The Matrix Resurrections (2021): I Want to Free My Mind From This Glitchy, Nostalgic Mess

“The Matrix Resurrections” is directed by Lana Wachowski, who was one of the two directors behind the original three “Matrix” films. This film stars Keanu Reeves (Point Break, John Wick), Carrie-Anne Morris (Memento, Fido), Yahya Abdul-Mateen II (Aquaman, The Trial of the Chicago 7), Jessica Henwick (Star Wars: The Force Awakens, Game of Thrones), Jonathan Groff (Mindhunter, Frozen), Neil Patrick Harris (How I Met Your Mother, The Smurfs), Priyanka Chopra Jonas (Quantico, The White Tiger), and Jada Pinkett Smith (Madagascar, Scream 2). This film once again follows Thomas Anderson, who this time around, is living in our world as an award-winning video game designer. When faced with an incident that makes him question his own reality, Mr. Anderson is faced with the choice to either stay in the world he knows or go down the rabbit hole.

“The Matrix” is one of my favorite science fiction films of all time. Between the stunning visuals, the well-executed cliché of good vs. evil, and the casting of most of the characters, although I do think Keanu Reeves has given better performances, it is a recipe for digital mastery. There is a saying in Hollywood that nothing ever dies. Disney constantly remakes their previous animations like “The Lion King” and “Mulan” into live-action counterparts. Universal is unlikely going to stop pumping out “Fast & Furious” movies as long as they make millions at the box office. As for Warner Bros., they’ve got another “Batman” movie coming out this year! It’s not always about how many new, innovative ideas Hollywood could come up with, it is now sometimes about how many old, previously done ideas they can regurgitate and milk until there is nothing left. Five or so years ago, I thought “The Matrix” would be one of those films that doesn’t get that treatment in this day and age. After all, Keanu Reeves is already busy building another franchise of his own, specifically “John Wick,” on top of other things, and “The Matrix Revolutions” ended in such a way that the entire story could be rather impossible to continue. The movie, sorry if you’re spoiled nearly two decades later, ends with peace being achieved with Neo’s sacrifice. But of course, when they say “nothing ever dies,” they mean NOTHING.

Neo is back and better than ev–

Wait… Sorry, I got a bit overhyped for a sec there.

*Poe Dameron voice* Somehow Neo returned.

Just, why? Why did they make this? I mean, let me put it this way. The trailers for this film were not that bad. It gave me an okay impression of what’s to come. And if I had to choose between a full-on reboot of the “Matrix” franchise and a fourth installment, I think I’d prefer a fourth installment because I feel like this is a franchise that would be hard to see altered in such a significant way. It’s like if they tried to remake “Star Wars.” There are moments and concepts ingrained in my mind that it would be off-putting or unsettling to see them retold or changed for a new generation. The reality of “The Matrix Resurrections” is that it is not just a sequel, it’s partially a retelling of the original “Matrix” film, but also a flat out nostalgia fest that overstays its welcome. The movie is a sequel to a story that quite literally changed movies forever. It’s been parodied, memed, and when it comes to movies with green tint, this is usually the first, if not the only one that comes to mind. So what do they do in this sequel? They basically make fun of the Hollywood system. As mentioned, Thomas Anderson is a game designer, and he has essentially made a video game version of his journey in the matrix. So… Warner Bros. wants to inevitably make a fourth game. Part of me thinks that Lana Wachowski did not want to come back to do this film, for all I know I could be putting words in her mouth, but she’d rather tell a story she’d be proud of than see Warner Bros., the studio behind the past three “Matrix” films in addition to this current one, take a dump on the franchise she and Lilly created.

Also, is it a coincidence that this film technically has the same villain as “Space Jam: A New Legacy?”

I will say though, I was somewhat surprised on how much I liked Keanu Reeves in this film. Maybe it’s kind of because the world is experiencing Keanu fever, and he’s kind of on trend right now, but nevertheless. He’s been in a lot of movies recently including some animations like “Toy Story 4,” he’s John Wick, he was in “Cyberpunk 2077,” and often seen as one of the most genuine guys in the industry. One of the critiques I would have to give to “The Matrix” back in the early days is that Keanu Reeves did not carry that much charisma. At the same time though, when I look back, one could make the argument that Reeves’s lack of charisma may be intentional in order to highlight the mundane, everyday life his character has to go through. I mean, if I worked at “McDonald’s” and were responsible for cleaning the restrooms, I think after some time I would not show as much expression or emotion to other people. As much as this is based on preference, I liked seeing a more expressive Neo. It gave him more personality, and Reeves’s performance reveals that to a tee. Although I do think if I had to give one significant flaw, it’s that the script can make Keanu Reeves feel a bit repetitive at times. I feel like he spent a lot of the movie in denial, giving Reeves little variety on how to differentiate his acting method.

There were a couple roles this time around that were recast, specifically Morpheus (Yahya Abdul-Mateen II) and Smith (Jonathan Groff). Both actors obviously have their differences from the originals and if you had to ask me, I think the original interpretations were done a tad better. Maybe that’s a comment based on nostalgia, but I think both original performers delivered a grittier and darker performance that felt more fitting for a grittier and darker environment. The new kids on the block seem to deliver performances that almost feel comparatively light-hearted. “The Matrix” has always had its moments of levity and fun, but it was also serious, and this shift in tone looking back is a tad jarring. The actors did well with the material they were given, but they also had big shoes to fill.

I have waited almost a month to watch this movie. I almost went to a press screening, but I ended up skipping it. I almost went one or two other weekends, but I skipped those as well. It was not worth the wait. I refused to watch this on HBO Max because first off, I want to support the cinemas, and second, I’ve always wanted to see a “Matrix” film on the big screen. But looking back, the film I should have watched on the big screen should have been one of the prior three “Matrix” installments.

There are positives to give to “The Matrix Resurrections.” The action is occasionally cool to look at, although nowhere near as engaging as any of the other three films. The visuals do look pretty as ever. The new supporting character Bugs, played by Jessica Henwick, was honestly rather well conceived. But the film for me took some time to properly follow, even with callbacks to other movies that I recently caught up on. It feels like it occasionally has ADHD. I think of all the performances Keanu Reeves gave, this is easily my favorite one in terms of “The Matrix” franchise. I highly doubt we’ll be getting a “Matrix 5” anytime. I mean, if we were, I would not be against it as long as they tried. But going back to the old saying of Hollywood, “nothing ever dies,” I hope Hollywood acknowledges this and never makes a “Back to the Future Part IV.” Will it make money? Sure. But unless it has a PHENOMENAL, GAME-CHANGING idea on where to take the characters and franchise, I think I will end up feeling dissatisfied. As much as I am not always clamoring for remakes, if I were tied to a chair had to pick between a “Back to the Future” remake or a “Back to the Future Part IV” in order to set myself free, I think a “Back to the Future” remake would be the lesser of the two evils, it’s a much bigger sandbox allowing for more opportunities. Plus, I don’t think Michael J. Fox is doing much acting these days…

Hollywood, I know you appreciate money. But your audiences also appreciate coherence. Please keep this in mind.

In the end, “The Matrix Resurrections” is a computer virus of a flick. It shows the problem of Hollywood taking franchises of the past and regurgitating them without a second thought. Again, a lot of the original crew returned, including Lana Wachowski, so for all I know, maybe everyone was happy to be back doing something they’ve done before, but this film felt unfulfilling, slightly confusing, and too focused on referencing the good old days as opposed to creating something new. I remember when the reviews started coming in and some people compared this film to “The Last Jedi,” saying it is bold. Honestly, it never felt that way. If anything, it feels more like “The Force Awakens,” or more technically, “The Force Awakens” from the points of view in which it is often criticized. I never agreed with everyone who said that “The Force Awakens” spends too much time ripping off the original “Star Wars” or its trilogy. It used those callbacks well and retreaded old story elements to perfection. “The Matrix,” just like “Star Wars,” changed the game for its genre, but compared to “The Force Awakens,” “Resurrections” fails to recapture that amazing feeling that the original “Matrix” gave me after watching it. Granted, the original “Matrix” holds a special place for me, because it was my first R rated feature, but it is also a damn good one. I just wish “Resurrections” were the same. I’m going to give “The Matrix Resurrections” a 4/10.

“The Matrix Resurrections” is now playing in theaters and is available for a limited time for all subscribers on HBO Max.

Thanks for reading this review! If you enjoyed my review for “The Matrix Resurrections,” good news! I have more “Matrix” reviews waiting for you! Why not check out my reviews for “The Matrix,” “The Matrix Reloaded,” and “The Matrix Revolutions!” I did these as part of an ongoing review series, titled “The Matrix Reviewed,” as part of Scene Before’s 5th anniversary. I cannot promise I have many older films that I’ll be reviewing in 2022, but… I might have something. We’ll see. I want to focus on newer films this year for the most part. If you want to see more reviews like this one, follow the blog either with an email or WordPress account! Also, check out and like the official Facebook page! I want to know, did you see “The Matrix Resurrections?” What did you think about it? Or, what is a sequel or remake that you think should NEVER happen? Let me know down below! Or don’t… Maybe you shouldn’t give Hollywood any ideas. Scene Before is your click to the flicks!

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Aquaman (2018): A Big Splash of Fun

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“Aquaman” is directed by James Wan (The Conjuring, Furious 7) and stars Jason Momoa (Game of Thrones, Conan the Barbarian), Amber Heard (The Danish Girl, 3 Days To Kill), Willem Dafoe (Spider-Man, xXx: State of the Union), Patrick Wilson (Fargo, Insidious), Dolph Lundgren (Rocky IV, Masters of the Universe), Yahya Abdul-Mateen II (The Get Down, The Greatest Showman), and Nicole Kidman (Boy Erased, Big Little Lies). This film is based on the Detective Comics property that is probably mocked more than any other. Fittingly, this movie is most likely to be seen by people who are mocked more than any other. The plot to “Aquaman” is that Arthur Curry is the heir to the throne in his underwater kingdom, Atlantis. He also must unleash his inner hero and defend the world.

The world as we know it seems to have a very complicated relationship with the Detective Comics Extended Universe, and this includes myself. I have seen all the movies in its franchise thus far. I really enjoyed “Man of Steel.” “Batman v. Superman” is not as good as I would have hoped, but it’s still watchable. “Suicide Squad” is just plain awful, even though I enjoyed it the first time around. “Wonder Woman” was spectacular, and at one point, was probably my favorite movie of 2017. “Justice League” was pretty good, in fact, I honestly think I enjoyed it more than a lot of other people did. However, there is no denying that the turnout of the movie, almost felt like a movie that went through development hell. There were some clashing tones, lackluster effects at times, and Steppenwolf was kind of a one-dimensional villain. Then again, it’s hard to blame everybody because the technical director, Zack Snyder, needed Joss Whedon to fill his shoes for post-production because he lost his daughter to suicide, but nevertheless. I personally thought while DC was not as big or as close to quality as the Marvel Cinematic Universe, they were heading in the right direction. This direction personally tends to continue with “Aquaman” because it’s just a damn good time at the movies.

Comic book movies are perhaps the biggest trend in film right now, and I don’t know when it is going to stop, or even IF it is ever going to stop. If somebody were to ask me, what the definition of “comic book movie” would be, I’d just point them straight to “Aquaman.” Now I mean that in the most generous of ways, because the reality is that I tend to be a complete nerd who enjoys comic book movies. But when I think of comic books, superheroes, and stuff like that. I tend to think of big spectacles, compelling characters who have interesting backstories, epic fights, and stories that don’t necessarily need to be completely catered to logic. This is THAT movie. Without getting into heavy spoilers, let me just tell you about some of the weird s*it that goes down in “Aquaman.”

  • An Octopus plays the drums!
  • Laser sharks!
  • Underwater gladiator fights!
  • Occasional cartoony music!
  • Jumping off an aircraft and landing into a desert with no pain whatsoever!
  • Getting inside a giant fish who apparently doesn’t eat everything in its mouth!
  • Witty banter!
  • A shark nearly breaks the glass in an aquarium!
  • And of course, a man can talk to fish.

This is not just a movie, it’s a Saturday morning cartoon in all of its glory. And in all honesty, it’s actually better than “Thor: Ragnarok,” which I’ve heard from some people is like a Saturday morning cartoon, but in my eyes, that’s not what it should have been. I would have much preferred seeing a darker version of the story, one where there is despair! But no, you gotta get kids in the theater! La-de-frikin-dah! But the thing about “Thor: Ragnarok” is while it is a superhero movie and might as well be something that kids can enjoy, it seemed much lighter compared to the previous two “Thor” movies. It feels like a change of pace that I wasn’t able to grasp onto. “Aquaman” has yet to have his own standalone film, so therefore, I didn’t really know what to expect. A lot of information prior to the to release of “Aquaman” can be interpreted in one’s own imagination. What really matters is how people like me react to the execution. And I thought the execution was pretty swell if you ask me.

Visually speaking, this is one of the best movies of the year. Someone really must have had fun with the concept art for this film, because this film feels like what happens when you create Dungeons & Dragons underwater. I wanted to know more about the lore and mythology behind Atlantis. I mean, it really doesn’t surprise me that this movie looks good. After all, I have the fighting game “Injustice: Gods Among Us” and Atlantis happens to be my favorite stage in the entire game.

Let’s talk about Arthur Curry, AKA “Aquaman.” He’s played by Jason Momoa who we’ve seen in “Justice League” as the title character but now we get a much more personal look. One thing I will say about many superheroes is that they seem to highly associate with one certain word. With “Spider-Man,” he seems to clearly define an outsider, a nerd. With “Thor,” he seems to define a powerful god. With “Aquaman,” he may be that “chosen one” cliche per se, but he also seems to come off as a regular, everyday gay. There’s a scene with him at the bar where I got this vibe that he is that character on a sitcom that a main character would want to have a beer with. Also, out of all the superheroes that I’ve seen on screen, “Aquaman” by far, possibly might be the most masculine out of all of them. He’s ripped, he’s ready to have a good time, and that haircut, while it makes this dude look like a lady, it certainly just screams “MAN!”

Also, Mera? Yeah. She’s cool. I’d just say she’s hot and leave the description at that, but that’s not the point. I will say that prior to seeing “Aquaman” I went out and bought Mera’s Funko Pop before even going out to see the film. Not only did it look cool, but based on how awesome Mera is in this movie, the Pop was well worth the money. When I saw the “Ghostbusters” remake back in 2016, I imagined personally how much better the movie would be had it included half a team with girls and half a team with boys, to show gender equality, not to mention men and women working together for the better of society. This dynamic duo does not disappoint! Mera doesn’t feel like a sidekick and instead feels like Aquaman’s equal. They go together like bread and butter!

Also, one common complaint that many comic book movies seem to be getting nowadays is the inclusion of lackluster villains. Out of the DCEU films, I gotta say that one of the villains of “Aquaman” is the best one in the DCEU thus far. Specifically, Aquaman’s brother, King Orm. And to add to all of this Saturday morning cartoon glory, in my eyes, this guy really does resemble the word dick if you ask me. He reminds me of Legolas’s father from “The Hobbit.” Also, one thing that we’ve seen in a couple of recent comic book films like “Guardians of the Galaxy Vol. 2” and “Spider-Man: Homecoming” is that the main villain has some previous relation to the main character, “Aquaman” manages to continue that trend, while not necessarily improving upon it, but not destroying it either.

I really want to talk about the action in this film. One thing I’m noticing a lot nowadays is that in certain action flicks like “Kingsman: The Secret Service,” “Atomic Blonde,” and “The Hitman’s Bodyguard,” there is a really long one-take sequence where the camera does not cut away from whatever is going on in terms of action. While this movie doesn’t have THAT, there is one notable longer than usual take action scene in the beginning of the film that completely set the tone for what’s to come. Now keep in mind, this movie was directed by James Wan, who also directed “Furious 7.” That is not my favorite “Fast & Furious” film, but in terms of action and stunts, it’s probably the best. Based on his stellar action choreography and directing in that movie, it provides an excellent transition from there to here. Going back to Saturday morning cartooniness, a lot of the fighting is not just stylistically pleasing, but it’s big and loud, it kind of sent chills down my spine at this point. And, to compare this movie to “Black Panther,” Aquaman has to duel against his brother in a gladiator style ring, all of it is epic, brings things that I usually don’t see in movies. The most notable difference is that a lot of the fighting is done underwater. Granted, it’s not like the filmmakers went into the water and created a gigantic world by hand. In fact, if they actually did that, this movie actually would have probably been worse because it wouldn’t look as fantastical as it does now. Granted, there are times where I do draw a line on a movie looking fantastical, but this to me is a believable fantastical vision.

When I got home from this movie, I was able to say that this movie in no way breaks new ground. Granted, some of the action is stellar, but I felt like I’ve seen a portion of it before. However, the movies I was able to compare this to were actually likable choices. One of the easiest picks was “Black Panther.” You have this guy who is heir to the throne, who is eventually challenged by somebody for that position. The way they get to determine whether someone is worthy is through a duel. And honestly, the way they do the duel in this movie is honestly better than “Black Panther.” It feels more like an event, whereas the duel in “Black Panther” just like a couple of friends watching you play Classic mode on “Super Smash Brothers.” It was more like an underwater version of the Planet Hulk scene in “Thor: Ragnarok.” Coincidentally, this movie reminded me of “Thor,” because you have this one slightly out of place being trying to be a better version of himself. Not to mention, like in “Thor,” Aquaman is destined to rise to the throne. I also said this film kind of reminded me of a “Lord of the Rings” movie. While this is nowhere near as compelling as say “Return of the King,” it had elements of “Lord of the Rings” intact. There is a scene where our main characters have to trek through a piece of land for some time. At times the movie feels like a road trip, one moment you’re in the Sahara, the other you’re in Italy. La-de-la-de-da. Not to mention, there are some big, massive fights in the film with tons of special effects. This is where you also get to see the laser sharks in action at times. The other film this reminds me of is “Fast & Furious,” which to me is no surprise because of the director once being attached to direct “Furious 7.” It’s big, loud, absurd, and overall just balls to the wall.

Going back to the action, I gotta point one thing about it. As I said before, the action in this movie is f*cking amazing. This is one simple comparison I have to make because I’m a complete and total nerd, and nerds have opinions. When it comes to Marvel, they know how to create a story, they know how to write something, maybe not always something compelling, but something that is structured properly and is not in danger of breaking apart. When it comes to DC, one thing I’ve noticed in all of their movies is that the action is always worth the price of admission. Granted, Marvel tends to have good action, but it doesn’t hold a candle to DC. It’s always fast paced, rumbly tumbly, and it feels like something that would be in a nerd’s fantasy world. I would like to thank “Aquaman” for keeping DC’s action-based identity alive.

In the end, “Aquaman” is not the best superhero movie of the year. In fact, it came out a week after “Spider-Man: Into the Spider-Verse,” so it already has a tough competitor. What it really is though is the definition of what a superhero movie should be. Fun, big, and a fine form of escapism. This is certainly a crowd-pleasing movie, and honestly, I enjoyed it more than “Black Panther.” I know some people will want to kill me for saying that, but I’m just telling the honest truth. Jason Momoa’s great as Aquaman, Amber Heard is equally as wonderful as Mera. The two have great on-screen chemistry together, and I loved every minute of the movie. I’m gonna give “Aquaman” a 7/10. Before I go any further, I gotta point out something about this movie that sets it apart from a film like “Justice League.” One thing I noticed about this film is the runtime, and it is two hours and twenty-three minutes. While some people might consider that a bit long for their liking, I honestly don’t mind it, and in some ways, it’s better than “Justice League.” When it comes to “Justice League,” it comes in nearly a couple of hours even. That is a movie with more heroes and a lower runtime. It really just feels more like a corporate cash-in effort than anything else. Granted, somewhere around the two hour mark is your typical superhero movie, but some could argue that “Justice League” deserved to be more than two hours in order to make a better product. “Aquaman,” which comes in nearly two and a half hours, feels more like it is part of a vision as opposed to a corporate product. And for that, I have nothing but respect for the studio and the filmmakers. Granted there is an argument to be made that “Batman v. Superman” is too short at a two and a half hour long runtime, but I imagine there are some people arguing it is also too long. This world is divided! Also, to enhance your experience as much as possible, go see this in a theater, on the biggest screen possible, with the highest sound quality possible. Go to RPX or IMAX, you won’t be disappointed, and stay for the mid-credits scene! Thanks for reading this review! Pretty soon I’ll have a couple of reviews up for “The Mule” and “Instant Family,” as far as I know, those will be my last reviews before I put up my countdowns of my top 10 BEST and WORST movies of the year. Stay tuned for all of that, and if you like content like this, be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Aquaman?” What did you think about it? Or, what is your favorite superhero movie of 2018? Let me know down below! Scene Before is your click to the flicks!