CON ANNOUNCEMENT: I’m Going to Terrificon 2019!

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Hey everyone, Jack Drees here! If you have followed my blog over the past couple of years, you’d know that I occasionally cover my experiences at conventions, and the first one I ever did was the annual Terrificon. Therefore, it should perhaps be no surprise that I am returning to the con for the third time in a row! If you have read my recent “halftime” post, you’d notice that one of my announcements for August is my return to this con. But for the sake of tradition, I thought I would provide a preview to this event in depth.

For those who don’t know about Terrificon, it is an annual event held every year in the state of Connecticut. In recent years, the event has taken place at the Mohegan Sun casino in Uncasville, 15 minutes away from its main competitor, Foxwoods. This year, the event returns in Mohegan Sun’s Earth Expo & Convention Center, a venue where the convention happened to be held for the first time ever in 2018, making it one of the earliest events to have occurred in said spot. The con primarily focuses on comic books, comic artists, gaming, cosplay, sci-fi, fantasy, animation, and more. It is organized by Big Fedora Marketing, LLC and Mitch Hallock, who has spent years in design and marketing. They are also responsible for another Connecticut-based convention, CTGamerCon. I have never been, but I have been curious about it for awhile. Per usual, this convention is being held this August, but due to the actions one of the convention’s competitors, they have decided to hold this year’s con on the second weekend of August (9-11) as opposed to the third weekend of August (16-18). Why? Another New England con, specifically Fan Expo Boston, is being held on August’s third weekend instead of their usual spot, which is the second weekend.

Regardless of whatever time it is held, the organizers are definitely promising a fun time. There are multiple recognizable celebrity guests, a number of big comic artists, and tons of shops to visit for all your nerdy needs.

One notable celebrity crew uniting for Terrificon comes from the show “Animaniacs.” This con is said to have Rob Paulsen (Yakko), Jess Harnell (Wakko), and Maurice LaMarche (Ralph the Guard). All three guests will be showing up, signing autographs, and doing photo ops. They’ll also have the option to voice record for a certain price. I cannot say whether or not I’ll be meeting all three of these people, but Jess Harnell has recently gotten me curious because I just found out that he did the voice of Crash Bandicoot, the iconic video game character from the 1990s.

Other voiceover related guests include Larry Kenney (SilverHawks, ThunderCats), Tony Todd (Transformers, Justice League), Maile Flanagan (Ice Age, Naruto), and Phil LaMarr (Family Guy, Star Wars: The Clone Wars). Of all these voice actors, I’d be very likely to meet Phil LaMarr, for one thing, he plays Ollie on “Family Guy” and I would love to hear his character “see how things are looking” at the con. But he also played a smaller role in Quentin Tarantino’s “Pulp Fiction,” which I just watched for the first time and reviewed here on Scene Before. I would probably bring my “Pulp Fiction” Blu-ray for him to sign, maybe chat with him for at least a few minutes, because why not? Depends on the line though…

Although, if I had speculate from here, I am willing to bet LaMarr’s line will be considerably short compared to a guest like Val Kilmer. As some of you may know, he played Batman back in the 1990s when Joel Schumacher’s “Batman Forever” came out. So I am expecting at least one “Bat Nipple” Batman cosplay at this convention. It has to happen. Granted, George Clooney could have shown up and this would probably be much more likely, but Kilmer had the nips as well! But I am somewhat excited for him to be here, that way I have the opportunity to possibly ask some things about “Top Gun: Maverick,” a movie coming out next year that I am really excited for. Unfortunately however, I don’t know if I am going to get to do that, because I have no desire to get an autograph or photo op with Kilmer, especially when looking at the prices that he asks for. But I also looked at the panel schedule for this year and it appears, unless there is not enough specification or I am just completely missing something, there is going to be no panel for Kilmer.

Speaking of “Batman,” another guest related to the franchise, Robert Wuhl, AKA Alexander Knox in Tim Burton’s 1989 “Batman” movie, will also be showing up. However, even though I imagine a lot of people are desiring to stand near Wuhl, I think there is one guest I have yet to mention that will knock some people’s socks off.

BILLY.

DEE.

WILLIAMS.

That’s right, Harvey Dent himself, but much more importantly, LANDO F*CKING CALRISSIAN from the “Star Wars” franchise will be showing up to Terrificon. I would probably bet $1,000, and appropriately so since the con is taking place in a casino, that Billy Dee Williams will have the biggest line for all the con’s guests. He has set himself up as a geek icon! These two franchises are enough to get him some attention at this con. Plus, he is going to be in the upcoming “Star Wars” film, “The Rise of Skywalker,” which will easily generate some attention. I will definitely be going to Williams’ panel, which is being held on Saturday at 1PM. However, I do not think I’ll be getting a signature or photo op. Why? Just look at the prices! For personal items, a signature is $100. For an item at the table that happens to be 8 x 10 inches, it’s $105. For an item at the table that happens to be 11 x 17 inches, it’s $110! Granted, it would be nice to stand in line and make a commitment for Billy Dee Williams, but based on statistics, not only are the autographs expensive, but the website suggests that selfies at the table are not happening, and if you get an autograph, you cannot get a selfie with the purchase.

Plus… I already met him, so I’m good.

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Yeah, we talked back in 2016 when I stood in line for him at Rhode Island Comic Con. I asked how he was doing, he said he had a decent lobster meal recently, I got his autograph, and I showed him something that I thought he might appreciate. Before getting into Billy Dee Williams’ line, I ran into a shop at the con that sold drones. Believe it or not, it’s called Cloud City Drones, which if you know your “Star Wars” lore, Cloud City is the city where the climax of “The Empire Strikes Back” basically unfolds. I’m not sure if he heard what I said, because I showed him a piece of paper that was essentially an advertisement for the place. But the way he responded, and I’m not saying he’s a jerk, because I’ve seen him, I can say he’s calm and well-mannered, but he said “That’s… Star Wars.” The way I thought he said that almost made it sound like that maybe he thought I wanted to know what Cloud City was, but I got what I wanted so I was satisfied. But that’s not why I am not meeting him again, I just mentioned the whole overpriced autograph thingy. If anything, I’d enjoy talking to him for a second, ask how he’s doing, and maybe remind him that we have met once in the past. But when I already have an autograph from Williams, not to mention one that cost $50 for the signature, plus $8 more for a protector, I just gotta say, “Eh, I’m good.” There are certain celebrities that I wouldn’t mind having multiple autographs from, in fact, there has been a case where that has happened for me, but if Williams’ signature were cheaper, chances are I’d jump in line and pay up.

I will say however, when it comes to lesser known guests, there is one that I plan on interacting with at some point. I already met this guy at New York Comic Con last year by coincidence, but I barely got to talk with him. Although since he is on a list to visit Terrificon this year, I am putting out all the stops to meet Robert Franzese, AKA “Real Life Peter Griffin.” If I can’t meet Seth MacFarlane, this is the next best thing! I am subscribed to this guy’s YouTube channel, he’s hilarious, and I love how implements the “Grinds My Gears” gag into his videos. In fact, when he announced that he was coming to Terrificon, he implemented that very gag! Check out this video below!

I mean, the resemblance is uncanny! I will say, if they are serious about that live-action hybrid “Family Guy” movie and they want a realistic looking guy for Peter Griffin, we have your actor!

One of the things that I have personally noticed about Terrificon is that it is a good con for families, because if you have a child that wants to meet their favorite celebrities, and they are eight years of age or younger, they get free admission! That however only includes admission to the con itself and does not apply to any after con activities. But there is a thing that has been around last year called the Aw Yeah Comics Fun Zone. They have numerous guests music artists providing family friendly entertainment, various activities, magic shows, tons of things for kids to enjoy. So if you have a kid and you want to come to this con, why not bring them along? Just make sure you are an adult paying for your own ticket!

But what do kids also like? Games of course! Granted, this is also adult friendly too. This year Terrificon has a list of games lined up for everyone to enjoy. One game that I have noticed was there last year, but I did not play, was “Rock Band 4.” I enjoy “Rock Band” even though I don’t play it as often as I used to, but I’m still questioning whether or not I’d give this game a shot. But one game I will inevitably be playing at the con is “The Jackbox Party Pack.” When I was at this con last year, there was a session on Friday as the con was coming to a close where a bunch of people gathered in a room to play “Jackbox” games. For those who don’t know about “The Jackbox Party Pack,” it is a series of games meant to be played with friends or at parties, and they all have this humorous flair attached to them. Some of my favorite games from the packs include “Fibbage,” “Guesspionage,” and “Trivia Murder Party.” There is a good chance that there will be a decent crowd joining in to play these games, which will definitely make the experience all the more lively. This is all going down on Friday at 7PM, but that is not the only gaming-related event I’m planning to observe, because there are a couple of sessions dedicated to “Super Smash Bros. Ultimate” which are being held on Saturday. I’d probably be interested in the second session (singles) because the doubles match is being held at 12PM, which depending on how long it should go on, could interfere with me seeing Billy Dee Williams’ panel.

But for those who also like tabletop gaming, they shouldn’t have to worry about missing out, because there are plenty of sessions involving “Magic: The Gathering.” These are all happening every day at various times. Other games that are to be seen include “Transformers: Turbo Sealed,” “Star Wars: X-Wing,” and “Warhammer: Underworlds.”

Another thing this convention has is after con events. One example is happening at Mohegan Sun’s Cabaret Theatre, where you can see John Barrowman (Arrow, Doctor Who) onstage. According to Terrificon’s site, the event is said to be “filled with spontaneous stories, music, and fabulous fun.” Tickets are on sale at prices ranging from $60 to $100 depending on which tier you select.

If you ever wanted to have dinner with a celebrity, now’s your chance! Because you can sit down with a man who has undoubtedly established himself. He’s a male model, art director, historian, magician, escape artist, musician, illustrator, pop-culture lecturer, publisher, designer, and sideshow fire-eater. I’m talking about Jim Steranko, or as my words probably suggest, the coolest person EVER. Except when he’s eating fire, then he’s flamin’ hot! In the realm of comics, he’s known as an artist-writer behind “S.H.I.E.L.D.,” “Captain America,” and “X-Men.” And that doesn’t even cover all of what he has done! The dinner will be held in the Passamaquiddy/Brothertown room in the Sky Convention Center and will conclude with a conversation about Steranko’s life and career. However, tickets are limited and they are $125 a pop. I probably won’t be going because it will coincide with the “Jackbox” gaming session. After all, the event is from 8-12 on Friday.

One thing I must point out in case certain people don’t know, George Perez was scheduled to appear at this convention at a certain point as part of his ongoing retirement tour. He has announced his retirement back in January and soon thereafter, it was leaked that he would be appearing at Terrificon during said tour. However, fairly recently, it was announced that he couldn’t make it and he couldn’t cancel. But fear not, because there are still items up for grabs from Perez. This is suggested on a page from Terrificon’s website announcing Perez’s cancellation.

“We are working with Mr. Pérez to obtain 275 (the same amount of autograph tickets he was going to hand out at the show) limited edition prints that he will sign and ship to TERRIFICON to be handed out to fans on a first come, first serve basis.”

So while there certainly are people, who in my opinion may be understandably upset or disappointed to know that George Perez isn’t showing up, it is also worth noting that the con is still trying to pay respect to the artist as much as they can. While I’m not particularly interested in getting a signed print from him, I do recognize Perez’s importance in the comics industry. He has been involved with both Marvel and DC, he penciled Marvel’s “The Infinity Gauntlet,” he’s responsible for DC’s 50th anniversary event, “Crisis on Infinite Earths,” he rebooted “Wonder Woman” in 1987, and he has worked on several issues for Marvel’s “The Avengers.” He has done more than enough to solidify himself as a comic book icon. I almost wouldn’t be surprised if he starts taking notes from Stan Lee and begins appearing in more comic book movies during his free time. He’s had proper relationships with the big two, Marvel and DC, so it is possible that such a thing could happen. After all, with Stan Lee gone, we need new cameos! Plus, Perez is 65, he’s got a good portion of his life let from the way things seem, and despite how retirement can be fun, maybe he’ll eventually get tired of golfing.

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One last important thing. This is a reminder that the con is occurring at the Mohegan Sun casino, and with that in mind, I am willing to bet a number of guests will be spending time doing much more than going to the con. They may want to shop, stay in the hotel, and grab a bite to eat, so if you want to save some money for activities, I’d recommend taking a gander at this link down below that will provide a bunch of deals for con goers. Keep in mind that certain deals will apply to certain days and some of these won’t even be available on any day of the con. But a deal is a deal, so click the link below to keep things real!

DEALS FOR MOHEGAN SUN ATTENDEES

I am pretty excited to appear at this year’s Terrificon, and I am going to be heading down there with a friend of mine. She got her own tickets, and we are ready to go into the con with the intention of making all other activities look dumb. If anyone knows me, happens to be reading this post, and will be either at Mohegan Sun or the con this weekend, feel free to say hi, but don’t go looking in one of the casino areas because I am not gambling this weekend. The con will most likely be my “money-waster” for these few days.

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Thanks for reading this post! I hope to see you all at Terrificon, and I would like to just remind everyone that days before I go to Connecticut, I am hoping to go see at least one movie. I’m going to be without family for a few days before heading out, I’ll have some free time on my hands, so I may want to kill some of that time by going to see at least one movie. I’m not sure what I am going to see yet, but if things work out, I might do a double feature at an AMC because they have the $5 Tuesdays deal which I often like to take advantage of. After all, there are a decent number of movies that’ll be out that I want to see such as “Hobbs and Shaw,” “Midsommar,” “Crawl,” and “The Farewell.” I also have a couple 2019 movies that I just purchased on Blu-ray that I have yet to watch. Those include “Missing Link” and “Alita: Battle Angel,” so maybe I’ll shoehorn in a review of at least one of those films. Who knows? Maybe I’ll go check out “Once Upon a Time in Hollywood” again! By the way, if you have yet to read my review of “Once Upon a Time in Hollywood,” feel free to click the link at the end of the post to expose yourself to the latest piece of work Tarantino has to offer. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, do you have tickets to 2019’s Terrificon? What kind of tickets did you get? What days are you going? Or, since it’s on topic, who is one celebrity that you wouldn’t mind paying a lot of money for more than one autograph or photo op? I’ll go with one I haven’t met yet, so I guess I’ll say Ana de Armas. I loved her in “Blade Runner 2049” and yeah, she’s good looking. I could brag to my pals back at home that she’s my new girlfriend.

I mean, look at her! Scene Before is your click to the flicks!

ONCE UPON A TIME IN HOLLYWOOD REVIEW

Will STAR WARS: THE RISE OF SKYWALKER Be Shown On IMAX 70mm Film?

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Hey everyone, Jack Drees here! Last year, I created a post asking the following question. Will “First Man” be shown on IMAX 70mm film? The answer, no. This year, there is another movie that I have followed for some time that is making me ask the same question. Specifically, “Star Wars: The Rise of Skywalker.” Why? Because despite a majority of this decade’s “Star Wars” films getting 70mm IMAX releases, there are reasons to believe that “The Rise of Skywalker,” the final film in The Skywalker Saga, will miss the mark.

When J.J. Abrams’ “Star Wars: The Force Awakens” came out in December 2015, that released in a number of IMAX 70mm locations, along with standard 35mm and 70mm theaters. It also was projected on IMAX’s then new laser technology in other locations. While that’s not film based, it is a digital response to IMAX’s film projection. When it comes to being projected in IMAX 70mm, the following locations took action.

US/CANADA

Alabama
McWane Center IMAX Dome Theatre – Birmingham
IMAX, U.S. Space & Rocket Center – Huntsville

California
Hackworth IMAX Dome, The Tech Museum – San Jose

Canada
Kramer IMAX, Saskatchewan Science Centre – Regina

Florida
Museum of Discovery & Science AutoNation IMAX – Ft. Lauderdale
IMAX Dome, Museum of Science & Industry – Tampa

Indiana
IMAX, Indiana State Museum – Indianapolis

Iowa
Blank IMAX Dome, Science Center of Iowa – Des Moines

Missouri
Branson’s IMAX, Entertainment Complex – Branson
St. Louis Science Center OMNIMAX Theatre – St. Louis

Pennsylvania
Tuttleman IMAX, The Franklin Institute– Philadelphia

Washington, DC
Lockheed Martin IMAX, National Air & Space Museum

Texas
Omni, Fort Worth Museum of Science & History – Fort Worth

INTERNATIONAL
LG IMAX, Darling Harbour – Sydney, Australia
The Science Museum – London, England

That’s 15 locations. That is less than the number of seasons of “The Simpsons,” “Family Guy,” “NCIS,” “America’s Funniest Home Videos,” “Jimmy Kimmel Live!,” “Real Time with Bill Maher,” “Judge Judy,” “Dr. Phil,” “South Park,” “The Bachelor,” and the combined seasons for “Star Trek: The Original Series,” “Star Trek: The Next Generation,” and “Star Trek: Deep Space Nine.”

“Rogue One: A Star Wars Story” also came out in certain IMAX 70mm locations, but the difference between that and “The Force Awakens,” aside from being a spinoff, is that the film was not shot specifically for 70mm IMAX projection. “The Force Awakens” was shot using IMAX branded cameras, and when a number of films were shot using that, IMAX presented the movie having those scenes fill the entire screen. This is true for many of their digital-based locations, as well as those running film. In fact, the film was shot completely in digital using an ARRI Alexa 65. Nevertheless, it still managed to hit 13 IMAX 70mm screens.

Alabama
IMAX, US Space & Rocket Center
IMAX Dome, McWane Center

California
AMC Universal CityWalk Stadium 19 & IMAX – Universal City
Esquire IMAX – Sacramento
Hackworth IMAX Dome, The Tech Museum

Canada
Kramer IMAX, Saskatchewan Science Centre

Florida
IMAX Dome, Museum of Science & Industry

Iowa
Blank IMAX Dome, Science Center Iowa

Indiana
IMAX, Indiana Stare Museum

Minnesota
IMAX Theatre, Minnesota Zoo

Missouri
OMNIMAX, St. Louis Science Center

Pennsylvania
Tuttleman IMAX, The Franklin Institute

Texas
Omni Theatre Fort Worth Museum of Science & History

Granted, this was a starting list. I say so because “Rogue One” was shown in more IMAX 70mm theaters after its initial release, including one in Connecticut’s Maritime Aquarium, which is one of the closest venues of its kind to where I live. When it comes to this specific theater, they managed to do the same for “The Force Awakens.”

Then came “Star Wars: The Last Jedi,” directed by Rian Johsnon. Much like its chronological predecessor, “The Force Awakens,” this was partially shot using IMAX cameras. I will say though, personally, I missed out on the IMAX experience for this film when it came out. But based on research, I did not miss much. Why? Multiple sources suggest that the film never had any scenes projected from top to bottom on IMAX 70mm screens. The entire movie was projected in an aspect ratio of 2.39:1, which is conventional in the movie industry. The original IMAX-specific aspect ratio is 1.43:1. “The Force Awakens” had 5 minutes of IMAX footage intact. All five minutes was blown up to fill the brand’s screens. But for those who went to see “The Last Jedi” in IMAX, they may have gotten crystal clear images, but black bars up the wazoo. Turns out, as a matter of fact, IMAX was the only film format in which this movie happened to be presented. No standard 35mm or standard 70mm was available. And if viewers did manage to check out these types of IMAX screenings, chances are they flocked to one of these places.

US/CANADA

Alabama
IMAX Dome, McWane Center – Birmingham
IMAX, U.S. Space & Rocket Center – Huntsville

California
Hackworth IMAX Dome, The Tech Museum – San Jose

Canada
Kramer IMAX, Saskatchewan Science Centre – Regina

Connecticut
IMAX, The Maritime Aquarium – Norwalk

Indiana
IMAX, Indiana State Museum – Indianapolis

Iowa
Blank IMAX Dome, Science Center of Iowa – Des Moines

Missouri
OMNIMAX, St. Louis Science Center – St. Louis

North Carolina
The Charlotte Observer IMAX Dome, Discovery Place – Charlotte

Pennsylvania
Tuttleman IMAX, The Franklin Institute– Philadelphia

Texas
Omnitheatre, Fort Worth Museum of Science & History – Fort Worth

UK
London Science Museum – London

That’s 11 locations. That is less than the number of seasons of “The Big Bang Theory,” “Supernatural,” “It’s Always Sunny In Philadelphia,” “Criminal Minds,” “America’s Got Talent,” “Ridiculousness,” “Bones,” “Grey’s Anatomy,” “Face Off,” “The Bachelorette,” “SpongeBob SquarePants,” “Dallas,” “Two and a Half Men,” and “Love Connection.”

As for “Solo: A Star Wars Story,” which released almost half a year after “The Last Jedi,” that was not filmed with any IMAX technology. It still released in the IMAX format however, going through a traditional DMR (Digital Media Remastering) process. Here are the theaters that presented “Solo: A Star Wars Story” in IMAX 70mm.

There aren’t any, the film was entirely released in digital formats.

That’s 0 locations. That is less than the number of seasons of “Freaks and Geeks,” “Firefly,” “Clone High,” “Swamp Thing,” “Whiskey Cavalier,” “The Michael J. Fox Show,” “Bam’s Bad Ass Game Show,” “Son of Zorn,” “Bordertown,” “Inhumans,” “Selfie,” “Heroes: Reborn,” “Ghosted,” “America’s Next Best Weatherman,” and “State of Georgia.” FYI, ALL OF THESE got cancelled after one season.

To be honest though, I can’t complain too much because the entire movie was shot digitally on ARRI Alexa cameras.

And when it comes to a good portion of the locations that have played a few of these recent “Star Wars” movies in 70mm, not only are they few and far between, but many of them rarely play Hollywood features. Many of these theaters simply show IMAX-distributed documentaries that are either new or cater to a theme that would associate with a venue. Not to mention, a glaring fraction of these are domes, and while I will say I rarely go to domed IMAX theaters, one thing to point out about them is the 180° style of the screen. With a number of cinema screens, it is sometimes easy to notice a slight curve they can provide, and traditional IMAX screens are no exception. Forget about a curve with an IMAX Dome, it’s practically a boulder sliced in half. Not only do they rarely show Hollywood features, but they also can have a quirky looking image when there are black bars involved. Granted, I have yet to see something like this for myself in person, but from what I’ve seen online, it’s almost weird looking. I almost wonder if it would turn off a good portion of general audience members.

History aside, let’s move onto the present and the future. Despite IMDb’s current claims that this film will be shot with IMAX cameras, no word of mouth from Disney, J.J. Abrams, Kathleen Kennedy, etc., has said anything related to such a claim (except this one, based on brief research). After all, I don’t know for sure, it could have been inserted long before, or maybe just as soon as the film happened to be starting production. However, IMDb is also claiming that the movie will be presented in multiple film formats. These include 35mm, 70mm, and IMAX 70mm. By the way, they are also suggesting these were also formats used for shooting.

“Shot on 35mm, 70mm, and 70mm IMAX, this is the third Star Wars film to be shot in the IMAX format, the first film in the franchise to be shot on 70mm film, and the first Star Wars film since Star Wars: Episode VI – Return of the Jedi (1983) to be shot entirely on celluloid.”

OK, I can buy this movie entirely being shot on film. After all, one of the things that J.J. Abrams wanted out of “Episode VII” was the nostalgia factor, which was partially brought to the table through filming the movie in celluloid, an action that the prequels neglected for the most part. But to be fair, “new technology” sometimes has a ring to it.

As for what technology was used specifically, I think we still need updated information on it. Because when it comes to technical specifications, that is still a mystery kept by those who made this film. Yes, there are articles suggesting a mixture of 35mm and 70mm cinematography in the movie, but many of them are from the end of 2016, a month before “Rogue One” came out. However, perhaps the most credible information I came across was this occasionally updated article as seen on fromthegrapevine.com. For those who are lazy, there is a suggestion via an image that this next “Star Wars” film will be shot in 70mm.

Granted, I highly doubt that this movie will be mostly shot in digital. The past two films in the trilogy have been shot using film for a good portion of the runtime, therefore to maintain a similar feel, Abrams must have said film was the way to go.

And with this information in mind, I will point out that IMAX has a vast history of showcasing movies that were not shot through their technology on their true projection format. The thing is however, that time happened back when the DMR process was starting to get into full swing. With IMAX’s jump into digital projection in 2008, it wasn’t too long before IMAX started getting picky with what films would be shown in their original format. “Rogue One” was a rare exception back when it came out in 2016.

In fact, let’s look at IMAX in 2018 and what they have done with this technology. Unfortunately, IMAX missed the opportunity to put “First Man,” their only new release that year shot with IMAX 70mm tech, in theaters catering to that format. They were shown in IMAX Laser theaters, which is a nice consolation, but having been in both venues for different movies, it’s not the same. The only “new” 70mm experience that came out was a limited 50th anniversary engagement of Stanley Kubrick’s “2001: A Space Odyssey.” Aside from that, there was a 10th anniversary limited engagement of Christopher Nolan’s “The Dark Knight” which played around the same time period. There was another movie released in IMAX shot with their technology (Avengers: Infinity War), but that film was shot completely in digital. This allowed a complete fill of the screen in many, smaller, digital venues, but not for the venues IMAX was originally known for.

If you think I am pulling these facts out of my butt, let me just point out to you, I am not. There is a Wikipedia page that lists every single IMAX film that has gone through a DMR process. Yes, Wikipedia is not the most scholarly source of all time, but over the years, this has been pretty reliable for this subject matter.

List of IMAX DMR Films

In fact, if you scour the list, go to the section labeled “2019,” and scroll down to “Star Wars: The Rise of Skywalker.” you’ll notice it does not suggest there will be any IMAX 70mm screenings, nor does it say anything about the cinematic equipment. Granted, a lot of the information related to this does not exactly need to be displayed now, the movie does not even release until December. Even with that in mind however, it is slightly concerning. I can live with a lack of IMAX 70mm screenings if it wasn’t shot in that exact format, but if it was, I feel like we are gonna be in a “First Man” situation all over again. Although that movie flopped as far as I am aware so, who knows? It might have been for the best. I enjoyed the movie, in fact it was one of my favorites of the year, but regardless, it didn’t have proper financial legs.

It is perhaps slightly inevitable that “Star Wars: The Rise of Skywalker” will be a financial success. I say SLIGHTLY inevitable, because while a number of recent Disney “Star Wars” flicks made over $1 billion at the box office, the most recent one, “Solo: A Star Wars Story” did not meet the financial standards of films that came prior to it, including the spinoff “Rogue One.” At the same time, it has things going for it. For one thing, it’s the conclusive chapter to The Skywalker Saga, it involves characters we have known for the past two films and even further into the past, Lando is back, and Palpatine seems to be making an appearance as well. It has the potential to win audiences and a portion of the fanbase overall. Well, that depends on how divided said fanbase is by the time this movie comes out, because it’s pretty ugly right now. And even though that ugliness is a thing, there are enough fans in the “Star Wars” community that could potentially show up for a new flick in the franchise.

If you ask me, I think Disney, Lucasfilm, Bob Iger, IMAX, among others would not have minded the idea of releasing the film in IMAX 70mm. Sure, “Solo” didn’t do as well as they would have hoped, but based on how that is a film that not many audiences asked for in the first place, added onto the prior success of films that came before it, they wouldn’t mind releasing the film in an IMAX 70mm format. They’re making more money with the Skywalker films compared to the spinoffs, and let’s face it, audiences care about Rey, they care about Kylo, they care about Chewie, they care about Lando, they care about BB-8. The praise is there, the studio just has to make a decision. Another factor to consider is the transition to go back to how Disney originally released these types of films. Specifically, by doing so in December. This is a good strategy because people are home for the holidays, kids are on break, and with a bunch of Oscar-bait films competing against each other, this blockbuster has a significant chance of standing out.

Do I want to see a reality where we get the opportunity to go check out “The Rise of Skywalker” in IMAX 70mm? I would, but I know it’s not certain. Given my clustered knowledge of how this movie is being shot, I don’t know if it is being shot in the IMAX format, but even if it isn’t, I would be willing to show up for an IMAX 70mm presentation simply because it is the clearest picture in existence. And… Disney, if you are planning on releasing this in IMAX 70mm… PLEASE… Consider releasing it at the Providence Place IMAX. It’s one of the closest true IMAX venues to my house, and one of the best theaters I have ever been to. I will flock there immediately if you release your film there in this specified format.

Am I being an obsessive nerd about this? Probably. Do I care? Hell no! In fact, with all statistics being considered, it makes me worried for the future of how IMAX movies are presented. Yes, we are likely getting Christopher Nolan’s “Tenet” in IMAX 70mm next year, but are we simply doing so because it’s a Christopher Nolan film? Is it because of the director’s power in the industry? He’s my favorite director working today, but it’s still a question I can’t help but ask! “Star Wars” is a big franchise. And this latest film is seemingly shot in a big resolution. So why not let us as an audience look at the big picture?

YUP. PUN ABSOLUTELY INTENDED.

“Star Wars: The Rise of Skywalker” hits theaters December 20th, 2019. I am looking forward (although I am also slightly apprehensive) to seeing how this sequel trilogy will conclude. I do have faith in J.J. Abrams, especially after the excellent job he did with “The Force Awakens.” It also seems inevitable that I am going to see the movie on opening night, even if I get access to a press screening before the movie hits theaters everywhere. As for IMAX, I don’t care what you do with this movie. If it is shot in your format, release it in 70mm. But based on the popularity of this franchise, consider that sort of release even if this movie was shot in a smaller format. What will happen? I don’t know, only time will tell! Thanks for reading this post! I just want to remind everyone that next week starts the second half of 2019, so I will be creating a mega-post containing a halftime report and a glimpse into the future of Scene Before. Be sure to look forward to that! Also, stay tuned for my second trailer of “Project 2020.” If you have seen one of my posts back in April, you know what I am talking about. Be sure to follow Scene Before either with an email or WordPress account so you can stay tuned for more great content! I want to know, do you have any thoughts on this “Rise of Skywalker” in IMAX 70mm matter? Or am I just batcrap crazy? Also, are you looking forward to “The Rise of Skywalker?” Let me know down below! Scene Before is your click to the flicks!

Godzilla: King of the Monsters (2019): For Godzilla’s Sake, Please Stop!

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“Godzilla: King of the Monsters” is directed Michael Dougherty (Krampus, Trick ‘r Treat) and stars Kyle Chandler (Game Night, Homefront), Vera Farmiga (The Conjuring, The Judge), Millie Bobby Brown (Stranger Things, Intruders), Bradley Whitford (The West Wing, Get Out), Sally Hawkins (Blue Jasmine, Happy-Go-Lucky), Charles Dance (Alien 3, Game of Thrones), Thomas Middleditch (Silicon Valley, Captain Underpants: The First Epic Movie), Aisha Hinds (9-1-1, If I Stay), O’Shea Jackson Jr. (Straight Outta Compton, Long Shot), David Strathairn (The Spiderwick Chronicles, Good Night, and Good Luck), Ken Watanabe (Inception, The Last Samurai), and Zhang Ziyi (Rush Hour 2, Memoirs of a Geisha). This film is the sequel to 2014’s “Godzilla,” where the title character wreaks havoc over the city of San Francisco. 5 years later, this film tries to go bigger. More monsters, more destruction, more big cities, yada yada yada. And we also get emphasis towards Monarch, an organization overseeing these monsters we come across during the film.

The 2014 “Godzilla” film was an interesting experience. The trailers leading up to it were some of the best I have seen in my life. In fact, one of them might actually be my all time favorite trailer for a movie. Then I went to see it on opening weekend at a sold out IMAX theater. I was born ready. This is coming from a guy who up until that point, never sat down to watch a “Godzilla” flick from start to finish. In fact, I knew this going in, they changed the IMAX countdown before the movie to have sound effects from the trailers and Godzilla roaring at the end. It set the mood with ease. The movie was good for a theater experience, and I did manage to check it out once more when it hit premium channels. I also own a DVD copy of it that I once got for Christmas. It’s not the best movie I’ve ever seen, but it’s a good time.

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As for this sequel, I had a similar relationship going into it. I went into the same theater as I did for 2014’s “Godzilla.” I was a bit excited, not to mention a little bit scared because I managed to hear about some of the film’s reviews before going into it. It was ultimately a mix for critics, but for some reason audiences seem to be loving this thing. And before even entering the cinema, I remember seeing the San Diego Comic-Con trailer and I thought it was one of the best trailers of 2018. And judging by earlier impressions, this movie did manage to market itself pretty well if you ask me. But again, that’s just marketing. Upon watching “Godzilla: King of the Monsters,” I wanted to perhaps die. In fact, as I write this, I almost don’t have words that I could possibly put into a sentence to describe this movie. And the sad part is, compared to a lot of other bad movies that I’ve witnessed, I have a tendency to go into them and not expect much. “Godzilla: King of the Monsters” is a movie that I was actually really excited for. It looked great, it looked like an epic theater experience (part of it was, but it didn’t make up for tons of weaknesses), and I was just hoping for at the very least, a good popcorn flick. I am not one who would traditionally expect an Oscar-winning script from a movie like this, but I would at least want something where it feels like the writers are trying!

In fact, one thing that I really find to be weird about this movie is that despite how much I went out of it thinking it was a disaster, there were a couple moments that I could end up appreciating. The battle sequences are occasionally fun and look great on the big screen. The CGI monsters were all well designed for the film at hand. And as I would expect, the sound editors and mixers involved with this movie all deserve pats on the back. There are compliments to give, but these compliments are surrounded by tons of negativity.

As for how this movie’s written, I don’t know if someone secretly injected drugs inside of me for the first movie, because while Godzilla wasn’t on screen for that long,  I thought the human characters such as those played by Bryan Cranston and Aaron Taylor-Johnson were at least tolerable. Here, we got a bunch of new characters that we never met in the first movie, and they feel so dumb that they would all need a dictionary to research the definition of the word “dumb.” Yes, there are a lot of big name actors in this movie. You’ve got actors like Millie Bobby Brown, Charles Dance, Kyle Chandler, and my first impression of them wasn’t anything that had to do with hating them, but that certainly changed as this movie went on. At first, these characters were believable and I could at least go along for the ride with them. Then during that ride, everyone is infected by a virus, making them go insane, and I am the only person who can BARELY keep himself in control. In fact, despite having all of these well-known actors in this movie, a lot of these characters feel like they could easily be played by someone else. The writing feels stale, robotic, and at times, it almost feels as if this movie does not know what it wants to be.

As much as I liked the first couple of trailers for this movie, specifically the one that was shown at San Diego Comic-Con and another one which came out in December. I still remember watching them and as I look back, they kind of differ in tone. The first trailer was slow, dramatic, majestic, and somewhat serious. Its follow-up manages to be faster in pace, and while there is some serious s*it happening, it lacks the same tone that I managed to get in the first trailer. This movie is like those two trailers, and I probably should have seen that coming. I do have respect for the film not lying about how it is going to present itself, but this is one painful truth to bear. Because the reality is, “Godzilla: King of the Monsters” just can’t stick to being one thing. At one moment, it’s about saving the planet, not mention sacrificing what we as humans have created overtime. At another moment, it’s your typical, goofy popcorn flick with cheesy one-liners that are kind of hit or miss. I can imagine myself finding this movie on TV one day, perhaps on HBO or something, maybe watching it if I want to destroy my brain cells, clicking the info button and the description would be “Time to die.”

The only human characters I really ended up liking in the movie are Millie Bobby Brown and Charles Dance, but it has nothing really to do with caring about their actions or their background stories. Millie Bobby Brown just manages to, out of everyone, including the hundreds of adults surrounding her, deliver the best performance in the movie. And Charles Dance just has a spark about him that would make him look good on screen no matter what he’s doing. He’s almost like JK Simmons. Even if he’s wasted, kind of like he was in a movie like “The Accountant,” there is still an appreciable screen presence that he can give. As for everyone else, there’s nothing… truly revolting I guess… But it doesn’t all add up to be masterful. Ken Watanabe’s back? Not enough. Maybe his story stands out, but it does not add up to make a good movie. Somehow, these characters are more forgettable than most of Apple’s terms & services agreement!

As for the monsters, I mentioned they do look cool, and they serve their purpose. One of the small perks that “Godzilla: King of the Monsters” has compared to its predecessor is that Godzilla actually receives more screentime. Unfortunately however, it kind of hits the tipping point. When the movie first starts, we get bits and pieces of Godzilla, but as it goes on, it’s almost like we get an overload of Godzilla. It almost makes me look like a hypocrite since the lack of Godzilla was a major problem of mine with the last movie, but at least what we got tended to work. As soon as we reach the climax of the movie where everything comes together, I’m admiring all of the eye candy present, but then it extends to a point that feels like it overstays its welcome. It’s almost like the movie does not really know when it wants to end.

Even with the presence of spectacular beasts like Rodan, Mothra, and King Ghidorah, it just makes me want to punch myself in the face for fun. They look great for a movie like this, and I want to give an enormous shoutout to the VFX artists doing a spectacular job on creating them. I have to say, if I were rating “Godzilla: King of the Monsters” based on technical aspects, it would be a positive grade. Granted, not perfect, because the cinematography is a little off and on. But visual effects do not have to do with the story, which is what matters most when it comes to just about any movie imaginable.

Sticking with compliments however, one of the highlights of the movie is when the camera can show off all of the monsters in full scale. In fact, based on what I’ve seen in trailers, that is an aspect of the movie that didn’t surprise me once I saw the final product on the big screen. There’s an extreme wide showcasing the true monstrosity of Godzilla and King Ghidorah as they gaze upon each other. It almost sends chills down my spine as I think about it. But during the battles, while what I was seeing was cool, it didn’t entirely flow because the camera would just be in a certain angle that was uncomfortable or it would just keep moving. The best way I can describe it is messy. This movie may have a sense of style, at least it is trying to display that, but it can’t always do so in the best possible way.

The first “Godzilla” movie from 2014 is 2 hours and 3 minutes long. It ended up feeling like a movie that would be around that runtime, perhaps less. This one however is 2 hours and 11 minutes long. It honestly felt like 2 and a half hours long, maybe even longer. In other words, I was watching “The Favourite” all over again!

Also, as I was watching this piece of garbage, here’s what I thought to myself. “Holy s*it. Now I see why everyone hates the ‘Transformers’ movies.” While I will consider a few of the Michael Bay-directed “Transformers” movies to be less than satisfactory, I don’t particularly hate the franchise as much as other people. I enjoyed the first film, then again I grew up with it so I could be biased. And I almost enjoy the third film even more! But this movie reminds me of those. The movie is called “Transformers,” we have all of these cool fighting robots, but let’s make the movie about the human characters! Underwhelming scripts for the win! Here, we have a movie called “Godzilla,” and now we have to deal with a s*itty script that may have to do with Godzilla, but it collides with the plethora of human characters that may as just be there to pass time. If I were ten years old and I went to see this movie, I think part of me would be bored!

I know a lot of people will read this review and think about telling me in the comments section, “Hey, Jackass! Godzilla movies are not about brilliant scripts! They’re about the monsters!” Look, guys. If that’s the case, then you can make the same argument for a movie like “Fifty Shades of Grey.” Don’t go in wanting good characters! Go in for the kinky sex! Or what about “Sharknado?” Don’t go in begging for a justifiable plot! Embrace the silly! Listen guys, unless you’re creating some real-life event or there is some other special situation, no movie can exist without a screenplay. Some will be good, and some will be bad. This one was ugly. Is it cheesy? Yes. Some people may expect “Godzilla” movies to have some cheesy lines here and there. But it’s also met with a clashing serious tone. This clash between tones may be a bigger and more brutal fight as opposed to any of the monster action scenes presented on screen! When you treat your movie’s humans as if they are the core characters of the movie and you can’t get me to care about them, and I barely care about the monsters, you’ve done goof. As an aspiring filmmaker and in this case I’ll give a specification, screenwriter, I may be biased, but my case stands. This is especially important when you consider that this movie is in a cinematic universe. The next movie in this lineup is “Godzilla vs. Kong” and part of me is worried for that movie now because the excuse for both monsters to eventually interact could potentially be bulls*it. It could ultimately ruin the entire movie.

Please help me.

And one sad thing about this movie is this. While I probably hate this movie more than any other this year that I’ve witnessed so far. It’s almost an enigma because for one thing, I’m able to find positives, but they are heavily outweighed by a plethora of negatives. Surprisingly, there’s not a moment where I can remember conceptualizing a personal need for Anger Management classes. But based on this movie’s script and my memory of said script, I almost can’t remember feeling any emotion whatsoever, which may almost be worse than getting angry about a movie or its characters. I didn’t care about anyone enough to decide how I truly feel about them. When your movie makes me a robot, even though I cannot process information like a robot, you know your movie is a special kind of crap.

Now I know that I said this movie is surround sound Heaven, but I cannot help but think of a quote one wise man said back in the day.

“What can we do, to encourage people to have more quiet in their lives, more silence? Real revelation comes through silence.” -Fred Rogers

The answer, simple. Show everyone “Godzilla: King of the Monsters.” That’s all this movie is. S*it and noise. Nothing more.

In the end, “Godzilla: King of the Monsters” broke me. It made me dumber, it made me sum up better ideas for a monster movie script with a friend of mine, and it almost killed all hopes I have for this MonsterVerse Warner Brothers seems to be planning. I know a lot of people had no hope for the DCEU for some time. This is how I feel about this MonsterVerse. And as a sequel to 2014’s “Godzilla,” it tries to go bigger, but the reality is, bigger doesn’t always mean better. It’s like watching “Independence Day: Resurgence” three years later! With lackluster characters, unlikable plot elements, and beyond awful screenwriting, this movie, unlike its titled character, is most certainly no king. Will I go see “Godzilla vs. Kong” when it comes out? Sure, but whatever hype I’ve had for that movie before watching “King of the Monsters” has perhaps dwindled to a level lower than an underground subway tunnel in New York City. Let’s hope my life does not become more miserable than it already is! I’m going to give “Godzilla: King of the Monsters” a 1/10. Yes, there are positives, but again, they are heavily outweighed by tons of crap, and the fact that my brain literally could not function upon leaving the theater. I could probably never watch “Godzilla: King of the Monsters” ever again. If the MonsterVerse becomes as big as the MCU one day and there’s a big movie marathon at a theater, chances are I might end up buying a ticket, but I’d feel fine ditching “Godzilla: King of the Monsters.” I’ll probably use that time for a fresh air break or something. Who knows? But the fact is, this movie is a freaking monster. Also, first 1/10 of the year! It had to happen at some point! Thanks for reading this review! I just want to let everyone know that on June 11th I have plans to see “Men In Black: International” as part of an advance screening held a couple days before the film hits theaters. Be sure to look forward to that review! Also be sure to follow Scene Before with an email or WordPress account so you can stay tuned for more great content! I want to know, did you see “Godzilla: King of the Monsters?” What do you think about it? Or, when you see a movie like the one I’m talking about, does the script matter to you? Let me know down below! Scene Before is your click to the flicks!

Avengers: Endgame (2019): The MCU’s Lifetime Achievement

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WARNING: The following post is a spoiler-free review for “Avengers: Endgame.” If you came to this post expecting a spoiler talk, go elsewhere. If you have yet to see the movie, you are safe. Why is this spoiler-free? Let’s sum this up in a GIF.

This would be what I’d witness outside my front window should I even provide one single solitary important secret detail about the film. So Mark Ruffalo, Tom Holland, if you guys are reading this, please use this as a guide for your future interviews and press tours. LET’S GET THIS STARTED!

#DontSpoilTheEndgame

“Avengers: Endgame” is directed by Anthony and Joe Russo and stars Robert Downey Jr. (Chef, The Judge), Chris Evans (Gifted, Scott Pilgrim vs. the World), Chris Hemsworth (Rush, Ghostbusters), Scarlett Johansson (Her, The Jungle Book), Brie Larson (Room, The Glass Castle), Jeremy Renner (Tag, Arrival), Karen Gillian (Doctor Who, Jumanji: Welcome to the Jungle), Bradley Cooper (A Star is Born, Joy), Don Cheadle (Crash, Hotel Rwanda), Paul Rudd (Anchorman: The Legend of Ron Burgundy, Dinner For Schmucks), Danai Gurira (All Eyez On Me, The Walking Dead), with Josh Brolin (Deadpool 2, No Country For Old Men). This film is the sequel to the unbelievably enormous, not to mention, amazing masterpiece known as “Avengers: Infinity War.” Following the events of the film’s climax, the remaining Avengers have to undo the universal effects of Thanos’ snap.

I have to say, when it comes to the Marvel Cinematic Universe, there are two sides to my thought process on the franchise. There is one side of me that is a fanboy for this big and loud nerd extravaganza from a story and visual effects perspective, and there’s also another side of me, the movie reviewing moron side of me that says this is some of the most corporate bullcrap I’ve seen. In reality, it depends on my mood and the movie we’re talking about. If you take “Avengers: Infinity War” or “Ant-Man” for example, I grin like an idiot. If we are talking about “Thor: The Dark World” or “Captain Marvel,” I honestly facepalm. And between those two, going into “Endgame,” I thought this was going to be more on the “grin like an idiot” side. The trailers and marketing have been very good so far, they seemed to hide a lot of secrets during my glances, and it all happened to make me very excited for the film, which is the job of marketing. In fact, part of “Infinity War’s” story and conclusion, most likely went into my anticipation for “Endgame.” Basically, a lot was at stake going into this film. If this film sucked, I would probably punch holes in a wall with my bare hands. I wasn’t asking for the best movie ever… OK, maybe I was, I dunno. I wanted to see a compelling, immersive, and emotional experience. And guess what? The movie was good! Yay! My life isn’t over! The only question I still have on my mind is this… How good was the movie? I mean, I would definitely consider it above average, but the fact is, as I continue to think about this movie, I am flipping through possible final verdicts because the reality is there’s a lot to process. And because I am not a dick who will spoil everything, I’ll do the same with my final score and just say that there’s a lot that I’m thinking about. I’m thinking about the way everyone’s storylines were interwoven, I’m thinking about the action, I’m thinking about the technical aspects. Although I will point out, I didn’t see the movie in IMAX, so I cannot talk about how the Russo used IMAX technology in this film to their advantage, although based on what I have seen from “Infinity War,” which I did see in IMAX, I imagine they did a very good job in that realm of the cinematography department.

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The biggest positive that I can give to “Avengers: Endgame” is also one of the biggest positives I can give to “Avengers: Infinity War.” This movie was literally made to be a gladiator-like event. I cheered, I applauded, I nearly cried. In fact, I think I came close to being the most obnoxious person in the entire theater. There’s a moment somewhere in the film that takes a turn that some might find epic, and shortly afterwards, after seconds of cheering, we just cut to another moment where I am in a sold out theater of a tad less than 200 people as I exclaim “YESSS!” This movie is literally the cinematic equivalent of sex, and I’ll show you what I mean.

This movie starts off with an opening scene that simply put, got me in the mood to see what’s next. Practically speaking, it was like lighting a candle. When the title shows up, I went from being in the mood to craving every last drop of this movie. While this movie has many standout moments, including multiple love letters to the previous films that came before it, I would say that the first couple of hours of this movie, which I’ll call the building block hours, were a bit on the slow side. Granted, I don’t mind slow, as long as its good, and this actually was good slow so I will give the filmmakers credit where its due. But nevertheless, it does kind of slip into that territory where there are pacing issues. But it is balanced out by fan service, great looking shots, and even fantastic writing. I think one of the right moves for this film production-wise was getting the Russo Brothers to direct, since they already have background knowledge for “Infinity War.” As far as I know, these movies were shot back to back, which must allowed them to process both films and treat them as one. After all, I remember back when “Infinity War” was announced, it was marketed as “Part 1” and “Part 2.” So in reality, the fact that these two movies play out the way they do is less surprising having “Infinity War’s” background knowledge. And it actually just hit me, because Anthony and Joe Russo have now directed four comic book movies, all of which are in the MCU. Coincidentally, even though not all of them are centered around Captain America, his character manages to make an appearance in each movie they have done. In fact, without giving my grade for this movie, when it comes to the comic book movie genre, they’re probably in the debate right now for “greatest comic book movie director(s) of all time.” For me, I would have to think about that for awhile but based on their batting average prior to this film, I think that notion is certainly in consideration. “The Winter Soldier” is a fun and engaging action thriller. “Civil War” is a great mini-Avengers story. “Avengers: Infinity War” is… the f*cking bomb, by definition.

Sticking to my main point however, this is like riding a roller-coaster (or sex). The beginning is a bit down the fast lane, almost like riding an Amtrak train. Then you trek up the heights, and the movie does that for a long time. Then… the final hour begins. And you begin squealing with enjoyment upon the adrenaline rush you are about to go through. It is literally the geek equivalent of getting the best deals at Target on Black Friday before everybody else. If you have ever seen the movie “Ready Player One,” you know how epic that last big battle was? It was almost like watching that! This is yet another achievement for the Russos, somehow from one movie to the next, there’s always a big battle, and the game is stepped up each time. The climax of “The Winter Soldier” was very compelling and exciting. “Civil War” had the airport fight, which was freaking sick. “Avengers: Infinity War” had the awesome fight on Wakanda where most of the Avengers happened to be present. Out of every throwdown or fight that was done, this was not just the greatest throwdown in the MCU. This is not just the greatest throwdown done by the Russos, it is up there with some of the best action sequences in comic book movie history, not to mention, film history itself.

Remember, “Star Wars: Episode I?”

“It’s so dense. Every single image has so many things going on.”

Yyeeeah… It’s kinda like that, but it’s actually a quality product.

Oh yeah, Hawkeye. Let’s talk about him. For those of you who don’t know, I manage to share a popular opinion with others that Jeremy Renner’s Hawkeye is not even close to being the being the best character in the MCU. I mean, what do you expect when your superhero identity is someone shooting with a bow and arrow as the definition of “Generic White Dude?” For years, I have considered Hawkeye to be that “other Avenger” who just shows up. Well, guess what? Forget about that in this movie! Because… HAWKEYE IS AMAZING IN THIS MOVIE! His story, his motivation for being in his current state, everything about him! There is literally not even that much I can say about what happens on screen during “Avengers: Endgame,” but one of the things I can say is that Hawkeye, or in this case, Ronin, changed my perception on his usefulness as character! Let me just remind you of something I said in a post I made last year.

“Sure, you can also make the point that not every Marvel superhero in the Marvel Cinematic Universe had their own film released before “The Avengers.” Although judging by the time, did you really think putting out a Hawkeye film before “The Avengers” would have gotten everyone flocking to the theater? Everyone would probably go see it now, including me even though I think Hawkeye’s as useless as a rock paper scissors match to determine what time it is.” –What the Heck is Up With Justice League (2017)? *PART 2*

Yeah, I said that. And I would have still gone to see the movie if he sucked, but now I actually would WANT to see a movie with him.

Distracted Boyfriend Meme | RONIN MOVIE REVIWING MORON HAWKEYE | image tagged in memes,distracted boyfriend | made w/ Imgflip meme maker

And by the way, I made a meme, I hope you like it.

Let’s continue this lovely discussion by talking about Thanos, which if you’re unfamiliar with Marvel…

He loves the word “kill” so much that he would do anything to make it the definition for literally every word in the dictionary. He also may be an ass, but he’s pretty f*cking kickass. I think I made it pretty clear in previous posts that I consider Thanos to be the best Marvel Cinematic Universe villain ever. And in this movie, while it doesn’t display him to be as cool as he was in “Infinity War,” he’s still sick. And I will say, part of that may be due to how everyone was motivated to tell this story. “Infinity War,” if you think about it, was a Thanos movie. Yes, it is has Avengers. Yes, it is called “Avengers.” But it’s about Thanos’ quest and the Avengers are trying to stop him. It does not treat the Avengers as the villain, but it makes them feel like they fall into the territory of less important or secondary characters. After all, when you have a large heroic team taking on a guy who must have survived some tragic Purple People Eater massacres, along with his children, not to mention minions, someone has to be the main character. And I think this was a good idea because it allowed every hero in “Infinity War” to have their moment. Now, this movie is about the heroes, and I cared about them more than I ever have before. 22 movies in, I better give a s*it for all of these heroes. And again, Hawkeye… HOW?!

Also, I don’t have much else to say, but if I had to add in anything else I would need to point out Captain Marvel, because she does have her own movie which came out a month ago, but now she is here as a part of the Avengers team. Let me just say, I didn’t have the best things to say about the “Captain Marvel” film, but I kept an open mind going into “Endgame” and maybe things will turn around, which personally, things did. One skepticism I had however was triggered prior to watching “Endgame.” I say so because I found out how Captain Marvel’s scenes in “Endgame” were shot before Brie Larson actually started working on her solo film. It just felt weird to know considering “Captain Marvel” is an origin story and in terms of production, it is done after a big story involving her now established character. I guess there is an excuse to make here because while Brie Larson might have gotten a feel for her character while shooting for “Endgame,” this movie and “Captain Marvel” took place during different time frames. “Captain Marvel” took place in the 1990’s, and this film is a little more modern in terms of its setting. As time moves on, we may change our attitudes, so more I think about it, maybe I should provide some definite leeway to Brie Larson.

One other great part about this film is that it really does feel like as its title suggests, the freaking endgame. I honestly think it is fair to compare the Marvel Cinematic Universe film series to one gigantic TV show. If this were a TV show, it wouldn’t be hard to doubt that this is the series finale. Granted, there are still plans for the MCU after this film, including some TV shows coincidentally, but it really does feel like an end. I know we’re getting “Spider-Man: Far From Home.” I know we’re getting “Guardians of the Galaxy Vol. 3,” I know we’re getting a “Black Widow” solo film, but if the MCU were to end here and not make a single movie in its series ever again, I’d be fine, because as of now, I feel satisfied.

In the end, “Avengers: Endgame” is a fantastic conclusion to the Marvel Cinematic Universe as we currently know it. I got emotional, I got cheery, and I got an epic thrill ride. Despite reading several theories on the Internet, and having various predictions of my own, this movie does manage to have some surprises, kind of like “Infinity War.” And just like “Infinity War,” I won’t dive into a single one of them. And if I had to be honest with you, when I saw “Infinity War,” that was my favorite MCU film. This film is definitely up there with the best, but it is not my favorite. But if you know my typical verdicts for MCU films, you’d know that they are usually above average. In fact, my lowest grade is currently a 4/10, which this movie is not. And I honestly still need time to marinate all of my thoughts on this film. Part of me feels like I need to watch it once more just to provide the best verdict possible. But for now, I really enjoyed “Endgame,” and think its a great finale to a series I’ve been attached to for years. I’m going to give “Avengers: Endgame” an 8/10. The fanboy side of me is saying this film is a masterpiece, but there is that other side of me that remembers the film’s pacing. I don’t mind three hour films, but there are a couple moments, not many, but a couple, where I felt this film’s pacing slow down. Maybe it’s because I was seeing this film at 9PM, which I never do for films in the cinema, but the pacing is worth noting. Nevertheless, I do want to see “Avengers: Endgame” a second time, and buy the 4K when it comes out. We’ll meet again, one day.

Thanks for reading this review! I actually wanted to publish a couple pieces of content before this, but based on timing, motivation, and college finals, it just wasn’t the best time. However, over the next week or so, you guys can look forward to some new content including reviews for “Apollo 11,” “Shazam,” and “Long Shot.” However, I am about to finish my first year of college, which means I’ll have some more time on my hands for this blog and going to see movies. I promise you (at least I’m trying) that I will deliver you some excellent work over the summer! Bring on blockbuster season! Let’s do this! If you’re new around here, be sure to follow Scene Before with a WordPress account or email before I snap you out of existence! I want to know, did you see “Avengers: Endgame?” Stupid question, I know, chances are you did, but still, what did you think about it? Or, what is your favorite series finale? Let me know down below! Scene Before is your click to the flicks!

Avengers: Endgame (2019) Official Trailer 1: You Happy, Marvel Fans? Here’s Your Stinkin’ Trailer! *SPOILERS FOR INFINITY WAR*

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Hey everyone, Jack Drees here! This has been an interesting week to be a Marvel fan. Not only did we get a “Captain Marvel” trailer just a few days ago, but today we also got our first look at “Avengers 4,” now titled, “Avengers: Endgame.” To be completely honest, I would have been fine not having an official title to “Avengers 4,” and I would have felt the same way about a trailer. Sure, a trailer would be nice, but I want to know as little as possible going into this seemingly epic thrill ride. I would have been fine with maybe a TV spot or two, but I could have done without trailers. I will say though, without giving anything away, I’d say the guys behind the trailer did a pretty good job of hiding all the key details. We get some things we’d come to expect, while not having too much shoved in our faces. Then again, there’s also that part of me that’s thinking… Where’s the juice? This, to me, is ultimately a middle of the road trailer. It does a good job at providing “necessary” material, but there is literally nothing that will set a huge spark get me in the theater. Then again, I am definitely gonna be in the theater to see this opening night anyway, so why should I care? Anywho, on with the trailer.

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We start off by getting a glimpse of Tony Stark being a crazy person. He is now talking to an inanimate object, making him according to my diagnosis, insane. In all seriousness though, Stark is actually sending a message to Pepper, his longtime partner, notifying her that he is adrift in space and everything is starting to become bleak. He’s already run out of food and water, and he is soon going to run out of oxygen. One standout quote from here is “part of the journey is the end.” It’s clear as crystal that Stark is thinking that his last moments are right in his face. He thinks he might not survive long enough to see him and Pepper get married. He’s worried about his own future. No happy go lucky thoughts seem to be coming from Mr. Stark. He soon finishes the message and to make things seem more unhappy, we get a look at his helmet slowly shutting down. How could things get more dark and depressing?

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Oooo-kay! Forget I asked that. Let’s make this purple instead! Because we get a look at Thanos’s armor from the last movie.

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Speaking of which, we sort of get a look at Thanos himself, which if you’re unfamiliar with Marvel…

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…he takes the word dickweeb as a compliment. Because in reality, he’s Marvel’s biggest douchebag stuck inside Adolf Hitler’s asshole. This glimpse of Thanos walking in the fields is pretty much all we see of him. I should also note that his gauntlet, which was part of the fatal snap in “Infinity War,” is now damaged.

Throughout the rest of the trailer we get a look at the rest of our heroes. You have Steve Rogers/Captain America, Natasha Romanoff/Black Widow who again, for some reason, has blonde hair, Thor, and Nebula. Also, let’s get a look at this quote from Black Widow.

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“Thanos did exactly what he said what he was gonna do. He wiped out 50% of all living creatures.”

HEY! SPOILERS! YOU JUST RUINED EVERYBODY’S LIVES!

This is where the trailer gets a tad more uplifting. While everyone in these scenes, for the most part, are down or sad, they are trying to talk about how they are going to kill Thanos. They realize they lost the battle, they lost friends, but the war is not over yet. Believe it or not, I was watching a new episode of “The Big Bang Theory” which aired on December 6th. It was a crossover between that show and “Young Sheldon.” We get a look at a high school football game, and a part of that episode showed a “halftime speech” that is supposed to get everybody motivated. The rest of this trailer reminds me of that cliche yet effective motivational speech that a coach would give to his team as an effort to push them all the way to victory. Granted, there is no screaming, no yelling, none of that, in fact, it doesn’t even come as close to being as great as the one given in “Braveheart.” That’s not a sports movie, but if you have seen that movie, you’d understand my point.

Also, we get a look at someone who was not in the last movie.

The mystery person is…

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Eh… whatever. It’s Hawkeye. I’ll be honest, if I had to pick one fellow in the MCU that I really don’t care about, it’s Hawkeye. Just how I feel. I’m looking forward to seeing what he would do in this movie, but from past experience, Hawkeye is just not my favorite character in this universe. I like Jeremy Renner, he’s a good actor, but still.

We soon get to a defining exchange…

NATASHA: This is gonna work, Steve.

STEVE: I know it is, cause I don’t know what I’m gonna do if it doesn’t.

HOLY S*IT.

NOW we know how high the stakes are at this point. Seriously though, that quote is amazing. I can imagine a lot of soldiers who fight in war probably have that thought on the back of their mind. If they don’t succeed, what point is there to life?

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Then we get the logo, and I love how it’s purple, which basically reminds me of how crucial Thanos’ story could be in this movie. The buildup in the music here has some serious chills behind it.

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Then we cut to the only lighthearted moment in the entire trailer. We see Scott Lang/Ant-Man asking to be let in. Steve and Natasha are observing said message with the following dialogue:

STEVE: Is this an old message?

NATASHA: It’s the front door.

Honestly, I’m stoked to see Ant-Man in this movie, and hopefully he can redeem himself after the mediocre waste of time, “Ant-Man and the Wasp.” After all, he has been in a teamup Marvel film before, “Captain America: Civil War,” and he was a standout in that movie to me. Hopefully he will have one or two scenes that can rival his moments in that movie.

Again, I gotta be real, this is not the best trailer I have ever seen. It’s a good trailer, and it highlights what I need to know going into the movie, but I really have nothing much to say except, ah, here’s what I need. There’s no key details that strike as bright as the sun to me, but there are a couple moments that I thought were decent. Overall, I’m looking forward to “Avengers 4,” looking at the Wikipedia page for 2019 in film, it’s one of the films I’m looking forward to. I don’t think it’s my most anticipated film of the year. It’s a competitor, but I’m also looking forward to “Once Upon a Time in Hollywood,” “You Are My Friend,” “John Wick 3,” “The LEGO Movie 2,” “Toy Story 4,” and “Shazam.”

When it comes to predictions, I think a couple stand out in my mind, especially one that suggests Captain America dying. Think about it, back in October, Chris Evans went on his Twitter saying he’s thankful for playing Captain America:

This tweet can have multiple meanings behind it. Maybe Chris Evans realized how big this movie was going to be. Maybe he realized something about his character’s arch. OR, his character his dead, and he realized that this is the last time the audience will ever see his interpretation of said character, and he wanted to show his appreciation to the audience because of that. The directors of “Avengers: Endgame,” Anthony and Joe Russo, suggested recently that Evans is not done. I honestly think that is a stunt to make people happy. I honestly think he’s dead in this movie. In fact, maybe he sacrifices himself for the greater good. Maybe Iron Man or Thor would do the same, but based on how things seem to be playing out at this point, Cap is the most likely to do such a thing.

Although I gotta be real, Iron Man is a close contender to self-sacrifice. What if the fight between him and Thanos on Titan was a foreshadow towards a moment in the future where Tony has to sacrifice himself? Not to mention, if we are getting another “Spider-Man” movie a couple months after this fourth “Avengers” installment, Iron Man dying would play a huge role into Peter Parker’s story. It’ll affect him emotionally at one point or another during the film. In fact, this film, like the last “Avengers” movie, is pretty much a culmination. This culmination all started with Iron Man. Why not have it end with Iron Man?

Also, if we want to talk about death related to story, let’s talk about Thor. In “Avengers: Infinity War,” we start out with Thor and we end with Thor. In the beginning we see a few people, including Thor and Thanos. Thor sees the people he knows die in front of him. At the end, we see that emotionally charged scene where Scarlet Witch is trying to kill Vision for the greater good. Simultaneously, she is trying to defend herself from Thanos. She succeeds at killing Vision, also removing the powers of the stone on his head. But Thanos uses the time stone to get Vision’s stone while it is still working. He wins. Or does he?

BECAUSE THOR IS HERE TO SEND CHILLS DOWN EVERYBODY’S SPINE!

Despite nearly annihilating Thanos, Thor fails once Thanos snaps his fingers. Half of the universe goes away. Sure, Thor was still alive after that moment, but had he aimed for Thanos’ head as opposed to his chest, this would have made a positive mark on Thor’s arch for the film. What if “Avengers: Endgame” ends with a one-on-one duel between Thor and Thanos? This whole combined “Avengers” culmination leads up to where it began. Holy crap.

Plus, when it comes to Thor and the Marvel Cinematic Universe, his part of the spectrum seems to be the one that seems to associate with death all the time. You have Thor’s mother, his father, his brother (multiple times), Heimdall, and maybe even his hammer. Thor is not the god of thunder, he’s the god of mourning. Let’s have Thor die and complete the cycle!

Enough with the predictions, I think I have said all I needed to get out of my pie hole. I can’t wait for “Avengers: Endgame,” it looks like it will be a good time. And I can already tell that everyone will be “undusted,” but if Gamora, Vision, Loki, and Heimdall all come back, screw yourselves! I came to see an epic, I don’t want to be insulted! If there is one complaint I have with Marvel, it’s fake deaths!

STOP IT!

Thanks for reading this post! Right now it is December, so that means that I too, am in the endgame. I’m already gathering some nomination ideas for my first annual awards show, which is supposed to be up sometime early next year. I just saw “Red Sparrow” on 4K Blu-ray the other day, I MIGHT review it, I MIGHT NOT review it, my decision isn’t final yet. I’m also looking for a movie to review this weekend, I might go see “Widows,” but I’m not quite sure yet. Be sure to follow Scene Before either with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see the new “Avengers: Endgame” trailer? What did you think about it? Or, what are your “Avengers: Endgame” predictions? Let me know down below! Scene Before is your click to the flicks!

The House with a Clock in Its Walls (2018): I Believe in Magic 8-Balls

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“The House with a Clock in Its Walls” is directed Eli Roth (Death Wish, Cabin Fever) and stars Jack Black (Kung Fu Panda, Goosebumps), Cate Blanchett (Thor: Ragnarok, How to Train Your Dragon 2), and Owen Vaccaro (Daddy’s Home, Mother’s Day) as a young orphan named Lewis meets up with his charismatic uncle Jonathan. This uncle happens to be a warlock who lives with an elderly witch by the name of Florence Zimmerman. Together, they are all living in the same house that is said to be haunted. Throughout the movie, Jonathan is trying to get rid of a clock through magic in order to preserve the world.

“The House with a Clock in Its Walls” is one of those films I just didn’t know much about before going to see it. I remember seeing one trailer for it in the movie theater. And in all honesty, the first time I even heard about this was when the film was doing advance screenings. Then again, I live 30 minutes from Boston and Eli Roth, the director behind this film, actually was born around the area. So I don’t know what other areas happened to be doing regarding this film, but I remember getting some alerts for screenings going back as far late August. Although I must say, the screenings were far ahead of when I was alerted of them. The screenings actually happened to be on the week when the movie actually released. Guess Universal didn’t have too much faith in this film. Most of the marketing I saw came towards the time before the movie went into theaters.

I have to say though, despite some apprehension with the marketing, “The House with a Clock in Its Walls” is a fun time! I’d say it’s a decent flick for kids and adults alike. It doesn’t treat people like idiots (for the most part, because it is apparent these days that you can’t have a kids movie without poop jokes). The biggest praises I can give to this movie is the lovable chemistry between the characters. Some highlights include Jack Black and Cate Blanchett, who play off each other calling each other rude names. The gag increasingly dies down as the movie goes on, which is kind of unfortunate considering once I first witnessed this, it was one of the best parts of the movie.

As far as the kid goes in this movie, his name is Owen Vaccaro. I wouldn’t go ahead and call Vaccaro the next great child actor, who is gonna go onto win Oscars one day. I mean, he could, but his name probably wouldn’t be as prominent. It’s not like I’m witnessing another Jacob Tremblay (Room, Wonder) or Macaulay Culkin (Home Alone, My Girl). However, Vaccaro’s performance serves both the character and the movie very well. His character, known by the name of Lewis Barnavalt, is pretty much a wiz. He reminds me of a more humanized version of Mindy Kaling’s character from “A Wrinkle in Time.” I’m not saying he often quotes other people, particularly those who happen to be famous and have perhaps above average intelligence, but he does seem to have some abnormalities to him. He often looks in a dictionary, and I mean that in a way that technically qualifies as a hobby. In fact, what makes this kid weird, is kind of what this movie tries to teach people. It’s similar to other lessons that may have been provided in children’s films before, but it doesn’t mean the film fails on trying to emphasize such a lesson.

While the kid may be weird, the character played by Jack Black is just plain crazy. He almost reminds me of a mad scientist in some ways because he doesn’t seem to believe in the concept of sleep. So in a way, I guess you can say I can relate to this character. The character’s name is Jonathan Barnavalt and he is a warlock. Jack Black is probably my favorite character in the movie, and perhaps the one that kids might want to emulate the most. For one thing, his house has one rule (don’t open a particular cabinet), but other than that, there are literally no rules. He’s enthusiastic, hyperactive, and it adds up to make him rather charming.

As for Cate Blanchett, her character goes by the name of Florence Zimmerman. Out of everyone in the movie, she wasn’t my favorite character. She was pretty close, but Jack Black takes the cake. But the thing is, I literally had no idea I was even witnessing Cate Blanchett in this movie. So out of everyone in the movie, I’d say this character was the most well performed. Maybe it’s because I didn’t really know Cate Blanchett was going to be in this film and I knew Jack Black was. Plus the film reminded me of “Goosebumps,” which also had Jack Black as a character with some similarities to his character in this movie. I’ve seen Cate Blanchett in some films before like “Lord of the Rings,” “Thor: Ragnarok,” and “How to Train Your Dragon 2.” I’m somewhat surprised that I wasn’t really able to discern Cate Blanchett because to me she seems to have one of those voices you can easily pick out. But you also have to consider how Cate Blanchett looks in this movie compared to how she does off screen. Even so, I feel like Cate Blanchett embodied this character well and it just goes to show one actor can truly slip over your head sometimes. I am not saying Cate Blanchett’s performance is gonna get her an Oscar nomination, maybe at best she’ll be recognized for a Saturn Award, but I’m not sure.

But in all reality, what makes this film so interesting to me is the vibe and the spirit of the film itself. This film is in the fantasy genre, and it’s particularly aimed at families. I will have you know that when I was actually at the theater to watch this movie, I was the only customer in attendance. “The House with a Clock in Its Walls” manages to balance humor, story, and character development very effectively. In fact, in some ways, I guess you can also say this is a horror movie as well. One reviewer on YouTube by the name of Chris Stuckmann actually went to see this movie, and somebody told him that children walked out of the theater early because they were scared. When I saw his review, it reminded me of how I studied something scary from a childhood show I watched. I’m not sure what it was, but it was probably from a show on PBS or something. I could understand why some children would walk out. Comparing this film to “Goosebumps” once more, there are some light scares that almost seem like scares that fall into the “playing safe” category, but then there’s one scene that stood out to me as I watched it and almost reminded me of what I “must” have witnessed as a kid. If you like horror, I wouldn’t say to go out of your way and watch this movie. This isn’t like you’re watching “A Quiet Place” or something. But if you want to have fun and escape reality, “The House with a Clock in Its Walls” is for you.

In the end, “The House with a Clock in Its Walls” is a fine fantasy film that probably won’t be remembered throughout time, but it is certainly good for a watch. It’s intriguing, occasionally suspenseful, funny, and perhaps the most effective commercial for the Magic 8-Ball that I’ve seen since maybe “Angels in the Outfield.” Would I buy the movie on Blu-ray? Probably not. If it were used and available for a decent price maybe I’d put my hands on it. However I am proud to say that my recent viewing of this film was not a waste of time. I’m gonna give “The House with a Clock in Its Walls” a 7/10. Thanks for reading this review. Be sure to stay tuned for my review of “Apollo 13,” which will be up on October 11th (hopefully). This will be my last space movie review before I make the trek to see “First Man,” so be sure to check that out. Also, be sure to check out my eventual reviews for “Venom” and “A Star Is Born.” One more thing, I just got back from New York Comic Con, and I’ve got a bit to talk about regarding that, so look forward to my review on that sometime soon! Be sure to follow Scene Before with a WordPress account or email so you can stay tuned for more great content! I want to know, did you see “The House with a Clock in Its Walls?” What did you think about it? Or, given how this film is directed by Eli Roth, what is your favorite film Eli Roth was involved in? Let me know down below! Scene Before is your click to the flicks!

A Wrinkle In Time (2018): 2018’s Most Ambitious Flop?

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Before we get into my thoughts about “A Wrinkle In Time,” I just want to say that this movie is distributed and produced by Disney. This company, as you may know, relies a lot on making entertainment catered towards a family-friendly demographic. Pretty soon, a couple will probably be going to see more of these movies. After all, they are having a kid. This couple by the way goes by the names of Paul and Genevieve. Their journey to conception, while extended, may have been worth the time in the long run. This is all explained… in “What the IVF?!”

“What the IVF?” is a new series on YouTube currently cranking out short videos starring the recently mentioned couple. This goes over the two’s miseries and joys of having a baby, that is, before actually having a baby. The two encounter struggles in sex, exams, decisions, money, math, and how many needles was that again? Oh, right, too many! You can find the latest episodes from “WTIVF?” on their YouTube channel, such as the one above! This latest episode starts off from where the last one ends, and it explains the couple’s PGD results. Not only that, but it also goes into a mystical way to break a curse the couple assumes is upon them. Be sure to subscribe to the “What the IVF?” YouTube and ring the bell! Also, be sure to check out these two on other forms of social media, along with the show’s very own website! All of the links are below, and be sure to tell them that Jack Drees sent ya over!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“A Wrinkle In Time” is directed by Ava DuVernay (Selma, Middle of Nowhere) and stars Storm Reid (12 Years A Slave, Sleight), Oprah Winfrey (The Oprah Winfrey Show, Lee Daniels’ The Butler), Reese Witherspoon (Big Little Lies, Wild), Mindy Kaling (The Mindy Project, The Office), with Zach Galifianakis (The Hangover, The LEGO Batman Movie), and Chris Pine (Star Trek, Wonder Woman). This movie is based on a book of the same name written by Madeleine L’Engle and revolves around a girl by the name of Meg Murry. She and her brother are one day sent into space by three odd life forms on a journey to find their father (Chris Pine) through a CGI infested adventure.

When it comes to most of the movies I’m reviewing in 2018 that are listed as official movies to have come out in that particular year, there is a good chance that I’ve seen that specific movie in theaters. As far as “A Wrinkle In Time” goes, that’s not the case. In fact, since I’ve seen this as late as I have, that will probably make this review a lot more interesting. Upon some research, this movie has some interesting history. This is the second attempt Disney is making of creating their own version of “A Wrinkle In Time.” The first attempt didn’t work out so well, and apparently neither did this one. According to Wikipedia, this movie is labeled as a “box office bomb” while at the same time, being the first film directed by an African-American woman to earn a total of over $100 million domestically. Unfortunately for the movie, it couldn’t even make its $250 million budget back because it ended up earning $132 million worldwide. And you know what? This movie should have been better than it was. Because everybody’s raving about female empowerment nowadays, which is something some praise “A Wrinkle In Time” for, but to me, it’s all surrounded in one gigantic CGI mess of a movie.

Now with that being said, I will give some credit and say that the CGI in this movie for the most part is not half bad. There are times where I really feel like I’m looking at a super obvious green screen, but for the most part, I can’t complain. It’s colorful, and it works. A little over-saturated at times, but nevertheless, it works. In fact, in some ways, this might be the CGI that some would come to expect for a movie whose target audience is in the family and children demographic. Did I mention the word colorful?

As much as this movie may look good on a screen, in fact, this is one of the only real compliments I can give to “A Wrinkle In Time,” the real problems come with some of the writing, sometimes the directing, and the acting.

As I watched this film, I gave credit to some of the neat shots that line up all of what’s fresh and necessary in the frame. If this film were silent, I may have enjoyed it more, but if you consider maybe some of the music or characters talking, that enjoyment would have ultimately been taken away. There is one shot and scene that lines up together that could have totally worked, but it’s ultimately ruined by some f*cking pop song. I suddenly go from watching this movie that’s supposed to have an interesting story, and now I’ve suddenly transitioned into a music video. What the f*ck?!

I mean, seriously! This is an adventure movie! I don’t even think I can come up with one single place that even requires a pop song that would add more value to the film as a whole! Can you seriously imagine what would happen if “Harry Potter” were playing some song like Lady Gaga’s “Poker Face” during a Quidditch match? People would riot! I may be cheating here with this comment, only because this regards a franchise whose books I haven’t read, not to mention whose movies I haven’t watched, but I felt like I was watching “Fifty Shades of Grey” because I hear those movies are full of random pop songs everywhere!

Let’s talk about the writing in this film. While this screenplay definitely progresses from the beginning point to the final point, it’s just a bit predictable. Sure, it’s a movie for kids and families, so maybe that’s a somewhat forgivable statement. Although having seen the trailers, I could almost predict where this movie was going to go from start to finish. While I wasn’t entirely right, I certainly had the proper ideas. And I feel like part of why this movie may have been on the more predictable or formulaic side is because it just has that Disney sort of flair to it. It’s a Disney movie! It has to be kid friendly! It has to have that chart used for all of the recent films made by Disney! In fact one of the writers for this movie goes by the name of Jennifer Lee, whose writing credits on IMDb are all for Disney products, including one of my least favorite animations of the decade, “Frozen.” Granted, she wrote “Zootopia” and “Wreck it Ralph,” I gotta give her credit where it’s due. But it just felt like this product from her just comes off as a studio film. As I saw this name attached to this project, it made the film feel a tad less inspired. Then again I wasn’t there, so I may be jumping to conclusions too quickly. Ava DuVernay, the director behind this film, is a competent director. She did a great job on “Selma.” Although I think she could have done better here. Although one of the faults of the movie is that Duvernay has to work on a script that just didn’t really seem that interesting. I was kinda bored at times, I’ll be honest. Maybe it was because I watched this movie on a plane, but still.

Speaking of writing problems, as I watched this film on the plane, I turned on closed captioning in order to fully grasp what was being said. I wouldn’t have done the same at home because there I would probably get more peace and quiet, you have a lot of noise on the plane that could potentially ruin the experience. This allowed me to see something… interesting to say the least.

The movie’s lead character, Meg Murry, has a mother who possesses a Doctorate. When I watched this movie I put on closed captioning to enhance the experience and suddenly I hear Reese Witherspoon’s character refer to Meg’s mother as Dr. Murry, which according to Wikipedia, is the correct way to refer to that particular character. But in the closed captioning, I actually rewound the footage to make sure I wasn’t seeing things, it apparently refers to the character as Mrs. Murry.

OK? Is this is Disney’s fault? A screenwriter’s fault? Someone who was a major part of post-production’s fault? Maybe it’s JetBlue’s fault? I don’t really know. But I’m just glad to say that this isn’t Spirit Airlines’s fault. I’m kinda curious to buy the DVD or wait for this to become free on Amazon Prime or something to know if this is a JetBlue thing or a movie thing. And if it’s a movie thing, that’s not even my biggest problem with it, I gotta say the pop music takes the cake for that.

Let’s talk about the characters in “A Wrinkle In Time,” starting with our main hero, Storm Reid’s Meg Murry. I honestly can’t really say that Meg was that interesting of a character. Sure, she’s kinda smart and all, but there are some times where I just felt like I checked out for a minute because she didn’t seem to pop or she’d make a choice that I’d think would feel out of place for a main hero. Honestly, at this point, I’m starting to forget a lot about this movie. Part of it has to do with having to make two other movie reviews recently and putting one special post I’ve been making on hiatus. Did I not mention it was just uninteresting to watch? I didn’t hate Meg Murry in this movie, but nothing stood out about her except maybe her intelligence. I mean, I guess for this movie and character, that’s better than saying her body, but she wasn’t really that interesting.

When it comes to Meg’s kinda sorta brother (he’s adopted), nothing really stood out about him either. I SORT OF bought the chemistry between Meg and Charles Wallace (middle), which if you watch the movie, that’s the way he’s referred to. His character probably had the same dimension as Meg, however he’s just a bit more quirky. There’s not even much of anything I’m really enthusiastic about when it comes to him. Although there’s one time where he says “Shut up, Meg,” which made me think of “Family Guy.”

Moving onto our weirdos in the movie, we have Mrs. Whatsit (Reese Witherspoon), Mrs. Who (Mindy Kaling) and Mrs. Which (Oprah Winfrey). These names don’t even justify the weirdness of some of these characters, which I can tell is something that the movie was going for. After all, just look at them! They all look like what would happen when aliens try to dress themselves up as female versions of… uh… I dunno, let’s go with… Elvis Presley… Michael Jackson… and… I’m not even sure at this point, let’s just go with Forest Whitaker. Out of these three characters/mentors, the one I found most interesting was probably Oprah’s character of Mrs. Which. I say that because these are all supposed to be some sort of mentor figure, and Mrs. Which was probably the most mentor-like out of all of them. She tries to empower the heroes in a way that you may expect, and it works. Mrs. Who speaks only in quotes, which kind of got on my nerves after a while. But then again, it’s probably because I didn’t like Mindy Kaling in that one Xfinity commercial she did so maybe I’m overreacting. I’ll be honest though, and I say this personally, if I were to have a mentor who only spoke in quotes from other people, that would be diminishing overall, because that mentor would only be speaking another person’s words. Sure, we have tons of great people in our society that may have been built off of the shoulders of giants, but the important thing about becoming a better person is being yourself. You know, unless you’re an asshole. And honestly, when it comes to Reese Witherspoon’s character of Mrs. Whatsit, I think this was a waste of her talent, not to mention my time. Witherspoon won an Oscar, a Golden Globe, a Primetime Emmy, and has taken on a wide range of roles in both film and television. Taking all of that into consideration, it just made me go crazy. I wonder if Witherspoon was even trying, maybe it’s a result of bad directing that probably went more towards trying to get the best shots as opposed to the best performances. After all, it’s a Disney movie set for a late Winter release, who f*cking cares about “A Wrinkle In Time?”

The best character in the movie to me however has to be Meg’s father, Dr. Alexander Murry, played by Chris Pine. I haven’t seen all of Chris Pine’s work, but this to me definitely showcases his talent. In fact, in a movie that’s full of uninteresting characters and somewhat tolerable (maybe) performances, Chris Pine is a bright spot here. In fact, that’s why his character is my favorite, because out of everyone in this movie, maybe except Charles Wallace, he shows the most emotion. I doubt “A Wrinkle In Time” is gonna get any kind of recognition at the Academy Awards, but Chris Pine definitely gave the best performance in this movie, and made me care slightly more about what was going on.

I haven’t even gotten into the worst character of the movie though. Out of everyone, I gotta say that the thing that made this movie the biggest waste of my time is the character of Calvin, played by Levi Miller. I found him to be rather cliche, much like a lot of the other characters, and nothing was a shining star when it came to Calvin. But the worst thing to me about Calvin is the chemistry (or lack thereof) between him and Meg. I’m not gonna go into too much detail, but this is one of those connections that just feels forced and has no reason to exist other than spice things up, which ultimately doesn’t end up happening on my end because I never asked for this.

In the end, I wasted my time watching “A Wrinkle In Time.” I will say that the experience could have definitely been worse… I could have had to pay for it. I will say again, I watched the movie on a plane, and this was one of the free movies I was able to choose from. But if I were to watch this movie again, that would be amazing. I never read the book to “A Wrinkle In Time.” Maybe the book is better than the movie, but nevertheless, I just found myself uninterested, bored, and going through something that seemed somewhat familiar. I’m gonna give “A Wrinkle In Time” a 5/10. Thanks for reading this review! Pretty soon I’ll have my review up for “Ant Man and the Wasp,” be sure to stay tuned for that, and if you want to know how you might be able to save some money at the movies, you’re in luck! Be sure to click the link down below to find out more about AMC’s new A-List program exclusively for Stubs members! Also, be sure to follow me here on Scene Before through WordPress or through your email so you can stay tuned for more great content! I want to know, did you see “A Wrinkle In Time?” What did you think about it? Did you read the book? Tell me what you thought about that! Let me know down below! Scene Before is your click to the flicks!

AMC Introduces A-List Program For Stubs Members: https://scenebefore.wordpress.com/2018/06/25/amc-introduces-a-list-program-for-stubs-members-is-this-a-good-deal/

Solo: A Star Wars Story (2018): Somehow… This Star Wars Movie Exists

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“Solo: A Star Wars Story,” the first “Star Wars” movie in my entire life to have come out where I think to myself, “I never asked for this,” is kinda sorta maybe directed by Ron Howard (Apollo 13, Happy Days), and stars Alden Ehrenreich (Hail, Caesar!, Beautiful Creatures), Woody Harrelson (Three Billboards Outside Ebbing, Missouri, Zombieland), Emilia Clarke (Game of Thrones, Me Before You), Donald Glover (The Martian, Atlanta), Thandie Newton (Mission: Impossible II, Westworld), and Paul Bettany (Iron Man, Margin Call). This film is the “Star Wars” prequel/spinoff released by the endless money-generators known as Disney. The film revolves around a young Han Solo, played by Alden Ehrenreich, as we get to know his origins. We also meet younger versions of Chewbacca (which if you have seen the main trailer to movie, you’d know he’s not THAT young), and Lando Calrissian. This film when you break it down is a heist adventure that takes place prior to the some of rebellious events we know in the “Star Wars” universe.

Going into this film I had a number of emotions on my mind. I was excited to see a new “Star Wars” film. Although I didn’t think it would be all that good. But since they’re owned by Disney now, and Star Wars=instant money, they obviously want this intellectual property shoved down our throats. I went to see this at 10PM tonight, I was originally going to see it at 7PM, but I couldn’t due to not knowing a certain event occurred around that time, and I spent $61 on NON-REFUNDABLE tickets. By the way, the person I handed the tickets down to, couldn’t even keep them because they were attending the same event as I! Plus, I was one of the numerous souls who bought their tickets pretty much as soon as they went on sale. As I spent my money on this movie, I was worried it was just going to be some corporate cash-in that only exists for no purpose of being compelling or a masterpiece. I was so worried that the intellectual property of “Star Wars” was no longer an idea of wonder or magic (funny how it’s owned by Disney now), and just a money maker. Based on what Disney has been doing to crank this movie out at a time like this, is basically making them look like the movie version of “Call of Duty.” I say this because “Call of Duty” releases one game each year and they have an enormous fanbase to back them up. Although when it comes to most of these games, none of them are perfect when it comes to story. Yes, a lot of people play these games for the multiplayer, but we’re talking about story and characterization here. I mean, heck! Apparently there’s a Boba Fett movie in the works! Yes, we had not really all that much exposure to the character as a whole, but that’s what makes the character mysterious and interesting! Disney wants to take the mystery of everything and reveal it all to you! It’s like if “2001: A Space Odyssey” had narration telling you what everything meant! That movie probably would still be interesting to watch, but it would be NOWHERE near the classic it is now.

Also, one of the biggest things tearing this movie apart is the production behind it. This movie is written by Lawrence Kasdan (right), who wrote three “Star Wars” films released prior to this one. His son, Jonathan (left) wrote the movie alongside him. The movie was originally to be directed by two people, Phil Lord and Christopher Miller, both of whom have done collaborative work before on “The LEGO Movie” and “21 Jump Street.” The vision of the screenplay was not fulfilled, so Lord and Miller left their directing positions. Although they are credited as executive producers. After a rather short search, Ron Howard signed on as the movie’s new official director.

Ron Howard to me is kind of mixed bag when it comes to directing. I think he can definitely be a good director, but in recent years he hasn’t done the best work of his life. He can do really good movies like “Apollo 13” and “Cinderella Man.” And while I haven’t seen these, I will point out, the Robert Langdon film series of his, was generally not up to par of what a movie could be according to many people.

With all that being said, I can now tell you this is probably the biggest surprise of a movie I’ve seen all year. Based on what I just said up above, you probably could tell I thought this movie was gonna suck. Turns out it didn’t exactly suck. I wouldn’t call it great, not a classic, definitely not the best “Star Wars” movie, in fact when it comes the “Star Wars” franchise, this is a movie that would probably rank on the lower end for me. I will say there are more movies in the franchise that I like as oppose to dislike, and this is part of the great number of movies in the franchise that I like. In fact, of all the movies released in the franchise that I LIKE, this is probably the one I like the least. I mean, unless you count the 2008 “Clone Wars” movie which as of now I think is “alright.” Not great, but alright. I don’t know, I don’t think I’ve watched it since I was 9 or 10. I own it, but I haven’t watched it in forever.

Let’s get down and dirty and talk about the film’s main character, Han Solo. This younger interpretation of Han Solo is played by Alden Ehrenreich. I’ve actually seen Ehrenreich before in “Hail, Caesar!.” While I don’t exactly remember Ehrenreich’s character or performance all that much in that particular movie, I will say that part of why I don’t remember that character so much is because the movie itself is forgettable. Not bad, but forgettable. Here though, his performance is pretty good for an interpretation of young Han Solo. I wouldn’t say this is solid, A+, perfect casting, however there are definitely worse routes that could have been taken regarding the casting choice. And much like this movie in general, my expectations for Enhenreich performance-wise and capturing the spirit of Han Solo was pretty low. So I gotta give props to him for proving me wrong.

But let’s all be honest, when it comes to characters we already know, one shines as the star of the movie and that is Lando Calrissian played by Donald Glover. Once he was shown in the trailers, a great portion of the fanbase just basically agreed that Lando was perfectly cast. And in this movie, I gotta say, he is everything you see in the trailers, and everything you probably want young Lando Calrissian to be. He’s a gambler, he’s charming, he’s expressive, he’s enthusiastic, and he’s alert. What a f*cking guy! You see this in the trailer, but during the movie, Calrissian says at one point “You might wanna buckle up baby,” that line is just full of instant goosebumps shoved right into your pie hole! Overall, Glover gives a fine performance in this movie and you know what? If they do a separate Lando spinoff, it better have Donald Glover in it! YOU HEAR THAT DISNEY?! I’M GIVING YOU MORE MONEY, SHOVE IT UP YOUR A–wait, it’s Disney, they’re scared of this sort of thing. Shove it up your unicorn rainbow.

Now… Let’s just hope Deadpool doesn’t read that last comment.

And of course, another main character in this movie is Chewbacca. I feel like this movie did a really good job on 1: Giving us a Chewbacca that’s part-sweetheart and part-monster. And 2: Establishing the chemistry between him and Han. Chewie in this movie represents a Chewbacca that I’ve thought about for sometime in my life. What do I mean? Well to do that, let’s talk about the Russians. Not about vodka, not about Stalin, not about pee-pee tapes, none of that, but we’re talkin’ about the Russians! For those of you who are unaware, here is some text taken from the Wikipedia page for Chewbacca.

“It is said that Chewbacca’s name is derived from собака (sobaka), the Russian word for dog.”

Once I learned that, it kind of made sense. Chewbacca is kind of in a way, Han’s best friend. Not only that, but as you watch this movie, you see Chewie and he starts off like a wolf, a wilder version of what a dog could be, but as you go through the film, you see him become tamer. OK, not entirely, he’s still a sore loser. But seriously, this depiction of Chewbacca was pretty solid and so were the interactions between him and Han.

Now I just introduced the older characters and those are all fine and dandy. Now let’s move onto some forgettable… bland… less worthy of being cared about… newer faces.

Of the newer characters that make an appearance, I gotta say Phoebe Waller-Bridge’s L3-37 is probably one of the better characters of them all. But that’s not saying much, because for the most part, the characters are all kind of mediocre. Upon first seeing her, I was somewhat worried, because I was convinced that I was somehow seeing “The Last Jedi” again. What I mean by that is that one of her first lines sounds like a PSA or something you hear in a social message. You know how in “The Last Jedi” they had a social message against animal cruelty? It felt out of place in a movie which had that scene taking place on a certain planet that already felt out of place! Luckily, she’s rather funny. A little too cartoony in my personal opinion. I mean, I get it, these movies do have an audience of children, and if I were watching this as a kid, maybe I’d enjoy it, but I just wasn’t into it. But ultimately I just didn’t care all that much about her character. Although, I must say, L3 may have uttered the closest thing to a real life swear in the “Star Wars” saga. Be sure to look out for it, chances are you’ll hear it if you pay close enough attention.

I gotta say, one character that I can’t decide whether she’s just mediocre or really cool is Emilia Clarke’s Qi’ra. She’s basically Han’s girlfriend, and that’s pretty much all I’ll say about her. Although, there’s a point sometime in the movie, where you see this transition of hers, I can’t decide whether or not I buy it.

One character I was kind of looking forward to seeing is Tobias Beckett, played by Woody Harrelson. He’s basically Han’s mentor and as the movie started and we got to know this character, I found him to be pretty nifty. As I reflect on what I saw last night, while we got through the movie’s runtime, I feel that Beckett had interesting moments here and there but ultimately, towards the end, he almost got to the point of crashing and burning. Woody played him well, but of course he did, he’s Woody, what else do you expect?

Let’s talk about the movie’s worst character, Paul Bettany’s Dryden Voss. Dryden Voss feels like a character that just exists to move the story along. You barely even see him, and he has numerous lines here and there. But as the movie progresses, he’s made out to be a bigger threat than not just anyone else, but also a bigger than than he seems to be.

And you know what? That is the biggest problem I have with this movie, there’s no threat. There’s no stakes. There’s nothing standing in our heroes’ way. I feel like if this movie established in some way at some point, even if it required a total rewrite or pushback on the release, a main villain, the final product would be better. It doesn’t even have to threaten the galaxy like Darth Vader or Kylo Ren. Without them, this movie just feels like sequences of events that play out on a screen.

And on the topic of sequences, I don’t know if any of you saw the trailer with the train scene. I was actually rather excited because one of my favorite duels in a movie, “Spider-Man 2,” takes place on a train, and I always imagine trains as great locations for action sequences. And the train sequence in this film, much like some other moments just feel forgettable or long. There was a point where I was out of the theater, and looking back on this film, thinking that the train scene might be longer than the duel between Anakin and Obi-Wan in “Revenge of the Sith.” Although with that fight, I admired the long time it went on for, it was exciting, epic, and thrilling, it was just satisfying. The chase on the train in “Solo” just almost makes you beg for it to be over. I gotta say, it’s almost, if not quite there, to be in the conversation for the most boring or worst action scene in “Star Wars” history. Now I don’t think that’s the case. I think the Battle of Naboo might be worse, but this is certainly a contender.

But at the end of the day, the question we all should be asking is… Do we need “Solo: A Star Wars Story?” Honestly, no. I’m a “Star Wars” fan, you have no idea how much this franchise has shaped me and a lot of other people. Although, just like a number of other fan groups, whether we’re talking about the realm of movies, TV, video games, music, sports, we’re not blind (for the most part). We’re not stupid. We have the absolute ability and complete freedom to judge something related to our fandom, whether we’re referring to something good, bad, mediocre, we have the right to let out our subjective thoughts. And my SUBJECTIVE thoughts are that this is OBJECTIVELY unnecessary.

One thing that I love about “Star Wars” that they usually seem to get right is that they know how to build lore and background related to characters, locations, and crazy happenings. When it comes to “Solo: A Star Wars Story,” there’s nothing really new except mainly some locations that you probably don’t want to know more about (although that train in the beginning was pretty cool), and some characters that you at most kind of give a crap about. Most of it is just explaining what happens to Han Solo, and if you follow the franchise and know the franchise, chances are you’d know what some of these things are. When this movie was first announced, I figured that the Kessel Run would play such a huge part in the film, it would be an intense, crazy, wild moment. And you do get the Kessel Run, and while Han Solo delivers an awesome line some point in the film related to it, the run itself was a tad underwhelming. I keep mentioning this film is not all that bad, but if you judge this film entirely on what it does to previously established “Star Wars” lore, it almost feels like it diminishes the magic behind all of said lore. And I feel like this is why I’m somewhat apprehensive towards where “Star Wars” is going. It’s not a wonderland anymore, it’s a factory, and Disney is running that factory. Pretty soon we’re gonna know about every single character and now we have to accept their stories no matter how s*itty they are. For those of you who are excited to see a Boba Fett “Star Wars” film, I’m glad you’re happy, but in all seriousness, his story could suck and potentially ruin the character.

I will say though, out of all the previously established lore, none of it seems to play a big deal in the entire picture except for the Millennium Falcon and getting to know certain characters. How Han Solo got his name can be in that sort of discussion as well. But in all reality, there’s nothing in this movie that feels like a big deal. I had fun, but the movie, as fun as it was, needed more of an oomph to make me like it better.

I must bring this into the discussion, and based on some of what I said before on this very post, this may make me hypocritical. As much fun as I had, I feel like if you took out the name “Star Wars,” erased everything related to “Star Wars” that has been once established, this probably would have been one of the most boring movies of the year. And I gotta say one more thing… what was it? Oh! I remember now!

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THE TENTACLES ARE BACK BABY! DISNEY CAN’T KEEP THEIR TENTACLES OF THE TENTACLES IN THEIR “STAR WARS” MOVIES! My biggest problem with this is that Robert Downey Jr. doesn’t make a cameo appearance, like, maybe in narration, and say “Get lost, Squidward!”

In the end, part me doesn’t know how I feel entirely about “Solo: A Star Wars Story.” I enjoyed it when I saw it. And you know what? I’d probably see it again and still enjoy it. Maybe not in the theater, but when it comes out on home video, I’d grab a copy for myself and watch it. It’s definitely better than “The Last Jedi” and absolutely much better than I thought it would actually turn out. “Solo” is a fun popcorn flick, but I feel like this is going to be one of those movies, somewhat like “The Last Jedi,” where opinions might mix across the board. Out of every movie in the “Star Wars” franchise, this has the most corporate feeling of all of them, and you may not notice it or feel it while watching the film itself. Although when I got to sit down and write this review, those sorts of thoughts came into my mind. I wouldn’t say I DON’T recommend “Solo: A Star Wars Story,” but to say I do would also be stretch. You be your own judge, but I kinda liked the movie. I’m gonna give “Solo: A Star Wars Story” a 6/10. Also, just to go over how forgettable this movie’s characters are, I forgot that Thandie Newton and Jon Faverau’s characters even existed! For those of you who follow me on Stardust (I need to get back on that!), I said in my review for the teaser trailer for this movie on there that this felt like it should be called “A Star Wars Product” as opposed to “A Star Wars Story,” because a story would exist for the purpose of being remembered and told for days, weeks, years, decades, centuries, however long you consider a long time. A product would just purely exist for two reasons. 1. To entertain the masses for a period of time. And 2. (Mr. Krabs voice) MONEY!

Thanks for reading this review! And while we are on the topic of things will make Disney richer, allow me to say that I already have my tickets to go see “Incredibles 2!” I have a day that I want to publish my review if possible, and that day is Thursday, June 14th, and if possible, I’d like to get it out before most of the opening Thursday night showings occur. You might be thinking, “Hey, Jackass! How are you gonna review this freaking thing before the opening night showings? That’s when… the film opens… and you have tickets.” Yes, I do have tickets, but they’re for Wednesday. And no, the film technically doesn’t open on that night, it opens on Thursday. But exclusively at IMAX locations, you can see both “Incredibles” films back to back as part of a double feature for one night only. I already purchased tickets for that, so if you are literally trying to be an imitator of me, go buy your tickets now! Stay tuned for my early review of that along with other great content! I want to know, did you see “Solo: A Star Wars Story?” What did you think about it? Or, what is a “Star Wars” spinoff you’d like to see? It can be for an original character, or a previously established character, whatever. Force those thoughts down below! Scene Before is your click to the flicks!

Avengers: Infinity War (2018) Official Trailer 2: Do We Seriously Need This? I Was Already Satisfied!

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Hey everyone, Jack Drees here! I can’t believe I’m saying this. But this is my first trailer review of 2018. The last trailer review I did believe it or not, was for the same movie whose trailer I’m reviewing right now, otherwise known as “Avengers: Infinity War.” A lot of news has come in about it recently. Tickets have gone on sale! We have a new poster to gloss over! You know, just after we got another recent set of posters to gloss over! By the way, Spider-Man’s poster SUCKS. This new poster we got, the one you’re seeing up above, is actually really freaking badass. It’s got a f*ckton of characters, it’s indeed got some colors, and it just sets the tone for super duper destruction. You know s*it’s about to go down, and go down HARD when Iron Man is doing his version of Jesus symbolism. What is he Superman now? A lot of people call it cluttered, I don’t really mind it all that much, but that’s just me.

Before we dive into the trailer I do have to ask a question. What is the best ending to a movie you have ever seen? What is an ending to a movie that you personally think about when you think about satisfaction? You don’t need to see anything else, you don’t need to find out anything else, everything that’s been seen thus far is all that matters. I had a similar feeling inside me once I saw the first “Infinity War” trailer. I didn’t want another trailer. But apparently we got one. Am I mad? No. Am I disappointed? No. Do I think it is necessary? Not really. I was stoked to watch it when I had the chance, but in all seriousness, I didn’t think we needed something like this. Not to mention, the first “Infinity War” trailer, looked like A+ material. It restored my faith for the MCU, which has always been known as the current comic book movie group whose movies are the very definition of epic. I was highly underwhelmed with “Guardians of the Galaxy Vol. 2” when it released in 2017. In fact I rewatched the movie in school this year for a class and I hated the movie even more. “Spider-Man: Homecoming” wasn’t as good as I wanted it to be. It was a HUGE downfall after seeing Spidey in “Captain America: Civil War.” “Thor: Ragnarok” was better than both of those films, but to me, it felt like it tried too hard with the jokes. Also, to say that it’s a DIFFERENT type of Marvel movie like everyone else is, yeah, that’s f*cking bulls*it. It has humor, a Stan Lee cameo, end credit sequences, multiple heroes in there, there’s action, all that jazz. HOW IS THAT DIFFERENT? Also, I like “Immigrant Song,” but why did it have to play twice? You can argue it’s a different “Thor” movie, but even so, that’s one thing I didn’t like about it. I know a lot of people hate the first “Thor,” but I thought it was the best phase 1 MCU film! It actually, at times, felt similar to the second “Thor” film, you know, the one that should have never happened ever. I want it to rot in a dark world where it shall never escape. This year’s “Black Panther” was better than all of the three films of focus, but I found it to be somewhat overhyped. I saw it twice already, but I found it to be overhyped.

The first trailer given to us towards the end of the fall, made me think “Avengers: Infinity War,” could possibly, be the best movie in the MCU. Because I think I just saw one of the best trailers in the MCU. I’m not saying that this new end of winter trailer changed my thought process completely, but I considered it a step down from the first trailer. I will admit, I enjoyed parts of the trailer, but I can’t really call it the greatest thing on the face of the Earth. Now let’s dive into it!

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So the trailer starts off and we get this opening shot where the camera is starting off in a near-upside down position. The shot I’m seeing here believe it or not, reminds me of one shot I saw in “Black Panther.” One thing I couldn’t help but think of as well is, you know how all the phones that are out now? If you flip the screen left or right, the image will change position? It’s kind of like that. Someone who might as well been on a helicopter took a picture of New York City, this is their homescreen, and it somehow the homescreen can now move when the phone is rotated.

Then we move onto a montage of shots where we hear Gamora and Tony speaking about the film’s main villain. His motivation is to wipe out half of the universe. When I watched this for the first time, I thought to myself, wait a sec, not all of it? OK, that’s unique. This conversation sounds rather compelling if you ask me. This is especially true when Tony wants to hear the guy’s name again. Gamora reminds him the name is Thanos.

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Speaking of which, we get this shot of Gamora as she mentions Thanos’ name. I love this shot because looking it at closely enough, it almost seems to foreshadow the ultimate strength of Thanos himself. I can already tell that Thanos is about to kick some ass in this movie, maybe kill some Avengers in this movie, and possibly depending on what happens in “Avengers 4,” kill more in that movie. This purple glow you’re seeing all over the place, that’s saying something. Sure, there seems to be a portal in front of Gamora, but I honestly feel this is definitely foreshadowing.

On that topic, we also get the first reveal shot in this trailer of Thanos, which if you’re unfamiliar with Marvel…

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He has Doctorates in asskicking and being an ungrateful f*cking son of a bitch. If he’s your doctor and he’s got a needle, he’s not gonna give you a shot, which by itself, is painful. Chances are he’d shove that needle down your throat.

One relationship that has been revealed to us throughout the Marvel Cinematic Universe is the mentor-mentee relationship between Tony Stark and Peter Parker. So I see these two shots and they occur one after the other. You’ve got the shot of Spider-Man flying around, then you see Iron Man flying after some ship-like thing in the air. Maybe Spidey’s up there and Iron Man is trying to rescue him. That could totally just be there to get people to think that and this assumption actually is way off, and it could be, because look at the slight differences in the skies. I’m not saying that’s happening, but this does lead me to thinking that.

We also hear Stark say “We’ve got one advantage. He’s comin’ to us. We have what Thanos wants… so that’s what we use.” What does Thanos want? If you have not been following the overall storyline of the Marvel Cinematic Universe, you’d probably be unaware that Thanos wants the Infinity Stones. Hence why this movie’s called “Infinity War.” So we see one that has not exactly been revealed in any promotional material yet, and it is in the possession of Doctor Strange, and another one which we have seen, is in the possession of Vision. Basically, anytime while I’m at the theater to see this film, I can imagine at least one audience member gasping or getting chills when they see an Infinity Stone.

Next up we have some shots of Wakanda, which moviegoing audiences have been introduced to in “Black Panther.” Appropriately, we get a glance of “Black Panther.” He looks super noble, welcoming, and charming. A bunch of the “Avengers,” including the gorgeous Scarlett Johanson as Black Widow can be seen in one shot. And speaking of Black Widow, she has blonde hair for a reason I still don’t quite get, but maybe there will be a reason in the film. I’m not saying a hairstyle can’t be changed on a character, but it’s throwing me off. You know how in the “Divergent” movies, Shailene Woodley’s character of Tris would always have different hair in each installment? It just felt odd! You also have Steve Rogers shaking T’Challa’s hand, very wonderful to see. And I must say once again, Wakanda looks nice. Although I wouldn’t say it’s as nice as possible. Maybe a little color grading will change it all, but that’s just a nitpick.

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Then we get… THIS SHOT. This is something a good number of people have been waiting for. Stark and Star Lord are standing next to each other! I also love the way Tony is standing. In this frame you can see he has eyes kinda closed, but even when they’re open, you can look at the way he’s standing and find it to be chuckle-worthy. You can also see at this point, Star Lord IS Star Lord.

“Let’s talk about this plan of yours. I think it’s good, except, it sucks. So let ME do the plan and that way it might be really good.”

It almost reminds me of another role Chris Pratt did. You know how in “The LEGO Movie” he plays the main character of Emmett and he meets Wyldstyle? They’re in the old west and at one point, they’re talking about the main villain and the current state of what’s going on. So they’re talking to each other and Emmett says this:

“Great. I think I got it. But just in case… tell me the whole thing again, I wasn’t listening.”

Part of me was nervous about the “Guardians of the Galaxy” crew being in this movie because I thought with their humor combined with the tone of the main “Avengers” crew, I thought it would result in clashing tones. This clip gives me hope.

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So everyone seems to be getting ready for a big battle, they’re still on Wakanda, and this is probably gonna be some brutal s*it. You can also hear Thanos speaking over with the music, it just sounds awesome! Also, this is something that I’ve been waiting to see for a good bit of time in a Marvel movie. Despair. While I don’t think it’ll be as dark as the source material based on what I’ve heard, I’m quite excited to see a possibility that maybe Thanos could end up winning the battle. His destiny could be fulfilled. As you can see in the shot above, we have Thor, and from what I can tell, he’s still got no hammer, but lightning is a true force of his. Also, another thing he’s missing is an eye. If you’ve seen “Thor: Ragnarok,” you’d know the story. That however is more visible in this shot, the one where Thor is basically Thanos’ puppet.

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I mean… Holy s*it.

But before that shot occurred, we got to see what I consider to be one of the most defining moments of the entire trailer. We see Thanos’s hand, and you can also see a much smaller green hand. And based off of what I can tell, that is Gamora’s hand. Specifically, a young Gamora’s hand. The two are walking, and this must serve some purpose to the story. I can basically bet a million dollars that this is a flashback to Gamora’s youth. You know I’m right. Throughout, Thanos says this:

“When I’m done, half of humanity will still exist.”

This is once again restating the plan I mentioned at the beginning of this post. As I heard this, one thought went into my mind. What if Thanos knows the Infinity Stones aren’t powerful enough to kill all of humanity, and now he needs to find another way to kill the rest? Maybe in “Avengers 4?”

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The fighting continues, and we get to see perhaps an updated and more quality version of the big battle towards the end of “Star Wars Episode I.” Also, there’s gonna be big explosions everywhere, so I imagine if Michael Bay sees this trailer, he probably has his IMAX tickets already.

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Then we have one the most chilling shots of the trailer, Doctor Strange who looks like he’s getting the worst acupuncture session of all time. I’m almost convinced this is part of a dream sequence, and if it is, I’ll be somewhat disappointed, but this just shows how much our heroes are going to suffer in this event they call a movie.

I gotta talk about this moment too. The one where Thanos, from what I’m gathering, is saying to Iron Man, “I hope they remember you.” If this is not exactly a trailer trick and the line is actually being used where I think it is going to be used, specifically, in Iron Man’s last moments (I’ll get to this in a second), that is the perfect line that could be used for this!

Next up, is a moment of the trailer that so many people are talking about, and it associates with why Captain America is a great hero. You have Thanos here, looking like he’s ready to do some collateral damage to Cap, and all of a sudden, Cap’s itty bitty teeny tiny hands are grabbing onto Thanos’ mega Five Finger Death Punch fist. Thanos looks confused, and the shot where this is visible on the top left has actually been compared by some to a recently popularized meme. Specifically, Patrick Star’s “evil face.” And you can tell in the shot after, the one on the top right, CAP IS GIVING IT HIS *ALL*. I can’t wait to see how this plays out.

After the logo that seems to be taking as much time as it can to let everyone know what this movie is going to be called, we get one comedic moment. Or… at least that’s what people are saying. Because honestly, if this were comedy, it might as well be the cheapest form possible. I’m not gonna be too too hard on it, but it just feels out of place at least in this trailer, and it might be one of the weakest moments of comedy in the MCU. Essentially Spidey and Strange are introducing each other to one another. Spidey gives his real name of Peter and Strange is using his hero name, to which Peter says…

“Oh, so we’re using our made up names, then I am Spider-Man.”

Then we get a shot of Spidey swinging around through all sorts of destruction, everything looks like it has been f*cked over, and the trailer ends.

I’m not gonna say we NEEDED this trailer, but it also doesn’t mean it is bad. I think this is going to be a great film, but I was already all set after trailer 1. This just riddled my brain just a little bit. It gave me some things to be excited for, although part of me wonders how the comedy will play out. Now let’s talk about something we’ll all inevitably face in life.

That thing called death.

Seriously. SOMEONE HAS TO DIE IN THIS MOVIE. And I will probably give some major points if a death occurs to more than just a single character. If Hawkeye dies, I won’t f*cking give a damn. Hawkeye has done nothing for the MCU. Why should I care if he dies? The death has to pertain to someone I’d care about. Someone other people will care about. ALSO, IF THERE’S A FAKE DEATH IN THIS MOVIE I WILL SHOOT MYSELF IN THE FOOT! You know what Marvel? Pepper doesn’t die in “Iron Man 3?” Fine. Nick Fury doesn’t die in “Captain America: The Winter Soldier?” Alright, but it’s almost borderline stupid. As for the people whose death could affect the story, let me go down the list.

First and foremost is Iron Man. If Iron Man dies, this could be a perfect setup for a new story for Spider-Man, because obviously, Spider-Man is Iron Man’s mentee. This can lead to struggles in “Avengers 4” and the sequel to “Spider-Man: Homecoming.” Not only that, but it can also lead to struggles among the Avengers themselves. Tony is basically the spark to ignite the Avengers (unless you count Nick Fury). He’s the hero that defines the MCU Avengers. The rest of them have to cope with his death and fight in his honor.

Another death that could truly affect the story is if Gamora dies. Now Gamora’s a newer character but her death could be the point of the script where Thanos goes from being an evildoer to a jackass. Thanos raised Gamora, and based on what we’ve seen in the MCU’s material, they clearly have different views on society. Sure, Nebula’s death could do the same thing since Gamora was her sister but I feel that the death of Gamora could leave me mourning a lot more due to a larger attachment to Gamora. And… maybe… Because she’s a good-lookin… green chick… I dunno. Oh, and speaking of that! That can definitely affect Star Lord! The two are romantically linked and if Gamora dies, Star Lord is gonna freak out. Maybe he’ll endlessly shoot up Thanos in rage! Also if EITHER of the sisters die, it’ll obviously affect the other because, well, they’re sisters. Although I don’t think this death might end up happening for multiple reasons. First, “Guardians of the Galaxy Vol. 3” is scheduled for a 2020 release. Second, Gamora is part of perhaps the most family-friendly part of the MCU. Third, she’s not exactly a main Avenger, and if it were to happen that people were to die, I think it wouldn’t really affect the Guardians as much. But you never know, anything can happen.

Other deaths can affect the story, and other deaths can definitely tug the audience’s emotional strings. But these are the two (or three if you count Nebula) that’ll probably have the most dramatic effect on the story and the MCU going forward.

Also, one question I didn’t ask after the first trailer. WHERE THE HELL ARE ANT-MAN AND HAWKEYE? IMDb suggests both characters will be in the movie, but we’ve seen nothing from them in the previews. One thing I’ve been gathering from a number of people, is that it’s possible that their lack of appearance has to do with something secret. Maybe having to do with “Ant-Man and the Wasp” coming out this July. I mean, if Hawkeye doesn’t show up, I don’t freaking care, he’s useless as hell anyway. Nothing against Jeremy Renner, he’s a good actor, but his character’s useless. Or… What if Ant-Man is hidden somewhere in this movie? Maybe in a good amount of frames in the trailer? But since he’s so small, it’s incredibly hard to see him! Or maybe, they’re in the credits.

Overall, I’m pretty stoked for “Avengers: Infinity War,” I already got my tickets, I’m going opening Thursday night at my local IMAX theater with laser projection. I’m gonna be seeing the movie in 3D, it’s gonna probably be one of the wildest experiences I’ll ever have at the movies. I’m undoubtedly excited that I know even if the movie sucks, I’ll have an awesome experience. I already enthusiastically tweeted about it!

Thanks for reading this post! “Avengers: Infinity War” has opening night showings on April 26th and will be everywhere on April 27th. I honestly don’t think I’m AS hyped as I was once before. In fact, after watching a recent “Ready Player One” trailer, I’m a little more hyped for that, but this movie looks like GOLD. My review for the film will be out at the end of next month and I’ll also soon have one for Tom Cruise’s “Mission: Impossible” to kick off my series of “Mission: Impossible” reviews. Stay tuned for more great content! I want to know. Did you see this new “Infinity War” trailer? What are your thoughts? Do you think anyone will die in this upcoming film? If so, who? Will Disney actually allow the darkest possible film to happen? Let me know down below and if you haven’t already, get your tickets! Scene Before is your click to the flicks!

Annihilation (2018): Yay! Alex Garland’s Second Film!

Before dive into my review for “Annihilation,” we have some promotional material to go over. Hey! Let me just remind you, this content is free! I’m doing this! Let me just have you know something. I’m a guy, and unfortunately, and somewhat understandably, my gender’s individuals usually can’t go at least a single second of each day without thinking about sex. Before you ask, no, I’m not promoting porn. Even though that does involve sex. What I’m promoting to you doesn’t involve that kind of sex. It instead involves what can be referred to as “BIBLICALLY *APPROVED* INTERCOURSE for the PURPOSES of PROCREATION.” Ladies and gentlemen, I’m talking about “What the IVF?!”

“What the IVF?” is a new YouTube channel and series from a couple whose members include Genevieve and Paul. The two are currently expecting a child in upcoming months and unfortunately for both of them, their journey wasn’t as sweet as chocolate ice cream. Instead, it felt more like a rocky road. As suggested, sex plays a part in this series. Not just that, but don’t forget math, tests, costs, small wins, big losses, and all of those stinkin’ needles! The video up above specifically is their second episode, but if you are interested in seeing the other videos in this series, such as the first episode and the trailer, be sure to click the link down below to the YouTube channel for “WTIVF?.” And also be sure to subscribe or hit the notification bell to keep up on their content! Also be sure to check out their other social media pages, along with their website, also down below! Be sure to tell them that Jack Drees sent you!

WTIVF? WEBSITE: http://www.whattheivf.com/

WTIVF? YOUTUBE: https://www.youtube.com/channel/UCILXSidkzWgwrQ5Oa1py78w/featured?disable_polymer=1

WTIVF? TWITTER: https://twitter.com/WTivF

WTIVF? INSTAGRAM: https://www.instagram.com/wtivf/

WTIVF? FACEBOOK: https://www.facebook.com/What-The-IVF-288868031634125/

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“Annihilation” is directed by Alex Garland (Ex Machina, 28 Days Later) and stars Natalie Portman (Black Swan, V For Vendetta), Jennifer Jason Leigh (The Hateful Eight, Mrs. Parker and the Vicious Circle), Tessa Thompson (Thor: Ragnarok, Creed), Gina Rodriguez (Deepwater Horizon, Jane the Virgin), Tuva Novotny (Eat Pray Love, Dag), and Oscar Isaac (X-Men Apocalypse, Star Wars: The Force Awakens). This movie is about a biologist who sets up a secret expedition where the laws of nature are thrown out the window. The film is also based on a book by Jeff VanderMeer which is one of the three books in the Southern Reach trilogy. On that topic, according to Alex Garland, he didn’t really think much about making a trilogy. His focus is mainly shifted towards the first book of the same name, so I don’t think we’ll be getting any sequels to this movie in the future.

Before we go any further and dissect “Annihilation,” I just want to bring up one of the banes of my existence. And no, for all of you who don’t know grammar entirely, this has nothing to do with “Batman.” This does however, have to do with Netflix. I recently did a post called “Why I Won’t Review The Cloverfield Paradox.” In it, I explain my prior anticipation to “The Cloverfield Paradox,” and how I won’t review or even watch the movie based on something I didn’t really expect to happen. That unexpected happening by the way is the fact that the movie wouldn’t be released in theaters and instead went straight to the Netflix streaming service. I explain how they basically killed Blockbuster, a nostalgic store I adore that I will surely miss. I go on to say that the way they’re changing movie and TV watching is making certain experiences dwindled from what they could be. Not to mention, they’re also killing movie theaters, which are basically “other homes” of mine, because they think it’s a good idea to have all of their movies go straight to the platform. So I never inserted this in the post, but I’ll say it here. You know the phrase “Netflix & chill?” People nowadays know it as either an invitation to watch Netflix with someone else, or just an excuse to have sex. So I hate to kill the mood, if you know what I mean, but I might as well describe some of the scenarios I recently mentioned as “Netflix & kill.”

Before going to see this movie, I found out apparently that Netflix is apparently distributing “Annihilation” internationally (except for China). I live in the United States, meaning Netflix isn’t distributing the movie to my people. Paramount is doing said job. Let me just say, this movie is very lucky to get its own review, because if it lacked any release in theaters, or if Netflix was doing total distribution, I would have saved some time. In fact, I’m willing to bet that Alex Garland, the director of “Annihilation” might also be somewhat disappointed in what happened to this film. Just read this quote spoken by him down below:

“We made the film for cinema. I’ve got no problem with the small screen at all. The best genre piece I’ve seen in a long time was “The Handmaid’s Tale,” so I think there’s incredible potential within that context, but if you’re doing that – you make it for that and you think of it in those terms. Look… it is what it is. The film is getting a theatrical release in the States, which I’m really pleased about. One of the big pluses of Netflix is that it goes out to a lot of people and you don’t have that strange opening weekend thing where you’re wondering if anyone is going to turn up and then if they don’t, it vanishes from cinema screens in two weeks. So it’s got pluses and minuses, but from my point of view and the collective of the people who made it – [it was made] to be seen on a big screen.”

I hate to sound like a propaganda machine, but I’ll say this anyway. Netflix may have chopped this movie’s head off, but it still has a beating heart. It didn’t totally “annihilate” the film. 😉 Getting back on track, let’s talk about “Annihilation!”

Going into “Annihilation,” I was excited. That’s because I’ve seen a film from Alex Garland which released in 2015 and it was one of the most beautiful looking films of the decade. That film by the way, is “Ex Machina.” While “Ex Machina” isn’t what I’d personally call a 10/10 movie, I have to give major props to the film from a production and directorial perspective because it made me want to be a part of the movie. Heck, it won Best Achievement in Visual Effects at the Oscars! I will also say, “Ex Machina” was Alex Garland’s directorial debut! Garland’s second movie, “Annihilation,” has arrived in various territories, I didn’t know too much about it. I’ve seen a trailer for it, I knew Natalie Portman would have the starring role, I knew it was based on a book, but not much else.

Oh wait, there was one more thing, kind of going off of something I just mentioned.

As suggested, “Annihilation” is based on a book, specifically a book of the same name. The book is part of what’s known as the Southern Reach trilogy, which is named due to a secret agency which plays an important part in the overall plot. All three books were written by Jeff VanderMeer, and were met with positive verdicts.

Funny enough, all of them start with the letter “A.” So I guess if you don’t like calling the series the Southern Ranch trilogy, you can instead call it the AAA trilogy. It’s the perfect series for going out to CVS in your car with three of your friends. Their names are Albert, Alec, and Alex (AAA). You decide to go inside the CVS store, where you end up buying AAA batteries, finding three guys at the register named Aaron, Adam, and Andy (AAA), going back to your car to realize the doors are locked, you left your keys inside, so now you have to call AAA to get this situation settled. Once that’s over, you get back in your car, you’re about the leave the shopping center where CVS is, a very small one at that. It contains other shops including AT&T, Avenue, and Applebee’s (AAA). You suddenly realize, you have some time to kill, so it leads you to pulling out one of the AAA books from the back seat, you start reading it, and you remain in the parking lot going nowhere for a period of time. Oh yeah, and your friends are just questioning why you aren’t driving.

Alright, rambling’s over, let’s get serious.

Since “Annihilation” has some of the stuff it has in it, it’s easy to imagine some people are looking forward to it if they haven’t seen it. I haven’t even read the books and I was kind of stoked! Although there were people who happen to be giving it some flak before it even came out. Why is this? Well apparently, this movie has miscast its characters, and the reason why they’re miscast is because they’re not the correct ethnicity.

Let me just say, I’ve never read the books, so what I’m gathering is from random research. And the research tells me that these complainers have justifiable reasons behind their thoughts. Do I agree with them? Sure I do. It doesn’t mean I don’t like the actors playing these characters or how they perform as these characters, but it doesn’t change the fact that these mistakes are still there. Although I will say, there are two characters when it comes to this complaint. Specifically Natalie Portman’s character of Lena and Jennifer Jason Leigh’s character of Dr. Ventress. Of the two characters, Portman might be the bigger problem here. Again, I like her as an actress, so I don’t see Portman herself as a problem, but I do see this casting choice as a problem. For one thing, she’s the lead role. Also, her ethnicity was revealed in the first book of the trilogy whereas the other character had hers revealed in the second book of the trilogy. When it came to the overall adaptation of this book to film. Garland was more focused towards story than character looks. And while I look for more great stories than I do correct adaptations, this was something that could have easily been altered. While I REALLY enjoyed “Annihilation,” this will subtract its score.

Onto the movie itself, I actually went to see this over a week ago, so I apologize if some of my comments come off as weak. I usually review movies right after I see them depending on the case, but this wasn’t one of them. My Oscar recap was more important. This movie starts off in a small room with a conversation between Natalie Portman and Benedict Wong, and I knew that part of the movie was going to take place there. The overall setting there set the tone for what’s to come. We occasionally cut back and forth between that and some plot-unfolding events of the film. And with all that put together, the tone doesn’t really ever feel ruined. There’s a lot of cutting back and forth, but it doesn’t feel all jumbled together like a pizza with topping options so endless it has toppings like TNT, screws, and LEGO bricks. In other words, this movie’s edited competently and the tone doesn’t feel messed up.

I’ll mention once more, one of the biggest positives I can give to Alex Garland’s directorial debut, “Ex Machina,” is how beautiful-looking the movie is. The movie won Best Visual Effects at the Oscars and it’s easy to see why. Plus, all the scenery might make you feel like you’re on an exotic getaway and you’re on a nature walk. Oh yeah, and robots are there too! Much like “Ex Machina,” this movie has you feeling as if you’re entering a majestic new world. Once all the scientists are together on their journey, they enter an anomaly known as the shimmer. Inside, it can simply just be described as wondrously gorgeous. But not all of it is pretty.

“Annihilation,” at its core, is a sci-fi film. Although it has some elements of horror in there as well. This movie to my personal surprise, features one of the more terrifying scenes I’ve seen in a science fiction film. If you’ve seen the trailer, you may remember that wolf with the sharp teeth, holy s*it!

I also have to talk about the ending. And without spoiling anything, I’ll tell you all upfront. This is one of the best endings I’ve seen this decade. Why do I love sci-fi so much? Well, there’s many reasons that can qualify as an answer to that question for me, but one thing I’ve noticed is how many of those movies have endings that I just often look back on. This movie is no exception. I mentioned in my post titled “Annihilation (2018): NOT Now In Theaters Everywhere” that “Annihilation” originator Jeff VanderMeer gave praise towards this film’s ending and even said in some ways, the movie might actually be better than his own book. That’s a much better reaction than the one given by Paramount financier David Ellison, who thought the film was apparently too complicated for some minds! By the way, f*ck David Ellison. You can clearly tell I’m siding with VanderMeer in this circumstance. The ending overall felt like I was watching “2001: A Space Odyssey.” I can’t talk much about it, but given some of the situations that happen in this film and when you piece it all together. This film feels like “Arrival,” “Jurassic Park,” and “2001: A Space Odyssey” all meshed together in one wonderful package. One more thing about the ending, the music in that moment can only be described as one word, and that’s orgasmic.

Moving onto characters, let’s talk about Natalie Portman’s character of Lena. While I did mention before that Lena is not entirely cast the way that a good number of people think she should be, I’ll add, Portman did a fine job here. I was able to buy her as a biologist. Every single frame I was convinced that she could possibly have a shot at becoming a professor at Princeton. Her husband, Kane, played by Oscar Isaac, also delivers an excellent performance.

All of the characters in this film overall seem to have no qualities that I hate about them, whether they’re in the category of annoying, off-putting, or so hatable because they killed someone you love so much that they must get similar treatment. They all seem to be redeemable and I really think they all did their role quite well. I will admit, some of this movie is kind of dwindling on me. And it’s not because I didn’t like the movie. I thought it was great! I’ll say once again, it’s been over a week since I saw this, and other things mattered more to me than this review. No offense to “Annihilation” and its crew.

One last thing I’ll mention is this. I said already that if you combine “Arrival,” “Jurassic Park,” and “2001: A Space Odyssey,” you might as well get this movie. You might also say that if you combine JUST A HINT of “Ghostbusters,” you get this film too. Just look at this shot and tell me otherwise!

In the end, “Annihilation” is certainly one of those films that I’m gonna have to watch again, and it’s also one of those films that I want to talk about with others for years to come. Is this movie perfect? I wouldn’t say so. I’ve already gone over some minor casting issues that are somewhat understandable after doing some research, but are still there regardless. I must say though, Alex Garland, you’ve done it again! I’m going to give “Annihilation” an 8/10! By the way, if you can’t get this in theaters in your area, chances are you may have this movie available to you now on Netflix. It actually released on the Netflix platform in several areas a day ago, so go watch it if you haven’t already! I don’t use Netflix, but I’ve talked enough about that. Thanks for reading this review! Pretty soon I’ll have a review up for “Mission: Impossible” starring Tom Cruise, which will kick off my “Mission: Impossible” review series in preparation for “Mission: Impossible: Fallout.” Also, for my next movie to see in theaters, I just realized how many options I have. I want to go see “Game Night,” “A Wrinkle in Time,” (can’t believe I’m saying that) “Gringo,” “Red Sparrow,” and you’ve even got “Tomb Raider” coming out next weekend. I don’t know if I’ll catch a movie this weekend, but only time will tell. If you need some more content to hold yourself over, be sure to check out my recap for the 90th Academy Awards, where I talk about “four men and Greta Gerwig,” a jet ski, and what could be regarded one of the of the most well deserved Academy Award wins of all time. If you want to check that out, click the box down below, and will take you to the post! Stay tuned for more great content! I want to know, have you seen “Annihilation?” What are your thoughts? What did you think about the ending? Also, if you saw it, how did you see it? Leave that info down below as a way of annihilating some time! Scene Before is your click to the flicks!