Angel Studios

Animal Farm (2025): Four Legs Good, This Movie Bad.

Posted on by Jack Drees

“Animal Farm” is directed by Andy Serkis (The Lord of the Rings: The Fellowship of the Ring, Star Wars: The Force Awakens). He also stars in the film as a rooster named Randolph and has an uncredited role as Farmer Jones. Joining him in the cast is Seth Rogen (Sausage Party, Knocked Up), Gaten Matarazzo (Stranger Things, Honor Society), Steve Buscemi (Miracle Workers, Fargo), Glenn Close (The Wife, 101 Dalmatians), Laverne Cox (Doubt, Orange is the New Black), Kieran Culkin (A Real Pain, Scott Pilgrim vs. the World), Woody Harrelson (The Edge of Seventeen, The Glass Castle), Jim Parsons (The Big Bang Theory, Hidden Figures), Kathleen Turner (Romancing the Stone, The Virgin Suicides), and Iman Vellani (The Marvels, Ms. Marvel). This film is based on George Orwell’s book of the same name and is about a group of animals whose farm-based revolution results in a pig-led dictatorship.

There are a few major texts I was assigned to read in my English class during my freshman year of high school. One of those includes Homer’s “The Odyssey,” which is being adapted into a film coming out this summer. Another one happens to be George Orwell’s “Animal Farm,” which is now an animated film directed by Andy Serkis. What’s next? Is “Of Mice and Men” getting another film adaptation?

Regardless, “Animal Farm,” through its book and interesting to say the least adaptations, left an impression on me. When the book was a major studying point in school, the class often focused on Orwell’s material linking to the U.S.S.R.. The book presents a fascinating allegory on the dangers of leaders becoming power hungry and bending the rules to their benefit.

The idea of someone like Andy Serkis taking on “Animal Farm” left me intrigued. He has shown his talents in the VFX and directing spaces, and I thought “Animal Farm” would be a fine fit for his skill set.

Then I saw the trailer…

While I thought the trailer overall made the film look cheap, it did end with one note that left me interested, which is that it was recommended for ages 11 and up. While the MPA gave this film a PG rating, which can be seen as okay for many younger audiences, the marketers essentially sent a message saying this might not be for the youngest crowds. Having read “Animal Farm,” that makes sense.

Frankly, after seeing this movie, I have no idea who exactly this is for. It is definitely not for “Animal Farm” purists, as there are some major changes made to the material. For instance, Old Major is not in the movie. There are some characters who are not in the book. No, unlike the 1999 adaptation, the main character is not a dog this time around.

Despite the movie being recommended for ages 11 and up as the trailer suggests, the film has plenty of jokes that feel like they were designed for the under five crowd. I do not know what George Orwell would think of this movie, seeing as he is no longer with us. But I think he and I would agree that toilet humor and “Animal Farm” do not mix. Maybe the conversation would be different if the trailer said the movie was recommended for “all ages,” However, that’s not the case. I would let it slide if this movie resorted to one fart joke, but I remember counting at least five or six instances of jokes related to bodily functions. It would also be forgiven if those jokes made me laugh. But they failed to do so.

This is not to say that I do not think younger viewers should not be exposed to a story like “Animal Farm.” I think it is an important tale, and the more that we experience corruption in power the more it is going to matter. In the case of “Animal Farm” 2026, this is a more modern telling of the tale compared to its mid-20th century source material, as it focuses on capitalism as the big bad. Despite happily living in the U.S. all my life, I think this idea has potential to work. One of the core antagonists of the film is a boss lady who essentially owns all the land in her sight, but she is not satisfied, as she wants to add Animal Farm to her collection.

In this film, Napoleon is played by Seth Rogen. …Okay? What is it with Seth Rogen’s voiceover roles lately? I always thought he was a weird choice for Donkey Kong, but this is another level. And much like Donkey Kong, Seth Rogen often sounds like he is playing himself when sounding off every other line. In fact, one could argue the performance is kind of meta, as there is a scene where Napoleon does the infamous Seth Rogen laugh, and he follows that up with “please do not make fun of my laugh.” Is it just me, or is Seth Rogen’s laugh one of the most recognizable laughs of all time? If I had to make a top 5 list in that regard, Rogen would be up there with Jimmy Carr, SpongeBob SquarePants, Peter Griffin, and J. Jonah Jameson during that one scene from “Spider-Man 2” where Peter asks him if he can get paid in advance.

That said, there is something there with Seth Rogen’s material. As immature as the writing often sounds, there is one scene between his character and a gender-swapped Snowball (Laverne Cox) where the latter is explaining her plan concerning the farm that stood out to me. Every other second, Napoleon, who is not afraid to showcase his opposition to the plan, is constantly mocking Snowball, sometimes calling her boring while they are in front of a large crowd. Again, the material itself comes off as borderline cringeworthy, but the more I think about it, the more it reminds me of the current state of politics in the U.S.. I try to keep my mouth shut in regards to that topic on here, but Napoleon is essentially Donald Trump. He is loud and quite limited in his vocabulary. He calls others names to their faces. And as we have seen in the 2016 and 2024 elections, his biggest rivals tend to be, whether you agree with their policies or not, well-meaning women.

Although there is one woman that Napoleon tends to get along with, and that is the recently mentioned “boss lady,” Frieda Pilkington (Glenn Close). A billionaire who essentially wants everything and will stop at nothing to get it. She owns a giant company that I would perhaps sum up as this universe’s equivalent to Amazon, as it seems to have their fingertips in just about every industry. Her character is by no means broken, but her one-dimensionality definitely stands out.

In fact, this movie is chock-full of big stars. From Jim Parsons to Kieran Culkin to Steve Buscemi. One rising star who I am glad to see in this film is Iman Vellani, who I adore as Ms. Marvel in the MCU. Her roles, and yes, she has more than one, does not give her as much to work with compared to Marvel, but I am glad to see she is getting more work.

Another standout in this film is Woody Harrelson as Boxer. While the film does have its many differences from the source material, the way Boxer was written and executed feels similar to how I would have imagined reading the book as a teenager. Harrelson is a good pick for the role. It is hard to say that “Animal Farm” is one of the most heartfelt films ever made, but I would not deny that Boxer is perhaps the emotional core of the story, even if he is a supporting character.

While this is based on a famous text, “Animal Farm” is not the best when it comes to screenwriting. By the way, it is written by Nicholas Stoller, whose “Muppets” films I did enjoy, but I will also acknowledge his resume also contains duds like “Sex Tape,” “Dora and the Lost City of Gold,” and “Zoolander 2.” Despite Stoller’s best efforts, the jokes do not work. I do not mind “Animal Farm” having jokes, as long as they stick the landing. They did not. Some of the jokes play a part in the film’s clashing tones. At times this film tries to be ridiculous and go for a laugh, and at others it tries to pull the heartstrings or make you shed a tear. Pixar has proven that their films can both be funny and emotional. “Animal Farm,” which is a collaboration between Aniventure and The Imaginarium, tends to fall flat in both categories. The end of the film feels kind of like a Marvel movie, almost as if the climax is aiming too high.

I have nothing against people making changes to source material. I think “Willy Wonka and the Chocolate Factory” is one of the greatest movies of all time, even if it made some significant alterations from Roald Dahl’s classic tale. This adaptation of “Animal Farm,” like the others that have been brought to the screen, has its differences from the book. Although I went back to watch the other two adaptations and those tended to maintain the tone and spirit that the book was going for. Neither one was particularly groundbreaking or IMDb top 250-worthy, but they did their job in more ways than one. This movie does not feel like “Animal Farm” in the most accurate sense. That would be fine if I liked the movie, but between the bad comedy, several characters lacking dimension, weird editing choices, and some scenes feeling rushed, “Animal Farm” reminded me that not all movies are equal. Some are just plain bad.

In the end, “Animal Farm” is not as bad as I hear other people claim it to be, but to call it good is definitely a stretch. There are parts of the movie that exceeded my expectations, and I am probably being generous with that statement. While I definitely found Rogen’s interpretation of Napoleon to be rather annoying, I do think the way he was written worked in terms of matching the current political climate. He is not the smartest, nor the most calculated leader. But if you ask certain people today what they think about the current U.S. President, they would probably say the same thing. The animation was passable, but not exactly revolutionary. The soundtrack of this film is also kind of weird. Including a rap version of “Old McDonald Had a Farm” is most certainly a choice. The book is definitely more serious than this movie, and I thought when this film tried to be funny, it did not always work. Although there was one gag involving E=mc² that did make me chuckle. This is probably not going to be my least favorite movie of the year as there are glimmers of positivity to be found, but I hope to see a superior version of this tale brought to the big screen one day. I am going to give “Animal Farm” a 4/10.

“Animal Farm” is now playing in theaters and is available to rent or buy on VOD.

Thanks for reading this review! I am happy to announce that the next guest in my ongoing web series, Movie Requests is none other than Brian O’Halloran! You may know him from several of Kevin Smith’s films, including the “Clerks” trilogy! By the way, he is not the first guy from said trilogy I featured in the series, as a couple months ago I took a request from Jason Mewes, AKA Jay of the Jay and Silent Bob duo. As for Brian’s request, that review will be available on Sunday June 7th! You can check it out here on Flicknerd.com, but if you want the fastest method of watching the review, do yourself and I favor by subscribing to my YouTube channel!

My next review is going to be for “Mortal Kombat II!” Stay tuned! Also coming soon, I will be sharing my thoughts on “The Sheep Detectives,” “In the Grey, “Star Wars: The Mandalorian and Grogu,” “I Love Boosters,” and “Backrooms.” If you want to see these review and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Animal Farm?” What did you think about it? Or, did you read the “Animal Farm” book? What are your thoughts on it? Let me know down below! Scene Before is your click to the flicks!

Solo Mio (2026): Kevin James Misses the Bride

Posted on by Jack Drees

Hey you! Yes! You! Do you like movie reviews? You should! Because you are reading one right now! And TOMORROW, you can check out another! As Scene Before begins its brand new series, “Movie Requests!” You can check out the promo for the first episode now, featuring Bryce Dallas Howard requesting a film she says is “extraordinary!”

And if you want to see the video as soon as it drops, please subscribe to my YouTube channel! Otherwise, if you are following Scene Before either with an email or WordPress account, you can see the video shortly after it is uploaded! Now, on with the review!

“Solo Mio” is directed by Charles and Daniel Kinnane, and this is their latest collaboration with this film’s star, Kevin James, after the three worked together on the straight to Netflix film “Home Team.” Alongside James, the film has a cast including Nicole Grimaudo (Medicina generale, Loose Cannons), Alyson Hannigan (Penn & Teller: Fool Us, American Pie), Jonathan Roumie (Jesus Revolution, The Chosen), Julee Cerda (The Mighty Ducks: Game Changers, Homeland), Julie Ann Emery (Absolute Dominon, Preacher), and Kim Coates (Van Helsing, Sons of Anarchy). This film follows a man named Matt Taylor, whose wedding is upended when his bride never walks down the aisle. Not only does this put an end to his marriage before it starts, but also prompts him to continue with the couple’s honeymoon activities by himself. Throughout the film, we see Taylor make the most of the situation, while meeting new faces along the way.

Life is beautiful. No. Genuinely. It is. Part of this is because of its unpredictability. As a moviegoer, I have, to quote Roy Batty from “Blade Runner,” seen things you people wouldn’t believe. Part of this harkens back to my experience with Kevin James, whose projects in recent years may not be as notable as his earlier work. Yet at the same time, his more recent efforts showcase some diversification in his resume. “Becky” was a huge surprise. Not only was the movie better than I thought it would be, but Kevin James does an excellent job in his role as the film’s antagonist. I never imagined Kevin James as a villain-type character, but that movie completely changed my mind. Also, while Kevin James may not be on the same level as Tom Cruise or Keanu Reeves, he showed some potential as an action star in last year’s “Guns Up.” Kevin James, whether he likes it or not, will always be tied to comedy. But I think he has done a good job at spicing up his resume a bit recently.

Compared to “Becky” and “Guns Up,” “Solo Mio” feels a bit more like a return to form for Kevin James. That is to a certain degree. While the film is definitely lighthearted, it does not quite have the same DNA as a typical Happy Madison project. Frankly, that works in the film’s favor. It comes close at times, but I guarantee you that this movie would have been a different animal if the crew found an excuse to put Adam Sandler in it. “Solo Mio” is a romcom, and James is no stranger to films where he seeks love, like “Paul Blart: Mall Cop.” Another example is “Hitch,” which features him playing a character who lacks the “game” in the dating game. In this film, we see James’ character, Matt Taylor, deal with his emotions and make the most of his time in Rome when the love of his life ditches him at their wedding. James also had a hand behind the scenes as one of the film’s writers and producers.

But the most beautiful story behind the scenes is not James’, but rather the family that came together to make this movie happen.

Following my screening of this movie, I did some research on the Internet about it to see what minor details would come up. Next thing I knew, I found myself on a Reddit page where one of the film’s writers, John Kinnane, was talking about how this was his first film. That would be a cool bragging right by itself, but it gets better. Turns out said writer is one of seven brothers, and the rest of those siblings collaborated on the film’s production. John Kinnane co-wrote the film alongside his brother Pat. Charles and Daniel Kinnane directed the movie. Pete Kinnane handled editing. And as for producing, Wil and Brendan Kinnane took care of that alongside their brother-in-law, Jeff Azize.

…Which is why it breaks my heart to say that this movie is okay at best.

It is difficult to find something in “Solo Mio” that outright made my blood boil, but I can pinpoint to some things in the film that did annoy me at one moment or another. Some of the supporting characters are a bit exaggerated compared to James as the lead. There is sometimes a sense of tonal inconsistency when they are on camera together. Speaking of characters, the film debatably has too many of them. I could not tell you everyone’s name on the cast. I was not fully intrigued by each character’s role in the story. By the end of the film, things become rather convoluted and random subplots feel as if they are being thrown in at the last minute.

Once again, this film was put together by seven brothers. I wonder how collaborative their process must have been. Part of me worries, given the result of this movie, that it could have been overly collaborative. Maybe John and Pat Kinnane had their own ideas of how the movie should go, but perhaps the other brothers, who, for the record, were not credited with writing the script, had their own ideas that ultimately overstuffed the runtime. While I appreciate the film’s fast pace, part of me wonders if we could have settled things down a tad and padded out the runtime to give some more depth to everything going on. Granted, I was not involved in the making of the movie. So, this may as well remain a baseless assumption. But my experience of watching “Solo Mio” reminded me of “Fackham Hall,” which I also found okay at best. That film was written by four people, two of whom happen to be brothers. Sure, like “Fackham Hall,” some things work in “Solo Mio,” but at a certain point more than halfway through, the film overcomplicates itself and almost becomes something it probably should never have been in the first place.

The film has its attempts at humor, but if I had to average everything out, the film lands somewhere around the middle in terms of landing all its jokes.

Yet for all the film’s faults, the film has one aspect that is worth the price admission. There is a celebrity who happens to play themself that made the movie for me. The appearance, which if you ask me, is way too long to be considered a cameo, does require some suspension of disbelief. But if you can live with that, you are in for a treat.

I had one big question regarding “Solo Mio” going into it. How preachy would this film turn out to be? I asked this to myself because I did some research prior to my screening and found out the film was being distributed by Angel Studios, which is a company that tends to have an association with Christian or faith-based projects. Having seen this film, most of it comes off as if it lacks a religious identity, though there is one scene at a dinner table that does have an ongoing gag about prayer. The film does not appear to accuse or shame anyone of having a different viewpoint. That said, when it comes to the romantic connections in this film, there appears to be more of a focus on love rather than lust. If you are looking for something that lacks the filth of “Wuthering Heights” at this time of year, then “Solo Mio” may be for you.

I should also note that the film is G-rated, so this film may be okay for the younger crowds too. That said, I do not think every kid is gonna round the block for a ticket to see this. In fact, at my screening, which was about three-quarters full, I may have been the only person in the auditorium under 30.

In the end, I cannot quite say “Solo Mio” is in fact… for me-oh. There are things to like about this film. Kevin James gives an okay lead performance. Some of jokes are funny. There is a certain arc involving Ed Sheeran I thought was well realized. The unnamed celebrity appearance is a highlight. The movie has a compelling hook, I just wish the rest of it were as smooth as what it was at the start. It feels weird to say as someone living in the 2020s, where just about everything is at my fingertips, but I thought “Solo Mio” might have been too short. I congratulate the family who came together to make the film of their dreams, and I am rooting for them to hopefully churn out another project sometime in the future. I just hope whatever they do next is an improvement over this. The film is not bad, but definitely not perfect. I am going to give “Solo Mio” a 6/10.

By the way, this is not my first exposure to the Kinnane brothers. Years ago, they created a series of online videos called “Sound Guy,” where its titular character reacts to popular movie scenes while said scenes were being made. The series, like this movie, also starred Kevin James. The videos are often quite funny, including this one where the sound guy gets early access to the big twist in “The Empire Strikes Back.” If you ever have a chance to check the videos out, please do. They are such a riot, especially if you are a film fanatic like yours truly.

“Solo Mio” is now playing in theaters. Tickets are available now.

Thanks for reading this review! And as a reminder, Movie Requests begins tomorrow! And if you are following Scene Before already, you will get access to the first episode as soon as it is posted here, but the fastest way to check out the episode is to be subscribed to my YouTube channel! If you have not subscribed yet, do it now!

My next reviews in terms of new releases are going to be for “GOAT” and “EPIC: Elvis Presley in Concert.” If you are a fan of acronyms, this is a good time to be alive! And if you are a fan of movies and people who talk about them excessively, follow Scene Before either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Solo Mio?” What did you think about it? Or, what is your favorite performance of a celebrity playing themselves? For me, as much as I do not think it is Kevin Smith’s best film, Stan Lee in “Mallrats” was beautiful to see. I love his scene. Also, Bob Barker in “Happy Gilmore” is freaking riot. Let me know your favorite celebrity appearances down below! Scene Before is your click to the flicks!