Kraven the Hunter (2024): Sony… PLEASE. STOP.

“Kraven the Hunter” is directed by J.C. Chandor (A Most Violent Year, Margin Call) and stars Aaron Taylor-Johnson (Godzilla, Avengers: Age of Ultron), Ariana DeBose (West Side Story, Wish), Fred Hechinger (The White Lotus, Gladiator II), Alessandro Nivola (Amsterdam, Jurassic Park III), Christopher Abbott (Girls, The Sinner), and Russell Crowe (Thor: Love and Thunder, Gladiator). This film is about Sergei Kravinoff, AKA Kraven the Hunter, and explores his complex relationship with his father in addition to how he uses his hunting skills to find targets and seek revenge.

© Sony Pictures Entertainment

Have you guys ever heard the saying “Fool me once, shame on you. Fool me twice, shame on me,”? That phrase could almost apply to my experience with the Sony Spider-Man Universe. Note the use of the word almost. I say this because I basically go to see Sony’s Spider-Man villain standalone films out of obligation. Very rarely do I look forward to these movies. I think the closest I got to actually looking forward to one of these movies was “Morbius,” which ended up being my worst film of 2022. Although now that I think about it, I was intrigued by at least one trailer for “Venom: Let There be Carnage” before it came out. At least there is that.

For those playing catchup, let me give you the rundown so far on my thoughts on all the movies in the Sony Spider-Man universe… First “Venom” movie… Terrible! A lot of people seem to think it is okay. I think it is one of the most bland, boring, and horribly polished comic book movies ever made. Second “Venom” movie… Actually, pretty good. I thought the action was fun, it ups the one good thing about the original movie, specifically the humor. And it contains maybe the greatest PG-13 f-bomb in cinematic history. “Morbius…” A big fat joke! Other than Jared Leto’s performance and parts of the first act, there is nothing redeeming about this film. Oh yeah, let’s not forget that the marketing lied to its audience and the film may be responsible for the most tacked on and abysmal end credits scenes of all time. “Madame Web…” somehow WORSE than “Morbius!” Not even big name actors can save this abomination! Also, for some reason, this schlock saw the light of day despite being written by the same team who wrote “Morbius.” Bad dialogue, okay at best action, horrible camerawork, and another case of deceptive marketing. Genuinely one of the worst films I have ever seen, and if you think I am saying this for dramatic effect, I have some magic beans to sell you. And lastly, “Venom: The Last Dance…” Safe to say, I was immensely bored. Other than the chemistry between Eddie and the titular character on top of one admirable motivation between them, I thought this threequel was a waste of time. Add on a whole Area 51 subplot that nearly put me to sleep, then you have a recipe for, surprisingly, the second best Sony Spider-Man Universe movie. How sad.

Thus far, the Sony Spider-Man Universe, or whatever you want to call it at this point, is one for five. People say the recently finished DCEU sucks compared to the MCU? Oh, boy oh boy, this universe WISHES it were the DCEU! That universe has cinematic bangers like “Wonder Woman” and “The Suicide Squad!” The DCEU even spawned the incredible TV series “Peacemaker!” While definitely inconsistent, when that cinematic universe fired on all cylinders, it was on the right track. But “Kraven the Hunter” had something attached to it that the other movies did not… An R rating! Yeah! That “Morbius” nonsense? That is for babies! Now it is daddy’s turn! If “Deadpool” can get away with an R, so can “Kraven!”

Having seen the movie, it may be able to get away with an R, but it certainly is not getting away from my infinite rage. This is yet another epic fail for Sony’s Spider-Man Universe. Though am I really surprised?

Sony, how many times do we have to do this same old song and dance before it becomes stale? I think this is a great question.

…If I were an imbecile!

This whole Sony Spider-Man Barrel of Monkeys was already stale from the first of these wannabe “Spider-Man” flicks. I ask this question specifically to you guys. Genuinely! What on earth are you doing?! What is it going to take for this saga of nonsense to end?! I understand that the rights to “Spider-Man” are your most valuable asset, but if you keep making movies like these, then this whole property is going to be a joke. Tom Holland is not going to be playing the character forever. The “Spider-Verse” series can only go on for so long. You can only do so many crossovers involving the three live-action Spider-Men before they stop acting. The solution is not to continue making cheap, boring anti-hero movies featuring villains as the main character. Movies like “Kraven the Hunter” justify cases where movies like “Batgirl” get scrapped by the studio for a tax write-off.

Honestly, if someone popped me the question as to which movie I would want to watch more, and I had to pick between the first “Venom” and “Kraven the Hunter,” I might go with “Venom!” At least in “Venom,” you had some occasional funny lines and some decent chemistry between the two main characters. Aaron Taylor-Johnson is clearly giving the lead role his all here. But he does not have a great script to back him up. While Aaron Taylor-Johnson is playing the lead role, he is not even the most high profile actor on the roster. The film also features Russell Crowe, and I think it is safe to say that I was not entertained by his completely one-dimensional so-called character. Crowe plays Kraven’s father, and not only is he unworthy of even a Dollar Tree card on Father’s Day, but he has incredibly repetitive, cliche dialogue. The movie clearly establishes him as far from the finest father figure. That seems to be the point at times. But I cared so little about the story and characters of this film to the point where Crowe’s character comes off as a joke.

Then you have Ariana DeBose, who is one of the most dynamic, lively, energetic talents working today. The woman in the past couple years deservedly won an Academy Award for “West Side Story.” She was also pretty good in other films following that, even if they did not get the best reviews. Unpopular opinion, I really liked “Wish…” I said what I said. DeBose, to my shock and amazement, plays one of the most forgettable core characters of a comic book film I have ever seen. If you were to ask me what the purpose of this character was in a few years from now, I will probably refer to her as the boring tarot card lady or something, because while her presence serves the story, it does so in maybe the dullest way possible. Shoutout to Sony for making two movies in the same year that somehow made me give me even less of a crap about tarot cards than I already do. Anybody remember the film “Tarot” from earlier this year? No? If you are loyal to this blog you will hear about it again soon on the top 10 worst movies of 2024 list once I get finished with that. You know, kind of like this atrocity some like to call a comic book movie.

Going back to what I said about “Madame Web” and how a big name cast could not save the film from being bad. I think “Kraven the Hunter” somehow takes that inferiority to another level. Because yes, Dakota Johnson and Sydney Sweeney have been in big projects. Some good, some bad. That is the classic life of an actor, but they are both lucky enough to achieve their level of fame. Sweeney has been nominated for a couple Primetime Emmys so congrats to her. That said, “Kraven the Hunter” is much more excruciating to think about because while “Madame Web’s” Sweeney has gotten some awards attention, “Kraven” has multiple actors who have actually have prestigious awards on their mantle.

© Sony Pictures Entertainment

Again, you have Russell Crowe who has an extended career, an Academy Award, a BAFTA Award, and two Golden Globes. Circling back to Ariana DeBose, it was like watching Uma Thurman as Poison Ivy in “Batman & Robin,” but worse. Because while Thurman was nominated for an Academy Award for her role in “Pulp Fiction,” a couple years before that flopbuster came out, DeBose actually WON her Academy Award. I do not think DeBose’s performance is Razzie-worthy. There is nothing extreme about it that makes it stand out as one of the worst performances of all time. The best word I can use to describe it would be “tiring.” I guess that is one reason to watch this movie again. If I am really tired and want to catch some z’s, “Kraven the Hunter” might make for solid background noise.

I will be fair to Crowe, however. As infuriating as his character is to watch, I must admit he makes the most of a crappy script with his chops. Crowe does his best with the material to the point where I almost cannot imagine anyone else in his role. So… Yay?…

Courtesy of Sony Pictures – © 2024 CTMG, Inc. All Rights Reserved.

Another actor I enjoyed watching in this hot mess? Aaron Taylor-Johnson. No, it is not because of his abs. He legit does an okay job as the lead. Again, his character is not written well. But I buy him in the role. He is not perfect, but he definitely has an inkling of charisma. I just wish such charisma were saved for something that would not be a waste of my time and money. That is another consistency with these Sony movies. As much as I do not like “Venom,” I still think Tom Hardy is well cast as the lead role. Same goes for Jared Leto in “Morbius.”

For those of you who saw the first eight minutes of the movie when it dropped online, you would know it starts off with, admittedly, a halfway decent action sequence. That adjective might as well be used to describe a good amount of the action in this film. The action does not reinvent the wheel. There are a couple cuts that I thought were a little too quick, but for the most part, the action is one of the better parts of the movie. “Kraven the Hunter” sometimes finds its footing in some places, but when it comes to structure, that is definitely not one of those places. Sure, the movie starts off with a decent action scene that could likely hook viewers into the story. But then we get to the part of the film that dives into Kraven’s origins. The timing of this transition feels abrupt and out of place. Given the length of these moments and how long it deviates from what we already saw in Kraven’s adulthood, I would have preferred for the final cut of the film to start with Kraven’s origins. It would allow me to more easily know and understand the characters that way if we were to get to an action sequence like the one we see at the beginning, I would probably care a little more about the people in the scene and possibly the sequence itself.

I will give props to Sony for not hiring Mark Sazama and Burk Sharpless to write this film. Although to be fair, they were probably already busy figuring out how to beat the odds and make a worse screenplay for “Madame Web” than they did for “Morbius.” Spoiler alert, they did. Instead, this film has three writers. You have Richard Wenk, known for writing the “Equalizer” movies starring Denzel Washington. I have not watched those films, but I have heard good things. His resume contains some other notable work, but oddly enough, I cannot give my opinion on any of his titles because I never watched any of them. As for the other two writers, you have Art Marcum and Matt Holloway. These are two of the four writers responsible for one of the better Marvel Cinematic Universe films, “Iron Man.” Although the rest of their resume is not particularly great. There is “Men in Black: International,” which I actually liked. But there are also a lot of people who would challenge my unpopular opinion. They just did “Uncharted,” which has a couple cool action scenes, but the screenplay has nothing that stands out about it. The film itself is rather unmemorable. Then we travel back in time to my least favorite movie of theirs, “Transformers: The Last Knight.” My biggest problem with the film is with the headache-inducing use of IMAX technology that honestly leaves no one but Michael Bay to blame. But if I had another notable problem, it is that the film’s script repeats the problems of the previous movies, but somehow delivers maybe the least engaging journey the franchise has given yet. Going back even further to a movie I did not see, these two even did “Punisher: War Zone,” which was not only poorly reviewed, but with more than $10 million total, it made less money at the box office than any other movie based on Marvel Comics. Part of me is convinced that Sony could be having a streak of bad luck, but then I look at the resumes of the people they hire and I think either their options are limited, they are choosing the wrong people, or they have better options out there and do not want to spend more money on them. I have no clue.

Courtesy of Sony Pictures – © 2024 CTMG, Inc. All Rights Reserved.

In all seriousness though, this trio of writers managed to join forces to create one of the most snore-inducing films of the year. I do not think there is any way to sugarcoat this. It is also full of Academy Award-level lines like “I’m a hunter.” In addition to Russell Crowe repeatedly telling his boys, and therefore the audience, that their mother died and she was weak. As I watched this movie and came to realize the director and cast handled their material, I honestly thought “Kraven the Hunter” has a feel that is kind of similar to “The Room.” I say kind of because unlike “The Room,” the chances of me ever watching “Kraven the Hunter” again are pretty slim. But this is a movie that I can honestly watch, acknowledge how bad it is, and sometimes burst out laughing for the wrong reasons. If you want a more genre-related example, I will go back to the recently mentioned “Batman & Robin.” It definitely makes me laugh, but the humor sometimes feels accidental.

You know the Island of Misfit Toys from “Rudolph the Red-Nosed Reindeer?” If there were ever a place I could associate with this universe, that would be it. I assume most inhabitants, or in this case, filmmakers, actors, producers, crew, etc., that make it up are kind, but compared to the toys Santa delivers to kids on Christmas, which in this case would be Disney’s MCU and Warner Brothers’ DCEU, Sony’s got its own little private island full of outcasts. I have not gone back to watch a single Sony Spider-Man Enigmaverse movie since seeing them in the theater, other than “Venom: Let There be Carnage” when it was airing one time on cable. It is like that scene from “Toy Story 2” where Andy picks up Woody and says he does not want to play with him anymore, except in this case, the toy is fresh out of the box and has barely been used.

This is why I ask Sony not to sell the rights to “Spider-Man…” I really want to see them pump out that third “Spider-Verse” movie. Instead I would like Sony to stop with these standalone villain spinoffs. These are not movies, these are corporate products designed by people trying to fill a release slot and keep the rights just a while longer. “Kraven the Hunter” is the latest example of this. If you are looking for Spider-Man connections in this film, all you are getting are secondary characters who appear in various Spider-Man properties who are poorly executed, and one scene where a ton of spiders are on screen. It is not even a good scene! Spider-Man is not in this movie. Peter Parker is not in this movie. Although the Rhino is in this movie. This time around is better than how the character was presented in “The Amazing Spider-Man 2,” but that does not really say much.

Speaking of which, let’s talk about the CGI… This movie is chock-full of distractingly noticeable visuals. Going back to Rhino, that is one example. You can definitely tell he has fake skin, but I would not even consider that the worst CGI in this film. This film has multiple scenes containing animals, including a lion I thought looked somewhat artificial, but at most I would consider to be tolerable. The animals that stood out to me the most in terms of how offputting they looked are the buffalo. And there are a lot of them in this movie. There is this scene where this buffalo is holding steady in front of Kraven. They are in the middle of a field. When that buffalo is staying still, all that allows me to do is take in as much detail as possible to realize that the creature looks like something out of a video game. When Kraven is looking at this buffalo, he comes off like he is staring at a picture instead of something live.

Sony, please. Just stop! I have had it up to here at this point! This year is the 100th anniversary of Columbia Pictures. When it comes to celebrating it, this, “Venom: The Last Dance,” and “Madame Web” were clearly not the best ways to do it on the Marvel front. I am thankful they brought all the old “Spider-Man” movies back to theaters. I went back to watch “Spider-Man 2” and “Spider-Man 3” in the theater this year. If for whatever reason Sony decides to do some anniversary screening for “Kraven the Hunter,” I am going to give it a hard pass.

© Sony Pictures Entertainment

In the end, “Kraven the Hunter” sucks. Plain and simple. It is a poorly structured, badly edited, laughably acted, shoddily directed misfire that I would not recommend to anyone. I will honestly watch “Venom: The Last Dance” three more times before turning this movie on again. Yes, there are positives. The action is okay. Aaron Taylor-Johnson is a good choice to play Kraven. And even though Russell Crowe plays an unlikable character, he at least acts like he is giving two squirts of urine about his role. “Kraven the Hunter” is not a movie. It is a series of scenes spliced together by a corporation to continue preserving franchise rights. If this is the last movie we see in the Sony Spider-Man Insert Clever Name Here, good riddance. I am going to give “Kraven the Hunter” a 2/10.

“Kraven the Hunter” is now playing in theaters. Tickets are available now.

Thanks for reading this review! My next reviews are going to be for “Lord of the Rings: The War of the Rohirrim,” “Sonic the Hedgehog 3,” and “Flow.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Kraven the Hunter?” What did you think about it? Or, what are your 2024 comic book movies ranked? What a terrible question that must be… That is like ranking your children, and you are choosing your favorite child based on which one you find the least irritating. I will admit, I did not even see “The Crow” this year. I think I dodged a bullet with that one. That said, there were plenty of awful comic book films this year to make up for whatever that one would end up being. If you have a ranking, list your top movies down below! Scene Before is your click to the flicks!

A Man Called Otto (2022): Tom Hanks Hits a Grump in the Road

“A Man Called Otto” is directed by Marc Forster (World War Z, The Kite Runner) and stars Tom Hanks (Toy Story, Cast Away) as Otto. The performers joining him in the cast are Mariana Treviño (How to Break Up with Your Douchebag, Overboard), Rachel Keller (Tokyo Vice, Legion), Manuel Garcia-Rulfo (The Magnificent Seven, Murder on the Orient Express), Truman Hanks, and Mike Birbiglia (Orange Is the New Black, Billions). In this adaptation of the Swedish novel and film by the name of “A Man Called Ove,” Otto is a man who has had it all. When a new neighbor moves in, Otto develops a companionship that may turn his frown upside down.

Complaining. It is about as human as breathing. Complaining is the foundation of many protagonists. Some of the most iconic film protagonists of all time started off their story by complaining. In “Star Wars,” Luke Skywalker complains about having to live on the farm for another year. In “Ratatouille,” Remy complains about the way rats treat food compared to mankind. In “Risky Business,” Joel Goodson complains about the landscape of high school as it comes to an end while he tries to pass his exams and get into a good university. We love to complain, and I have done my fair share of it over the years. And I assure a lot of people reading this have too. Now this story centers around that entirely. Otto is an aged man who has seen a lot over the years, maybe too much. He thinks he is smarter than everyone else, and he simultaneously thinks society as a whole is getting dumber. When I think of Tom Hanks, this is a more subversive role for him, much like his appearance the recent shiny, polished turd known as “Elvis.”

Much like “Elvis,” I was not a huge fan of “A Man Called Otto.” Not because I think it is a bad adaptation. I have not seen the original movie or read the novel. Therefore, I have nothing to compare it to. But if I have to be real, this movie was not for me.

As someone who has reviewed movies on the web since 2016, I have learned that sometimes I can be predisposed to liking certain things. I love “Star Wars,” so I often get excited for whatever the franchise has coming up. I am a huge fan of J.K. Simmons, therefore when he is in a new project, I am usually curious. Similarly, when I look back at my experience regarding “A Man Called Otto,” I may have been predisposed to thinking I would not like it. Not because Hanks is playing someone who is complaining, but because the main character himself is complaining. What do I mean? Honestly, I have had enough of it in real life. Look at me, complaining about complaining. Hey, everyone! Time for a new drinking game! Take a shot every time the Movie Reviewing Moron says “complaining!”

I am not saying that characters in a movie should not complain. But what I liked about Luke Skywalker is that when I watched him, complaining never felt like the definitive aspect of his character. Sure, he definitely whined, he definitely did not want to do certain things for particular reasons, but Luke Skywalker felt like a relatable character, at least to me. Part of it is because of his complaining, but it was executed in a way that was palatable. I cannot say the same for Otto. While there is noticeable character development in “A Man Called Otto,” the character of Otto starts the movie calling out everything in sight that he views as unfit or unlike his worldview, and it is hard for him to stop. There are few things that are as important in life as first impressions. If I go to a pizza shop and I end up making a wacko face on my first bite of their pie, that is not the best of signs. I might hesitate to come back. Tom Hanks, or perhaps director Marc Forster, is the pizza shop owner. And the character of Otto, unfortunately, is a lackluster pie.

Although speaking of predisposal, part of me wonders how much the supposed subversiveness of this role rubbed me the wrong way. Tom Hanks is, perhaps stereotypically, America’s dad. And seeing him in a light like this felt jarring. But if you ask me, I do not know if that is the case. Because in reality, Tom Hanks is a great actor. But he feels miscast here. Yes, name recognition helps, but he nevertheless sometimes fails to bind with this role. Plus, after seeing him in “Elvis,” where he potentially gave my least performance he has done as the weirdly accented Tom Parker, and now this, I am beginning to assume that this turn where he plays meaner or comparatively pessimistic roles is not working out. I recently watched “Spirited,” the brand new holiday movie, with my family last December. During said viewing, my mom said she does was not used to seeing Ryan Reynolds or Will Ferrell sing or do anything musical-related. As far as I’m concerned, Ferrell and Reynolds had range whereas Hanks is trying his best and he does not have everything down to a science. In some ways, his character is comes off as one-dimensional as a ragdoll. I love Tom Hanks, but this is not his best work.

This is not to say that “A Man Called Otto” is entirely bad. If anything, it is an interesting concept for a movie that is not done as well as I would have hoped. There are characters I liked in the film including Marisol, played by Mariana Treviño. Every scene she is in, she warms everything up, including my brain. She is perhaps the most adorable character in the entire film. If I could spend an entire weekend with this character, I might take that chance.

The film, which again, is based on previous works from Sweden, also has a nice touch to honor where it came from. There is a scene set in a cafe where Otto shows Marisol a certain usual he enjoys. The moment he explained what it was, I thought it was a nice little touch. As much as I dig on this film, I will recognize some small glimmers of charm it carries.

Although despite the small glimmers of charm, when I take everything that I saw leading up to this film’s final moments, I look back at the film negatively. Almost in as grumpy of a state as Otto himself. There are funny moments in the film, but I cannot say they had me laughing out loud. There are poignant moments in the film, but I never felt a ton of emotional weight. Even though there are certain complexities in regard to Otto’s character that make him interesting, I never felt intrigued enough to say that my time was not being wasted. Ultimately, this film has some likable supporting characters, like the recently mentioned Marisol, but the same cannot be said for the film’s main character.

Though I must add one final note. There has been a lot of talk lately about “nepo-babies” in Hollywood and the film industry. Personally, I have mixed feelings on it given how I can support family business, but it could also exclude equally, more talented, or even more aspiring individuals who hope to enter this industry. With that in mind, I must say this film’s use of Tom Hanks’s son, Truman Hanks, was not only appropriate, but made for some highlights. Truman Hanks plays a prominent role in the film as the younger version of Otto. He is seen in several scenes and he plays the part well. I have no idea to what degree Truman Hanks is hoping to take acting seriously much like his father, but he did a good job in this film as Otto’s younger interpretation.

In the end, “A Man Called Otto” is a shocking movie. Because if you told me that I would watch two movies in the span of a year where I am not fond of Tom Hanks’s character, in addition to his performance, I would have slapped you Will Smith style. But here we are. I love Tom Hanks as an actor, and I would continue to watch anything he is in. Heck, they just announced “Toy Story 5.” I would watch that. But as much as I respect Tom Hanks for trying to spice things up from his usual flair, I think his “nicer” performances work because he executed them so much better. Although art is subjective, so maybe this flair works for others. But it did not work for me. I am going to give “A Man Called Otto” a 5/10.

“A Man Called Otto” is now playing in theatres everywhere. Tickets are available now.

Thanks for reading this review! My next review is going to be for the brand new MCU installment, “Ant-Man and the Wasp: Quantumania.” I had the chance to see the film last weekend, and I will have the review for you to read sometime next week.

Also coming on March 5th, it’s the Jack Awards! Scene Before’s annual awards show is back with a new and hopefully improved name! Get ready for another unnecessarily long celebration of the past year in film with exclusive video content, also featured on my YouTube channel! The nominations for the show are already online, and if you would like to vote for Best Picture, click the link right here, it will take you to a poll and you can vote for one of the ten nominees! May the best picture win.

If you want to see this and more from Scene Before, follow the blog with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “A Man Called Otto?” What did you think about it? Or, what is a performance that you hate from an actor you love? Let me know down below! Scene Before is your click to the flicks!