Don’t Worry Darling (2022): Olivia Wilde Delivers a Dose of Harry Styles Over Any and All Substance

“Don’t Worry Darling” is directed by Olivia Wilde (Booksmart, Tron: Legacy), who also stars in the film as Bunny. This film also stars Florence Pugh (Midsommar, Black Widow), Harry Styles (Dunkirk, Eternals), Gemma Chan (Eternals, Raya and the Last Dragon), KiKi Layne (If Beale Street Could Talk, The Old Guard), Nick Kroll (Big Mouth, Sausage Party), and Chris Pine (Wonder Woman, Star Trek). “Don’t Worry Darling” follows a 1950s housewife who becomes worried about her loving husband, or more specifically, his company, that could hiding disturbing secrets.

“Don’t Worry Darling” is Olivia Wilde’s sophomore outing as a feature director. Wilde previously directed “Booksmart,” which in addition to receiving positive feedback from moviegoers and critics, did a fine job at the box office with a $25 million return against a $6 million budget. Wilde showcased her ability to make a laugh-inducing comedy while not breaking the bank. As for my thoughts on the movie, I liked it. I do not think it is the funniest movie of its respective year, but it gave me some decent laughs. Based on her experience of making a funny movie, it made me curious as to what she could do next.

Now that the next thing is here, I cannot stop thinking about it. It bogs my mind like I would not believe!

No, not the movie! The press for the movie! Why is everyone so hyped up about it? Well, everyone likes drama. If reality television and gossip has continued to prove it over the years, people like drama. And the buildup to “Don’t Worry Darling” has provided plenty of it. Between Shia LeBeouf once being attached to the movie, Florence Pugh not promoting the film, and a whole charade between Harry Styles and Chris Pine over spit, “Don’t Worry Darling” was shaping up to be this year’s most entertaining story. Except it was not the story written for the screen. Regardless, I planned on seeing this movie. The marketing was creepy yet interesting enough to keep my attention. The cinematography looked really good. And for the most part, the cast was good. Florence Pugh, Chris Pine, Nick Kroll. There are some good names in here.

As for my thoughts on “Don’t Worry Darling,” the first two acts are delightfully charming and kept me intrigued throughout. Harry Styles has a ways to go as an actor, but it is a great setup for this movie’s world.

Then the turd– Sorry, THIRD act happened.

I cannot fully go into why I despise the third act and how this movie concludes because I would ultimately be spoiling the movie. That said, how these things go down are ridiculous to say the least. Does it involve something that could potentially be out of left field? You could say that. Was that the point? Perhaps. Does it change the fact that what happened felt ridiculous? Absolutely not. I do not mind out of left field scenarios if said scenario is executed well. This one is the exact opposite. Around the 60 to 90 minute mark, this movie went in one direction, and that is down.

This movie is like ordering a pizza that you will never eat. The first act is like opening up Uber Eats and getting excited over the pizza you want for dinner. Solid setup, this may be going somewhere swell… The second act is the equivalent of placing your order. You’re intrigued, you’re excited, what could go wrong? Except for absolutely everything! Because we get to the third act, where something completely unexpected happens! The restaurant blew up, and now you have no pizza! Only disappointment and frustration.

“Don’t Worry Darling” is certainly one of the better looking films of the year. The color palette of the 1950s suburban setting is poppy and felt like a pure escape. I thought the cinematography would look good based on the trailer and I would say I was not disappointed. Matthew Libatique deserves a pat on the back at the least. Everything from the costumes to the sets to the overall aesthetic of the film is top notch. It felt like another world at times. While this movie nails its looks, its story leaves much to be desired.

The cast of “Don’t Worry Darling” all deliver solid performances. This should not come as a surprise as the movie contains a fair number of big name actors, and Olivia Wilde even does a good job as her respective character. The only actor who I think struggled in terms of how seriously I could take him is Harry Styles (left). Maybe it is because of his recognizability in pop culture, regardless of how little I care for his music. Styles is not the worst actor of all time. If last year’s “Space Jam: A New Legacy” showcases anything, he is better than LeBron James. Plus he once had a supporting role in Christopher Nolan’s “Dunkirk” that served its purpose. Although every scene he is in, I would hear a line out of someone like Florence Pugh or Chris Pine, I feel like they are in the moment, whereas Styles is trying to keep up but he does not quite have it. When it comes to recognizable actors giving corny performances, Styles is thankfully less infuriating than say Tom Hanks as Tom Parker in “Elvis,” a laughable, yet terrifyingly annoying performance I have still yet to get out of my head. Speaking of “Elvis,” “Don’t Worry Darling” feels like another version of that film. Both are from Warner Bros., both are released in 2022, and both have a lead actor that could almost be considered the saving grace.

Whereas Harry Styles may not be the hot ticket this awards season, Florence Pugh is certainly a contender for the upcoming mounds of gold. Given this movie’s controversy, who knows what will happen? But if the Oscars were tomorrow, I would debatably cast a vote for Pugh. I liked her previously in movies like “Black Widow,” “Little Women,” and the significantly underappreciated “Fighting with My Family,” but “Don’t Worry Darling” may be the best performance of Pugh’s career so far. Pugh is still young, so there is a good chance she could eventually deliver an even better performance than this one, but to have this great of a performance now is incredible, especially when I am thinking about it more than almost any other one I have seen this year.

“Don’t Worry Darling” comes with a fairly unique setting and cast of characters, and its concept is certainly one of the quirkier I have seen in a movie this year. Although as I watched this movie and heard certain lines and witnessed particular happenings, it weirdly, of all things, reminded me of Disney+’s “WandaVision.” This feels weird to say, but when it comes to this type of plot, a Marvel miniseries somehow did this better. It had its flaws, but unlike “Don’t Worry Darling,” the positives outweighed the negatives.

Much like “Morbius,” and “Jurassic World: Dominion,” if you go on the Rotten Tomatoes page for “Don’t Worry Darling,” you will notice a humungous divide between the critic and audience scores. Also much like “Morbius” and “Jurassic World: Dominion,” as I watched “Don’t Worry Darling,” I felt myself leaning towards the side of the critics. But unlike those other two films, I felt like there was a recipe for something grand when the movie started. Again, if Harry Styles were not in this movie, I would have taken it a tad more seriously. Although when the movie started, I reminisced over the low Rotten Tomatoes score I recall this movie having, and I thought, “Are these critics on drugs?!”. Despite everything I said about Harry Styles, I should not underestimate his fanbase, because my theater had plenty of young women inside. Unfortunately though, this movie is not that great, and by the third act, it is ultimately a case of Harry Styles over substance.

In the end, “Don’t Worry Darling” is quite worrisome. For those of you who have not seen “Booksmart,” I do recommend you give it a watch at some point. It is funny, raunchy, but also heartfelt. Kaitlyn Dever and Beanie Feldstein play a likable duo. If you want a showcase of what Olivia Wilde could bring to the table as a filmmaker, “Booksmart” is a better case of her talent. I do not have plans to watch “Don’t Worry Darling” a second time. This movie is like a slot machine. Two reels spin and land on the bonus symbol, there’s a big tease for the third reel to land a bonus, only to land on a 7. Florence Pugh gives an Oscar-worthy performance that made me look forward to her future roles as an actress. The film looks pretty and there clever concepts in it, but they were not well executed. For these reasons, in addition to having the one of the most jaw-droppingly bewildering and unsatisfying endings of the year, I am going to give “Don’t Worry Darling” a 4/10.

Although before we move on, the public drama behind “Don’t Worry Darling” and its crew seems to work in the film’s favor, whether Warner Bros. or Olivia Wilde chooses to admit it or not. Because at my screening, I sat next to two older women. When the movie ended, the woman next to me said she came to this movie with someone else because of the drama surrounding it. The drama had her curiosity, and now the movie had her attention. So, for Warner Bros., this could be a happy accident. It is unfortunate that this movie, at least when it first releases, will likely be associated with said drama regardless of its quality. The question is, how will it be viewed years from now? That remains a mystery.

“Don’t Worry Darling” is now playing in theatres everywhere. Tickets are available now.

Thanks for reading this review! If you enjoyed this review, stay tuned because I have more coming! Pretty soon I will be sharing my thoughts on the brand new murder mystery, “See How They Run!” Stay tuned for that, and also stay tuned for the movies I will be reviewing for my official Steven Spielberg Month! This week we will be talking about “Close Encounters of the Third Kind!” If you want to see this and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “Don’t Worry Darling?” What did you think about it? Or, did you see “Booksmart?” Tell me your thoughts on that! Let me know down below! Scene Before is your click to the flicks!

Black Widow (2021): Natasha Romanoff’s Solo Marvel Movie Finally Arrives

“Black Widow” is directed Cate Shortland (Somersault, Lore) and stars Scarlett Johansson as the title character in her first solo movie after appearing in various MCU films since 2010’s “Iron Man 2.” Also joining Johansson is Florence Pugh (Midsommar, Fighting with My Family), David Harbour (Suicide Squad, Hellboy) O-T Fagbenie (Maxxx, Ma Rainey’s Black Bottom), William Hurt (Into the Wild, A History of Violence), Ray Winstone (Point Break, Beowulf), and Rachel Weisz (Denial, The Favourite). This film follows the Avenger Black Widow as she confronts a conspiracy tied to her past. The film follows her on the run not only for her life, but she’s also fleeing from her mistakes, and is set between the events of “Captain America: Civil War” and “Avengers: Infinity War.”

Sorry to use the cliché phrase, but it’s finally arrived! I’ve wanted to see a “Black Widow” solo film ever since the early 2010s. Not only is she one of the standout characters of the MCU, but of all the characters that started in this universe as part of the supporting cast, I think Black Widow is arguably the one who I wanted to see more of compared to any other. Hawkeye? Who cares? Granted, I thought he was a shining star in “Avengers: Endgame,” but early on in the MCU, I thought he was the least compelling of all the hero characters. There are times in “Iron Man 2” where I honestly think Scarlett Johansson shines more as an action star than even Robert Downey Jr., the film’s lead. Naturally, when they first announced that a “Black Widow” movie was happening, I was incredibly giddy. I thought it was a solid way to get to know more about a character who has displayed some spotlight over the years, but never took all of it for herself.

I will admit, the first trailer, while good, left me a tad uneasy by the end because those who saw it may remember the big action sequence in the end where the laws of physics are those of Middle Earth times five. In fact, I will say, that sequence was fun and worth the ticket price for the big screen experience, but it is also something that comes off like a video game. Now, video games over the past number of years have become experiential to the tenth degree, and so have our movies, but this movie by the end of it throws a middle finger to reality just for the sake of looking cool. Granted, it’s the MCU, which has a lot of fantastical elements. But this is something I would expect more out of a “Guardians of the Galaxy” movie as opposed to a movie like “Black Widow” where in comparison, it is a bit more grounded. However, this brings me to my next notion.

First off, I liked “Black Widow.” It was a fun time and I do recommend it to fans of the character, Marvel, and even general moviegoers who have not dipped their toes into the MCU all that much. If you cannot leave your house for whatever reason, by all means check the movie out on Disney+. It is worth $29.99 on top of your subscription fee, but I am sure if you watch it, you’ll have a decent time. If you want an experience, check this thing out in theaters! One of the big trends that has been going on in Hollywood and movie fandom is the desire or building up of anticipation for people to get back to the cinema. We’ve seen films like “A Quiet Place Part II,” which was good, alongside “F9: The Fast Saga,” which was bad, do that already. Both films have performed decently at the box office and evidence suggests that “Black Widow” has come out of the gate stronger than both of these films. Cinematically, “Black Widow” reminded me of the “Mission: Impossible” movies. Spies gone wild with crazy action sequences that for the most part are well choreographed.

The best part of the “Black Widow” movie is not even the action itself, which is one of the first things I think of when it comes to Marvel. Many of the universe’s films including “Captain America: The Winter Soldier,” “Ant-Man,” and “Avengers: Infinity War” come packed with some of most memorable action scenes of the past decade. In the case of “Black Widow,” the best part is arguably the family dynamic between Romanoff and the people from whom she has distanced since her younger years. Scarlett Johansson and Florence Pugh have near perfect chemistry and they felt interlinked like little cogs in a clock in every other scene. I think Rachel Weisz was an interesting choice to play Natasha’s mother, and the execution pleased me. Although the best part of Natasha’s family has to be David Harbour as Alexei, also known as Red Guardian. Every other utterance from Harbour in this film is candy to the ears. Harbour is perfectly cast and as of right now, I do not think I can imagine anyone else taking this role from him.

I think we are at the point in the MCU where characters who have had less spotlight are getting their chance to put themselves in the driver’s seat. We’re obviously talking about Black Widow in her solo movie, but the Disney+ shows have revealed what happens when you let characters like Wanda Maximoff and Bucky Barnes take the wheel. I have no idea if there will be an end date for the MCU, but I would love to see a Red Guardian solo film at some point. Make it happen, Disney. He is probably my favorite supporting character of the film, and I love David Harbour’s portrayal of said character.

But let’s not take anything away from the star of the show, Scarlett Johansson. I have loved her iteration of Black Widow since I had a first glance in “Iron Man 2.” While we do get elements of Johansson’s past performances as the iconic character, this movie did a really good job at taking a character who I liked, but I also acknowledge has barely been humanized. Part of the reason why I liked Black Widow as a character is that there was a balance between badassery and sensuality provided within what was written for her. But in actuality, I barely knew anything about her. The movies didn’t really need to explain much at the time, but we’ve gotten to a certain point where we know so much about everyone else who had the lens enhanced on them so much, that it was time for Black Widow to take a turn. This movie is a perfect evolution for this character with a backstory that falls in line with her identity and it still has that MCU craziness that people tend to seek nowadays. I contend to this day that Natasha Romanoff as a character is someone who I would want to date. I mean, it’s Scarlett Johansson. Come on. But the point is, the character for a long while is someone who I did not know everything about, but I’ve seen enough of her that would make me ask her questions about… Well, her. Having learned about her now, I might think her family is a little crazy, but nevertheless. I’m glad we got this movie. This gave me the chance to learn more about Natasha herself, and thankfully, even though this movie could have arguably been nothing more than a cash grab, the story feels neither flimsy or slapped together. Everything from start to finish makes sense and has a purpose in the movie. Well, everything except physics.

The MCU over the years has become known for its humor. In a lot of cases it works, but I will also say that movies like “Thor: The Dark World” tries hard to be funnier than it actually is. When it comes to humor, “Black Widow” lands somewhere in the middle, which works for the character at hand because when it comes to the MCU and humor, I have more or less put those two ideas together and linked people like Tony Stark or Peter Parker or Nick Fury. Natasha Romanoff usually came off as stern or serious, and this has honestly been one of her more defining traits as a character. In fact I’d say most of the humor in this movie, as possibly implied, comes from David Harbour in addition to say Florence Pugh. There’s also this fun segment of the film dedicated to Natasha’s signature pose, which I liked partially because it mocks the traditional idea that superheroes don’t just kick-ass, but they have a tendency to show off while doing so. That and maybe it is something for the action figures to show off. Think of the “Deadpool” “superhero landing” scene but it is described for more than just ten seconds of screen time.

Unfortunately however, one of the biggest deterrents of “Black Widow” is a common complaint people have had over the years through a number of MCU films, the antagonistic side in this film is underwhelming. Taskmaster was beyond disappointing! Taskmaster is very much a character with all style and quite frankly, nearly no substance whatsoever. The film seemingly tries to give substance to the character, I could see where they may have been going with it. But I could not even come close to caring about the character to begin with so when the time arrives that the movie tries to persuade me to care, I just shake my head. Taskmaster kind of reminds me of Darth Maul if you sucked all the coolness out of him. Because remember how in the “The Phantom Menace,” Darth Maul had very little dialogue? He barely did anything except wield a kick-ass double lightsaber and some cool tricks? Taskmaster is basically Maul if you went out of your way to make me snooze while I laid my eyes upon the character. Sure, Taskmaster has the Red Room, which sounded like it could have been interesting, but I guess this is why we can’t have nice things. I will say, Maul is not the worst MCU villain. That honor likely goes to Malekith from “Thor: The Dark World,” but wow! Taskmaster was one of the highlights of the film’s marketing and they bricked it!

At the same time though, one of the strengths of the MCU, even when the villain is not exactly menacing or compelling, is that the script takes as much time as it can to make you effectively care about the hero. When it comes to Natasha Romanoff, that is no exception. Part of this is established in the first ten to fifteen minutes where we see Black Widow as a kid. I feel like Black Widow as an adult has had this way about her where she always hid what she was thinking and some of, but not all, of her emotions. Seeing her as a kid not only provided a thrilling start to the film, but made me care about the character when we got to see her as an adult.

Although I want to address something that has been bothering me. I love the MCU, but I’ve had a number of concerns regarding it over the past number of years. I feel like one of my biggest concerns culminated with the recent release of all the Disney+ shows. Without going into spoilers, “Black Widow” seems to be starting a trend that I did not exactly expect to see as early as we did, where we apparently have setup in one of the Marvel movies for one of the TV shows. At least that’s the impression I got. I know in the TV shows there also seems to be setup for the movies, but keeping this in mind, it kind of concerns me because it takes me, a Marvel Cinematic Universe fan, and feel more like I am watching all of these films and TV shows as homework as opposed to reasons involving enjoyment. While I have no proof, my biggest concern for Marvel and Disney is that they will force me to watch the movies to understand the TV shows and watch the TV shows to understand the movies. “Black Widow” did not exactly support my concern 100%, but there is a scene in the film that enhanced it. I remember years ago I was talking about how Marvel would crank out two, three movies a year. I thought we would see a breaking point from that, but apparently the majority of them are at least good. Now I’m concerned between all the movies and TV shows we’re getting that we will see some sort of clog entering the MCU in terms of quality. Again, I could be underestimating Kevin Feige. I could be underestimating Marvel. I could be underestimating Disney. I could be underestimating all the directors. I could be underestimating all the writers. But at the same time, I believe I have a reason to be concerned. I will also state that this may be a “me problem.” I just like having one particular medium to follow in order to weave every story and moment together. This is why I like the fact that the DCEU movies have rarely crossed ties with any of DC’s TV shows. They’re two separate things with special identities that only they could associate with. Again, this may be a me problem, but if I were in charge of the MCU, part of me would want to come up with a “me solution.”

On that note, there is an end credit scene in “Black Widow.” This should not come as a surprise to MCU diehards. But nevertheless, if you’re watching this movie, stay for the credits.

In the end, “Black Widow” is a fine welcoming back to the realm of the MCU movies, but it comes with its flaws. Scarlett Johansson once again proves that she is a great pick to portray the Natasha Romanoff character. And speaking of which, I would say that her younger counterpart, Ever Anderson, may have a nice future of talent ahead of her. At the same time though, it feels like it covers many of the MCU’s basics but doesn’t do much of anything special with them. As much as I liked phase 2 in the MCU, it had quite a few villains that I did not fall in love with. Taskmaster feels like they are a villain that belongs in the phase 2 crowd. And again, I love the MCU, but part of me feels that it is becoming increasingly overwhelming and now that there seems to be an emphasis on tying the MCU movies and TV shows together, it is a cause for me to be concerned. Again, this is something that I cannot say is fully concerning me, it is something I’d have to wait and see as we move along. But nevertheless, I’m wondering if the MCU could potentially be hitting an unbreakable ceiling. I’m going to give “Black Widow” a 7/10.

“Black Widow” is now playing in theaters everywhere including IMAX and you can also catch the film on Disney+ with Premier Access for a $29.99 fee on top of your subscription.

Thanks for reading this review! Tomorrow, we venture to the weird waters of world’s end to fetch back witty Jack! Tomorrow I’ll be reviewing “Pirates of the Caribbean: At World’s End,” the third installment in the “Pirates of the Caribbean” franchise and the conclusion to Gore Verbinski’s “Pirates of the Caribbean” trilogy. I just watched the film on Sunday and I cannot wait to share my thoughts with you in my latest installment of the Scene Before exclusive review series, “Pirates of the Caribbean: The Chest of Reviews.”

As for new releases, this Sunday I will be going to watch “Space Jam: A New Legacy” so I will have a review up for the highly anticipated film next week as it releases in theaters and on HBO Max. I will admit, I was not a massive fan of the original “Space Jam.” I did not grow up with it, in fact I just watched it for the first time recently. Here’s hoping this sequel will be better. If you want to see this and more on Scene Before, follow either with an email or WordPress account! Also, be sure to like the official Facebook page! I want to know, did you see “Black Widow?” What did you think about it? Or, what movie are you looking forward to most in the MCU’s phase 4? For me, it’s gotta be “Spider-Man: No Way Home.” The way things are looking, some serious s*it is probably about to go down. Let me know your pick down below! Scene Before is your click to the flicks!

Top Movies of the 2010s (THE DISAPPOINTING 25)

Top Movies of the 2010s OFFICIAL POSTER

*WARNING: This post is over 11,000 words long*

Hey everyone, Jack Drees here! Never thought you’d see this again, did you? Well, I originally marketed the Top Movies of the 2010s countdowns as an event, so you know what? If I really want to give this the event treatment it deserves, let’s keep it going! This time, we are going to be focusing on the twenty-five films that I watched either with full attention, anticipation, or curiosity, and was flat-out let down in some way. It’s time for the disappointing 25! Before we go any further, this countdown is subjective. All these entries are based on my own experiences and opinions, and are therefore no way supposed to represent the thoughts and opinions of other individuals. Keep in mind, just because I think a certain movie is disappointing, doesn’t mean you have to agree. This world would be boring if that were the case. Although… I’ll take less fighting in the comment sections any day. Also, even though I have had lots of time during this period of isolation to go back and watch more films, I have not seen every single film that has come out during the 2010s. It’s too big of a task to handle. So movies that I’ve heard from others that were disappointing like “Battle Los Angeles,” “Terminator: Dark Fate,” and “Jurassic World: Fallen Kingdom” do not qualify to be on the list. I will also add, if a movie is to be included on here, I must have watched it from beginning to end. So, as much as I could count a movie like “Frozen,” that’s not happening.

Also, keep in mind this is a list of the most DISAPPOINTING movies and it is not to be confused with the WORST movies. The worst movies are just movies that I flat out don’t like. Disappointing movies on the other hand are the movies that I have expectations for in some way and end up being let down. In fact, some of these entries are movies that I like. They just have qualities attached that make them underwhelming, or in some cases, just a plain bad movie. So with that being said, if you had high expectations for this countdown, prepare to hopefully not be let down! These are my top 25 DISAPPOINTING movies of the 2010s!

#25: The Aeronauts (2019)

Starting off this list is “The Aeronauts,” otherwise known as what was supposed to be Amazon’s first attempt at an IMAX run. Unfortunately, that never happened, and it makes the movie slightly more unwatchable the more I think about it. This is a movie that I would probably watch again, but there are scenes in it that are slower than others. There’s the main plot of the movie that involves two people on a hot air balloon, and there’s a sideplot on land. And when the movie takes place on land, it’s almost worth tuning out. Did I mention this movie is based on true events and yet the main characters are fundamentally changed? I like what this movie did with the aspect ratio, because whenever this movie took place up in the air, the picture stretches to fit a traditional TV screen, whereas when the movie is anywhere else, it’s in a scope aspect ratio. It reminds me of the vibe the movie is going for whenever it wants to be adventurous or just drop back to reality. The cinematography is not bad either. A lot of the framing is lovely to look at. Another reason why this is not higher on the list is because this is one of the few movies that I’ve seen that I can consider the end credits to be the best part. Why is that? Because while the credits don’t really have any special background compared to… say… what a lot of animated films have presented over the past number of years, they have what could be one of the best original songs I have EVER heard in a movie, titled “Home to You” by Sigrid. Not only does it completely fit the vibe of “The Aeronauts,” it’s just a good song. Honestly, once this world goes back to normal, and I don’t mean the new normal, I mean normal period, it might be the first song I play as a sigh of relief. Because I know it’s easy to stay home, but after all I’ve done all this time, the song would be a great reminder of the journey I have been through and whatever positivity could lie ahead. I don’t like a lot of modern music, so it REALLY says something that I am giving a thumbs up for a song like this. But if you do want to watch the movie, it’s free on Prime Video, see what you think.

#24: Coco (2017)

For the record, I like this film, but the reason why I am putting it on the list is probably because of the expectations I’ve had for it. Ladies and gentlemen, I give you “Coco.” Even though I constantly make fun of Disney for their greed and desire to dominate the world, Pixar is probably one of the best studios working today, because they always manage to put out quality content that not only makes money, but is fantastically made. “Coco” is yet another example of why Pixar might have the best looking modern animations. It is also another effective story in the Pixar collection of films, even if it does remind me of a better of a better film, specifically “Kubo and the Two Strings.” But the reason why this film is on the list to begin with is a similar reason why I found “Manchester by the Sea” to admittedly be somewhat disappointing. By the way, that movie is not on the list. I’d probably put it as an honorable mention though. One of the core elements of “Coco” that I’ve heard from viewers prior to seeing it is that it is emotionally charged. I expected something maybe towards the end that could get me to almost shed a tear. I did not really get any of that from my experience. I will also say that maybe I am not part of the target audience that would usually feel that. In fact, many of the people I know who happen to be related or close to me are still alive. My core grandparents on both sides have not passed away, and I feel lucky to have them in my life. If somebody I know, whether it be a friend or family member passes away, maybe this movie will hit me more the second time I watch it. And no, none of this disappointment has to do with the extended “Frozen” short film they presented in theaters prior to “Coco” as I only watched this movie at home on a 4K disc.

#23: Seventh Son (2014)

Out of all the movies on this list, “Seventh Son” is one of the few that I’ve had little attachment to before seeing it. I was into the marketing, and the fact that it had gotten an IMAX run also pleased me. Little did I know how short of a run it would have in theaters. In fact, I was pretty lucky that I got to see it at all, because I found a screening of it when I was in Florida, and that’s how I managed to check out this flick. Unlike the other two movies that I mentioned previously, “Seventh Son” made it onto my worst 25 list for this series, meaning that it is not just disappointing, it’s beyond terrible! In fact, I’ll mention something I uttered in the worst list, I went to see this movie with somebody else, and while the screen did have my attention the whole time, the same cannot be said for my partner, who at this point, I might as well apologize for taking to the movie because they fell asleep! “Seventh Son?” More like “Seventh Snore!” “Seventh Son” is honestly one of the worst fantasy movies I have seen in my life, but part of me wonders if part of it has more to do with my experience of watching the movie because I will admit that the sound in my theater could have been better. Maybe if the theater provided a more quality experience, I could have at least felt like I was watching something worthwhile. Does this invalidate the #23 spot on the list? Frankly, no. Because the movie from what I recall felt generic. And speaking of recalling things, recalling everything about this movie is harder than Minesweeper! Remember that game?

#22: Jupiter Ascending (2015)

Fun fact about this next movie, in regards to release dates in the United States, this next film came out the same weekend as the one I just talked about. What is this next film? “Jupiter Ascending!” That’s what it is! “Jupiter Ascending” is quite honestly a film that I was desperately looking forward to. I was very disappointed that it was delayed from its original July 2014 release date into February 2015. The trailers looked great, the effects were eye candy, and it looked like it would make for a fun theatrical experience. It had good actors attached like Mila Kunis (Family Guy, Ted) along with the directors behind “The Matrix,” AKA the Wachowskis, but this film becomes more disposable the more I think about it. While it was, admittedly, an AMAZING theater experience, watching it on a standard TV does not really provide the same effect. Because while the film has an awesome musical score and great visuals, the story and dialogue are not the finest at times. I would definitely watch this film again for the action scenes, but definitely not for any of the writing. Channing Tatum didn’t even promote this movie when it was coming out. It’s that bad! As for Jupiter Jones, she does not really do much to resemble a proper protagonist other than simply be the center of the film just… because. For someone who is such a core character in the film, it feels weird that she is in distress as much as she is. Again, the visuals are breathtaking, and I would watch this movie as part of a tech demo, but I’d rather watch the “Matrix” sequels again than whatever this is.

“I love dogs, I’ve always loved dogs.” -Jupiter Jones

Shut up, Meg.

#21: Suicide Squad (2016)

Much like “Jupiter Ascending,” “Suicide Squad” was a fun time at the movies, but a lackluster experience watching it at home. I will say though, having already watched this film at home, the only time I watched it at home was at the beginning of 2017 and I popped in the extended cut of the film. I didn’t really feel much of a difference in terms of content, but in regards to the main movie, I became angrier than I thought I would about it. While Viola Davis is a solid actress, her character, specifically Amanda Waller, is one that I did not really enjoy watching. I didn’t really approve of all her actions in the film and she just left a bad taste in my mouth. Harley Quinn steals the show due to Margot Robbie’s performance, making her a solid character. But unfortunately, when it comes to the main heroes, Quinn is almost the only one who happens to shine. Deadshot’s okay, Katana’s alright, Killer Croc… looks pretty cool. But if I were to tell you who my favorite character in “Suicide Squad” happened to be, I’d go straight to Harley Quinn because she was pretty much the only one who had any charisma. I will say, when it comes to The Joker, he was not that bad. Of the Jokers I’ve seen on screen, he’s definitely inferior to others, but he’s also not a travesty by any means. Jared Leto played the part well and when it comes to this universe, I’d say his portrayal worked fine. Although I do think the movie maybe could have been better if they’ve utilized him more. This is also one of those movies, again like “Jupiter Ascending,” that had fantastic marketing leading up to it. The early trailer for “Suicide Squad” with Bohemian Rhapsody playing in the background was worthy of two thumbs up and raised the bar of excitement for me. “Suicide Squad” to me is the worst of the Detective Comics Extended Universe films. At least it’s uphill from there with films like “Wonder Woman” and “Shazam!.”

#20: Grown Ups (2010)

I don’t have a magical crystal ball, so I cannot go back in time and see exactly how many people were looking forward to “Grown Ups” when it was coming out. While I did not go see this movie in the theater, it was one I was curious about. But as I watched it, it didn’t stick with me. Now, from what I’ve heard, when it comes to Adam Sandler movies, “Grown Ups” is not as bad as “Jack and Jill,” which I have not seen. But this is one of those movies that the more I think about it, isn’t really as funny as I would want it to be. When you have renowned comedians like Adam Sandler and Kevin James in the mix, I probably would want a little more. And this comes from someone who likes Sandler’s earlier movies like “Happy Gilmore” and “Big Daddy.” This also comes from someone who really enjoys “King of Queens,” the nine-season sitcom starring Kevin James. RIP Jerry Stiller. Arthur Spooner for life. These two comedians have provided some thumbs up-worthy content for me over the years, and it’s disappointing to see these two, along with other cast members such as Salma Hayek, in something like this. I will also point out, even though the sequel is probably not remembered as the greatest of all time, I honestly think I enjoyed “Grown Ups 2” more than the original. Feels weird to say that, but it’s true. I did catch the movie on TV a few times and it did catch my attention, but it’s not one I’ll always remember for its quality. At this point, I only remember one or two scenes being remotely comical and well executed, and it was fun to see Cape Cod on screen. I say that mainly because I was at the waterpark where they shot part of the movie almost around the same time when filming took place.

#19: Under the Skin (2013)

Kind of like “Coco,” I do have some respect for this movie. It has a likable lead actress, some of the music suits it very well, and the vibe is seemingly perfect. So when it comes to “Under the Skin,” I have to ask… What exactly went wrong? That is a tough question to answer. Because for one thing, there are positive aspects about this movie. It just however wasn’t enough to keep me entertained. It is a seductive, hypnotizing film, and it honestly goes on to reveal the proper acting chops of Scarlett Johansson. Although the more I reflect on the film, the less I remember. I remember scenes in the car, I remember all the trippy s*it, but can I describe it all in detail? Absolutely not. This is probably one of those films that I probably need to watch again to fully appreciate, but with so many other movies out there, I am going to have to debate on whether or not such a notion is a proper idea. And if you think I am one of those people who cannot watch a film that is “too slow,” ask me what I think about “2001: A Space Odyssey” and I’ll tell you that it is arguably in my top 5 sci-fi films of all time. At times I was bored during “Under the Skin,” there just wasn’t enough for me. And that’s really disappointing. The film has an 85% on Rotten Tomatoes. It was nominated for a BAFTA! It was made by A24! It has the associations of what could mark the label of a solid movie. But it just wasn’t for me. But… Scarlett Johansson is dreamy, I’ll say that.

#18: New Year’s Eve (2011)

Before I saw this movie, I heard from others about how bad it was, but I went in with curiosity. I have not seen all of Garry Marshall’s holiday-themed movies, but they are not good, man. And “New Year’s Eve” is just a prime example of that! This movie takes a bunch of prominent actors who have perfected their craft and wastes all of them! Halle Berry is in this movie? You might as well be watching “Catwoman” at this point! Sofia Vergara showed up here? Just because she’s in an award-winning sitcom, doesn’t mean that will automatically make this movie good! Robert De Niro’s here?! Oh, the horror! There’s almost no redeemable, likable, or watchable scenes in this mess. Out of all the big holidays, New Year’s Eve is one of the few that I bend over for more than others. And honestly, this year, it’s gonna be pretty f*cking rad if you ask me, because I have never wanted to say goodbye to a year more. I’m just hoping we find a cure to COVID-19 by December, otherwise the ball drop would be just as boring as me dropping a ball from my hand to my bedroom floor. The problem with this movie is that there is no real center of the story to attach to. Yes, it’s called New Year’s Eve, and that’s what the movie is about, but it just doesn’t have one specific character that I can attach myself to more than any other. It’s kind of like “Dunkirk,” except that “Dunkirk” is a freaking awesome movie! “New Year’s Eve” is just a waste of time. And this comes from somebody who was really curious about this movie just from the title alone. I will also add, the scene where the ball actually drops is not even that great. Your movie is called New Year’s Eve, centers around the ball drop in Times Square, and you manage to f*ck that up out of everything! Unbelievable!

#17: Allegiant (2016)

If you ask me, I was never a huge fanatic when it comes to the young adult genre. If I had to pick what movies within the genre would have to be the best in regards to this previous decade, it would probably have to be “The Maze Runner,” although it doesn’t say much. One of the franchises that I thought had a lot of potential is “Divergent.” I went to see the first movie in the theater, enjoyed it. Saw the second one, liked that one even more. Then the dreaded third one, otherwise known as “Allegiant,” happened. Out of the three movies in this franchise, this one is easily the most forgettable. It had the worst box office total out of these movies, and it was also one that I will admit, was not the best in terms of marketing. When I saw marketing for the first movie in the franchise, “Divergent,” it felt badass, it felt raw in some ways. This however, just focused too much on the lovey dovey s*it. I didn’t really care about any of the characters, even though most of the actors give halfway serviceable performances. It’s not Oscar-worthy or anything, it just works. As for the visual effects, they feel like visual effects from 2007 that’s trying to gloss itself up for 2016 standards. It felt like everything was out of an overpolished Nintendo game! Even the people behind this movie must understand what exactly they’ve put out, because this movie we know today as “Allegiant” was once going to follow the footsteps of “Harry Potter” and “The Hunger Games” and get f*cking greddy by splitting the last film into two parts. For those of you who have read the “Divergent” books, which I have not done by the way if this adds anything to the table, “Allegiant” is the third and final installment to the franchise. Or, at least the original trilogy, because there is additional material afterwards. If you are wondering where that second part to “Allegiant” is, forget about it. It was supposed to go straight to TV, but it never got made! So this franchise remains unfinished! And don’t even get me started on how much they surprisingly succeeded on making Miles Teller the most annoying piece of s*it of all time. His character… Is something else. He’s honestly headache inducing, which is really sad as this movie truly does waste this actor who based on his performance in movies like “Whiplash,” has terrific chops. I may have alleged myself to the “Divergent” franchise at the beginning, but in the end, it crashed and burned. What else can I say?

#16: Sully (2016)

For the record, this is another movie that I honestly enjoyed. It is a film that I bought on Blu-ray and continue to own to this day, I just felt underwhelmed by it when I watched it. I’m talking about “Sully,” directed by Clint Eastwood, who honestly has not done his finest work in recent years, and this is just one example. There are essentials to a good flick here. Tom Hanks gives a solid performance, which should not be surprising at this point. Everything involving the plane crash had my attention. In fact, given how that is a major selling point of the movie, I applaud the crew for sticking the landing on that. No pun intended. Everything else in the movie is technically entertaining, but it doesn’t mean I was not almost bored with what was on screen. I think one of the main problems with this movie is that it starts with something that honestly feels kind of climactic, and as it goes, nothing really matches that or has that tremendous of an effect. A plane crash feels like something that would happen to symbolize an end of a movie rather than the beginning. But because everything else feels like it has the vibe of buildup when it is really what is supposed to come later, it just feels unfulfilling. I understood what was happening and the movie itself was competent, but it just did not give me an impact that felt happened to be gripping or enormous. The movie doesn’t crash land into disaster territory, it’s just not maybe as satisfying as I would have hoped.

#15: Flight (2012)

Speaking of movies with plane crashes that start out with perhaps the most climactic part of the movie, the next entry to the list is “Flight” starring Denzel Washington and directed by Robert Zemeckis. Honestly, even though I will forever credit Robert Zemeckis for directing the entire “Back to the Future” trilogy, I will also call him out because “Flight” might be his worst movie. And kind of like “Under the Skin,” this is a notion that I am disappointed to say, because this did get some awards buzz. And to be fair, the production value and acting is not that bad in this movie. I can see why Denzel Washington got an Oscar nomination. But this movie honestly bored me. I will admit, it has been years since I watched it. But all I remember is the plane crash and anything that happens after it is on a downward spiral in terms of pacing and enjoyability. I will say, I bought this movie on Blu-ray, and having paid $3.99 for it, I could have ended up with worse. At the same time, I expect more out of movie like this. Even though it did get a nomination for Best Original Screenplay at the Academy Awards, it did not have my attention. Although it has been years since I popped it in my player and last watched it. Maybe it’s better the second time, but I don’t know for sure.

#14: The Revenant (2015)

Leonardo DiCaprio won his first Oscar for this movie… Which, yeah, he was great, even though I really wanted Matt Damon to win for “The Martian.” Just being honest. With that said, “The Revenant” is not as great as some make it out to be. Yes, it won Best Picture-Drama at the Golden Globes. It was nominated for get this, TWELVE Academy Awards! It had a pretty good trailer leading up to it. I really did have interest in this movie to get me to go see it in the theater. In fact, when I saw it in the theater, it was worth the price of admission because of how well presented it was. The cinematography is outstanding, which should not be surprising as it is directed and shot by the same duo who worked on “Birdman” together. “The Revenant” has some of best individual frames of the decade. The bear attack in this film was… alright, I guess. It was probably not as hyped up as I have heard from other people. At a runtime of two hours and thirty-six minutes, I kind of wish much of that runtime gave me something a little more epic. This movie is surprisingly slow at times. At times it works, but some of the time it doesn’t. I will admit, the effort put into the movie through performances by Leonardo DiCaprio and Tom Hardy plus the directing from Alejandro G. Iñárritu makes up for its faults. However, when it comes to movies nominated for Best Picture at the 88th Academy Awards, I’d rather go back and watch “The Martian,” I’d rather go back and watch “Room!” Those movies are killer, by the way!

#13: The Hunger Games (2012)

I was 12 years old and in middle school when this movie came out, and everyone in my classes DID. NOT. STOP. TALKING. ABOUT THIS FRANCHISE. I read the first book for the franchise and put it down, and while I enjoyed this movie the first time, it just got worse the more I thought about it. I’m talking about “The Hunger Games.” Now, was I looking forward to watching the movie based on “The Hunger Games” when it was coming out? Most likely. Because it was the big phenomenon of 2012. Thankfully, my cousin gave me the book to read. I didn’t even make it halfway. That should have been a sign of what was to come during the movie, which I nevertheless looked forward to. I was a little nervous going into the movie the first time I watched it because I didn’t finish the book (this was a couple months after I started reading it) and I probably had some sort of unfulfilled commitment. While I did enjoy the movie the first time I saw it, I watched it a couple more times and it really does not hold up. The dramatic portions of the film don’t feel as high as I’d want them to be, I don’t like the color grading at times, and some of the cinematography is not that great. Jennifer Lawrence is a likable actress. In fact, she’s in this movie with Stanley Tucci and Elizabeth Banks, who are also respectable names in the industry, but this film is dramatically overhyped. There was even a point where I wrote an entry specifically for my 25 worst films of the decade, but I did not use it mainly because I feel that this film is more overhyped than it is incompetent. In fact, I’ve used part of what I’ve written for that entry at the beginning of this specific entry. Want to know what I ended with? Well, here ya go!

I own the movie on Blu-ray, but perhaps the only reason why I still own it to this day is because a lot of my friends who have connected with me throughout my life know what “The Hunger Games” is, and if the opportunity strikes to just sit down and watch a movie, chances are they might choose that. Although I am not completely sure because knowing our disposable society, “The Hunger Games” was likely just a fad for the time being. I am honestly not even a fan of the franchise, I do like the second film, but I still have yet to see the third and fourth, and the reason is because I refuse to pay for two parts. Thanks a lot, Lionsgate!

#12: Ant-Man and the Wasp (2018)

“Ant-Man” is currently in my top 5 MCU films. When they announced a sequel to “Ant-Man,” I was pretty excited because the first one was a total surprise. I didn’t really expect much from it, I thought it had one good trailer, but I was not sure if that was going to translate to a great movie. However, it was brilliantly written, nicely weaved in one specific outside Marvel character, and Paul Rudd plays a really good “Ant-Man.” Now let’s jump to 2018. The first trailer for “Ant-Man and the Wasp” drops… Ehhhh… Then “Avengers: Infinity War” comes out, it’s my favorite Marvel Cinematic Universe movie yet, and then all of sudden, I’m excited for “Ant-Man and the Wasp” again. Then I saw the movie… The movie is not bad by any means, in fact, when it comes to 2018’s comic book movies, I’d rather watch this again than “Venom.” But “Ant-Man and the Wasp” is a massive step down from not just the recently mentioned “Avengers: Infinity War,” but also, and perhaps more importantly, the first “Ant-Man” film. The first “Ant-Man” was an exciting heist adventure with compelling characters and Paul Rudd at the center of it all. Here, Evangeline Lilly, who I happen to like as an actress, becomes more of a prominent character as she becomes The Wasp. Their chemistry is fine, but while the film is trying its hardest to be lighthearted fun, the stakes almost don’t even feel like they are there. And while this could be somewhat intentional due to “Avengers: Infinity War” probably being the biggest film Marvel has done in terms of stakes up to this point, it feels like a sacrifice as the film is fun, but nearly uneventful. Oddly enough, this film has what could be the most useless end credits scene in the history of the MCU, where a human-sized ant is playing the drums because… Paul Rudd did it in the movie, so it needs payoff for some reason. However, I will admit, this movie also has what could arguably be the best end credit scene in the MCU, where it basically teases where the movie’s characters are going to be and what they’ll be doing in “Avengers: Endgame.” In fact, I put up a tweet regarding the end credit scene shortly after going to see “Ant-Man and the Wasp” in the theater.

I love how the MCU is such a unique movie property trying to tie in so many characters and stories in at once, but when the main story is not as good as what comes after it, it’s kind of a weakness.

#11: Moonlight (2016)

Coming in at #11 is a movie that is probably going to piss a lot of people off, partially because it was not only nominated for Best Picture at the Academy Awards, but it actually won it. Ladies and gentlemen, I give you “Moonlight.” The Best Picture? Of the Academy Awards? Are we sure it’s not “La La Land?” Now, I saw the movie after it won Best Picture, because it was still playing in theaters and I thought I’d give it a shot. While I did think the coming of age story was definitely watchable, I did not feel compelled the entire time. There’s one specific scene that I feel goes on for way too long, the movie starts out pretty solid, and while it continues to be pretty good, it’s on a downward slope in terms of quality. And I will admit, the movie is well made. The cinematography is beautiful. The color grading fits the tone quite well. The acting is top notch. Mahershala Ali earned his Oscar win for Best Supporting Actor. Also, it felt natural seeing Chiron’s character age, it did not feel like watching three different characters. Maybe I’m not in the right audience for this movie. I’m a straight white male. This movie deals with sexuality and identity, which are issues that I don’t struggle with. While can say I connected somewhat emotionally to the protagonist of the film, I cannot say I specifically embody the same traits as him. If you ask me, if the real Best Picture of 2016 was “La La Land” and that was not a mistake, I would approve, because I’d rather watch that movie again.

#10: Logan Lucky (2017)

Coming in at #10 is a film with a terrific cast, an acclaimed director, and a somewhat intriguing concept behind it. So, what went wrong? I don’t know! Nevertheless, “Logan Lucky” is probably one of the biggest drags of a film I have seen in recent memory. And it’s really sad to say that because this film has so many big names attached who are respectable in the industry, just from the cast alone! Channing Tatum! Adam Driver! Daniel Craig! Sebastian Stan! Seth MacFarlane for crying out loud! All these people are talented, but unfortunately, I could barely keep myself awake for whatever fresh hell this was. The funny thing about this movie, looking into the future, is that it is directed by Steven Soderbergh, who is known for films like “Ocean’s Eleven.” But what’s funny about that notion is that months later Soderbergh would come out with another movie by the name of “Unsane,” which by the way is free on Prime Video. Unlike “Logan Lucky,” which was beautifully photographed through a Red Epic Dragon camera, “Unsane” was shot primarily using an iPhone 7 Plus! Just goes to show that looks are not everything and without a good story, your movie is probably not going to be all that watchable. It was hard for me to connect with anybody, and it’s just as dull as watching paint dry. That’s even with the utterly wacky Daniel Craig performance somewhere in the mix! Kind of crazy if you ask me!

#9: Night at the Museum: Secret of the Tomb (2014)

One of my most nostalgic films is 2006’s “Night at the Museum,” it was one of the first films I have seen in the theater, and to this day, it is one of the more experiential films I have seen. As a comedy, it’s fun for all ages. It’s sequel, “Battle of the Smithsonian,” could arguably be better than the original due to Hank Azaria’s performance as Kahmunrah, and a good of number of the gags. I don’t know how many people would agree with me, but that’s just how I feel. “Night at the Museum: Secret of the Tomb” however is a film that quite honestly did not hit me the way I wanted it to. While I will say that the trailer for the film is not the finest in the world, I was still stoked because I love the property. Ben Stiller as Larry Daley is one of the better roles I’ve seen him in. The plot of “Secret of the Tomb” talks a good game, because it does that traditional sequel thing where you supposedly have to go bigger than the previous films. The first film took place entirely in New York. The second one expanded to Washington DC. As for this one, it’s out of the United States. Bigger doesn’t always mean better. And yes, much like the other two “Night at the Museum” films, this one has comedy that lands. There’s a great bit where the character Lancelot comes across a play of “Camelot” featuring Hugh Jackman and Alice Eve. Jedediah and Octavius spend some time on mini Pompeii before the volcano explodes. The movie does have some creative elements intact and some enjoyable aspects tied into it. But I’d rather go back and watch the first and second movies again. Oh, and Rebel Wilson is in this film too… Why is she here? Who invited her to this sham of a party?

#8: Transcendence (2014)

There are particular facts that you have to carry with you all your life. The only things that are certain happen to be death and taxes. In the event of a tornado, driving into a tornado is not the smartest idea to keep yourself safe. Also, “Transcendence” is f*cking boring! Johnny Depp is an enigma of an actor, because over the years, despite being credited with some solid performances, he’s had a good amount of bad days at the office. Maybe because he got too attached to Tim Burton for all I know. Out of all the bad days at the office, this is probably the one where the TPS reports make you want to break your computer. “Transcendence” is one of those movies that has a cool concept, but is executed in such a poor manner. The trailers leading up to “Transcendence” were attention-grabbing and seemed to promise something worth watching. While I did miss “Transcendence” in the theater, I bought the DVD and it’s safe to say that it is one of the least worthwhile purchases I’ve made in my life. I’ve popped the movie in once or twice and fell asleep. The time I did watch the film and I actually managed to make it through the whole thing, sleeping probably felt like the best option as this movie was a complete borefest and a trainwreck. I could barely tell you anything that happens in this movie past the second half. All I remember is that it takes place in a desert, things go crazy, and no semblance of quality exists. Plus, this movie is directed by Wally Pfister, the cinematographer of “The Dark Knight.” While this is his directorial debut, it is very disappointing to know that even after doing a few movies alongside Christopher Nolan, he cannot whip up a quality product himself. Nobody could save this movie! Not Johnny Depp! Not Rebecca Hall! Not Paul Bettany! Not Cillian Murphy! As for the screenplay written by Jack Paigen, it’s got the pacing of a turtle! Believe it or not, this is his first screenplay he’s officially credited for, so maybe I’m being a little harsh, but it’s not always the best indicator of fine art when you have this $100 million movie and both the screenwriter and director have never been credited for anything in this spectrum of their craft! GAH! …At least Pfister will forever have my respect for being the first cinematographer to shoot a major Hollywood movie with an IMAX camera, so there’s that.

#7: Pacific Rim: Uprising (2018)

“Pacific Rim” is a fun movie. It has the concept of “Power Rangers” and blends it excellently with the vibe of “Transformers.” I saw the film in IMAX, enjoyed it, and eventually got the 4K Blu-ray for Christmas, so I have fond memories of this film. Oh, wait did I say “Pacific Rim?” I’m sorry! That’s the good one! “Pacific Rim: Uprising” on the other hand is a total bitch of a movie! This is yet another movie that I was looking forward to simply from the concept, but what really got me onboard was the first trailer for it. Just like the first movie, it looked like it was trying to pack in as much fun as possible. And with a mega-star like John Boyega at the forefront, it must have been a recipe for excellence! Fun fact… This movie takes place ten years after the point where the original leaves off. Here’s another fun fact, it nearly feels as if it takes about ten years to get through this stinkin’ mess! Unlike the first “Pacific Rim” directed by Academy Award winner Guillermo del Toro, which had tons of soul put into it, this film was directed by Steven S. DeKnight, who has never directed a film prior to “Pacific Rim: Uprising.” He’s done TV shows like “Daredevil” and “Smallville,” but when it comes to films, this is his debut. “Pacific Rim: Uprising” honestly feels more like a movie that was a studio plot to start a franchise than anything else. Aside from that, Charlie Day’s character may be more annoying than Flo from Progressive trying to change every conversation at a party to be about insurance! “Pacific Rim: Uprising” reminds me a lot of “Independence Day: Resurgence,” which was a sequel that was perhaps more long-awaited, although maybe less wanted at the same time, but both movies make massive time jumps, yet cannot help but force reflections that tie into their original counterparts. Where did all my IQ points go? Guess a Kaiju destroyed all of them! That’s the only solution I can come up with at this point!

#6: Shrek Forever After (2010)

Coming in at #6, is the worst animated movie on this list, “Shrek Forever After!” Now “Shrek Forever After” is marketed as the fourth and final chapter in the “Shrek” franchise, that is unless you count the 2011 spinoff “Puss in Boots,” which is a pretty good movie. As for this one, it’s kind of like that TV show that your friend tells you to watch. It’s that show where your friend warns you, “The first couple seasons are good, but don’t watch the final one!” Although, “Shrek the Third” was not that well received either technically speaking, but I find that movie to be more watchable than this. It has been years since I watched “Shrek Forever After,” but I still remember being let down. When you market your movie as the final chapter, there has to be something that puts a bow on the franchise that makes the finale grand. This, honestly just didn’t work. And the ending, if you ask me, is rushed and barely even counts as climactic. The first couple of “Shrek” films had better endings than this travesty! Especially “Shrek 2,” which may have put have put out a cover song of Bonnie Tyler’s “Holding Out For A Hero” that might be twice as good as the original! The concept is interesting, seeing Shrek wanting to return to his roots at times was quite entertaining. But in a franchise full of happily ever afters, this movie is the one that brought me at the closest point to becoming an ogre than any other.

#5: The Favourite (2018)

Between massive awards potential, a stunning cast, and an acclaimed filmmaker, “The Favourite” may have had a formula for success. Guess what? It succeeded! …At failing to impress me. Given how this film was getting tons of awards buzz, I figured I’d give it a shot at the cinema. However, this movie tied me to a horse and dragged me across grass for a couple hours! It’s boring, it’s nearly feels pretentious, it’s horribly paced, and I couldn’t stop wondering when it would actually end. If you ask me, the performances are fine. Olivia Colman is alright, I wouldn’t say she was my pick to win an Oscar, in fact of the nominees listed for that specific ceremony, I probably would have picked Lady Gaga for “A Star is Born,” but that’s just me. Emma Stone and Rachel Weisz are also competent as their own characters. Technically speaking, “The Favourite” is a solid movie with detailed set design, gorgeous framing, well put-together costumes, and a somewhat neat score. Story-wise however, while I was compelled at times, it did not do much to leave me satisfied. As the movie went on, I began to tune out, just being honest. For a movie called “The Favourite,” it’s really ironic how this turned out to be one of my least favorite films of 2018. It nearly made it into my honorable mentions on my worst list for that year! This is also yet another example kind of like “Jupiter Ascending,” of how a movie can look visually appealing, but fail to deliver on the story. This movie nearly touches the two hour mark, but if you ask me, I think based on my experience, it felt like three hours! It’s a drag!

#4: Guardians of the Galaxy Vol. 2 (2017)

Coming in at #4 is “Guardians of the Galaxy Vol. 2!” The original “Guardians of the Galaxy” is a FUN movie. It has comedy! It has a killer soundtrack! It has a likable group of characters from Starlord to Gamora to Rocket! When it comes to 2014, it might as well have been the movie of the summer, as it became the year’s highest grossing superhero film, not to mention the year’s third highest grossing film period. Since this was a big box office hit, a sequel was perhaps inevitable. And when the first main trailer came out, I was hyped, because much like the first film, the comedy stood out. There was one joke that was shown at the end that introduces Mantis that made me switch between the mood of simply checking the movie out “because, why not,” to “absolutely needing to see it now.” Aside from “Wonder Woman,” “Guardians of the Galaxy Vol. 2” was my most anticipated film of 2017. But when I saw it with 500 other people, I wondered if I was on drugs, or if everyone else was on drugs. I say so because the audience I was with pretty much laughed at every joke that came up, but I on the other hand remained silent for perhaps most of the film. And honestly, Baby Groot sucks. Even though inserting Baby Groot is technically appropriate for picking up where the Guardians left off, it almost feels something as simple as a ploy to get people to buy more toys. Now I understand that Marvel movies are expensive, it costs a lot to make them, but still! I didn’t find him cute, I didn’t find him that charming, maybe I’m just a horrible person! It feels like there are too many scenes in the film where the characters are doing something and Groot just is shoved in there because… Baby Groot’s gotta Baby Groot! I will admit, when I first saw this movie, it was at a sold out IMAX and I was in the front row, so I was not in the best mood. But if you must know, I did see it again on a separate occasion. I laughed more, but I also remembered how much I didn’t like Baby Groot, and how much of a step down this was compared to its original counterpart. Even though there is an argument to make that the original “Guardians of the Galaxy” is slightly overrated, it lives up to the hype. It’s hilarious, fun, and visually stunning. Sure, some of the fun is there in “Vol. 2,” but the comedy feels absent! The effects and shots in “Vol. 2” however are some of the finest I’ve witnessed in the MCU, so I’ll give credit where it’s due. I have respect for James Gunn, because he’s kind of a wacky director, and this does feel like a personal movie from his end, but in some ways, the movie failed to hit me. Sure, it had a great villain, which at some points, is rather odd to say in regards to the MCU, but it’s true! Still, if it were a Friday night and I had some friends around, I’d probably pop in the first film as opposed to its sequel.

#3: Avengers: Age of Ultron (2015)

Speaking of the Marvel Cinematic Universe, one of the most anticipated films of 2015 for me was “Avengers: Age of Ultron.” Now… Is it fun? Yes. Is it action-packed? Absolutely. …But it’s “The Avengers,” man! The freaking “Avengers” of all the heroes! Why is it that apparently “Guardians of the Galaxy” and “Captain America: The Winter Soldier” are some of the most solid films in phase 2 of the MCU and “Age of Ultron” is nearly the worst? Heck, even “Ant-Man,” which was the much smaller (in a literal sense) MCU installment to come out in 2015, is twice as good! I will say that this film is better than “Thor: The Dark World,” but when it comes to the MCU, that film is not hard to beat. This was a film that I felt an enormous need to see opening weekend. Every trailer captivated me and made me want to go see it. Joss Whedon, who did a solid job with the first “Avengers” film in 2012, is back in the chair again. The movie almost looked like it could be pretty dark as Robert Downey Jr.’s character of Tony Stark seemed to be going on a bit of a downward spiral from what I have seen in marketing. The trailers always caught my attention and promised something absolutely special. But instead, I got mediocrity shoved right in my face. Ultron is a slightly charismatic villain, but again, in Marvel’s first couple of phases, the villains did not always stand out. Also, you know how a lot of blockbusters are often defined as explosive popcorn movies? “Avengers: Age of Ultron” not only fits that bracket quite well, but to my surprise, it focuses way too much on being stylistic than effectively dramatic. It almost feels like Zack Snyder or Michael Bay could have directed this film at times. There are positives to it. It’s got funny at moments here and there. Some of the hero characters stand out, which they should. There’s a great gag involving mjolnir, AKA Thor’s hammer, and this also features one of the better Stan Lee cameos. Surprisingly, if you ask me what my thoughts are on the moments between Hulk and Black Widow, those did not annoy me as much as other people. In fact, “Age of Ultron” did little to annoy me, but I figured in a sequel as big and as highly anticipated as this, it could have lived up to a higher standard. I say this specifically not just regarding “Avengers,” but perhaps all Marvel movies, “Age of Ultron” has one of the weaker climaxes. While it is fun to look at, it doesn’t feel like there’s more to it than eye candy. This movie just feels like an excuse for Disney/Marvel to throw $365 million out the window. Which, in the end, probably wasn’t the worst idea as this movie joined the billion dollar club. Although I will admit, even though I think Joss Whedon, alongside everyone else involved, did a better job with the original “Avengers” movie, I do feel bad for some of the harsh feedback he got, because it’s a major factor that got the famous director to quit Twitter. Nevertheless, “Age of Ultron” is not only the worst “Avengers” movie, it is almost the worst movie of the MCU’s phase 2.

#2: Midsommar (2019)

These last two movies on the list are from 2019, which makes me even more satisfied that the year ended with a ton of solid movies from “Parasite” to “Ford v Ferrari” to “Knives Out” to “Uncut Gems.” In the middle of the year, specifically, July, my most anticipated film of the summer came out. While I did wait a month to see it and happened to be rather giddy when I finally got my chance, it was not even close to worthwhile! Ladies and gentlemen, I give you the runner-up of the disappointing list, “Midsommar!” This is a disappointment if there ever was one. “Hereditary” is probably one of the best directorial debuts in recent memory. Ari Aster made me believe that he had a very bright future ahead… Then we got “Midsommar.” Leading up to this film, “Midsommar” was described by Ari Aster himself to be “a ‘Wizard of Oz’ for perverts.” Having seen the film, it’s not that! “The Wizard of Oz” is a story that takes place in a magical and mystical land! It’s all happy and colorful! Here, it tries to be colorful, it tries to be quirky, but it is perhaps almost the most annoying movie I have ever seen. While the cinematography is beautiful and the directing job from Aster is worthy of a thumbs up, the movie itself pisses me off to no end. Even though Florence Pugh is a likable actress, I cannot say that her character is as likable or charming as her. She honestly probably gives what could be the weirdest and one of the most unreal cries I have heard in a movie. If anybody has seen the first few minutes of “Midsommar” and remembers the cry that Florence Pugh gives, do you cry like that? Do you know anyone who cries like that? I don’t, personally. It’s a thing that I’ve noticed from Ari Aster, because I remember there was a scene from “Midsommar” where I noticed some weird crying as well. If anybody really does cry like this, I want to know because I may be keeping my head in somebody’s ass here, but… I just don’t have much experience hearing cries like the ones from Ari Aster’s films. As if Florence Pugh didn’t play a fine character, the supporting characters are also nearly unwatchable. Most specifically, Florence Pugh’s so-called friends. There was almost nobody I really rooted for in the film. And while this film tries to be pretty scary, it fails. Again, it’s more annoying than anything else! Even the delightfully strange moments don’t make up for its faults! Maybe if I had less anticipation for this film, it would either not make the list or be somewhere on it that’s lower. But again, this was one of my most anticipated films in regards to the summer of 2019. What was the most anticipated? Not sure. Could have been this, maybe “Ready or Not.” Because that had a kick-ass trailer! To add more disappointment, this opened around the same time as “Spider-Man: Far from Home,” which even though Spidey is my favorite superhero, the trailers for “Far from Home” were pretty terrible. Between an underwhelming first trailer, and unexpectedly dropping massive spoilers for “Avengers: Endgame” in a later trailer, it left a bad taste in my mouth. “Midsommar” was a film that felt like a pretty unique experience. Plus, it’s from A24, which is a studio I often respect. They helped put out some of my favorite movies from the past decade including “Room,” “The Disaster Artist,” and “Eighth Grade.” “Midsommar” is in competition with “The Witch” to perhaps be my least favorite A24 film. It’s kind of sad if you ask me. Again, this film is not scary. And I know some people have probably pointed out how “gross” it is. I never really found it to be disgusting or gross. I just found it to be an annoyance.

But you know what the sad part is? It’s not the most disappointing film of the decade! Not even the most disappointing of 2019 as a matter of fact! This past year came so close to being a lackluster year for film.

#1: ???

Alright, we’ve made it! #1! What could it be? Well, here’s some things I’ll say! This movie, as mentioned, came out in 2019. It’s a movie that has been featured on Top 10 WORST Movies of 2019, and in regards to this series, I put it in THE WORST 25 countdown. What is it exactly? Well, it’s not “The Aeronauts.” That did not make it on my top 10 worst, and it’s already #25 here. It’s not “Midsommar,” I just talked about that. It’s not “IT: Chapter Two,” it’s not “Serenity,” it’s not “Star Wars: The Rise of Skywalker,” it’s not “Dora and the Lost City of Gold,” and it’s DEFINITELY not “Cats” as I had no expectations going into it. My #1 most disappointing film of the 2010s is… FEATURED IN THE CLIP BELOW!

Oh my God. Zilla. I’ve said that before, but that saying has never made more sense than it does right now. Because my #1 most disappointing film of the 2010s is “Godzilla: King of the Monsters.” I am not the biggest “Godzilla” fanatic, but even I was uber-excited for this movie. At 2018’s San Diego Comic-Con, they dropped the first trailer for this film and it pumped me up like a balloon! Aside from having stunning visuals and some cool monster action, it had a BEAUTIFUL redo of “Clair de Lune” playing in the background. But little did I know at the time, that distracted me from the reality that this movie was visually beautiful, but as a story, it is a complete wreck! Nearly none of the original human characters make a return. Instead, we get new characters played by some well-known actors including Vera Farmiga, Kyle Chandler, Thomas Middleditch, and Charles Dance. All of these actors have experience and are culturally respected. Just because this movie has big names, does not mean it’ll be a big success. In fact, it’s a monster-sized failure! Even though it made about double it’s budget, it’s still a disappointment after raking in $386 million worldwide. The movie made less money than its predecessor from 2014, simply titled “Godzilla,” which took in $529 million worldwide against a slightly smaller budget than this dreaded sequel. Why did this movie fail? It’s hard to come up with one simple answer. It’s one of those movies, probably like “Batman v. Superman: Dawn of Justice” that did not sit well with critics, but for casual moviegoers and people who are simply fans of “Godzilla,” it was worth watching. After all, the audience score for “King of the Monsters” is 83%, nearly double of the critic score, which sits at 42%. Maybe the low critic score influenced the audience’s thinking patterns. But then again, “Aladdin” came out the week before, so maybe people were still into that.

When I come across a good number of positive thoughts for “Godzilla: King of the Monsters,” they sometimes have one thing in common. People sometimes point out that in terms of characters, this movie is lackluster, and despite that, they still give it a positive score. Some would say that monsters fighting each other is entertaining enough. With that being said, I will admit one of the slight positives of “Godzilla: King of the Monsters” is that the monster fighting is expanded in this movie, but it’s also a negative because even though it was minimal in 2014’s “Godzilla,” it nevertheless felt special. In “King of the Monsters,” some of the camerawork during the fights is nothing to write home about, although some scenes are better than others. As for characterization, this is just like the “Transformers” movies where even though there are alternate subjects in the title, the movie chooses to focus primarily on disposable and one-dimensional human characters. They’re poorly written, they’re poorly realized, even though the actors do what they can with them. Even though an actress like Millie Bobby Brown was somewhat wasted in this film, she gave it her all, which is probably a sign that she is going to have a bright future that involves a lot more than “Godzilla” and “Stranger Things.” I have come to a point in my movie watching journey where I require more than flat characters and all pretty visuals. This is “Jupiter Ascending” all over again!

Speaking of these pretty visuals, even getting to say that they are pretty in the first place is kind of sad. Because there is a sign that people put some effort into this movie. In fact, I imagine everyone across the board did all they can to make the finest movie possible, but for some reason, when it was trying to stick the landing, it plummeted as hard as s*it! This is one of the few movies that from a visual and audio perspective, made me nearly leave the theater with a headache. I like obnoxious films that are incredibly immersive, but there was so much going on at once! It felt like I was at a concert where three bands where competing to see which one can get the crowd roaring the loudest! This movie honestly feels like that “Family Guy” cutaway where The Emperor from “Star Wars” is speaking through the formula for great dialogue in the franchise. Specifically, he says “Something something something dark side. Something something something complete.” While “Godzilla” is not “Star Wars,” replace “dark side” with “monsters,” and “complete” with “fight in Boston,” you have “Godzilla: King of the Monsters.” Yes, it does have a standout story involving a major motivation from Vera Farmiga’s character, but again, all these characters feel incredibly disposable. I mean no harm, and people are allowed to like what they like, I don’t know how all the viewers who like “Godzilla: King of the Monsters” can get past the underwhelming characters who are played by big name actors, but have to deal with a s*itty ass script! It’s cheesy, boring, and forgettable! I can have fun with a big budget blockbuster, just not this one!

To add to the disappointment, this movie could have some unfortunate ramifications going forward. After all, “Godzilla: King of the Monsters” is the third installment to the current Warner Bros. Monsterverse, which currently features prime titans Godzilla and King Kong. In fact, both titans are supposed to duke it out against each other in a future film that is supposedly coming out this year. The more I hear about that film, or more specifically, what little I even hear about that film, the less I manage to look forward to it. But when it comes to what could happen to it regarding “Godzilla: King of the Monsters,” the poor box office total of that film could be a bad sign of what’s to come. Plus, it’s been a few years since people have seen “Kong: Skull Island,” which to be fair, was a success. “Godzilla vs. Kong” could although continue a trend of box office disappointment as it is part of a universe that might as well be shrinking in terms of relevance. One of the reasons why the Marvel Cinematic Universe is still working today is because they’re constantly cranking out films. It took a couple years between one “Iron Man” or “Avengers” film to get to the next one. Plus, in between those sorts of properties, we get other characters getting movies including Thor and Captain America. “Godzilla” took its time, and maybe was on less people’s minds. Plus, given the quality of “Godzilla: King of the Monsters,” it sort of hit me in a way that made me less excited for what’s to come. Going back to Marvel, “Avengers: Infinity War” made me excited for future movies including “Ant-Man and the Wasp” and the then untitled “Avengers: Endgame.” A bad movie can do more than just leave a bad taste in the mouth. It can leave an aftertaste that might stick for years. This aftertaste makes me look into the future and ultimately feel a tad pessimistic.

As for what that future looks like specifically, it looks like everyone might not be learning from their mistakes. After all, Eiza Gonzalez, who is set to star alongside Millie Bobby Brown as a couple human characters in “Godzilla vs. Kong,” was intereviewed in March while promoting the all-new Vin Diesel film, “Bloodshot.” She said the following during an interview for The Hollywood Reporter

“Yeah, everything’s been done. These movies take a long time because there’s a lot of CGI in them. But, yeah, we’ve done everything, and they’re just going through and creating these incredible characters. I’m just really excited to see it because it’s these two worlds colliding. The fan base for “Godzilla vs. Kong” is incredible. When I say I’m in the movie, people are like, “Oh my God.” Seeing that fanaticism and seeing how excited they are to see this movie makes me really excited; I think they’re going to be really happy. [Director] Adam Wingard is so talented. Both stories are going parallel, as you’ll see, without giving anything away. It’s a large cast as well, and it was really fun to be part of it. There’s so much going on, but the heart of it is two young girls as well, which is such a positive message for society nowadays. It’s just incredible.” -Eiza Gonzalez

So unless these two young girls are Godzilla vs. Kong bitchin’ it out against each other, I would imagine it involves Millie Bobby Brown and perhaps a character played by Gonzalez herself. Since this movie chooses to focus on humans again, I really hope there is a sense of strong effort put into the script. Because the last one made me want to go out and topple some skyscrapers!

Also, as someone who lives near Boston, this movie is an insult.

Thanks for reading this countdown! Kind of like the previous lists I’ve done in the Top Movies of the 2010s series, this could easily change as it does span an entire decade as opposed to an entire year. In fact, now that I’m in isolation, I have all the time in the world to watch more movies from the 2010s, so who knows? All these picks may be outdated in a month or two. However, if you are interested in seeing more of Top Movies of the 2010s, feel free to check out my other lists titled THE BEST 25 and THE WORST 25. Now that content becoming harder to make in these times, I am thinking of doing more of these. Maybe I’ll also do more than top 25s. Maybe I’ll go short and do top 11s or top 15s, or if I really want to cover such a massive topic, I’ll go for top 50 or top 100. I’ll have to think of a topic that can truly fit a hundred films if that’s the case, but it’s still a thought that I have. If you want to see more great content from Scene Before, follow this blog via an email or WordPress account! Also, be sure to check out my Facebook page if you are interested, I post content updates, random thoughts, and if you don’t want to follow the actual Scene Before blog, I also automatically post new content from Scene Before onto the page if you would like to check it out. But it’s your world and I just live in it! I want to know, what are your most disappointing movies of the 2010s? Is there a title I missed? Or, what other countdowns would you like to see come to life in the Top Movies of the 2010s series? Let me know down below! Scene Before is your click to the flicks!

Little Women (2019): Call Me “March” Like You Said You Would

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“Little Women” is directed by Greta Gerwig (Isle of Dogs, Lady Bird) and stars Saoirse Ronan (Lady Bird, Mary Queen of Scots), Emma Watson (Beauty and the Beast, The Circle), Florence Pugh (Midsommar, Fighting with my Family), Eliza Scanlen (Home and Away, Sharp Objects), Laura Dern (Marriage Story, Star Wars: The Last Jedi), Timothée Chalamet (Beautiful Boy, Interstellar), Meryl Streep (The Post, Sophie’s Choice), Tracy Letts (The Lovers, The Post), Bob Odenkirk (Breaking Bad, Incredibles 2), James Norton (Happy Valley, Flatliners), Louis Garrel (The Dreamers, Redoubtable), and Chris Cooper (The Amazing Spider-Man 2, A Beautiful Day in the Neighborhood). This film is based on the book of the same name conceived by Louisa May Alcott, which has been adapted and brought to other mediums in the past, and this is another attempt to make a film out of it. The story of “Little Women” follows the lives of the March sisters, four women who are determined to live life on their own terms.

Apparently, this is one of multiple adaptations of “Little Women.” However, just a fair warning, I have never read the book, and I never witnessed any other adaptation of the IP. So this film took my “Little Women” virginity. I probably would have gone to see this film earlier, but due to time constraints, other films getting in the way, not to mention missing out on an opportunity to go to an advance screening, I just couldn’t get around to “Little Women” until now. In fact, the reason why I am watching “Little Women” at this point is to get caught up on this year’s Academy Award nominations, specifically Best Picture. Upon hearing which films were announced for the category, I have seen each one except “Little Women,” so I took today,  perhaps my least busy day of the week, and took the subway to a non-profit theater that way I could go watch the movie in 35mm film. I figured if I wanted to watch a Best Picture nominee, I might as well commit.

Sadly, I don’t feel like that commitment has worked out. I will be honest, I was kind of disappointed with “Little Women.” I would like to just point out, I admire Greta Gerwig as a filmmaker. I think she knocked it out of the park with her 2017 feature-length directorial debut, “Lady Bird.” Although if I had to compare “Little Women” to “Lady Bird” and my desire to go back and watch them again, it would be like comparing odds of finding a Chick-fil-A in a casino or a slot machine in a casino. Even though I have seen “Lady Bird” once, it would probably associate more with the slot machine. It’s a jackpot! As for “Little Women,” I might chicken out after a little while.

Now… Don’t think I am nagging on “Little Women” calling it a disaster. It is by no means the worst movie of all time, it just has problems is all. In fact, “Little Women,” in terms of direction, shines. I feel like in terms of a director wanting to get THEIR vision out to the public, “Little Women’s” Greta Gerwig succeeded at such a task more so than a good number of other filmmakers this year. A lot of the cinematography done by Yorick Le Saux is beautiful and totally stands out through the 35mm print shown at my screening. Alexandre Desplat’s score is great and fits the vibe! I also like the idea of not only shooting the film on location, but shooting it around the area where Louisa May Alcott wrote the “Little Women” book, Concord, Massachusetts. It provided for some of the most gorgeous scenery of 2019’s cinematic year and some of the better production design for said cinematic year. A lot of the scenes in the film are wonderfully realized and jump off the screen. Too bad the movie’s kind of boring.

Don’t get me wrong, the movie starts out fine. In fact, the first two thirds are somewhat interesting. The characters, not to mention the actors who play them, are not half bad. I felt the chemistry between pretty much every single character, which may have been the most necessary requirement for this film, because if I did not believe in the chemistry between the sisters, then why should I care? Amazingly, I got to a point where I did not care. I say that because even though this film is one of the better technical pieces of the year, I think pacing-wise, it suffers. I like the idea of these women dealing with their separate and collective issues, and there are some scenes that were in a word, capital! I will not go into detail, because despite having seen a trailer, I am not sure how much this film revealed beforehand. But I think one of this film’s bigger challenges, from a screenplay and directing perspective is meshing together all of these characters’ individual journeys and having a viewer like me care about all of it without it feeling a tad like a mess. Unfortunately, the film dives into the messy territory. “Little Women” honestly feels ten, twenty, maybe even thirty minutes longer than its runtime, specifically 2 hours and 15 minutes. For reference, I watched “Marriage Story” in the theater at the end of the previous December, which was 2 hours and 17 minutes. “Marriage Story” honestly somehow feels shorter than “Little Women.” To add onto this, I remember staying throughout the entire credits during “Marriage Story.” On the other hand, I left part of the way through “Little Women’s” credits.

I almost wonder if “Little Women” is one of those films that could get better through a rewatch, that way I can just concentrate closely on each character and maybe care about them with an all new point of view, but after watching this film for the first time, I don’t see much else of a reason to watch it once more. I have never been interested in the book, I have never sought out any other adaptation of this material, and in case you must know, and maybe this is affecting my thoughts on the film a little bit, I am not really in the target audience for “Little Women.” As far as I know, “Little Women” was never originally written for me, so I may not have the perspective that many of its targets would. I think actors like Saoirse Ronan, Laura Dern, and Timothée Chalamet do a fine job with their roles and suit their characters well, pretty much to the point where I don’t imagine anybody else portraying them. I also think the costumes in the movie are some of the finest and most sophisticated costumes in a 2019 film. “Little Women” has a lot of good qualities to it, but several things keep me from wanting to go back and watch it again. I am honestly shocked to say all of this, because I didn’t hate the trailer that I saw for this film, and I had faith in Greta Gerwig. To be clear, she did a good job with the direction, but had a few things been handled better, I think this could have been a damn fine vision, not to mention a better movie.

Plus, another thing to consider is this… I already mentioned that I am not the target audience. So I have to ask everyone reading a question and this may be important. First off, if you have seen 2019’s “Little Women,” what are your thoughts on it? Also, if you have seen any other material related to the “Little Women” IP, what are your experiences in relation to that? Was what you saw pretty good? Bad? Middle of the road? I’ll even ask this classic question, was this movie better than the book? Let me know!

In the end, “Little Women” is one of the bigger disappointments of a film that I have witnessed in recent memory. If you have followed this blog recently, you may know that I reviewed “Cats” because I apparently have ALL THE TIME IN THE WORLD to watch “Cats.” When I reviewed “Cats,” I called it the most competent borefest of a film released in its particular year. “Little Women” was released in the same year as “Cats,” specifically 2019, and there is an argument that I could make from my end that “Little Women” may dethrone “Cats” to earn such a title. It’s gorgeous, beautiful, not to mention vibrant. As a production, it is a feast for the eyes. But the eyes need to do more than stare at pretty things for a couple of hours. Had the movie maintained the promising pacing and kept me as interested as I was during the first couple of acts, I would still recommend “Little Women” to a lot more people. Of the movies the Academy nominated for Best Picture this year, “Little Women” is honestly my least preferred. But to be honest, based on the positives outweighing the negatives for this film FOR NOW, I am going to give “Little Women” a 6/10. This film is no “Lady Bird,” and I’ll be honest, for everyone who is upset about Greta Gerwig not getting nominated for Best Director, I get it. But personally, gender is not a topic I am associating with how I view nominations, but that’s just me, I think a display of talent regardless of gender, should come first, doesn’t mean I want to start an online war about it. Although I will be honest, all the chosen nominees, to me, were better in terms of vision fulfillment, technical choices, not to mention creating an overall better movie, at least for the most part on some of these direction-related requirements. And if you want my two cents, I do have a recommendation for a great 2019 film directed by a woman. If you haven’t already, go watch “Honey Boy,” it’s gonna be on Prime soon and I highly recommend it!

Thanks for reading this review! I just want to let everyone know that I am going to be heading back to college next week, and hopefully it does not affect my consistent content release schedule. But maybe before I go back, I am planning on watching one more movie. Maybe I’ll watch more than one, but I didn’t want to end this post without mentioning “The Murder of Nicole Brown Simpson,” directed by Daniel Farrands. As of right now, this film is not playing anywhere near me, although it did get a release in theaters. And if this sounds somewhat familiar, this film is from the director of the 2019 abomination, “The Haunting of Sharon Tate.” I just want to say… I MIGHT sacrifice my soul and watch this movie. For those of you who have seen my worst of the 2010s list know that “The Haunting of Sharon Tate” earned a spot pretty high on the list. I’m just curious to know if “The Murder of Nicole Brown Simpson” is somehow any worse. If I watch this movie, please wish me luck! I might need it! Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! If you want to leave a like or comment (if your account is eligible), please do so! It really helps me out! Also, please check out my Facebook page and spread the word about Flicknerd and Scene Before on social! I want to know, did you see “Little Women?” What did you think about it? Or, of the 2020 Best Picture nominees from the Academy, which is your favorite? Let me know down below! Scene Before is your click to the flicks!

Midsommar (2019): Can Ari Aster Top Hereditary?

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“Midsommar” is directed Ari Aster, who is known for directing numerous shorts along with his feature-length debut which came out last year, “Hereditary.” This film stars Florence Pugh (Fighting with My Family, The Commuter), Jack Reynor (Sing Street, Free Fire), William Jackson Harper (The Good Place, The Electric Company), Vilhelm Blomgren (Gösta, The Days the Flowers Bloom), and Will Poulter (We’re the Millers, The Maze Runner). This film involves a couple and a bunch of close friends going away together to rural Sweden. While the main characters intended to take a simple vacation to view a mid-summer festival, they eventually find themselves becoming more involved with various activities having to do with a Pagan cult.

If you asked me about my thoughts on Ari Aster as a filmmaker before this movie came out, I would have simply told you that I love him. Granted, I could be biting off more than I can chew because he only directed one feature film, but it does not change the fact that said feature film, specifically, “Hereditary,” floored me as soon as I witnessed it in the theater for the first time. The interactions between the family was truly worth appreciating. The cinematography is eye candy as delicious as white chocolate Kit-Kats. And Toni Collette gave one of my favorite performances of the decade as Annie. Naturally, the more I heard about “Midsommar,” the more excited I got. In fact, of all the movies coming out this summer season, “Midsommar” might be the one I anticipated the most, which is surprising when you consider how I waited over a month to go see it in the theater. But I just checked it out, so here we are! I feel like I have some weight off my shoulders!

Although before we go any further, I want to give a special shoutout to a friend of mine. His name is Choyon, and he went to go see this movie in July, only to tweet the following:

I cannot say I have seen the original “Wicker Man” film, but from what I gathered by this tweet, that was probably an enormous insult towards “Midsommar.” Having said that, I replied to him saying that I’ll probably instead check out “Spider-Man: Far From Home” that weekend, which in reality I didn’t do until two weeks after tweeting that out. He replied to me saying “Spider-Man” sounds like a better choice, calling “Midsommar” “pretentious crap.” These were followed by two more tweets.

I love Hereditary, I am almost scared for how I’ll feel about this thing after seeing that film. –Me

It may be a letdown, just saying –Choyon

I’ll remind you that Choyon has previously been a contestant on “Jeopardy!” and “Who Wants to Be a Millionaire” so I for one am able to trust him in an assortment of ways. Then again, while he appeared on “Jeopardy!,” he participated in the final round only to do this:

Yeah, that happened! It even got featured in a video from SGSA (Stupid Game Show Answers), a famous name in providing game show fail compilations for years.

But even with that, he is right. “Midsommar” broke me, tore me apart, and ignited me into scorching flames. If I had to judge this as if it were two movies, I would point out the movie’s excellence in terms of direction, cinematography, and location choices. The technical aspects stand out for good reason. But there is a lot that I can’t stand when it comes to how the film plays out as to what characters do on camera.

From the very start of the film, I am instantly reminded of one of my problems involving “Hereditary.” Below is a quote from my review of said film.

“I heard him crying and made me think he was doing a terrible impression of Matthew McConaughey.”

If you put that in context, I will point out that “Hereditary” had a ton of terrific performances by its cast, including Jackoff winner Toni Collete, but one performance that caught my eye at a certain scene was the one given by Alex Wolff. Why? Because he happened to be crying in a manner that managed to lack any sort of match to realism, and overall, it made me think of him as some cartoon who fails at animating their own expressions. This movie gave me the worst possible first impression it could by having Florence Pugh’s character also cry in a manner that just irked me. Granted, I know crying is a natural thing, I know people do it in various situations, but again, I just don’t know if these actors would cry in the movie in the same way they would in real life. And having seen two movies from Ari Aster now, it makes me wonder as to what he will have stored in the future for his projects. Is this going to become a cliche? Is this going to be an Ari Asterism? Is he going to have at least one oddball, Lifetime movie-esque sobbing scene for each one of his films? And I will say, this crying, while annoying, was not even the worst part of this sack of crap!

I will say, when it comes to the characters in general, they are very off and on. For one thing, I kind of hate the main group of guys in this film because they all seem to just be less than friendly to the main character at times and it is sort of off-putting. There’s a scene where everyone completely establishes they don’t want to go on this trip to Sweden with her, only to pretend to be nice to her when she’s in the room and invite her to the trip. I understand why they would invite her, even if they have something against the main character to begin with. But even so, upon first seeing all the guys, they all had this rather unlikable vibe to them. It’s like if a speeding ticket was a person!

But I will say, upon first seeing rural Sweden and the setting for the movie’s main events, I was undeniably impressed. The setting looked vibrant and beautiful, almost to the point where I wanted to go there. All the costumes stand out and it brought this feeling of immersion. Sadly though, as the movie progressed, there was not much of interest when it came to various happenings in Sweden. Granted, the movie does a good job at letting us as an audience experience the traditions of the cult, but when it comes to shock value, which this movie seems to promise, I almost felt nothing. Maybe because I saw it coming though. I remember going into this movie being told it’s more gross than scary, and honestly I can see why, but I won’t go into it.

One comment about this film before it came out that admittedly made my hype levels rise as high as a skyscraper came from director Ari Aster himself. Back in March, he referred to “Midsommar” as “a ‘Wizard of Oz’ for perverts.” Honestly, I took that as a bit of a joke. I did expect this movie to be somewhat gory, I did expect a lot of the costumes to pop, I also expected the locations and setpieces to set the tone for what’s to come, but holy s*it, he’s right. I won’t go into complete detail, but that is a good way to describe this film based on certain scenes.

But it does not change one thing. THIS MOVIE SUCKS!

I–I can’t believe it! This is Ari Aster I’m referring to! I should be praising him like he is god or something! But now, he has diminished some of my hopes for his future projects! As if the movie itself was bad enough based on the beginning and the main events as everyone happens to be in Sweden, the ending just takes those two concepts and makes them look like a breeze to sit through. Why? Because, again, without spoiling anything, it is simply one of the most repulsive things I have witnessed in recent memory. In fact, I might even go as far to say that the ending to “Midsommar” could qualify to be a part of my top 10 worst endings in film history! Granted, I saw where the film was going with the ending, trying to have this compelling vibe that maybe could get some viewers to be speechless or something. It could possibly get them to activate their brain a little bit. In a way, if I had to use a recent example, it kind of had a similar feel to the ending I witnessed in last year’s “Annihilation,” only that movie was ten times better and more interesting than this piece of crap!

In fact, if I really had to make a comparison between this film and something else it has to be “The Favourite.” It’s a film that I heard a lot about, it has a reasonable amount of hype behind it for various reasons, it looks beautiful (both in previews and the final product), but it turned out to be a colossal disappointment. Granted, I will point out this movie is superior to “The Favourite” in terms of how invested I was from start to finish. It was less boring, better paced, and overall a slightly more hypnotizing story. But it does not change the fact that when it comes to “Midsommar,” it is a film that had tons of potential to be associated with prestige, and sadly, it ends up falling flat on its own face.

The best way I could describe the ending to “Midsommar” without further context is by once again going back to the idea of this movie being gross as opposed to scary. To me, it was neither, it was simply annoying. If you think hearing Jar Jar Binks and his hellish voice is ridiculous at home on your living room TV, try going to a cinema with surround sound and listening to every single utterance during this film’s climax. I imagine when this film comes out on DVD, it is not going to change how nearly headache-inducing the ending could possibly get.

Ari Aster, I love you! Please make a better film than than this! I was rooting for you!

In the end, “Midsommar” might as well have as much of a chance of completely impressing me during a repeat viewing as White Castle does of creating a pancake-sized burger. The worst thing about “Midsommar” is not necessarily how bad it is, but how disappointing it is. I say that because there are lot of movies out there that I knew were going to be terrible before watching them like “Batman & Robin” and “The Emoji Movie,” but “Midsommar” looked fantastic. In fact when I call this my most anticipated film of the summer compared to another film that opened the same day, “Spider-Man: Far From Home,” which ended up surprising me to the point of absurdity, it leaves a hole in my heart. I cannot even recommend this movie as background noise, because again, this film has an ending that is probably just as annoying to me as annoying as Teletubbies may be to parents who are raising newborn children. But again, I cannot give this movie a 1/10 because it is well shot, it does look impressive, and I say that to the point where it would make for a good tech demo. Well, as long as the product is on mute at certain points. I’m going to give “Midsommar” a 3/10. Thanks for reading this review! I just want to remind everyone that pretty soon I’ll have my review up for “Crawl,” a film about a father and daughter who are caught in the middle of a Florida hurricane. If you want to read a review for an Ari Aster flick that I think is worth your time, my link to my “Hereditary” review is down below! Be sure to follow Scene Before with an email or WordPress account, also be sure to like my Facebook page if you have an account there as well! Stay tuned for more great content! I want to know, did you see “Midsommar?” What did you think about it? Am I crazy right now or something? Or, who is a director working today who doesn’t have much background that you are curious about? Aside from Aster, Tim Miller would be one of my picks. I’m somewhat curious as to what he’s going to do with “Terminator: Dark Fate.” Let me know down below! Scene Before is your click to the flicks!

Hereditary (2018) REVIEW

Fighting with My Family (2019): 2019’s First Truly Lovable Movie Experience

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“Fighting with My Family” is directed by Stephen Merchant (Hello Ladies, Logan) and stars Florence Pugh (Lady MacBeth, The Commuter), Leda Headey (Game of Thrones, 300), Nick Frost (Paul, Into the Badlands), Jack Lowden (Mary Queen of Scots, Dunkirk), Vince Vaughn (Wedding Crashers, The Internship), and Dwayne Johnson (Jumanji: Welcome to the Jungle, Rampage). This film is based on the true story of a family who live and breathe wrestling like it is an alternative to oxygen. Two kids who are very passionate about the sport get a chance to try out for the WWE, and this is based on truth so I wouldn’t call this a spoiler, but it is also essentially the origin story of Paige, who becomes the famous wrestler fans have come to know in recent years.

Right off the bat, I will just tell you all something. Wrestling is not my jam. If you know me in real life, this wouldn’t surprise you, sports in general are not usually my goto activity. I say that regardless of whether I am watching a sport or playing a sport. In fact, the reason why I went to see this movie has nothing to do with wrestling. Aside from getting passes to a free screening, I was excited for this movie because it was being helmed by the likable and talented Stephen Merchant. He has this flow when it comes to comedy that ultimately just works. I have seen a lot of his interviews on talk shows or other scenarios over the years and the guy is just freaking funny! Maybe his British accent has something to do with it, but still. Plus, he was the voice of Wheatley in “Portal 2,” which might just be my favorite video game of all time. Granted he was in “Tooth Fairy,” which if you think about it, it’s sad that I still remember that movie, but the guy is talented. And let me just say, he does a hell of a job with this movie! Merchant actually wrote and directed the film, but to add onto what I just said, he actually has a role in it too. Granted, the role isn’t enormous, he plays some random dude named Hugh, but it works. In fact, that is an understatement, because Hugh might just be the best part of the movie!

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Part of me is wondering if Merchant (left) wanted to do this role simply because out of everything he’s written, he thought it was the most humorous part, but nevertheless. Hugh is comedy gold. And when it comes to a lot of comedy that I am exposed to, most of what I consider to be “good” comedy is actually through written lines. Physical comedy usually takes a backseat for me nowadays. Not everyone can be “The Three Stooges.” When it comes to Hugh, it’s all non-verbal comedy. And f*cking brilliant non-verbal comedy when all is said and done! Also, one of the standout traits that I personally gathered from Hugh is not only that he acts funny, but he also looks funny. I’ve seen images of Stephen Merchant (in fact I just provided one), and the way he transforms himself into this character just takes him from a lanky British dude to a guy whose house your kid might not bother visiting on Halloween night. And this was actually a surprise to me because I saw marketing for the film and I see Stephen Merchant in it for a brief second, but it almost looks like he’s doing OK comedy. This was better than I anticipated!

One of the best parts of “Fighting with My Family” is that you don’t have to like wrestling to watch it. Because ultimately it is not about wrestling, it’s about family, it’s about striving to accomplish your goals, and the complication of social interaction. There was a part of the film where I compared it to a reality competition, especially when you consider there’s a scene where chicks hate each other over word choice. In fact, this comes partially as a surprise considering how the opening titles state that this is from WWE Studios. When was the last time I saw that for a motion picture release like this? Admittedly, there are times when this kind of feels as if it commercializes WWE, especially considering the cameos from professional wrestlers that are present in this film including John Cena, the Big Show, and Sheamus. Plus there is one scene where the brother is saying that he is imagining 20,000 people cheering him on as he stands in an empty stadium that has graphics moving around. It’s almost like “The LEGO Movie,” which may technically be commercial but it tries to sneak things in along the way.

Now as far as Paige goes, I do like her portrayal in this film. I like how they made Paige out to be a shy, timid, and goth looking girl in front of these stereotypical chicks who show off their bodies the whole time. It sort of reminds me of that Planet Fitness commercial where the girls keep talking about how “hot” everything is and there’s also another girl who finds the whole situation awkward. Another thing I like about her character, without diving too deep into spoilers, is the message that people can sometimes pressure you into being somebody just for shiggles or for the sake of fitting in. Maybe you ultimately don’t want to be that person, but the way things go in life, you are automatically triggered into thinking you need to change your ways. I thought that was very well done.

Also, I will say, I saw this going in, but I went to see this film with my mother, and she was somewhat looking forward to seeing Dwayne Johnson appear on screen. Without spoiling anything, he’s only in a couple of scenes. He’s not the star of this film. But for the scenes he’s in, it makes me wonder how he is in real life. I’ve always pictured The Rock to be a nice guy, and this movie makes a convincing case that maybe he is supportive of his fans. This is a guy who gets in a car accident with someone who happens to be a fan, keeps his cool, and shakes it all off like it is no big deal. By the way, that’s a true story, there is a link below the paragraph for further proof.

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Before I give the final verdict, I’ll talk for a sec about Paige’s brother, Zak. One of the complaints that my mother gave toward the film is Zak’s appearance, saying he didn’t look like a wrestler. Having seen him in the movie, I would agree. If this were fiction, there’s a high chance that I’d automatically be on her side, but this is based on true events, so I decided to close my mouth on that subject for a period of time. With that in mind, I decided to do some brief research on Zak, and I found a couple of images where his body looks similar to his actor counterpart. The body thing is something I can actually avoid calling a mistake, but what is a mistake is Zak’s characterization. While his motivations seemed to be clear, I kind of pictured a guy who would get mad for no reason. Granted, the reasoning for his anger seemed understandable, but there are not many characters I would prefer to remember just for mainly being angry.

In the end, “Fighting with My Family” was actually pretty fun. It’s intense, humorous, and kind of heartwarming. Again, I am not a fan of wrestling, and I don’t follow organizations like the WWE, but I enjoyed this movie. “Fighting with My Family” shows what happens when you pit people against each other in a heated, dramatic competition, and also what happens when you aspire to be the very best you can be. I’m going to give “Fighting with My Family” a 7/10. Thanks for reading this review! I’ve got some more content coming soon, including another review which will be in the works soon, specifically for the new DreamWorks animation, “How to Train Your Dragon: The Hidden World.” Also, I just watched the Academy Awards this previous Sunday, so stay tuned for future content related to that. Some of you might wonder why I didn’t do a prediction post this year like I’ve done in the past couple of years, and the reason is simple. Life is short, and college cares more about me killing my brain cells with endless work as opposed to balancing my life with brief periods of relaxation. I would have loved to have done a prediction post, in fact, I would have loved to have posted this review earlier, but the fact is, my brain was fried. There were points where I almost couldn’t help but crawl into the fetal position. So that’s the story of my life for the last few days, how about you tell me yours? Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Fighting with My Family?” What did you think about it? Or, what is your favorite movie where a celebrity plays him or herself? Let me know down below! Scene Before is your click to the flicks!