Doug Liman

The Instigators (2024): Wicked Average

Posted on by Jack Drees

“The Instigators” is directed by Doug Liman (The Bourne Identity, Jumper) and stars Matt Damon (The Martian, Good Will Hunting), Casey Affleck (Manchester by the Sea, Gone Baby Gone), Hong Chau (Kinds of Kindness, The Menu), Michael Stuhlbarg (Call Me by Your Name, The Shape of Water), Paul Walter Hauser (Cobra Kai, Inside Out 2) Ving Rhames (The Garfield Movie, Mission: Impossible), Alfred Molina (Raiders of the Lost Ark, Spider-Man 2), Toby Jones (Frost/Nixon, W), Jack Harlow (White Men Can’t Jump), and Ron Perlman (Hellboy, Pinocchio). This film is about two men who go on the run with a therapist after a heist does not go as planned.

As someone who has lived in Massachusetts all his life, it should not come as a surprise that I have a few Boston-based movies under my belt. Movies like “The Departed,” “Good Will Hunting,” “Spotlight,” “Ted,” “Patriots Day,” “Stronger…” Granted I still have not seen everything like “Mystic River,” “Black Mass,” “Gone Baby Gone…” Still waiting to get around to those. But as someone from this area, I feel it is my duty to check out a Boston-based film when possible, which is one reason why I saw “The Instigators” recently.

Sadly though, I cannot say I was that excited for this movie. The trailer failed to impress me, and I did not think this movie was going to do that well.

There are times where I almost forgot I had to review this movie, which is really weird when you consider my experience with it. This is a true story… When I saw this film on opening Thursday night, I am not making this up, my theater was decked to the brim with “The Instigators” posters. If this were my bedroom, you would think I have an unhealthy obsession with this movie. That should probably give you some indication as to how my experience went down.

For the record, I do not despise “The Instigators,” but I also cannot say it is worth your time either. This is one of those movies that barely kept me awake as it went. Does it have a good pace to it? Sure. Do I like the cast in the movie? Sure. Do I think the movie has some clever moments? Sure. But everything about the overall experience of the film just screams middle of the road. There is nothing outright amazing about “The Instigators,” especially when compared to other Boston titles like “The Departed.” If I was in a Boston mood and I wanted to truly pay attention to every single detail on screen, I would simply turn on “The Departed.” But as for “The Instigators,” the situation in which I most likely see myself watching this movie again in the future would probably be when I just need some background noise. Part of me wants to say that I could maybe catch the movie on cable and just leave it on, but I highly doubt that Apple is going to allow that to happen. I do not think they are in that kind of business.

Now as someone who resides on the North Shore of the Bay State, I do fit into some local stereotypes. I do enjoy Dunkin’, I buy a ticket to a ballgame at Fenway, I have used the term “Storrowed” every once in a while, and I have even had the privilege of seeing a couple Boston Marathons in person. When I was in college the Boston Marathon route went right by my campus, so I took advantage of my commuter parking pass and got to see the event play out a couple times. Heck, I went to see this movie IN THE ONLY THEATER TECHNICALLY IN BOSTON, not any of its suburbs, selling tickets for it! But I have to be real with you, as much as I try, to varying successes and failures, to maintain my local roots, I have to admit this movie does a good job linking itself to the Greater Boston culture. When I say this however, I should also say, the movie almost does… TOO GOOD of a job. Sometimes the outcome this movie provides when it comes to its Boston tributes, if you can call them that, is almost pornographic. Whether it means Alfred Molina randomly showing up with Dunkin’, getting Rob Gronkowski of all people to make a rather gratuitous cameo, or having Hong Chau’s character mention she’s from Lynn during a chase and having the other characters say “Lynn Lynn the City of sin” just because. Though I must admit, there is a scene in the movie where we see a protest outside of Boston City Hall and I almost burst out laughing as soon as I saw a sign that read “FIX THE MBTA!”.

It is almost as if the crew behind this movie decided to ingrain themselves so heavily in Boston culture to the point where they sort of built a decent atmosphere for the film, but did not have the brains on how to make the film as entertaining as can be. Because as I look back at this film, I find to be uneventful, unmemorable, and minimally engaging. I cannot say I hate any of the characters on screen, but I am not going to remember their names in six months.

That said, this film is led by Matt Damon and Casey Affleck, and the two, to my lack of surprise, have decent chemistry in their roles. They both do a good job as two guys from Quincy, and even though I admit their journeys in this film fall into some pits of predictability, I enjoyed seeing their motivations play out and their personalities come to life. But when you have these two leading a movie like this, I kind of expect something more from the script or the plot, or even the direction.

Heck, this movie is directed by Doug Liman, whose resume partially includes “The Bourne Identity” and “Edge of Tomorrow,” which like those movies or not, you would probably agree with me when I say they look pretty cinematic. This movie honestly looks like it was made for television between its lighting that appears as if the crew forgot to brighten the bulb a tad occasionally. Yet at other times, it has some unusual camera tricks that try to appear cinematic, but only manage to feel jarring the longer I gaze my eyes upon them.

If I had to pick a performance in the film that stood out to me the most, it would probably be Ron Perlman as Mayor Miccelli. At a glance, Perlman very much looks the part of a politician. He has this look to him that like some politicians, you question yourself in the back of your mind on whether or not to trust him. His presence in the film made for some good scenes, especially towards the end.

And you know what? This is a poetic transition. If I had anything else to say that is positive about the film, I must admit, I was not 100% thrilled with all that it had to offer, but there are several scenes where you can easily be entertained by these characters. The entire cast oozes charisma, even if they are playing characters whose names you will probably erase from your memory after leaving the theater. Is part of it because some of the actors in the cast are recognizable? Perhaps. Why do you think I am going about this review referring to the actors names but not acknowledging their respective characters? But like some of their previous work, those recognizable actors play their parts well here. However, for me, this film was missing something. If anything the film is almost too stereotypical and lacking in any oomph that will make audiences remember it for years to come.

In the end, “The Instigators” is a somewhat entertaining movie, but it is not one that had me engaged the entire time. As the heist goes down, I am interested in what is going on. But I cannot say there are any standout moments in this film that will cement it as one of my favorites of the year. Does everyone in the cast do a good job? Again, sure. But they are not Oscar-worthy. This movie is on Apple TV+, and I can frankly see why. I have to be real, their record has not been working for me. Other than “CODA,” which is amazing, I cannot say I have seen one movie from Apple yet, and I include “Killers of the Flower Moon” in this thought, that has totally floored me. If you were planning on watching “The Instigators,” I am here to tell you your time will not be completely wasted, but you can probably use that time to do other things that would be more exciting. I am going to give “The Instigators” a 5/10.

“The Instigators” is now playing in select theaters and is available on Apple TV+ for all subscribers.

Thanks for reading this review! If you want to see more reviews like this, I have more coming! Stay tuned for my thoughts on “Sing Sing,” “Borderlands,” “Skincare,” “My Old Ass,” “Reagan,” and “It Ends with Us.” If you want to see these reviews and more from Scene Before, follow the blog either with an email or WordPress account! Also, check out the official Facebook page! I want to know, did you see “The Instigators?” What did you think about it? Or, since I clearly have no faith in their service, what is something you recommend on Apple TV+? Yes, I know they’ve got shows like “Ted Lasso,” “Severance,” “For All Mankind,” but I want to specifically ask if there are any movies from them that you enjoyed. Let me know down below! Scene Before is your click to the flicks!

Chaos Walking (2021): The Noise Awakens

Posted on by Jack Drees

“Chaos Walking” is directed by Doug Liman and stars Tom Holland (Spider-Man: Homecoming, Onward), Daisy Ridley (Star Wars: The Force Awakens, Peter Rabbit), Mads Mikkelsen (Rogue One: A Star Wars Story, Hannibal), Demián Bichir (The Hateful Eight, A Better Life), Cynthia Erivo (Bad Times at the El Royale, Harriet), Nick Jonas (Jumanji: Welcome to the Jungle, Midway), and David Oyelowo (Gringo, Selma). This film follows a guy named Todd who lives in a dystopian future. In 2257 A.D., the men of New World go about their daily lives after an unfortunate war. One thing our protagonist, Todd, has in common with everyone else is that he has this thing called “noise,” where his thoughts are outspoken despite not opening his mouth. However, one day, a ship crashes on the planet and it peaks Todd’s curiosity. Turns out, the rider inside the ship is a girl, which Todd has never seen before, given how all of them died in the recently mentioned war.

I saw this film on the second weekend of March. Therefore, per usual, I am getting this review out late. That’s the bad news. The good news however that comes with it is that I likely have more time to process and think about what I saw, which I have done when it comes to this movie. With my previous review, “Raya and the Last Dragon” to be specific, I did not flip back and forth between much. The only thing I flipped around with was the score, which I was wondering whether I’d give it either a 8/10 or 9/10. I settled for the latter. I thought a little more about “Chaos Walking,” but not much more. Sure, I kind of flipped around on the score here as well, but that is not the only slice of this pie we have here. The big question I thought about was if I was actually going to see myself watching this movie again. The short answer would be… Maybe? But not now? I dunno… The thing is, when it comes to the young adult novel adaptation realm of filmmaking, I usually watch those movies once and I normally don’t have an urge to go back to them. Yes, I’ll buy the Blu-ray, but it ultimately may just end up sitting on my shelf. I like the “Divergent” movies, in fact I personally think it is better than “The Hunger Games” as a franchise, but I don’t usually watch those movies while sitting at home on a Friday night. I am somewhat mixed on “Chaos Walking” as a movie, because using the recent example, “Divergent,” I find “Chaos Walking” to be more entertaining at times than “Divergent,” specifically the first installment. I interestingly enough find “Insurgent” to be a better movie. If anything, I find “Chaos Walking” to be more entertaining than “Divergent” because “Chaos Walking,” whether it is intentional or not, comes off as somewhat funnier and maybe has a little more fun with its concept. In fact, I think the concept is slightly better, because I think it is a little more cliche to do the whole “divide people into groups” and boom, we have our movie idea. This movie eliminates an entire gender and as a viewer, I am somewhat intrigued to see how the survivors are going about their days.

At the same time though, similar to some other young adult novel adaptations, this film does get borderline cheesy. Sometimes it provides for a fun line, which is cool. But if you are looking for a Shakespearean, timeless flick with some of the best writing and directing imaginable, go elsewhere. Going back to the movie I recently mentioned, “Chaos Walking” came out the same weekend as “Raya and the Last Dragon.” That is a much better film in my opinion, so if I had to pick between two films to watch, the choice would easily be “Raya” by a long shot.

Moving onto characters, I want to talk about the chemistry between Tom Holland and Daisy Ridley. On their own, these two are great actors. I loved Holland as Spider-Man in the Marvel Cinematic Universe and I adored Rey in “Star Wars,” so to see these two nerd icons come together in one movie is almost magical. As for their characters I bought into them as a pair as they sometimes found each other odd, sometimes they found each other likable, and so on. Going back to what I said about this movie having fun lines, there are a couple character establishment moments between these two that are personal highlights of the script. One other highlight of the script for me is that like every other young adult novel or every other young adult adaptation, the guy or girl has to crush on the other person or fall in love with them. I will not go into much detail on that, but this film almost felt like it was parodying that cliché at times, and I mean that in a positive way. There are moments where we see Tom Holland’s character specifically either thinking about kissing her, which was hysterical, and maybe there will be another scene in the film where we simply see that he finds her attractive. That may have been the best part of the movie because it takes a cliché, has fun with it, and makes it a kneeslapper.

I also want to talk about the driving gimmick of the film, “the noise.” When I saw the trailer for this film, I thought I was going to hate every single second that this, well, noise, was going to be emitted. It sounded awfully rugged, and it kind of goes against the screenwriting rule where you have to use as little words as possible to get points across because film is a visual medium. Yes, there is writing in it, but ultimately it is a matter of what you see. Seeing someone doing something is usually more entertaining and calming than hearing someone saying they are going to do something. And I will admit, when I heard this early on in the film, I was kind of pissed on how it played out. I figured if they were just going to utilize this thing for a poop joke, which more likely belongs in a disposable Illumination or DreamWorks project if anything, I figured this film was not going to be worth my time. But the gimmick was surprisingly well utilized to a certain degree. It does not change the fact that when it comes to most movies, less is more, but “Chaos Walking” is a weird animal where more is more when it comes to screenwriting.

In the end, “Chaos Walking” is just weird. I like the movie, but I cannot confirm that I’m ever going to watch it again. When comparing it to other young adult genre entries, I’d rather watch the first two “Divergent” films again. “Noise” is a terrible gimmick on paper, but an okay one when ultimately executed on screen. This film is cheesy, but weirdly attractive at the same time. This is a film that took years to make, and it honestly shows. A lot of the lines are borderline wooden and it almost feels like the only reason why this movie exists at this point is for the studio to poop it out in a pandemic where it is almost impossible for some people to go to the movies. “Chaos Walking” is a good movie, but not a great movie, so I’m going to give it a 6/10.

“Chaos Walking” is now available in theaters wherever they are open and the film is also now available to buy on video on demand services such as Fios, Xfinity, Google Play, and VUDU.

Thanks for reading this review! My next review is going to be for “Mortal Kombat” as part of a review series I am calling “Mortal Kombat: Finish the Reviews,” which I am doing as a lead-in to the all new R-rated “Mortal Kombat” movie which is out in theaters and on HBO Max on April 23rd. I will also have my review up for “Mortal Kombat: Annihilation” available starting April 12th. I should also soon have reviews for “Boogie,” “Nobody,” and “Godzilla vs. Kong.” To stay tuned for these reviews, follow Scene Before either with an email or WordPress account and check out the official Facebook page! I want to know, did you see “Chaos Walking?” What did you think about it? Or, what is your favorite 2021 film so far? Let me know down below! Scene Before is your click to the flicks!

The Wall (2017): Wait, Where’s John Cena? *STRONG LANGUAGE IN OPENING PARAGRAPH*

Posted on by Jack Drees

mv5bmtc5odmynze4of5bml5banbnxkftztgwntm0mzc4mti-_v1_sy1000_cr006741000_al_

The f*cking movie known as “The Wall” is f*cking directed by the motherf*cker known as Doug f*cking Liman (The Bourne Identity, Jumper), stars Aaron f*cking Taylor-Johnson (Godzilla, Nocturnal Animals) and f*cking John Cena (American Grit, Trainwreck), and is f*cking about two American f*cking soldiers, there’s a lethal f*cker, err I mean sniper that is standing in their f*cking way, but the two are divided by a f*cking wall. …Now I could make a f*cking paragraph, illustrating my motherf*cking point that the movie is full of f*cking language, especially f*cking f-bombs that are f*cking shoved down your throat as f*ck. To be extra clear, this paragraph had fifteen f-bombs. “The Wall” had more, in fact, the exact total came out to 185 in the whole movie. Can you f*cking believe that?! And there’s sixteen!

The word f*ck can associate with this movie significantly. In fact, I’d personally go as far to say that the word can associate with more than just the screenplay which has the word bloated all over. I’d even say the movie in general can associate with it. One of my biggest problems with the movie is the marketing, specifically, the poster.

According to the poster, John Cena is in this movie as one of the starring roles. Well guess what? He’s barely in it! Now, I don’t know how much people appreciate John Cena as an actor. I know he gets plenty of appreciation as a wrestler and a prank call meme. He’s also going to be in the “Bumblebee” movie which is scheduled to come out next year. Speaking of sports stars who also do acting on the side, I’d also like to say this isn’t the first time I’ve seen something like this happen this year. There was this movie that came out in select theaters and digital services in March called “You Can’t Have It.” On the main poster for the film, the one that’s actually the only image of the movie on IMDb, and the poster you’d find for the movie when searching for it on Amazon, Rob Gronkowski, tight end of the New England Patriots, was in the center of the poster. This pretty much suggests that Gronk’s character would have a big role in the movie. His character however, didn’t even come in until the end. In fact, when he came in, I felt like I was watching something that was very tacked on. Now, this movie was not as bad when it came to this, but Cena’s barely in this movie, and there’s one guy that should have been on the poster as opposed to John Cena, and that is Laith Nakli. Now, his face isn’t really shown all that much in the film so I wouldn’t really put it in the poster. Just put Taylor-Johnson’s character in the poster by himself, or make a silhouette of Nakli’s character, any of that would have worked in my book!

This movie’s directed by Doug Liman (left), a director who I personally like. He’s done some movies I’ve seen before, including a movie that came out this year, in fact it came out months after this one, and that’s “American Made.” That’s a better movie in my opinion, but let’s not get into that. Regardless of how this movie in particular is, Liman’s vision is not a bad one. The location which this film was shot is Antelope Valley, which is in Lancaster, CA. By the way, if you are wondering where that is it’s in a spot between Los Angeles and Bakersfield. This location gave me a feeling of silence but the silence wasn’t peaceful, it was completely deadly. It almost reminds me of “No Country for Old Men,” which is kind of funny because both this and that movie barely have any music. Speaking of things that I find amusing, this movie was shot on 16mm film. This format was also used to shoot “The Hurt Locker,” which is interesting considering the locations where the films take place and how similar they look. Also if it means anything, I have yet to watch “The Hurt Locker.” This fact amuses me because when it comes to shooting movies, it’s either usually digital nowadays or if a movie is shot on film, it would be 35mm.

Let’s talk about Aaron Taylor-Johnson, who plays a character named Isaac. I thought his performance was very well done in this movie given the script, which again, is f*cking full of f*cks. Also I didn’t really find the movie as a whole, all that interesting. It was mostly boring, I tuned out for part of it, I was making fun of how much it wanted to “f*ck” with the audience. Some of you reading this might think that my opinion should be adjusted because this movie comes off as slow and it’s just how it is. I’m not saying the movie should be fast, but I just want it to be interesting. And it wasn’t interesting in this circumstance.

I will say though that the slow pace of the film, might add a bit to the movie in terms of realism. However despite the realism, I still wasn’t able to appreciate the movie. Also, you may be aware of another war movie, specifically one that came out months after this one. The movie I’m talking about is “Dunkirk.” Now I consider “Dunkirk” to be one of my favorite movies of the year and part of it was due to how realistic it was as far as war goes. And keep in mind, this movie was PG-13. If it added in blood then it would have been just slightly realer, however it’s pretty realistic already. Although one thing I consider great about “Dunkirk” that I found to be missing from “The Wall” was investment in the story. I could have been invested in the story here, but little problems came up as the movie went on, which bogged down my interest for the movie on a complete scale. Now I saw “Dunkirk” in theaters, I saw “The Wall” at home. Maybe if I saw “The Wall” in theaters I would probably not be talking about this all that much, but I made a choice to wait on this movie because I’m an Amazon Prime member and I figured this movie in particular would be free for Prime members by the end of the year.

In the end, I’d say that I need a wall to separate me from the pile of boredom known as “The Wall.” This is a movie that looks great, has a talented director, and a good performance by Aaron Taylor-Johnson despite the fact that the script is f*cked up in a bad way. I don’t mind when the word f*ck is used in movies or TV, but part of me wondered if the amount of f*cks given in this film was even f*cking possible. I’m gonna give “The Wall” a 4/10. Thanks for reading this review, next Monday I will have my review for “Thor: The Dark World,” so stay tuned for that, along with more reviews coming soon! Speaking of which, this is not official, but on November 5th, I’m thinking of posting a review for “V for Vendetta,” and if you ever seen the movie you’d understand why. Also, I have a question. If you could magically create a wall to separate yourself from something for the rest of your life, what would it be? Keep in mind, I mean literally separate yourself. Just imagine that this thing can’t climb the wall or go around it. Let me know about that down below! Scene Before is your click to the flicks!

American Made (2017): Tom Cruise and Doug Liman Are Back!

Posted on by Jack Drees

mv5bmtuxnzuwmjk1nl5bml5banbnxkftztgwndkwodi1mji-_v1_sy1000_cr006751000_al_

“American Made” is directed by Doug Liman (Edge of Tomorrow, The Bourne Identity), and stars Tom Cruise (Risky Business, Mission: Impossible), Domhnall Gleeson (Ex Machina, Star Wars Episode VII: The Force Awakens), and Sarah Wright (21 & Over, Marry Me) and it is being marketed saying that it’s “based on a true lie.” The film’s about a pilot played by Tom Cruise who lands work transporting contraband for the CIA and as a drug runner for the Medellin Cartel in the south in the 1980s.

Going into “American Made” I was expecting a number of things. First off, a good movie, which by the way I did get. Second, a fine Tom Cruise performance, that was there too. Some moments of comedy despite having a serious situation at hand, that was also there. And I also expected an interesting story, for the record, I never really heard about this because I wasn’t born until 1999 and I just never researched it. I got all of that and a little more.

My favorite aspect of the entire film is how it looks. I went to see this film in IMAX, which I will say enhanced the experience a bit. By the way, if you do want to see this film in IMAX, make sure you can fit it in because this won’t be there long before “Blade Runner: 2049” comes out on October 6 and there could be a good chance that this won’t be playing at your local IMAX. As far as the camera goes, this film was shot on an Arri Alexa, which is a camera capable of shooting in 2K, which is higher than HD but lower than what is typically considered Ultra HD, or 4K as some people may call it. Even so, the film looked amazing. The aerial shots looked beautiful, the locations were gorgeous, and I truly felt like I was in the movie at times. But then again, I’ll mention, I saw the movie in IMAX. Also, one more thing. As much as I appreciated the cinematography in the movie, I wouldn’t say it was perfect. At times, it would zoom on certain things, and I have seen that before and it worked in other pictures, but here it’s kinda sketchy.

Let’s talk about Tom Cruise’s character of Barry Seal. If you ask me what I think of Tom Cruise himself, personally, I think he’s a fine actor. As a person, he may not be the best when it comes to relationships, or in terms of controlling his own ego, but as an actor, he’s got chops. He even starred in one of my favorite films of all time, and quite possibly my favorite coming of age movie, “Risky Business.” He’s also proven to be a stellar action star, just watch the “Mission: Impossible” movies! When it comes to Tom Cruise in “American Made,” I’d say that this is what happens if his performances from “Top Gun” and “The Last Samurai” got together and had a baby. The elements are there! In “Top Gun,” Tom plays a pilot, and as far as Tom Cruise in “The Last Samurai” goes, I didn’t really see much of Tom Cruise in that movie, and I mean that in a good way because Tom Cruise felt like a different person. Not to mention, both “American Made” and “The Last Samurai” take place way back before the time they came out. I will say, Cruise’s performance isn’t necessarily as good here as “The Last Samurai” because I can still see Tom as I watch “American Made,” but it is definitely a fine performance.

Sarah Wright plays Barry’s wife, Lucy. Wright did a fine job as her and while I can’t really say many redeeming things about her that makes her character stand out from many others, she definitely was a fine character and moved the movie along very well. Quite possibly Wright’s best scene, performance wise, is when she’s watching TV and she sees something that if I said it, would spoil some of the movie for you.

One of the biggest shockers for me in this movie is that Jayma Mays is in it. You may know her from “Glee,” a show which I actually never saw and it’s also a show I personally don’t want to see in the near future. However I have seen Mays in other movies which critically, were spat in their faces. I’ve seen Mays in 2009’s “Paul Blart: Mall Cop” and 2011’s “The Smurfs.” “Paul Blart: Mall Cop” is a guilty pleasure of mine, but I’ll mention to you I live near the shopping centers where this movie was shot. As far as “The Smurfs” goes, that might have been the worst movie I’ve seen to have released in 2011, now keep in mind, I haven’t seen “The Twilight Saga: Breaking Dawn Part 1” or “Jack and Jill” so before you comment below, think wisely. Speaking of surprises, Jayma Mays probably gave the best performance in the entire flick. I honestly want to see her nominated for Best Supporting Actress when the Oscar season comes up. She plays Dana Sibota, the Assistant Attorney General of Arkansas, so when you go see this movie and it’s about halfway done, look forward to this character.

One thing that didn’t surprise me but I imagine could surprise some people who haven’t heard much about this movie is that at times, it’s funny. Now it’s not hilarious, it’s not like “The Hangover” or “Anchorman” or anything like that, nothing slapstick, it’s just rather comedic at times. I was watching one of the TV ads for this movie, it shows a plane crash, and Tom Cruise is talking to this guy on a lawn, and that actually turned out to be the part of the movie where I laughed the most.

In the end, “American Made” is worth checking out. I’m aware that awards season is around the corner, and I do hope this does get nominated in a couple categories: Best Supporting Actress for Jayma Mays’s performance, Best Cinematography, and Best Sound Editing, although in that aspect I don’t really think it stands a chance against “Dunkirk,” which basically turned the entire auditorium into a war zone. The replay value for this movie personally is a little low, and there are some characters that don’t really stand out as much as others, but all in all I had a good time watching this movie. I’m gonna give “American Made” a 7/10. Thanks for reading this review, next weekend I’m hoping to go see “Blade Runner: 2049,” the sequel to what is considered one of the greatest sci-fi films ever made, I can already tell it’s gonna be great just based on reviews, so I can’t wait. I’m also hoping to see “Stronger” which stars Jake Gyllenhaal as a man partially affected by the Boston Marathon bombings. Also, if you’ve got Tom Cruise fever right now, I’ll leave some reviews for movies that have Tom Cruise in them, feel free to take a gander, they are worth reading. Stay tuned for more reviews! Also, what is your favorite movie with planes in them? Let me know down below! Scene Before is your click to the flicks!

“THE LAST SAMURAI” REVIEW: https://scenebefore.wordpress.com/2017/09/11/the-last-samurai-2003-not-a-perfect-blossom-but-not-a-bad-one-either/

“RISKY BUSINESS” REVIEW: https://scenebefore.wordpress.com/2017/09/18/risky-business-there-is-no-substitute/

“THE FIRM” REVIEW: https://scenebefore.wordpress.com/2017/09/25/the-firm-1993-lifes-a-mitch/