. It wasn’t like watching “Downsizing” which came out last December, but it still felt long. Some of the stuff that goes down in this movie, most notably the climax, takes forever and a half to conclude. I get that the movie needs a grand and epic feel during the climax, but it can have the same feel without being too long. Just saying.

While I will admit that the climax felt long, I will also mention that at various points of the first half, the movie itself felt a bit draggy. It’s not like I was watching “The Last Jedi” during its first half, but it still felt like it could have been improved.

This next part is part positive and part negative. This movie barely has any humor in it, which completely worked for what I was watching. TAKE NOTES, “THOR: RAGNAROK!” However, I won’t ignore how cheap the humor in the film happened to be. There were parts where I chuckled, but that’s probably how most of the humor went down for me. It wasn’t like “Doctor Strange” or “Ant-Man” where it felt like I was gonna die from laughter, it felt more like a disposable comedy starring you people know, people you liked in other movies, let’s blurt out such names like Will Ferrell and Ed Helms, and they’re there for the paycheck, much like every other actor in the picture. And it’s not just them. The whole movie is just gonna come off as a cash-grab. Maybe the writer(s) happen(s) to be trying their absolute hardest, maybe the director, and while the studio doesn’t think it’s a total masterpiece, they think it’s “good enough.” How good enough is good enough? Good enough to make money. Some people will think it’s funny, some will be in the middle, and others might just roll their eyes the entire time.

This film for the most part is very well written. I don’t have many complaints but when it comes to a couple scenes that tried to come off as emotional, I don’t really think I felt anything. Maybe I felt a tad of something in one moment, but for the most part I really didn’t feel much of anything aside from things such as my popcorn bag, my clothes, and my reclined seat.

My next complaint is somewhat personal, and it has to do with the film and how it’s color graded. There are a lot of scenes shot well, directed well, and a number of them also look great in terms of their wide range of color, but I will admit, there are some that look rather cheap just because, personally, the grass looks kind of pale. The grass is green, but not the green I want it to be. Maybe I’m imagining things, maybe I’ll change my mind, but this is how I feel for now.

You know one place grass can be found? The forest! And happily, not on Forest Whitaker, because that would be beyond terrifying! Forest Whitaker is in this film, he plays Zuri, and I’ve seen him play a number of characters prior to watching this. Those characters can be found in movies such as “Arrival,” “Taken 3,” and sadly, “Battlefield Earth.” Another film you can find Whitaker in is “Rogue One: A Star Wars Story,” which is a great movie in my book. Although the thing is, Forest Whitaker is in this movie, and in it, he just comes off as another version of Saw Gerrera, which is the name of the character he played in “Rogue One.” Not exactly in terms of what he does, but watching the movie, I couldn’t help but pick up on certain mannerisms and how the character behaves and compare it to Saw. It’s almost like the movie’s director, Ryan Coogler, saw “Rogue One,” loved it, and said, “Your character in ‘Rogue One,’ he’s awesome, best part of the movie, so do me a favor, and play the same character but with different clothes and keep your tentacle porn business out of any scenarios.”

This film also contains what may qualify as the most forced kiss in cinematic history.

 

Enough said.

 

I could get into some writing problems, but they’re mainly just diction complaints that will end up coming off as nitpicky at best. I already got personal with the colors, but I feel this will come off as a bit more personal than that, and I say that because I have perhaps a greater knowledge when it comes to writing than I do color grading despite color grading various videos.

Now let’s move away from the negativity and talk about some of the stuff I really appreciated during the film. First off, the visuals. Pretty much every single Marvel movie I see has competent visual effects. Some more than others, but it’s very hard to say that a Marvel movie hasn’t given me some sort of impression from a visual perspective. I will say from a visual standpoint, at times it very much reminded me of last year’s “Valerian and the City of a Thousand Planets.” And no, this movie did not remind me of “The Fifth Element” all that much.

Some of these visual effects are part of what made for some of the best shots in the entire film. A select number of shots pertaining to what I’m talking about came from the trailer, but even some of those I have just recently discovered stood out to me. With that being said, the cinematography in this film actually was really impressive overall. It might actually add up to be some of the better cinematography I’ve seen in a Marvel Cinematic Universe film. There’s actually this one shot where a character is walking forward and the camera is slowly rotating 180° from an upside down point of view to a normal point of view. It’s one of the best shots of the entire movie.

Speaking of cinematography, some of the action was also very well shot. There were actually some parts that feel like they came out of a Marvel movie from the Russo Brothers, such as “The Winter Soldier.” The action was also very well directed and well choreographed. I was able to believe it for what it was, although there’s one part of the highly promoted car chase, or as I like to call it, an excuse to get people to watch a Lexus commercial, that felt kind of jarring. I remember the Lexus going at a blazing speed at one point, and I don’t know if it actually was going at said speed, but it almost felt like it was a computer-enhanced effect. It probably wasn’t, but that’s just “what it felt like.” The whole thing kind of threw me off.

There’s one more mega-plus this movie has, what was it again?

Oh yeah right, Bilbo and Gollum reunite.

Speaking of characters, let’s talk about T’Challa, AKA Black Panther. This is not the first movie in the MCU featuring Black Panther, that happened to be “Captain America: Civil War.” In that movie, I thought the character was cool, but not completely memorable. Although the first action scene with him was a total blast. Here, he’s cool and memorable. To be fair however, the movie literally has his name as the title, so it’s kind of hard to get him out of your head. His rise to becoming king invested me, and I will also say that you probably don’t have to watch “Civil War” to understand some of the stuff that’s going on in this film. I say that partially because the movie actually cuts back to “Civil War” during some key moments that way you don’t have to. I was able to root for the character, I truly cared for him, and I was able to buy Chadwick Boseman as this hero.

I buy Chadwick Boseman as the hero, so it’s super duper that I also buy Michael B. Jordan as the villain. Michael B. Jordan plays the character Erik Killmonger (as if you didn’t need a bigger hint as to whom this movie’s villain is, just read the last name) and with him, we’re getting yet another rare case of a great Marvel villain. I’ve had my history of viewing Marvel Cinematic Universe villains to be underwhelming (Red Skull from “Captain America: The First Avenger”), cliche (Ronan from “Guardians of the Galaxy”) unmemorable (Wait, What Was His Name? from “Doctor Strange”), or just plain stupid (Malekith AKA Mr. Dumbasadoornail from “Thor: The Dark World”). Erik is yet another surprising addition to a recently formed chain of fantastic Marvel villains. This is due to his motivation, his mannerisms, and how whatever he does is essential to the plot. As a viewer, it is clear that you’re supposed to hate the villain as a character, and that’s exactly what I did given Erik’s actions.

A lot of characters in this movie, you know, ones that happen to be Wakandans, they’re all super fierce and warrior-like, they reminded me a lot of “Wonder Woman’s” Amazons. They often appear organized, they’re somewhat rowdy, and often shout “Wakanda forever.” The actors who played them all did a very good job, from major roles to extra roles, and I’d trust these folks to help everyone survive, I don’t know, say a zombie apocalypse.

Also, let me just say, at one point during the movie’s first act, one character gives the finger, I’m calling it right now, it’s not gonna take too long for that to become at the least, a somewhat popular meme. It might take some time, but I’m willing to bet some people might make a GIF out of it or just spread the GIF somewhere. If not, they might just use a random screenshot. And maybe I’ll use it one day, if it’s not popular enough, maybe I’ll change its popularity.

One thing I’m still debating however, is whether Black Panther himself was more of an action delight in “Captain America: Civil War” or this movie. On the way home from the theater, I was asking that question to myself. It’s been over a year since I actually watched “Civil War,” but I still remember the chase scene where we first see Black Panther in his suit. It was well shot, fast-paced, very well done. The action scenes in this movie can also qualify to be up around that caliber, but there’s a part of me that doesn’t think I’d usually go and point out a scene from this movie to show off the awesomeness of Black Panther in action as opposed to the chase with him in “Civil War.” Although as I say for a lot of things on here, only time will tell.

In the end, I was actually somewhat pleasantly surprised by “Black Panther.” Sure, it’s overhyped, but ultimately enjoyable. I must say, as a Marvel Cinematic Universe film, it’s not the best, I’ll be completely honest with you and say I’d rather watch “Iron Man 2” than this, which a number of people don’t seem to like. Ah well, opinions are opinions. I can see why people are hyping up the movie in ways, but what matters is the execution, and in some senses of the word, it partially felt off. However, I’d probably watch “Black Panther” again and I’m gonna give it a 7/10. Also, remember, IT’S GOOD. I LIKED IT. YOU CAN STOP TELLING ME TO GO SCREW MYSELF. I’m actually going to see this movie again a number of hours after this is posted, so my opinion could change, but I figured why not get this review up while I can. Plus, a majority of movies I’ve seen have been reviewed after just a single viewing, so it might as well be fair to give that sort of treatment to this one.

Thanks for reading this review, on February 23rd, a couple of movies are coming out and I really want to see both of them. The first one is “Game Night,” which is a comedy where a game night turns into a murder mystery. The second one is “Annihilation,” Alex Garland’s second film he ever directed, which I’m hyping up like crazy because he directed “Ex Machina” and that movie is not exactly perfect, but just… beautifully made. So yeah, I can’t wait to see how this new film turns out. Stay tuned for more reviews and other great content! I want to know, did you see “Black Panther?” What are your thoughts? Leave your comment below! The next Marvel movie’s “Infinity War!” Woohoo! Scene Before is your click to the flicks!

WAKANDA FOREVER!

The 15:17 to Paris (2018): Don’t Always Be Yourself

Posted on by Jack Drees

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“The 15:17 to Paris,” unfortunately, is directed by Clint Eastwood (American Sniper, A Fistful of Dollars) (sigh). This movie stars Alek Skarlatos, Anthony Sadler, and Spencer Stone as themselves. The film is based on a book known as “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Soldiers,” which is based on a true story of three Americans who grew up together and find themselves discovering a terrorist plot while they’re aboard a train in France.

Now you may be wondering why you just read the word “sigh” in this post. Clint Eastwood is a beloved figure in Hollywood. I can’t say I’ve seen much of his work, but the man has proven himself to be talented as a director, as an actor, and as a producer. And in “The 15:17 to Paris,” the man comes off more like some American-loving guy than a filmmaker. I’m not trying to say that I hate America, I’m not trying to say that Eastwood can’t love America, but I’m saying that this film about three Americans who obviously were courageous, needs improvement.

This film is an hour and thirty-four minutes long, which is actually just a couple minutes shorter than “Sully,” another film directed by Clint Eastwood which is based on a true story. “Sully,” much like this movie, wasn’t as good as it would have, could have, and should have been. Although it was barely passable unlike this one. What worked in “Sully” is that the film is centered around the event people now refer to as the Miracle on the Hudson and the entire film focused on it in some way. The main event that really should be the nucleus of the movie this review is directed toward, which is the train fight, doesn’t feel like a major part of the picture. One of the other differences between this and “Sully” is that “Sully” has actors playing the lead roles and this movie doesn’t. I will be fair in saying that the three guys also written a book on this information, which eventually lead to this movie. The book even has mostly five-star ratings on Amazon. Although they had no involvement in the screenplay. Maybe if they wrote the screenplay and gave their own insight, maybe the movie will be better. Although that’s hard to say too because these guys are not professional screenwriters. This movie honestly becomes more and more of an enigma the more I think about it.

As mentioned, “Sully” mainly focused on an event that the lead character had major involvement in. This movie doesn’t. Not only that, but I didn’t even care about most of what happened in this film at all. The film starts off telling about how long the three major characters have been friends. They were troublemakers, they went to a Christian school, they didn’t have girlfriends, they enjoyed taking out some guns and playing War. That was somewhat intriguing. Then they all get older, the movie’s starting to lose some steam, but it’s still competent, and then we get to Europe and I ask myself, “What is happening?” This movie made me ask the same question I asked myself as I was forced to read “Pride and Prejudice” in school! Nothing happened! I will give the movie credit, at least it was technically more entertaining to me than “Pride and Prejudice,” but keep in mind, I’m not some girl who lived in 19th century Britain. Although this is a film DIRECTED BY CLINT EASTWOOD! I expect greatness from a movie like this! Once again, competently shot and entertaining in ways, BUT NOTHING EVEN HAPPENED!

I will also be fair and mention the hour and a half runtime again. Even if Clint Eastwood didn’t direct “The 15:17 to Paris” and it instead happened to be directed by Michael Bay, I’d probably have somewhat similar thoughts on both final products. Also, for the record, Eastwood didn’t do the screenplay. I’d have similar thoughts on both products because they’d still be barely long enough to qualify as a feature length film. Down below I have a description regarding feature length films taken from Wikipedia.

“According to the Academy of Motion Picture Arts and Sciences, the American Film Institute, and the British Film Institute, a feature film runs for at least 40 minutes, while the Screen Actors Guild states that it is 80 minutes or longer.

The majority of feature films are between 70 and 210 minutes long.”

I have never really watched too many films that are forty minutes long, but this a film that could easily be a lot shorter, although in the end, a number of viewers who went to see this film would probably skip on it because it’s too short to be a “movie.” Heck, I think a large number of theaters wouldn’t even accept the film if it were forty minutes! Although it has Clint Eastwood’s name on it so…

In my reviews it’s traditional that I provide a section I where I go into the major characters and some characters that perhaps stood out to me, but I’m not gonna do that here. Instead, I’m gonna introduce each character, and I’ll provide some actors that could potentially play the role these folks have played themselves.

Here are the three heroes from this movie. The first one we’re going to “talk about” is Alek Skarlatos (left). This guy could have been played by a number of people in my book. The first person that comes to mind is Matt Damon. They look somewhat similar physically, granted Damon’s twenty-two years older than Skarlatos, but I think a role like this can be pulled off. Another person I bet could pull this role off is Alden Enrenheich, and if this name doesn’t sound familiar to you, let me have you know he’s been in films such as “Beautiful Creatures,” “Blue Jasmine,” and “Hail, Caesar!.” He’s also going to be playing Han Solo in “Solo: A Star Wars Story,” which at this point is more like “A Star Wars Product” given material I’ve seen thus far. Another possible candidate to me is gonna be somewhat surprising and that is New England Patriots’ tight end Rob Gronkowski. I know, weird, right? I will say though that he, just like some other notable sports stars such as Dave Bautista (Blade Runner 2049, Guardians of the Galaxy), Dwayne Johnson (Central Intelligence, Jumanji: Welcome to the Jungle), and John Cena (Daddy’s Home 2, Trainwreck) had some acting gigs and it’s now a regular thing for them. Although I wonder if this kind of thing would have worked out because this movie went into production over the summer and certain announcements concerning it came in around preseason time. Also since I just mentioned John Cena, he probably would have done fine as this character given his physique.

Onto the guy in the middle, Anthony Sadler, his character is a–wait a minute, I don’t want to lose my sense of focus… The guy could have been played by Chadwick Boseman, who is playing Black Panther in, well, “Black Panther.” Sadler could have been played by Winston Duke, who will be playing M’Baku, another character in “Black Panther.” He could have also been played by John Boyega, who you may know as Finn in the “Star Wars” sequel trilogy. Yes, he’s British and this is an American character, but if you have seen John Boyega, he can do one hell of an American accent. Maybe Eastwood could have gotten J. Lee, who you may know for playing John LaMarr in Seth MacFarlane’s “The Orville.” Maybe Lakeith Stanfield would be a good pick. He was in movies such as “Selma” and “Get Out.” I can’t say I’ve seen much of his work, but he has proper looks for the role.

Moving onto Spencer Stone, he is the guy on the right of the photo which is located a couple paragraphs above where you are now. I’m not saying that this guy should play Spencer, but given one thing that happens in this movie, I wouldn’t mind seeing Russel Crowe taking on the role. I say this because there’s a meme-worthy “Gladiator” reference in this film. Remember how I said Rob Gronkowski would be a good pick for Skarlatos? If he had a buzz haircut, then he would probably be suitable for this role as well. Channing Tatum might be a good pick if he ever does a buzz to his hair too. Perhaps if Andrew Garfield did some shaving too his placement in this role could have been rather effective.

This movie is not exactly the end of the world, but it is lacking professionalism. Yes, you have a very experienced director helming it all, but you have a multiple actors who are playing themselves. Sure, this movie has its fair share of big names such as Judy Greer and Jenna Fischer, but this also has a screenwriter that hasn’t really done much of anything. Sure, experience doesn’t always equal skill, although it doesn’t change the fact that the level of skill put into this film wasn’t completely visible. Maybe the main trio wanted to play themselves for authenticity, but you have to consider, how skilled are they? They weren’t terrible in this movie, but their acting ability happened to be at a low level of some sort.

Some of you might be thinking, “Hey! Jackass! You’re forgetting about such instances like when Kumail Nanjiani played himself in ‘The Big Sick!'”

I didn’t. You’re missing the point.

You see, Kumail’s a f*cking actor.

In the end, this movie happened to be underwhelming as s*iiiiiit. If this movie lacked a tad more professionalism than what was already there, I might be a little more understanding and give a higher verdict, but this movie just got worse the more I thought about it. It’s difficult to care about the heroes, the filler is all over the place, and pretty much the only positives include the well directed action and the proper cinematography. Clint Eastwood, I’m sorry, I didn’t feel lucky, and this movie is a punk. A punk which stole my friend’s hard earned money! I’m going to give “The 15:17 to Paris” a 3/10. This is a hard movie to rate. I didn’t really know what to expect before going in since I haven’t really seen much in terms of marketing compared to some other films I know, but a movie with Clint Eastwood’s name attached to it should have been miles better than how this turned out to be. And sadly, this MIGHT POSSIBLY be the best movie, at least the best one that a number of people actually give a s*it about, to come out this weekend! What else is coming out this weekend you ask? The climactic (in more ways than you’d imagine) “Fifty Shades Freed,” and from Sony Pictures Animation, the absolute gods that brought you “The Emoji Movie,” live-action “Peter Rabbit!” Thanks for reading this review! Pretty soon “Black Panther” will be out in theaters, and given my ambitions, I have plans to see that as soon as possible. I’m also working on another post which will be out soon, which includes my personal thoughts on the upcoming “Super Mario Bros.” film. Stay tuned for more great content! I want to know, did you see “The 15:17 to Paris?” What did you think about it? Or, what is your least favorite Clint Eastwood film? He can do anything in it. He could act, he could direct, anything. Leave your comments below and maybe they might have more quality than “The 15:17 to Paris!” Scene Before is your click to the flicks!

The Secret To 3D Movies You May Have Never Known (Post-Conversion)

Posted on by Jack Drees

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Hey everyone, Jack Drees here! I have a serious question. Is 3D still relevant? Don’t get me wrong, at times it can add a bit to several movie experiences. I remember going to see all three “Hobbit” films in IMAX 3D, all of them were epic and thrilling. Although nowadays 3D has become at times this thing you have to accept when going to see a film at the theater.

3D in a way is like prescription pills. There are a number of cases where you never really asked to take them for your personal amusement, but since you want to get on with your life, you just move along. When I go to the movies, I don’t traditionally care what show I get, but if I were making every executive decision, I’d probably choose to see a film in 2D. If the movie’s in IMAX and 3D’s the only option, chances are I’d go for that. Although when it comes to 3D, it’s something I never wanted, but it has always been around. It was very popular at the at the end of the 2000s leading into 2010. That’s because James Cameron’s “Avatar” was released all over and praised for the theatrical experience when watched in 3D. However since then, audiences have been thinking to themselves that 3D movies are becoming more and more bland. While there are those people who think 3D is awesome and think it’s one of the greatest things in cinematic history, 3D has increasingly resembled a fad as opposed to a game-changer.

One question some of you may have until looking at this post is this: How does the 3D come to be? It varies from movie to movie, but in most circumstances nowadays it’s fake. How is this? Unlike a number of films shot on cameras and rigs meant for 3D, most movies are currently shot on 2D cameras. It doesn’t even matter if the movie’s shot on film or digital, it’s just shot in 2D. Nowadays it is very rare to find a film coming out which is shot in actual 3D. This current year is 2018, let’s take a look at the list of movies that have been revealed to have been shot in actual 3D.

  • Mission: Impossible: Fallout
  • 2.0

There you go! That’s the whole list! Note that there are no animated films since those are made on computers.  Now let’s take a look at the rest of the 3D films labeled to have 2018 releases. Note once again that there are no animated movies.

  • Maze Runner: The Death Cure
  • Black Panther
  • A Wrinkle in Time
  • Pacific Rim: Uprising
  • Tomb Raider
  • Ready Player One
  • Rampage
  • Avengers: Infinity War
  • Solo: A Star Wars Story
  • Jurassic World: Fallen Kingdom
  • Ant-Man and the Wasp
  • Alita: Battle Angel
  • Alpha

There are more films coming out in 2018 to be released in 3D. However, I can’t confirm or deny whether they’re real or fake. These results just goes to show when you look at the movies playing and you notice that there’s something playing in 3D, chances are that movie isn’t actually 3D.

Post-converted 3D is something that’s not really talked about when it comes to older movies nowadays such as those that were in 3D during the fifties, but it got some severe attention in 2010. In 1981, a movie known as “Clash of the Titans” was released to the public. The movie provided a fun family adventure for an hour and fifty-eight minutes and received a number of positive verdicts. Since studios love remaking everything, it’s no surprise that “Clash of the Titans” was one of those movies that got the remake treatment. And according to many people, it’s a f*ck-up on S*itshow Valley. Release the Kraken? More like Release the Crapen! Aside from the eye-covering CGI, the one-dimensional characters, and how people see it in comparison to the original film and mythology, this film was despised by critics and audiences for its use of 3D. Perhaps even more hilarious is a marketing tagline used by this movie. The tagline being, “Titans Will Clash.” No. F*cking. S*it. It’s like if “The Emoji Movie” had a tagline that said “This movie will suck, and you’ll hate your life while watching it.” THANKS, CAPTAIN OBVIOUS!

As for the movie’s use of 3D, the film was originally shot on 2D film cameras, and the director of the film, Louis Leterrier, went to the studio early on asking about a 3D conversion. However, this process was new and expensive. When “Avatar” was released, Leterrier was pressured to do a 3D post-conversion. He gave into it after seeing what he thought was a rather convincing View-D conversion process. The man even stated that it was essential for audiences to view the movie in 3D as an enhancement as opposed to a gimmick regarding the overall experience. Let me just tell you right now, the audience didn’t view it as an enhancement, they didn’t even view it as a gimmick, they viewed it… as crap. Three years after the film’s release to the public, Leterrier came out and said this about the 3D:

“It was famously rushed and famously horrible. It was absolutely horrible, the 3D. Nothing was working, it was just a gimmick to steal money from the audience. I’m a good boy and I rolled with the punches and everything, but it’s not my movie.”

And this just goes to show that studios can sometimes get in the way of movies. This isn’t the first time this has happened. Just look at films such as “Spider-Man 3,” “Risky Business,” and “Blade Runner.” Studios might force directors to do something concerning their movie that they ultimately don’t want to do. In this case, the studio wanted a 3D conversion. Had the movie just been in 2D, everyone would have probably been a little more happy. They’d still get a bad movie, but they’d have one less terrible aspect related to it. In fact, part of me thinks that Warner Brothers would end up making just a tad more money. After all, so many people were complaining about the 3D, so some folks would avoid 3D showings like the plague.

This isn’t to say that all post-converted 3D sucks. Some of the most highly appreciated 3D experiences are post-converted. After all, it is the norm now, so there has to be a gem somewhere. I went to see “Jurassic World” and the 3D was probably one of the best parts of the IMAX experience I was given. It was dinosaur-sized fun! “Mad Max: Fury Road” was also an experience worth the extra number of bucks, seeing all of the practicality and CGI come together at times really made you feel like your face was on fire or cars were running you over. One of the best experiences of all, is “Gravity.” I saw “Gravity” the weekend it came out in IMAX 3D, and it was f*cking worth it. The movie itself doesn’t have much replay value, but between the sound editing, sound mixing, score, cinematography, CGI, everything came together, and there were certain scenes where I truly felt like I was in space. Even better, trying my absolute hardest to survive in space. Just goes to show, even fake stuff can be real!

If anything, the improvement of post-production 3D is most likely due to commitment, and advances in technology. When it comes to “Gravity,” CG Effects Supervisor Alexis Wajsbrot has this to say:

“It was rendered in stereo, then we post-converted the faces with a very accurate track. It was a very precise rendition. That’s why the stereo works so well because it was thought about a long time before the movie was made.”

As suggested, the way “Gravity” was rendered gave it a 3D effect. The rest was work. Stereoscopic 3D is a very useful process if you’re shooting in 2D instead of 3D, if you’re maybe trying to save some cash and back pain, or if you are just looking for a way to cash in on a film even though you’re doing it in an effective manner. It won’t be real 3D, but it may give your brain the thought that you’re actually looking at 3D. While I do prefer authenticity, technology and commitment can help in making a proper product.

…Although in reality I prefer seeing movies in 2D.

Thanks for reading this post! I actually believe it or not had trouble doing this post, because I was working on another post I thought of last week, it was stuck in my head like how much I love pizza, the brand of the TV in my room, and the fact that with TurboTax, at least your taxes are free. Seriously though, thanks for reading! Tomorrow a new trailer for “Solo: A Star Wars Story” is arriving and we also got some trailers coming out tonight during the Super Bowl, trailers like “Mission: Impossible: Fallout,” “Skyscraper,” and “Jurassic World: Fallen Kingdom.” I might review one of those trailers, and as far as newer movies go, I can confirm that at some point soon I’m going to see “The 15:17 To Paris.” That movie’s coming out February 9th, so I’ll be seeing that not long from now. Also, if you want more exciting content to take a gander at, I’ll have links down below to my “Maze Runner” reviews. Please check those out, I enjoyed a couple of those movies, and I have my thoughts summed up, whether they are positive or negative. Stay tuned for more great content! In 2D. I want to know, what is the best experience you had watching a movie in 3D? Yes, I’ll even count IMAX documentaries or something along those lines. Doesn’t even matter if the 3D’s real or not. Let me know down below! Scene Before is your click to the flicks!

“THE MAZE RUNNER” REVIEW: https://scenebefore.wordpress.com/2018/01/18/the-maze-runner-2014-the-continuation-of-teen-angst-starring-dylan-obrien/

“MAZE RUNNER: THE SCORCH TRIALS” REVIEW: https://scenebefore.wordpress.com/2018/01/25/maze-runner-the-scorch-trials-the-continuation-of-teen-angst-starring-dylan-obrien-part-2-to-be-concluded-in-almost-2-5-years-also-this-is-wckd-boring/

“MAZE RUNNER: THE DEATH CURE” REVIEW: https://scenebefore.wordpress.com/2018/01/28/maze-runner-the-death-cure-2018-the-continuation-of-teen-angst-starring-dylan-obrien-part-3-to-be-rebooted-once-hollywood-runs-out-of-young-adult-dystopian-books-to-base-movies-on-still-bett/

Maze Runner: The Death Cure (2018): The Continuation of Teen Angst, Starring Dylan O’Brien- PART 3, To Be Rebooted Once Hollywood Runs Out of Young Adult Dystopian Books To Base Movies On, Still Better Than Twilight

Posted on by Jack Drees

Before we begin my review for “Maze Runner: The Death Cure,” I wanted to give a shoutout to someone I know. This person I’m talking about just created an account here on WordPress. She’s a good companion of mine, who goes by the name of Millie. This companion just initiated an all new blog by the name of “Movie Reviews and More!”. The overall intention of “Movie Reviews and More” is to provide movie reviews, rumors related to the entertainment industry, and just talk about movies regardless of whether or not they’ve been released. Millie began her blogging journey days prior to the publication of this post you’re reading as of this moment. If you could do her a favor by checking out her blog and following her, that would be much appreciated. Now that we have that out of the way, let’s start my review!

MOVIE REVIEWS AND MORE!: https://moviereviewsandmore780585661.wordpress.com/

“Maze Runner: The Death Cure” is directed by Wes Ball, the director of the previous two “Maze Runner” movies, and stars Dylan O’Brien (American Assassin, Teen Wolf), Ki Hong Lee (The Nine Lives of Chloe King, Wish Upon), Kaya Scodelario (Pirates of the Caribbean: Dead Men Tell No Tales, The Truth About Emanuel), Thomas Brodie-Sangster (Love Actually, Nanny McPhee), Dexter Darden (Geography Club, Joyful Noise), Giancarlo Esposito (Breaking Bad, Once Upon a Time), and Rosa Salazar (Insurgent, Parenthood). This film is being advertised as the final “Maze Runner” installment, and in this one, Thomas goes on a mission to find a cure for a disease that’s spreading all over civilization.

It hasn’t been until recently that I watched the prior two “Maze Runner” installments. After watching both from beginning to end, I have to say I enjoyed the first one, but the second one felt like Melatonin in the form of moving images, which is another way of saying the second movie made me almost fall asleep at times. Going into the third film, I didn’t have truly high expectations. The movie had a low score on Rotten Tomatoes, not to mention a January release date. Let’s face it. Movies+January=Begging for mercy. It’s simple math! It’s still January as I’m writing this and I’ll have you know that this is the first 2018 release I’m focusing on. There’s a saying known as “worst for first,” although I can tell you right now that’s not true because last year I saw “The Emoji Movie” and that was the twentieth movie I’ve seen released that year. Depending on what happens in 2018, I don’t think that’s going to be the case here either, because “Maze Runner: The Death Cure” surprised me in terms of its positivity. As I walked into the theater to watch this movie, not to mention, prior to even going there, I had one thought to myself. I thought, “Please be better than the second movie!” Not only did I get a film that’s better than the second movie, to me it has around the same praise I have for the first movie. If you read my review for the first movie, you’d already know that I’m not saying this movie’s perfect. We’ll get to that, but let’s go on by stating some positives.

This movie was directed by Wes Ball, and as mentioned, he directed both the first and second installments to this series. The fact that he’s come back to direct this third movie is just unbelievable, and I mean that in a good way. Although then again you have Michael Bay coming back to direct every single “Transformers” film and look how those have turned out. I say this is positively unbelievable because you have several films out now based on young adult adaptations. These young adult adaptations have come from books that have gotten multiple installments. The “Maze Runner” franchise is one example of that. Let’s compare this statistic with other similar films. As for “Twilight,” every single movie in the franchise has a different director making the picture. Well, that is if “Breaking Dawn” wasn’t split into two parts so in that case, the same guy directed both of those movies. “The Hunger Games” started off with direction from Gary Ross, and every film after that was directed by Francis Lawrence. “Divergent” was directed by Neil Burger, but that didn’t last because the next two films in the franchise were to be directed by Robert Schwentke. “Fifty Shades of Grey,” YES, THIS COUNTS, because it’s based on “Twilight” fanfiction, even though its target demographic is middle-aged women, was directed by Sam Taylor-Johnson. Then once that movie came out, it had two more scheduled to be released. “Fifty Shades Darker,” the sequel to “Fifty Shades of Grey,” was directed by James Foley, who also directed “Fifty Shades Freed,” which will, unfortunately, be out soon. It just goes to show that with these young adult adaptations and the sole young adult adaptation wannabe, nobody can commit to these movies. With the existence of “Maze Runner” and Wes Ball, we have an exception on our hands. Not only did he direct these movies just for the sake of having a job, he actually tried on all three. He failed on the second one despite looking nice at times, but he tried on all of them. Ball now has a trilogy to look back on as an accomplishment. As for this film, Ball once again delivers by executing solid performances out of the actors along with neat location choices. According to IMDb, the movie was done in South Africa, and it fit the post-apocalyptic vibe quite well. A lot of the cinematography done by Gyula Pados, who also did the cinematography for the previous “Maze Runner” installment, was very proper and it I could easily tell what was going on. So for overall direction, this movie’s solid.

Moving onto the actors, let’s talk about Dylan O’Brien. After seeing Dylan O’Brien in this movie and hearing a little more about him, I have massive respect for him. While all of the actors here commit to their roles, I have to say that O’Brien did an exceptional job committing to the one for which he was responsible. In 2016, it was reported that O’Brien was injured on set while filming “The Death Cure,” suspending production indefinitely. Turns out the injury came from a car making contact with him. Production resumed about a year after the injury happened. The fact is, they got it done. O’Brien survived, everyone’s fine, and the movie was made. Having said that, I want to write my own movies, I might even want to direct them, and I’ve had an idea for one for some time and I’ve often thought to myself for this one I’m thinking of in particular, Dylan O’Brien would be the lead role. Now that I’ve seen O’Brien and what he’s done as far as this movie goes, I want to work with him even more. O’Brien plays the character of Thomas once again, and he’s definitely got some charisma here, much like some other characters.

Another notably fine character is Newt, played by Thomas Brodie-Sangster. I thought Brodie-Sangster’s performance was solid and the way his character was written, along with Dylan O’Brien’s, brought out some great chemistry between the two. I’d probably have to watch the other two movies again, but I don’t think I felt as much of a connection to him as I did here. Maybe it’s because this is the last installment, maybe it’s because I watched this in a theater, not to mention an IMAX theater, I don’t know, but the point is, I like Newt here.

Another character worth talking about is Kaya Scodelario’s character of Teresa. In this movie, we first see her on the side of WCKD, which if can’t tell by what that acronym sounds like, is this franchise’s evil organization. I’m not gonna go into supreme detail about Teresa, but just about every single action from this character was something I was able to believe.

This movie, to me, was full of surprises, and I think I made that somewhat clear. Another surprise that caught my attention was that I actually cared about Rosa Salazar’s character of Brenda. She was introduced in “The Scorch Trials” as a character I didn’t really have much of a connection towards and since the movie itself was a near-snoozefest, that pretty much explains my thoughts towards her character. Brenda actually had a standout scene to me at one point during this movie. She’s driving a bus, and she has to escape, and the way she attempts to escape is pretty awesome. Actually, you know what, I take that back. It was aMAZEing.

As mentioned, this movie isn’t flawless, and as a movie reviewing moron, I gotta be fair here. Going into this film, I will have you know that I was actually at a restaurant beforehand having breakfast. My sister, who wasn’t going to see the movie, was receiving explanation from my father as to what the movie we were going to see was like. He described it as a combination of “The Hunger Games” and “Resident Evil,” at least that’s what my mind suggests. As for that second insertion, I’m not talking about the video games, he’s never played those. He’s talking about the movie adaptations. I haven’t seen one of those films, but I heard they’re abysmal, but having heard various things about them, I think I can make that connection now. The “Resident Evil” movies have a number of moments where you basically have to suspend your disbelief like crazy. This movie has that too, you just wonder how some of the stuff in this film actually happens. It’s not “Batman & Robin” bad, but it’s still a thing that occurs. One more issue I had was the first part of the film. I honestly thought it was a tad draggy but it quickly recovered as the movie went on.

If this movie, at least in my book, could trim up those issues, it might just be the best “Maze Runner” movie yet. Not only that, but it might make this the most solid based on dystopian young adult adaptation movie series I’ve seen to date. In my rankings, it’s tied with “Divergent,” but “The Maze Runner” is actually better because it could actually finish its own story. Based on what I’m saying about “The Scorch Trials,” that’s not really saying all that much. Others would disagree with me, and I’m not lying. Germain Lussier from io9 Reviews made an article titled “The Death Cure Doesn’t Give The Maze Runner the Ending It Deserves.” Not only that, but David Sims from The Atlantic calls this movie a “grim, half-hearted farewell.” I never read the “Maze Runner” books, so maybe my opinion is little different than others. Although Sims never says whether or not he’s read the books so that fact stands here. Nevertheless, maybe I’d like this movie a little less if I have actually read the books, but only time will tell. I might not ever read the books. This isn’t my first time saying this, but movies are more fun! By the way, sorry, books.

In the end, I was rather satisfied with “Maze Runner: The Death Cure.” Wes Ball once again proves to be an effective director who I personally think should get more work in the realm of action movies. Dylan O’Brien nails yet another performance as the lead character of Thomas. I thought a lot of the characters were great. The sound editing was a joy. The set pieces were amazing as well. Also, one of the best parts about all of this, we have a solid January movie! Whether or not this third installment is better than the second one requires no contest. As for being better than the first one, that’s a hard judgment to make, it could be slightly better, slightly worse, or equal. With that being said, I’m going to give “Maze Runner: The Death Cure” a 7/10. One last thing I’m wondering about this movie is this. Why do so many franchises like this have a fetish for needles? Just put this side by side with “The Hunger Games,” “The Giver,” and “Divergent” to see what I mean! Oh yeah, and even more hilarious, “The Hunger Games” has a character called Nessie Needle! Thanks for reading this review, be sure to check out my friend’s blog, and also be sure to check out my past “Maze Runner” reviews. I have reviews for “The Maze Runner” and “Maze Runner: The Scorch Trials,” so take a look at those if you’re interested. Also, as for upcoming content, I’m not sure what I’ll see next. Maybe “The Commuter” or “12 Strong” will be my next review. We’ll find out when time allows it. Stay tuned for more great content! I want to know, did you see “Maze Runner: The Death Cure?” What are your thoughts? What is your favorite “Maze Runner” installment in the movie trilogy? What is your favorite “Maze Runner” book? How would you rank either saga? Do you think either the books or movies are better? Let me know down below! Scene Before is your click to the flicks!

“THE MAZE RUNNER” REVIEW: https://scenebefore.wordpress.com/2018/01/18/the-maze-runner-2014-the-continuation-of-teen-angst-starring-dylan-obrien/

“MAZE RUNNER: THE SCORCH TRIALS” REVIEW: https://scenebefore.wordpress.com/2018/01/25/maze-runner-the-scorch-trials-the-continuation-of-teen-angst-starring-dylan-obrien-part-2-to-be-concluded-in-almost-2-5-years-also-this-is-wckd-boring/

Maze Runner: The Scorch Trials (2015): The Continuation of Teen Angst, Starring Dylan O’Brien- PART 2, To Be Concluded In Almost 2.5 Years. Also, This is WCKD Boring

Posted on by Jack Drees

Hey everyone, Jack Drees here! Last week I reviewed “The Maze Runner,” and I’m letting you know about this because one, it feels appropriate, and two, just about nobody saw it. Sure, people saw “The Maze Runner” as in they saw the movie, but nobody clicked on my review. I’ll have a link down below to my review for “The Maze Runner,” and if you’re lucky enough, you’ll be one of the first people to check it out! This week, I’m going to be following up on my “Maze Runner” review I did last week and I’ll be showing you all my thoughts on “Maze Runner: The Scorch Trials,” as suggested in the title of this post. A title so stupid that it’s nearly a copypaste of the title to my first “Maze Runner” review, but with more s*it sprinkled into it. Enough with that, let’s start the review!

“THE MAZE RUNNER” REVIEW: https://scenebefore.wordpress.com/2018/01/18/the-maze-runner-2014-the-continuation-of-teen-angst-starring-dylan-obrien/

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“Maze Runner: The Scorch Trials” is directed by Wes Ball, who also directed the first “Maze Runner” installment, and stars Dylan O’Brien (The Internship, Teen Wolf), Kaya Scodelario (Now Is Good, The Truth About Emanuel), and Thomas Brodie-Sangster (Love, Actually, Phineas and Ferb) and is the sequel to “The Maze Runner,” which came out one year prior to this installment, and is based on a popular teen angst book by James Dashner. Now that the Gladers we know from the first movie are out of the maze, they have to deal with a new landscape, with new obstacles. And this landscape looks like it’s seen some s*it.

When it comes to the first “Maze Runner,” I really enjoyed the movie for what it was. It’s a lighthearted teen angst movie with a bunch of folks trapped in a maze, trying to get out. Several moments had me glued to the screen, and now that these people are out of the maze, the question is, what’s next? This movie goes into that. In honest truth, I can barely tell you what comes next, because this movie. Was. Boring as f*ck! The first “Maze Runner” was engaging and entertaining, and while the first forty minutes of this thing is quite the same way, although maybe not as much, it just didn’t work out in the end. I actually saw ads for this film in 2015, and I haven’t seen the first installment to this series yet, but I knew about it and everything. Compared to the first film, this looked uninspired, and looked like it was there to have something happen as filler before the last film. I’m not entirely against the young adult genre, there is some good stuff that has come out of it. Although this is one major example of the bad. While not as intolerable as “The Fifth Wave,” I certainly can’t say this had a likable feel to it.

Don’t get me wrong, the vibe that’s present for the movie kind of works. Most of it is in a desolate landscape and given the music, story, not to leave out the motivations and attitudes of the characters, I’d say everything was logical. Although as far as the movie’s progression goes, that’s where the weaknesses start to pour in. This movie honestly, as I watched it, felt like a cash-in. I don’t know how much planning went into this particular installment, nor do I know how much planning went into writing the book for it, but if the book was lazy, the laziness of this movie therefore wouldn’t be all that surprising. I mean, I know the sequel was planned because of the semi-cliffhanger ending the first film gave, but it doesn’t change how poor the execution here was.

The first forty minutes, as mentioned, were entertaining to me. In fact, you know how this movie is called “The Scorch Trials?” Basically the Scorch is what the desolate landscape is called. Everything that happens prior to getting towards the scorch scenes was the entertaining chunk of the movie. As I got to the Scorch portion of the film, I wanted to take out my phone and do something on there instead of watch the movie. I assure you whatever it was I did on my phone, was ten times as fun as the movie. You might as well say that as we got to the scorch scenes, my mind was instantly “scorched” by Dullivan, the god of boredom. Even one or two fast paced chase scenes couldn’t keep me intrigued. I tried my best not to fall asleep, and while I succeeded, I can’t say I feel like I benefited from this experience.

I was however engaged by the ending. While part of it was predictable, I was constantly thinking to myself, when was this s*it going to conclude? I wanted to do something that would have been worth my time. I won’t go into much detail, but it was a big turnaround for my interest towards the film. I got engaged for a moment, but it wasn’t enough for me to say this film is competent.

This film once again stars Dylan O’Brien, or for this movie to make sense, Dullen O’Brien. He’s not a bad actor and once again, I buy him as this teenager. He does a fine job playing Thomas and the transition from one movie to the next was very fluid. During the first forty minutes, I was able to root for this guy not to mention with those alongside him. Even though this movie is wicked boring. Whoops! Sorry, I meant, WCKD boring.

I can’t even talk about this movie anymore! I honestly want to have more to say, but in the long run, I have to stop here! I’ve been running this maze too long and it’s time to collapse in fetal position! If you think that I’m lazy for not going on, let me just remind you that this movie felt lazy so it all comes together! So yeah, this movie sucked, it was boring, and that’s pretty much the gist of it. Badabing badabang badaboom.

Guys, if you can’t tell by how much I wanted to get this review off my belt, I hated this movie. “Maze Runner: The Scorch Trials” is yet another flop in the young adult genre and I just hope that when it comes to “The Death Cure,” I don’t have a similar experience. When it comes to teen angst movies, this may not be the most horrible of every single one I watched, but it might be the most boring. I only described one character! You know why I did that? Because this movie f*cking sucks and I hate talking about it! Part of me doesn’t even want to rate it! But rules are rules, I gotta rate this bitch. I’m gonna give “Maze Runner: The Scorch Trials” a 3/10. Once again, if you watch this movie, chances are you won’t be totally bored through the whole thing, but there’s barely any good parts in it. I have never read the “Scorch Trials” book, but I imagine it’s better than this junk. Thanks for reading perhaps one of my most intentionally lazy reviews ever despite having a descriptive title. I barely survived the horrendous killer maze that was “Maze Runner: The Scorch Trials,” and in the end, that’s what really matters. This weekend, I hope to see “Maze Runner: The Death Cure” and I just hope for humanity that it’s better than this movie, or at the very least, just a good movie. Although this is a January film and if you know how movies are, January is a s*itshow. Stay tuned for that review and more great content! I want to know, did you see “Maze Runner: The Scorch Trials?” What did you think about it? Did you read the book? What did you think about that? How would you compare the two pieces of work alongside each other? Let me know in the comments! Scene Before is your click to the flicks!

2017 Box Office: Little Room For Originality

Posted on by Jack Drees

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Hey everyone, Jack Drees here! As it is the beginning of 2018, I feel it is appropriate to leave links to two posts down below for you to read in case you haven’t read them. My top 10 BEST movies of 2017, and my top 10 WORST movies of 2017. I’ve had fun making these lists, I’m sure you’ll have fun reading them, and I’m also interested in hearing what your best and worst films of the year are. So, read the posts, leave a like, comment, add Scene Before to your subscriptions through email or WordPress, and keep life going!

TOP 10 BEST MOVIES OF 2017: https://scenebefore.wordpress.com/2018/01/02/top-10-best-movies-of-2017-2/

TOP 10 WORST MOVIES OF 2017: https://scenebefore.wordpress.com/2018/01/02/top-10-worst-movies-of-2017/

Staying on topic, the end of the year and the start of a new one has a meaning when it comes to film. From one perspective it means January is here and a lot of crap is being put in theaters that people are gonna suffer through if all the award winning movies are high in ticket sales. Another perspective goes along the lines of what I just did with the posts above which I have links to, my top 10 best and worst movies of the year. Not only that, but we also have a bunch of award shows that are on the rise. January has the Golden Globes, the Screen Actors Guild Awards, the BAFTA awards, and the Critics’ Choice Awards. In February you got some stuff here and there, but when it comes to film, many people say the Academy Awards might be the only thing that matters (unless you’re that one guy who handed Warren Beatty the wrong card). When it comes to reflection, that’s not the limit to what’s been done this year so far. I’m pretty active on Twitter, and one account I occasionally surf is Collider. They posted a tweet which contained the five highest grossing films at the box office for 2017. This tweet had a link which lead to the highest grossing films of the year, looking over 2017’s box office winners and losers. Here’s the tweet:

This list reveals the top five for the specific category, and as I looked at the results, I’d say that it all makes a lick of sense. How do I feel about it? Honestly, not too good. Because a some time ago, I asked something about the future of movies, and so far nothing has been done about it. Although then again, it wasn’t that long ago that I asked. The question I asked was also the title of a post I did, the post is called “Where Are The Original Movies?” The answer, not here.

Of the top five films mentioned on this list, THREE are superhero films based on comic books, ONE is from a franchise that people recognize instantaneously once you put a picture of a lightsaber in front of them, and ONE is a live action remake that only adds a couple new things in of a Disney animation which is considered a classic by a lot of people. By the way, those aren’t the only two adaptations of the story! Oh yeah, did I mention FOUR of these have Disney at least partially associated with them? I will admit that I personally am at fault. I managed to see four of these films. These include “Star Wars: The Last Jedi,” “Guardians of the Galaxy Vol. 2,” “Spider-Man: Homecoming,” and “Wonder Woman.” I review movies, and it feels like a job where I don’t get paid because I don’t monetize my site at the moment, and I actually legit wanted to see all of these films.

Out of the four I saw, I only found one to be great, in fact it made my top five of the year, specifically “Wonder Woman.” I gave it a 10/10 in my review and while it’s not technically flawless, given the villain side of the story, I thought it was an amazing ride with Gal Gadot proving to the world that she is this kick-ass superhero. Plus I felt for the most part this seemed like it was not a studio-type film unlike 2016’s “Batman v. Superman,” it was more like one person (Patty Jenkins) unleashing their vision and sharing it with everyone.

When it comes to “Spider-Man: Homecoming,” it tried to be a different “Spider-Man” movie, but in the end, the execution could have been better. The script had Spidey cracking jokes all over the place. And I think that’s fine, this is Tom Holland playing him, and he played the character in “Captain America: Civil War,” another movie where Spidey cracks jokes. Not to mention, BRILLIANT jokes. Unfortunately, the brilliance wasn’t repeated in “Homecoming.” In my review, I gave it a 7/10, but right now it’s borderline 6-7/10. Speaking of failed attempts at humor, let’s talk about “Guardians of the Galaxy Vol. 2.”

When I saw the first trailer for “Guardians 2,” I was in instant hype mode. Granted, I don’t consider the first installment to be the best movie in the MCU, but I also think it is definitely one of the better ones. Not to mention, I consider it to be the most fun out of all the movies released in said cinematic universe. This second installment however wasn’t exactly terrible, but it should have been WAY better than it was. It shoves too much into one movie, kind of like “Age of Ultron,” and at the same time, it feels like it doesn’t feel it inserts too little. No pun intended, but BABY GROOT SUCKS! The humor seemed to land with just about the five-hundred other people watching the film alongside me, but I only laughed at various times. It just wasn’t that funny. The first one is lovable, quotable, and memorable. This one isn’t lovable, but you can say it’s quotable and memorable. I remember a turd joke. I remember a conversation about male genitalia. I will say that for the most part, “Guardians of the Galaxy Vol. 2” at least tried to be one thing. I can’t exactly say the same for the conundrum that is “Star Wars: The Last Jedi.”

I love “Star Wars.” There are so many days where I think about “Star Wars” and how much it has brought a tremendous influence on our culture. When it comes to “The Last Jedi,” it’s a very weird installment when it comes to the “Star Wars” saga, and I don’t mean that in a good way. I say that because you can look at a movie like “Colossal,” think of it as weird, and praise it for being weird. The way I’m using “weird” when it comes to this movie is not a good kind. I mean that as in, this movie is “not ‘Star Wars.'” I do appreciate it for not ripping off “The Empire Strikes Back,” but the way they’re taking a lot of the stuff shown in the movie made the whole experience more of a wreck the more I think about it. Also, I’m glad Porgs aren’t in the film for that long, but seriously, they can go to hell.

For the record, the results I talked about are domestic. These results make me wonder what the rest of the decade will look like for box office returns. In the 2010s decade, there have been a small number of original films making the top five for box office returns. These include “The Secret Life of Pets,” “Inside Out,” and “Frozen.” I will give credit to “Inside Out” because I do feel it deserved every penny it made. I watched that and it was extremely emotional. I did watch “The Secret Life of Pets” in the theater, and while it was a technically passable animation, it wasn’t exactly something I would ever want to watch again or show to a kid. I also watched a portion of “Frozen,” and it made me want to die. Beautiful animation, but what else does it have going for it?! The further we go in terms of cinematic history, the more I’ll probably miss 2009 because in that year, “Avatar” came out, and it shut the door on other movies at the box office. And while I do consider that movie to be overrated, and already somewhat dated, I do have to give credit because at the very least, it’s a property that nobody’s heard of.  People have picked up on how much it can be compared to movies like “Pocahontas,” but still. Although I wonder how many people confused it for “Avatar: The Last Airbender.” Sure, it’s from a well known director, but it’s still better than paying money to see “The Hunger Games.” Why did it make so much money? IT’S F*CKING POPULAR! But wait, there are other films on this list too. Just for the sake of letting out information, let’s add on the other top films at the 2017 box office. Just to tell you which ones are actually original ideas, I have those in bold.

6. IT
7. Thor: Ragnarok
8. Despicable Me 3
9. Jumanji: Welcome to the Jungle
10. Justice League
11. Logan
12. The Fate of the Furious
13. Coco
14. Dunkirk
15. The LEGO Batman Movie
16. Get Out
17. The Boss Baby
18. Pirates of the Caribbean: Dead Men Tell No Tales
19. Kong: Skull Island
20. Cars 3

As you can see, only TWO original films are in the top 20 for the 2017 box office numbers. Just a fun fact, I saw neither one of those, and I’m deeply disappointed in myself. I never got around to watching “Coco” because I don’t know anyone who would want to watch animations, but I heard so many great things about it. As for “Get Out,” I was in a similar situation, I don’t know many people who would want to watch a horror film. I almost picked it up on Blu-ray based on thoughts I had in the past, but I never got to it. Although for those who actually did manage to go see those films, I have tremendous respect for you. Admittedly, I saw five of these fifteen films from beginning to end. I saw another one, “Kong: Skull Island” for the first ten minutes, but my 4K Blu-ray player was having problems therefore not allowing me to watch the rest of the picture. Of the five I saw, I loved two of them. This seriously does beg a question I asked in the past. Why do people watch these movies?

If you want my theory, it’s because everyone is familiar with a particular property. This is why “Star Wars” has owned the box office for the past three years. Main saga installments such as “The Force Awakens” and “The Last Jedi” broke box office records because a large number of people wanted to see these films since it’s part of a well known franchise that a lot of people admire. They didn’t really know what the verdict was from critics who saw the film early, in fact many people, including myself, bought tickets as early as about two or so months prior to release. People went to see “Thor: Ragnarok” because it’s Marvel, the same can be said for “Guardians of the Galaxy Vol. 2.” Also, you can consider how both of those movies received positive ratings from critics. People saw “Logan” because the Wolverine’s in it. People saw “Justice League” because it’s DC, although in reality you can say that’s why some folks skipped this movie. You can also say because it has Batman, Wonder Woman, The Flash, Cyborg, Aquaman, those people. People saw “The Fate of the Furious” because it’s “Fast and Furious.” Not to mention, it’s not that complicated of a movie, it’s not one of those films where you have to sit down and think. You just eat popcorn and let time go by. People saw “The LEGO Batman Movie” because it’s animated so it’s good for the kids, it has Batman, and “The LEGO Movie” was not only popular, but well received. People saw “Cars 3” because it’s animated, it’s from Pixar, there are a couple of installments leading up to it, and there’s a good chance your kid dragged you to it. You see my point?

I also have to say that studios are partially responsible for this craze. When studios like Disney put out another “Star Wars” movie or another Marvel movie, do you think they’re doing it because they want to put out a quality movie that will be talked about generations to come? It’s possible, however it’s also possible that they’re thinking with their wallet, or in this case their Scrooge McDuck money vault. Yes, I’m still talking about “The Force Awakens” today, and I think it’s an amazing movie. One of my biggest problems with it is that they played it safe, but it’s a very minor issue. There’s a good chance I’ll probably still be talking about “The Last Jedi” too, but I might not be talking about it saying that it’s a great movie. The name “Star Wars” will put almost anyone in the theater. If “The Phantom Menace” didn’t prove that already, these past few years certainly have. Disney also released “Beauty and the Beast,” which I heard is visually dazzling, but ultimately just the same story as the animated version, just told in live action, with a couple songs added in, and changing someone’s traits to make them homosexual. I’m not saying live action remakes from Disney are terrible, after all I really enjoyed “The Jungle Book.” I will blurt that I actually might not have the right to say what I’m saying because I didn’t see any version of “Beauty and the Beast.” This is the problem. Hollywood is just redoing old ideas and passing them off as new. It works for “Super Mario Bros,” not for Disney movies.

As for 2018, originality isn’t looking too great for Disney either. Let’s see what movies they have lined up:

  • A Wrinkle in Time (based on a book by Madeleine L’Engle)
  • Solo: A Star Wars Story (Star Wars)
  • Avengers: Infinity War (Marvel)
  • Black Panther (Marvel)
  • Ant-Man and the Wasp (Marvel)
  • Incredibles 2 (Pixar sequel)
  • The Nutcracker and the Four Realms (Based on a story and ballet)
  • Ralph Breaks the Internet: Wreck-It Ralph 2 (Disney animation sequel)
  • Mary Poppins Returns (Title pretty much says it all)

It’s not just Disney to blame here. Let’s talk about some other unoriginal films coming out in 2018!

  • Deadpool 2
  • X-Men: Dark Phoenix
  • Ready Player One
  • Pacific Rim: Uprising
  • Rampage
  • Tomb Raider
  • Fifty Shades Freed
  • Creed 2
  • Spider-Man: Into the Spider-Verse
  • Bumblebee: The Movie
  • Aquaman
  • Fantastic Beasts and the Crimes of Grindenwald
  • Venom
  • Slender Man
  • The New Mutants
  • Sicario 2: Soldado
  • Johnny English 3
  • Goosebumps: Horror Land
  • The Grinch
  • Super Troopers 2
  • Scarface
  • The Equalizer 2
  • Barbie
  • Mission: Impossible 6
  • Jurassic World: Fallen Kingdom
  • Maze Runner: The Death Cure
  • Insidious: The Last Key
  • Animal Crackers
  • Ocean’s 8
  • The Purge: The Island
  • Hotel Transylvania 3: Summer Vacation
  • Teen Titans Go! to the Movies
  • Robin Hood
  • The Predator
  • God’s Not Dead: A Light in Darkness

You get the point by now…

I get that filmmaking is technically a business, and people use it to make money, but they have to realize what they’re doing to people who watch the films. They could walk in, walk out, and say that they had an experience. It could be good, it could be bad. The real question is: How many experiences like the ones I just described will have a good chunk of people who felt like they experienced something new? Granted, storytelling has been around for a long time. The oldest written story passed down to us, The “Epic of Gilgamesh,” was introduced to the world around 2100 BC. We’ve been telling stories for as long as time can stand. It’s quite possible that original stories are going the way of the woolly mammoth. In fact a lot of original stuff we’re actually getting now borrows elements from other pieces of work. At this point, I don’t really care if we get a new franchise or a new movie from something we haven’t technically watched in the past, but I want to see more of that and less sequels each and every day. I may be a picky eater, I always have been since I was a kid, but my tastes in film go like this: As long as the film’s good in any way possible, it’s cool. Do I like unoriginal work? Yes, as long as it’s good. I’m not saying every original film is good either. Heck, 2017 gave a ton of original crap! Films like “Gifted,” “Downsizing,” and “The Space Between Us.”

I’m also not saying every unoriginal film did well at the box office in 2017. Films like “Blade Runner 2049,” “xXx: Return of Xander Cage,” “Ghost in the Shell,” “Underworld: Blood Wars,” “Resident Evil: The Final Chapter,” “A Bad Moms Christmas,” “The Mummy,” and “The LEGO Ninjago Movie” didn’t appear to be as successful as other films during the year. By the way, for those of you who skipped out on “Blade Runner 2049,” you missed a work of art.

What I want studios and filmmakers to learn is this: It’s OK to take risks, it’s OK to be different, that’s what storytelling is about. Showing a unique vision to the world, not grabbing everyone’s wallet and swallowing it because of something they already know getting a new installment. How do you think Quentin Tarantino is popular today? How do you think he got popular in the first place? Is he doing the same thing as everyone else? Is he recycling old ideas? Sure, he definitely has influence from others, but his ideas are usually original so people usually view his movies as refreshing. Christopher Nolan has borrowed ideas from others, including his own brother, but at least he has done some stuff of his own like “Inception.” Not to mention, he stays away from traditional Hollywood conventions, even in unoriginal content like “The Dark Knight.” Another director I have my eyes on now is Nacho Vigolando. He wrote and directed “Colossal,” one of my top films of 2017.

The concept of “Colossal” itself, takes a number of elements from other movies, but in end, it’s truly its own thing. A girl named Gloria (Anne Hathaway) is kicked out of her apartment by her boyfriend who goes by the name Tim (Dan Stevens). Gloria moves back to her hometown where she reunites with a childhood friend, Oscar (Jason Sudeikis). As the movie progresses, we are shown that a monster recently attacked Seoul, South Korea. The thing that everyone has yet to realize, Gloria is responsible for the monstrous actions. You can do so many things with this, and what they did with it was just imaginative. It tries to be a lot of things at once, and believe it or not, it actually works! Films like this are something that I could imagine inspiring a generation of filmmakers. The problem is that it’s not all that popular, it’s an independent film, and was never really marketed all that well. In fact, I never really anticipated “Colossal” to be the absolute masterpiece that it is. People never really talked about it much before or even during the release. The same can’t really be said for a chunk of unoriginal content.

One of the movies I’m really looking forward to in 2018 is “Incredibles 2.” Not much has been shown for it yet, but regardless, I want to see it. Why? Because the original film is my favorite animation ever made! This just really makes me wonder, how rare is it for someone to actually go on for a long time, hyping for something totally original? Hype is something that people usually have for unoriginal content for no other reason other than because what they’re hyping for IS that unoriginal content. I’ve hyped for original content, but the more I look around, that’s not the case with everyone else. Look at all the hype “Avengers: Infinity War” is getting right now! This based on comic book story has been built up for quite some time through the release of a ton of films, and now that it’s almost here, there’s an enormous craze regarding it.

I’m not saying all unoriginal ideas are bad, I think I’ve made that clear already. In fact, I want to say one of them could be a future masterpiece. This year I was one of those people who actually got off their ass, went to the theater, and saw “Blade Runner 2049.” Just about everyone who saw the film would agree with me when I say it’s good. I’d bet not everyone would say they enjoyed it as much as I did. There will inevitably be those people who were bored out of their minds due to the movie’s slow pace, but in the end, this movie is just a testament to cinema. From a technical perspective, I was blown away. Roger Deakins’s cinematography was some of the best I’ve seen all year. The visual effects were eye candy that you’d want in your mouth instantly. Watching every single frame pass by was like looking at neon Heaven. Story-wise, I was also impressed, especially for a sequel like this. It develops all of its characters perfectly, continues in a future that probably will not happen entirely, but based on the world of “Blade Runner,” it does seem like something that would make sense from a certain angle. I’ll remind you that the original film came out in 1982 and took place in 2019, this sequel released thirty five years after, 2017, and took place in 2049. Sadly, not many people saw this when you compare the results this movie got against others. Although you might as well consider that not many people left their houses to go and see the first “Blade Runner” either. One of the biggest things I appreciated out of this sequel is how it didn’t set the stage for endless sequels or a cinematic universe. It felt like a movie, not a neverending TV series.

As interesting as cinematic universes are, they are becoming more and more common and the concept is just becoming rather boring. I will say, I have an idea for a cinematic universe, I think it could work, but as far as standalone franchises, I’m only incorporating two of them. It’s simple and effective. Standalone sequels have a beginning, middle, and end. They can give a sense of satisfaction. I’m not saying cinematic universe movies don’t have a beginning, middle, and end, but meshed in there is setup. Sometimes it works, sometimes it just comes off like a kid trying to get attention. Despite how much “Avengers: Infinity War” may sound like a finale for the MCU, trust me when I say it’s not. For one thing, there’s going to be a fourth “Avengers” film the following year, and Marvel still has more plans for films afterwards. They have another “Spider-Man” movie and another “Guardians of the Galaxy” movie! According to James Gunn, writer and director of the first two “Guardians of the Galaxy” films, not to mention the possible writer and director of the upcoming third installment, he says that “Guardians of the Galaxy Vol. 3” will expand the cosmic universe. Honestly, I don’t know how to feel. At least “Two and a Half Men” had a conclusion! It took about twelve or so years to get to it, but it happened! Although you know what could happen once this cinematic universe ends? One word. Reboot. And you know what? It’ll probably make some f*cking money!

You know what else could be true? I don’t know, we’re probably just reaching the bottom of the barrel and running out of ideas. Although I can’t say that’s true because I have an idea for an original film. I won’t say what it is, but if any major Hollywood studio wants in on it, I’d be happy to send it to them. I don’t have the script finished yet, but I can definitely work on it if you want to see this idea realized in the future.

I’m not against unoriginal content, but from my personal viewpoint on society, these results make it seem like that’s all anyone watches now. Is it a popular thing? Someone watched it. Is it based on something that happened before? Someone watched it. I just want to see a future where at least some original content gets to shine as much as unoriginal content. Well, as long as said original content is good. I want to say to both studios and audiences, take some steps off the beaten path. I did that when I saw “Colossal,” I was originally planning to see “Kong: Skull Island,” but “Colossal” was the movie I ultimately had time for, and it was f*cking worth the ride.

Thanks for reading this post! As far as upcoming reviews go, I do plan on seeing this film called “The Commuter,” there’s a chance you may have heard of it on TV. It stars Liam Neeson as a person on a train who’s caught in a criminal conspiracy. The director who’s doing this film directed “The Shallows,” which was pretty great, but it’s January, so anything could happen.

Also I want to inform you that pretty soon I’ll be starting a new mini-series of reviews, specifically for the “Maze Runner” movies. I’m gonna watch “The Maze Runner” and “Maze Runner: The Scorch Trails,” and I’ll review the first film one week, and follow up with a review for the second film the week afterwards. This is all being done in preparation for “Maze Runner: The Death Cure,” which comes out January 26th. Stay tuned for those reviews and more great content! I want to know, which movies did you see in 2017? Did you see any that made the top results at the box office? Do you think we need more original content? Would you watch more original content? Leave your comments below! Scene Before is your click to the flicks!

The Disaster Artist (2017): Oh Hai, James Franco!

Posted on by Jack Drees

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“The Disaster Artist” is directed by James Franco (Spider-Man, 127 Hours), and is based on a true book written by Greg Sestero. This movie also stars James Franco alongside his brother, Dave Franco (Neighbors, Now You See Me), and Seth Rogen (Sausage Party, Pineapple Express). “The Disaster Artist” revolves around the making of the 2003 disasterpiece of a film, “The Room.” The book which this movie is based on is written by a cast member of “The Room” who played the character of Mark (played by Dave Franco here). So, essentially Greg is one of the main characters, and he meets Tommy Wiseau (played by James Franco) in an acting class. The two form a bond as time passes, which leads them to try tackling their dreams in Hollywood together.

I just want to get two things out of the way. I’ve never read “The Disaster Artist.” I almost picked it up once, but I put it back before taking it. However I did watch “The Room.” I managed to find it on YouTube and someone had a post showing the movie from beginning to end. I watched it recently and I TOTALLY see what everyone is talking about. From the cheesy and poorly written dialogue, the so-called acting, and the establishing shots of San Francisco that feel like something out of say, “The Golden Girls,” this movie is a mess, but it was so f*cking fun. The movie itself, is capable of having most of its viewers say it’s terrible, but at the same time, it kind of has a feeling that other bad movies don’t give you. This is more along the lines of a movie like “Batman & Robin,” where it’s bad, but you can also have some fun watching it because of all the cheese. It’s not like watching “The Emoji Movie.” For the record, that movie did not suck ass, it sucked EVERY ass. “The Disaster Artist” is like neither of those films. This is because “The Disaster Artist” is definitely one of 2017’s best films! Not only that, but it also has to be one of the most ironic films I’ve ever seen! “The Room” is in a word, abominable. “The Disaster Artist” is in a word, admirable. It’s amazing how “The Disaster Artist,” a movie based on the making of one of the worst movies ever made, specifically the kind where it’s so bad that you have to experience it, became one of this year’s best movies, a film so good that you have to experience it. And I did. I’m just gonna warn you, I’m gonna be digressing here, and it’ll be a matter of time before my actual review of the movie appears on here. And I know a reason why a lot of people are here is to read my thoughts on “The Disaster Artist,” not to hear about my personal life. So if this bores you, makes you want to stab yourself with a knife, encourages you to go on a killing spree, or makes you want to jump out a window, DON’T DO THOSE THINGS, and instead, either stop reading the post and rethink what you’re doing in life, or just skip ahead to the next paragraph where I get back on track. So let’s move on.

I’m a high school student currently living in eastern Massachusetts. It took me three weeks to see this movie. I wanted to see it right away, but I had other things going on at the time. Then “winter break” came, note the quotation marks, stating sarcasm of how my winter break lacked any time to sit down and relax. Due to a complicated schedule, I was somewhat worried that I wouldn’t get to see this. I did however once time was on my side, not to mention my father’s. There were barely any times available and the closest town I could go see the movie was Somerville. I don’t usually go to Somerville to see a movie, I’ve only done it twice. In fact, I barely go to Somerville period! But I did it, because I was committed. That and I had gift cards to AMC Theatres that I felt would be useful for an occasion such as this. Somerville is nearby as far as I’m concerned but I barely go anywhere that’s urban, I’m usually in the suburbs when I go to movie theaters. It’s easier parking-wise, it’s easier in terms of traffic, not to mention there are theaters that are closer in terms of distance and time. I like the AMC in Somerville better than some theaters I go to (except price-wise), but I think the auditoriums are nice and the sound’s amazing. Traffic and time to get to the theater weren’t an issue for my father and I. Parking almost did however. My father’s vehicle can’t fit in garages, and admittedly, I didn’t mention to him that Assembly Row, the plaza where the theater happened to be located, was mainly garage based. There is parking available in non-garage areas, but it’s a busy place, not to mention it was a Saturday night and the following day was New Year’s Eve. The unusual trip to Somerville, was worth it from the quality of the movie alone.

Out of all the films I’ve seen this year, this one is BY FAR the funniest. Not only that, but it also managed to be rather serious. One thing that I imagine some people who know about “The Room” might have expected walking into this film was the possibility that it might mock Tommy Wiseau to the tenth degree. The movie, in terms of its screenplay, makes almost anything Tommy does on screen hysterical, but I wouldn’t say it makes fun of him. Tommy, at the time which this movie takes place, is a mystery man. He goes on saying to Greg Sestero that he can’t talk about his interactions with Tommy to anyone. We as viewers don’t even know that much about his background. We don’t know how the money that went into the making of “The Room” appeared. It’s explained that this movie took $5 million to make. That’s what I recall the film’s screenplay suggesting, but according to IMDb it cost an estimated total of $6 million to make the flick. Speaking of IMDb, if you look at Tommy Wiseau’s page, it says he was born on October 3rd, 1955 in Poznag, Poland. According to the Wikipedia page dedicated to Tommy Wiseau, it says he gave an age in interviews after the release of “The Room” that would suggest he’s either born in 1968 or 1969. He claimed to have lived in France a long time ago, he grew up in New Orleans, and he had an entire family in Chalmette, Louisiana. Greg Sestero’s identically titled book, which James Franco suggested in an interview based on the words of Tommy is “40% true,” suggested that his brother’s girlfriend obtained copies of Wiseau’s immigration papers, which said Tommy was born earlier than he claimed. Rick Harper, AKA the creator of “Room Full of Spoons,” a recent documentary based on the making of “The Room,” did research on Tommy Wiseau’s background, coming to the conclusion that Tommy is Polish and originally from the city of Poznan. In November 2017, Tommy confirmed in an interview he was originally from Europe. The following month, he was interviewed by Howard Stern. He mentioned he speaks French and happens to be Catholic. While we may be progressively getting more and more information, the man’s still a mystery, and the movie does a very good job at telling that to its viewers.

Just for your information, the earliest this film actually released was on March 12th, 2017. According to IMDb, it was a work-in-progress at the time. I can’t say how much of the film was released to the public, if it wrapped it’s filming entirely, how much editing got done, none of that, but it was a work-in-progress. This was shown at the time to those who went to “South by Southwest.” The next release was on September 11th at the Toronto International Film Festival, and IMDb doesn’t have it labeled as a work-in-progress unlike the release for South by Southwest. The movie for what I recall, never mentions Poznan, or Poland in general for that matter. Despite the film lacking that detail, it does a fantastic job of explaining the total mystery that is Tommy Wiseau.

Speaking of Tommy Wiseau, let’s talk about him as a character, not to mention the guy who plays him. Tommy’s played by James Franco, who also directed this film. This is without a doubt, one of the best performances ever given by James Franco. As mentioned, Tommy Wiseau is mysterious, and Franco captured that quite well. Franco also had an accent that Tommy gave all the time, and he didn’t sound like James Franco like you’d hear in content such as “Freaks and Geeks” and “Spider-Man,” where does give passable performances, nothing groundbreaking, but you can still see that shred of Franco. Here, he turns into Tommy, giving perhaps my favorite performance of the year. There are a number of performances I admired in 2017. Some of my favorites include Mark Hamill as Luke Skywalker in “Star Wars: The Last Jedi,” Harrison Ford as Rick Deckard in “Blade Runner 2049,” Ryan Gosling as K in “Blade Runner 2049,” Ansel Elgort as Baby in “Baby Driver,” Gal Gadot as Diana Prince/Wonder Woman in “Wonder Woman,” Tom Glynn-Carney as Peter in “Dunkirk,” Fionn Whitehead as Tommy in “Dunkirk,” Jayma Mays as Dana Sibota in “American Made,” and Holly Hunter as Beth in “The Big Sick.” I just saw this film, so this could change, but James Franco as Tommy Wiseau might be better than just about every single one of these performances I’ve listed. Am I overhyping this? I really don’t think so! It might be a tie between this and the recently mentioned performances by Ryan Gosling, Harrison Ford, and Mark Hamill until further notice. The future will probably provide more certainty.

In fact, in terms of direction, James Franco outdone himself as well! “Spider-Man 2” may be my favorite film with James Franco in it, but out of all the films he’s worked on, this may be the one which James as an individual worked the hardest on. All of the actors seemed like they had no problems on set while they played people who had problems on set. The film is well shot and well lit. In fact, towards the end of the movie, it actually shows “The Room” during its premiere, and not long after that’s over, we cut to two side-by-side moving images. One is actual footage from “The Room” and another is recreated footage, which was specific for this movie. That footage contained actors playing the characters originally played by other actors. Some examples include Josh Hutcherson (The Hunger Games, Journey to the Center of the Earth) as Denny (originally played by Philip Haldiman), Zac Efron (Neighbors, High School Musical), who played Chris-R (originally played by Dan Janjigian), Ari Graynor (Bad Teacher, I’m Dying Up Here), who played Lisa (originally played by Juliette Danielle), Dave Franco who played Mark (originally played by Greg Sestero), and let’s not forget James freaking Franco, who played Johnny (originally played by Tommy f*cking Wiseau). Is this my favorite film of the year in terms of direction? I wouldn’t say that, but it is close however.

Going into this film, I knew a lot about “The Room,” but based on various scenes, I picked up on some things I didn’t expect to pick up on involving “The Room” as a movie. You know how you notice an extended amount of the movie’s runtime, the characters are playing football? This movie kind of goes into that.

This movie is more than just something that’s telling the story of the production behind another movie. It’s also a story about friendship. As mentioned, Tommy Wiseau isn’t being mocked throughout this picture, and I really appreciate the film going in that direction because it made you understand Tommy as a person. Not only that, but this movie also has a major focus on Dave Franco’s character of Greg Sestero. This is almost a lot like “Lord of the Rings” in ways. Think of Tommy Wiseau as Frodo and Greg Sestero as Sam. Tell me that comparison is terrible. They’re there for each other, they respect each other, they even do a pinkie swear in the film, which occurs more than once to be accurate. As friends, they decide to make a movie together.

As Tommy and Greg make “The Room,” it’s clear that they don’t do know s*it on how to make a movie. When the two are trying to get cameras to shoot the movie, they decide to buy them, not rent them. While buying cameras isn’t exactly something that hasn’t been done for movies before, it’s traditional for people to rent them. Not to mention, when they’re asked if they want 35mm or HD, they respond saying they want both types of cameras. They’re lit differently, they work non-identically, and it might result in a weird final product depending on how things go. Overall, their friendship is shown in this film to the tenth degree and I love it.

In the end, “The Disaster Artist” takes an absolutely horrible film, and incorporates it into a different, astoundingly incredible film. The story behind “The Room” is honestly, a movie I never asked for, but once I heard about it, and saw the teaser trailer for it back in July, I was instantly in anticipation mode. On paper, this idea sounded amazing. As a final product, this idea is even better. Before I give my final verdict, I’m gonna let you in on a little fact. My dad and I saw this movie together, he went to see this film without watching, or even knowing all that much about “The Room.” He walked out of the theater alongside me, saying he enjoyed the film. So ultimately, you don’t need to watch “The Room” to appreciate this film. You can do it if you want to, which I must say if you do, is an experience, but it’s not necessary. However, I imagine at least knowing about “The Room” or watching it might add it a bit to the movie. With that being said, I loved this movie and it’s undoubtedly one of the best of the year. I’m going to give “The Disaster Artist” a 10/10. One last thing before I go on with a wrap-up, this movie has an end credit scene, so stick around after the credits if you don’t want to miss that. Anyway, thanks for reading this review, this is one of my favorite movies of the year, and speaking of that, once 2018 starts, one of the earliest published posts on this blog will be a countdown of my top 10 BEST movies of 2017. This movie will have a spot on the list for sure. I won’t say which, because it could change, plus I might go see one more 2017 movie in the theater and review it. That potential movie by the way, is “Downsizing.” One list I assure you this movie won’t be on, is my top 10 WORST movies of 2017, which I plan on releasing after I reveal my top 10 BEST list. Stay tuned for more reviews, and also stay tuned for those upcoming countdowns! I can’t wait to finally release them, because I have so much fun making them! I want to know, did you see “The Disaster Artist?” What do you think about it? Did you see “The Room?” What are your thoughts on that? Or, what are some movies that you personally think are so bad that they are actually good? Let me know down below! Scene Before is your click to the flicks!

(FROM THE ROOM)
JOHNNY: I did not her, it’s not true! It’s bulls*it! I did not hit her! (throws water bottle) I did *not*. Oh hi, Mark.

You can laugh, you can cry, you can express yourself, but please don’t hurt each other. –Tommy Wiseau

10 Movies That Have Changes You May or May Not Have Noticed *SPOILERS*

Posted on by Jack Drees

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Hey everyone, Jack Drees here! You might have clicked on this post thinking “Oh, crap! Clickbait! GO BACK! GO BACK! GO BACK!” First off, thank you for giving me one extra view, very much appreciated. Second, regardless of how clickbaity this sounds, I will say what you’re about to read is somewhat interesting. When movies come out, you might think of it in a certain way. You might go back and watch it the way you remembered. Although in some cases you might go back and watch it, and there’s something different about it. Today we’re going to be looking at some of these changes, see if you see the movie in a different view than you did before. One rule I’m making for this list is that no made-for-TV changes apply here. If a movie gets a change from its original release because it airs on TBS or something, it doesn’t count. So changes as the one from “Home Alone” where Buzzy doesn’t say “I wouldn’t let you sleep in my room if you were growing on my ass,” and instead says “butt,” doesn’t qualify. Just for the record, this is not a countdown, these aren’t in any specific order, and I’m not sticking to any sort of idea, stating how much I like or dislike these changes. I might go into that, but I’m not saying I like every single change or dislike every single change. So let’s dive into this.

Revenge of the Nerds: Phone Number

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The first change comes from the 1984 comedy “Revenge of the Nerds.” This is one of my personal favorite comedies. The sequels? Not so much. The movie has been released on VHS, Laserdisc, DVD, and Blu-ray. However, the sequels haven’t gotten past the DVD mark. This is a change that is seen on both the DVD and Blu-ray editions of the film. In 2003, the film was put out on DVD, but with a reedit brought to the mix. There’s a “For Rent” sign in the movie which had a genuine phone number on it. For legal reasons, the footage where the phone number was displayed was removed. Note, I didn’t say blurred, but removed. I have never seen the footage of where the phone number is revealed and as I write this, I’m looking at originaltrilogy.com, where a bunch of users are talking about this change and a couple of them called it “jarring.” I will have to watch the original cut in order to agree or disagree, but if you really want to make everyone happy, just blur the phone number. Also to everyone, please don’t call the phone number. Don’t be a dick.

All the Right Moves: Lea Thompson In the Nude

Remember how I said this isn’t a countdown? Well, I guess this may be an excuse to talk about movies I haven’t seen. Ladies and gentlemen, I give you “All the Right Moves,” starring Tom Cruise (Risky Business, The Outsiders) and Lea Thompson (Jaws 3-D, Back to the Future). Why am I talking about this? Well apparently I was in Connecticut and while I was there, I managed to pick up a bunch of Blu-rays to add to my collection. This movie happened to be one of them and I figured it would go great in my Tom Cruise collection. Due to random research, I came across something interesting. When “All the Right Moves” came out in 1983, there’s a sex scene featuring Tom Cruise and Lea Thompson which contains full frontal nudity, however when the Blu-ray released in 2012, the framing of Lea Thompson’s character in the nude was altered. This prevented people from seeing Lea nude below the waist. I don’t want to sound like a pervert, but I don’t know why that change had to be there. First off, the movie’s rated R. Second, if people who have watched this before are rewatching this today, they might be slightly jarred by what they’re seeing and the experience of that scene might be ruined for them. Not to mention, this is a Blu-ray cut! Not a cut made for television! On TV, I can sometimes understand some movies being altered for certain viewers for a number of reasons. But, on a Blu-ray?! What do I know really? I’ve yet to see the film so I can’t really say much.

2001: A Space Odyssey: “Affirmative, Dave” and Nineteen Minutes of Footage

It’s been almost fifty years since the release of “2001: A Space Odyssey.” In that span of time, the movie has been considered a classic by fans of science fiction and film from a general perspective. You know what they say, if it ain’t broke, don’t fix it. This change, much like the “Revenge of the Nerds” change, didn’t really break the film or anything for some people. In fact you can say it broke the film less because if you think about this, it’s not really that jarring compared to the “Revenge of the Nerds” change. In 1998, MGM released “2001: A Space Odyssey” on DVD, with a slight change in the dialogue. During the scene when Dave is trying to get through the pod bay doors, he asks HAL “Do you read me, HAL?” In that particular release, HAL responds by saying “Affirmative, Dave.” Although in the original release, HAL says “Affirmative, Dave. I read you.” What makes this change extra wacky is that the English subtitles for the DVD released by MGM actually still displays the line from the original release. The full dialogue however was revived in future home video releases from Warner Brothers. Speaking of changes, when “2001: A Space Odyssey” was first released, it was slightly over two and a half hours long. The version which is seen on most home video releases is a version that’s just slightly shorter than two and a half hours. Stanley Kubrick, the director of the film, removed nineteen minutes of footage after the film premiered. It would be nice to see that footage restored for when “2001” comes out on 4K, I’d totally buy that!

Blade Runner: Endless Cuts (SPOILERS AHEAD)

“Blade Runner” is one of the best sci-fi films ever made. In fact, a sequel just released in October and it might be just as good, if not better, compared to the original. Followers over the years have been exposed to multiple editions of what director Ridley Scott regards as “probably his most personal and complete film.” Ridley might not be lying when he says that, and we’ll get to that in a second. “Blade Runner” has had seven different cuts of the film released to the public.

In 1982, the workprint prototype version was shown to test audiences in Denver and Dallas. This was also shown in 1990 and 1991 to audiences in San Francisco and Los Angeles as a “Director’s Cut.” Although it didn’t have the approval of Ridley Scott. We’ll get back to that in a sec.

There was also a San Diego sneak preview version shown to audiences only once in May 1982. This version included three scenes that was never shown in any other version of the film (before or after).

Then we have the version the US audiences saw in theaters. This included a “happy ending” that the studio wanted in the film. Fun fact by the way, there are aerial helicopter shots which weren’t even filmed for “Blade Runner.” These shots were actually from Stanley Kubrick’s “The Shining.” The movie also included narration by Harrison Ford, who played the lead character of Deckard. While some might say Ford either was angry about his task or he intentionally narrated poorly, he said it was simply bad narration. This was also referred to as the “Domestic Cut,” which wasn’t released on DVD until 2007 as part of a collector’s set of the film.

Then we have the International Cut. This cut is a minute longer than the US version, and included more violence in three action scenes than the US version. This cut was eventually released in the US on VHS and Criterion Collection laserdiscs. Interestingly, this version was shown to the US on HBO during the 1980s, the 1990s, and 2015.

In 1986, the US broadcast version was released. This was put together by CBS to meet TV broadcast requirements. There’s even narration that wasn’t in any other version of the film leading up to it, plus a different opening crawl. And yes, I said made-for-TV changes don’t count, but I’m just providing evidence to prove my point.

Next came the Director’s Cut, which was created technically by film preservationist, Michael Arick. This cut was discovered as a 70mm print which nobody had an idea that it actually was the movie’s workprint version. This was discovered after a screening of the film in Los Angeles. Ridley Scott said the cut was roughly edited, lacked a key scene, and the climax missed Vangelis’s score. The Director’s Cut was very popular that it rereleased theatrically in 1992. This cut also brought up a very popular fan theory if you will to the table. At one point in the film, we cut to a clip of a moving unicorn. The original idea for this scene was to cut between Deckard and the Unicorn, but the condition of the print associated with this was not presentable, so it just shows the unicorn trotting. This scene along with a clip of Deckard holding an origami unicorn, may suggest he is a Replicant. Speaking of things this film removed, the movie no longer has the narration from Deckard along with the happy ending the studio wanted. Despite being called the “Director’s Cut,” Scott wasn’t satisfied. To be fair, he was busy with “Thelma and Louise,” time and money happened to be a problem, however this cut brought more satisfaction in general to Scott than the original. There’s one cut although, that brought even more satisfaction to Scott…

Here’s where we get to “The Final Cut.” This is the cut where Ridley Scott had complete artistic control. Remember the unicorn dream? Turns out in this version, the original dream was included. You know, the one where it cuts between Deckard and the unicorn. Other additions include alternate edits and violence featured in the international cut. It turns out there were parts of this version that went through reshoots to fit in this version. One such example is Zhora’s death scene. Fun fact, if it weren’t for Warner Brothers gaining total control over distribution rights in 2006, this would have probably never been released. This project started once the 21st century began, and in mid-2001, legal and financial troubles put the project to a halt.

Porky’s: Cherry Forever’s Extra Nudity

“Porky’s” is an interesting movie to say the least. When it comes to its reception, critics weren’t exactly pleased, but it did gain a cult following and there are still people who go back and watch it today. As far as 1980s coming of age stories go, this isn’t my goto pick. However, back in the 80s, this was a hit among many people who flock to the cinema. The film was #1 at the box office for nine consecutive weekends, suggesting that either a lot of people either wanted to see it, liked it and went multiple times, or happened to be really horny. The film eventually released on VHS and something appeared in that which never appeared in the theatrical release, or the future DVD release. Based on how the release was open matte, more nudity was revealed in the VHS version. This happened during the Cherry Forever scene. The additional nudity was a result of the transfer, and was never intended to be shown. You know, unlike my secret identity–whoops! That was close! I almost told you guys I’m the guy who saved the Golden Gate Bridge from absolute destruction. Oh, crap! I did it! I’m a failure! I was told by a wizard to keep that a secret! Oh, well! Sucks to be me!

xXx: Head-butt

One interesting move executed in battle is a headbutt. There’s something about it, you’re literally using your head to bounce off someone else as a fighting technique. Plus, the term itself is awesome. One movie where a headbutt is shown is 2002’s “xXx,” starring Vin Diesel. This movie isn’t exactly the next “Citizen Kane” or anything, however it is a fun action flick with some interesting lines in the lines in the script. Going back to headbutts, when this movie was released in several territories, audiences were exposed to a moment where a headbutt occurs. One territory where audiences didn’t get to see this however, was in the UK. Similar to the US’s MPAA, the UK operates under a rating system referred to as the BBFC. The BBFC has a rating labeled as 12A/12, which was the rating “xXx” was given. If the headbutt was kept in, the rating wouldn’t have been secured and would have bumped up to 15. This is how the film was presented for years. The headbutt wasn’t even in the eventually released Director’s Cut DVD. Although on January 5th, 2017, the film was rereleased on Blu-ray in honor of the film’s 15th anniversary. It was at this point that the BBFC waived the cuts to the film, and the headbutt was then inserted. The BBFC must have had this slogan for years:

BBFC: We’re buttheads!

Ferris Bueller’s Day Off: Paramount Logo

I love “Ferris Bueller’s Day Off.” It’s a coming of age story that a lot of people in high school can relate to. In fact, you can also include anyone going to school in general, not to mention anyone who’s working a s*itty job can relate to. Sure, “Office Space” kind of does the same thing, but this came first. This change doesn’t even affect much of the movie, it just has to do with the logo. This movie is from Paramount, and if you know who they are, there’s a good chance you’ve seen one of their logos. Some time after the movie was in theaters, it came out on VHS. However, the VHS versions contain a plastered Paramount logo depending on the year the print released. The original logo although was restored on all future DVD and Blu-ray releases.

American Graffiti: Digital Effect

Ah, George Lucas. What have you done? You took a bunch of people’s childhoods, which were epic because of your “Star Wars” movies, and you threw them in the garbage! Because if you haven’t noticed, the original “Star Wars” trilogy has made a crapton of changes over the years! Well ya know what?! I’m not gonna focus on that! Because I already did a countdown focusing on those changes, and apparently George Lucas made a change to “American Graffiti” as well! This change didn’t exactly offend me as much. Then again I only saw this movie once. The change is shown in the 1998 Collector’s Edition DVD and VHS, and once you hear what it is without any specification, it almost sounds like something George Lucas would do. Lucas requested for the opening scene which features Mel’s Drive-In to have a sunset with clouds. The original opening had a cloudy sky with buildings in the background. In this opening, the buildings are still there, but the weather is different. Interestingly, there was also a documentary on the making of “American Graffiti” included as a bonus feature on the DVD, and the original shot was inserted there. Time travel much?

Kindergarten Cop: Little Terrorists

I imagine some people getting a sense of surprise from “Kindergarten Cop.” The film itself is a comedy where a cop goes undercover as a kindergarten teacher in order to locate the ex-wife of a dangerous criminal. This movie released in 1990 and stars Arnold Schwarzenegger. It’s kind of interesting to put the Terminator as the star of a comedy, but stranger things have happened. Although I wouldn’t say it’s all too strange because another comedy, “Twins,” released two years before this one, and while not all critics and audiences appreciated the film, there were a number of them to say it was worth a watch. Interestingly, both comedies were directed by Ivan Reitman, who also directed “Ghostbusters” 1 and 2. And the movie does have some witty Schwarzenegger lines and also has some funny lines given by a bunch of kids as well. Speaking of lines, let’s talk about one of them. As mentioned, this movie released in 1990, which is eleven years before 9-11. Once that day occurred, it inspired the removal of one particular line in all future versions of the film. After Schwarzenegger’s first day with the kindergartners, he has this to say about them.

JOHN KIMBLE: They’re horrible. They’re like little terrorists.

I’d just like to state that if I were in kindergarten watching this film, it would probably be debatable on whether or not I should be watching it given it has a PG-13 rating. However I don’t know if this one incident means this line should be deleted. I don’t know if Reitman decided on this or if Universal did or anyone else for that matter, but you don’t really need to get rid of it. Sure, in reality, kindergartners aren’t commonly associated with terrorists, although that would make for an interesting cartoon or something, but I don’t see how this would offend anyone. I mean, it’s probably better than changing the line, but the elimination felt unneeded. Let’s face it. Kindergartners are crazy, and I know that because I was one. I wouldn’t blame someone comparing me with a terrorist at that age because I was a chaotic brat. Anyways, let’s move on.

Jaws: Smile, You son of a… (SPOILERS AHEAD)

“Jaws” is considered by many to be one of the greatest films of all time. It has a terrific script, admirable characters, and an awesome score from John Williams, who went on to do “Star Wars,” “Superman,” “Raiders of the Lost Ark,” “E.T,” “Home Alone,” “Jurassic Park,” “Schindler’s List,” “Saving Private Ryan,” and “Harry Potter.” If you’ve seen the ending, you’d probably know how it ends. Part of that ending involves the character of Brody. He’s in a duel against the shark and he’s got a gun. He’s in full concentration mode, trying to take the creature down. In honor of the movie’s 30th anniversary, a DVD was released in order to celebrate. This brought a very minor change in one line, in fact, it’s actually one of the lines of the movie that I remember most. In versions prior to this release, before Brody shoots his gun to kill the shark, he says “Smile, you little son of a bitch.” Here, he says “Smile, you little son of a…” and then his gun is shot. Like the original, all the blood and gore remains, but the word “bitch” is removed. I’m glad I’m not Jesse Pinkman from “Breaking Bad,” because finding this out would be the worst day of my life. I can now say that my memory suggests that all the versions of “Jaws” I’ve seen in my life at this point, have this specific “bitch” removed. I want to know how this feels for everyone who has either seen the original version and possibly been exposed to alternate editions of the film. How does this “bitch” removal come off to you? Does it take away from the scene? Does it not take anything away at all? Does it anger you? I really want to know. I can’t say much about this change, but if they ever alter “You’re gonna need a bigger boat,” there will be riots.

Thanks for reading this post, there’s a good chance I just possibly either ruined a scene for you, so if I did, I apologize. If so, don’t blame me, blame the people who changed them! Nevertheless, the year’s almost over, the holiday season is coming to its conclusion, but that also means I will have two countdowns coming up. Like at the end of 2016, I’m counting down my top 10 BEST and WORST movies of the year. I’ve seen a number of films that came out this year. Most of those films are ones I reviewed, and there are others I’ve watched but couldn’t make a review of for the sake of time such as “The Great Wall,” “American Assassin,” and “King Arthur: Legend of the Sword.” Believe it or not I will still be going to see more movies as the year comes to a close, because I have aspirations to go see “Downsizing,” “Father Figures,” “The Disaster Artist,” and if any other opportunities come up to see a movie released this year, I’ll take those as well. Stay tuned for more great content! Also, what is the worst alteration you’ve ever seen in a movie? For me, I gotta say Darth Vader screaming “no” at the end of “Return of the Jedi.” Leave your responses down below! And yes, can also includes ones from TV. Scene Before is your click to the flicks!

Star Wars Episode VIII: The Last Jedi (2017): Another Year, Another Star Wars Movie

Posted on by Jack Drees

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“Star Wars Episode VIII: The Last Jedi” is directed by Rian Johnson (Looper, Brick) and has a cast including Daisy Ridley (Only Yesterday, Murder on the Orient Express), Mark Hamill (Batman: The Animated Series, Kingsman: The Secret Service), John Boyega (The Circle, Detroit), Adam Driver (Logan Lucky, Girls), Domhnall Gleeson (American Made, Ex Machina), Carrie Fisher (Family Guy, The Blues Brothers), Andy Serkis (Lord of the Rings: The Two Towers, Rise of the Planet of the Apes), Oscar Isaac (Ex Machina, Drive), Gwendoline Christie (The Hunger Games: Mockingjay Part 2, Game of Thrones), Laura Dern (The Founder, Jurassic Park), Billie Lourd (Scream Queens, American Horror Story), and Benicio Del Toro (Snatch, Sicario) and continues the journey of Rey, Finn, Poe, all of those people in the second installment of the “Star Wars” sequel trilogy.

Before we go any further, I’m just gonna give a little information towards the reality of this movie. The movie just came out, there are some films that maybe some people would care about that others wouldn’t, and there are also films that people just don’t care about at all. As far as I’m aware, a significant portion of the world’s population cares about “The Last Jedi.” So let me have everyone know, for the sake of the world’s population, this review is SPOILER-FREE for those who haven’t gotten a chance to see this film yet. If I spoil anything in the movie, perhaps regardless of whether I warn anyone or not, the Internet, and by that I mean pretty much the ENTIRE INTERNET will want to kill me.

This film is a follow-up to “The Force Awakens,” I love that movie, I saw it in the theater four times, I think it’s the best movie released in 2015 despite it being a rip-off the 1977 “Star Wars.” Although there is a positive to that, specifically that this may be the best “special edition” of “A New Hope.” In this brand new sequel, I was hoping for one thing. It’s no ripoff! I wouldn’t mind them tinkering around with certain ideas from “The Empire Strikes Back,” after all, this is the second installment in the sequel trilogy, much like how “Empire” is the second installment in the original trilogy. Does this movie take some ideas from “The Empire Strikes Back?” It does, but having seen this, I wouldn’t say it goes overboard. In fact, I’d even say it takes an idea from “Return of the Jedi.” Going back to “The Force Awakens,” I wouldn’t say it’s a complete ripoff of “A New Hope,” because it borrowed a trait shared by multiple characters from “The Empire Strikes Back.” In a way, you can say the two movies are similar that way.

Going into this film, I couldn’t help but think to myself “They better not freaking redo “Empire,” which as mentioned, didn’t happen. Walking out of it, it exceeded my expectations. This film continues to show why “Star Wars” is one of the greatest franchises ever. Is it as good as “The Force Awakens?” In my personal opinion, no. Some people will probably say it’s better given it’s less of a copy-paste type film, even though elements of that do exist here. However, there are those that will probably appreciate this film based on what it does with its characters. There are flaws, and I will touch upon them right now.

In the movie, there’s a subplot involving the character of Finn. There’s a point in the movie’s first act where Finn meets this girl named Rose, played by Kelly Marie Tran (Hot Girls on the Beach, Untouchable). There were a couple moments that I wasn’t really all that invested, and as far as the rest of the film goes, their relationship builds to a point where I thought their current status wasn’t exactly earned. It didn’t affect much of the movie, although it is a problem.

Next up we have Porgs. Say what you want about them. You think they’re cute, annoying, unneeded, whatever. My thoughts: They added NOTHING to the film! All they really are, to my lack of surprise, are a bunch of puny guinea pig-esque creatures that turned this movie into a toy commercial for a brief moment! On a positive note, it’s NOWHERE near as bad as what “Guardians of the Galaxy Vol. 2” did with Baby Groot! The Porgs weren’t even in the movie that much! It’s not like they’re the next Jar Jar Binks or something! Seriously though, as much as I’m surprisingly not annoyed by the Porgs, I am still unhappy they had no real use character-wise. But what do you expect? This is a Disney product after all…

Everything else in the movie however, was excellent. The progression of the characters was pretty much perfect! Seeing Luke again was a treat, and Mark Hamill didn’t fail to impress me at all! The visuals, whether they’re practical or not, as usual, are spectacular! The movie managed to convince me with its darkness, I’m so amazed that this came out as well as it did!

As mentioned, I consider “The Last Jedi” to be an effective character movie. For example, you have the character of Rey. You may remember in “The Force Awakens” she has a strong connection with the force, and she went off to meet Luke Skywalker. This sequel continues right where the last film left off, the two talk and they seem to have different attitudes and mindsets. Daisy Ridley as an actress is absolutely impressive, I want to see more of her in other movies. I’d probably have to wait a bit to get that because “Star Wars Episode IX” is happening. I will also say, there’s one scene where she’s on the island, there are Reys in a line, just prepare yourself for that scene because it’s awesome.

Speaking of characters who make a return in this film, Adam Driver is back as the evil Kylo Ren. In the last movie, Adam played a very convincing villain, I loved his performance as Kylo, and his relationship to Han Solo made the movie better. Now he’s here in this movie and he’s just awesome. I will say though, I do have a minor complaint, and it’s a continuity error. At the beginning of the movie, we see Kylo with his mask on. If you remember Kylo in “The Force Awakens,” we last see him with his mask off. This is on Starkiller Base, where he takes his mask off in a different part of the planet-wide facility. Based on what this movie suggests, and you can say this is suggested in the last movie as well, Kylo made it off the planet just in time before it completely exploded. They never really showed Kylo going back for his mask. Maybe General Hux, who played a part of the First Order in the last film, got it as the planet was collapsing. Given Kylo’s condition, it’s unlikely he went back, so what happened in all actuality? Nevertheless, Kylo was an absolute beast and he continues to prove his effectiveness as a villain. One more thing before I move on, in “The Force Awakens,” Rey roasts Kylo with this line:

“You. You’re afraid. That you’ll never be as strong as Darth Vader.”

In that film, the line literally made Kylo at a loss not only for words, but for actions. The roast party isn’t over, because there’s another one in “The Last Jedi” that regardless of which one I technically like better, I thought had greater execution. Instead of making Kylo speechless, we got to see him rage out like a five year old who wants to run away from home. I won’t say who says the roast, but it’s amazing.

Speaking of characters on the Dark Side, let’s talk about Andy Serkis’s character of Supreme Leader Snoke. In “The Force Awakens,” we’ve only seen Snoke through a hologram. Since his first appearance, fans have developed theories about Snoke’s true identity, some of which I found interesting. Is he Jar Jar? Is he Mace Windu? Is he Boba Fett? And this last one that absolutely intrigues me, is he Darth Plagueis the Wise? Heck! There’s even a Ranker list called “12 Theories About The Identity of Supreme Leader Snoke In Star Wars.” All theories aside, Snoke was awesome! He was as evil as he needed to be and there’s one scene with him that’s a huge highlight of the film for me.

John Boyega also returns here as Finn and I mentioned how Finn meets a certain character whose relationship I couldn’t appreciate as much as I would have wanted, but there’s more to Finn in this movie than just meeting someone. For example, he has a more active role in the Resistance, he’s fighting more than he did in the last movie and comes off as more confident, and speaking of fights, he reunites with Captain Phasma, who is a character that has gained a fan following in the last movie, and the two have a duel.

Speaking of characters from the last movie, Poe Dameron returns here. I see Poe as the “new Han Solo.” I say this based on his hairstyle, his mannerisms, and his ability to pilot a ship. Granted it’s not a freighter and it’s a simple X-Wing, but he reminds me of Han Solo. I’ve seen many people on social media saying they love this character. I don’t think he’s terrible, but I also would say the reactions to the character happened to be a little overhyped. OK, yes, he did take out a bunch of fighters in one sick shot, but there’s not really much that made Poe stand out there compared to other characters. I’d say after watching this movie, I’d say Poe was better here than he was in “The Force Awakens.” He added more to the story, and seeing him struggle at a point in the film made him stick out. As you can see in the image above, Poe is running alongside BB-8, who was once again, charming. One of my favorite scenes in the film is actually when BB-8 is “disguised” as an MSE-6 droid. Don’t know what that is? It’s basically this tiny car that is often something that rolls around any floor that is the property of the Imperial forces. BB-8 is copying the sounds it makes and I love it!

I cannot explain Mark Hamill’s role as Luke in “The Force Awakens” better than the movie’s Honest Trailer did:

“THE EASIEST MONEY MARK HAMILL EVER MADE.”

Basically, it’s just him standing on an island, looking at Rey. Here in “The Last Jedi,” Mark Hamill does a lot more as the character of Luke. I don’t know how many people will agree with me when I say this, but this must be my all time favorite performance when it comes to Mark Hamill as Luke Skywalker. As if the writing wasn’t great enough already, Hamill aced his character as an old hermit. Luke has become a regretful, anti-social, and broken person after a long period of time. The transition is extremely fluid and made me truly care for Luke. You know how in the teaser for the movie, it’s exposed that Luke wants the Jedi to end? That’s explained in this film, and the explanation just made me feel sorry for Luke in general.

On the topic of original trilogy characters, let’s move on to the saddest thing about the movie, Carrie Fisher. Her final “Star Wars” performance was a thing of beauty. Much like in the previous film, she didn’t have too much to do, but for what she had, it kept me interested. There’s one scene that’s actually kind of exposed in the trailers, and it’s one of the best parts of the entire film. The one where Kylo Ren is flying in his ship, Leia’s aboard another ship, and the two notice each through the power of the force. Also, much like the other “Star Wars” films, there’s no credit scenes, however, during the credits, right before the scrolling segment begins, there’s a text stating “In loving memory of CARRIE FISHER.”

Let’s take a look at two previous “Star Wars” installments, “The Empire Strikes Back” and “Attack of the Clones.” This film, like those, was advertised to be dark. “The Empire Strikes Back,” to me, was dark based on the conflicts going on and the upper hand which the Empire has during the film. “Attack of the Clones” tries to be dark but ends up failing by not making you believe in what’s going on and focusing on the romance between Anakin and Padme that just makes the movie feel like a fantasy novel of some kind. The darkness of this film was present and I felt it deeply. The Resistance is getting wiped out all over the place, Luke is broken, and the climax isn’t all that fortunate either. It gives a similar feeling to the climax of “Empire,” which ends on a cliffhanger. After seeing this movie, I’m just eager to see the ninth installment!

John Williams (right) returns in this film as the composer. He’s done all the main films in the saga, but he didn’t do last year’s spinoff, “Rogue One.” Out of all the scores I’ve heard from John Williams in the “Star Wars” saga, I didn’t really think this one impressed me as much as the others. I’ll probably have to either watch the movie again or listen to the soundtrack to be sure, but the soundtrack just sounded repetitive, there was nothing really new. At least that’s what I recall. Granted, there were times where the music was awesome, but it just felt like stuff I’ve heard before. Speaking of that, the opening song from “The Last Jedi” has a similarity to the opening song from “A New Hope.”

Staying on that topic, not to put the movie down or anything, but the opening felt, well, unexpectedly fast paced. I mean, none of the “Star Wars” openings ever felt “slow,” but the movie quickly got to dialogue which was unexpected.

I won’t really go on for too much longer, but another highlight from the film is the sound editing. Out of any “Star Wars” film I’ve seen, I have to say, this might be the best when it comes to sound. There were moments when the sound literally made me feel tense. It reminds me of “Interstellar” during the docking scene and the sound literally just goes out.

In the end, “Star Wars: The Last Jedi” is a terrific ride, I loved every minute. This was one of the most engaging movie experiences I’ve had all year, and after seeing this, I cannot wait for “Episode IX!” The characters continue to progress to points where I appreciate them more than ever, there are multiple scenes I want to go back and watch again, and again, I’ll mention, the sound work is unbelievable in this film, some of the best I’ve heard all year! I’m gonna give “Star Wars Episode VIII: The Last Jedi” a 9/10. This movie is not as good as “The Force Awakens” in my personal opinion, but it’s slightly better than “Rogue One.” Part of me just wants to time travel into the future, just so I can see “Episode IX,” but until then, I’ll just have to wait. I really enjoyed this movie, I think you guys will feel the same way, and I’m just glad this isn’t a total ripoff of another great “Star Wars” film. Thanks for reading this review, if you are interested in seeing “The Last Jedi,” there’s a good chance you can go see it anywhere, but I have a link below that will take you to a list of some of the best possible ways to view the movie. “The Last Jedi” is playing in eleven theaters that contain IMAX 70mm equipment. To find out which theaters are on the list, click the link below and read the post. Stay tuned for more reviews and other content! I want to know, did you see “The Last Jedi?” What are your thoughts? Are you going to see it? Also, where does this movie rank in the “Star Wars” universe for you? Let me know all of that down below! Scene Before is your click to the flicks!

Star Wars Episode VIII: The Last Jedi is Getting the IMAX 70mm Treatment and a History of Star Wars in IMAX!: https://scenebefore.wordpress.com/2017/10/17/star-wars-episode-viii-the-last-jedi-is-getting-the-imax-70mm-treatment-and-a-history-of-star-wars-in-imax/

How to Be a Latin Lover (2017): Perhaps 2017’s Most Awkward Event Since the US Presidential Inauguration

Posted on by Jack Drees

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“How to Be a Latin Lover” is directed by Ken Marino, an actor with a ton of credits who also directed episodes of various TV shows such as “Children’s Hospital” and “Burning Love.” This movie stars Eugenio Derbez (La familia P. Luche, Jack and Jill), Salma Hayek (Grown Ups, Once Upon a Time in Mexico), Raphael Alejandro (Olympus, Once Upon a Time), Rob Lowe (Parks and Recreation, Wayne’s World), Kristen Bell (Frozen, The Good Place), Raquel Welch (The Three Musketeers, Legally Blonde) Rob Corddry (Hot Tub Time Machine, Children’s Hospital), and Rob Riggle (The Daily Show, The Hangover). The plot for “How to Be a Latin Lover” is that Eugenio Derbez’s character of Maximo is dumped by his 80-year old wife. Because of that, he has to move in with his sister and nephew which leads to the rest of the movie’s events.

I did not see this film in the theater, I managed to find it used on Blu-ray in a store. I knew about this film beforehand, but it didn’t catch my interest. Ah, simpler times. I wasted ten bucks on this film and after watching this, I felt that I’d feel better watching another film that came out this year, “Transformers: The Last Knight.” Why’s that? BECAUSE I GOT TO SEE THAT FOR FREE! “How to Be a Latin Lover” is the epitome of a comedy that doesn’t impress. Rather cliche jokes, a fish out of water segment that was done better in movies like “Elf,” and a tale that at times, makes you question mankind itself. Seriously! There is a point in this movie, where the main character is with a kid he’s formed a bond with throughout the runtime, and he’s teaching the kid how to be sexually attractive. This story wouldn’t be as awkward if the kid were in, say, the teen years, but he’s f*cking ten! TEN! Essentially this kid has a crush on a girl, and I don’t think it’s entirely wrong for the kid to learn to IMPRESS the girl, but not to get her to have sex with him! In a way, it might associate well with the main character’s personality, after all, he was a gold-digger who admired women for their money and physical figure. It doesn’t change the fact that this movie was as awkward as going to a Super Bowl party and thinking it’s soccer.

Eugenio Derebez plays the main character in this movie, well, that is if you can call it a movie. His name is Maximo and he’s basically the s*ittier version of Derek Zoolander. Think about it, he basically has some of the mannerisms, although it’s not exactly the same because his voice isn’t as robotic or striking, but that’s just who he reminds me of. Maximo’s not really a male model either. He’s more of a guy who cares about no one but himself, doesn’t contribute to society as much as other people, and just seems to have sex on his mind a lot. Granted, there’s a stereotype that’s all that men think about, but I can guarantee you not all men show their thoughts on sex. So in a way, you can say he’s also the s*ittier version of Donald Trump (I can’t believe I’m saying that), because Donald Trump actually does s*it. He fired people! He licensed his name to things! And there’s a possibility that he’s part of what’s making Twitter thrive today.

Staying on the topic of things that men often think about, let’s talk about Salma Hayek. Salma Hayek plays the character of Sara, who is Maximo’s sister. Her character is overall, pretty pissed that Maximo is staying with her, after all, she has a job, Maximo doesn’t. She’s got money, Maximo doesn’t. I didn’t find her to be the worst character on screen, although she a has a job where she’s just trying to move up from where she stands in the company, but she just can’t get there. This brings perhaps, one of the most forced, moments of comedy, I’ve seen all year! She’s talking with this woman, and the woman says that Sara’s a fine person but she wants someone with “more experience” to take a certain occupational task of discussion. Although before this woman says “more experience,” Sara interrupts her assuming she’s about to say “more experience.” This causes the other woman to say that she must finish her sentence and she needs to get out what she needs to say. When your movie plummets down to a level of comedy as low as that, you know you have a s*itshow on your hands!

There are two kids in this photo as you can see, the one we’re gonna be focusing on is the one on the left, which is the son of Salma Hayek’s character, who happens to be played by Raphael Alejandro. This kid’s name is Hugo. I will say one thing, I did care for this kid more than I did for the main character, but you also have to consider how much of an influence the main character was on him. There was a point in the movie where I felt bad for him in a way, but at the same time, I just couldn’t bear seeing him, or anybody else in this stinking picture for that matter. Also, he did this one science experiment that I saw in his room that basically took up the entire space! For what I recall, this was something he was going to present at a science fair, and I just questioned why it would be in his room given what the experiment was and if it would even make it to the show. It almost crushed Maximo, who was sleeping on an air mattress laid out in this room. It almost reminded of “Daddy’s Home” when the Ford Flex goes through the house. I get the movie’s a ridiculous comedy, but the mind can only go so far in suspending disbelief. Just… have some sanity in this universe.

Kristen Bell is also in this film as a character who appears in a number of scenes. I mean… Why? Is “The Good Place” not giving her enough money? Her character is named Cindy, and she’s a crazy cat lady who works at a yogurt place. Her character reminded me a lot of Holly from “King of Queens,” which if you’ve never seen the show, she’s a dog walker with blonde hair. So both have some sort of connection with animals but the big difference between these characters is that the one in the movie we’re focusing on annoyed the living crap out of me. She felt like a cartoon! She may as well be a female Ghostbuster! This character just felt one dimensional, and I didn’t care about her enough to get to a point where I come across her buttload of cats later on in the picture.

These two characters above are enemies that Maximo meets along the way during this film, as if divorce and a lack of money weren’t enough. The one on the left is named Nick and the one on the right is named Scott. The pair remind me of the henchmen from “Super Mario Bros.: The Movie,” a movie that if you never watched, pretty much suggests that you didn’t have your childhood ruined by a dumbass and his equally stupid sidekick who both go by the last name “Mario” for some reason. The good news is, as characters, I think these two are better than the henchmen. They’re less cartoony. The bad news is, they aren’t good enough. They just spit out standard jokes and they just sound like something that are written by a three year old!

I know that I’m being hard on this film. Although there is a part of me that thinks this movie really could have worked… If it were Opposite Day. I don’t even think there is a way something like this could work. At least one that I can think of. Gosh! This movie probably just made my IQ shrink to a new low! “How to Be a Latin Lover” relies way too much on sexual humor, a lack of realism at times, and things that happen in the movie that could come off as a bonding experience between a wise person and a young person, but just come off as awkward in the end. You guys ever seen “Big Daddy?” The Adam Sandler movie? That movie displays a similar relationship between a wise person and a child. The experienced man wasn’t exactly teaching what’s right to do towards the child, but simultaneously you couldn’t help but admire what’s going on because it was funny and it wasn’t as awkward. He wasn’t teaching “the joys of getting into a girl’s pants,” it was letting the kid make his own decisions, being a brat at the park, how to get Halloween candy in unpredictable manners, stuff like that! Sure, it’s somewhat immature humor but ultimately I can’t help but admire it for working and making me laugh. In fact, if getting a girl to have sex was taught to the child in “Big Daddy,” it would have been even more awkward considering the child in that film was five!

In the end, “How to Be a Latin Lover” has a new hater. As time as passed, I wonder if I’ve seen a lot when it comes to comedy and I just don’t find much of anything funny anymore. Heck! I was one of the people who barely laughed during “Guardians of the Galaxy Vol. 2!” Nevertheless, I think this movie’s crap and I’m going to give “How to Be a Latin Lover” a 2/10. There have been films, like this one, where I’ve seen sexual comedy work. This doesn’t associate with the ones that work. Part of me even wonders why I bought this movie, oh right! It came out this year! I’m seeing as many 2017 movies as I can by the end of the year! What a stupid question! Agh, thanks for reading this review. If you want to see reviews to better movies, I’ll post links to those down below. Be sure to check out my reviews for “Justice League” and “Wonder.” Stay tuned for more reviews! Also, I want to know, did you see “How to Be a Latin Lover?” What are your thoughts? Or what is the most awkward comedy you’ve ever seen? Let me know down below! Scene Before is your click to the flicks!

“JUSTICE LEAGUE” REVIEW: https://scenebefore.wordpress.com/2017/11/23/justice-league-2017-what-does-this-mean-for-the-dceu-plus-talk-about-the-movies-box-office-return/

“WONDER” REVIEW: https://scenebefore.wordpress.com/2017/11/25/wonder-2017-face-the-facts/