Everything Everywhere All at Once (2022): A Bloated, Mind-Melting, Exciting Ride Through the Multiverse

“Everything Everywhere All at Once” is directed by Daniels, the same team behind the 2016 film “Swiss Army Man” featuring Daniel Radcliffe as a dead body who communicates by farting. And if you think that is weird, you are not ready for “Everything Everywhere All at Once,” possibly the greatest title in film history. That said, “Everything Everywhere All at Once” stars Michelle Yeoh (Shang-Chi and the Legend of the Ten Rings, Crazy Rich Asians), Stephanie Hsu (The Path, The Marvelous Mrs. Maisel), Ke Hey Quan (Indiana Jones and the Temple of Doom, The Goonies), Jenny Slate (The Secret Life of Pets, Gifted), Harry Shum Jr. (Glee, Shadowhunters), James Hong (Revenge of the Nerds II: Nerds in Paradise, Blade Runner), and Jamie Lee Curtis (Halloween, Knives Out). This film, or in a case like the one we are dealing with, this drug trip, centers around the character of Evelyn Quan Wang, a Chinese immigrant who owns a laundromat with her husband. When financial stability becomes an issue for Wang, she suddenly finds herself on a journey through the multiverse where she learns about the many lives she could have lived. She uses this newfound knowledge to hopefully save her own universe, along with several others, from a cataclysm.

I want to start off this review by reminding you that I waited a couple months to see this movie. I knew what it was. I knew the plot. I knew that a lot of people liked it. But due to other commitments, other movies, not to mention planning to see it once or twice only to have my plans scrapped, I had to wait on “Everything Everywhere All at Once” like I was in line at comic con. Fun fact, I am at a time of my life where I typically enjoy going to the movies by myself. I have nothing against going with friends, but there are many cases where I would prefer going to the cinema alone because as a reviewer, this allows me to concentrate harder on what’s on screen. But one reason why I waited so long to see “Everything Everywhere All at Once” is because if I wanted to go see this movie by myself, I could have. I would have probably had a good time. That said, this looked like a movie I had to see with someone else. So I invited my dad, told him I think he would like the film, and we were going to hopefully have a ball.

Without giving much detail, I think my previous sentiment is one to keep in mind, should you decide to watch “Everything Everywhere All at Once,” because it is a movie that is watchable on your own, but the more people you have around you, the better the experience will probably end up being. It is the same reason why comedy shows are better with sold out crowds. The laughter is that much more contagious.

Also I will remind you, this is a multiverse-spanning movie. The previous two Marvel Cinematic Universe movies have brought audiences into the multiverse in their own ways and have done ridiculous numbers in terms of the box office. Unlike those films, “Everything Everywhere All at Once” is an original idea. Of those two previously indicated unoriginal ideas, one of them literally has the words “Multiverse of Madness” in the title. That said, “Everything Everywhere All at Once,” is THE REAL MULTIVERSE OF MADNESS. Eat your heart out, Doctor Strange! I contend that “Everything Everywhere All at Once” could end up permanently owning the crown for the greatest multiverse-centric movie of all time. It is that good.

If you have been following me this year, I have talked about a specific idea within certain films. “CODA” and “Belle” are prime examples of this. That theme is a perfect bridging between extraordinary and ordinary. While those films showcase this idea to excellent degrees with a non-deaf, music-obsessed child living in a deaf family and a shy, rural-housed teenage girl entering a social media paradise where she becomes a star, these are not new ideas. Heroes always start off ordinary and then find ways to become extraordinary throughout their adventure. If they stayed ordinary, they would be one-dimensional or boring. But if you break down “Everything Everywhere All at Once,” it is not necessarily a film about saving the multiverse as much as it is about keeping a family together, keeping each other from going bizzerk. Because within the confines of alternate realities, mastering kung fu, superstardom, the main family of the film has to deal with the potential closure of their business, potential divorce, and as far as the parents are concerned, potential rebellion from the daughter.

Speaking of potential, I think “Everything Everywhere All at Once” had a ton of potential, and that potential was perfectly realized within this film’s small budget. For comparison, another recent multiverse-centric story, “Doctor Strange in the Multiverse of Madness,” had a budget of $200 million. “Everything Everywhere All at Once” on the other hand… A non-sequel, original idea not based on any preexisting intellectual property, not set in a cinematic universe whatsoever, cost $25 million to make. That is nothing to sweat at by any means. $25 million is a lot of money. Plus, there are movies that came out this year that cost less to make. “Hustle,” the last movie I reviewed, was less expensive. But to be fair, it was more limited in its theatrical release. That said, “Everything Everywhere All at Once” supports the notion that smaller can be better. The more time you spend on crafting a compelling story and the less time you spend on the spectacle and paying Patrick Stewart to play Professor X again, the better the payoff.

Through her portrayal of Evelyn, Michelle Yeoh encapsulates what it is like to be a normal human being with financial issues. We see her trek through the film while her ordinary life continues to go down the crapper. Changes come in every which way and it is not only affecting her, but the people she knows. This movie plays around with the idea of one person seeing not only other versions of themselves, but their jealousy towards the lives the alternate selves tend to enjoy. Evelyn sees versions of herself that excel at kung fu or acting. If I saw myself in other universes living as say a successful singer or a baseball player, I would definitely consider rethinking my life choices or finding a way to embody my other selves.

Throughout the film’s runtime, we are heavily exposed to other members of the Wang family. Those who appear alongside Evelyn are her husband, Waymond (Ke Huy Quan), her daughter, Joy (Stephanie Hsu), and her father, Gong Gong (James Hong). Each character has their own individualities and quirks that make the film worthwhile. There is an incredible element of the film where we see the supposed differences between Evelyn and Joy in terms of how they live their lives, how they view the world. It makes for some entertaining moments of the film while also effectively progressing each character arc.

I also have to give a major shoutout to Jamie Lee Curtis, who gives an incredible performance as Deirdre Beaubeirdre, an IRS inspector who takes no nonsense whatsoever. I admire Jamie Lee Curtis as an actress, so I hope this is not taken the wrong way, but her character does such a great job at appearing so boring and yet so fiendish. She looks like she could ruin someone’s life in a snap. Of the film’s supporting characters, she is arguably the highlight.

“Everything Everywhere All at Once” is an arguable contender to be the strangest and yet most ambitious film I have watched in my life. One of my biggest compliments I gave to “Doctor Strange in the Multiverse of Madness” is how they handled Benedict Cumberbatch’s variants from a looks perspective. When it comes to Evelyn in “Everything Everywhere All at Once,” I would say a similar assessment applies. But the script and direction of “Everything Everywhere All at Once” gives Michelle Yeoh a greater excuse to provide a more solid, perhaps down to earth performance than the one Cumberbatch gave in his multiversal feature. There is so much that happens in this movie, not only in terms of the story, but the overall scope of… everything… At various points, the movie hinges to a precipice where things are almost completely out of control. There is a moment in this movie where I could see a lot of people thinking it is crazy enough, only to shock themselves in a matter of minutes with what comes up afterwards. If you are looking for a predictable movie, you have come to the wrong place. “Everything Everywhere All at Once” is probably the most unpredictable movie I have seen since “Parasite.”

If you have not watched it yet, you need to check this movie out, and as much as I could go on about it, I am going to let you see for yourself, because if you are anything like my dad when he sat next to me in the theater, taking every single scene in… I think you should prepare to drop some unexpected f-bombs at the screen the moment you witness some of the wondrous sights this one of a kind feature seals within its doors.

In the end, “Everything Everywhere All at Once” is one of the best movies I have ever seen. A24 is a crazy distributor. I either truly like a movie from them, which was the case with say “Eighth Grade” or “The Disaster Artist.” Or I attempt to make a case as to why some of their films are atrociously awful like “Midsommar” or “Zola.” There never feels like there is an between at times. And even if there is, I still have something supposedly notable or passionate to say about their films. Even “The Last Movie Star,” starring Burt Reynolds, which I thought was the definition of mediocre, elicited a passionate reaction out of me as to why I did not particularly think that film was the best. “Everything Everywhere All at Once,” which is certainly above mediocre, is no exception to letting me bring out the passion. Oddly enough, I have a feeling I could somehow end up appreciating it more with a second viewing. If the jump after a second viewing is anything like the one I had for “Belle” recently, it could potentially be in the conversation for my top 5 movies of all time. If there is one movie that you should see by the end of the year, it is this one. I am going to give “Everything Everywhere All at Once” a 10/10.

“Everything Everywhere All at Once” is now playing in theaters and is available to watch on VOD.

Thanks for reading this review! Stay tuned for my next reviews, which are for the brand new blockbusters, “Jurassic World: Dominion” and “Lightyear!” I watched both movies this week and I am excited to share my thoughts! If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Everything Everywhere All at Once?” What did you think about it? Or, what is your favorite movie that you saw this year? New or old, doesn’t matter. Let me know down below! Scene Before is your click to the flicks!

Halloween Kills (2021): A Halloween Sequel That Encourages You To Find Jamie Lee Curtis

“Halloween Kills” is directed by David Gordon Green, who also directed the previous “Halloween” installment, simply titled “Halloween,” the 2018 sequel that erased all the other “Halloween” sequels out of continuity. Serious question… They had no other title for that movie? Anyway, this film “stars” Jamie Lee Curtis, even though she barely does anything here. In addition to her, this movie also has a cast including Judy Greer (Ant-Man, 27 Dresses), Andi Matichak (Assimilate, Underground), Will Patton (Falling Skies, Remember the Titans), Thomas Mann (Project X, Kong: Skull Island), and Anthony Michael Hall (The Breakfast Club, Weird Science). This film is the sequel to 2018’s “Halloween,” taking place directly where that movie ends, and follows the Strode family as they continue to survive against the dreaded Michael Myers. This time around, the entire Haddonfield community joins together to defend themselves against the twisted serial killer.

I feel like I keep beating a dead horse when I say this. Horror movies as a genre is not my forte in the film realm. I like some horror, I enjoy it. But for years I avoided a ton of new titles because they often looked predictable from the marketing. Although I have an appreciation for the 1978 “Halloween.” I think it did a lot for slasher flicks and it remains one of the more popular horror titles out there today. Michael Myers has become synonymous with a still face that you do not want to find on the street, and I think the original film is worth a watch at least once before you die, or before someone comes at you with a knife and slices your throat. I cannot say much about the other “Halloween” films, because all I’ve seen aside from “Halloween Kills” is the original film, “Halloween II,” and “Halloween” 2018.

Going into “Halloween Kills,” I was not expecting too much. I had some fun with the 2018 “Halloween” reboot, but I would not say it is that great. There are parts of it that were slow, underwhelming, but I still had some fun with it. I ended up going to the press screening just hoping to have a good time. And I will say that “Halloween Kills,” despite its flaws, and there are a few, is reasonably enjoyable. If you want something fun to watch this weekend, I would recommend “Halloween Kills.”

The film comes with some things that you might expect. Classy kills, great music including the classic “Halloween” theme that has become well known to the fanbase, and Jamie Lee Curtis being badass. Those have become a few staples of the franchise. But I also like where this movie takes its story as far as the supporting cast goes. This film spends much of its time getting to know a large supporting cast who reside within Haddonfield. They all agree on one thing. Michael Myers is on their death list. The way that they handled this supporting cast in the movie sort of reminiscences the U.S. capital riot earlier this year. After all, you have a large group of people, including someone who organized an entire mob, they’re together for the same purpose, but instead of going after a ton of people at once, they’re after one guy. Granted, this movie was written and shot before that happened, but I like that aspect of the film. Trust me, if I found out Jack the Ripper were still alive and somehow in my area, I would be encouraged to join a mob and go after him. I’m a pacifist, I do not have any intentions to kill anyone, but even I might be propagandized enough to go after him.

This movie also has some really cool kills. The movie is available to stream on Peacock even though it is also in theaters, but if you want my recommendation, I’d say go see this movie with an audience because there are one or two kills where our theater gasped, oohed, I said “oh my god,” one time. It is worth seeing in a theatrical environment. My other recommendation is if you want to watch it on Peacock. Get some friends, order some food, make sure you have plenty of people in the same room. This film is fun to watch by yourself, but might be even better with others. Michael Myers has a way of bringing people together.

I said there are a few problems about this movie, and I am not afraid to talk about them. First off, as much as I like the screenplay when it comes to how it handles its large group of supporting characters, I think the movie does not bring much that’s new to the horror genre or “Halloween” franchise. Part of the screenplay is predictable, and I’ll probably forget about a lot of characters in this film by the end of the year. Speaking of characters, again, as much as I like the supporting cast and what they do, I think a lot of time was wasted away from Laurie Strode. Jamie Lee Curtis received top billing in the film, so I would have liked to have seen more from her character. I feel like she doesn’t do much. I know the way the last movie ended and this movie begins has her character the way she is for a reason, but I was somewhat underwhelmed by Curtis’s appearance. It’s like, “Look everybody, A NEW HALLOWEEN MOVIE! Starring Jamie Lee Curtis as that one lady who earns her paycheck!”

My other big complaint is one that to some people, probably should not come as much of a surprise. I felt like the first half of the movie tried its best to set the tone for what’s ahead, but while it did that, it made much of that first half an extravaganza of jumpscares. There were just too many scares just done to keep people on their toes and they had little to no real purpose of being in the film. They’re just… There. I do recommend “Halloween Kills,” but it’s gonna be hard to call it a movie for the ages. It’s definitely fun to watch at least once and see how it is.

In the end, “Halloween Kills” is a good time and I do think it is best watched with a group of people, as long as you’re not out to kill anyone. This film comes with the basics of a “Halloween” film mixed in with an angry mob of people who gather together to get rid of the one thing that pisses them off, a man in a $2 William Shatner mask. No, seriously. Some people suggest that the mask for the original Michael Myers is based on a guy who just went up into space in a penis rocket! There is not a ton of substance in this film, but it definitely delivers style. I approve of the film despite its flaws. I’m going to give “Halloween Kills” a 6/10.

“Halloween Kills” is now playing in theaters everywhere. The film is also available to stream on Peacock Premium free of any additional charge.

Thanks for reading this review! Now if you thought “Halloween Kills was scary, just wait and see what I’ll be reviewing next. This weekend I went to see “The Last Duel,” one of my most anticipated movies of the season, and without giving much away, “The Last Duel” makes “Halloween Kills” look like a family film. I cannot wait to talk about the movie, I have a lot to say. Also be on the lookout for my reviews of “No Time to Die” and “Dune,” both of which will be coming soon. Be sure to follow Scene Before either with an email or WordPress account and also be sure to check out the official Facebook page to stay tuned for more great content! I want to know, did you see “Halloween Kills?” What did you think about it? Or, what is a movie where you think one of the main characters should have gotten more screen time? Let me know down below! Scene Before is your click to the flicks!

Movies and COVID-19: Behind the Scenes – Part 5

mv5bzdmynzg2nwutmtmzyi00mmzklwjlmzytnda0ntmxztdhywuzxkeyxkfqcgdeqxvyotc5mdi5nje40._v1_sx1777_cr001777740_al_

Hey everyone, Jack Drees here! It is now time for part 5 of the Scene Before series “Movies and COVID-19: Behind the Scenes.” This series describes the recent happenings, or in some cases, a lack of happenings, in the film industry as the world deals with the COVID-19 outbreak.

Per usual, real world matters first! Because life sucks! The United Kingdom is currently in a bit of trouble as evidenced from actions taken this past Thursday. Britain has confirmed they have extended their countrywide lockdown for a total of three more weeks. This was announced by foreign secretary Dominic Raab, who is taking on responsibilities in place of Prime Minister Boris Johnson, who was previously announced to have a positive case of COVID-19. With this extension, the country’s lockdown is likely going to last until the second week of May unless things change.

For the record, a good number of people in my country, specifically the United States, often point out that the economy is likely to collapse should we keep these restrictions going for any longer. One take that I found interesting mainly because I don’t hear it all that much, is the one given by the recently mentioned Dominic Raab. He suggests the opposite and thinks if we loosen these restrictions, the economy is going to go to hell. After all, since there’s always a chance of a second outbreak, there’s always a chance of a second economic downfall.

Although here in America, people clearly want the economy opened back up, including medical expert Anthony Fauci. The well-known director of the National Institute of Allergy and Infectious Diseases was on the Snapchat show “Good Luck America,” which discusses the role young people have in spreading the virus. He explained on the show that he’s likely missing baseball season as he suggests, “I’m living in Washington, we have the world champion Washington Nationals. I want to see them play again.” He also thinks that sporting events like baseball and football could happen should there be a lack of an audience in stadiums.

President Donald J. Trump, who Fauci has been seen alongside for much of this crisis through cameras, wants the economy opened back up by May 1st, as I mentioned in part 4. As of suggesting that notion, certain states have declared the idea of opening back up on said day like Trump is opting for. One notable state is Ohio, which much like much of America, is planning to follow phases as to what exactly will open at supposed times. Restaurants may be more essential than bars, and bars may be more essential than football stadiums.

Speaking of U.S. states, one of the most talked about states in general regarding this crisis, has been New York. Governor Andrew Cuomo, whose brother is a CNN reporter who has been tested positive for COVID-19, has been a significant voice in not only trying to pull his state into the right direction, but for the rest of the country as everybody deals with this. Although another voice that New Yorkers heard last week was former presidential candidate and current New York City Mayor Bill De Blasio, who had some unfortunate news for the state. De Blasio suggested that all major gatherings for the month of May have been canceled except for certain events like farmers’ markets. So if you are expecting to attend a “Last Week Tonight” taping this May, sorry to say, you’re gonna have to continue staring at John Oliver in front of a white void.

Screenshot (59)

Well, at least he got the rat painting he’s been searching a month to find.

Fun fact, when this whole crisis initiated, I was in Florida, which may be one of the worst hit states when it comes to this mess. For the record, Florida does not have the most cases for the virus, in fact none of them hold a candle to New York. In fact, my state, Massachusetts, has more cases to my surprise! But when it comes to properly closing everything in the state, those ends have not been met. In fact, Governor Rick DeSantis just opened a crucial element to what makes Florida Florida, the beaches. I should note that not all beaches have been opened, and they are NOT open for the purposes of bringing blankets, chairs, and coolers. They are specifically open for exercise-related purposes, plus taking care of pets. Individuals are still supposed to keep their distance from others and avoid gatherings of 50 people. Many of south Florida’s beaches, such as those in Miami, continue to remain closed, but if you live in Duval County (Jacksonville), there’s a good chance that you can find an open beach near you.

The beaches managed to receive a major turnout. However, not everyone is happy, as partially evidenced by the reaction that surfaced on social media. One of the top trending topics of the past weekend is #FloridaMorons. Here’s some of the tweets that surfaced.

Just because we talk about movies here…

Also, one man wanted to drop a public service announcement…

Thank you, sir! Very informative!

Now that we are done with our continuously depressing and ridiculous reality, let’s move onto movie topics. This first part is not a main topic since it may not have as much relevance as others, but I do feel it needs to be talked about. One of the topics I discussed last week is “Parasite’s” Hulu debut. Now Hulu has been a pretty popular streaming service that has been relevant for a few years. In fact, now that Disney oversees them, they are included in a bundle package with their other streaming services including Disney+ and ESPN+. But for a streaming service overseen by a company that does not make many independent features, “Parasite” has earned an ASTOUNDING success on the service so far. The movie dropped on Hulu Wednesday April 8th, where from then on, it was not long before the film immediately became the most streamed foreign or independent feature on the service in just a week. According to IndieWire, the film is also the second most watched film on the platform of all time. This beats the likes of mega-titles such as “Transformers: The Last Knight,” “A Quiet Place,” and “How to Train Your Dragon: The Hidden World.” Given the film’s Korean background, how Hulu does not even serve Korea, plus the necessity for non-Korean viewers to read subtitles, it should come as a surprise that “Parasite” is as popular as it is on Hulu. Although keep in mind, the film has already been a critical success in the states, not only having major buzz from reviews, but tons of award wins as well, including the Academy’s Best Picture, which no international feature has received prior to “Parasite.” The film has made over $50 million at the U.S. box office, indicating success. So either everybody wanted a chance to watch the film again, or there’s a possibility that a majority of Hulu users missed out on the theater experience but now have an opportunity to watch at home.

Speaking of theater experiences and watching something at home, Lionsgate is trying to recreate the communal theater atmosphere while keeping movie watchers on their couch. One of the best parts of going to the movies sometimes is the reactions people can blurt out during a presentation. If you have seen the last two “Avengers” movies, you’d understand. Lionsgate is attempting to get people together to react to their favorite movies without hearing anybody else and with the intention of keeping viewers behind closed doors.

FRIDAY NIGHT LIONSGATE MOVIES ON YOUTUBE

Throughout the series, I have often touched upon the goings on behind some of the bigger studios. Disney and Universal have shuttered theme parks, delayed films, and have decided to put some of their films like “Artemis Fowl” and “Trolls: World Tour” straight to a digital streaming service. Paramount delayed a ton of films, but some of their classics will be airing on CBS soon. Warner Bros. has stated in the past about its optimism to release “Tenet” in theaters on time, all the while delaying big films like “Wonder Woman 1984.” But one of the major studios I have not talked about all that much yet in this series is Lionsgate. While they don’t have the franchise power that a company like Disney has, they do possess the rights to iconic properties including “The Hunger Games” and “John Wick,” which are relevant to this topic.

Recently, specifically Friday April 17th, Lionsgate teamed up with Fandango, YouTube, and NATO (National Association of Theatre Owners) to get people to watch “The Hunger Games” on YouTube for free. This is part of an event called “Lionsgate Live! A Night at the Movies.” These are movie night events hosted by Jamie Lee Curtis (Halloween, Scream Queens), will feature celebrity guests, special programming, and opportunities for fans to interact via YouTube live. While the odds of watching “The Hunger Games” on one of these Fridays will no longer be ever in your favor, there are still a few movies listed for this special occasion. These include…

  • DIRTY DANCING (APRIL 24)
  • LA LA LAND (MAY 1)
  • JOHN WICK (MAY 8)

Just a reminder, if you want to watch “John Wick” during this occasion on YouTube, there is an age restriction. For the record, “John Wick” is rated R whereas the other films listed are rated PG-13. So if you want to watch your fan favorites with OTHER PEOPLE, I never thought I’d say that ever again! go to the Movieclips YouTube channel, check to see if one of the movies is playing or will be playing, and enjoy! This event will benefit the Will Rogers Motion Picture Pioneers Foundation, a foundation dedicated to helping workers within the motion picture industry. This even includes the many theater employees affected by the COVID-19 crisis. Even companies behind food are getting in on this, which does make sense as cinemas and food go together like bread and butt–, sorry. Popcorn and butter. I don’t always agree with that statement, my apologies to all popcorn eaters who butter on their popcorn at the movies, but still, it makes sense here. So feel free to amuse yourselves over my forced statement all damn day.

Popcornopolis, which judging by the name, you can probably tell makes popcorn, will be donating 10% of its sales to the cause. Meanwhile, SnackNation, typically known for being a healthy snack delivery service for offices and homes, will be giving away a specially priced box of goodies for these movie nights. The box will include fruity candy, chips, puffs, popcorn, and more. The box is priced at $9.95 and shipping is free. So if you are tired of going to Target to get some Sour Patch Kids while also buying tons of toilet paper, give this snack box a shot, and if you don’t use it for one of these movie nights, it could always work for something else you pop on at home. “Tiger King” is pretty hip right now, why not give that a shot? If you wanted to get some grub from SnackNation for “Dirty Dancing,” there is a solid chance that you might not get it on time. But if you wanted something for “La La Land” or “John Wick,” by all means place your order!

Also in on this are major movie theater chains including AMC Theatres (Please make it through this!), Regal Entertainment Group, and Cinemark Theatres.

SAN DIEGO COMIC-CON CANCELLED FOR FIRST TIME EVER

mv5byti2zgy2odqtmtk2ns00zjazlwezmdktyte1zjc0zdkxy2yzxkeyxkfqcgdeqxvynjg2njqwmdq40._v1_sy1000_cr0014801000_al_

Alright, my fellow nerds. Buckle up. This is possibly the most dissatisfying news any comic convention fanatic will ever hear. San Diego Comic-Con, known for pioneering the comic con name and blueprint has officially been cancelled for the first time ever. The event started out small and has grown ever since. It has achieved fame for its success at bringing together communities of nerds of all kinds from comic book collectors, sci-fi fanatics, movie buffs, fantasy lovers, and TV junkies. It’s even gotten so big that “Conan” on TBS has done shows in San Diego as the con goes on! It’s an event so lively that even if you don’t get to go, you are guaranteed to hear something from it that is extravagant in the nerd world, mainly because there is heavy self-promotion going on in the sacred “Hall H,” where celebrities talk to fans, crews behind projects promote trailers, and the effort to get in is just as hard as it is to get through waiting at the DMV. Sadly, this year, there won’t be any of that. Last year, SDCC brought some great news to the nerd sphere, especially within Marvel, because that is where they laid the groundwork for phase 4, advertising plans for each theatrical movie set to release, and even the shows they’re planning to drop onto Disney+. Unfortunately, this news is already outdated as we won’t be seeing one of those projects, specifically “Black Widow,” this May and instead wait until November, which is when “Eternals” was originally supposed to release.

Who knows what could have happened this year? Would we finally get another trailer to “Godzilla vs. Kong?” Would we get a look at footage for James Gunn’s “The Suicide Squad?” Maybe we’d get word that Warner Bros. will release the Snyder Cut the same day that Universal plans on releasing the Butthole Cut for “Cats.” Who knows?

Not to get selfish here, but I go to a couple cons every year, and I don’t know if I’ll even get to go to one based on this information. San Diego Comic-Con is such a powerful name in this industry. So powerful in fact that they even felt it was necessary to call out another con for using their name, even when this has been a thing that has been done for years to the point where it has become commonplace. It’s a comic convention where people get together to be happy, not an international format of “Who Wants To Be a Millionaire!” But with the first sentence of this paragraph in mind, with a name San-Diego cancelling, I have a feeling that others may eventually follow in the con’s footsteps because of name power. For all I know, that could be different because every area of this Earth is dealing with COVID-19 in its own way, but I figured that the U.S., or at least most of it, would be done with this virus in a couple months that way we can gain a sense of normalcy. But who knows at this point?

By the way, I could go for a massive bucket of overpriced movie theater popcorn right now.

MOVIES THEATERS ON REOPENING

AMC Shore 8 - Huntington, New York 11743 - AMC Theatres

Remember how in part 3 I was talking about the possibility of AMC falling into its grave? Well, turns out they have a plan! To specify, a $500 million plan. Has a nice ring to it. Keep in mind, AMC has MASSIVE debts, so while $500 million does not cover everything, it’s likely to help during this time. Wall Street has officially parsed AMC, giving them the thumbs up. This will give AMC some time to prevent themselves from heading into dreaded Chapter 11 bankruptcy territory. Stock-wise, AMC is now at $3.20, up 31% reaching their highest level in a couple of weeks. Similarly, Cinemark, a nationwide chain whose subsidiaries include Rave Cinemas and Century Theatres, is also up. While not as high as the 31% for AMC, it bounced up 16% to achieve $13.48 per share.

Speaking of AMC and Cinemark, movie theater operators such as these have planned for a hopeful summer reboot. After all, the kids are out of school, you can only go to the beach so many times before getting sunburned all over, so the cinema is a great outing. Cinemark themselves stated that they are planning for an opening on July 1st, suggesting that they plan on spending June rehiring employees and will screen some classic films during the summer. How classic? I don’t know. Could be black and white, color, old, new, across the board. But I would kill to see “Endgame” in a theater again. I would love to take someone who hasn’t seen the movie just to see how’d they react to it in a theatrical environment, because that movie, plus the Jackoff-winning Best Picture “Infinity War” were literally built for audiences to come together. And while it is disappointing for a film like “Black Widow” to not come out until November instead of May, I would much prefer that, when I can likely see it with a crowd, then curling up in my room watching it as it goes straight to streaming. In fact, I still have no plans to get Disney+. HBO Max might be on my radar though (I’ll get back to that).

While I did talk about reality before, I should bring it up again. The Governor of Georgia, otherwise known as Brian Kemp, has recently announced that he gave the green light to businesses to reopen their doors beginning April 27th. Regardless of whether or not this is stupid, which I personally think it is, movie theater chains will likely need longer than a week to rehire and retrain people before opening doors again, as insiders suggest. As for local theaters, I don’t know what the case will be, but chains are likely to follow a structured process. Maybe they will open all their theaters at once, maybe vary state by state, do a few at a time, but who knows?

THESE DELAY STORIES ARE GETTING TIRESOME!

mv5bzgqxnjiyy2itmwe0ni00mwy4lwiwogutmmq5mdrlzwywmjgwxkeyxkfqcgdeqxvyotmymjywnta40._v1_sx1777_cr001777999_al_

So… “Black Widow” has been delayed. “Eternals” has been delayed. “The New Mutants” has been delayed. “Top Gun: Maverick” has been delayed. “Infinite” has been delayed. “A Quiet Place Part II” has been delayed. Now the Caped Crusader has something he’d like to say to all of those movies.

That’s right guys! Unfortunately, Matt Reeves’ upcoming “The Batman,” starring Robert Pattinson (Twilight, The Lighthouse), has been pushed back from it’s original release date, June 25th, 2021, and will now hit theaters October 1st, 2021. If you had to ask me, here’s my response.

If you ask me, “The Batman” is a film that I am definitely looking forward to, and I am disappointed by the announcement. Despite the flack Pattinson sometimes gets for his past roles, most notably “Twilight,” he has generated an excellent acting method over the past number of years. Plus, it’s f*cking Batman, how could I not get excited over a movie with Batman in it?

Well, okay, maybe not all of them are that exciting. By the way, f*ck the convenient Bat Credit Card.

Although I will state, as disappointed as I am, it could still be worse. After all, movies like “Top Gun: Maverick,” which I’ve previously talked about had trailers and a marketing campaign all set up. “Batman” hasn’t even finished filming yet. In fact, production shut down earlier this year due to the virus. While I am underwhelmed and dissatisfied with the news, I cannot say I’m scarred for life. Although not having a “Batman” movie during summer blockbuster season does feel a little weird. Maybe this is a case, much like “Joker” where the delay to October can be favorable for “The Batman” as there COULD be an effort to get some awards buzz for the movie. There could be a possibility that “The Batman” is also intentionally made for mature audiences, perhaps the MPAA will give it an R rating, making the Dark Knight the DARKEST Knight. Even so, this is NOT the delay we deserve. NOR is it the one eager movie and comic book fans need right now.

“The Batman” is being put out by Warnermedia, which should not be surprising as DC Comics and Warner Bros. go together like peanut butter and jelly. Speaking of Warnermedia delays, a movie set in the universe of HBO’s hit series “The Sopranos,” originally set to release September 25th, 2020, is now coming out March 12th, 2021. The film is a prequel to the recently mentioned title and is currently going by the name of “The Many Saints of Newark.”

Also in DC Comics movie news, a couple more titles have been moved around. “Shazam 2,” which was supposed to release April 1st, 2022, is being pushed back seven months to a new November 4th release. I have no problem with this, because that just means I have probably already figured out what I might want to do on my 23rd birthday about 2.5 years before it even arrives.

Alright, kids. Buckle up. This movie deserves its own paragraph, because while I am busy bitching about all of these movies that have been pushed back like a skinny dude in a wrestling match, there’s one movie that has believe it or not, been pushed FORWARD. I’m talking about another DC movie, “The Flash!” The film was supposed to release July 1st, 2022 but has recently been pushed forward to its new June 2nd release date, also in 2022. I have NO IDEA if this movie will be out by this time, and to be honest, it’s almost wishful thinking. This film was supposed to come out in 2018 as the DCEU’s sixth installment. Phil Lord and Christopher Miller, famous for movies including “21 Jump Street” and TV shows including “The Last Man on Earth” were supposed to get the ground running. They sent a treatment, but they couldn’t direct the film because they were busy. Seth-Grahame Smith was hired to direct, but he dropped out in 2016 due to creative differences. Then, Rick Famuyiwa said he was directing as of June 2016, and production was going to start in January 2017. But by the looks of things, that did not seem to last, as Screen Junkies reported that Robert Zemeckis was on a shortlist of directors to take on “The Flash.” Also on the shortlist, Sam Raimi and Matthew Vaughn, two famous directors within the comic movie realm. This comes three months after a Variety report that Joby Harold (Edge of Tomorrow, Underground) was going to rewrite the script. FLASH (see what I did there?) forward to June 2017, look who’s back! Lord and Miller, that’s who! While things did not seem to go far, the Wrap reported that the dynamic duo were in talks to direct the film again. Then in February 2018, another duo popped up, this time it was John Francis Daley and Jonathan Goldstein. These two managed to create one of the best comedies of the past five years, “Game Night,” and they also acquired comic book movie experience through writing the Disney/Sony collaboration, “Spider-Man: Homecoming.” Then came July 2019, where the duo announced their departure from the project! As of now, the project is expected to be helmed by Andy Muschietti (It, Mama) and Christina Hodson (Birds of Prey, Bumblebee). Also joining the project as a producer is Barbara Muschietti, Andy’s sister. As for Ezra Miller, who plays The Flash in the DCEU, who knows what’ll happen to him after the recent controversial video of him released where he chokes a woman? This project is going GREAT so far!

Holy crap, that was a mouthful. You think “The New Mutants” is having trouble? At least that movie got f*cking shot! “The Flash” has not even reached “production” level! It’s insanity! I remain hopeful that this film comes out in June 2022, but this is one of those cases of where I’ll believe this movie when I see it.

Warnermedia has also delayed two movies to November 2021. One of which was the movie Tom Hanks was shooting in Australia when tested positive for COVID-19, an untitled Elvis film. The film was originally supposed to come out October of next year. However, one film got the “F9” treatment where it won’t even see the light of day this year. It was once set to come out this November, but that will not be happening.

Moving away from Warnermedia, let’s talk about Sony. Recently I discussed that the studio pretty much abandoned the summer of 2020, pushing back films including “Ghostbusters: Afterlife” and “Morbius.” But it just so appears that they have delayed one of their Fall projects as well, specifically “Venom 2,” which is now titled “Venom: Let There Be Carnage.” Based on the title, the film is likely to have the comic book villain Carnage as the main antagonist, information that has been teased since the first movie. I’ll be blunt here, I am not looking forward to “Venom 2.” This is a delay that I am not personally offended by. I will say, I do feel bad for the people behind the film, because the first one came out in an October as well and grossed over $800 million. Then again, that piece of crap people like to call “Venom” grossed over $800 million even though it is most likely the worst movie that I have seen which is related to “Spider-Man.” This sequel has one thing giving me mixed thoughts, and that is the director. I feel like the vision for the first “Venom” is entirely corporate and lacks soul. I still wonder why people even clapped at the end of the movie. Even though Ruben Fleischer did some decent stuff in the past, like “Zombieland,” this was an idea that felt rushed and underwhelming. And honestly, they should have gone for the R rating. But this time, it is being directed by Andy Serkis, who definitely has a knack for visual effects, both in terms of acting and behind the scenes. However, I’ve heard “Mowgli: Legend of the Jungle” was not the best work in the world. It has a 53% on Rotten Tomatoes, indicating that a majority of critics liked it, but it’s also not the finest number of all time. I like Andy Serkis, but I have vivid memories of the first “Venom” and they’re not pretty. I still have a bad taste in my mouth. The “Venom” sequel hits theaters June 25, 2021, which was “The Batman’s” former release date, as opposed to when “Venom: Let There Be Carnage” was supposed to hit theaters, October 2nd, 2020.

HBO MAX LAUNCH DATE ANNOUNCED

Now I love physical media, and I will likely continue to buy it even in a time where I cannot leave my house. It is by far the best way to watch a movie. Although if I were to invest in a streaming service anytime soon, one of my options is likely going to be HBO Max, which, yes, it will have HBO content. This service will be launching May 27th, as announced in a trailer down below.

Doesn’t HBO have a couple fancy streaming services already? Sure, but this is one may be worth your time. Aside from including bunches of HBO content including “Game of Thrones,” “Westworld,” and “The Sopranos,” they will also be shipping in content from alternate channels such as TBS, TNT, Cartoon Network, and truTV, all of which are owned by Warnermedia. So this means in addition to all of the HBO programming available at launch, viewers will have access to content including “Conan,” “Impractical Jokers,” “Rick and Morty,” and “Miracle Workers.” Also available for TV are all the seasons of “Friends” and “The Big Bang Theory,” two of the longest running situation comedies of all-time. Another really long series that you can invest some time in is “South Park,” the long-running animated series that caters to an adult demographic. That series in particular will join the service this June. They’re even using content from a streaming service that I don’t know how many of you knew existed, DC Universe. From this, it can be confirmed that one of the starters for this service is “Doom Patrol,” based on a previously established superhero team. One show I am still wondering about is DC’s “Harley Quinn,” which recently dropped season 2 on DC Universe, but who knows what’ll happen in regards to coming to HBO Max? But don’t worry, there’s movies too! Some of the upcoming titles are “2001: A Space Odyssey,” “A Star is Born,” “The Dark Knight,” “Joker,” “The Matrix,” “Pokemon: Detective Pikachu,” the DCEU movies, and the Studio Ghibli library. The service is likely to serve around 10,000 hours of content at launch, which is more than Disney+ and Comcast’s Peacock, which is now available for Xfinity customers, but will be available for everybody else starting July 15th.

The downside however, is the price. At $14.99/month, which is more than what one would pay for Hulu, which has significantly more content, it is not the cheapest service out there. However, HBO has been known for their premium programming, therefore it is no surprise that a premium price would be placed for HBO Max. But if you are a Charter customer, it is free as long as you are currently paying for HBO. Certain AT&T customers, specifically those paying premium prices for AT&T’s services, will also be given HBO Max for free. Nevertheless, even though I don’t stream much, I think I would get some use out of HBO Max if I were to buy a subscription. Warner Bros. is my favorite movie studio, HBO is a notable channel with a lot of content known for quality, and TBS, plus truTV, have done some originals I like, plus some that I have missed out on that I want to check out like “Wrecked.” I just hope that said originals make it to the service in the first place.

Speaking of originals, there is some original content coming to HBO Max. Season 3 of “Search Party,” which originally aired on TBS, will debut on the service. Anna Kendrick will be starring in a new comedy, “Love Life,” which comes from Lionsgate Television. But if you have kids, there will also be content related to “Sesame Street” and “Looney Tunes.” HBO Max was going to have a “Friends” reunion at launch, but it has been delayed due to COVID-19 complications. Sorry, they will not be there for you.

Going back to my original point, HBO Max launches May 27th on smart devices, so if you cut the cord but miss many of the cable-based shows, or you just want some acclaimed TV and movies to watch, HBO Max may get your seal of approval.

HOME VIDEO RELEASES

Going back to my comment on physical media, it is fun to collect, but not everyone does it anymore. In fact, it’s getting hard to do in these times now that places like the mall have basically shut their doors down. Walmart’s still open, so there’s that. And if you do want to know what new releases are on DVD and Blu-ray, some notable titles include “Bad Boys For Life,” “Ip Man 4: The Finale,” “The Gentlemen,” and “Like a Boss,” which already released on digital, but needed some time to come out on physical formats. Out of these films, the only one I’ve seen is “The Gentlemen,” which honestly underwhelmed me. Hopefully that won’t be the same case should some of you give it a shot.

As for digital media, there is not much new content to pick from. However, “Wendy,” a movie that takes place on an island and follows a young girl in world that is increasingly facing destruction, has just dropped on services as of April 17th. So if you are expecting me to talk about any blockbuster titles dropping, think again.

Thanks for reading the fifth part of the ongoing series “Movies and COVID-19: Behind the Scenes!” This was a long one to make, so I’ll try to wrap things up quick. If you’re wondering where my reviews are, I want to make them, but the apocalypse is currently my priority. Plus, “My Spy” hasn’t dropped on Prime yet, so there’s that. But should things still be hectic next week, which they most likely will, there’s a good chance you’ll see a part 6 to this series. Because life sucks! I have not left my house for *anything,* even a walk, for almost a month now. How did the country, no, the WORLD even get here?! Be sure to follow Scene Before either with an email or WordPress account so you can tuned for more great content! Speaking of great content, why not check out my Facebook page? Give it a like and keep up with the latest info through Mark Zuckerberg’s wonderland! I want to know, did I miss anything for this past week? What are some your big points as of late regarding film and COVID-19? It could even be something I already mentioned! Or, what are you looking forward to seeing on HBO Max? Is there something you want to see that has not been fully announced? If they drop TBS’s “King of the Nerds” on the service, I’m sucking all my money into it. Let me know down below! Scene Before is your click to the flicks!

Knives Out (2019): 2019’s Pop Culture Murder Mystery Dinner

mv5bmguwzjlimtatnzaxzi00mwnilwe2nzgtzguxmgqxzjhhndrixkeyxkfqcgdeqxvynju1nzu3mze40._v1_sy1000_sx675_al_

“Knives Out” is directed by Rian Johnson (Star Wars: The Last Jedi, Looper) and stars… well, pretty much everyone you know. To be completely serious though, “Knives Out” stars Ana de Armas (Blade Runner 2049, Exposed), Chris Evans (Captain America: The First Avenger, Gifted), Daniel Craig (Skyfall, Logan Lucky), Jamie Lee Curtis (Halloween, Scream Queens), Michael Shannon (Take Shelter, The Shape of Water), Don Johnson (Miami Vice, Nash Bridges), Toni Collette (Hereditary, The Sixth Sense), Lakeith Stanfield (Sorry To Bother You, Get Out), Katherine Langford (13 Reasons Why, Love, Simon), Jaeden Martell (It, The Book of Henry), and Christopher Plummer (All the Money in the World, The Sound of Music). Holy crap, that’s a lot of names.

“Knives Out” takes place in the middle of Massachusetts and it typically centers around the interactions of a family after the death of a patriarch. Everybody gathers around a large house, everybody’s got a story, everybody’s got a motivation, but it is also up to a detective (Daniel Craig) to settle everyone down and find out the truth regarding what happened.

The murder mystery genre for me is kind of like horror, because I never take too many chances to dive into the genre itself. Granted, horror, at least to me, is a tad more predictable because it seems to have more of a staying power in today’s society, so I personally prefer the murder mystery genre. In fact, my favorite “Family Guy” episode ever, “And Then There Were Fewer,” is a murder mystery, so I do have some respect for the genre. And honestly, when it comes to Rian Johnson, I will admit that I have had a slight bad taste in my mouth because of the way he handled “Star Wars: The Last Jedi.” It’s a film that just got significantly worse after I first saw it. In fact, when I watched it a second time, I was kind of turned off by the result. I say that because I wanted the movie to go in a different direction than say “The Empire Strikes Back,” which is a great movie. However, despite the everlasting love and affection I have for 2015’s “The Force Awakens,” one minor flaw with that movie is the way they manage to basically rehash the earliest “Star Wars.” Granted, it’s a fantastic homage which had many repeat viewings for me. But as much as I originally appreciated it for going in a different direction, a lot of the choices they made to go in such a direction were sort of faulty and questionable.

However, having seen that movie, I now know that Johnson might as well be one to subvert expectations. Here’s the thing. Murder mysteries are supposed to keep you guessing. If this movie could keep me on the edge of my seat and questioning everything, then I’d walk out satisfied.

Honestly, I went into this movie with an idea of what is going to be. It turns out, I got something better than what I thought I would get. And that says a lot because the hype behind this movie felt real for me. The production design is some of the best I have seen all year. The acting, not to mention casting in general, is perfect. Everyone from Daniel Craig to Ana De Armas to Toni Collette, everyone served their roles properly and put a smile on my face.

I’ll just say though, I think the two most popular award ceremonies that have to with movies are the Golden Globes and the Academy Awards. I have had a history of talking about both ceremonies on here, especially the Academy. But I never usually talk about another popular ceremony, the SAG (Screen Actors Guild) Awards. One of the biggest awards they present on the night of the ceremony is one given to the entire ensemble of actors. We still have about a month left before 2019 is over, and a little longer than that until the ceremony takes place, but I’d argue that at this point, “Knives Out” has an extremely solid chance at winning such an award. I think purely based on how Rian Johnson has to handle so many actors at once, many of whom happened to already establish their name in the industry, including a couple who are a bit lesser known, there is a chance “Knives Out” could walk away with the biggest award from that ceremony.

One of the more solid examples that could let that case be true is Daniel Craig, who plays Benoit Blanc in the film. His performance, was part of what set the tone for the entire movie for me. Daniel Craig, while taking his performance seriously, realizes that this movie is sort of supposed to be fun. His introduction scene almost made me think I was watching something from Wes Anderson, because it is charming, quirky, and based on the way it was directed, I was perhaps hypnotized to leave the film, regardless of whether or not I liked it, admiring Craig in all his glory.

Another standout performer to me is one of the leads, Chris Evans. I think most of what I love about this performance has mainly to do with the screenplay and how the character is written. I say that because the movie is full of tense dialogue between characters, which allows serious vibes to kick in, but Evans manages to play a character who is incredibly laid back and sort of a smartass. Do I think other people could have played his character? Personally, yes, I think I could have played it if I tried, because if I were in this situation, this is probably how I would act. I’d try to have fun with the seriousness at hand, while also trying to deal with the current situation.

As for smaller roles, I think there are a number of them that stand out. Jamie Lee Curtis, Jaeden Martell, but the one I want to talk about is the one given by Toni Collette. I think Collette is not only a great performer here, but brought such life to her character that I cannot imagine anyone else bringing at all, or at least without being cringeworthy. Collette’s character sort of reminds me of a crazy aunt who likes to party. Maybe another good example is the mother from ABC’s “The Goldbergs,” minus the toxic affection she has for offspring. In a way, she’s almost like Chris Evans’ character, because as much as everyone else may be moody or depressed, which she kind of is at times, but still, she has a somewhat happy outlook on current happenings. Either that or she may just have some sort of God-given charisma that nobody else can have.

But if you ask me, I think the best performance in the film is given by Ana de Armas, an actress who I personally happened to have liked before this film came out, and someone who may been the main reason why this film was originally put on my radar. For the record, Ana de Armas was one of the supporting roles in my 2nd favorite film of 2017, and one of my favorite sci-fi films of the decade, “Blade Runner 2049.” She has this ability to take a challenging role and own it. Because in that movie she played a holographic woman that was supposed to have a connection to whoever owned them. The complexity of that role involved being someone who is robotic enough to serve their master, while also being human enough to understand emotion, because in that movie she was someone who happened to be in love with the main character. At the same time, it was almost as if she was a product of the main character’s desires.

As for this movie, we get more of a glance at a character where Ana de Armas has a personality where she is more worried about saving herself. In fact, I mentioned earlier that Daniel Craig presented himself as this quirky, out of nowhere detective. If you ask me, I think the biggest quirk in the movie didn’t necessarily come from him, and instead, came from Ana de Armas. Because she plays a character who practically cannot lie. If all other people were like her, she’d make the lie detector test obsolete. I say that because her character cannot tell a lie, otherwise she throws up. This makes every scene where Armas is forced to tell a truth or where she is being questioned all the more intriguing because not only was I, as an audience member, hypnotized to follow the mystery as it was unraveled, but I was also somewhat concerned for the character’s sanity, health, and sense of self.

From a technical standpoint, the cinematography in the film is amazing. The various dutch angles fit a number of the scenes and sort of had an old Hollywood vibe. The music is outstanding. By the way, such music is composed by Rian Johnson’s cousin, Nathan Johnson, who also worked with him in films like “Brick” and “Looper.” I think Rian Johnson could have a chance for being nominated in the Best Director category, I think his vision helped this movie immensely. This honestly feels like a movie that only he could have done. Maybe one or two other people could do this, but this feels like a personal project. And as much as I despise “The Last Jedi,” I could see what Rian Johnson was trying to do with that movie, because he not only directed that film, but he wrote it as well. “Star Wars” to me, must be a more collaborative piece of media to work on at this point, and with “The Force Awakens” pointing in a certain direction, it admittedly feels odd looking back to see one man with perhaps a sole vision take over for a big film that could expand on previous lore and build up to the next one which happens to conclude a trilogy. These are the kinds of films that I would prefer to see Johnson tackle. Could he do another big franchise in the future? Maybe, but I want to see more of his original work. Media that feels like something only he could own.

I honestly don’t even know what problems come to mind with “Knives Out.” The camerawork is some of the best I have seen all year. The characters are all charismatic. The screenplay is nothing short of outstanding. The ending, as well done as it is, is little choppy in buildup. As for other problems, if there are any, they are a bit hard to point out. Overall, this movie kicks ass!

In the end, “Knives Out,” the movie with perhaps the most badass title of all time, packs a brutal punch of bloody goodness. It is easily one of the best movies of the year, and a step in the right direction for Rian Johnson as a filmmaker. I have not checked out his earlier work, but I really want to check out “Looper.” Films like these are the ones I’ll be excited for when it comes to Rian Johnson’s filmography. Films that are original, exhilarating, and keep me on the edge of my seat. If I have to say one more thing, I will suggest that you’d go see this movie with the biggest crowd you can. If you have one of those theaters with reserved seating near you, buy your tickets online and see how many people have already reserved seats. If there many seats reserved already, I implore you, PLEASE buy a ticket to that show because this is a movie where crowd reactions enhance the experience to the tenth degree. I’m going to give “Knives Out” a 9/10.

Screenshot (6)

Thanks for reading this review! Just want to announce to everyone reading that during this Thanksgiving weekend, I am going to be showing off my newest trailer for “Top Movies of the 2010s,” a project I plan to release this January, it is going to be the most ambitious countdown series I have done yet, and I cannot wait to share it with you all! If you want to be notified about this trailer, here’s what you can do. Follow Scene Before with an email, or if you want greater access, use a WordPress account! If you are on Facebook, check out MY PAGE and give it a like! I want to know, did you see “Knives Out?” What did you think about it? Or, who happens to be your favorite fictional dysfunctional family? It can be from anything, books, movies, TV, you name it! Let me know down below! Scene Before is your click to the flicks!

Scene Before 2019 HALFTIME REPORT (And Glance Into the Future)

WARNING: The following post is over 8,000 words long. Disappointingly, it’s not over 9,000.

SAMSUNG CAMERA PICTURES

Hey everyone, Jack Drees here! 2019 is midway through and this year is going by fast! As far as my personal life goes, I’m in between my first and second year of college, I am enjoying my time off, and I’m the same movie reviewing moron as usual. Things have changed, but at the same time, I’m still the same flick nerd I have always been. And I mean that literally, but we’ll get to that later. However, I wanted to try something I haven’t done before on this blog. At the end of the year, I tend to do some reflective work, most notably countdowns. And while I am not going to do that at this current midway point, I would at least like to sit myself down and go over some recent highlights related to Scene Before. At the same time, I’d like to also look into the future. Admittedly, some of this is still in planning stages, but still.

I’d like to start off with something I’d like to call “TERRIFIC 3” and “TERRIBLE 3.” I am going to list 3 movies that I have watched this year that I would recommend to people and 3 other movies that I would tell people to avoid. Now, of course, these picks are subjective, if you think differently about these films than I, it might be slightly harder to talk to each other, but you are nevertheless entitled to your different thoughts. In fact, these are not supposed to be my top 3 best or worst of the year so far. If I like a film, I’ll list it, if I don’t like a film, I’ll also list it. These are not meant to be in any particular order. Anyway, let’s begin!

TERRIFIC 3!

mv5bmteymjyxntu0mjveqtjeqwpwz15bbwu4mdi3mzc5otyz._v1_sx1777_cr001777985_al_

Starting off the Terrific 3 is “John Wick: Chapter 3!” I went to see this film in Dolby Cinema alongside my dad, who might be a bigger “John Wick” fan than anyone else I know. He and I walked out agreeing that the action in the film is absolutely top-notch. The action in “John Wick” films is certainly the aspect that would grab my attention more than any other. Long takes, innovative setpieces, gritty violence, all of it adds up to make some of my favorite action scenes of all time. When it comes to current action franchises, I am having some slight trouble deciding whether I prefer this or “Mission: Impossible.” It’s that good!

mv5bmze5nzk5mtg4mv5bml5banbnxkftztgwntu3nti2njm40._v1_sx1777_cr001777736_al_

Up next is a stellar DreamWorks animation whose franchise I never watched religiously, but always liked, “How To Train Your Dragon: The Hidden World.” If you have ever seen the game show “Deal or No Deal,” the show always highlights the phrase “timing is everything,” and when it comes to “How To Train Your Dragon: The Hidden World,” that phrase becomes more relevant than ever. This movie came out in the middle of my second semester of college, and I could not help but feel like the people behind the movie were trying to consider me in its target audience. After all, while “How To Train Your Dragon” may be a franchise directed towards families and children, this growing adult could not help but feel like a kid again. In fact, to add more to this true masterpiece of an animated film, I became more emotional during this movie than I did during perhaps more than any other. Even more than “Toy Story 3.”

Last but not least for the Terrific 3 is a movie that I decided to list because it’s on a slightly different end of the spectrum. Because let’s face it, I’m kind of recommending movies to you, and why recommend “Avengers: Endgame” when almost everyone went to see it? So let’s recommend a smaller movie, such as Terry Gilliam’s “The Man Who Killed Don Quixote.” Now some would argue that this is a 2018 flick, but in the United States, which is where I live, this didn’t come out until 2019. For those of you who don’t know this movie, “The Man Who Killed Don Quixote” took decades to make, and it’s about a guy who reunites with someone he worked with during a production. This person he meets with is convinced that he is Don Quixote. This did not get that big of a release in theaters, but it is worth seeing just because of its history, because despite going through “development hell,” it managed to turn out quite well! The movie is now available on home video including various VOD options.

Now let’s move onto something that probably doesn’t deserve any attention, but because I believe in equality, we’re talking about it anyway, the Terrible 3!

TERRIBLE 3!

First up is a movie that I want to put on here because what’s the harm with having an unpopular opinion? Oh wait, everything. Who cares? One of the most successful movies of the year, “Captain Marvel,” just didn’t stick the landing for me. This had a lot of hype building up to it, but I personally just couldn’t relate. And when I saw the final product, I felt like… Wait, why’s everybody laughing and cheering? Yes, there are a couple of cool moments in the movie. For example, I dug the 90’s references such as Blockbuster Video and Dial-Up Internet. Brie Larson and Samuel L. Jackson have some good chemistry, but when it comes to Larson in general, her performance was kind of mediocre. Granted, I know grade-A acting isn’t the biggest component of a comic book movie, but Brie Larson, an Academy Award winner, felt more like she was in a couple straight to DVD films and that’s it. Granted, I think she did a slightly better job in “Avengers: Endgame,” but her performance here simply underwhelmed me. Plus, there’s a moment in this movie that references a significant part of the MCU lore (having to do with Samuel L. Jackson) and quite honestly, the way they go about it just killed my brain.

Up next is a movie that could have been great but was simply wasted. From the creators of NOT “Firefly” comes “Serenity.” “Serenity” could be somewhat fun, not to mention a great “thinker” movie, but it manages to become more boring the more I think about it. I love the movie “Interstellar,” so I was somewhat excited to see Matthew McConaughey and Anne Hathaway unite once again for another project. Both have talent as actors and they’ve proven they have great chemistry. Honestly, I’d just go back to watching “Interstellar” if this is the movie we’re getting. Although this movie came out in January so it should not be surprising that we would get a movie of this quality.

And finally, we have what may be my worst movie of the year should nothing surpass it, “Godzilla: King of the Monsters.” The sad thing about “Godzilla: King of the Monsters” is that I was actually desperately anticipating this movie. When I went to see it, I was ready for what was about to happen. Or was I? Seeing movies in IMAX may be great because it feels so big, but when they’re a big mess, what is the point? Maybe the monster fights could be fun, but if I wanted to watch this movie again, I’d probably have to be heavily drugged. Because let’s face it, as cool as big monsters are, the unforgivable part of “Godzilla: King of the Monsters” are the one-dimensional human characters. This could be slightly less intolerable if the human characters were less of a focal point during the movie, but they made me want to go back and check out some of the “Transformers” movies again! They’re THAT horrible!

I just showed you all my terrific and terrible picks, now let’s go over a few recent highlights from my blogging journey.

As usual, I kicked off my 2019 with my traditional countdowns to reflect on the year of 2018 in film. I went over the best of the year along with the worst of the year. Some of my top picks included “Spider-Man: Into the Spider-Verse,” “Eighth Grade,” and “Mission: Impossible: Fallout.” Some of my bottom picks included “The 15:17 To Paris,” “Uncle Drew,” and “Life of the Party.” I enjoy doing these countdowns every year and this is the first year that I started writing what I would put in the countdowns as early as August. I did not do this for every single movie, but I visualized the lists a long time prior to actually releasing them. This does not suggest that I avoided considering movies released past August, as evidenced by some of my picks.

After I did my lists, I saw my first 2019 release, which according to IMDb, is actually a 2017 release. Based on my experience and research, I’d call it a 2019 release, but still. That film by the way is “The Upside,” which is a remake of 2011’s “The Intouchables.” I personally have not seen “The Intouchables,” and while “The Upside” from my perspective is not really anything special when it comes to cinema, it is still a fun time. I went to see it at a press screening, and there were tons of laughs to be heard.

A couple weeks later I went to one of my local arthouse theatres to see a flick that I almost ended up passing on. Specifically, “Roma.” Why? Because when it comes to today’s media, Netflix is a company that I traditionally tend to avoid. But one of my local theaters managed to get access to a 70mm film print of “Roma,” which would be presented for a limited time. I took advantage of the opportunity and purchased a few tickets for a matinee show. Not only was the experience breathtaking, but the movie was one of the best of the past year. If I had to redo my top 10 lists of 2018, this would be on the best list, but I saw “Roma” after completing said lists.

screenshot (414)

I also decided to try out a new concept this year which I have decided to make an annual tradition, the Jackoff Awards. For awhile, over the past year, I have grown to admire the Oscars based on how much respect they tend to pay towards the film industry. Granted, they’re not perfect, but what they’ve done over the years is absolutely intriguing. I thought to myself, why not do a big awards related post? Present similar categories to other major shows, I do my own comedy bits, and it was perhaps the most ambitious post I have ever done. As for Best Picture, I decided to present what was then my top 10 of 2018, which DID include “Roma,” and instead of having me choose Best Picture, I would allow my audience to choose the winner. I figured it would allow for diversity in terms of opinions, and I managed to get a surprisingly diverse number of votes. I got some votes for “Spider-Man: Into the Spider-Verse,” “First Man,” “Ready Player One,” but the winner turned out to be last year’s biggest comic book movie, “Avengers: Infinity War.” Honestly, if there were any movie to put in my Blu-ray player on a Friday night at this point, it would most certainly be that one.

SAMSUNG CAMERA PICTURES

I then continued my journey in March by going to the place that I would associate with film more than any other, Los Angeles. My family and I stayed right near Hollywood Boulevard and I got to visit a few media-related sights including Warner Brothers Studios, the TCL Chinese Theatre (where I saw “Captain Marvel”), and Universal Studios Hollywood. I also got the chance to witness a live taping of “Conan.” While I didn’t make a big post related to this, I managed to briefly discuss some of my highlights here and there.

Capture+_2019-03-14-20-30-54_LI

For those of you who are curious about my “Conan” taping experience, I managed to witness almost two full shows. Why? Conan O’Brien had to be somewhere when his Thursday show would air, so naturally, he had a demand, he wanted us, Thursday’s audience, to “make Tuesday’s audience look like s*it.” We got see all of Tuesday’s show, which had a couple comedy bits and an interview with Timothy Olyphant (Live Free or Die Hard, Santa Clarita Diet) and a good fraction of a Thursday night show which featured comedian Moses Storm, who joked about cell phone users, “Shark Tank,” and revealed a story where he would tape episodes of Conan O’Brien’s older talk show episodes over his religion-related educational programming. By the way, Conan in person looks like a real life action figure. Maybe it’s the makeup. Maybe it’s the lighting in the studio, but my gosh.

20190322_145537_HDR

I also got to visit an RPX venue for the first time. For those who don’t know about RPX, they are a premium format that can be found exclusively in cinemas under Regal Entertainment Group ownership. I didn’t plan on attending RPX when I did, but I managed to get something off my list of movie-related things to do before I died. After all, “Us” just came out, and I was in the Boston area. I figured just to save time, I’d go for the earlier, but more expensive show that Regal Cinemas Fenway was providing, as opposed to another show which would be starting a half hour later. For your information, I was aware that I was going into an RPX screen. I didn’t mind my decision, I figured if I wanted to see “Us,” I’d go see it in full scale glory because I was really anticipating it. While I have still yet to see “Get Out” to this day, I have heard about its overwhelmingly positive reception and I was expecting that Jordan Peele would deliver another sick movie. While “Us” was not perfect, it was definitely worth seeing, and I wouldn’t mind watching it again. As for the RPX experience itself, I thought the seats were not too bad. The capacity was through the roof, the screen, while not entirely wall to wall, was huge. As for the sound… It is undeniably better than a standard theater, but I was a little underwhelmed. Maybe I went to see the wrong movie, maybe the employees turned the speakers down, but when I compare the sound to something like IMAX or Dolby Cinema at AMC, I would go back to both of those places first.

Moving onto April, I managed to survive the whole “Avengers: Endgame” ticket buying craze. For those not fully immersed into what I just stated, I must point out that “Avengers: Endgame” tickets went on sale April 2nd, and the Internet went balls to the wall nuts when it came to snagging tickets. I had to wait in Fandango’s line, AMC was having problems, and it got to the point where I had to buy tickets from a somewhat local cinema chain, on their own, slightly buggy website, just to make sure I could get into school on time. I almost took the train to one of my local AMCs because I could stop by there on the way to school. If I did that, I am willing to bet I would have missed out on opening night of “Endgame,” which was the day I was shooting for. After all I did want to get my review out as soon as possible, and I did manage to score a couple tickets on remaining good seats for a 9PM show. Not at an AMC, but at a Showcase Cinemas. While it was not my first choice, I don’t regret going there, because an hour before going into the cinema, I got a glimpse at everyone leaving the 22 MCU movie marathon the theater was showing over a few days. Everyone was being applauded, and they left with some merch. I recorded this aftermath on Facebook Live, and despite my camera’s focusing problems and poor cellular service, I managed to get some respectable footage. Also as a Bostonian, I was proud of myself to catch a reporter from one of my local news channels, WBZ, or CBS Channel 4. To be specific, Tashanea Whitlow. As for the premiere itself, the movie was fun, and the three hour runtime was rather justified given what we as an audience received. I didn’t think it was perfect, I’d much rather watch “Infinity War,” but it was a great finale to over ten years of films. I will also say, this may be due to where I went to see the movie, seeing “Infinity War” was also a better experience. Because I went to see it at a 7PM show on opening Thursday on an eight story IMAX screen. If you have ever gone to see an event-type film in India, that is one of the most solid comparisons I could make to my experience. It was like going to a Stanley Cup game or something. “Endgame,” which was in a sold out theater in regular 2D, had barely any applause (although some reactions here and there), and out of everyone in the theater, I may have been the most obnoxious. If I had to make a sports comparison, I’d probably say it was like going to a slightly more competitive golf tournament. It was lively at times, but not like the roof was being blown off the place. I know some people are not particularly fans of going to theaters where everyone is reacting to the film’s key moments, but as a fan of the MCU, it’s something that I considered to be a privilege during my “Infinity War” experience.

May was an interesting month for me, because I just finished my first year of college, so I got a little more active on the Scene Before side of things. I’m now trying to earn revenue with the blog, I saw more movies than I did in months such as March or February, and I even changed my domain name. Unfortunately, scenebefore.com was taken, so I wanted to make sure I can fit something that would associate with me, but also be precise. I thought something like moviereviewingmoron.com, while definitely appropriate, is a tad too long. Luckily, after some searching, I found out that flicknerd.com was available. Did I ever call myself “flick nerd” on this blog? No, but I figured it would be a cool name to have because its simplicity will probably gain enough traction overtime. It’s hard to tell though, because this advanced blogging journey, at least from my point of view, is just getting started. I’m looking for sponsors, more potential viewers, but I’m also trying to be the same movie reviewing moron that everyone has come to know.

One of my highlight posts of the month is titled “What THE BIG BANG THEORY Has Meant To Me: A Nerd’s Perspective.” For those who are unaware, CBS’s “The Big Bang Theory” just finished it’s twelfth and final season on the air, so I figured I’d take some time to remind the world of what the show has meant to me as a fan, as someone who would constantly tune in to new episodes, and most of all, as a nerd on the autism spectrum. I probably won’t have time to give a detailed description of everything I said, so if you want to read the post, click this link!

I also saw another one of my favorite films so far this year, “John Wick: Chapter 3 – Parabellum!” Not only that, but like I mentioned earlier, I managed to catch a Dolby Cinema presentation of it, which surprisingly, didn’t make me feel like I was getting shot in the head, which may be a good thing. Seriously though, “John Wick: Chapter 3” is probably the best installment of the franchise yet, and Keanu Reeves might now just have a better trilogy than “The Matrix!”

But I cannot say the end of the month was great, because “Godzilla: King of the Monsters” happened. Sad day. Even though I went to see the film in full scale IMAX glory, it didn’t feel like something worth my time.

Moving onto June, I managed to do something pretty cool with my dad. He and I go to the movies together a lot because for the most part we have similar tastes. We match together when it comes to sci-fi, action, comic book-based material, comedy, etc. However he has never been to an advance press screening, so I thought just for fun he and I could do so for the new movie, “Men In Black: International.” It’s a movie that I probably would have checked out had I waited for it to release everywhere. After all, “Men In Black 3” is my favorite movie of 2012. However, since this was free, not to mention, early, I thought dad and I could trek to the theater and see what this movie had in store. I personally enjoyed it. I know some people were scared of how this movie would turn out based on the marketing (Then again, it’s a Sony film, whaddya expect these days?). I thought the first trailer was alright, but not great. The second trailer was an improvement and actually got me more interested in the film. As for the film itself, it is not Shakespeare, but it’s a fun time at the movies. Chris Hemsworth and Tessa Thompson have great chemistry together and I think Kumail Nanjiani’s character is a fantastic comic relief.

The best movie I saw this month was “Toy Story 4,” which I must point out, I probably was not even looking forward to back when it was announced. Boy, times do change! Unfortunately, I had to witness brain cell erasers such as “Replicas,” which I bought on Blu-ray since I had some Best Buy rewards to waste. I also saw “The Secret Life of Pets 2,” which is worse than getting scratched in the eye by a cat. Yes, Harrison Ford is in it. Yes, he is the best part of the movie. But I might as well be at the point where I would rather have a dog sniff my butt then go so that film again!

Now that I have recapped my highlights, I just want to remind everyone of what’s being planned for the future. Here is my unofficial schedule for the second half of 2019!

JULY:

Throughout the month of July, there are not that many movies coming out compared to other months in the year (at least according to Wikipedia), but I am planning on catching a few blockbuster highlights such as “Spider-Man: Far From Home,” despite how little anticipation I have for it. I also really want to catch Disney’s live-action remake of “The Lion King.” I am not a fan of the Disney live-action remake trend, but I feel that this movie will be a great theater experience and also rather compelling. I don’t know how much it is going to be a carbon copy of the original or how much it’ll go in its own direction, but I am somewhat curious as to what will come of it. I know it is longer than the original, which slightly worries me, because it could add something that perhaps the 1990s film didn’t even need, therefore ruining my experience. Plus, it’s being directed by Jon Faverau, who also worked on 2016’s “The Jungle Book,” another Disney live-action remake, which was one of my favorite movies of said year. I also really want to check out “Crawl.” The trailer didn’t have me fully onboard, but I am still curious as to how this film will turn out. Plus, it’s being produced by Sam Raimi, who is known for his work in the horror industry, and one of my favorite comic book movie directors.

This does not mean that I want to ignore independent work, because on the same weekend as “Spider-Man: Far From Home,” A24 is releasing one of my most anticipated movies of the summer. Specifically, “Midsommar.” When your movie is A: Directed by Ari Aster, who had a phenomenal feature-length directorial debut last year with “Hereditary,” another A24 film, and B: Described by Aster as “a Wizard of Oz for perverts,” I am instantly intrigued. “Midsommar” takes place in rural Sweden as a young couple takes a vacation and settles in the area. Alongside their friends, they eventually discover that this area has a festival that takes place once every ninety years, which creeps them all out. I want to see Ari Aster succeed, so hopefully this film does well.

Speaking of successful filmmakers, another well-known director in the industry, specifically Quentin Tarantino, is going to be releasing his ninth film, “Once Upon a Time In Hollywood.” And to be honest, as anticipated as I am to see this film, I have to let something out. I have not seen much of Tarantino’s work. I will most likely be going to see “Once Upon a Time In Hollywood” when it comes out, maybe in 35mm, but before I do that, I am going to be doing a small series of reviews for Quentin Tarantino movies. In fact, I already have a few lined up. Specifically, “Pulp Fiction,” “Django Unchained,” and “The Hateful Eight.” Those reviews will be done as weekly projects and they should all be up before the official release date of “Once Upon a Time In Hollywood,” July 26th.

 

AUGUST:

SAMSUNG CAMERA PICTURESRemember how I would occasionally announce I am going to cons from time to time? For some reason I have failed to do that this year. It’s not like I am not going anywhere, but I have just failed to put myself in front of my keyboard and try to say, “Hey guys, here’s where I’m going, stalk me!” Not that don’t mind the attention, I’m just saying. But if you really want to know about my next con, I do have it booked, and I will be going to Terrificon, which for those of you who have been following me for some time, you’d know that is also the first con I ever documented on this blog. And I am thinking of doing something a little different this time, just to spice things up. I’m trying to push more video content into my posts, maybe I’ll insert a compilation of the con’s highlights. I’ll record it on my camera, maybe my phone, whichever has more memory at the time. Maybe I’ll post it on YouTube and link it here. Who knows? But here on Scene Before I am trying find ways to innovate, and maybe this could be one of them.

Speaking of cons, this is NO GUARANTEE, partially because I have not even bought tickets, but there is one convention that is about a half hour away from my house that I kind of want to go to. Whether or not I am going, that’s a different story, but should things go in a certain direction, I may end up going to Fan Expo Boston, which is a con I have surprisingly never been to. And the guest list this year, aside from a couple big cancellations, is solid so far. You’ve got Zachary Levi (Shazam!, Tangled), who I will say, even if you are not into his work, he is a fun guy to meet, he is upbeat and has a massive sense of charm. Part of the cast of “Blade Runner” is going to be there including Sean Young, Rutger Hauer, and Edward James Olmos. I have a feeling there are more guest announcements coming our way, and if there are, I cannot wait to hear them, because there have been a lot of cool names who were there over the years to the point where I almost have slight regrets on missing out. If I were to get tickets to Fan Expo, I’d probably just go for one day. After all, Terrificon is the week prior, and I am staying overnight during that weekend, so my budget might be slightly higher at that event compared to Fan Expo.

Moving away from cons, I will say that my biggest film catches for August right now have to be “Hobbs & Shaw,” “Dora and the Lost City of Gold,” “Good Boys,” “Where’d You Go Bernadette?,” and “Scary Stories to Tell in the Dark.” There is not much from August that I am truly anticipating, but I will inevitably go see a few things here and there. And if you want to know something, I only put down “Dora and the Lost City of Gold” because let’s face it, “Dora the Explorer” was a part of my childhood, and nostalgia equals money nowadays. Granted, this movie looks a tad more adult-friendly than the cartoon. But am I looking forward to it? Hell no. In fact, I am thinking it is only going to ruin my childhood, but I might as well give it a chance just because I am a nice guy. I saw the recent “Power Rangers” film partially out of nostalgia and that worked for me, might as well do it with “Dora” and see if that works.

 

SEPTEMBER:
If I had to predict my least active month for the rest of the year, I have to call it right now, September is certainly a contender. For one thing, I’m going back to college, so I need to adjust to a new routine. I’m still going to keep my promise of doing at least one post within every 7 days or so, that way you can keep witnessing my constant dedication to this blog. I’m probably not gonna go see “IT: Chapter Two” mainly because I still have not seen the first one. Although the cast is pretty nifty from what I have experienced. But I am interested in “The Goldfinch,” I have some slight intrigue towards “The Report,” and maybe I’ll check out “Abominable.” I saw one of the trailers for it, and it looks like it might not be a new animated classic or anything, but I am somewhat curious to check it out, partially because even as an adult, I still have a slight need to check out animations from time to time. Plus, it is from DreamWorks, and I’m currently trying to seek out their next big thing. “Kung Fu Panda” is done, “How to Train Your Dragon” seems to be done, maybe this, or something else, can be their next kickstarter to a solid franchise. Then again, apparently they’re making sequels to “The Boss Baby,” “The Croods,” and “Trolls,” so why should I expect absolute quality? Nevertheless, it’s worth a shot.

Although if you had to ask me what my most anticipated movie would be for the month of September, it’s a no brainer, “Ad Astra.” I love space, I love compelling, dramatic stories involving space travel, even if it is close to Earth. Plus, the second half of the year for numerous ages of my life have typically contained at least one epic space movie. Maybe “Ad Astra” will be the next to join the ranks with other movies from this decade like “The Martian” and “Interstellar.”

 

OCTOBER:

This October is pretty interesting to me, because there will be a weekend where my mother and sister are out of the house and I will quite honestly, need something to do. I can’t just stay trapped behind walls! I have to see the world! Nevertheless, that particular weekend is the release of “Joker,” which I am inevitably going to check out no matter what, but for the sake of having an early review, I’m going to check it out as soon as possible. I have Fridays off from school this upcoming semester, maybe I’ll do it then. The following week is the release of Will Smith’s “Gemini Man,” directed by Ang Lee, so I might see that. And the week after is slightly bigger because Taika Waititi is coming out with his latest directorial feature, “Jojo Rabbit,” where believe it or not, Waititi himself plays Hitler. I never pictured that, but this film certainly has my attention. That same week is also the release of “Zombieland: Double Tap.” I had fun with the first “Zombieland.” I enjoyed the chemistry between Jesse Eisenberg and Woody Harrelson, and it has, at least to me, a pure highlight from Bill Murray’s acting career. And to my surprise, he’s coming back for this movie! I also want to check out “The Aeronauts” which is being released by Amazon, and the reason why I want to check it out is because it is Amazon’s first attempt at an IMAX run and it is also being released a week early in that format. The film will technically be in standard theaters in November after it’s week-long IMAX run. And if this is the case, this reminds me of the excitement I had for Robert Zemeckis’ “The Walk,” because that released a week early in IMAX and that was quite an experience.

Speaking of lesser known films, one other thing I want to check out is the South Korean flick “Parasite.” It’s getting tons of buzz at film festivals, having earned Palme d’Or at Cannes, winning the Sydney Film Festival, and already making tons of money in Korea. The film’s US release is this October, which would put it in a reasonable spot to be remembered by Academy and Golden Globe voters.

 

NOVEMBER:
rhodeisland_comiccon_november2018_eventimage_600x280-copy-24e2513026
This November is particularly interesting. Because November 1st is the day I’m heading off to Providence for Rhode Island Comic Con, and that’s the day after Halloween! I’m not cosplaying (at least I have no plans to right now) at this con, but I just want to walk around the convention floor for hours and stumble upon every costumed individual and wish them a Happy Halloween. Nevertheless, I am staying true to my annual tradition of going to Rhode Island Comic Con. The guest list is usually filled to the brim, so I cannot wait to hear more announcements over these upcoming months. Even so, the convention has had some huge announcements for guests thus far. Some guests include Dave Bautista (Guardians of the Galaxy, Blade Runner 2049), William Shatner (Star Trek: The Original Series, Boston Legal), George Takei (Star Trek: The Original Series, Kim Possible), Steven Yeun (The Walking Dead, Final Space), and to my utter surprise, and possible delight, Chevy Chase. By the way, Chase made an announcement about his upcoming appearance online and the video he made for it is very funny.

Sticking to the announcement wishlist concept, I recently made a submission on the con’s website suggesting names of five possible guests that I want to see. They include: James Murray, Curtis Armstrong, Kunal Nayyar, Doug Walker, and James Holzhauer. I could be mistaking Doug Walker for somebody else, but even if I am, he would be fun to see at the con. Of all these names, the one that really stands out to me is James Holzhauer. Out of all the people on this list, he is the least “celebrity-like” of all of them. James Murray comes close, but barely misses the mark. For those who are unaware, Holzhauer is the name of the recent “Jeopardy!” contestant who wouldn’t stop taking the show’s money. He has nearly broken Ken Jennings’ regular winnings record, only to be stopped by an opponent who beat him by more than double his final total for the game he lost. I think Holzhauer appearing at Rhode Island Comic Con would not just be unique, but also entirely appropriate. After all, it would probably bring in a new audience of people who would otherwise skip out on cons. Plus, as a game show enthusiast, I cannot help but keep talking about Holzhauer like he’s my own child. It’s almost as if being able to catch the latest “Jeopardy!” episode or at least reading up on the latest stats was the ultimate bragging right. Also, this year I’m going with a VIP ticket, which comes with various perks.

VIP Ticket Perks:

  • 3 day admission
  • Early bird admission (9AM Sat & Sun)
  • Private VIP Entrance
  • Private VIP Lounge
  • 3 Exclusive RI Comic Con Show Prints
  • Rhode Island Comic Con Swag Bag
  • 20% off RICC Branded Merchandise
  • Exclusive VIP 2019 RI Comic Con Badge
  • Exclusive RICC AR Comics-Comic Book
  • Exclusive RICC Comic Book
  • VIP Autograph Fast Pass Line
  • VIP Photo Op Fast Pass Line
  • Chance to Win 2020 VIP Pass
  • One Exclusive Mystery Item

I am personally excited for the con, and believe it or not, it is not the first time I’m getting a VIP badge, because the first time I went, which was in 2015, I managed to get said badge as well.

That same weekend is also the release of the new “Terminator” film, “Terminator: Dark Fate.” It is a cliche title, but its first trailer, personally had me intrigued. I’m excited to see what Tim Miller has up his sleeve in terms of direction. I am somewhat excited to see James Cameron involved again, although I am slightly worried because we now have more disposable “Terminator” movies than memorable “Terminator” movies. Let’s just hope we can change that.

Some of my other most anticipated films of the month include “Ford v. Ferrari,” “Knives Out,” and “A Beautiful Day in the Neighborhood.” “Ford v. Ferrari” takes place during a race to determine which of the two recently specified car brands will dominate. “Knives Out” is an upcoming mystery crime film directed by Rian Johnson. I did not like his interpretation of the “Star Wars” universe, but it does not mean I am not willing to check out his future work. Plus, this movie has a number of big names that I imagine a lot of people would like to see. Some include Daniel Craig (Casino Royale, Logan Lucky), Chris Evans (Captain America: The First Avenger, Gifted), Lakeith Stanfield (Black Panther, Sorry To Bother You), Ana de Armas (Blade Runner 2049, War Dogs), Jamie Lee Curtis (Halloween, Scream Queens), the world’s best Kevin Spacey impersonator, Christopher Plummer (All the Money in the World, A Beautiful Mind), and recent Jackoff winner Toni Collette (Hereditary, The Sixth Sense). As for “A Beautiful Day in the Neighborhood,” it is in the current conversation to be my most anticipated film for the remainder of the year. For one thing, I saw “Won’t You Be My Neighbor?” last year, which much like “A Beautiful Day in the Neighborhood,” is about Mister Rogers. That documentary not only compelled me, but reminded me of my personal flaws in my childhood, and maybe inspired me to be a better person. I still rage out on this blog a lot, but it’s something that I don’t really do for me, I do it for the entertainment of others, so that’s different. But it reminded me of how much it pays to respect those around you. Plus, TOM HANKS IS PLAYING THE STARRING ROLE?! Who else could do that?! He’s practically the nicest guy in Hollywood! SIGN ME UP! Believe it or not, that comes out the same weekend as “Frozen II,” but who cares about that?! Rogers for life!

 

DECEMBER:

The end of the year is always a crazy time for me, but just like last year, it’ll perhaps be less busy than it has been in other years. My fall semester will end during the month, and I’ll be in the cycle of watching previous movies from the year at home. This does not mean that I’ll be skipping theatrical releases, because award season is in full swing. This means I’ll be paying extra close attention to films that receive Golden Globe nominations, and as for reviewing movies I watch at home, the chances of that are very slim. But this does not mean that big blockbusters are entirely off the table. For one thing, they tend to sometimes do pretty well in certain technical categories, and we have another “Star Wars” film this year. I have intentions to go see “Star Wars: The Rise of Skywalker” opening Thursday night, mainly because I want to buy tickets as early as possible. If I can’t do that, I am going to try extra hard to find an available press screening, because aside from “Endgame,” “The Rise of Skywalker” is perhaps the biggest movie of 2019. Aside from being titled “Star Wars,” it is supposed to end “The Skywalker Saga,” and J.J. Abrams is directing again. I was not a huge fan of “The Last Jedi,” but I love “The Force Awakens” like it is my own brother. I am honestly more excited for “The Rise of Skywalker” than I was for “The Last Jedi” before that came out because I was somewhat worried that “The Last Jedi” would be a carbon copy of “The Empire Strikes Back.” Turns out it wasn’t, despite similarities to older films in the saga. And I even say this knowing how some things in “The Last Jedi” turned out. Having seen the trailer back in April, knowing certain plot points that could play out, and realizing J.J. Abrams could save this sequel trilogy, I am rather giddy for this December. But despite my excitement, I gotta ask. HOW IS PALPATINE STILL ALIVE?! I am excited to possibly see him in this film, but really?! When he was thrown down the pit in “Return of the Jedi,” yeeaah, HE F*CKING DIED. There is no coming back from that. I’m intrigued, I just need to be convinced.

When it comes to smaller films, one such film I am very excited for is “Little Women.” The film is supposed to explore the lives of sisters as they live in 1860s Massachusetts. It may not be my type of movie on paper, but one reason why I am excited is because the film is being directed by Greta Gerwig, who also helmed one of the best coming of age stories I have seen in recent years, “Lady Bird.” In addition to that, the cast is killer! This movie’s got Meryl Streep (Sophie’s Choice, The Iron Lady), Emma Watson (Beauty and the Beast, Harry Potter and the Philosopher’s Stone), Laura Dern (Big Little Lies, Jurassic Park), Saoirse Ronan (Lady Bird, Mary Queen of Scots), and Timothée Chalamet (Interstellar, Beautiful Boy)! I am also probably going to be looking into “1917,” which is a war film. Those tend to often go for awards, which is why I have my sights set on it. There are a couple films that I might check out that I would probably regret seeing, but the only real film that I’d struggle with reviewing is “Fair and Balanced.” Granted, this does not mean I am not looking forward to the film, nor am I expecting to be underwhelmed with it, in fact it sounds rather intriguing from a storytelling point of view. But the movie is about relationships between women and Fox News owner Roger Ailes, and I feel that it is going to be rather hard to keep my political opinions out of the review. I’m not saying I am a core conservative that keeps a closed mind, I try to see all sides and then form my own opinion. I have made various political jokes here and there on Scene Before, but politics is not my top priority, especially when you consider how divided we are as a country right now. Although I did manage to check out “Vice” last year, which was pretty good, but part of it had to do with the buzz it has been getting. Who knows? Maybe I’ll check out “Fair and Balanced,” for all I know it could be the best movie of the year, but I feel like it would be hard to review if I’m going to have to inject my experience with how the world operates in terms of politics. We’ll just have to see.

And of course, I’ll be finishing off the year, or perhaps more likely, kicking off next year, by recapping my top 10 BEST and WORST movies of 2019. I enjoy doing these countdowns every year, because I get to honor films one more time, and also give myself a minor stress release.

Although I must remind you, it is 2019, and here on Scene Before I am trying to constantly find new ways to deliver exciting content to you all. In 2017, I did a couple of cutaway style parodies, in 2018 I did a post talking about my Blu-ray collection, and just this year I introduced the world to the Jackoff Awards. The question is, where I do I go next? I’ve done tons of countdowns, reviews of the past, reviews of the present, what could be next? I know! ALL OF IT IN ONE. Ladies and gentlemen, if you have been following Scene Before and saw one of my posts in April, you’d know that I put out a trailer for something I once referred to as “Project 2020.” Although, based on statistics, I doubt many of you have even glanced at that post. But for those of you who know what I’m talking about, good for you. You get a “good job” sticker! But for those of you who don’t know, watch this trailer down below!

*ALL COPYRIGHTS BELONG TO THEIR RESPECTIVE OWNERS*

That’s right! I am going to be crafting a list of my highlight movies of the 2010’s, and I must have you know, I am setting this list up to be bigger than the lists I traditionally do at the end of the year. While this is still in planning stages, I will be intending to make this list perhaps a top 25, maybe a top 50. I was also debating on a top 100 as well. Depends on how much time I have. I am honestly MORE THAN EXCITED to work on this list, and release it to you all. I started Scene Before in 2016, which means I did not get too many chances to talk about films from years prior, so not only is this a personal reflection of various films I watched during my blogging journey, but a reflection of an entire ten year span that I lived through before becoming this active on the Internet. I’m not gonna say anything, but 2014 was a great year for film as far I’m concerned, so depending on how the rest of 2019 plays out, we might see a good number of films I’m passionate about from that year make the list. This is not to put down any other year from this decade, I’m just giddy of what’s to come…

And by the way, a worst list is in the works too.

At home I am making an effort to watch various films that have come out this decade just to catch up, and maybe add something to the best or worst list at the end of the year. I’m not gonna get into too much detail, because I do want to save some secrets for when the list comes out, but I am stoked just to be working on this.

Thanks for reading this post! If you like Scene Before and want to see more content, consider following me either with an email or WordPress account! As for upcoming content, I want to remind everyone, in case they forgot by now, I will soon be starting my Quentin Tarantino review series, which will eventually culminate with a review either at the end of July or beginning of August with my thoughts on “Once Upon a Time in Hollywood.” I cannot wait to get started on this, Tarantino is a filmmaker I have often admired behind the scenes, but I have barely seen any of his material. Now is a good time to start! Also, be sure to check out my Facebook page! Get your latest updates from the movie reviewing moron by using Facebook, the home of some of the all-time laziest efforts at wishing someone a happy birthday. Be sure to stay tuned for more great content! I want to know, is there something that you would like to see be done here on Scene Before, perhaps for this half of 2019? Or, what is your favorite Scene Before moment, post, anything that I have done so far this year? It can even be this one for all I care! Let me know down below! Scene Before is your click to the flicks!