Is the 91st Academy Awards the Least Anticipated In History?

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Hey everyone, Jack Drees here! I don’t know how this happened! But I have just discovered this year’s theme music for the Academy Awards! Check it out down below!

Welcome to the 91st Academy Awards! The most ambitious trainwreck in Hollywood history!

This Sunday is the night of the Academy Awards, and while I do have a golden vibe set inside my head, I cannot help but feel bronze. The Academy Awards is one of my favorite times of the year. It takes my favorite art form and celebrates it to the tenth degree! In fact, part of me wants to go back in time to last year’s show, because I had a GREAT time watching it. From the effective hosting job done by Jimmy Kimmel to seeing celebrities crash a movie screening to seeing Roger Deakins FINALLY get an Oscar, I had a fun time!

However, that show kind of made me wonder what was in store for The Academy’s future. Because a while after it aired, reports went around suggesting last year’s show, specifically the 90th Academy Awards, received the lowest ratings in the show’s history. I wouldn’t say this suggests that movies are dying. After all, several other awards shows suffered through the same situation. The VMAs had a massive ratings drop this year. Compared to 2017, the Primetime Emmys dropped 11% during its previous show. And according to The Hollywood Reporter, this year’s SAG Awards had ratings that were the lowest they’ve been in “at least eight years.”

Honestly, I would not be surprised if this year’s ratings for the Academy Awards were actually lower than last year.

Sure, there is a ton of competition now in the TV industry, and the entertainment industry in general. A lot more people would rather go online and find out who won either through YouTube, articles, or perhaps Wikipedia or IMDb. More people are settling for Netflix and other streaming services, all the kids are still somehow playing “Fortnite,” not everyone wants to spend a few hours watching people hold trophies, and in today’s politically heated climate, the Academy Awards might almost be unbearable to a certain number of people. Unless you’re James Woods, Gary Busey, or Clint Eastwood, chances are you can’t live/work in Hollywood and be a Trump supporter at the same time.

What I just stated is perhaps valid, but it is not all, because none of this has to do with the absolute enormous shop of horrors that can also be referred to as the buildup to the 91st Academy Awards.

Last year I did a few posts on the Academy Awards possibly implementing the stupidest idea for an award, possibly in history. They somehow thought it was a GRRREAAAAT idea to do a Best Popular Film category! How do we get more people to watch the show? Let’s f*ck excellence in the ass and just say a movie like “Black Panther” earned the all time greatest participation trophy! Thankfully, that is not happening this year, but the fact that the Academy even thought of it, and they are STILL CONSIDERING IT, gets me angry!

While that disaster may be averted (for now), then we get towards the end of the fall, and they begin announcing a host. Their choice, Kevin Hart. And I think he is a good choice to host the Oscars! He has comedy chops and he’s a big movie personality. What more is needed? However, because we live in an era where people’s lives apparently get ruined over something they said a long time ago, and seemingly done with no intentions to call anybody an idiot, Kevin Hart opted out. As time went on, the Academy never settled on a host. They couldn’t find anyone willing to take on such a position. But that didn’t stop them, because they decided to instead gather an ensemble of people to appear at random times during the ceremony. The names were recently announced through social media. Some notable names include Brie Larson, Chris Evans, Whoppi Goldberg, Maya Rudolph, Daniel Craig, and Charlize Theron. I’d be curious to see how this will work, but the idea of not having a host feels very weird. The host is that one person that will take viewers along for the ride, and now we’re hitting speed bumps. I’d honestly host the Oscars if I have a chance, even if that means someone having to dig up some big dark secret from my past. Who knows? Maybe it would make for good comedy material.

While hosting might make some Academy members apprehensive or perhaps in some cases, protective of their own past, there is something else that has recently made Academy members angry instead.

When I think of the average viewer of the Academy Awards, there is a good chance that they are going to only care about certain categories. These typically include Best Actor, Best Actress, Best Picture, and one or two others. Although the technical awards are not the ones I would usually see as categories general audiences would usually be intrigued by at first. However, as someone who reveres the film industry, I appreciate the technical awards. And I imagine other people, including some general audience members, feel the same way, even if that doesn’t mean everyone. There are perhaps some people who would prefer to see their favorite awards presented while some other awards are forgotten about. I personally would like to see all the awards presented if possible, but if not, at least keep the ones that are “important.”

With that in mind, the Academy recently decided to eliminate four categories, not from the ceremony, but from being presented live during the ceremony. These four categories were then given the intention to be presented during the commercial breaks and edited to be aired later during the broadcast. The categories included Live-Action Short, Makeup and Hairstyling, Film Editing, and Cinematography. I am honestly disappointed to see any category get pushed to the side, because I feel that everyone in their respective fields put a lot of hard work into their craft. However, EDITING AND CINEMATOGRAPHY ARE THE FOUNDATIONS OF CINEMA!

I am not alone on this argument, because you know who agrees with me? Roger Deakins (cinematographer), Christopher Nolan (director), Denis Villeneuve (director), Russel Crowe (actor), Patty Jenkins (director), Edgar Wright (director), Wally Pfister (cinematographer), and more! In fact, I was on Twitter recently, and I came across this one tweet which spoke to me, delivering immediate importance.

Holy f*ck, Elias Toufexis! That is the stuff of nightmares!

Donald Trump thinks the border wall situation is a national emergency? No! THIS IS THE NATIONAL EMERGENCY! Thankfully, for the sake of humanity, the Academy reversed their decision. Will this affect the ratings? I am honestly not sure. Because for all I know, there is a majority in agreement that this idea is complete bull, or I am just in my own little bubble. But if the Academy wanted me to watch their show, I would rather have them air all of the categories. We live in a world consisting of countries becoming more and more representative of minorities. And somehow the Academy is going through a process of ass-backwards thinking. I get that some people want the show shortened up. I get that not everyone can sit down and watch a three to four hour telecast where people say “thank you” every few minutes. But guess what? I’ve sat down to watch the Super Bowl for years, and part of me didn’t want to! In fact, after Super Bowl 53, part of me never wants to do such a thing ever again. GIVE ME MY SHOW! If I can’t have “King of the Nerds,” if I can’t have the old format of “Who Wants to be a Millionaire?,” and if I can’t have “Wipeout,” then I might as well have my Oscars show!

In fact, this is not like I am hearing all of this news for the first time. Because when they first announced the Best Popular film, they also announced the commitment to a three hour show, and the idea of airing certain categories during commercial breaks. I’ll be honest, I was skeptical about the fates those categories even at that time! In my post titled “Academy Awards Adds Popularity Contest?! *AN UNACCEPTANCE SPEECH*,” I state that I don’t really know how I feel about this idea and I would have to wait until I actually see it through. I may have just been being nice at that time. The reality is that the Academy Awards is not just a show. It’s not just a chance for audience members at home to glance at all of their favorite stars, but it encapsulates the art of cinema as a whole. It is supposed to be a celebration of a whole year in film, not to mention those who worked in the industry during said year.

I am glad that the Academy listened to its members and followers and decided to remove the commercial break categories, much like when they removed the Best Popular Film category. But the buildup to the 91st Academy Awards has been a trainwreck. It’s like owning an older Xbox 360! Each one of these controversial moments is the Academy Awards equivalent to getting the red ring of death! These are unexpected, unwanted, unneeded, and most certainly, make you need anger management classes once setting your eyes upon them! I am honestly anticipating within the next few days, another cataclysmic and controversial thing coming out of the Academy’s butt. Who knows? Maybe that will be reversed too. But I honestly wouldn’t be surprised at this point. Part of me would not be surprised if some of the current showrunners behind the Academy Awards soon search for other work, perhaps even president John Bailey.

And if the Academy really wants to condense the ceremony and run it for three hours at max, I do have one recommendation. This might be controversial, because some people totally admire the speeches, but sometimes sacrifices have to be made. There is a parody of the Nobel Prizes called the Ig Nobel Prizes. The Ig Nobel Prizes have been held in the Boston area every year since 1991. If you watch recent ceremonies, you may see a young girl, specially one who is slightly different every year. She is often referred to as “Miss Sweetie Poo.” She walks up to recipients of the Ig Nobel Prize. The results? This. Just to warn you, this video is not short, feel free to stop watching at any time.

As the video suggests, Miss Sweetie Poo is easily bored by grown, professional adults, ast they give long acceptance speeches. If the Academy wanted to spice up their show, and for the sake of some general audience members, shorten it up so they can go to bed earlier, they show consider implementing their own version of Miss Sweetey Poo. And it doesn’t even have to be a young, eight year old girl. It could be a young, eight year old boy. Perhaps a teenager who won’t stop staring at their cell phone. It could even be a famous celebrity. Can you imagine an Academy Awards ceremony where someone like Steven Spielberg wins Best Director and a celebrity such as Liam Neeson manages to walk onstage either talking into Spielberg’s ear saying “You’re ruining everything!,” repeatedly, or perhaps loudly snoring like a stereotypical lazy fatass dad. Or, what if they got JK Simmons to dress up as Terrence Fletcher from “Whiplash” and either yell at the speaker, bang a cowbell, or have him be in front of a drum playing it at a designated time? I know the Oscars is a family friendly show so he can’t really go too far in terms of language, but it is certainly a solid idea. Although I am perhaps biased since I came up with it.

So, Academy, if you want to spice up your show for the better, and reduce time, I think you ought to consider what I just said. I will be watching your show on Sunday (from start to finish), I will be reacting to it through social media, and I will most likely be sharing my thoughts on it afterwards in a separate blog post. But in all seriousness, you guys have been demonstrating nothing but incompetence for the past few months! Incompetence so bad that it makes Wile E Coyote seem capable of actually catching the Road Runner for once! A Best Popular film category? What the hell?! Nobody is going to host this year? Oh, great.. Taking away categories and deeming them less important than others? INCLUDING CINEMATOGRAPHY AND EDITING?! YOU PEOPLE ARE SICK!

But I guess I’ll watch anyway…

Thanks for reading this post! If you want to see more on the Oscars, fear not my friends! I will be reacting to the show on social media as it airs (most likely through Twitter), and updates may be provided if I decide to post something on here before the show airs. Although I will guarantee you all that I have some content coming soon for this blog because I’m going to see a movie today, specifically Stephen Merchant’s “Fighting with My Family.” I’m actually seeing this film early considering there is a free screening in my area, so I shall have a review of that up very soon. Be sure to follow Scene Before with an email or WordPress account for content that is Oscar-worthy, and as of recently, Jackoff-worthy! I want to know, are you excited for the Oscars this year? I’m honestly a bit apprehensive about the show itself, but I’m still going to watch. Movies are my religion and the Oscars might as well be mass at church. Even if the show sucks, I would rather avoid any consequences for possible sins. Let’s just hope they don’t wreck the show! Scene Before is your click to the flicks!

IMAX, We Need To Talk About First Man.

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Hey everyone, Jack Drees here! As you may know if you’ve followed my blog for some time, I am an IMAX enthusiast. I imagine there are many others out there like me, despite how much more often I post things about IMAX. I’ve seen numerous films in IMAX throughout my life, including a good number just this year alone. Some examples of films I saw in IMAX this year include “Maze Runner: The Death Cure,” “Avengers: Infinity War,” “Solo: A Star Wars Story,” “Mamma Mia!: Here We Go Again,” “Mission: Impossible: Fallout,” “2001: A Space Odyssey,” “Bohemian Rhapsody,” and “Spider-Man: Into the Spider-Verse.” I am granted with the privilege of having a few IMAX theaters close to where I live. By the way, the closest one has laser projection, and subwoofers underneath the seats.

I love IMAX, but it doesn’t mean I don’t have my gripes with the brand. In 2008, they started rolling out their digital projection system, which not only was used on significantly smaller screens, but occasionally was brought in as a replacement to some of the projectors used by older theaters. This brought a reduction in quality, and when it comes to movies shot with IMAX cameras, those older theaters that once used film projection, where the frame covered the screen top to bottom, now supplies a much smaller image. Granted, one minor fix to this is the introduction to another digital projection system which IMAX agreed to unveil alongside Kodak, AKA their recently mentioned laser projection system.

One movie I saw this year on said projection system is “First Man.” As a movie, while there are flaws, I will point out that it is in fact one of my favorite films of the year from a technical perspective. In fact, when it comes to the immersion, that is a part where I had really high expectations. I was not let down. One part where I was let down however is something I found out before going into the film.

“First Man” was partially shot on IMAX film, which some say theoretically provides the highest resolution on any format that can be used on a camera. Granted, the IMAX footage only lasted for about five minutes, but the five minutes were absolutely worth seeing. When IMAX started, all they used was film projection. After all, they started in the 20th century, and digital projection wasn’t big until the end of said century or the beginning of the next.

When I saw “First Man” in IMAX laser, it was undoubtedly one of the best movie experiences I had all year. The superb sound design was music to my ears, the score put me in space, providing me with a feeling that I was on a shuttle wearing headphones, and as mentioned, there was a full frame IMAX sequence that made me feel like I was watching “The Wizard of Oz.” As AMAZING as my experience was, there is one other theater I would have gone to in order to watch the movie.

I live an hour from Providence, Rhode Island. In that city contains what perhaps might be my all time favorite movie theater, Providence Place Cinemas 16 and IMAX. And I specifically mean the IMAX part when I say that because it is one of the few theaters near me with a 70mm IMAX projector, IMAX’s original projection system. I’m not saying that “First Man” wasn’t playing there, it just wasn’t playing there the way I would have preferred to see it.

In fact, it’s not just Providence that wasn’t showing the movie in IMAX 70mm, it was literally every other theater with the proper projection capabilities. From museums, to multiplexes, and other standalone venues. Let’s compare this to some other movies that came out in IMAX 70mm. “Dunkirk,” which came out in 2017, had 37 IMAX 70mm locations. All of this decade’s “Star Wars” films had some sort of IMAX 70mm run, with the one exception being “Solo.” In fact, to really hit my point out of the park, if you look up the Wikipedia page List of films released in IMAX you’ll notice that from 2002 to 2017, there has been at least one new release to be shown in the IMAX 70mm format. Note, I said new release, “2001: A Space Odyssey” does not qualify. In fact, speaking of old releases, while the title won’t show up for 2018, “The Dark Knight” had its tenth anniversary this year and in honor of that, at the same time as “2001,” it was shown in IMAX 70mm in 5 theaters.

Don’t me get me wrong, if I had a time machine, I would certainly consider the option of going back and seeing both movies in the IMAX 70mm format. But if you ask me, I am honestly disappointed that IMAX missed an opportunity to play the best version of a movie possible. In fact, now that this year had not even a single new release in IMAX 70mm, it only makes me wonder what will happen in years to come.

According to Wikipedia, in 2019, there are currently no films slated to release in IMAX 70mm. If I had to guess, there’s a possibility that “Star Wars Episode IX” will get some sort of release, even without the use of IMAX filmography equipment. After all, “Rogue One” released in 2016 in the IMAX 70mm format even though no IMAX equipment was used to record the movie. The next movie coming out to be shot with IMAX 70mm cameras is not set to release until 2020, and that is “Wonder Woman 1984.” Unless IMAX is planning a special engagement which I don’t know about, part of me doubts that we’ll ever see that movie the way it was meant to be seen. Let’s also bring up a giant influence on the conservative effort of IMAX film, Christopher Nolan.

Christopher Nolan is my favorite director of all time. He has a great track record when it comes to his features, from “Memento,” “The Prestige,” “Interstellar,” and most recently, “Dunkirk.” Nolan is also known for shooting the first Hollywood feature on IMAX film, specifically “The Dark Knight.” Speaking of which, all of his films from “The Dark Knight” and on are all shot partially using IMAX technology (except Inception). While there are some films which Nolan has been affiliated with where an IMAX film release never happened, he did happen to get all of his directorial features since “The Dark Knight” in the IMAX film format, regardless of whether they were shot with IMAX cameras or not. And speaking of shooting with IMAX, “Inception” released in 2010, a couple years after “The Dark Knight”came out, and “Inception” was not shot in IMAX.

I love both IMAX 70mm and Christopher Nolan, but the one problem that comes to my mind is that the two go together like bread and butter. Don’t get me wrong, bread and butter is tasty. However, if Nolan is the only director getting the IMAX 70mm treatment (with few exceptions), I almost don’t see a point for putting these films in IMAX 70mm other than to please him. I as an audience member, constantly seek alternative and interesting ways to go see movies. If “First Man” came out in IMAX 70mm, I probably would have gone to see it more than once. Because while I did see it at a theater 10 minutes from my house, I would want to take someone to see it an hour away, where information that wouldn’t be seen on a less detailed screen actually would be seen. But no, “First Man” is directed by Damien Chazelle, director of f*cking “Whiplash” and “La La Land.” Neither of those titles can compete with “The Dark Knight” apparently.

Let me also bring up “2001: A Space Odyssey.” As some of you may know, “2001” is directed by Stanley Kubrick, who passed away in 1999. For those of you who don’t know, “2001” came out in 1968, therefore it just turned 50 years old, which eventually lead to many screenings back in select theaters in 70mm and 4K. I also mentioned it was put in IMAX for the first time this year. The film also went through a restoration process to match what it would be like to watch the movie back when it came out. Guess who did the restoration process? CHRISTOPHER F*CKING NOLAN!

I may only be nineteen years old at this point but I want to work in the film industry. Part of me wants to get my hands on an IMAX camera and use it in a future movie. To know however that my film will not be seen the way I want to see it, is honestly disappointing. Did Damien Chazelle have plans to release “First Man” in IMAX 70mm? To be honest, I’m not sure. But if he did have plans and IMAX rejected them, they’ve done goof.

I know that film is kinda dying. Sure, with the occasion of special engagements, film has a slight glimmer of life left in it. And I may be biased, but I certainly hope it NEVER dies. But as someone who rarely gets to see a movie in IMAX 70mm nowadays, the times when a movie comes out on such a special format is one that I cannot help but praise. If “Dunkirk” is the last movie I will ever get to see in IMAX 70mm, well, I am not going to be happy but at least it was a good movie. The point is, I want more occasions of not just movies being shot with IMAX cameras, but also occasions of IMAX movies being seen the way they have been intended.

So IMAX, I love you, but you missed an opportunity and deserve to be reminded of what you are. Please fix your ways in the future, but I will still go to see movies in your theaters.

Thanks for reading this post! First off, for those of you who celebrate Christmas, I want to wish you all a Merry Christmas and a happy new year! Speaking of the new year, one of the early days of next year I will be counting down my top 10 BEST movies of 2018 and also my top 10 WORST movies of 2018. I don’t know what day my lists will be up, probably the 1st and 2nd, maybe the 2nd and 3rd, maybe I’ll put them up on the same day, we’ll find out. I’ll probably get a couple more flicks in by the end of the year, and if I do, great! Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see “First Man” in IMAX? What did you think? Did you see the movie in some other way? If you did, let me know! Scene Before is your click to the flicks!

Terrificon 2018 Review/Haul

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Hey everyone, Jack Drees here! I just got back from Terrificon! Life feels good! The world is spinning (because it’s round, not flat)! And now I’m going to be going over my time at a convention which believe it or not exceeded my expectations entirely! I have been to Terrificon once and I will say I had a good time. I wouldn’t call it the holy grail of conventions or anything, it’s just a fun time. It’s not like I’m going to SDCC whatsoever (although the short lines at Terrificon make a positive difference). This year, just like last year, the lines certainly did not disappoint. I’ll get a little more into that down the road when I get into my celebrity encounters but nevertheless, I’ll get into it. Let me just continue saying that I thought this con was significantly better than last year’s! The guest lineup isn’t really that big, so that’s a similarity to last year, but what I love about this year is that the con took place in a new venue. It’s still on the same property, but for this year’s con, the people behind it have decided to place it in a recently built expo center.

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If you have been to Terrificon last year like I have, you may be aware that the last event took place in Mohegan Sun’s Sky Convention Center, but with the recent completion of the Earth tower and its expo center, events like this can now take place in that convention center. I like this convention center a little bit more as opposed to the other one mainly because this new one is bigger. Although, this may disappoint you, you may not care, I don’t know, decide for yourself, the floor is a bit more on the typical side for a convention center. Also, before we move on, look at this Thanos statue! Isn’t that epic?! I should also point out that next to it is a TV where you can hit a button and it’ll tell you if you survived Thanos’s snap!

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The last convention center is kind of elegant, but it almost feels like a large facility where you might as well hold an ambitious interview with the Queen of England. In fact, if you look at the floor, it almost screams “fancy bloated dinner party.” The new convention center feels somewhat normal. I don’t have a preference on design, although when it comes to which center itself I prefer, I gotta go with the new one because let’s face it, size matters.

One thing I went over in my promotion post is that there’s an attempt to make history at this convention. In honor of Superman’s 80th birthday, right near the entrance to the center, is a giant list of names written in Sharpie. All of those names are on what is being referred to as Superman’s birthday card. All of the names written down have been part of an attempt to break the Guinness World Record for most signatures on a birthday card. And yes, I wrote my name.

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This birthday card was located in the very nice entry way section of the center, right near where Terrificon exclusive merchandise was being sold. This is where all of the cosplay guests were tabling, it had a nice looking stand for fast-food products, which included Coca-Cola Freestyle machines. They also have an area which they can let you go outside, which is definitely nice if you want fresh air, but I avoided it because I’m not a smoker and I imagine some people could be out there just to smoke.

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One of the entry-ways from the recently mentioned wing leads into a gaming area. When I was here on Friday, I decided to go inside because I wanted to take part in the Jackbox Games session. While I was here, we played “Drawful 2,” “Trivia Murder Party,” “Survive the Internet,” “Quiplash 2,” and “Fakin’ It.” Jackbox Games has a fantastic sense a humor and I always play these games with my friends. And fun fact, the friends I play with are in the Nerd Army and the Knights of Nerdvana. If some of you don’t look at my header, you may not know that this blog is the “Official Blog of the #NerdArmy’s Film Critic.” And speaking of the Nerd Army, one of its members aside from myself actually happened to be in the same room as I. By the way, Adrian, if you’re reading this, I’m sorry we never got to say hello, I might be back next year though!

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Speaking of entry-ways that are close to the main lobby of the center, one of them leads to a ballroom where I attended three panels. There was only one of these that I had my eyes set on, but I ended up attending three. While I didn’t attend any panels on Friday, there was one on Saturday I attended. I never usually watch anything on AMC, which is kind of shocking considering how many people rave about “The Walking Dead,” but I attended a panel featuring AMC’s “Comic Book Men.” More specifically, two of them. They had three appear, but two were in the panel. Those two were Mike Zapcic and Ming Chen. I have never seen one episode of “Comic Book Men,” I was going to ask a question with that disclaimer, however there wasn’t enough time to get to it. Having seen this panel, it honestly just made me intrigued to watch the series. Unfortunately, one of the big things the panel had to go over is that the show was canceled. But I’ve heard that there are episodes on Amazon, so I can easily watch it on there. Although it’s not free so that’s the one downside. If they ever decide to come out with a DVD of the seasons with commentary, maybe I’ll pick it up. Plus, it has Kevin Smith. Why wouldn’t I check this thing out?

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Another panel I originally didn’t plan on attending but ended up going to anyway was for Michael Jai White. You may know this fellow from movies like “The Dark Knight,” “Spawn,” “Black Dynamite,” and “Arrow.” I happened to be sitting in the back of the room. There were plenty of seats available, but in the back they had these high top tables with white chairs. I figured I’d check em out. I almost asked a question about what it was like to work with Christopher Nolan, another person who was there asked a similar sounding question and White pretty much went over how Christopher Nolan did things. And hearing what he had to say about Nolan, my favorite director of all time, it only made me appreciate Nolan more. When I think of certain directors that are critically acclaimed, maybe they are somewhat obnoxious. Nolan, based on White’s words, seemed to be the exact opposite of that. Shortly after his panel, I stayed in the room, because another panel was about to start and it was for someone I was ready to see. I even move up to one of the seats in the third row near a mic because I did intend on asking questions.

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In case you can’t tell, this panel is for Pom Klementieff. You may know her best as Mantis in “Guardians of the Galaxy: Vol. 2” and most recently, “Avengers: Infinity War.” I still need to check out another movie she did, “Ingrid Goes West.” During the panel we talked about “Guardians of the Galaxy,” which partially included a little brush-over on the whole James Gunn fiasco, Klementieff’s journey as she became an actress, her fascination for “Oldboy,” which interestingly she just so happened to have a role in the 2013 adaptation made in America as opposed to South Korea. I was in line to ask a question. So I go on, introducing myself to Pom, saying that I might arguably have the most important question of the entire panel. The question, “Why is Gamora?” I repeated it so everyone could understand. Unfortunately, nobody laughed. Except Pom. At least that’s what I remember, if anyone else laughed I wouldn’t have been able to pick theirs up. So all of you guys who think I would amount to nothing in life, screw y’all! I made a celebrity laugh! What have you done? Jeff Bezos, you’re history! I made Pom Klementieff laugh! Mark Zuckerberg? You found a very popular social network? F*ck you, I got a celebrity to appreciate my joke! Elon Musk? Who the hell are you?! I made history! I got Pom Klementieff to burst in laughter! In all seriousness, my real question had to do with Klementieff’s personal favorite line she said in one of her films. Although, I don’t think she understood me, because she responded saying “I am Groot” is one of the best inventions ever. I thought it her answer close enough.

Now let’s move onto purchases. For this section we’re going to state the item(s) I purchased, where I got said item(s) from, and if I have anything to say about it/them, I’ll dive deeper.

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A few months before I went to this convention, I was not into the whole Pop vinyl figure thing. However, after an unexpected encounter with “Blade Runner” figures at Thinkgeek I had in May, my interest levels have increased. I’ve mainly looked for exclusives, as I’ve done in this convention, and once I set my eyes upon this Pop, I figured it was the perfect purchase. Granted, it was $25, and most of the Pops I get are on the cheaper side. The main reason why I got it, aside from liking the Hulk and “Thor: Ragnarok” despite having numerous complaints about it, is that it’s an exclusive from Toys R Us. As you may know, Toys R Us officially closed its doors for good here in the US at the end of June. When is the next time I am gonna buy something sold at Toys R Us? I don’t know, but I can guarantee it won’t be soon. I purchased this Bruce Banner Pop at Undiscovered Realm, which has a store located in White Plains, NY. Unfortunately, I will say that there was another one of these in a different store in the center that was available for $20, but hey, a Toys R Us exclusive is a Toys R Us exclusive.

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Speaking of exclusive Pops I could have gotten for a cheaper price, I also picked up a figure of Parzival from “Ready Player One.” I paid $15 for it at Wize Guys Collectibles and only bad luck occurred from this one. The day after I bought this Hot Topic Exclusive, I found another place selling it for $10! And as I went home, I don’t know how this happened, but the bottom must have opened itself! The figure was inside the whole time, so hopefully not much value will be lost. Ah well, I bought this with a couple of intentions however. I have an Art3mis figure on my shelf (GameStop exclusive), so I figured maybe I should put this next to my Art3mis since both are characters from “Ready Player One” and they lust after each other. Plus “Ready Player One” is one of my favorite movies of the year so you bet I had to get this.

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Sticking with Funko’s creations, we have a few more Pops to gloss over! These three I can’t recall exactly where I got them, and no, don’t say Target, because that’s false even though one of these is a Target exclusive! If I had to guess based on the map, it’s probably G and T Toys and More. I am happy with my picks. Captain Cassian Andor on the right is the second “Star Wars” Pop I purchased (first was Director Orson Krennic). I also have a Kylo Ren, but I got it from my sister. I also got Cable, because “Deadpool 2” is awesome, one of the best movies of 2018. Also, this was partially because there was a deal going on where if I bought three $10 Pops, the total would come out to $25. I’ll remind you, every Pop was $10, and there were three Doctor Strange Target exclusives. I had to pick up one of them. I later discovered some minor wear and tear on the Doctor Strange box, but whatever, I was glad to have it. Plus, it’s gold!

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The last of the Pops I got actually turned out to be the first Pop I ever owned to originate from a video game. One of my all time favorite companies in the video game industry is Valve, and every once in a while I might go on Steam and play a bit of “Team Fortress 2.” One class I occasionally play is the Heavy. It’s just fun to take his Russian mother load of a machine gun and go to town on people. Plus, the best part is that it was only $6! Not a bad deal if you ask me! This was actually purchased at Toytastik which sells toys online and seems to focus very much on comic book-based toys, so when it comes to comic-con, they know their customer base quite well. They were also selling a “Team Fortress 2” Medic, but since I MAY have damaged the box (not significantly, but still), I ended up getting the Heavy which I found shortly after finding the Medic. In fact, I’m actually satisfied with the Heavy. Aside for not damaging the item’s value, the big thing that makes me prefer the Heavy is that I don’t play as the Medic. When I play “TF2,” I do play a number of classes, but the Medic is not one of them. I just never found myself interested in playing a healer. But that’s just me.

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If you read last year’s review of Terrificon, you’d know that last year I picked up a couple license plates. The place where I did that was what I assumed to be “Fuzzy Fish Inc.” Based on what happened this year, I can probably say that’s where I got those other license plates. Because as you see above, I picked up a couple more plates and those were from Fuzzy Fish. The one above is from the movie “Blade Runner 2049.”

If you look closely in the image above which is a BEAUTIFUL shot from “Blade Runner 2049,” you may notice this license plate is located on K’s spinner. Once I saw this, I felt like Betty White thinking about the idea of never dying, I HAD TO HAVE IT. The shop happened to have a deal where you can get another plate which would make your total come out to $25.

The other license plate I’ve purchased comes from the movie “Spaceballs.” It’s not as cool as an “I ❤ Uranus” bumper sticker, but it’s not a bad purchase nonetheless. I do consider “Spaceballs” to be a fantastic parody so I am proud to own this.

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Moving onto t-shirts, one of my purchases took place at a stand operated by Robber Barons. I managed to purchase a shirt that contains the text “Ray & Egon & Peter & Winston,” otherwise known as the Ghostbusters. The stand had a great selection of shirts, in fact, I still remember seeing this stand last year with this same shirt. The operator was wearing one of the shirts on the stand, which said “POWERED BY PIZZA.” Personally, that sounds relatable. I got this shirt on Sunday and I had trouble deciding between this one and another shirt from a different shop. That other shirt by the way was a crossover between “Star Wars” and “Star Trek” and was mocking the “Solo” logo. Instead of “Solo: A Star Wars Story,” it said “Sulu: A Star Trek Story.” The other shirt is from 3D Printing by Muckychris. Both shirts were around the same price but the main reasons behind getting the “Ghostbusters” shirt was that some people think religiously that “Star Wars” and “Star Trek” are competitors that aren’t intended to be together and I’m more into “Ghostbusters” than I am into “Star Trek.” Heck, I have an Ecto-1 license plate in my room. What can I say? Although I did find out that Muckychris has an Etsy page so I can go ahead and buy the shirt anytime. I should buy it at some point, it could be like a peace demonstration for nerds. For those who are interested in Robber Barons, they design and print shirts in Simsbury, CT, which is located near the state capital of Hartford. They sell t-shirts, bandanas, and other sorts of stuff.

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I happened to get these next two shirts from the same place, specifically a shop called MTC Toys. Believe it or not, on the program I was handed at the con, it actually refers to the shop as MC Toys, so I apologize to all who get fooled by this error. They’ve been going to comic-cons for a long time, and they’ve got a crapton of apparel to pick from. They operate in North Tonawanda, NY, which is right near Canada. As you can see, I picked out a couple of shirts. The one on the left is the Seinfeld logo, and if you want to get into specifics, that is the Seinfeld logo which was presented on screen during season 3 and the first couple of episodes in season 4. On the right is a 2001: A Space Odyssey shirt. I figured I’d get it because for one thing I LOVE “2001” and I’m going to see the movie in IMAX next week. It’s gonna be dope! If you look at the shirt you’d notice that it contains a couple of images from the movie. One is of the space baby and the other is a shot of the monolith and the sun from the first encounter with the monolith where we see the apes. The only downside is the price (nearly $50 for both shirts after tax), but for the variety that’s in store, I guess MTC Toys is at least worth a gander.

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Sticking with the topic of “2001,” you can see I picked up three posters, and “2001” just so happened to be one of them. The other two are for “Ready Player One” and “Ferris Bueller’s Day Off.” I believe I got these at Rock N’ Reel Posters. I’m rather satisfied with my choices because I highly enjoy all three of these films, and I happen to have a quirky poster too with “Ferris Bueller” considering it’s meant to be hung sideways.

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Out of all the movies in the MCU’s first phase, “Thor” is definitely my favorite of the bunch. One of the best lines from that movie is on this glass you see above. Once I saw this, I had to get this! It was worthy! I got this thing from Go Geek, which sold nerdy candles with “Supernatural,” “Harry Potter,” “Pokemon,” and “Star Wars” themes, and some other cool stuff. When it came to getting this, I almost settled on one or two other glasses. Another glass that caught my attention was one that said “Wanna Smash?” One of the letters in that phrase had the “Super Smash Brothers” insignia, not to mention Samus from “Metriod.” And if you play “Super Smash Brothers,” you’d know Samus is one of the fighters in all of the games.

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This purchase here is not exactly one I originally made for myself. I was originally intending on sending this to my friend in Michigan, but he decided I should keep it, so therefore I’m keeping it. This piece of space Kirby awesomeness comes from Johnny Flid. Originally from Long Island, he is a master artist, muralist, fine painter, and illustrator. When I did a Facebook live from the con, I actually gave him a shoutout, so I hope he gets some attention!

And while I may be done with standard purchases that I’ve done at Terrificon, I have not gotten to a purchase that I made involving a celebrity. As you may know, on the Sunday for the con, I attended the panel for Pom Klementieff. However, the day before, I got in line to get her autograph. The line wasn’t long, but it wasn’t short either. It was however longer than I expected because I remember going to this con last year and lines were almost never a problem. In line, I got to glimpse at Henry Winkler (Happy Days, Arrested Development). I didn’t talk to him, but he was walking through and I tried say “ayyy” like he would as the Fonz on “Happy Days” and see if he would notice. I got no reaction however. Granted, I don’t watch “Happy Days” and I forgot to raise the thumbs! Dammit! Seeing Henry Winkler though, he does seem to be a nice guy, and definitely very interactive with fans. How often do you see a celebrity get out of their chair and move away from their table to get attention? They’re usually just sitting down!

So after somewhere between ten to twenty minutes, it is my turn to talk to Pom. I’m in my “You’re Not Groot” shirt that I got at this very con last year. From what I can tell, she didn’t notice it. We didn’t talk too much, mainly because I was busy with the assistant at her table. However, we did say a few words. Klementieff goes on and signs my free IMAX poster that I got when I saw “Avengers: Infinity War” on opening night. The biggest thing I can recall out of all of this was after we took a photo together.

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“Take names, kick ass.”

Once she heard that she kinda cheered in a way. I don’t know how often she’ll get that, and I bet there could be a point where she could be dead tired of hearing that. But with it being one of the best lines from “Avengers: Infinity War,” I had to spit that out. I did talk to a couple of other celebrities, specifically Sam Jones (Flash Gordon, Ted) and Lou Ferrigno, but I’m not gonna dive too much into that. Although I will say Sam Jones noticed my “You’re not Groot” shirt and we had an interesting exchange concerning it.

I could go on, but then I’d just end up babbling until the end of time. I really enjoyed Terrificon 2018, I thought this convention was an improvement over the previous one, I’m definitely looking forward to coming back next year. I gotta give a shoutout to the staff, some of the nicest staff I’ve encountered at a con. They know what they’re doing and they sound like they’re happy to be at the con as much as I am. Not only do they know their audience, but they also know how to put on a fantastic show. Thanks for reading this post! I’d like to thank everyone I encountered at the con, from Johnny Flid to Pom Klementieff and everyone I met during the Jackbox Games session, all of the people who took what could have been a decent con experience and turned it to something much greater. As for other cons, I actually do have plans to go to more down the road. This October I’ll be going to New York Comic Con. I’ll be going on Friday, October 5th, and Sunday, October 7th, it’ll be my first time at that convention, I’m very much looking forward to it. Also, the month after that, I’m gonna be in Providence for Rhode Island Comic Con. I’ll be there all three days on the first weekend of November, which is the 2nd through the 4th. Too bad I’m not going on the 5th, it could have been perfect timing to do a cosplay as V from “V For Vendetta.” These next couple of months are gonna be con heavy, which means you can assure yourself that you will be getting some great content coming your way. Be sure to follow so you can stay tuned for said content! You can either follow with your WordPress account or your email, nevertheless, make sure you click that follow button! I want to know, did you go to Terrificon this year? What was your experience like? Or, if you have any cons that you want me to go to in the future, leave a comment and maybe I’ll do some research on it. I will say, I’m in eastern Massachusetts so that will be a hint as to what maybe I can or can’t do. But nevertheless, leave your comments, I’d love to hear your suggestions! Scene Before is your click to the flicks!

Going To See 2001: A Space Odyssey (1968): A Tale of Two 70s *SPOILERS*

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Hey everyone! Jack Drees here! The last number of weeks have been wild. Not just here on Scene Before, but I mean life in general. From learning to drive, to dealing with college, to being invited to a pre-release screening and accepting an invitation for the first time, to going to see my first double feature in a theater, to perhaps one of the most infuriating and crap-induced days of my entire life, vacations, family reunions, and everything has just been stacking up on my schedule like pancakes at IHOb. That’s right! IHOb! Apparently someone thought it was so brilliant to switch the last initial of IHOP. The new initial by the way, happened to be “burgers.” The International House of Pancakes, has now become the International House of Burgers. IHOP is synonymous with breakfast in the same way that Sprint is synonymous with *muffled voice*

GUY ON OTHER END: Sorry, what was that? I can’t hear you.

ME: Oh, sorry, let me try going into another room!

*Footsteps*

ME: OK, let’s try this again, where were we?

GUY: Something about IHOP.

ME: Oh, right, thanks!

IHOP could have gone with several names for their replacement initial if they wanted to stick to having a “b!” Bacon! Breakfast! Buttermilk! And as weird as it sounds, Belgians! Seriously! International House of Belgians! That… The more I think about it… Kind of has a ring to it. Or, what if the “b” was so random that it had nothing to do with food whatsoever? Imagine the name change being International House of Butts. I think smoking is usually frowned upon at IHOb, but you have butts that get right into the restaurant and eventually land in a seat! What about International House of Balls? Because it takes balls to go to a diner and eat pancakes with fake syrup. Or even more random, what if the “b” is for a person’s name? IHOP could become the International House of Bob. Maybe the International House of Bianca? That not good enough? What about the International House of Becky? Still not satisfied? Why not settle for the International House of Barry? Everyone will come in, desperate to ask an employee, “Who the hell is this wacko named Barry?” And maybe if your name is Barry, you’ll get your entire meal half-priced! If you are a FAMOUS Barry, your meal is free! That’ll bring all the Barrys in! Barry Trotz! Barry Williams! Barry Manilow! Now is your time to be the best Barry you can possibly be! After awhile, IHOP learned their lesson and changed their name back to what it originally was, but this just felt like a natural disaster! Screw whatever s*it went down in “Cloudy with a Chance of Meatballs,” allow me to introduce Hurricane Burger!

Seriously though, this rant is not what you came in for, you came in for something related to “2001: A Space Odyssey.” Over a couple of weeks, I’ve taken two opportunities to go see “2001” in two different movie theaters. Both times, I saw the movie in 70mm, which is the way that many audiences witnessed the film back when it came out. Speaking of that, this print that was shown at both theaters I went to was a photochemical recreation of the original camera negative for the first time since the film’s theatrical run. There are no digital tricks, add-ons, or gimmicks. It’s quite possibly the closest one could get to going back in time and watching this movie in a theater during the year of 1968. During the realization of how this print would ultimately turn out, the whole project was under the supervision of critically acclaimed director Christopher Nolan, who has been a lover of “2001: A Space Odyssey” for a very long time. Nolan has directed films including the “Dark Knight” trilogy, “Memento,” “Inception,” and most recently, “Dunkirk.” He has also created a film with several similarities to “2001,” “Interstellar.” The first presentation of these “unrestored” prints occurred at this year’s Cannes Film Festival, where Nolan received a standing ovation upon being greeted. Warner Brothers went on releasing a number of prints at select theaters, and not all of them have been released yet.

Let me just start off by saying that both experiences of “2001” were absolutely spectacular! I consider “2001” to be one of my all time favorite movies, so naturally I wouldn’t mind watching it anywhere, but the fact that I’ve went out to see it in a theater in 70mm probably brought out the best the film ever had to offer.

Every other time (maybe except one) that I’ve watched the movie “2001,” whether it was start to finish, split into parts, whatever, it was on a Blu-ray disc, and the transfer that “2001” has gotten on that particular disc is not bad whatsoever. I say maybe except one because I’d bet my first viewing was on a DVD. You can see all the necessary details, no colors look all that weird, and the sound is pretty good too. Although for the past couple of viewings, I’ve gotten off my ass, and went into a theater with other people. See guys? I have a life! I can go out of the house every once in a while! And with just enough motivation, I think you can too!

The first time I walked out of “2001” after seeing it in a theater, I don’t think I said this right away, but I can guarantee you that at one point, even if it is days after my experience, I said something along the lines of “THIS CHANGES EVERYTHING.” Sounds like you would hear that phrase every now and then. I was born just barely before 2000, but I can imagine back in 1977, when “Star Wars” came out, some people, adults, teens, and children living at that time probably at the very least had that thought in their mind after their first “Star Wars” experience. In 1994, “Toy Story” came out, and when it released, there was not much like it in the animation genre. It blew a lot of minds out of people’s heads and just lead to just about nothing but high appreciation. In fact, this year, in 2018, minds are still being blown. We have just witnessed the culmination of the Marvel Cinematic Universe, “Avengers: Infinity War,” and people are having many emotions towards it. I thought it was a total game changer, not to mention one of the all time greatest movies I’ve witnessed that is based on a comic book due to how the execution of the content the film contained turned out and the way it ended. Even after “Avengers: Infinity War,” my mind is still able to be blown, and with this mind blowing experience, it’s not just amazing because it’s truly unlike anything I’ve ever seen. But it’s also something that I’ve technically seen before, but am now getting to view in a whole new way that feels unique.

Without further ado, let’s talk about both of my experiences in detail!

SOMERVILLE THEATRE, SOMERVILLE, MA (JUNE 3RD, 2018, 12:30 PM):

The first of my two experiences took place at the closest theater to my house where this sort of thing happened to be taking place, the Somerville Theatre. The theater first opened in 1914 and my presentation was in its original auditorium. As far as getting there, I went with my friend by her car on a Sunday afternoon, leaving my home an hour prior to showtime. And since it was Sunday, we were kinda lucky, parking was free. Yay! We get in the theater to realize there actually is a line to get tickets or check in. My friend and I already had our tickets. Then once we grab our tickets, we get into another line on the opposite side of the sidewalk from where we walked in. Continuing our luck, it wouldn’t take that long for us to enter the theater given our distance in line. Once we enter, we grab our seats somewhere towards the rear end, and more luck happened to be on the rise! CENTER SEATS! As we grab our seats, I decide to go on into the lobby because I wanted a popcorn and soda.

I enter the lobby, knowing where the snack stand is because this is not my first time at this theater. As I walked forward, I knew exactly what to order. I ended up getting a large combo which cost less than $10! Holy crap! You know how much I have to pay for a combo like that an AMC? It’s somewhere around $15 to $17! I do it to support the theater and they actually make more money off of food purchases than ticket sales, which is why I don’t bring my own stuff into the theater. But just the other day I was down in Disney World, and they had an AMC on the property, where a large popcorn and a large drink would cost me around $15 to $17, and even when I use a discount which I earned from rewards points, it’s still a good deal, but if I remember correctly, it still cost me more than a large combo at Somerville Theatre WITHOUT rewards points. By the way, both of those combos actually allow you to get free refills. Boom. The guy at the register was really nice too. He complimented on my Cinema Sins t-shirt, and pointed out that everyone who got something at the stand so far in the day, including myself, ordered a large combo. The streak was eventually broken, but it’s still cool to be part of the team! Speaking of broken streaks…

I get back into the theater, and I accidentally enter the wrong row. I’m one row ahead of where I’m supposed to be. So instead of executing my gymnast skills of lifting my legs over a seat, I walk out on the side, like a normal person. Then suddenly, bad luck ensues. Not just for me, but for the poor man whose drink I accidentally spilled. I hear a noise, and this guy say “S*it.” I didn’t know what to do for a second. So it was time to play a game, let’s call it “Somersolve,” the game of solving problems in Somerville, Massachusetts. The objective is to avoid getting into a problematic situation and solve a problem. So, I act calm, and let out my humorous side.

“On the bright side, it’s a free refill.”

The guy who I interacted with seemed to take the situation lightly, my friend offered to spend some money on him toward new refreshments, to which he replied that he’s alright and ended up getting a free refill. Based on my observations, the guy ended up moving to a different seat. By the way, if this guy I’m referring to is reading this, I’m sorry!

Once it’s just about time to begin the action, a guy comes into the theater and starts talking on the microphone. He greets and welcomes everyone, and he states that the projectionist in the booth is considered by numerous people to be “the best in the business,” suggesting that he’s projected “2001” many times. Then the bad luck continued… He goes on to say that a gear on the projector is actually broken, and from what I heard, this happened many hours, perhaps a day or two, prior to my arrival. The projector still works, and the movie is still playable. However, there is a drawback to all of this. During certain points of the movie, the screen will go black for a minute, and the movie will stop. And no, this is not in an intermission type of pause (although the movie did provide one). What would happen is the screen will suddenly stop displaying an image. No sound would be heard whatsoever. And you know what? The guy was gonna make it up to anyone who wasn’t fond of this. If this bothers anyone, they actually get their money back, which is actually not a bad deal because they paid a premium price and maybe they can show they aren’t getting their premium service. Once I heard this, I was worried. What was gonna happen? What scenes were I going to miss? Oh my gosh! Human sacrifice, dogs and cats living together, mass hysteria! Nevertheless, the speaker had an admirable hint of charm to him, and appeared to be extremely presentable. He also states some of the technical aspects I gave to you all in this post. The Christopher Nolan thing, the original camera negative thing, stuff like that. Once he finishes speaking, everybody begins to clap. It was clear that a good number of people were either really hyped for this experience, they love “2001,” they are enthusiastic about the whole 70mm situation, or clapping is possibly an undiscovered effect of dropping acid. Then, the auditorium returns to the low volume it previously contained. Afterwards, music begins. It’s the overture.

From what I can tell, the overture didn’t even start from the clear beginning. OK, whatever, it’s just the overture, there’s no picture during this moment, I can deal with that. I got to hear over 75% or 80% of it at least. Around the song’s technical halfway mark, I notice the slight dimming of a ceiling light. Once the song comes to a close, almost all of the auditorium is dark, excluding the screen, which has been revealed by the opening of the red curtain, and a few red lights on the walls. Then I see it. The MGM logo. The adventure has begun. We as an audience are then greeted to the famous, masterful, and endlessly parodied opening accompanied by Richard Strauss’s “Also Sparch Zarathustra.” I felt reborn. I almost wanted to clap immediately, but I didn’t want to be the one awkward attendee making everyone question humanity. I already made one person question such a thing when I spilled their drink. One thing I kinda sorta expected from there on out, was silence. Everyone was hypnotized to the screen, including me. I was trying to be respectful and not eat and drink too much for sake of not letting out too much noise. It reminded me of when I went to see “A Quiet Place” and would try to not be as obnoxious as I might be during other movies with my drink, and literally dissolve popcorn by use of my tongue. The screen demanded my full attention. When the movie started, and as it progressed, I did notice a slight difference in color when it comes to various shots. I didn’t consider it a bad thing, in fact compared to my Blu-ray, I think it truly captures the retro feel that maybe you’d want out of a movie like “2001,” and the more I think about it, makes it feel slightly less artificial. It’s not to say that it’s less clear than my Blu-ray, it’s higher in quality. Blu-rays go up to 1080p, and I have a player that can upscale those kinds of discs to near 4K quality. When it comes to 70mm, 4K is 70mm’s meal for breakfast. Now, let’s get to what could have been the worst part of the experience, had we been ripped off.

As mentioned, we were told that there would be short pauses during our presentation, which will eventually lead to the return of the movie playing. I was worried, I didn’t want to complain too much, then it happened. Around the “voiceprint identification” scene, the screen goes black, and the auditorium is almost in complete darkness. And since we were told about this, nobody really complained! I was thinking that we were going to miss a segment of the movie, and that point would be Floyd talking to his daughter while simultaneously wishing her a happy birthday. Nope! We didn’t really miss anything! Yippee! What a relief! This happened a couple more times during the screening. The first one being one of the earlier scenes on the ship introducing Dave, Frank, HAL, and the hibernating scientists. When that occurred, I turned to my friend, and tried to vocalize myself at a volume at which others in the auditorium could possibly hear me, asking, “What the HAL?” Nobody cracked, and based on what I could tell, she could correct me eventually considering she reads this and we see each other every once in a while, but my friend must have thought I was taking myself seriously and said “hell.” I tried to make sure I was coming off in the proper way so I told her what I was trying to say. The next pause occurred towards the climax of the film, and I have to say it may have been the PERFECT break. I say this because it’s right in between the Jupiter and Beyond the Infinite Sequence, and the last spoken line of dialogue in the movie given in the HAL control room.

One thing I was super excited for was the scenes in space. I will probably rave until I die about my experience watching “Interstellar,” a movie with many similarities to “2001,” one of them being that both movies heavily take place in space. Seeing the jumpcut from the bone to the satellite (TOTALLY A NUCLEAR MISSILE) started to make me smile like I had just realized I won a million dollars on “Deal or no Deal.” As I progressed through this first moment with The Blue Danube playing in the background, I think the girly part of me kicked in and I wanted to cry. If you told me I went to an enormous and epic opera house in space, I would have believed you. Speaking of the Blue Danube, one of the conveniences of sitting towards the back of the theater is getting to see all of the action from those upfront, and there’s this scene where you see a guy reading instructions on how to use a zero gravity toilet. It just shows how much we have to relearn what we already know how to do on Earth in space. Towards the front, there were a couple guys chatting and one that I assume was talking about exactly what I’m referring to. We may have gotten far as a society, but it is still our duty to learn how to poop in space. Yay, humans!

One thing that occurred in both Somerville Theatre and the second cinema I want to talk about is something near and dear to my heart.

“2001” to me is an interesting movie when it comes to sound. It has a soundtrack that’s big and loud, and yet there are several moments in the movie, mainly in space where you hear, LITERALLY NOTHING. Hey, I’m not complaining! That’s scientifically accurate! I love the big and loud soundtrack, which when I saw the movie at Somerville, brought an immersive, not to mention symphonic feeling to the auditorium. But there’s one noise in the movie, while I still am technically fine with having it in there in the first place, that I JUST. CAN’T. STAND. A bunch of astronauts are on the moon together, observing the monolith in front of them. Then, it’s picture time! One astronaut is trying to align a bunch of other astronauts together in front of the monolith and take their picture. In the process, this loud screech comes out of nowhere. It’s ear-piecing to the tenth degree! And I don’t just mean that for those around the monolith, but also for me. My friennd was covering her ears too! I have sensitive ears, and there are a lot of noises that I’ll surprisingly get by in a movie theater, but that is something which I had to survive.

One of the best parts of my Somerville experience is HAL’s last moments, which was a hint of preparation for my second experience which I will touch upon. I got some surprising reactions during my experience. The most surprising one I’ve gotten up to this point is probably the collective laughter towards Floyd’s daughter wanting a bush baby for her birthday. Then, we get to the final moments of HAL. Dave enters the ship through the emergency airlock, you can hear him breathing. Then we hear HAL, say the following lines in chronological order, starting with the earliest:

“Just what do you think you’re doing, Dave?”

“Dave, I really think I’m entitled an answer to that question.”

“I know everything hasn’t been quite right with me. But I can assure you now, very confidently, that it’s going to be alright again.”

“I feel much better now. I really do.”

“Look, Dave. I can see you’re really upset about this. I honestly think that you ought to sit down calmly, take a stress pill and talk things over.”

I mean, sure, a computer telling someone to take a stress pill is a bit out of the ordinary, that can work as comedy. In fact, when I walked out of one of these experiences, I said that I always thought that maybe the highest form of comedy I found in “2001” happened to be the part where the apes first use the bone as a weapon. These unexpected reactions however were not distracting, it was just a bunch of people enjoying themselves and having a good time. The one thing that disappointed me however is that with all of these reactions of laughter towards HAL, not one was given towards him singing “Daisy.” It’s a complete change of pace and it’s just funny seeing an electronic sing! It’s like seeing Edna Mode from “The Incredibles” go on “American Idol!” I almost wanted to start laughing at that moment, but just like what I said about the intro, I wanted to avoid being the awkward guy in the auditorium.

Then came what possibly might be the best part of the movie, the stargate sequence. This is a moment where the auditorium’s sound system just BOOMED. I’m not gonna go too much into it, because there’s some nifty stuff I want to save for the next experience, but it was awesome. The end came, and so did applause. I probably stood out the most when it came to the applause. I was literally standing up applauding. Some clapped, some wooed, but I stood up with my hands bouncing off each other. I had a great experience that is difficult to describe in words. It may have been bumpy, but I wouldn’t have traded this time at the theater for anything else.

I had such a great time, and I would easily put it in my top 10 best movie theater experiences. But the thing is, I wanted more… Before I went to Somerville Theatre to see “2001,” I asked my dad if he wanted to go, but he couldn’t make it. Nothing against him, a guy’s gotta do what he’s gotta do. Nothing against my friend either, I really enjoyed my time with her. But, I figured this would be something I wanted to do again, and I had a chat with my dad on the phone. I told him about my experience, describing it as “epic,” which it was, that is, if my experience could be described in words. He stated at one point he was jealous that I got to go to this. That gave me an idea. I REALLY wanted to see the movie in 70mm again, and I think my dad wouldn’t mind doing something like this. Father’s Day was slowly, but steadily approaching. While Somerville Theatre was scheduled to show “2001” for two weeks until it goes away, another nearby theater has yet to show their 70mm prints of the movie. I told dad I’d buy tickets for this show, I’d pay for it, and the experience would be on me. That wasn’t really true, my dad paid for train transportation and dinner, although I had money and tried to keep him from paying, but I paid for the tickets at least, not to mention the food I purchased for myself at the theater.

COOLIDGE CORNER THEATRE, BROOKLINE, MA (JUNE 17, 2018, 7:00 PM)

When going to my second experience, I had no idea what I was in for. I was well aware that the theater was going to have some similar architectural aesthetics to Somerville, based on images I’ve seen online. The experience was actually a tad more expensive than Somerville, which makes sense since I’m seeing this in the evening as opposed to the early afternoon. I may have jumped on the wagon a tad early, buying tickets for this experience as soon as possible. Little did I realize, sometime after purchasing tickets, Somerville would have extended their run of “2001” for a week. Knowing Somerville, the experience would have been cheaper. But I didn’t care, because this brings a breath of fresh air. And I mean that in a literal sense because I went to the Somerville Theatre a couple months prior to the “2001” event, also for another 70mm experience. This second 70mm “2001” viewing was my first time at the Coolidge Corner Theatre. I was pretty amped. This theater is actually younger than Somerville. First established in 1933, the Coolidge Corner Theatre is widely considered one of the best movie theatres in New England.

I left alongside my father and sister approximately three hours prior to showtime. I felt this would allow us to guarantee a higher possible chance of earning decent seats. We ended up going to the closest subway station to my house on the Massachusetts Bay Transportation Authority, AKA the MBTA, AKA the T, AKA the place numerous Bostonians go to as much as Dunkin Donuts. I planned this, considering I was the one behind the wheel, and my excuse, “trains are awesome.” So we get off at our designated stop, my sister and father don’t really have any sort of preference on where to eat. But I did have a place in mind considering I’ve done extended research.

There were multiple restaurants in Coolidge Corner, but the one that attracted me the most was a place nearby that goes by the name of Oath Pizza. They have multiple locations in Massachusetts and having seen footage of them on the New England exclusive restaurant tour show, “Phantom Gourmet” I was eager to check them out due to how much boasting was given towards their “90 second pizza oven.” Keep in mind, that 90 second thing, is likely just for the oven’s actions. But you know what? Doesn’t matter, the pizza was a delight. Because I’m boring, I got the “classic cheese.” My sister got a make your own pizza of some sort. Dad however, came to play. It’s father’s day. He can order whatever he wants. While some may be tempted by the “spicy mother clucker,” and I’m willing to bet maybe he was too, he didn’t go for that. Instead, he went for the whole hog. I mean, it had smoked bacon and sausage. In his worldview, that’s my father’s version of not going wrong. The place had a Chipotle kinda feel considering they brag about their dedication to natural ingredients, not to mention the place was rather small and a little more upscale than your typical fast food chain restaurant such as McDonald’s or Burger King. The pizza from what I heard was actually rather crunchy, and what I heard was definitely correct. The more I think about it, it’s a better version of the pizza Pringles.

Once finished, we had more than an hour to waste before the movie. If I remember correctly, I believe we picked up our tickets prior to doing anything else. So while my father and sister have no idea what they want to do, I automatically declare to everyone that we’re trotting over to GameStop, because there’s one nearby. But that ultimately backfired. It’s Sunday. The store closes at 6PM, so we couldn’t go in. We pass by the Brookline Booksmith, which I’ve been inside, and it is rather nifty, but none of us really chose to go in today. We do some walking, and I notice a comic book store. My minor nerdgasm starts to kick in. I’m attracted, and everyone follows me towards it. But once again, we’ve fallen into the Sunday trap. That store was scheduled to close at 6PM as well. With almost nothing to do, we are almost left stranded in the middle of Coolidge Corner, possibly just inevitably waiting outside before we can actually go into our auditorium. But then, a miracle happens. The miracle of CVS. We go in and just start making fun of everything. The biggest standout is whatever we could say about medicine. My sister eventually got somewhat intimidated to the point where my father thought we were overstaying our welcome. Fun fact by the way, this is not the only CVS that’s less than a two or three minute walk away from the theater! We were in the closer one, if you want any specification.

We are let in the theater around somewhere between thirty to ten minutes before scheduled showtime. The seats were pretty much the same scenario as last time. We were towards the center of our row near the back. I go get myself some popcorn and a soda, and I experience something that I’ve never witnessed in a movie theater before. No battle of the soda corporations. That’s right! For the first time ever, I enter a theater that has neither Coke or Pepsi! When I was at Oath Pizza, they had no “traditional soda,” they instead had Stubborn soda, but the closest thing I can find to “traditional soda” was probably root beer. On the menu at Coolidge Corner Theatre, I find “cane soda” and “diet cane soda.” I ask the employee at the register if the diet cane soda is like Diet Coke, to which I remember the person giving some answer that relates to “yes.” I end up getting that. While the price for my large popcorn and soda was more expensive than Somerville, it certainly isn’t a price I’d complain about. The popcorn was nice and fresh, but the soda was something I really had to get used to. From what I imagine upon further research, it must taste like the Coke you’d drink in somewhere like Mexico, because that has cane sugar. But what do I know? I’m an American who recently graduated from high school, and according to everybody else in the world, our education system is crap, so what do I know?

One thing that kind of surprised me about the theater in Coolidge Corner and was slightly different than Somerville, was that there was music playing inside the theater. It wasn’t “2001” based or anything, it was just regular music. Although during my first time in Somerville there was “Back to the Future” music blasting inside the theater. To me, that made sense, because the movie I was seeing, “Ready Player One,” happened to have “Back to the Future” playing a huge part in it. Similar to Somerville, we get a guy coming in the theater, who speaks to everyone near the screen. He also lectures us on the specs of the print we’re about to witness, warns us of an intermission that will be taking place, luckily it’s only one and intentional this time, and he even goes on advertising other stuff related to the Coolidge Corner Theatre which sounded interesting personally. He warns everyone to enjoy the show, and then applause ensues. I’m willing to bet that *maybe* I was the one who started the applause. We are just about to start the movie, I was ready. After about a minute of preparation, I heard the noise of glory. The overture. And you know what? I could actually hear the whole thing this time!

When it came to the overture, And in terms of lighting, it was slightly different than Somerville. For one thing, the dimming began rather early. And the whole auditorium didn’t go black instantaneously, it was a lot darker in Coolidge Corner than it was in Somerville. Most of the lights went off, but a couple were on, most noticably two lights on opposite sides of the stage, shining on the red curtain. Fun fact by the way, for those who don’t know, the overture song is called “Atmospheres,” and atmospherically speaking, Coolidge Corner wins against Somerville in my book. Coolidge Corner’s lightshow, or in this case, darkshow, felt like it could be choreographed in my imagination, but the one in Somerville came off as a tad clunky. But whatever, it’s not even the main course of the movie, it’s just the appetizer. Throughout the overture, my dad turned over to me, and actually asked if I got this thing in Somerville as well. I replied saying, “yes.” It was go time. Almost all the lights, except some side ones, were soon completely off. The curtain opened. The famous introduction began. I was in full focus mode.

This time, I was a little more conservative when it came to my popcorn and drink. Sure, I mentioned my drink was tough to have at times because it’s a bit different to consume than what I usually get at the movies, although still tolerable. Not to mention, unlike Somerville, I heard nothing about a free refill. Doesn’t matter to me, I’m here for the movie. Even if your movie is called “The Emoji Movie,” chances are I’m at the theater for the movie.

Once the movie starts, I begin to notice the color differences once again. We get to the first monolith scene with the apes, and while it’s very intriguing and hypnotizing, I’m noticing something that’s different, and that is the sound. There was moment during the song that plays in that scene. It didn’t have as much of a vibration effect in the auditorium. No big deal, the sound is still spectacular and probably superior to anything I’d watch at home. And you know what? I looked online and noticed some different speaker placements, so maybe that contributed to it. Either that, or maybe the volume was higher on one system compared to another. Part of it may have to do with seating arrangements as well. Because all of the seats at Coolidge Corner are in one designated area. Although with Somerville, as mentioned, the seating arrangements include an orchestra section and a balcony section. The speakers are more in an upsey-downey fashion as opposed to a straight line.

Once we got to the first scene in space, I was once again instantly reminded of how majestic “2001” truly is. Noticing the first shot with the satellite as the camera moves towards Earth is nothing short of beauty in an image. One thing I noticed is that the audience in my theater wasn’t exactly as talkative as the one prior. That can be a good thing if you want to focus on the movie, but if you want an unexpectedly fun experience, it’s gotta have the audience laughing at stuff you don’t expect to be laughable, which is what I got at Somerville. Unlike Somerville, nobody at Coolidge Corner seemed to laugh at the “bush baby” wish. Although one thing that both experiences had in common is that both times the call between Floyd and his daughter ended, there would be a price showing up on the screen. Once the charge is on the screen, some laughs ensue.

One thing I also noticed about Coolidge Corner that gives it a boost in points against Somerville, is that the image is a lot smoother. And when I say that, I’m not talking about it in terms of the images displayed. Those are pretty similar in terms of overall motion. But if anything, this is more of a comment towards the projection. There’s one scene in particular during the movie as I watched it in Somerville that I began to notice something odd. After the conference which Floyd gives a speech, we cut to a set of establishing shots in space. Throughout, I’m noticing the images jumping up and down. Why is this exactly? I don’t know. I wouldn’t consider that an issue, because it doesn’t necessarily interfere with the experience, but it’s just something I noticed. At Coolidge Corner, there seemed to be none of that interference through the whole film. This is just a part of why I gotta give more points to Coolidge Corner in the atmospheric category when it comes to showing this film.

Then we get to the part of the film that I’m willing to bet my dad was highly anticipating, because that’s the part where our main characters are introduced. This made me realize that to certain people, HAL is more than an evil supercomputer trying to take over a spaceship. When it comes to people like my dad and he thinks about HAL, there’s a good chance that my dad is thinking about how funny HAL is. In fact, I don’t think there’s even one person I know currently that would probably laugh at HAL in this movie as much as my father. I mentioned in Somerville that a bunch of people were dying laughing towards the end of the movie because of some of the stuff that HAL says, but my dad pretty much laughed at HAL for the entirety of his screentime. There are certain times during the film where HAL is talking, just saying things such as pointing out how foolproof he is. My dad just starts cracking up. Did it annoy anyone? I’m not entirely sure. In fact, if it did annoy other people, let me just have you know, it was Father’s Day, let my dad have his fun. Speaking of HAL, I can say watching the movie in the theater definitely has its perks. As far as watching this film from beginning to end, I’ve watched this movie in school off of a projector. It was pretty good quality, I wouldn’t say I have any complaints about it. All of the other times have been on a Blu-ray disc played on my 43″ 4K TV. The images are upscaled to near-4K quality. A 43″ TV is decent sized product for where I use it, and the images have always come off pretty crystal clear. I always appreciate the movie’s huge scope every time I watch it. Watching the film in 70mm however, allowed me to notice the little things. For the first time in recent memory, I was literally able to observe the label “HAL 9000” above the red eye located on the computer’s monitor. I watched the movie once more after seeing it in Coolidge Corner, and having this information locked in my head, it made me try to focus really hard on the HAL 9000 label once I got to the point where it could be seen.

We get to the intermission, and I see the white text come up, signifying that normal people can get up, go to the bathroom, grab some food, stretch, those sorts of things, while the abnormal go outside and drop acid in preparation for the stargate sequence. When I was at this screening of the film, I noticed that everyone didn’t really react to the intermission. The best way I can describe the atmosphere that maybe everyone felt in the theater was some sort of jaded-like feel. For some reason when I went to Somerville, some people felt the need to clap and cheer once seeing the intermission warning pop up. Here, it was quiet. I find the audience reactions here to be expected, and I do respect them because it just shows that everyone knows not to be chaotic. Although while the reactions at Somerville for the intermission happened to be quirky, I also found them to be rather charming. I didn’t even get up from my seat during the intermission, I just turned on my phone for a sec, browsed through some things, and turned it back off.

The overture begins again… Atmospheric as ever. I was amped like you wouldn’t believe. The curtain soon opened and the feature presentation resumed. Soon, you see Frank’s death. My dad once again stood out among the audience, and nobody seemed to give a flying f*ck. As Frank began to struggle, my dad uttered, “Bye, Frank.” This is during a scene where there is barely any sound whatsoever, which if this were not the case, I don’t think his remark would have had as much charm behind it. I always found this scene interesting though, and this interest has grown significantly over these past couple of watches. Even though one of the movie’s main characters is dying, and it’s a pretty big death for the movie, nobody really reacts to it. There may be reasons behind that though. For one thing, it happens in a near-silent set of clips. Another point to consider is that this movie is fifty years old and there’s a good chance everybody knows exactly what to expect at this point of the film. When I saw “Avengers: Infinity War,” people basically didn’t even know what to think at certain points of the film when certain major characters died. That’s most likely because of the buildup these characters had prior to dying and we’ve gotten more time to know them. Plus, I imagine a good number of people didn’t see certain deaths coming. Nobody was scared of Frank dying in “2001.” Maybe some people didn’t see it coming, maybe some did, who knows really? But still, we didn’t really get to know Frank to such a high extent. While Frank’s overall character development was at a low level, I wouldn’t say it needed to be built, and I think that’s part of the genius that goes into “2001.” You get to know people, but you don’t need to see them grow or observe their backstory to care about them. It’s almost like “Dunkirk” but with less characters and a bit more detail behind certain characters.

Then we arrive at one of my dad’s absolute favorite parts of the movie, HAL’s death. While there was not as much noise that could be heard like there was in Somerville, there were definitely some audible laughs. My dad was definitely part of the laughing crew. I could tell this was one of my dad’s favorite parts of the film because he and I were quoting it on the way home.

Now I mentioned the stargate sequence in my section about Somerville, but I really want to talk about it here. I honestly had a slightly better and perhaps more memorable experience at Coolidge Corner during the stargate scene than I did in Somerville. Don’t get me wrong, Somerville was AWESOME. But one thing that stuck out to me during that scene more than any other during the movie, although if I remember correctly, may have been noticeable in others, is that part of the image, specifically towards the bottom, is off the screen. I noticed this as soon as we get to the first shots of Jupiter and Beyond the Infinite with the monolith. Coolidge Corner didn’t seem to have that same flaw. In both experiences, I just got ecstatic as the music built up. Everything was established, except for the stargate. Then we get this haunting, unbelievable, f*cked up, melt your face off, not to mention exhilarating vocalization from the chorus! It’s like I was walking into the mind of Mr. Burns from “The Simpsons!” It was like watching a Nicolas Cage movie and it’s nothing but kick-ass dream sequences! It was like going on MySpace today in 2018 and suddenly realizing it became the most popular form of social media in one night! I felt like I was having an orgasm! My dad was on a totally different thought process than I was. I always thought of the stargate sequence as a simple trip, or a journey through a wormhole and other things mish-mashed along the way, once I walked out of the theater alongside the other two people I came along with, my dad told me he thought of the video game “Rock Band” during the stargate sequence. All the colors and wild occurrences that can be witnessed throughout is what made him create that link. If you ever listen to the music during this scene, you’d be aware that the overture song is actually playing throughout portions of the sequence. The overture itself is epic when hearing it in the theater by itself before the movie starts playing, but during this scene, I was almost convinced I was in the movie. It felt like it was being played at a different volume, a different pitch, it was a whole new level of immersion and adventure. That stargate sequence, alone, is worth the price of admission. It’s to this day one of the wildest things I’ve witnessed in a movie, and I’d probably put it in maybe top 10, 20, 30 movie sequences I wouldn’t mind being forced to watch for the rest of my life.

As soon as we get to the credits, a lot of people in the theater start applauding. I don’t go to the extent that I did at Somerville where I stand up, but I did clap. As I left the theater, I got a peak into the projection booth, I noticed the film reels spinning and I couldn’t help but point it out to my sister and father. My father enjoyed the experience, you all know my thoughts on it, but what about my sister’s? Turns out this was her first time watching “2001” from start to finish, and personally, a 70mm experience such as this is one of the best ways to do it. Her thoughts on the film as a whole? From what I could tell, I wouldn’t say she didn’t enjoy it, but she found it somewhat hard to get through. For one thing, there’s a lot happening, a lot of information to be processed. Another factor that contributed is that the whole experience of getting through the movie was about three hours. I was personally wide awake. I happened to be taking on a grand opportunity to watch a great movie with people I admire in a setting that is difficult to acquire at times. In those moments, I may have handed my dad the most selfish Father’s Day gift I’ve ever given to him, but based on the time we had, it was all worth it.

Thanks for reading this promised, delayed, and perhaps long-winded thing some people might call a post! I really wanted to get this out earlier, but due to a lack of time and motivation, I screwed up. You might ask, what about the movie reviews? My movie reviews are basically the building blocks of Scene Before. This is why you haven’t seen that many countdowns lately, the only ones I’ve done so far this year are my top 10 best and worst movies of 2017. Because my main purpose behind this blog is to review movies, and I feel like that is something that can easily be associated with Scene Before. This post you’re reading right now, is just a special, rare gem, buried beneath the ground, ready to be revealed around the world. Now going back to business, I do want to review the movie “Eighth Grade.” This has already released in a couple markets, but not everywhere. I tried getting passes for an early screening, but I just got an email saying the screening was full so I can’t go. Although if I can see it when it comes out, I’ll definitely be sure to review it! I’m also going to be probably seeing something I’d tell you some time ago that I’d never see, but due to my mother’s interest in it and the fact that it’s playing at an awesome local IMAX theater, I’m planning on checking it out anyway. That movie by the way, is “Mamma Mia!: Here We Go Again!” And based on the reviews I’m seeing for “Mission: Impossible: Fallout,” you can guarantee I’ll be checking that out as soon as time will allow. Stay tuned for more great content! I want to know, what are your thoughts on “2001: A Space Odyssey?” Did you get to ever see the movie in 70mm? Will you take advantage of such an experience in the future? Leave your answers to those questions below, and speaking of questions and answers… My dad who came along with me for the second experience gave the answer to the question, “What is the opposite of infinity?” The answer, the number of times my dad will go to IHOb! And based on the results of that campaign, you can sure bet that number will last forever! Scene Before is your click to the flicks!

Scene Before is FINALLY Very Important (First Time Accepting a Pre-Release Screening Invite)

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Hey everyone, Jack Drees here! I’ve got a lot going on here lately on Scene Before. I still have to finish my review for “Revenge,” which by the way, at a point when watching that flick, I paused it in order to make this post as quick as possible. Not to mention I’m seeing “2001: A Space Odyssey” on Sunday in 70mm, which is not my first time watching the movie, but I love it so much that I had to take advantage of an opportunity like this. Not to mention, I still have yet to see “Deadpool 2!” Did I mention I have an “Incredibles” double feature coming up one day before the new “Incredibles” installment releases in theaters? Judging by all of this, I can personally say I have a lot on my plate. It almost feels like parenting. All of these movies are my kids that I have to watch. Speaking of kids, allow me to introduce you to Paul and Genevieve. No, they’re not kids, they’re adults. But they’re having kids! As I’ve gone over bunches of times, they have the phrase “keep effing trying” locked in their minds. They’ve been pushing themselves to the limit. They’ve been through hell and back! This is all explained in “What the IVF?!”

“What the IVF?” is the new series about the recently mentioned couple, Paul and Genevieve, as they do whatever it is a spider ca–err I mean they can, to have a baby. Unfortunately, the process of making one is a nightmare. This series goes over the various struggles the couple face ranging in areas including sex, math, appointments, and the pieces of crap some people call needles! You can see the latest “WTIVF?” content on YouTube, available on a channel sharing the same name as the series itself! Their latest video features–AH! CRAP! MORE NEEDLES! The couple try to make their injections a bit more interesting than the ones they’ve done in the past. How so? They jam out to music while they stick needles into the other person! A neat idea, and now that I think about it, this is not the first time I’ve seen something like this, because I remember a news story where someone was at the doctor’s office getting a shot and I believe some of the employees start singing Taylor Swift’s “Shake it Off” while injecting a needle. Anyway, you can find out more info about “WTIVF?” from the show’s YouTube channel, be sure to subscribe and ring the bell, don’t forget about the show’s other social media accounts, along with the show’s personal website. Also be sure to tell Paul and Genevieve that Jack Drees sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

Now you may be reading the title of this post and thinking to yourself, what makes this so important? This blog is a nobody! This guy who might as well be a jackass is a nobody! And speaking of nobody, nobody reads this damn thing! Let me just inform you, yes, my name is Jack and I have an ass. No one really reads this blog all that much. And as far as me or my blog being a nobody, I guess you can kind of say that falls into your last statement which I have just confirmed is true. However, something happened recently that might have just changed my “nobody” status into, “taking names, without kicking too much ass.”

Some time ago, I’ve known that a lot of reviewers I follow get invited to screenings for various movies before they release to the public. Some may be invited to the world premiere, some may go to a theater near them depending on where they live. I figured I’d take advantage of this sort of deal. So I’ve done this under a number of places online. One notable sign up I did was for Warner Brothers. So earlier today, I get an email with the following subject:

“Sign Up for Passes for TAG Today!”

Now if you don’t know what “Tag” is, it’s a comedy about a bunch of friends who have been playing tag with each other since first grade. This is based on a true story, and these folks have basically risked everything in their lives. Relationships, jobs, staying in their part of the country, whatever.

Bear in mind, this is NOT my first time getting an invitation to a screening. I’ve actually been invited to several screenings. I’ve been invited to screenings for films such as “Downsizing,” “Three Billboards Outside Ebbing, Missouri,” “Super Troopers 2,” and “Leap!.” Although for one such reason or another, having to do with such factors as timing or distance, I decided to ignore all of these screenings. Then I saw this email, checked the theater, checked the time, and I thought to myself… OK… Don’t get scared. Be a man. Don’t be a dude. I want Drax the Destroyer to say that I’m a man. Then I took my phone and showed the magical message to my mother. She thought this was amazing, and I asked her if she wanted to tag (no pun intended) along (screening had option to bring one guest). She thought something like this would be cool to do, and I immediately claimed two passes.

So this essentially marks a milestone in not only Scene Before history, but also my life. My goal here on Scene Before is to entertain you, get content out as quick as possible while making sure it has quality behind it, and make sure (mainly depending on the occasion) that my content is relevant for reasons having to do with what it contains or the time said content is released. Now that I get to see “Tag” over a week before it opens for special opening shows on Thursday, June 14th, and for all standard shows on Friday, June 15th, my content will probably have more relevance than ever. Most of the movies I review on this blog release at a certain time, and I go see it when it comes out in theaters. There are cases where I’ve done opening Thursday night shows for some movies and quickly uploaded my review the following day. Although in reality, there’s a good chance that some people who read my review have already seen the movie. This is especially when you consider that a lot of people went out to see the movie already on opening night (Avengers: Infinity War, Star Wars: The Last Jedi). I imagine some people just read my blog either because they think I’m a decent person, I’m cool, or they just know who I am. However, what I’m trying to do is build a following among the movie community, the movie fan community, and it is hard. Not only them, but I want a bigger audience in general. I’ve done this for two years and I have slightly over thirty users (email and WordPress) following me, one of which I can tell you is likely to be a spam account. I know a lot of people throughout the span of time have read Scene Before for one reason or another, but regardless of whatever reason you read this, kinda sorta as mentioned, my main goals are to pass time where I enjoy myself, inform others, and entertain people. My sixteen-year-old self who created this blog back in tenth grade would have had been pleased had he realized where this blogging journey would go. How far it’ll take me. I consider this to be one of my personal greatest accomplishments if you ask me.

I also have to say, I don’t know how long this blogging journey will continue. I’m an aspiring screenwriter for movies, director for movies, producer for movies. I have visions. If I end up in any such position where I choke or don’t reach said aspirations, this is what I have. I would love to continue blogging on here for the rest of my life if I could, and maybe, depending on how life goes, and I hate to say this, but how many views or earnings I get from this in the future, it could become a living. I really don’t know and I don’t want to get ahead of myself. However, if I continue getting invited to screenings like these, that only increases the possibility of me of delivering more content to you. And don’t worry, I will do my absolute best to avoid sacrificing quality. Because in a world that contains a bunch of wackos called humans, I want to satisfy, befriend, and entertain those sorts of wackos.

And before I close this off, let me just have you know that this is in no way a sponsorship deal for “Tag,” Warner Brothers (although in all seriousness they’re probably my personal favorite film studio), New Line, or anyone behind the scenes of this movie I’m going to see. If this were a sponsorship for any of these sorts of things, I’d probably have a lot money in my pocket, vault, or Scrooge McDuck bin than I do at the moment. But in case somebody related to what I just mentioned is reading this…

BASED ON TRUE EVENTS (WE’RE NOT KIDDING), the all new comedy from Warner Brothers and New Line Cinema, “Tag,” is in theaters everywhere Friday, June 15th! Rated R! Advance tickets are now on sale!

Also, no offense to a number of you reading this, given what I’ve been saying, as far as the world of movies go, I now may be more important than you. That does not make me better, but that makes me more important. But don’t worry, I will use my importance to both of our benefits and deliver more excellent content!

Thanks for reading this post that I’d thought I’d make just for the heck of it. Today is Saturday, June 2nd (depending on where you live, plus on my end, WordPress time is four hours fast), and that means tomorrow is Sunday, June 3rd, otherwise known as the day I go see “2001: A Space Odyssey” in 70mm film! And just so you know that this is in part thanks to Warner Brothers, not to mention Christopher Nolan, a director who has most of his films distributed by Warner Brothers, so before I go insane let me just get away from this. Although before I do, I must say, Christopher, you rock, you’re my idol, you even made my favorite movie ever, so I love what you’ve done in the past! Also, as mentioned, I said I’d review “Revenge.” I don’t have a date set for when that post will be done. I finished the movie, but given what I have going on this weekend and given this post, next week, I have to literally think of when my post should be all finalized. Stay tuned for more great content! So let me ask you all, how often do you get invited to pre-release screenings? If so, what was your personal favorite pre-release screening that you’ve been to? Let me know down below, and remember, I’m important! Scene Before is your click to the flicks!

90th Academy Awards Recap

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Hey everyone, Jack Drees here! Before we go any further, let me just say, I admittedly put this post out a little later than I once anticipated. I had my mind going around on three posts at once, part of me was begging to nap this week, some distractions have gotten in the way, and I also had this thing going on over on my Twitter where I’m giving shoutouts to women on International Women’s Day. With those things in mind, you might as well say that if this blog or my posts happened to be my kid(s), I might not be the best of fathers. I’ve been distracted, wanting to fall asleep, and just didn’t have enough of a focus on the things that matter. Speaking of parenting, let’s talk about Genevieve and Paul. Who are they? Well, they’re a couple who are currently expecting, but their journey to get there was like trying to find a way to defy gravity. Impossibly long and stressful. Ladies and gentlemen, this is all documented in “What The IVF?!”

“What the IVF?” focuses on the recently mentioned couple, Genevieve and Paul. The two are happy together and one day decide to have a baby. Turns out they realize, the process of having a baby isn’t all fun and games, and now they’ve got to deal with various problems. These problems range in areas including: Sex, math, exams, and those freakin’ needles!  The first episode of the series up right now, it’s actually the video listed above, it’s a few minutes long, so if you need to waste some time and you feel like you should watch something, this is a good deal for you. And I said to the couple that I’d promote the material, and I’m not just saying this to be nice or push their buttons or receive a fat paycheck in the mail, in fact at this point they’d probably need it for baby food or something, I actually watched the first episode, and I thought it was very well done. If you look at this video, you’re in for a well edited treat. Be sure to catch up on the latest regarding Genevieve and Paul and to help you do that, I’ll post links to various “WTIVF?” social media pages, and if you check this stuff out, be sure to tell them that Jack Drees sent you over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

Getting back on track, it’s official that the Academy Awards are now over, so now I can look back and say to myself, “What happened to the politics?” If you think I’m asking that negatively, think again. Because I know one thing for sure, politics and the Academy Awards associate with each other quite well, and at times, it’s not exactly annoying, but they seemed to tone it down this year. When it comes to the politics, it was basically a sigh of relief. There were barely any comments regarding our current administration and when the comments were uttered, they were actually quite funny!

“That’s not the point. We don’t make films like ‘Call Me by Your Name’ for money. We make them to upset Mike Pence.” -Jimmy Kimmel

Then again, this isn’t the Golden Globes, where political and social issues, at least from my eyes and ears, seem to be more prominent and forced. At this Oscars, the insertion of all this commentary regarding politics and society didn’t feel that awkward because while they were there, there seemed to be more of a focus on awards and film.

Not every single person made it a big deal to wear black. People either did or they didn’t. The jokes weren’t as cringe-worthy. And let me just have you know, the stuff that’s being represented in terms of social issues happens to be stuff I personally support! Racial equality! Gender equality! I mean, Barbra Streisand and Natalie Portman didn’t get up on stage and come off as depression lords. Yes, time IS up, but there are more important issues than having male nominees and winners for Best Director. One of my favorite quotes regarding social issues comes from Kumail Nanjiani, who you may know as one of the writers and actors in last year’s “The Big Sick,” which is one of my favorite movies of 2017.

“Some of my favorite movies are movies by straight white dudes about straight white dudes. Now, straight white dudes can watch movies starring me, and you relate to that. It’s not that hard. I’ve done it my whole life.”

Well said, Kumail!

One of the other highlights of the night was something I didn’t actually expect. I came in for an award show, not a game show. Now when I say that, you may expect me to follow up with something negative, that is unless you realize my fanaticism for game shows. So as Jimmy Kimmel is finishing up his opening monologue, he reminds everyone that the Oscars is “a very long show.” Before those words are spoken, he states that the first Oscars show lasted for fifteen minutes from beginning to end, he adds in humor by saying “and people still complained.” So in order to spice things up, the show was going to give away a prize. So I start hearing “The Price is Right” music and suddenly, I see Helen Mirren standing right next to a new jet ski. The total value of the jet ski is $17,999, and whoever was to give the shortest speech, will go home with the prize. Kimmel adds, “Why waste precious time thanking your mother when you can give her the ride of her life on a new jet ski?” The man claimed that he was going to be timing everyone who wins an Academy Award with a stopwatch. Once they pick up their trophy, the clock begins ticking. Some of Kimmel’s conclusive words are “And in the unlikely event of a tie, I need to say the jet ski will be awarded to Christopher Plummer.”

By the way, Mark Bridges, the costume designer for “Phantom Thread,” was the winner of the jet ski. Also, for those of you who never heard of or seen “Phantom Thread,” the main character of Reynolds Woodcock, played by Daniel Day-Lewis, is a dressmaker. So of course, a movie about making clothes, won a category which involves making clothes.

Before I tuned into the Oscars, I made a hope/prediction post, which admittedly I rushed in some parts, but overall it was a somewhat effective list coming in over 4500 words. Although to be fair, it was crunch time, and I was just trying to get my major category predictions down. Much like in that post, I’m not gonna go through all the categories and stick to talking about anything from the categories that stand out to me. In my post I didn’t talk about anything such as Best Animated Short Film, Best Documentary, stuff like that. I’m just gonna talk about a category if I have some sort of interest related to them or if there’s something to me in it that stands out compared to other categories. To start this off, I’m going to dive into a category that I didn’t discuss on my prediction post. Specifically, Best Animated Short Film.

Here are the results for Best Animated Short Film!

  • Dear Basketball (WINNER!)
  • Garden Party
  • Lou
  • Negative Space
  • Revolting Rhymes

Regardless of familiarity, this category interested me because of its winner, “Dear Basketball.” For those of you who haven’t seen or heard of “Dear Basketball,” I don’t imagine many people will blame you, including Lakers fans. It has less than 2,000 ratings on IMDb, but it appears the Academy liked it. I have no problem with them liking it. I haven’t seen the short, so I can’t judge all that much. Although the real shocker for me here is who happens to be behind this “Academy Award winner.” OK, well, John Williams composed the music, which may have partially contributed to the overall verdict. The animation was a different style than what I usually see, and while I don’t think that in itself is award-worthy, maybe the idea of being different contributed to it. The creative developer, Brian Hunt made this his first project as a creative developer, but he also had experience in the industry prior to this. Although when it comes to the entire world of diverse, differently-minded, and film-focused people, the Academy decides to give an award to…

Kobe Bryant.

Yeah, Kobe Bryant. Kobe. Bryant. KOBE… BRRRRYANT. A former NBA Basketball player who has won the NBA Finals in the past, achieved an Oscar! I’m not saying that this is the end of the world, but seriously! If you told me a week ago, that Kobe Bryant, a guy who angrily swears at his own basketball team during practice, saying that his teammates are motherf*ckers who don’t do s*it for him, was going to win an Academy Award, I’d die laughing, get up, and tell you to get out of my sight because I’d think you’re incredibly dumb.

But he did.

Although one thing I really liked about this is how Mark Hamill was presenting the award. Because for one thing, he’s f*cking Mark Hamill. And another thing, the joke he made right before “Dear Basketball” was announced.

“Don’t say ‘La La Land.’ Don’t say La La Land.'”

Speaking of animations, let’s dive into Best Animated Feature Film.

  • Coco (WINNER!)
  • Ferdinand
  • The Boss Baby
  • The Breadwinner
  • Loving Vincent

“Coco” won. What a surprise.

“The Boss Baby” lost. Big fat shocker as well, not to mention a sign that Earth is still sane.

Enough said. Moving on.

Next up is Best Actor, and here are the results!

  • Gary Oldman (Darkest Hour) (WINNER!)
  • Daniel Day-Lewis (Phantom Thread)
  • Timothée Chalamet (Call Me by Your Name)
  • Denzel Washington (Roman J. Israel, Esq.)
  • Daniel Kaluuya (Get Out)

In total honesty, it would have been nice to see Daniel Day-Lewis win. Not just because he’s a terrific actor, but because this is his last performance. I have not seen “Phantom Thread,” much like how I haven’t seen any of the other films listed above, but seeing Day-Lewis winning would have been a treat. I have nothing against Gary Oldman. I don’t have anything against him winning, I think he’s a fine actor, and he definitely has potential to take on some more great roles in the future. I didn’t think about this while I was doing my hope and prediction post, but I did find this out going into the show. If Timothée Chalamet ended up winning Best Actor, he would have been the youngest person to win that award. For the record, Chalamet could have possibly been a 22 year-old Oscar winner, beating out then 29 year-old Adrien Brody (The Pianist) who won an Academy Award for this specific category for the 2002 movie season.

Speaking of acting, let’s move onto Best Actress!

  • Frances McDormand (Three Billboards Outside Ebbing, Missouri) (WINNER!)
  • Meryl Streep (The Post)
  • Sally Hawkins (The Shape of Water)
  • Saoirse Ronan (Lady Bird)
  • Margot Robbie (I, Tonya)

Once again, a category filled with movies that I just haven’t gotten around to watching! OK, well except one, which was “Three Billboards.” Having seen it, I approve of McDormand’s win. Very well deserved! Part of me thought at one point that Margot Robbie was gonna win for “I, Tonya” based on a clip I saw for it, but I guess not. Meryl Streep… I have nothing against her. I still have to see “The Post.” But I seriously wonder if this nomination happened just because she’s Meryl and the Academy has a fetish for nominating her. Part of me is also surprised the Academy didn’t go with Saoirse Ronan for “Lady Bird.” Although at the same time, it surprises me how many people saw the movie and didn’t like it. I didn’t see it, but I’m trying to.

One of the next categories we’re gonna get into is Best Adapted Screenplay.

  • Call Me by Your Name (WINNER!)
  • The Disaster Artist
  • Logan
  • Molly’s Game
  • Mudbound

I’ll state something similar to what I said in my prediction and hope post. “Mudbound,” to me, doesn’t qualify as a movie that associates with the Oscars. To me, the Oscars is about celebrating cinema. While there are a number of people who clearly worship this movie for various reasons, I refuse to call it a technical “Oscar film.” To my knowledge, this movie has released in a couple theaters if that. And while I do think a movie with even the smallest theatrical release can qualify to win an Oscar, it’s mainly known to me as a straight to streaming film. Now don’t get me wrong, if Amazon or someone like that distributed this film, I would have possibly supported “Mudbound” more. But instead, Netflix did. And since Netflix doesn’t give movie theaters a chance (do some research on “The Cloverfield Paradox”), I refuse to watch it, review it, and call it a movie that others seem to call it. So unless Netflix starts releasing films in theaters as a tradition and not a special occasion, I refuse to review any of their films or consider them for awards like Oscars, or if you want to be more accurate on my end, my top 10 BEST movies of the year lists. Now “Call Me by Your Name” won. I didn’t see it, therefore I was in a somewhat of a shock when its, well, name was called. I was glad it wasn’t “Mudbound,” but I didn’t really expect this film to win, and I was actually rooting for a couple of other films. One film I saw earlier this year because I couldn’t get to it last year was “Molly’s Game.” The film itself? Barely passable. The screenplay though? If this were a film class and I were teaching, I’d give it somewhere around the A range just for the diction choices and the snappy tone it provided at times. I was especially disappointed that they didn’t pick “The Disaster Artist” because humor-wise, it was the funniest movie of 2017, maybe aside from “The LEGO Batman Movie.” Not to mention the way it was written was partially realistic and another part felt like a homage. And while this is based on a true event, I totally appreciate the callbacks to some things that happened that can be associated with “The Room.” A lot of people are kind of disappointed that “Logan” didn’t win this award. I haven’t seen “Logan,” I’ve heard phenomenal things, but I haven’t seen it. Part of me wonders if this is just coming from people who either have a bias towards comic book movies or just go see comic book movies and ignores everything else, or if it’s a bunch of people who appreciate the screenplay for its differences compared to other comic book movies. It’s darker, grittier, contains more violence and foul language, and it just contains things that makes anyone who works at Disney hide in the corner. I’m not gonna focus on Best Original Screenplay, I don’t really have much to say about it. Like I mentioned earlier, I’m gonna just dive into categories which can feel more like an essay as opposed to a couple of forced complete sentences. Either that or if I feel if it has some sort of relevance to me, that will play into this sort of thing as well.

Next up is a category containing something I often think about, Best Original Score.

  • Alexandre Desplat (The Shape of Water) (WINNER!)
  • Hans Zimmer (Dunkirk)
  • John Williams (Star Wars: The Last Jedi)
  • Jonny Greenwood (Phantom Thread)
  • Carter Burwell (Three Billboards Outside Ebbing, Missouri)

Before we get into discussion concerning the winner, let’s talk about John Williams. John Williams, without a doubt, is a great composer, and there’s a reason why people love his work. Not only has he done some of the most iconic movie scores of all (Raiders of the Lost Ark, Harry Potter, Jurassic Park, Home Alone, Jaws), but he’s proven to be talented for many many years. Although him being nominated for his work on “The Last Jedi” is just… Bogus. I have seen every single “Star Wars” film scored by John Williams, including the latest one in the franchise, “The Last Jedi.” The movie’s mediocre overall, I admittedly overhyped it when I first saw it, it was a whole thing. When it comes to John Williams, I honestly don’t see how he could have been nominated for an Oscar other than the fact that he’s the one doing the score. You remember the score for “Rogue One?” That one was the only score for a theatrically released “Star Wars” film that isn’t from John Williams. That score, while not recognized all that much for awards, was not only a delight to hear, but a different take on what could qualify as “Star Wars” music. I’ve given some sort of praise to “The Last Jedi” for being different, but one aspect that didn’t feel different was the score. It felt like it just took themes from “The Force Awakens” and other “Star Wars” films and shoved them right into this one. I still remember the climactic scenes and I’m hearing the “March of the Resistance” song and it just felt underwhelming unlike the first couple of times. I like John Williams, I think he’s skilled, but what the hell? There are other scores that weren’t even nominated that could have qualified! “Blade Runner 2049!” “Wonder Woman!” And even though this film wasn’t really that good, I’d be fine with live-action “Ghost in the Shell” because at least various aspects of the movie, such as the music, made it sound like it was trying. “Revenge of the Sith’s” score was never nominated for any Oscars, but if you actually think “The Last Jedi” had a better score than “Revenge of the Sith,” I’m gonna force-choke you. Now onto something that matters.

I wanted “Dunkirk” to win Best Original Score. Although in the end, it turned out to be “The Shape of Water.” And funny enough, the composer for the score in “The Shape of Water,” Alexandre Desplat was originally going to compose the music for the recently mentioned “Rogue One” before that job ultimately went to Michael Giacchino! Desplat has also scored 2014’s “The Grand Budapest Hotel,” which I saw, enjoyed, but can’t say I liked as much other people. You know, kind of like its score. Seriously? It lost to “Interstellar?” You done goof, Academy. I’ll say this is one of those wins, much like a couple of others that really make me interested in checking out “The Shape of Water.” It would be interesting to hear what music related to a woman and fish who wanna f*ck sound like. I thought “Dunkirk” would win for its grand and fast-paced feel, but I guess not. But seriously though, no love for “Blade Runner 2049?”

Speaking of that, let’s talk about the nominees and winner for Best Visual Effects.

  • Blade Runner 2049 (WINNER!)
  • Star Wars: The Last Jedi
  • Kong: Skull Island
  • War for the Planet of the Apes
  • Guardians of the Galaxy Vol. 2

From what you can tell, I love “Blade Runner.” I love both the original film and its sequel. An enormous part of me is beyond glad that it won Best Visual Effects. I will say though, I imagine some people have these every once in awhile. They have certain categories in award shows where they don’t care who wins because they think all of them are deserving of the prize. This to me, was one of them. I will say, part of me is shocked that “War for the Planet of the Apes” didn’t win because a lot of people were impressed by that film visually. Interestingly, that was the only film of the five nominees I didn’t watch at the very least in portions. I’ve seen part of “Kong: Skull Island,” and every other film including “Guardians,” “Star Wars,” and “Blade Runner,” were ones I watched from beginning to end. Part of me even wonders how many people are thinking right now that “War for the Planet of the Apes” got snubbed. Nevertheless, I’m happy “Blade Runner 2049” won. If you have not seen “Blade Runner 2049,” you might occasionally drop your jaw at the city of Los Angeles, the fact that they did a clear recreation of Sean Young who played Rachael in the original film, and how much you’ll be immersed that a part of you might end up wanting to jump in this world. If “War for the Planet of the Apes” won, I think it would have been a very much deserved win, but I’m incredibly happy that “Blade Runner 2049” took the cake.

One category that got a number of people talking was Best Film Editing. This is partially because of not only who DID win. But also because of who DIDN’T win. Here are the five films to have been recognized for their achievement here.

  • Dunkirk (WINNER!)
  • The Shape of Water
  • I, Tonya
  • Baby Driver
  • Three Billboards Outside Ebbing, Missouri

So “Dunkirk” came out on top as you can clearly see, and as someone who has watched the movie, I can understand why it won. It was told in a non-linear fashion, which only made the film a tad more interesting than it already was. Although it’s a Christopher Nolan movie, so this puzzle-like editing isn’t exactly a shocker. One movie that people were surprised didn’t win however was “Baby Driver.” I feel like part of why this didn’t win is because the Academy usually goes after dramatic movies like “Dunkirk” instead of movies that some people would refer to as “less serious” and “fun” like “Baby Driver.” Not only that, but I’m willing to bet part of it has to do with the whole Kevin Spacey scandal that’s been brought to the world’s attention months ago. Granted, this isn’t Kevin Spacey’s nomination specifically, but still. Am I disappointed “Baby Driver” lost to “Dunkirk?” Not really, I think both films are well edited in their own little way. “Dunkirk’s” non-linear fashion makes the movie more of a challenge to watch and ultimately more fun. Although with “Baby Driver,” the editing in that movie has given us some of the best action sequences of the decade. In my review, I praised “Baby Driver” for its thrilling action sequences and how it made me want more of them once one ends. I can see why “Dunkirk” won, but some love for “Baby Driver” would have also been appreciated.

If you remember the nominees for Best Sound Editing and Best Sound Mixing, something in particular may have stood out to you.

They’re the same nominees.

Not only that…

THE SAME MOVIE TOOK BOTH AWARDS!

  • Dunkirk (WINNER!)
  • Blade Runner 2049
  • Baby Driver
  • The Shape of Water
  • Star Wars: The Last Jedi

One thing I’d like to say about “The Last Jedi.” I actually beg to differ because I think it had 2017’s best LACK OF sound editing or sound mixing. Remember that scene where one ship goes into hyperspace and crashes through another ship in the process? HOLY. F*CKING. S*IT. As much as that movie could have been better, THAT. WAS. AMAZING. While I do think the general editing for “Baby Driver” was praise-worthy to the point where I can’t contain myself, the sound work is basically not a competition anymore when “Dunkirk” steps in the ring. The sound choices were authentic! The audibility was extreme! The immersion provided from all the noise was 100% pure! How can you go wrong with “Dunkirk” in these categories?! “Dunkirk” put me in a war zone, and if you tell me you missed out on seeing this movie in a theater, shame on you.

When it comes to Best Director, this was yet another one of those categories where I was left feeling a lack of a surprise.

  • Guillermo del Toro (The Shape of Water) (WINNER!)
  • Greta Gerwig (Lady Bird)
  • Jordan Peele (Get Out)
  • Christopher Nolan (Dunkirk)
  • Paul Thomas Anderson (Phantom Thread)

So… Del Toro won. Doesn’t shock me whatsoever. I don’t know what you may have thought as the one to come out on top, but this was rather predictable to me. And I feel like a big part of it has to do with his presence at other awards shows, how much del Toro’s name has been spoken recently, and also how many Best Director awards I’ve been aware of this film getting thus far. One that really stuck out to me was the Golden Globes, mainly because of Natalie Portman’s “all male nominees” comment, which honestly would have been better left unspoken due to its awkwardness. I wanted Nolan to win, partially because he’s my favorite director, and also because of the excellent job he did on “Dunkirk.” But yeah, you can’t have everything. Although, I will say, something in the same realm as Portman’s Golden Globes utterance occurred. Last year’s winner for Best Actress, Emma Stone (La La Land, Birdman), said this:

“It is the director whose indelible touch is reflected on every frame. It is the director who, shot by shot, scene by scene, day by day, works with every member of the crew to further the story. And it is the vision of the director that takes an ordinary movie and turns it into a work of art. These four men and Greta Gerwig created their own masterpieces this year.”

This was so much better than seeing Natalie Portman onstage and having myself hear what she said. Don’t get me wrong, Portman’s a fine actress. Although let’s take a look at the situation at hand with her. She was standing next to RON HOWARD, someone who has directed a number of films. Films that by the way, are still remembered to this day! Howard even recently directed a film in the “Star Wars” franchise! A franchise which Portman was once a major part of as an actress! The two are talking, they’re about to present the award, and at one point, I hear Portman say…

“And here are the all male nominees.”

Yes, it is true that female directors aren’t usually getting as much attention as males. It is also true, that more males are directing movies as opposed to females. But to literally shame a director just because they have a penis, is just unbelievably ridiculous. How do you think del Toro felt taking that award home? I imagine he felt happy because he won, but seriously, he won after being accused of simply being a man. Emma Stone on the other hand, didn’t exactly make an awkward joke and instead quickly stated some words before moving on. It’s actually kinda funny. It was presented in a setting and manner that didn’t have a forced vibe, and I don’t have any feelings of cringe to describe to you. This comment, while it does point out the lack of women in the director’s chair when it comes to filmmaking, doesn’t feel like something that a man should be ashamed of hearing. Because for one thing, it mentions a woman got nominated. Also because it’s still technically a comment of praise. Literally pointing out that nominees are male the way Natalie Portman did almost feels like a comment meant to point out disdain towards the potential winners. Just look at the difference between the tone, delivery, and choice of words between the two people. Just look and see what I mean!

Speaking of women making achievements, one of them was involved in Best Cinematography… Although to me, that’s not even CLOSE to the best part of this category. The best part, is who finally f*cking won, after FOURTEEN nominations.

  • Roger Deakins (Blade Runner 2049) (WINNER!)
  • Hoyte Van Hoytema (Dunkirk)
  • Rachel Morrison (Mudbound)
  • Bruno Delbonnel (Darkest Hour)
  • Dan Laustsen (The Shape of Water)

Best Cinematography. Sounds like a category that some people don’t care about. In reality, when it comes to filmmaking, I’m a writer. If there’s one thing I’m not, it’s a cinematographer. Although more than one name for me stood out on this list. You’ve got Hoyte Van Hoytema, who has to proven to be a great cinematographer with not just “Dunkirk” as a notable achievement, but also “Interstellar” and “Spectre.” I really admired “Dunkirk” when I saw it partially because of how well done the camerawork itself was presented from an immersion perspective, but also the fact that it was shot on mostly IMAX footage. If you didn’t go see this film in an IMAX theater, especially one with laser projection or 15/70mm projection, you may have just missed out on a one of a kind experience.

Another standout to me was “Mudbound,” and part of me thought the Academy was going to pick the cinematographer for that movie, Rachel Morrison. For the record, she was the first woman ever nominated for the award in all ninety of the Academy Awards shows. I’ll mention once again, I refuse to call “Mudbound” a movie. I have nothing against Rachel Morrison, I just have a problem with Netflix. I’d be rooting for Morrison more if she was given a movie that doesn’t associate with a company which will make me always say, as pervy as it may sound, “I’ll just take chill,” when asked the common meme-worthy question “Netflix and chill?.”

Then we have “Blade Runner 2049.” My runner-up for my favorite movies of 2017 list for a gigantic number of reasons. And speaking of gigantic numbers, let’s talk about the number 14. OK, in some realms it’s not really that huge, but you’ll see my point. Roger Deakins was the director of photography for “Blade Runner 2049.” And I imagine when some people heard his name, they got excited. Chances are, if these people have followed Deakins’ work, it might not be the first time they got excited about something like this. I can’t exactly relate, but having seen Deakins’ work in movies like “Skyfall,” “The Shawshank Redemption,” “Hail, Caesar!,” and “No Country For Old Men,” I agree with others when they say he’s one of the greats when it comes to cinematographers. Once again, the guy has been nominated for Best Cinematography by the Academy, FOURTEEN TIMES. Here is a list of all the times other than the one of focus when he’s been nominated. Note that the year listed is the year the film he shot came out and not the year he was nominated.

  • The Shawshank Redemption (1994)
  • Fargo (1996)
  • Kundun (1997)
  • O Brother, Where Art Thou? (2000)
  • The Man Who Wasn’t There (2001)
  • No Country For Old Men (2007)
  • The Assassination of Jesse James by the Coward Robert Ford (2007)
  • The Reader (2008) (shared with Chris Menges)
  • True Grit (2010)
  • Skyfall (2012)
  • Prisoners (2013)
  • Unbroken (2014)
  • Sicario (2015)

What happened to Deakins when he was nominated those thirteen times? Well, that can be explained in a video by TIFF Originals that starts off with the statement: “Roger Deakins is a loser.” The video is called “Roger Deakins’ 13 Oscar Losses.”

After watching this video if you have done so, you probably got a thought on your mind, and it may have been “Roger Deakins is a f*cking loser.” I’ll be fair and say some of the competition he had were deserving of their awards, take “Gravity” for example. Although this year with “Blade Runner 2049,” I only thought Roger was deserving of HIS Oscar. We get to the big moment. I see Sandra Bullock holding an envelope with “CINEMATOGRAPHY” labeled on it. She says some words before introducing the nominees, and when they are introduced. I just thought this was gonna be a year where the Academy doesn’t give him the award and just gives an award to Rachel Morrison just because she has a vagina. Again, I have nothing against Rachel Morrison. She actually did the cinematography for “Black Panther” which was such a treat. It came out really well! I imagine she’s a very nice lady, but I was rooting for Roger. I’ll admit, I’m not that religious. My main philosophy is to be a nice person, I am however not that religious. But as the nominees were introduced, I had my hands, containing all sorts of cells, interlinked. I WAS PRAYING. People were cheering for Morrison, and the others seemed to get some applause, but I heard more for Morrison than anyone else. So they’re introduced, and it’s time. Sandra Bullock still has the envelope in her hand, and she says this as she quickly opens it for the result:

“And the Oscar goes to, Roger A. Deakins (crowd erupts in a roar), “Blade Runner 2049.”

My reaction to that can be described in many ways. Part of me wished I had fireworks to set off after that win! Part of me wanted to go around the house doing cartwheels after the win! Part of me wanted to find some confetti to throw around after that win! My reaction, quite possibly woke up my mother and sister. I might as well have been a young teenage girl at her favorite boy band’s concert! I might as well have been at an event where I find out my kid in school won student of the year! I might as well have been a Chicago Cubs fan at the end of the 2016 World Series, where they finally had a victory after years and years trying to get it. People may say that Leonardo DiCaprio waited a bit to get his Oscar, which I’ll say, when he won it, I kind of wanted Matt Damon to take it, but that’s just me. Although for Leo, he won it on his FIFTH nomination. When you’re nominated THIRTEEN times, it’s almost like you’ll be that one person who gets a nomination, but that’s all. What if Meryl Streep never won a single Oscar? All of her wins, “Kramer vs. Kramer,” “Sophie’s Choice,” “The Iron Lady,” they never happened. Streep received her TWENTY-FIRST nomination for a role she did just last year in “The Post.” I can imagine the crowd roaring like a bunch of T-Rexes in an argument if that turned out to be her first win. Let’s take another example, because why the hell not? Imagine the New York Yankees. Some people don’t like the New York Yankees because they always win. But they’ve been in 40 World Series Championships. Imagine all their titles where they were victorious, all gone. The 40th appearance is the charm. That’s how I feel about Deakins here, the fourteenth time’s the charm. I can wholeheartedly approve of Deakins winning not just because it took forever and a half to happen, but just look at these shots and tell me they actually look terrible. I dare y’all!

Nice shot now isn’t it?

Take a gander at this beauty.

Look at this bad boy and tell me it sucks. I’ll wait.

Is it just me or does this define the meaning of life?

This shot screams something that in some worlds, would qualify as one word. Fan-freakin’-tastic.

LOOK AT THIS SHOT!

LOOK AT THIS F*CKING SHOT!

LOOK AT THIS MOTHERF*CKING SHOT! NO! SERIOUSLY! THIS IS THE DEFINITION OF PERFECTION! THIS IS A F*CKING MASTERPIECE! I’M GOING F*CKING INSANE!

My point is made. Roger Deakins’ victory, to me, may be one of the most deserved Academy Award wins in history. THANK GOSH! So many people can sleep now and have less dreams and concerning nightmares!

And now, as mentioned, we won’t get through every single topic listed for the Academy Awards today, but here’s one that people look back on years and years from now, Best Picture. Before we get into that, you may remember the whole “La La Land” and “Moonlight” mishap from last year? Warren Beatty and Faye Dunaway come up onstage to present the award, they state the nominees, they’re looking at the card, and somehow awkwardness ensues. Suddenly, Dunaway announces “La La Land” won Best Picture, but the two had the wrong card. Celebration ignites! Cheering be heard all over the Dolby Theatre, and a moment later, Jordan Horowitz, a producer behind “La La Land” is onstage and he states “Moonlight” won Best Picture. He even showed the card! Turns out Beatty and Dunaway were handed the wrong envelope. So… What happens now? What idea could be better than bringing Beatty and Dunaway back? Jimmy Kimmel had some fun before diving into the nominees. “We’re in the home stretch. Nothing could possibly go wrong from here. Here, on the 51st anniversary of Bonnie and Clyde, are Warren Beatty and Faye Dunaway.” They come out, Beatty says, “We’re glad to see you all again.” Dunaway adds, “As they say, presenting is lovelier the second time around.” The two continue speaking, eventually arriving at the point where they announce the nominees and the winner. By the way, they had the correct envelope this time. Here are the movies that have been nominated for Best Picture!

  • The Shape of Water (WINNER!)
  • Dunkirk
  • Three Billboards Outside Ebbing, Missouri
  • The Post
  • Lady Bird
  • Get Out
  • Darkest Hour
  • Call Me by Your Name
  • Phantom Thread

In my prediction post leading up to the Oscars, I said this was gonna be a close race to the finish between “Lady Bird,” “Dunkirk,” “The Shape of Water,” and “Three Billboards Outside Ebbing, Missouri.” I will say however for “Lady Bird,” that kind of changed throughout the night because it was nominated for five awards during the show, but the four that were already presented were all losses on their end. For “Dunkirk,” I thought it had a solid chance. The Academy seemed to give a lot of praise towards this film and it already won a few Oscars throughout the night. For “Three Billboards,” I figured it could win solely because it won Best Motion Picture- Drama at the Golden Globes. It also made a sweep at the Screen Actors Guild Awards. And it was nominated for a ton of Oscars beforehand, and it ended up taking home two before getting as far as Best Picture. Although if there was one I “knew” was going to win, it was going to be a movie with thirteen nominations including Best Picture. It was going to be a movie that already took home a few awards. It was going to be a movie praised by many critics and average moviegoers alike. It was going to be… “The Shape of Water.”

…And it won.

I have nothing in particular against “The Shape of Water.” From what I’ve seen in promotional material, it’s very good from a visual perspective, but I haven’t watched the movie so I can’t really say much else. Funny enough, I take a film studies class in my school, and my teacher actually asked if anyone in our class has actually seen “The Shape of Water.” Once asked, the class pretty much unanimously declined to put our hands up. I wanted “Dunkirk” to win. But hey, it’s already got some well deserved awards, especially in the sound categories. Also, remember, Roger Deakins won. So I was beyond satisfied. Although if “Blade Runner 2049” were nominated for Best Picture, you’d know I’d choose it. Or “Colossal,” that was my #1 movie of last year. Although I can understand why it’s not exactly been nominated for anything. But seriously, check that movie out if you can! It’s on several streaming services as we speak! So congrats to “The Shape of Water” and its crew. That movie is actually going to be out on home video in a number of days, so maybe I’ll watch it very soon!

Guys, that’s all I have to say for the 90th Academy Awards! It was personally a great show on my end. All of the commentary for the most part, wasn’t all that awkward. I may be in the minority, but the monologue between Tiffany Haddish (Girls Trip, The Carmichael Show) and Maya Rudolph (Big Hero 6, Bridesmaids), despite how it’s on a topic regarding issues I can side with, just came off as something that would belong in a one of those “SNL” sketches that gets shoved in there when the writers have nothing else that they can come up with. It took a topic that I would, could, and should agree on, and it just sullies it. I imagine both Rudolph and Haddish are pleasant people, and I’M SORRY that Rudolph had to suffer through “The Emoji Movie,” but this just felt weird to watch. But other than that, it was one of the greatest nights ever. I’ve spent some time watching people react to their favorite team winning the Super Bowl on YouTube before, and when it comes to Best Cinematography, that’s legit how I felt. My team won the Oscars, which is MY Super Bowl. Congratulations to everyone who has been nominated and has won awards, I’m looking forward to seeing who will be in the 91st Academy Awards show, and finally. Finally. FINALLY! I can now call one of the world’s greatest cinematographers, Oscar-winning Roger Deakins. I’d like to thank the Academy for making that happen.

Thanks for reading this very long post! Pretty soon I’m gonna have my review for “Annihilation” up for you all to read, and if you are wondering, I don’t live in one of the countries where you have to use Netflix in order to watch it so if that were the case, I wouldn’t have seen the film. Also, stay tuned for my Tom Cruise “Mission: Impossible” review series which will have its first entry up this month. Stay tuned for more great content! I want to know, did you watch the Academy Awards? What are your thoughts? Did your picks win? Did they lose? Is there someone you really wanted to win or lose? Did you make any bets? Have you decided to check out any movies after watching the show? Let me know all of that info for an unofficial possible nomination for Best Comment. Scene Before is your click to the flicks!

“Hey thank you, thank you. I better say something or else they’ll give me a jet ski and I don’t see myself on a jet ski somehow. I want to share this with my wife of 27 years, James, whatever. I want to share it with Andrew, Broderick, and Denis Villeneuve. Y’know I really love my job, I’ve been doing it for a long time as you can see. But y’know one of the reasons I really love it is the people I work with. Both in front of the camera and behind the camera. Some of my crew on “Blade Runner,” I’ve been working with for over thirty years. And others-others I met for the first time in Budapest. And this is for every one of them. Every one of them. In fact, I gotta say, it’s for us, because it was a team. It was really team- a team effort. Thank you. Thank you very much.” –Roger A. Deakins

90th Academy Awards Hopes and Predictions

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Hey everyone, Jack Drees here! On March 4th, which is this Sunday, which is also today, the Academy Awards will take place. The Super Bowl for movie buffs, and for at least the next few years, for a handful of people who enjoy hearing Trump jokes. Speaking of which, I can assure you that this Sunday’s Oscars show is gonna YUGE, and I’m not joking around. This year is the 90th show in the event’s history.

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Despite being a big number for the Oscars, I’ll say something I said for the 75th Golden Globes this year after it aired. “Seventy-five, undoubtedly, is a big number for any event, however this felt like other “Golden Globes” shows I watched with a 75 shoved in the title.” I imagine I’ll feel the same way for the Academy Awards, although I think it’ll be a much more comfortable and less awkward experience than the Golden Globes. While the Oscars can get, and has gotten, political, my recent experience tells me that vibe is present a bit more at the Golden Globes. In fact, when it comes to the political jokes during the Oscars, I honestly found those to be funnier and more memorable. If you recall last year’s show, the host, Jimmy Kimmel said somethings not necessarily about Donald Trump but TO Donald Trump. What better way to say something to Trump than what might be his all-time favorite form of communication than tweeting. The tweets are located below, and believe me, they were the greatest tweets you will ever see. The only people who hate these tweets are Crooked Hillary, the Mexicans, and Alex Baldwin!

Nowadays, the world essentially has been riddled with jokes about Donald Trump, and out of all the ones we’ve gotten, this is one that is difficult to top. Although if we were gonna get any more Trump jokes this year, I can assure you they might have a little joke sibling that I’m thrilled to see.

If you watched the Academy Awards last year and stayed tuned towards the end of the show, where it was time to reveal the winner for Best Picture, you may remember how that went down. You may have been screaming at your TV hoping for your pick to win either because you support a certain movie, or you just want to win a bet against your stupid friend, I dunno. I was hoping “Arrival” would win, but in reality, that probably wasn’t going to happen. “La La Land” was my second choice however, having seen that movie and loving it. So Warren Beatty and Faye Dunaway are onstage, and they have a card ready. A card that will change everything. So the nominees for Best Picture are presented, the two appear somewhat confused as they’re about to read the card, and suddenly, Dunaway announces “La La Land.” Once I heard that name, my prediction for Best Picture was right, and I thought it was a fair choice. The crowd is roaring, and as everyone affiliated with that project is arriving onstage, it hasn’t sunk in for everyone, but something happened. Jordan Horowitz is onstage and he shouts to everyone something that I can’t even believe I heard. “La La Land” DIDN’T win Best Picture, “Moonlight” did. This made me think I had to see “Moonlight,” and WHAT JUST HAPPENED?! Turns out someone was too busy on Twitter instead of trying to hand the correct card. This win made me tempted to see “Moonlight” nearly a couple weeks later, and I was unfortunately met with underwhelming results. It’s a good movie, but it’s not THAT GREAT.

Even so, you know how at the end of 2015, the Miss Universe pageant was held and Columbia was the assumed winner, and it turned out to be Philippines? It’s almost hard to tell which screw-up was crazier because the Miss Universe one was the host’s fault, not to mention upon personal review, THE CARD LOOKED F*CKING CRAZY! Here however, you have a screw-up between a staff member working for the show, Warren Beatty along with Faye Dunaway, and it affected not just one person, but an entire crew who worked on something together. Also, remember Jordan Horowitz? The guy who was onstage revealing the true Best Picture? Well, he was a producer for “La La Land,” so this must have been hard for him to do. He took it like a good sport, which I couldn’t even believe, which only makes me admire Horowitz even more!

So yeah, it appears the Beatty and Dunaway are presenting Best Picture again, so my first hope/prediction is that they get it right this time!

Speaking of nomination categories, let’s move onto some that I feel are worth tackling. Starting with… Best Supporting Actor. Here are the all-male nominees!

  • Woody Harrelson (Three Billboards Outside Ebbing, Missouri)
  • Sam Rockwell (Three Billboards Outside Ebbing, Missouri)
  • Christopher Plummer (All the Money in the World)
  • Willem DaFoe (The Florida Project)
  • Richard Jenkins (The Shape of Water)

Out of these, I’ve only seen Harrelson’s performance and Rockwell’s performance from beginning to end. So of the ones I’ve seen, I’ll go with Harrelson. Of the ones I haven’t seen, I’m either thinking Willem DaFoe or Christopher Plummer will take the cake. I haven’t seen “The Florida Project,” and I don’t have too many good things to say about DaFoe other than hearing positive remarks about his performance. Although think about what the crew behind “All the Money in the World” had to do regarding Christopher Plummer. If you have been living under a rock when it comes to news about Kevin Spacey, let me just say you might be living a happier life than some other people who live in this world because Kevin Spacey, as this world now knows, is a sexual predator. Spacey was originally going to be featured in “All the Money in the World” as the character of J. Paul Getty. Now that Spacey has his dark secrets revealed, Plummer was going to take Spacey’s place, which meant a frenzy of reshoots. Keep in mind, Spacey’s case was revealed on October 29, 2017, LESS THAN TWO MONTHS before the release of the picture! How did he do in the film? I don’t know, I haven’t seen it, but with a story such as that, I think Plummer has some potential. Sure, part of it involved more than just acting, but acting plays a key component into all of this.

Next up is Best Supporting Actress. And the nominees are…

  • Octavia Spencer (The Shape of Water)
  • Laurie Metcalf (Lady Bird)
  • Allison Janey (I, Tonya)
  • Mary J. Blige (Mudbound)
  • Lesley Manville (Phantom Thread)

Of everyone listed, I’ve seen NONE OF THEIR PERFORMANCES. But if you want my guess, I gotta go with Laurie Metcalf. I’m hearing a lot of good things about “Lady Bird.” From the acting, to the writing, to the directing, everything. I didn’t see it on opening weekend because let’s face it, “Thor: Ragnarok” was gonna crush it. Part of what people seem to like about “Lady Bird” is the realism it seems to convey, and I imagine that Metcalf’s performance plays a part in that. In all honesty, I don’t see Blige winning because “Mudbound” was distributed by Netflix and I imagine it would have to be in a larger number of theaters for the Academy to accept it. But anything can happen. One actress I thought unbelievably snubbed for this category is Holly Hunter (The Big Sick). When I saw “The Big Sick” this year, I thought Holly Hunter might have been the best part of the movie, and she fit the role of a gritty white mother quite well. She was part of why I thought the movie was “top 10 list” worthy when I did my end of the year “top 10 BEST movies” list. Ah well, you can’t have everything.

Moving onto Best Actor, the nominees are…

  • Timothée Chalamet (Call Me by Your Name)
  • Gary Oldman (Darkest Hour)
  • Daniel Day-Lewis (Phantom Thread)
  • Denzel Washington (Roman J. Israel, Esq.)
  • Daniel Kaluuya (Get Out)

Out of all of these, there are a few that stand out. A lot of people are rooting for Gary Oldman, so that gives him a chance. Daniel Day-Lewis, one of the most revered actors ever, is nominated for not only a role that people praised, but the last role he’ll ever do on screen, so maybe that and some respect for his chops will land him a win. Daniel Kaluuya was in one of the most talked about movies of the year, and he’s black, which gives him an extended probability of winning. I have not seen any of these films, but if there were one I think would win, it would be between these three. I personally wanted James Franco and Harrison Ford to make this list, but that didn’t happen now didn’t it. Sure, Franco’s allegations could have SOMETHING to do with it and I may be in the minority when it comes to Ford due to my love for “Blade Runner 2049.” Although if you haven’t seen “Blade Runner 2049,” I personally consider that Ford’s all-time best performance I’ve seen.

Onto Best Actress, let’s take a look at the nominees…

  • Margot Robbie (I, Tonya)
  • Meryl Streep (The Post)
  • Frances McDormand (Three Billboards Outside Ebbing, Missouri)
  • Saoirse Ronan (Lady Bird)
  • Sally Hawkins (The Shape of Water)

OK… Meryl Streep has been nominated again… Big surprise. I have nothing against Meryl Streep, but I’m just making a point that she’s basically been nominated countless times. I don’t think she’ll win though. As for Margot Robbie, I’m SLIGHTLY surprised she was nominated. Don’t get me wrong, she’s a great actress, but I don’t remember her performance being the ultimate highlight of “I, Tonya.” I didn’t see “I, Tonya,” but from what I heard, that’s what I’m gathering. I think this will be either another “Lady Bird” win with Saoirse Ronan, or a win for “Three Billboards” with Frances McDormand. I bought “Three Billboards” on 4K today and I ADORED McDormand’s performance. I thought it was rather jaw-dropping at times, she had the right mannerisms, and it just screamed art. Will she win? Hopefully. Make it happen!

Next, we have Best Original Screenplay. These are…

  • The Big Sick (Kumail Nanjiani, Emily V. Gordon)
  • The Shape of Water (Guillermo del Toro, Vanessa Taylor)
  • Lady Bird (Greta Gerwig)
  • Three Billboards Outside Ebbing, Missouri (Martin McDonagh)
  • Get Out (Jordan Peele)

As far as the fact that “The Big Sick” is on this list goes, I’m happy, but rather puzzled. Sure, this wasn’t based on a book, video game, comic book, anything like that, but it is based on true events. I mean, I guess it can belong there if “Spotlight” belonged in that category a couple years back. Even so, I hope it wins out of all of these. Maybe I’m overthinking on the nomination process, but even so, I figured I’d say what I wanted to say. Although I can imagine all of these have a good chance, but “The Shape of Water” is on the lower end of the spectrum. “The Shape of Water,” while people are praising it, is more of a gem according to people from a visual perspective. It is getting praise for its story, but the visuals are more of a standout. “Three Billboards Outside Ebbing, Missouri,” was rather haunting and intriguing at times. “Get Out” is actually rather relevant and it has been that way for months now. “Lady Bird” is once again, from what I imagine, realistic. All of these have a shot, it’s just a matter of votes. However one thing I’ll mention about “Get Out” that I’ve yet to mention, is that there’s apparently stories going around about older Academy voters not considering it “Not an Oscar movie.” I haven’t seen the movie, but I know a lot of people disagree. I actually saw a couple of funny tweets yesterday putting “Get Out” alongside “The Boss Baby,” which was nominated in the Best Animation category.

Speaking of screenplays, let’s move onto Best Adapted Screenplay.

  • Logan (Scott Frank, James Mangold, Michael Green)
  • The Disaster Artist (Scott Neustadter, Michael H. Weber)
  • Call Me by Your Name (James Ivory)
  • Molly’s Game (Aaron Sorkin)
  • Mudbound (Dee Rees, Virgil Williams)

Alright, once again, “Mudbound’s” a Netflix movie, therefore reducing its chances and that’s all I’m gonna say about it. I did see “Molly’s Game.” I never read the book it’s based on, but the adaptation for it contained a fast-paced, jumping all over the place kind of feeling screenplay and I felt the movie was all the better for it. I also saw “The Disaster Artist,” another book I didn’t read, but it did get a terrific adaptation. In fact, it made my top 3 films of 2017! “Logan” could win as well, but as far as I know, the Academy probably doesn’t usually view comic book movies the way others do. If I had to choose one that I WANT to win, it’s “The Disaster Artist.” Will it win? I don’t know. But I hope it does, its screenplay MADE the movie. It’s one of the funniest screenplays of the decade!

Now we’re moving onto Best Cinematography and THIS, my friends, is gonna be a big one for me. Here are the nominees…

  • Blade Runner 2049 (Roger Deakins)
  • Dunkirk (Hoyte Van Hoytema)
  • The Shape of Water (Dan Laustsen)
  • Darkest Hour (Bruno Delbonnel)
  • Mudbound (Rachel Morrison)

Now before we get into what I’ll call “the big guns,” let’s talk about Rachel Morrison. She’s done cinematography for “Mudbound,” as suggested above. And part of me thinks she has a legitimate shot at winning. I know it’s a Netflix movie, I know what I mentioned about it, but there’s a reason she could win and it’s as simple as this. It’s because… she’s a she. This is the ninetieth Oscars show, and it’s the first one where a woman’s been nominated for Best Cinematography. Part of me thinks that some of the more progressive voters behind the Academy will go for her, not to mention it would make for a good story. I don’t think she’ll come out on top, but that’s because part of me’s stuck on three people, including her. One of the other people is “Dunkirk’s” Hoyte Van Hoytema. I went to see “Dunkirk” in IMAX 70mm, I bought it the day it came out on home video, I watched it twice on Blu-ray and twice on 4K. You can obviously tell I ate “Dunkirk” up like pizza. The cinematography was a highlight for me. This is because this movie was shot on IMAX film cameras and standard 70mm cameras. Not to mention, the way various shots on land, water, and air were presented. The dogfight sequences from the perspective of the camera was absolutely astounding for example! Watching this in IMAX 70mm made it even better because multiple sequences once again, were shot using IMAX technology. Although there’s one film I think is much more deserving of an Oscar in this category and that is, “the big guns,” otherwise known as, “Blade Runner 2049.” If you follow this blog, I’ve talked about “Blade Runner 2049” many many many times, so it should be evident by know that I clearly love it. Part of it has to do with the cinematography. I thought it was not only the best cinematography from a 2017 movie I’ve watched, but also some of the best I’ve seen in my entire life. The camerawork was done by a guy named Roger Deakins. If that name sounds familiar to you, I wouldn’t be extremely surprised. Deakins has done cinematography for films such as: “The Shawshank Redemption,” “Fargo,” “No Country For Old Men,” “True Grit,” “Skyfall,” “Prisoners,” “Sicario,” movies like those! He’s been nominated for an Oscar in the Best Cinematography category FOURTEEN TIMES. With this being some of my all time favorite cinematography, if Deakins loses, I’d be OK with Hoytema winning, but if anyone else wins, I’ll riot. You can say I either want Deakins to win for my fanaticism for “Blade Runner” or just his story when it comes to the Oscars, but I can also argue you haven’t seen “Blade Runner 2049.” By the way, WATCH IT!

Now let’s focus on Best Original Score, with nominees including…

  • Star Wars: The Last Jedi (John Williams)
  • Dunkirk (Hans Zimmer)
  • Three Billboards Outside Ebbing, Missouri (Carter Burwell)
  • Phantom Thread (Jonny Greenwood)
  • The Shape of Water (Alexandre Desplat)

Out of all of these, I think the one that has the least chance of winning is “Star Wars: The Last Jedi.” Don’t get me wrong, I’m a huge “Star Wars” fan, and there many people out there who either like “Star Wars” or its music. Personally speaking, and perhaps speaking for a lot of other people out there, “The Last Jedi” might be the worst “Star Wars” score of all time. It’s all subjective, but to me, it just felt repetitive and unoriginal. “Three Billboards” could have a chance, but you never know what could happen. Although I will say, if “Dunkirk” wins, I wouldn’t be too surprised. It’s my second favorite score of 2017 (below “Blade Runner 2049”), it suits the tone of a war film, and upon experience of watching “Dunkirk,” the way it is edited also plays a bit into it. So yeah, go “Dunkirk!”

As for Best Animated Feature, I’m not even gonna go into detail about it. Everyone knows it’s gonna be “Coco.”

Also, why would “The Boss Baby” be nominated instead of something like “The LEGO Batman Movie?” No, seriously, WHY?! Ah well, at least it’s not “The Emoji Movie.”

I will however expand the lack of detail when it comes to Best Production Design…

  • Beauty and the Beast
  • Blade Runner 2049
  • The Shape of Water
  • Darkest Hour
  • Dunkirk

Out of all these, I think the first three I listed have the best shot of winning. Maybe “The Shape of Water” in third place, but critics are eating it up so you never know. You probably know I’d be choosing “Blade Runner 2049” right now. If the sets didn’t look great already at home, imagine them all in the theater! I actually watched the bonus features and these sets still astound me! They’re unbelievable!

Now let’s go onto Best Visual Effects, and the five of these I personally believe were all very well selected.

  • Kong: Skull Island
  • Blade Runner 2049
  • Guardians of the Galaxy Vol. 2
  • Star Wars: The Last Jedi
  • War for the Planet of the Apes

A lot of people have been talking about “War for the Planet of the Apes” when it comes to the visuals, so it wouldn’t surprise me if they won in this category. And funny enough, I’ve seen at least a small portion of all of these films except for that one! Honestly, I’m fine with any of these winning. If there’s a film I think WON’T win, it’ll be “Kong: Skull Island,” but it did deserve a nomination in my book.

As for Best Film Editing, let’s take a look at those nominees.

  • Baby Driver
  • Dunkirk
  • The Shape of Water
  • I, Tonya
  • Three Billboards Outside Ebbing, Missouri

I’ve seen three of these films, and all them are ones I feel are competently edited. “Baby Driver” however, I believe will take the cake, and if it does take the cake, I’m cool with it. The way it edits its music and action sequences is superb and I feel that the “Fast & Furious” franchise, as much as I enjoy some of those movies, can take some notes from it in order to improve their films. “Dunkirk” comes close, but no cigar.

The next two categories have to do with sound: Best Sound Editing, and Best Sound Mixing. And believe it or not, the same exact movies were nominated in both categories, so let’s look at them.

  • Blade Runner 2049 (EDITING: Mark A. Mangini, Theo Green) (MIXING: Ron Bartlett, Doug Hemphill, Mac Ruth)
  • Dunkirk (EDITING: Richard King, Alex Gibson) (MIXING: Gregg Landaker, Gary Lizzo, Mark Weingarten)
  • Baby Driver (EDITING: Julian Slater) (MIXING: Tim Cavagin, Mary H. Ellis, Julian Slater)
  • Star Wars: The Last Jedi (EDITING: Matthew Wood, Ren Klyce) (MIXING: Michael Semanick, David Parker, Stuart Wilson, Ren Klyce)
  • The Shape of Water (EDITING: Nathan Robitaille, Nelson Ferreira) (MIXING: Christian T. Cooke, Glen Gauthier, Brad Zoern)

Yes, I credited people here and not in other places, but I don’t care. As for both of these categories, I think the big three rivals are “Baby Driver,” “Dunkirk,” and “Blade Runner 2049.” The sound recordings fit each film, they were great to hear, and when you mesh em all together, you get something fantastic. I would personally be satisfied with any of those three films winning in either category. The same can be said for “The Last Jedi,” but it’s not quite there…

Next we have Best Makeup and Hairstyling, which if you’ve watched last year’s show, you may remember the possibly hilarious and somewhat controversial win for “Suicide Squad.” This year, no comic book movies have been nominated. However, three other movies have.

  • Wonder
  • Darkest Hour
  • Victoria & Abdul

I’ve seen one movie on the list this year, and I don’t think it’ll win (Wonder) and as for the winner, I’m just gonna guess based on what I’ve seen in images. So with that being said, I’ll go with “The Darkest Hour.”

Moving onto Best Production Design, the nominees are…

  • Beauty and the Beast
  • Blade Runner 2049
  • Dunkirk
  • Darkest Hour
  • The Shape of Water

I already talked enough about “Blade Runner 2049” from a visual standpoint, so you probably know my answer there. I think the actual winner will be either “Beauty and the Beast” or “The Shape of Water” but only time will tell.

Now for Best Original Song, we have…

  • This is Me (The Greatest Showman)
  • Remember Me (Coco)
  • Mighty River (Mudbound)
  • Stand Up for Something (Marshall)
  • Mystery of Love (Call Me by Your Name)

This will probably a two-horse race between “Remember Me” and “This is Me.” I’ve seen neither of these films, but given their popularity and likability factor from what I heard, that could help in potentially getting a win.

Next up is Best Costume Design, which includes…

  • Beauty and the Beast
  • Victoria & Abdul
  • Phantom Thread
  • The Shape of Water
  • Darkest Hour

Out of all of these, I believe a few have a shot. “Darkest Hour,” “Victoria & Abdul,” and “Beauty and the Beast.” “Darkest Hour’s” costumes seem to fit the vibe of the film from what I’m looking at. The same can also be said for “Victoria & Abdul.” Although when it comes to “Beauty and the Beast,” that also has potential because it seems to have transferred its costumes over from its animated predecessor quite well, and as costumes, they look elegant. So we’ll have to wait and see.

Next up, we have Best Director, and there are some names that I think are worth discussing here.

  • Christopher Nolan (Dunkirk)
  • Greta Gerwig (Lady Bird)
  • Guillermo del Toro (The Shape of Water)
  • Jordan Peele (Get Out)
  • Paul Thomas Anderson (Phantom Thread)

All of these have potential from what I can tell. These all come off as competently made movies, and the direction seemingly appears to play into all of them. Although the big three here to me are Nolan, Gerwig, and del Toro. I mean, del Toro, from what I heard, is getting a lot of attention right now. Critics are loving “The Shape of Water,” people are rooting for him, and you may also remember, he won a Golden Globe in this category for that movie. This could be another win for him. For Greta Gerwig, I’ll say once again, a couple of actors stand out in this film, and part of it may be due to Gerwig’s realistic take and overall direction for it. Not to mention, Gerwig’s a woman, which could not only make an interesting story, but also a lot of people happy. I’m personally rooting for Christopher Nolan. For those of you who don’t know, Nolan is my favorite director of all time. He’s done so many great films and the man overall may just be a genius when it comes to storytelling. When it comes to “Dunkirk,” his vision was experimental and it made the movie all the better for it. So will the Academy choose Nolan? I don’t think so, it’ll probably be del Toro, but we’ll find out!

And last but not least, we have the biggest category of all, Best Picture…

  • Dunkirk
  • The Shape of Water
  • Call Me by Your Name
  • Darkest Hour
  • Lady Bird
  • The Post
  • Get Out
  • Three Billboards Outside Ebbing, Missouri
  • Phantom Thread

As for the ones that are probably not gonna win, I’m gonna say those are “Get Out” and “The Post.” Once again, I’ll bring up how older Academy voters aren’t viewing “Get Out” as an Oscar film. As for “The Post,” while it is getting lots of positive reception, it doesn’t have too many nominations overall compared to some of the other movies on that list. The ones that I feel have absolute potential of winning are: “Dunkirk,” “The Shape of Water,” “Lady Bird,” and “Three Billboards Outside Ebbing, Missouri.” Not only have these films come off as great films to viewers and critics alike, they have all received a high number of nominations compare to some other films you’ll see on here. If I had to choose one film that I want to see win it would probably be “Dunkirk.” It has potential due to a high number of nominations and I personally want it to win based on the replay value it has and how it’s presented from an experimental and technical standpoint. My winner for voter picks would be “The Shape of Water,” because let’s face it, people are talking about it. It was nominated for thirteen Oscars, and it already won Best Picture at the Critics Choice Awards. My runner-up for both the critic picks and personal picks would be “Three Billboards Outside Ebbing, Missouri.” I really enjoyed watching the film. I thought it was well shot, terrifically acted, and well written. For the critics, you have to consider past experience regarding this film. This won a Golden Globe for Best Picture in the drama section, and it basically made a sweep at the SAG (Screen Actors Guild) awards. Could it win? I don’t know. It’s hard to say what will ultimately take the cake. We’ll have to see when the awards arrive!

If you are actually reading this before the Oscars begin, I actually kind of congratulate you because they actually start VERY SOON. If you’re reading after, I just hope you’re enjoying my somewhat irrelevant content. I don’t know if I’ll be summing up my final thoughts on the Oscars once the show ends, only time will tell. Besides, I’m already busy doing another review which I’ll talk about in a second, but until time allows me to make a final decision, we’ll just have to see where the road leads. Thanks for reading this post! Be sure to stay tuned for my review for “Annihilation.” I just saw the film earlier today, and I cannot wait to talk about it. I’ve already started the review before it came out, because I figured some topics having to do with the movie (that can be talked about without having seen it) are relevant and I wanted to spit those out. Stay tuned for more great content! I want to know, if there’s still time to type them em in, what are some of YOUR hopes and predictions for the 90th Academy Awards? Also, which is better? “La La Land” or “Moonlight?” Me personally, I’d choose “La La Land!” Leave that info down below and please make sure you’re not too busy sending out important tweets, otherwise I might possibly have some false comments on my hands, so be careful! Scene Before is your click to the flicks!

Also, one more thing…

GIVE ROGER DEAKINS HIS OSCAR ALREADY!

75th Golden Globes and Gender Equality: What Does It Equal?

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Hey everyone, Jack Drees here! On January 7th, 2018 the “75th Golden Globes” was held. Seventy-five, undoubtedly, is a big number for any event, however this felt like other “Golden Globes” shows I watched with a 75 shoved in the title. Although based on my experience, it wasn’t as pleasant to watch. Nevertheless, it happened. Strange things occurred when it comes to the show. No, that’s not a “Stranger Things” pun, even though the show had a nomination. Apparently “The Boss Baby” was GOOD ENOUGH to be nominated for Best Animated Feature Film. As for one of the winners, specifically James Franco (The Disaster Artist), who won Best Actor in a Musical or Comedy, which in my opinion is incredibly deserved, he allowed Tommy Wiseau, the person who may be most responsible for his film, to come onstage as he was thanking him. As Wiseau came up, he tried to take the mic, but Franco pushed him out of the way. To be fair, Franco had limited time to speak so this was rather understandable. However it still comes off as either rude or weird. I don’t know, make your pick.

For those who were wondering what Tommy would have said, he went on KTLA 5, a local news network out of Los Angeles, CA. While he was on the program, he was promoting his disasterpiece, “The Room,” saying it’ll be back in cinemas for one night only, specifically Wednesday, January 10th. This technically means that “The Room” has a quality that associates with a lot of bad movies, despite how this is technically a rerelease, you can now say “The Room” released in January! During the promotion, the whole push incident was brought up. Tommy explained what he would have said if he actually had the mic. “If a lot of people love each other, the world would be a better place to live, and I’d say I’m making dream, it’s alive, it’s real, and again I’m very proud of “The Room,” etc. That’s it, that’s all I want to say. Nice thing. But somebody was like naaaaw, you cannot do that.” Out of all the things that were prominent at the Golden Globes this year, it was the message to not sexually harass and the promotion of the #MeToo movement.

The #MeToo movement was popularized in October 2017 when word was getting out that apparently a lot of men in Hollywood happened to be perverts. Such people included Harvey Weinstein, Kevin Spacey, Louis CK, Ben Affleck, Danny Masterson, Brett Ratner, and Bryan Singer. I think this movement is a good way to say that you shouldn’t sexually abuse others against their will.

When it comes to a lot of award shows I watch, I notice that they always touch upon certain social issues. As this occurs, people give their thoughts on the issue and I have nothing against it. Everyone is entitled to their own opinion, there’s nothing wrong with having an opinion on anything. Unless of course you actually enjoyed “The Emoji Movie.” This year, the Me Too movement was extremely prominent. Almost everyone was wearing black. Not just women, but men too. A lot of women mentioned something along the lines of sexual harassment and how awful it is in their acceptance speech, Oprah Winfrey was given the Cecil B. DeMille award, which lead to an extended speech about sexual harassment, how “time is up,” and letting women know that they shouldn’t have to worry about the concept as much in the future now that all of the #MeToo stuff is happening. The #MeToo movement from my personal point of view is a very positive movement. However, the question I have is, is it completely justified or executed in a proper manner?

On one hand, I’d say it’s absolutely justified, sexual harassment is a serious issue. I’m well aware it’s usually the men who give the harassment and the women who receive the harassment, and I’m proud of all these women coming out and telling the hidden secrets behind all of the perversion they’ve received over the years. There are times however during this Golden Globes event where I think the events surrounding it went a little too far.

As mentioned earlier, almost everyone who attended the Golden Globes wore black. When it comes to the people who didn’t, one standout is Blanca Blanco. Yes, that’s her real name. Blanca Blanco is an actress who appeared in movies such as “Teen Star Academy” and “Fake News.” So in other words, you probably don’t care about what she’s done career-wise. Blanco showed up to the event wearing a red dress, which eventually lead to loads of flak. She made an exclusive statement to Refinery29, an American digital media company whose target audience is young women, and she had this to say:

“I love red. Wearing red does not mean I’m against #timesup movement. I applaud and stand by the courageous actresses that continue to brake the circle of abuse through their actions and their style choice. It is one of many factors leading women to a safer place because of their status in the acting world. I am excited about the ‘Time’s UP’ movement because true change is long overdue.”

By the way, me spelling “brake” is not an error, that’s how Blanco wrote her statement.

Up above is a photo of Blanco in her red dress, and this is when the controversy first started. A number of people think the dress is fine example of stupidity that disgraces the #MeToo movement whereas others think its just a nice looking dress that stands out. I’m on the side that doesn’t exactly care about the dress color. It’s extremely elegant and presentable as a dress, and it doesn’t matter whether its red or black or violet! Although rainbow colors would be a little weird for it according to my imagination. Blanca Blanco is that one person who shows up at the photo studio for a family photo who didn’t wear the same outfit, and I don’t care! By the way, why do outfits always have to match for family photos? That’s so odd! If I ever shown up to an event such as the Golden Globes, I would try to look nice, but in the end, color isn’t something that should necessarily be non-optional for its attendees. You can do it to show your support for a movement, but just because someone doesn’t wear a certain color, it doesn’t mean they don’t support a movement. What was it that Blanca Blanco said in that statement?

“I love red.”

You go girl! Also, what amazes me about this is how women’s rights are still an issue today, and everyone is kind of saying that this woman doesn’t have the right to wear red. By the way, I’ll have Blanca Blanco remind you something.

No red-shaming!

Next up, we’re gonna talk about Natalie Portman, or as I like to call her, one of the two people in a romantic relationship that had no chemistry in “Star Wars Episode II.” She’s a fine actress, but from a script perspective her character just didn’t work. During hear appearance at the Golden Globes, she went onstage alongside Ron Howard, and before going any further. Look at Natalie’s smile! She looks like she went into an orphanage, stayed awhile, and had a nice meal. And by a nice meal, I mean she ate all of the children! While the two were onstage, they were presenting the nominees and winner for Best Director. Natalie had one thing to say before the nominees were presented. She said, “And here are the all male nominees.” Best Director had five nominees, all of which were male. They are Christopher Nolan (Dunkirk), Steven Spielberg (The Post), Martin McDonagh (Three Billboards Outside Ebbing Missouri), Ridley Scott (All the Money in the World), and Guillermo del Toro (The Shape of Water). Let me just say that all of these from what I heard were completely justifiable nominees, and I can somewhat understand people complaining that Greta Gerwig (Lady Bird) or Patty Jenkins (Wonder Woman) didn’t get nominated. However, I don’t really find this joke funny. For one thing, it’s kind of forced and comes off as cringeworthy. Another thing I don’t like about it is that it’s basically shaming talented people, just because they’re men. Yes, you can technically say that the nominators are to blame here, but in reality, it doesn’t change the fact that you’re accusing them for nominating people and what they did was wrong because they have something that they can’t alter! Well, unless you get a procedure done. Not to mention, Portman was standing next to Ron Howard, a male director. Do I find the jab offensive? Not really. It’s just something that shouldn’t have been said. This may be a night to promote gender equality, but it’s also a night to celebrate achievement in film. And yes, more female directors would be nice, but it’s a female’s choice on whether or not she directs a movie just like how it’s a male’s choice. As much as I would love to see more great movies directed by women, I ultimately just want to see terrific movies directed by PEOPLE. Speaking of women and men, let’s talk about how the show opened.

Seth Meyers kicked the night off by walking onstage, and before he introduces himself with his full name, he says to everyone, “Good evening ladies and remaining gentlemen.” Having heard that, not only is that clever, but also hilarious. The monologue continues and eventually arrives at a point where Seth does a bit that he does on “Late Night with Seth Meyers” called Jokes Seth Can’t Tell, but every single joke is coming from a Hollywood star in the Golden Globe audience. I can’t really say I laughed all that much, even though it was nice hearing Jessica Chastain’s voice. At one point, we get to Amy Poehler, who I can’t really say makes terrible decisions in the business given that she played Joy in “Inside Out,” but hearing her talk here made me think I was watching “Ghostbusters” 2016. I’m not against feminist values, but she’s just forcing this “mansplaining” joke, if you can call it a joke, down everyone’s throat. It just felt like an awkward comedy or a really horrible “SNL” sketch.

Also, I want to say, Barbra Streisand (Yentl, The Guilt Trip) showed up at the event, and when she went onstage, this happened to be towards the end of the show. This was some time after Oprah Winfrey accepted her Cecil B. DeMille award. I must say, out of everyone who appeared and spoke at the event, she probably had the speech that will be recalled most out of them all. When Oprah exclaimed “Their time is up,” that put my brain into remembrance mode. So when Streisand shows up onstage later, she reminds everyone that time’s up, she was the first and only female director to win Best Director at a Golden Globes event, and that we need more female directors, not to mention more nominated female directors. I’m gonna say the same thing I said about Natalie Portman. People should make great movies, not just women. And I’m also gonna say this, just let the people nominated have their night. Much like Natalie’s jab, I don’t find anything Streisand is saying offensive. In fact, she does make a good point, we do need more competent movies from female directors. Although in reality, movies are movies, and people are people. I don’t care who directed the movie, as long as it’s not Anthony Ferrante (Sharknado 1-5). In the end, I just think what she’s saying is somewhat disrespectful at this time and place. If all the Best Director nominees were objectively terrible, let’s just say the nominees were Michael Bay (Transformers: The Last Knight), Paul W.S Anderson (Resident Evil: The Final Chapter), Peter Chelsom (The Space Between Us), Tomas Alfredson (The Snowman), and Dean Devlin (Geostorm), then I’d understand. However, all the nominees probably deserved some respect based on how well received their films happened to be. I seriously want to know, when you watch “America’s Got Talent,” does the host, AKA the one who presents all the winners and people going through to the next round, say something like “We need more variety winners?” No they don’t! I’m not against Oprah Winfrey’s speech whatsoever because it was mainly about ending abuse. Not nominating many female directors isn’t abuse, it’s just not considering people in a certain category. Also, I must say, at least Natalie Portman’s comment, while perhaps forced, was an attempt to make people laugh. Streisand’s comment just felt like it was rushed and it literally had no impact other than simply existing. With the exception of a gender swap, there is probably no other way a man can change exactly who they are. They’re a man, they can’t control that, just as how women can’t control being a woman. I’m not against the idea of nominating more female directors and having them win, but I’m against the idea of women literally having to insult boys for being boys. PLEASE DON’T TAKE THOSE LAST FOUR WORDS THE WRONG WAY.

There are so many people who gave this Golden Globes event a 1 on IMDb, and I can see why. I wouldn’t say it’s a 1/10 show, there are some good moments, it’s just that a chunk of the stuff about Time’s Up came off as forced despite being a positive movement, much like the #MeToo movement. You can share ideas, but there’s a fine line between sharing ideas and forcing them. Sharing them was done with Seth’s introduction line, forcing them was done with Natalie Portman as she presented the Best Director nominees. Next year, let’s try sharing and see how that pans out. Thanks for reading this post, I just want everyone to know that next week I will have my review up for “Molly’s Game,” I’m going to see it next Monday, so I’ll either get the review up by the end of the day or on Tuesday. Also, on Thursday, January 18th, I’m going to be starting my review series for the “Maze Runner” movies, starting with the first installment, simply referred to as “The Maze Runner.” This is being done because the third movie in the series, “Maze Runner: Death Cure,” will be releasing January 26th, and I figured I’d review the first two “Maze Runner” films in preparation for the third installment. Stay tuned for those reviews, and look forward to more great content! Did you watch the 75th Golden Globes show? What did you think? Let me know down below! Scene Before is your click to the flicks!

“So I want all the girls watching here, now, to know that a new day is on the horizon! And when that new day finally dawns, it will be because of a lot of magnificent women, many of whom are right here in this room tonight, and some pretty phenomenal men, fighting hard to make sure that they become the leaders who take us to the time when nobody ever has to say “Me too” again.” -Oprah Winfrey

Top 10 BEST Movie Quotes

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Hey everyone, Jack Drees here with another countdown! When I watch movies, one thing I pay a lot of attention to happens to be the characters. After all, in most movies, the characters are the one thing that can make you decide whether the movie is either good or bad. There are a lot of characters I like, some more than others, but there are some times in movies when you witness one character, and they give a quote to remember forever. Whether it’s funny, original, deep, or epic, certain characters can compel me when they speak. Today I’m gonna talk about my top 10 favorite quotes from movies. Now, keep in mind, these are my personal picks. If you don’t like these quotes, that’s totally OK, you can make your own list with your own quotes, or you can leave a comment displaying your personal favorite movie quotes or why you disagree with me. Although just don’t be a dick about it and then we’ll most likely be cool. Anyway, let’s start the list, and get counting down on my top 10 BEST movie quotes.

10: Jaws

“Jaws” is probably the most famous shark movie ever made. It was one of the first big summer movies, it came out before other summer movie hits like the original “Star Wars” and “Alien,” and many people say it still stands the test of time despite having a fake shark. What quote from the movie belongs on this list? If you’re asking this question, you either haven’t seen or heard of “Jaws,” or your brain isn’t wired properly. Anyway, here’s the quote:

BRODY: You’re gonna need a bigger boat.

The first time I heard this quote I was watching the movie with my dad, it set the stage for some of what was to come, I got a laugh out of it, and it almost felt like hearing something that a teacher would say to you that you’d never forget as long as you live. The line delivery given by Roy Schneider in this instance is fabulous. Not to mention, when you see him in frame, he’s got a perfect posture and the image seems to have no flaws when it comes to the quote, the quote just seems to fit with literally everything this moment of the movie has going for it. The delivery itself gives a sense of danger and it pulls you in, John Williams’s music building up along with it is also perfect. If you haven’t watched “Jaws,” you’re either lying, under a rock, or some talking shark told you to never watch the movie otherwise it would eat you.

9: The Terminator

I don’t usually watch the “Terminator” franchise all that often, however I do find enjoyment out of it every once in awhile. I consider “Terminator 2: Judgment Day” to be one of the best action films ever made, but it doesn’t mean I keep the others (mainly 1, 3, and 5, the 4th one was dull) in consideration. OK well, to be fair, the fifth actually wasn’t the best movie ever. In fact, despite “Judgment Day” being my favorite of the bunch, I still think the original had the best line in the franchise. Don’t get me wrong, the second one had cool lines including Schwarzenegger’s “Hasta la vista, baby,” and the exchange between John Conner and Schwarzenegger after a chase scene early on in the movie.

JOHN: Who brought you here?

THE TERMINATOR: You did.

The best line is one I’ve been saying a lot all my life, and I imagine a lot of other people have as well. If you have seen the first movie, you’d probably agree with me when I say this is the film’s best line.

THE TERMINATOR: I’ll be back.

If that line were used in any random conversation, it would most likely fly over people’s heads, but the execution of this line is perfect. It gives you a feeling of suspense, a wonder for what’s to come. THEN BAM! A car comes crashing into a building driven by The Terminator himself! The thing that makes the line perfect, isn’t necessarily how it’s written, it’s more towards how it’s delivered. Also, think about it, this almost feels like a line only people like Arnold could ace. Imagine if someone like Gilbert Gottfried was playing the Terminator, imagine how that would turn out! It wouldn’t work as much.

8: The LEGO Movie

I love “The LEGO Movie.” To me, it’s one of the best animations ever made, and one of the characters in that movie is Will Arnett’s interpretation of Batman. He’s by far the funniest part of the movie and a definite scene stealer. When I was making this list, I was trying to think of quotes that made me roll on the floor, then I thought about this movie. When it comes to the best quotes in the entire film, it’s a really tough competition because the film’s screenplay is probably one of the funniest I’ve witnessed in my life! Although I ended up picking one quote over everything else. But before I show you the quote, let me give you some buildup. So there’s one point in this movie where our heroes are stuck in an ocean, they pop out of the cushions of a double decker coach. So Batman interrupts the conversation at hand, and lets everyone know of reality.

“I don’t mean to spoil the party, but does anyone else notice we’re stuck in the middle of the ocean on this couch? I mean, it’s not like a big gigantic ship is just gonna come out of nowhere and save us. (suddenly a big gigantic ship becomes visible as it comes over to them) My, gosh!”

So the heroes get on the ship, Metal Beard, a character who we knew earlier from the film, is there too. Not too long after getting on, Emmett, the main character played by Chris Pratt (Guardians of the Galaxy, Jurassic World), reveals his plan to save the world. Although, when it comes to a part involving a spaceship, the folks run into a problem. In order to complete the manufacturing of a spaceship, a hyperdrive is required, which none of the heroes have. At one point, Batman utters this:

“What do yo think, a spaceship’s just gonna appear out of the blue? (suddenly a spaceship appears behind them) Are you kidding me?! The same thing!”

I remember loving that when I first saw the film, but I recall watching it on HBO at one point and I laughed like a supervillain! There are few films I’ve watched that have the humor this film managed to deliver, and when I saw “The LEGO Batman Movie” a spinoff to “The LEGO Movie,” I knew this movie wasn’t a fluke. In fact, I love a quote from that movie which stands out as well, the one where Batman makes fun of the Suicide Squad. These movies are just factors behind why I’m excited to find out what “The LEGO Ninjago Movie” is going to be like.

7: Kingsman: The Secret Service

I love “Kingsman: The Secret Service.” As a movie, it knows it’s a ridiculous spy flick and it even sometimes compares itself to Bond. Not to mention there’s a dog in the movie whose name has the initials “JB,” when the main character of Gary “Eggsy” Unwin is talking with Michael Caine’s character of Arthur, Arthur asked if the initials meant “James Bond,” which they didn’t. He also asked if they meant “Jason Bourne,” which also wasn’t the case. By the way, they mean “Jack Bauer.” It has obvious product placement in one scene, but in ways it can probably bring chuckles. One of my favorite scenes in the entire movie takes place in a church. Colin Firth’s character of Harry Hart is there, this church is full of people in a hate group. The antagonist of the film, Valentine, played by Samuel L. Jackson is planning on initiating a test associated with the SIM cards introduced in the film. Harry gets up out of his seat, he tries getting by one lady, and she wonders where he’s going and what his problem is. Hart responds by uttering this:

HARRY HART: “I’m a Catholic whore, currently enjoying congress out of wedlock with my black, Jewish boyfriend who works at a military abortion clinic. So hail Satan, and have a lovely afternoon, madam.”

This is basically going against the ideas of this specific church and the way this line is delivered is pure quality. How often have you always wanted to say to anyone in a hate group, it could be anything, “You’re wrong, I’m right, everyone deserves to be happy, have a fine day.”? Not to mention this sets up one of my favorite action sequences in movie history. Valentine initiates the test, and then literally everyone in the church starts killing each other. It’s well shot, well choreographed, and the music choice, otherwise known as “Free Bird” by Lynyrd Skynyrd was a great pick for this scenario. If you haven’t seen this movie, I’ll remind you it’s not for everyone, but the church scene alone is a work of art. The cinematography and music, combined with the shock value in that scene is amazing. I honestly CANNOT wait for “Kingsman: The Golden Circle,” it’s gonna kill!

6: V For Vendetta

When it comes to some of my most recent discoveries throughout my movie watching experience, “V For Vendetta” is definitely up there with my favorites. This is a film that I bet some people don’t even realize is based on a DC Comics graphic novel. Maybe I’m wrong, but who knows really. There’s a lot I like about the movie, the characters, the effects, the story, the acting, and the score. Another thing that stood out to me is this quote near the end of the movie given by V, played by Hugo Weaving (The Matrix, Captain America: The First Avenger).

V: Beneath this mask there is more than flesh. Beneath this mask there is an idea, Mr. Creedy. And ideas are bulletproof.

What I love about this quote is specifically the last sentence. Before the given quote, V is interacting with the character of Creedy, and by interacting I mean fighting. It’s V for himself against a bunch of other people trying to take him down. What makes the quote so lovable to me, given time to marinate, has not really too much to do with the character of V or even the film itself, it’s mainly about how one can take an idea, try to put it into action, and regardless of whether or not it works out, the idea itself will never go away. This even includes stupid ideas, and I’m not just saying that to make people feel better about a stupid idea.

5: Inception

I LOVE CHRISTOPHER NOLAN. He is one of my favorite directors of all time. He’s done some movies revered by many people such as “The Dark Knight,” “Memento,” and the movie I’m gonna be talking about here, “Inception.” There’s a lot of great moments in this film, from the first time Ariadne and Cobb are in a dream together, to the hotel hallway fight, and the AMAZING climax. I already mentioned Cobb is a character in this movie, in fact, he’s the lead character played by none other than Jack from “Titanic” himself, Leonardo DiCaprio. There’s another character in this movie who goes by the name of Mal, she’s played by Marion Cotillard, who eventually went on to play Miranda in “The Dark Knight Rises.” The two in this movie were once married, I won’t go into any further details than that, but that’s an important element during the film. Although let’s get into a quote which can associate with that. This quote is mentioned more than once throughout the picture, and here it is:

MAL: I’ll tell you a riddle. You’re waiting for a train. A train that will take you far away. You know where you hope this train will take you; but you don’t know for sure. But it doesn’t matter. How can it not matter to you where that train will take you?

As stated, this is not the only time it’s mentioned in the movie, but this is just one example. This is also mentioned during a scene towards the end of the film that’s pretty much a reversal of this. There’s also a time that Mal mentions it again that gets more haunting the more I think about it. What I love about this quote is how much it goes along with a motif that we witness during the movie. We start off the movie, Cobb is on a train, and he says “I don’t like trains.” Then we get this quote, which comes up again later, and we also have a scene where a locomotive is sliding through a city street, which by the way, sounds awesome on Blu-Ray. Not only that, but once again, I’ll mention, the quote itself is haunting, and that is during the time Mal is saying the quote and Cobb is shouting at her. The last time it’s stated, there’s actually a train in the frame as it’s being spoken. If you haven’t watched “Inception” I highly recommend it, one of the greatest movies ever made.

4: Whiplash

I know a lot of people have been talking about the movie “La La Land” which was directed by Damien Chazelle, but I feel that a lot of people are either forgetting about or just don’t know the work he did before that came out. To be more specific, the work I’m referring to is “Whiplash.” This movie’s about an aspiring drummer named Andrew Neimann, played by Miles Teller (Fantastic Four, Divergent), he goes to a school which is basically THE music school to attend, and he meets JK Simmons’s (Juno, Oz) character of Terence Fletcher. This is also the movie which gave JK Simmons his first Golden Globe, and his first Oscar, both of which in my book are amazingly beyond well deserved. I also have to give credit to how his character is written along with casting JK Simmons in the first place because not only was his character well written, this kind of seems like a role that only someone such as JK Simmons could really play. Think about it, JK Simmons has done more than one role playing someone arrogant or bossy. Just watch Sam Raimi’s “Spider-Man” trilogy or TBS’s “Men at Work.” This movie’s character, to me, feels like a tribute to JK Simmons. So what’s my favorite line from the character? Well, it’s this:

TERENCE FLETCHER: You are a worthless, friendless, faggot-lipped little piece of s*it whose mommy left daddy when she figured out he wasn’t Eugene O’Neill, and who is now weeping and slobbering all over my drum set like a f*cking nine-year old girl! So for the final, FATHER-F*CKING time, SAY IT LOUDER!

I bet some of you are wondering what the hell is happening when this line is coming out of this character’s mouth. Well, I’ll tell you. Terence is instructing the students to play a certain song, and they’re all playing it. Andrew is playing the drums, and Terence Fletcher keeps telling Andrew, in a polite tone, that he’s not playing the way he should. Then all of a sudden, no more interruptions are happening, but soon thereafter, Terence throws a chair at Andrew. Soon, they start getting into a rivalry with words. Andrew is just trying to cooperate and Terence is basically yelling at him! At one point, Andrew even starts tearing up, Terence is embarrassing Andrew in a way telling him to yell the fact that he’s upset, which he does multiple times. After saying it once more, the line shown above comes into play, and after Terence shouts “SAY IT LOUDER,” at the end, Terence says he’s upset one last time. The reason why I love this line so much is because it’s well acted, well written, and it shows how intense certain teachers can get. If you watch this movie, chances are you could relate to this line, because teachers like this exist. Terence sounds more like a drill sergeant as opposed to a jazz teacher. This is not even the only great line this movie has, Terence also gives a memorable line that I still think about today.

TERENCE FLETCHER: There’s no two words in the English language more harmful, than “good job”.

This almost sounds like a quote worthy of being on the list, but I’m only giving my focal points toward one quote per movie series unless I think there are multiple lines that I like equally, and I like the one I showed you first a bit better.

3: Risky Business

When it came to doing this list, I knew a quote from “Risky Business” HAD to be on here somewhere, but the problem I had was, which one was worthy? To confirm whether or not a quote from “Risky Business” would even make the list in the first place, I actually rewatched it since I own the DVD. “Risky Business” is about a guy named Joel, played by Tom Cruise (Mission Impossible, Jack Reacher) whose parents go away on a trip. Joel is left responsible for the house, but it doesn’t end up going so smoothly. Oh yeah and we also get scenes with the gorgeous Rebecca De Mornay (Wedding Crashers, Flipped). So which quote did I pick? The image at the top should give you a hint if you seen the movie before. This quote comes from the very beginning of the film, Joel and Miles, played by Curtis Armstrong (Revenge of the Nerds, Supernatural), are outside Joel’s house. Miles is about to leave, but before he goes, he says the following:

MILES: “Every now and then, say, “What the f*ck.” “What the f*ck” gives you freedom, freedom brings opportunity. Opportunity makes your future.”

OK, as much as swearing might not usually mean much of anything except for the fact that someone may be angry about something, Miles’s character has an incredible point. Let’s say that you have an idea, and you don’t know how it’ll turn out, but you want to go along for the ride, you might say “What the f*ck.” Then you get to your creative freedom, you get to execute an idea and see what happens with it. Maybe the idea will get you noticed somehow depending on what said idea is. If you get noticed or revered in some fashion for that idea, chances are you possibly just won your entire future. This feels like something that would happen if someone doesn’t know what the future holds but they want to see it play out in the best way possible, and to do that, they have to take a chance. Now that I think about it, this almost sounds like a game show such as “Press Your Luck” or “Deal or no Deal.” In fact, if there’s one quote that can associate with the movie’s overall intended idea, it might as well be this one. Why? The director of the film, Paul Brickman thought that it would be a good idea in this film to show that greed can bring consequences. Also, fun fact, the ending of the film wasn’t something he intended. His original ending stuck to a less upbeat tone. I’ve seen both the theatrical ending and the director’s preferred ending, and as of the moment, I personally prefer the director’s ending, the way it’s written feels more memorable and the other ending, while not exactly terrible, contains some dialogue almost sounds like something that one wouldn’t really say. If you ask me, the director’s cut did suit the vibe more, but the first one regardless of suitability wasn’t too bad to begin with.

Also before I move on, if you know me, I’m actually a mega-fan of Curtis Armstrong, I even talked to him multiple times, and you’d know that about me if you met me in real life. I say this because I have a feeling some of you might think I’m just putting this here because of my fanaticism, I’m not, and if you watch this scene, it’s kind of easy to see why. Anyway, let’s continue!

2: Interstellar (Two quotes tie because I can’t decide which is better) *SPOLIERS*

When it comes to the sci-fi genre, to me there’s no better film than “Interstellar,” this film is well written, well directed, well shot, well acted, and has the greatest ending to a film I’ve ever seen. We’re gonna talk about two lines here. They’re both kind of in spoiler territory, but one is in greater spoiler territory as opposed to the other. Let’s talk about the one that’s less spoilery first.

So if you’ve watched this movie you may know about the sequence which Matthew McConaughey’s character of Cooper observes the messages sent by his kids. He gets a number of messages from his son, Tom, but he barely gets any from his daughter, Murph. Cooper is in space, and time is flowing at a different pace for him as opposed to his kids back on Earth. He just got back on the ship after going to a planet which contains a crapload of water. When the ship is back in space, Romilly, one of the astronauts in this movie, wakes up, and he hasn’t seen the other characters for twenty-three years. This is how long the messages span. Cooper plays all of the messages, which many people consider to be the most emotional part of the movie, which I personally disagree with, and once all of Tom’s messages are over, Murph’s face shows up, she looks different than how she did before considering this is the first time we are seeing her as an adult. Here’s what basically goes down here.

MURPH: Hey Dad.
COOPER: Hey, Murph.
MURPH: You son of a bitch. I never made one of these when you were still responding because I was so mad at you for leaving. And then when you went quiet, it felt like I should live with that decision, and I have. But today is my birthday. And it’s a special one, because you told me… you once told me that when you come back we might be the same age. And today I’m the same age you were when you left.
(SHE BEGINS TO CRY)
MURPH: So it would be a real good time for you to come back.
(MURPH WIPES THE TEARS FROM HER EYES AND ENDS THE MESSAGE)

I love this entire moment, you can argue this isn’t technically a quote, but Murph is saying all of this in a pre-recorded message that Cooper is viewing, so he can’t really talk to Murph. Nevertheless, I love it. Just imagine how it feels to realize that your kid is back on Earth, you’re in space, time is moving differently for the both of you. Hearing this just shows the speed which time is moving, and it shows how much of a connection this father and daughter have with each other. In this scene you feel the emotion between these two, I mean for crying out loud, Cooper has been in this important mission which is the key to mankind’s survival, and the time he’s been in space is longer than the time spent in both World War I and World War II COMBINED, even if you take the spans of both wars, which comes out to a total of 1,567+2,193, which simplified is 3,760, and if you multiply it by two, it still wouldn’t be as long as the time these folks have been in space. I thought waiting from a Saturday morning to a Wednesday afternoon for my mother to get back from Arizona in October 2011 was long, this is a whole new level of long!

Now onto the second quote, while the first quote may have been in spoiler territory, this next one is probably going to ruin the entire movie for you, so if you haven’t seen “Interstellar,” go watch it, it’s a great film, and this is your warning.

The next quote takes place during the film’s final act, where everything is coming together, and we get to one of the only parts of a movie, if not the only part, where I cried while watching. Our heroes are near a black hole, and to shed some weight on the ship, Cooper thinks it would a good idea to send TARS straight into the black hole. Sounds cruel, I know, but TARS is a robot, so he doesn’t really care. Once TARS goes down, Cooper is about to do the same, Brand, one of the other astronauts, is freaking out, she is questioning why Cooper is doing this, but Cooper does it anyway. So he’s going down, meanwhile we see Earth drama, then we cut back to what’s going on from Cooper’s perspective, he’s falling, then he ejects his seatbelt, he’s out of his ship, he’s floating, and we see, something. It’s a tesseract, and Cooper is falling inside it. He wonders what’s going on, and I know I’ve been spoiling a lot, but this is important. Cooper is pushing something, it’s moving, and it falls, we see Cooper’s daughter, Murph, at the age of 10. I won’t go into COMPLETE detail, but I’ll spill some things here and there. Cooper is looking at his daughter and he’s watching her leave her room, which is in another dimension Cooper is looking at while he’s inside the black hole. It turns out this isn’t the only daughter observing Cooper is doing. He’s also looking at her in other moments in time, including moments we’ve seen in this movie, moments Cooper himself was involved in. Cooper, in a way, is communicating with Murph, which connects to an event that occurs in the movie’s beginning. Then, we get to listen to what Hans Zimmer does best, create epic music. We cut between a “current” moment on Earth, and Cooper looking at Murph from a time which she was younger. The editing is flawless. Soon, we get to this quote:

COOPER: Tell him Murph. Make him stay. Make… Make him stay Murph. Make him stay Murph! Don’t let me leave, Murph! Don’t, don’t let me leave Murph! (CRIES) NO, NO, NO, NO!

In case you have gone on this long and haven’t seen the film, I should let you know I’m being merciful and leaving out a huge part. If you have seen the film and paid close attention at the end, you’d know what I’m talking about. This is just part of an entire ending that after multiple watches, had me in tears. I love the quote for its emotional impact, how it’s delivered, and there’s really barely any words I can use in order to describe it. “Interstellar” is a movie you have to truly see to believe, there’s a reason why I talk about it all the time. Please, watch “Interstellar,” there’s a chance you will remember at least one quote from the movie after you watch it. Trust me.

1: Taken

My #1 movie quote comes from the movie “Taken.” “Taken” is a sick action flick. The sequels don’t live up to the original, but at least Liam Neeson has proven to be pretty kick-ass in the first installment. The plot of taken is that Bryan Mills, a retired CIA agent played by Liam Neeson, has a daughter, the daughter goes to Paris, and then she gets captured by someone who’s basically gonna turn her into some sort of sex slave. What quote gets me going when it comes to this movie? Well, it’s the one that is abridged on the poster above, which is also the one that Liam Neeson stated after his daughter got captured. Bryan Mills is on the phone, he hears his daughter screaming, and seconds later we hear this:

BRYAN MILLS: “I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my daughter go now, that’ll be the end of it. I will not look for you, I will not pursue you. But if you don’t, I will look for you, I will find you, and I will kill you.”

This one quote sets the stage for whatever comes next. The rest of movie is a terrific thrill ride and has some action, especially when you compare it to “Taken 3.” That movie shouldn’t have even been called “Taken,” it’s just there to exist and make a trilogy. The plot almost has nobody being taken. In the first two movies, somebody was taken, not in the third one. Ah, whatever. This quote was mentioned by Bryan when his daughter was in Paris, he was instructing her to do all sorts of things in order to protect herself. As much as I love the quote based on its delivery, how its written, and simply the fact that it exists, it might just suggest one thing above all else, which is that Liam Neeson is a badass when it comes to action films. I haven’t really seen much of his other work, but seeing him in this film was enough to convince me he was a badass. Throughout the making of this list, it has been hard to decide what quotes should go where and even what quotes should appear on the list in the first place. This is #1 because of how memorable it is, how it set the tone for the movie, and made me root for Bryan Mills and his daugter, Kim, as characters. Other quotes from this list are either funny, intriguing, or important, but there’s something about this quote from “Taken” that makes it more than just words written on a script. You know, unlike how everything from “Taken 2” is just words written on a script.

Alright folks, these are my ten favorite movie quotes. Going through this list I realized how interesting my picks were considering how Michael Caine was in three of these films, a couple of these films have some sort of association with trains, and Christopher Nolan directed two of these films, by the way I almost included a quote from “The Dark Knight,” it almost made the cut. I want to know, what are your favorite movie quotes? Why do you like the quotes so much? Let me know in the comments! Pretty soon I’m going to have my review for “The Glass Castle,” I just got to get around to seeing it. Stay tuned for that review and more great content! Scene Before is your click to the flicks!

Is Dunkirk the Best IMAX Experience Ever?

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Hey everyone, Jack Drees here! If you followed my blog at all recently, you may know that I loved the movie “Dunkirk,” it’s not perfect, but I even think it has a slightly higher replay value than “Wonder Woman,” which I actually gave a 10/10 in my review for it, by the way, it’s still a 10/10 must see in my book. I originally gave “Dunkirk” a 9/10, which still stands, but the fact is I might watch “Dunkirk” more than “Wonder Woman,” at least that’s what my mind says for now, because “Dunkirk” is a very unique survival story whereas “Wonder Woman” has some cliches, although those cliches are done in a way to make you feel like you’re experiencing something totally new or fresh, kind of like in 2015’s “Star Wars: The Force Awakens.” Not to mention, despite the villains being better than numerous MCU villains we’ve gotten over the years, they didn’t exactly reach a level of greatness. In my review for “Dunkirk,” one thing I touched upon, was the experience itself. “Dunkirk” is being released in 6 different formats, I only saw the movie once so for now I only got to experience “Dunkirk” in one format. The formats listed are IMAX 70mm, standard 70mm, 35mm, IMAX laser, standard IMAX digital, and traditional digital. By the way, there are no 3D options for this film, only 2D, which can be a plus considering the extra fee you’d usually have to pay for 3D. I did a post last month recommending that you should see “Dunkirk” on film, although today we’re gonna talk about IMAX because when I saw this movie in IMAX, it was a fairly unique experience, and this is coming from someone who often goes the movies and sees a good number of them in the IMAX format. When I went to see the movie, I got to experience it in IMAX 70mm in Providence, RI, IMAX 70mm is suggested to be the highest format possible. Slate has a very informative and excellent video on this whole format comparison and it is almost hard to say it better myself, the link is available below if you want to watch it.

http://www.slate.com/blogs/browbeat/2017/07/25/we_watched_dunkirk_in_standard_digital_and_70mm_imax_to_see_if_viewing_format.html

Now if you were planning on seeing “Dunkirk” at some point, first off, do it now while it’s still in theaters, it’s a great movie and deserves to be seen in the theater! Second, one of my biggest recommendations is that you avoid traditional digital projection. Why? Simply because you’ll be missing details or a scope from this movie that you could see in any other format. I’ve gone into depth about this before, but I need to bring it up again. When I brought it up for the first time, I said that you must see this movie on film. While that is true, today I’m going to talk about IMAX, specifically. Yes, even digital! And I actually want to talk about IMAX in depth, which I’ve done before, but this is gonna be informative.

Before we get into projection, I want to talk about one of IMAX’s screens. This is an IMAX digital screen. If a movie is being played and projected to cover the whole screen, the aspect ratio would be 1.90:1. The main purpose for these screens is to retrofit multiplex theaters such as Regal or AMC for “the IMAX experience.” Is it worth the money? To me, only in a number of circumstances. For example, if there’s a big movie out and I want to go to a super enormous IMAX only to find out they have no tickets left for the movie I’m see, that happened to me when I saw “Rogue One” on opening night, or if I want a bigger screen and tuned up audio than what you’d get in a normal theater. The digital IMAX experience is by no means, a terrible experience. It still has the traditional IMAX surround sound which moviegoers love, it still has a big screen, although it’s not as big as other IMAX screens and it’s only slightly bigger than a traditional movie theater screen. To compare, screens under the IMAX digital treatment, have been measured in feet, I have a local IMAX screen which has been marketed to be “eight stories high.” Is that an exaggeration? Possibly, but if you check out the screen in person, it’s pretty freaking huge!

Right here we have the IMAX digital projection system. This has, unfortunately, been cheating many moviegoers over the years. Not only is it small projection by IMAX standards, not only has it been used on small IMAX screens, but it also has been used on IMAX’s big screens as well. We’re gonna be talking about a couple more projectors in a moment, but let’s get something out of the way. The traditional IMAX aspect ratio, AKA, the aspect ratio you’d see while watching documentaries on IMAX’s big screens in museums, aquariums, and a few other places, is 1.43:1, and part of “Dunkirk,” was shot in order to be featured in that format. That means, no matter what you see on an IMAX screen like this, that is if the theater is using digital projection, there will be black bars on the top and bottom of whatever you’re seeing. In fact, there’s even this one movie I went to see in IMAX, in fact, IMAX brought back “The Wizard of Oz” for a week once. I have not seen “The Wizard of Oz” in IMAX anywhere, but it was only available for IMAX digital projection. So I would imagine that if you went to see this movie in a true IMAX theater, some folks might not only be distracted by black bars on the top and bottom of the screen, but also on the sides.

Related image

Here we have what most folks, including me would refer to as “true IMAX.” This screen can be completely covered with an image which has an aspect ratio of 1.43:1 and the projectors that bring that image to life are actually the clearest IMAX has to offer. IMAX digital, when showing a movie, can create a 2K image with a dual set of projectors, whereas IMAX laser, an IMAX digital superior, also has a set of two projectors, but can fully project a 4K image. IMAX 70mm projectors can project images at a much higher quality. The contrast ratio is lower than the other projectors, but it’s not really that bothersome to me. I have a 4K TV in my room which has a lower contrast ratio than a 1080p TV I once had in my room, and I never recalled something like that bothering me. Granted it was only slightly lower, but still. In fact, when comparing the contrast ratios of these projectors, they are all not really too far apart from each other. The images you can see on this projector can be shown at a rate of 18K. These projectors have also operated in IMAXes with a 1.90:1 screen. A few years back, the Chinese Theater in Hollywood retrofitted one of their cinemas with IMAX technology including the IMAX digital projection system. Although in 2014, they did a special engagement for Christopher Nolan’s “Interstellar” which made them one of the theaters to feature the movie in the IMAX 70mm, so an IMAX 70mm projector was hooked up for this occasion. What did it look like on the screen? I don’t know. I imagine it looked nice, but I wouldn’t know if the curtains had to cover part of the screen to truly immerse the audience or what. As of now, they have the IMAX laser system. And I hear that they aren’t the only non-1.43:1 theater to have this. The Empire Leicester Square IMAX in London has a laser projection system as well.

Just an FYI on the traditional IMAX projection systems. The first one I’ll introduce is the Grand Theatre projector. This is an IMAX 70mm film projector, not only that, but it’s also the one intended for the largest of the IMAX screens. The top right picture contains a Small Rotor projector. This projector also plays IMAX 70mm film, although it is meant to be projected towards slightly smaller screens. Despite the screens being smaller, it’s still bigger than the screens you’d find at your standard multiplex’s IMAX digital theater. The last projector, displayed on the bottom is the IMAX laser projection system. As mentioned, this is clearer than IMAX digital. Granted this still digital, but it’s clearer digital.

Another theater I’ve yet to go over is the IMAX dome. These are also referred to as OMNIMAX. I don’t go to these theaters that often, in fact I’ve only been to one twice and they were both on school field trips. Unlike most theaters which has you looking at either a flat or slightly curved screen, the OMNIMAX will allow you to look upward at a screen that is basically showing you images in a fish eye perspective. IMAX screens are never flattened in any of the theaters which IMAX equipment exists. They are either curved or domed. And yes, domed is actually a word, I didn’t think it would be. Although if you don’t want to look at an IMAX screen that looks more like a TV screen or a traditional movie theater screen, OMNIMAX would be a good option. And to my knowledge, pretty much all of the OMNIMAX theaters operate with IMAX 70mm projection equipment. I heard La Geode, a dome in Paris which uses IMAX technology has made some upgrades over the years, but they still have the IMAX 70mm equipment for what I know. If you guys know of an IMAX dome that DOESN’T currently have IMAX 70mm technology, let me know about it in the comments section.

IMAX is also well known for its audible sound systems. IMAX theaters usually have 6 channels of surround sound in, but recently they’ve been installing 12 channel sound systems, both of which sound amazing and they totally shake the whole theater at times.

I know I’m going on for a while about this, but to get to my main point, I needed to talk about IMAX in general. As mentioned before, I saw this movie in IMAX 70mm film. I mentioned in my review for “Dunkirk” that this movie must be seen on film. Honestly, I think it should be seen any way you can see it, but you should seek out ways to see it that aren’t traditional digital projection. IMAX has digital projection, but since it’s technically a one of a kind theater, I wouldn’t say it has traditional digital projection. Let’s start off with the reason that can apply to every IMAX theater in the world, the sound.

I just recently mentioned that the sound is amazing in IMAX regardless of whether you’re in a theater that has 6 or 12 channels of surround sound. I’ve been to the IMAX many times in my life, and I’ve experienced a lot of movies there that really made me feel like I was in the action just on sound alone. There have however been few movies that have done that more than others. These include movies like “Interstellar,” “Night at the Museum,” “Star Wars: The Force Awakens,” and “Jurassic World.” “Dunkirk” is no exception to this. I can still recall when this movie started, it put me RIGHT into the action. After all, this movie, is basically, all action. It’s just one battle/survival sequence for nearly the whole runtime. Now I saw “Dunkirk” in an IMAX with 6 channels of surround sound, so imagine how much more audible this movie would be if I were in a theater that had twelve of these bad boys! I actually live ten minutes away from an IMAX with 12 channels of surround sound, so if I see “Dunkirk” there, just think about what would happen! This is one of those movies where I was also able to believe the sound. There have been movies where I’ve been impressed with sound editing, but sometimes it might either be sounds we’ve heard before, maybe one sound choice doesn’t work, or it just sounds too theatrical. Pretty much all of the sound in this movie, felt real. All of the bombs in this movie, sounded like real bombs. All of the gunfire sounded like real gunfire. There are some other really good sound choices during this movie. If you saw the first announcement teaser and remember all of those soldiers on the boat, the sound in that scene is awesome to say the least and it really built the tension.

Also, no matter where you see it, look forward to how the movie looks. This movie looks GORGEOUS. Not only is the cinematography a thing of beauty, but at times, it can really put you in the movie. This is partially because most of the movie was shot in the IMAX format, which as mentioned, can allow the whole screen to be covered. This at times will allow for a more immersive experience, especially if you’re seeing this movie in a 1.43:1 theater. At times, I felt like I was having all sorts of flyers going around me, the paper kind, not the plane kind. Also at times I felt like i was on a beach. One other example of how the IMAX technology is utilized is during the scenes featuring the fighter pilots. In “Star Wars” one of the best sequences in those movies happen to feature dogfighting in space and it is pretty fun to watch. It’s fast paced, it’s got terrific sound, it’s adventurous. Here though, it’s none of that, but I’m not saying that’s a bad thing. OK, I take that back, the sound’s actually not bad at all. In “Dunkirk,” it’s absolutely realistic. At times, you might look inside the cockpit of the fighter plane and notice the pilot and it’s just very crammed all over. Then you look outside and it’s almost like you’re the pilot and you’re just trying to concentrate on your enemies. The gunfire from the plane also sounded authentic and it didn’t feel Hollywoodized. Very little of this movie has sequences with black bars. You can look at other movies like “The Dark Knight” and possibly appreciate the IMAX sequences you get, but it takes up about thirty minutes of a movie which is two hours and thirty-two minutes long. “Dunkirk” is shorter than “The Dark Knight,” an hour and forty-six minutes to be specific. Although “Dunkirk” has more footage shot in the IMAX format and covers the screen for about eighty minutes of the entire movie, which means you get more time dedicated to greater immersion.

The only downside I can say I have with seeing this in IMAX 70mm, and this is something I actually noticed when watching “Interstellar” in IMAX 70mm as well, is that while the movie sounds beyond amazing, it might actually prevent you from hearing or understanding some dialogue. This was a minor issue though. When I was watching this movie, there was actually less I could understand. Partially because of the accents, which I’m able to let slide, and also because of the music. Don’t get me wrong, the music was spectacular. I love the work and effort Hans Zimmer put into this movie’s score which was really engaging, but sometimes it was overpowering and I couldn’t hear some dialogue. It’s a minor issue though in my book. I imagine that would probably be different when experiencing this movie in a different fashion. Also, another reason why this is a minor issue to me is because I wasn’t able to connect with any character during this movie.

As much of a disconnection with characters sounds like a negative, to me, it’s a positive. Because from what I gathered, this movie isn’t about the characters, it’s about the event itself, and despite how the movie didn’t take much time to build characters, I still rooted for all of them because their ultimate goal, is just to survive, and I gotta say given the situation they’re in, rooting for them makes lots of sense. I just want to say something, Michael Bay should take notes from this movie. Because if you watch any of the movies from his “Transformers” series, you might notice how he doesn’t make it mainly about the transformers and basically gives human characters more spotlight. In every one those movies, you have either Shia LeBouf or Mark Wahlberg playing their own version of “Mr. Relatable” and the Transformers are essentially there with their own story to provide the movie’s action even though there’s more focal points of the movie with that. If Michael Bay toned it down with the human characters and put in more robot action, these might be better movies. I’m not saying the human stuff is terrible, it just isn’t all that necessary. With that being said, this movie which is a focal point of the post, is “Dunkirk,” it doesn’t have any person’s name in it, it’s just “Dunkirk.” Sure, this movie can be called “Dunkirk” and still work with relatable characters in it, but the take without any sort of character development personally worked for me because let’s face it, war is brutal. War sometimes doesn’t give you much time to sit around and talk or have chats during battle. This movie doesn’t really give any of the characters any time to relax, therefore it doesn’t give you any time to relax, and I felt like I was at war the whole time, partially thanks to the ridiculously cool IMAX experience I had. While we’re still talking about this, the only thing missing was the blood, however the movie is still realistic enough even without blood.

No matter where you end up seeing the movie “Dunkirk,” you’ll probably end up having a good experience, but why settle at good? Standard digital projection at this point may be considered good, but any other format can provide a better experience and when it comes to IMAX specifically, this movie was made for it per se. I’ve seen a lot of movies in IMAX, immersion is a factor that has often applied to the IMAX experiences I’ve witnessed, and it is not really hard for IMAX movies to allow you to immerse into them, but this one, made me feel like I was literally in it, as if it were super immersion. Is this the best IMAX experience of all time? It’s most certainly one of them, maybe not the best to me, but it’s VERY CLOSE, but it could be the best to some people. I personally thought “Interstellar” was the best IMAX experience I’ve encountered, not to mention the best movie experience I encountered. I still remember the beginning of the movie when I heard the Indian surveillance drone flying by. It was almost as if the sound of the drone entered one ear and flew out the other. Also, if you can a place that has IMAX 70mm equipment and it’s being used for “Dunkirk,” go there. There are BARELY any movies played in that format and this is one of this year’s couple movies playing in IMAX film, if you want to know the other one that’s actually going to be “Star Wars: The Last Jedi.”  On a last note, go see “Dunkirk,” just do it, in fact based recent critical responses, you’re probably better off taking your kids to see “Dunkirk” as opposed to “The Emoji Movie.” Thanks for reading this post, and speaking of IMAX, I’ve actually just encountered some interesting and shocking news concerning IMAX because it involves an alteration that probably nobody saw coming. That, as a matter of fact, is how IMAX plans to calm down a little bit on 3D releases. I might do a post on that, I’m not sure, but we’ll see what happens. Also be sure to stay tuned for more movie reviews, including possibly one for “The Emoji Movie,” a review I don’t want to do, but I’ve been requested to do it, so I may as well get that s*itshow out of the way. Stay tuned for more great content! Scene Before is your click to the flicks!