Sing 2 (2021): Where Modern Music Meets Overly Goofy Cartoon Gags

“Sing 2” is written and directed by Garth Jennings, who was the writer and one of the two directors behind the original “Sing” as well. This film stars Matthew McConaughey (Interstellar, Serenity), Reese Witherspoon (Big Little Lies, Wild), Scarlett Johansson (Iron Man 2, Lucy), Taron Egerton (Kingsman: The Secret Service, Rocketman), Bobby Cannavale (Ant-Man, Blue Jasmine), Tori Kelly, Nick Kroll (Kroll Show, Sausage Party), Pharrell Williams (Black is King, The Grinch), Halsey, Chelsea Peretti (Brooklyn Nine-Nine, TruTV Presents: World’s Dumbest), Letitia Wright (Black Panther, Black Mirror), Eric André (The Eric André Show, The Lion King), Adam Buxton (8 Out of 10 Cats Does Countdown, The Adam and Joe Show), Garth Jennings, Peter Serafinowicz (Guardians of the Galaxy, Shaun of the Dead), Jennifer Saunders (Shrek 2, Absolutely Fabulous), Nick Offerman (The Founder, Parks and Recreation), and Bono of U2 fame.

Hey don’t blame me! I cannot leave a single name untouched!

This film is the sequel to the 2016 film “Sing,” which was about Buster Moon trying to save his theater and attempts doing so by creating a singing competition, which provides for some bumps along the way. In this sequel, Buster Moon and his pals are attempting to create a new science fiction live show for a venue in Las Vegas wannabe Redshore City. In doing so, they pitch to Mr. Crystal, a sleazy producer, the idea of getting Clay Calloway, a reclusive lion who used to make music, to be part of the show. And of course, nostalgia being nostalgia (look at “Star Wars” dominating the world), he loves the idea and thinks the group should get him to be in the whole thing. Between the intense mission of convincing this former artist to tag along in addition to nepotism and internal drama, things have only gotten harder for our SINGers.

Is that a proper term? SINGers? Does that work?

“Sing” is the kind of film that you watch, have fun with, and then move onto the next thing. And sadly, despite my slight negative vibe that could be triggered with such a statement, “Sing” was what I considered to be my personal favorite of Illumination’s content. I don’t care for “Despicable Me.” The minions kind of drive me crazy. “The Secret Life of Pets” was an okay watch one time, but never again. The sequel however, is just plain insufferable. “The Grinch” almost made me hate Christmas. And I love Christmas! I think Christmas, in more ways than one, is one of the best times of the year, minus all the blasphemous music. Mariah Carey, all I want for Christmas is for you to go away. It’s like if top 40 started drinking eggnog! And speaking of top 40, “Sing” and its sequel partially rely on their own interpretations of popular songs. In the original film, you had songs from Lady Gaga, Taylor Swift, and Frank Sinatra. I feel like my biggest critique of that first film is the fact that a few of the standout songs come off as processed radio brought into the mix simply for its popularity. And I think the same can be said for “Sing 2.”

I don’t think it’s wrong to put newer songs into a film like this, but doing so also risks the film possibly relying on what’s trendy. This new film has songs like “There’s Nothing Holding Me Back,” which has been a hit for some time. I really like the scene where it is performed, but I wonder if people will look at it years from now and think of it as a product of its time.

If you want my short, honest opinion of “Sing 2,” I would have to say it is… Fine.

…Just. Fine.

Crap.

I think that is one of the most interesting things one can say about a movie. The fact that a movie can be considered just fine does not mean it’s great nor terrible. However, in the case of “Sing 2,” the film cannot convince me to land on a particular side of the spectrum. In some situations, the movie feels like your typical Illumination fare, because unlike Pixar, which always seems to understand the assignment in creating a FAMILY movie, “Sing 2” occasionally relies on gags that feel as if they’re only aimed at younger viewers. Granted, the film is fun for all ages, but compared to some other films I’ve seen this year, including the recently reviewed “Encanto,” it feels a bit more on the kiddy side.

The thing I appreciate about both “Sing” installments is the idea of not giving up on your dreams. I think both films succeed when trying to convey that message to its viewers. The heroes in this film collectively struggle in their own way when it comes to accomplishing their goals, or in this case, following their dreams. We see Rosita struggling to live up to the pressures and enormity of being in a starring role. We see Buster Moon trying to encourage everyone to stay on their toes and try to fight for another day. We see Clay Calloway deal with the internal battle of his past. He stopped playing his music because it reminded him way too much of his dead wife. WAIT, did Christopher Nolan have some writing credit in this film I’m not aware of? I think an additional takeaway this film can provide is that not only do we see these dreams potentially hit roads that contain possible dead ends, but part of why these dreams hang in the balance is because of entertainment giants. Mr. Crystal, ever since I first saw his character, kind of reminded me of a Simon Cowell-type, and that vibe is significant in terms of where the film goes.

Speaking of Mr. Crystal (left), this film introduces a couple new characters, Mr. Crystal included. Alongside Mr. Crystal is his daughter, Porsha (right). As our heroes enter the urbanized, neon streets of Redshore City, they meet these two characters who become integral to the story. Mr. Crystal is an entertainment mogul who puts his faith in said heroes. You may think someone like him to be a bit of a snobby, almost creepy, egotistical moron who wants things to go his way. If so, you’re right. He’s also well-dressed, and I think when it comes to getting a guy who can sound snarky and snobby at the same time, Bobby Cannavale is a great choice. When I hear his voice, I feel like I’m watching an older mob movie with modern elements infused. But Crystal’s also a family man. …Kind of. That’s because this film contains a subplot involving his daughter, Porsha, potentially taking on the lead role of the space opera everyone’s producing.

For the role of Porsha, they managed to get Halsey to lend her voice. Halsey is not known for having an acting career as much she is known for singing. I think this is a somewhat fascinating, yet practical choice, because I have rarely seen Halsey on screen. Apparently she had a small role in “A Star is Born” a few years back but I would not be able to remember when she was on screen. I barely even know anything about Halsey. But having seen her IMDb, most of her work has been music related, so seeing her cast in this role makes sense. It is a movie about music, about singing. Why not have her? And I would say given her material, she was well directed on Garth Jennings’s part. Going back to what I said about her not being in many pieces of film or television, one of the driving aspects of her character was that she was a terrible actress. Halsey, who does a good job acting in this film, managed to convince me that her character in particular was the worst actor of all time.

Ladies and gentlemen, acting!

There are also a couple new characters who I was not particularly fond of. There’s a monkey named Klaus that instructs Johnny and others through an intense dance routine. I think in terms of the script and story, he served his role adequately. But he kind of felt one-dimensional. The same can be said for Darius, an actor who wants nothing other than fame, fortune, more fame, and more fortune. When Darius is on screen, he’s occasionally entertaining, but he lacks depth. He lacks dimension. He almost feels like a throwaway character despite being part of the film. Although it was fun to see Meena the elephant try to accustom herself to being romantic despite not having much experience in such a thing.

In the end, “Sing 2” is a step down from the original, and frankly, just proves once again that when it comes to animated studios, I still prefer DreamWorks and Pixar. If you asked me years ago if a “Sing 2” was a good idea, I’d say yes. It would not be the first thing I’d see, but it is worth at least a glance. I’d say the studio and crew should give it a shot. The first one was good. And having rewatched the first one recently before going to the cinema to see this, it’s still good. I just wish “Sing 2” lived up to its predecessor. I’m going to give “Sing 2” a 6/10. This is a positive grade despite some negative things I have previously stated. But I think if anything, the positives will not be enough to get me to watch this film again anytime soon.

“Sing 2” is now playing in theaters and is available to buy now on streaming platforms.

Thanks for reading this review! My next review is going to be a for a film that is somewhat personal to me. And if you know where I reside, you’ll get where I’m coming from. Some of you reading this may feel the same way. That film in particular is Amazon’s new feature, “The Tender Bar!” This film just released over the holiday season, it just dropped on Prime Video, and now it is a good time to talk about it. I cannot wait to discuss this film. It’s going to be a ball. If you want to see this and from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Sing 2?” What did you think about it? Or, which is better? “Sing” or “Sing 2?” Let me know down below! Scene Before is your click to the flicks!

Rocketman (2019): Elton John: The Musical

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“Rocketman” is directed by Dexter Fletcher (Eddie the Eagle, Bohemian Rhapsody) and stars Taron Egerton (Kingsman: The Secret Service, Sing), Jamie Bell (Fantastic Four, Jumper), Richard Madden (Game of Thrones, Bodyguard), and Bryce Dallas Howard (Spider-Man 3, Jurassic World). This film is based on a portion of the life of music icon Elton John. It goes over his origins as an artist, as a person, and as someone who eventually must overcome various personal weaknesses or quirks.

I don’t know much about Elton John as an artist, and he’s not the first musician I go to when I need some music to soothe the mood. It’s not to say I hate him, but unlike other artists including AC/DC or Metallica, I just don’t think to myself, “Oh yeah, Elton John! I’ll leave myself on this station for him!” However, going into this movie, I did have some expectations. One of them, specifically the least important expectation, is that it would be better than “Godzilla: King of the Monsters.” Why? Because “Rocketman” came out the same weekend as that movie, I already saw “King of the Monsters,” and now I unfortunately can’t unsee it. As for other expectations, I did think that “Rocketman” would be rather fun and maybe not as much a downer type of film compared to other music-related biopics. For one thing as an example, unlike the main character of last year’s “Bohemian Rhapsody,” Freddie Mercury, Elton John is still alive. It’s not like we’re going to see a movie and feel like it is asking the audience, “Oh, remember him?” I’m not saying I’m bored of the whole “memory” thing, if you remember the movie “Ray,” I thought that was one of the best movies of the 2000’s and it showcased some serious downs of Ray Charles’ life. Even with that being said, I was still expecting this movie to go in a slightly different direction. “Rocketman” from the trailers looked vibrant, immersive, while at the same time, a true escape from reality. After all, one of the movie’s taglines is “Based on a true fantasy.” And I certainly did get a true escape from reality, almost a little too much. “Rocketman” is based on true events, and I know a lot of movies don’t have every detail of accuracy when it comes to basing them on reality. But “Rocketman” went into a direction that I for one did not see coming. The Wikipedia page for “Rocketman” describes the flick as a “biographical musical film.” I was expecting “biographical,” but not “musical.” In fact, this movie’s early attempts at being a musical kind of felt forced. It did become slightly more acceptable and a tad less cringeworthy as time passed, but due to my limited research on the film prior to seeing it, not to mention having certain expectations, this kind of came off as a surprise.

To put this in a short amount of words, if you went into “Rocketman” thinking you’re going to get a glimpse of what happened during Elton John’s life, I must point out that you are in fact going to get that. But it is all surrounded by tons of musical numbers, some of which kind of felt admittedly cringeworthy at first. It almost made me think I accidentally bought tickets for a Disney flick or something! Although that would be kind of amazing because this is rated R. And as the movie went on, the numbers actually almost became the biggest highlight. After all, while I am not a musical guy, one thing I can appreciate about certain musicals is the spectacle, which at times, this movie truly does have. It pulls you into the lively, flashy concerts, and takes an idea that I usually think would not fit in a biopic, but somehow the crew would manage to make it all work.

Also, Taron Egerton as Elton John? Hell yeah. I bought it completely. Definitely one of the best performances of the year so far. But it’s not even summer yet so I cannot confirm or speculate how many awards he’s going to win. And I have a feeling that part of why Egerton may have encapsulated the essential elements of Elton John is because the two have previously interacted with each other. If you remember 2017’s “Kingsman: The Golden Circle,” which to me was a fun, but slightly disposable action flick, Taron Egerton plays the main character. During that film, Elton John made an appearance as himself.

Don’t go breakin’ my heart? More like, “Go breakin’ some bones!”

Does Egerton have a shot at an Oscar from here? I dunno, we’ve still got time to wonder. But much like Bradley Cooper in “A Star Is Born” from 2018, one of the biggest praises I can give to Taron Egerton is that he does his own singing. I never saw Taron Egerton as a singer, and the fact that he even made the effort to sing on his own is magnificent. Big thumbs up from me!

I also admire the direction that this film tends to go, because the way it starts off, it’s almost glamorous, almost as if I went to see a movie that takes place in a cinematic universe where all the contestants from “RuPaul’s Drag Race” team up to fight crime. Then without going into spoilers, it turns out to be… well, not that. I mentioned that this movie isn’t really the most “downer-like” of biopics, but some serious stuff manages to happen in one overarching part of the story, not to mention other parts of the film. I’m not saying the film is having trouble knowing what it wants to be, in fact, I think the tone in its entirety works for a movie like “Rocketman.” It’s big, it’s exciting, but also at the same time, slightly grounded in some sort of reality here and there. I guess I am not that surprised to see an Elton John film. A lot of famous people will get their own movie if their story can be told while being interesting and profitable. But what I am somewhat surprised by is the fashion in which we managed to get a movie like this. Because for those of you who don’t know, Elton John himself has an executive producer credit for this film. While he didn’t direct or write the film himself, this almost must have been a glimpse back, not just for the audience, but for Elton John more than anyone else. I have seen some of the film’s marketing, but I can’t say I knew everything about it going in, so let me just say, consider my last statement and see how this movie is presented. Trust me.

And I do mean this, “Rocketman” has the flair of Elton John himself, whilst presenting some peaks and valleys from his youth. He had trouble living with his parents, not to mention getting care from both of his parents, especially his father, who is nothing short of a jerkface with an extreme lack of tact.

One last thing, I also really like some of the scenes where Elton John has to present himself and his musical talent to executives. I thought those were some of the better parts of the movie and there’s one scene where an executive just keeps criticizing every music-related choice Elton John is making. It’s kind chuckle-worthy, maybe even funnier than that.

In the end, “Rocketman” is not the best movie of the year, but it probably qualifies as the most interesting. It’s quirky, it has spectacular direction, and a stellar performance by Taron Egerton. It’s no wonder that Egerton likely had John’s blessing, and if they make another movie together, whether it is another “Kingsman” or something completely different, sign me up! I will say however, to me, this is probably going to be a movie that does not have much replay value. A lot of the movie’s standout scenes, at least to me, may make for good YouTube clips, but unless I needed something to watch on a big 4K TV, I probably wouldn’t go straight back to watching “Rocketman” this instant. It’s kind of a one-off, but it’s a good one-off. I’m going to give “Rocketman” a 7/10.

But before we go any further, I do have to bring one thing up, I went to see this movie with my mother and sister, and as far as I know, this is probably the most anticipated my mother in particular has ever been for a film. And she had a ball watching it. In fact, she brought up something I would have never expected to have ever heard from her. She mentioned the movie “brought her back to her childhood.” I don’t talk about my family life much on here, but this came off as a shock to me because my mother, at least when I’m in the room, NEVER gets nostalgic over anything. And out of all the nostalgia bombs arriving in theaters today, there are few, if any, that ever brought my mother back to her youth. I think only exception in my entire life when it comes to this sort of thing would have be 2015’s  “Pixels” because it inspired my mother to play an 80’s playlist. I’m just glad that in this postmodern era of media, it’s not just people like myself who obsess over “Star Wars” or “The Incredibles” can return to the days of being a kid. Even my own mom, who to my knowledge, never tends to go back in time, just experienced time travel.

Thanks for reading this review! I just want to let everyone know that I scored a couple of passes to go see “Men In Black: International” next week, which is the first spinoff in the popular “Men In Black” film franchise starring Chris Hemsworth and Tessa Thompson, who coincidentally, worked closely together in “Thor: Ragnarok.” I also want to remind you all that if you have not checked it out already, I recently released my 300th post on Scene Before, which is a glance at my Blu-ray collection. It features a YouTube video going over every single solitary copy I own including special editions like 4K, 3D, Steelbook, etc. To view the post, click the link right here! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Rocketman?” What did you think about it? Or, what is your favorite song by Elton John? Let me know down below! Scene Before is your click to the flicks!

Kingsman: The Golden Circle (2017): Manners Maketh Sequel

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“Kingsman: The Golden Circle” is directed by Matthew Vaughn (X-Men: First Class, Kick-Ass), who also is the director of “Kingsman: The Secret Service,” the previous installment in “Kingsman” leading up to this movie. This movie stars Taron Egerton (Eddie the Eagle, Sing), Colin Firth (Love, Actually, The King’s Speech), Mark Strong (Sherlock Holmes, The Imitation Game), Julianne Moore (Crazy Stupid Love, The Lost World: Jurassic Park), Halle Berry (Catwoman, Monster’s Ball), and the movie also features Elton John, Channing Tatum (Magic Mike, 21 Jump Street), and Jeff Bridges (TRON, Iron Man).

This movie continues the adventures of the Kingsman. Poppy (Julianne Moore) strikes the Kingsman’s headquarters, the world is held hostage, the Kingsman run into a US spy organization known as the Statesman, and the two team up to stop the evil Poppy.

Before we go any further, I’ll have you know that I REALLY enjoyed the first “Kingsman” installment, “Kingsman: The Secret Service.” It’s a movie that absolutely knows what it is, an insane spy movie. You’ve got this kid, he’s trying to become a member of the “Kingsman” organization, there’s tons of action, great music, and British people being British. While I will say that I saw better movies the year “Kingsman: The Secret Service” came out in theaters, such as “Star Wars Episode VII” and “The Martian,” I will say this undoubtedly has the best action sequence from a movie which came out that year. If you have never seen “Kingsman” you should watch it, and as far as that action scene goes, be prepared for when you see Colin Firth inside a church. If you want to watch that action sequence, there will be a video down below that you can click on.

That action sequence displayed above, personally, is one of the best I’ve seen in terms of music choices, cinematography, shock value, movements, and immersion. Going into this sequel, not only did I want a good movie, I wanted something that could potentially rival or top this scene. So did the film provide a scene like that? Sure, but that doesn’t mean it had a scene as good as this one. In fact, you can also say this movie is worse than the original. That doesn’t mean the movie sucks however, it’s still tons of fun and is definitely worth seeing either if you liked “Kingsman: The Secret Service” or if you just want an action flick in order to waste a couple hours.

Starting off the character section of the post, let’s talk about Gary “Eggsy” Unwin, although before we do, LOOK AT THIS SHOT. It’s so crisp, so beautiful, so artistically well done! I love it! Anyway, when this movie begins we actually notice some changes brought to Eggsy’s life since the previous film. The biggest example I can give is that he’s now dating Princess Tilde, which if you’ve seen “Kingsman: The Secret Service,” you may recall her as that princess who gets captured, also as someone Eggsy ends up finding when he’s trying to save the world, then they later engage in anal sex because Eggsy managed to accomplish his mission and save her. Their relationship plays a key role in the film, including a sex scene that isn’t anything short of brilliant. If you manage to see that scene, you might ask yourself “Where do people come up with this stuff?” If the answer is the brain, that wouldn’t be too surprising by the way.

Some of you may argue with me that this is a spoiler, and trust me it’s not, Colin Firth is back in this movie as Harry Hart. I bring up the possible spoiler assumption because of something that occurred in “The Secret Service” involving his character, but based on how Harry has been shown in advertising, I’d say this isn’t a spoiler. Anyway, there’s actually a subplot devoted to Harry that at times, was cringeworthy, but seeing Harry became less cringe-inducing as the movie went on. It reminded me of Tony Stark in “Iron Man 3” if he had a more gigantic cringe-factor.

Julianne Moore plays the main antagonist in the movie, and admittedly, she wasn’t terrible, but overall she was serviceable. There were actually aspects that I found rather cliche about her but at the same time I was able to come across aspects I liked about her which showcased her wickedness. Seriously! She turns a guy into a hamburger! Where else do you see that?! However, when it comes to her as a villain, she very much felt like a cartoon. Moore’s performance however was pretty good.

This movie also introduces us to the Statesman organization, which is basically an Americanized version of Kingsman. This means we get some new characters, some of which play a crucial role in the movie. I liked a lot of these characters. Granted there were mainly people from the southern part of the United States and not many people from the northern part, but keep in mind that this organization is in Kentucky, which is also the state where the church shootout in the first movie occurred.

One little factoid that may surprise some of you is that Elton John is in this movie. Not only that, but he also plays a major role in it too. Guess who he plays? Well, he plays himself, and it’s f*cking awesome! Elton John pretty much has one line in the entire movie and that’s “F*ck you.” OK, in reality he had more, but my point has been made. He’s basically a slave to Julianne Moore’s character in a way, and he was a definite scene stealer!

When I watch sequels, I tend to look out for similarities to previous installments of a franchise. “Kingsman: The Golden Circle” definitely had similarities to “The Secret Service.” For example, in this movie we get a “Manners maketh man” scene, we also get an action scene that remains in a single shot for a period of time, and another thing I noticed that’s kind of brought up twice is a reference to this:

GARY “EGGSY” UNWIN: Sorry, love. Gotta save the world.

PRINCESS TILDE: If you save the world, we can do it in the asshole.

That’s actually from when Eggsy and the woman who happens to be his girlfriend in this particular movie first met. This is actually brought up in a conversation between Harry and Elton John that was somewhat funny, but it didn’t really mean as much as the line it’s reminiscent of. Not to mention before Eggsy leaves to go on a mission, he’s talking to Tilde and she says “If you save the world, you know what happens.” While I do understand what she meant by that, the execution of that line honestly was weak. This is an R rated movie. My suggestion is try to say something raunchier than doing it in the asshole or just eliminate the line altogether. In fact, I’ll mention once again, the execution of the line given in the conversation between Elton and Harry was funny. But how funny would it be if Elton told Harry they can do it in the asshole if the world is saved? Just for the record, Elton John is gay so it would probably make sense. Plus, Harry’s sexuality has never been established, so if he’s heterosexual, he might as well appear grossed out by the comment and it might make for a few laughs in the audience.

Another thing I noticed in this movie is that part of it may be a commercial for the FOX News network. Now, I personally hate FOX News, but that’s not my point. A lot of the movie’s exposition was shown by hearing reporters on FOX News. Part of me wonders how much they paid to be in this film. OK, I take that back, this movie’s from 20th Century Fox so my brain tells me that’s probably likely to be nothing. I say this because I don’t know if I’m imagining things but it’s unusual for me to see a news channel in a movie for the length of time FOX News has been featured in this particular film. OK, well, if we’re talking about “Nightcrawler” or maybe “Cloudy with a Chance of Meatballs” that’s a different story. I remember seeing Sky News in the first movie, but I remember them getting less screen time. This does remind me of the movie “Mother’s Day” which is basically a 118 minute long commercial for the Home Shopping Network. Granted FOX News in this movie is a lot less in your face as opposed to the Home Shopping Network in “Mother’s Day,” but still.

One more complaint I have about “Kingsman: The Golden Circle” is that it’s too long. The movie has so many subplots in it that it almost feels like an extended cut as opposed to a movie that would traditionally feel like a theatrical cut. Watching the movie’s climax, I was nearly convinced into thinking that the movie almost didn’t know when it wanted to end based on all of the s*it that was going down. It’s like all the hurricanes we’ve been getting lately. WAIT! THERE’S ANOTHER ONE?! F*CK THIS WORLD!

In the end, “Kingsman: The Golden Circle” may have flaws, but I’d say it’s definitely a sequel worthy of the “Kingsman” name. The first movie may be better, but this movie is certainly a fun ride with tons of action, cool new characters, and an interesting villain despite how cliche she is. From a technical perspective, this movie’s amazing, and I’d say this movie also happens to be enjoyable in terms of entertainment value. I’m gonna give “Kingsman: The Golden Circle” a 7/10. Thanks for reading this review, and before we go any further, I’m gonna let you know about a cool new app called Stardust.

Stardust is a free app you can download if you want to talk about TV shows and movies. There are multiple cool things you can do with this. You can record short videos about movies or TV episodes, you can follow people for their latest thoughts and reactions, by the way, my Stardust handle is JackDrees if you want to follow me, and you can also add movies and TV to a watchlist. By the way, if you want to talk about a particular movie or an episode of a TV show, you don’t even have to watch it, the videos you take can give you the option to say you haven’t watched something. So go download the app now, and this is NOT SPONSORED. I just wanted to share this because I have a feeling a number of people in my demographic would find this interesting.

As far as upcoming reviews go, this weekend I want to go see “American Made” which stars Tom Cruise and is directed by Doug Liman, who directed “The Bourne Identity” and “Edge of Tomorrow,” I’m also desperate to see “Blade Runner: 2049,” by the way, based on the early reviews, I can tell this movie’s gonna be amazing. I also want to see “Stronger” at some point. We’ll see what happens. Stay tuned for more reviews! Also, which “Kingsman” movie did you like better? “The Secret Service” or “The Golden Circle?” If you ask me personally, “The Secret Service” is the better movie, but I want to know your thoughts down below. Scene Before is your click to the flicks!