The Secret To 3D Movies You May Have Never Known (Post-Conversion)

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Hey everyone, Jack Drees here! I have a serious question. Is 3D still relevant? Don’t get me wrong, at times it can add a bit to several movie experiences. I remember going to see all three “Hobbit” films in IMAX 3D, all of them were epic and thrilling. Although nowadays 3D has become at times this thing you have to accept when going to see a film at the theater.

3D in a way is like prescription pills. There are a number of cases where you never really asked to take them for your personal amusement, but since you want to get on with your life, you just move along. When I go to the movies, I don’t traditionally care what show I get, but if I were making every executive decision, I’d probably choose to see a film in 2D. If the movie’s in IMAX and 3D’s the only option, chances are I’d go for that. Although when it comes to 3D, it’s something I never wanted, but it has always been around. It was very popular at the at the end of the 2000s leading into 2010. That’s because James Cameron’s “Avatar” was released all over and praised for the theatrical experience when watched in 3D. However since then, audiences have been thinking to themselves that 3D movies are becoming more and more bland. While there are those people who think 3D is awesome and think it’s one of the greatest things in cinematic history, 3D has increasingly resembled a fad as opposed to a game-changer.

One question some of you may have until looking at this post is this: How does the 3D come to be? It varies from movie to movie, but in most circumstances nowadays it’s fake. How is this? Unlike a number of films shot on cameras and rigs meant for 3D, most movies are currently shot on 2D cameras. It doesn’t even matter if the movie’s shot on film or digital, it’s just shot in 2D. Nowadays it is very rare to find a film coming out which is shot in actual 3D. This current year is 2018, let’s take a look at the list of movies that have been revealed to have been shot in actual 3D.

  • Mission: Impossible: Fallout
  • 2.0

There you go! That’s the whole list! Note that there are no animated films since those are made on computers.  Now let’s take a look at the rest of the 3D films labeled to have 2018 releases. Note once again that there are no animated movies.

  • Maze Runner: The Death Cure
  • Black Panther
  • A Wrinkle in Time
  • Pacific Rim: Uprising
  • Tomb Raider
  • Ready Player One
  • Rampage
  • Avengers: Infinity War
  • Solo: A Star Wars Story
  • Jurassic World: Fallen Kingdom
  • Ant-Man and the Wasp
  • Alita: Battle Angel
  • Alpha

There are more films coming out in 2018 to be released in 3D. However, I can’t confirm or deny whether they’re real or fake. These results just goes to show when you look at the movies playing and you notice that there’s something playing in 3D, chances are that movie isn’t actually 3D.

Post-converted 3D is something that’s not really talked about when it comes to older movies nowadays such as those that were in 3D during the fifties, but it got some severe attention in 2010. In 1981, a movie known as “Clash of the Titans” was released to the public. The movie provided a fun family adventure for an hour and fifty-eight minutes and received a number of positive verdicts. Since studios love remaking everything, it’s no surprise that “Clash of the Titans” was one of those movies that got the remake treatment. And according to many people, it’s a f*ck-up on S*itshow Valley. Release the Kraken? More like Release the Crapen! Aside from the eye-covering CGI, the one-dimensional characters, and how people see it in comparison to the original film and mythology, this film was despised by critics and audiences for its use of 3D. Perhaps even more hilarious is a marketing tagline used by this movie. The tagline being, “Titans Will Clash.” No. F*cking. S*it. It’s like if “The Emoji Movie” had a tagline that said “This movie will suck, and you’ll hate your life while watching it.” THANKS, CAPTAIN OBVIOUS!

As for the movie’s use of 3D, the film was originally shot on 2D film cameras, and the director of the film, Louis Leterrier, went to the studio early on asking about a 3D conversion. However, this process was new and expensive. When “Avatar” was released, Leterrier was pressured to do a 3D post-conversion. He gave into it after seeing what he thought was a rather convincing View-D conversion process. The man even stated that it was essential for audiences to view the movie in 3D as an enhancement as opposed to a gimmick regarding the overall experience. Let me just tell you right now, the audience didn’t view it as an enhancement, they didn’t even view it as a gimmick, they viewed it… as crap. Three years after the film’s release to the public, Leterrier came out and said this about the 3D:

“It was famously rushed and famously horrible. It was absolutely horrible, the 3D. Nothing was working, it was just a gimmick to steal money from the audience. I’m a good boy and I rolled with the punches and everything, but it’s not my movie.”

And this just goes to show that studios can sometimes get in the way of movies. This isn’t the first time this has happened. Just look at films such as “Spider-Man 3,” “Risky Business,” and “Blade Runner.” Studios might force directors to do something concerning their movie that they ultimately don’t want to do. In this case, the studio wanted a 3D conversion. Had the movie just been in 2D, everyone would have probably been a little more happy. They’d still get a bad movie, but they’d have one less terrible aspect related to it. In fact, part of me thinks that Warner Brothers would end up making just a tad more money. After all, so many people were complaining about the 3D, so some folks would avoid 3D showings like the plague.

This isn’t to say that all post-converted 3D sucks. Some of the most highly appreciated 3D experiences are post-converted. After all, it is the norm now, so there has to be a gem somewhere. I went to see “Jurassic World” and the 3D was probably one of the best parts of the IMAX experience I was given. It was dinosaur-sized fun! “Mad Max: Fury Road” was also an experience worth the extra number of bucks, seeing all of the practicality and CGI come together at times really made you feel like your face was on fire or cars were running you over. One of the best experiences of all, is “Gravity.” I saw “Gravity” the weekend it came out in IMAX 3D, and it was f*cking worth it. The movie itself doesn’t have much replay value, but between the sound editing, sound mixing, score, cinematography, CGI, everything came together, and there were certain scenes where I truly felt like I was in space. Even better, trying my absolute hardest to survive in space. Just goes to show, even fake stuff can be real!

If anything, the improvement of post-production 3D is most likely due to commitment, and advances in technology. When it comes to “Gravity,” CG Effects Supervisor Alexis Wajsbrot has this to say:

“It was rendered in stereo, then we post-converted the faces with a very accurate track. It was a very precise rendition. That’s why the stereo works so well because it was thought about a long time before the movie was made.”

As suggested, the way “Gravity” was rendered gave it a 3D effect. The rest was work. Stereoscopic 3D is a very useful process if you’re shooting in 2D instead of 3D, if you’re maybe trying to save some cash and back pain, or if you are just looking for a way to cash in on a film even though you’re doing it in an effective manner. It won’t be real 3D, but it may give your brain the thought that you’re actually looking at 3D. While I do prefer authenticity, technology and commitment can help in making a proper product.

…Although in reality I prefer seeing movies in 2D.

Thanks for reading this post! I actually believe it or not had trouble doing this post, because I was working on another post I thought of last week, it was stuck in my head like how much I love pizza, the brand of the TV in my room, and the fact that with TurboTax, at least your taxes are free. Seriously though, thanks for reading! Tomorrow a new trailer for “Solo: A Star Wars Story” is arriving and we also got some trailers coming out tonight during the Super Bowl, trailers like “Mission: Impossible: Fallout,” “Skyscraper,” and “Jurassic World: Fallen Kingdom.” I might review one of those trailers, and as far as newer movies go, I can confirm that at some point soon I’m going to see “The 15:17 To Paris.” That movie’s coming out February 9th, so I’ll be seeing that not long from now. Also, if you want more exciting content to take a gander at, I’ll have links down below to my “Maze Runner” reviews. Please check those out, I enjoyed a couple of those movies, and I have my thoughts summed up, whether they are positive or negative. Stay tuned for more great content! In 2D. I want to know, what is the best experience you had watching a movie in 3D? Yes, I’ll even count IMAX documentaries or something along those lines. Doesn’t even matter if the 3D’s real or not. Let me know down below! Scene Before is your click to the flicks!

“THE MAZE RUNNER” REVIEW: https://scenebefore.wordpress.com/2018/01/18/the-maze-runner-2014-the-continuation-of-teen-angst-starring-dylan-obrien/

“MAZE RUNNER: THE SCORCH TRIALS” REVIEW: https://scenebefore.wordpress.com/2018/01/25/maze-runner-the-scorch-trials-the-continuation-of-teen-angst-starring-dylan-obrien-part-2-to-be-concluded-in-almost-2-5-years-also-this-is-wckd-boring/

“MAZE RUNNER: THE DEATH CURE” REVIEW: https://scenebefore.wordpress.com/2018/01/28/maze-runner-the-death-cure-2018-the-continuation-of-teen-angst-starring-dylan-obrien-part-3-to-be-rebooted-once-hollywood-runs-out-of-young-adult-dystopian-books-to-base-movies-on-still-bett/

Avengers: Infinity War (2017) Official Trailer: Revived Hope For Marvel Studios?

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Hey everyone, Jack Drees here! Today I have a trailer review for you all, and it’s a trailer that pretty much everyone who is a Marvel fan has been asking to receive for quite some time. Now that it’s here, I imagine they’re all excited. Am I a Marvel fanboy? Sort of. I don’t read the comics but I enjoy the movies, and despite how I mainly watch the movies, I do actually sometimes discover information that has been covered in various comic books, and the same can be said for DC. Do I really like Marvel more than DC? From a movie perspective, you can say I do, but quite honestly after seeing DC’s movies this year, they’ve not only created better content movie-wise this year as a whole, but they’ve also given me the thought that they could create content that can compete and surpass the content we’ve gotten with the Marvel Cinematic Universe. As far as next year goes, Marvel has more movies coming out than DC, and one of them is “Avengers: Infinity War,” whose trailer we’ll be talking about today. For those of you who don’t know, “Avengers: Infinity War” will be the nineteenth installment in the Marvel Cinematic Universe. In this movie, the Avengers have to stop Thanos, played by Josh Brolin (The Goonies, No Country for Old Men) before he collects six Infinity Stones, and if this madness isn’t stopped, he will inflict his wicked will on reality itself. So without further ado, let’s talk about the trailer.

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So the trailer starts off and you hear a bunch of voices. These voices all come from members of the Avengers, and they all come together to form a phrase, saying that the Avengers was formed in order to take down people that the ordinary couldn’t defeat themselves. Throughout we get a bunch of shots of the Avengers, some of which look colorful by the way. We also get one where we see one of the Infinity Stones inside Vision’s head, which should set up some of what we get in this upcoming film.

Then we get one of the most unexpectedly long logo introductions I’ve ever seen in a trailer. It’s basically similar to the Marvel Studios logo you’d get in the MCU films that have come out since “Doctor Strange.” It’s not a bad logo, but it’s just a tad long for a trailer. Although I did see reactions to this trailer and people were geeking out over this, which I can respect.

Then we get something that I admire this trailer for showing, despair. We see a bunch of heroes together, a shake comes along, and next thing I notice, Tony Stark is walking out of a door. One criticism I have here is the shot arrangement as he does this. We see him walking, the camera is close to Tony from behind, and then all of a sudden, the shot changes to basically the same thing, except instead of being a close-up, it’s more like a medium shot. As this is going down, we begin to hear Thanos’s voice.

THANOS: “In time, you will know what it’s like to lose. To feel so desperately that you’re right. Yet to fail all the same. Dread it. Run from it. Destiny still arrives.

As Thanos is saying all of this, we get a shot of Spider-Man’s hairs raising, we also see the heroes looking at all of the s*it that’s going down, and we also see Loki holding the Tesseract, which you may remember as an important entity from the first “Avengers” movie. We then see Thanos exit the portal. Who is Thanos? If you’re unfamiliar with Marvel…

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He’s basically the Marvel villain equivalent of that one kid who stole your candy on Halloween, only he’s not wearing a poorly realized Barney the Dinosaur costume.

Seeing Thanos the way he is at this point is rather weird to me, because up until now, we’ve seen him in his armor. We still see armor, but one thing that’s noticeably gone is his helmet. According to Joe Russo, one of the two directors of “Avengers: Infinity War,” he has a more “casual” and “spiritual” look, Russo explained during his time at this year’s San Diego Comic-Con that this costume is symbolic for the character throughout his journey attempting to collect the stones. We then hear Black Panther speaking for the first time in this trailer, all the while getting some more cool looking shots.

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Afterwards, we get some action, and even a scene where Tony’s in his Hulkbuster suit, which was used in “Avengers: Age of Ultron” in a fight against the Hulk. One of the most important shots in this which I feel adds drama to the entire trailer is one shot where we see vision’s Infinity Stone removed from his head by Thanos’s staff. He places a stone in a compartment located on the armor which is on his person, right next to another stone. This signifies he has two stones and he still has more to look for.

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There aren’t that many shots left before the trailer comes to an end, but one shot I heard others talk about that I will bring to your attention is the one you see above. You can see a bunch of the Avengers running towards the camera fighting with all they’ve got in a field of grass. I watched one reaction video saying this looks like the new “team shot,” although I disagree considering how the team has Iron Man who looks like he’s out of this shot, and I don’t see Vision anywhere. Maybe he was killed as the stone was taken from him. I don’t know, what do you think?

After we see the logo for this upcoming film, we then get one final moment of footage. We see Thor, he has one eye, and he asks “Who the hell are you guys?” The next thing we see after that, a shot of the Guardians of the Galaxy! This means that for the first time, the Guardians will now cross into a Marvel film that isn’t standalone! The release date for this film, according to the trailer, is May 2018, although to be more technical it’s May 4th, 2018, which sounds more like a proper release date for a “Star Wars” film considering that’s what us geeks refer to as “Star Wars Day.”

So now we made it here, we’ve made it to the point that this whole cinematic universe was leading up to, Thanos. Regardless how the movie will be, this trailer was amazing. It does exactly what a trailer needs to do and unfortunately, a tad more, which we will get to. As far as shot composition, I’m pretty impressed. There’s a nice variety of shots all over the trailer, some of which show off neat CGI, granted I feel the color grading can be adjusted a little bit, but for the most part, they’re great shots. In fact, one thing that somewhat surprises me is the aspect ratio of the trailer. This movie is using the Arri Alexa IMAX camera to shoot the entire film. This means when the film is shown in all IMAX theaters, more of the screen will be covered by an image. My assumption is that this will only apply to when the film is shown in IMAX, and when it’s shown in other theaters, the aspect ratio will come off as it does here, which does lead me to some questions regarding the Blu-ray. Also, one thing that makes me wonder why they’re going with a 2.39:1 aspect ratio for this trailer is that it’s not shot with one other camera. Also, when this movie comes to theaters, it’s unlikely that it’ll change aspect ratios, so why’s it like this?

This movie is being directed by the Anthony and Joe Russo, the two have also directed prior MCU films including “Capatin America: The Winter Solider” and “Captain America: Civil War.” After seeing those films, I’m convinced that the two can create an excellent “Avengers” film. “Captain America: The Winter Soldier” is one of my favorite movies from 2014 and when I did my top 10 best movies list for 2016, “Captain America: Civil War” ended up being on the top spot. Quite honestly, I think that spot now belongs to “Arrival,” a conclusion which I’ve come to after watching it multiple times on Blu-ray. Nevertheless, to go two years this decade with top movies directed by the same people is an achievement worth appreciating. “Captain America: Civil War” also felt like a mini-“Avengers”-film, all the while focusing on Captain America. So based on what I’ve seen in that film from a directing standpoint, especially when it comes to action, I have confidence that these two directors can deliver a watchable product.

Paul Bettany, who you may know as Vision in this upcoming movie, was just at Rhode Island Comic Con, and while he was there, he was at a panel alongside Sebastian Stan, who you may know as Bucky Barnes in this film as well. While he was there, he described it as “badass” and “amazing.” If I were a total fanboy, I’d probably be saying the same thing. Am I right now? I wouldn’t say I am as much as I want to. The main reason is because of Marvel’s past work, specifically “Guardians of the Galaxy Vol. 2” and “Thor: Ragnarok.” Those two movies, while passable, weren’t satisfying. The main reason I thought this way was that the comedy given in both movies just didn’t work. There were times where it did work in both films, but for the most part, it fell flat and as the movie went on, I couldn’t help but think “Stop trying! Take a break!” That comment can apply to both movies, but just a bit more for “Thor: Ragnarok.” For “Guardians,” I wanted the comedy to go on, because the comedy is what makes me think of “Guardians” as “Guardians,” but none of the attempts worked. “Guardians of the Galaxy Vol. 2” took the original movie’s humor that sounds like something you’d hear in perhaps “Ghostbusters” or something and replaced it with humor you’d hear in some cheap animation from Sony Pictures Animation shoved down our throats. Let’s just say that you know that your movie is starting to lose me once you insert a joke about how big someone’s turds are. I don’t mind those sorts of jokes, but that made that installment suffer because of how much it felt like a different movie compared to the first one. The first one felt like a comedy with mature humor, not like “Deadpool,” but you’d get my point if you’ve seen the movie. The second one felt like a family comedy combined with “Fast & Furious.” And I say “Fast & Furious” not only because of how often comedy occurs and the fact that this film is explosive at times, but also because of this conversation from “GotG Vol. 2” that sounds like something you’d hear in “F & F.”

NEBULA: (to Gamora) All any of you do is yell at each other. You’re not friends.

DRAX: You’re right… we’re family.

The Guardians are also appearing in this movie, so as much as I’m kind of looking forward to what they’ll do here, I wonder if their constant joking that’s signature to them will bring clashing tones to the final product. “The Avengers,” much like “Guardians” and a bunch of other Marvel movies, has comedy of its own, but simultaneously, it remains serious, and as much as I appreciate good comedy, I want this to be one of the most serious Marvel movies of all time. Comedy can be interjected here and there, but all in all, having a being like Thanos in this movie means there needs to be some dark moments, and if you think I’m joking, I’m not.

And going on with my point, let me just say that this franchise hasn’t had ONE major character death yet. Despite my praise for “Captain America: Civil War,” one problem I have with it is that nobody dies. All of the Avengers fight each other and everyone turns out OK! The movie was so close to having Rhodes die, but it didn’t go all the way. If this movie goes all the way, I might consider it to be the best “Avengers” film yet. Now I’m not saying, at least at this point, that ANY Avenger has to die, I’m thinking if you pull out one such as the Hulk, Thor, or even Black Widow, I’ll care more. If you pull out Hawkeye, I seriously won’t care. All he’s done in these films is use a bow and arrow to partially impersonate Robin Hood and pretty much nothing else! From what I can tell, the Guardians of the Galaxy are going to survive in this movie. After all, not only is this their first “Avengers” installment, but they are also getting a standalone sequel in 2020. If there are any characters from that side of Marvel that will die, it wouldn’t be all of them. It would probably also piss off a good portion of younger audiences watching since they are probably the most family-friendly of the MCU characters. When it comes to Vision, it’s possible that he could die based on what we’ve seen from the trailer, while Thanos is getting the stone from his head, he could lose his life in the process. Would I care much if Vision dies? It’s hard to tell, I liked JARVIS, who is played by the same actor, but in order to get Vision, JARVIS had to go away. Has Vision really done that much as a character? Sure, he had one of the best scenes in “Age of Ultron” where he picks up Thor’s hammer, but other than that, what has he really done? His character has only been in a couple of films, he accidentally hurt War Machine, and he fell in love with Scarlet Witch. I’d care more if she died considering I felt more of a connection to her character in “Age of Ultron.” Not to mention she came off as slightly more kick-ass! But seriously, SOMEONE HAS TO DIE IN THIS MOVIE, OR IT’S POSSIBLE THAT MY SCORE WILL BE REDUCED! I am rather convinced that someone will die in this movie, but I don’t know if it’ll happen because it’s the nineteenth installment and we haven’t seen one person die, Marvel’s owned by Disney, and according to Kevin Feige, he says that there are 20 more films planned for the MCU after a fourth “Avengers” installment! MY F*CKING GOSH! At least James Bond USUALLY waits a few years until the release of another movie in the franchise. As far as Marvel’s neverending expansion, I don’t feel like talking about that, but as far as “Avengers: Infinity War,” it makes me think that we’ll finally see another great Marvel film. It has a lot going for it, and hopefully it can deliver. So we’ll just have to wait!

One last complaint I have is the whole dramatic moment of the trailer I was talking about earlier, as much as it may be great trailer material, it almost feels like a spoiler. Thanks for reading this post! I’ll have you know once again that “Avengers: Infinity War” is in theaters May 4th, 2018, and so far, things are looking pretty good for the movie. Part of me can’t wait to see it. I also want you to know that I’m currently working on my countdown pertaining to what I consider to be the worst changes made the original “Star Wars” trilogy. I don’t know when that’ll be out, but the new movie, “The Last Jedi,” opens in the middle of next month so I’ve got some time to finish it. I don’t know if I’ll be seeing this right away, but next week, “The Disaster Artist” comes out, and you guys probably don’t even know how much I want to see that! I’m not sure what will be going on this particular weekend, but I don’t know I’ll be going to see any movies this time around. Maybe I’ll watch a movie at home and review it, only time will tell! Stay tuned for more great content! And did you see the “Infinity War” trailer? What are your thoughts? Or, are there any major heroic characters in the MCU that you think will die in this upcoming movie? Let me know down below! Scene Before is your click to the flicks!

Star Wars Episode VIII: The Last Jedi is Getting the IMAX 70mm Treatment and a History of Star Wars in IMAX!

Hey everyone, Jack Drees here! If you read my blog, you may already know I loved the movie “Dunkirk” when I saw it. And I did a few posts on it, not just a review, but mainly posts dedicated to how it was presented. You may also know I went to see the movie in IMAX 70mm film. The clearest format a movie’s ever been presented in. There were 37 locations presenting the film in this format as a special engagement. There was also IMAX laser, which is a high quality digital experience, but it’s still not as clear as IMAX 70mm. I went to the one in Providence, RI, and for what I can tell, that projection probably won’t be used for awhile for feature length films. After all, I checked the Wikipedia page labeled “List of IMAX DMR films” and none of them say that any of the future films on there are shot with IMAX cameras, which plays a prime factor into which IMAX movies get to be played in the 70mm format. Now, there are ones that are being shot with IMAX digital cameras such as “Avengers: Infinity War” and “Mission: Impossible 6,” but those, based on experience, won’t be in 70mm. If it weren’t for one other movie, “Dunkirk” would have been the only feature length film released in 2017 to get the 70mm treatment. That other movie by the way, is the upcoming “Star Wars.”

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Before going any further with this 70mm IMAX mumbo jumbo, let’s talk about the movie itself. You may already be aware this is the eighth installment in the main saga of “Star Wars” movies, based on what I’ve seen, this takes place after “The Force Awakens” and I’m willing to bet it starts off right where that movie stopped, on the island where Luke and Rey are standing in front of each other as Rey is holding Luke’s lightsaber. This is supposed to be the second installment of the latest trilogy of “Star Wars” films, which is supposed to bridge the gap between “The Force Awakens” and the untitled “Episode IX,” which will be released in 2019. As this episode bridges the gap, Rey continues her adventure as she receives training from Luke Skywalker, and others give it their all, continuing to take down the First Order.

For the record, this is not the first time a “Star Wars” movie has been shown in the IMAX format. In the main saga, episodes II and VII have both been in the format, and the spinoff, “Rogue One” has also been presented in IMAX. Also, every single one of these movies has been shown in IMAX 70mm, which was the only option for “Episode II” because that’s the only projection technology IMAX used until 2008, although there was a projector that was used for some time that supported the format (first used after Episode II), but the screen was smaller and different. Fun little fact about “Episode II,” this was the second movie to be shown in IMAX as a film to go through IMAX’s DMR process, which is the process that pretty much every feature film goes through before it’s released in IMAX. Also it was first shown in IMAX starting November 1, 2002, which is months after the movie’s official release in theaters. “Episode VII” was shown in IMAX, including a limited number of locations that played it in 70mm. It was even one of the earliest films to be shown in IMAX laser. “Rogue One” was shown in IMAX too. Fun fact about that, for those who went to see it in IMAX 15/70mm or IMAX laser, they got to see a 6 minute preview of “Dunkirk” which covered the entire screen. Part of me wonders if that was an intention someone thought of long ago or an ultimate afterthought, and you’ll understand why I say that in a second.

When it comes to “Star Wars Episode II: Attack of the Clones,” that was shot digitally, shooting IMAX footage in movies wasn’t even a thing yet. By the way, that started in 2008 with “The Dark Knight.” Digital does have some perks when it comes to shooting, for example, the storage for your video isn’t as tacky because instead of film, you have a memory card. Although certain directors prefer film. Directors like Quentin Tarantino (Pulp Fiction, The Hateful Eight), Paul Thomas Anderson (Boogie Nights, The Master), and Christopher Nolan (Interstellar, Inception). Also, George Lucas, director of “Attack of the Clones” along with the other two prequels actually pretty much kicked off the rise of digital projection with “Star Wars Episode I: The Phantom Menace,” one of my least favorite movies of all time. People thought it was amazing at the time, but looking back, the world is increasingly becoming more into film, which I find amazing because digital is at pretty much every theater now.

“Star Wars Episode VII: The Force Awakens” was the first movie in the series since “Episode I” to be shot on film. This was shot in three formats, digital (aerial plates) 35mm film and IMAX film. Most of the movie was presented in 35mm, which was in an aspect ratio of 2.39:1. Also if you saw the movie in a format that wasn’t IMAX, the aspect ratio would remain that way for the entire picture. This was also how the DVD/Blu-Ray release played out as well. In IMAX 70mm and laser, the aspect ratio would change to 1.43:1 for some time, or if you’re watching in IMAX digital, the aspect ratio would change to 1.90:1. Although this was for one scene only, specifically the scene where Rey, Finn, and BB-8 escape from Jakku. Due to this the total time spent showing IMAX footage ultimately came out to 5 minutes, which is significantly lower than other films shot in the IMAX format.

“Rogue One: A Star Wars Story” was the first live-action spinoff in the franchise released in theaters, and one thing I noticed is that when it comes to movies released in IMAX 15/70mm, this one is different than other ones released over the past few years. Aside from “A Beautiful Planet,” this is the first movie since “The Hobbit: The Desolation of Smaug” to be released in IMAX 70mm that wasn’t shot with IMAX cameras. Although UNLIKE “A Beautiful Planet” and LIKE “The Hobbit: The Desolation of Smaug,” this movie didn’t cover the entire screen. However, I will say the screen was fully covered before the movie. That’s because, as mentioned before, there was an extended preview for “Dunkirk” shown exclusively in IMAX 70mm and laser. Also from what I gathered, “Rogue One” was shot using an Arri Alexa 65, which is a digital camera, but it’s also one that is higher in terms of quality than other digital cameras used in certain movies including the one George Lucas wanted to use in the prequels.

Now with this out of the way, let me just blurt something at you here. I don’t know how much footage was shot in the IMAX format for this movie. Wikipedia suggests that the IMAX camera was used for certain scenes. As for the rest of the scenes, the same camera used for “Rogue One,” the Arri Alexa 65, is used here, and you also have a Panavision film camera which shoots in 35mm film. I’ve seen many films in IMAX, in 70mm, digital, and laser, and I usually have an enjoyable experience, some better than others, but still. When it comes to IMAX 70mm film, I’d say that it’s worth the ticket price just for getting the highest quality image possible. Based on what I’m hearing, I don’t think it’ll be as worth it as “Dunkirk” was but I’d still say go for it, after all, “Star Wars” is a movie that’s made for audiences to go see together, and I think the best way to do that is by going to an IMAX 70mm theater. If I were a filmmaker, I would, depending on the movie I’m making, want it to be IMAX 70mm friendly. I want it to be big, bold, beautiful, the three b’s.

Another thing you should consider is the 2D vs. 3D option. If you ask me, I usually don’t care, 2D is cheaper, but 3D at times can be a fun ride. If you choose to see the new “Star Wars” in IMAX 70mm, 2D is going to be your only option. I don’t really think that’s a bad idea considering the size the movie is when projected on film and having to deal with what technically qualifies as two movies can be a hassle. Not to mention, there are IMAX film projectors that can’t even do 3D. I even looked at a website called lfexaminer.com, and there are only two theaters this is playing at in the IMAX 70mm format that can handle 3D.

One more thing to keep in mind that a good number of these locations are IMAX domes. These are also referred to as Omni Theaters and OMNIMAX. These theaters usually never play feature films, you’re more likely to find those on straight IMAX screens. OK, not completely straight, they do have an intentional slight curve, but you get my point. I have never seen a feature film in an IMAX dome so I don’t know what it’s like, however I have watched IMAX documentaries there, which were fun experiences that covered the whole screen. And keep that in mind, while IMAX often plays movies that will make you see black bars on the screen, kind of like some stuff you might watch at home, it might be weird in an IMAX dome. This is because the dome is basically a fish eye, making the curve a lot less slight than other IMAX screens. You’ll still get amazing sound and clear projection, but it’s something to keep in mind. Also, if you don’t like looking up at screens instead of directly at one, this isn’t your theater.

Also, I’ll restate the fact that when “Dunkirk” came out, it was playing at 37 locations in IMAX 15/70mm. That is rather small, and believe it or not, it is more than the total locations playing the movie in laser, which happened to be 25 by the way according to IMAX’s website. I’m not sure how many laser locations have been established since July, but the amount of laser locations playing this movie is likely to be small. Guess what? The 70mm locations are smaller than what “Dunkirk” had! When “Dunkirk” was available for the IMAX 70mm treatment, people from multiple countries such as the US, the UK, Australia, and Thailand could view it the way director Christopher Nolan intended. According to IMAX, “The Last Jedi” will be available in 11 theaters in the 15/70mm format, and if I feel the need to, I’ll give you some information as to what type of theater it is if you’re interested. Just a hint, if you see me listing whether the theater is capable of 2D or 3D, the theater has a flat screen.

US THEATERS:

ALABAMA:
IMAX Dome, McWane Center: Birmingham
IMAX, US Space & Rocket Center: Huntsville (Dome)

CALIFORNIA:
Hackworth IMAX Dome, The Tech Museum: San Jose

CONNECTICUT:
IMAX, Maritime Aquarium: Norwalk (2D)

INDIANA:
IMAX, Indianapolis State Museum: Indianapolis (3D, also does certain films in IMAX digital)

IOWA:
Blank IMAX Dome, Science Center of Iowa: Des Moines

MISSOURI:
OMNIMAX, St. Louis Science Center: St. Louis

NORTH CAROLINA:
The Charlotte Observer IMAX Dome, Discovery Place: Charlotte

PENNSYLVANIA:
Tuttleman IMAX, The Franklin Institute: Philadelphia (Dome)

TEXAS:
Omnitheatre, Fort Worth Museum of Science & History: Fort Worth

UK THEATERS:
London Science Museum: London (3D)

As you can see, not only do we have a small amount of theaters listed here, but there’s only one outside the US! Just like I said before, the total number of theaters listed here in fact comes out to 11. So the number of IMAX 70mm presentations for “The Last Jedi” is less than the number of seasons of shows like “Criminal Minds,” “Grey’s Anatomy,” “Supernatural,” and “NCIS.” By the way, all of those shows are still on! If you live close to one of these theaters, I gotta say, you’re so lucky. The closest one to me is the at Maritime Aquarium, which is almost 3 hours away from my house in Massachusetts. Just for the lack of theaters available, I’d say this is worth experiencing just to say you saw the movie in this format. Now I’m going to see this movie opening night in standard 3D, if I like this movie enough, I’d probably make an attempt to go to Maritime. Also, if you are a movie buff, depending on what you’ve done under said label, you might be interested to know there’s a restaurant right near the theater called Johnny Utah’s. Why do I bring this up? Well if you ever viewed the movie “Point Break” which came out in 1991 starring Patrick Swayze and Keanu Reeves, that was the name of the character played by Keanu Reeves. Just to clarify, when I say restaurant, I actually mean club. They have a mechanical bull, it’s very loud, and it’s not exactly kid friendly. Oh yeah, and it has two stars on Yelp, totally worth a trip amirite!

Will I see “Star Wars Episode VIII” in IMAX 70mm? I’m not sure yet. I’ve got to consider the time it takes to get to the theater it’s playing at and how much I even like the movie upon first watch since I already have tickets for it at another theater. Nevertheless, if you do plan to see “The Last Jedi” in the clearest way possible, consider this post a recommendation. Also, if you missed “Dunkirk” in IMAX 70mm I’m willing to bet this will absolutely make up for it. Thanks for reading this post! Next Monday, I’m going to have my review for “Thor,” which is going to start off my series of “Thor” reviews leading up to “Thor: Ragnarok.” Not really much else is happening, I might watch something and if it has some significance I’ll review it. So stay tuned for more great content! Also, I have a few questions. Are you planning to see “The Last Jedi” in IMAX 70mm? Are you seeing “The Last Jedi” in general? If you are seeing “The Last Jedi,” where are you seeing it? Leave your responses in the comments! Scene Before is your click to the flicks!

Blade Runner 2049 (2017): Is the 35 Years Worth the Wait?

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“Blade Runner 2049” is directed by Denis Villeneuve (Prisoners, Arrival), stars Ryan Gosling (La La Land, Crazy Stupid Love) and Harrison Ford (Star Wars, Raiders of the Lost Ark), and is the sequel to 1982’s “Blade Runner” which was directed by Ridley Scott (Gladiator, The Martian), a movie considered by many people to be one of the greatest sci-fi films, if not one of the greatest films, ever made. “Blade Runner 2049” takes place in the year of 2049 in the US state of California, the plot is that there’s a young blade runner (Ryan Gosling) who discovers a long-kept secret which leads him into tracking down former blade runner Rick Deckard (Harrison Ford), who’s been out of sight for three decades.

When it comes to the original “Blade Runner,” it’s a movie I haven’t actually watched until fairly recently. For the record, when I say that, I’ll have you know I didn’t even watch the original version of the film, which by the way the version I watched which isn’t original, is the one I viewed five times at this point. I say that because if you know this movie’s history, you’d be aware of how it has received endless cuts. In 1982, they started out with a movie that not many people saw but was on the rise to prove its influence to film. I mean, seriously! If you look at films and material which came out after it, you’ll understand what I’m talking about. Just check out “Ghost in the Shell,” “The Matrix,” the “Star Wars” prequels, “The Fifth Element,” all of these just look at them and don’t tell me you don’t see a bit of “Blade Runner” in them. The redo of the TV series “Battlestar Galactica,” according to the producers, cited “Blade Runner” was a major source of influence to the series. It has also been parodied in material such as the British science fiction TV show “Red Dwarf.” Based on what I have told you, it’s not surprising that people revere this movie. Overtime it has gained a cult following, and has been considered one of the greatest science fiction films, not to mention one of the greatest films in general, ever made. It was nominated for two Oscars (Best Effects, Visual Effects, Best Art Decoration-Set Decoration), it was also nominated for a Golden Globe (Best Original Score-Motion Picture), which I wholeheartedly approve of because the score is probably one of my favorites in movie history. BAFTA also praised the score by nominating it, which was one of the eight nominations the movie received in that particular show. By the way, it won three. It currently has a spot on the IMDb top 250, it’s on AFI’s 10 Top 10 as the #6 science fiction film, and IGN put it as the #1 spot in its “Top 25 Sci-Fi Films of All Time.” I watched the film multiple times now, specifically “The Final Cut,” and it gets better with multiple watches. So, how is “Blade Runner 2049?” Holy crap, this movie was an experience. I went to see this movie in IMAX, and I don’t regret it, because this is one of those films that MUST be seen in a theater! You know how I kept talking about “Dunkirk” and what an amazing experience that was? This was just as great! And with that I’m gonna give you guys a little sidenote…

I don’t use Netflix, in fact, I’d go as far as to say that Netflix is slightly overrated. I may be biased because they killed Blockbuster Video, a significant memory from my childhood, but I’m gonna let you know a little information about them that you may or may not be aware of at the moment. Netflix may be known for its selection of movies and TV programs to watch which are available at your fingertips, but they’ve also done original content. They’ve done TV shows such as “House of Cards,” “Orange is the New Black,” and “Stranger Things,” all of which received positive reviews and a following by many people. That’s not to say all Netflix shows were considered watchable, there are disliked ones such as “Iron Fist” despite it having a following. They’ve also done movies such as “Gerald’s Game,” “The Ridiculous Six,” and “Beasts of No Nation.” What I’m going to say next is rather unnecessary for their TV shows, but can fit for their movies. When it comes to Netflix movies, they go straight to the streaming service. There’s no theatrical release for it, it just hops straight on over to the service, so people might get a theatrical experience depending on their setup, but chances are someone might end up watching the movie on their laptop without headphones, or heck, even their phone! Critically acclaimed director Christopher Nolan agrees with me when say that this is bullcrap, because Netflix is missing out on a opportunity for their movies to be shown in theaters, where audiences pay money to go see it in an immersive setting. Want to know something else? There’s an event called Cinemacon, which is a convention dedicated to film, it shows off what upcoming movies have in store, it also does screenings for flicks, stars show up, and it also has has a focus on cinemas themselves and technologies related to them. When “Blade Runner 2049” footage was being presented to attendees at the show, Sony chairman Tom Rothman said this…

“Netflix, my ass.”

Well said, Tom. For the record, Netflix has never presented at Cinemacon, so that shows what they stand for in the realm of cinema. At least Amazon releases content in theaters!

If this movie were released on Netflix, I would have been outraged, partially because I don’t use the service, but having seen this movie, this movie looked and sounded SPECTACULAR! Yeah, that was a long point, but I felt it had to be made. This movie was directed by Denis Villenevue, who also directed “Arrival,” one of my favorite movies from last year. I think he’s a great director, and his vision for this movie was brilliant. Every single frame had something worth appreciating. I can only imagine the detail that went into storyboarding this thing! Although, I can’t exactly say that he’s only in this fest of praise, because I gotta give kudos to Roger Deakins, the cinematographer of the film. For the record, this isn’t the first time Deakins and Villenevue worked together. They’ve also collaborated in “Sicario” and “Prisoners.” I haven’t seen those films, but I will say that Deakins is a fine cinematographer, just watch “No Country for Old Men” to see what I mean.

The original “Blade Runner” came out in 1982, and when it comes to movies with great lighting, as of right now, it’s probably the first movie that comes to my mind. The lighting in “Blade Runner 2049” personally isn’t as great as the original, but that doesn’t mean the lighting’s bad. However, from an overall perspective, much like its three decade old predecessor, “Blade Runner 2049” has terrific effects. Every single effect in the movie felt realistic. Sure, there are moments of the movie containing visuals that probably would be impractical (the giant sex doll with blue hair for example), but in all reality, even those felt like they actually existed for the universe this movie was presenting.

Speaking of things that aren’t as good as the original, I gotta say the music isn’t as great. Once again, this doesn’t mean the music was bad, the music was almost as brilliant as the 1982 film. But the thing about the 1982 film, is that it was unique. The music by the way in that film was done by Vangelis, who also did the score for “Chariots of Fire.” Also, Vangelis did not return for this movie, and yes, he’s still alive. The guy doing the score this time around is one of my favorite composers. I’ve brought him up in a number of posts this year, Hans Zimmer. Like the original score, it’s techno, and at times you do hear booms, which is pretty much the first thing you hear in the original movie when the titles show up. By the way, those booms sound amazing in IMAX. Also, this score at times felt a little more traditional than the original “Blade Runner.” The “Blade Runner” score is something you’d rarely hear, and while this newer film does have qualities of the older score, the new doesn’t have the absolute uniqueness of the old. I say that because I remember the original having moments that almost sounded like chimes, it was different. You could also hear vocalizing in the score, and I mentioned how much of an influence this had on “Ghost in the Shell” and I wouldn’t be surprised if the original movie’s score was partially influential. The vocalizing, the more I think about it, reminds me of “Ghost of the Shell’s” intro music. “Blade Runner 2049” was just released, so only time will tell how much the music, plus the rest of the movie will influence future products. Nevertheless, “Blade Runner 2049” had a GREAT score and I’d love to listen to it again and again.

Let’s talk about one of the leads in the film, specifically Ryan Gosling. This fellow has proven to be an excellent actor. By the way, there’s a couple scenes in this movie where Ryan Gosling is in front of a piano, and that’s not the only film where Gosling is in front of a piano, just watch “La La Land” to see what I mean. Gosling plays K and he’s basically this movie’s young Blade Runner. He’s given a mission at the beginning of the film, and seeing his character progress throughout the picture was entertaining and very moving. At times, Gosling’s acting chops were unleashed to full potential, which happened to be prominent during the movie’s emotional scenes which I won’t get into to avoid spoiler territory. K also had some qualities which were noticeable that could be compared to Harrison Ford’s character of Rick Deckard, who we’ll get to momentarily. K starts off in the movie as being directed by Lieutenant Joshi, a character played by Robin Wright, who in terms of looks and attitude, almost reminds me of your typical Charlize Theron role such as the ones she’s done in “A Million Ways to Die in the West” and “Hancock.” Anyway, seeing Gosling focus on his objectives was fascinating and despite this movie, like the original, appearing to be a slow burr, my eyes were never taken off the screen. Yes, this applies to more than Ryan Gosling in all technicality, but I’m just making a point. There’s also a spouse Ryan Gosling has, by that I mean a futuristic spouse, and by THAT I mean a spouse that is basically holographic, oh yeah, and she can change form. I can’t even get into the mission Ryan Gosling does in the film because I have a feeling this is something the trailers are hiding. I’ve seen all the main trailers, but it’s been awhile since I’ve seen one in particular, and I’m not sure if the hidden details are there, but for the sake of keeping some information a secret to possibly have some folks savor the movie’s flavor, I’m going to ignore uttering these details.

Now let’s talk about Harrison Ford. If you remember the original “Blade Runner,” Harrison Ford played Rick Deckard, the main character of the film. He was hunting down replicants just because he had a job to do. Speaking of the original film, we do get some callbacks. As mentioned recently, the music can qualify as a callback, but we do get some audio from the first film. During the film I heard Harrison Ford’s voice as it was in 1982, and I remember hearing Sean Young’s voice too. The origami unicorn makes a return here, which has brought up an interesting theory of whether Deckard’s actually a human or a replicant. By the way, I’d say he’s human. Also, I may have said that Ryan Gosling did a great job, but in all reality, Harrison Ford probably did better. By the way, out of all the performances I’ve seen Ford do, this might be his best one. Also, Deckard’s introduction is definitely one of the best scenes in the entire flick. You may have gotten a glimpse at it in the trailers, but there is more to it then what was there. I won’t go into detail though.

As much as I praise this movie, it’s not perfect. For example, some characters didn’t stand out as much as others, and speaking of characters, there’s one character who goes by the name of Mariette. She’s not unlikable, but she didn’t really add much of anything to the movie in terms of story except for maybe one part where she and K’s holographic wife are shown to have no clothes on. Also, this isn’t really a complaint but it’s mainly something I noticed, Jared Leto is barely in this movie. In fact I think he may have spent less time here than “Suicide Squad,” although I liked Leto better here than “Suicide Squad.” I may be nitpicking, and from experience, this is probably one of those movies I have to watch more than once to fully appreciate, so maybe I’m just imagining things. Other than what I mentioned, this movie’s pretty much a masterpiece, which is saying something considering what many people say about 1982’s “Blade Runner.”

Now I just mentioned this could take multiple watches to fully appreciate. And I’ll have you know I watched the original “Blade Runner” four times from start to finish since early September. I also saw it not long ago and I fell asleep to it, but to be fair, it was late. This is one of those movies, like the original “Blade Runner” that I’m probably gonna watch over and over.

In the end, “Blade Runner 2049” is a movie that defines how sequels should be made. This to me is 2017’s “Tron: Legacy,” by that I mean you’ve got this film which came out a long time ago, in fact the original “Blade Runner” actually came out the same year as the original “Tron.” The film now has a sequel, years in the making, and people enjoy it. Granted “Blade Runner 2049” has gotten more positive reception, but it doesn’t mean people didn’t appreciate “Tron: Legacy.” I love the film from a technical perspective, this movie and “Dunkirk,” so far, have been my two favorite cinematic experiences of 2017. Hans Zimmer created a great score, the screenplay hit every necessary emotion, the direction and cinematography are stellar, I’m glad to see Harrison Ford return as Rick, Ryan Gosling was great as well. Overall, this movie did what it needed to do. I’m gonna give “Blade Runner 2049” a 9/10. If you saw “Blade Runner” thinking that this movie could never be recreated, chances are you’ve just been proven wrong. This is a sequel worth remembering, and as far as sequels go, this is probably the best one I’ve seen so far this year. I can’t wait to buy this movie when it comes to home video, I want to see it again, possibly pick up on some details I missed, we’ll see what happens. Thanks for reading this review! As far as upcoming reviews go, I hope to see “Stronger” starring Jake Gyllenhaal, which is about a guy who manages to survive the Boston Marathon bombing, and I also am planning on reviewing “Thor” and “Thor: The Dark World” in preparation for “Thor: Ragnarok.” Stay tuned for those reviews, and more reviews! Also, if you’re into “Blade Runner,” you might be interested in checking out my post dedicated to things “Blade Runner” got right about the future. Here’s a question, which “Blade Runner” was better? The first one or the second one? Also, one more question, what is a movie that gets better the more you watch it? Let me know down below in the comments! Scene Before is your click to the flicks!

WHAT “BLADE RUNNER” GOT RIGHT ABOUT THE FUTURE: https://scenebefore.wordpress.com/2017/10/06/what-blade-runner-got-right-about-the-future/

American Made (2017): Tom Cruise and Doug Liman Are Back!

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“American Made” is directed by Doug Liman (Edge of Tomorrow, The Bourne Identity), and stars Tom Cruise (Risky Business, Mission: Impossible), Domhnall Gleeson (Ex Machina, Star Wars Episode VII: The Force Awakens), and Sarah Wright (21 & Over, Marry Me) and it is being marketed saying that it’s “based on a true lie.” The film’s about a pilot played by Tom Cruise who lands work transporting contraband for the CIA and as a drug runner for the Medellin Cartel in the south in the 1980s.

Going into “American Made” I was expecting a number of things. First off, a good movie, which by the way I did get. Second, a fine Tom Cruise performance, that was there too. Some moments of comedy despite having a serious situation at hand, that was also there. And I also expected an interesting story, for the record, I never really heard about this because I wasn’t born until 1999 and I just never researched it. I got all of that and a little more.

My favorite aspect of the entire film is how it looks. I went to see this film in IMAX, which I will say enhanced the experience a bit. By the way, if you do want to see this film in IMAX, make sure you can fit it in because this won’t be there long before “Blade Runner: 2049” comes out on October 6 and there could be a good chance that this won’t be playing at your local IMAX. As far as the camera goes, this film was shot on an Arri Alexa, which is a camera capable of shooting in 2K, which is higher than HD but lower than what is typically considered Ultra HD, or 4K as some people may call it. Even so, the film looked amazing. The aerial shots looked beautiful, the locations were gorgeous, and I truly felt like I was in the movie at times. But then again, I’ll mention, I saw the movie in IMAX. Also, one more thing. As much as I appreciated the cinematography in the movie, I wouldn’t say it was perfect. At times, it would zoom on certain things, and I have seen that before and it worked in other pictures, but here it’s kinda sketchy.

Let’s talk about Tom Cruise’s character of Barry Seal. If you ask me what I think of Tom Cruise himself, personally, I think he’s a fine actor. As a person, he may not be the best when it comes to relationships, or in terms of controlling his own ego, but as an actor, he’s got chops. He even starred in one of my favorite films of all time, and quite possibly my favorite coming of age movie, “Risky Business.” He’s also proven to be a stellar action star, just watch the “Mission: Impossible” movies! When it comes to Tom Cruise in “American Made,” I’d say that this is what happens if his performances from “Top Gun” and “The Last Samurai” got together and had a baby. The elements are there! In “Top Gun,” Tom plays a pilot, and as far as Tom Cruise in “The Last Samurai” goes, I didn’t really see much of Tom Cruise in that movie, and I mean that in a good way because Tom Cruise felt like a different person. Not to mention, both “American Made” and “The Last Samurai” take place way back before the time they came out. I will say, Cruise’s performance isn’t necessarily as good here as “The Last Samurai” because I can still see Tom as I watch “American Made,” but it is definitely a fine performance.

Sarah Wright plays Barry’s wife, Lucy. Wright did a fine job as her and while I can’t really say many redeeming things about her that makes her character stand out from many others, she definitely was a fine character and moved the movie along very well. Quite possibly Wright’s best scene, performance wise, is when she’s watching TV and she sees something that if I said it, would spoil some of the movie for you.

One of the biggest shockers for me in this movie is that Jayma Mays is in it. You may know her from “Glee,” a show which I actually never saw and it’s also a show I personally don’t want to see in the near future. However I have seen Mays in other movies which critically, were spat in their faces. I’ve seen Mays in 2009’s “Paul Blart: Mall Cop” and 2011’s “The Smurfs.” “Paul Blart: Mall Cop” is a guilty pleasure of mine, but I’ll mention to you I live near the shopping centers where this movie was shot. As far as “The Smurfs” goes, that might have been the worst movie I’ve seen to have released in 2011, now keep in mind, I haven’t seen “The Twilight Saga: Breaking Dawn Part 1” or “Jack and Jill” so before you comment below, think wisely. Speaking of surprises, Jayma Mays probably gave the best performance in the entire flick. I honestly want to see her nominated for Best Supporting Actress when the Oscar season comes up. She plays Dana Sibota, the Assistant Attorney General of Arkansas, so when you go see this movie and it’s about halfway done, look forward to this character.

One thing that didn’t surprise me but I imagine could surprise some people who haven’t heard much about this movie is that at times, it’s funny. Now it’s not hilarious, it’s not like “The Hangover” or “Anchorman” or anything like that, nothing slapstick, it’s just rather comedic at times. I was watching one of the TV ads for this movie, it shows a plane crash, and Tom Cruise is talking to this guy on a lawn, and that actually turned out to be the part of the movie where I laughed the most.

In the end, “American Made” is worth checking out. I’m aware that awards season is around the corner, and I do hope this does get nominated in a couple categories: Best Supporting Actress for Jayma Mays’s performance, Best Cinematography, and Best Sound Editing, although in that aspect I don’t really think it stands a chance against “Dunkirk,” which basically turned the entire auditorium into a war zone. The replay value for this movie personally is a little low, and there are some characters that don’t really stand out as much as others, but all in all I had a good time watching this movie. I’m gonna give “American Made” a 7/10. Thanks for reading this review, next weekend I’m hoping to go see “Blade Runner: 2049,” the sequel to what is considered one of the greatest sci-fi films ever made, I can already tell it’s gonna be great just based on reviews, so I can’t wait. I’m also hoping to see “Stronger” which stars Jake Gyllenhaal as a man partially affected by the Boston Marathon bombings. Also, if you’ve got Tom Cruise fever right now, I’ll leave some reviews for movies that have Tom Cruise in them, feel free to take a gander, they are worth reading. Stay tuned for more reviews! Also, what is your favorite movie with planes in them? Let me know down below! Scene Before is your click to the flicks!

“THE LAST SAMURAI” REVIEW: https://scenebefore.wordpress.com/2017/09/11/the-last-samurai-2003-not-a-perfect-blossom-but-not-a-bad-one-either/

“RISKY BUSINESS” REVIEW: https://scenebefore.wordpress.com/2017/09/18/risky-business-there-is-no-substitute/

“THE FIRM” REVIEW: https://scenebefore.wordpress.com/2017/09/25/the-firm-1993-lifes-a-mitch/

Is Dunkirk the Best IMAX Experience Ever?

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Hey everyone, Jack Drees here! If you followed my blog at all recently, you may know that I loved the movie “Dunkirk,” it’s not perfect, but I even think it has a slightly higher replay value than “Wonder Woman,” which I actually gave a 10/10 in my review for it, by the way, it’s still a 10/10 must see in my book. I originally gave “Dunkirk” a 9/10, which still stands, but the fact is I might watch “Dunkirk” more than “Wonder Woman,” at least that’s what my mind says for now, because “Dunkirk” is a very unique survival story whereas “Wonder Woman” has some cliches, although those cliches are done in a way to make you feel like you’re experiencing something totally new or fresh, kind of like in 2015’s “Star Wars: The Force Awakens.” Not to mention, despite the villains being better than numerous MCU villains we’ve gotten over the years, they didn’t exactly reach a level of greatness. In my review for “Dunkirk,” one thing I touched upon, was the experience itself. “Dunkirk” is being released in 6 different formats, I only saw the movie once so for now I only got to experience “Dunkirk” in one format. The formats listed are IMAX 70mm, standard 70mm, 35mm, IMAX laser, standard IMAX digital, and traditional digital. By the way, there are no 3D options for this film, only 2D, which can be a plus considering the extra fee you’d usually have to pay for 3D. I did a post last month recommending that you should see “Dunkirk” on film, although today we’re gonna talk about IMAX because when I saw this movie in IMAX, it was a fairly unique experience, and this is coming from someone who often goes the movies and sees a good number of them in the IMAX format. When I went to see the movie, I got to experience it in IMAX 70mm in Providence, RI, IMAX 70mm is suggested to be the highest format possible. Slate has a very informative and excellent video on this whole format comparison and it is almost hard to say it better myself, the link is available below if you want to watch it.

http://www.slate.com/blogs/browbeat/2017/07/25/we_watched_dunkirk_in_standard_digital_and_70mm_imax_to_see_if_viewing_format.html

Now if you were planning on seeing “Dunkirk” at some point, first off, do it now while it’s still in theaters, it’s a great movie and deserves to be seen in the theater! Second, one of my biggest recommendations is that you avoid traditional digital projection. Why? Simply because you’ll be missing details or a scope from this movie that you could see in any other format. I’ve gone into depth about this before, but I need to bring it up again. When I brought it up for the first time, I said that you must see this movie on film. While that is true, today I’m going to talk about IMAX, specifically. Yes, even digital! And I actually want to talk about IMAX in depth, which I’ve done before, but this is gonna be informative.

Before we get into projection, I want to talk about one of IMAX’s screens. This is an IMAX digital screen. If a movie is being played and projected to cover the whole screen, the aspect ratio would be 1.90:1. The main purpose for these screens is to retrofit multiplex theaters such as Regal or AMC for “the IMAX experience.” Is it worth the money? To me, only in a number of circumstances. For example, if there’s a big movie out and I want to go to a super enormous IMAX only to find out they have no tickets left for the movie I’m see, that happened to me when I saw “Rogue One” on opening night, or if I want a bigger screen and tuned up audio than what you’d get in a normal theater. The digital IMAX experience is by no means, a terrible experience. It still has the traditional IMAX surround sound which moviegoers love, it still has a big screen, although it’s not as big as other IMAX screens and it’s only slightly bigger than a traditional movie theater screen. To compare, screens under the IMAX digital treatment, have been measured in feet, I have a local IMAX screen which has been marketed to be “eight stories high.” Is that an exaggeration? Possibly, but if you check out the screen in person, it’s pretty freaking huge!

Right here we have the IMAX digital projection system. This has, unfortunately, been cheating many moviegoers over the years. Not only is it small projection by IMAX standards, not only has it been used on small IMAX screens, but it also has been used on IMAX’s big screens as well. We’re gonna be talking about a couple more projectors in a moment, but let’s get something out of the way. The traditional IMAX aspect ratio, AKA, the aspect ratio you’d see while watching documentaries on IMAX’s big screens in museums, aquariums, and a few other places, is 1.43:1, and part of “Dunkirk,” was shot in order to be featured in that format. That means, no matter what you see on an IMAX screen like this, that is if the theater is using digital projection, there will be black bars on the top and bottom of whatever you’re seeing. In fact, there’s even this one movie I went to see in IMAX, in fact, IMAX brought back “The Wizard of Oz” for a week once. I have not seen “The Wizard of Oz” in IMAX anywhere, but it was only available for IMAX digital projection. So I would imagine that if you went to see this movie in a true IMAX theater, some folks might not only be distracted by black bars on the top and bottom of the screen, but also on the sides.

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Here we have what most folks, including me would refer to as “true IMAX.” This screen can be completely covered with an image which has an aspect ratio of 1.43:1 and the projectors that bring that image to life are actually the clearest IMAX has to offer. IMAX digital, when showing a movie, can create a 2K image with a dual set of projectors, whereas IMAX laser, an IMAX digital superior, also has a set of two projectors, but can fully project a 4K image. IMAX 70mm projectors can project images at a much higher quality. The contrast ratio is lower than the other projectors, but it’s not really that bothersome to me. I have a 4K TV in my room which has a lower contrast ratio than a 1080p TV I once had in my room, and I never recalled something like that bothering me. Granted it was only slightly lower, but still. In fact, when comparing the contrast ratios of these projectors, they are all not really too far apart from each other. The images you can see on this projector can be shown at a rate of 18K. These projectors have also operated in IMAXes with a 1.90:1 screen. A few years back, the Chinese Theater in Hollywood retrofitted one of their cinemas with IMAX technology including the IMAX digital projection system. Although in 2014, they did a special engagement for Christopher Nolan’s “Interstellar” which made them one of the theaters to feature the movie in the IMAX 70mm, so an IMAX 70mm projector was hooked up for this occasion. What did it look like on the screen? I don’t know. I imagine it looked nice, but I wouldn’t know if the curtains had to cover part of the screen to truly immerse the audience or what. As of now, they have the IMAX laser system. And I hear that they aren’t the only non-1.43:1 theater to have this. The Empire Leicester Square IMAX in London has a laser projection system as well.

Just an FYI on the traditional IMAX projection systems. The first one I’ll introduce is the Grand Theatre projector. This is an IMAX 70mm film projector, not only that, but it’s also the one intended for the largest of the IMAX screens. The top right picture contains a Small Rotor projector. This projector also plays IMAX 70mm film, although it is meant to be projected towards slightly smaller screens. Despite the screens being smaller, it’s still bigger than the screens you’d find at your standard multiplex’s IMAX digital theater. The last projector, displayed on the bottom is the IMAX laser projection system. As mentioned, this is clearer than IMAX digital. Granted this still digital, but it’s clearer digital.

Another theater I’ve yet to go over is the IMAX dome. These are also referred to as OMNIMAX. I don’t go to these theaters that often, in fact I’ve only been to one twice and they were both on school field trips. Unlike most theaters which has you looking at either a flat or slightly curved screen, the OMNIMAX will allow you to look upward at a screen that is basically showing you images in a fish eye perspective. IMAX screens are never flattened in any of the theaters which IMAX equipment exists. They are either curved or domed. And yes, domed is actually a word, I didn’t think it would be. Although if you don’t want to look at an IMAX screen that looks more like a TV screen or a traditional movie theater screen, OMNIMAX would be a good option. And to my knowledge, pretty much all of the OMNIMAX theaters operate with IMAX 70mm projection equipment. I heard La Geode, a dome in Paris which uses IMAX technology has made some upgrades over the years, but they still have the IMAX 70mm equipment for what I know. If you guys know of an IMAX dome that DOESN’T currently have IMAX 70mm technology, let me know about it in the comments section.

IMAX is also well known for its audible sound systems. IMAX theaters usually have 6 channels of surround sound in, but recently they’ve been installing 12 channel sound systems, both of which sound amazing and they totally shake the whole theater at times.

I know I’m going on for a while about this, but to get to my main point, I needed to talk about IMAX in general. As mentioned before, I saw this movie in IMAX 70mm film. I mentioned in my review for “Dunkirk” that this movie must be seen on film. Honestly, I think it should be seen any way you can see it, but you should seek out ways to see it that aren’t traditional digital projection. IMAX has digital projection, but since it’s technically a one of a kind theater, I wouldn’t say it has traditional digital projection. Let’s start off with the reason that can apply to every IMAX theater in the world, the sound.

I just recently mentioned that the sound is amazing in IMAX regardless of whether you’re in a theater that has 6 or 12 channels of surround sound. I’ve been to the IMAX many times in my life, and I’ve experienced a lot of movies there that really made me feel like I was in the action just on sound alone. There have however been few movies that have done that more than others. These include movies like “Interstellar,” “Night at the Museum,” “Star Wars: The Force Awakens,” and “Jurassic World.” “Dunkirk” is no exception to this. I can still recall when this movie started, it put me RIGHT into the action. After all, this movie, is basically, all action. It’s just one battle/survival sequence for nearly the whole runtime. Now I saw “Dunkirk” in an IMAX with 6 channels of surround sound, so imagine how much more audible this movie would be if I were in a theater that had twelve of these bad boys! I actually live ten minutes away from an IMAX with 12 channels of surround sound, so if I see “Dunkirk” there, just think about what would happen! This is one of those movies where I was also able to believe the sound. There have been movies where I’ve been impressed with sound editing, but sometimes it might either be sounds we’ve heard before, maybe one sound choice doesn’t work, or it just sounds too theatrical. Pretty much all of the sound in this movie, felt real. All of the bombs in this movie, sounded like real bombs. All of the gunfire sounded like real gunfire. There are some other really good sound choices during this movie. If you saw the first announcement teaser and remember all of those soldiers on the boat, the sound in that scene is awesome to say the least and it really built the tension.

Also, no matter where you see it, look forward to how the movie looks. This movie looks GORGEOUS. Not only is the cinematography a thing of beauty, but at times, it can really put you in the movie. This is partially because most of the movie was shot in the IMAX format, which as mentioned, can allow the whole screen to be covered. This at times will allow for a more immersive experience, especially if you’re seeing this movie in a 1.43:1 theater. At times, I felt like I was having all sorts of flyers going around me, the paper kind, not the plane kind. Also at times I felt like i was on a beach. One other example of how the IMAX technology is utilized is during the scenes featuring the fighter pilots. In “Star Wars” one of the best sequences in those movies happen to feature dogfighting in space and it is pretty fun to watch. It’s fast paced, it’s got terrific sound, it’s adventurous. Here though, it’s none of that, but I’m not saying that’s a bad thing. OK, I take that back, the sound’s actually not bad at all. In “Dunkirk,” it’s absolutely realistic. At times, you might look inside the cockpit of the fighter plane and notice the pilot and it’s just very crammed all over. Then you look outside and it’s almost like you’re the pilot and you’re just trying to concentrate on your enemies. The gunfire from the plane also sounded authentic and it didn’t feel Hollywoodized. Very little of this movie has sequences with black bars. You can look at other movies like “The Dark Knight” and possibly appreciate the IMAX sequences you get, but it takes up about thirty minutes of a movie which is two hours and thirty-two minutes long. “Dunkirk” is shorter than “The Dark Knight,” an hour and forty-six minutes to be specific. Although “Dunkirk” has more footage shot in the IMAX format and covers the screen for about eighty minutes of the entire movie, which means you get more time dedicated to greater immersion.

The only downside I can say I have with seeing this in IMAX 70mm, and this is something I actually noticed when watching “Interstellar” in IMAX 70mm as well, is that while the movie sounds beyond amazing, it might actually prevent you from hearing or understanding some dialogue. This was a minor issue though. When I was watching this movie, there was actually less I could understand. Partially because of the accents, which I’m able to let slide, and also because of the music. Don’t get me wrong, the music was spectacular. I love the work and effort Hans Zimmer put into this movie’s score which was really engaging, but sometimes it was overpowering and I couldn’t hear some dialogue. It’s a minor issue though in my book. I imagine that would probably be different when experiencing this movie in a different fashion. Also, another reason why this is a minor issue to me is because I wasn’t able to connect with any character during this movie.

As much of a disconnection with characters sounds like a negative, to me, it’s a positive. Because from what I gathered, this movie isn’t about the characters, it’s about the event itself, and despite how the movie didn’t take much time to build characters, I still rooted for all of them because their ultimate goal, is just to survive, and I gotta say given the situation they’re in, rooting for them makes lots of sense. I just want to say something, Michael Bay should take notes from this movie. Because if you watch any of the movies from his “Transformers” series, you might notice how he doesn’t make it mainly about the transformers and basically gives human characters more spotlight. In every one those movies, you have either Shia LeBouf or Mark Wahlberg playing their own version of “Mr. Relatable” and the Transformers are essentially there with their own story to provide the movie’s action even though there’s more focal points of the movie with that. If Michael Bay toned it down with the human characters and put in more robot action, these might be better movies. I’m not saying the human stuff is terrible, it just isn’t all that necessary. With that being said, this movie which is a focal point of the post, is “Dunkirk,” it doesn’t have any person’s name in it, it’s just “Dunkirk.” Sure, this movie can be called “Dunkirk” and still work with relatable characters in it, but the take without any sort of character development personally worked for me because let’s face it, war is brutal. War sometimes doesn’t give you much time to sit around and talk or have chats during battle. This movie doesn’t really give any of the characters any time to relax, therefore it doesn’t give you any time to relax, and I felt like I was at war the whole time, partially thanks to the ridiculously cool IMAX experience I had. While we’re still talking about this, the only thing missing was the blood, however the movie is still realistic enough even without blood.

No matter where you end up seeing the movie “Dunkirk,” you’ll probably end up having a good experience, but why settle at good? Standard digital projection at this point may be considered good, but any other format can provide a better experience and when it comes to IMAX specifically, this movie was made for it per se. I’ve seen a lot of movies in IMAX, immersion is a factor that has often applied to the IMAX experiences I’ve witnessed, and it is not really hard for IMAX movies to allow you to immerse into them, but this one, made me feel like I was literally in it, as if it were super immersion. Is this the best IMAX experience of all time? It’s most certainly one of them, maybe not the best to me, but it’s VERY CLOSE, but it could be the best to some people. I personally thought “Interstellar” was the best IMAX experience I’ve encountered, not to mention the best movie experience I encountered. I still remember the beginning of the movie when I heard the Indian surveillance drone flying by. It was almost as if the sound of the drone entered one ear and flew out the other. Also, if you can a place that has IMAX 70mm equipment and it’s being used for “Dunkirk,” go there. There are BARELY any movies played in that format and this is one of this year’s couple movies playing in IMAX film, if you want to know the other one that’s actually going to be “Star Wars: The Last Jedi.”  On a last note, go see “Dunkirk,” just do it, in fact based recent critical responses, you’re probably better off taking your kids to see “Dunkirk” as opposed to “The Emoji Movie.” Thanks for reading this post, and speaking of IMAX, I’ve actually just encountered some interesting and shocking news concerning IMAX because it involves an alteration that probably nobody saw coming. That, as a matter of fact, is how IMAX plans to calm down a little bit on 3D releases. I might do a post on that, I’m not sure, but we’ll see what happens. Also be sure to stay tuned for more movie reviews, including possibly one for “The Emoji Movie,” a review I don’t want to do, but I’ve been requested to do it, so I may as well get that s*itshow out of the way. Stay tuned for more great content! Scene Before is your click to the flicks!

Dunkirk (2017): A Bloodless, Yet Realistic Depiction of War

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Now before we begin my review for “Dunkirk,” I want to remind you that this movie is playing in several formats all over the world. If you want more information on that or if you want help on deciding how or where you should see the movie, I’ve got a couple links down below. The first link is to a post I did about a month ago concerning this movie, and if you aren’t satisfied with that, the second link is to a Vox article on the same topic, and personally, even though the first link is my own work, I will admit I think the Vox article does a better job on showcasing all of its information and including all of the necessary details whereas I might leave certain things out or focus on certain ideas more than others, so make your pick. Nevertheless, both of these are informative reads and don’t worry, neither of these contain spoilers for “Dunkirk.” Anyway, on with the review!

MY POST: https://scenebefore.wordpress.com/2017/06/19/why-dunkirk-must-be-seen-on-35mm-film-70mm-film-imax-70mm-film-or-imax-laser/

VOX ARTICLE: https://www.vox.com/culture/2017/7/19/15985474/dunkirk-explainer-format-imax-digital-70mm-35mm-buy-ticket

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“Dunkirk” is directed by Christopher Nolan (The Dark Knight, Interstellar), one of my favorite directors of all time. The movie has characters played by Fionn Whitehead (Him), Aneurin Barnard (War & Peace, Citadel), Kenneth Branagh (Jack Ryan: Shadow Recruit, Henry V), Tom Hardy (The Dark Knight Rises, Mad Max: Fury Road), Mark Rylance (The BFG, Bridge of Spies), Barry Keoghan (Rebellion, ’71), Jack Lowden (Denial, The Tunnel), Tom Glynn-Carney, and Harry Styles, which if you’re a dad and you have a teenage daughter, there’s a chance to your misfortune that she probably dragged you to a concert he has performed at one point.

This movie is based on a true story which took place during World War II. Basically, the entire movie revolves around a battle which the Allied soldiers of Britain, Belgium, and France are surrounded by the Germans. At this time, the Allies are trying to flee away from the beaches and harbor of Dunkirk, France.

If there’s one thing I was anticipating about this film, perhaps near the top of list of things to anticipate in this film, it was the experience itself. This movie was shot partially with IMAX cameras and the rest was shot with standard 65mm cameras. No matter where this movie was going to be shown, it was probably gonna end up looking beautiful based on footage I witnessed before going to see this film in the theater, but if it was shown on a high quality projector, it might just be like looking at something with a naked eye. Now I saw this movie at a theater which is over an hour away from my house, it’s an IMAX theater and it’s located in Providence, RI, and I went for a number of reasons. To see the film the way Christopher Nolan intended, to see the film on film, and possibly catch details that my friends seeing this movie at a standard theater like AMC, Regal, Showcase, Carmike, Warren, Cinemark, Alamo Drafthouse, or Santikos won’t see if they actually happen to check out this movie at a theater like that. As I’m writing this review, not only do I recommend you see this movie on film, preferably on higher quality film, if you see this in digital, unless it’s IMAX probably, especially laser, you may as well be missing out on a film experience to remember. Because this may be in my top 5 (wild guess) movie experiences, based on picture and sound, I’ve ever encountered. Regardless of what you think of this movie in terms of content or story, this will definitely be something to remember based on senses. Also, if you want a link to where you can find all of the theaters playing the movie in 70mm, including IMAX, here’s a link to where you can find them, and I’ll give credit to these guys because the image displayed above showing a format comparison, that’s something I found in this link.

http://nofilmschool.com/2017/07/christopher-nolan-dunkirk-70mm-release

Before going into the theater, I’ve seen a number of a reviews for this film, and one complaint I’ve often heard is the lack of characterization in this film. Now, THAT IS TRUE, there is a lack of characterization. But you know what? I don’t f*cking care! Because believe it or not, it actually works! Let’s face it, this is a film about war, this is a film about survival. There’s action throughout the ENTIRE movie, not to mention this is based on true events. I can imagine some people talked with others during this scenario a little bit, but I think there aren’t many times when someone makes friends or just has time to chit chat when they’re in the middle of a big, loud battle of a war. Don’t get me wrong, characterization can work in movies, but not every movie needs it. And there definitely have been times where it didn’t work. Just look at the “Star Wars” prequels! I got to say, this is one of those movies I really appreciate, even though I barely know anybody’s name or much of their background aside from which side they’re on.

This paragraph is gonna focus one of my biggest fears going into this film, and then I’m gonna drift off track a bit, then we’ll get back into gear. You may be curious, what is this big fear? Well, ladies and gentlemen, that fear happened to be, Harry Styles. If you don’t know who Harry Styles is, he’s actually never acted in a movie before. He’s done few things prior to “Dunkirk” in terms of acting, but ultimately, he hasn’t really done that much. What does he typically do? Well, if you are aware of the boy band, One Direction, Styles is actually a singer-songwriter for the band. I have NO INTEREST in One Direction, in fact I’m not a teenage girl who has posters of hunks in his room. I’m a teenage boy with posters of superheroes in his room. On the topic of teenage fangirls going into this movie, many of them, based on tweets I read, were looking forward to see Styles on the big screen. In fact, when they were watching this in the theater, apparently they thought to themselves, and this is, in writing, my very own Harry Styles fangirl impression: “OMG! GIVE THAT HUNKY HARRY ALL THE OSCARS! 😍💞” Based on this evidence before going to the theater, I honestly thought this was pure fangirling, although at the same time maybe they were complimenting his performance. I’m not insinuating every Harry Styles fangirl will like something just because Harry Styles is in it, maybe some do, I don’t know, but this did sound like pure fangirling. Now I will admit, I’m a fanboy in many aspects. I’m a fanboy of “Spider-Man,” “Star Wars,” “King of the Nerds,” Christopher Nolan, IMAX, JK Simmons, “Portal,” Howie Mandel, Curtis Armstrong, Robert Carradine, Gal Gadot, and many game shows. Although as a fanboy, believe it or not, I don’t automatically fully appreciate something just because there’s something specific attached to it. I might fully appreciate something if there’s something specific DONE RIGHT attached to it. What do I mean? For “Star Wars,” something I consider done right for example is the most recent film in the franchise, “Rogue One,” and something I consider wrong in the franchise is “The Phantom Menace.” For Gal Gadot, I think she’s sexy, I love her as Wonder Woman, and I will even say she partially saved “Batman v. Superman” from being a total catastrophe, although she was in the movie “Criminal” which came out in 2016, which was rather underwhelming, she was alright in it though.

Sticking with the original topic, how was Styles in this movie? He wasn’t bad at all, as far as his performance went, fangirls, this your warning to keep your cool, it didn’t stand out. I’m not complaining when I say that, but you also have to consider who else was cast in this movie. And I’m not saying they were better, OK, I actually am saying that, but that’s not my point. My point is that you have a lot of characters in this movie, and they were mostly white males with similar hairstyles. You may as well also consider the whole characterization thing I mentioned not long ago, the fact that Harry hasn’t done acting all that much, and performances across the board had many similarities. Besides, this movie revolved around men at war. By the way, out of all the Harry Styles look-a-likes in this movie, I gotta say Fionn Whitehead probably gave the best performance out of all of them. After seeing this movie though, I will say I wouldn’t mind seeing Harry Styles in more movies. His acting is certainly better than his singing. Then again, I’ll mention, I’M TEENAGE BOY, WHAT CAN I SAY? Although I gotta say there is a performance that stood out to me.

The guy on the left, Tom Glynn-Carney played a character in this film. It may be the red sweater talking, I don’t know, but I liked his performance. It felt really authentic, I felt like I was at a doctor’s office going into some medical procedure and the doctor said to me, “Don’t worry sir, you’ll be alright,” although in reality he’s about to shove some crap inside me I can’t even describe, and probably don’t even want to describe. I’m not saying that’s how his character was in the movie, it’s just what his character, performance-wise, reminded me of.

Since I’m bringing up fears I had going into this film on this post, I’ll bring up more. Another fear I had, is the fact that the film was PG-13. This wasn’t really a huge fear of mine, but it was still there. In films containing some sort of war such as “Saving Private Ryan” or “The Patriot,” you might expect some blood, therefore contributing to the R rating. Although then again “Lord of the Rings” has a lot of war in it and yet for what I recall that barely has any blood. In fact the extended edition of “Return of the King” is actually said to have the highest body count ever recorded in a movie. After seeing this movie, the sound, the effects, the atmosphere, and the performances all felt realistic. There wasn’t much blood, I did see some, but it wasn’t all that much and it wasn’t moving. By the way, if you watch this movie, look forward to the dogfights, seeing this in full frame IMAX from first person perspective is as the kids call it now, lit. I’ll even go as far as to say that these moments in first person are actually more fun to watch than the entirety of “Hardcore Henry,” and that movie was basically in first person from beginning to end!

Speaking of the film’s highlights, Hans Zimmer scored this film. If you ask me, it’s hard to choose a favorite movie composer, however, it is easy to say which movie was composed best out of all the ones I’ve seen. That to me, would be “Interstellar,” also directed by Christopher Nolan and composed by Hans Zimmer. Now this is the seventh project these two have worked on together, and yes, I’m also including “Man of Steel” even though Nolan didn’t direct it. He did write and produce it though. I’ve seen a lot of films these two have done and I’m impressed with a lot of their work. “Dunkirk’s” soundtrack, much like others I’ve heard from Zimmer, along with all the sound I heard in this movie, made my ears have orgasms! Is the music exactly hummable? I wouldn’t say so, however if I listen to it a few times, I might have it down. Although it was awesome nevertheless. This score also does something you might hear in the “Interstellar” and “Inception” scores. If you pay close attention when watching the movie or when listening to the soundtrack, you may hear ticking and tocking. It’s almost as if it’s saying that time is not on the side of the hero. Although when it comes to displaying time, “Interstellar” does that best out of these three scores, which is saying something since the “Inception” soundtrack has a song literally called “Time.”

One of my personal favorite one word movie quotes comes from “The Matrix,” and it’s Keanu Reeves’s character of Neo saying “Whoa.” And BOY was I uttering that throughout the movie. Although when I said “whoa,” it was more of a soft exclamation than a declaration. I mentioned I love how this movie was presented in terms of clarity and how it was shot, but I also love the sound. The first bullet that goes off in this movie, literally set me up for nonstop action and motivated me for what’s to come. The sound overall felt real, especially the bombs and planes. This is just a fraction of the incredible immersion I felt from this astoundingly audible and picture perfect film.

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In the end, I enjoyed the crap out of this movie. I don’t watch many war films, but this is one of those films, that was a visual experience. I’ve had many of these films which I came across throughout my lifetime. There’s “Interstellar” (YES, I’M MENTIONING IT AGAIN, I’M SORRY, IT’S THAT GOOD OF A MOVIE), “Mad Max: Fury Road,” “The Matrix,” “Kingsman: The Secret Service,” “Gravity,” “La La Land,” the entire “Lord of the Rings” saga, and “Terminator 2: Judgement Day.” There’s very little dialogue, you don’t really get to know the characters, and while many other movies or TV shows work because you get to know the characters, this movie works because you DON’T get to know the characters. The technical aspects in this movie AUTOMATICALLY make me want to run all the way back to the theater to see this again! This is one of the LOUDEST movies I’ve witnessed in my life! I want to buy the Blu-Ray, although if there’s a 4K edition I’ll probably snatch that. What else can I say except, Christopher Nolan has done it again! This is not my favorite flick from Nolan, but it is certainly some of his best work. I’m gonna give “Dunkirk” a 9/10. I’m giving this a 9 because this is a movie that I would HIGHLY recommend. Definite seal of approval from me! The characters aren’t developed, but I don’t care, because given the situations the characters are facing throughout the movie, it was enough for me to root for them. And I’ll say, this MIGHT, and I say MIGHT jump to a 10 later. It’ll probably depend on the movie’s replay value and if I pick up on any details I may have missed the first time I watched this movie, and part of me is willing to bet I did miss something. Also, PLEASE SEE THIS IN A THEATER IN THE LARGEST FORMAT POSSIBLE OR ON FILM. Don’t pirate this movie, don’t wait for Netflix, this film IS worth your money. Thanks for reading this review, as you can obviously tell, I really appreciated the movie, and right now I might put this in my top 5 best of the year. As far as upcoming reviews go, pretty soon I’m gonna try to see “Atomic Blonde” or “Valerian and the City of a Thousand Planets.” Stay tuned for those reviews if I ever get around to them, and I hope I can get those out soon. …Wait a sec, I feel like I’m forgetting something… Oh right, that piece of crap. If you want me to see the horse’s ass I like to call “The Emoji Movie,” leave a comment with the hashtag #GOSCREWYOURSELFEMOJIMOVIE and while it’s not guaranteed I’ll see it, the chances of me seeing it will definitely increase the more users I see commenting. Leave a comment if that’s something that interests you.

Also, if you are interested in Christopher Nolan much like myself, or if you want to know my thoughts on his movies, be sure to check out my reviews for “Interstellar,” “Inception,” and “Insomnia.” The links are down below, check those out, and stay tuned for more reviews! I hope to see this movie again, hopefully in the theater, I know a theater close to my house is playing this in 70mm film and another is playing it in IMAX laser, we’ll see what happens! Scene Before is your click to the flicks!

“INCEPTION” REVIEW: https://scenebefore.wordpress.com/2017/07/19/inception-2010-beyond-your-wildest-dreams/

“INSOMNIA” REVIEW: https://scenebefore.wordpress.com/2017/07/11/insomnia-2002-a-movie-thats-better-the-second-time-watching-it/

“INTERSTELLAR” REVIEW: https://scenebefore.wordpress.com/2017/07/04/interstellar-a-beautiful-intense-breathtaking-brilliant-sci-fi-marvel/

Interstellar (2014): A Beautiful, Intense, Breathtaking, Brilliant Sci-Fi Marvel

Hey everyone, Jack Drees here! Today I’m starting a series of reviews I plan to do, it’s either gonna contain two or three movies, I’m not done deciding yet. But the point is, “Dunkirk,” one of my most anticipated films of 2017, is gonna be out soon. That film is directed by Christopher Nolan, one of favorite directors of all time. So I figured I’d review some other films Nolan has directed prior to “Dunkirk.” The first film by Christopher Nolan I plan to tackle is actually his most recent work, “Interstellar,” it came out November 5th, 2014 in select theaters, and it came out November 7th everywhere else. So without further ado, let’s start the review.

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“Interstellar” is directed by Christopher Nolan, as mentioned earlier, and it stars Matthew McConaughey, Anne Hathaway, Jessica Chastain, and Michael Caine. You also have some other important roles from Casey Affleck, Mackenzie Foy, David Gyasi, John Lithgow, and Timothee Chalamat. This film takes place in the future and Earth is dying, all sorts of plants are dying, wheat is dead, corn is soon coming to an end, and Matthew McConaughey teams up with other explorers in order to find a new home for mankind.

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Here’s a true story about this film, this movie, when I purchased my Blu-Ray at a store, cost $49.99. For the record this was in a casino so everything’s a little pricier there as opposed to other places. But still, after a couple years of owning this Blu-Ray, I have to say my purchase was worth the money. Also, you may notice it says that it has an actual IMAX film cell inside, which was part of why I wanted this edition of the movie. Speaking of which, I’m gonna talk about my first experience of going to see this movie. When seeing this movie, I did not go to any of my local theaters. I actually went to a theater in Providence, RI, which was over an hour away from my house. Why? They had a very rare presentation. Remember how I said that this film released on November 5th in select theaters? This theater was one of them, and that’s because the theater was showing “Interstellar” on film. Nowadays, seeing a movie on film is a rare experience itself, but this was special. This theater had an IMAX. Also, it was an older one at that. And it shows because this IMAX had film equipment. If I saw this movie with IMAX digital equipment, I would have a cool experience, but something would be missing, I would either have a smaller screen, or a smaller image. Depending how footage shown in IMAX is shot, it could fill up the whole screen with no black bars. That’s how the presentation of “Interstellar” was for 66 minutes of its runtime. At certain IMAX digital theaters, you could get that, but the screen would be smaller. At other IMAX digital theaters, the image would be bigger, but it wouldn’t fill the whole screen. This is why IMAX film is superior to digital, I even go into it a little deeper in a recent post, if you want to read that, the link’s down below. Also, I just want to say, I went to this presentation with my aunt, and if she’s reading this, I can’t thank her enough.

https://scenebefore.wordpress.com/2017/06/19/why-dunkirk-must-be-seen-on-35mm-film-70mm-film-imax-70mm-film-or-imax-laser/

Starting off the character segment of this review, let’s dive into the main character of the movie, Cooper. He’s played by Matthew McConaughey, who you may know from films like “The Wolf of Wall Street” a filmed praised by average moviegoers and critics alike, and films like “Ghosts of Girlfriends Past,” a movie with an opposite reaction, including an WFCC Hall of Shame award dedicated to McConaughey himself, with the following suggestion: “Matthew McConaughey as cardboard cutout misogynist, in one too many phone-it-in rom-coms featuring toxic bachelors.” One thing’s for sure in this movie, his performance was great. He had all the necessary emotions at the right times, and his character, much like everyone else in this movie, is well written and chosen by casting. Cooper has two kids, Tom and Murph, who we’ll get to eventually. He also lives with a character played by John Lithgow named Donald. The reason why he gets recruited to the mission to save mankind is because he’s a great pilot, and there aren’t many of them on Earth. Oh yeah, and he also hates farming, which sucks for him because that’s what the world needed during this movie. Not to mention he lives on a farm. One more thing worth mentioning is that while he’s often referred to by his last name, his first name is actually Joe.

Anne Hathaway, who you may know from “The Dark Knight Rises” and 2012’s “Les Miserables,” is also in this movie, and according to IMDb, her character’s name is Brand, but if you are curious to know her first name, that happens to be Amelia. Like Cooper, Amelia Brand is also a part of the mission. Watching her in this film, I noticed how she acted as a character and there’s one scene where she’s on this planet, she finds an entity, but there’s this giant wave that’s bigger than the wave you saw in the final moments of “Point Break” coming in towards her along with the rest of the crew, she says she needs to take this thing back to the ship. Although Cooper is against this, he’s forcing Amelia to just get back to the ship as quick as she can. Their chemistry throughout the entire segment on this planet, is believable and fluid. By the way, her father is also an important character when it comes to this film, but we’ll get to him later.

The last human character who goes into space worth bringing up is Romilly. He’s played by David Gyasi, and he honestly isn’t in the film all that much as opposed to other characters, but when he is in the film, he’s there for good reason. There’s one segment where he’s wearing a blue shirt, you’ll see what I mean.

There are multiple robots in “Interstellar,” but the one worth mentioning here goes by the name of TARS. Why is he worth mentioning? Simply because he’s the funniest character in the movie. He has a bunch of different settings that can be played around with, and the characters in this film actually do play around with the settings. Some of you might think of robots as these emotionless things that can’t even do anything but serve people, but this robot kind of is emotional per se, because of a unique feature, humor settings. They’re introduced at the point when the crew’s ship is launched into space and TARS says “Everybody good? Plenty of slaves for my robot colony?” Also, when he’s joking, there’s actually a cue which can suggest that.

Michael Caine is also in this film, and if you have seen some of Christopher Nolan’s past films, Caine’s appearance here might not be a surprise to you. Why? Because he was in a good number of Christopher Nolan movies prior to this one, in fact, I just looked at his IMDb page, and the films listed in his “known for” section are all films directed by Christopher Nolan. Yeah, it said he’s known for “The Dark Knight,” “Batman Begins,” “The Prestige,” and “Inception.” It’s almost as if he and Nolan are a team and they have some sort of unbreakable bond, somewhat like Peter Berg and Mark Wahlberg, they’ve already done of films together based on true events, and I only wonder if they’ll do more in the future. Caine plays a professor, he’s also Anne Hathaway’s character’s father, which can be suggested by his name, Dr. Brand. He’s important to the mission, but he doesn’t go into space, he basically encourages Cooper into going on the mission. His side of the story is mainly developing an equation of his own in order to help the Earth survive. During the movie, he also happens to work with Cooper’s daughter, who we’re actually gonna talk about right now.

Cooper’s daughter goes by the name of Murph, kind of sounds like a guy’s name if you ask me, but still, that’s her name. Murph probably has the most interesting story out of each character who remains on Earth during this movie. Not to mention, the actors portraying her do a phenomenal job with the role they’re given. Let’s start off by talking about young Murph, played by Mackenzie Foy. Mackenzie Foy’s performance in this movie, as far as child performances go, may be one of the best I’ve ever seen. Her acting ability is so fluid, so believable, so emotional at various points, that I instantly felt a connection with this character at first sight. Her character as a child is shown to be very unique in this futuristic realm. I’ll get into why a little bit later, but now let’s talk about the adult version of Murph, played by Jessica Chastain. Much like Foy’s performance, I was able to believe Chastain’s character as a person. The moment she appears is probably gonna get you glued to the screen. I won’t describe the scene in detail, but I’ll give the first words spoken by Chastain in this movie: “Hey dad. You son of a bitch.”

 

Let’s move away from Murph and talk about Cooper’s other kid, Tom. The young version of Tom is played by Timothee Chalamet, and the old version of Tom is played by Casey Affleck. As far as Tom goes, performance-wise, I think the versions of Murph did better overall, I’m not saying the Tom performances suck, but they’re just not as good as the Murph performances. Also, Tom doesn’t get much screentime as Murph. Believe it or not, I’m not against this. We see both characters and get to know them a little bit, Tom doesn’t seem to have much of a problem with anything, and his behavior shouldn’t come as much of a surprise in real life considering his age. If you look at Murph, she cries occasionally in the movie, she does it as an adult, but she is ten years old for a period of the runtime. One of my favorite scenes between the adult versions of Tom and Murph is when there’s all sorts of drama going on on Earth, while at the same time, there’s drama going on on another planet. I won’t go into detail because I feel like the flavor should be savored for watching the movie, but if you guys have watched the movie and somehow don’t understand what I’m saying, I’ll give you a line uttered by Murph during this scene: “Dad didn’t raise you to be this dumb Tom!”

One of my favorite things about the movie is the score, composed by Hans Zimmer. In one of my recent reviews, specifically for “The Amazing Spider-Man 2,” I mentioned Hans Zimmer did the score for that movie. I also mentioned that the score for that movie was underwhelming in some ways. This score however, IS NOT that. The score in this movie may be my favorite of all time! There are so many great pieces of music and it’s a soundtrack I often listen to. It works very well in the movie for every segment, and one of my favorite things about it is that when you’re listening to it, it’s almost like listening to a clock. At some points of the score, you can hear something that almost sounds like ticking or tocking, and at other points, it’s 60 beats per minute, which also means 1 beat per second, so that is kind of a suggestion of time. This sort of stuff is shown in pieces of music played during the movie called “Mountains” and “Coward.” Below I’m actually gonna place a few YouTube videos, they’re actually songs from the movie. You can listen to them if you want to, however it isn’t mandatory, but these are some of my favorite pieces from the film. Speaking of which, I want to know, what is your favorite movie score? Let me know in the comments!

https://www.youtube.com/watch?v=SoP44KNu0IQ

https://www.youtube.com/watch?v=ca_Cv7seV4Y

https://www.youtube.com/watch?v=pR_5QRO6kPM

There are a number of songs I like in this movie, however these are the ones I just felt like displaying here, so enjoy! Also, there’s one thing that I want to bring up that this part of the movie makes me think of.

Right here we have the director of the movie, Christopher Nolan, and sticking with a topic I mentioned earlier, look at the camera he’s got. That right there is an IMAX camera. And if you ever watched an IMAX documentary, those cameras are often used for them. They also have a 3D camera which is heavier than the one Christopher Nolan’s holding, although this movie wasn’t meant to be shown in 3D, and the same can be said for any Christopher Nolan movie, so Nolan thought this camera would do the trick. Also, if you consider the difficulties of both cameras, difficulties having to do with size, sound, etc., imagine how much harder it would be to use an IMAX 3D camera as opposed to an IMAX 2D cameras. They have made lighter versions over the years, but those are digital and Nolan is against digital cameras in general. When I saw this in the theater and the aspect ratio changed, my mind was going in circles with excitement. Also, if you buy the Blu-Ray, you can see the aspect ratio change there as well. Although it doesn’t change like it does in the theater. Because nowadays, people traditionally use widescreen TVs, and those are different in terms of aspect ratios as opposed to IMAX screens. So for the scenes shot in IMAX, you can get the aspect ratio of 1.43:1 in a traditional IMAX theater, you can get the aspect ratio of 1.90:1 in an IMAX digital theater, and on Blu-Ray you can get the aspect ratio of 16:9/1.78:1 for said scenes. I don’t know if you’ll experience that when streaming the movie on Amazon or Netflix or something, but I know the entire movie if shown on cable channels would be 1.78:1 with the exception of the opening credits. Although if you watch the movie on DVD, the entire movie will have black bars and the aspect ratio will be 2.35:1. The way it’s used in this movie is pretty awesome. It’s better in the theater, but it doesn’t mean I can’t appreciate it at home too. I was mentioning in the last paragraph about one of my favorite parts of the movie, when all of the drama starts in space, and it is shot with an IMAX camera, it soon cuts to the Earth drama, the Earth drama is shot with regular film cameras and is shown in an aspect ratio of 2.35:1. It’s transitions like these that don’t feel jarring as opposed to other movies *coughs* “Transformers: The Last Knight,” that I’ve seen shot with IMAX cameras. By the way, this later turns into all IMAX shots for a period of time and it looked amazing on my TV.

The father-daughter relationship between Cooper and Murph is actually one of my favorite relationships in all of cinema. Each scene with these two characters together on screen was screenwriting bliss. It felt authentic, and right before Cooper leaves, you can understand both of the characters equally. At the beginning of the movie, Murph is ten years old, and Cooper is a grown man. Murph wants her father to stay, but Cooper says he has to leave. Let’s face it, I can actually relate to Murph, because one time I was actually 11 years old, my mother was going on a business trip to Arizona, I wanted my mother to stay, but she couldn’t. Mom never left me alone without her for a few days so the whole idea of it was scary at the time.

In search for a new home, the crew stopped by a couple of planets, one of them was icy and the other watery. I enjoyed all of the moments on each planet, but some of my favorite parts in the movie happened when the crew was on the icy planet. I will not dive into detail because this is a movie whose details are worth keeping in secret.

By the way, this is a long movie, it’s actually one of the longest movies to come out in the 2010s. If you ask me, I don’t mind the long runtime. This movie to me, in terms of runtime mixed with entertainment value is like watching any of the “Lord of the Rings” films. Sure, they’re long, but they’re amazing! This movie is so long in fact that when it was brought to the IMAX 70mm theaters, the movie almost couldn’t be projected because of how long it was.

You may have read throughout this post and noticed me say that I can’t dive into detail about certain aspects of the film. There are a couple of reasons for that. For one thing, some of the stuff in this movie wasn’t shown in the trailer. Another thing is that when I see certain segments in this movie it leaves me with some sort of emotion that I feel shouldn’t be wasted before you decide to watch this movie one day. Also, in my view, this movie, based on the premise, sounds like it can simply be enjoyed by a lot of people. But to truly appreciate it, you have to watch it. And when I say watch it, you can’t take your eyes off the screen too many times. Various parts of the film either involve absolute observing or die-hard thinking. In fact, I’ll tell you, almost single time I watch this film, there’s something I might not notice when watching previous times. So who knows? Even though as I’m doing this review and suggesting to you the high number of watches I’ve gotten with the movie “Interstellar,” there still might be stuff I haven’t noticed. Although I will say, if you have seen some of Christopher Nolan’s other films, this film may be less confusing depending on who you are. You’ll probably know what I mean if you have seen “Memento.” Then again I only watched that movie once so what do I know?

However, there’s one detail I feel like sharing. This movie takes place in the future, and one thing that’s brought into the movie is idea of the Apollo missions. Essentially, Cooper is at a parent-teacher conference at the school his kids go to, and one of the teachers is talking about Murph. This teacher says that she believes that the Apollo missions were faked in order to bankrupt the Soviet Union, suggesting she doesn’t believe one bit of those missions actually happened and it’s customary for people in the future to believe that the people of Earth never went to the moon. Not only is that an interesting idea to put in the movie, but with all of the people who deny that we actually went to the moon nowadays, I can only imagine what the future holds when it comes to that.

Now let’s get serious for a moment and I’ll ask you a question. Has a movie ever made you cry? I can’t say many films have done that for me. “Toy Story 3” almost did, the same can be said for “Ice Age,” and perhaps even “Inside Out,” but I don’t recall one time where I shed tears during a movie because of something happening in it. I’ve watched this movie many times, and I did feel emotions during multiple watches, however, I never cried… until the last time I watched it. I rewatched this film for the umpteenth time in preparation for this review, and as the movie was coming to an end, there’s a very emotional number of moments in this movie, as this was happening, I was choking, and tears were falling from my eyes at various points. I WILL NOT go into detail, I need you to see this for yourself. This is how much I love this movie, not many other movies can make me feel this way. I cry in real life, and honestly, I don’t think there’s anything wrong with it, but it’s very rare for me to cry during a movie, and when I do, how do you think I feel about it after watching it? When I first saw this film, I thought it was a good time, I truly appreciated it for its cinematography and effects, but overall it was not the best film I ever seen. Then I watched it a few more times, enjoyed it, but still thought it didn’t hit me or anything. Then the next time I watched it from beginning to end, and didn’t fall asleep because it was super late, I f*cking loved the hell out of it. Now I’m here at this point, where I actually cried. That says something, this is definitely up there with my favorite movies of all time, and this is one of those movies I can’t stop watching because of my own connection with it before going in, after coming out, the technical aspects, the story, and my own emotions I feel while watching this masterpiece.

Ultimately, “Interstellar” defines what I love about movies. It has great characters, excellent technical aspects, including cinematography, effects, set design, also good location choices when this movie was shot in the real world, a compelling story, great music, a high replay value, likable performances, and execution delivered with such ambition that it shows how much passion was put into a project by so many people. “Interstellar” probably isn’t a film for everyone. Some people say it takes forever get into space, and I get that. Some people say some of the science in the movie is flawed, and I get that. Some people say they find it confusing, and I get that. Some people think it’s long, and I get that. Some people think it’s boring, and I get that. Some people think Tom as a character doesn’t get enough attention, and while that is a complaint I disagree with, I get that. Some people might go in thinking this is truly all sci-fi and has a complete focus on the space exploration and not as much of the Earth stuff and the drama and tose people might end up disappointed by the results, and I get that. However, to me, these complaints aren’t ones I have, and while I do sometimes pick movies apart for scientific inaccuracies, for example in my review for “The Fifth Wave” I pointed out there was a physics error, this movie is good enough in all of its other terrific aspects for me to ignore scientific errors. I mean, I cried, and I never do that during movies, so that says something that can’t be said about many other movies I’ve viewed in my lifetime. I’m going to give “Interstellar” a 10/10. This is a movie you should watch at least once in your life, if you have a bucket list and you didn’t write “watch “Interstellar”” on it, I command you to write it down. Or if it is written down and it isn’t crossed off, make an effort to watch the movie in any way you can. If you ask me, I’d personally watch the Blu-Ray on the biggest screen possible, because this movie is meant for that, if I ever get kick-ass surround sound one day, this is a movie I would use as a test for that. But please, seriously, watch “Interstellar.” You’ll likely thank me later. Thanks for reading this review and next week I will be reviewing another Christopher Nolan film, I’m not sure what it’ll be, probably either “Inception” or “Batman Begins.” Also “Spider-Man: Homecoming” comes out this weekend, so I hope to go see that as soon as possible, and if you are on a “Spider-Man” high right now like I imagine a number of people are, be sure to check out my last movie review for “The Amazing Spider-Man 2.” The link for it is down below, please check it out, and stay tuned for more reviews! Scene Before is your click to the flicks!

Do not go gentle into that good night; Old age should burn and rave the close of day. Rage, rage against the dying of the light. -Dr. Brand

“THE AMAZING SPIDER-MAN 2” REVIEW: https://scenebefore.wordpress.com/2017/07/02/the-amazing-spider-man-2-2014-a-crappier-version-of-spider-man-3-spoilers/

Transformers: The Last Knight (2017): How Much Must I Explain?! *SPOILERS* (Well, Sort of) (Plus Rant on Aspect Ratios)

 

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“Transformers: The Last Knight” is directed by Michael Bay and it is the fifth installment in Michael Bay’s “Transformers” series. I mean… People probably knew this was gonna happen… The last film didn’t get good reviews… But it made a lot of money… (Sigh). This film stars Mark Wahlberg, Anthony Hopkins, Josh DuHamel, and Isabella Moner in yet another movie called “Transformers” and yet the main focus is directed towards the human characters, so ultimately this movie should be called “Humans: The Last Knight.” All in all the plot to this film (laughs), is that humans and Transformers are fighting each other. Optimus Prime, who is one of the Transformers, is not on Earth. Apparently, the key to preserving the future is in the past, the past of the Transformers on Earth that is.

If you want to know my personal thoughts on Michael Bay’s “Transformers” series, I think some movies are good and some are forgettable. I also feel that if a certain installment in the series is bad, there are still glimmers of enjoyment which I can grasp out of it. I have not seen 1986’s “Transformers: The Movie,” which has no relation to Michael Bay’s series, so I can’t judge that apart from this. Even though I can enjoy at least some parts of any Bayformers film put in front of me, one of my biggest complaints, in fact a number of people’s biggest complaints, is that they are kinda the same. Sure, a couple things have changed over the years, but formula-wise, it’s similar from movie to movie. There’s always an important entity, it’s probably gonna have some impact on the movie in one place or another. You’ve got your human characters, if there is a girl who is a main character, they need to be f*ckable, those people need to be introduced. You’ve got the military and the government or some big organization, perhaps a company, they need to be introduced. You’ve got Transformers, they need to be introduced, throughout there’s some action, explosions, visuals everywhere. I’ve definitely seen worse layouts and I do enjoy stuff that has similar layouts from one installment another, most notably TV shows. As a kid I watched “Power Rangers,” right now I watch “Family Guy,” and pretty much every single sitcom on TV might have a similar layout. Does this layout work? I guess, but even “Fast and Furious,” a series which just had its eighth installment come out last April, knew when to change things around. There’s some similarities from movie to movie, but they spiced things up from time to time. They still have all the street racing stuff, but they focused on it less in later installments and instead focused on all sorts of action-packed popcorn movie s*it. How was this movie in the very end? Honestly, it was awful. Just simply, awful. I think Michael Caine’s interpretation of Alfred Pennyworth said it best in “The Dark Knight…”

“Some men, just want to watch the world burn.”

I guess after watching this so-called “film” I now realize I’m clearly one of those people. Somebody get me a flamethrower and I’ll begin burning my house down!

Alright, where were we? Oh yeah, we’re still on the same topic. After watching this movie, I honestly think that basically a lot of people behind the project think there is no other idea to take on other than the same one every single time. I can accept a number of TV shows being extremely formulaic, it works there, it can give off a consistent vibe from episode to episode that way you feel like you’re watching one show as opposed to another. These movies although, need to change. In some ways, there was change brought to this one, but the change as a whole just happened to be simple tweaks. The overall story and formula however are considerably similar.

The main character in this movie, Cade Yeager, is played once again by Mark Wahlberg, who was actually introduced in “Transformers: Age of Extinction,” the franchise’s fourth installment. Why was he introduced in that movie? It’s kind of interesting actually. If you are familiar with these movies, mainly the first three in the series, you may know that there was a different lead instead of Mark Wahlberg, that lead being Shia LeBeouf. He left because he thought there was nowhere to really take his character for a fourth installment. He enjoys working with Michael Bay, but he felt he should leave. Anyway, Wahlberg personally was a more fleshed out character in this movie as opposed to the last one, although not entirely because he still does that thing where he constantly brings up the fact that he’s an inventor. Also, he’s kind of a badass in this film, the first scene with him, is fun to watch. Speaking of repetitive behavior, and this is something that is not entirely a fault of Wahlberg, he once again has to shove BLATANTLY OBVIOUS product placement down our throats. Now I bet you’re wondering if the product placement was as excessive here as it was in the previous film? Not really. Sure, it’s there, but it’s not a near 150 minute commercial break.

Remember this? If not, this is the Bud Light product placement featured in the previous film. Overall, it is probably up there with the most obvious product placement in movie history.

One of the characters I’m desperate to talk about is the character of Izabella, played by Isabella Moner. This is the first “Transformers” film featuring this character and when I saw a trailer for the film featuring her, I thought this was quite a turn when it comes to Michael Bay. Why? Because of three girls who go by the name of Megan Fox (played Mikayla in Transformers 1 & 2), Rosie Huntington-Whitely (played Carly in Transformers 3), and Nicola Peltz (played Tessa in Transformers 4). What do these three girls have in common? Well, they’re basically sexualized in the prior “Transformers” films. After watching all of the prior “Transformers” films, these women did turn me on in some way or another, but sexiness is probably the only redeeming quality for these characters, as characters, much like a number of other characters introduced throughout the series, the overall characterization for them was pretty weak. You can argue Megan Fox’s character did s*it, and you’d be right, just watch the finale for the first movie when she was driving a vehicle and Bumblebee was on it, but her doing all of this s*it isn’t really something that many people recall her for. I mean, these characters in my eyes were primarily sexualized, although they were never naked or anything, so I can’t really say kids should stay away from the past films, but this is something I wanted to spit out. Going into this film, I thought this new character was gonna be a much more progressive character that females, specifically those in the younger demographic, can aspire to be. Also, she was a bit younger than some of the girls we got in the past, so I didn’t really expect many ass and cleavage shots on this girl. Now, how was she in this film? As far as acting ability goes, she wasn’t bad, and that says something because there aren’t that many girls, mainly including the recently mentioned sexualized girls, whose acting ability stood out in the previous films. This girl did do some s*it, not really as much as I expected, but still, she did some s*it…

Ah, who am I kidding?!

Yes, it is true. Isabella Moner’s character did some s*it, but the typical Michael Bay sexualization was in this movie too! No, the sexualization is not directed towards Moner’s character, instead, it is directed towards Laura Haddock’s character. This character goes by the name of Vivian Wembley. How was she sexualized? Well, when we first meet her and she’s walking around, she’s in this dress, it almost looks like something you’d wear if you’re going out to a fancy restaurant in a major city and it happens to be a special occasion. We don’t get any shots of her where the camera gawks at her butt or boobs or anything, but I think at one point multiple characters are in a room with her, the girl’s attractiveness is brought up by someone, possibly Wahlberg’s character. Could’ve been more than one person, I don’t know. Perhaps it could’ve been nobody and I’m just imagining things. Although that just goes to show you the quality, or lack thereof, of this film. One thing I also noticed from this character, is that compared to all of the other sex objects featured in the series thus far, is that this one’s considerably smart. So yeah, you can say as far as sexualized characters go, this one is not as stupid as some others. I mean, I’m not saying sexualized characters in general are brainless, they’re just not as smart as this one, at least from what I’ve observed throughout the film.

You can argue that due to her intelligence, she’s not a sex toy, but I ain’t buying your arguement. If Michael Bay had at least one sex object in each of the previous “Transformers” movies, would it really be that shocking for him to insert one in this movie?

I just realized how much my reviews are like these movies, the Transformers aren’t getting much of a focus. Well, that changes now, because we’re gonna talk about Optimus Prime. I’m gonna invent a new term, and hopefully I’ll have it patented before Cade Yeager from this movie does, and I’m gonna call it the “Reverse Jared Leto Joker.” Why is that? Because you barely see both characters in their individual movies. Not to mention, they were featured as a key role in various forms of advertising. In 2016’s “Suicide Squad,” you see the Joker throughout a good chunk of the movie’s beginning, once the movie advances past the halfway point, you see him less, then you get to the end of the movie where he just pops up. This happens here too, but in reverse. You see Optimus in the beginning, his main contribution to plot begins, we get introduced to a character who goes by the name of Quintessa, he gets put aside for about a half of the film, then he comes in at the end and stays on camera for the rest of the movie. By the way, Quintessa, that character I mentioned earlier, honestly may have one of the WORST voices I’ve ever heard from a character. I mean, if the voice was normal and no special editing was added to it, it would have been fine, but this voice, if it makes any sense, sounded kinda rumbly. I went to see this movie with my father, and when we left the movie and we were in our personal vehicle together, I described her voice as “degrading.” Like, as in, in terms of the character’s sanity, and perhaps to my own sanity. Speaking of sanity, we’ll get to a couple of moments where I nearly lose my sanity a little later on. But before that, let’s talk about one of the movie’s redeeming qualities.

What is the redeeming quality I’m referring to? A better question would start with “who,” but still. I’m talking about Jim Carter’s character of Cogman. This is the first movie in the series featuring this character, and out of every single character made for the purpose of comic relief, this may be the best one of all when it comes to Bayformers. At one point, another character refers to him as a discount C-3PO, which had me laughing, and believe or not, I was probably the only person laughing at that out of everyone in the theater. Another lovable moment from this character is when a bunch of people are talking, I remember it being key to the overall plot. During the scene, you have the score going on in the background, then we go up to Cogman breaking the fourth wall. How so? By playing the organ which goes along with the score. He’s told to cut it out and then he says that he’s trying to make the moment more epic. Then more talking ensues, and he just starts vocalizing. I don’t recall seeing that type of humor anywhere. The closest I can say that has come to this, is during one scene from a “Family Guy” episode called “Baby, You Knock Me Out,” at one point, Survivor’s “Eye of the Tiger” is playing in the background in a way that no character can hear it, much like the recently mentioned score in this movie. Then suddenly, we cut to Peter Griffin who starts singing the lyrics of the song until Quagmire comes in and pushes Peter out.

Admittedly, as I much as I hated the crap out of this movie, the humor is something that is somewhat pleasing at times. Don’t get me wrong, sometimes it fails, but there are moments that had me laughing. This has also been something that has happened in other “Transformers” installments as well, whether it be during action sequences or when people are randomly talking.

Also to make sure I can keep a focus on the topic of the movie’s robots, you may already know one of the series’s recurring characters is Bumblebee, so let’s talk about him. There’s not really much to say about him honestly. He’s just here because, well, he’s a main character. The only thing that Bumblebee adds to the film is one segment having to do with his voice and the fact that he’s in many scenes, including fights.

On the subject of recurring characters, Megatron is also in this film. Honestly, the only stuff I remember vividly from this character is from the beginning. Speaking of that, I actually want to dive into specifics there. One thing I noticed during the start of the film is that a bunch of the Decepticons were getting introduced, and the way they were introduced may have been helpful because if you look at a bunch of Decepticons standing right near each other, they look pretty similar. That’s a plus, but part of me wonders if this was inspiration from last year’s “Suicide Squad.” This isn’t a huge complaint of mine and it’s more of something I am curious about. If you look at a bunch of the Autobots, the robots in the movie who fight for good, as opposed to the Decepticons in the film who fight for evil, the Autobots vary from one another in terms of personalities, quirks, and colors. All of these factors probably make it easier to get attached to them and appreciate them more when they go up against the Decepticons and attempt to take them down.

There’s also this one character I want to bring up. He’s a scientist, I don’t give a crap about his name or an image for him. Because for one thing, I don’t recall his name, and also if this movie has the right to be lazy then why can’t I have the right to laziness? Anyway, the point is, there’s this scientist who appears in multiple parts of the film, he’s trying to convince people the way to solve this whole war on Earth is through his particular scientific viewpoint. A sixth “Transformers” is going to be made without a doubt, and I already know they’re making a “Bumblebee” spinoff, so if the sixth installment actually happens, or if the spinoff takes place somewhere in modern times, here is something I’d like to see. There’s a battle taking place somewhere, maybe a city, which in my eyes would my preferred choice for this. The scientist is running around the city, Hound, an Autobot played by John Goodman, who is also known for playing Coach Harris in 1984’s “Revenge of the Nerds” could get a glimpse at him and shout, “Nerd! Nerd! Nerd! Nerd! Nerd! Nerd! Nerd! Nerd! Nerd! Nerd!” which if you watch the movie, is almost similar to a constant chant given off at multiple parts of the film. He could also look at the scientist and simply say “Goddamn nerd,” or “What a nerd,” or “I wanna find his frat house from when he went to college so my pals can take it over.” This doesn’t have to be with the scientist, this could be with someone else that’s nerdy, maybe even a group of nerds. Perhaps for the next movie, the casting crew could ask if several cast members from “Revenge of the Nerds” could make appearances as people running away from destruction and Hound happens to be right near them.

Remember the sanity thing I mentioned earlier? Because now we’re gonna get into a complaint I’m not surprised I’m bringing up, because after watching the first trailer for this movie, this annoyed the hell out of me. And this is also a complaint you probably wouldn’t hear from many people. That my friends, has to do with the aspect ratio. When my dad and I were leaving the theater, we start talking about the film and I bring up this particular complaint. He asks what an aspect ratio is. Since he asked that, I might as well explain it in case you are wondering what an aspect ratio is as well. An aspect ratio is essentially how high or wide an image will expand. It doesn’t necessarily depend on the size of your screen, it does however depend on your type of screen.

Let’s say you own a modern day flat screen TV, the aspect ratio for that would be 16:9, which can also be referred to as 1.78:1. This aspect ratio will allow you to watch all of your shows in a widescreen format that covers the screen from both top to bottom and left to right.

Now lets take this CRT TV shown above. This was the big thing before flat screens and HD became a household necessity if you will. These TVs are presented in a format called 4:3, which is also referred to as 1.33:1. This format is also often labeled as “full screen.” If you watch something in widescreen on here, it wouldn’t feel as authentic as opposed to watching it on something with an aspect ratio of 16:9 or wider. Nowadays, they’re still making DVDs, but it is an overall rarity to find one that comes out with an option to watch in full screen. It’s usually just widescreen, because tube TVs aren’t cool anymore. If you find a DVD in the widescreen format and play it on a device hooked up to a tube TV, chances are you will find some black bars on the top and bottom of the screen, which is sometimes called a letterbox. The only way to get rid of those black bars (depending on what you’re watching and TV or device settings) is to change the picture view settings or switch the settings to stretch the top and bottom portions of the image. Varying on the content, the black bars could still be visible even with the settings change, and the image would, based on what you just did, appear stretched out.

Wow that was a long rant. Worth it. Sorry if I bored you, but I assure you that rant was ten times as entertaining as “Transformers: The Last Knight.” Sticking with my main point, there are multiple aspect ratios in this film, and there have been films in the past that have done this, including 2 other installments in the series. The second and fourth. As far as the second one goes, I don’t remember where the aspect ratio changed. The aspect ratio changes didn’t bother me much in the fourth one when I watched it, but I wonder if my opinion would change now. In this movie, the aspect ratio changes between almost every single shot on screen! It’s just HORRIBLE to watch at times. I may have tuned it out a couple of times, but when I noticed it at times, it somewhat pissed me off. In fact, when I watch movies that have different aspect ratios, it’s usually only two ratios featured in the whole thing. Let’s take “Interstellar” for example. Much like this film, this was partially shot on IMAX cameras. The types of cameras were specifically different from each other and the footage shot with them was presented not so similarly on screen, the IMAX screen to be specific, but still, that’s how they were shot. In “Interstellar,” there’s a scene where multiple characters are on a distant planet, tensions start to increase at the spur of the moment. That sequence was shot in IMAX. Then we cut to a situation on Earth, tensions increase there as well. Although that is being shot with a different camera, a 35mm camera to be specific. The different situations are cut from one another back and forth and it is all shown using their respective camera in order to build up to where the movie goes next. That film was directed by Christopher Nolan, who has also used the IMAX camera for other purposes in his films, such as certain sequences involving action during “The Dark Knight” and “The Dark Knight Rises.” Here though is a different story, I can just imagine that someone thought it would be fun, either the editor or Michael Bay to just play around with aspect ratios and be inconsistent with them! It’s just so jarring! It makes my head EXPLODE! There were even moments I noticed where the aspect ratio would be one thing, then it changes to something else for literally less than a millisecond, and the next thing I know I’m looking at another one! I’m just glad I didn’t notice absurd quick cutting or I probably would have ran out of the auditorium screaming! The worst part about this is that this is not only something that applies to the IMAX Experience. One movie I went to see multiple times in the theater is “Star Wars Episode VII: The Force Awakens.” It had most of the movie shot with 35mm film and nearly 5 minutes of footage shot in the IMAX format. When seeing this film in a regular theater, the aspect ratio stayed the same the whole time. However, during the escape from Jakku scene, the IMAX Experience changed the aspect ratio. Although I went to see “Transformers: The Last Knight” in a regular theater, so this was utterly displeasing to look at.

Simply put, this aspect ratio bulls*it may be some of the WORST editing I’ve ever seen in a movie. There’s this other movie I reviewed earlier this year called “You Can’t Have It,” if you haven’t seen it, or even heard of it for that matter, I wouldn’t be too surprised. Nevertheless, I mentioned earlier this year when I reviewed that film that the editing was awful there too. Although instead of video, this had to do with audio. The levels from shot to shot in particular scenes was overall pretty infrequent to the point where it got annoying. The video wasn’t spectacular either because I noticed multiple jumpcuts, and I actually recall seeing one in this movie too. So yeah, that’s something these two pieces of garbage have in common. (Sigh)

One thing that usually doesn’t disappoint me in “Transformers” is the action, and while it was fun to watch, it honestly wasn’t enough to save this disaster of a movie. During action sequences, there was some enjoyment to be had, but also a big question to be asked. That question being, “What is happening?” I cannot even believe I got bored watch all of this s*it go down, it made me think that out of all the “Transformers” movies, this is the film in the series that I would probably put on at night when I go to bed and I need something so boring it’ll make me fall asleep. This installment in the series would probably do the trick. Oh yeah, and what was the other thing? Oh right, THE ASPECT RATIOS KEEP CHANGING!

I know I’ve been going on forever, but I need to talk about one more thing before I deliver my verdict to you all. There’s this YouTube channel you may be familiar with called Channel Awesome, one of its most popular series is the “Nostalgia Critic,” which is done by a guy named Doug Walker. One of his most recent uploads is called “Transformers: The Last Knight NON-Review.” In this video, he mentions that he has done a tradition which he reviews each Michael Bay “Transformers” film that comes out, but right now, he wonders what’s left to talk about it that’s new. With that being said, he decided he wouldn’t review the new movie and instead he attempted an “artistic experiment” which features him predicting the overall structure of “Transformers: The Last Knight.” After watching the movie and this video, Doug pretty much nailed the entire structure, there may be some differences here and there, but this prediction was overall pretty much the entire movie. If you’re reading this and you haven’t seen the movie but watched the video, I probably just spoiled the movie for you, same can also be said if you decide to click on the video from here. I just thought I’d share that because this was an interesting experiment and it reveals a lot about how similar these “Transformers” movies really are when you compare them with one another.

In the end, “Transformers: The Last Knight” sucked. I liked numerous segments of the film, but to me, various segments aren’t enough. Not to mention, we are once again being exposed to yet another copy-paste story and structure. I briefly brought up the whole, oh my, it’s the last “Transformers” thing, but let’s face it, it most likely won’t be, which is another thing I absolutely hate about this movie. There’s a scene shown during the credits that might contain some key info that might be covered in the future. I don’t mind seeing another movie, well, sort of, as long as they try on the next one, but I don’t like liars. Maybe Michael Bay won’t direct it and he’ll hand it off to somebody else, perhaps they could do better. As far as blockbuster films go, this one fails on so many levels, and it did not need to be like this. I’m gonna give “Transformers: The Last Knight” a 3/10. This is my score because while I did enjoy some things in the movie, there were a lot of things I didn’t enjoy. I seriously wonder if my score will be lower in the future. Only time will tell. Last year that happened with “Suicide Squad” and “Independence Day: Resurgence,” so we’ll see. Thanks for reading this extremely long review that ultimately has more effort put into it than “Transformers: The Last Knight” itself. Either listen to everyone and stop making these movies, or listen to everyone and either make a good movie, or a movie with a different formula. Even better, a good movie with a different formula. Thanks for reading this review, I’m not sure yet what my next review will be, but I’m thinking maybe “Baby Driver” or something like that, we’ll find out where the road takes me. Stay tuned for more reviews, along with other content that I assure you has greater quality than “Transformers: The Last Knight.” Scene Before is your click to the flicks!

 

Why Dunkirk MUST Be Seen on 35mm Film, 70mm Film, IMAX 70mm Film, or IMAX Laser

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Hey everyone, Jack Drees here! Let me ask you a question, when it comes to movies, who is your favorite director? If you ask me, my personal pick would probably be Christopher Nolan. I haven’t seen all of his films, but I have seen a number of them, even if I don’t LOVE his films, I can still highly appreciate them in one way or another. The biggest way that comes to mind is how a number of his movies are shot.

If you don’t work in the film industry or you don’t really care about a film’s technical aspects, you might not be aware that most movies nowadays are shot with digital cameras. I will say that these cameras have brought various benefits. One of the biggest benefits in my opinion is that digital cameras had allowed greater opportunities for movies to be shot in 3D and look good in 3D. Granted, 3D films can also be shot in 2D, whether it be shot on digital or not, and be converted. But I remember seeing films shot in 3D and looking amazing on screen. However, let’s talk about an older technology…

If you have seen an movie that someone may consider “older,” chances are extremely likely that it was shot on film. From my experience of someone who has done research on various cameras and movies, film is superior in a number of ways. These are all based on resolution, grain, and not to mention from personal experience, how it looks on a projector. Part of that is why I want to talk about “Dunkirk,” which is Christopher Nolan’s next movie, it is due to come out next month.

According to the image above, “Dunkirk” will be in theaters everywhere, but it is also letting us know that it will be watchable in various film formats. These formats include 35mm film, 70mm film, and IMAX 70mm film. Nowadays when you go see a film, it is projected digitally, and from experience it would usually be shown in a format that is higher than full HD, which is 1080p. To my knowledge, a good number of theaters which happen to be equipped with digital projectors show movies in formats such as 2K which is higher than the resolution of high definition and 4K which is higher than that. Based on research I’ve done, 35mm is greater than even 4K. When I was born, this was still a standard in cinemas, digital was on the rise, but that doesn’t mean 35mm was completely dead. 70mm was pretty common before I was born. This was shown in a resolution that is greater than 35mm and I also heard the sound is greater with this format. This was also typically shown in a theater with a considerably big screen. 35mm is shown a screen which is a size similar to that of your standard digital presentation but the 35mm is as mentioned, higher in terms of quality. I will say, as much as I could talk about 35mm and 70mm film, I’m not going to. I think I’ve said what needs to be heard at this point. They are both ancient pieces of technology that would honestly still hold up compared to what’s used nowadays in most movie theaters.

Now let’s get to the big guns, IMAX 70mm. When I really got into movies and their technical aspects, this was something I did a lot of research on. Why did I do research on this? Well, I just got into 3D which made me start going to the IMAX more and one day I came across more on the company. Such information included the movies they did, their logo history, and their projectors. Little did I realize I was being lied to. Let’s trace this back to the beginning…

Up above we have two images. On the left we have an image of an IMAX screen, not just any IMAX screen as a matter of fact, but it is also is the IMAX screen of the theater I always went to as a kid. The theater is now known as the Sunbrella IMAX 3D Theater, but before, this has been under multiple sponsors including Comcast, Verizon, and Tempur-Pedic. This is located in Reading, MA. I saw multiple movies here and I ended up having fun during all of my experiences, even during “Transformers: Revenge of the Fallen,” which I hear many people hate. The reason why I bring that up is because I threw up during that experience. Sounds eccentric, I know, but still, it’s something that happened in my past so I feel it is worth discussing. At the time, this theater was equipped with an IMAX 3D 70mm film projector. This projector is known as the GT (Grand Theatre) projector. There is a projector that is similar to this that is capable of fitting in smaller IMAX theaters but has the same technologies, it is known as the SR (small rotor). Unfortunately, with the rise of digital, the film projector in this theater wasn’t going to last forever. In 2012, the theater switched to digital, which still allowed a cool IMAX experience to be had and a greater contrast ratio to be displayed on the screen, but the overall experience was missing something. A TRUE EXPERIENCE. Fun fact, before this theater was converted, there were other IMAX theaters introduced with new projectors, one of them being the projector in this theater that was the successor to the film projector, these projectors were supposed to fit on an IMAX MUCH SMALLER than the one in this theater, not to mention any older IMAX theater in existence. Here’s a chart I want to show you…

Right here is a comparison between two IMAX theaters in New York City, both of them operate under the well known cinema chain, AMC, but they have key differences, one of them is big, the other is small, and I say this by the standards of IMAX. The bigger screen is something you’d find in an older IMAX, and the smaller screen is something you’d see in a newer IMAX which is traditionally found in multiplexes.

Right here is a demonstration of the IMAX difference with footage from last year’s “Batman v. Superman: Dawn of Justice.” This film had select footage shot with IMAX cameras, the same type which was partially used during this film, if that footage was shown in a regular theater, the entire film would have been shown at an aspect ratio of 2.4:1, if it was shown in IMAX digital, then the film would have been presented mostly in 2.4:1, but have select footage shown in 1.9:1, which covers the entire screen of an IMAX digital setup if this were shown in a multiplex, but not if shown in an IMAX which originally had a 70mm projector. In a classic IMAX theater with the true IMAX experience, this would have been at an aspect ratio of 1.43:1, this ratio covers the entire screen. This is something you would see with an IMAX documentary or something like that, but it’s once in a blue moon that you get to see this with an IMAX film that is digitally mastered for the experience like all of those big blockbusters made in Hollywood. In fact, here’s a list of IMAX digitally mastered films that have been able to cover the whole screen simply because they’ve been shot with IMAX cameras.

1: The Dark Knight
2: Transformers: Revenge of the Fallen
3: Mission Impossible: Ghost Protocol
4: The Dark Knight Rises
5: Star Trek: Into Darkness
6: The Hunger Games: Catching Fire
7: Interstellar
8: Star Wars Episode VII: The Force Awakens
9: Batman v. Superman: Dawn of Justice
10: A Beautiful Planet

As you can tell, there aren’t that many times when the screen has been full except for IMAX documentaries. Apparently, according to IMDb and Wikipedia, there are a couple of Dreamworks Animations that have also gotten the true IMAX treatment, but I’m not listing those because those weren’t shot with a camera. Granted I saw the ones which were associated with this identification (Kung Fu Panda, “Madagascar: Escape 2 Africa), but still.

With these specs in mind, I would like to tell you that I have been through said experiences at least once. When I went to see “Interstellar” in 2014, I saw it in IMAX 70mm, when I went to see “Star Wars Episode VII” one of the showings I went to was in IMAX digital, and I’ll use the same film as an example for the regular theater. IMAX 70mm wins by a long shot because you can get a view of the screen as if it is actually your eye. It fills up a good portion of your vision and when you add in the amazing sound quality, it’s bliss. For IMAX digital, it’s a fun experience, but it doesn’t realy make you feel like you’re in the movie. It’s close, but no cigar. Although I will say it is better than a traditional movie theater experience due to IMAX digital have a slightly bigger screen, not to mention having a screen that goes from ceiling to floor as well as wall to wall. I will say, I did see “The Force Awakens” in true IMAX too. Well, sort of. Let’s talk about IMAX laser.

Right here is IMAX’s 4K laser projection system. When this all started, this was a project that was being developed in cooperation with Eastman Kodak since April 2012. This was designed to be a digital projection system not only capable of surpassing the quality of IMAX digital, but also meant to replace the older IMAX film equipment. Not many of these projectors exist for what I know, although do you recall that theater I mentioned earlier? The one I went to as a kid? Well turns out I still go today, and now I have a better reason to go than I did in times from 2012-2015. Why? In the summer of 2015, the theater closed its doors for a period of time, this was to make some upgrades. One of them was a superior sound system. What’s the difference? The old sound system has 6 channels, the new sound system has 12. Not to mention, you even got speakers on the ceiling now. There aren’t many places you can find this! Also, let’s dive into the gem of focus, the laser projector. As mentioned, it is capable of displaying images of 4K and have a contrast ratio which is double that of an IMAX film projector. While this is a brighter projector, I wouldn’t say you can see more of an image on it. You can definitely see A LOT, but it is not at the maximum quality. However, the biggest thing this does resolve from my view is the inability to fill up an entire screen, so when I saw “Star Wars: The Force Awakens” in this format, 5 minutes of that film, the escape from Jakku to be specific, was presented in a 1.43:1 aspect ratio as opposed to 1.9:1. I will say though, at the laser theaters, the sound is probably better than the film theaters based on the number of channels.

So ultimately, if you ask me, IMAX laser is worth the ticket price you’re paying, especially when you compare it to IMAX digital, which is cool, but not extraordinary. Although if you ask me, I would rather pay to see a film in IMAX 70mm, and that is only to see a superior image, embrace older technology, and based on previous experiences, get something I wouldn’t usually see. Because IMAX laser is capable of playing a lot of films that are presented in IMAX digital, but the same cannot be said for films playing in IMAX 70mm. Want to know what I mean? Here’s a Wikipedia page displaying all of the films that have gone through the IMAX DMR (digital media remastering) process, and it shows the projection options that have been available for certain films.

https://en.wikipedia.org/wiki/List_of_IMAX_DMR_films

So if you want an experience that is truly unlike any other you’re getting nowadays, and I say that now more than ever because this movie exists, please go see this movie on film (any format) or in IMAX laser. I personally am excited because there is a theater in Providence, RI, which is just over an hour away from my house that is getting the IMAX 70mm treatment (OR SO I HEAR, I WONDER IF THAT’S EVEN HAPPENING), and if this is the case, this is probably the first time the equipment is being used for a DMR film since “Interstellar,” which is directed by the same guy doing this film. I went to see “Interstellar” at this theater and I am more than thankful of my aunt Jenni for taking me and keeping a promise we had to do so. I also am aware that Coolidge Corner Theatre and The Somerville Theatre, which are both close to my house, happen to be getting this movie in 70mm film. I’d personally go see this movie in IMAX 70mm first because that is my personal favorite experience of the bunch, and if I end up liking the film and want to see it again, I can make a trip to one of the closer theaters and get a regular 70mm experience. I mean, I probably am gonna like this movie, it’s done by Christopher Nolan, and to me, it’s hard NOT to like his work, so I have absolute confidence that this upcoming film will be good. Anyway, thanks for reading this post, “Dunkirk” is in theaters everywhere July 21, but special engagements in 35mm, 70mm, and IMAX 70mm film will be available on July 19. Also, this upcoming weekend, I have plans to see the film, “Transformers: The Last Knight.” *Pause* *Chuckles* That’s so cute, I just called it a film. Based on what you just read, you can probably tell I don’t have much hype for it, but I’m seeing it anyway because I’ve seen all the others and I want something to review. Stay tuned for that along with more reviews! And when “Dunkirk” comes out in July, stay tuned for that review! Scene Before is your click to the flicks!