Biography

Molly’s Game (2017): Passable, but with “High MIstakes”

Posted on by Jack Drees

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“Molly’s Game” is directed by Aaron Sorkin (Steve Jobs, The Social Network) and stars Jessica Chastain (Interstellar, Zero Dark Thirty), Idris Elba (Pacific Rim, Thor), and Kevin Costner (Man of Steel, Dances with Wolves) in a movie based on a book of the same name. It’s about the true story of Molly Bloom, a former poker entrepreneur and Olympic-class skier who was charged with running the world’s most exclusive high-stakes poker game.

I haven’t really followed much of Aaron Sorkin’s previous work. This movie is actually his directorial debut, and if you have followed Sorkin’s work, you’d know he’s typically known for his writing. Sorkin is responsible for creating “The West Wing,” which he often wrote. As far as movies go, he has written “Moneyball,” “Steve Jobs,” “The Social Network,” “A Few Good Men,” and “Charlie Wilson’s War.” I was actually going to watch “Steve Jobs” in 2015 during its theatrical run, but I never got around to it. Nevertheless, I heard the fellow can write. Having seen this movie, I’d say he can direct too. I can appreciate the vision this movie contained. Going at a quick pace, all the while providing a serious tone. There were a couple of moments that I really liked from a lighting perspective as well. The colors just meshed together almost like a very small lens flare that didn’t feel obnoxious in any sort of way. As far as writing and editing goes, here are my thoughts.

I totally see what people are talking about when it comes to Aaron Sorkin and writing, the two go together like FedEx and that arrow between the “E” and the “x.” What’s that? You didn’t know about the FedEx arrow? Google the FedEx logo and observe it closely. The opening sequence of this film has Molly Bloom talking like I’m listening to what happens when an auctioneer and a motivational speaker combine into a single person. Not only was the diction well done, it was funny, it was informative, and it set a proper tone for the movie. This movie’s based on a book, and I apologize to books, but I never read the book for this film. I don’t know how similar this movie’s introduction is to the book, but if the writing resembles the book here, I’d say this is great writing in general. Props to both Bloom and Sorkin if that’s the case. Still, at the very least, props to Sorkin. I’ve heard a saying that the best directors make the best editors. As far as directing ability goes, this was mostly competent. I have a couple of issues, but this can apply to either the script or the editing instead of just directing.

A couple of shows that really make me uncomfortable are “The Office” and “Modern Family.” I heard a lot of people like both programs. Personally, I can’t watch them. Maybe I’ll give “The Office” a try because I hear a lot of folks talking about it like it’s the greatest thing between Netflix and the idea of Netflix and chill. Also, f*ck Netflix. However I don’t think I can watch “Modern Family” ever again. It’s not only unfunny despite how many people watch it and revered it is, but it’s also shot in a style that tries to make you feel like you’re there, but it just comes off like a student film to me. It almost reminds me of the shaky cam from “The Hunger Games!” “Molly’s Game” is not as bad, it’s not as shaky, it’s not as handheld, it works for what it’s doing. …For the most part. When it comes to editing, this movie cuts way too quickly sometimes. It tries to maintain this very quick style of filmmaking, and it just doesn’t work. I noticed one or two jumpcuts here as well. As far as writing goes, it’s tonally inconsistent. While most of the movie is fast and stays fast, it sometimes just slows down to a point where it’s horribly slow. Throughout the entire film, Jessica Chastain is narrating as Molly Bloom and it almost feels like something that should keep you going towards the edge of your seat. There are moments here that just don’t match what the movie feels like the entire time. It feels like a couple movies meshed into one. It’s like combining one movie, “The Grand Budapest Hotel,” with another movie, “Manchester by the Sea,” although it’s a million times happier. The editing combined with the screenplay is like a hotel room with a comfortable bed, no bugs, it’s got a clean carpet, the TV is 4K, everything looks nice, but the toilet isn’t working, the shower’s water system is screwed up, and the sink handles for hot and cold are grungy and hard to operate. It just all needs minor tweaking on perhaps major flaws before absolute perfection.

However let’s move our attention to the best part of the movie, Jessica Chastain as Molly Bloom. Some people may go see this movie for a number of reasons. Some people are interested in the story of Molly Bloom, some people like Aaron Sorkin’s writing, and some will say that the cast looks promising. I’ve observed Idris Elba and Kevin Costner in this film, and while both give competent performances, Jessica Chastain trumped them both. If the writing wasn’t excellent enough, this movie had an amazing actress to go off of it. I must say, despite my love for Jessica Chastain, I haven’t seen too many performances from her. However, much like the other movies where I saw Jessica Chastain performing, this is another fine example of how someone should act in a movie. They transform into a different person, and they allow the audience to see them as more than someone on a screen.

In the end, I got to say that “Molly’s Game” is not really a movie that I’d recommend to everyone, but I wouldn’t say to shy away from it either. It’s one of those movies that can impress you in a number of ways, but isn’t entirely screwed together to the point of perfection. I like the acting. I like the directing. I like the writing. However, the movie itself is sloppy when it comes to pacing. At times it wants to accelerate, and at others it wants to drag. There are times where I just nearly wanted to fall asleep, and I must have felt that during the fast parts due to the inconsistency of pacing. Although I will say this, Jessica Chastain f*cking rocks. I’m going to give “Molly’s Game” a 6/10. Thanks for reading this review! On Thursday, I’m going to start off my “Maze Runner” review series by talking about the first installment in the movie franchise, “The Maze Runner,” so look forward to that. Also, depending on what happens, tomorrow I’m going to upload a surprise post. I won’t tell what it is. But January 17th is a special day in my heart. That’ll be your hint. I might not post this, but that’s if I don’t finish it in a certain amount of time. Stay tuned for more reviews and other great content! Did you see “Molly’s Game?” What are your thoughts? How do you think Aaron Sorkin did as a first-time director? Let me know down below! Scene Before is your click to the flicks!

The Disaster Artist (2017): Oh Hai, James Franco!

Posted on by Jack Drees

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“The Disaster Artist” is directed by James Franco (Spider-Man, 127 Hours), and is based on a true book written by Greg Sestero. This movie also stars James Franco alongside his brother, Dave Franco (Neighbors, Now You See Me), and Seth Rogen (Sausage Party, Pineapple Express). “The Disaster Artist” revolves around the making of the 2003 disasterpiece of a film, “The Room.” The book which this movie is based on is written by a cast member of “The Room” who played the character of Mark (played by Dave Franco here). So, essentially Greg is one of the main characters, and he meets Tommy Wiseau (played by James Franco) in an acting class. The two form a bond as time passes, which leads them to try tackling their dreams in Hollywood together.

I just want to get two things out of the way. I’ve never read “The Disaster Artist.” I almost picked it up once, but I put it back before taking it. However I did watch “The Room.” I managed to find it on YouTube and someone had a post showing the movie from beginning to end. I watched it recently and I TOTALLY see what everyone is talking about. From the cheesy and poorly written dialogue, the so-called acting, and the establishing shots of San Francisco that feel like something out of say, “The Golden Girls,” this movie is a mess, but it was so f*cking fun. The movie itself, is capable of having most of its viewers say it’s terrible, but at the same time, it kind of has a feeling that other bad movies don’t give you. This is more along the lines of a movie like “Batman & Robin,” where it’s bad, but you can also have some fun watching it because of all the cheese. It’s not like watching “The Emoji Movie.” For the record, that movie did not suck ass, it sucked EVERY ass. “The Disaster Artist” is like neither of those films. This is because “The Disaster Artist” is definitely one of 2017’s best films! Not only that, but it also has to be one of the most ironic films I’ve ever seen! “The Room” is in a word, abominable. “The Disaster Artist” is in a word, admirable. It’s amazing how “The Disaster Artist,” a movie based on the making of one of the worst movies ever made, specifically the kind where it’s so bad that you have to experience it, became one of this year’s best movies, a film so good that you have to experience it. And I did. I’m just gonna warn you, I’m gonna be digressing here, and it’ll be a matter of time before my actual review of the movie appears on here. And I know a reason why a lot of people are here is to read my thoughts on “The Disaster Artist,” not to hear about my personal life. So if this bores you, makes you want to stab yourself with a knife, encourages you to go on a killing spree, or makes you want to jump out a window, DON’T DO THOSE THINGS, and instead, either stop reading the post and rethink what you’re doing in life, or just skip ahead to the next paragraph where I get back on track. So let’s move on.

I’m a high school student currently living in eastern Massachusetts. It took me three weeks to see this movie. I wanted to see it right away, but I had other things going on at the time. Then “winter break” came, note the quotation marks, stating sarcasm of how my winter break lacked any time to sit down and relax. Due to a complicated schedule, I was somewhat worried that I wouldn’t get to see this. I did however once time was on my side, not to mention my father’s. There were barely any times available and the closest town I could go see the movie was Somerville. I don’t usually go to Somerville to see a movie, I’ve only done it twice. In fact, I barely go to Somerville period! But I did it, because I was committed. That and I had gift cards to AMC Theatres that I felt would be useful for an occasion such as this. Somerville is nearby as far as I’m concerned but I barely go anywhere that’s urban, I’m usually in the suburbs when I go to movie theaters. It’s easier parking-wise, it’s easier in terms of traffic, not to mention there are theaters that are closer in terms of distance and time. I like the AMC in Somerville better than some theaters I go to (except price-wise), but I think the auditoriums are nice and the sound’s amazing. Traffic and time to get to the theater weren’t an issue for my father and I. Parking almost did however. My father’s vehicle can’t fit in garages, and admittedly, I didn’t mention to him that Assembly Row, the plaza where the theater happened to be located, was mainly garage based. There is parking available in non-garage areas, but it’s a busy place, not to mention it was a Saturday night and the following day was New Year’s Eve. The unusual trip to Somerville, was worth it from the quality of the movie alone.

Out of all the films I’ve seen this year, this one is BY FAR the funniest. Not only that, but it also managed to be rather serious. One thing that I imagine some people who know about “The Room” might have expected walking into this film was the possibility that it might mock Tommy Wiseau to the tenth degree. The movie, in terms of its screenplay, makes almost anything Tommy does on screen hysterical, but I wouldn’t say it makes fun of him. Tommy, at the time which this movie takes place, is a mystery man. He goes on saying to Greg Sestero that he can’t talk about his interactions with Tommy to anyone. We as viewers don’t even know that much about his background. We don’t know how the money that went into the making of “The Room” appeared. It’s explained that this movie took $5 million to make. That’s what I recall the film’s screenplay suggesting, but according to IMDb it cost an estimated total of $6 million to make the flick. Speaking of IMDb, if you look at Tommy Wiseau’s page, it says he was born on October 3rd, 1955 in Poznag, Poland. According to the Wikipedia page dedicated to Tommy Wiseau, it says he gave an age in interviews after the release of “The Room” that would suggest he’s either born in 1968 or 1969. He claimed to have lived in France a long time ago, he grew up in New Orleans, and he had an entire family in Chalmette, Louisiana. Greg Sestero’s identically titled book, which James Franco suggested in an interview based on the words of Tommy is “40% true,” suggested that his brother’s girlfriend obtained copies of Wiseau’s immigration papers, which said Tommy was born earlier than he claimed. Rick Harper, AKA the creator of “Room Full of Spoons,” a recent documentary based on the making of “The Room,” did research on Tommy Wiseau’s background, coming to the conclusion that Tommy is Polish and originally from the city of Poznan. In November 2017, Tommy confirmed in an interview he was originally from Europe. The following month, he was interviewed by Howard Stern. He mentioned he speaks French and happens to be Catholic. While we may be progressively getting more and more information, the man’s still a mystery, and the movie does a very good job at telling that to its viewers.

Just for your information, the earliest this film actually released was on March 12th, 2017. According to IMDb, it was a work-in-progress at the time. I can’t say how much of the film was released to the public, if it wrapped it’s filming entirely, how much editing got done, none of that, but it was a work-in-progress. This was shown at the time to those who went to “South by Southwest.” The next release was on September 11th at the Toronto International Film Festival, and IMDb doesn’t have it labeled as a work-in-progress unlike the release for South by Southwest. The movie for what I recall, never mentions Poznan, or Poland in general for that matter. Despite the film lacking that detail, it does a fantastic job of explaining the total mystery that is Tommy Wiseau.

Speaking of Tommy Wiseau, let’s talk about him as a character, not to mention the guy who plays him. Tommy’s played by James Franco, who also directed this film. This is without a doubt, one of the best performances ever given by James Franco. As mentioned, Tommy Wiseau is mysterious, and Franco captured that quite well. Franco also had an accent that Tommy gave all the time, and he didn’t sound like James Franco like you’d hear in content such as “Freaks and Geeks” and “Spider-Man,” where does give passable performances, nothing groundbreaking, but you can still see that shred of Franco. Here, he turns into Tommy, giving perhaps my favorite performance of the year. There are a number of performances I admired in 2017. Some of my favorites include Mark Hamill as Luke Skywalker in “Star Wars: The Last Jedi,” Harrison Ford as Rick Deckard in “Blade Runner 2049,” Ryan Gosling as K in “Blade Runner 2049,” Ansel Elgort as Baby in “Baby Driver,” Gal Gadot as Diana Prince/Wonder Woman in “Wonder Woman,” Tom Glynn-Carney as Peter in “Dunkirk,” Fionn Whitehead as Tommy in “Dunkirk,” Jayma Mays as Dana Sibota in “American Made,” and Holly Hunter as Beth in “The Big Sick.” I just saw this film, so this could change, but James Franco as Tommy Wiseau might be better than just about every single one of these performances I’ve listed. Am I overhyping this? I really don’t think so! It might be a tie between this and the recently mentioned performances by Ryan Gosling, Harrison Ford, and Mark Hamill until further notice. The future will probably provide more certainty.

In fact, in terms of direction, James Franco outdone himself as well! “Spider-Man 2” may be my favorite film with James Franco in it, but out of all the films he’s worked on, this may be the one which James as an individual worked the hardest on. All of the actors seemed like they had no problems on set while they played people who had problems on set. The film is well shot and well lit. In fact, towards the end of the movie, it actually shows “The Room” during its premiere, and not long after that’s over, we cut to two side-by-side moving images. One is actual footage from “The Room” and another is recreated footage, which was specific for this movie. That footage contained actors playing the characters originally played by other actors. Some examples include Josh Hutcherson (The Hunger Games, Journey to the Center of the Earth) as Denny (originally played by Philip Haldiman), Zac Efron (Neighbors, High School Musical), who played Chris-R (originally played by Dan Janjigian), Ari Graynor (Bad Teacher, I’m Dying Up Here), who played Lisa (originally played by Juliette Danielle), Dave Franco who played Mark (originally played by Greg Sestero), and let’s not forget James freaking Franco, who played Johnny (originally played by Tommy f*cking Wiseau). Is this my favorite film of the year in terms of direction? I wouldn’t say that, but it is close however.

Going into this film, I knew a lot about “The Room,” but based on various scenes, I picked up on some things I didn’t expect to pick up on involving “The Room” as a movie. You know how you notice an extended amount of the movie’s runtime, the characters are playing football? This movie kind of goes into that.

This movie is more than just something that’s telling the story of the production behind another movie. It’s also a story about friendship. As mentioned, Tommy Wiseau isn’t being mocked throughout this picture, and I really appreciate the film going in that direction because it made you understand Tommy as a person. Not only that, but this movie also has a major focus on Dave Franco’s character of Greg Sestero. This is almost a lot like “Lord of the Rings” in ways. Think of Tommy Wiseau as Frodo and Greg Sestero as Sam. Tell me that comparison is terrible. They’re there for each other, they respect each other, they even do a pinkie swear in the film, which occurs more than once to be accurate. As friends, they decide to make a movie together.

As Tommy and Greg make “The Room,” it’s clear that they don’t do know s*it on how to make a movie. When the two are trying to get cameras to shoot the movie, they decide to buy them, not rent them. While buying cameras isn’t exactly something that hasn’t been done for movies before, it’s traditional for people to rent them. Not to mention, when they’re asked if they want 35mm or HD, they respond saying they want both types of cameras. They’re lit differently, they work non-identically, and it might result in a weird final product depending on how things go. Overall, their friendship is shown in this film to the tenth degree and I love it.

In the end, “The Disaster Artist” takes an absolutely horrible film, and incorporates it into a different, astoundingly incredible film. The story behind “The Room” is honestly, a movie I never asked for, but once I heard about it, and saw the teaser trailer for it back in July, I was instantly in anticipation mode. On paper, this idea sounded amazing. As a final product, this idea is even better. Before I give my final verdict, I’m gonna let you in on a little fact. My dad and I saw this movie together, he went to see this film without watching, or even knowing all that much about “The Room.” He walked out of the theater alongside me, saying he enjoyed the film. So ultimately, you don’t need to watch “The Room” to appreciate this film. You can do it if you want to, which I must say if you do, is an experience, but it’s not necessary. However, I imagine at least knowing about “The Room” or watching it might add it a bit to the movie. With that being said, I loved this movie and it’s undoubtedly one of the best of the year. I’m going to give “The Disaster Artist” a 10/10. One last thing before I go on with a wrap-up, this movie has an end credit scene, so stick around after the credits if you don’t want to miss that. Anyway, thanks for reading this review, this is one of my favorite movies of the year, and speaking of that, once 2018 starts, one of the earliest published posts on this blog will be a countdown of my top 10 BEST movies of 2017. This movie will have a spot on the list for sure. I won’t say which, because it could change, plus I might go see one more 2017 movie in the theater and review it. That potential movie by the way, is “Downsizing.” One list I assure you this movie won’t be on, is my top 10 WORST movies of 2017, which I plan on releasing after I reveal my top 10 BEST list. Stay tuned for more reviews, and also stay tuned for those upcoming countdowns! I can’t wait to finally release them, because I have so much fun making them! I want to know, did you see “The Disaster Artist?” What do you think about it? Did you see “The Room?” What are your thoughts on that? Or, what are some movies that you personally think are so bad that they are actually good? Let me know down below! Scene Before is your click to the flicks!

(FROM THE ROOM)
JOHNNY: I did not her, it’s not true! It’s bulls*it! I did not hit her! (throws water bottle) I did *not*. Oh hi, Mark.

You can laugh, you can cry, you can express yourself, but please don’t hurt each other. –Tommy Wiseau

American Made (2017): Tom Cruise and Doug Liman Are Back!

Posted on by Jack Drees

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“American Made” is directed by Doug Liman (Edge of Tomorrow, The Bourne Identity), and stars Tom Cruise (Risky Business, Mission: Impossible), Domhnall Gleeson (Ex Machina, Star Wars Episode VII: The Force Awakens), and Sarah Wright (21 & Over, Marry Me) and it is being marketed saying that it’s “based on a true lie.” The film’s about a pilot played by Tom Cruise who lands work transporting contraband for the CIA and as a drug runner for the Medellin Cartel in the south in the 1980s.

Going into “American Made” I was expecting a number of things. First off, a good movie, which by the way I did get. Second, a fine Tom Cruise performance, that was there too. Some moments of comedy despite having a serious situation at hand, that was also there. And I also expected an interesting story, for the record, I never really heard about this because I wasn’t born until 1999 and I just never researched it. I got all of that and a little more.

My favorite aspect of the entire film is how it looks. I went to see this film in IMAX, which I will say enhanced the experience a bit. By the way, if you do want to see this film in IMAX, make sure you can fit it in because this won’t be there long before “Blade Runner: 2049” comes out on October 6 and there could be a good chance that this won’t be playing at your local IMAX. As far as the camera goes, this film was shot on an Arri Alexa, which is a camera capable of shooting in 2K, which is higher than HD but lower than what is typically considered Ultra HD, or 4K as some people may call it. Even so, the film looked amazing. The aerial shots looked beautiful, the locations were gorgeous, and I truly felt like I was in the movie at times. But then again, I’ll mention, I saw the movie in IMAX. Also, one more thing. As much as I appreciated the cinematography in the movie, I wouldn’t say it was perfect. At times, it would zoom on certain things, and I have seen that before and it worked in other pictures, but here it’s kinda sketchy.

Let’s talk about Tom Cruise’s character of Barry Seal. If you ask me what I think of Tom Cruise himself, personally, I think he’s a fine actor. As a person, he may not be the best when it comes to relationships, or in terms of controlling his own ego, but as an actor, he’s got chops. He even starred in one of my favorite films of all time, and quite possibly my favorite coming of age movie, “Risky Business.” He’s also proven to be a stellar action star, just watch the “Mission: Impossible” movies! When it comes to Tom Cruise in “American Made,” I’d say that this is what happens if his performances from “Top Gun” and “The Last Samurai” got together and had a baby. The elements are there! In “Top Gun,” Tom plays a pilot, and as far as Tom Cruise in “The Last Samurai” goes, I didn’t really see much of Tom Cruise in that movie, and I mean that in a good way because Tom Cruise felt like a different person. Not to mention, both “American Made” and “The Last Samurai” take place way back before the time they came out. I will say, Cruise’s performance isn’t necessarily as good here as “The Last Samurai” because I can still see Tom as I watch “American Made,” but it is definitely a fine performance.

Sarah Wright plays Barry’s wife, Lucy. Wright did a fine job as her and while I can’t really say many redeeming things about her that makes her character stand out from many others, she definitely was a fine character and moved the movie along very well. Quite possibly Wright’s best scene, performance wise, is when she’s watching TV and she sees something that if I said it, would spoil some of the movie for you.

One of the biggest shockers for me in this movie is that Jayma Mays is in it. You may know her from “Glee,” a show which I actually never saw and it’s also a show I personally don’t want to see in the near future. However I have seen Mays in other movies which critically, were spat in their faces. I’ve seen Mays in 2009’s “Paul Blart: Mall Cop” and 2011’s “The Smurfs.” “Paul Blart: Mall Cop” is a guilty pleasure of mine, but I’ll mention to you I live near the shopping centers where this movie was shot. As far as “The Smurfs” goes, that might have been the worst movie I’ve seen to have released in 2011, now keep in mind, I haven’t seen “The Twilight Saga: Breaking Dawn Part 1” or “Jack and Jill” so before you comment below, think wisely. Speaking of surprises, Jayma Mays probably gave the best performance in the entire flick. I honestly want to see her nominated for Best Supporting Actress when the Oscar season comes up. She plays Dana Sibota, the Assistant Attorney General of Arkansas, so when you go see this movie and it’s about halfway done, look forward to this character.

One thing that didn’t surprise me but I imagine could surprise some people who haven’t heard much about this movie is that at times, it’s funny. Now it’s not hilarious, it’s not like “The Hangover” or “Anchorman” or anything like that, nothing slapstick, it’s just rather comedic at times. I was watching one of the TV ads for this movie, it shows a plane crash, and Tom Cruise is talking to this guy on a lawn, and that actually turned out to be the part of the movie where I laughed the most.

In the end, “American Made” is worth checking out. I’m aware that awards season is around the corner, and I do hope this does get nominated in a couple categories: Best Supporting Actress for Jayma Mays’s performance, Best Cinematography, and Best Sound Editing, although in that aspect I don’t really think it stands a chance against “Dunkirk,” which basically turned the entire auditorium into a war zone. The replay value for this movie personally is a little low, and there are some characters that don’t really stand out as much as others, but all in all I had a good time watching this movie. I’m gonna give “American Made” a 7/10. Thanks for reading this review, next weekend I’m hoping to go see “Blade Runner: 2049,” the sequel to what is considered one of the greatest sci-fi films ever made, I can already tell it’s gonna be great just based on reviews, so I can’t wait. I’m also hoping to see “Stronger” which stars Jake Gyllenhaal as a man partially affected by the Boston Marathon bombings. Also, if you’ve got Tom Cruise fever right now, I’ll leave some reviews for movies that have Tom Cruise in them, feel free to take a gander, they are worth reading. Stay tuned for more reviews! Also, what is your favorite movie with planes in them? Let me know down below! Scene Before is your click to the flicks!

“THE LAST SAMURAI” REVIEW: https://scenebefore.wordpress.com/2017/09/11/the-last-samurai-2003-not-a-perfect-blossom-but-not-a-bad-one-either/

“RISKY BUSINESS” REVIEW: https://scenebefore.wordpress.com/2017/09/18/risky-business-there-is-no-substitute/

“THE FIRM” REVIEW: https://scenebefore.wordpress.com/2017/09/25/the-firm-1993-lifes-a-mitch/

The Glass Castle (2017): A Tamer and Less Intriguing Version of a Bestselling Memoir

Posted on by Jack Drees

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“The Glass Castle” is directed by Destin Daniel Cretton and stars Brie Larson (Room, 21 Jump Street), Woody Harrelson (Zombieland, The Edge of Seventeen), and Naomi Watts (Insurgent, The Ring), and is based on the memoir written by Jeannette Walls that essentially describes the coming of age for a girl growing up in a dysfunctional, poverty-stricken family with a mother who is an eccentric artist and a father who abuses alcohol.

Before watching this movie I knew a bit about this story, I actually read this book before. I didn’t read all of it, but a good portion of it. I still remember various parts of it and they are somewhat drilled into my memory. I don’t read often but if I had nothing to do I’d pick up this title and give it a read, maybe if I were on a long flight or something. So, is the movie watchable just like how the book is readable? Well, if I lived in a universe where no meant you should go see the movie, I wouldn’t be here right now in THIS universe. So no, this movie is not worth your time. My mother personally gave this movie a 7/10. I’m not here to tell her she’s wrong, she can defend her verdict all she wants, I just probably wasn’t as intrigued by what this movie had to offer. Although before we get into negatives, let’s talk about the movie’s positives.

From a technical perspective, the movie’s not bad, everything is shot well, the vibe of the movie was definitely correct, the locations are well-chosen, and the score was a little repetitive, but overall, not displeasing. The acting was also very good, everyone seemed to be in character. The casting did a fine job when choosing actors to play certain characters, the child actors didn’t do all too bad as well. Woody Harrelson’s performance was pretty stellar, but then again he played my least favorite character in the movie. We’ll get to him later. I’ll mention once more, I read a portion of the book, and from what I read, the book is better. One thing I noticed about this movie is that it was told in nonlinear order, now movies have done this before and I ended up liking those films. Films like “Arrival” and “Memento,” both of those are great movies. This movie, not so much.

The way this movie starts is that it takes place in a fancy restaurant, and Jeannette Walls, the author of the book, is talking about how the book came to be with three other people. The movie soon goes back in time to her childhood, then later on it switches back to her adulthood, it goes back and forth and it doesn’t really flow. I don’t think we needed much of her adulthood story. It BARELY added anything to the movie. Also, I will say that the movie doesn’t include everything that you’re told in the book. It’s not the first time it’s happened, the “Lord of the Rings” trilogy didn’t include everything the books had to offer. I will say however, I thought on the way home there was one massive con I had. I thought something very important to the plot was slightly altered that kind of made the movie, maybe a little more tame or possibly inaccurate. Luckily that’s not the case. OK to be honest, the movie actually is tamer than the book, part of the book includes a story that wasn’t in the movie involving Jeannette touching a boy’s penis at a very young age. And if you’re asking, no, it wasn’t sexual, it was more of a self-defense technique.

Let’s talk about the character of Jeannette Walls. She was played by multiple actresses, including Brie Larson, Ella Anderson, and Chandler Head. In the book, I thought this character was rather intriguing, and her overall story, for what I read, interested me. In the movie, I didn’t have that same interest. I rooted for her, but at the same time, watching her as an adult, made me have different thoughts about her. Not only that, but I’ll mention once again, I didn’t care about the story she had as an adult.

One reason why I rooted for young Jeannette is that she was living with her bats*it crazy dad, Rex. I get that this is based on a true story, but seeing Rex in this movie made furious. There are so many times I thought to myself, “What an asshole!” Sure, he was somewhat unstable, but at the same time, his way of teaching certain things to Jeannette made me angry. Seeing his character in this movie, endlessly irked me. Sure, what happened was true, some of those things were in the book and not in the movie, but it doesn’t mean I liked his character. There was also a point I thought the mom was an idiot too, but I’m not gonna get into that. The two characters worth going in-depth about are Jeannette and Rex.

Another thing that I actually didn’t understand about Jeannette, is that she had a terrible childhood, she had a father that didn’t treat her properly, and later in the movie, she went on saying that she thought her father was likable in a number of aspects. I will admit, there are moments when Rex is likable in some ways, but her childhood, as the movie displayed, was basically a pile of baloney when you insert Rex into the mix. I kind of get that we’re talking about Jeannette’s father, and this is someone Jeannette grew up seeing every single day, but as a viewer, I couldn’t side with her. So basically for parts of the movie I couldn’t side with Jeannette, or her parents. That’s not good.

I also don’t like the movie’s ending, I won’t get into it because it will basically be in spoiler territory. Although on the bright side it’s not as bad as “The Circle,” another stinker which came out this year.

In the end, I didn’t find myself enjoying “The Glass Castle,” which I really hate to say because that means it continues my streak of less than average newer releases. Brie Larson is in this movie, and if you want a good movie with Brie Larson in it, just watch “Room,” it’s free on Amazon if you’re a Prime member. “The Glass Castle” had a couple interesting moments, but it had characters that I personally hoped I’d end up caring about more once I left the theater, especially considering I made it through a portion of the book without hating anyone written there. Jeannette Walls might be a nice person, but I’m sorry, this movie sucks, it’s just the way it is. I’m gonna give “The Glass Castle” a 3/10. Thanks for reading this review, I’m not sure what movie I’m gonna watch in theaters next, but if you want some more content to pass the time, I’ll post a few things down below that I think you might enjoy. Also if you want some info on newer content, I’ll let you know I’m gonna be doing a series of Tom Cruise related movie reviews before “American Made” releases in the US. Stay tuned for those, and be sure to check out my older content such as the content you see down below! Scene Before is your click to the flicks!

“LOGAN LUCKY” REVIEW: https://scenebefore.wordpress.com/2017/09/03/logan-lucky-2017-a-very-unlucky-movie/

TOP 10 BEST MOVIE QUOTES: https://scenebefore.wordpress.com/2017/08/29/top-10-best-movie-quotes/

MARVEL CINEMATIC UNIVERSE WILL CONTINUE FOR DECADES: https://scenebefore.wordpress.com/2017/08/24/marvel-cinematic-universe-will-continue-for-decades-not-surprising-although-slightly-concerning/

Revenge of the Nerd: A PROMOTION (Plus a Personal Story)

Posted on by Jack Drees

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Hey everyone, Jack Drees here! Today I little wanted to do something for someone I admire. If you remember months back on this blog, I did a post on the TV show, “King of the Nerds,” a reality competition on TBS that aired from 2013-2015. I honestly want it on the air longer, but that’s not something I want to talk about right now. One of the hosts of that show is Curtis Armstrong.

Even you haven’t seen the show “King of the Nerds,” you may be familiar with this name. If you don’t know the name, there’s a chance you may know the face. Aside from “King of the Nerds,” you may have seen or heard Armstrong in “New Girl,” “Supernatural,” “Ray,” “Risky Business,” “Revenge of the Nerds,” “Moonlighting,” “Dan Vs.,” and “American Dad!.” In real life, Armstrong, seemingly has numerous qualities of a nerd. Although I am looking at his IMDb and it kind of says otherwise, “I’m not an improv guy. I’m not a nerd, I play one on television.” He’s also revealed to be a bibliophile, Beatles fanatic, and Sherlock lover. I also consider Armstrong to be a fine role model and one of my all time biggest idols.

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I’ve also met him in person at Rhode Island Comic Con in 2015. The moment I met him and got a picture with him is currently my profile pic on WordPress along with other social media including my Twitter and Google accounts. I mean, why not? It’s a picture I personally revere. Not to mention, I’m wearing my favorite t-shirt, a “King of the Nerds” t-shirt I won in a contest which shows the hosts, Curtis Armstrong and Robert Carradine, and it shows them in a bunch of different colors and facial expressions. You may also notice I have sunglasses as well, those also have a “King of the Nerds” logo. When I met Curtis I didn’t show that part to him, it could’ve slipped out of my mouth, but who knows? The same day, I actually got an autograph from him. Then I came back the following day to tell him he was the best part of the con. I wasn’t lying when I said that. Curtis was nice, we talked together more than I did with other guests, not to mention when I was talking to Curtis, it felt like I was talking with an actual person. I’m not saying the other guests weren’t friendly or nice. It’s just when I talked to Curtis, it almost felt like he didn’t want me to leave. Did he want me leave? Probably, there were other people waiting in line, and that always is a justifiable reason to leave. But I was having fun with him and I would imagine he was having some sort of fun with me. I felt that when we talked on the last day of the con, when we left, it almost felt as if I was in a movie. Curtis said he’ll see me “next time.” If that were a movie, it might as well be called “Jack and Curtis,” it would be less than 4 minutes long and probably wouldn’t make it to theaters, although it would definitely have more substance than the new “Transformers.”

I may be rambling here, but I feel it’s worth it, because if you’re new to this blog, or if you just want to hear a personal story of mine, this is one I enjoy telling, and it makes sense for what I’m doing. Because Curtis Armstrong has a new book coming out in a few days. This book is going to be called “Revenge of the Nerd” and it features the subtitle, “Or… The Singular Adventures of the Man Who Would Be Booger.” Why am I doing this? With everything Curtis does for me, I feel the need to do things for him, and this is one of those things.

“Revenge of the Nerd” is an autobiography Curtis has begun creating earlier this decade. This is going to contain some information on his early years in Detroit, a city which actually coined the term “nerd.” There’s also gonna be a focus directed towards his acting career, including some things behind the scenes of some of Curtis’s various projects.

I have not read this book yet, nor has many other people, so I can’t really give my own thoughts on it, it’s actually yet to come out. The official release date for this book is next Tuesday, July 11. This seems like a short promotion, and yeah, I did basically say just about everything worth saying about the book itself, however I’m not done.

Curtis has been going around various places promoting his book, in fact, when the book releases, there are more promotions coming up. I actually have a list right here. Right now, Curtis is actually at Indy Pop Con, in Indianapolis, but once that’s over, plenty of more promotions are on the rise.

NEW YORK, NY: Barnes & Noble Tribecca (July 11, release date of the book)

BOSTON, MA: Brookline Booksmith (July 12)

PORTLAND, OR: Powell’s Books (July 13)

PASADENA, CA: Vroman’s Books (July 18)

CHICAGO, IL: Chicago Flashback Weekend (August 4-6)

TULSA, OK: Circle Cinema *INCLUDES REVENGE OF THE NERDS SCREENING* (August 26)

BURBANK, CA: Monsterpalooza (September 15-17)

HUNT VALLEY, MD: Monster Mania (September 29-October 1)

PROVIDENCE, RI: Rhode Island Comic Con *INCLUDES REVENGE OF THE NERDS CAST REUNION* (November 10-12)

DOMINICAN REPUBLIC: 80’s in the Sand (November 13-18)

You know how I mentioned, looking back, I felt like I was in a movie when saying goodbye to Curtis? Well, my plans which are set for this Wednesday may as well be considered the sequel. In case you guys wanted to know, I’m going to at least one of these promotions. I’m gonna be going to the one in Boston on July 12, and it’s quite possible I’ll be at Rhode Island Comic Con from November 10-12. I mean, I went the past two years, so why wouldn’t I be there? If you didn’t know, Armstrong is famous for playing Booger on “Revenge of the Nerds,” and he often finds people who recognize him as Booger, he’s not offended at all, he’s actually delighted by it. So viewers, I want to know in the comments, out of curiosity, do people ever call you nicknames? This can also include ones people don’t call you much anymore. Also, I REALLY want to know, have you ever had a nickname that had some sort of relation to something disgusting? For me, I don’t recall receiving any disgusting nicknames throughout my life, but I want to know if you’re any different. I’ve received some nicknames throughout my life including J-Man, Dr. J, Jackson 5, and Dr. Ees. Also, guys, I got another Christopher Nolan movie review coming up pretty soon. Stay tuned for that. As far as new theater releases go, I’m not sure which movie I’ll see next, maybe “War for the Planet of the Apes” even though I haven’t seen many of the other movies. Only time will tell. Stay tuned for more great content! Scene Before is your click to the flicks!

TAKASHI: Excuse please, but why do they call you “booger?”

BOOGER: *Picks his nose* I don’t know.