Atlas Entertainment

Oppenheimer (2023): A World-Defining Film for a World-Defining Time

Posted on by Jack Drees

“Oppenheimer” is directed by Christopher Nolan (Interstellar, Tenet) and stars Cillian Murphy (Inception, Peaky Blinders), Emily Blunt (Edge of Tomorrow, Mary Poppins Returns), Matt Damon (Downsizing, We Bought a Zoo), Robert Downey Jr. (Iron Man, Chaplin), Florence Pugh (Black Widow, Don’t Worry Darling), Josh Hartnett (Cracked, Pearl Harbor), Casey Affleck (Manchester by the Sea, Gone Baby Gone), Rami Malek (No Time to Die, Bohemian Rhapsody), and Kenneth Branagh (Death on the Nile, Tenet). This film is about the adult life of J. Robert Oppenheimer, a physicist who would play a major role in changing the course of both science and history.

Christopher Nolan is my favorite film director working today. I appreciate every single one of his films. “Interstellar” is my top film of the past decade, not to mention all time. “Inception” is a marvelous, trippy, dream-esque trip like no other. While they are not my favorite comic book movies, I think “The Dark Knight” trilogy is full of great action, characters, and performances. “Memento” is one of the better non-linear stories that comes to mind. I even liked “Tenet.” I have seen it four times in theaters. I do not know how many people can say that. While I call what I do critical, I will not deny that I am a Christopher Nolan fan. I look forward to every one of his films, including “Oppenheimer,” which I put amongst my most anticipated of the year. This film is a different angle for Nolan, who has created dark material, but he does so with a sense of joy sparkled in somewhere. For “Oppenheimer,” there is no joy. Only sour vibes. If you look at “Dunkirk,” which is set during a depressing time like World War II, the movie fails to earn a more mature R rating, instead of a PG-13, because there is a lack of blood and other things in it like excessive foul language. “Oppenheimer” is Nolan’s first R rated film since 2002’s “Insomnia,” a remake of a 1997 Norwegian film of the same name.

Safe to say, when it comes to the content of “Oppenheimer,” Nolan does not hold back compared to some of his other films. Much like “Dunkirk,” there is not much blood to be seen. There is not much violence either. However the film earns an R due to sexuality, nudity, and language. If you take out some of the sex or swearing, Nolan and crew probably could have earned a PG-13. Even with the sex and nudity, it honestly feels tame, especially when compared to another recent film, “Joy Ride.” There is nothing that comes off as super objectifying or over the top about it. In some ways, it feels everyday, but with some extra flair to it. Of all of the Christopher Nolan films, and this is not a diss on any of the others, this is some of his most lifelike work yet. Then again, having it be based on history definitely helps.

But overall, what did I think of the film? Well, as of now, I have seen “Oppenheimer” twice. That should tell you something you need to know by the end of this review.

In addition to being his most mature work yet, Christopher Nolan fires on all cylinders in “Oppenheimer” to tell a story that not only captivated me through showcasing history’s past, but also highlighting where we may be going. On the surface, “Oppenheimer” chronicles the life of a man who dedicated his life to his field, only to have his choices lead to monumental events. It is so much more.

For those who are often challenged when facing three hour films, I can tell you that this film is a heavy watch, but even with that in mind, those three hours are used brilliantly. There is a lot to see, and a lot to digest. Despite the long runtime, “Oppenheimer” is especially worth seeing in the theater. If you have a small bladder, plan wisely. Because if you are like me, you will enjoy much of what is in front of you.

“Oppenheimer” is told in a way that despite being non-linear, flows like a straight line. It is also told in a way that I think only someone resembling a Christopher Nolan-type could tell it. The film is heavy in flashbacks and storytelling shifts. The story may be called “Oppenheimer,” and it is ultimately a film about the titular character from start to finish. But it is not always told from his perspective.

Speaking of Oppenheimer, Cillian Murphy is gold throughout the picture as the title character. If the Oscars were tomorrow, he would be a serious contender for Best Actor. A lot of what makes Murphy pop is his subtleties. There are multiple signals throughout the film of what Oppenheimer was thinking, that may sometimes be highlighted by either something he says, or an expression on his face. In addition to Murphy’s mannerisms, he looks the part, and ultimately, feels the part.

Joining Murphy is a stacked cast whose talents know no bounds from Florence Pugh to Kenneth Branagh to Robert Downey Jr. in a bit of a departure from what he has been doing in recent years through his time in the MCU. I have seen users on social media say that Robert Downey Jr. is finally “acting” again. First off, he never stopped, he just played Iron Man so many times that it may feel like he is. Over the years he has done a great job as Tony Stark, and he also kills it here as Lewis Strauss. Like Murphy in his lead role, Downey Jr. is probably gonna be a frontrunner for Best Supporting Actor by the end of the year. But in all seriousness, look at this cast! Matt Damon! Emily Blunt! Rami Malek! That is not even the stretch of it! The cast is a murderer’s row of both star power and off the charts performances. It is like what “Amsterdam” was trying to be, even with an iconic, experienced director to back them up, but the difference here is the comparatively greater execution.

This film sort of reminds me of “2001: A Space Odyssey,” because “Oppenehimer” deals with weapons somewhat similarly to how “2001” deals with technology. Throughout history, mankind has had an obsession with tools. In a way, they made us stronger, they kept us alive, and in some ways, we refuse to live in a world without them. Technology and weapons continue to evolve, and therefore, there could be a breaking point. “Oppenheimer” begs to ask what happens if mankind not only gains enough power to destroy an entire group of people, but possibly themselves. When this film highlights the development of the bomb, there is a lot of talk about the weapon’s uncertainty. During its assembly, the chances of the bomb destroying the entire planet were near zero, but some would argue even that is too intimidating of a chance. When the bomb went off, it seemed like the weapon that made all others inferior. But like how there is always a bigger fish, there may also be a bigger weapon as time goes on.

I have seen a couple horror titles this year and I can say “Oppenheimer” is eerier than both titles. “Oppenheimer” may not come off as a horror movie at first sight, but it is certainly one by the end of it. Speaking of the end, to drive that point home, I will not say anything about what happens, but there is a final exchange in the film that I cannot stop thinking about. “Oppenheimer” is responsible for possibly the greatest last line in the history of film. It is up there with “Well, nobody’s perfect,” from “Some Like it Hot.” I am not going to give the line away, but it is a series of words that will stick with me, along with the hallowing shots that follow.

One of the reasons why Christopher Nolan is a favorite director of mine is that while his movies vary across the board, is that they are some of the most prominent examples of narratives that get me to think. “Interstellar” got me thinking about the earth’s future, in addition to my own. “Dunkirk” made me think that people are genuinely good at heart even in the worst of times. “Tenet…” Well, it certainly got me to think. Maybe think backwards sometimes. “Oppenheimer” is another one of those thinker kind of pictures, but it is making me think in ways where I am afraid that mankind may achieve a point of self-destruction. As a moviegoer, I often watch films for an escape from my problems. But not all films are created equal. Sometimes there is room, depending on the occasion, for a film that reminds you of your problems, or in this case, highlights problems that could haunt you for the rest of your life.

I was off and on as a history student in school, but there is a basic saying about history that justifies teaching even the darkest of tales. Those who do not know history are doomed to repeat it. That saying is perhaps the backbone of “Oppenheimer,” no matter how you slice it. This film may tell the story of J. Robert Oppenheimer, and he is by all means the protagonist of this picture, but he is more of a notable presence than a “hero” in some ways. There are certain scenes where other characters may see him as such, but he is not entirely a proper fit for the description of “hero.” Understandably, “Oppenheimer” was not released in Japan. There is also no scheduled release there as of yet. That said, as I watched the film, there are moments where I got the notion that the film served as an occasional apology to the country. It is not necessarily in your face propaganda, but from start to finish, the film never comes off as an attack towards Japan or its people. If anything it comes off as a warning to anyone who desires mass destruction on a large group. And yes, that is all the while the movie highlights an event of mass destruction. But it says that if we get to a point in our history where we continue to fight, where we continue to destroy each other, we may ultimately destroy ourselves.

Again, “Oppenheimer” is a horror movie disguised as a three hour historical drama. If you think ghosts, ghouls, and goblins are the scariest things you will see this year, just wait until J. Robert Oppenheimer gives a speech to flag-wielding Americans in a gym. If I watch a new horror movie in theater around spooky season, there is a good chance that it will not leaved as haunted as I have the past two times I have watched “Oppenheimer.”

In the end, “Oppenheimer” is a hallowing time at the movies, but nevertheless a remarkable achievement of cinema. While I really liked “Tenet,” I think “Oppenheimer” is a step up from Christopher Nolan’s previous efforts. If anything, this may end up being a top 3 film of his for me. The film stands as a technical achievement that must be seen in a large format like IMAX. This is especially considering it was partially shot with IMAX film cameras by Hoyte Van Hoytema, who also used the camera to shoot three other Nolan titles and even Jordan Peele’s “Nope.” Additionally, it is a dramatic achievement that has been perfectly executed by its star-studded cast. Even with the haunting nature of this film, a good portion of the imagery is awe-inspiring, the music is captivating, and the sound is beautifully audible. That said, if I had a complaint with the film, the sound mix, despite the powerful audio and score, is not the greatest, which is not new for Christopher Nolan. Other than that, the movie stands as one of the director’s best. I am going to give “Oppenheimer” a 9/10.

“Oppenheimer” is now playing in theatres everywhere. The film is also available in select IMAX 70mm locations for a limited time. I had the grand opportunity to see it in one of those locations, and if you are thinking of taking the opportunity to see “Oppenheimer” in one of those locations, I highly endorse it. Tickets are available now.

Thanks for reading this review! Pretty soon I will be dropping reviews for “Haunted Mansion,” “The First Slam Dunk,” “Barbie,” and “Teenage Mutant Ninja Turtles: Mutant Mayhem.” Stay tuned! Also, if you want to see more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Oppenheimer?” What did you think about it? Or, what is the scariest non-horror title you have ever seen? Let me know down below! Scene Before is your click to the flicks!

Uncharted (2022): The Fast and the Furious with Treasure Hunting

Posted on by Jack Drees

“Uncharted” is directed by Ruben Fleischer (Venom, Zombieland) and stars Tom Holland (Spider-Man: No Way Home, Chaos Walking), Mark Wahlberg (Transformers: Age of Extinction, Deepwater Horizon), Antonio Banderas (Shrek 2, Hitman’s Wife’s Bodyguard), Sophia Ali (Grey’s Anatomy, The Wilds), and Tati Gabrielle (The Owl House, The 100). This film is based on the video game franchise of the same name and is about Nathan Drake who sets out on an adventure alongside Victor “Sully” Sullivan to find a fortune that has been lost for five centuries.

I have never played the “Uncharted” games. I know of them. I’ve seen particular images and cutscenes from them. I’ve just never had the time to sit down to play them. And it kind of ticks me off saying that because while I never had a PS3, when it comes to my consoles, I managed to acquire a PS4 several years ago as a Christmas gift, and I even just recently got a PS5. So despite my commitment to Sony over the years, I haven’t popped in “Uncharted” yet. But I also will note that I’m a busy man, I do not have time for video games. It’s the same thing with books. It’s not that I don’t like video games, but I sort of see video games the same way as television shows. If you want me to sit down and play one, there needs to be a real commitment factor. Again, I am amazingly committed to film, making other mediums feel less important. Since I mentioned books, I will have to make my usual apology to them. Movies are more fun! Sorry, books!

But with movie theaters trying to prove themselves as a reasonable escape within the confines of the pandemic era, it only seems appropriate that Sony would release a movie like this at this time. The little that I have seen of the “Uncharted” games did feel rather cinematic. And the very first scene of the film, which has Tom Holland flying in the air, did remind me of the little that I did see in the games. It had this extreme vibe that set the tone for everything going forward. Kind of like a video game. So the movie already kicked off to a positive start.

But this positive start doesn’t last long because when it comes to introducing the main characters, the setup feels rather clunky, and borderline unreal. Kind of like a video game.

If any of you remember the movie “Hardcore Henry,” I praised the movie for having a feel that I could probably experience only in a few cases. Video games being one of them. After all, it is set in the first person point of view. And when I was younger, I always wanted to adapt a particular video game into a film (I won’t say which one in case it ever ACTUALLY DOES HAPPEN). But looking back, I had all these ideas for camera techniques that would be reminiscent of the games, and I wonder if that’s now all a gimmick. Looking at “Uncharted,” I admire its efforts to bring a massively immersive, and I do mean immersive, experience. There are scenes in this film that are best experienced on the biggest screen you can find, and for that alone, you should shell out a few bucks to see it in the theater if interested, but maybe not above matinee price, or a subscription like A-List, which is what I previously used.

Sticking to that, much like a video game vibe, the climax is probably one of the most immersive and inviting I have seen in recent film. I’ve seen a number of climaxes recently that fit the material in which it tries to attach itself, but this is one that not only puts its characters in the most dangerous of situations, but also embraces what I hoped this movie would go for. A bit of far-fetchedness, but also enough to ensure your brain is still attached. But at the same time, there is also some moments where they jump the shark and my brain gets a bit cracked. You may have seen the part in the trailers where Tom Holland gets hit by a red car, it’s a bit over the top.

I feel like this film’s immersion factor is an enormous reason as to why it sometimes works. Because let’s be real, I am not going to claim that Nathan Drake is one of my favorite film characters. I like the guy playing him. I think Tom Holland has talent. But when translated to the final product, the film struggles to get me attached to its characters as much as it puts into its respective environments.

If I had to point out a favorite scene in the film, it’s actually one that appears in the trailers. Basically, Nathan Drake is in the middle of a mission, and out comes this heavier man, portrayed by Steven Waddington, who scares Drake s*itless. Then we get… This exchange. Well, maybe this exchange. Pardon me, I’m just a dumb American.

THE SCOTSMAN: “You shouldn’t have come out to play with the big boys wee in because you’re about to get a proper Scottish welcome.”

NATHAN: “What?”

I lost it when first hearing this. Again, I’m just a dumb American, but as a dumb American, I acknowledge that the English language is understood in a variety of ways. From the perspective of my tiny little American brain, the Scottish accent is first off, hard to understand, and second, occasionally funny. So, I’ll give credit to the writers for nailing that aspect and Waddington for providing a seemingly over the top accent that had me laughing. I wanted to see more of him. Although I do want to know what Scottish people think of this. Is this humorous? Accurate? Offensive, maybe? I want to know.

Although going back to what I said earlier, there is one scene that the more I think about it, kind of irritates me. Because I understand that movies and their studios are supposed to pay the bills. But what irritates me is that this movie ends up using a forced, randomly placed instance of product placement within its main story. I was engaged during said scene, but I do not think this is the time to sell me “Papa John’s.” It does not go as extreme as the “Power Rangers” movie we got a few years ago with Krispy Kreme (although I like the money shot it brought), but the more I think about it, the more it distracts me.

“Uncharted” feels like “Raiders of the Lost Ark.”

…At times.

“Uncharted” is a fun adventure with characters that have their own quirks. But relatively speaking, this ain’t no “Raiders.” Tom Holland and Mark Wahlberg do their best with the material given to them, but their chemistry feels very off and on. There are a couple scenes where I can tell that these two have probably developed a friendship per se. But there are also other scenes where I don’t sense much realism between them.

In the end, “Uncharted” is a film that is good enough to please me for one or two viewings, but maybe not more. I heard that Tom Holland is a fan of the video games, therefore I am happy to know that he is playing a character that he possibly admires. But I can see why this film suffered as many delays as it did. It’s a film that feels like was made for the 21st century 3D era, in fact ideas for it were developed during that time, but it ends up coming out in 2022. I feel like Sony just wanted this movie to get out sooner than later because it’s practically been in development since 2008. Directors like David O. Russell (Three Kings, American Hustle), Neil Burger (The Illusionist, Divergent), Seth Gordon (Horrible Bosses, Baywatch), Shawn Levy (Night at the Museum, Free Guy), and Dan Trachtenberg (Portal: No Escape, The Boys) were originally attached to helm the picture. Unfortunately these did not last, so we ended up with “Zombieland” director Ruben Fleischer. I also think the decision to get Tom Holland to play Nathan Drake was solid. As mentioned, he’s played the games, so he’s familiar with the material. But he also is on the younger side, so unlike say Nathan Fillion, who ended up appearing in an “Uncharted” fan film and is about twice the age of Tom Holland, Sony made a decision they thought was good for business. If “Uncharted” is successful, Tom Holland is young enough to keep playing the role should there be sequels. And would I want a sequel to “Uncharted?” Sure. I could watch another film in this franchise. But I would recommend maybe getting a different writing team. I’m going to give “Uncharted” a bare maximum 5/10, and I feel like that’s generous. I was genuinely entertained, but I also recognize that this movie was very clunky and could have done more, and that’s why I’m giving it the score it gets.

“Uncharted” is now playing in theaters everywhere. Tickets are available now.

Thanks for reading this review! Next Sunday, March 13th, I am going to be sharing an all new first look at the upcoming 4th Annual Jackoffs! I am going to be announcing the nominations, and I’ll be dropping a trailer as to what you can expect for this grand, majestic awards ceremony! The ceremony itself is happening on March 27th, therefore it will be held the same day as the Oscars! So that’s another three hours of your life taken away! But I will still have content in between the announcement and ceremony such as upcoming movie reviews! Speaking of which, my next review is going to be for Netflix’s new movie, “The Adam Project,” which coincidentally, is directed by one of the folks I mentioned who was once attached to “Uncharted,” Shawn Levy! I already saw the film through a virtual screening, and it arrives on Netflix soon. I will have my full-fledged thoughts as soon as possible. If you want to see this and more on Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Uncharted?” What did you think about it? Or, have you played any of the “Uncharted” games? Tell me your thoughts on those! Let me know down below! Scene Before is your click to the flicks!

The Suicide Squad (2021): The Best DC Movie Ever

Posted on by Jack Drees

“The Suicide Squad” is written and directed by James Gunn (Slither, Guardians of the Galaxy) and stars Idris Elba (Thor, Pacific Rim), Margot Robbie (The Wolf of Wall Street, Once Upon a Time in Hollywood), John Cena (Blockers, Wipeout), Joel Kinnaman (Robocop, For All Mankind), Sylvester Stallone (Rocky, Over the Top), Viola Davis (How to Get Away with Murder, Fences), Jai Courtney (Jack Reacher, Divergent), Peter Capaldi (Paddington, Doctor Who), Daniela Melchior (The Black Book, Spider-Man: Into the Spider-Verse), and David Dastmalchian (MacGyver, Ant-Man). This film is a sequel, well kind of, to 2016’s “Suicide Squad” and is the latest film set in the Detective Comics Extended Universe. The film is about a bunch of vigilantes, some of whom we’ve seen before like Harley Quinn and Rick Flag, in addition to newbies like Peacemaker and King Shark who are put on a mission to destroy all traces of Project Starfish.

When I saw “Suicide Squad” five years ago at the theater, I enjoyed it. Safe to say, my opinion quickly changed as soon as the home video release period came up because I got the movie as a Christmas gift, I popped it in, specifically the extended edition, and found myself displeased with what was in front of me. Harley Quinn was great, but the way they handled certain plot points and some of the editing was not up to my standards. Looking back, it looked like an effective ad campaign for Hot Topic without even mentioning the brand’s name once. Therefore, I was a tad weary going into “The Suicide Squad,” because prior to “Wonder Woman 1984” which came out last December, “Suicide Squad” has long stood as my least favorite DCEU film. So it has an offputting stain of displeasure. But there were also a few attractive factors brought to table that made me feel the need to see this film as soon as possible.

First, the film is rated R. While we have gotten some comic book movies over the past few years with said rating, including “Birds of Prey” which is also set in the DCEU, this did intrigue me as the previous “Suicide Squad” was PG-13 and I was curious to know how this film could be taken in a darker direction. Plus, if the “Deadpool” movies have proven anything, it’s that there is some REAL fun to be had with R rated comic book films.

Second, James Gunn. In case it matters, this guy is responsible for my senior quote in high school. This is a true story by the way, for my senior quote, I did some searching and came across one in particular from James Gunn’s IMDb page that stood out to me.

“I have a very strong imagination and have since I was a little kid. That is where a lot of my world comes from. It’s like I’m off somewhere else. And I can have a problem in life because of that, because I’m always off in some other world thinking about something else. It’s constant.” -James Gunn

I chose this quote because of how much I relate to it. I too consider myself to be imaginative, and in addition to that, I cannot say how much this ties to Gunn himself, but I have ADHD, therefore I am constantly wandering off from my own reality to somewhere else in my head. Here’s the thing, I graduated high school in 2018. That same summer, Gunn was fired by Disney due to old, offensive tweets being resurfaced. Gotta say, on the topic of my choice of senior quote, AWK-WAAAARRD. Keep in mind, Gunn notes that he is not the same man he was when he was younger. He has matured, he has evolved. But for those of you who know the story, he eventually was hired by Warner Bros. and DC. Of all the projects that Gunn could have chosen for DC, he ended up doing what we now know as “The Suicide Squad.” I have heard a number of stories on this film’s production. But one of the things that I have heard, at least on James Gunn’s part, is that the studio basically gave Gunn complete freedom to make whatever the hell he wanted.

Also, I’m not gonna lie, I really liked the trailers for this film. John Cena looked like he was gonna be a riot. Margot Robbie, per usual has a fine balance of mystery and humor within her Harley Quinn persona, and right off the bat, this actually did feel like a James Gunn film with the songs they chose for each trailer. In the end, this was easily my most anticipated film of the summer. And I thought that BEFORE the film had a 100% Rotten Tomatoes score for a period of time. But the past has proven that hype can kill a film. It’s happened to me with “Midsommar,” and in the case of James Gunn, I’ll even add that this happened with “Guardians of the Galaxy Vol. 2,” which was my #2 most anticipated film of 2017, but I do not remember it fondly. I had a freight train of thoughts going into this film. What are my thoughts leaving the film?

It’s the best DC film ever.

Not just DCEU, I mean DC period. Like… Better than “The Dark Knight.” Better than “Wonder Woman.” Better than “V For Vendetta.” THIS FILM SLAPS!

Ladies and gentlemen, THIS is what happens when you let a director make their movie! James Gunn is outright unhinged with this film. He’s the sole writer and director, and he has pretty much made every decision possible regarding the product. Not once did I feel like I was watching something that was done by a studio head at Warner Brothers. I think it is hilarious how in just less than a month, we get “Space Jam: A New Legacy,” arguably the most corporate, commercialized film Warner Bros. has put out to date, and then we get this masterpiece from James Gunn. Unbelievable!

When 2016’s “Suicide Squad” came out, I said that it felt very much like another version of “Guardians of the Galaxy.” After all, you have all these criminals coming together for the same purpose, but despite them being bad, they join forces to save the world. Plus both films sort of relied on rock heavy soundtracks, which looking back, “Guardians” did A LOT better than “Suicide Squad.” “Suicide Squad” felt as if it was trying to copy the success of “Guardians of the Galaxy” but the former attempted to in a way that was inferior to the latter. I am glad to note that we got the ACTUAL director of that “latter” to come in and make something great out of a franchise that provided one of the worst comic book films of the last five years. And much like “Guardians of the Galaxy,” part of the success is achieved from taking lesser known, or less appreciated comic book characters and putting them into scenarios that can turn them into gold. In MCU speak, I bet a lot of people knew who The Incredible Hulk was before his movie came out. Same can be said for Thor. The same cannot be said for the Guardians of the Galaxy. In the DCEU, we’ve already had a movie with the Suicide Squad, but unlike Guardians of the Galaxy, it changes out a lot of the main characters in the first film like Deadshot and Killer Croc and replaces them with other characters in the second film. Yes, Harley Quinn is back. But I’m willing to bet dollars to donuts that most people watching this movie amongst the general audience would care to know who Polka Dot Man is in the comics. I’ve heard of Polka Dot Man before, he made an appearance in “The LEGO Batman Movie.” But I cannot say I was all that familiar with his history as a character.

I never thought I’d say this. “The Suicide Squad” made me care about a superbeing who spews… POLKA DOTS! I mean, WHAT?! Who ever thought this could be possible? Again, this goes to show the master class of James Gunn. He got me to care about a talking tree in “Guardians of the Galaxy.” When you can get me to care about a costumed man who throws magical polka dots at people, he’s not just a good director, he’s a flat out genius. Seriously! You wanna know how much I cared about Polka Dot Man? I literally picked up his Funko Pop the day after my screening! I love this guy! They gave him the social awkwardness of a geek combined with the hyper mania fuel of a kid who just discovered Red Bull. I do not want to give much away about this movie, but by the end of “The Suicide Squad,” there is a visual that references a tactic Polka Dot Man often follows, and it may be one of the single funniest shots I have seen in a movie in years.

Speaking of characters, let’s talk about Harley Quinn. Right now I am personally having trouble deciding whether I prefer the Margot Robbie Harley Quinn or the Kaley Cuoco Harley Quinn in terms of their personality, but one thing I cannot deny is that Margot Robbie has aced her role in “The Suicide Squad,” providing her most insane portrayal of the character yet. I’ve always admired this iteration of Harley Quinn since 2016’s “Suicide Squad.” I always thought that she could take any scene she’s in and automatically become the star of the show. But the thing that I think makes Harley Quinn better in this movie compared to her last two outings is that Robbie channeled Harley’s inner madness to her full potential. There is a scene in the second act where she just spews tons of dialogue towards someone in particular, filling in all sorts of potential blanks. Quinn has gone from being a hilarious scene stealer to the psychotic lovable moron that she is now.

I also love King Shark. For a lot of people who turn on this movie, I think this portrayal of King Shark is going to be their first introduction to the character. I personally have been watching him through DC’s “Harley Quinn” show, so this is not my first rodeo with him. I like King Shark in “Harley Quinn,” but I LOOOOOVE him in “The Suicide Squad.” Basically, King Shark in this film is a funnier, raunchier version of Lennie from “Of Mice and Men,” a simple minded, CGI, walking, talking, briefs-wearing shark who will tear you to shreds if you so much as even get close to screwing around with him. At the same time though, James Gunn managed to write this character in such a way that effectively personifies him and makes him relatable. We see throughout the film that yes, he is a man-eating shark that can walk on land for some reason, but he has a rather subversively cute motivation that is nicely explored from start to finish. Also, Sylvester Stallone, you are a god. James Gunn picked you for a reason and you knocked this out of the park.

I also want to talk about John Cena as Peacemaker. I think out of all the characters in the movie, he was the one who I think Gunn did the best job at fleshing out in terms of complexity. Having seen Peacemaker’s costume in the marketing, I was a tad skeptical. Would Cena be too goofy? Would I take him seriously? Not gonna lie, as goofy as the costume looks, it really pops and I was able to take Cena seriously in the film. I sometimes talk about “Blockers” and how much I like that movie. Although one fair critique of that film is that John Cena, as funny and likable as he is, does not have the best range as an actor. I like him in the movie, but I think that is a fair critique. Here, I think James Gunn and John Cena are a perfect match for each other. I mean, look back at “Guardians of the Galaxy” and look at Dave Bautista. Sure, he gave a good performance in the film. It does not mean he’s the best actor. I feel like Bautista and Cena are the muscle of their movies. Their performances in their individual movies differ in ways, but that’s who their well-built characters are at their core. During the film, Cena delivered a lot of funny one liners, including some of the more memorable ones.

“It’s not a toilet seat, it’s a beacon of freedom!”

However, by the end of the film, without going into spoilers, there’s a moment where I could tell that John Cena has some legit acting skills. I felt the exact emotions his character was going through. What emotions exactly? I cannot say. But if you watch this film, you’ll know exactly what I’m talking about.

I will also note for all the parents who want to take their kiddies to the brand new superhero movie that some call “The Suicide Squad,” you may want to think twice, because your kids have probably seen flashy violence in movies like “Batman v. Superman,” painful moments in movies like “Avengers: Infinity War,” but I could only wonder what would prepare your kids for the ultra-gorey and visceral madness that “The Suicide Squad” has to offer. This film is not just violent, it goes over the top in more ways than one. Let me just put it this way. The first act had me laughing and slapping my knees at all the crazy violence going on. That’s the result of a great movie. But the REAL craziness doesn’t even stop there. There’s some real s*it that happens towards the end of the film that no PG-13 film could get away with. It’s basically “Mortal Kombat” in the DC universe!

In fact, one of my critiques for “Birds of Prey,” the DCEU’s first R-rated outing, is that the film, while serviceable, NOT GREAT, but serviceable, has an R-rating attached to it, but I feel like by the end of the film, it does not do much to satisfy its R-rating. “The Suicide Squad” is so mature that it might as well tear the audience to shreds when presented in 3D! So immersive!

Did I mention the soundtrack? Oh yeah, this movie has a good soundtrack! It’s probably just as good as John Murphy’s score! Seriously, by the end, there was a song that gave me goosebumps that I was not expecting from a movie like this! James Gunn chose some songs that not only fit the scenes they were in, but I even think I like this one better than “Guardians of the Galaxy Vol. 2.” Granted, I still think the first “Guardians of the Galaxy” has a better soundtrack than “The Suicide Squad,” but my point stands. The music in this film may as well have been put together by a mastermind!

Supporting the notion that no movie is perfect, let’s talk about one thing that I could consider to be wrong in “The Suicide Squad,” and by wrong, I do not mean that in a huge way, it’s just a slight nitpick. I am not going to get into full details, as this would involve spoilers, but there is a shot in the movie that if you really know how shots and visual effects mix together, it would make *spoiler* feel a bit more predictable. That’s the one nitpick I can come up with aside from one more thing, and again, this is not something that is a turnoff, it’s just something that is noticeable and needs to be addressed.

In 2016’s “Suicide Squad,” which stars Will Smith as Deadshot, that character was a tall, rather hunky dude who wants to reunite with his kid. In 2021’s “The Suicide Squad,” which stars Idris Elba as Bloodsport, that character was a tall, rather hunky dude who wants to reunite with his kid. I know Will Smith was not in this movie for a reason, but still, it’s interesting how they barely changed certain traits about the main character. I mean if it ain’t broke don’t fi– Actually, I take that back, the 2016 “Suicide Squad” was pretty broke to begin with.

There’s not really anything else I can think of that turned me off in this film. Every joke landed. Every kill was satisfying. Every character was likable, and by the end of the film, I feel like everyone earned their destiny. James Gunn has a pure talent for making a film completely action packed and bonkers but also leaving enough room to have heart and soul in it. I started watching “The Suicide Squad” grinning ear to ear and laughing my ass off like a maniac, but by the end of it, I was simply in awe and I felt for all the characters. “Suicide Squad” from five years ago had me walking out saying I want to see more of Harley Quinn. “The Suicide Squad” had me walking out saying I want to see more of not just Harley Quinn, but King Shark, Ratcatcher, Peacemaker, EVEN POLKA DOT MAN… among other characters!

In the end, “The Suicide Squad,” I don’t want to sell it short. It’s the best freaking movie Warner Bros. has put out with a DC logo on it. Simply put, Marvel and Disney firing James Gunn is probably the best thing that ever happened to DC. And as a result, it may be one of the best things to happen in James Gunn’s career as “The Suicide Squad” has now become one of my favorite comic book movies of all time. Guys, I urge you to check this movie out. It is the literal definition of bonkers. It is something so violent, so funny, and yet so heartwarming. I almost wonder if we’ll get another DCEU movie like this again. I am looking forward to what’s coming up in the DCEU between “The Flash,” “Aquaman 2,” and “Shazam!: Fury of the Gods.” But they are following in the footsteps of something completely unique and mind-boggling that I almost wonder what it’s gonna take to top it. James Gunn, you have made a masterpiece, and I am glad to know that my senior quote that I mentioned earlier has been redeemed! I’m going to give “The Suicide Squad” a 10/10!

“The Suicide Squad” is now playing in theaters everywhere, including IMAX, and you can also watch it for free on top of your subscription on HBO Max until early September.

Thanks for reading this review! I just want to remind everyone that at the moment I am currently trying to review all four “Revenge of the Nerds” movies in a brand new review series titled “Revenge of the Nerds: Nerds in Review.” This Monday, August 16th, I will be sharing my thoughts on “Revenge of the Nerds II: Nerds in Paradise.” Stay tuned for that as we celebrate Scene Before’s fifth anniversary! Also, I want to remind you all that this weekend, “Free Guy” hits the big screen, but I will probably waiting until sometime next week, maybe even next weekend, perhaps later, to share my thoughts on it. Life’s been crazy and busy, it is what it is. But, I will see it, I will review it, I am looking forward to it. If you want to see all this and more on Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Suicide Squad?” What did you think about it? Or, what do you prefer? 2016’s “Suicide Squad?” Or 2021’s “The Suicide Squad?” My answer is pretty obvious, but I’ll let you share your thoughts down below! Scene Before is your click to the flicks!

Wonder Woman 1984 (2020): Gal Gadot and Patty Jenkins Return to the Big (and Small) Screen

Posted on by Jack Drees

“Wonder Woman 1984” is directed by Patty Jenkins, who also directed the first “Wonder Woman” film starring Gal Gadot (Keeping Up with the Joneses, Fast Five) back in 2017. Gadot returns to play the iconic heroine alongside a cast including Pedro Pascal (The Mandalorian, Game of Thrones), Chris Pine (Star Trek, This Means War), Kristen Wiig (Saturday Night Live, Ghostbusters), Robin Wright (House of Cards, Forrest Gump), and Connie Nielsen (Gladiator, One Hour Photo). This film takes place many years after the original, which was set in World War I. This time, we journey to 1984, where Wonder Woman has to take on two new foes, Max Lord and the Cheetah. Also, Steve Trevor, reprised by Chris Pine, comes along for the ride.

It has been three and a half years since I first watched “Wonder Woman,” which I originally gave a 10/10. By the way, that 10/10 still stands. The film is somewhat cliché. It contains things that have been done before, there is no denying that. But it does so with excellence and in a way that feels fresh and exciting. Plus, you can also add on that we have not had many successes with comic book movies specifically centered around characters portrayed by women. This felt like not just a proper, but a *massive* step in the right direction. It was also my favorite film in the DCEU at the time. In my review for the original film, I go onto mention that when it comes to “origin stories,” “Wonder Woman” may be my all time favorite in regards to movies. Part of it has to do with the singular and stellar vision provided by director Patty Jenkins and all the performances from cast members including Gal Gadot and Chris Pine. The villians were… okay. However, each action sequence, even those that others say are heavy in CGI, are exciting and heart-pumping. I know some people find the final act to be clunky, I had a great time with it. Plus, Wonder Woman’s theme music, which was first introduced in “Batman v. Superman: Dawn of Justice” is arguably my favorite superhero theme of all time. Maybe except the one created for Tobey Maguire’s Spider-Man.

Going into “Wonder Woman 1984,” it was hard to imagine that such a movie could surpass the original. However, based on early reviews, it seemed as if such a thing would be possible. After all, we’ve already gotten the been there done that origin story out of the way, if you want to call it that. It was time for something new, innovative. Going in, I already had my expectations blown away. I did not expect Chris Pine to return. Like, literally. At all. Then again, this takes place in a comic book universe where anything is possible. There were also some new things in regards to tech. Not that they haven’t been done before, just not in the original “Wonder Woman,” because this new flick was partially shot on IMAX film. And if you have read a number of my posts, you know I rave about IMAX film. By the way, while the movie is shot in the heavy duty format, there is barely any footage that will expand the frame in IMAX. However, it may be worth the extra few bucks if those theaters are open near you.

But is “Wonder Woman 1984” worth the hype? Absolutely not.

Well! Well! Well! 2020 strikes again! “Wonder Woman 1984” is not only a massive disappointment to one of the most anticipated films of the year. “Wonder Woman 1984” is not only a step down from the original 2017 film. “Wonder Woman 1984” is not only the worst comic book movie of the year. Yes, more than “Bloodshot” for crying out loud! But it is also the worst entry to DCEU thus far.

Now, let me just get one thing out of the way. I am a straight white male in his early twenties. I am not one of those people that is trying cancel Gal Gadot. After all, I met her in person, I have her autograph, and she is a decent actress. I am also not trying to cancel Patty Jenkins, which the Internet seems to be doing according to many people. If they come out with a “Wonder Woman 3” with these two at the front lines, I am there. Their work on the original film justifies such a thing, and Jenkins is a director that is completely capable of making something magical. In fact, most of the problems of the film do not have to do with how the movie is made. It instead has to do with the pacing, the editing, the way everything plays out, the characters, and the writing. Admittedly, Jenkins is responsible for that last mistake, given how she has a screenplay credit. I don’t know if I should blame her entirely given how she wrote the script with a couple other people, but I should also point out that she did not have a screenplay credit for the previous “Wonder Woman” installment. This time around, Jenkins collaborates with Dave Callaham, who wrote the script for one of last year’s best comedies, “Zombieland: Double Tap.” Also along for the ride is Geoff Johns who has plenty of experience of creating DC content. So, what went wrong? Was there not enough time to draft everything out? Were there so many ideas colliding from three different minds? I don’t know. Patty Jenkins seems very passionate about the Wonder Woman character. In fact, throughout the movie, Jenkins properly visualizes the character as a beacon of hope and inspiration for people, especially women.

This movie starts off pretty great. By the way, for those who want to see the film in IMAX, this is one of the two scenes that were actually filmed in the IMAX format. The scene not only looked articulate and felt immersive, but it may have ended up being the best part of the movie. It is action-packed, exciting, and lets you escape into the world Themyscira. Sadly, the movie kind of blows its load in the first ten minutes. Because it spends time showing you young Diana Prince (Lilly Aspell), progresses to a time where we see a matured Diana Prince (Gal Gadot), and in these initial scenes, the action never stops whether Diana is trying to win an athletic event for herself, or she saves the lives of others. Even so, it does kind of feel like action that does belong in the beginning of a superhero sequel. The main character kicks ass while you get reintroduced to them, and the movie sets a footprint for where the story is going to go. “Wonder Woman 1984” sets up a vibe that fits the title. You see people walking around in eccentric clothing, there’s record stores, CRT television sets, and a multi-story colorful mall. When it comes to the first hour of “Wonder Woman 1984,” these scenes were fine. What wasn’t fine in the first hour is perhaps just about everything else.

What do I mean? Let’s take a moment to talk about the worst “Lord of the Rings” film. “The Hobbit: An Unexpected Journey.” I’ll be fair. I did have fun with the movie, but one of the worst things about “An Unexpected Journey” was the pacing. This may partially be due to the need to adapt one book into three parts, but the evidence comes in towards the beginning where we see the 13 dwarves coming into Bilbo Baggins’s home. A lot of the screentime almost feels extended and nearly tiresome. There are some decent moments, but it does not always make for a good time. It takes like 45 minutes to an hour to actually get the movie going. With “Wonder Woman 1984,” I got the same feeling. It just took forever to actually get into gear. Mainly because this film feels like a stockpile of exposition. “Batman v. Superman” sort of felt the same way, but I think I had more fun watching that, exposition included, than I did sitting through whatever the hell “Wonder Woman 1984” turned out to be. To add onto that, you have some cringe-worthy lines, less than stellar characters, and a surprisingly boring storyline, part of which includes a role reversal.

Chris Pine is back as Steve Trevor in this movie. I will not go into detail of his return, but this was heavily marketed, so if you’re considering this a spoiler, I’m sorry. In the 2017 “Wonder Woman” film, Gal Gadot’s character has to deal with the new sights of earth and learn the normalcies within. To do so, she had the assistance of Steve Trevor along the way. Diana Prince came off occasionally as eccentric, she said certain things that maybe would be better left unsaid, and there’s a montage where she’s trying on unfamiliar apparel. This time around, Diana assists Steve in 1984, because now he’s the fish out of water. Much like the last movie, there is a reversal where Steve is trying on different clothes that defined the 1980s. He occasionally had a fanny pack, “parachute pants,” and so on. That scene kind of entertained me. However, the rest of this storyline was mostly either boring or impractical. There is a scene where Diana and Steve are flying through the sky looking at fireworks. And sure, fireworks are a sight to be seen. There is reason why Disney World charges you your entire blood supply to see them up close. But this movie made me ask if Steve has never actually seen fireworks in his life. The way I viewed the scene made me wonder why he was actually as amazed as he was in those exact moments. Fireworks have been around for a long time. Many years, centuries even! Why is Chris Pine acting like he’s never seen fireworks before?

This movie features a couple respectable actors, you have Pedro Pascal who I liked in “Kingsman: The Golden Circle,” he’s also in hit TV shows including “Game of Thrones” and “The Mandalorian.” The guy has been certain cores of nerd culture over the years. You also have Kristen Wiig, who I have rather mixed feelings on. I was not a fan of her in the 2016 “Ghostbusters” reboot. I don’t think I find her as funny as other people do. But I also am a fan her in other regards. I think she did a fine job in “The Martian” and her voiceover work in projects like “Sausage Party” and the “How to Train Your Dragon” franchise are highlights in her career. Sadly, their performances are very on and off here. I would not ease myself into saying that the actors themselves are specifically at fault, but these two portray their characters to a degree that feels cartoony and off-putting. “Wonder Woman 1984” gets into the problem that people have criticized movies like “Batman & Robin,” “Spider-Man 3,” and “The Amazing Spider-Man 2” for realizing. MULTIPLE MAJOR THREATS.

I am not saying you cannot make a movie with more than one villain. It has been done before with “Return of the Jedi,” “The Dark Knight,” and if you really think this counts, “Back to the Future Part II.” But the beauty of having one major threat in your movie is that you get to make them the source of everyone’s struggle. Time is taken to specifically focus on that one character and why they must stopped. We somewhat get that in “Wonder Woman 1984” with Max Lord (Pascal), but when it comes to Barbara Minerva (Wiig), the way she is handled is sort of similar to how they handled Eddie Brock in “Spider-Man 3.” Only thing is, I was actually entertained whenever Eddie Brock had a scene in “Spider-Man 3.” Topher Grace played the part well, even during lines that were not up to par. Wiig tries, but the problem is that some of the writing in “Wonder Woman 1984” makes some of the writing in “Spider-Man 3” look like Shakespeare. Maybe that’s not the best comparison, mainly because I am one of the few people who genuinely enjoyed “Spider-Man 3.” However, there are a few lines and storytelling methods in that film that do not fall into place.

But if you want me to compare “Wonder Woman 1984” to another film I did not enjoy, let’s use “The Amazing Spider-Man 2.” In that film, you have Electro and the Green Goblin. There’s also the Rhino, but we’re gonna leave him out for this. The two major threats in “Wonder Woman 1984” are basically just like Electro and the Green Goblin in “The Amazing Spider-Man 2,” but instead of being exact carbon copies, they take various qualities of each character, but they are switched around to make something new. Like Electro, Barbara is eccentric, kind of shy, almost a nobody. But kind of like the Green Goblin, she barely has any screentime as Cheetah. And whatever screentime there is almost feels forced or nearly unmemorable. As for Max Lord, he’s got funky hair like Harry Osborn, he’s affiliated with a big company. And like Electro, he has a more significant screen presence when it comes to dealing with our main hero. This all adds up to an underwhelming evil duo in an underwhelming movie. But I do have to say one thing about Max Lord, and it kind of turned me off. He’s basically Donald Trump.

Think about it! This movie is painting a picture of an obsessive, failed businessman and kinda sorta television personality who has little time for their kids. In fact, my first impression of his son was that he was sort of a spoiled brat, which does not always seem to stick for the rest of the movie. Again, the hairstyle feels like something out of a meme. There is even a scene, and you saw this in the main trailer for this film, where he stands in front of a background representing the White House Press Room! Granted, having compared Pedro Pascal to his comic book counterpart, the casting and makeup departments did a good job at being faithful to the source material. But knowing that this was made in the late 2010s, and originally supposed to release in 2019, I could not help but make this comparison. And part of why I did not like this is because, and this may be a personal thing, it slightly ruined the escapism factor of the film. I’m not going to say whether I like Donald Trump, whether I dislike him. I am not here to get into politics. But Max Lord in “Wonder Woman 1984” feels like a Trump parody. The makeup department could have easily sprayed orange spray paint onto Pascal’s face and boom! Donald Trump impersonation!

I will say, there is one thing about “Wonder Woman 1984” that could be an improvement over the first one, and that is Gal Gadot’s performance. Gal Gadot, as much as I adore her as a person, as good-looking as she is, is not Meryl Streep. When it comes to “Wonder Woman,” she’s always looked the part, and she’s had good moments since her inception. Even though her character was the best part of “Batman v. Superman” for me, her acting ability was a far cry from what I saw out of Ben Affleck or Henry Cavill or Laurence Fishburne. When she shows up alongside the two titular characters in “Batman v. Superman,” she comes off as a badass, but there’s a line that she releases out of her mouth that feels like a first take. In “Wonder Woman 1984,” Gal Gadot has a commanding presence, she is charismatic, she is emotional, and occasionally witty. I liked Gadot’s performance in the original “Wonder Woman” because she did a good job at interpreting a goddess who has to adapt to a new normal, embracing the ups and downs along the way. But there were also signs that Gadot needed to work more on her craft and do a little more than be a pretty face in armor who can say words here and there. I will admit, her acting towards the end of “Wonder Woman” occasionally gave me chills, but I could tell that there was still work that needed to be done. “Wonder Woman 1984” is a sign that Gal Gadot is getting better, she deals with dialogue better than she used to, and her range is improving. I am looking forward to seeing Gal Gadot in “Death on the Nile” and if they come out with a “Wonder Woman 3,” count me in.

Gal Gadot’s performance is not the only positive here, because I will admit, even though I think Patty Jenkins and the other writers could have done a better job with the screenplay, she did alright with crafting the film. When it comes to her vision, I do not think it was as well represented as the original, but a crappy script can make that happen. Some of the cinematography is marvelous to look at. The visuals are just as good as the original film. Many scenes felt big and grand, and while I imagine some people will stick to watching “Wonder Woman 1984” on HBO Max for now, if you feel safe going to a theater right now, do not rule that option out. There are some cool scenes that look great on the big screen. Speaking of things that feel grand, they got Hans Zimmer to do the score, which I was onboard with from the beginning. I saw the first few minutes of “Wonder Woman 1984” on YouTube, and from that moment, I was excited to hear the rest of the score, and it is really good. There was a scene where I was completely taken out of the movie and I almost did not care about what would happen, but the one saving grace in that moment was the music composed by Hans Zimmer. Gal Gadot’s Wonder Woman has one of the best themes for an on-screen superhero, and I am glad that Zimmer got to work his magic to carry out his singular vision regarding it. I will likely listen to the soundtrack sometime in the future. The film had a passable ending. Granted there was some cringe surrounding it, but it good parts.

Too bad the movie’s boring, forgettable, and another big blow in 2020. F*ck. This. Year.

In the end, “Wonder Woman 1984” is a visually grand mess. Am I looking forward to what Patty Jenkins and Gal Gadot have in store in the future? Yes. But does my anticipation take away from my thoughts on “Wonder Woman 1984?” No. I think “Wonder Woman 1984” is a gigantic misstep of a film. And the worst part is that it was not worth all the waits from the delays. I’ll be honest, and some of you may find this surprising, I would rather watch the live-action version of Disney’s “Mulan” again! Just to paint a picture of how much I did not like this film, let me just boil it down to a simple sentence. I did not have fun. Ironically, 2017’s “Wonder Woman” took place in World War I, where people are fighting, people are dying, times are desperate, but I managed to have fun. This sequel takes place in 1984. In real life, that year was much more lighthearted, at least from the perspective of the United States. Yes, there was the War on Drugs. AIDS broke out. Indira Gandhi was murdered. But there were plenty of big songs and movies that came out like “Jump” by Van Halen or “Ghostbusters.” People were having fun! “Wonder Woman 1984” manages to take a time that is significantly more fun than World War I, and makes it the most boring thing imaginable. The action sequences don’t save this movie. Gal Gadot’s improved performance doesn’t save this movie. A couple new and talented faces do not even save this travesty. “Wonder Woman 1984” is a gigantic disappointment, the worst film in the Detective Comics Extended Universe, and I am going to give it a 3/10.

“Wonder Woman 1984” is now playing in theaters wherever they are open. Due to the lockdown in the United Kingdom, the movie will debut on January 13th, 2021 on PVOD. If you live in the United States, you can also watch the film right now on HBO Max if you are a subscriber and it is available at no extra cost until the near end of January 2021, where it will finish it’s theatrical release, go to PVOD for a price, likely hit store shelves through DVD and Blu-ray, and eventually return to HBO and HBO Max sometime next year.

Thanks for reading this review! Who knew that in the SAME WEEKEND, we would get my least favorite Pixar film, and now, and perhaps on a more significant scale, my least favorite DCEU film! This year has kicked my ass, called me names, and made me eat dirt. We are approaching the end of 2020, THANK HEAVENS. So it is almost time for me to post my top 10 BEST movies of 2020 and my top 10 WORST movies of 2020. That will be up sometime early next year and I may have one or two more reviews coming your way if I can fit them in. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! Also, check out my Facebook page! I want to know, did you see “Wonder Woman 1984?” What did you think about it? Also, did you watch the movie in the theater? At home? Or both? Tell me about your experience! Scene Before is your click to the flicks!

CORRECTION: When I said, “There was a scene where I was completely taken out of the movie and I almost did not care about what would happen, but the one saving grace in that moment was the music composed by Hans Zimmer,” I was wrong. Turns out the music in that scene was Adagio in D Minor, originally composed by John Murphy for the film “Sunshine,” which has been used in several marketing pieces for “Ready Player One,” the “2010 Winter Olympics,” and “X-Men: Days of Future Past.” I will not spoil where it plays for those who have not seen the movie.

Justice League (2017): What Does This Mean for the DCEU? (PLUS TALK ABOUT THE MOVIE’S BOX OFFICE RETURN)

Posted on by Jack Drees

Before we get into my review for “Justice League,” let me remind you that the buildup for this movie has been objectively crazy. Regardless of whether you’re a fan of DC, you’re anti-DC, you’re a fan of Marvel, or you just aren’t into movies based on comic books, you might as well agree with me on how bonkers this movie’s buildup truly is. I cover all of that including the director change, the sexually suggestive events, the date of the review embargo lift, all in another post I’ve done titled “What the Heck is Up with Justice League (2017)?” If you want to check that out, click the link down below and that’ll take you to that post and you can discover the complete insanity of “Justice League’s” buildup.

WHAT THE HECK IS UP WITH JUSTICE LEAGUE (2017)?: https://scenebefore.wordpress.com/2017/11/09/what-the-heck-is-up-with-justice-league-2017/

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“Justice League” is directed Zack Snyder (300, Watchman) and stars Ben Affleck (The Town, Argo), Gal Gadot (Fast Five, Criminal), Jason Momoa (Game of Thrones, Conan the Barbarian), Ezra Miller (Fantastic Beasts and Where to Find Them, The Perks of Being a Wallflower), and Ray Fisher as the members of the league established in the title. Batman and Wonder Woman try to unite a bunch of beings with superpowers in order to defeat the evil Steppenwolf.

*MAJOR BOX OFFICE RANT AHEAD, IF UNINTERESTED, GO TO NEXT PARAGRAPH*

Before we actually go any further, part of me is glad that I’m not seeing this film on opening weekend. This is because I can now make a portion of this post dedicated to how nobody went to see this on opening weekend. If I were to see this on opening weekend, I would have. However it didn’t fit into the schedule of those who I was going to see this with. I will say this, if you have read the post I recently mentioned, you may recall I said essentially Marvel does better at the box office compared to DC, and to show that, I went through the results of 2016 comparing DC’s “Batman v. Superman: Dawn of Justice” with Marvel’s “Captain America: Civil War.” To be fair, those movies had somewhat similar concepts, although “Batman v. Superman” is something that comic book junkies have been waiting to see on the big screen for years. Not to mention, “Batman v. Superman” released first. The thing I said must have brought more people into the theater has to have been the difference in tone and the reviews regarding the movie. Just look at Rotten Tomatoes! The box office results for both movies ended up being pretty high. I wouldn’t say they’re close, but it doesn’t mean they’re not high. Although I will say “Batman v. Superman” failed to make over $1 billion overall unlike “Captain America: Civil War.” Now fast forward to November 2017. This month, two big superhero movies come out. “Thor: Ragnarok” is scheduled to come out November 3rd, two weeks prior to “Justice League,” which comes out November 17th. So “Thor: Ragnarok” releases, and as expected, it won the box office on its opening weekend. The total “Thor: Ragnarok” earned on said weekend is around $427 million. In just a week, the movie has flown past $500 million. This is over $50 million greater than the combined total the original “Thor” made DURING ITS ENTIRE RUN! Also, just recently, specifically November 19th, reports came in that “Thor: Ragnarok” has now reached $739.2 million at the box office! This report suggests that “Thor: Ragnarok” has also made more money than “Thor: The Dark World” in just a couple of weeks! Also a little thing to keep in mind, the budget for “Thor: Ragnarok” was estimated to be $180 million. Suggesting that “Thor: Ragnarok” made its budget back on opening weekend. As for “Justice League,” that movie had an estimated budget of $300 million. Unfortunately, they couldn’t make it back. Some of you might be thinking, did they at least make as much as “Thor: Ragnarok?” Hate to point this out to you, but if you’ve been reading this whole paragraph, that’s a stupid question, because I said “I can now make a portion of this post dedicated to how nobody went to see this on opening weekend,” so if that doesn’t give you any hints I don’t know what will. Overall, the box office total is considerably high, but comparing it to a film like “The Avengers” would be like comparing the heights of the Statue of Liberty and the Empire State Building. Both are high when you look at them, but compared to the Statue of Liberty, the Empire State is a whole new level of high. The specific worldwide total for “The Avengers” turned out to be $392.5 million dollars on the first weekend whereas this year’s “Justice League” came out to $278.8 million. “The Avengers,” a movie whose budget is estimated to have been $220 million, made its budget back on its opening weekend. Yes, that’s a shorter total, but I’m leaving that in. Interestingly, “Justice League” happened to make more overseas than “The Avengers” ($185.5 million vs. $185.1 million). Going off of “The Avengers,” just think about this. A technical action-comedy starring Chris Hemsworth as a short haired Thor, made more on opening weekend than “Justice League,” which has Batman, Wonder Woman, Cyborg, Aquaman, and The Flash. Strange, isn’t it? When it comes to international openings, this takes the #20 spot for the top openings in that category and when it comes to the worldwide rankings, this happens to be in the top 25 worldwide openings of all time. In reality, $278.8 million is a lot of money for a movie to make over a single weekend, although with a movie like this, it’s a tad odd that it wouldn’t end up making more.

Can somebody drop a coconut on my head? I think I’m going f*cking insane!

So, where was I? Oh yeah right, I have a whole review to do! This just goes to show you the absolute s*itshow this movie is regardless of my personal thoughts. Going into this film, I had similar feelings as I did with “Thor: Ragnarok.” Although with this particular movie there happened to be some differences. Like “Thor: Ragnarok,” “Justice League” had me going in with mixed thoughts. I honestly thought the trailers for this movie were better, although the TV spot marketing, at least from my memory, was barely noticeable. Visually, I thought this movie was somewhat superior, even though “Thor: Ragnarok” happened to be vivider. Based on this year’s movies released thus far from both DC and Marvel, you might as well say DC is kicking Marvel in the ass. “Wonder Woman” is currently at a spot somewhere as one of my top movies of the year. The other movies released in the MCU thus far, “Guardians of the Galaxy Vol. 2” and “Spider-Man: Homecoming,” underwhelmed me. OK, maybe “Spider-Man: Homecoming” didn’t underwhelm, after seeing the trailers, especially the one that revealed way too much about the movie, the hype I had for the movie was not as high as I hoped it would be. Nevertheless, that movie could have been better. Although despite “Wonder Woman” being one of my favorite DC films ever made, the reception for that movie regarding the DCEU, or the Detective Comics Extended Universe, is pretty much a fluke. “Man of Steel,” while not liked by everyone, did get a number of positive reviews from critics and audiences. “Batman v. Superman: Dawn of Justice,” in terms of reception, was one of the most controversial movies of 2016. In fact, “Suicide Squad,” also released in 2016, happened to be met with the same results. I had at least one thing that I enjoyed about every DCEU movie thus far. As of now I think “Suicide Squad” sucks, but at least some of the action was cool, the visuals were stunning, and the casting for Harley Quinn (Margot Robbie) was stellar!

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Now we’re here, “Justice League” is out. While it currently has better results, at least according to Rotten Tomatoes, than “Batman v. Superman: Dawn of Justice” and “Suicide Squad,” it’s not getting exactly what one would call positive reception. The big question is, does “Justice League” qualify as a film or not? I’d say it does. It’s got problems, but I’d say there’s still hope for the DCEU. It’s by no means as good as “Wonder Woman,” but I’d say it’s worth your money.

As mentioned, this movie has problems. So let’s begin our Negative Nancy segment of the post. This movie is an hour and fifty-nine minutes long. In all honesty, it could have been longer. I do believe this movie is going to get an extended cut for the home video release so my issue may be resolved there depending on what happens. The main reason why I wanted this to be longer is for characterization purposes. Let’s look at Cyborg in this movie.

Cyborg is played by Ray Fisher, who I imagine is a lovely guy. After all, while I never technically met him and shook his hand, I saw him at Comic Con as I was waiting in line for the person next to him. By the way, I’m referring to Gal Gadot, who’s also in this movie, and I’ll get to her later. While I did get some of his backstory, and I also happened to be introduced to a parent of his, I don’t really feel like I got to know Cyborg in full detail. If the movie was a bit longer much like some of the other installments in the DCEU then maybe we would have gotten a closer look at Cyborg. Also, this does bring one question to my mind. How long was this intended to be?

This film was directed by Zack Snyder, a man who had prior experience when it comes to films based on comic books or graphic novels. These films include “300,” “Watchman,” along with two movies in this film’s universe, “Man of Steel” and “Batman v. Superman: Dawn of Justice.” However, he didn’t have complete control. For the record, that was his decision. An unexpected tragedy hit the Snyder family earlier this year when Zack’s daughter, Autumn, committed suicide. This caused Joss Whedon to take over.

Joss Whedon was added on in order to finish the movie and shoot some extra scenes. The movie also went through reshoots, which isn’t new for this universe considering “Suicide Squad” also went through reshoots which happened to be met with mixed opinions. Joss Whedon, much like Snyder, isn’t a stranger to comic book films. Whedon directed both “Avengers” 1 & 2 so as far as concept goes, this is almost like a trip down memory lane. I like Joss Whedon, but he almost might be a problem here. When it comes to directing, it might involve one person with a certain vision for their movie. It almost felt like Joss Whedon came in with a different vision and it kind of affected this particular movie. Part of that vision, from what I can tell, possibly came from a musical perspective. Snyder initially hired Junkie XL to do the movie’s music, but it turns out that he was eventually fired and replaced by Danny Elfman. After hearing Elfman’s score in this film, I wasn’t exactly impressed. Not only is it somewhat ordinary, but even borrowing themes from other superhero films with characters didn’t work out. I liked what he did with Wonder Woman’s theme, but that’s about it. This is rather unfortunate because I love Danny Elfman. Admittedly, I don’t think he’s the right guy for this project. Junkie XL was probably the better choice. I even saw a video on YouTube that showed Junkie XL’s real theme for this film, which was scrapped due to Elfman replacing him. After hearing that, I knew for sure Junkie XL was right for this. It’s not surprising Danny Elfman did the music if you think about it, because he worked with Joss Whedon in the past on “Avengers: Age of Ultron.” I didn’t even like the score for that film, maybe superhero crossover films aren’t for him. He did well on standalone superhero films though such as the “Spider-Man” trilogy, so if he were doing superhero films, that’s what he should be hired for. Who knows? It might not even be Whedon’s fault, because this movie, from a perspective regarding itself from a point of view that I imagine must be Zack Snyder’s, could have affected it as well.

I’ve seen news and trailers regarding this movie leading up to it. At times I heard this movie was going to have more humor than say, “Batman v. Superman.” Tell me guys, doesn’t that sound like Marvel to you? Maybe Zack Snyder thought if the movie was more like a Marvel movie, and by that I mean generally more comedic and happy go lucky, he’d receive more positive criticism. Granted, the movie was funny, and there were moments where the comedy happened to work. Although in general, let’s just say this. If a movie sets up a tone, it’s best that they stick with it. This movie starts out rather dark, in fact part of it has to do with the death of a major character in the DCEU. There’s still comedy throughout and it works. Some of the comedy, maybe not as much because I’ve seen it in the trailer, but overall it works. Then we progress throughout the movie, while some of the original vibe is still there, it’s starting to diminish. The movie’s getting tads lighter as we go. This may be due to the writing, the reshoots, anything. In fact, it could be Joss Whedon’s fault after all! He was credited for his work on the screenplay. Also when it comes to the screenplay, Whedon technically had possibly more credit than Snyder because while Snyder had a focus on the movie’s story, Whedon was given credit on the screenplay itself.

Some people might not notice this, but Whedon also likely decided on changing the climax of the movie. The idea is pretty much the same, there are scenes from multiple trailers (both before and after Snyder’s departure) that made it into the final cut, but you might notice the sky is red. I mentioned this in my “What the Heck is Up with Justice League (2017)” post comparing this result with one of the earlier trailers where we see identical moments with a dark blue sky. I thought the blue sky worked, the red was a little too much. I will give some credit because the sky wasn’t, say, pink, but I thought the dark blue was more fitting for the movie overall.

As far as the action goes in this movie, I’d say for the most part, it’s awesome. Zack Snyder has proven that he can direct great action scenes in previous movies and he just shows he’s not messing around in this one. There was one scene that for the most part, was great, but there was a time where I almost couldn’t tell what was happening. Just for the record, it wasn’t as bad as “Transformers 5.”

Another complaint I’ll give here is that Steppenwolf wasn’t exactly the strongest villain I’ve ever seen. Comic book movies in general, mainly the ones that have come out this decade, lack memorable villains. There are exceptions like “Captain America: The Winter Soldier” and “Spider-Man: Homecoming” but for the most part, they don’t exactly resemble greatness when it comes to antagonists. Steppenwolf was a serviceable villain with a somewhat clear motivation, however at the same time, he was rather cliche.

Now that that’s over, let’s move onto some positives. The cinematography in this movie is very solid for a comic book film. There are a number of scenes where it’s rather conventional, but at times, the camera is moving like crazy which goes along perfectly with the fast paced action. If you ask me, the DCEU’s best cinematography however comes from “Man of Steel.” Although that’s kind of a compliment since both movies were directed by Zack Snyder. At the same time however you can say I’m kind of insulting the cinematographer because the director of photography for “Justice League” and “Man of Steel” are two different people.

I also appreciated the film’s CGI. Did it go overboard? At times, but that’s not a first for comic book movies. Overall, you can say the effects were massive, somewhat colorful, and somewhat breathtaking. Seeing Aquaman stop water from reaching a further distance was spectacular to watch. Also, you might not know, but Cyborg’s costume is CGI, and I got to say it worked.

Speaking of things that are done digitally, Henry Cavill appeared in this movie. I won’t go into further detail about what he did, but he’s there. During the movie’s production, he had a mustache. Why was this? He was simultaneously working on “Mission: Impossible 6” where his role required him to have said mustache. Under regulation, Cavill couldn’t shave it off, so it was removed digitally. While you don’t really see much of it, it’s still visible. I don’t know how much of the movie-going population would catch something like this, but it caught my eye nevertheless.

Sticking with the topic of heroes and the actors who portray them, let’s talk about some in depth, except for Cyborg since we already went over him. Starting off with Batman, played by Ben Affleck, he’s basically one of the two people organizing the Justice League. Before “Batman v. Superman” I was somewhat skeptical about him as Batman but now that I’ve seen him multiple times as the Caped Crusader, I have to say he does a fine job portraying the character. As Bruce Wayne, Affleck seems to stay according to plan and as Batman he appears to remain deep voiced and alert.

The other person organizing the league is Wonder Woman, played by Gal Gadot. There is LITERALLY no other person that should be playing this role but Gal! I may be biased because I love Gal Gadot, I view her as my celebrity crush, I met her at Comic Con, but seriously! Just watch Gal Gadot in this movie and you’ll come to realize, she has this system down. Her battle cries are probably some of the best I’ve heard in a movie! The accent, which by the way, is actually the real way Gal talks, works for the character! Seeing her in action is such a treat! The list of positivity is extreme! Her character, once again, SHINES in this movie. I was able to buy into both Wonder Woman and Diana Prince. When a movie makes you do that, you know you have a great character. On a sidenote, there’s a point in the movie where Bruce and Diana are having a conversation and when “Steve Trevor” comes up, I was wowed. I can’t exactly recall the quote where Trevor’s name is mentioned, but it was a highlight in the movie’s screenplay for me.

This movie also has Barry Allen, AKA The Flash, played by Ezra Miller. Out of all the characters in the movie, this one was pretty much the comic relief. Sure, there’s funny lines given by multiple characters in the film, but if there was one person that stole scenes from a humor perspective, it had to have been The Flash. I didn’t really laugh as much as other people, but I did end up laughing. His character was hyperactive, excited, and rather fleshed out. I can also give kudos to Ezra Miller for giving a good performance.

The last hero I’ll bring up is Arthur Curry/Aquaman, played by Jason Momoa. If you have read the comic books and watched this movie, you may notice some differences when it comes to Aquaman here. His backstory is similar overall, but in terms of character traits, he’s not completely identical. One difference you may notice is the hair. When you compare the hairstyle to the comics, it’s similar to certain installments, signifying that the hair in the comics isn’t always the same. Although one thing you might notice here is that the hair isn’t blonde, it’s more on the darker side of the color spectrum. Overall, I bought into Aquaman, I enjoyed seeing him in Atlantis, and personality-wise, he’s kind of like a rockstar. That’s what I get from the way he talks. On a little sidenote, I made a post months back saying that footage was leaked for the upcoming “Aquaman” movie. Turns out that’s actually in this movie. If you want to read that, link’s down below.

https://scenebefore.wordpress.com/2017/03/03/leaked-aquaman-footage-revealed-on-zack-snyders-twitter/

Speaking of characters in this movie, Commissioner Gordon also makes an appearance here. This is Gordon’s first appearance in the DCEU and the reason why I’m excited he’s here is not because I have a passion for the character but I have more of a passion towards the actor who plays him. That actor by the way is JK Simmons (Whiplash, Juno). When it comes to JK Simmons, if you put a picture down on a table with his face on it and do the same with other actors, there’s a good chance that I’m gonna tell you “Screw the others, this guy’s the man!” I say this because JK Simmons is probably my favorite actor when it comes to ability. There are actors who I personally idolize more, such as Curtis Armstrong, but JK Simmons usually never fails to impress me, and that continues in this movie. Granted it’s not his best performance, but it’s also not his worst. He convinces me as Commissioner Gordon and I hope to see more of him if this movie’s universe continues. One interesting fact you may or may not know, JK Simmons is also J Jonah Jameson in Sam Raimi’s “Spider-Man” trilogy. So basically he went from doing movies under one comic book company onto another. Whether you prefer Marvel or DC, let’s just agree that JK Simmons rules!

Here’s a question you might be asking. Is this movie good enough for the DCEU to continue? Personally when it comes to watchability, yes. However, the critics seemed to give this mixed reviews, it did make tons of money despite how it could have made more, and I have a feeling that moviegoers will either compare it to Marvel saying it’s not as good or too much like Marvel. Do I think it’s like Marvel? In ways, but DC has seemed to develop it’s own characteristics that Marvel doesn’t traditionally use that makes it stand on its own. “Batman v. Superman: Dawn of Justice,” another movie in the DCEU, was dark as hell. It could have worked if more character development came into play. If these movies find their own path in terms of vibe, whether it be light or dark, personally I prefer dark, depending on the movie, and they focus more on characterization, then this universe would be less flawed. My other suggestion is that they try to just release one cut in theaters and go with it. I don’t care if it’s long as long as it’s effective. The original cut for “Batman v. Superman” was 2 hours and 31 minutes and that didn’t work out. This is why audiences loved “Wonder Woman” when they saw it. It functioned as a story and it managed to work out as far as the runtime goes (2 hours 21 mins). If a movie doesn’t rush and makes sure it can tell its story in full detail, chances are it will be better. Also, it seems suspicious that they would make the runtime 1 hour and 59 minutes. It almost seems as if the movie happened to be longer, the studio would be worried about making less money. I don’t know, but I think it’s a good assumption. Although it’s not as suspicious as when a movie gets split into two parts (The Hunger Games, The Twilight Saga). But seriously, quality matters, not quantity.

In the end, I’d say “Justice League,” while not perfect, is an enjoyable ride and is certainly better than some of the other comic book films we’ve gotten this year. In fact, I’ll even go as far as to say, I’d rather watch this than “Thor: Ragnarok.” Am I a DC fanboy? Not really, I’m just a guy who likes good movies, and I had more fun watching this than I did watching “Thor: Ragnarok.” Is this movie as good as “Wonder Woman?” No, but I’d definitely say it’s worth watching if you’re into DC, you like action, and if you can get by the tones that clash throughout the film. I’m gonna give “Justice League” a 7/10. After watching a bunch of movies in both the Detective Comics Extended Universe and the Marvel Cinematic Universe, I’ve got to say that the Detective Comics Extended Universe is this year’s clear winner. While Marvel’s films had some neat effects, cool moments, and likable villains, they all tried to be funny, but ended up falling flat for me. The DCEU balanced heroism, action, and humor. “Wonder Woman” is one of the best directed superhero films I ever watched, “Justice League,” despite its imperfections, is a joyride. So I can’t wait to see what next year brings for both cinematic universes and find out which one comes out on top. Now I know I’ve been talking for awhile and believe it or not, I’m unfinished. Because I need to talk about Stardust!

Stardust is an app you can use to talk about movies and TV. I recently used this to talk about “Justice League” along with my quick thoughts on it and I recommend you do so as well. Although if you don’t want to talk about “Justice League,” you can choose from thousands of movies and TV shows to give your two cents towards. You talk about how much you like them, how much you hate them, you don’t even have to see them! Stardust also allows you to follow people and see what their latest reactions are. If you want to follow me, my handle is JackDrees. It’s kind of like Snapchat minus the risque elements of the app that Tinder is also known for. If you want to download Stardust go right ahead, I recommend doing so that way you can start sharing your thoughts on movies and TV shows.

Thanks for reading this extended review, I also hope you enjoyed the little piece I did on the movie’s box office return, I tried to put a good amount of effort into that. Part of me feels slightly crazier than I once was for doing it, but I also had some fun writing all of this s*it down. I’m going to see “Wonder” on Black Friday. I’ve heard great things about this movie so far, I loved Jacob Tremblay in “Room,” so I’m really looking forward to this. Stay tuned for my review for that, along with more reviews! I need to know, what is the best superhero movie you’ve seen this year? I can’t say I’ve seen “Logan” so I gotta go with “Wonder Woman.” Also what is the worst superhero movie you’ve seen this year? My pick would be “Guardians of the Galaxy Vol. 2,” but each person will have their own opinion. Comment below, I’d love to hear your responses! Scene Before is your click to the flicks!

What the Heck is Up with Justice League (2017)?

Posted on by Jack Drees

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Hey everyone, Jack Drees here! Last weekend we got a new movie from Marvel Studios, specifically “Thor: Ragnarok,” and while many people, including myself, say that Marvel has proven to create excellent films, there are also many that say DC, isn’t like Marvel. Now, I will say this, I saw “Wonder Woman” in the theater this year, and as of now, I actually think I like that movie better than any of the movies released thus far in the MCU. Based on Marvel’s past records and reception, it’s guaranteed that “Thor: Ragnarok” will be a box office success and a likable movie according to many viewers. Now the real question I have is, can DC deliver on the same thing?

As much audiences and critics loved “Wonder Woman,” not everyone thought movies like “Man of Steel,” “Batman v. Superman: Dawn of Justice,” and “Suicide Squad” were worth watching. Also, this upcoming “Justice League” movie is being directed by Zack Snyder, who I haven’t seen GREAT films from yet, but many people like him for his work on “Watchman” and “300.” I haven’t seen “Watchman,” but I have seen “300.” If you ask me, I enjoyed “300,” I thought it was a visually stunning movie with a very fitting vibe, some great music, but it ultimately rounded out to a 7/10 experience for me. I’ve also seen “Sucker Punch,” which like “300” is visually appealing, although not as good. However there’s one action sequence in that movie that was f*cking amazing! Zack Snyder’s films, from memory, don’t usually have much substance, but a good amount of style interjected into them. That style has worked for our eyes even in the DCEU (Detective Comics Extended Universe), the way the action is shot in “Man of Steel” is extremely exhilarating to the point that even Doug Walker, AKA Channel Awesome’s Nostalgia Critic, someone who in a video said “‘MAN OF STEEL’ SUCKS!”, said that the action in the movie was super awesome and felt like “Dragonball.” In “Batman v. Superman: Dawn of Justice,” part of the movie was shot in the IMAX format, which looked great when presented on IMAX screens. Interestingly, when the movie came out on home video, the aspect ratio changes which were shown in IMAX theaters, weren’t shown on the home video version. The movie is also full of eye candy visuals all over the place. Not to mention, Wikipedia suggests “Batman v. Superman” is the 7th most expensive movie ever made, which is tied with “Harry Potter and the Half Blood Prince,” “The Hobbit: The Battle of the Five Armies,” “Captain America: Civil War,” and “The Fate of the Furious.” Zack Snyder isn’t the only one who has a major say in the production of “Justice League” however…

If you have seen or heard “The Avengers” and “Avengers: Age of Ultron,” you may know those movies were directed by Joss Whedon, who is also known for creating the TV shows “Buffy the Vampire Slayer” and “Firefly,” both of which have received followings from nerds over the years. Whedon is also involved with “Justice League’s” post-production and that’s because Zack Snyder’s daughter died after committing suicide. This happened March 20th, 2017, and this lead to Snyder initially hiring Whedon to take over. Speaking of replacements, when it came to the movie’s score, Junkie XL (Mad Max: Fury Road, Deadpool), who also did part of the score with Hans Zimmer for “Batman v. Superman,” was originally hired to do “Justice League’s” score, however Joss Whedon hired Danny Elfman to take his place. This does make a lick of sense if you think about it, because Elfman has worked with Whedon in the past during “Avengers: Age of Ultron.” If you ask me, that score wasn’t very good. Nothing stood out about it except for the end of the movie when the theme you hear from the first “Avengers” film pops up, which wasn’t even an original piece from Elfman, that was done by Alan Silvestri, who also did another score I admire, specifically “Night at the Museum.” Now, I like Danny Elfman. The man’s done some of my favorite scores (Spider-Man trilogy, Oz the Great and Powerful), but given the vibe we’ve seen from this universe thus far, and having heard Elfman’s past scores, I seriously wonder how the music would go with the movie in terms of meshing together properly. Although this might be good for “Batman” fans, because reports have come up lately that his theme for Batman will be in the upcoming “Justice League” movie. You know, the one audiences first heard back in 1989. Also, this might be interesting for “Superman” fans as well because another report came out suggesting that his score will feature a dark twist on the iconic “Superman” theme, originally done by John Williams. As interesting as that is, the future, as far as this movie goes, seems shaky. But on a positive note, specifically for myself, the music we’ve gotten in the Detective Comics Extended Universe thus far is miles better than most of the music in the Marvel Cinematic Universe.

It’s hard to know what to expect from this film, considering you have multiple minds taking control of it. You have Zack Snyder’s and you have Joss Whedon’s, whose mind came into play during post-production. In fact, I’ve seen a change in terms of the vision when it comes to the film’s look as a whole. I went to YouTube and took screenshots of a similar part of both the trailer released in March and the most recently released trailer. In the trailer released in March, the sky looks dark and blue, whereas in the latest trailer it looks fiery and red. Just compare the scene where Aquaman is car surfing and see what I mean. Two different visions might ruin the movie and affect it significantly. Not to mention, it just begs a ton of questions. These include “How much has changed?” “Why was there change?” “How will the changes affect the final product?” If you ask me, Joss Whedon can direct better stories than Zack Snyder whereas Zack Snyder is better with style. This movie has reportedly gotten reshoots since Whedon took over, so maybe the original product had not much story and it’s possible that Whedon could be changing that. Although there was another movie that has gotten reshoots in the DCEU that while it ended up pleasing certain people, it couldn’t make everyone happy, specifically “Suicide Squad.” There’s a good chance that the reshoots might not end up paying off and leaving certain people rather unsatisfied with the results. Also, what if these reshoots are making this movie a simple carbon copy of “The Avengers?” I ask that because Whedon directed that movie and if you think about it, in fact if you know the material you don’t even have to think about it, they’re very similar in terms of concept.

Speaking of shooting troubles, let’s talk about Henry Cavill. It was reported that he would be in the movie, but at the same time, it was also reported that he was shooting for “Mission: Impossible 6” which is set to come out in 2018. In fact when he was shooting “Mission: Impossible 6,” his role required him to have a beard. He had to go back and forth between productions, which by the way, different studios are behind the two films. Paramount is behind “Mission: Impossible” and Warner Bros. is behind Justice League. Cavill couldn’t shave his beard during his time working on “Justice League” so essentially it was removed digitally during post production. That’s pretty much all I’ll say about him because if I go on with certain thoughts related to Cavill, it would spoil “Batman v. Superman.”

Speaking of actors in this movie, let’s talk about Ben Affleck. A lot of people like Ben Affleck, both as an actor and a director. Here he’s acting as Batman, which going into “Batman v. Superman,” some people were worried about, but as audiences walked out, they actually didn’t mind his interpretation. Although some might wonder what the future is going to be for this man. You may be aware of the whole Harvey Weinstein fiasco going on at the moment. You know, the sexual harassment scandal. Turns out that Affleck is chums with Weinstein and he made a tweet containing the image below:

Fun fact about this tweet, someone noticed it, that someone being Rose McGowan, she called Affleck a liar, because he knew about Harvey Weinstein’s actions. She later tweeted “Ben Affleck fuck off.” I will say though, there is a time that she took this kind of case too far, when it came to another person who tweeted about this, Ryan Gosling. He tweeted saying he felt bad about everything that’s going on, and she quote tweeted Ryan’s tweet saying this: “you could at least do us the courtesy saying our names.” My response, just be thankful. Ryan Gosling is trying to remind people this is a serious issue and this is his way of doing it. It’s like saying every single birthday card must have a gift certificate inside it, otherwise it’s not a birthday card. Although in all seriousness, this is literally where we are at! A cinematic universe’s biggest star caught in a scandal that’s larger than the Mall of America! It doesn’t even end there, in the wake of this, several people have called out on Affleck for sexually harassing them. For example, in 2003, he groped Hilarie Burton’s breasts on MTV’s “TRL.” Another example is during a Golden Globes party in 2014 with Annamarie Tendler. On October 11 of this year, she made the following tweets:

As far as other cast members go, they’re not exactly involved in any of this Harvey Weinstein business, but this is a serious matter. Ben Affleck has such a major role in the DCEU, so he’ll either be kept around, which I think might result in slight controversy at the very least, or he’ll be fired, needing to find a new actor to play Batman. After all, this universe’s Batman is getting a standalone film directed by Matt Reeves, director of “Cloverfield” and this year’s “War for the Planet of the Apes.” Not to mention, Jason Momoa, the fellow playing Aquaman, was recently under a similar situation. You may or may not know he happened to be Khal Drogo on “Game of Thrones,” otherwise known as the one reason many people either subscribe to HBO, or the one reason some people pirate it. Jason Momoa attended a San Diego Comic-Con panel in 2011, which was for “Game of Thrones.” He said at one point that he loved the show because he got to “rape beautiful women.” Based on what I’ve read, this is a much smaller case than Harvey Weinstein’s super-sized scandal, but it is something that many would consider a distasteful comment. Although to be fair, he did apologize for it.

Next up, you have the release date. This film is being released on November 17, 2017, which is two weeks after “Thor: Ragnarok.” That movie owned the box office on its opening weekend. It soared past the first “Thor” at an 84% increase, and also flew by “Thor: The Dark World” at a 41% increase. As far as the US goes, this is the fourth largest opening of the year. There’s a chance that while this movie is out, people might still be thinking about “Thor: Ragnarok.” Plus, people in general have gone to see Marvel movies and liked Marvel movies as opposed to DC movies. This takes us into an interesting battle: “Batman v. Superman: Dawn of Justice” vs. “Captain America: Civil War.” Both movies had heroes fighting against each other and despite the fact that two of DC’s most popular heroes were duking it out in a fight that many fans have waited to see for years in a live action movie, “Captain America: Civil War” ended up making more money. According to Box Office Mojo, “Captain America: Civil War” is in the top 3 films, in terms of gross, released in 2016, with a total of $408,084,349 domestically and $1,153,304,495 worldwide. “Batman v. Superman” earned a spot as the highest grossing film released by Warner Bros. in 2016, and it made it to the #7 spot in terms of all films for the particular year. That film’s total gross came out to $330,360,194 domestically and $873,260,194 worldwide. Now there are multiple factors that could have contributed. People seemed to give more positive reception towards “Civil War,” which in my opinion it deserves. Although I will say the audience score for “Batman v. Superman” on Rotten Tomatoes is at 63%, which is a positive score. However the critic score is much lower at a total of 27%. Compared to “Captain America: Civil War,” both scores are lower. The audience score and critic score are nearly identical for “Civil War” with the audience one being 89% and the critic score being 90%. By the way, Rotten Tomatoes in general should be taken into consideration since it is a source that a good number of moviegoers seem to rely on before they decide whether or not a movie is worth their time and money. There’s a possible chance that more families went to see “Civil War” as well, which I wouldn’t be too surprised by considering Marvel has shown to advertise themselves as slightly more family friendly than some DC films. Also keep in mind there are more heroes in “Civil War.” While “Batman v. Superman” has two heroes in a fight, a mega-throwdown is a crucial part to “Captain America: Civil War.” “Batman v. Superman” has Batman, Superman, and Wonder Woman interjected in there. “Captain America: Civil War” has Captain America, Iron Man, Ant-Man, Black Widow, Hawkeye, Falcon, Vision, Rhodes, Bucky (yes, he counts here), Scarlet Witch, plus the introductions of this universe’s interpretations of Black Panther and Spider-Man. The biggest thing that triggered people like me to go to this movie aside from being in the MCU is that Spider-Man was in the movie! Also, he was being played by a teenager! Plus, you gotta consider, Marvel’s owned by Disney, the creator of Scrooge McDuck, and as of now, a literal Scrooge McDuck. Maybe the world is used to Marvel movies, know they’re good according to personal opinions, and have less to say about DC. Also, there’s a possibility that certain individuals ended up seeing the movie more than once during its theatrical run. I will admit, I was one of those people. I went on opening night and I went again during its third weekend. I didn’t see “Batman v. Superman” twice in the theater, I did however watch it more times overall compared to “Captain America: Civil War” when I bought the Blu-ray. Speaking of weekends, “Batman v. Superman” also suffered a significant box office drop from its first to second weekend. The total drop happened to be 69.1% (not counting Thursday previews), compared to 1997’s “Batman & Robin,” which dropped 63.3% from the first to second weekend. I’ll remind you, “Batman & Robin” is a movie considered by an enormous number of people to be the worst “Batman” film ever made, and quite possibly the worst, if not one of the worst comic book films ever made. You never know what could happen. Maybe people will see it. Maybe people will like it. Although there is a good chance that if this movie fails to impress people, it could drop dramatically, in a result that’s possibly worse than “Batman v. Superman,” because if the world has taught us anything about movies and opening weekends, comic book movies are the bomb. Not to mention more money is given towards it if more than one hero is part of the story, unless we’re talking about a movie I’ll mention in just a moment. Also less people will go see it the more negativity they hear about it. In 2015, “Fantastic Four” was widely disliked and that also suffered a tremendous drop from the first to second weekend. To be specific, it turned out to be 68.2%. Also, I won’t go into much detail about this because it’s kind of in assumption territory, but I wonder how many people are avoiding this because they think we don’t need “another Marvel deal.”

Another thing that has some people worried, including myself, is that as of now, no reviews of this film have been put out yet, and there’s a reason for that. The review embargo doesn’t lift until the day before the movie comes out, specifically November 16th. Let’s compare this to other movies based on comic books. The “Logan” review embargo was lifted on February 15th, 2017, which was multiple weeks before the movie released and that movie is considered by many to be one of this year’s best films. “Thor: Ragnarok’s” release date was placed two weeks prior to the one for “Justice League,” specifically November 3, 2017. The embargo for that movie was lifted on October 19th, two weeks prior to opening night. Many people praised that film and commercials even stated by MCU standards, it’s the best reviewed movie yet. 2015’s “Fantastic Four” had its review embargo lifted August 6th, which was the day before the film came out. So “Justice League” ultimately has something in common with a film that was considered terrible by comic book fans, terrible by average moviegoers, and may as well have just been for Fox to just keep the rights to the franchise so it doesn’t go to Marvel Studios. There was a point this year where I thought based on my personal tastes, “Thor: Ragnarok” was going to be slaughtered by “Justice League,” but now I’m increasingly thinking the opposite. The production for this film is so clunky that it makes the production for “Suicide Squad” look like a walk in the park! The trailers have evidence of used footage which has been changed from one trailer to the other! And in the end it almost feels like some of this is just being rushed!

I can describe my current excitement for “Justice League” in the same way I did at a point for “Thor: Ragnarok.” I’m excited, but also worried. Part of me really wants to enjoy this movie because it’s “Justice League.” You’ve got all the DC heroes coming together, the effects look good, the casting choices are stellar! However the behind the scenes stuff and the review embargo news makes me apprehensive. I also wonder what certain theaters are going to do now that Ben Affleck is constantly being called out for his actions related to sexual abuse, not to mention I wonder how audiences will react to this movie now that this is going on. If this movie fails, the DCEU might die hard and that would personally be disappointing news because I wanted to see what Warner Brothers would do with a cinematic universe related to DC Comics. Also, I want to see more work from Gal Gadot. Although if I could make a suggestion, if Affleck is fired, I’d like Warner to ask Christian Bale if he would like to return as the caped crusader. On a lighter note, let’s talk about a convention.

This weekend, specifically November 10-12, I will be in Providence, RI for this year’s Rhode Island Comic Con! I will be going all three days, Friday through Sunday. This will be taking place at the Rhode Island Convention Center, the Dunkin Donuts Center, and a hint of the Omni Providence hotel. I’ll be walking around the convention, making purchases, attending panels, all that jazz. I’ll even make a post documenting my time at the convention for you all to read if you’re interested in checking that out. This convention is dedicated to comic books, movies, and TV. You’ll be seeing a good number of artists there, not to mention vendors, but you’ll also run into a ton of celebrities. Some of the headliners include William Shatner, Elijah Wood, Michael Colter, Mark Ruffalo, Ian McDiarmid, Jerome Flynn, Dave Bautista, and Norman Reedus. There will also be some music related guests including Gene Simmons and Al Yankovic. What I’m personally most excited for is the “Revenge of the Nerds” reunion, where several cast members from “Revenge of the Nerds” will be coming to the con, signing autographs, doing photo ops, and will be talking at a panel together. This is gonna be sick! If you want to find me at Rhode Island Comic Con, you do need a ticket to get in, they are still on sale by the way, and chances are you might see me in blue sunglasses. This is my third year in a row going to this event, it’s a lot of fun, I highly recommend it, and I hope to see you there!

Thanks for reading this post, hope to see you at the convention this weekend if you can make it and if you can’t make it, that’s fine. Also, if you are part of a convention or convention organization and want me to review a con related to it, either comment or email me! I do have a contact page so don’t be shy. Stay tuned for more reviews and posts! Also, how do you feel about this buildup to “Justice League?” Worried? Calm? Let me know down below! Scene Before is your click to the flicks!